classes ::: tower, josh, Place, the Infinite Building, Planes, levels, favorite, Place,
children :::
branches ::: The Tower

bookmarks: Instances - Definitions - Quotes - Chapters - Wordnet - Webgen


object:The Tower
object:joshs tower
object:TT2

--- PROSE
Sitting in meditation, he ascends the staircase of the Heavens.


a_hundred_levels

Floor 2 - SA + TM
Floor 4 - The Sanctuary
Floor 7 - The Infinite Library
Floor 8 - The Battlefield
Floor 9 - The Garden
Floor 10 - Heavens

--- THE TOWER OF LIGHT
--- THE CITY OF PYRAMIDS
--- THE ENDLESS BATTLEGROUND
--- THE DIVINE PLAYGROUND
--- THE CELESTIAL GARDEN
--- THE INFINITE LIBRARY
--- THE TEMPLE OF LIGHT
--- THE INNER SANCTUM OF IMMUTABLE PEACE




--- FLOOR 2 : SA A TM
  PER ::: SRI AUROBINDO AND THE MOTHER
  OBJS ::: THE MOTHERS SYMBOL


--- FLOOR 4 : THE SANCTUARY
  PRIMARY NOUN / PLACE ::: THE REFUGE / THE SANTUARY / THE REPOSE
  CONDITIONS ::: THE CIRCLE
  POWERS / EFFECT ::: PEACE, SILENCE, CALM, PROTECTION, HELP
  VERBS ::: SANCTION
  TITLE :::
  ROOM OBJECTS
    1 the Call
    2 the Guide
    3 the Response / the Condition
    4 the Book


--- FLOOR 7 : MAHESHWARI
  PLACE ::: THE INFINITE LIBRARY
  TITLE ::: KNOWLEDGE


--- FLOOR 8 : MAHAKALI
    wielding two spears, or a spear and a sword, or unarmed, or throwing lightning. dressed in purple armor, with long blue or purple hair, exceptionally strong, quick.
    can be seen very high in the air, spinning, diving, flipping. blinking or teleporting if she so desires. a master of combat. trained in all arms. feared by any opponent. she radiates force.
    can warp instantly anywhere. aka none can avoid her?
  PLC ::: THE ENDLESS BATTLEFIELD
    since this floor focuses on Malakali and she is (always fighting in battle)? then the landscape of this floor is constantly shfting.
    as it follows her most powerful acting emanation throughout its continuous victories.


--- FLOOR 9 : MAHALAKSHMI
  PLC ::: THE GARDEN
  PARTS ::: WATERFALLS, FLOWERS, SUN, WARM
  TITLE ::: BEAUTY


--- FLOOR 10:MAHASARASWATI
  TITLE ::: PERFECTION

--- NOTES
  the Tower borders acts as the edge of the Circle, outside of which grants no protection.
  whereas the Mother at the center of the Tower, by her presence, prevents small movements from being done in the Tower. Thus one cannot masturbate in the Tower, for example.
  memory structure

--- TOWER OF EXPERIMENTATION
--- FLOOR 3
  PERSON ::: THE PRIEST / AGNI
  PLACE ::: THE TEMPLE
  VERB ::: THE OFFERING / THE SACRIFICE /
  TITLE ::: ASPIRATION
  Aspiration is a turning upward of the inner being with a call, yearning, prayer for the Divine, for the Truth, for the Consciousness, Peace, Ananda, Knowledge, descent of Divine Force or whatever else is the aim of one's endeavour.~ The Mother

--- FLOOR 3
  PRIMARY NOUN ::: THE ALTAR
  PLACE ::: THE LABORATORY
  VERB ::: EVOKE

--- FLOOR 13:DRUGS, DREAMS, IMAGINATION (A or O)
ADDING VERBS
  linking verbs to gates, doors or passages?
  especially most related to the noun family to which the floor belongs
OTHER POTENTIAL FLOORS
  the Temple
  the Garden
    in the Garden, the Mothers Symbol? or Sri Aurobindo's?

  the Library
  the School
  the Playground
STRUCTURING METHODS
  CENTER
  ATMOSPHERE
  APPENDIGES
  Aces ::: Everything in Potential
  Twos ::: Accumulation, Preparation, Receptivity
  Threes ::: Bursting Apart, Creation or Destruction
  Fours ::: Security on the Earth
  Fives ::: Temptation
  Six ::: Beauty and Its Mirror
  Seven ::: Action in the World and upon the Self
  Eights ::: The Four Perfections
  Nine ::: Crisis and New Construction
  Ten ::: The End of One Cycle and the Announcement of the Next

POTENTIAL VERBS FOR FLOOR 1
  ask
  request
  cry
  pray
  call
  admit
  choose
  decide
  allow
  hear
  face
  turn
  grope
  seek
  pursue
  see
  meet
  find
  follow
  vow
  pledge
  enter
  stay
  leave
  trust
  oscillate
  remind
  refuse
  rest
  remember
  open
  surrender
  imagine



see also ::: the Tower of MEM, the Tarot, temp (mem), the Temple, the Mother the Mothers Symbol, Aspiration,

class:tower
class:josh
class:Place
class:the Infinite Building
class:Planes
class:levels
class:favorite




class:Place

see also ::: Aspiration, temp_(mem), the_Mother__the_Mothers_Symbol, the_Tarot, the_Temple, the_Tower_of_MEM

questions, comments, suggestions/feedback, take-down requests, contribute, etc
contact me @ integralyogin@gmail.com or
join the integral discord server (chatrooms)
if the page you visited was empty, it may be noted and I will try to fill it out. cheers



now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO

Aspiration
temp_(mem)
the_Mother__the_Mothers_Symbol
the_Tarot
the_Temple
the_Tower_of_MEM

AUTH

BOOKS
The_Bible
The_Book_of_Light
The_Lotus_Sutra
The_Wit_and_Wisdom_of_Alfred_North_Whitehead

IN CHAPTERS TITLE
1.pbs_-_The_Tower_Of_Famine
1.wby_-_The_Tower

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
0.09_-_Letters_to_a_Young_Teacher
01.07_-_Blaise_Pascal_(1623-1662)
0_1967-10-25
0_1970-01-03
05.07_-_The_Observer_and_the_Observed
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
1.01_-_The_First_Steps
1.03_-_Supernatural_Aid
1.04_-_The_Paths
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_TRUTH
1.09_-_The_Ambivalence_of_the_Fish_Symbol
1.240_-_Talks_2
1.28_-_The_Killing_of_the_Tree-Spirit
1.300_-_1.400_Talks
1.65_-_Man
1.ac_-_The_Mantra-Yoga
1.anon_-_If_this_were_a_world
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VII
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Collapsing_Cosmoses
1f.lovecraft_-_Dagon
1f.lovecraft_-_Hypnos
1f.lovecraft_-_In_the_Vault
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_Polaris
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Quest_of_Iranon
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Very_Old_Folk
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Under_the_Pyramids
1f.lovecraft_-_What_the_Moon_Brings
1.fs_-_Hero_And_Leander
1.gmh_-_The_Alchemist_In_The_City
1.jk_-_Otho_The_Great_-_Act_II
1.jwvg_-_Mahomets_Song
1.lb_-_A_Song_Of_Changgan
1.lb_-_Crows_Calling_At_Night
1.lb_-_Lament_of_the_Frontier_Guard
1.lb_-_Moon_Over_Mountain_Pass
1.okym_-_24_-_Alike_for_those_who_for_To-day_prepare
1.pbs_-_Charles_The_First
1.pbs_-_Epipsychidion
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_Julian_and_Maddalo_-_A_Conversation
1.pbs_-_Lines_Written_Among_The_Euganean_Hills
1.pbs_-_Marenghi
1.pbs_-_Prince_Athanase
1.pbs_-_Prometheus_Unbound
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Cloud
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Tower_Of_Famine
1.pbs_-_The_Woodman_And_The_Nightingale
1.poe_-_The_City_In_The_Sea
1.poe_-_The_City_Of_Sin
1.rb_-_Childe_Roland_To_The_Dark_Tower_Came
1.rb_-_Cleon
1.rmr_-_Falconry
1.rt_-_Brahm,_Viu,_iva
1.rt_-_Lovers_Gifts_LVIII_-_Things_Throng_And_Laugh
1.rwe_-_Monadnoc
1.rwe_-_Woodnotes
1.shvb_-_O_ignee_Spiritus_-_Hymn_to_the_Holy_Spirit
1.wby_-_A_Dialogue_Of_Self_And_Soul
1.wby_-_A_Prayer_For_My_Daughter
1.wby_-_Baile_And_Aillinn
1.wby_-_Blood_And_The_Moon
1.wby_-_In_Memory_Of_Major_Robert_Gregory
1.wby_-_Leda_And_The_Swan
1.wby_-_Meditations_In_Time_Of_Civil_War
1.wby_-_The_Black_Tower
1.wby_-_The_Phases_Of_The_Moon
1.wby_-_The_Players_Ask_For_A_Blessing_On_The_Psalteries_And_On_Themselves
1.wby_-_The_Tower
1.wby_-_The_Winding_Stair
1.whitman_-_Rise,_O_Days
1.whitman_-_With_All_Thy_Gifts
1.ww_-_1-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_3-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_5-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_6-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_Book_Ninth_[Residence_in_France]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Mutability
1.ww_-_The_Morning_Of_The_Day_Appointed_For_A_General_Thanksgiving._January_18,_1816
1.ww_-_The_Prelude,_Book_1-_Childhood_And_School-Time
2.05_-_The_Tale_of_the_Vampires_Kingdom
2.06_-_Two_Tales_of_Seeking_and_Losing
2.08_-_Three_Tales_of_Madness_and_Destruction
2.1.4.2_-_Teaching
26.07_-_Dhammapada
4.03_-_The_Senses_And_Mental_Pictures
5.04_-_Three_Dreams
6.09_-_THE_THIRD_STAGE_-_THE_UNUS_MUNDUS
Aeneid
Averroes_Search
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BS_1_-_Introduction_to_the_Idea_of_God
COSA_-_BOOK_VIII
Gods_Script
Liber_46_-_The_Key_of_the_Mysteries
Talks_051-075
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
The_Book_of_the_Prophet_Isaiah
The_Dwellings_of_the_Philosophers
The_Gospel_According_to_Luke
The_Shadow_Out_Of_Time
Thus_Spoke_Zarathustra_text

PRIMARY CLASS

favorite
favorites
josh
Karma_Yoga
levels
mental
Place
Planes
poems
remember
the_Infinite_Building
tower
SIMILAR TITLES
The Tower
the Tower
The Tower of Babel
the Tower of Babel
The Tower of MEM
the Tower of MEM

DEFINITIONS


TERMS STARTING WITH


TERMS ANYWHERE

4th. With the generation of the Tower of Babel,

Babel (Hebrew) Bābāh The inner meaning of the Tower of Babel, by which it was hoped that divinity might be reached or attained, is a house of initiation, a gate, portal, opening, or entrance to the divine. The physical tower was both the building set aside to house and protect the initiation chambers, together with the ceremonies that take place in them, and an architectural emblem to signify a raising up towards heaven. The tower may have either a divine or evil significance, either haughty pride and self-sufficiency or spiritual aspiration. Similar is the lightning-struck tower of the Tarot cards, and the Arabian Nights story of the man who built a palace completely except only for a roc’s egg to hang in the dome, and when the egg is thus hung, the whole palace collapses. The work of the black magician, building from below upwards, is impermanent and, when it strikes the sky, is blasted. If such a tower and system be followed by adepts of the left-hand path for ultimate and foredestined confusion, it is one thing; but if the tower and its inner mysteries be in the charge of adepts of the right-hand path, it is another. The concentration of the narrator in the Bible concerning the Tower of Babel seems to have been entirely upon its aspect of left-hand magic.

babel ::: “The legend of the Tower of Babel speaks of the diversity of tongues as a curse laid on the race; but whatever its disadvantages, and they tend more and more to be minimised by the growth of civilisation and increasing intercourse, it has been rather a blessing than a curse, a gift to mankind rather than a disability laid upon it. The purposeless exaggeration of anything is always an evil, and an excessive pullulation of varying tongues that serve no purpose in the expression of a real diversity of spirit and culture is certainly a stumbling-block rather than a help: but this excess, though it existed in the past, is hardly a possibility of the future. The tendency is rather in the opposite direction. In former times diversity of language helped to create a barrier to knowledge and sympathy, was often made the pretext even of an actual antipathy and tended to a too rigid division. The lack of sufficient interpenetration kept up both a passive want of understanding and a fruitful crop of active misunderstandings. But this was an inevitable evil of a particular stage of growth, an exaggeration of the necessity that then existed for the vigorous development of strongly individualised group-souls in the human race. These disadvantages have not yet been abolished, but with closer intercourse and the growing desire of men and nations for the knowledge of each other’s thought and spirit and personality, they have diminished and tend to diminish more and more and there is no reason why in the end they should not become inoperative.” The Human Cycle

babel ::: “The reference is to the mythological story of the construction of the Tower of Babel, which appears to be an attempt to explain the diversity of human languages. According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and tower ‘with its top in the heavens’. God disrupted the work by so confusing the language of the workers that they could no longer understand one another. The tower was never completed and the people were dispersed over the face of the earth.” (Encyclopaedia Britannica) Glossary and Index of Proper Names in Sri Aurobindo’s Works

babel ::: "The reference is to the mythological story of the construction of the Tower of Babel, which appears to be an attempt to explain the diversity of human languages. According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and tower ‘with its top in the heavens". God disrupted the work by so confusing the language of the workers that they could no longer understand one another. The tower was never completed and the people were dispersed over the face of the earth.” (Encyclopaedia Britannica) Glossary and Index of Proper Names in Sri Aurobindo"s Works     Sri Aurobindo: "The legend of the Tower of Babel speaks of the diversity of tongues as a curse laid on the race; but whatever its disadvantages, and they tend more and more to be minimised by the growth of civilisation and increasing intercourse, it has been rather a blessing than a curse, a gift to mankind rather than a disability laid upon it. The purposeless exaggeration of anything is always an evil, and an excessive pullulation of varying tongues that serve no purpose in the expression of a real diversity of spirit and culture is certainly a stumbling-block rather than a help: but this excess, though it existed in the past, is hardly a possibility of the future. The tendency is rather in the opposite direction. In former times diversity of language helped to create a barrier to knowledge and sympathy, was often made the pretext even of an actual antipathy and tended to a too rigid division. The lack of sufficient interpenetration kept up both a passive want of understanding and a fruitful crop of active misunderstandings. But this was an inevitable evil of a particular stage of growth, an exaggeration of the necessity that then existed for the vigorous development of strongly individualised group-souls in the human race. These disadvantages have not yet been abolished, but with closer intercourse and the growing desire of men and nations for the knowledge of each other"s thought and spirit and personality, they have diminished and tend to diminish more and more and there is no reason why in the end they should not become inoperative.” The Human Cycle

Dakhma (Avestan) [from dag to burn, cremate, brand] A funeral or cremation building of the Parsis; the Tower of Silence.

Doissetep: (metaplot) Legendary Hermetic stronghold: the oldest and most powerful of its kind, second only to Horizon in size and scale. Self-destructed when the Ascension Warrior brought internal tensions to detonation point, Doissetep has been associated with the Tower card in Tarot and is regarded as a symbol of majestic hubris.

present and participated in the Tower of Babel

Primeval self-conscious humanity — not savage by any means, however much it may have needed spiritual guidance — was watched over and protected by divine instructors, and among the arts taught by these great beings, architecture had a prominent place: “No man descended from a Palaeolithic cave-dweller could ever evolve such a science unaided, even in millenniums of thought and intellectual evolution. It is the pupils of those incarnated Rishis and Devas of the third root race, who handed their knowledge from one generation to another, to Egypt and Greece with its now lost canon of proportion. . . . It is Vitruvius who gave to posterity the rules of construction of the Grecian temples erected to the immortal gods; and the ten books of Marcus Vitruvius Pollio on Architecture, of one, in short, who was an initiate, can only be studied esoterically. The Druidical circles, the Dolmens, the Temples of India, Egypt and Greece, the Towers and the 127 towns in Europe which were found ‘Cyclopean in origin’ by the French Institute, are all the work of initiated Priest-Architects, the descendants of those primarily taught by the ‘Sons of God,’ justly called ‘The Builders’ ” (SD 1:208-9n).

Sras mkhar dgu thog. (Sekar Gutok). In Tibetan, "Nine-Storied Son's Tower"; a tower purportedly constructed in the late eleventh century by the Tibetan saint MI LA RAS PA as part of his training under the master MAR PA CHOS KYI BLO GROS. Located in the LHO BRAG region of southern Tibet, on the bank of the Gsas River, the nine-storied tower was originally constructed as a memorial for Mar pa's son DAR MA MDO SDE, although because of its location it likely had strategic value as well. The building was renovated in the sixteenth century by DPA' BO GTSUG LAG PHRENG BA, who fashioned a golden roof and added a large monastic institution at the site. The tower remains an important pilgrimage site for Tibetan Buddhists.

Sri Aurobindo: “The legend of the Tower of Babel speaks of the diversity of tongues as a curse laid on the race; but whatever its disadvantages, and they tend more and more to be minimised by the growth of civilisation and increasing intercourse, it has been rather a blessing than a curse, a gift to mankind rather than a disability laid upon it. The purposeless exaggeration of anything is always an evil, and an excessive pullulation of varying tongues that serve no purpose in the expression of a real diversity of spirit and culture is certainly a stumbling-block rather than a help: but this excess, though it existed in the past, is hardly a possibility of the future. The tendency is rather in the opposite direction. In former times diversity of language helped to create a barrier to knowledge and sympathy, was often made the pretext even of an actual antipathy and tended to a too rigid division. The lack of sufficient interpenetration kept up both a passive want of understanding and a fruitful crop of active misunderstandings. But this was an inevitable evil of a particular stage of growth, an exaggeration of the necessity that then existed for the vigorous development of strongly individualised group-souls in the human race. These disadvantages have not yet been abolished, but with closer intercourse and the growing desire of men and nations for the knowledge of each other’s thought and spirit and personality, they have diminished and tend to diminish more and more and there is no reason why in the end they should not become inoperative.” The Human Cycle. Babel-builders’.

steeple ::: n. --> A spire; also, the tower and spire taken together; the whole of a structure if the roof is of spire form. See Spire.

tongues,” an event that occurred at the building of the Tower of Babel in 2247 b.c.e. (as com¬

Towers An edifice which rests on earth and, mystically speaking, aspires upwards toward heaven; coming under the general description of high places appropriate, like mountaintops and other natural and artificial elevations, to the worship of celestial powers. Found in many parts of the world, their origin is lost in the obscurity of ages. Prominent among them are the round towers found in Ireland, Scotland, Corsica, Sardinia, etc., undoubtedly used for different purposes at different times: by warriors as fortresses, by priests as sanctuaries and initiation chambers, or as watchtowers, belfries, or places of refuge. The cylindrical shape indicates symbolically the great positive and active principle in nature. In the Bible the tower is erected physically, and spoken of metaphorically, as an emblem of might and aspiration.

Towers of Hanoi "games" A classic computer science problem, invented by Edouard Lucas in 1883, often used as an example of {recursion}. "In the great temple at Benares, says he, beneath the dome which marks the centre of the world, rests a brass plate in which are fixed three diamond needles, each a cubit high and as thick as the body of a bee. On one of these needles, at the creation, God placed sixty-four discs of pure gold, the largest disc resting on the brass plate, and the others getting smaller and smaller up to the top one. This is the Tower of Bramah. Day and night unceasingly the priests transfer the discs from one diamond needle to another according to the fixed and immutable laws of Bramah, which require that the priest on duty must not move more than one disc at a time and that he must place this disc on a needle so that there is no smaller disc below it. When the sixty-four discs shall have been thus transferred from the needle on which at the creation God placed them to one of the other needles, tower, temple, and Brahmins alike will crumble into dust, and with a thunderclap the world will vanish." The recursive solution is: Solve for n-1 discs recursively, then move the remaining largest disc to the free needle. Note that there is also a non-recursive solution: On odd-numbered moves, move the smallest sized disk clockwise. On even-numbered moves, make the single other move which is possible. ["Mathematical Recreations and Essays", W W R Ball, p. 304] {The rec.puzzles Archive (http://rec-puzzles.org/sol.pl/induction/hanoi)}. (2003-07-13)



QUOTES [4 / 4 - 524 / 524]


KEYS (10k)

   1 Stephen King
   1 Matt Mercer
   1 The Mother
   1 Jetsun Milarepa

NEW FULL DB (2.4M)

   29 Stephen King
   9 Anonymous
   6 Fyodor Dostoyevsky
   5 J K Rowling
   5 Horace
   4 Victor Hugo
   4 Terry Pratchett
   4 Roland Barthes
   4 Rachel Cohn
   4 Neal Stephenson
   4 Michael J Sullivan
   4 Mervyn Peake
   4 Josiah Bancroft
   4 James Joyce
   4 Dylan Thomas
   4 Brian Godawa
   3 Thomas Pynchon
   3 Thea Harrison
   3 Sam Sisavath
   3 Peter Ackroyd

1:MATT: Okay. You spiral upward and upward and upward, climbing an extremely long period of time.

Your legs begin to ache a little bit. Then another floor opens up. It appears the tower is now divided into two chambers. From the bottom floor up, it's now two sides to a tower and you're on the right side. The hallway curves around the outer edge of the tower. On the opposite side, you can see the staircase continues upward. The interior of this chamber appears to be an incredible arcane laboratory, occupying the center space of the tower inside. You see six overlapping circles of dulled runes and glyphs that encompass the entire 30-foot walkway between here and the stairs. Shelves and tables of countless glass tubes and metallic vices lay out across tables, organized in a near-OCD pattern. Tomes and books line the inner chamber walls. What do you guys do? ~ Matt Mercer, Critical Role,
2:When ye look at me I am an idle, idle man; when I look at myself I am a busy, busy man. Since upon the plain of uncreated infinity I am building, building the tower of ecstasy, I have no time for building houses. Since upon the steppe of the void of truth I am breaking, breaking the savage fetter of suffering, I have no time for ploughing family land. Since at the bourn of unity ineffable I am subduing, subduing the demon-foe of self, I have no time for subduing angry foe-men. Since in the palace of mind which transcends duality I am waiting, waiting for spiritual experience as my bride, I have no time for setting up house. Since in the circle of the Buddhas of my body I am fostering, fostering the child of wisdom, I have no time for fostering snivelling children. Since in the frame of the body, the seat of all delight, I am saving, saving precious instruction and reflection, I have no time for saving wordly wealth. ~ Jetsun Milarepa, Songs of Milarepa,
3:The Tower. Somewhere ahead, it waited for him - the nexus of Time, the nexus of Size. He began west again, his back set against the sunrise, heading toward the ocean, realizing that a great passage of his life had come and gone. 'I loved you Jake,' he said aloud. The stiffness wore out of his body and he began to walk more rapidly. By that evening he had come to the end of the land. He sat in a beach which stretched left and right forever, deserted. The waves beat endlessly against the shore, pounding and pounding. The setting sun painted the water in a wide strip of fool's gold.
There the gunslinger sat, his face turned up into the fading light. He dreamed his dreams and watched as the stars came out; his purpose did not flag, nor did his heart falter; his hair, finer now and gray at the temples, blew around his head, and the sandalwood-inlaid guns of his father lay smooth and deadly against his hips, and he was lonely but did not find loneliness in any way a bad or ignoble thing. The dark came down and the world moved on. The gunslinger waited for the time of the drawing and dreamed his long dreams of the Dark Tower, to which he would someday come at dusk and approach, winding his horn, to do some unimaginable final battle. ~ Stephen King,
4:Sweet Mother, You have asked the teachers "to think with ideas instead of with words".4 You have also said that later on you will ask them to think with experiences. Will you throw some light on these three ways of thinking?
Our house has a very high tower; at the very top of this tower there is a bright and bare room, the last before we emerge into the open air, into the full light.

   Sometimes, when we are free to do so, we climb up to this bright room, and there, if we remain very quiet, one or more visitors come to call on us; some are tall, others small, some single, others in groups; all are bright and graceful.

   Usually, in our joy at their arrival and our haste to welcome them, we lose our tranquillity and come galloping down to rush into the great hall that forms the base of the tower and is the storeroom of words. Here, more or less excited, we select, reject, assemble, combine, disarrange, rearrange all the words in our reach, in an attempt to portray this or that visitor who has come to us. But most often, the picture we succeed in making of our visitor is more like a caricature than a portrait.

   And yet if we were wiser, we would remain up above, at the summit of the tower, quite calm, in joyful contemplation.

   Then, after a certain length of time, we would see the visitors themselves slowly, gracefully, calmly descend, without losing anything of their elegance or beauty and, as they cross the storeroom of words, clothe themselves effortlessly, automatically, with the words needed to make themselves perceptible even in the material house.

   This is what I call thinking with ideas.

   When this process is no longer mysterious to you, I shall explain what is meant by thinking with experiences. ~ The Mother, Some Answers From The Mother,

*** WISDOM TROVE ***

1:If it had been possible to build the Tower of Babel without climbing it, it would have been permitted. ~ franz-kafka, @wisdomtrove
2:What [Franz] Kafka says about the Tower of Babel: In the beginning there were actually many languages, and then as a punishment God gave the world a single language. And then they stopped understanding each other. ~ elie-wiesel, @wisdomtrove
3:I stand in Minas Anor, the Tower of the Sun; and behold! the Shadow has departed! I will be a Shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren. ~ j-r-r-tolkien, @wisdomtrove
4:I had gradually come, by this time [1839-01], to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow as a sign, etc., etc. and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian. ~ charles-darwin, @wisdomtrove
5:The Tower. He would come to the Dark Tower and there he would sing their names; there he would sing their names; there he would sing all their names. The sun stained the east a dusky rose, and at last Roland, no longer the last gunslinger but one of the last three, slept and dreamed his angry dreams through which there ran only that one soothing blue thread: There I will sing all their names! ~ stephen-king, @wisdomtrove
6:There is a great deal more correctness of thought respecting manhood in bodily things than in moral things. For men's ideas of manhood shape themselves as the tower and spire of cathedrals do, that stand broad at the bottom, but grow tapering as they rise, and end, far up, in the finest lines, and in an evanishing point. Where they touch the ground they are most, and where they reach to the heaven they are least. ~ henry-ward-beecher, @wisdomtrove
7:He thought back on his family with deep emotion and love. His conviction that he would have to disappear was, if possible, even firmer than his sister's. He remained in this state of empty and peaceful reflection until the tower clock struck three in the morning. He still saw that outside the window everything was beginning to grow light. Then, without his consent, his head sank down to the floor, and from his nostrils streamed his last weak breath. ~ franz-kafka, @wisdomtrove
8:The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it? No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too. ~ virginia-woolf, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:Time belongs to the Tower. ~ Stephen King,
2:spills of mire I swallowed inside the tower ~ Paul Celan,
3:I'm the tower of power, too sweet to be sour. ~ Randy Savage,
4:The higher the tower, the greater the fall thereof. ~ Horace,
5:They’d left the Invisibility Cloak on top of the tower. ~ J K Rowling,
6:No matter how far we go, the Tower takes care of its own. ~ Elise Kova,
7:The Tower trembles; the worlds shudder in their courses. ~ Stephen King,
8:The earth doesn’t shake the Tower; the Tower shakes the earth. ~ Josiah Bancroft,
9:Stand firm as the tower that never shakes its top whatever wind may blow. ~ Dante Alighieri,
10:I hold to no God," Roland said. "I hold to the Tower, and won't pray to that. ~ Stephen King,
11:I am what ka and the King and the Tower have made me. We all are. We’re caught. ~ Stephen King,
12:I can take about an hour on the tower of power, as long as I gets a little golden shower. ~ Frank Zappa,
13:I unscrewed my own scrap of paper and read out: "Help! I am prisoner in the tower. ~ Leonora Carrington,
14:The tarot card 'The Tower' seemed a chilling reflection of the events of September 11, 2001. ~ Neil Peart,
15:The Tower trembles; the worlds shudder in their courses. The rose feels a chill, as of winter. ~ Stephen King,
16:What did he do? Channel Vincent Price and transport the Tower of London'to the Hollywood Hills? ~ Linda Wisdom,
17:If the tower is everywhere and the knight of deliverance no proof against its magic,what else? ~ Thomas Pynchon,
18:He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. ~ James Joyce,
19:The Tower trembles; the worlds shudder in their courses. The rose feels a chill, as of winter.” Very ~ Stephen King,
20:If it had been possible to build the Tower of Babel without climbing it, it would have been permitted. ~ Franz Kafka,
21:The tower of success stands on the pillars of vision, action, patience and the character to withstand criticisms. ~ Amit Ray,
22:I'm the tower of power, too sweet to be sour. I'm funky like a monkey. Sky's the limit and space is the place! ~ Randy Savage,
23:There are two hubs of existence," he heard Roland say. Two!..."The tower...and the rose. Yet they are the same. ~ Stephen King,
24:the tower’s silhouettes have come into starker relief, backlit by the moon and a few scattered lights from the ~ Lauren Oliver,
25:the princess jumped from the tower & she learned that she could fly all along. she never needed those wings. ~ Amanda Lovelace,
26:The lofty pine is most easily brought low by the force of the wind, and the higher the tower the greater the fall thereof. ~ Horace,
27:The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. ~ Stephen King,
28:Although nothing has yet come out of the sea, from the ruined village figures have emerged and headed for the Tower. ~ Jeff VanderMeer,
29:I had to make a confession of faith in stone. That was the beginning of the tower, the house I built for myself at Bollingen. ~ Carl Jung,
30:This building, the tower that was supposed to be the centerpiece of your little Gotham Initiative? Now it'll be your tomb. ~ Scott Snyder,
31:a wanderer left over from the old days, a mercenary with a vague ambition to penetrate the Tower before it was brought down. ~ Stephen King,
32:Ferris, himself fed up with construction delays and Burnham’s pestering, had told Gronau to turn the wheel or tear it off the tower. ~ Erik Larson,
33:Thus the tower was both disease and cure. It rendered him unfit for the world and it remedied the hurts inflicted by the world. ~ Georges Rodenbach,
34:See the BEAR of fearsome size! All the WORLD'S within his eyes. TIME grows thin, the past is a riddle; The TOWER awaits you in the middle. ~ Stephen King,
35:(The golden goose has died, my prince turned into a frog, the Kingdom is lost, everyone has turned into stone and I am locked in the tower) ~ Nancy B Brewer,
36:Tower of Pisa at a distance of five hundred yards, or a toy model of the tower at arm’s length: both cast the identical image on your eyes. ~ David Eagleman,
37:The princess
jumped from
the tower
& she
learned
that she
could fly
all along

- she never needed those wings ~ Amanda Lovelace,
38:we shall be led as much to the street and the cottage as to the temple and the tower; and shall be more interested in buildings raised by feeling, ~ John Ruskin,
39:You're not going to charge us for the tower, I hope," Hadrian said. "But if you are, it was Royce's fault and should come out of his share. ~ Michael J Sullivan,
40:See the BEAR of fearsome size!
All the WORLD'S within his eyes.
TIME grows thin, the past is a riddle;
The TOWER awaits you in the middle. ~ Stephen King,
41:I picked up the corpse and dragged it down and down the winding steps of the tower, into the stinking dungeon, and threw it to rot with the rest there. ~ Anne Rice,
42:Strapped, noosed, nighing his hour, He stood and counted them and cursed his luck; And then the clock collected in the tower Its strength, and struck. ~ A E Housman,
43:Anyway, it’s two in the morning and we’re taking turns pissing off of the tower (rather than going at the same time, because we weren’t raised by wolves). ~ David Wong,
44:I sometimes think about the tower at Pisa as the first particle accelerator, a (nearly) vertical linear accelerator that Galileo used in his studies. ~ Leon M Lederman,
45:How will the Tower of Babel be undone? How will we understand each other in Heaven? Will we all speak English or Dutch or Latin? No, we will speak music. ~ Peter Kreeft,
46:Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. ~ James Joyce,
47:We'll be together. We both got our Point Zéro wishes — each other. He said he wished for me every time. He was wishing for me when I entered the tower. ~ Stephanie Perkins,
48:If you have given up your heart for the Tower, Roland, you have already lost. A heartless creature is a loveless creature, and a loveless creature is a beast. ~ Stephen King,
49:Aye. Would’ee speak a word of prayer first, Roland? To whatever God thee holds?” “I hold to no God,” Roland said. “I hold to the Tower, and won’t pray to that. ~ Stephen King,
50:Filch’s face loomed suddenly out of the darkness. “Well, well, well,” he whispered, “we are in trouble.” They’d left the Invisibility Cloak on top of the tower. ~ J K Rowling,
51:There was murder, there was rape, there were unspeakable practices, and all of them were for the good, the bloody good, the bloody myth, for the grail, for the Tower. ~ Stephen King,
52:Alike for those who for TO-DAY prepare, And those that after a TO-MORROW stare, A Muezzin from the Tower of Darkness cries "Fools! your Reward is neither Here nor There. ~ Omar Khayy m,
53:Our Lord never called His people to help build the tower of Babel in the hope of getting a Bible study in the basement. He commanded us to build our own city on a hill. ~ David Chilton,
54:Several times Bonhoeffer used Barth’s image of the Tower of Babel as a picture of “religion,” of man trying to reach heaven through his own efforts, which always failed. ~ Eric Metaxas,
55:She looked, and a scarlet butterfly flew away from her, away down the length of the tower, and then another, another, an unraveling scarf of butterflies like winged blood. ~ Tanith Lee,
56:As a system of philosophy it is not like the Tower of Babel, so daring its high aim as to seek a shelter against God's anger; but it is like a pyramid poised on its apex. ~ Adam Sedgwick,
57:I shall find the dark grow luminous, the void fruitful when I understand I have nothing, that the ringers in the tower have appointed for the hymen of the soul a passing bell. ~ W B Yeats,
58:I have a commission to do a piece in a place in California, Oliver Ranch, which has an eight-storey structure called The Tower designed by the visual artist Ann Hamilton. ~ Pauline Oliveros,
59:The tree which fills the arms grew from the tiniest sprout; the tower of nine storeys rose from a (small) heap of earth; the journey of a thousand li commenced with a single step. ~ Lao Tzu,
60:I drop down the tower and roll on the roof, breaking into a run, the cold night air blowing me faster, the darkness and gleaming stars taking me somewhere I don’t have to feel. ~ Sara Raasch,
61:Louis Armstrong is the master of the jazz solo. He became the beacon, the light in the tower, that helped the rest of us navigate the tricky waters of jazz improvisation. ~ Ellis Marsalis Jr,
62:My friends are gone and my hair is grey. I ache in places I used to play. And I’m crazy for love but I’m not coming on. I’m just paying my rent every day in the tower of song. ~ Leonard Cohen,
63:Throughout Finnegans Wake Joyce specifies the Tower of Babel as the tower of Sleep, that is, the tower of the witless assumption, or what Bacon calls the reign of the Idols. ~ Marshall McLuhan,
64:High in the Tower of Love, the last remaining tower of Tallith, he rests on a bier, not living, not dead. He doesn’t age, or change, needs no sustenance. He sleeps. He waits ~ Melinda Salisbury,
65:[My mother] would have me smothered like the Princes in the Tower if I showed any inclination for being an artist. She thought all artists little better than lunatics. ~ Francis Meadow Sutcliffe,
66:Rat #1 got you through the gates, didn't it?" said Anadil, stroking the still-pooped pet in her pocket. "Rat #2 gets you to the tower."

"And Rat #3 negotiates world peace? ~ Soman Chainani,
67:The neck-strained interaction between the floors served the Tower’s design: to break the spirits of nearly indomitable men by removing from them all the trappings of civilization. ~ Gregg Hurwitz,
68:There was a house at the foot of the tower, close to the thunder of the waves breaking against the cliffs, where love was more intense because it seemed like a shipwreck. ~ Gabriel Garc a M rquez,
69:There was a house at the foot of the tower, close to the thunder of the waves breaking against the cliffs, where love was more intense because it seemed like a shipwreck. ~ Gabriel Garcia Marquez,
70:Aye, then.Come and dance with the Ech'lon. You can be me bloody retinue. King o' Fools and 'is merry band o' jesters. If they don't laugh us out o' the tower, it'll be a bleedin' miracle. ~ Bec McMaster,
71:This is a place of death, he thought, and not just here. All these rooms. Every floor.

Yes, gunslinger, whispered the Voice of the Tower. But only because your life has made it so. ~ Stephen King,
72:Beware! the tower said. You are entering the realm of the Elephant King, a sovereign so rich in pachyderms that he can waste the gnashers of a thousand of the beasts just to decorate me. ~ Salman Rushdie,
73:I am heartily sorry for it, he being a most capable, obliging man, speaking all the languages of the Levant and excellent English too - might have built the Tower of Babel singlehanded. ~ Patrick O Brian,
74:After a farcical trial for treason Clarence was executed in the Tower. The hard-drinking king may have thought the method a kindly one – he had Clarence drowned in a vat of Malmsey wine.5 ~ Leanda de Lisle,
75:Gossip says she hanged herself from the turret on the tower, but when you have a house like Hill House with a tower and a turret, gossip would hardly allow you to hang yourself anywhere else. ~ Shirley Jackson,
76:Tom disturbed Josh, in more ways than one. He was always showing up where you least expected him, like a bogeyman in a horror movie. And Josh still couldn’t shake that conversation in the Tower. ~ Sam Sisavath,
77:High in the tower, where I sit above the loud complaining of the human sea, I know many souls that toss and whirl and pass, but none there are that intrigue me more than the Souls of White Folk. ~ W E B Du Bois,
78:I realized with startling clarity that he hadn't needed to lock the tower door, for I wouldn't run away even if give the opportunity. I had no desire to leave him. Not this night. Nor forevermore. ~ Jody Hedlund,
79:There are two types of people in the world. There are the people who understand instinctively that the story of The Flood and the story of The Tower of Babel are the same thing, and those who don't. ~ Steven Hall,
80:Just like many Popish Plotters before them, these had promptly begun to “commit suicide” in the Tower. One had even managed the heroic feat of cutting his own throat all the way to the vertebrae! ~ Neal Stephenson,
81:Gossip says she hanged herself from the turret on the tower, but when you have a house like Hill House with a tower and a turret, gossip would hardly allow you to hang yourself anywhere else. After ~ Shirley Jackson,
82:Larry wanted us to reposition the tower. We wouldn't, and won't. He's been holding back our fees. We want to get paid. And that's it. It'll get solved and we'll carry on with planning Ground Zero. ~ Daniel Libeskind,
83:The rain was still crashing down, angrily machine-gunning the large windows; it poured through the gutters up in the tower and funneled along the flat roof, sounding like footsteps on the ceiling. ~ Carlos Ruiz Zaf n,
84:The rain was still crashing down, angrily machine-gunning the large windows; it poured through the gutters up in the tower and funneled along the flat roof, sounding like footsteps on the ceiling. ~ Carlos Ruiz Zafon,
85:There is no better story in the Old Testament, or perhaps the whole Bible, for depicting the difference between the ladder-defined life and the cross-defined life than that of the Tower of Babel. ~ Tullian Tchividjian,
86:There are fully forty towers, which are lofty and well built, the largest of which has fifty steps leading to its main body, and is higher than the tower of the principal tower of the church at Seville. ~ Hernando Cortes,
87:It looked like a piano sounds shortly after being dropped down a well. It tasted yellow, and felt Paisley. It smelled like a total eclipse of the moon. Of course, nearer to the tower it got really weird. ~ Terry Pratchett,
88:Harry could still hear the distant bangs of escaped firecrackers when he and Ron went up to bed an hour later, and as he got undressed a sparkler floated past the tower, still resolutely spelling out the word ~ J K Rowling,
89:The clavadista checks the tower
On the cliffs from which he dives
Turning two thirds of the way down
To mark the point
Where all the somersaults are over
And he must go in feet first or else break ~ Clive James,
90:What [Franz] Kafka says about the Tower of Babel: In the beginning there were actually many languages, and then as a punishment God gave the world a single language. And then they stopped understanding each other. ~ Elie Wiesel,
91:The horror of her incarceration in the Tower was a defining event Elizabeth could never forget. It made a passionate heart more circumspect, a complex nature more contradictory and a fine intelligence sharp as a blade. ~ Jane Dunn,
92:A faint acrid smell drifted in through the window, from the cannon fire. But through it all the walls of my prison cell never trembled. The walls of the Tower are the thickest in the land and they never, ever tremble ~ Nancy Bilyeau,
93:But all this language gotten, and augmented by Adam and his posterity, was again lost at the tower of Babel , when by the hand of God, every man was stricken for his rebellion, with an oblivion of his former language. ~ Thomas Hobbes,
94:The order goes to the Tower, ‘Bring up the bodies.’ Deliver, that is, the accused men, by name Weston, Brereton, Smeaton and Norris, to Westminster Hall for trial. Kingston fetches them by barge; it is 12 May, a Friday. ~ Hilary Mantel,
95:Your father could not be found, the lord Radihaw had said the day before to Mawat. Not in the tower, not in the fortress, not in the town. And yet it seemed that he could not have left the fortress without someone knowing. ~ Ann Leckie,
96:We were passing the city cemetery. Adjoining it was a field occupied only by a couple of amiable and moth-eaten horses, and a grey tower. I asked what the tower was for. My grandfather answered that it held a giant’s arm. ~ Isobelle Carmody,
97:All these last months he had begun to talk about Sarima and the family as if they were ghosts, hiding just around the curve of the spiral staircase in the tower, suppressing giggles at this long, long game of hide-and-seek. ~ Gregory Maguire,
98:Behold the Power of the peanut. His body mass may be small, but his influence is mighty. The last holdout in the Tower has officially fallen to him.
(Said by Pia about the effect her son 'peanut' had on the Sentinel Aryal) ~ Thea Harrison,
99:Can you tell me why, when other spiders die small and soon, that one great spider lived for centuries in the tower of the old Spanish church and grew and grew, till, on descending, he could drink the oil of all the church lamps? ~ Bram Stoker,
100:Dreams either mean nothing or everything - and when they mean everything, they almost always come as messages from... well, from other levels of the tower.' He gazed at Eddie shrewdly. 'And not all messages are sent by friends. ~ Stephen King,
101:In order to satisfy this great oneiric function, which makes it not a kind of total monument, the [Eiffel] Tower must escape reason. The first condition of this victorious flight is that the Tower be an utterly useless monument. ~ Roland Barthes,
102:Nature was more merciful than men, providing for those who suffered great pain such blessedness as fainting; but men were cruel and brought their victims out of faints that the pain might start again. (On being tortured/The Tower.) ~ Jean Plaidy,
103:Silence spread out from Rincewind's bent like ripples in a puddle. It cascaded down the tower and spread out through the milling crowds below, flowed over the walls, gushed darkly through the city, and engulfed the lands beyond. ~ Terry Pratchett,
104:Inevitably, invariably, eventually you will discover you are unprepared to make an informed choice. When in doubt, say, Yes. Yes is the eternal passport. Yes is the everlasting coin. —Everyman’s Guide to the Tower of Babel, I. XII ~ Josiah Bancroft,
105:There was a steady drizzle when they left for the tower. Moist drove the cart, with the others sitting on the load behind him and bickering over trigonometry. Moist tried not to listen; he got lost when maths started to get silly. ~ Terry Pratchett,
106:ALBA from “Langue d’Oc” When the nightingale to his mate Sings day-long and night late My love and I keep state In bower, In flower, ‘Till the watchman on the tower Cry: “Up! Thou rascal, Rise, I see the white Light And the night Flies. ~ Ezra Pound,
107:Did you know they call the tower the "Iron Lady"? Hmm. Isn't that Margaret Thatched called that, too? Frankly, they don't look anything alike to me. For one thing, Maggie has two legs, and the Parisian Iron Lady has four on the floor, like me. ~ Sheron Long,
108:I laughed. " So, let me get this straight. You slayed the dragon, jumped over the moat, climbed the tower of the evil King's castle, saved the princes, and rode off with her into sunset aka Shadow land. Why, you're my knight in shining armour. ~ Jayde Scott,
109:Cincinnati, I thought, was the most beautiful of the inland cities of the Union. From the tower of its unsurpassed hotel the city spreads far and wide its pageant of crimson, purple and gold, laced by silver streams that are great rivers. ~ Winston S Churchill,
110:You’ll get hurt!” But she doesn’t listen. She jumps straight out the window. “Wheeee!” she yells as she flies down. She lands on the Frau-Monster, knocking her down, and then bounces into the thorns by the tower as though Frau were a trampoline. ~ Sarah Mlynowski,
111:Squire Liana, by my power as a Knight Commander of the Citadel, you are to seek Medica treatment tomorrow. There will be no arguments, no exceptions, and no complaints. You will serve the Tower.” My mother’s words held the ring of finality to them. ~ Bella Forrest,
112:You are young and young your rule and you think that the tower in which you live is free from sorrow: from it have I not seen two tyrants thrown? The third, who now is king, I shall yet live to see him fall, of all three most suddenly, most dishonored. ~ Aeschylus,
113:Why am I here?” Jake asked. “Why did I forget everything from before?” “Because the man in black has drawn you here,” the gunslinger said. “And because of the Tower. The Tower stands at a kind of . . . power-nexus. In time.” “I don’t understand that! ~ Stephen King,
114:If you wanted to greet him or get his attention, you had to say: “Oh, Mr. Forest-Ranger-who-stands-in-the-tower-watching-out-for-forest fires!” If you abbreviated it, or, heaven help us, addressed him simply as “David,” you would get no response. ~ Katherine Paterson,
115:I went up to the tower. I thought I might find the woman and the boy there, in bed together. Or the boy and his father, enjoying some quality time, a dead man and a mad boy chuckling and joshing and exchanging their stories of being dead and being mad. ~ Stephen Gregory,
116:How old was More when Richard succeeded?
He was five.
When that dramatic council scene had taken place at the Tower, Thomas More had been five years old. He had been only eight when Richard died at Bosworth.
Everything in that history had been hearsay. ~ Josephine Tey,
117:I stand in Minas Anor, the Tower of the Sun; and behold! the Shadow has departed! I will be a Shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren. ~ J R R Tolkien,
118:Everyone needs faith: faith that even though the world is full of evil, a suitor will come and kiss us awake; faith that the girl will escape the tower, the big bad wolf will die, and even those poisoned by malevolence can be reborn, as innocent as purity itself. ~ Rene Denfeld,
119:And therein were many knights and squires to behold, scaffolds and pavilions; for there upon the morn should be a great tournament: and the lord of the tower was in his castle and looked out at a window, and saw a damosel, a dwarf, and a knight armed at all points. ~ Thomas Malory,
120:Divinition is a means of telling ourselves what we already know. What we fear. There are no demons but a collection of archetypes every civilization has in common. The fear of loss - Death. The fear of displacement - the Tower. The fear of transience - the Chariot. ~ Joanne Harris,
121:For socialism is not merely the labour question, it is before all things the atheistic question, the question of the form taken by atheism to-day, the question of the tower of Babel built without God, not to mount to heaven from earth but to set up heaven on earth. ~ Joseph Conrad,
122:socialism is not merely the labor question, it is before all things the atheistic question, the question of the form taken by atheism to-day, the question of the tower of Babel built without God, not to mount to heaven from earth but to set up heaven on earth. ~ Fyodor Dostoyevsky,
123:For socialism is not merely the labor question, it is before all things the atheistic question, the question of the form taken by atheism today, the question of the tower of Babel built without God, not to mount to heaven from earth but to set up heaven on earth. ~ Fyodor Dostoyevsky,
124:For socialism is not merely the labor question, it is before all things the atheistic question, the question of the form taken by atheism to-day, the question of the tower of Babel built without God, not to mount to heaven from earth but to set up heaven on earth. ~ Fyodor Dostoyevsky,
125:Long after midnight when you park, and stand
Just for a moment in the chromium wash,
Sometimes it seems that, some way off,
Between the river and the tower belt, say,
The roofs show black on pomegranate red
As if, below that line, they stood on fire. ~ Christopher Logue,
126:When all men were of one language, some of them built a high tower, as if they would thereby ascend up to heaven, but the gods sent storms of wind and overthrew the tower, and gave every one his peculiar language; and for this reason it was that the city was called Babylon. ~ Josephus,
127:For socialism is not merely the labour question, it is before all things the atheistic question, the question of the form taken by atheism to-day, the question of the tower of Babel built without God, not to mount to Heaven from Earth but to set up Heaven on earth. ~ Fyodor Dostoyevsky,
128:Raphael knew the real reason Illium had flown here rather than to his home in the Tower. Elena's Bluebell adored her, and it was to her that he would speak things he wouldn't speak even to Raphael. And tonight was the one-year anniversary of Aodhan's return to the Refuge. ~ Nalini Singh,
129:God doesn’t give us crying, pooping children because he wants to advance our careers. He gives them to us for the same reason he confused language at the Tower of Babel, to create chaos and deter us from investing too much energy in the gluttonous idols of self-absorption. ~ Donald Miller,
130:In the pillared bowl atop the tower, a great pyre blazed, casting a golden glow over the granite walls. The bloody body of a man painted with the white four-pointed star of Kimisara hung by his neck below.
“I think that Kimisar you saw is still here,” Alex observed dryly. ~ Erin Beaty,
131:Anyway, it's two in the morning and we're taking turns pissing off of the tower (rather than going at the same time, because we weren't raised by wolves). So it's my turn and I'm right at that transcendent moment when the long stream of urine connects me and the ground below... ~ David Wong,
132:I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henrys old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period. ~ Rick Wakeman,
133:Did you read the part that says, 'Your hair is like a flock of goats'? How romantic is that? Or that other line, 'Your neck is like the tower of David.' Oh, now, that sounds real attractive! If some guy tried those lines on me, I'm sure I'd fall instantly in love with him. ~ Robin Jones Gunn,
134:Sane people kept their groups to a half dozen or so, though. The tower punished anything it saw as a threat, and everyone knew the stories about what had happened when it did. The Kingdom of Feria had once tried to invade the fifth tower. It was nothing but dust and ruins, now. ~ Andrew Rowe,
135:I could see the condemned man, accompanied by his priest, walk slowly from the Tower toward the green where the wooden platform was waiting, the block of wood placed center stage, the executioner dressed all ready for work in his shirtsleeves with a black hood over his head. ~ Philippa Gregory,
136:Westminster Abbey, the Tower, a steeple, one church, and then another, presented themselves to our view; and we could now plainly distinguish the high round chimneys on the tops of the houses, which yet seemed to us to form an innumerable number of smaller spires, or steeples. ~ Karl Philipp Moritz,
137:For grammar it [poetry] might have, but it needs it not; being so easy in itself, and so void of those cumbersome differences of cases, genders, moods, and tenses, which, I think, was a piece of the Tower of Babylon's curse, that a man shoult be put to school to learn his mother-tongue. ~ Philip Sidney,
138:It was one of those glorious New York fall afternoons, with a rich clarity to the low light that cast a dreamlike significance over everything. Far below, particles of sun glittered on the traffic of 42nd Street, hovercars floating in and out of the Tower like swarms of jeweled flies. ~ Katharine McGee,
139:It's true that non-ionizing radiation lacks the power to have damage. But its damage seems to come from its modulated signal. So every 900 milliseconds, if you have a cellphone in your pocket, it's getting half of that radiation which is getting into you as it seeks the signal from the tower. ~ Devra Davis,
140:became known, was slow and expensive. Delays in receiving equipment plagued Tesla due to the complicated and unusual nature of his designs. In 1903, the tower structure was nearly complete, and the transmitter was operational. As testing began, residents in the area reported seeing “all sorts ~ Sean Patrick,
141:The semigloom of the Tower’s nightfall made Senlin shiver. He cleared his throat and turned toward Adam, silhouetted by the rapidly fleeing line of sunlight. “Who will bury them?” Senlin rubbed tenderly at the dust-clotted gash in his cheek.
“The vultures,” Adam said grimly. “We should go. ~ Josiah Bancroft,
142:Any crew would be lucky to have you. Come down from the tower, Edith. Don’t let your life be defined by stupid words from stupid men, who needed you to be small so that they could feel big. Be bold, be daring, be you. The person you were always meant to be. This squad needs you. I need you. Join us. ~ Zoe Chant,
143:What would you have me do? A knight doesn’t look for a princess among the garbage.”
“My Sam had no use for me when he first met me.”
That Maddie couldn’t believe. “You are Sam’s princess in the tower.”
“I was Sam’s pain in the—” Bella smiled and tapped her behind, leaving the word unsaid. ~ Sarah McCarty,
144:At one point they'd repeated everything enough, and I wanted to tell them to stop showing the planes hitting the tower. We didn't need to see it again. And yet I didn't turn it off. Because I was hanging on every minute, wanting to be there when whatever was going to happen next actually happened. ~ David Levithan,
145:Has Joules calmed down yet?” I asked her. “Did he find the culprit?”

The Tower’s latest farfetched theory? Nanoseconds before his lightning hit, the Priestess somehow swooped in and ‘insta-drowned’ the twins, shoving water into their lungs. He’s furious and plans to go ‘spearfishing’ for her. ~ Kresley Cole,
146:I'm one of those people, in any country I'm in, if somebody could just put me in a car or a bus, I'll look out the window and say, 'OK, there's the Tower of London, there's Buckingham Palace, there's Big Ben,' and if it all takes about five minutes, perfect. I've seen all of it and I can go home. ~ Gilbert Gottfried,
147:One may escape from the prisons of experience, ideology or philosophy, but it is impossible to escape from the reality of one's innermost self. Understanding this, I had freed myself from nostalgia, and having done so, what remained was to free myself from the prospect of the future.

("The Tower") ~ Mark Samuels,
148:The Tower doesn’t reign. It looms. Looms above the Old Oaks. Looms above the park wall. Looms above Tirlin. Thick and tall and blunt, chipped and nicked by seven hundred years of determined attempts to pull it down, the Tower endures. “If a mountain had bones,” said Tervis, “that’s what they’d look like. ~ Frank Tuttle,
149:Therefore, the very large department store should not be viewed as a sinful undertaking, as, for example, the Tower of Babel. It is, rather, proof of the inability of the human race of today to be extravagant. It even builds skyscrapers: and the consequence this time isn't a great flood, but just a shop... ~ Joseph Roth,
150:An officer on an elevator in the Tower once told me he was proud of his job keeping bad guys out of society. "Someone's gotta do it, right?" - but that didn't stop him from going to church every week, for almost twenty years now, and confessing to what he called "the sin of locking a human being in a cage. ~ Avi Steinberg,
151:If animals had a Pope," Major Thompson said to me, "their Vatican would be in London. And if by some dire submarine cataclysm that noble vessel, Great Britain, were to be shipwrecked and start to founder, believe me, there would surely be somebody in Westminster to cry from the top of the Tower: "Dogs first! ~ Pierre Daninos,
152:Where are we headed?” she asked, stepping with Cord onto the monorail back toward the Tower.
“I was thinking dinner,” he said. “Are you hungry?”
Rylin looked at him, her brow furrowed, but for once he didn’t sound teasing. “It’s only ten a.m.,” she pointed out.
He grinned. “Not where we’re going. ~ Katharine McGee,
153:Whereas the man of action binds his life to reason and its concepts so that he will not be swept away and lost, the scientific investigator builds his hut right next to the tower of science so that he will be able to work on it and to find shelter for himself beneath those bulwarks which presently exist. ~ Friedrich Nietzsche,
154:Consider just the seemingly simple problem of not reusing blocks already built into the tower. To a person, this seems simple common sense: “Don’t use an object to satisfy a new goal if that object is already involved in accomplishing a prior goal.” No one knows exactly how human minds do this. ~ Marvin Minsky, The Society of Mind,
155:
   You know the Tower of Babel, right? You went to Sunday School?"


   "Yeah, sure. In ancient times everybody on earth spoke the same language, then they decided to build a tower that would reach all the way up to heaven. Then God cursed everybody on the job site to each speak a different language to mess them up.

~ David Wong,
156:The Tower is not a usual spectacle; to enter the Tower, to scale it, to run around its courses, is, in a manner both more elementary and more profound, to accede to a view and to explore the interior of an object (though an openwork one), to transform the touristic rite into and adventure of sight and of the intelligence. ~ Roland Barthes,
157:In fact, it was precisely their tendency to string together as much of the prevailing but ultimately vacuous jargon as possible—and their unquenchable propensity for lofty but nonsensical pontification—that earned City Hall the nickname of the Tower of Babel, or as Luka preferred to pronounce it, the Tower of Bullshit. ~ Christian Cantrell,
158:When the Baptist meetinghouse in Ithaca threw the band of lecturers out of its evening session, they “adjourned into God’s house—the open air”—and held their impromptu meeting in the courthouse square. Some in the mob eventually climbed to the tower and rang the courthouse bell to break up the meeting. Sometimes, when they ~ David W Blight,
159:I understand that in people's eyes, classical music is kind of a lost and dying art, but in my eyes, it's like, "Oh, the musical language, which has been, in the past, only available to a scarce few at the top of the tower, is now wide open." Now people's ears are becoming more amenable to fake strings - I think this is great! ~ Owen Pallett,
160:My mom has a diary entry or something where I wrote, "I think Steven Tyler is my father." I had the same feelings for Todd Rundgren, who raised me as his daughter. I would go to sleep at night and wake up at like 6 in the morning and creep up the little steps to the tower where he would be on his computer. I would just sit there. ~ Liv Tyler,
161:I used my cravings for food as a prompting to pray. It was my way of tearing down the tower of impossibility before me and building something new. My tower of impossibility was food. Brick by brick, I imagined myself dismantling the food tower and using those same bricks to build a walkway of prayer, paving the way to victory. ~ Lysa TerKeurst,
162:It’s easy to judge not knowing the truth

Only seeing carefully built walls.

It’s hard to undo years written in youth

But how amazing when the tower finally falls.

And I see you standing there

All sweet and kind of scared.

And you see me standing here.

Hope in my eyes but full of fear. ~ Kasie West,
163:The wheels rolled on, and rolled down by the Monument, and by the Tower; and by the Docks; down by Ratcliffe, and by Rotherhithe; down by where accumulated scum of humanity seemed to be washed from higher grounds, like so much moral sewage, and to be pausing until its own weight forced it over the bank and sunk it in the river. ~ Charles Dickens,
164:Vhalla wanted to blame him. Had it not been for him, none of this would have happened. If it wasn’t for him, her magical powers would’ve never Manifested, she would’ve never been involved with the Tower, and she would still be blissfully unaware of one senator’s name.

But Vhalla couldn’t blame him because she had been happy. ~ Elise Kova,
165:Courts. To be seen as you would see the Tower of London or menagerie of Versailles with their lions, tigers, hyænas, and other beasts of prey, standing in the same relation to their fellows. A slight acquaintance with them will suffice to show you that under the most imposing exterior, they are the weakest and worst part of mankind. ~ Albert Jay Nock,
166:Far ahead, the others neared the bridge that led to the fifth and final tower. And what then? Janner wondered. What happens when there’s nowhere left to run? Just as the boys reached the bridge to the third tower, the ground shook. The trolls were only a few feet behind, and one of the beasts had pounded its fist on the tower floor. ~ Andrew Peterson,
167:Men flocked to see it and ascended it as it was a novelty and of unique dimensions. It was the toy of the exhibition. So long as we are children we are attracted by toys, and the tower was a good demonstration of the fact that we are all children attracted by trinkets. That may be claimed to be the purpose served by the Eiffel Tower. ~ Mahatma Gandhi,
168:Ralph spoke to the boat in the same way Whittnish referred to the light – living creatures, close to their hearts. The things a man could love, Tom thought. He fixed his eyes on the tower. Life would have changed utterly when he saw it again. He had a sudden pang: would Isabel love Janus as much as he did? Would she understand his world? ~ M L Stedman,
169:To visit the Tower, then, is to enter into contact not with a historical Sacred, as is the case for the majority of monuments, but rather with a new nature, that of human space: the Tower is not a trace, a souvenir, in short culture; but an immediate consumption of a humanity made natural by that glance which transforms it into space. ~ Roland Barthes,
170:/Farsi Alike for those who for To-day prepare, And those that after some To-morrow stare, A Muezzin from the Tower of Darkness cries "Fools! Your Reward is neither Here nor There!" [bk1sm.gif] -- from The Rubaiyat of Omar Khayyam, by Omar Khayyam / Translated by Edward FitzGerald

~ Omar Khayyam, 24 - Alike for those who for To-day prepare
,
171:It's the great male fantasy-all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know-this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want princes, but boys want their princesses just as much. ~ Rachel Cohn,
172:Nurse Amy fiddled with the tubes and bags and machines, then went into the small room and reached behind a white tarp hanging from a pole. Iris heard water falling. Where did it come from? How did it get up into the tower? She and Ash would divert the stream to irrigate something they were growing, or just for fun, but they never beat gravity ~ Sonja Yoerg,
173:I had gradually come, by this time [1839-01], to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow as a sign, etc., etc. and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian. ~ Charles Darwin,
174:So the next morning, I had the deeply wretched experience of seeing Prince Marek stop outside the tower doors to look up to my window and blow me a cheerful and indiscreet kiss. I’d been watching only to be sure he actually left; it took nearly all the caution left in me not to throw something down at his head, and I don’t mean a token of my regard. ~ Naomi Novik,
175:That same cool, formal tone. Not mocking or vicious, just overly polite, without emotion. My stomach clenched, and words froze to the back of my mouth. I wanted to talk to him, but the coldness in his eyes sliced into me, making me pause. Instead, I simply nodded, and watched my knight turn on his heel and stride toward the tower without looking back. ~ Julie Kagawa,
176:In the year 1257, an elephant died in the Tower menagerie and was buried in a pit near the chapel. But the following year he was dug up and his remains sent to Westminster Abbey. Now, what did they want at Westminster Abbey, with the remains of an elephant? If not to carve a ton of relics out of him, and make his animal bones into the bones of saints? ~ Hilary Mantel,
177:Eight O'Clock
He stood, and heard the steeple
Sprinkle the quarters on the morning town.
One, two, three, four, to market-place and people
It tossed them down.
Strapped, noosed, nighing his hour,
He stood and counted them and cursed his luck;
And then the clock collected in the tower
Its strength, and struck.
~ Alfred Edward Housman,
178:Everyone thinks you saved me the day you threw us off the tower. But the truth is you saved me way before that. Every time you smile, you save me. I’m surrounded by Guardians everyday but I didn’t encounter courage until I met you. I lived in the light but I didn’t find peace until I held you. And I never understood what it meant to love until I was loved by you. ~ Lola St Vil,
179:Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust to lie
Sans Wine, sans Song, sans Singer, and--sans End!

Alike for those who for To-day prepare,
And those that after some To-morrow stare,
A Muezzin from the Tower of Darkness cries
"Fools! your Reward is neither Here nor There. ~ Omar Khayy m,
180:It is a strange phrase, ‘falling in love,’” said one of the princesses in the tower. Tears stood out on her cheeks, and even these were pretty, reflecting the blue sky above her. “It sounds like something you do accidentally, by yourself. But isn’t someone else always to blame? They should call it strangling in love. Walloped in love. Knocked-out-of-nowhere in love. ~ Lauren Oliver,
181:To the east a guard looked on from the tower. I waved at him but he didn’t wave back. At first the guards scared me, but my aunt told me they were not human beings, just a pair of eyes unable to harm or help anyone or anything. I thought of them now in the same way I thought of the stick-figure children my mother had painted on the levee, and I was no longer scared. ~ Omar El Akkad,
182:And yet all the gold is in England, it is dug up from Portuguese and Spanish mines, but it flows by some occult power of attraction to the Tower of London.” “Flows,” Caroline repeated. “Flows, like a current.” Sophie nodded. “And the English have grown so used to this that they use ‘currency’ as a synonym for money, as if no distinction need be observed between them. ~ Neal Stephenson,
183:The king's very simple cousin, for example, pointed out that the tower Froi could see from where he was standing was the prison and currently held only one prisoner. "The rest of the the scum are kept in dungeons close to the bridge of the Citavita," the man explained.
"And the king?" Froi asked.
"We try not to refer to him as scum out loud," the man whispered. ~ Melina Marchetta,
184:I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. ~ Michelle Tea,
185:The Prince shall think you the most beautiful lady he’s ever seen.” Alex replied wryly, “Let’s hope that’s not the case, Eliza. History teaches us that things never end well when royalty set their eyes on ‘the most beautiful lady’ they’ve ever seen. Have a care; if you perform your tasks too well, I could be haunting the Tower of London without a head, alongside Anne Boleyn. ~ Sarah MacLean,
186:It was a moment of passage, boy. A time such as must be at the Tower itself, when things come together and hold and make power in time. My father had taken control, had been acknowledged and singled out. Marten was the acknowledger; my father was the mover. And his wife, my mother, went to him, the connection between them. Betrayer.

My father was the last lord of light. ~ Stephen King,
187:The Prince shall think you the most beautiful lady he's ever seen."
Alex replied wryly, "Let's hope that's not the case, Eliza. History teaches us that things never end well when royalty set their eyes on 'the most beautiful
lady' they've ever seen. Have a care; if you perform your tasks too well, I could be haunting the Tower of London without a head, alongside Anne Boleyn. ~ Sarah MacLean,
188:We see only the simple motion of descent, since that other circular one common to the Earth, the tower, and ourselves remains imperceptible. There remains perceptible to us only that of the stone, which is not shared by us; and, because of this, sense shows it as by a straight line, always parallel to the tower, which is built upright and perpendicular upon the terrestrial surface. ~ Galileo Galilei,
189:But I realized now that without quite thinking it through, I'd half-imagined myself a place here in the tower. My little room upstairs, a cheerful rummaging through the laboratory and the library, tormenting Sarkan like an untidy ghost who left his books out of place and threw his great doors open, and who made him come to the spring festival and stay long enough to dance once or twice. ~ Naomi Novik,
190:From the simplest lyric to the most complex novel, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady on the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein. ~ Frederick Buechner,
191:Of Swelter's acreage, only a perch or two here and there might, if broken, prove vulnerable loam. That he bled profusely could prove little. There was blood in him to revitalize an anaemic army, with enough left over to cool the guns. Placed end to end, his blood vessels might have coiled up the Tower of Flints and half way down again like a Virginia creeper -- a vampire's home from home. ~ Mervyn Peake,
192:One of the towers has fallen. When it's our turn to leave, it's like something in me is finally willing to listen, and suddenly I understand what it means. The tower doesn't exist anymore. Something I've seen my entire life - something so much larger than my entire life - is gone. That is my first reaction. And then I think about all the people inside. There must have been people inside. ~ David Levithan,
193:Once upon a time in the land of Shinar, God came down to see the city and the tower. People were united and spoke in one language. Then God confound their language and caused them scattered all over the planet earth. I believe, because of our technology, there will be one computer-based language on earth. Then God will come back again and make us all scattered all over the stars constellation. ~ Toba Beta,
194:Full Moon
Above the tower -- a lone, twice-sized moon.
On the cold river passing night-filled homes,
It scatters restless gold across the waves.
On mats, it shines richer than silken gauze.
Empty peaks, silence: among sparse stars,
Not yet flawed, it drifts. Pine and cinnamon
Spreading in my old garden . . . All light,
All ten thousand miles at once in its light!
~ Du Fu,
195:Relationships matter. They matter as much as exercise and nutrition. And not all relationships help us reach our goals. God doesn’t give us crying, pooping children because he wants to advance our careers. He gives them to us for the same reason he confused language at the Tower of Babel, to create chaos and deter us from investing too much energy in the gluttonous idols of self-absorption. ~ Donald Miller,
196:The Tower. He would come to the Dark Tower and there he would sing their names; there he would sing their names; there he would sing all their names. The sun stained the east a dusky rose, and at last Roland, no longer the last gunslinger but one of the last three, slept and dreamed his angry dreams through which there ran only that one soothing blue thread: There I will sing all their names! ~ Stephen King,
197:It was one of those rare and beautiful days in winter when England remembers that there is a sun. The star of the day, pale but nevertheless still splendid, was setting in the horizon, glorifying at one the heavens and the sea with bands of fire, and casting upon the tower and the old houses of the city a last ray of gold which made the windows sparkle like the reflection of a conflagration. ~ Alexandre Dumas,
198:This baby is a daughter of the goddess, and so she’s a T-H-R-E-A-T to them, you bet. A big threat. She could bounce the King, if she grows up, which…certain persons…would like her not to do. And there’s other people who want her to grow up but would want to, what, be her manager, you know? Boss her, use her. Climb into the tower by means of her Rapunzel hair, yes, sir. Right into that tower.” Scott ~ Tim Powers,
199:Death, the Sun, the Lovers. Lots of major arcana. Your future's controlled by others. There's powerful people playing with it. You're gonna have to fight to get it back...this is the country of truth. There the Devil, the Star, the Tower. In this country of truth, where your spirit lives, your life still isn't your own. Other stronger spirits, or maybe gods--they've got the say in what happens to you. ~ Emma Bull,
200:Quasimodo then lifted his eye to look upon the gypsy girl, whose body, suspended from the gibbet, he beheld quivering afar, under its white robes, in the last struggles of death; then again he dropped it upon the archdeacon, stretched a shapeless mass at the foot of the tower, and he said with a sob that heaved his deep breast to the bottom, 'Oh-all that I've ever loved!' The Hunchback of Notre Dame ~ Victor Hugo,
201:Do you know all the mystery of life and death? Do you know the altogether of comparative anatomy and can say wherefore the qualities of brutes are in some men, and not in others? Can you tell me why, when other spiders die small and soon, that one great spider lived for centuries in the tower of the old Spanish church and grew and grew, till, on descending, he could drink the oil of all the church lamps? ~ Bram Stoker,
202:Fingap Falls arrayed before them. To the right flowed the white water of the Mighty Blapp, snaking into the mist of the upper falls. Below it jutted the shelf that caught the waters in its giant palm. The bridges spanning the five towers looked as thin as ribbons. At the fourth, of course, there was no longer a bridge, and the surface of the tower was clogged with the tiny movements of Fangs in retreat. ~ Andrew Peterson,
203:From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein. ~ Frederick Buechner,
204:Your speech is pompous sounding, full of pride, as fits the lackey of the Gods. You are young and young your rule and you think the tower in which you live is free from sorrow: from it have I not seen two tyrants thrown? The third, who now is king, I shall yet live to see him fall, of all three most suddenly, most dishonored. Do you think I will crouch before your Gods, -so new-and tremble? I am far from that. ~ Aeschylus,
205:With no direction or purpose left in his life, Steffen had wandered and had come here, to this small village high on this hilltop, and he checked over his shoulder once again, as he did every hour since his arrival, at the Tower of Refuge, keeping it in sight at all times, hoping beyond all expectation that he might see Gwendolyn walk out those doors, that he might have a chance to take up his old life again. ~ Morgan Rice,
206:The Queen coined new money specifically for the Company {East India}. Minted at the Tower of London and bearing her arms on one side and a portcullis on the other, it soon became know as the portcullis money. She also granted the merchants a new flag which, with its blue field and background of thirteen red and white stripes, prefigured the one adopted by the Thirteen Colonies of America some 175 years later. ~ Giles Milton,
207:Do you know how long God took to destroy the Tower of Babel, folks? Seven minutes. Do you know how long the Lord God took to destroy Babylon and Nineveh? Seven minutes. There’s more wickedness in one block in New York City than there was in a square mile in Nineveh, and how long do you think the Lord God of Sabboath will take to destroy New York City and Brooklyn and the Bronx? Seven seconds. Seven Seconds. ~ John Dos Passos,
208:She frowned. “Did I do or say something yesterday that I should apologize for?”

“Not you cupcake,” said Graydon. “But apparently a lot of other people in the Tower have. Rune thinks we should rename it Melrose Place. I think Peyton Place has a more classic feel to it, don’t you?”

“Oh no,” she said. “You got the tablecloth away from Tricks.”

Rune grinned. “Not before the little shit bit me. ~ Thea Harrison,
209:If Aliosha had come to the conclusion that neither God nor immortality existed, he would immediately have become an atheist and a socialist. For socialism is not only a question of the working classes; it is above all, in its contemporary incarnation, a question of atheism, a question of the tower of Babel, which is constructed without God's help, not to reach to the heavens, but to bring the heavens down to earth. ~ Albert Camus,
210:With the tower, we knew none of these things. We could not intuit its full outline. We had no sense of its purpose. And now that we had begun to descend into it, the tower still failed to reveal any hint of these things. The psychologist might recite the measurements of the "top" of the tower, but those numbers meant nothing, had no wider context. Without context, clinging to those numbers was a form of madness. ~ Jeff VanderMeer,
211:There is a great deal more correctness of thought respecting manhood in bodily things than in moral things. For men's ideas of manhood shape themselves as the tower and spire of cathedrals do, that stand broad at the bottom, but grow tapering as they rise, and end, far up, in the finest lines, and in an evanishing point. Where they touch the ground they are most, and where they reach to the heaven they are least. ~ Henry Ward Beecher,
212:Man has been here 32,000 years. That it took a hundred million years to prepare the world for him is proof that that is what it was done for. I suppose it is, I dunno. If The Eiffel Tower were now to represent the world's age, the skin of paint on the pinnacle knob at its summit would represent man's share of that age; and anybody would perceive that the skin was what the tower was built for. I reckon they would, I dunno. ~ Mark Twain,
213:Man has been here 32,000 years. That it took a hundred million years to prepare the world for him is proof that that is what it was done for. I suppose it is. I dunno. If the Eiffel tower were now representing the world's age, the skin of paint on the pinnacle-knob at its summit would represent man's share of that age; and anybody would perceive that that skin what what the tower was built for. I reckon they would, I dunno. ~ Mark Twain,
214:He missed Hogwarts so much it was like having a constant stomachache. He missed the castle, with its secret passageways and ghosts, his classes, … the mail arriving by owl, eating banquets in the Great Hall, sleeping in his four-poster bed in the tower dormitory, visiting the gamekeeper, Hagrid, in his cabin next to the Forbidden Forest in the grounds, and especially, Quidditch, the most popular sport in the wizarding world ~ J K Rowling,
215:Martin eyed the buffet table because he'd slept through dinner and was ravenous; but as luck would have it, who was standing next to the tower of cream cakes but Evelyn- looking equally delicious in a stunning, pale yellow gown of light diaphanous fabric that seemed to flutter around her legs on a nonexistent breeze.
And her bosom... Well, she looked delectable with pearls crisscrossing over her lush, alluring breasts. ~ Julianne MacLean,
216:We wind our way past Tower Hill and the scaffold that stands there, where my father ended his life, and I bow my head to his memory, and remember his hopeless struggle against Queen Mary. I think how glad he would be to see one daughter, at least, riding from the Tower to freedom, her baby beside her and her noble husband and heir following behind. It’s bitter for me to think of him, and the death that he brought on Jane, ~ Philippa Gregory,
217:When my first draft of a novel is done, I put it away, warts and all, to mellow. Some period of time later—six months, a year, two years, it doesn’t really matter—I can come back to it with a cooler (but still loving) eye, and begin the task of revising. And although each book of the Tower series was revised as a separate entity, I never really looked at the work as a whole until I’d finished Volume Seven, The Dark Tower. When ~ Stephen King,
218:At the base of the immense pillar, tiny Babylon was in shadow. Then the darkness climbed the tower, like a canopy unfurling upward. It moved slowly enough that Hillalum felt he could count the moments passing, but then it grew faster as it approached, until it raced past them faster than he could blink, and they were in twilight... For the first time, he knew night for what it was: the shadow of the earth itself, cast against the sky. ~ Ted Chiang,
219:flaunting the Kohinoor on the Queen Mother’s crown in the Tower of London is a powerful reminder of the injustices perpetrated by the former imperial power. Until it is returned—at least as a symbolic gesture of expiation—it will remain evidence of the loot, plunder and misappropriation that colonialism was really all about. Perhaps that is the best argument for leaving the Kohinoor where it emphatically does not belong—in British hands. ~ Shashi Tharoor,
220:If Admiral Tourville’s invasion-fleet makes it across the Channel without being sunk by the Royal Navy, and if the Papist legion establishes a beachhead on English soil without being destroyed by the Army or torn to bits by an enraged Mobb of English rurals, then I shall personally carry every single one of your coins from the Tower of London to the front in my arse-hole, and Deposit them in some Place where they may be easily Picked Up. ~ Neal Stephenson,
221:It was while he was on the tower that
Robbie came to the rampart beneath.
'I want you to look at this,' Robbie called up to him, and flourished a newly painted shield. 'You like it?'
Thomas peered down and, in the moonlight, saw something red. 'What is it?' he asked. 'A blood smear?'
'You blind English bastard,' Robbie said, 'it's the red heart of Douglas!'
'Ah. From up here it looks like
something died on the shield. ~ Bernard Cornwell,
222:He thought back on his family with deep emotion and love. His conviction that he would have to disappear was, if possible, even firmer than his sister's. He remained in this state of empty and peaceful reflection until the tower clock struck three in the morning. He still saw that outside the window everything was beginning to grow light. Then, without his consent, his head sank down to the floor, and from his nostrils streamed his last weak breath. ~ Franz Kafka,
223:It was the Tower. The Dark Tower. It stood on the horizon of a vast plain the color of blood in the violent setting of a dying sun. He couldn't see the stairs which spiraled up and up and up within its brick shell, but he could see the windows which spiraled up along that staircase’s way, and saw the ghosts of all the people he had ever known pass through them. Up and up they marched, and an arid wind brought him the sound of voices calling his name. ~ Stephen King,
224:Sparrows soar on high; they are light and agile. They fly through the clouds unafraid and travel where the skeleton could never go. That is strength on little wings. And they fly about inside the tower, waiting for the sun to go down so they can open the windows and escape out into the night sky.” “And what do they do when they come out?” “They rain tiny blessings down on the Jews of Prague while we all are asleep. They shine light in the darkness. ~ Kristy Cambron,
225:Yellow clouds beside the walls; crows near the tower.
Flying back, they caw, caw; calling in the boughs.
In the loom she weaves brocade, the Qin river girl.
Made of emerald yarn like mist, the window hides her words.
She stops the shuttle, sorrowful, and thinks of the distant man.
She stays alone in the lonely room, her tears just like the rain.
by owner. provided at no charge for educational purposes

~ Li Bai, Crows Calling At Night
,
226:She climbed, and climbed. The tower vibrated slightly, perhaps because its height made the wind a stroking hand upon its string. Half-heard cries, ragged whispers, soft slithering sounds echoed from the stone walls. The Speaking Tower, it was called, for here Summer could listen to the voices of her subjects, their wishes and fears seeping from rough mauve rock. The outside was white-and-greenstone, but the inside of the Speaking was a pink throat. ~ Lilith Saintcrow,
227:You look like Medusa with decapitated snakes all over your head.”
“Shut up, Rustin. And where have you been?” I shout back. “Melehan said you had disappeared. You said you wouldn’t leave me.”
“I went for a walk,” replies Rustin. “I’m too pumped to sleep, and you were out for the count. I could hear you snoring halfway down the tower.”
“I don’t snore.”
“Yes, you do.”
“I breathe heavily.”
“In the same way a fighter jet purrs on take-off. ~ Donna Hosie,
228:I’m getting on pretty well with German, though I haven’t arrived at the stage of finding it a reasonable medium for the expression of thought. I think the original couple who spoke it must have died rather soon after the Tower of Babel, leaving a rather pedantically-minded baby, who had learnt all the words of one syllable, and had to make up the long ones with them – at least how else can you account for such words as Handschule and be-ab-sichtigen? I ~ Bertrand Russell,
229:She never saw it again. Day and night the river flows down into England, day after day the sun retreats into the Welsh mountains, and the tower chimes: 'See the Conquering Hero.' But the Wilcoxes have no part in the place, nor in any place. It is not their names that recur in the parish register. It is not their ghosts that sigh among the alders at evening. They have swept into the valley and swept out of it, leaving a little dust and a little money behind. ~ E M Forster,
230:Then there are the words that the Song of Solomon provides a man. The enchanting words of courtship."
She closed her eyes and, lips parted, began to chant. "How beautiful you are, my love, your eyes are doves.... Your lips are like a crimson thread, and your mouth is lovely. Your cheeks are like halves of a pomegranate.... Your neck is like the tower of David.... Your two breasts are like two fawns, twins of a gazelle, that feed among the lilies. ~ Talia Carner,
231:As we still ascend from shelf to shelf, we find the tenants of the tower serially disposed in order of their magnitude: gannets, black and speckled haglets, jays, sea hens, sperm-whale birds, gulls of all varieties -- thrones, princedoms, powers, dominating one above another in senatorial array; while, sprinkled over all, like an ever-repeated fly in a great piece of broidery, the stormy petrel or Mother Cary's chicken sounds his continual challenge and alarm. ~ Herman Melville,
232:Where dwells the religion? Tell me first where dwells electricity, or motion, or thought or gesture. They do not dwell or stay atall. Electricity cannot be made fast, mortared up and ended, like London Monument, or the Tower, so that you shall know where to find it, and keep it fixed, as the English do with their things, forevermore; it is passing, glancing, gesticular; it is a traveller, a newness, a surprise, a secret which perplexes them, and puts them out. ~ Ralph Waldo Emerson,
233:Going to Europe, someone had written, was about as final as going to heaven. A mystical passage to another life, from which no-one returned the same. Those returning in such ships were invincible, for they had managed it and could reflect ever after on Anne Hathaway's Cottage or the Tower of London with a confidence that did generate at Sydney. There was nothing mythic at Sydney; momentous objects, beings and events all occurred abroad or in the elsewhere of books. ~ Shirley Hazzard,
234:Everything around and about me looked so like the Old Country,” he wrote. Landing on the docks, “Irish porters seized upon my luggage as they would have done at the Tower steps in London. Street newsboys pestered me with second editions of English-printed newspapers. An Old-fashioned English hackney coach carried me to my destination, through dull, English-looking streets, with English names; and the driver cheated me at the end of my fare, with genuine London exorbitance. ~ Anonymous,
235:An artist is somebody who enters into competition with God. The guy who built the Tower of Babel was the first artist. If I had to check out where I was in other centuries, I was his old lady. If I wasn't the guy, I was his chick. He knew that there was more and God got jealous. Even gods get uptight. Women make gods uptight. Everyone thinks of God as a man -- you can't help it -- Santa Claus was a man, therefore God has to be a man. But a man comes once. A woman never stops coming. ~ Patti Smith,
236:Sofia smiled at me. “You think fairy tales are only for girls? Here’s a hint—ask yourself who wrote them. I assure you, it wasn’t just the women. It’s the great male fantasy—all it takes is one dance to know that she’s the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know—this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. ~ Rachel Cohn,
237:So that was it?” she demanded. “All that build-up to rescue a princess, and . . . that was it?”
“Would you prefer trying to fight your way out of the tower, through the ruined city transformed
into a warzone, through the fetid lake and past the dragons, only to escort her over a thousand miles of
treacherous territory back home?”
“Yes, actually,” Noutha said, blinking.
Tyndal stopped short at that. “I guess I’m glad you weren’t in charge of planning, then,” he
decided. ~ Terry Mancour,
238:THE RAW MATERIAL of a myth, like the raw material of a dream, may be something that actually happened once. But myths, like dreams, do not tell us much about that kind of actuality. The creation of man, Adam and Eve, the Tower of Babel, Oedipus—they do not tell us primarily about events. They tell us about ourselves. In popular usage, a myth has come to mean a story that is not true. Historically speaking that may well be so. Humanly speaking, a myth is a story that is always true. ~ Frederick Buechner,
239:Josh was irresistibly drawn to the Tower, about half a football field from the back of the hotel, perched on the eastern cliff. He stood next to the concrete base of the thick, conical structure, craning his neck to look up at the unfinished glass housing at the top. It was high up, and his neck hurt trying to take in the entire sight. Josh pulled open the thick wooden door to the Tower. It was a lot heavier than it looked. Or maybe he just needed to work out more. Probably a little of both. ~ Sam Sisavath,
240:From the tower battlements, Dustfinger looked down on a lake as black as night, where the reflection of the castle swam in a sea of stars. The wind passing over his unscarred face was cold from the snow of the surrounding mountains, and Dustfinger relished life as if he were tasting it for the first time. The longing it brought, and the desire. All the bitterness, all the sweetness, even if it was only for a while, never for more than a while, everything gained and lost, lost and found again. ~ Cornelia Funke,
241:The irony was that my real enemy had been there all along right in front of me. Smiling crookedly and convincing me we were friends. Trying to seduce me for the thrill of the chase. Chastising me for not trusting him that first year in the tower stairs at the Academy… Telling me he loved me. And then tossing me aside the second I jeopardized his dreams. I wasn’t what he had wanted all these years. I’d merely been a diversion in his pursuit of the crown.
I never should have trusted a prince. ~ Rachel E Carter,
242:But in an instant Blake stepped in front of her, turning his back to Chris and the gun. The shot was so much louder than anything else in the woods. And it seemed to echo forever. Livia watched Blake’s face in horror as he fell toward her, leaning for a moment like the Tower of Pisa. She staggered back, trying to hold him as they both collapsed to the forest floor. Livia knew he was tremendously injured when his body hit hers so hard. If he could have, she knew Blake would’ve softened the blow. ~ Debra Anastasia,
243:The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now— James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it? No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too. ~ Virginia Woolf,
244:Well, when we were little, Gage’s daddy built a tree house for the three of us in his backyard. We used to have a secret club. And we’d play over there, and hide from people, and pretend we were knights in a castle.”
“Gage and I were knights,” Roo corrected her. “You always had to be rescued.”
“Well, I liked the way Gage threw me over his shoulder and carried me down from the tower.”
“Gage did that?” Clasping his hands over his heart, Parker sighed. “My hero.”
Gage ignored him. ~ Richie Tankersley Cusick,
245:Wide open and unguarded stand our gates, And through them passes a wild motley throng. Men from Volga and Tartar steppes. Featureless figures from the Hoang-ho, Malayan, Scythian, Teuton, Kelt and Slav, Flying the Old World’s poverty and scorn; These bringing with them unknown gods and rites, Those tiger passions here to stretch their claws, In street and alley what strange tongues are these, Accents of menace in our ear, Voices that once the Tower of Babel knew. —THOMAS BAILEY ALDRICH, “UNGUARDED GATES,” 1882 ~ Neil Gaiman,
246:Michael was all too conscious of his condition, and when he was in his grimmest moods, he would say, “I am a doomed man,” though there was a hint of the messianic in this too: he was “doomed” as all messiahs are doomed. (When my friend Ren Weschler visited him once and asked how he was, Michael replied, “I am in Little Ease.” Ren looked baffled, and Michael had to explain that Little Ease was a cell in the Tower of London so small that a man could neither stand up nor lie down in it, could never find any ease.) ~ Oliver Sacks,
247:When he returned to the Annex, James found Drew hunched at the keyboard of what served as his computer, Audrey peering over his shoulder at the screen. As usual, the casing was off the tower and a jumble of wires and computer innards spilled out onto the floor. The man had at least half a dozen high-powered laptops to his name, James knew, not to mention the tablets and the smart phones that weighed down his pockets like spare change. But when performance mattered, Drew headed straight to his desktop Frankenstein. ~ Susan Sey,
248:Still, better safe than sorry, right?” “The Tower. It’s the strongest building on the island. Of course, you’ll have to fight Tom for it. He spends most of his nights there.” Tom grinned. “Everyone’s welcome to join me in the Tower. We can have a sleepover and sing songs. Ladies? Any takers?” “Only if I can take my gun,” Carly said. Everyone laughed…except Josh. He watched Tom closely. It’s a front. The man’s got two faces. This is his public face. The one I saw back in the Tower this afternoon was the real Tom. ~ Sam Sisavath,
249:Over the land there lies a long shadow, westward reaching wings of darkness. The Tower trembles; to the tombs of kings doom approaches. The Dead awaken; for the hour is come for the oathbreakers: at the Stone of Erech they shall stand again and hear there a horn in the hills ringing. Whose shall the horn be? Who shall call them from the grey twilight, the forgotten people? The heir of him to whom the oath they swore. From the North shall he come, need shall drive him: he shall pass the Door to the Paths of the Dead. ~ Anonymous,
250:Won’t wash,” he said, very quietly. “Because of these. This is how they mark you, Slightman. This is your brand. You tell yourself you did it for your boy because it gets you to sleep at night. I tell myself that what I did to Jake I did so as not to lose my chance at the Tower . . . and that gets me to sleep at night. The difference between us, the only difference, is that I never took a pair of spectacles.” He wiped his hand on his pants. “You sold out, Slightman. And you have forgotten the face of your father. ~ Stephen King,
251:HMS Belfast is a gunship of 11,000 tons, commissioned in 1939, which saw active service in the Second World War. Since then it has been moored on the south bank of the Thames, in postcard-land, between Tower Bridge and London Bridge, opposite the Tower of London. From its deck one can see St. Paul’s Cathedral and the gilt top of the columnlike Monument to the Great Fire of London erected, as so much of London was erected, by Christopher Wren. The ship serves as a floating museum, as a memorial, as a training ground. ~ Neil Gaiman,
252:Come on!” Janner said, pulling Tink to his feet. The Igiby boys fled, and the trolls bounded after them. The beasts closed the distance with every stride while the Fangs followed at their heels. Far ahead, the others neared the bridge that led to the fifth and final tower. And what then? Janner wondered. What happens when there’s nowhere left to run? Just as the boys reached the bridge to the third tower, the ground shook. The trolls were only a few feet behind, and one of the beasts had pounded its fist on the tower floor. ~ Andrew Peterson,
253:olemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak. ~ James Joyce,
254:Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak. ~ James Joyce,
255:But it seems that something has happened that has never happened before; though we know not just when, or why, or how, or where. Men have left God not for gods, they say, but for no gods; and this has never happened before. That men both deny gods and worship gods, professing first Reason, and the money, and power, and what they call life, or race, or dialect.The church disowned, the tower overthrown, the bells upturned, what have we to do but stand with empty hands and palms upturned in an age which advances progressively backwards? ~ T S Eliot,
256:There was a bell clanging in the tower of the building next to the black-shrike-thorn-cave. She found the noise irritating, so she twisted her neck and loosed a jet of blue and yellow flame at it. The tower did not catch fire, as it was stone, but the rope and beams supporting the bell ignited, and a few seconds later, the bell fell crashing into the interior of the tower.
That pleased her, as did the two-legs-round-ears who ran screaming from the area. She was a dragon, after all. It was only right that they should fear her. ~ Christopher Paolini,
257:... I see the green earth covered with the works of man or with the ruins of men’s work. The pyramids weigh down the earth, the tower of Babel has pierced the sky, the lovely temples and the gray castles have fallen into ruins. But of all those things which hands have built, what hasn’t fallen nor ever will fall? Dear friends, throw away the trowel and mortarboard! Throw your masons’ aprons over your heads and lie down to build dreams! What are temples of stone and clay to the soul? Learn to build eternal mansions of dreams and visions! ~ Selma Lagerl f,
258:You think fairy tales are only for girls? Here’s a hint—ask yourself who wrote them. I assure you, it wasn’t just the women. It’s the great male fantasy—all it takes is one dance to know that she’s the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know—this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don’t want a very long courtship. They want to know immediately. ~ Rachel Cohn,
259:I think that the lady dies not because she leaves the tower for the outside world but because she lets herself float through the world pulled by the current after a dream.

Do you mean she should of paddled Cecily asks.

Miss Moore laughs. In a manner of speaking yes.

Ann stops drumming. But it wouldn't matter whether she paddled or not. She's cursed. No matter what she does she'll die.

And she'll die if she stays in the tower too. Perhaps not for a long time but she will die. We all will. Miss Moore says softly. ~ Libba Bray,
260:This kiss was different from the first one under the olive tree. That one had been unplanned, she was pretty sure. This kiss had intention and hunger branded all over it. It was like one of those kisses you read about in fairy tales—but Alana had never imagined that such a kiss could cause bone-trembling shivers as well as bliss. She’d never considered the downside of the awakening kiss, of how the princess felt when the hero tore through the thorns or scaled the tower and speared heat and sex and life-changing energy into the princess’s world. ~ Pamela Aares,
261:You think fairy tales are only for girls? Here’s a hint - ask yourself who wrote them. I assure you, it wasn’t just the women. It’s the great male fantasy - all it takes is one dance to know that she’s the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know - this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don’t want a very long courtship. They want to know immediately. ~ Rachel Cohn,
262:I light a cigarette to put off the journey till later / To put off all journeys till later / To put off the entire universe till later.” The entire universe is in a bookcase, no need to go out: what’s the point of leaving the Tower, said Hölderlin, the end of the world has already taken place, no reason to go experience it yourself; you linger, your fingernail between two pages (so soft, so creamy) where Álvaro de Campos, the engineer dandy, becomes more real than Pessoa, his flesh-and-blood double. Great are the deserts and everything is desert. ~ Mathias nard,
263:Then Abram figured it out. His eyes widened. “Are you —?” Melchizedek put his finger to his lips. “I am Melchizedek, king of Salem. I have no past. I am the servant of El Elyon, the most high God.” But Abram knew he was talking to Shem ben Noah, the blessed seedline, his great ancestor. It was why he was so old, and why he had the weapons that could only have been handed down from Noah. After the Tower of Babel debacle, Shem must have moved to Canaan and created a new identity for himself, wiping away his past, as the sons of Noah turned corrupt. ~ Brian Godawa,
264:You think fairy tales are only for girls? Here's a hint - ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy - all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know - this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtships. They want to know immediately. ~ David Levithan,
265:Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. ~ Erik Larson,
266:They had heroes for companions, beautiful youths to
dream of, rose-marble-fingered
Women shed light down the great lines;
But you have invoked the slime in the skull,
The lymph in the vessels. They have shown men Gods
like racial dreams, the woman's desire,
The man's fear, the hawk-faced prophet's; but nothing
Human seems happy at the feet of yours.
Therefore though not forgotten, not loved, in the gray old
years in the evening leaning
Over the gray stones of the tower-top,
You shall be called heartless and blind. ~ Robinson Jeffers,
267:The most beautiful conception of immortality of which I know, and certainly one that by contrast shows the utter vulgarity of Christian ideas, is set forth in Pindar's second Olympian: after three or six lives in which a man has lived with strict justice and perfect integrity, he passes beyond the tower of Cronus to the fair realm that cannot be reached by land or sea, where gentle breezes from a placid ocean blow forever on the fields of asphodel. For a description, see Pindar. If the beauty of great poetry can commend a religion, here you have it. ~ Revilo P Oliver,
268:My loving friend, you see, my life was never given a foundation, no one was able to imagine what it would want to become. In Venice there stands the so-called Ca del Duca, a princely foundation, on which later the most wretched tenement came to be built. With me it's the opposite: the beautiful arched elevations of my spirit rest on the most tentative beginning; a wooden scaffolding, a few boards....Is that why I feel inhibited in raising the nave, the tower to which the weight of the great bells is to be hoisted (by angels, who else could do it)? ~ Rainer Maria Rilke,
269:With a grunt, the gunman ripped off the goggles and fumbled for the hilt of a wicked-looking combat knife, swearing under his breath. Marc remembered the moment on the tower block roof in London, but this time there would be no mystery shot, no intervention from out of the darkness.
He felt no doubt as he brought up the Glock and fired twice, putting both rounds through the other man’s sternum at close range. In the close confines of the corridor, the sound of the gun’s discharge was sharp and high, like firecrackers. The gunman went down and was still. ~ James Swallow,
270:[...] Y'know, the Duchess Regan is living here at the tower now? I took your advice about not talking about her boffnacity [footnote], even with the duke dead and all, can't be too careful. Although, I caught sight of her in a dressing gown one day she was up on the parapet outside her solar. Fine flanks on that princess, despite the danger of death and all for sayin' so, sir." -Yeomen
Aye, the lady is fair, and her gadonk as fine as frog fur [...]" -Pocket

footnote: Boffnacity: an expression of shagnatiousness, fit. from the Latin boffusnatious ~ Christopher Moore,
271:She stared out. She saw a vastness, a rising shape, indistinct in the rain, gray in the misty drizzle. At first she had thought it was a cloud, a great bank of fog drifting up over the mountains, but now she realized with a cold awe that it was real, a vast building climbing the mountainside, rising in a countless series of rooms, stairways, balconies, and galleries, far away and immense, its topmost roofs white with snow. And up there, like a needle sharp with ice, one uttermost pinnacle flew the remote black pennant of the Watch.

The Tower of Song. ~ Catherine Fisher,
272:Yet, even for us, there is left some loveliness of environment, and the dullness of tutors and professors matters very little when one can loiter in the grey cloisters at Magdalen, and listen to some flute-like voice singing in Waynfleete's chapel, or lie in the green meadow, among the strange snakespotted fritillaries, and watch the sunburnt noon smite to a finer gold the tower's gilded vanes, or wander up the Christ Church staircase beneath the vaulted ceiling's shadowy fans, or pass through the sculptured gateway of Laud's building in the College of St. John. ~ Oscar Wilde,
273:But as the old Confusion of tongues was laudable, when men who were of one language in wickedness and impiety, even as some now venture to be, were building the Tower; for by the confusion of their language the unity of their intention was broken up, and their undertaking destroyed; so much more worthy of praise is the present miraculous one. For being poured from One Spirit upon many men, it brings them again into harmony. And there is a diversity of Gifts, which stands in need of yet another Gift to discern which is the best, where all are praiseworthy. ~ Gregory of Nazianzus,
274:And suddenly it came to him. That Strawberry Fields garden he'd come from, and the Freedom Tower he'd been thinking of: taken together, didn't they contain the two words that said it all about this city, the two words that really mattered? It seemed to him that they did. Two words: the one an invitation, the other an ideal, an adventure, a necessity. "Imagine" said the garden. "Freedom" said the tower. Imagine freedom. That was the spirit, the message of this city he loved. You really didn't need anything more. Dream it and do it. But first you must dream it. ~ Edward Rutherfurd,
275:The journey from the mountain town of Altamont to the tower-masted island of Manhattan is not, as journeys are conceived in America, a long one. The distance is somewhat more than 700 miles, the time required to make the journey a little more than twenty hours. But so relative are the qualities of space and time, and so complex and multiple their shifting images, that in the brief passage of this journey one may live a life, share instantly in 10,000,000 other ones, and see pass before his eyes the infinite panorama of shifting images that make a nation's history. ~ Thomas Wolfe,
276:Nero, the sixth emperor of Rome. This monarch reigned for the space of five years, with tolerable credit to himself, but then gave way to the greatest extravagancy of temper, and to the most atrocious barbarities. Among other diabolical whims, he ordered that the city of Rome should be set on fire, which order was executed by his officers, guards, and servants. While the imperial city was in flames, he went up to the tower of Macaenas, played upon his harp, sung the song of the burning of Troy, and openly declared that 'he wished the ruin of all things before his death. ~ John Foxe,
277:As an antidote I read Jung and Herman Hesse, and learned about the collective unconscious. Divination is a means of telling ourselves what we already know. What we fear. There are no demons but a collection of archetypes every civilization has in common. The fear of loss – Death. The fear of displacement – the Tower. The fear of transience – the Chariot. And yet Mother died. I put the cards away tenderly into their scented box. Goodbye, Mother. This is where our journey stops. This is where we stay to face whatever the wind brings us. I shall not read the cards again. ~ Joanne Harris,
278:A minute afterwards he appeared upon the upper platform, still bearing the gipsy [sic] in his arms, still running wildly along, still shouting 'Sanctuary!' and the crowd still applauding. At last he made a third appearance on the summit of the tower of the great bell. From thence he seemed to show exultingly to the whole city the fair creature he had saved; and his thundering voice, that voice which was heard so seldom, and which he never heard at all, thrice repeated with frantic vehemence, even in the very clouds, 'Sactuary! Sanctuary! Sanctuary! The Hunchback of Notre Dame ~ Victor Hugo,
279:His thumb brushed her chin. He leaned down and hovered, his breath on her temple. Then he pressed his lips to her cheek. Her heart stuttered and her breath froze in her chest. He kissed her other cheek. She lifted her face to look up at him. He cupped her face with one hand and pulled her closer with the other. He kissed the corner of her mouth, then gazed into her eyes. She slid her hand behind his head and closed her eyes. He kissed her full on the lips. Her knees went weak, and he lifted her feet off the ground, reminding her of their embrace when he had rescued her from the tower. ~ Melanie Dickerson,
280:For a while I thought I was the dragon.
I guess I can tell you that now. And, for a while, I thought I was
the princess,
cotton candy pink, sitting there in my room, in the tower of the castle,
young and beautiful and in love and waiting for you with
confidence
but the princess looks into her mirror and only sees the princess,
while I’m out here, slogging through the mud, breathing fire,
and getting stabbed to death.
Okay, so I’m the dragon. Big deal.
You still get to be the hero.
You get magic gloves! A fish that talks! You get eyes like flashlights! ~ Richard Siken,
281:This custom is known as the “Frog Dropping” since every year on the first Wednesday before Lent four (or sometimes five) frogs are dropped from the tower of the church of St. Eustachius. They fall onto the pavement beneath, whereupon their remains are examined by the oldest accredited virgin in the town who acquires the honorific title of “Frog Maiden” therefrom. (And in all conscience, she often looks not unlike a frog.) The Frog Maiden is said to be able to foretell the future from these remains and if any spectator is splashed by the blood of the fallen frogs it is considered unusually lucky. ~ Anonymous,
282:Please write and tell me about London, I live for the day when I step off the boat-train and feel its dirty sidewalks under my feet. I want to walk up Berkeley Square and down Wimpole Street and stand in St.Paul's where John Donne preached and sit on the step Elizabeth sat on when she refused to enter the Tower, and like that. A newspaper man I know, who was stationed in London during the war, says tourists go to England with preconceived notions, so they always find exactly what they go looking for. I told him I'd go looking for the England of English literature, and he said:
"Then it's there. ~ Helene Hanff,
283:When she spoke, the words were rote, taught to her by her captors, dead and empty, and forced. But her voice was rough, like silk torn by sharp diamonds, and I believed, truly, that she wanted nothing more than to disappear into the Tower and never emerge again.

"Please, Saint Sigrid, take me in from the storm and teach me to steer through darkness, for I am lost, and I cannot see the shore."

I did not move for a long moment. Then, slowly, I reached out my hand to her and whispered, "Come, Lady, I will cut your hair for you."

Her hand slipped into mine, hard and cool. ~ Catherynne M Valente,
284:As soon as he reflected seriously he was convinced of the existence of God and immortality, and at once he instinctively said to himself: "I want to live for immortality, and I will accept no compromise." In the same way, if he had decided that God and immortality did not exist, he would have at once become an atheist and a socialist. For socialism is not merely the labor question, it is before all things the atheistic question, the question of the form taken by atheism to-day, the question of the tower of Babel built without God, not to mount to heaven from earth but to set up heaven on earth. ~ Fyodor Dostoyevsky,
285:Galois's ideas, with all their brilliance, did not appear out of thin air. They addressed a problem whose roots could be traced all the way back to ancient Babylon. Still, the revolution that Galois had started grouped together entire domains that were previously unrelated. Much like the Cambrian explosion-that stunning burst of diversification in life forms on Earth-the abstraction of group theory opened windows into an infinity of truths. Fields as far apart as the laws of nature and music suddenly became mysteriously connected. The Tower of Babel of symmetries miraculously fused into a single language. ~ Mario Livio,
286:Less violent diversions can also be cited. An inspection of the pupils of Magdalen College, Oxford, in the very early years of the sixteenth century, revealed that ‘Stokes was unchaste with the wife of a tailor … Stokysley baptised a cat and practised witchcraft … Gregory climbed the great gate by the tower and brought a Stranger into College … Pots and cups are very seldom washed but are kept in such a dirty state that one shudders to drink out of them … Kyftyll played cards with the butler at Christmas time for money.’ Other students were accused of keeping as pets a ferret, a sparrowhawk and a weasel. ~ Peter Ackroyd,
287:It's huge!"
"That's what she said!"
Cue riotous laughter as our bus rumbles past Big Ben.
I want to roll my eyes, but I'm afraid pretty soon they're going to get stuck in the back of my head, and penis puns are really not worth my permanent facial damage.
By the time our bus pulls up to the Tower of London, my expectations for the day are somewhere in the basement. Call me a cynic, but since Jason spent the entire time we toured Big Ben talking about how satisfied Mrs Ben must be, my guess is that a landmark famous for its crown jewels is not going to bring out his most charming comments, either. ~ Lauren Morrill,
288:used the interpretation of ancient Jewish texts and legends as my paradigm to place Abraham back during the time of the Tower of Babel, an event that would be considered about a thousand years before Abraham under the conventional chronology. While this supposition is largely rejected now, it has a long venerable tradition in 2nd Temple Jewish literature and Talmudic interpretation and shows up in Ginzberg’s famous Legends of the Jews.[5] It is that interpretation that I found interesting enough to present within the pages of the novel because I have used these ancient Jewish sources throughout the entire series ~ Brian Godawa,
289:If you have given up your heart for the Tower, Roland, you have already lost. A heartless creature is a loveless creature, and a loveless creature is a beast. To be a beast is perhaps bearable, although the man who has become one will surely pay hell’s own price in the end, but if you should gain your object? What if you should, heartless, storm the Dark Tower and win it? What could you do except degenerate from beast to monster? To gain one’s object as a beast would only be bitterly comic, like giving a magnifying glass to an elephant. But to gain one’s object as a monster…To pay hell is one thing. But do you want to own it? ~ Stephen King,
290:If you have given up your heart for the Tower, Roland, you have already lost. A heartless creature is a loveless creature, and a loveless creature is a beast. To be a beast is perhaps bearable, although the man who has become one will surely pay hell’s own price in the end, but if you should gain your object? What if you should, heartless, storm the Dark Tower and win it? What could you do except degenerate from beast to monster? To gain one’s object as a beast would only be bitterly comic, like giving a magnifying glass to an elephaunt. But to gain one’s object as a monster…To pay hell is one thing. But do you want to own it? ~ Stephen King,
291:[Eddie] cried out but his cry was lost in the golden blast of some tremendous horn. It came from the top of the Tower, and seemed to fill the world. As that note of warning held and drew out over the field where he stood, blackness welled from the windows which girdled the Tower. It overspilled them and spread across the sky in flaggy streams which came together and formed a growing blotch of darkness. It did not look like a cloud; it looked like a tumor hanging over the earth. The sky was blotted out. And, he saw, it was not a cloud or a tumor but a shape, some tenebrous, cyclopean shape racing toward the place where he stood. ~ Stephen King,
292:Returning to Deuteronomy 32 and going back a few more verses in context, we read of a reality-changing incident that occurred at Babel:   Deut. 32:8-9 When the Most High gave to the nations their inheritance, when he divided mankind, he fixed the borders of the peoples according to the number of the sons of God. But the LORD’s portion is his people, Jacob his allotted heritage.   The reference to the creation of nations through the division of mankind and fixing of the borders of nations is clearly a reference to the event of the Tower of Babel in Genesis 11 and the dispersion of the peoples into the 70 nations listed in Genesis 10. ~ Brian Godawa,
293:Her evil cannot reach us here. Let us burn the ancient tree-mace trees and close off the ancient ways. Tear down the tower, the crown of our barrow, and let us hide ourselves from evil. Let no one leave the mound, and if evil grows, we shall flee farther.

No! Let evil hear the pounding of our feet! Let evil hear our drumming and our chanting songs of war. Let evil fear us! Let evil flee! In any world, may dark things know our names and fear. May their vile skins creep and shiver at every mention of the faeren. Let the night flee before the dawn and darkness crowd into the shadows. We march to war!"

- Nudd, the Chestnut King ~ N D Wilson,
294:Another local tale tells of how the Cailleach Béarra was interrupted building Meelick Round Tower outside Swinford in County Mayo.xxvii Originally the tower was part of a monastery, but like St Michael’s Tower on Glastonbury Tor, the tower is the only part of the structure that remains. The story goes that the Cailleach Béarra was building the tower to the sky, like a Tower of Babel. However she was interrupted by a passing boy who made a rude comment which caused her to jump down angrily. The boy commented that he could see her arse, and she jumped down, abandoning the tower and leaving the marks from her knees in the rocks below where she landed. ~ Sorita d Este,
295:I want you to know that you will not be alone in your loneliness,” he said.
Her tear-filled eyes welled over. “You will be surrounded by your court…and all the beautiful ladies there.”
Rodrigo shook his head. “I’ve never cared about any of them. I shall be lonely for you. Lonely in the midst of a crowd…surrounded by a hundred faces, none of them yours.” He held Rapunzel’s tearful gaze, and tried to swallow the lump in his throat. But he couldn’t. “And as everything and everyone is spinning around me, I shall be thinking of you and longing to be here…” he brushed the backs of his fingers against her wet cheek, “…here in the tower, with my Rapunzel. ~ Lisa Valdez,
296:Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else? ~ Thomas Pynchon,
297:The Canterbury cleric and biographer William Fitzstephen wrote a famously wide-eyed description of the twelfth-century city: [London] is fortunate in the wholesomeness of its climate, the devotion of its Christians, the strength of its fortifications, its well-situated location, the respectability of its citizens, and the propriety of their wives. Furthermore it takes great pleasure in its sports and is prolific in producing men of superior quality. . . . On the east side stands the royal fortress [i.e. the Tower of London], of tremendous size and strength, whose walls and floors rise up from the deepest foundations—the mortar being mixed with animal’s blood. ~ Dan Jones,
298:BUT THERE WAS SOMETHING QUITE BEAUTIFUL about this new thing with Betsy. She was taking me somewhere. I’d known enough older guys who gave their lives to their careers and have nothing to show for it save a lot of money and power and loneliness to realize Betsy was right. Relationships matter. They matter as much as exercise and nutrition. And not all relationships help us reach our goals. God doesn’t give us crying, pooping children because he wants to advance our careers. He gives them to us for the same reason he confused language at the Tower of Babel, to create chaos and deter us from investing too much energy in the gluttonous idols of self-absorption. ~ Donald Miller,
299:One thing she realized soon was that the rain here was eternal. The weather must have changed since the Emperor's time, because now the tower loomed constantly in its cloud of drizzle; all the long afternoons rain trickled in runnels and gutters and spouts, spattering through gargoyles of hideous beasts and goblins that spat far down on the heads of hurrying clerks. Always the roofs ran with water; it dripped and plopped and splashed through culverts and drains, or sheeted down, a relentless liquid gurgle that never stopped, until she started to imagine that this was the song the tower sang, through all the throats and mouths and pipes of its endless body. ~ Catherine Fisher,
300:The hands pulled him forward regardless. The hands of the Tower knew no mercy.

They were the hands of Gan, the hands of ka, and they knew no mercy.

He smelled alkali, bitter as tears. The desert beyond the door was white; blinding; waterless; without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon. The smell beneath the alkali was that of the devil-grass which brought sweet dreams, nightmares, death.

But not for you, gunslinger. Never for you. You darkle. You tinct.

May I be brutally frank? You go on.

And each time you forget the last time. For you, each time is the first time. ~ Stephen King,
301:Why didn’t God want them to build the Tower of Babel?” I said. “Why did He make it so everybody couldn’t understand each other?” “You know I don’t believe in God.” “I know.” “Probably there was just a ziggurat, you know what a ziggurat is? Over in Mesopotamia. Maybe it was in ruins. Maybe it was only halfway built, left unfinished. And they made up a story to explain what happened to it, why it looked incomplete.” “Oh.” “You understand what I’m saying?” I understood: Everything got ruined and nothing was ever finished. The world, like the Tower of Babel or my grandmother’s deck of cards, was made out of stories, and it was always on the verge of collapse. That was proverbial. ~ Michael Chabon,
302:Influence
The fervent, pale-faced Mother ere she sleep,
Looks out upon the zigzag-lighted square,
The beautiful bare trees, the blue night-air,
The revelation of the star-strewn deep,
World above world, and heaven over heaven.
Between the tree-tops and the skies, her sight
Rests on a steadfast, ruddy-shining light,
High in the tower, an earthly star of even.
Hers is the faith in saints' and angels' power,
And mediating love--she breathes a prayer
For yon tired watcher in the gray old tower.
He the shrewd, skeptic poet unaware
Feels comforted and stilled, and knows not whence
Falls this unwonted peace on heart and sense.
~ Emma Lazarus,
303:Tower of Babylon 11 At one time the whole earth had the same language and vocabulary. 2 As people migrated from the east, they found a valley in the land of •Shinar and settled there. 3 They said to each other, “Come, let us make oven-fired bricks.” They used brick for stone and asphalt for mortar. 4 And they said, “Come, let us build ourselves a city and a tower with its top in the sky. Let us make a name for ourselves; otherwise, we will be scattered over the face of the whole earth.” 5 Then the LORD came down to look over the city and the tower that the •men were building. 6 The LORD said, “If they have begun to do this as one people all having the same language, then nothing they plan ~ Anonymous,
304:The gods were bored so they created man. Adam was bored because he was alone, so Eve was created. From that time boredom entered the world and grew in exact proportion to the growth of population. Adam was bored alone, then Adam and Eve in union, then Adam and Eve and Cain and Abel were bored en famille, then the population increased and the peoples were bored en masse. To divert themselves they conceived the idea of building a tower so high it reached the sky. The very idea is as boring as the tower was high, and a terrible proof of how boredom had gotten the upper hand. Then the nations were scattered over the earth, just as people now travel abroad, but they continued to be bored. ~ S ren Kierkegaard,
305:The crowd listened all the more closely for having waited and despaired, especially since this time the bells, ringing softly, demanded a deeper hush. The prelude was muted, a blend in which one could no longer distinguish bells alternating then coming together, it was a concert of bronze united, as if far off and very old. Music in a dream! It did not come from the tower, but from much farther away, from the depths of the sky, from the depths of time. This carillonneur had had the idea of playing some old Christmas carols, Flemish carols born of the race, mirrors in which it recognises itself. Like everything that has passed through the centuries, it was very solemn and a little sad. ~ Georges Rodenbach,
306:The tower, which was not supposed to be there, plunges into the earth in a place just before the black pine forest begins to give way to swamp and then the reeds and wind-gnarled trees of the marsh flats. Beyond the marsh flats and the natural canals lies the ocean and, a little farther down the coast, a derelict lighthouse. All of this part of the country had been abandoned for decades, for reasons that are not easy to relate. Our expedition was the first to enter Area X for more than two years, and much of our predecessors’ equipment had rusted, their tents and sheds little more than husks. Looking out over that untroubled landscape, I do not believe any of us could yet see the threat. ~ Jeff VanderMeer,
307:Everyone would believe her because at the back of their minds, everyone thinks that twin brothers and sisters grow up magnetized towards each other, the prince at the foot of Rapunzel’s tower before the tower is even built, the lover you can get at all the fucking time, the one who is you but a girl, or you but a boy, whose bed you know as well as your own. How could you endure that without falling in love? The question is, were they born in love with each other, these twins, or did it blossom? At any rate it’s already happened, the onlookers agree. It must have. Ask them when they fell. The brother and sister say no, no, it’s nothing like that, but what they mean is that they can’t remember when. ~ Helen Oyeyemi,
308:When your friend who died was still alive, did you ever tell him?”

“Tell him what?”

“That you’re… what’s the word? Celibate?” Tony asked, trailing his fingers along the buttons on the remote control but not really finding himself able to change the channel. His name, his daughter’s name, it all could’ve easily become a statistic, an obituary, had they not left the tower when they did.

“I’m asexual, not a celibate,” replied the lawyer, “and sure, I told him…” She froze for a moment, averting her eyes to the ugly gray-and-red carpeting on the floor. “Clarence didn’t care, he was married, anyway. He always used to tell me, “you know, you’d make one hell of an ace attorney, Bailey! ~ Rebecca McNutt,
309:Mickey M'Grew
It was just like everything else in life:
Something outside myself drew me down,
My own strength never failed me.
Why, there was the time I earned the money
With which to go away to school,
And my father suddenly needed help
And I had to give him all of it.
Just so it went till I ended up
A man-of-all-work in Spoon River.
Thus when I got the water-tower cleaned,
And they hauled me up the seventy feet,
I unhooked the rope from my waist,
And laughingly flung my giant arms
Over the smooth steel lips of the top of the tower -But they slipped from the treacherous slime,
And down, down, down, I plunged
Through bellowing darkness!
~ Edgar Lee Masters,
310:At one end of the vast C bitten from the castle a sin­gle great bastion-tower stood, almost intact, five kilometres high, and casting a kilometre-wide shadow across the rum­pled ground in front of the convoy. The walls had tumbled down around the tower, vanishing completely on one side and leaving only a ridge of fractured material barely five hundred metres high on the other. The plant-mass babilia, unique to the fastness and ubiquitous within it, coated all but the smoothest of vertical surfaces with tumescent hanging forests of lime-green, royal blue and pale, rusty orange; only the heights of scarred wall closest to the more actively venting fissures and fumaroles remained untouched by the tenacious vegetation. ~ Iain M Banks,
311:All men are bores. Surely no one will prove himself so great a bore as to contradict me in this. . . . The gods were bored, and so they created man. Adam was bored because he was alone, and so Eve was created. Thus boredom entered the world, and increased in proportion to the increase of population. Adam was bored alone; then Adam and Eve were bored together; then Adam and Eve and Cain and Abel were bored en famille; then the population of the world increased, and the peoples were bored en masse. To divert themselves they conceived the idea of constructing a tower high enough to reach the heavens. This idea is itself as boring as the tower was high, and constitutes a terrible proof of how boredom gained the upper hand. ~ S ren Kierkegaard,
312:Raleigh’s Cell In The Tower
HERE writ was the World's History by his hand
Whose steps knew all the earth; albeit his world
In these few piteous paces then was furl'd.
Here daily, hourly, have his proud feet spann'd
This smaller speck than the receding land
Had ever shown his ships; what time he hurl'd
Abroad o'er new-found regions spiced and pearl'd
His country's high dominion and command.
Here dwelt two spheres. The vast terrestrial zone
His spirit traversed; and that spirit was
Itself the zone celestial, round whose birth
The planets played within the zodiac's girth;
Till hence, through unjust death unfeared, did pass
His spirit to the only land unknown.
~ Dante Gabriel Rossetti,
313:But more important than any of these was the vast, accretive weight of small things, from planes which hadn't crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and had chosen the right fork. He saw a thousand random meetings that weren't random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. ... For every brick that landed on the ground instead of some little kid's head, for every tornado that missed the trailer park, for every missile that didn't fly, for every hand stayed from violence, there was the Tower. ~ Stephen King,
314:We were sitting side by side, with our legs swinging on the wall of the tower, and the Clouds™ were all turning pink in front of us. We could see all these miles of filet mignon from where we were sitting, and some places where the genetic coding had gone wrong and there, in the middle of the beef, the tissue had formed a horn or an eye or a heart blinking up at the sunset, which was this brag red, and which hit on all these miles of muscle and made it flex and quiver, with all these shudders running across the top of it, and birds were flying over, crying kind of sad, maybe looking for garbage, and the whole thing, with the beef and the birds and the sky, it glowed like there was a light inside it, which it was time to show us now. ~ M T Anderson,
315:Have you forgotten the allotment at Babel?” She was referring to the act of Yahweh that occurred with the Confusion of Tongues at the Tower of Babel in the ancient days. He divided the nations, fixed their borders, and allotted them according to the number of the Sons of God as their inheritance. He had given the nations over to be ruled by the gods. But Yahweh kept Jacob, through the Seed of Eve, for his own inheritance. Molech said, “That is how we received Canaan.” “Yes, that is how we received Canaan,” she mimicked. “But, do not get too settled down little mole man. The Seed of Eve is on their way to Canaan, which means Yahweh intends to dispossess the Seed of the Serpent from their inheritance. It will be a great War of the Seed. ~ Brian Godawa,
316:I never thought you cared all that much if I ever found Gaunt.” Hadrian looked up at the tower again. “At least not that much.”

“Honestly? I don’t care at all. This whole quest of yours is stupid. So you find Gaunt—then what? You follow him around being his bodyguard for the rest of your life? What if he’s like Ballentyne? Wouldn’t that be fun? Granted it’ll be exciting, as I’m sure anyone with a sword will want to kill him, but who cares? There’s no reward, no point to it. You feel guilt—I kinda get that. You ran out on your father and you can’t say you’re sorry anymore. So for that, you’ll spend your life following this guy around being his butler? You’re better than that.”

“I think there was a compliment in there somewhere—so thanks. ~ Michael J Sullivan,
317:Look, suppose that there was one among all those who desire nothing but material and filthy lucre, that one, at least, is like my old Inquisitor, who himself ate roots in the desert and raved, overcoming his flesh, in order to make himself free and perfect, but who still loved mankind all his life, and suddenly opened his eyes and he saw that there is no great moral blessedness in achieving perfection of the will only to become convinced, at the same time, that millions of the rest of God's creatures have been set up only for mockery, that they will never be strong enough to manage their freedom, that from such pitiful rebels will never come giants to complete the tower, that it was not for such geese that the great idealist dreamt his dream of harmony. ~ Fyodor Dostoyevsky,
318:Go and wake Severus,” said Dumbledore faintly but clearly. “Tell him what has happened and bring him to me. Do nothing else, speak to nobody else, and do not remove your Cloak. I shall wait here.” “But —” “You swore to obey me, Harry — go!” Harry hurried over to the door leading to the spiral staircase, but his hand had only just closed upon the iron ring of the door when he heard running footsteps on the other side. He looked around at Dumbledore, who gestured him to retreat. Harry backed away, drawing his wand as he did so. The door burst open and somebody erupted through it and shouted, “Expelliarmus!” Harry’s body became instantly rigid and immobile, and he felt himself fall back against the tower wall, propped like an unsteady statue, unable to move or speak. ~ J K Rowling,
319:I noticed, before we left, a metal plate attached to the fence around the tower. On it was a Federal Communications Commission license number: 1215095. The number, along with an Internet connection, was enough to lead an inquisitive person to the story behind the tower. The application to use the tower to send a microwave signal had been filed in July 2012, and it had been filed by . . . well, it isn’t possible to keep any of this secret
anymore. A day’s journey in cyberspace would lead anyone who wished to know it into another incredible but true Wall Street
story, of hypocrisy and secrecy and the endless quest by human beings to gain a certain edge in an uncertain world. All that one needed to discover the truth about the tower was the desire to know it. ~ Michael Lewis,
320:The priest first read a condensed lesson of sacred history. Felicite evoked Paradise, the Flood, the Tower of Babel, the blazing cities, the dying nations, the shattered idols; and out of this she developed a great respect for the Almighty and a great fear of His wrath. Then, when she had listened to the Passion, she wept. Why had they crucified Him who loved little children, nourished the people, made the blind see, and who, out of humility, had wished to be born among the poor, in a stable? The sowings, the harvests, the wine-presses, all those familiar things which the Scriptures mention, formed a part of her life; the word of God sanctified them; and she loved the lambs with increased tenderness for the sake of the Lamb, and the doves because of the Holy Ghost. She ~ Gustave Flaubert,
321:The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows.

You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die?. ~ Stephen King,
322:In the case of our fair maiden, we have overlooked two very crucial aspects to that myth. On the one hand, none of us ever really believed the sorcerer was real. We thought we could have the maiden without a fight. Honestly, most of us guys thought our biggest battle was asking her out. And second, we have not understood the tower and its relationship to her wound; the damsel is in distress. If masculinity has come under assault, femininity has been brutalized. Eve is the crown of creation, remember? She embodies the exquisite beauty and the exotic mystery of God in a way that nothing else in all creation even comes close to. And so she is the special target of the Evil One; he turns his most vicious malice against her. If he can destroy her or keep her captive, he can ruin the story. ~ John Eldredge,
323:I am in good company, simply following those in front of me and knowing others are following behind. We are on our way up a narrow staircase. The bannister is a thick rope suggesting safety. The stairs go around and around inside a church tower; or perhaps it is a minaret? The whorls of the staircase grow narrower and narrower, but as there are so many people behind there is no longer any possibility of turning around or even stopping. The pressure from behind foeces me on. The staircase suddenly stops at a garbage chute in the wall. When i open the hatch and squeeze my way through the hole, i find myself on the outside of the tower. The rope has dissappeared. It is totally dark. I cling on to the slippery, icy wall of the tower while vainly trying to find a foothold in the emptiness. ~ Sven Lindqvist,
324:The whole underneath of Paris was an ant nest, Metro tunnels, sewer shafts, catacombs, mines, cemeteries. She'd been down in the city of bones where skulls and femurs rose in yellowing walls. Right down there, win the square before them. through a dinky little entrance, were the Roman ruins like honeycomb. The trains went under the river. There were tunnels people had forgotten about. It was a wonder Paris stood up at all. The bit you saw was only half of it. Her skin burned, thinking of it. The Hunchback knew. Up here in the tower of Notre Dame he saw how it was. Now and then, with the bells rattling his bones, he saw it like God saw it -- inside, outside, above and under -- just for a moment. The rest of the time he went back to hurting and waiting like Scully out there crying in the wind. ~ Tim Winton,
325:Dragos said in her head, Pia,
what are you doing?
She closed her eyes. It had been too much to hope that the sentinels would keep quiet about their outing. What she wouldn’t give for a little privacy right now.
Don’t talk to me, she said to Dragos.
You left the Tower. His mental voice was so quiet and controlled it sent a chill down her spine.
You promised you wouldn’t.
She snarled, I said don’t talk to me, you son of a bitch.
A heartbeat, and then, his calm quite
stripped away, he demanded, What’s
happened?
Shut up. Get out of my head.
Pia, goddammit. When she didn’t answer
he roared, WHAT THE FUCK DID I DO
NOW?
His telepathic shout reverberated in her skull. She clapped a hand to her forehead.
Don’t yell at me like that. I can’t think! Give me a minute. ~ Thea Harrison,
326:P.S. If your intention is to mint French silver into English coin to pay the French and Irish troops that have been preparing to invade England from around Cherbourg in the third week of May, then I congratulate you on your ingenuity. Delivery of the coins from Mint to Front shall pose a not inconsiderable logistical challenge, and so I make you the following offer: If Admiral Tourville’s invasion-fleet makes it across the Channel without being sunk by the Royal Navy, and if the Papist legion establishes a beachhead on English soil without being destroyed by the Army or torn to bits by an enraged Mobb of English rurals, then I shall personally carry every single one of your coins from the Tower of London to the front in my arse-hole, and Deposit them in some Place where they may be easily Picked Up. ~ Neal Stephenson,
327:This isn’t right, that’s your first thought, something’s wrong here, that plane is much too low. You happen to have a movie camera with you. A video camera. You point the camera up in the air, and less than ten seconds later you see that plane slam into the side of a skyscraper. A tower. A building more than a hundred stories tall. You film the plane as it bores its way into the tower. An explosion, a ball of fire, wreckage flying everywhere. Six months later you are charged with a murder. The police search your house and find the film with the passenger plane drilling its way into the tower. Are the detectives allowed to assume that you have always had little respect for human life, because you filmed the deaths of hundreds, perhaps thousands of people? Simply because you happened to be there, on the spot? ~ Herman Koch,
328:I didn't properly think about what was happening even as I kissed him back, my laughter spilling into his mouth and making stutters of my kisses. I was still bound up with him, our magic snarled up into great messy tangled knots. I didn't have anything to compare that intimacy to. I'd felt the hot embarrassment of it, but I'd thought of it vaguely like being naked in front of a stranger. I hadn't connected it to sex—sex was poetic references in songs, my mother's practical instructions, and those few awful hideous moments in the tower with Prince Marek, where I might as well have been a rag doll as far as he'd cared. But now I toppled the Dragon over, clutching at his shoulders. As we fell his thigh pressed between mine, through my skirts, and in one shuddering jolt I began to form a startled new understanding. ~ Naomi Novik,
329:Alderic, Knight of the Order of the City and the Assault, hereditary Guardian of the King's Peace of Mind, a man not unremembered among the makers of myth, pondered so long upon the Gibbelins' hoard that by now he deemed it his. Alas that I should say of so perilous a venture, undertaken at dead of night by a valorous man, that its motive was sheer avarice! Yet upon avarice only the Gibbelins relied to keep their larders full, and once in every hundred years sent spies into the cities of men to see how avarice did, and always the spies returned again to the tower saying that all was well.

It may be thought that, as the years went on and men came by fearful ends on that tower's wall, fewer and fewer would come to the Gibbelins' table: but the Gibbelins found otherwise.

("The Hoard Of The Gibbelins") ~ Lord Dunsany,
330:Hughley Steeple
The vane on Hughley steeple
Veers bright, a far-known sign,
And there lie Hughley people
And there lie friends of mine.
Tall in their midst the tower
Divides the shade and sun,
And the clock strikes the hour
And tells the time to none.
To south the headstones cluster,
The sunny mounds lie thick;
The dead are more in muster
At Hughley than the quick.
North, for a soon-told number,
Chill graves the sexton delves,
And steeple-shadowed slumber
The slayers of themselves.
To north, to south, lie parted,
With Hughley tower above,
The kind, the single-hearted,
The lads I used to love.
And, south or north, 'tis only
A choice of friends one knows,
And I shall ne'er be lonely
Asleep with these or those.
~ Alfred Edward Housman,
331:The fine purple cloaks, the holiday garments, elsewhere signs of gayety of mind, are stained with blood and bordered with black. Throughout a stern discipline, the axe ready for every suspicion of treason; “great men, bishops, a chancellor, princes, the king’s relations, queens, a protector kneeling in the straw, sprinkled the Tower with their blood; one after the other they marched past, stretched out their necks; the Duke of Buckingham, Queen Anne Boleyn, Queen Catherine Howard, the Earl of Surrey, Admiral Seymour, the Duke of Somerset, Lady Jane Grey and her husband, the Duke of Northumberland, the Earl of Essex, all on the throne, or on the steps of the throne, in the highest ranks of honor, beauty, youth, genius; of the bright procession nothing is left but senseless trunks, marred by the tender mercies of the executioner. ~ William Shakespeare,
332:The shadow-Saphira looped over the city, lighting several buildings on fire. As she did, a flock of arrows shot up from archers stationed on a nearby rooftop. The apparition swerved to avoid the darts and, seemingly by accident, crashed into one of the six green elf towers scattered throughout Urû’baen.
The collision looked perfectly real. Eragon winced with sympathy as he saw the dragon’s left wing break against the tower, the bones snapping like stalks of dry grass. The imitation Saphira roared and thrashed as she spiraled down to the streets. The buildings hid her after that, but her roars were audible for miles around, and the flame she seemed to breathe painted the sides of the houses and lit the underside of the stone shelf that hung over the city.
I would never have been so clumsy, sniffed Saphira.
I know. ~ Christopher Paolini,
333:He walked back to St George's-in-the-East, which in his mind he had now reduced to a number of surfaces against which the murderer might have leaned in sorrow, desperation or even, perhaps, joy. For this reason it was worth examining the blackened stones in detail, although he realised that the marks upon them had been deposited by many generations of men and women. It was now a matter of received knowledge in the police force that no human being could rest or move in any area without leaving some trace of his or her identity; but if the walls of the Wapping church were to be analysed by emission spectroscopy, how many partial or residual spectra might be detected? And he had an image of a mob screaming to be set free as he guided his steps towards the tower which rose above the houses cluttered around Red Maiden Lane, Crab Court and Rope Walk. ~ Peter Ackroyd,
334:The Romans formed a line of mantlets and constructed a siege terrace. When they began to erect a siege tower at some distance, the defenders on the wall at first made abusive remarks and ridiculed the idea of setting up such a huge apparatus so far away. Did those pygmy Romans, they asked, with their feeble hands and muscles, imagine that they could mount such a heavy tower on top of a wall? (All the Gauls are inclined to be contemptuous of our short stature, contrasting it with their own great height.) 31. But when they saw the tower in motion and approaching the fortress walls, the strange, unfamiliar spectacle frightened them into sending envoys to ask Caesar for peace. The envoys said they were forced to the conclusion that the Romans had divine aid in their warlike operations, since they could move up apparatus of such height at such a speed. ~ Gaius Julius Caesar,
335:What would have made [seeing Göbekli Tepe from Harran] easier, in antiquity, would have been a tall tower annexed to the temple that once stood here--a temple dedicated to Su-En (usually contracted to Sin), the Moon God of the Sabians. After telling us that there were "powerful images in this temple," the Greek Philosopher Libanius (AD 314-394), describes the tower, noting that "from its top one could overlook the entire plain of Harran."
[...]
A team from the Chicago Oriental Institute was about to start a major dig around the ruins of the Grand Mosque in 1986, but it seems that the Turkish authorities insisted on such restrictive practices that the project had to be abandoned. Current excavations by Harran University and the Sanliurfa Museum Directorate show little interest in recovery of substantive remains from the city's pre-Islamic period. ~ Graham Hancock,
336:Have you ever sailed across an ocean, Donald? On a sail boat surrounded by sea with no land in sight. Without even the possibility of sighting land for days to come. To stand at the helm of your destiny. I want that, one more time. I want to be in the Piazza Del Campo in Sienna. To feel the surge as ten race horses go thundering by. I want another meal in Paris, at L'Ambroisie in the Place Des Vosges. I want another bottle of wine. And then another. I want the warmth of a women in the cool set of sheets. One more night of jazz at the Vanguard. I want to stand on summits and smoke cubans and feel the sun on my face for as long as I can. Walk on the wall again. Climb the tower. Ride the river. Stare at the frescoes. I want to sit in the garden and read one more good book. Most of all I want to sleep. I want to sleep like I slept when I was a boy. Give me that. Just one time. ~ Anonymous,
337:A prince survives by unseen acts.
At night the chief advisor knocked
at Frederick's workroom in the tower
and found him formulating facts
for treatises on wingd power
while his penman turned out text.

It was in this aerie room
he'd walked all night with her on arm,
turbulent and barely fledged.
Whatever plans then sprang to mind,
whatever fondness deeply chimed
in recollection he would trash
and tend the frightened and impassioned
thing he wished to understand.
Every night he made a time
for nothing but the young unhandled
animal. It was her staring
inborn mind he'd worked to learn,

so he was lofted with her grace
when she, the bird that nobles praise,
thrown gleaming from his hand (her wingbeats raised
into the heartfelt morning air)
and diving like an angel struck the hern.
~ Rainer Maria Rilke, Falconry
,
338:They’re supposed to help look for the king.” Merdigen shrugged. “Why the urgency to find the king? You have a queen, after all.” Merdigen’s priorities tended to be rather skewed at times. “I need some fresh air,” Alton said. “Sure, sure, leave me alone. Me and my beard.” Alton shook his head. Just before he stepped through the tower wall to the outside world, he heard Merdigen mutter, “I wish I could go out and have some fresh air.” The weather was fine, so Alton saddled up Night Hawk for a ride down to the main encampment at the breach. Hawk tossed his head and pranced, and Alton was assailed by guilt that he did not pay his horse nearly enough attention. • • • At the main encampment he examined the cracks around the breach, made measurements, and recorded his findings in his logbook. He took reports from the officers on duty there. They kept watch over the breach and ~ Kristen Britain,
339:MATT: Okay. You spiral upward and upward and upward, climbing an extremely long period of time.

Your legs begin to ache a little bit. Then another floor opens up. It appears the tower is now divided into two chambers. From the bottom floor up, it's now two sides to a tower and you're on the right side. The hallway curves around the outer edge of the tower. On the opposite side, you can see the staircase continues upward. The interior of this chamber appears to be an incredible arcane laboratory, occupying the center space of the tower inside. You see six overlapping circles of dulled runes and glyphs that encompass the entire 30-foot walkway between here and the stairs. Shelves and tables of countless glass tubes and metallic vices lay out across tables, organized in a near-OCD pattern. Tomes and books line the inner chamber walls. What do you guys do? ~ Matt Mercer, Critical Role,
340:Do you know why teachers use me? Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion’s den, and the Tower of Babel. People remember these metaphors because they are so vivid you can’t get free of them and that’s what kids like in school. They read about rocket ships and encounters in space, tales of dinosaurs. All my life I’ve been running through the fields and picking up bright objects. I turn one over and say, Yeah, there’s a story. And that’s what kids like. Today, my stories are in a thousand anthologies. And I’m in good company. The other writers are quite often dead people who wrote in metaphors: Edgar Allan Poe, Herman Melville, Washington Irving, Nathaniel Hawthorne. All these people wrote for children. They may have pretended not to, but they did. ~ Ray Bradbury,
341:It is not cynical to admit the past has been turned into a fiction. It is a story, not a fact. The real has been erased. Whole eras have been added or removed. Wars have been aggrandized, and human struggle relegated to the margins. Villains are redressed as heroes. Generous, striving, imperfect men and women have been stripped of their flaws or plucked of their virtues and turned into figurines of morality or depravity. Whole societies have been fixed with motive and visions and equanimity where there was none. Suffering has been recast as noble sacrifice! Do you know why the history of the Tower is in such turmoil? Because too many powerful men are fighting for the pen, fighting to write their story over our dead bodies. They know what is at stake: immortality, the character of civilization, and influence beyond the ages. They are fighting to see who gets to mislead our grandchildren. ~ Josiah Bancroft,
342:It was darker in the tower than any place Devnee had ever been. The dark had textures, some velvet, some satin. The dark shifted positions.

The dark continued to breathe. The breath of the tower lifted her clothing like the flaps of a tent, and sounded in her ears like falling snow.

It's the wind coming through the double shutters, Devnee told herself.

But how could the wind come through? There were glass windows between the inside and outside shutters.

Or were there?

The windows weren't just holes in the wall, were they?

What if there was no glass? What if things crawled through those open louvers, crept into the room, blew in with the cold that fingered her hair? What creatures of the night could slither through those slats?

She had not realized how wonderful glass was, how it protected you and kept you inside.

She knew something was out there. ~ Caroline B Cooney,
343:When ye look at me I am an idle, idle man; when I look at myself I am a busy, busy man. Since upon the plain of uncreated infinity I am building, building the tower of ecstasy, I have no time for building houses. Since upon the steppe of the void of truth I am breaking, breaking the savage fetter of suffering, I have no time for ploughing family land. Since at the bourn of unity ineffable I am subduing, subduing the demon-foe of self, I have no time for subduing angry foe-men. Since in the palace of mind which transcends duality I am waiting, waiting for spiritual experience as my bride, I have no time for setting up house. Since in the circle of the Buddhas of my body I am fostering, fostering the child of wisdom, I have no time for fostering snivelling children. Since in the frame of the body, the seat of all delight, I am saving, saving precious instruction and reflection, I have no time for saving wordly wealth. ~ Milarepa,
344:What are these?" Maxon asked, brushing across the tips of my fingers as we walked.
"Calluses. They're from pressing down on violin strings four hours a day."
"I've never noticed them before."
"Do they bother you?" I was the lowest caste of the six girls left, and I doubted any of them had hands like mine.
Maxon stopped moving and lifted my fingers to his lips, kissing the tiny, worn tips.
"On the contrary. I find them rather beautiful." I felt myself blush. "I've seen the world – admittedly mostly through bulletproof glass or from the tower of some ancient castle – but I've seen it. And I have access to the answers of a thousand questions at my disposal. But this small hand here?" He looked deeply into my eyes. "This hand makes sounds incomparable to anything I've ever heard. Sometimes I think I only dreamed that I heard you play the violin, it was so beautiful. These calluses are proof that it was real. ~ Kiera Cass,
345:Whoreson dog,” “whoreson peasant,” “slave,” “you cur,” “rogue,” “rascal,” “dunghill,” “crack-hemp,” and “notorious villain” — these are a few of the epithets with which the plays abound. The Duke of York accosts Thomas Horner, an armorer, as “base dunghill villain and mechanical” (Henry VI., Part 2, Act 2, Sc. 3); Gloucester speaks of the warders of the Tower as “dunghill grooms” (Ib., Part 1, Act 1, Sc. 3), and Hamlet of the grave-digger as an “ass” and “rude knave.” Valentine tells his servant, Speed, that he is born to be hanged (Two Gentlemen of Verona, Act 1, Sc. 1), and Gonzalo pays a like compliment to the boatswain who is doing his best to save the ship in the “Tempest” (Act 1, Sc. 1). This boatswain is not sufficiently impressed by the grandeur of his noble cargo, and for his pains is called a “brawling, blasphemous, uncharitable dog,” a “cur,” a “whoreson, insolent noise-maker,” and a “wide-chapped rascal. ~ William Shakespeare,
346:And again the news offered no news: On CNN, a rerun of Larry King interviewing the widowed and the suffering. On CNN2, a rerun of Larry King interviewing a fatherless son. On CNN3, a rerun of Flight 11 flying toward the first tower, in slow motion. On CNN4, a rerun of the tower collapsing, in slow motion, and again the towers fell, again people jumped and died. On CNN5, a rerun of Larry King interviewing a motherless daughter, a daughterless father, interviewing the motherless, fatherless, wifeless, husbandless, childless, shameless--disgusted, Bill pressed POWER and beheaded King, exiled CNN, and the world went dark. They sat relieved in the silence and dark. Not much road traffic now, but somewhere in the distant overhead the honk and flap of southbound geese, instinct bound, in vees for victory. The turkey was still on the table; the sides were still out. Let all who are hungry come and eat. Let all who are tired come home. ~ Pearl Abraham,
347:The house of the Plantagenets, from Henry II to Richard III himself, was brimming with blood. In their lust for power the members of the family turned upon one another. King John murdered, or caused to be murdered, his nephew Arthur; Richard II despatched his uncle, Thomas of Gloucester; Richard II was in turn killed on the orders of his cousin, Henry Bolingbroke; Henry VI was killed in the Tower on the orders of his cousin, Edward IV; Edward IV murdered his brother, Clarence, just as his own two sons were murdered by their uncle. It is hard to imagine a family more steeped in slaughter and revenge, of which the Wars of the Roses were only one effusion. It might be thought that some curse had been laid upon the house of the Plantagenets, except of course that in the world of kings the palm of victory always goes to the most violent and the most ruthless. It could be said that the royal family was the begetter of organized crime. ~ Peter Ackroyd,
348:My dad died in 9/11. They opened up the museum to families today, so I went this morning. My plan was to go to work after, but I just couldn’t do it.”“What happened to him?”“He was a cop. He actually had the day off. But as soon as he heard, he drove into the city and got there just in time for the second tower to fall. A witness said that my dad had started to run when the tower fell, but turned back because a trapped woman was calling to him.”“What do you remember?”“I was in science class. And my teacher told us that there had been a plane crash. That’s all she said. Then I noticed all these kids around me getting phone calls and text messages, and they’d run out of class. So I knew something big was happening. Soon we got let out of school. On the ride home, I remember thinking that my dad was going to be working overtime on this. I imagined he’d be down there everyday, saving people. ‘I bet I won’t see him for weeks,’ I said. ~ Brandon Stanton,
349:Mankind could point with pride to this fine flower of the human spirit--if it were not for one thing: namely that God is God and grace is grace. At this point begins the destruction of our illusions and of our cultural enthusiasm, the great destruction which God himself effects, and which the ancient myth of the tower of Babel typifies. 'And if by grace, then it is no more of works; otherwise grace is no more grace.' Our way to the eternal is interrupted and we are plunged back into the depths from which we came, with out philosophy and art, our morality and religion. For another way now opens, the way of God to man, the way of revelation and grace, the way of Christ, the way of justification by faith alone. 'My ways are not your ways,' that is the answer now. It is not we who go to God, but God who comes to us. It is not religion that sets us right with God, for God alone can do this; it is his action on which we must depend. ~ Dietrich Bonhoeffer,
350:clergyman, delivered in some other place, however distant. In the same manner any picture, character, drawing, or print can be transferred from one to another place. Millions of such instruments can be operated from but one plant of this kind. More important than all of this, however, will be the transmission of power, without wires, which will be shown on a scale large enough to carry conviction.” Last-minute design changes were required, however, necessitating more money. Tesla had already obtained a second loan from Morgan, and when those funds ran out, he again approached the financier for additional capital. In an attempt to convince the powerful Morgan to invest another large sum, Tesla explained that the tower could be used for more than transmitting radio signals—it could be used to saturate the entire globe with electricity harmless to living things so that everyone could obtain usable power by simply sticking wires in the soil. ~ Sean Patrick,
351:When ye look at me I am an idle, idle man; when I look at myself I am a busy, busy man. Since upon the plain of uncreated infinity I am building, building the tower of ecstasy, I have no time for building houses. Since upon the steppe of the void of truth I am breaking, breaking the savage fetter of suffering, I have no time for ploughing family land. Since at the bourn of unity ineffable I am subduing, subduing the demon-foe of self, I have no time for subduing angry foe-men. Since in the palace of mind which transcends duality I am waiting, waiting for spiritual experience as my bride, I have no time for setting up house. Since in the circle of the Buddhas of my body I am fostering, fostering the child of wisdom, I have no time for fostering snivelling children. Since in the frame of the body, the seat of all delight, I am saving, saving precious instruction and reflection, I have no time for saving wordly wealth. ~ Jetsun Milarepa, Songs of Milarepa,
352:there’s a tidal wave coming towards San Francisco. It looks massive,” “We copy, Flight 80. They’ve been hit with a 9.5 earthquake, the epicenter being just offshore. However, we’re unusually quiet here and don’t seem to be affected by it, but we can see the city falling apart from our vantage point. What can you see from up there?” “I’m seeing buildings fall like they were made of cards, fires seemed to have started in a couple of neighborhoods, and…. Oh. My. God!” “What is it Captain? What’s wrong?” asked the Tower. “The…. the…. the ground is opening up, swallowing whole sections of the city. The wave from the ocean has reached the city, and from the looks of it, it looks like it’s at least one hundred feet high. The water is pounding into the city now, and it looks like it’s pushing the remains of the city into the sinkhole or whatever you want to call it. I don’t think anything is going to remain of San Francisco after this. This is awful, ~ Cliff Ball,
353:A maiden was imprisoned in a stone tower. She loved a lord. Why? Ask the wind and the stars, ask the god of life; for no one else knows these things. And the lord was her friend and her lover; but time passed, and one fine day he saw someone else and his heart turned away. As a youth he loved the maiden. Often he called her his bliss and his dove, and her embrace was hot and heaving. He said, Give me your heart! And she did so. He said, May I ask you for something, my love? And she answered, in raptures, Yes. She gave him all, and yet he never thanked her. The other one he loved like a slave, like a madman and a beggar. Why? Ask the dust on the road and the falling leaves, ask life’s mysterious god; for no one else knows these things. She gave him nothing, no, nothing did she give him, and yet he thanked her. She said, Give me your peace and your sanity. And he only grieved that she didn’t ask for his life. And the maiden was put in the tower. . . . ~ Knut Hamsun,
354:The two angels were both tall, but Aodhan was perhaps an inch taller, and now his eyes locked with Illium's for a long, quiet moment before he lowered his head slightly. Illium raised his hand, the movement slow, hesitant....and then his fingers brushed Aodhan's cheek just below the cut that had almost sealed. The first ray of dawn kissed the tear that rolled down Illium's face, caressed the painful wonder on Aodhan's as he lifted his hand to clasp the wrist of his friend's hand.
That instant of contact, the power of it, stole her breath.
Then Illium smiled, said something that made Aodhan's lips curve-Elena thought it might've been "Welcome back, Sparkle"-and they were separating to sweep off the Tower in a symphony of wild silver blue and heartbreaking light.
"Raphael," she whispered, having felt him come up behind her. "Did you see?"
"Yes." His hand on her nape, his thumb brushing over her pulse. "Of course it would be Illium who reached him," he murmured. ~ Nalini Singh,
355:Even if you escaped this place, which is impossible,” Death said, “you would never reach her.

I glanced up at Death. “So my plan should be to wait here, docile, until you murder me? Along with the rest of your lackeys?”

Saying these words out loud was like a corner turned, a line crossed. One answer rang through me.

Never.

After my mother’s sacrifice for me, I’d be damned if I rolled over now. I owed it to her to fight.

I had a new mission: self-preservation. I had to get this cuff off, so I could protect myself from Death. Sooner or later the novelty of having me here, his princess in the tower, would wear off.

I needed to be ready.

“Why didn’t you tell me about Jack earlier? And Matthew? Why not just torpedo me from the beginning?”

“My reasons are my own. But I did warn you not to give Deveaux your innocence.”

I rolled my eyes at his terminology. “Really, Father Time? And what business is it of yours anyway? ~ Kresley Cole,
356:This had to be the most curious situation in all of her life. Not that she had a great deal to compare it to, of course, living, as she had, quite a sheltered existence. But if anyone had ever had a friend quite like Periapt, she had yet to read about it.
The most peculiar thing was the feeling, the conviction, that here was someone she had been looking for as a friend and companion her entire life.
When they were talking and she wasn't actually looking at him- in the dark, say, when they would go up to the top of the tower to rest their eyes and look at the stars- she never, ever even thought about the fact that he was a dragon. In fact, if she was reading a book with him and he would say something aloud, she would get a kind of shock to her system when she looked up and saw, not a person, but a huge, dusky-emerald dragon head.
The shock was getting worse, too, not better, every time she looked up and didn't see the studious young man she expected to see. ~ Mercedes Lackey,
357:You wish to rule the Dreaming City; you must excel in all its ways. Play with me, a single game of Lo Shen. If you best me, I will go into seclusion as you ask, and you will ascend to the Tower without the slightest argument, and without battle. No one will contest you, and you will rule as well as you are able. If you lose, however, you must disband your army, and take the vows of one of our Towers, enter it as a novice, and pledge yourself to our City for the rest of your days. In the Anointed City, this is the way disputes are settled. If you would rule us, you must behave as one of us. Show me that you are the rightful Papess. Show me that you exceed us in all things."

Ragnhild seemed to laugh, but no sound issued from her rosy mouth. Her eyes glittered like snowflakes catching the sun. "You cannot be serious. A single game to decide five hundred years of history?"

"Were it not that once my predecessor harmed you, I would simply kill you where you stand. ~ Catherynne M Valente,
358:Lullaby
Lullaby! Lullaby!
There’s a tower strong and high
Built of oak and brick and stone,
Stands before a wood alone.
The doors are of the oak so brown
As any ale in Oxford town,
The walls are builded warm and thick
Of the old red Roman brick,
The good grey stone is over all
In arch and floor of the tower tall.
And maidens three are living there
All in the upper chamber fair,
Hung with silver, hung with pall,
And stories painted on the wall.
And softly goes the whirring loom
In my ladies’ upper room,
For they shall spin both night and day
Until the stars do pass away.
But every night at evening.
The window open wide they fling,
And one of them says a word they know
And out as three white swans they go,
And the murmuring of the woods is drowned
In the soft wings’ whirring sound,
As they go flying round, around,
Singing in swans’ voices high
A lonely, lovely lullaby.
~ Clive Staples Lewis,
359:Even so—think of the declaration of war in 1939! They had no armaments at all—and yet they declared war ! In those days they had, I believe, six divisions. It's quite possible that they will again let themselves be hoodwinked by fairy tales from the emigres. The soldiers, I know, were against war. But there are people over there who don't give a damn if Britain does collapse—yes, I mean the Jews ! There are others who say : "If the Russians are beaten, then we shall be the war criminals —there will be trials, and we shall end up in the Tower." The soldiers will defend themselves by saying that they had given full warning of the danger Britain ran in accepting the risks of undertaking an invasion. But for the politicians who declared war and the Jews who drove them to it there is no defence ! And these latter are quite capable of risking a second attempt. On the other hand, they may say to themselves : we are taking on an opponent who has so far knocked the teeth out of everybody who has opposed him. ~ Adolf Hitler,
360:Oh, they never look at anything that folks like we can understand," the carter continued, by way of passing the time. "On'y foreign tongues used in the days of the Tower of Babel, when no two families spoke alike. They read that sort of thing as fast as a night-hawk will whir. 'Tis all learning there—nothing but learning, except religion. And that's learning too, for I never could understand it. Yes, 'tis a serious-minded place. Not but there's wenches in the streets o' nights… You know, I suppose, that they raise pa'sons there like radishes in a bed? And though it do take—how many years, Bob?—five years to turn a lirruping hobble-de-hoy chap into a solemn preaching man with no corrupt passions, they'll do it, if it can be done, and polish un off like the workmen they be, and turn un out wi' a long face, and a long black coat and waistcoat, and a religious collar and hat, same as they used to wear in the Scriptures, so that his own mother wouldn't know un sometimes. … There, 'tis their business, like anybody else's. ~ Thomas Hardy,
361:Royce eyed Hadrian with a skeptical expression. “He’ll never manage the climb.”

“Climb?” Hadrian asked.

“The treasure room is at the top of the Crown Tower,” Arcadius explained.

Even Hadrian had heard of that. Even farmers in Hintindar knew of the Crown Tower. Supposedly it was the leftover corner of some ancient but legendary castle.

“I’m in good shape. A few stairs aren’t going to kill me.”

“The tower is heavily guarded in every way, except against a person climbing up the outside,” Royce replied, his eyes fixed on the long fang he continued to twirl.

“Isn’t that because … well, I’ve heard it’s sort of tall.”

“The tallest surviving structure built by man,” Arcadius said.

“Should I bring a lunch?”

“Considering we’ll begin after dusk and climb all night, I’d suggest a late dinner,” Royce replied.

“I was joking.”

“I wasn’t. But I only ask one thing.”

“What’s that?”

“When you fall to your death, do so quietly. ~ Michael J Sullivan,
362:When Hitler marched
across the Rhine
To take the land of France,
La dame de fer decided,
‘Let’s make the tyrant dance.’
Let him take the land and city,
The hills and every flower,
One thing he will never have,
The elegant Eiffel Tower.
The French cut the cables,
The elevators stood still,
‘If he wants to reach the top,
Let him walk it, if he will.’
The invaders hung a swastika
The largest ever seen.
But a fresh breeze blew
And away it flew,
Never more to be seen.
They hung up a second mark,
Smaller than the first,
But a patriot climbed
With a thought in mind:
‘Never your duty shirk.’
Up the iron lady
He stealthily made his way,
Hanging the bright tricolour,
He heroically saved the day.
Then, for some strange reason,
A mystery to this day,
Hitler never climbed the tower,
On the ground he had to stay.
At last he ordered she be razed
Down to a twisted pile.
A futile attack, for still she stands
Beaming her metallic smile. ~ E A Bucchianeri,
363:Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow. ~ Mervyn Peake,
364:The Tower of the Spirit

The Spirit has an impregnable tower
Which no danger can disturb
As long as the tower is guarded
By the invisible Protector
Who acts unconsciously, and whose actions
Go astray when they become deliberate,
Reflexive, and intentional.

The unconscious
And entire sincerity of Tao
Are disturbed by any effort
At self-conscious demonstration.
All such demonstrations
Are lies.

When one displays himself
In this ambiguous way
The world storms in
and imprisons him.

He is no longer protected
by the sincerity of Tao.

Each new act
Is a new failure.

If his acts are done in public,
In broad daylight,
He will be punished by men.
If they are done in private
And in secret,
He will be punished
By spirits.

Let each one understand
The meaning of sincerity
and guard against display.

He will be at peace
with men and spirits
and will act rightly, unseen,
in his own solitude,
in the tower of his spirit. ~ Thomas Merton,
365:The Tower is not a sacred monument, and no taboo can forbid a commonplace life to develop there, but there can be no question, nonetheless, of a trivial phenomenon here; the installation of a restaurant on the Tower, for instance ... The Eiffel Tower is a comfortable object, and moreover, it is in this that it its an object wither very old (analogous, for instance, to the Circus) or very modern (analogous to certain American institutions such as the drive-in movie, in which one can simultaneously enjoy the film, the car, the food, and the freshness of the night air). Further, by affording its visitor a whole polyphony of pleasures, from technological wonder to haute cuisine, including the panorama, the Tower ultimately reunites with the essential function of all major human sites: autarchy; the Tower can live on itself: one can dream there, eat there, observe there, understand there, marvel there, shop there, as on an ocean liner (another mythic object that sets children dreaming), one can feel oneself cut off from the world and yet the owner of a world. ~ Roland Barthes,
366:Is this where it was?” Royce asked, stopping and studying the base of the tower.

“How should I know?” Hadrian replied as his eyes coursed up the length of the south tower. Up close, it blocked everything else out, a solid wall of black rising against the light of the moon. “I can never understand why such small people build such gigantic things.”

“Maybe they’re compensating,” Royce said, dropping several lengths of rope.

“Damn it, Royce. It’s been eight years since we did this. I was in better shape then. I was younger, and if I recall, I vowed I would never do it again.”

“That’s why you shouldn’t make vows. The moment you do, fate starts conspiring to shove them down your throat.”

Hadrian sighed, staring upward. “That’s one tall tower.”

“And if the dwarves were still here maintaining it, it would be impregnable. Lucky for us, they’ve let it rot. You should be happy—the last eight years would only have eroded it further. It should be easier.”

“It’s granite, Royce. Granite doesn’t erode much in eight years ~ Michael J Sullivan,
367:XXVIII For, looking up, aware I somehow grew, ’Spite of the dusk, the plain had given place All round to mountains—with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me—solve it, you! How to get from them was no clearer case. XXIX Yet half I seemed to recognise some trick Of mischief happened to me, God knows when— In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts—you’re inside the den. XXX Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain . . . Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI What in the midst lay but the Tower itself? The round squat turret, blind as the fool’s heart, Built of brown stone, without a counterpart In the whole world. The tempest’s mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. ~ Stephen King,
368:Shuffle-Shoon And Amber-Locks
Shuffle-Shoon and Amber-Locks
Sit together, building blocks;
Shuffle-Shoon is old and grey,
Amber-Locks a little child,
But together at their play
Age and Youth are reconciled,
And with sympathetic glee
Build their castles fair to see.
"When I grow to be a man"
(So the wee one's prattle ran),
"I shall build a castle so-With a gateway broad and grand;
Here a pretty vine shall grow,
There a soldier guard shall stand;
And the tower shall be so high,
Folks will wonder, by-and-by!"
Shuffle-Shoon quoth: "Yes, I know;
Thus I builded long ago!
Here a gate and there a wall,
Here a window, there a door;
Here a steeple wondrous tall
Riseth ever more and more!
But the years have levelled low
What I builded long ago!"
So they gossip at their play,
Heedless of the fleeting day;
One speaks of the Long Ago
Where his dead hopes buried lie;
One with chubby cheeks aglow
Prattleth of the By-and-By;
Side by side, they build their blocks-Shuffle-Shoon and Amber-Locks.
~ Eugene Field,
369:In order to elucidate especially and most clearly the origination of this error (...) let us imagine a man who, while standing on the street, would say to himself:

"It is six o'clock in the evening, the working day is over. Now I can go for a walk, or I can go to the club; I can also climb up the tower to see the sunset; I can go to the theater; I can visit this friend or that one; indeed, I also can run out of the gate, into the wide world, and never return. All of this is strictly up to me, in this I have complete freedom. But still I shall do none of these things now , but with just as free a will I shall go home to my wife".

This is exactly as if water spoke to itself: "I can make high waves (yes! in the sea during a storm), I can rush down hill (yes! in the river bed), I can plunge down foaming and gushing (yes! in the waterfall), I can rise freely as a stream of water into the air (yes! in the fountain), I can, finally boil away and disappear (yes! at a certain temperature); but I am doing none of these things now, and am voluntaringly remaining quiet and clear water in the reflecting pond. ~ Arthur Schopenhauer,
370:Sir Thomas More, son of Sir John More, a justice of the King's Bench, was born in 1478, in Milk Street, in the city of London. After his earlier education at St. Anthony's School, in Threadneedle Street, he was placed, as a boy, in the household of Cardinal John Morton, Archbishop of Canterbury and Lord Chancellor. It was not unusual for persons of wealth or influence and sons of good families to be so established together in a relation of patron and client. The youth wore his patron's livery, and added to his state. The patron used, afterwards, his wealth or influence in helping his young client forward in the world. Cardinal Morton had been in earlier days that Bishop of Ely whom Richard III. sent to the Tower; was busy afterwards in hostility to Richard; and was a chief adviser of Henry VII., who in 1486 made him Archbishop of Canterbury, and nine months afterwards Lord Chancellor. Cardinal Morton—of talk at whose table there are recollections in "Utopia"—delighted in the quick wit of young Thomas More. He once said, "Whoever shall live to try it, shall see this child here waiting at table prove a notable and rare man. ~ Thomas More,
371:You used Neverleak,” Shelley said, eyeing my craftsmanship with a skeptical frown. “The sale’s on Stay-Tite.” Shelley was the store manager, and her slumped shoulders and dour expression were as much a part of her uniform as the blue polo shirts we all had to wear. “I thought you said Neverleak,” I said, because she had. “Stay-Tite,” she insisted, shaking her head regretfully, as if my tower were a crippled racehorse and she the bearer of the pearl-handled pistol. There was a brief but awkward silence in which she continued to shake her head and shift her eyes from me to the tower and back to me again. I stared blankly at her, as if completely failing to grasp what she was passive-aggressively implying. “Ohhhhhh,” I said finally. “You mean you want me to do it over?” “It’s just that you used Neverleak,” she repeated. “No problem. I’ll get started right away.” With the toe of my regulation black sneaker I nudged a single box from the tower’s foundation. In an instant the whole magnificent structure was cascading down around us, sending a tidal wave of diapers crashing across the floor, boxes caroming off the legs of startled customers ~ Ransom Riggs,
372:...This is a place of learning where very few learn anything of value. That you, who have courage and intelligence, are held in contempt by most of your kind here because you have no sorcery... I have seen you protect others, though they consider you to be weaker than they. I have seen a very few decent people, like the boy we took from the tower. I have seen women trade pleasure for coin to feed their children, and others do the same so that they could ignore their children while making themselves foolish with wines and powders. I have seen men who labor as long as the sun is up go home to wives who hold them in contempt for never being there. I have seen men beat and use those whom they should protect, even their own children. I have seen your kind place others of their own in slavery. I have seen them fighting to be free of the same. I have seen men of the law betray it, men who hate the law be kind. I have seen gentle defenders, sadistic healers, creators of beauty scorned while craftsmen of destruction are worshiped. Your Kind, Aleran, are the most vicious and gentle, most savage and noble, most treacherous and loyal, most terrifying and fascinating creatures I have ever seen. ~ Jim Butcher,
373:The two women look at each other and in both faces there is a glimpse of the girls that they were. A little smile warms Margaret’s face and Jacquetta’s eyes are filled with love. It is as if the years are no more than the mists of Barnet or the snows at Towton: they are gone, it is hard to believe they were ever there. Margaret puts out her hand, not to touch her friend but to make a gesture, a secret shared gesture, and, as we watch, Jacquetta mirrors the movement. Eyes fixed on each other they both raise their index finger and trace a circle in the air – that’s all they do. Then they smile to each other as if life itself is a joke, a jest that means nothing and a wise woman can laugh at it; then, without a word, Margaret passes silently into the darkness of the tower.

‘What was that?’ Isabel exclaims.

‘It was the sign for the wheel of fortune,’ I whisper. ‘The wheel of fortune which put Margaret of Anjou on the throne of England, heiress to the kingdoms of Europe, and then threw her down to this. Jacquetta warned her of this long ago – they knew. The two of them knew long ago that fortune throws you up to greatness and down to disaster and all you can do is endure. ~ Philippa Gregory,
374:Amid the desolation of a city,
Which was the cradle, and is now the grave
Of an extinguished people,so that Pity

Weeps oer the shipwrecks of Oblivions wave,
There stands the Tower of Famine. It is built
Upon some prison-homes, whose dwellers rave

For bread, and gold, and blood: Pain, linked to Guilt,
Agitates the light flame of their hours,
Until its vital oil is spent or spilt.

There stands the pile, a tower amid the towers
And sacred domes; each marble-ribbed roof,
The brazen-gated temples, and the bowers

Of solitary wealth,--the tempest-proof
Pavilions of the dark Italian air,--
Are by its presence dimmed--they stand aloof,

And are withdrawnso that the world is bare;
As if a spectre wrapped in shapeless terror
Amid a company of ladies fair

Should glide and glow, till it became a mirror
Of all their beauty, and their hair and hue,
The life of their sweet eyes, with all its error,
Should be absorbed, till they to marble grew.
Published by Mrs. Shelley in The Keepsake, 1829. Mr. C.W. Frederickson of Brooklyn possesses a transcript in Mrs. Shelleys handwriting.
~ Percy Bysshe Shelley, The Tower Of Famine
,
375:was at playtime. Big Joe came up to school to see Charlie and me. He just stood and watched us from outside the school gate. He did that often when Charlie and I first went off to school together — I think he was finding it lonely at home without us. I ran over to him. He was breathless, bright-eyed with excitement. He had something to show me. He opened his cupped hands just enough for me to be able to see. There was a slowworm curled up inside. I knew where he’d got it from — the churchyard, his favorite hunting ground. Whenever we went up to put flowers on Father’s grave, Big Joe would go off on his own, hunting for more creatures to add to his collection; that’s when he wasn’t just standing there gazing up at the tower and singing Oranges and Lemons at the top of his voice and watching the swifts screaming around the church tower. Nothing seemed to make him happier than that. I knew Big Joe would put his slowworm in with all his other creatures. He kept them in boxes at the back of the woodshed at home — lizards, hedgehogs, all sorts. I stroked his slowworm with my finger, and said it was lovely, which it was. Then he wandered off, walking down the lane humming his Oranges and Lemons ~ Michael Morpurgo,
376:SAY that the men of the old black tower,
Though they but feed as the goatherd feeds,
Their money spent, their wine gone sour,
Lack nothing that a soldier needs,
That all are oath-bound men:
Those banners come not in.

There in the tomb stand the dead upright,
But winds come up from the shore:
They shake when the winds roar,
Old bones upon the mountain shake.

Those banners come to bribe or threaten,
Or whisper that a man's a fool
Who, when his own right king's forgotten,
Cares what king sets up his rule.
If he died long ago
Why do you dread us so?

There in the tomb drops the faint moonlight,
But wind comes up from the shore:
They shake when the winds roar,
Old bones upon the mountain shake.

The tower's old cook that must climb and clamber
Catching small birds in the dew of the morn
When we hale men lie stretched in slumber
Swears that he hears the king's great horn.
But he's a lying hound:
Stand we on guard oath-bound!

There in the tomb the dark grows blacker,
But wind comes up from the shore:
They shake when the winds roar,
Old bones upon the mountain shake.

~ William Butler Yeats, The Black Tower
,
377:Then the Frog Maiden, a scrawny old person dressed all in green for the occasion, stepped out in front of the crowd, muttering under her breath, a violent little pulse throbbing in the leathery sinews of her neck. Finally, the priest on the tower took the casket, opened it and emptied its four occupants out into the air. Unfortunately, there was a strong wind blowing at the time. This not only considerably dissipated their rate of descent but also blew them away from the place where they were supposed to fall. The crowd drew back, but not quickly enough. Two frogs landed in a bail of straw, one on Vlad’s head and another on my shoulder, all seemingly unhurt. Taking advantage of the confusion the four of them managed to skip away and were never seen again. Imagine the consternation that this unprecedented event caused. The Frog Maiden was canvassed for an opinion, but she was as confused as the rest; upon which doubts — ill-founded ones, I have no doubt — were immediately cast upon her virginity. The general consensus was that the omens were bad; though whether this was due more to the proximity of half a million Turks than the near miraculous escape of four small amphibians I could not say. ========== ~ Anonymous,
378:I HAVE no happiness in dreaming of Brycelinde,
Nor Avalon the grass-green hollow, nor Joyous Isle,
Where one found Lancelot crazed and hid him for a while;
Nor Uladh, when Naoise had thrown a sail upon the wind;
Nor lands that seem too dim to be burdens on the heart:
Land-under-Wave, where out of the moon's light and the sun's
Seven old sisters wind the threads of the long-lived ones,
Land-of-the-Tower, where Aengus has thrown the gates apart,
And Wood-of-Wonders, where one kills an ox at dawn,
To find it when night falls laid on a golden bier.
Therein are many queens like Branwen and Guinevere;
And Niamh and Laban and Fand, who could change to an otter or fawn,
And the wood-woman, whose lover was changed to a blue-eyed hawk;
And whether I go in my dreams by woodland, or dun, or shore,
Or on the unpeopled waves with kings to pull at the oar,
I hear the harp-string praise them, or hear their mournful talk.
Because of something told under the famished horn
Of the hunter's moon, that hung between the night and the day,
To dream of women whose beauty was folded in dis may,
Even in an old story, is a burden not to be borne.

~ William Butler Yeats, Under The Moon
,
379:The Tower
One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.
One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.
Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.
The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.
~ Conrad Potter Aiken,
380:The Tower. Somewhere ahead, it waited for him - the nexus of Time, the nexus of Size. He began west again, his back set against the sunrise, heading toward the ocean, realizing that a great passage of his life had come and gone. 'I loved you Jake,' he said aloud. The stiffness wore out of his body and he began to walk more rapidly. By that evening he had come to the end of the land. He sat in a beach which stretched left and right forever, deserted. The waves beat endlessly against the shore, pounding and pounding. The setting sun painted the water in a wide strip of fool's gold.
There the gunslinger sat, his face turned up into the fading light. He dreamed his dreams and watched as the stars came out; his purpose did not flag, nor did his heart falter; his hair, finer now and gray at the temples, blew around his head, and the sandalwood-inlaid guns of his father lay smooth and deadly against his hips, and he was lonely but did not find loneliness in any way a bad or ignoble thing. The dark came down and the world moved on. The gunslinger waited for the time of the drawing and dreamed his long dreams of the Dark Tower, to which he would someday come at dusk and approach, winding his horn, to do some unimaginable final battle. ~ Stephen King,
381:The Tower. Somewhere ahead, it waited for him - the nexus of Time, the nexus of Size. He began west again, his back set against the sunrise, heading toward the ocean, realizing that a great passage of his life had come and gone. 'I loved you Jake,' he said aloud. The stiffness wore out of his body and he began to walk more rapidly. By that evening he had come to the end of the land. He sat in a beach which stretched left and right forever, deserted. The waves beat endlessly against the shore, pounding and pounding. The setting sun painted the water in a wide strip of fool's gold.
There the gunslinger sat, his face turned up into the fading light. He dreamed his dreams and watched as the stars came out; his purpose did not flag, nor did his heart falter; his hair, finer now and gray at the temples, blew around his head, and the sandalwood-inlaid guns of his father lay smooth and deadly against his hips, and he was lonely but did not find loneliness in any way a bad or ignoble thing. The dark came down and the world moved on. The gunslinger waited for the time of the drawing and dreamed his long dreams of the Dark Tower, to which he would someday come at dusk and approach, winding his horn, to do some unimaginable final battle. ~ Stephen King,
382:A SUDDEN blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.
How can those terrified vague fingers push
The feathered glory from her loosening thighs,
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?
A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?
The original print of this piece (Dial, June 1924) had these lines

lines 1 - 4

A rush, a sudden wheel, and hovering still
The bird descends, and her frail thighs are pressed.
By the webbed toes, and that all-powerful bill
Has laid her helpless face upon his breast.

lines 6 - 8

The feathered glory from her loosening thighs!
(the question mark was later replaced with an exclamation mark, The Tower 1928) All the stretched body's laid on the white rush
And feels the strange heart beating where it lies;
~ William Butler Yeats, Leda And The Swan
,
383:Puck swung the cannon around in anger. The nozzle spun and hit Sabrina in the chest. The force was so pawerful she was knocked right off the platform and fell backward off the tower. She saw sky above her and felt the wind in her hair. How ironic, she thought, as she fell to her certain death, that at that moment she would have given anything to be a giant goose again.
Air rushed past Sabrina's ears and suddenly she felt her back tingling again. A moment later she was hanging upside down, inches from the ground. She looked up to find her savior, only to find that her her wasn't a person but a long, furry tail sticking out of the back of her pants. It was wrapped around a beam in the tower a kept her swinging there like a monkey.
Puck floated down to her, his wings flapping softly enough to allow him to hover.
"I bet you think this is hilarious. Look what you did to me with your stupid pranks. I have a tail!" she raged.
Puck's face was trembling. "I'm sorry."
"What?" Sabrina said blankly.
"I almost killed you. I'm sorry, Sabrina," he said, rubbing his eyes on his filthy hoodie. He lifted her off the tower and set her on the ground.
"Since when do you care?" Sabrina said, still stunned by the boy's apology. ~ Michael Buckley,
384:Ballade Of Sleep
The hours are passing slow,
I hear their weary tread
Clang from the tower, and go
Back to their kinsfolk dead.
Sleep! death's twin brother dread!
Why dost thou scorn me so?
The wind's voice overhead
Long wakeful here I know,
And music from the steep
Where waters fall and flow.
Wilt thou not hear sue, Sleep?
All sounds that might bestow
Rest on the fever'd bed,
All slumb'rous sounds and low
Are mingled here and wed,
And bring no drowsihed.
Shy dreams flit to and fro
With shadowy hair dispread;
With wistful eyes that glow,
And silent robes that sweep.
Thou wilt not hear me; no?
Wilt thou not hear me, Sleep?
What cause hast thou to show
Of sacrifice unsped?
Of all thy slaves below
I most have laboured
With service sung and said;
Have cull'd such buds as blow,
Soft poppies white and red,
Where thy still gardens grow,
And Lethe's waters weep.
Why, then, art thou my foe?
Wilt thou not hear me, Sleep?
ENVOY.
Prince, ere the dark be shred
35
By golden shafts, ere now
And long the shadows creep:
Lord of the wand of lead,
Soft-footed as the snow,
Wilt thou not hear me, Sleep!
~ Andrew Lang,
385:It's bad enough that a gang of infernal Jews should plant us here, where there's no earthly English interest to serve, and all hell beating up against us, simply because Nosey Zimmern has lent money to half the Cabinet. It's bad enough that an old pawnbroker from Bagdad should make us fight his battles; we can't fight with our right hand cut off. Our one score was Hastings and his victory, which was really somebody else's victory. Tom Travers has to suffer, and so have you." Then, after a moment's silence, he pointed toward the bottomless well and said, in a quieter tone: "I told you that I didn't believe in the philosophy of the Tower of Aladdin. I don't believe in the Empire growing until it reaches the sky; I don't believe in the Union Jack going up and up eternally like the Tower. But if you think I am going to let the Union Jack go down and down eternally, like the bottomless well, down into the blackness of the bottomless pit, down in defeat and derision, amid the jeers of the very Jews who have sucked us dry—no I won't, and that's flat; not if the Chancellor were blackmailed by twenty millionaires with their gutter rags, not if the Prime Minister married twenty Yankee Jewesses, not if Woodville and Carstairs had shares in twenty swindling mines. ~ G K Chesterton,
386:That night I retreated for the last time to the mountain peaks behind the castle and roamed along moonlit paths in the cool end-of-winter air. In the distance I heard the harpwinds, but this time I saw no one. The harps thrummed their weird threnodies, and from peak to peak reed pipes sounded, clear as winged creatures riding on the air, until the night was filled with the songs of approaching spring, and life, and freedom.
The music quieted my restlessness and buoyed me up with joy. I climbed the white stone peak at Elios and looked down at the castle, silhouetted silvery against the darker peaks in the distance. The air was clear, and I could see on the highest tower a tiny human figure, hatless, his long dark cloak belling and waving, and star-touched pale hair tangling in the wind.
In silence I watched the still figure as music filled the valley between us and drifted into eternity on the night air.
The big moon was high overhead when, one by one, the pipes played a last melody, and at last the music stopped, leaving only the sound of the wind in the trees.
It was time to return, for we would depart early in order to get off the mountain before nightfall. When at last I reached the courtyard and looked up at the tower, no one was there. ~ Sherwood Smith,
387:The particular myth that's been organizing this talk, and in a way the whole series, is the story of the Tower of Babel in the Bible. The civilization we live in at present is a gigantic technological structure, a skyscraper almost high enough to reach the moon. It looks like a single world-wide effort, but it's really a deadlock of rivalries; it looks very impressive, except that it has no genuine human dignity. For all its wonderful machinery, we know it's really a crazy ramshackle building, and at any time may crash around our ears. What the myth tells us is that the Tower of Babel is a work of human imagination, that its main elements are words, and that what will make it collapse is a confusion of tongues. All had originally one language, the myth says. The language is not English or Russian or Chinese or any common ancestor, if there was one. It is the language that makes Shakespeare and Pushkin authentic poets, that gives a social vision to both Lincoln and Gandhi. It never speaks unless we take the time to listen in leisure, and it speaks only in a voice too quiet for panic to hear. And then all it has to tell us, when we look over the edge of our leaning tower, is that we are not getting any nearer heaven, and that it is time to return to earth. [p.98] ~ Northrop Frye,
388:The Mantra-Yoga
How should I seek to make a song for thee
When all my music is to moan thy name?
That long sad monotone - the same - the same Matching the mute insatiable sea
That throbs with life's bewitching agony,
Too long to measure and too fierce to tame!
An hurtful joy, a fascinating shame
Is this great ache that grips the heart of me.
Even as a cancer, so this passion gnaws
Away my soul, and will not ease its jaws
Till I am dead. Then let me die! Who knows
But that this corpse committed to the earth
May be the occasion of some happier birth?
Spring's earliest snowdrop? Summer's latest rose?
II
Thou knowest what asp hath fixed its lethal tooth
In the white breast that trembled like a flower
At thy name whispered. thou hast marked how hour
By hour its poison hath dissolved my youth,
Half skilled to agonise, half skilled to soothe
This passion ineluctable, this power
Slave to its single end, to storm the tower
That holdeth thee, who art Authentic Truth.
O golden hawk! O lidless eye! Behold
How the grey creeps upon the shuddering gold!
Still I will strive! That thou mayst sweep
Swift on the dead from thine all-seeing steep And the unutterable word by spoken.
~ Aleister Crowley,
389:Songs of the Soul

On a dark night,
Inflamed by love-longing -
O exquisite risk! -
Undetected I slipped away.
My house, at last, grown still.
Secure in the darkness,
I climbed the secret ladder in disguise -
O exquisite risk! -
Concealed by the darkness.
My house, at last, grown still.

That sweet night: a secret.
Nobody saw me;
I did not see a thing.
No other light, no other guide
Than the one burning in my heart.

This light led the way
More clearly than the risen sun
To where he was waiting for me

- The one I knew so intimately -
In a place where no one could find us.

O night, that guided me!
O night, sweeter than sunrise!
O night, that joined lover with Beloved!
Lover transformed in Beloved!
Upon my blossoming breast,
Which I cultivated just for him,
He drifted into sleep,
And while I caressed him,
A cedar breeze touched the air.

Wind blew down from the tower,
Parting the locks of his hair.
With his gentle hand
He wounded my neck
And all my senses were suspended.

I lost myself. Forgot myself.
I lay my face against the Beloved's face.
Everything fell away and I left myself behind,
Abandoning my cares
Among the lilies, forgotten. ~ Juan de la Cruz,
390:Night wrapped around the proud towers. Joanna took a taper and held it to the fire, set it to a candlewick. Standing, candle in one hand, she held out the other to Alex. He took it and went with her wordlessly.
They climbed a coiling staircase so old the stones sloped gently in the centers where generations of feet had walked up and down them, and came at last to a room that took up the entire uppermost floor of the tower.
“This,” Joanna said quietly as she opened the ironbound door and stepped beyond, “is the oldest part of Hawkforte. Legend has it the first Lord of Hawkforte and his lady shared this chamber. Ever since, it has been occupied only by the present lord after he marries.”
“Are there spirits who would mind us being here?” he asked with a smile.
“They would welcome us,” she said, and went around the room, lighting the candles set in wall sconces until the room was bathed in their gentle glow.
An immense bed stood at its center, hung with richly embroidered curtains and covered with furs. Joanna walked toward it, turned, and faced Alex.
“I love you,” she said. “I just thought I ought to say that and I wanted it to be here, in this place.”
“I love you, too,” he replied matter-of-factly because it was that way to him now, a simple fact of his life. ~ Josie Litton,
391:
I

How should I seek to make a song for thee
When all my music is to moan thy name?
That long sad monotone - the same - the same -
Matching the mute insatiable sea
That throbs with life's bewitching agony,
Too long to measure and too fierce to tame!
An hurtful joy, a fascinating shame
Is this great ache that grips the heart of me.

Even as a cancer, so this passion gnaws
Away my soul, and will not ease its jaws
Till I am dead. Then let me die! Who knows
But that this corpse committed to the earth
May be the occasion of some happier birth?
Spring's earliest snowdrop? Summer's latest rose?

II

Thou knowest what asp hath fixed its lethal tooth
In the white breast that trembled like a flower
At thy name whispered. thou hast marked how hour
By hour its poison hath dissolved my youth,
Half skilled to agonise, half skilled to soothe
This passion ineluctable, this power
Slave to its single end, to storm the tower
That holdeth thee, who art Authentic Truth.

O golden hawk! O lidless eye! Behold
How the grey creeps upon the shuddering gold!
Still I will strive! That thou mayst sweep
Swift on the dead from thine all-seeing steep -
And the unutterable word by spoken.
~ Aleister Crowley, The Mantra-Yoga
,
392:Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. “As the cost of the tower and its slides is of secondary importance,” McComber noted, “I do not mention it here, but will furnish figures upon application.” A third proposal demanded even more courage from visitors. This inventor, who gave his initials as R. T. E., envisioned a tower four thousand feet tall from which he proposed to hang a two-thousand-foot cable of “best rubber.” Attached at the bottom end of this cable would be a car seating two hundred people. The car and its passengers would be shoved off a platform and fall without restraint to the end of the cable, where the car would snap back upward and continue bouncing until it came to a stop. The engineer urged that as a precaution the ground “be covered with eight feet of feather bedding. ~ Erik Larson,
393:If an eagle gives you a feather, keep it safe.
Remember: that giants sleep too soundly; that
witches are often betrayed by their appetites;
dragons have one soft spot, somewhere, always;
hearts can be well-hidden,
and you betray them with your tongue.

Do not be jealous of your sister.
Know that diamonds and roses
are as uncomfortable when they tumble from one's lips as toads and frogs:
colder, too, and sharper, and they cut.

Remember your name.
Do not lose hope -- what you seek will be found.
Trust ghosts. Trust those that you have helped to help you in their turn.
Trust dreams.
Trust your heart, and trust your story.

When you come back, return the way you came.
Favors will be returned, debts be repaid.

Do not forget your manners.
Do not look back.
Ride the wise eagle (you shall not fall).
Ride the silver fish (you will not drown).
Ride the grey wolf (hold tightly to his fur).

There is a worm at the heart of the tower; that is why it will not stand.

When you reach the little house, the place your journey started,
you will recognize it, although it will seem much smaller than you remember.
Walk up the path, and through the garden gate you never saw before but once.
And then go home. Or make a home.

Or rest. ~ Neil Gaiman,
394:He grasped the knob. It was engraved with a wild rose
wound around a revolver, one of those great old guns from his
father and now lost forever.
Yet it will be yours again, whispered the voice of the Tower
and the voice of the roses—these voices were now one.
What do you mean ?
To this there was no answer, but the knob turned beneath
his hand, and perhaps that was an answer. Roland opened the
door at the top of the Dark Tower.
He saw and understood at once, the knowledge falling
upon him in a hammerblow, hot as the sun of the desert that
was the apotheosis of all deserts. How many times had he
climbed these stairs only to find himself peeled back, curved
back, turned back? Not to the beginning (when things might
have been changed and time's curse lifted), but to that moment
in the Mohaine Desert when he had finally understood that his
thoughtless, questionless quest would ultimately succeed? How
many times had he traveled a loop like the one in the clip
that had once pinched off his navel, his own tet-ka can Gan?
How many times would he travel it?
"Oh, no!" he screamed. "Please, not again! Have pity! Have
mercy!"
The hands pulled him forward regardless. The hands of the
Tower knew no mercy.
They were the hands of Gan, the hands of ka, and they
knew no mercy. ~ Stephen King,
395:Immediately beneath and about them the lines of the Gothic building plunged outwards into the void with a sickening swiftness akin to suicide. There is that element of Titan energy in the architecture of the Middle Ages that, from whatever aspect it be seen, it always seems to be rushing away, like the strong back of some maddened horse. This church was hewn out of ancient and silent stone, bearded with old fungoids and stained with the nests of birds. And yet, when they saw it from below, it sprang like a fountain at the stars; and when they saw it, as now, from above, it poured like a cataract into a voiceless pit. For these two men on the tower were left alone with the most terrible aspect of Gothic; the monstrous foreshortening and disproportion, the dizzy perspectives, the glimpses of great things small and small things great; a topsy-turvydom of stone in the mid-air. Details of stone, enormous by their proximity, were relieved against a pattern of fields and farms, pygmy in their distance. A carved bird or beast at a corner seemed like some vast walking or flying dragon wasting the pastures and villages below. The whole atmosphere was dizzy and dangerous, as if men were upheld in air amid the gyrating wings of colossal genii; and the whole of that old church, as tall and rich as a cathedral, seemed to sit upon the sunlit country like a cloudburst. ~ G K Chesterton,
396:Rincewind sighed, and padded around the base of the tower toward the Library.
Towards where the Library had been.
There was the arch of the doorway, and most of the walls were still standing, but a lot of the roof had fallen in and everything was blackened by soot.
Rincewind stood and stared for a long time. Then he dropped the carpet and ran, stumbling and sliding through the rubble that half-blocked the doorway. The stones were still warm underfoot. Here and there the wreckage of bookcase still smouldered. Anyone watching would have seen Rincewind dart backward and forward across the shimmering heaps, scrabbling desperately among them, throwing aside charred furniture, pulling aside lumps of fallen roof with less than superhuman strength. They would have seen him pause once or twice to get his breath back, then dive in again, cutting his hands on shards of half molten glass from the dome of the roof. They would have noticed that he seemed to be sobbing.
Eventually his questing fingers touched something warm and soft. The frantic wizard heaved a charred roof beam aside, scrabbled through a drift of fallen tiles and peered down. There, half squashed by the beam and baked brown by the fire, was a large bunch of overripe, squashy bananas. He picked one up, very carefully, and sat and watched it for some time until the end fell off.
Then he ate it. ~ Terry Pratchett,
397:But it hasn’t gone at all. And that’s why it’s better than gold. It hasn’t gone, it’s just that we can’t see it any more. In fact, it’s still going, still growing. It’ll never stop going, or growing wider and wider, the ring you saw. You were lucky to see it at all. Cause when it got to the edge of the puddle it left the puddle and entered the air instead, it went invisible. A marvel. Didn’t you feel it go through you? No? But it did, you’re inside it now. I am too. We both are. And the yard. And the brickpiles. And the sandpiles. And the firing shed. And the houses. And the horses, and your father, your uncle, and your brothers, and the workmen, and the street. And the other houses. And the walls, and the gardens and houses, the churches, the palace tower, the top of the cathedral, the river, the fields behind us, the fields way over there, see? See how far your eye can go. See the tower and the houses in the distance? It’s passing through them and nothing and nobody will feel a thing but there it is doing it nonetheless. And imagine it circling the fields and the farms we can’t see from here. And the towns beyond those fields and farms all the way to the sea. And across the sea. The ring you saw in the water’ll never stop travelling till the edge of the world and then when it reaches the edge it’ll go beyond that too. Nothing can stop it. She looked down into the horse piss. ~ Ali Smith,
398:I stood outside Antilla for a long time watching the sun go down. I imagined that the tower was as deep as it was high. That it had a twenty-seven-story-long tap root, snaking around below the ground, hungrily sucking sustenance out of the earth, turning it into smoke and gold. Why did the Ambanis choose to call their building Antilla? Antilla is the name of a set of mythical islands whose story dates back to an eighth-century Iberian legend. When the Muslims conquered Hispania, six Christian Visigothic bishops and their parishioners boarded ships and fled. After days, or maybe weeks, at sea, they arrived at the isles of Antilla, where they decided to settle and raise a new civilization. They burned their boats to permanently sever their links to their barbarian-dominated homeland. By calling their tower Antilla, do the Ambanis hope to sever their links to the poverty and squalor of their homeland and raise a new civilization? Is this the final act of the most successful secessionist movement in India: the secession of the middle and upper classes into outer space? As night fell over Mumbai, guards in crisp linen shirts with crackling walkie-talkies appeared outside the forbidding gates of Antilla. The lights blazed on, to scare away the ghosts perhaps. The neighbors complain that Antilla’s bright lights have stolen the night. Perhaps it’s time for us to take back the night. ~ Arundhati Roy,
399:Cleopatra
LEANING in silence on the tower-rampart,
The Queen, whose blue hair a silk fillet spans,
In the troubled incense of perfuming-pans,
Feels, Love immense, thy sea mount in her heart.
On the piled, falling cushions of her seat
With violet eyelids moving not she rests;
The collars of thick gold heaved by her breasts
Betray her silent, languorous fever-heat.
A rose farewell floats on the pyramids,
Eve droops a shadow from his velvet lids;
And while afar the crocodiles are weeping,
Clenching her fingers, sighing into the air,
She shakes to feel lascivious and creeping
Hands, which in the wind exhaust her hair.
II
The heavy night weighs the dark River down ...
The Queen, beneath the stars upon one knee,
Suddenly pale while all her women flee
With unchaste gesture open rips her gown.
On the high terrace desperately she shows,
Love-swollen like a falling fruit, her lithe,
Her virgin body that does naked writhe
In the warm and greedy wind, a snake that glows.
She wills, and her wild eyes dart lightnings white,
That the scent of her flesh upon the world be blown ...
O sombre sea-flower scattered on the night!
And the dumb Sphinx feels in his stubborn stone,
Upon the weary sands, a fire awaken;
And the vast desert under him has shaken.
translated by: Jethro Bithell
11
~ Albert Samain,
400:It is well known that Pentecost reverses Babel. The people who built the tower of Babel sought to make a name, and a unity, for themselves. At Pentecost, God builds his temple, uniting people in Christ. Unity – interpretive agreement and mutual understanding – is, it would appear, something that only God can accomplish. And accomplish it he does, but not in the way we might have expected. Although onlookers thought that the believers who received the Spirit at Pentecost were babbling (Acts 2:13), in fact they were speaking intelligibly in several languages (Acts 2:8-11). Note well: they were all saying the same thing (testifying about Jesus) in different languages. It takes a thousand tongues to say and sing our great Redeemer’s praise.

Protestant evangelicalism evidences a Pentecostal plurality: the various Protestant streams testify to Jesus in their own vocabularies, and it takes many languages (i.e. interpretive traditions) to minister the meaning of God’s Word and the fullness of Christ. As the body is made up of many members, so many interpretations may be needed to do justice to the body of the biblical text. Why else are there four Gospels, but that the one story of Jesus was too rich to be told from one perspective only? Could it be that the various Protestant traditions function similarly as witnesses who testify to the same Jesus from different situations and perspectives? ~ Kevin J Vanhoozer,
401:A Grief Ago
A grief ago,
She who was who I hold, the fats and the flower,
Or, water-lammed, from the scythe-sided thorn,
Hell wind and sea,
A stem cementing, wrestled up the tower,
Rose maid and male,
Or, master venus, through the paddler's bowl
Sailed up the sun;
Who is my grief,
A chrysalis unwrinkling on the iron,
Wrenched by my fingerman, the leaden bud
Shot through the leaf,
Was who was folded on the rod the aaron
Road east to plague,
The horn and ball of water on the frog
Housed in the side.
And she who lies,
Like exodus a chapter from the garden,
Brand of the lily's anger on her ring,
Tugged through the days
Her ropes of heritage, the wars of pardon,
On field and sand
The twelve triangles of the cherub wind
Engraving going.
Who then is she,
She holding me? The people's sea drives on her,
Drives out the father from the caesared camp;
The dens of shape
Shape all her whelps with the long voice of water,
That she I have,
The country-handed grave boxed into love,
Rise before dark.
The night is near,
A nitric shape that leaps her, time and acid;
I tell her this: before the suncock cast
15
Her bone to fire,
Let her inhale her dead, through seed and solid
Draw in their seas,
So cross her hand with their grave gipsy eyes,
And close her fist.
~ Dylan Thomas,
402:more defenseless than you can have dreamed of finding me, and still you have not acted. . . .” Malfoy’s mouth contorted involuntarily, as though he had tasted something very bitter. “Now, about tonight,” Dumbledore went on, “I am a little puzzled about how it happened. . . . You knew that I had left the school? But of course,” he answered his own question, “Rosmerta saw me leaving, she tipped you off using your ingenious coins, I’m sure.” “That’s right,” said Malfoy. “But she said you were just going for a drink, you’d be back. . . .” “Well, I certainly did have a drink . . . and I came back . . . after a fashion,” mumbled Dumbledore. “So you decided to spring a trap for me?” “We decided to put the Dark Mark over the tower and get you to hurry up here, to see who’d been killed,” said Malfoy. “And it worked!” “Well . . . yes and no . . .” said Dumbledore. “But am I to take it, then, that nobody has been murdered?” “Someone’s dead,” said Malfoy, and his voice seemed to go up an octave as he said it. “One of your people . . . I don’t know who, it was dark. . . . I stepped over the body. . . . I was supposed to be waiting up here when you got back, only your Phoenix lot got in the way. . . .” “Yes, they do that,” said Dumbledore. There was a bang and shouts from below, louder than ever; it sounded as though people were fighting on the actual spiral staircase that led to where Dumbledore, Malfoy, and Harry stood, and Harry’s heart thundered ~ J K Rowling,
403:The Obscure Night Of The Soul
Upon an obscure night,
Fevered with love in love's anxiety,
(O hapless-happy plight!)
I went, none seeing me,
Forth from my house where all things quiet be.
By night, secure from sight,
And by the secret stair, disguisedly,
(O hapless-happy plight!)
By night, and privily,
Forth from my house where all things quiet be.
Blest night of wandering,
In secret, where by none might I be spied,
Nor I see anything;
Without a light or guide,
Save that which in my heart burnt in my side.
That light did lead me on,
More surely than the shining of noontide,
Where well I knew that one
Did for my coming bide;
Where he abode might none but he abide.
O night that didst lead thus,
O night more lovely than the dawn of light,
O night that broughtest us,
Lover to lover's sight,
Lover with loved in marriage of delight!
Upon my flowery breast,
Wholly for him, and save himself for none,
There did I give sweet rest
To my beloved one;
The fanning of the cedars breathed thereon.
When the first moving air
Blew from the tower, and waved his locks aside.
His hand, with gentle care,
115
Did wound me in the side,
And in my body all my senses died.
All things I then forgot,
My cheek on him who for my coming came;
All ceased, and I was not,
Leaving my cares and shame
Among the lilies, and forgetting them.
~ Arthur Symons,
404:Free Fall
A long while, a long long while it seems:
The bat-winged figure shaking his robe,
The cameras purring.
It is Daedalus the tailor, up on the Eiffel Tower
Ready to fly. The year is 1900;
We watch it, now.
...Shakes at his bat-robe, first to the right,
Then left, then right again, a twitch,
A doubtful gesture.
'Cast thyself from the pinnacle, angels will bear thee up.'
So great a height - the wings will surely beat
And bear me up?
Shaking his robe. A mile of film we are wasting:
Why doesn't he jump? In these long seconds
What is he thinking?
That the plan was crazy, and the careful stitches
Shaped him a shroud? Perhaps he is wondering
How to withdraw.
To pretend a flaw in the work, a change in the wind;
And imagines how it would be to face
The jeering crowd,
Slink back to his trade and live, with nothing to live for.
So still he hesitates, and shakes his shroud,
Then, suddenly, jumps.
Not even a flap from the wings. The lens below
Can barely follow the plummeting shape,
So quick his fall,
Hollowing out his own grave.
We are caught between dismay and laughter
Watching it now -
15
Not in a myth, not a century back, but now.
Ridiculous death. Yet as he stood on the tower,
Shaking, shaking his robe,
He mimed what each man must in private try,
Poised on the parapet of darkness Each in that crowd, and you, reader, and I.
~ Anne Barbara Ridler,
405:Edlesborough
Beyond the Chiltern coast, this church:
A lighthouse in dry seas of standing corn.
Bees hive in the tower; the outer stone
Pared and frittered in sunlight, flakes with the years:
Clunch crumbles, but silence, exaltation, endures.
The brass-robed Rector stretched on his tomb endures.
Within, we go upon the dragon and the bat,
Walk above the world, without,
Uplifted among grey lavender, beech and sycamore,
Shades of the sea-born chalk, indelible and austere.
If we see history from this hill
It is upon its own conditions, here
Each season swirls and eddies the circle of a year
Round the spectator church, and human eyes
Take, on its plinth, a long focus of centuries.
We seem like gods on any hill.
From here all toil resembles rest, and yet
Unlike a god we feel ourselves shut out.
Surely that farm in a carved blue curve of trees
So still with all its creatures, holds the unattainable peace?
It is Time's camouflage deceives us.
There it extends like space: whatever moves
(A horse to drink, a reaper to stack the sheaves)
Displays the movement in its whole succession,
Not a change of terms, only a changed relation.
Deceit or truth? The dead possess the hill
In battlements of Totternhoe or slate;
The view is ours, the range and ache of sight.
If Time serves: in a common space unrolls
This Resurrection field, with sheaves in glory like risen souls.
~ Anne Barbara Ridler,
406:A chill penetrating wail of outrage screamed up from the depts of the Abyss. So loud and horrifying was it that all the citizens of Palanthas woke shruddering from even the deepest sleep and lay in their beds, paralyzed by fear, waiting for the end of the world. The guards on the the city walls could move neither hand nor foot. Shutting their eyes, they cowered in shadows, awaiting death. Babies wimpered in fear, dogs cringed and slunk beneath beds, cat's eyes gleamed.
The shriek sounded again, and a pale hand reached out from the Tower gates. A ghastly face, twisted in fury, floated in the dank air.
Raistlin did not move.
The hand drew near, the face promised him tortures of the Abyss, where he would be dragged for his great folly in daring the curse of the Tower. The skeletal hand touched Raistlin's heart. Then, trembling, it halted.
'Know this,' said Raistlin calmly, looking up at the Tower, pitching his voice so that it could be heard by those within. 'I am the master of the past and the present! My coming was foretold. For me, the gates will open.'
The skeletal hand shrank back and, with a slow sweeping motion of invitation, parted the darkness. The gates swung open upon silent hinges.
Raistlin passed through them without a glance at the hand or the pale visage that was lowered in reverence. As he entered, all the black and shapeless, dark and shadowy things dwelling within the Tower bowed in homage.
Then Raistlin stopped and looked around him.
'I am home,' he said. ~ Margaret Weis,
407:Anna: What are you doing here?

Etienne: I came for you.

Anna: And how on EARTH did you know I was up here?

Etienne: I saw you. I came to make another wish, and I was standing on Point Zéro when I saw you enter the tower. I called your name, and you looked around, but you didn’t see me.

Anna: So you decided to just … come up?

Etienne: I had to. I couldn’t wait for you to come down, I couldn’t wait any longer. I had to see you now. I have to know … Why did you lie to me?

Anna: I’m sorry, I don’t know what …

Etienne: November. At the creperie. I asked you if we’d talked about anything strange that night I was drunk in your room. If I had said anything about our relationship, or my relationship with Ellie. And you said no.

Anna: How did you know?

Etienne: Josh told me.

Anna: When?

Etienne: November.

Anna: I…I…If you’d seen the look on your face that day. In the restaurant. How could I possibly tell you? With your mother…

Etienne: But if you had, I wouldn’t have wasted all of these months. I thought you were turning me down. I thought you weren’t interested.

Anna: But you were drunk! You had a girlfriend! What was I supposed to do? God, St. Clair. I didn’t even know if you meant it.

Etienne: Of course I meant it. I meant it, Anna. I meant it.

Anna: I don’t under…

Etienne: I’m saying I’m in love with you! I’ve been in love with you this whole bleeding year!

Anna: But Ellie… ~ Stephanie Perkins,
408:To be Kaspar Hauser is to long, at every moment of your dubious existence, with every fiber of your questionable being, not to be Kaspar Hauser. It’s to long to leave yourself completely behind, to vanish from your own sight. Does this surprise you? It is of course what you have taught me to desire. And I am a diligent student. With your help I have furnished myself inside and out. My thoughts are yours. These words are yours. Even my black and bitter tears are yours, for I shed them at the thought of the life I never had, which is to say, your life, ladies and gentlemen of Nuremberg. My deepest wish is not to be an exception. My deepest wish is not to be a curiosity, an object of wonder. It is to be unremarkable. To become you—to sink into you—to merge with you until you cannot tell me from yourselves; to be uninteresting; to be nothing at all; to experience the ecstasy of mediocrity—is it so much to ask? You who have helped me to advance so far, won’t you lead me to the promised land, the tranquil land of the ordinary, the banal, the boring? Not to be Kaspar Hauser, not to be the enigma of Europe, not to be the wild boy in the tower, the man without a childhood, the young man without a youth, the monster born in the middle of his life, but to be you, to be you, to be nothing but you! This is my vision of paradise. And although the very existence of such a vision reveals nothing so much as my distance, which widens into an abyss even as I try to fling myself across, still I am not without hope. ~ Steven Millhauser,
409:Do You Not Father Me
Do you not father me, nor the erected arm
For my tall tower's sake cast in her stone?
Do you not mother me, nor, as I am,
The lovers' house, lie suffering my stain?
Do you not sister me, nor the erected crime
For my tall turrets carry as your sin?
Do you not brother me, nor, as you climb,
Adore my windows for their summer scene?
Am I not father, too, and the ascending boy,
The boy of woman and the wanton starer
Marking the flesh and summer in the bay?
Am I not sister, too, who is my saviour?
Am I not all of you by the directed sea
Where bird and shell are babbling in my tower?
Am I not you who front the tidy shore,
Nor roof of sand, nor yet the towering tiler?
You are all these, said she who gave me the long suck,
All these, he said who sacked the children's town,
Up rose the Abraham-man, mad for my sake,
They said, who hacked and humoured, they were mine.
I am, the tower told, felled by a timeless stroke,
Who razed my wooden folly stands aghast,
For man-begetters in the dry-as-paste,
The ringed-sea ghost, rise grimly from the wrack.
Do you not father me on the destroying sand?
You are your sisters' sire, said seaweedy,
The salt sucked dam and darlings of the land
Who play the proper gentleman and lady.
Shall I still be love's house on the widdershin earth,
Woe to the windy masons at my shelter?
Love's house, they answer, and the tower death
Lie all unknowing of the grave sin-eater.
~ Dylan Thomas,
410:Eiffel Tower"
To Robert Delaunay

Eiffel Tower
Guitar of the sky

Your wireless telegraphy
Attracts words
As a rosebush the bees

During the night
The Seine no longer flows

Telescope or bugle

EIFFEL TOWER

And it's a hive of words
Or an inkwell of honey

At the bottom of dawn
A spider with barbed-wire legs
Was making its web of clouds

My little boy
To climb the Eiffel Tower
You climb on a song

Do
re
mi
fa
sol
la
ti
do

We are up on top

A bird sings
in the telegraph
antennae

It's the wind
Of Europe
The electric wind

Over there

The hats fly away
They have wings but they don't sing

Jacqueline
Daughter of France
What do you see up there

The Seine is asleep
Under the shadow of its bridges

I see the Earth turning
And I blow my bugle
Toward all the seas

On the path
Of your perfume
All the bees and the words go their way

On the four horizons
Who has not heard this song

I AM THE QUEEN OF THE DAWN OF THE POLES
I AM THE COMPASS THE ROSE OF THE WINDS THAT FADES
EVERY FALL
AND ALL FULL OF SNOW
I DIE FROM THE DEATH OF THAT ROSE
IN MY HEAD A BIRD SINGS ALL YEAR LONG

That's the way the Tower spoke to me one day

Eiffel Tower
Aviary of the world
Sing Sing
Chimes of Paris

The giant hanging in the midst of the void
Is the poster of France

The day of Victory
You will tell it to the stars ~ Vicente Huidobro,
411:Praise to you Spirit of fire! to you who sound the timbrel and the lyre. Your music sets our minds ablaze! The strength of our souls awaits your coming in the tent of meeting. There the mounting will gives the soul its savor and desire is its lantern. Insight invokes you in a cry full of sweetness, while reason builds you temples as she labors at her golden crafts. But sword in hand you stand poised to prune shoots of the poisoned apple -- scions of the darkest murder -- when mist overshadows the will. Adrift in desires the soul is spinning everywhere. But the mind is a bond to bind will and desire. When the heart yearns to look the Evil One in the eye, to stare down the jaws of iniquity, swiftly you burn it in consuming fire. Such is your wish. And when reason doing ill falls from her place, you restrain and constrain her as you will in the flow of experience until she obeys you. And when the Evil One brandishes his sword against you, you break it in his own heart. For so you did to the first lost angel, tumbling the tower of his arrogance to hell. And there you built a second tower -- traitors and sinners its stones. In repentance they confessed all their crafts. So all beings that live by you praise your outpouring like a priceless salve upon festering sores, upon fractured limbs. You convert them into priceless gems! Now gather us all to yourself and in your mercy guide us into the paths of justice. [1826.jpg] -- from Symphonia: A Critical Edition of the Symphonia armonie celstium revelationum, by Hildegard of Bingen / Translated by Barbara Newman

~ Saint Hildegard von Bingen, O ignee Spiritus - Hymn to the Holy Spirit
,
412:Miranda was still trying to process the intrusion. “Just tell me one thing--how do you guys get away with sneaking out at night? My mom would have a fit!”
“Right.” Parker’s grin turned scornful. “Like my mom and dad ever know if I’m there or not.”
Ashley was totally unconcerned. “Oh, we just tell them we’re going to the tree house. They never check on us there.”
“What’s the tree house?” Miranda wanted to know.
“Well, when we were little, Gage’s daddy built a tree house for the three of us in his backyard. We used to have a secret club. And we’d play over there, and hide from people, and pretend we were knights in a castle.”
“Gage and I were knights,” Roo corrected her. “You always had to be rescued.”
“Well, I liked the way Gage threw me over his shoulder and carried me down from the tower.”
“Gage did that?” Clasping his hands over his heart, Parker sighed. “My hero.”
Gage ignored him.
“We used to camp out in that tree house at night.” Ashley nibbled a potato chip. “In fact, we still like sleeping together over there.”
Parker wiggled his eyebrows and gave Miranda a stage whisper. “Very kinky.”
“Oh, for heaven’s sake, Parker--not that kind of sleeping together.” Ashley paused for a second. “It is just Gage, after all.”
Gage stared at her. “What’s that supposed to mean?”
“Oh, nothing.” Ashley plopped down on the bed next to Miranda. “Just that we love and respect you so much, we wouldn’t dream of taking advantage of you.”
“Sometimes I dream of you two taking advantage of him,” Parker said seriously. “It’s one of my favorite fantasies.”
Gage tried unsuccessfully not to look embarrassed. “You need a life. ~ Richie Tankersley Cusick,
413:My hair had hardly covered my forehead.
I was picking flowers, paying by my door,
When you, my lover, on a bamboo horse,
Came trotting in circles and throwing green plums.
We lived near together on a lane in Ch'ang-kan,
Both of us young and happy-hearted.

...At fourteen I became your wife,
So bashful that I dared not smile,
And I lowered my head toward a dark corner
And would not turn to your thousand calls;
But at fifteen I straightened my brows and laughed,
Learning that no dust could ever seal our love,
That even unto death I would await you by my post
And would never lose heart in the tower of silent watching.

...Then when I was sixteen, you left on a long journey
Through the Gorges of Ch'u-t'ang, of rock and whirling water.
And then came the Fifth-month, more than I could bear,
And I tried to hear the monkeys in your lofty far-off sky.
Your footprints by our door, where I had watched you go,
Were hidden, every one of them, under green moss,
Hidden under moss too deep to sweep away.
And the first autumn wind added fallen leaves.
And now, in the Eighth-month, yellowing butterflies
Hover, two by two, in our west-garden grasses
And, because of all this, my heart is breaking
And I fear for my bright cheeks, lest they fade.

...Oh, at last, when you return through the three Pa districts,
Send me a message home ahead!
And I will come and meet you and will never mind the distance,
All the way to Chang-feng Sha.
Cf. Bynner's translation of this poem with Ezra Pound's differently-titled "The River Merchant's Wife: A Letter"--also found at All Poetry. by owner. provided at no charge for educational purposes

~ Li Bai, A Song Of Changgan
,
414:More Light! More Light!
For Heinrich Blucher and Hannah Arendt
Composed in the Tower before his execution
These moving verses, and being brought at that time
Painfully to the stake, submitted, declaring thus:
"I implore my God to witness that I have made no crime."
Nor was he forsaken of courage, but the death was horrible,
The sack of gunpowder failing to ignite.
His legs were blistered sticks on which the black sap
Bubbled and burst as he howled for the Kindly Light.
And that was but one, and by no means one of he worst;
Permitted at least his pitiful dignity;
And such as were by made prayers in the name of Christ,
That shall judge all men, for his soul's tranquility.
We move now to outside a German wood.
Three men are there commanded to dig a hole
In which the two Jews are ordered to lie down
And be buried alive by the third, who is a Pole.
Not light from the shrine at Weimar beyond the hill
Nor light from heaven appeared. But he did refuse.
A Luger settled back deeply in its glove.
He was ordered to change places with the Jews.
Much casual death had drained away their souls.
The thick dirt mounted toward the quivering chin.
When only the head was exposed the order came
To dig him out again and to get back in.
No light, no light in the blue Polish eye.
When he finished a riding boot packed down the earth.
The Luger hovered lightly in its glove.
He was shot in the belly and in three hours bled to death.
No prayers or incense rose up in those hours
Which grew to be years, and every day came mute
Ghosts from the ovens, sifting through crisp air,
24
And settled upon his eyes in a black soot.
~ Anthony Evan Hecht,
415:Sweet Mother, You have asked the teachers "to think with ideas instead of with words".4 You have also said that later on you will ask them to think with experiences. Will you throw some light on these three ways of thinking?
Our house has a very high tower; at the very top of this tower there is a bright and bare room, the last before we emerge into the open air, into the full light.

   Sometimes, when we are free to do so, we climb up to this bright room, and there, if we remain very quiet, one or more visitors come to call on us; some are tall, others small, some single, others in groups; all are bright and graceful.

   Usually, in our joy at their arrival and our haste to welcome them, we lose our tranquillity and come galloping down to rush into the great hall that forms the base of the tower and is the storeroom of words. Here, more or less excited, we select, reject, assemble, combine, disarrange, rearrange all the words in our reach, in an attempt to portray this or that visitor who has come to us. But most often, the picture we succeed in making of our visitor is more like a caricature than a portrait.

   And yet if we were wiser, we would remain up above, at the summit of the tower, quite calm, in joyful contemplation.

   Then, after a certain length of time, we would see the visitors themselves slowly, gracefully, calmly descend, without losing anything of their elegance or beauty and, as they cross the storeroom of words, clothe themselves effortlessly, automatically, with the words needed to make themselves perceptible even in the material house.

   This is what I call thinking with ideas.

   When this process is no longer mysterious to you, I shall explain what is meant by thinking with experiences. ~ The Mother, Some Answers From The Mother,
416:My greetings and constant love to Emory and my grandchildren. I am well and continue to make my rounds with the news of the day and as always am well-received in the towns of which we have more than a few now as the Century grows older and the population increases so that large crowds come to hear reportage of distant places as well as those nearby. I enjoy good health as always and hope that Emory is doing well using his left hand now and look forward to an example of his handwriting. It is true what Elizabeth has said about employment for a one-armed man but that concerns manual labor only and at any rate there should be some consideration for a man who has lost a limb in the war. As soon as he is adept with his left I am sure he will consider Typesetting, Accounting, Etc. & Etc. Olympia is I am sure a steady rock to you all. Olympia’s husband, Mason, had been killed at Adairsville, during Johnston’s retreat toward Atlanta. The man was too big to be a human being and too small to be a locomotive. He had been shot out of the tower of the Bardsley mansion and when he fell three stories and struck the ground he probably made a hole big enough to bury a hog in. The Captain’s younger daughter, Olympia, was in reality a woman who affected helplessness and refinement and had never been able to pull a turnip from the garden without weeping over the poor, dear thing. She fluttered and gasped and incessantly tried to demonstrate how sensitive she was. Mason was a perfect foil and then the Yankees went and killed him. Olympia was now living with Elizabeth and Emory in the remains of their farm in New Hope Church, Georgia, and was quite likely a heavy weight. He put one hand to his forehead. My youngest daughter is in reality a bore. There was a pounding on the wall: Kep-dun! Kep-dun! ~ Paulette Jiles,
417:The House Of Dust: Part 01: 04: Up High Black Walls,
Up Sombre Terraces
Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.
They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.
And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.
And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.
And
And
And
And
And
there was one who turned from clamoring streets,
walked in lamplit gardens among black trees,
looked at the windy sky,
thought with terror how stones and roots would freeze
birds in the dead boughs cry . . .
And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.
And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
211
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.
~ Conrad Potter Aiken,
418:Finding that to be a slightly peculiar conversation to be holding with a horse, especially when Storm kept tossing his head as if he was in perfect agreement with Bram, Lucetta steered Sweet Pea toward them, unable to help but notice that when Bram finally did catch sight of her, he stopped speaking at once even as he took to looking slightly . . . guilty. “Lucetta!” he exclaimed, as his guilty look was replaced with a charming smile when she brought Sweet Pea to a stop. “What in the world are you doing out here, and . . . are you in your wrapper?” Not waiting for her to reply, he shrugged out of his top coat and moved close enough to her to draw the coat around her shoulders. Lovely warmth seeped into her every pore as the scent of sandalwood, lime, and something distinctly male tickled her nose. When she realized he was waiting for some type of reply, she pulled herself from thoughts of warmth and manly smells. “I got locked out of the castle, and when I saw you leaving, I thought I’d try to catch up with you.” Bram frowned. “What do you mean you got locked out of the castle? And what were you doing wandering around the castle at this hour of the night anyway?” “I wasn’t planning on wandering around the castle,” she said with a bit of an edge to her tone. “In all honesty, I’m sure I’d still be fast asleep if a suit of armor hadn’t decided to take a nighttime stroll through the tower.” “What?” “A suit of armor . . .” “Yes, I heard you, but . . . why would a suit of armor be walking through the tower? Or better yet, how would it have gotten up there in the first place?” “Probably the same way Geoffrey did, although why they were in the tower room, well, that’s fairly obvious.” “Not to me.” “Someone wants me gone from Ravenwood.” “Surely not.” “Why else would someone don a suit of armor and try to scare me half to death?” Bram ~ Jen Turano,
419:I emphasise it now; I had little-to-nothing in common with other people. Their values I did not comprehend, their ideals were to me a living horror. Call it ostentatious but I even sought to provide tangible proof of my withdrawal from the world. I posted a sign in the entrance to the building wherein I dwelt; a sign that indicated I had no wish to be disturbed by anyone, for any purpose whatsoever.

As these convictions took hold of me and, as I denied, nay even repudiated, the hold that the current society of men possesses over its ranks, as I retreated into a hermitage of the imagination, disentangling my own concerns from those paramount to the age in which I happened to be born, an age with no claim to be more enlightened, significant or progressive than any other, I tried to make a stand for the spirit. Tyranny, in this land, I was told, was dead. But I contend that the replacement of one form of tyranny with another is still tyranny. The secret police now operate not via the use of brute force in dark underground cells; they operate instead by a process of open brainwashing that is impossible to avoid altogether. The torture cells are not secret; they are everywhere, and so ubiquitous that they are no longer seen for what they are.

One may abandon television; one may abandon all forms of broadcast media, even the Internet, but the advertising hoardings in every street, on vehicles, inside transport centres, are still there. And they contain the same messages.

Only the very rich can avoid their clutches utterly. Those who have obtained sufficient wealth may choose their own surroundings, free from the propaganda of a decayed futurity. And yet, and yet, in order to obtain such a position of freedom it is first necessary to have served the ideals of the tyranny slavishly, thereby validating it.

("The Tower") ~ Mark Samuels,
420:I can’t hear you, people! Make some noise if you want a good show. How about death? Do you wanna see lots and lots of death tonight?” I took in the applause, the hollering, the hammering feet, basking in it. Then my arm shot up, pointing one finger to the ceiling. The guard-tower window exploded. A man plummeted from the tower, slamming on the concrete floor behind me with a splat like someone stomping on a tomato. He’d been torn open from throat to groin, his chest a ragged ruin of splintered, wrenched-back ribs and mangled organs. His dead eyes were still open, jaw wrenched wide in terror. Then came the rain. The second sniper, one piece at a time. Hands. Feet. Arms, wrenched off at the elbows. His severed head bounced like a basketball as it hit the concrete, rolling across the floor and coming to a stop next to Warden Lancaster’s Italian leather shoe. A horrified silence fell across the room. The guards looked at one another, uncertain, hands on their guns but not sure if they should draw. Lancaster stared down at the severed head, frozen like a deer in the headlights. “Well,” I said, “you’re about to get everything you asked for. What do you think, Warden? Is this good and messy enough for you? Wouldn’t want you to think I ‘pussied out’ again.” His gaze snapped toward me. He took a halting step back, away from the carnage. “How? How did you—” A third body dove from the shattered window. Not in a guard’s uniform, but a billowing white leather coat. She landed as graceful as a raptor, absorbing the impact with one knee and the outstretched fingers of a single hand, and slowly rose to her full willowy height. Her eyes blazed like molten copper, as radiant as her twist of scarlet hair. “If anyone in this room believes themselves to be a righteous soul,” Caitlin said, “I suggest you kneel down and pray. If nobody answers…then you belong to me. ~ Craig Schaefer,
421:Leave . . . town? Really, Mr. Skukman, that might be taking matters a bit far. Why, the social season has just begun, and ticket sales have been quite brisk. Besides that, everyone knows that Mr. Grimstone, that oh-so-mysterious playwright of The Lady in the Tower, specifically requested that I play the part of the lead heroine. He’s certainly not going to be pleased if I abandon the role before the season gets into full swing. Why, he, as well as the theater, could suffer extensive losses.” “Losses or not, Mr. Grimstone will have no say in this, Miss Plum. Quite honestly, given his obvious esteem for you and your acting abilities, I have to imagine he’d prefer to find out you’ve gone missing over finding out you’ve stopped breathing.” “Silas doesn’t want to kill me, Mr. Skukman. He wants to acquire me.” “You and I both know you’d never allow him to acquire you, and from what I just saw down in the lobby, the man seems to be on the verge of losing his sanity. There’s a look in his eyes I don’t care for at all, which is why we’re going to get you into a hansom cab and on your way to Mrs. Hart’s brownstone. Once you’re there, I need you to pack as quickly as possible. I’ll be around to fetch you just as soon as I’m able.” “You want me to hire a cab instead of traveling to Abigail’s in my own carriage?” “Indeed. It’s not a complete secret that you now live with Mrs. Hart, which means it won’t be too difficult for Silas to discover your direction after he learns you no longer reside in the Lower East Side. I’m going to try and feed him a false trail that will hopefully allow us precious time to get away.” Before Lucetta had an opportunity to voice another protest, she found herself sitting in a musty smelling hansom cab, barreling down Broadway at a high rate of speed, the speed brought about from the extra money she’d seen Mr. Skukman hand the driver. Feeling ~ Jen Turano,
422:Last Stanzas Of The Bush
WHERE is Australia, singer, do you know?
These sordid farms and joyless factories,
Mephitic mines and lanes of pallid woe?
Those ugly towns and cities such as these
With incense sick to all unworthy power,
And all old sin in full malignant flower?
No! to her bourn her children still are faring:
She is a temple that we are to build:
For her the ages have been long preparing:
She is a prophecy to be fulfilled!
All that we love in olden lands and lore
Was signal of her coming long ago!
Bacon foresaw her, Campanella, More,
And Plato’s eyes were with her star aglow!
Who toiled for Truth, whate’er their countries were,
Who fought for Liberty, they yearned for her!
No corsair’s gathering ground, nor tryst for schemers,
No chapman Carthage to a huckster Tyre,
She is the Eldorado of old dreamers,
The Sleeping Beauty of the world’s desire.
She is the scroll on which we are to write
Mythologies our own and epics new:
She is the port of our propitious flight
From Ur idolatrous and Pharaoh’s crew.
She is our own, unstained, if worthy we,
By dream, or god, or star we would not see:
Her crystal beams all but the eagle dazzle.
Her wind-wide ways none but the strong-winged sail:
She is Eutopia, she is Hy-Brasil,
The watchers on the tower of morning hail!
Yet she shall be as we, the Potter, mould:
Altar or tomb, as we aspire, despair:
What wine we bring shall she, the chalice, hold:
What word we write shall she, the script, declare:
Bandage our eyes, she shall be Memphis, Spain:
Barter our souls, she shall be Tyre again:
25
And if we pour on her the red oblation,
All o’er the world shall Asshur’s buzzards throng:
Love-lit, her Chaos shall become Creation:
And dewed with dream, her silence flower in song.
~ Bernard O'Dowd,
423:The entire theater faded away, as did the whispers, titters, and if she wasn’t much mistaken, applause, as Bram continued kissing her before he drew back, cupped her face with his hands, and smiled. It was a wonderful smile, filled with love, hope, and maybe even, a dash of naughtiness and danger. “That’ll keep everyone talking for a while,” he said with a wink. “I’m sure it will, and . . . now that we’ve gotten ourselves engaged, I, my soon-to-be husband, have a scene to finish.” Bram turned his head and whistled, the whistle resulting in Sweet Pea being led onto the stage, pulling her pony cart. “That’s why I brought a horse.” “Sweet Pea is a mule, but even if she was a horse, there’s not a horse in The Lady of the Tower—which you know since you penned the play.” “True, but I brought Sweet Pea along because of the scene in my new novel, the scene where you cut me down, then hoist me over your horse’s back, and then we go galloping off into the night.” “I’m not sure if a heroine will actually have the strength needed to hoist the hero onto a horse, and . . . again, you brought Sweet Pea and a pony cart, so . . . I’m not exactly certain how I should proceed.” “I tried to bring Storm, but Ernie pointed out that if Storm doesn’t like graveyards he probably wouldn’t like the theater, and that’s when Ernie offered to loan me Sweet Pea, and . . . maybe I should just climb in the cart and you can join me.” With that, Bram took hold of her hand, stepped into the pony cart, pulled her in after him, and pulled her onto his lap as he settled against the seat. Picking up the reins, he gave them a flick, and Sweet Pea was off, prancing as she was wont to do across the stage, down the ramp, and straight out the back door that Mr. Skukman was already holding open for them. As they rode away into the night, with Bram’s arms wrapped tightly around her, Lucetta realized that Abigail had been right all along. Bram ~ Jen Turano,
424:The Letters
Still on the tower stood the vane,
A black yew gloomed the stagnant air,
I peered athwart the chancel pane
And saw the altar cold and bare.
A clog of lead was round my feet,
A band of pain across my brow;
"Cold altar, Heaven and earth shall meet
Before you hear my marriage vow."
I turned and hummed a bitter song
That mocked the wholesome human heart,
And then we met in wrath and wrong,
We met, but only met to part.
Full cold my greeting was and dry;
She faintly smiled, she hardly moved;
I saw with half-unconscious eye
She wore the colours I approved.
She took the little ivory chest,
With half a sigh she turned the key,
Then raised her head with lips comprest,
And gave my letters back to me.
And gave the trinkets and the rings,
My gifts, when gifts of mine could please;
As looks a father on the things
Of his dead son, I looked on these.
She told me all her friends had said;
I raged against the public liar;
She talked as if her love were dead,
But in my words were seeds of fire.
"No more of love; your sex is known:
I never will be twice deceived.
Henceforth I trust the man alone,
The woman cannot be believed.
Through slander, meanest spawn of Hell And woman's slander is the worst,
And you, whom once I loved so well,
651
Through you, my life will be accurst."
I spoke with heart, and heat and force,
I shook her breast with vague alarms Like torrents from a mountain's source
We rushed into each other's arms.
We parted: sweetly gleamed the stars,
And sweet the vapour-braided blue,
Low breezes fanned the belfry bars,
As homeward by the church I drew.
The very graves appeared to smile,
So fresh they rose in shadowed swells;
"Dark porch," I said, "and silent aisle,
There comes a sound of marriage bells."
~ Alfred Lord Tennyson,
425:On September 16, in defiance of the cease-fire, Ariel Sharon’s army
circled the refugee camps of Sabra and Shatila, where Fatima and
Falasteen slept defenselessly without Yousef. Israeli soldiers set up
checkpoints, barring the exit of refugees, and allowed their Lebanese
Phalange allies into the camp. Israeli soldiers, perched on rooftops,
watched through their binoculars during the day and at night lit the sky
with flares to guide the path of the Phalange, who went from shelter to
shelter in the refugee camps. Two days later, the first western
journalists entered the camp and bore witness. Robert Fisk wrote of it
in Pity the Nation:
They were everywhere, in the road, the laneways, in the
back yards and broken rooms, beneath crumpled masonry
and across the top of garbage tips. When we had seen a
hundred bodies, we stopped counting. Down every
alleyway, there were corpses—women, young men, babies
and grandparents—lying together in lazy and terrible
profusion where they had been knifed or machine-gunned to
death. Each corridor through the rubble produced more
bodies. The patients at the Palestinian hospital had
disappeared after gunmen ordered the doctors to leave.
Everywhere, we found signs of hastily dug mass graves.
Even while we were there, amid the evidence of such
savagery, we could see the Israelis watching us. From the
top of the tower block to the west, we could see them
staring at us through field-glasses, scanning back and forth
across the streets of corpses, the lenses of the binoculars
sometimes flashing in the sun as their gaze ranged through
the camp. Loren Jenkins [of the Washington Post] cursed a
lot. Jenkins immediately realized that the Israeli defense
minister would have to bear some responsibility for this
horror. “Sharon!” he shouted. “That fucker [Ariel] Sharon!
This is Deir Yassin all over again. ~ Susan Abulhawa,
426:The Lady And The Dame
So thou hast the art, good dame, thou swearest,
To keep Time's perishing touch at bay
From the roseate splendor of the cheek so tender,
And the silver threads from the gold away;
And the tell-tale years that have hurried by us
Shall tiptoe back, and, with kind good-will,
They shall take their traces from off our faces,
If we will trust to thy magic skill.
Thou speakest fairly; but if I listen
And buy thy secret and prove its truth,
Hast thou the potion and magic lotion
To give me also the heart of youth?
With the cheek of rose and the eye of beauty,
And the lustrous locks of life's lost prime,
Wilt thou bring thronging each hope and longing
That made the glory of that dead Time?
When the sap in the trees sets young buds bursting,
And the song of the birds fills the air like spray,
Will rivers of feeling come once more stealing
From the beautiful hills of the far-away?
Wilt thou demolish the tower of reason
And fling forever down into the dust,
The caution time brought me, the lessons life taught me,
And put in their places my old sweet trust?
If Time's footprint from my brow is driven,
Canst thou, too, take with thy subtle powers
The burden of thinking, and let me go drinking
The careless pleasures of youth's bright hours?
If silver threads from my tresses vanish,
If a glow once more in my pale cheek gleams,
Wilt thou slay duty and give back the beauty
Of days untroubled by aught but dreams?
614
When the soft, fair arms of the siren Summer
Encircle the earth in their languorous fold,
Will vast, deep oceans of sweet emotions
Surge through my veins as they surged of old?
Canst thou bring back from a day long vanished
The leaping pulse and the boundless aim?
I will pay thee double for all thy trouble,
If thou wilt restore all these, good dame.
~ Ella Wheeler Wilcox,
427:You have never seen the sun set at this height. Come, look.’ The puller went to the edge and sat down, his legs hanging over the side. He saw that they hesitated. ‘Come. You can lie down and peer over the edge, if you like.’ Hillalum did not wish to seem like a fearful child, but he could not bring himself to sit at a cliff face that stretched for thousands of cubits below his feet. He lay down on his belly, with only his head at the edge. Nanni joined him. ‘When the sun is about to set, look down the side of the tower.’ Hillalum glanced downward, and then quickly looked to the horizon. ‘What is different about the way the sun sets here?’ ‘Consider, when the sun sinks behind the peaks of the mountains to the west, it grows dark down on the plain of Shinar. Yet here, we are higher than the mountaintops, so we can still see the sun. The sun must descend further for us to see night.’ Hillalum’s jaw dropped as he understood. ‘The shadows of the mountains mark the beginning of night. Night falls on the earth before it does here.’ Kudda nodded. ‘You can watch night travel up the tower, from the ground up to the sky. It moves quickly, but you should be able to see it.’ He watched the red globe of the sun for a minute, and then looked down and pointed. ‘Now!’ Hillalum and Nanni looked down. At the base of the immense pillar, tiny Babylon was in shadow. Then the darkness climbed the tower, like a canopy unfurling upward. It moved slowly enough that Hillalum felt he could count the moments passing, but then it grew faster as it approached, until it raced past them faster than he could blink, and they were in twilight. Hillalum rolled over and looked up, in time to see darkness rapidly ascend the rest of the tower. Gradually, the sky grew dimmer as the sun sank beneath the edge of the world, far away. ‘Quite a sight, is it not?’ said Kudda. Hillalum said nothing. For the first time, he knew night for what it was: the shadow of the earth itself, cast against the sky. ~ Ted Chiang,
428:Your Mr. Skukman is a man of few words, isn’t he?” Bram said as he walked up to join her. “It’s one of the reasons I hired him.” Bram frowned. “You prefer men who don’t speak much?” “Would you be insulted if I admitted I do?” To Lucetta’s surprise, instead of looking insulted, Bram sent her a look of understanding as he stepped closer to her. “You’re obviously overcome by the shock you’ve recently experienced because of my goat. And while I would love to be able to say that Geoffrey was just out of sorts today, I’m afraid he’s been out of sorts ever since someone abandoned him at Ravenwood a few months back, in the middle of the night.” “Your goat’s name is Geoffrey?” “My sister, Ruby, named it after a gentleman she’d once set her sights on, but a gentleman who turned out to be a bit of a disappointment.” Bram shook his head. “The man had the audacity to go off and marry some well-connected society miss, breaking Ruby’s heart in the process.” Lucetta smiled. “I do believe I’m going to like this sister of yours, Mr. Haverstein, especially since it appears she has no qualms about naming a cranky beast after a gentleman she no longer holds in high esteem.” “Please, since you’ve been set upon by my dogs, and practically mauled by my goat, feel free to call me Bram.” “Very well, since I have experienced all of that madness at the paws and hooves of your animals, I will call you Bram and you may call me Lucetta.” Her smile began to fade. “But pleasantries aside, why do you think your goat tried to attack me, and what was it doing in the tower room in the first place?” Bram blew out a breath. “Geoffrey attacked you because he has a problem with dresses—something we learned when he chased poor Mrs. Macmillan, who’d been trying to help get Geoffrey to the barn the morning we discovered him.” Bram shook his head. “Mrs. Macmillan has not been back to the barn since. As for what Geoffrey was doing in the tower room, I must admit that I can’t even fathom how he got up there without someone noticing.” “It’s ~ Jen Turano,
429:In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else? ~ Thomas Pynchon,
430:The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows.

You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die?

Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.

If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through the shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them? ~ Stephen King,
431:So, there was this beautiful princess.
She was locked in a high tower, one whose smart walls had cleaver holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long.
The only problem with the tower was that there way no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there.
One day, the princess realized that she was bored. The view from the tower--gentle hills, fields of white flowers, and a deep, dark forest--fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls.
And it was pretty clear that no prince was showing up, or at least that he was really late.
So the only thing was to jump.
The hole in the wall gave her a lovely parasol to catch her when she fell, and a wonderful new dress to wear in the fields and forest, and a brass key to make sure she could get back into the tower if she needed to. But the princess, laughing pridefully, tossed the key into the fireplace, convinced she would never need to return to the tower. Without another glance in the mirror, she strolled out onto the balcony and stepped off into midair.
The thing was, it was a long way down, a lot farther than the princess had expected, and the parasol turned out to be total crap. As she fell, the princess realized she should have asked for a bungee jacket or a parachute or something better than a parasol, you know?
She struck the ground hard, and lay there in a crumpled heap, smarting and confused, wondering how things had worked out this way. There was no prince around to pick her up, her new dress was ruined, and thanks to her pride, she had no way back into the tower.
And the worst thing was, there were no mirrors out there in the wild, so the princess was left wondering whether she in fact was still beautiful . . . or if the fall had changed the story completely. ~ Scott Westerfeld,
432:When, Like A Running Grave
When, like a running grave, time tracks you down,
Your calm and cuddled is a scythe of hairs,
Love in her gear is slowly through the house,
Up naked stairs, a turtle in a hearse,
Hauled to the dome,
Comes, like a scissors stalking, tailor age,
Deliver me who timid in my tribe,
Of love am barer than Cadaver's trap
Robbed of the foxy tongue, his footed tape
Of the bone inch
Deliver me, my masters, head and heart,
Heart of Cadaver's candle waxes thin,
When blood, spade-handed, and the logic time
Drive children up like bruises to the thumb,
From maid and head,
For, sunday faced, with dusters in my glove,
Chaste and the chaser, man with the cockshut eye,
I, that time's jacket or the coat of ice
May fail to fasten with a virgin o
In the straight grave,
Stride through Cadaver's country in my force,
My pickbrain masters morsing on the stone
Despair of blood faith in the maiden's slime,
Halt among eunuchs, and the nitric stain
On fork and face.
Time is a foolish fancy, time and fool.
No, no, you lover skull, descending hammer
Descends, my masters, on the entered honour.
You hero skull, Cadaver in the hangar
Tells the stick, 'fail.'
Joy is no knocking nation, sir and madam,
The cancer's fashion, or the summer feather
Lit on the cuddled tree, the cross of fever,
169
Not city tar and subway bored to foster
Man through macadam.
I dump the waxlights in your tower dome.
Joy is the knock of dust, Cadaver's shoot
Of bud of Adam through his boxy shift,
Love's twilit nation and the skull of state,
Sir, is your doom.
Everything ends, the tower ending and,
(Have with the house of wind), the leaning scene,
Ball of the foot depending from the sun,
(Give, summer, over), the cemented skin,
The actions' end.
All, men my madmen, the unwholesome wind
With whistler's cough contages, time on track
Shapes in a cinder death; love for his trick,
Happy Cadaver's hunger as you take
The kissproof world.
~ Dylan Thomas,
433:Song Of The Worm
THE worm, the rich worm, has a noble domain
In the field that is stored with its millions of slain ;
The charnel-grounds widen, to me they belong,
With the vaults of the sepulchre, sculptured and strong.
The tower of ages in fragments is laid,
Moss grows on the stones, and I lurk in its shade ;
And the hand of the giant and heart of the brave
Must turn weak and submit to the worm and the grave.
Daughters of earth, if I happen to meet
Your bloom-plucking fingers and sod-treading feet-Oh ! turn not away with the shriek of disgust
From the thing you must mate with in darkness and dust.
Your eyes may be flashing in pleasure and pride,
'Neath the crown of a Queen or the wreath of a bride ;
Your lips may be fresh and your cheeks may be fair-Let a few years pass over, and I shall be there.
Cities of splendour, where palace and gate,
Where the marble of strength and the purple of state ;
Where the mart and arena, the olive and vine,
Once flourished in glory ; oh ! are ye not mine ?
Go look for famed Carthage, and I shall be found
In the desolate ruin and weed-covered mound ;
And the slime of my trailing discovers my home,
'Mid the pillars of Tyre and the temples of Rome.
I am sacredly sheltered and daintily fed
Where the velvet bedecks, and the white lawn is spread ;
I may feast undisturbed, I may dwell and carouse
On the sweetest of lips and the smoothest of brows.
The voice of the sexton, the chink of the spade,
Sound merrily under the willow's dank shade.
They are carnival notes, and I travel with glee
To learn what the churchyard has given to me.
Oh ! the worm, the rich worm, has a noble domain,
For where monarchs are voiceless I revel and reign ;
I delve at my ease and regale where I may ;
11
None dispute with the worm in his will or his way.
The high and the bright for my feasting must fall-Youth, Beauty, and Manhood, I prey on ye all :
The Prince and the peasant, the despot and slave ;
All, all must bow down to the worm and the grave.
~ Eliza Cook,
434:He knew exactly what he wanted, he had been working over it in his mind for some seven years now... he had yet to see how much ground he had to use, but neither beauty nor splendor have need of great size. What he wanted was light, light and space, and the upward surge of stone like a growing tree from foundations to vault. No oppression, no darkness, no burden of thick, groaning columns and lowering roofs like the stony weight of guilt. He saw the shape clearly. No chevet of chapels, but a square east end, so that he could have a whole wall of invading light pouring in upon the high altar. Short, strong transepts, lofty aisles, and the clerestory tall and fully glazed above a shallow triforium. The west front with a great, deeply-cut doorway and a vast window above, set back in course on course of moulding, where the light could harp all day long on strings of stone, making even that greyer northern air shine lucid and sharp as the dazzling south. Over the west front two minor turrets, tapering to slender fingers of stone. Over the crossing the great tower, as in Normandy, binding all together, rooting all impregnably into the earth, drawing all erect with it towards heaven. In that tension was the significance of life, and next to light, this he wanted above all, the duality of flesh and spirit, manhood and godhead, the tension of man on his way to God. A noble tower, tall and tapered, its long surfaces so subtly fluted and molded that light and shadow might stroke it into a hundred changing shapes of majesty and beauty as the hours of the daylight passed. Permanence and change, diversity and oneness, in that grey-gold stone that glowed in his memory like - what was Adam's phrase?- a mine of sunshine. There is no growth nor fruitfulness but rises from these paired opposites of darkness and light, earth and heaven. My feet as roots in the earth, my forehead straining into the sun. The tower at once anchoring my church fast to the rock, and translating it into a balanced arrow of light aimed at the sky.

There is no beauty where there is doubt or insecurity. A sense of unbalance is the death of art. ~ Edith Pargeter,
435:There was a bell clanging in the tower of the building next to the black-shrike-thorn-cave. She found the noise irritating, so she twisted her neck and loosed a jet of blue and yellow flame at it. The tower did not catch fire, as it was stone, but the rope and beams supporting the bell ignited, and a few seconds later, the bell fell crashing into the interior of the tower.
That pleased her, as did the two-legs-round-ears who ran screaming from the area. She was a dragon, after all. It was only right that they should fear her.
One of the two-legs paused by the edge of the square in front of the black-shrike-thorn-cave, and she heard him shout a spell at her, his voice like the squeaking of a frightened mouse. Whatever the spell was, Eragon’s wards shielded her from it--at least she assumed they did, for she noticed no difference in how she felt or in the appearance of the world around her.
The wolf-elf-in-Eragon’s-shape killed the magician for her. She could feel how Blödhgarm grasped hold of the spellcaster’s mind and wrestled the two-legs-round-ears’ thoughts into submission, whereupon Blödhgarm uttered a single word in the ancient-elf-magic-language, and the two-legs-round-ears fell to the ground, blood seeping from his open mouth.
Then the wolf-elf tapped her on the shoulder and said, “Ready yourself, Brightscales. Here they come.”
She saw Thorn rising above the edge of the rooftops, Eragon-half-brother-Murtagh a small, dark figure on his back. In the light of the morning sun, Thorn shone and sparkled almost as brilliantly as she herself did. Her scales were cleaner than his, though, as she had taken special care when grooming earlier. She could not imagine going into battle looking anything but her best. Her enemies should not only fear her, but admire her.
She knew it was vanity on her part, but she did not care. No other race could match the grandeur of the dragons. Also, she was the last female of her kind, and she wanted those who saw her to marvel at her appearance and to remember her well, so if dragons were to vanish forevermore, two-legs would continue to speak of them with the proper respect, awe, and wonder. ~ Christopher Paolini,
436:...Whilst on board the Beagle I was quite orthodox, and I remember being heartily laughed at by several of the officers... for quoting the Bible as an unanswerable authority on some point of morality... But I had gradually come by this time, i.e., 1836 to 1839, to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow at sign, &c., &c., and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian.

...By further reflecting that the clearest evidence would be requisite to make any sane man believe in the miracles by which Christianity is supported, (and that the more we know of the fixed laws of nature the more incredible do miracles become), that the men at that time were ignorant and credulous to a degree almost uncomprehensible by us, that the Gospels cannot be proved to have been written simultaneously with the events, that they differ in many important details, far too important, as it seemed to me, to be admitted as the usual inaccuracies of eyewitnesses; by such reflections as these, which I give not as having the least novelty or value, but as they influenced me, I gradually came to disbelieve in Christianity as a divine revelation. The fact that many false religions have spread over large portions of the earth like wild-fire had some weight with me. Beautiful as is the morality of the New Testament, it can be hardly denied that its perfection depends in part on the interpretation which we now put on metaphors and allegories.

But I was very unwilling to give up my belief... Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct. I can indeed hardly see how anyone ought to wish Christianity to be true; for if so the plain language of the text seems to show that the men who do not believe, and this would include my Father, Brother and almost all of my friends, will be everlastingly punished.

And this is a damnable doctrine. ~ Charles Darwin,
437:Skunk? Was there skunk in Ireland? Taking out an evidence bag, she tried to pinpoint the area it seemed strongest, but it was impossible to tell. In any case, she swabbed a small area from the wall and then the ground, bagged them, and in addition picked up a sample of grit from the same area on the floor. The tower, with its two battered old wooden slat windows, was completely empty, save for some pigeon droppings. As birds didn’t urinate, Reilly already knew the foul smell definitely wasn’t coming from them. Moving tighter into the wall, she began stepping in concentric circles inwards, her gaze scanning the ground area. Then, her keen eye noticed some tiny bluish dots that were slightly incongruous amongst the grit and the droppings. She pulled out her tweezers and, bending low, carefully lifted one up for inspection. With some idea of what it was, she held it to her nose, sniffed, and removed all doubt. Rubber. Reilly’s mind raced, wondering if this was of any significance. Had the killer dropped it? Probably not. Whoever had hoisted that poor man up into the tree and slashed open his torso surely wouldn’t have then gone to the trouble of coming all the way up here to watch him die. Or would he? She craned her neck, looking upwards into the gloom, then made her way to the window. As she did, she let out a breath. There, framed perfectly in the opening as if it were a painting, was the hawthorn tree, the misfortunate victim dramatically hanging front and center. Leaving little doubt in Reilly’s mind that such positioning was completely intentional. It took a while, but eventually the local police managed to arrange for a mobile elevating platform to be sent to the site from the nearest town. The ME, having repositioned the man’s innards as best she could, wrapped the mutilated body in the tarpaulin and, with the platform operator’s assistance, accompanied it down to the ground, where she could examine it more closely. Reilly took a lint roller from her bag, took samples from the body and then concentrated her efforts around the perimeter of the tree, walking in concentric circles around the base amongst the humongous roots poking through the soil. Granted the victim was not a heavy man, but even so, it ~ Casey Hill,
438:Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye.
But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower.
And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well. ~ Stephen King,
439:Everyone is free to create his world as he wants it if he knows that the whole thing is responding to him. In Luke 13 we are told the story of five Galileans who have been murdered by Pilate. ‘And he mixed their blood with their offering, etc.’And the central figure of the gospels which is your awakened Imagination says to his followers; ‘Do you think these five were worse sinners than the others? I tell you ‘No.’ But unless you repent you will all likewise perish in the same manner.’Here on one level we think it served them right, just as those who saw the scene on the Sunset Blvd. would say ‘It served her right cutting across the street like that!’ In this story in Luke we are told that a man sinned in the past and was murdered by Pilate. It has nothing to do with it. Then Jesus asked them, ‘Do you think that the eighteen upon whom the tower in Siloam fell and killed them were worse offenders than the others who dwell in Jerusalem? I tell you, No; but unless you repent you will all likewise perish. On this level of the dream people think of getting even. It is a dream of confusion and people are reactivating, but man has to awaken and become an actor. On this present level man is always reflecting life, not knowing he is the cause of all he observes. But when he awakens from the dream and then becomes an actor. What percentage would have done what this lady in the car did? They would have reacted, or feasted on the fruit of the tree of good and evil. They would have had a violent reaction, and then they would have had a violent resistance from this dead universe. But this lady makes her dream and the whole thing comes to pass exactly as she pictured it, even to the number of blocks. You might almost think she had manufactured that little old lady in gray, but I tell you everything comes in response to our own wonderful imaginal activity. You can be anything in this world but you cannot know it or expect it to come unless you Act. If you react based on the past, you continue in the same pattern. To be the man you desire to be you must create the scene, as this lady did, and the whole world will be convulsed if that is necessary to bring it to pass. There is no other power but God, but God had to ‘forget’ he was God in this state of sleep, and then He awakens and consciously determines the conditions he wants in the world. ~ Neville Goddard,
440:All these things and, still more than these, the treasures which had come to the church from personages who to me were almost legendary figures (such as the golden cross wrought, it was said, by Saint Eloi and presented by Dagobert, and the tomb of the sons of Louis the Germanic in porphyry and enamelled copper), because of which I used to go forward into the church when we were making our way to our chairs as into a fairy-haunted valley, where the rustic sees with amazement on a rock, a tree, a marsh, the tangible proofs of the little people’s supernatural passage — all these things made of the church for me something entirely different from the rest of the town; a building which occupied, so to speak, four dimensions of space — the name of the fourth being Time — which had sailed the centuries with that old nave, where bay after bay, chapel after chapel, seemed to stretch across and hold down and conquer not merely a few yards of soil, but each successive epoch from which the whole building had emerged triumphant, hiding the rugged barbarities of the eleventh century in the thickness of its walls, through which nothing could be seen of the heavy arches, long stopped and blinded with coarse blocks of ashlar, except where, near the porch, a deep groove was furrowed into one wall by the tower-stair; and even there the barbarity was veiled by the graceful gothic arcade which pressed coquettishly upon it, like a row of grown-up sisters who, to hide him from the eyes of strangers, arrange themselves smilingly in front of a countrified, unmannerly and ill-dressed younger brother; rearing into the sky above the Square a tower which had looked down upon Saint Louis, and seemed to behold him still; and thrusting down with its crypt into the blackness of a Merovingian night, through which, guiding us with groping finger-tips beneath the shadowy vault, ribbed strongly as an immense bat’s wing of stone, Théodore or his sister would light up for us with a candle the tomb of Sigebert’s little daughter, in which a deep hole, like the bed of a fossil, had been bored, or so it was said, “by a crystal lamp which, on the night when the Frankish princess was murdered, had left, of its own accord, the golden chains by which it was suspended where the apse is to-day and with neither the crystal broken nor the light extinguished had buried itself in the stone, through which it had gently forced its way. ~ Marcel Proust,
441:The Beasts In The Tower
Within the precincts of this yard,
Each in his narrow confines barred,
Dwells every beast that can be found
On Afric or on Indian ground.
How different was the life they led
In those wild haunts where they were bred,
To this tame servitude and fear,
Enslaved by man, they suffer here!
In that uneasy close recess
Couches a sleeping lioness;
That next den holds a bear; the next
A wolf, by hunger ever vext;
There, fiercer from the keeper's lashes
His teeth the fell hyena gnashes;
That creature on whose back abound
Black spots upon a yellow ground,
A panther is, the fairest beast
That haunteth in the spacious East.
He underneath a fair outside
Does cruelty and treachery hide.
That cat-like beast that to and fro
Restless as fire does ever go,
As if his courage did resent
His limbs in such confinement pent,
That should their prey in forests take,
And make the Indian jungles quake,
A tiger is. Observe how sleek
And glossy smooth his coat: no streak
On satin ever matched the pride
Of that which marks his furry hide.
How strong his muscles! he with ease
Upon the tallest man could seize,
In his large mouth away could bear him,
And into thousand pieces tear him:
Yet cabined so securely here,
119
The smallest infant need not fear.
That lordly creature next to him
A lion is. Survey each limb.
Observe the texture of his claws,
The massy thickness of those jaws;
His mane that sweeps the ground in length,
Like Samson's locks, betokening strength.
In force and swiftness he excels
Each beast that in the forest dwells;
The savage tribes him king confess
Throughout the howling wilderness.
Woe to the hapless neighbourhood,
When he is pressed by want of food!
Of man, or child, of bull, or horse,
He makes his prey; such is his force.
A waste behind him he creates,
Whole villages depopulates.
Yet here within appointed lines
How small a grate his rage confines!
This place methinks resembleth well
The world itself in which we dwell.
Perils and snares on every ground
Like these wild beasts beset us round.
But Providence their rage restrains,
Our heavenly Keeper sets them chains;
His goodness saveth every hour
His darlings from the lion's power.
~ Charles Lamb,
442:With bare feet in the dirt, fulmia, ten times with conviction, will shake the earth to its roots, if you have the strength, Jaga’s book had told me, and the Dragon had believed it enough not to let me try it anywhere near the tower. I had felt doubtful, anyway, about conviction: I hadn’t believed I had any business shaking the earth to its roots. But now I fell to the ground and dug away the snow and the fallen leaves and rot and moss until I came to the hard-frozen dirt. I pried up a large stone and began to smash at the earth, again and again, breaking up the dirt and breathing on it to make it softer, pounding in the snow that melted around my hands, pounding in the hot tears that dripped from my eyes as I worked. Kasia was above me with her head flung up, her mouth open in its soundless cry like a statue in a church. “Fulmia,” I said, my fingers deep in the dirt, crushing the solid clods between my fingers. “Fulmia, fulmia,” I chanted over and over, bleeding from broken nails, and I felt the earth hear me, uneasily. Even the earth was tainted here, poisoned, but I spat on the dirt and screamed, “Fulmia,” and imagined my magic running into the ground like water, finding cracks and weaknesses, spreading out beneath my hands, beneath my cold wet knees: and the earth shuddered and turned over. A low trembling began where my hands drove into the ground, and it followed me as I started prying at the roots of the tree. The frozen dirt began to break up into small chunks all around them, the tremors going on and on like waves. The branches above me were waving wildly as if in alarm, the whispering of the leaves becoming a muted roaring. I straightened up on my knees. “Let her out!” I screamed at the tree: I beat on its trunk with my muddy fists. “Let her out, or I’ll bring you down! Fulmia!” I cried out in rage, and threw myself back down at the ground, and where my fists hit, the ground rose and swelled like a river rising with the rain. Magic was pouring out of me, a torrent: every warning the Dragon had ever given me forgotten and ignored. I would have spent every drop of myself and died there, just to bring that horrible tree down: I couldn’t imagine a world where I lived, where I left this behind me, Kasia’s life and heart feeding this corrupt monstrous thing. I would rather have died, crushed in my own earthquake, and brought it down with me. I tore at the ground ready to break open a pit to swallow us all. ~ Naomi Novik,
443:The Castle In Austria
From 'The Boy's Wonderhorn'
There lies a castle in Austria,
Right goodly to behold,
Walled tip with marble stones so fair,
With silver and with red gold.
Therein lies captive a young boy,
For life and death he lies bound,
Full forty fathoms under the earth,
'Midst vipers and snakes around.
His father came from Rosenberg,
Before the tower he went:-'My son, my dearest son, how hard
Is thy imprisonment!'
'O father, dearest father mine,
So hardly I am bound,
Full forty fathoms under the earth,
'Midst vipers and snakes around!'
His father went before the lord:-'Let loose thy captive to me!
I have at home three casks of gold,
And these for the boy I'll gi'e.'
'Three casks of gold, they help you not:
That boy, and he must die!
He wears round his neck a golden chain;
Therein doth his ruin lie.'
'And if he thus wear a golden chain,
He hath not stolen it; nay!
A maiden good gave it to him
For true love, did she say.'
They led the boy forth from the tower,
And the sacrament took he:--
10
'Help thou, rich Christ, from heaven high,
It's come to an end with me!'
They led him to the scaffold place,
Up the ladder he must go:-'O headsman, dearest headsman, do
But a short respite allow!'
'A short respite I must not grant;
Thou wouldst escape and fly:
Reach me a silken handkerchief
Around his eyes to tie.'
'Oh, do not, do not bind mine eyes!
I must look on the world so fine;
I see it to-day, then never more,
With these weeping eyes of mine.'
His father near the scaffold stood,
And his heart, it almost rends:-'O son, O thou my dearest son,
Thy death I will avenge!'
'O father, dearest father mine!
My death thou shalt not avenge:
'Twould bring to my soul but heavy pains;
Let me die in innocence.
'It is not for this life of mine,
Nor for my body proud;
'Tis but for my dear mother's sake:
At home she weeps aloud.'
Not yet three days had passed away,
When an angel from heaven came down:
'Take ye the boy from the scaffold away;
Else the city shall sink under ground!'
And not six months had passed away,
Ere his death was avenged amain;
And upwards of three hundred men
For the boy's life were slain.
11
Who is it that hath made this lay,
Hath sung it, and so on?
That, in Vienna in Austria,
Three maidens fair have done.
~ Clemens Maria Brentano,
444:He crossed to the small guard station and foraged through its drawers until he found the first-aid box. He threw bottles over his shoulder and they shattered on the ground behind him. When he came to the procaine hydrochloride vial, he stopped. The Maingate physician had insisted it be present in case emergency oral surgery were ever necessary for the guards; in addition to being a contained security unit, the Tower had to be a self-sufficient medical station. Allander withdrew a needle from the small packet and fit it gently into a plastic syringe. He punched the needle through the rubber top of the vial and withdrew some of the liquid, then cleared the air from the syringe. A few drops squirted through, onto the floor. Taking a deep breath, Allander inserted the needle into the tip of the ring finger on his left hand. He waited for the numbness to spread and settle. After a few minutes, he removed a scalpel from its sterile package and dipped it in the container of alcohol. Then he made a neat incision, cutting diagonally through his fingerprint. Since the anesthetic had not fully taken effect, he felt a painful tingling in the pad of his finger, but feeling suddenly rushed for time, he continued. Using tweezers, he pried underneath the skin, grimacing as he saw his flesh rise along the straight line of the cut. The blood came and washed over the end of the tweezers until it obscured his view. Once, he felt the tweezers close on something hard and he pulled gently, but when the tweezers emerged from the bloody gash, they held only fleshy material that looked like gristle. Allander hadn’t anticipated that numbing the finger would have made it difficult for him to distinguish the location sensor from his own senseless tissue. Beginning to lose patience, he pressed the tweezers in until they hit the bone. He applied too much pressure and they slid around the side of his finger next to his nail, pulling the flesh around and stretching the cut open. He heard a soft, metallic clink as the tweezers struck something distinctly alien, and he bit his lip in a mixture of pain and delight. Finally, working the tweezers around the metal, he withdrew the sensor, which was the size of a large pea. The flesh around the cut strained and whitened at the edges as he pulled the bloody orb through. After pressing gauze to his wound, Allander wrapped it with medical tape, bandaging it thoroughly. Then he used the tape to affix the location sensor to the side of the Hole. It was close enough to its assigned location that the difference in position would not be detected from the mainland. ~ Gregg Hurwitz,
445:Eyeing stairs that now seemed downright daunting, he drew in a breath, hitched Miss Plum up a little higher in the hopes it would distribute her weight more evenly, then began to climb, counting the steps as he did so. “. . . forty-seven, forty-eight, forty-nine . . . You’re really quite sturdy, aren’t you, Miss Plum? Fifty . . .” By the time he eventually reached the tower room, he was completely out of breath, perspiration was dribbling down his face, and his arms were no longer simply quivering, they were now downright shaking. Stepping through the door of the tower room, he faltered for a moment, wondering what he should do next. “You can just set me down right here, Mr. Haverstein.” Miss Plum’s voice took him by such surprise that he almost dropped her right on the hard stone floor of the tower room. Looking down, he frowned when he saw something in her lovely eyes that he’d never, not once, expected to see, something that resembled, if he wasn’t much mistaken . . . amusement. He’d always been under the impression that Miss Plum, being a fragile sort, possessed a somber and serious demeanor, spending her time away from the theater in a subdued fashion, embroidering samplers, or perhaps pillows, as she lounged on a settee, or learning her lines from the comfort of her bedchamber, but . . . what if he’d been wrong? What if Miss Plum was not as delicate as he’d believed, and what if the woman he’d been enamored with for what seemed like a very long time, turned out to be completely different than what he’d imagined her to be? “How long have you been out of your swoon?” he asked. “Would you be very upset to learn that I never swoon?” His mouth immediately took to gaping open. “Do you mean to tell me that you allowed me to scoop you up off the ground—which wasn’t an easy task by the way—carry you into the castle, and then all the way up a tremendous number of steps when there was absolutely nothing wrong with you?” “I did.” “I could have suffered an injury.” “You seem to be remarkably fit, Mr. Haverstein, and I certainly couldn’t own up to the fact I was feigning my condition, especially since I was doing so to aid dear Abigail.” Bram set her on her feet and rubbed his arms. “My arms feel like jelly.” “I’m sure they do. You carried me a remarkably long distance, and I will admit that I was concerned you were going to drop me a time or two.” She pursed her lips. “Quite honestly, I was going to tell you to put me down right about step number forty-nine, but then you made that remark about how sturdy I am, and . . . I changed my mind.” “I said that out loud?” “Indeed.” “I do beg your pardon.” Miss ~ Jen Turano,
446:Wednesday- Use Your Powers for Good   We all stayed inside the tower last night, eating cake and listening to the rain. We could hear all kinds of mobs outside, but so high up and all of us being together, we never felt in danger.   A few times Courtney noticed the Weather Master had wandered off and was sitting by himself. She always brought him back to the group. Eventually he stayed with us. Once he even smiled.   I snuck away from the group as soon as the sun began to rise. If we were going to stay here, we needed shelter. All of us trying to share the tower wasn’t going to work…Charles snores.   “What are you doing up and about so early?” the Weather Master asked me as he approached from behind. I had already started gathering wood from nearby trees. Courtney and Charles and Dog had come down a little while after me and were off searching for more.   “Building myself a tree house,” I said. “Give me a hand?”   He hesitated. “I’m not sure I could be of much help…”   “I meant stop the rain,” I corrected. “Just for a little while, until I finish the roof.”   He didn’t look like he liked that idea very much. “I’m not sure…”   “Hey now,” I said, putting down my ax and looking him in the eye. “The whole reason we said we’d stay is so we can help you learn to use your powers for good…not evil.”   He thought about that long and hard. “You really think someone like me could learn to use a power like this to…help people?”   “Everybody has something to give,” I said, shrugging. Just then, Charles and Courtney emerged from the trees, both carrying wood and sugarcane, a few small slimes bouncing along behind Courtney as she walked. “Go on. Give it a try.”   We watched through the rain as the Weather Master bounced back up to the top of the tower. Slowly the rain stopped, the clouds cleared, and the sun shone down on us from above.   “Well?” Courtney said. “What are we waiting for? Let’s get these tree houses built before the sun goes down.”   And we did. We’re all sitting in our own houses now, since it’s mostly dark out. The rain hasn’t come back yet, but I can tell the Weather Master is still up there messing with the controls. Lightning flashes across the sky, I realize, in patterns. A light show before bed. For us.   Have you ever crafted something so big and complicated and awesome that you just stand there afterward, in awe of what you have just created with just the materials around you? I have. But definitely nothing as cool and bright as this.   I never thought a slime could change my life, but it did. It brought me and my friends here. We turned a monster into someone good.     How awesome is that??? ~ M C Steve,
447:King Frederik The Seventh
Our King is bereft of a trusty friend!
And in dismay
We lower our banners and sad attend
On his burial day.
But Denmark, in sorrow most deep thou waitest,
For fallen the life that was warmest, greatest,
And fallen the tower
Of mightiest power.
Bewailing the death of their kingly chief,
Men voice their grief.
For Denmark's salvation the man was born
Who now is dead.
When banished in youth from the court in scorn,
To his people he fled.
There throve he right well, there grew he together
With peasants and sailors in foul and fair weather,
While fullness of living
Its schooling was giving;
When ready for Denmark was laid the snare,
Then he was there!
Now soon it was plain, he was peasant-skulled
For their tricks; and hence
The traitors' shrewd schemings were all annulled
By his bit of sense.
He knew but one thing;-what his people thought them,
And therefore in danger he freedom brought them.
The whole was his vision,
He would no scission;
His words were but few, and of these the key:
'It shall not be!'
He stood by the helm like a sailor good,
In no storm remiss;
Of praise the tribute he never would,
But he shall have
this
69
The ship to the North he unswerving directed,In storm or in fog, exposed or protected;And fear allaying,
All folk were saying:
'He isn't so stupid as people tell,
For all goes well!'
'On deck every man!' was his last command,
'There's storm again!'
When answered the cry from the mast-head: 'Land!'
Oh, then, just then,
Were loosed from the helm the true hands that were steering,
In death he sank down, while the ship began veeringNo, never veering!
To the course adhering!
Now, Denmark, united, with all thy force
Hold straight his course!
He made it his honor, in line to stand,
No rank to know;
But shoulder to shoulder to lend a hand,
And pride forego.
They gather now fruit of his faithful training:
Well drilled, every man at his post is straining.
The course is steady,
For tried and ready
Is many a helmsman, and all their will
Is 'Northward still!'
Naught else can they do now, but with good cheer
Hold out they must,
Stand guard in the darkness and have no fear,
In God their trust.
It is sultry and silent, and yearning in sorrow
All breathless they listen and wait for the morrow,'T is time for waiting,
Till, night abating,
The eastern sky reddens and bright dawn speeds
The day of deeds!
~ Bjornstjerne Bjornson,
448:The House Of Dust: Part 03: 08: Coffins: Interlude
Wind blows. Snow falls. The great clock in its tower
Ticks with reverberant coil and tolls the hour:
At the deep sudden stroke the pigeons fly . . .
The fine snow flutes the cracks between the flagstones.
We close our coats, and hurry, and search the sky.
We are like music, each voice of it pursuing
A golden separate dream, remote, persistent,
Climbing to fire, receding to hoarse despair.
What do you whisper, brother? What do you tell me? . . .
We pass each other, are lost, and do not care.
One mounts up to beauty, serenely singing,
Forgetful of the steps that cry behind him;
One drifts slowly down from a waking dream.
One, foreseeing, lingers forever unmoving . . .
Upward and downward, past him there, we stream.
One has death in his eyes: and walks more slowly.
Death, among jonquils, told him a freezing secret.
A cloud blows over his eyes, he ponders earth.
He sees in the world a forest of sunlit jonquils:
A slow black poison huddles beneath that mirth.
Death, from street to alley, from door to window,
Cries out his news,—of unplumbed worlds approaching,
Of a cloud of darkness soon to destroy the tower.
But why comes death,—he asks,—in a world so perfect?
Or why the minute's grey in the golden hour?
Music, a sudden glissando, sinister, troubled,
A drift of wind-torn petals, before him passes
Down jangled streets, and dies.
The bodies of old and young, of maimed and lovely,
Are slowly borne to earth, with a dirge of cries.
Down cobbled streets they come; down huddled stairways;
Through silent halls; through carven golden doorways;
From freezing rooms as bare as rock.
261
The curtains are closed across deserted windows.
Earth streams out of the shovel; the pebbles knock.
Mary, whose hands rejoiced to move in sunlight;
Silent Elaine; grave Anne, who sang so clearly;
Fugitive Helen, who loved and walked alone;
Miriam too soon dead, darkly remembered;
Childless Ruth, who sorrowed, but could not atone;
Jean, whose laughter flashed over depths of terror,
And Eloise, who desired to love but dared not;
Doris, who turned alone to the dark and cried,—
They are blown away like windflung chords of music,
They drift away; the sudden music has died.
And one, with death in his eyes, comes walking slowly
And sees the shadow of death in many faces,
And thinks the world is strange.
He desires immortal music and spring forever,
And beauty that knows no change.
~ Conrad Potter Aiken,
449:BLESSED be this place,
More blessed still this tower;
A bloody, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
HaIf dead at the top.
Alexandria's was a beacon tower, and Babylon's
An image of the moving heavens, a log-book of the
sun's journey and the moon's;
And Shelley had his towers, thought's crowned powers
he called them once.
I declare this tower is my symbol; I declare
This winding, gyring, spiring treadmill of a stair is my
ancestral stair;
That Goldsmith and the Dean, Berkeley and Burke
have travelled there.
Swift beating on his breast in sibylline frenzy blind
Because the heart in his blood-sodden breast had
dragged him down into mankind,
Goldsmith deliberately sipping at the honey-pot of his
mind,
And haughtier-headed Burke that proved the State a
tree,
That this unconquerable labyrinth of the birds, cen-
tury after century,
Cast but dead leaves to mathematical equality;
And God-appointed Berkeley that proved all things a
dream,
That this pragmatical, preposterous pig of a world, its
farrow that so solid seem,
Must vanish on the instant if the mind but change its
theme;
Saeva Indignatio and the labourer's hire,
The strength that gives our blood and state magnani-
mity of its own desire;
Everything that is not God consumed with intellectual
fire.
III
The purity of the unclouded moon
Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure,
The blood of innocence has left no stain.
There, on blood-saturated ground, have stood
Soldier, assassin, executioner.
Whether for daily pittance or in blind fear
Or out of abstract hatred, and shed blood,
But could not cast a single jet thereon.
Odour of blood on the ancestral stair!
And we that have shed none must gather there
And clamour in drunken frenzy for the moon.

IV
Upon the dusty, glittering windows cling,
And seem to cling upon the moonlit skies,
Tortoiseshell butterflies, peacock butterflies,
A couple of night-moths are on the wing.
Is every modern nation like the tower,
Half dead at the top? No matter what I said,
For wisdom is the property of the dead,
A something incompatible with life; and power,
Like everything that has the stain of blood,
A property of the living; but no stain
Can come upon the visage of the moon
When it has looked in glory from a cloud.

~ William Butler Yeats, Blood And The Moon
,
450:He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on.
In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung.

Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect.

From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song. ~ Tom Robbins,
451:Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure. ~ Marcel Proust,
452:As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower.
"Mmm," I say.He's kissing my neck.
"That's it," Rashmi says. "I'm outta here.Enjoy your hormones."
Josh and Mer follow her exit,and we're alone.Just the way I like it.
"Ha!" Ettiene says. "Just the way I like it."
He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say.
"I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want."
I lace my fingers through his. "I want to stay right here,in this moment."
"Isn't that the name of the latest James Ashley bestseller? In This Moment?"
"Careful.Someday you'll meet him, and he won't be nearly as amusing in person."
Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing."
"I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run."
"I'm not most people."
I smile. "I know.But you still have to promise."
His eyes lock on mine. "Anna,I promise that I will never leave you."
My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says.
I'm still dazed. "My what?"
He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him."
I pause. "Do you think he'll object to me?"
"Oh,I'm sure he will."
Okay.Not the answer I was looking for.
Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you."
"So....that's a good thing?"
"I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails."
"You've worn your pinkies to nubs," I say cheerfully.
"Or if I need to start ironing my bedspread."
"I DO NOT IRON MY BEDSPREAD."
"You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you."
"She goes?"
"You're the only thing I've talked about all year.She's ecstatic we're together."
I'm smiling inside and out. "I can't wait to meet her. ~ Stephanie Perkins,
453:Avis
With a golden rolling sound
Booming came a bell,
From the aery in the tower
Eagles fell;
So with regal wings
Hurled, and gleaming sound and power,
Sprang the fatal spell.
Ten a storm of burnished doves
Gleaming from the cote
Flurried by the almonry
O'er the moat,-Fell and soared and fell
With the arc and iris eye
Burning breast and throat.
Avis heard the beaten bell
Break the quiet space,
Gathering softly in the room
Round her face;
And the sound of wings
From the deeps of rosy gloom
Rustled in the place.
Nothing moved along the wall,
Weltered on the floor;
Only in the purple deep,
Streaming o'er,
Came the dream of sound
Silent as the dale of sleep,
Where the dreams are four.
(One of love without a word,
Wan to look upon,
One of fear without a cry,
Cowering stone,
And the dower of life,
Grief without a single sigh,
Pain without a moan.)
26
"Avis-Avis!" Cried a voice;
Then the voice was mute.
"Avis!" Soft the echo lay
As the lute.
Where she was she fell,
Drowsy as mandragora,
Trancèd to the root.
Then she heard her mother's voice,
Tender as a dove;
Then her lover plain and sigh,
"Avis--Love!"
Like the mavis bird
Calling, calling lonelily
From the eerie grove.
Then she heard within the vast
Closure of the spell,
Rolled and moulded into one
Rounded swell,
All the sounds that ever were
Uttered underneath the sun,
Heard in heaven or hell.
In the arras moved the wind,
And the window cloth
Rippled like a serpent barred,
Gray with wrath;
In the brazier gold
The wan ghost of a rose charred
Fluttered like a moth.
Tranquil lay her darkened eyes
As the pools that keep
Auras dim of fern and frond
Dappled, deep,
Dreamy as the map of Nod;
Moveless was she as a wand
In the wind of sleep.
Then the birds began to cry
27
From the crannied wall,
Piping as the morning rose
Mystical,
Gray with whistling rain,
Silver with the light that flows
In the interval.
Pallid poplars cast a shade,
Twinkling gray and dun,
Where the wind and water wove
Into one
All the linnet leaves,
Greening from the mere and grove
In the undern sun.
Night fell with the ferny dusk,
Planets paled and grew,
Up, with lily and clarid turns
Throbbing through,
Rose the robin's song,
Heart of home and love that burns beating in the dew.
But she neither moved nor heard,
Trancèd was her breath;
Lip on charmèd lip was laid
(One who saith
"Love-Undone" and falls).
Silent was she as a shade
In the dells of death.
~ Duncan Campbell Scott,
454:Death told me the Fool showed you a vision with ten swords in your back.”

I nodded. “The ten of swords card indicates that a devastating catastrophe is headed one’s way and will strike without warning. Bingo, Matthew.”

“Hmm.”

“Hmm, what?”

“That card is also about letting go and accepting one’s current circumstances.”

Accepting that you can’t change fate. As my mom had done with my dad. “Should I let go of Jack? Like you let go of the man you lost?”

She lifted one slim shoulder. “You’d already fallen for another.”

“I swore revenge on Richter. How can I think of surrendering that need?” Richter, I’m . . . not coming for you? “Do you know what I fear more than marching off to die fighting him? That I might have to live with what he did.”

“No one’s suggesting you give up your revenge. But what if we can’t find him for half a year? Two years? Will you cease living till then? Will you force Death to stop as well? He yearns to be a normal man. Even if just for a day. Will you not give that to him?”

“I made the point to him about our limited time,” I said, still cringing at my clumsiness. “All I did was insult him.”

“He wanted a wife. Not a buddy.”

Was she listening to everything in the castle? “I don’t want to hurt him, but I don’t know what to do.”

She pinned my gaze with her own. “Therein lies the lesson of the card, Evie Greene. The lesson of life. When you can’t change your situation, you must change yourself. You must rise and walk—despite the ten swords in your back.”

What was harder than dying? Living a nightmare.

Mom had learned to live without Dad. I had learned to live without Mom. Could I go on without Jack? “I shouldn’t even be thinking about Aric. I disobeyed the dictates of the game, and I got Jack killed. What if I do the same to Aric?”

Circe made a sound of amusement. “You always did think highly of yourself. Do you believe you had something to do with that massacre? Think logically. Richter could have reversed the order of his attacks—targeting Fort Arcana earlier, vaporizing the Magician, one of Fauna’s wolves, and the stronghold of his enemies. He could have shot at the army by helicopter afterward. Instead he targeted mortals and one player. The Moon.”

My lips parted. “Because she was more of a threat to him.”

“She was the only one in the area who could slay him from a distance. Richter will target the Tower as well, since Joules shares that ability,” she said. “So if we should blame any card for your mortal’s death, blame the Moon.”

“I’ll never blame her.”

“Yet you’ll blame yourself?” Circe shook her head, and the river swirled. “I say we blame the Emperor.” Could it be that easy?

Had Richter always had Selena in his sights? If fate couldn’t be changed—then she’d been doomed to die the second we’d saved her from the Lovers. ~ Kresley Cole,
455:Correlations made by big data are likely to reinforce negative bias. Because big data often relies on historical data or at least the status quo, it can easily reproduce discrimination against disadvantaged racial and ethnic minorities. The propensity models used in many algorithms can bake in a bias against someone who lived in the zip code of a low-income neighborhood at any point in his or her life. If an algorithm used by human resources companies queries your social graph and positively weighs candidates with the most existing connections to a workforce, it makes it more difficult to break in in the first place. In effect, these algorithms can hide bias behind a curtain of code. Big data is, by its nature, soulless and uncreative. It nudges us this way and that for reasons we are not meant to understand. It strips us of our privacy and puts our mistakes, secrets, and scandals on public display. It reinforces stereotypes and historical bias. And it is largely unregulated because we need it for economic growth and because efforts to try to regulate it have tended not to work; the technologies are too far-reaching and are not built to recognize the national boundaries of our world’s 196 sovereign nation-states. Yet would it be best to try to shut down these technologies entirely if we could? No. Big data simultaneously helps solve global challenges while creating an entirely new set of challenges. It’s our best chance at feeding 9 billion people, and it will help solve the problem of linguistic division that is so old its explanation dates back to the Old Testament and the Tower of Babel. Big data technologies will enable us to discover cancerous cells at 1 percent the size of what can be detected using today’s technologies, saving tens of millions of lives. The best approach to big data might be one put forward by the Obama campaign’s chief technology officer, Michael Slaby, who said, “There’s going to be a constant mix between your qualitative experience and your quantitative experience. And at times, they’re going to be at odds with each other, and at times they’re going to be in line. And I think it’s all about the blend. It’s kind of like you have a mixing board, and you have to turn one up sometimes, and turn down the other. And you never want to be just one or the other, because if it’s just one, then you lose some of the soul.” Slaby has made an impressive career out of developing big data tools, but even he recognizes that these tools work best when governed by human judgment. The choices we make about how we manage data will be as important as the decisions about managing land during the agricultural age and managing industry during the industrial age. We have a short window of time—just a few years, I think—before a set of norms set in that will be nearly impossible to reverse. Let’s hope humans accept the responsibility for making these decisions and don’t leave it to the machines. ~ Alec J Ross,
456:I
My Soul , I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
"Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul
My Self . The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn
My Soul . Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And intellect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.
My self . Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery
Heart's purple and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.
My Soul. Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
I, Is from the I, Ought, or I knower from the I Known
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.

II
My Self . A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies?
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.

~ William Butler Yeats, A Dialogue Of Self And Soul
,
457:The Winding Stair

My Soul. I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
'Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul

My Self. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn

My Soul. Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And intellect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.

My Self. Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery -
Heart's purple - and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.

My Soul. Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known -
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.

II

My Self. A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;

The finished man among his enemies? -
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?

I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.

I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest ~ W B Yeats,
458:Maiden May
Maiden May sat in her bower,
In her blush rose bower in flower,
Sweet of scent;
Sat and dreamed away an hour,
Half content, half uncontent.
‘Why should rose blossoms be born,
Tender blossoms, on a thorn
Though so sweet?
Never a thorn besets the corn
Scentless in its strength complete.
‘Why are roses all so frail,
At the mercy of a gale,
Of a breath?
Yet so sweet and perfect pale,
Still so sweet in life and death.’
Maiden May sat in her bower,
In her blush rose bower in flower,
Where a linnet
Made one bristling branch the tower
For her nest and young ones in it.
‘Gay and clear the linnet trills;
Yet the skylark only, thrills
Heaven and earth
When he breasts the height, and fills
Height and depth with song and mirth.
‘Nightingales which yield to night
Solitary strange delight,
Reign alone:
But the lark for all his height
Fills no solitary throne;
254
‘While he sings, a hundred sing;
Wing their flight below his wing
Yet in flight;
Each a lovely joyful thing
To the measure of its delight.
‘Why then should a lark be reckoned
One alone, without a second
Near his throne?
He in skyward flight unslackened,
In his music, not alone.’
Maiden May sat in her bower;
Her own face was like a flower
Of the prime,
Half in sunshine, half in shower,
In the year's most tender time.
Her own thoughts in silent song
Musically flowed along,
Wise, unwise,
Wistful, wondering, weak or strong:
As brook shallows sink or rise.
Other thoughts another day,
Maiden May, will surge and sway
Round your heart;
Wake, and plead, and turn at bay,
Wisdom part, and folly part.
Time not far remote will borrow
Other joys, another sorrow,
All for you;
Not to-day, and yet to-morrow
Reasoning false and reasoning true.
255
Wherefore greatest? Wherefore least?
Hearts that starve and hearts that feast?
You and I?
Stammering Oracles have ceased,
And the whole earth stands at ‘why?’
Underneath all things that be
Lies an unsolved mystery;
Over all
Spreads a veil impenetrably,
Spreads a dense unlifted pall.
Mystery of mysteries:
This creation hears and sees
High and low Vanity of vanities:
This we test and this we know.
Maiden May, the days of flowering
Nurse you now in sweet embowering,
Sunny days;
Bright with rainbows all the showering,
Bright with blossoms all the ways.
Close the inlet of your bower,
Close it close with thorn and flower,
Maiden May;
Lengthen out the shortening hour, Morrows are not as to-day.
Stay to-day which wanes too soon,
Stay the sun and stay the moon,
Stay your youth;
Bask you in the actual noon,
Rest you in the present truth.
256
Let to-day suffice to-day:
For itself to-morrow may
Fetch its loss,
Aim and stumble, say its say,
Watch and pray and bear its cross.
~ Christina Georgina Rossetti,
459:While he’d previously had the look of a pirate about him that she’d found rather appealing, she now found him to be devastatingly handsome—not simply because he’d been born far too attractive, but because she believed she saw genuine niceness residing in his very soul. When he suddenly lifted a finger to push a damp strand of hair off her cheek, his touch caused any reasonable thoughts she still retained to flee from her mind, and everything surrounding her disappeared except Bram. “You’re very beautiful.” Just like that, the world returned in a flash. “Thank you,” she said before she stepped back from him and felt a sliver of temper—not at him, but at herself—begin flowing through her veins. She’d known he was infatuated with her, as most of her admirers were. And yet, instead of nipping that immediately in the bud, she’d allowed herself to believe he was different, different because his touch sent her pulse racing and his smile turned her knees a little weak, which, in actuality, did make him a touch different, although . . . “Forgive me, Lucetta, but have I done something to upset you?” Lucetta caught Bram’s eye. “To be perfectly honest, I’m more upset with myself.” Bram’s brow furrowed. “I’m afraid I don’t understand.” “I should have addressed the misconceptions I’m certain you’re holding about me straightaway, and yet . . . I’ve let matters fester too long.” “You do recall that we only met a few hours ago, don’t you?” “Indeed, but I’m quite certain you’ve been harboring misconceptions about me from the moment you saw me step foot on stage, which I’m going to assume was a year or two ago.” The furrow deepened. “I’m still not sure what you’re trying to say.” “I’m not a lady who enjoys being told I’m beautiful, nor am I a lady who enjoys being pampered, catered to, or treated as if I’m fragile. I’m also nothing like any of the characters I’ve ever played on stage.” “You’re exactly like the character in The Lady in the Tower,” he argued. “Charming, demure, and delightful.” Resisting a sigh, she moved to a fallen tree lying off the path and took a seat. “I would never be content to remain a prisoner in a tower, waiting for my very own prince charming to rescue me, which is exactly what Serena Seamore, my character, does. I’ve been on my own, Bram, for a very long time, and I’m quite capable, thank you very much, of taking care of myself.” She held up her hand when it looked as if he wanted to argue. “What you need to remember is that I’m an actress. Playing a part is what I do, and I’m successful because I can play parts very, very well. I’ve also been given an unusual face, expressive if you will, and that expressiveness allows me to convince people I’m someone I’m not.” “Your face is lovely, not unusual.” Lucetta waved away his compliment. “I’m not getting through to you, am I.” “Of course you are.” Lucetta drew in a deep breath and slowly released it. “I’m afraid I’m not the lady you think you hold in high esteem.” “I don’t think I hold you in high esteem, I know I do.” “Oh . . . dear,” she muttered before she squared her shoulders. “I’m peculiar.” “I highly doubt that.” “Oh, ~ Jen Turano,
460:The Rendezvous
He faints with hope and fear. It is the hour.
Distant, across the thundering organ-swell,
In sweet discord from the cathedral-tower,
Fall the faint chimes and the thrice-sequent bell.
Over the crowd his eye uneasy roves.
He sees a plume, a fur; his heart dilates -Soars . . . and then sinks again. It is not hers he loves.
She will not come, the woman that he waits.
Braided with streams of silver incense rise
The antique prayers and ponderous antiphones.
`Gloria Patri' echoes to the skies;
`Nunc et in saecula' the choir intones.
He marks not the monotonous refrain,
The priest that serves nor him that celebrates,
But ever scans the aisle for his blonde head. . . . In vain!
She will not come, the woman that he waits.
How like a flower seemed the perfumed place
Where the sweet flesh lay loveliest to kiss;
And her white hands in what delicious ways,
With what unfeigned caresses, answered his!
Each tender charm intolerable to lose,
Each happy scene his fancy recreates.
And he calls out her name and spreads his arms . . . No use!
She will not come, the woman that he waits.
But the long vespers close. The priest on high
Raises the thing that Christ's own flesh enforms;
And down the Gothic nave the crowd flows by
And through the portal's carven entry swarms.
Maddened he peers upon each passing face
Till the long drab procession terminates.
No princess passes out with proud majestic pace.
She has not come, the woman that he waits.
112
Back in the empty silent church alone
He walks with aching heart. A white-robed boy
Puts out the altar-candles one by one,
Even as by inches darkens all his joy.
He dreams of the sweet night their lips first met,
And groans -- and turns to leave -- and hesitates . . .
Poor stricken heart, he will, he can not fancy yet
She will not come, the woman that he waits.
But in an arch where deepest shadows fall
He sits and studies the old, storied panes,
And the calm crucifix that from the wall
Looks on a world that quavers and complains.
Hopeless, abandoned, desolate, aghast,
On modes of violent death he meditates.
And the tower-clock tolls five, and he admits at last,
She will not come, the woman that he waits.
Through the stained rose the winter daylight dies,
And all the tide of anguish unrepressed
Swells in his throat and gathers in his eyes;
He kneels and bows his head upon his breast,
And feigns a prayer to hide his burning tears,
While the satanic voice reiterates
`Tonight, tomorrow, nay, nor all the impending years,
She will not come,' the woman that he waits.
Fond, fervent heart of life's enamored spring,
So true, so confident, so passing fair,
That thought of Love as some sweet, tender thing,
And not as war, red tooth and nail laid bare,
How in that hour its innocence was slain,
How from that hour our disillusion dates,
When first we learned thy sense, ironical refrain,
She will not come, the woman that he waits.
~ Alan Seeger,
461:My Soul. I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
'Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul

My Self. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn

My Soul. Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And intellect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.

My Self. Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery -
Heart's purple - and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.

My Soul. Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known -
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.

II

My Self. A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;

The finished man among his enemies? -
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?

I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.

I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.

~ William Butler Yeats, The Winding Stair
,
462:Commala-come-come
There’s a young man with a gun.
Young man lost his honey
When she took it on the run.

Commala-come-one!
She took it on the run!
Left her baby lonely
But he baby ain’t done.

Commala-come-coo
The wind’ll blow ya through.
Ya gotta go where ka’s wind blows ya
Cause there’s nothin else to do.

Commala-come-two!
Nothin else to do!
Gotta go where ka’s wind blows ya
Cause there’s nothin else to do.

Commala-come-key
Can you tell me what ya see?
Is it ghosts or just the mirror
That makes ya wanna flee?

Commala-come-three!
I beg ya, tell me!
Is it ghosts or just your darker self
That makes ya wanna flee?

Commala-come-ko
Whatcha doin at my do’?
If ya doan tell me now, my friend
I’ll lay ya on de flo’.

Commala-come-fo’!
I can lay ya low!
The things I’ve do to such as you
You never wanna know.

Commala-gin-jive
Ain’t it grand to be alive?
To look out on Discordia
When the Demon Moon arrives.

Commala-come-five!
Even when the shadows rise!
To see the world and walk the world
Makes ya glad to be alive.

Commala-mox-nix!
You’re in a nasty fix!
To take a hand in traitor’s glove
Is to grasp a sheaf of sticks!

Commala-come-six!
Nothing there but thorns and sticks!
When your find your hand in traitor’s glove
You’re in a nasty fix.

Commala-loaf-leaven!
They go to hell or up to heaven!
The the guns are shot and the fires hot,
You got to poke em in the oven.

Commala-come-seven!
Salt and yow’ for leaven!
Heat em up and knock em down
And poke em in the oven.

Commala-ka-kate
You’re in the hands of fate.
No matter if it’s real or not,
The hour groweth late.

Commala-come-eight!
The hour groweth late!
No matter what shade ya cast
You’re in the hands of fate.

Commala-me-mine
You have to walk the line.
When you finally get the thing you need
It makes you feel so fine.

Commala-come-nine!
It makes ya feel fine!
But if you’d have the thing you need
You have to walk the line.

Commala-come-ken
It’s the other one again.
You may know her name and face
But that don’t make her your friend.

Commala-come-ten!
She is not your friend!
If you let her get too close
She’ll cut you up again!

Commala-come-call
We hail the one who made us all,
Who made the men and made the maids,
Who made the great and small.

Commala-come-call!
He made us great and small!
And yet how great the hand of fate
That rules us one and all.

Commala-come-ki,
There’s a time to live and one to die.
With your back against the final wall
Ya gotta let the bullets fly.

Commala-come-ki!
Let the bullets fly!
Don’t ‘ee mourn for me, my lads
When it comes my day to die.

Commala-come-kass!
The child has come at last!
Sing your song, O sing it well,
The child has come to pass.

Commala-come-kass,
The worst has come to pass.
The Tower trembles on its ground;
The child has come at last.

Commala-come-come,
The battle’s now begun!
And all the foes of men and rose
Rise with the setting sun. ~ Stephen King,
463:XXIV.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? With all the air
Of Tophet's tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.

XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand, and stark black dearth.

XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.

XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.

XXVIII.
For, looking up, aware I somehow grew,
Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me - solve it, you!
How to get from them was no clearer case.

XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den.

XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain ... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!

XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.

XXXII.
Not see? because of night perhaps? - why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
Now stab and end the creature - to the heft!'

XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.

XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came. ~ Robert Browning,
464:What are you doing here?"
He takes a deep breath. "I came for you."
"And how on EARTH did you know I was up here?"
"I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me."
"So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone.
"I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-"
He breaks off,and my pulse races. What what what?
"Why did you lie to me?"
The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-"
"November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no."
Oh my God. "How did you know?"
"Josh told me."
"When?"
"November."
I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-"
"But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested."
"But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it."
"Of course I meant it." He stands,and his legs falter.
"Careful!"
Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it."
"I don't under-"
He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!"
My mind spins. "But Ellie-"
"I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-"
"But-"
"The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day."
"But..." I can't think straight.
"I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'"
I blink at him.
"Neruda.I starred the passage.God," he moans. "Why didn't you open it?"
"Because you said it was for school."
"I said you were beautiful.I slept in your bed!"
"You never mave a move! You had a girlfriend!"
"No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know."
We're going in circles. "How could I know if you never said anything?"
"How could I know if you never said anyting?"
"You had Ellie!"
"You had Toph! And Dave! ~ Stephanie Perkins,
465:Coordinates
A map on which the names have been erased,
A compass pivoting on a black cross,
Sextants dismantled and displayed in a store
Razed and rebuilt in the Jewish Quarter—this is
How to draw coordinates for the next battle
On memory and desire, with a set of tools
No one knows how to use. And so the colonel
Peeling an orange at the command post
Hums an aria from La Bohème
Until a mortar lands outside his door.
__________
The trial will resume next week, if the judge
Survives the latest attempt on his life—though the jury
Impaneled for the duration of the war
Cannot reach a verdict in the case
Of the man gagged and hanging from the ceiling
Of the machine shop: the ghost prisoner,
AKA God’s beloved. His testimony
Must be thrown out, new witnesses examined,
And the court reporters banished before the judge
Can order him to be strung up again.
__________
Cicadas emerge, numbered and ranked, their clear
Wings beating—a light arriving from a star
Glimpsed from the depths of an abandoned mine.
We won’t make it out alive, the guide said
And tumbled down the shaft. What remains?
A shred of plastic flapping in the nest
The birds left in the hedge, a speckled egg
That never hatched, a file of summonses
Lost in the flood. The trees hum in the dark.
Pray for the guide. Pray for everyone.
__________
Heroic poses generate suspicion,
According to a poll taken on board
The wooden ship bound for the Orient.
Hence the captain’s orders are delivered
Through the sous-chef who signed up to resurrect
The art of navigating by the stars.
The first mate is afraid to leave his cabin.
The stowaway will lead the mutineers.
And the passengers will tell you anything
If you will take them safely to Ceylon.
__________
To break the back of the iambic line,
The prisoner in his metal cage, exposed
To sun and wind and rain, summoned a host
Of voices from the vast storehouse of his reading
And listening, and cast them on the page
Like glittering shells collected at high tide,
In a new line variable as the surf
He could no longer hear from his death cell
In Pisa: by the law, so build yr/ temple…
The verdict? Silence and unsentencing.
__________
The tower leans toward mystery. Which is to say:
The past, present, and future, the masonry
Of which is lined with cracks through which to glimpse
A second space—i.e. eternity.
Thus Mimi, coughing, seizes Rodolfo’s sleeve
To sing goodbye. Thus a seasick passenger
Prays for deliverance. And thus the poet charged
With treason marks off in the sand the days
Until his execution, while the colonel
Is buried with full military honors.
__________
After the torture and interrogations,
The water-boarding and sleep deprivation
And menstrual blood flung in his face, the ghost
Prisoner revealed the coordinates
For the Roman razing of Jerusalem
And the itinerary that John followed
To Patmos to compose his Revelation
For the seven churches in Asia. The guard
Removed her underwear. And from the throne
Proceeded lightnings, thunderings, and voices…
~ Christopher Merrill,
466:Thank goodness you’re not dead, my dear,” Abigail began, stopping a few feet away from Lucetta. “I was certain you were going to drown when you went into the moat the first time, given that you were wearing such a heavy coat. But wasn’t it just so fortunate that my grandson was there to jump in and rescue you?” The reason behind the lack of urgency in Abigail getting to Lucetta immediately became clear. Shooting a glance to the man she’d assumed was the gardener—although the quality of his shirt should have been an indication he was nothing of the sort—Lucetta turned back to Abigail. “This is your grandson?” Abigail sent her a less than subtle wink. “Too right he is.” To Lucetta’s absolute relief, the grandson in question stepped forward before Abigail had an opportunity to begin waxing on about what a dish her grandson had turned out to be, a subject that would have embarrassed Lucetta no small amount, and probably the grandson as well. “Grandmother, this is certainly an unexpected surprise,” the man who was apparently Bram Haverstein said. Abigail beamed a smile Bram’s way and held out her hands, her beaming increasing when Bram immediately strode to her side, picked up both of her hands, and kissed them. “I’m sure you are surprised to see me, dear, just as I’m sure you meant to say delightful surprise, not unexpected, but enough about that. Even though you and Lucetta are dripping wet, we mustn’t ignore the expected pleasantries, so do allow me to formally introduce the two of you. Bram, this is my darling friend, Miss Lucetta Plum, and Lucetta, dear, this is my grandson, the one I’ve been telling you so much about, Mr. Bram Haverstein.” Trepidation was immediate when Bram flashed a big smile her way. Rising to her feet, Lucetta inclined her head. “It’s a pleasure to meet you, Mr. Haverstein.” “The pleasure is mine, Miss Plum,” Bram responded as he moved right up beside her and took her hand firmly in his, the heat from his skin sending a jolt of what she could only assume was alarm straight up her arm. “Do know that I’m a great, great admirer of your work.” Her sense of alarm promptly increased. Gentlemen who had no qualms admitting they were great, great admirers of her work were known to be rather . . . zealous. The very last circumstance Lucetta needed, or wanted for that matter, was to add another great admirer to her unwanted collection of them. Disappointment stole through her as Mr. Haverstein lifted her hand to his lips and placed a lingering kiss on her knuckles, that disappointment increasing when he lowered her hand and began speaking. “I must admit that I do think your role in The Lady of the Tower is your best to date. Why, I’ve come to the conclusion that Mr. Grimstone, the playwright, obviously had you in mind to play the part of Serena Seamore from the moment he began penning the story.” Abigail, apparently realizing that her grandson was not making a favorable impression—which certainly wouldn’t aid her matchmaking attempt—squared her shoulders, looking quite determined. “How lovely to discover you’re already familiar with my dear Lucetta and her work,” Abigail said. “But as both of you are dripping wet and certain to catch a cold if we linger, I’m going to suggest we repair to the castle and leave further talk of, uh, theater behind us.” She ~ Jen Turano,
467:ONCE more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on. There is no obstacle
But Gregory's wood and one bare hill
Whereby the haystack- and roof-levelling wind.
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom that is in my mind.
I have walked and prayed for this young child an hour
And heard the sea-wind scream upon the tower,
And-under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.
May she be granted beauty and yet not
Beauty to make a stranger's eye distraught,
Or hers before a looking-glass, for such,
Being made beautiful overmuch,
Consider beauty a sufficient end,
Lose natural kindness and maybe
The heart-revealing intimacy
That chooses right, and never find a friend.
Helen being chosen found life flat and dull
And later had much trouble from a fool,
While that great Queen, that rose out of the spray,
Being fatherless could have her way
Yet chose a bandy-legged smith for man.
It's certain that fine women eat
A crazy salad with their meat
Whereby the Horn of plenty is undone.
In courtesy I'd have her chiefly learned;
Hearts are not had as a gift but hearts are earned
By those that are not entirely beautiful;
Yet many, that have played the fool
For beauty's very self, has charm made wise.
And many a poor man that has roved,
Loved and thought himself beloved,
From a glad kindness cannot take his eyes.
May she become a flourishing hidden tree
That all her thoughts may like the linnet be,
And have no business but dispensing round
Their magnanimities of sound,
Nor but in merriment begin a chase,
Nor but in merriment a quarrel.
O may she live like some green laurel
Rooted in one dear perpetual place.
My mind, because the minds that I have loved,
The sort of beauty that I have approved,
Prosper but little, has dried up of late,
Yet knows that to be choked with hate
May well be of all evil chances chief.
If there's no hatred in a mind
Assault and battery of the wind
Can never tear the linnet from the leaf.
An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of plenty's horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?
Considering that, all hatred driven hence,
The soul recovers radical innocence
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,
And that its own sweet will is Heaven's will;
She can, though every face should scowl
And every windy quarter howl
Or every bellows burst, be happy Still.
And may her bridegroom bring her to a house
Where all's accustomed, ceremonious;
For arrogance and hatred are the wares
Peddled in the thoroughfares.
How but in custom and in ceremony
Are innocence and beauty born?
Ceremony's a name for the rich horn,
And custom for the spreading laurel tree.

~ William Butler Yeats, A Prayer For My Daughter
,
468:A rattle of dishes warned of a servant’s entry into the hall, but Christopher was incensed, and half turning with a growl, he gestured Paine back.
“Get out of here, man!”
“Christopher!” Erienne gasped and took two halting steps to follow the befuddled servant, but Christopher came around to face her with a glare.
“Stay where you are, madam! I am not finished with you.”
“You have no right to give orders here,” she protested, her own ire growing. “This is my husband’s house!”
“I’ll give orders when and where I damn well please, and for once, you will stand and listen until I’m through!”
More than a trifle outraged herself, Erienne hurled back her answer. “You may command the men on your ship to your will, Mister Seton, but you have no such authority here! Good day to you!”
Catching up her skirts, she whirled and stalked toward the tower until she heard the sound of rapid footsteps coming behind her, then a sudden panic seized her that he would make such a scene that she would not be able to face the servants… or her husband. She raced into the entry, stepping over the puddle, and took to the stairs, forcing every bit of strength she could into her limbs. She had barely gained the fourth step when she heard sliding feet, a loud thump, and then a painful grunt followed by an angry curse.
When she whirled, Christopher was just coming to rest in a heap against the wall after sliding across the floor, partway on his back. For a moment she stared aghast at the dignified man sprawled in a most undignified manner, but when he raised his head to look at her with barely contained rage, she was struck by the humor of it all. Bubbling laughter broke forth, winning from him a dark scowl of exasperation.
“Are you hurt, Christopher?” she asked sweetly.
“Aye! My pride has been mightily bruised!”
“Oh, that will mend, sir,” she chuckled, spreading her skirts to perch primly on the step above him. Her eyes danced with a lively light that was simply dazzling to behold. “But you should take care. If such a modest spot of water can bring you down so abruptly, I would not advise sailing beyond these shores.”
“ ’Tis not a spot of water that’s brought me down, but a waspish wench who sets her barbs against me at every turn.”
“You dare accuse me when you come in here huffing and snorting like a raging bull?” She gave a throaty, skeptical laugh. “Really, Christopher, you ought to be ashamed of yourself. You frightened Paine and nearly made me swallow my heart.”
“That’s an impossibility, madam, for that thing is surely made of cold, hard steel.”
“You’re pouting,” she chided flippantly, “because I have not fallen swooning at your feet.”
“I’m angry because you continually deny the fact that you should be my wife!” he stated emphatically.
Footsteps on the stairs behind Erienne made them glance up. Aggie came nonchalantly down the steps, seeming unaware of Christopher’s storm-dark frown. Excusing herself, she stepped past her mistress. Finally, on reaching level footing, she contemplated the man, a twinkle of mischief in her eye.
“Aren’t ye a wee bit old ter be takin’ yer leisure on the floor, sir?”
He raised a brow at Erienne as that one smothered a giggle, and with a snort, got to his feet and brushed off his breeches and coatsleeve.

-Christopher, Erienne, and Aggie ~ Kathleen E Woodiwiss,
469:Travel Papers
Au silence de celle qui laisse rêveur.
—René Char
By boat to Seurasaari where
the small fish were called vendace.
A man blew a horn of birchwood
toward the nightless sea.
Still voice. Fire that is no fire.
Ahead years unknown to be lived—
Bells from the tower in the all-at-once, then
one by one, hours. Outside
(so fleetingly) ourselves—
In a still mirror, in a blue within
where this earthly journey dreaming
itself begins,
thought into being from the hidden to the end of the visible.
Mountains before and behind,
heather and lichen, yarrow, gorse,
then a sea village of chartreuse fronds.
Spent fuel, burnt
wind, mute swans.
We drove the birch-lined
highway from Dresden
to Berlin behind armored
cars in late afternoon,
nineteenth of June, passing
the black cloud of a freight
25
truck from Budapest.
Through disappearing
villages, past horses grazing vanished fields.
The year before you died, America
went to war again on the other
side of the world.
This is how the earth becomes,
you said, a grotto of skeletons.
In the ruins of a station: a soaked
bed, broken chairs, a dead coal stove.
White weather, chalk and basalt,
puffins, fuchsia and history shot
through with particles
of recognition: this one
wetted down with petrol then
set alight, that one taking
forty rounds, this other
found eleven years later in a bog.
In the station house, imaginary
maps, smoke chased by wind, a registry
of arrivals, the logs of ghost
ships and a few prison
diaries written on tissue paper.
Do you remember the blue-leaved lilies?
The grotto, the hoarfrost, the frieze?
Through the casements of glass hand-blown
26
before the war, a birch tree lets snow drop
through its limbs onto other birches. Birch twigs
in wind through glass.
Who were we then? Such
a laughter as morning peeled
its light from us!
You said the cemeteries were full in a voice
like wind plaiting willows—fields in bloom
but silent without grasshoppers or bees.
What do you want then? You with your
neverness, your unknown,
your book of things, you
with once years ahead to be lived.
Your father believes he took you
with him, that you are
in an urn beside your sleeping mother
but I am still writing with your hand,
as you stand in your still-there of lighted words.
Such is the piano's sadness and the rifle's moonlight.
Stairwells remember as do doors, but windows do not—
do not, upon waking, gaze out a window
if you wish to remember your dream
An ache of hope that you will come back—
27
the cawing flock is not your coming.
Did you float toward Salzburg? A wind
in the mustard fields?—or walk instead
beside me through the asylum in Krakow?
Hours after your death you seemed
everywhere at once like the swifts at twilight.
Now your moments are clouds
in a photograph of swifts.
In the hour held
open between day and night under
the meteor showers of Perseid
we held each other for the last time.
Dead, you whispered where is the road?
There, through the last of the sentences, just there—
through the last of the sentences, the road—
~ Carolyn Forché,
470:There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.

Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.

At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.

By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.

The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.

Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun. ~ F Scott Fitzgerald,
471:We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring. ~ Michelle Tea,
472:The House Of Dust: Part 02: 07: Two Lovers:
Overtones
Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .
She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
233
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .
'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .
Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .
'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'
Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.
What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
234
The red sun drops, the walls grow grey.
~ Conrad Potter Aiken,
473:We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong.

I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling"


It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face.

The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith)



Being alone has nothing to do with how many people are around. (J.R. Moehringer)

You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way.

At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words.

The dream was obviously a sign: he was too enticing to resist.

Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it.

I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night.

Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened.


Because I'm So uncool and so afraid.

If there was a clue, that meant the mystery was still intact


I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding.

This was not a haystack. We were people, and people had ways of finding eachother.

It was one of those moments when you feel the future so much that is humbles the present.

Don't worry. It's your embarrassment at not having the thought that counts.

You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately.

Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head

You should never wish for wishful thinking ~ Rachel Cohn,
474:Then he was striding toward me. His mesmerizing gaze pinned me in place as he cupped my face. When his lips covered mine, I gasped. He took the opportunity to deepen the kiss, groaning into the contact. His hands tightened on my face. His sexy groans made my toes curl, muddling my thoughts.
Block that out! I was Aric’s wife. I’d wronged him in the past, had consigned him to misery for hundreds—no, thousands—of years. I needed to make this right. Like penance.
There was something vaguely threatening about his words. Misgivings about this arose. Too fast.
“If you have feelings for him, fight them,” Aric commanded me. “By going to him, you’d be stoking them once more. Don’t you understand? He can find another woman—I cannot. If you choose him, you’ll be consigning me to a hellish fate. As you’ve done again and again. No, this will be even worse, because I’ve had a greater glimpse of what I’ll be missing.”

“I just want to talk to him. I’m leaving this weekend,” I said in an unwavering voice.

“No, you will not.” His arrogant demeanor back in place, he said, “Understand me, I’m not surrendering the one woman who was born for me alone. Not to a human, not to anyone.”

“You can’t keep me here against my will any longer. What are you going to do? Put that cuff back on me?”
I held up my hand to stop him. “I understand why you did it. But I won’t be a prisoner anymore.”

He snatched up his shirt, threading his arms into the sleeves. “You say you keep your promises now? You made a vow before gods to be my wife. In this life, you will keep your promises to me—before you ever honor one to him!”

“You can’t stop me from leaving. I have my powers back. I earned my powers back.”

With a cruel curve of his lips, he said, “You promised never to harm me, Empress. Know that you’ll have to kill me before I would ever let you go.”

As he strode out the door, I said, “And know that you’ll have to put that cilice on me to keep me prisoner again.”
He whirled around, fury in his expression. “You refused—twice—to beg me for your own life, but you’d beg for his?”

I whispered, “Yes.”

With a calculating gleam in his eyes, he said, “This isn’t an impossible task you ask of me. I could call in ancient favors, contact old allies. They could be here in mere hours. We’d ride out as one.”

“T-truly?”

“On one condition: you’ll become my wife in truth, mine in every way. Beginning tonight. Comply, and I’ll take on an army for you.”
My lips parted with shock. “How can you do this to me?”

“Deveaux is lost to you in one way or another. He’ll either be slaughtered by the Lovers—or saved by my female, by her sacrifice.” He offered his hand. “Come with me, and begin this.”
“Don’t, Aric! Don’t destroy what I do feel for you.”

“I’ll take”—he seized my hand, yanking me close—“what I can get.”

Despite myself, I shivered from the contact, from his husky voice.

His hold on me was firm, proprietary. Because he believed I was about to become his. The red witch in me whispered, Death thinks he has you at his mercy. But the Empress doesn’t get collared or caged—or controlled. Take his head and pay the Tower.

Shut up! “Please, Aric. I’ll grow to hate you for this. I don’t want to feel that way about you. Never again. Don’t force me to do this.”

“Force?” Unmoved, he led me toward his bedroom. “I’m not forcing you to do anything. Just as you can’t force me to save your lover’s life. We each make sacrifices to get what we want.”

With my heart pounding, I crossed the threshold into his dark world. Black walls, black ceiling, black night beyond his windows. Yet outside I thought I saw . . . a single fluttering snowflake. Like a sign. ~ Kresley Cole,
475:The House Of Dust: Part 02: 02: The Fulfilled Dream
More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.
Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .
He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.
Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
224
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?
Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.
He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'
~ Conrad Potter Aiken,
476:Are you certain you’re unharmed?” he asked as the carriage surged into motion. “My nerves are a little rattled, as can be expected, but other than that, I’m fine.” She caught his eye. “I’m incredibly grateful that you and everyone else worked so hard to find me, and were able to rid me of Silas once and for all.” A smile tugged at her lips. “I’m sure after a few weeks have passed, or . . . maybe a few years, when it’s not so very fresh to me, I’ll be able to laugh about it and tell people I was able to participate in my very own gothic-style story, quite like one our favorite author, Mr. Grimstone, might pen.” The mention of Mr. Grimstone had him leaning forward. “We have much to discuss.” Lucetta immediately took to looking wary. “Why do I have the feeling we’re no longer talking about me and . . . my abduction?” “Because we need to talk about us, and talk about where we go from here before we get back to Abigail’s house and everyone distracts us.” Lucetta’s wariness immediately increased. “I’m not certain there’s any need for that, Bram. The danger to me has passed, which means I’m free to return to the theater, and . . . you and I are free to go on our merry ways—and our separate merry ways, at that.” Bram settled back against the carriage seat. “I never took you for a coward, Lucetta.” Temper flashed in her eyes. “I’m not a coward.” “Then why aren’t you willing to at least see where whatever this is between us leads?” “There’s nothing between us.” “Your lips said differently a few days ago, and . . . you enjoy my company—you can’t deny that.” “Perhaps I do enjoy your company, but we’ll leave my lips out of further discussion, if you please. The truth of the matter is that I don’t trust you, I don’t like secrets, which you’re obviously keeping, and . . . I have no desire to become attached to a gentleman who spends time in a dungeon, of all places, and has a mausoleum marking the entrance to his drive.” “Ah, well, yes, but you see, those are some of the things I’d like to discuss with you.” He sent her what he hoped was a most charming smile, but one that only had her arching a brow his way again. Clearing his throat, he sat forward. “To continue, I have to admit that I’ve thought out my explanation regarding all of the things I need to explain in a certain order. So . . . if you’ll humor me, I wrote down a list, and . . .” Digging a hand into his jacket pocket, he pulled out the list and read it through, nodding before he lifted his head. “First, I need to say that—” he blew out a breath—“I’ve bungled practically everything with you so far, starting when I almost drowned you in the moat, er . . . twice.” “You won’t get an argument from me on that.” “I neglected to warn you about my goat.” Her lips twitched right at the corners. “That might be being a little hard on yourself, Bram. You couldn’t have known someone would turn Geoffrey loose on me up in the tower room.” “True, but I should have mentioned that I owned a goat with a curious dislike for ladies in skirts.” “I don’t believe Geoffrey is really at the root of the issues I have with you and Ravenwood, Bram.” He caught her eye and nodded. “I’m at the root of your issues, Lucetta—me and all of my secrets—which is why . . .” He consulted his notes again before he lifted his head. “I’m going to tell you everything, and then . . . ” He glanced one last time at his notes before he looked her way. “After you hear me out, I’d greatly appreciate it if you’d consider allowing me to . . . court you.” “Court me?” She began inching toward the carriage door, which was rather disturbing considering the carriage was traveling at a fast clip down the road. Stiffening his resolve, and ignoring the disbelief in her eyes, he nodded. “It would be my greatest honor to court you, especially since I should have asked to court you before I kissed you, and certainly before I offered to marry you . . . twice.” “You ~ Jen Turano,
477:The Cathedral Of Rheims
He who walks through the meadows of Champagne
At noon in Fall, when leaves like gold appear,
Sees it draw near
Like some great mountain set upon the plain,
From radiant dawn until the close of day,
Nearer it grows
To him who goes
Across the country. When tall towers lay
Their shadowy pall
Upon his way,
He enters, where
The solid stone is hollowed deep by all
Its centuries of beauty and of prayer.
Ancient French temple! thou whose hundred kings
Watch over thee, emblazoned on thy walls,
Tell me, within thy memory-hallowed halls
What chant of triumph, or what war-song rings?
Thou hast known Clovis and his Frankish train,
Whose mighty hand Saint Remy's hand did keep
And in thy spacious vault perhaps may sleep
An echo of the voice of Charlemagne.
For God thou has known fear, when from His side
Men wandered, seeking alien shrines and new,
But still the sky was bountiful and blue
And thou wast crowned with France's love and pride.
Sacred thou art, from pinnacle to base;
And in thy panes of gold and scarlet glass
The setting sun sees thousandfold his face;
Sorrow and joy, in stately silence pass
Across thy walls, the shadow and the light;
Around thy lofty pillars, tapers white
Illuminate, with delicate sharp flames,
The brows of saints with venerable names,
And in the night erect a fiery wall.
A great but silent fervour burns in all
Those simple folk who kneel, pathetic, dumb,
And know that down below, beside the Rhine Cannon, horses, soldiers, flags in line -
310
With blare of trumpets, mighty armies come.
Suddenly, each knows fear;
Swift rumours pass, that every one must hear,
The hostile banners blaze against the sky
And by the embassies mobs rage and cry.
Now war has come, and peace is at an end.
On Paris town the German troops descend.
They are turned back, and driven to Champagne.
And now, as to so many weary men,
The glorious temple gives them welcome, when
It meets them at the bottom of the plain.
At once, they set their cannon in its way.
There is no gable now, nor wall
That does not suffer, night and day,
As shot and shell in crushing torrents fall.
The stricken tocsin quivers through the tower;
The triple nave, the apse, the lonely choir
Are circled, hour by hour,
With thundering bands of fire
And Death is scattered broadcast among men.
And then
That which was splendid with baptismal grace;
The stately arches soaring into space,
The transepts, columns, windows gray and gold,
The organ, in whose tones the ocean rolled,
The crypts, of mighty shades the dwelling places,
The Virgin's gentle hands, the Saints' pure faces,
All, even the pardoning hands of Christ the Lord
Were struck and broken by the wanton sword
Of sacrilegious lust.
O beauty slain, O glory in the dust!
Strong walls of faith, most basely overthrown!
The crawling flames, like adders glistening
Ate the white fabric of this lovely thing.
Now from its soul arose a piteous moan,
The soul that always loved the just and fair.
Granite and marble loud their woe confessed,
The silver monstrances that Popes had blessed,
311
The chalices and lamps and crosiers rare
Were seared and twisted by a flaming breath;
The horror everywhere did range and swell,
The guardian Saints into this furnace fell,
Their bitter tears and screams were stilled in death.
Around the flames armed hosts are skirmishing,
The burning sun reflects the lurid scene;
The German army, fighting for its life,
Rallies its torn and terrified left wing;
And, as they near this place
The imperial eagles see
Before them in their flight,
Here, in the solemn night,
The old cathedral, to the years to be
Showing, with wounded arms, their own disgrace.
~ Emile Verhaeren,
478:Now that we're almost settled in our house
I'll name the friends that cannot sup with us
Beside a fire of turf in th' ancient tower,
And having talked to some late hour
Climb up the narrow winding stairs to bed:
Discoverers of forgotten truth
Or mere companions of my youth,
All, all are in my thoughts to-night being dead.

Always we'd have the new friend meet the old
And we are hurt if either friend seem cold,
And there is salt to lengthen out the smart
In the affections of our heart,
And quarrels are blown up upon that head;
But not a friend that I would bring
This night can set us quarrelling,
For all that come into my mind are dead.

Lionel Johnson comes the first to mind,
That loved his learning better than mankind.
Though courteous to the worst; much falling he
Brooded upon sanctity
Till all his Greek and Latin learning seemed
A long blast upon the horn that brought
A little nearer to his thought
A measureless consummation that he dreamed.

And that enquiring man John Synge comes next,
That dying chose the living world for text
And never could have rested in the tomb
But that, long travelling, he had come
Towards nightfall upon certain set apart
In a most desolate stony place,
Towards nightfall upon a race
Passionate and simple like his heart.

And then I think of old George Pollexfen,
In muscular youth well known to Mayo men
For horsemanship at meets or at racecourses,
That could have shown how pure-bred horses
And solid men, for all their passion, live
But as the outrageous stars incline
By opposition, square and trine;
Having grown sluggish and contemplative.

They were my close companions many a year.
A portion of my mind and life, as it were,
And now their breathless faces seem to look
Out of some old picture-book;
I am accustomed to their lack of breath,
But not that my dear friend's dear son,
Our Sidney and our perfect man,
Could share in that discourtesy of death.

For all things the delighted eye now sees
Were loved by him: the old storm-broken trees
That cast their shadows upon road and bridge;
The tower set on the stream's edge;
The ford where drinking cattle make a stir
Nightly, and startled by that sound
The water-hen must change her ground;
He might have been your heartiest welcomer.

When with the Galway foxhounds he would ride
From Castle Taylor to the Roxborough side
Or Esserkelly plain, few kept his pace;
At Mooneen he had leaped a place
So perilous that half the astonished meet
Had shut their eyes; and where was it
He rode a race without a bit?
And yet his mind outran the horses' feet.

We dreamed that a great painter had been born
To cold Clare rock and Galway rock and thorn,
To that stern colour and that delicate line
That are our secret discipline
Wherein the gazing heart doubles her might.
Soldier, scholar, horseman, he,
And yet he had the intensity
To have published all to be a world's delight.

What other could so well have counselled us
In all lovely intricacies of a house
As he that practised or that understood
All work in metal or in wood,
In moulded plaster or in carven stone?
Soldier, scholar, horseman, he,
And all he did done perfectly
As though he had but that one trade alone.

Some burn damp ****s, others may consume
The entire combustible world in one small room
As though dried straw, and if we turn about
The bare chimney is gone black out
Because the work had finished in that flare.
Soldier, scholar, horseman, he,
As 'twere all life's epitome.
What made us dream that he could comb grey hair?

I had thought, seeing how bitter is that wind
That shakes the shutter, to have brought to mind
All those that manhood tried, or childhood loved
Or boyish intellect approved,
With some appropriate commentary on each;
Until imagination brought
A fitter welcome; but a thought
Of that late death took all my heart for speech.

~ William Butler Yeats, In Memory Of Major Robert Gregory
,
479:The Anarchist
THE dawn hangs heavy on the distant hill,
The darkness shudders slowly into light;
And from the weary bosom of the night
The pent winds sigh, then sink with horror still.
Naked and grey, the guillotine stands square
Upon the hill, while from its base the crowd
Surges out far, and waits, to silence cowed,
Impatient for the thing to happen there.
Listen! The bells within the tower toll
Five naked notes; and down within his cell
The prisoner hears and mutters, “It is well,”
Though like that other knife each cuts his soul.
His sick nerves from the probing echoes shrink,
“This is the end,” he says; “let me be strong;
Let me be brave till then—‘t is not for long:
I must not think of it—I must not think!”
See, through the courtyard, guarded, comes the slight
Thin figure of the anarchist. Amazed,
He sees the thousand faces swiftly raised—
The billows of the crowd break into white!
One narrow, alien glance below, and then
The scene fades dimly from his film-glazed eyes;
And shuddering he sees his past arise—
The cycle of his life begins again.
And as misshapen memories crowd fast
Upon him, jostling in a sudden strife,
Athwart the dull, drab level of his life
Stand sharply out the blood-stains of his past:
His youth, before he knew he had it, lost;
His father's body by an accident
'Neath the rich man's remorseless mill-wheels pent—
A corpse; and sister, mother, brother tossed
Out to the mercy of the merciless.
His mother stricken next; her humble niche
Was needed by the reckless and the rich,
And death was easier than life's loneliness.
His sister, she had fortune in her face,
And won it, too, till Vice's fingers tore
72
The freshness from her figure, and no more
In idleness she flaunted her disgrace.
He lost her, stifled in the world's wide smother,
For years; till one night on the street they met.
She seized him—he can feel that hot thrill yet!—
She spoke him—knowing not he was her brother!
Wrong reeking of the rich incessantly!
Oppression and oppression o'er again!
Till from the smouldering hate within his brain
Mad fever fired the fuse of Anarchy.
Then plot and cunning, weak, futile and mean,
The maddened one against the many; thus
He strove to strangle Order's octopus—
And gained the goal at last—the guillotine!
It waits him grim and grey; he sees it not,
Nor hears the rising murmur ripple out
To the crowd's edge, and, turning, die in doubt.
The vague, uncertain future threatens—what?
So…shall he speak, fling out his last reply
Why waste the time in trivialities?
One throbbing thought now holds him; and there is
No room for sign or speech—he has to die.
Only a murmur wavers up and shakes
The sullen air, then hesitates and dies;
And the grim hush of horror stifled lies,
Suspended like a billow ere it breaks.
One bitter prayer, half-curse, he mutters when
The knife hangs high above, and the world waits.
But ere it swoops an age it hesitates:
The word is given, breaths are drawn, and then…
With eyes and soul close shut—be swift, relief!—
The prisoner waits the end that does not come.
For hark! that heavy, low, tumultuous hum
That surges, surges till it shouts “ Reprieve! ”
“ Reprieved and pardoned! ” All his senses swim
In a rose-mist! As Sleep's soft hand that soothes
The terse, strained limbs of fevered Day and smoothes
Life's knotted nerves—so comes relief to him.
And when he woke again his soul, set free,
Had wandered far, within a moment's space,
73
And seen the sadness of God's silent face—
The mighty calm of immortality.
How like a triumph his home-coming! Then
The glorious news that met him, how that Right
Had routed Wrong, for ever faction's fight
Was finished, and the world was one again.
Then swiftly through his swimming, mist-dimmed eyes
He sees the good and great upright again;
And Reason rings the knell of grief and pain;
The gladdened new world lapped in sunlight lies.
Long life was his with honour. On Fame's breath
His name was borne, until in perfect peace—
Glad like a mellow fruit to fall and cease—
His long life ripened richly into death.
Yet none knew this but he . The crowd still waits;
Shoots swift the lightning of the knife, and loud
Roars the hoarse thunder from the sated crowd
And justice has been done. God compensates.
~ Arthur Henry Adams,
480:Rapunzel
A woman
who loves a woman
is forever young.
The mentor
and the student
feed off each other.
Many a girl
had an old aunt
who locked her in the study
to keep the boys away.
They would play rummy
or lie on the couch
and touch and touch.
Old breast against young breast…
Let your dress fall down your shoulder,
come touch a copy of you
for I am at the mercy of rain,
for I have left the three Christs of Ypsilanti
for I have left the long naps of Ann Arbor
and the church spires have turned to stumps.
The sea bangs into my cloister
for the politicians are dying,
and dying so hold me, my young dear,
hold me…
The yellow rose will turn to cinder
and New York City will fall in
before we are done so hold me,
my young dear, hold me.
Put your pale arms around my neck.
Let me hold your heart like a flower
lest it bloom and collapse.
Give me your skin
as sheer as a cobweb,
let me open it up
and listen in and scoop out the dark.
Give me your nether lips
all puffy with their art
and I will give you angel fire in return.
We are two clouds
153
glistening in the bottle glass.
We are two birds
washing in the same mirror.
We were fair game
but we have kept out of the cesspool.
We are strong.
We are the good ones.
Do not discover us
for we lie together all in green
like pond weeds.
Hold me, my young dear, hold me.
They touch their delicate watches
one at a time.
They dance to the lute
two at a time.
They are as tender as bog moss.
They play mother-me-do
all day.
A woman
who loves a woman
is forever young.
Once there was a witch's garden
more beautiful than Eve's
with carrots growing like little fish,
with many tomatoes rich as frogs,
onions as ingrown as hearts,
the squash singing like a dolphin
and one patch given over wholly to magic rampion, a kind of salad root
a kind of harebell more potent than penicillin,
growing leaf by leaf, skin by skin.
as rapt and as fluid as Isadoran Duncan.
However the witch's garden was kept locked
and each day a woman who was with child
looked upon the rampion wildly,
fancying that she would die
if she could not have it.
Her husband feared for her welfare
and thus climbed into the garden
to fetch the life-giving tubers.
Ah ha, cried the witch,
whose proper name was Mother Gothel,
154
you are a thief and now you will die.
However they made a trade,
typical enough in those times.
He promised his child to Mother Gothel
so of course when it was born
she took the child away with her.
She gave the child the name Rapunzel,
another name for the life-giving rampion.
Because Rapunzel was a beautiful girl
Mother Gothel treasured her beyond all things.
As she grew older Mother Gothel thought:
None but I will ever see her or touch her.
She locked her in a tow without a door
or a staircase. It had only a high window.
When the witch wanted to enter she cried'
Rapunzel, Rapunzel, let down your hair.
Rapunzel's hair fell to the ground like a rainbow.
It was as strong as a dandelion
and as strong as a dog leash.
Hand over hand she shinnied up
the hair like a sailor
and there in the stone-cold room,
as cold as a museum,
Mother Gothel cried:
Hold me, my young dear, hold me,
and thus they played mother-me-do.
Years later a prince came by
and heard Rapunzel singing her loneliness.
That song pierced his heart like a valentine
but he could find no way to get to her.
Like a chameleon he hid himself among the trees
and watched the witch ascend the swinging hair.
The next day he himself called out:
Rapunzel, Rapunzel, let down your hair,
and thus they met and he declared his love.
What is this beast, she thought,
with muscles on his arms
like a bag of snakes?
What is this moss on his legs?
What prickly plant grows on his cheeks?
What is this voice as deep as a dog?
Yet he dazzled her with his answers.
155
Yet he dazzled her with his dancing stick.
They lay together upon the yellowy threads,
swimming through them
like minnows through kelp
and they sang out benedictions like the Pope.
Each day he brought her a skein of silk
to fashion a ladder so they could both escape.
But Mother Gothel discovered the plot
and cut off Rapunzel's hair to her ears
and took her into the forest to repent.
When the prince came the witch fastened
the hair to a hook and let it down.
When he saw Rapunzel had been banished
he flung himself out of the tower, a side of beef.
He was blinded by thorns that prickled him like tacks.
As blind as Oedipus he wandered for years
until he heard a song that pierced his heart
like that long-ago valentine.
As he kissed Rapunzel her tears fell on his eyes
and in the manner of such cure-alls
his sight was suddenly restored.
They lived happily as you might expect
proving that mother-me-do
can be outgrown,
just as the fish on Friday,
just as a tricycle.
The world, some say,
is made up of couples.
A rose must have a stem.
As for Mother Gothel,
her heart shrank to the size of a pin,
never again to say: Hold me, my young dear,
hold me,
and only as she dreamed of the yellow hair
did moonlight sift into her mouth.
~ Anne Sexton,
481:In Country Sleep
Never and never, my girl riding far and near
In the land of the hearthstone tales, and spelled asleep,
Fear or believe that the wolf in a sheepwhite hood
Loping and bleating roughly and blithely shall leap,
My dear, my dear,
Out of a lair in the flocked leaves in the dew dipped year
To eat your heart in the house in the rosy wood.
Sleep, good, for ever, slow and deep, spelled rare and wise,
My girl ranging the night in the rose and shire
Of the hobnail tales: no gooseherd or swine will turn
Into a homestall king or hamlet of fire
And prince of ice
To court the honeyed heart from your side before sunrise
In a spinney of ringed boys and ganders, spike and burn,
Nor the innocent lie in the rooting dingle wooed
And staved, and riven among plumes my rider weep.
From the broomed witch's spume you are shielded by fern
And flower of country sleep and the greenwood keep.
Lie fast and soothed,
Safe be and smooth from the bellows of the rushy brood.
Never, my girl, until tolled to sleep by the stern
Bell believe or fear that the rustic shade or spell
Shall harrow and snow the blood while you ride wide and near,
For who unmanningly haunts the mountain ravened eaves
Or skulks in the dell moon but moonshine echoing clear
From the starred well?
A hill touches an angel. Out of a saint's cell
The nightbird lauds through nunneries and domes of leaves
Her robin breasted tree, three Marys in the rays.
_Sanctum sanctorum_ the animal eye of the wood
In the rain telling its beads, and the gravest ghost
The owl at its knelling. Fox and holt kneel before blood.
Now the tales praise
92
The star rise at pasture and nightlong the fables graze
On the lord's-table of the bowing grass. Fear most
For ever of all not the wolf in his baaing hood
Nor the tusked prince, in the ruttish farm, at the rind
And mire of love, but the Thief as meek as the dew.
The country is holy: O bide in that country kind,
Know the green good,
Under the prayer wheeling moon in the rosy wood
Be shielded by chant and flower and gay may you
Lie in grace. Sleep spelled at rest in the lowly house
In the squirrel nimble grove, under linen and thatch
And star: held and blessed, though you scour the high four
Winds, from the dousing shade and the roarer at the latch,
Cool in your vows.
Yet out of the beaked, web dark and the pouncing boughs
Be you sure the Thief will seek a way sly and sure
And sly as snow and meek as dew blown to the thorn,
This night and each vast night until the stern bell talks
In the tower and tolls to sleep over the stalls
Of the hearthstone tales my own, lost love; and the soul walks
The waters shorn.
This night and each night since the falling star you were born,
Ever and ever he finds a way, as the snow falls,
As the rain falls, hail on the fleece, as the vale mist rides
Through the haygold stalls, as the dew falls on the windMilled dust of the apple tree and the pounded islands
Of the morning leaves, as the star falls, as the winged
Apple seed glides,
And falls, and flowers in the yawning wound at our sides,
As the world falls, silent as the cyclone of silence.
II
Night and the reindeer on the clouds above the haycocks
And the wings of the great roc ribboned for the fair!
The leaping saga of prayer! And high, there, on the hareHeeled winds the rooks
93
Cawing from their black bethels soaring, the holy books
Of birds! Among the cocks like fire the red fox
Burning! Night and the vein of birds in the winged, sloe wrist
Of the wood! Pastoral beat of blood through the laced leaves!
The stream from the priest black wristed spinney and sleeves
Of thistling frost
Of the nightingale's din and tale! The upgiven ghost
Of the dingle torn to singing and the surpliced
Hill of cypresses! The din and tale in the skimmed
Yard of the buttermilk rain on the pail! The sermon
Of blood! The bird loud vein! The saga from mermen
To seraphim
Leaping! The gospel rooks! All tell, this night, of him
Who comes as red as the fox and sly as the heeled wind.
Illumination of music! the lulled black-backed
Gull, on the wave with sand in its eyes! And the foal moves
Through the shaken greensward lake, silent, on moonshod hooves,
In the winds' wakes.
Music of elements, that a miracle makes!
Earth, air, water, fire, singing into the white act,
The haygold haired, my love asleep, and the rift blue
Eyed, in the haloed house, in her rareness and hilly
High riding, held and blessed and true, and so stilly
Lying the sky
Might cross its planets, the bell weep, night gather her eyes,
The Thief fall on the dead like the willy nilly dew,
Only for the turning of the earth in her holy
Heart! Slyly, slowly, hearing the wound in her side go
Round the sun, he comes to my love like the designed snow,
And truly he
Flows to the strand of flowers like the dew's ruly sea,
And surely he sails like the ship shape clouds. Oh he
Comes designed to my love to steal not her tide raking
Wound, nor her riding high, nor her eyes, nor kindled hair,
But her faith that each vast night and the saga of prayer
He comes to take
94
Her faith that this last night for his unsacred sake
He comes to leave her in the lawless sun awaking
Naked and forsaken to grieve he will not come.
Ever and ever by all your vows believe and fear
My dear this night he comes and night without end my dear
Since you were born:
And you shall wake, from country sleep, this dawn and each first dawn,
Your faith as deathless as the outcry of the ruled sun.
~ Dylan Thomas,
482:Chant D'Automne (Song Of Autumn)
Bientôt nous plongerons dans les froides ténèbres;
Adieu, vive clarté de nos étés trop courts!
J'entends déjà tomber avec des chocs funèbres
Le bois retentissant sur le pavé des cours.
Tout l'hiver va rentrer dans mon être: colère,
Haine, frissons, horreur, labeur dur et forcé,
Et, comme le soleil dans son enfer polaire,
Mon coeur ne sera plus qu'un bloc rouge et glacé.
J'écoute en frémissant chaque bûche qui tombe
L'échafaud qu'on bâtit n'a pas d'écho plus sourd.
Mon esprit est pareil à la tour qui succombe
Sous les coups du bélier infatigable et lourd.
II me semble, bercé par ce choc monotone,
Qu'on cloue en grande hâte un cercueil quelque part.
Pour qui? — C'était hier l'été; voici l'automne!
Ce bruit mystérieux sonne comme un départ.
II
J'aime de vos longs yeux la lumière verdâtre,
Douce beauté, mais tout aujourd'hui m'est amer, Et rien, ni votre amour, ni le
boudoir, ni l'âtre,
Ne me vaut le soleil rayonnant sur la mer.
Et pourtant aimez-moi, tendre coeur! soyez mère,
Même pour un ingrat, même pour un méchant;
Amante ou soeur, soyez la douceur éphémère
D'un glorieux automne ou d'un soleil couchant.
Courte tâche! La tombe attend; elle est avide!
Ah! laissez-moi, mon front posé sur vos genoux,
Goûter, en regrettant l'été blanc et torride,
De l'arrière-saison le rayon jaune et doux!
142
Song of Autumn
Soon we shall plunge into the cold darkness;
Farewell, vivid brightness of our short-lived summers!
Already I hear the dismal sound of firewood
Falling with a clatter on the courtyard pavements.
All winter will possess my being: wrath,
Hate, horror, shivering, hard, forced labor,
And, like the sun in his polar Hades,
My heart will be no more than a frozen red block.
All atremble I listen to each falling log;
The building of a scaffold has no duller sound.
My spirit resembles the tower which crumbles
Under the tireless blows of the battering ram.
It seems to me, lulled by these monotonous shocks,
That somewhere they're nailing a coffin, in great haste.
For whom? — Yesterday was summer; here is autumn
That mysterious noise sounds like a departure.
II
I love the greenish light of your long eyes,
Sweet beauty, but today all to me is bitter;
Nothing, neither your love, your boudoir, nor your hearth
Is worth as much as the sunlight on the sea.
Yet, love me, tender heart! be a mother,
Even to an ingrate, even to a scapegrace;
Mistress or sister, be the fleeting sweetness
Of a gorgeous autumn or of a setting sun.
Short task! The tomb awaits; it is avid!
Ah! let me, with my head bowed on your knees,
Taste the sweet, yellow rays of the end of autumn,
143
While I mourn for the white, torrid summer!
— Translated by William Aggeler
Song of Autumn
Soon into frozen shades, like leaves, we'll tumble.
Adieu, short summer's blaze, that shone to mock.
I hear already the funereal rumble
Of logs, as on the paving-stones they shock.
Winter will enter in my soul to dwell —
Rage, hate, fear, horror, labour forced and dire!
My heart will seem, to sun that polar hell,
A dim, red, frozen block, devoid of fire.
Shuddering I hear the heavy thud of fuel.
The building of a gallows sounds as good!
My spirit, like a tower, reels to the cruel
Battering-ram in every crash of wood.
The ceaseless echoes rock me and appal.
They're nailing up a coffin, I'll be bound,
For whom? — Last night was Summer. Here's the Fall.
There booms a farewell volley in the sound.
II
I like die greenish light in your long eyes,
Dear: but today all things are sour to me.
And naught, your hearth, your boudoir, nor your sighs
Are worth the sun that glitters on the sea.
Yet love me, tender heart, as mothers cherish
A thankless wretch, Lover or sister, be
Ephemeral sweetness of the suns that perish
Or glory of the autumn swift to flee.
144
Brief task! The charnel yawns in hunger horrid,
Yet let me with my head upon your knees,
Although I mourn the summer, white and torrid
Taste these last yellow rays before they freeze.
— Translated by Roy Campbell
Chant d'automne
soon shall we plunge 'neath winter's icy pall;
farewell, bright fires of too-brief July!
even now I hear the knell funereal
of falling fire-logs in the court close by.
once more on me shall winter all unroll:
wrath, hatred, shivering dread, Toil's cursèd vise,
and like the sun in his far hell, the pole,
my heart shall be a block of crimson ice.
I wait aghast each loud impending log;
thus, criminals 'neath rising gibbets cower.
o dreadful battering-ram! my soul, agog,
quivers and totters like a crumbling tower,
till to my dream the cradling echoes drum
like hammers madly finishing a bier.
— for whom? — June yesterday; now fall is come!
mysterious dirge, who has departed here?
II
I love your long green eyes of slumberous fire,
my sweet, but now all things are gall to me,
and naught, your room, your hearth nor your desire
is worth the sunlight shimmering on the sea.
yet love me, tender heart! a mother be
145
even to an ingrate, or a wicked one;
mistress or sister, be as sweet to me
as some brief autumn or a setting sun.
'twill not be long! the hungering tomb awaits!
ah! let me — brow at peace upon your knees —
savour, regretful of June's parching heats,
this balmy soft October, ere it flees!
— Translated by Lewis Piaget Shanks
Autumn
Soon we will plunge ourselves into cold shadows,
And all of summer's stunning afternoons will be gone.
I already hear the dead thuds of logs below
Falling on the cobblestones and the lawn.
All of winter will return to me
derision, Hate, shuddering, horror, drudgery and vice,
And exiled, like the sun, to a polar prison,
My soul will harden into a block of red ice.
I shiver as I listen to each log crash and slam
The echoes are as dull as executioners' drums.
My mind is like a tower that slowly succumbs
To the blows of a relentless battering ram.
It seems to me, swaying to these shocks, that someone
Is nailing down a coffin in a hurry somewhere.
For whom? It was summer yesterday; now it's autumn.
Echoes of departure keep resounding in the air.
Translated by Anonymous
~ Charles Baudelaire,
483:The Suicide
"Curse thee, Life, I will live with thee no more!
Thou hast mocked me, starved me, beat my body sore!
And all for a pledge that was not pledged by me,
I have kissed thy crust and eaten sparingly
That I might eat again, and met thy sneers
With deprecations, and thy blows with tears,—
Aye, from thy glutted lash, glad, crawled away,
As if spent passion were a holiday!
And now I go. Nor threat, nor easy vow
Of tardy kindness can avail thee now
With me, whence fear and faith alike are flown;
Lonely I came, and I depart alone,
And know not where nor unto whom I go;
But that thou canst not follow me I know."
Thus I to Life, and ceased; but through my brain
My thought ran still, until I spake again:
"Ah, but I go not as I came,—no trace
Is mine to bear away of that old grace
I brought! I have been heated in thy fires,
Bent by thy hands, fashioned to thy desires,
Thy mark is on me! I am not the same
Nor ever more shall be, as when I came.
Ashes am I of all that once I seemed.
In me all's sunk that leapt, and all that dreamed
Is wakeful for alarm,—oh, shame to thee,
For the ill change that thou hast wrought in me,
Who laugh no more nor lift my throat to sing
Ah, Life, I would have been a pleasant thing
To have about the house when I was grown
If thou hadst left my little joys alone!
I asked of thee no favor save this one:
That thou wouldst leave me playing in the sun!
And this thou didst deny, calling my name
Insistently, until I rose and came.
I saw the sun no more.—It were not well
So long on these unpleasant thoughts to dwell,
Need I arise to-morrow and renew
193
Again my hated tasks, but I am through
With all things save my thoughts and this one night,
So that in truth I seem already quite
Free,and remote from thee,—I feel no haste
And no reluctance to depart; I taste
Merely, with thoughtful mien, an unknown draught,
That in a little while I shall have quaffed."
Thus I to Life, and ceased, and slightly smiled,
Looking at nothing; and my thin dreams filed
Before me one by one till once again
I set new words unto an old refrain:
"Treasures thou hast that never have been mine!
Warm lights in many a secret chamber shine
Of thy gaunt house, and gusts of song have blown
Like blossoms out to me that sat alone!
And I have waited well for thee to show
If any share were mine,—and now I go
Nothing I leave, and if I naught attain
I shall but come into mine own again!"
Thus I to Life, and ceased, and spake no more,
But turning, straightway, sought a certain door
In the rear wall. Heavy it was, and low
And dark,—a way by which none e'er would go
That other exit had, and never knock
Was heard thereat,—bearing a curious lock
Some chance had shown me fashioned faultily,
Whereof Life held content the useless key,
And great coarse hinges, thick and rough with rust,
Whose sudden voice across a silence must,
I knew, be harsh and horrible to hear,—
A strange door, ugly like a dwarf.—So near
I came I felt upon my feet the chill
Of acid wind creeping across the sill.
So stood longtime, till over me at last
Came weariness, and all things other passed
To make it room; the still night drifted deep
Like snow about me, and I longed for sleep.
But, suddenly, marking the morning hour,
194
Bayed the deep-throated bell within the tower!
Startled, I raised my head,—and with a shout
Laid hold upon the latch,—and was without.
****
Ah, long-forgotten, well-remembered road,
Leading me back unto my old abode,
My father's house! There in the night I came,
And found them feasting, and all things the same
As they had been before. A splendour hung
Upon the walls, and such sweet songs were sung
As, echoing out of very long ago,
Had called me from the house of Life, I know.
So fair their raiment shone I looked in shame
On the unlovely garb in which I came;
Then straightway at my hesitancy mocked:
"It is my father's house!" I said and knocked;
And the door opened. To the shining crowd
Tattered and dark I entered, like a cloud,
Seeing no face but his; to him I crept,
And "Father!" I cried, and clasped his knees, and wept.
****
Ah, days of joy that followed! All alone
I wandered through the house. My own, my own,
My own to touch, my own to taste and smell,
All I had lacked so long and loved so well!
None shook me out of sleep, nor hushed my song,
Nor called me in from the sunlight all day long.
I know not when the wonder came to me
Of what my father's business might be,
And whither fared and on what errands bent
The tall and gracious messengers he sent.
Yet one day with no song from dawn till night
Wondering, I sat, and watched them out of sight.
And the next day I called; and on the third
Asked them if I might go,—but no one heard.
Then, sick with longing, I arose at last
And went unto my father,—in that vast
195
Chamber wherein he for so many years
Has sat, surrounded by his charts and spheres.
"Father," I said, "Father, I cannot play
The harp that thou didst give me, and all day
I sit in idleness, while to and fro
About me thy serene, grave servants go;
And I am weary of my lonely ease.
Better a perilous journey overseas
Away from thee, than this, the life I lead,
To sit all day in the sunshine like a weed
That grows to naught,—I love thee more than they
Who serve thee most; yet serve thee in no way.
Father, I beg of thee a little task
To dignify my days,—'tis all I ask
Forever, but forever, this denied,
I perish."
"Child," my father's voice replied,
"All things thy fancy hath desired of me
Thou hast received. I have prepared for thee
Within my house a spacious chamber, where
Are delicate things to handle and to wear,
And all these things are thine. Dost thou love song?
My minstrels shall attend thee all day long.
Or sigh for flowers? My fairest gardens stand
Open as fields to thee on every hand.
And all thy days this word shall hold the same:
No pleasure shalt thou lack that thou shalt name.
But as for tasks—" he smiled, and shook his head;
"Thou hadst thy task, and laidst it by," he said.
~ Edna St. Vincent Millay,
484:The Angel In The House. Book I. Canto X.
Preludes.
I The Joyful Wisdom
Would Wisdom for herself be woo'd,
And wake the foolish from his dream,
She must be glad as well as good,
And must not only be, but seem.
Beauty and joy are hers by right;
And, knowing this, I wonder less
That she's so scorn'd, when falsely dight
In misery and ugliness.
What's that which Heaven to man endears,
And that which eyes no sooner see
Than the heart says, with floods of tears,
‘Ah, that's the thing which I would be!’
Not childhood, full of frown and fret;
Not youth, impatient to disown
Those visions high, which to forget
Were worse than never to have known;
Not worldlings, in whose fair outside
Nor courtesy nor justice fails,
Thanks to cross-pulling vices tied,
Like Samson's foxes, by the tails;
Not poets; real things are dreams,
When dreams are as realities,
And boasters of celestial gleams
Go stumbling aye for want of eyes;
Not patriots nor people's men,
In whom two worse-match'd evils meet
Than ever sought Adullam's den,
Base conscience and a high conceit;
Not new-made saints, their feelings iced,
Their joy in man and nature gone,
Who sing ‘O easy yoke of Christ!’
But find 'tis hard to get it on;
Not great men, even when they're good;
The good man whom the time makes great,
By some disgrace of chance or blood,
God fails not to humiliate;
105
Not these: but souls, found here and there,
Oases in our waste of sin,
Where everything is well and fair,
And Heav'n remits its discipline;
Whose sweet subdual of the world
The worldling scarce can recognise,
And ridicule, against it hurl'd,
Drops with a broken sting and dies;
Who nobly, if they cannot know
Whether a 'scutcheon's dubious field
Carries a falcon or a crow,
Fancy a falcon on the shield;
Yet, ever careful not to hurt
God's honour, who creates success,
Their praise of even the best desert
Is but to have presumed no less;
Who, should their own life plaudits bring,
Are simply vex'd at heart that such
An easy, yea, delightful thing
Should move the minds of men so much.
They live by law, not like the fool,
But like the bard, who freely sings
In strictest bonds of rhyme and rule,
And finds in them, not bonds, but wings.
Postponing still their private ease
To courtly custom, appetite,
Subjected to observances,
To banquet goes with full delight;
Nay, continence and gratitude
So cleanse their lives from earth's alloy,
They taste, in Nature's common food,
Nothing but spiritual joy.
They shine like Moses in the face,
And teach our hearts, without the rod,
That God's grace is the only grace,
And all grace is the grace of God.
II The Devices
Love, kiss'd by Wisdom, wakes twice Love,
And Wisdom is, thro' loving, wise.
Let Dove and Snake, and Snake and Dove,
This Wisdom's be, that Love's device.
106
Going To Church.
I woke at three; for I was bid
To breakfast with the Dean at nine,
And thence to Church. My curtain slid,
I found the dawning Sunday fine;
And could not rest, so rose. The air
Was dark and sharp; the roosted birds
Cheep'd, ‘Here am I, Sweet; are you there?’
On Avon's misty flats the herds
Expected, comfortless, the day,
Which slowly fired the clouds above;
The cock scream'd, somewhere far away;
In sleep the matrimonial dove
Was crooning; no wind waked the wood,
Nor moved the midnight river-damps,
Nor thrill'd the poplar; quiet stood
The chestnut with its thousand lamps;
The moon shone yet, but weak and drear,
And seem'd to watch, with bated breath,
The landscape, all made sharp and clear
By stillness, as a face by death.
II
My pray'rs for her being done, I took
Occasion by the quiet hour
To find and know, by Rule and Book,
The rights of love's beloved power.
III
Fronting the question without ruth,
Nor ignorant that, evermore,
If men will stoop to kiss the Truth,
She lifts them higher than before,
I, from above, such light required
As now should once for all destroy
The folly which at times desired
A sanction for so great a joy.
107
IV
Thenceforth, and through that pray'r, I trod
A path with no suspicions dim.
I loved her in the name of God,
And for the ray she was of Him;
I ought to admire much more, not less;
Her beauty was a godly grace;
The mystery of loveliness,
Which made an altar of her face,
Was not of the flesh, though that was fair,
But a most pure and living light
Without a name, by which the rare
And virtuous spirit flamed to sight.
If oft, in love, effect lack'd cause
And cause effect, 'twere vain to soar
Reasons to seek for that which was
Reason itself, or something more.
My joy was no idolatry
Upon the ends of the vile earth bent,
For when I loved her most then I
Most yearn'd for more divine content.
That other doubt, which, like a ghost,
In the brain's darkness haunted me,
Was thus resolved: Him loved I most,
But her I loved most sensibly.
Lastly, my giddiest hope allow'd
No selfish thought, or earthly smirch;
And forth I went, in peace, and proud
To take my passion into Church;
Grateful and glad to think that all
Such doubts would seem entirely vain
To her whose nature's lighter fall
Made no divorce of heart from brain.
I found them, with exactest grace
And fresh as Spring, for Spring attired;
And by the radiance in her face
I saw she felt she was admired;
And, through the common luck of love,
A moment's fortunate delay,
To fit the little lilac glove,
108
Gave me her arm; and I and they
(They true to this and every hour,
As if attended on by Time),
Enter'd the Church while yet the tower
Was noisy with the finish'd chime.
VI
Her soft voice, singularly heard
Beside me, in her chant, withstood
The roar of voices, like a bird
Sole warbling in a windy wood;
And, when we knelt, she seem'd to be
An angel teaching me to pray;
And all through the high Liturgy
My spirit rejoiced without allay,
Being, for once, borne clearly above
All banks and bars of ignorance,
By this bright spring-tide of pure love
And floated in a free expanse,
Whence it could see from side to side,
The obscurity from every part
Winnow'd away and purified
By the vibrations of my heart.
~ Coventry Patmore,
485:An old man cocked his car upon a bridge;
He and his friend, their faces to the South,
Had trod the uneven road. Their hoots were soiled,
Their Connemara cloth worn out of shape;
They had kept a steady pace as though their beds,
Despite a dwindling and late-risen moon,
Were distant still. An old man cocked his ear.
Aherne. What made that Sound?
Robartes. A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle-light
From the far tower where Milton's Platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.
Aherne. Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?
Robartes. He wrote of me in that extravagant style
He had learnt from pater, and to round his tale
Said I was dead; and dead I choose to be.
Aherne. Sing me the changes of the moon once more;
True song, though speech: "mine author sung it me.'
Robartes. Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athene takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after,
Under the frenzy of the fourteenth moon,
The soul begins to tremble into stillness,
To die into the labyrinth of itself!
Aherne. Sing out the song; sing to the end, and sing
The strange reward of all that discipline.
Robartes. All thought becomes an image and the soul
Becomes a body: that body and that soul
Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.
Aherne. All dreams of the soul
End in a beautiful man's or woman's body.
Robartes, Have you not always known it?
Aherne. The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.
Robartes. The lover's heart knows that.
Aherne. It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.
Robartes. When the moon's full those creatures of the
full
Are met on the waste hills by countrymen
Who shudder and hurry by: body and soul
Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought;
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.
And thereupon with aged, high-pitched voice
Aherne laughed, thinking of the man within,
His sleepless candle and lahorious pen.
Robartes. And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
It would be the world's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.
Aherne. Before the full
It sought itself and afterwards the world.
Robartes. Because you are forgotten, half out of life,
And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.
Aherne. And what of those
That the last servile crescent has set free?
Robartes. Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.
Aherne. And then?
Rohartes. When all the dough has been so kneaded up
That it can take what form cook Nature fancies,
The first thin crescent is wheeled round once more.
Aherne. But the escape; the song's not finished yet.
Robartes. Hunchback and Saint and Fool are the last
crescents.
The burning bow that once could shoot an arrow
Out of the up and down, the wagon-wheel
Of beauty's cruelty and wisdom's chatter
Out of that raving tide is drawn betwixt
Deformity of body and of mind.
Aherne. Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken countryman:
I'd stand and mutter there until he caught
"Hunchback and Sant and Fool,' and that they came
Under the three last crescents of the moon.
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.
And then he laughed to think that what seemed hard
Should be so simple a bat rose from the hazels
And circled round him with its squeaky cry,
The light in the tower window was put out.

~ William Butler Yeats, The Phases Of The Moon
,
486:I
WHAT shall I do with this absurdity -
O heart, O troubled heart - this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible -
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.

II
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.

Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.

Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.

And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day -
Music had driven their wits astray -
And one was drowned in the great bog of Cloone.

Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.

And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:

Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards -

O towards I have forgotten what - enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.

Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.

As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.

Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.

Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;

Does the imagination dwell the most
Upon a woman won or woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.

III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse -
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.

As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.

I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.

Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come -
The death of friends, or death
Of every brilliant eye
That made a catch in the breath - .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
First published in the 'New Republic,' 29th June 1927
~ William Butler Yeats, The Tower
,
487:Song Of Unending Sorrow.
China's Emperor, craving beauty that might shake an empire,
Was on the throne for many years, searching, never finding,
Till a little child of the Yang clan, hardly even grown,
Bred in an inner chamber, with no one knowing her,
But with graces granted by heaven and not to be concealed,
At last one day was chosen for the imperial household.
If she but turned her head and smiled, there were cast a hundred spells,
And the powder and paint of the Six Palaces faded into nothing.
...It was early spring. They bathed her in the FlowerPure Pool,
Which warmed and smoothed the creamy-tinted crystal of her skin,
And, because of her languor, a maid was lifting her
When first the Emperor noticed her and chose her for his bride.
The cloud of her hair, petal of her cheek, gold ripples of her crown when she
moved,
Were sheltered on spring evenings by warm hibiscus curtains;
But nights of spring were short and the sun arose too soon,
And the Emperor, from that time forth, forsook his early hearings
And lavished all his time on her with feasts and revelry,
His mistress of the spring, his despot of the night.
There were other ladies in his court, three thousand of rare beauty,
But his favours to three thousand were concentered in one body.
By the time she was dressed in her Golden Chamber, it would be almost evening;
And when tables were cleared in the Tower of Jade, she would loiter, slow with
wine.
Her sisters and her brothers all were given titles;
And, because she so illumined and glorified her clan,
She brought to every father, every mother through the empire,
Happiness when a girl was born rather than a boy.
...High rose Li Palace, entering blue clouds,
And far and wide the breezes carried magical notes
Of soft song and slow dance, of string and bamboo music.
The Emperor's eyes could never gaze on her enoughTill war-drums, booming from Yuyang, shocked the whole earth
And broke the tunes of The Rainbow Skirt and the Feathered Coat.
The Forbidden City, the nine-tiered palace, loomed in the dust
From thousands of horses and chariots headed southwest.
The imperial flag opened the way, now moving and now pausing- But thirty miles from the capital, beyond the western gate,
65
The men of the army stopped, not one of them would stir
Till under their horses' hoofs they might trample those moth- eyebrows....
Flowery hairpins fell to the ground, no one picked them up,
And a green and white jade hair-tassel and a yellowgold hair- bird.
The Emperor could not save her, he could only cover his face.
And later when he turned to look, the place of blood and tears
Was hidden in a yellow dust blown by a cold wind.
... At the cleft of the Dagger-Tower Trail they crisscrossed through a cloud-line
Under Omei Mountain. The last few came.
Flags and banners lost their colour in the fading sunlight....
But as waters of Shu are always green and its mountains always blue,
So changeless was His Majesty's love and deeper than the days.
He stared at the desolate moon from his temporary palace.
He heard bell-notes in the evening rain, cutting at his breast.
And when heaven and earth resumed their round and the dragon car faced
home,
The Emperor clung to the spot and would not turn away
From the soil along the Mawei slope, under which was buried
That memory, that anguish. Where was her jade-white face?
Ruler and lords, when eyes would meet, wept upon their coats
As they rode, with loose rein, slowly eastward, back to the capital.
...The pools, the gardens, the palace, all were just as before,
The Lake Taiye hibiscus, the Weiyang Palace willows;
But a petal was like her face and a willow-leaf her eyebrow -And what could he do but cry whenever he looked at them?
...Peach-trees and plum-trees blossomed, in the winds of spring;
Lakka-foliage fell to the ground, after autumn rains;
The Western and Southern Palaces were littered with late grasses,
And the steps were mounded with red leaves that no one swept away.
Her Pear-Garden Players became white-haired
And the eunuchs thin-eyebrowed in her Court of PepperTrees;
Over the throne flew fire-flies, while he brooded in the twilight.
He would lengthen the lamp-wick to its end and still could never sleep.
Bell and drum would slowly toll the dragging nighthours
And the River of Stars grow sharp in the sky, just before dawn,
And the porcelain mandarin-ducks on the roof grow thick with morning frost
And his covers of kingfisher-blue feel lonelier and colder
With the distance between life and death year after year;
And yet no beloved spirit ever visited his dreams.
...At Lingqiong lived a Taoist priest who was a guest of heaven,
Able to summon spirits by his concentrated mind.
And people were so moved by the Emperor's constant brooding
66
That they besought the Taoist priest to see if he could find her.
He opened his way in space and clove the ether like lightning,
Up to heaven, under the earth, looking everywhere.
Above, he searched the Green Void, below, the Yellow Spring;
But he failed, in either place, to find the one he looked for.
And then he heard accounts of an enchanted isle at sea,
A part of the intangible and incorporeal world,
With pavilions and fine towers in the five-coloured air,
And of exquisite immortals moving to and fro,
And of one among them-whom they called The Ever TrueWith a face of snow and flowers resembling hers he sought.
So he went to the West Hall's gate of gold and knocked at the jasper door
And asked a girl, called Morsel-of-Jade, to tell The Doubly- Perfect.
And the lady, at news of an envoy from the Emperor of China,
Was startled out of dreams in her nine-flowered, canopy.
She pushed aside her pillow, dressed, shook away sleep,
And opened the pearly shade and then the silver screen.
Her cloudy hair-dress hung on one side because of her great haste,
And her flower-cap was loose when she came along the terrace,
While a light wind filled her cloak and fluttered with her motion
As though she danced The Rainbow Skirt and the Feathered Coat.
And the tear-drops drifting down her sad white face
Were like a rain in spring on the blossom of the pear.
But love glowed deep within her eyes when she bade him thank her liege,
Whose form and voice had been strange to her ever since their parting -Since happiness had ended at the Court of the Bright Sun,
And moons and dawns had become long in Fairy-Mountain Palace.
But when she turned her face and looked down toward the earth
And tried to see the capital, there were only fog and dust.
So she took out, with emotion, the pledges he had given
And, through his envoy, sent him back a shell box and gold hairpin,
But kept one branch of the hairpin and one side of the box,
Breaking the gold of the hairpin, breaking the shell of the box;
"Our souls belong together," she said, " like this gold and this shell -Somewhere, sometime, on earth or in heaven, we shall surely
And she sent him, by his messenger, a sentence reminding him
Of vows which had been known only to their two hearts:
"On the seventh day of the Seventh-month, in the Palace of Long Life,
We told each other secretly in the quiet midnight world
That we wished to fly in heaven, two birds with the wings of one,
And to grow together on the earth, two branches of one tree."
Earth endures, heaven endures; some time both shall end,
67
While this unending sorrow goes on and on for ever.
~ Bai Juyi,
488:Recollections
Ye dear stars of the Bear, I did not think
I should again be turning, as I used,
To see you over father's garden shine,
And from the windows talk with you again
Of this old house, where as a child I dwelt,
And where I saw the end of all my joys.
What charming images, what fables, once,
The sight of you created in my thought,
And of the lights that bear you company!
Silent upon the verdant clod I sat,
My evening thus consuming, as I gazed
Upon the heavens, and listened to the chant
Of frogs that in the distant marshes croaked;
While o'er the hedges, ditches, fire-flies roamed,
And the green avenues and cypresses
In yonder grove were murmuring to the wind;
While in the house were heard, at intervals,
The voices of the servants at their work.
What thoughts immense in me the sight inspired
Of that far sea, and of the mountains blue,
That yonder I behold, and which I thought
One day to cross, mysterious worlds and joys
Mysterious in the future fancying!
Of my hard fate unconscious, and how oft
This sorrowful and barren life of mine
I willingly would have for death exchanged!
Nor did my heart e'er tell me, I should be
Condemned the flower of my youth to spend
In this wild native region, and amongst
A wretched, clownish crew, to whom the names
Of wisdom, learning, are but empty sounds,
Or arguments of laughter and of scorn;
Who hate, avoid me; not from envy, no;
For they do not esteem me better than
Themselves, but fancy that I, in my heart,
That feeling cherish; though I strive, indeed,
No token of such feeling to display.
And here I pass my years, abandoned, lost,
72
Of love deprived, of life; and rendered fierce,
'Mid such a crowd of evil-minded ones,
My pity and my courtesy I lose,
And I become a scorner of my race,
By such a herd surrounded; meanwhile, fly
The precious hours of youth, more precious far
Than fame, or laurel, or the light of day,
Or breath of life: thus uselessly, without
One joy, I lose thee, in this rough abode,
Whose only guests are care and suffering,
O thou, the only flower of barren life!
The wind now from the tower of the town
The deep sound of the bell is bringing. Oh,
What comfort was that sound to me, a child,
When in my dark and silent room I lay,
Besieged by terrors, longing for the dawn!
Whate'er I see or hear, recalls to mind
Some vivid image, recollection sweet;
Sweet in itself, but O how bitter made
By painful sense of present suffering,
By idle longing for the past, though sad,
And by the still recurring thought, '_I was_'!
Yon gallery that looks upon the west;
Those frescoed walls, these painted herds, the sun
Just rising o'er the solitary plain,
My idle hours with thousand pleasures filled,
While busy Fancy, at my side, still spread
Her bright illusions, wheresoe'er I went.
In these old halls, when gleamed the snow without,
And round these ample windows howled the wind,
My sports resounded, and my merry words,
In those bright days, when all the mysteries
And miseries of things an aspect wear,
So full of sweetness; when the ardent youth
Sees in his untried life a world of charms,
And, like an unexperienced lover, dotes
On heavenly beauty, creature of his dreams!
O hopes, illusions of my early days!-Of you I still must speak, to you return;
For neither flight of time, nor change of thoughts,
73
Or feelings, can efface you from my mind.
Full well I know that honor and renown
Are phantoms; pleasures but an idle dream;
That life, a useless misery, has not
One solid fruit to show; and though my days
Are empty, wearisome, my mortal state
Obscure and desolate, I clearly see
That Fortune robs me but of little. Yet,
Alas! as often as I dwell on you,
Ye ancient hopes, and youthful fancy's dreams,
And then look at the blank reality,
A life of ennui and of wretchedness;
And think, that of so vast a fund of hope,
Death is, to-day, the only relic left,
I feel oppressed at heart, I feel myself
Of every comfort utterly bereft.
And when the death, that I have long invoked,
Shall be at hand, the end be reached of all
My sufferings; when this vale of tears shall be
To me a stranger, and the future fade,
Fade from sight forever; even then, shall I
Recall you; and your images will make
Me sigh; the thought of having lived in vain,
Will then intrude, with bitterness to taint
The sweetness of that day of destiny.
Nay, in the first tumultuous days of youth,
With all its joys, desires, and sufferings,
I often called on death, and long would sit
By yonder fountain, longing, in its waves
To put an end alike to hope and grief.
And afterwards, by lingering sickness brought
Unto the borders of the grave, I wept
O'er my lost youth, the flower of my days,
So prematurely fading; often, too,
At late hours sitting on my conscious bed,
Composing, by the dim light of the lamp,
I with the silence and the night would moan
O'er my departing soul, and to myself
In languid tones would sing my funeral-song.
Who can remember you without a sigh,
74
First entrance into manhood, O ye days
Bewitching, inexpressible, when first
On the enchanted mortal smiles the maid,
And all things round in emulation smile;
And envy holds its peace, not yet awake,
Or else in a benignant mood; and when,
--O marvel rare!--the world a helping hand
To him extends, his faults excuses, greets
His entrance into life, with bows and smiles
Acknowledges his claims to its respect?
O fleeting days! How like the lightning's flash,
They vanish! And what mortal can escape
Unhappiness, who has already passed
That golden period, his own _good_ time,
That comes, alas, so soon to disappear?
And thou, Nerina, does not every spot
Thy memory recall? And couldst thou e'er
Be absent from my thought? Where art thou gone,
That here I find the memory alone,
Of thee, my sweet one? Thee thy native place
Beholds no more; that window, whence thou oft
Wouldst talk with me, which sadly now reflects
The light of yonder stars, is desolate.
Where art thou, that I can no longer hear
Thy gentle voice, as in those days of old,
When every faintest accent from thy lips
Was wont to turn me pale? Those days have gone.
They _have been_, my sweet love! And thou with them
Hast passed. To others now it is assigned
To journey to and fro upon the earth,
And others dwell amid these fragrant hills.
How quickly thou hast passed! Thy life was like
A dream. While dancing there, joy on thy brow
Resplendent shone, anticipations bright
Shone in thy eyes, the light of youth, when Fate
Extinguished them, and thou didst prostrate lie.
Nerina, in my heart the old love reigns.
If I at times still go unto some feast,
Or social gathering, unto myself
I say: 'Nerina, thou no more to feast
Dost go, nor for the ball thyself adorn.'
75
If May returns, when lovers offerings
Of flowers and of songs to maidens bring,
I say: 'Nerina mine, to thee spring ne'er
Returns, and love no more its tribute brings.'
Each pleasant day, each flowery field that I
Behold, each pleasure that I taste, the thought
Suggest: 'Nerina pleasure knows no more,
The face of heaven and earth no more beholds.'
Ah, thou hast passed, for whom I ever sigh!
Hast passed; and still the memory of thee
Remains, and with each thought and fancy blends
Each varying emotion of the heart;
And _will_ remain, so bitter, yet so sweet!
~ Count Giacomo Leopardi,
489:I.
Let those who pine in pride or in revenge,
Or think that ill for ill should be repaid,
Who barter wrong for wrong, until the exchange
Ruins the merchants of such thriftless trade,
Visit the tower of Vado, and unlearn
Such bitter faith beside Marenghis urn.

II.
A massy tower yet overhangs the town,
A scattered group of ruined dwellings now...

...

III.
Another scene are wise Etruria knew
Its second ruin through internal strife
And tyrants through the breach of discord threw
The chain which binds and kills. As death to life,
As winter to fair flowers (though some be poison)
So Monarchy succeeds to Freedoms foison.

IV.
In Pisas church a cup of sculptured gold
Was brimming with the blood of feuds forsworn:
A Sacrament more holy neer of old
Etrurians mingled mid the shades forlorn
Of moon-illumined forests, when...

V.
And reconciling factions wet their lips
With that dread wine, and swear to keep each spirit
Undarkened by their countrys last eclipse...

...

VI.
Was Florence the liberticide? that band
Of free and glorious brothers who had planted,
Like a green isle mid Aethiopian sand,
A nation amid slaveries, disenchanted
Of many impious faithswise, justdo they,
Does Florence, gorge the sated tyrants prey?

VII.
O foster-nurse of mans abandoned glory,
Since Athens, its great mother, sunk in splendour;
Thou shadowest forth that mighty shape in story,
As ocean its wrecked fanes, severe yet tender:
The light-invested angel Poesy
Was drawn from the dim world to welcome thee.

VIII.
And thou in painting didst transcribe all taught
By loftiest meditations; marble knew
The sculptors fearless souland as he wrought,
The grace of his own power and freedom grew.
And more than all, heroic, just, sublime,
Thou wart among the false...was this thy crime?

IX.
Yes; and on Pisas marble walls the twine
Of direst weeds hangs garlandedthe snake
Inhabits its wrecked palaces;in thine
A beast of subtler venom now doth make
Its lair, and sits amid their glories overthrown,
And thus thy victims fate is as thine own.

X.
The sweetest flowers are ever frail and rare,
And love and freedom blossom but to wither;
And good and ill like vines entangled are,
So that their grapes may oft be plucked together;--
Divide the vintage ere thou drink, then make
Thy heart rejoice for dead Marenghis sake.

Xa.

[Albert] Marenghi was a Florentine;
If he had wealth, or children, or a wife
Or friends, [or farm] or cherished thoughts which twine
The sights and sounds of home with lifes own life
Of these he was despoiled and Florence sent...

...

XI.
No record of his crime remains in story,
But if the morning bright as evening shone,
It was some high and holy deed, by glory
Pursued into forgetfulness, which won
From the blind crowd he made secure and free
The patriots meed, toil, death, and infamy.

XII.
For when by sound of trumpet was declared
A price upon his life, and there was set
A penalty of blood on all who shared
So much of water with him as might wet
His lips, which speech divided nothe went
Alone, as you may guess, to banishment.

XIII.
Amid the mountains, like a hunted beast,
He hid himself, and hunger, toil, and cold,
Month after month endured; it was a feast
Wheneer he found those globes of deep-red gold
Which in the woods the strawberry-tree doth bear,
Suspended in their emerald atmosphere.

XIV.
And in the roofless huts of vast morasses,
Deserted by the fever-stricken serf,
All overgrown with reeds and long rank grasses,
And hillocks heaped of moss-inwoven turf,
And where the huge and speckled aloe made,
Rooted in stones, a broad and pointed shade,--

XV.
He housed himself. There is a point of strand
Near Vados tower and town; and on one side
The treacherous marsh divides it from the land,
Shadowed by pine and ilex forests wide,
And on the other, creeps eternally,
Through muddy weeds, the shallow sullen sea.

XVI.
Here the earths breath is pestilence, and few
But things whose nature is at war with life--
Snakes and ill wormsendure its mortal dew.
The trophies of the climes victorious strife--
And ringed horns which the buffalo did wear,
And the wolfs dark gray scalp who tracked him there.

XVII.
And at the utmost point...stood there
The relics of a reed-inwoven cot, 95
Thatched with broad flags. An outlawed murderer
Had lived seven days there: the pursuit was hot
When he was cold. The birds that were his grave
Fell dead after their feast in Vados wave.

XVIII.
There must have burned within Marenghis breast
That fire, more warm and bright than life and hope,
(Which to the martyr makes his dungeon...
More joyous than free heavens majestic cope
To his oppressor), warring with decay,--
Or he could neer have lived years, day by day.

XIX.
Nor was his state so lone as you might think.
He had tamed every newt and snake and toad,
And every seagull which sailed down to drink
Those freshes ere the death-mist went abroad.
And each one, with peculiar talk and play,
Wiled, not untaught, his silent time away.

XX.
And the marsh-meteors, like tame beasts, at night
Came licking with blue tongues his veined feet;
And he would watch them, as, like spirits bright,
In many entangled figures quaint and sweet
To some enchanted music they would dance--
Until they vanished at the first moon-glance.

XXI.
He mocked the stars by grouping on each weed
The summer dew-globes in the golden dawn;
And, ere the hoar-frost languished, he could read
Its pictured path, as on bare spots of lawn
Its delicate brief touch in silver weaves
The likeness of the woods remembered leaves.

XXII.
And many a fresh Spring morn would he awaken--
While yet the unrisen sun made glow, like iron
Quivering in crimson fire, the peaks unshaken
Of mountains and blue isles which did environ
With air-clad crags that plain of land and sea,--
And feel ... liberty.

XXIII.
And in the moonless nights when the dun ocean
Heaved underneath wide heaven, star-impearled,
Starting from dreams...
Communed with the immeasurable world;
And felt his life beyond his limbs dilated,
Till his mind grew like that it contemplated.

XXIV.
His food was the wild fig and strawberry;
The milky pine-nuts which the autumn-blast
Shakes into the tall grass; or such small fry
As from the sea by winter-storms are cast;
And the coarse bulbs of iris-flowers he found
Knotted in clumps under the spongy ground.

XXV.
And so were kindled powers and thoughts which made
His solitude less dark. When memory came
(For years gone by leave each a deepening shade),
His spirit basked in its internal flame,--
As, when the black storm hurries round at night,
The fisher basks beside his red firelight.

XXVI.
Yet human hopes and cares and faiths and errors,
Like billows unawakened by the wind,
Slept in Marenghi still; but that all terrors,
Weakness, and doubt, had withered in his mind.
His couch...

...

XXVII.
And, when he saw beneath the sunsets planet
A black ship walk over the crimson ocean,--
Its pennon streaming on the blasts that fan it,
Its sails and ropes all tense and without motion,
Like the dark ghost of the unburied even
Striding athwart the orange-coloured heaven,--

XXVIII.
The thought of his own kind who made the soul
Which sped that winged shape through night and day,--
The thought of his own country...

...
This fragment refers to an event told in Sismondi's Histoire des Republiques Italiennes, which occurred during the war when Florence finally subdued Pisa, and reduced it to a province.--[MRS. SHELLEYS NOTE, 1824.]
~ Percy Bysshe Shelley, Marenghi
,
490:Towns In Colour
Red Slippers
Red slippers in a shop-window, and outside in the street, flaws of grey,
windy sleet!
Behind the polished glass, the slippers hang in long threads of red,
festooning from the ceiling like stalactites of blood, flooding the eyes
of passers-by with dripping colour, jamming their crimson reflections
against the windows of cabs and tram-cars, screaming their claret and salmon
into the teeth of the sleet, plopping their little round maroon lights
upon the tops of umbrellas.
The row of white, sparkling shop fronts is gashed and bleeding,
it bleeds red slippers. They spout under the electric light,
fluid and fluctuating, a hot rain - and freeze again to red slippers,
myriadly multiplied in the mirror side of the window.
They balance upon arched insteps like springing bridges of crimson lacquer;
they swing up over curved heels like whirling tanagers sucked
in a wind-pocket; they flatten out, heelless, like July ponds,
flared and burnished by red rockets.
Snap, snap, they are cracker-sparks of scarlet in the white, monotonous
block of shops.
They plunge the clangour of billions of vermilion trumpets
into the crowd outside, and echo in faint rose over the pavement.
People hurry by, for these are only shoes, and in a window, farther down,
is a big lotus bud of cardboard whose petals open every few minutes
and reveal a wax doll, with staring bead eyes and flaxen hair,
lolling awkwardly in its flower chair.
One has often seen shoes, but whoever saw a cardboard lotus bud before?
424
The flaws of grey, windy sleet beat on the shop-window where there are only
red slippers.
II
Thompson's Lunch Room - Grand Central Station
Study in Whites
Wax-white Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook's cap
Moves unglossily against the vaguely bright wall Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting - greener, bluer - with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: 'Oyster Stew, Cornbeef Hash, Frankfurters':
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
425
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated `epergnes'.
The electric clock jerks every half-minute:
'Coming! - Past!'
'Three beef-steaks and a chicken-pie,'
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
III
An Opera House
Within the gold square of the proscenium arch,
A curtain of orange velvet hangs in stiff folds,
Its tassels jarring slightly when someone crosses the stage behind.
Gold carving edges the balconies,
Rims the boxes,
Runs up and down fluted pillars.
Little knife-stabs of gold
Shine out whenever a box door is opened.
Gold clusters
Flash in soft explosions
On the blue darkness,
Suck back to a point,
And disappear.
Hoops of gold
Circle necks, wrists, fingers,
Pierce ears,
Poise on heads
And fly up above them in coloured sparkles.
Gold!
Gold!
426
The opera house is a treasure-box of gold.
Gold in a broad smear across the orchestra pit:
Gold of horns, trumpets, tubas;
Gold - spun-gold, twittering-gold, snapping-gold
Of harps.
The conductor raises his baton,
The brass blares out
Crass, crude,
Parvenu, fat, powerful,
Golden.
Rich as the fat, clapping hands in the boxes.
Cymbals, gigantic, coin-shaped,
Crash.
The orange curtain parts
And the prima-donna steps forward.
One note,
A drop: transparent, iridescent,
A gold bubble,
It floats . . . floats . . .
And bursts against the lips of a bank president
In the grand tier.
IV
Afternoon Rain in State Street
Cross-hatchings of rain against grey walls,
Slant lines of black rain
In front of the up and down, wet stone sides of buildings.
Below,
Greasy, shiny, black, horizontal,
The street.
And over it, umbrellas,
Black polished dots
Struck to white
An instant,
Stream in two flat lines
Slipping past each other with the smoothness of oil.
Like a four-sided wedge
The Custom House Tower
Pokes at the low, flat sky,
427
Pushing it farther and farther up,
Lifting it away from the house-tops,
Lifting it in one piece as though it were a sheet of tin,
With the lever of its apex.
The cross-hatchings of rain cut the Tower obliquely,
Scratching lines of black wire across it,
Mutilating its perpendicular grey surface
With the sharp precision of tools.
The city is rigid with straight lines and angles,
A chequered table of blacks and greys.
Oblong blocks of flatness
Crawl by with low-geared engines,
And pass to short upright squares
Shrinking with distance.
A steamer in the basin blows its whistle,
And the sound shoots across the rain hatchings,
A narrow, level bar of steel.
Hard cubes of lemon
Superimpose themselves upon the fronts of buildings
As the windows light up.
But the lemon cubes are edged with angles
Upon which they cannot impinge.
Up, straight, down, straight - square.
Crumpled grey-white papers
Blow along the side-walks,
Contorted, horrible,
Without curves.
A horse steps in a puddle,
And white, glaring water spurts up
In stiff, outflaring lines,
Like the rattling stems of reeds.
The city is heraldic with angles,
A sombre escutcheon of argent and sable
And countercoloured bends of rain
Hung over a four-square civilization.
When a street lamp comes out,
I gaze at it for fully thirty seconds
To rest my brain with the suffusing, round brilliance of its globe.
428
An Aquarium
Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver - gold Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles,
Swallowing them,
Fish.
Blue shadows against silver-saffron water,
The light rippling over them
In steel-bright tremors.
Outspread translucent fins
Flute, fold, and relapse;
The threaded light prints through them on the pebbles
In scarcely tarnished twinklings.
Curving of spotted spines,
Slow up-shifts,
Lazy convolutions:
Then a sudden swift straightening
And darting below:
Oblique grey shadows
Athwart a pale casement.
Roped and curled,
Green man-eating eels
Slumber in undulate rhythms,
With crests laid horizontal on their backs.
Barred fish,
Striped fish,
Uneven disks of fish,
Slip, slide, whirl, turn,
And never touch.
Metallic blue fish,
With fins wide and yellow and swaying
Like Oriental fans,
Hold the sun in their bellies
And glow with light:
Blue brilliance cut by black bars.
429
An oblong pane of straw-coloured shimmer,
Across it, in a tangent,
A smear of rose, black, silver.
Short twists and upstartings,
Rose-black, in a setting of bubbles:
Sunshine playing between red and black flowers
On a blue and gold lawn.
Shadows and polished surfaces,
Facets of mauve and purple,
A constant modulation of values.
Shaft-shaped,
With green bead eyes;
Thick-nosed,
Heliotrope-coloured;
Swift spots of chrysolite and coral;
In the midst of green, pearl, amethyst irradiations.
Outside,
A willow-tree flickers
With little white jerks,
And long blue waves
Rise steadily beyond the outer islands.
~ Amy Lowell,
491:I
Ancestral Houses
SURELY among a rich man s flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?

II
My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwindling score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.

III
My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.

IV
My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V
The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.

VI
The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no cleat fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.

VII
I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist
sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
"Vengeance upon the murderers,' the cry goes up,
"Vengeance for Jacques Molay.' In cloud-pale rags, or
in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading
wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their
eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or
of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the
moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my
worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.

~ William Butler Yeats, Meditations In Time Of Civil War
,
492:City Without A Name
Who will honor the city without a name
If so many are dead and others pan gold
Or sell arms in faraway countries?
What shepherd's horn swathed in the bark of birch
Will sound in the Ponary Hills the memory of the absent—
Vagabonds, Pathfinders, brethren of a dissolved lodge?
This spring, in a desert, beyond a campsite flagpole,
—In silence that stretched to the solid rock of yellow and red mountains—
I heard in a gray bush the buzzing of wild bees.
The current carried an echo and the timber of rafts.
A man in a visored cap and a woman in a kerchief
Pushed hard with their four hands at a heavy steering oar.
In the library, below a tower painted with the signs of the zodiac,
Kontrym would take a whiff from his snuffbox and smile
For despite Metternich all was not yet lost.
And on crooked lanes down the middle of a sandy highway
Jewish carts went their way while a black grouse hooted
Standing on a cuirassier's helmet, a relict of La Grande Armée.
In Death Valley I thought about styles of hairdo,
About a hand that shifted spotlights at the Student's Ball
In the city from which no voice could reach me.
Minerals did not sound the last trumpet.
There was only the rustle of a loosened grain of lava.
38
In Death Valley salt gleams from a dried-up lake bed.
Defend, defend yourself, says the tick-tock of the blood.
From the futility of solid rock, no wisdom.
In Death Valley no hawk or eagle against the sky.
The prediction of a Gypsy woman has come true.
In a lane under an arcade, then, I was reading a poem
Of someone who had lived next door, entitled 'An Hour of Thought.'
I looked long at the rearview mirror: there, the one man
Within three miles, an Indian, was walking a bicycle uphill.
With flutes, with torches
And a drum, boom, boom,
Look, the one who died in Istanbul, there, in the first row.
He walks arm in arm with his young lady,
And over them swallows fly.
They carry oars or staffs garlanded with leaves
And bunches of flowers from the shores of the Green Lakes,
As they came closer and closer, down Castle Street.
And then suddenly nothing, only a white puff of cloud
Over the Humanities Student Club,
Division of Creative Writing.
Books, we have written a whole library of them.
Lands, we have visited a great many of them.
Battles, we have lost a number of them.
Till we are no more, we and our Maryla.
Understanding and pity,
We value them highly.
What else?
39
Beauty and kisses,
Fame and its prizes,
Who cares?
Doctors and lawyers,
Well-turned-out majors,
Six feet of earth.
Rings, furs, and lashes,
Glances at Masses,
Rest in peace.
Sweet twin breasts, good night.
Sleep through to the light,
Without spiders.
The sun goes down above the Zealous Lithuanian Lodge
And kindles fire on landscapes 'made from nature':
The Wilia winding among pines; black honey of the Żejmiana;
The Mereczanka washes berries near the Żegaryno village.
The valets had already brought in Theban candelabra
And pulled curtains, one after the other, slowly,
While, thinking I entered first, taking off my gloves,
I saw that all the eyes were fixed on me.
When I got rid of grieving
And the glory I was seeking,
Which I had no business doing,
I was carried by dragons
Over countries, bays, and mountains,
By fate, or by what happens.
40
Oh yes, I wanted to be me.
I toasted mirrors weepily
And learned my own stupidity.
From nails, mucous membrane,
Lungs, liver, bowels, and spleen
Whose house is made? Mine.
So what else is new?
I am not my own friend.
Time cuts me in two.
Monuments covered with snow,
Accept my gift. I wandered;
And where, I don't know.
Absent, burning, acrid, salty, sharp.
Thus the feast of Insubstantiality.
Under a gathering of clouds anywhere.
In a bay, on a plateau, in a dry arroyo.
No density. No harness of stone.
Even the Summa thins into straw and smoke.
And the angelic choirs fly over in a pomegranate seed
Sounding every few instants, not for us, their trumpets.
Light, universal, and yet it keeps changing.
For I love the light too, perhaps the light only.
Yet what is too dazzling and too high is not for me.
So when the clouds turn rosy, I think of light that is level
In the lands of birch and pine coated with crispy lichen,
Late in autumn, under the hoarfrost when the last milk caps
Rot under the firs and the hounds' barking echoes,
And jackdaws wheel over the tower of a Basilian church.
41
10
Unexpressed, untold.
But how?
The shortness of life,
the years quicker and quicker,
not remembering whether it happened in this or that autumn.
Retinues of homespun velveteen skirts,
giggles above a railing, pigtails askew,
sittings on chamberpots upstairs
when the sledge jingles under the columns of the porch
just before the moustachioed ones in wolf fur enter.
Female humanity,
children's snots, legs spread apart,
snarled hair, the milk boiling over,
stench, shit frozen into clods.
And those centuries,
conceiving in the herring smell of the middle of the night
instead of playing something like a game of chess
or dancing an intellectual ballet.
And palisades,
and pregnant sheep,
and pigs, fast eaters and poor eaters,
and cows cured by incantations.
11
Not the Last Judgment, just a kermess by a river.
Small whistles, clay chickens, candied hearts.
So we trudged through the slush of melting snow
To buy bagels from the district of Smorgonie.
A fortune-teller hawking: 'Your destiny, your planets.'
And a toy devil bobbing in a tube of crimson brine.
Another, a rubber one, expired in the air squeaking,
By the stand where you bought stories of King Otto and Melusine.
12
Why should that city, defenseless and pure as the wedding necklace of
42
a forgotten tribe, keep offering itself to me?
Like blue and red-brown seeds beaded in Tuzigoot in the copper desert
seven centuries ago.
Where ocher rubbed into stone still waits for the brow and cheekbone
it would adorn, though for all that time there has been no one.
What evil in me, what pity has made me deserve this offering?
It stands before me, ready, not even the smoke from one chimney is
lacking, not one echo, when I step across the rivers that separate us.
Perhaps Anna and Dora Drużyno have called to me, three hundred miles
inside Arizona, because except fo me no one else knows that they ever
lived.
They trot before me on Embankment Street, two hently born parakeets
from Samogitia, and at night they unravel their spinster tresses of gray
hair.
Here there is no earlier and no later; the seasons of the year and of the
day are simultaneous.
At dawn shit-wagons leave town in long rows and municipal employees
at the gate collect the turnpike toll in leather bags.
Rattling their wheels, 'Courier' and 'Speedy' move against the current
to Werki, and an oarsman shot down over England skiffs past, spreadeagled by his oars.
At St. Peter and Paul's the angels lower their thick eyelids in a smile
over a nun who has indecent thoughts.
43
Bearded, in a wig, Mrs. Sora Klok sits at the ocunter, instructing her
twelve shopgirls.
And all of German Street tosses into the air unfurled bolts of fabric,
preparing itself for death and the conquest of Jerusalem.
Black and princely, an underground river knocks at cellars of the
cathedral under the tomb of St. Casimir the Young and under the
half-charred oak logs in the hearth.
Carrying her servant's-basket on her shoulder, Barbara, dressed in
mourning, returns from the Lithuanian Mass at St. Nicholas to the
Romers' house in Bakszta Street.
How it glitters! the snow on Three Crosses Hill and Bekiesz Hill, not
to be melted by the breath of these brief lives.
And what do I know now, when I turn into Arsenal Street and open
my eyes once more on a useless end of the world?
I was running, as the silks rustled, through room after room without
stopping, for I believed in the existence of a last door.
But the shape of lips and an apple and a flower pinned to a dress were
all that one was permitted to know and take away.
The Earth, neither compassionate nor evil, neither beautiful nor atrocious, persisted, innocent, open to pain and desire.
And the gift was useless, if, later on, in the flarings of distant nights,
there was not less bitterness but more.
44
If I cannot so exhaust my life and their life that the bygone crying is
transformed, at last, into harmony.
Like a Noble Jan Dęboróg in the Straszun's secondhand-book shop, I am
put to rest forever between tow familiar names.
The castle tower above the leafy tumulus grows small and there is still
a hardly audible—is it Mozart's Requiem?—music.
In the immobile light I move my lips and perhaps I am even glad not
to find the desired word.
~ Czeslaw Milosz,
493:Frances
SHE will not sleep, for fear of dreams,
But, rising, quits her restless bed,
And walks where some beclouded beams
Of moonlight through the hall are shed.
Obedient to the goad of grief,
Her steps, now fast, now lingering slow,
In varying motion seek relief
From the Eumenides of woe.
Wringing her hands, at intervals­
But long as mute as phantom dim­
She glides along the dusky walls,
Under the black oak rafters, grim.
The close air of the grated tower
Stifles a heart that scarce can beat,
And, though so late and lone the hour,
Forth pass her wandering, faltering feet;
And on the pavement, spread before
The long front of the mansion grey,
Her steps imprint the night-frost hoar,
Which pale on grass and granite lay.
Not long she stayed where misty moon
And shimmering stars could on her look,
But through the garden arch-way, soon
Her strange and gloomy path she took.
Some firs, coeval with the tower,
Their straight black boughs stretched o'er her head,
Unseen, beneath this sable bower,
Rustled her dress and rapid tread.
There was an alcove in that shade,
Screening a rustic-seat and stand;
Weary she sat her down and laid
Her hot brow on her burning hand.
11
To solitude and to the night,
Some words she now, in murmurs, said;
And, trickling through her fingers white,
Some tears of misery she shed.
' God help me, in my grievous need,
God help me, in my inward pain;
Which cannot ask for pity's meed,
Which has no license to complain;
Which must be borne, yet who can bear,
Hours long, days long, a constant weight­
The yoke of absolute despair,
A suffering wholly desolate ?
Who can for ever crush the heart,
Restrain its throbbing, curb its life ?
Dissemble truth with ceaseless art,
With outward calm, mask inward strife ?'
She waited­as for some reply;
The still and cloudy night gave none;
Erelong, with deep-drawn, trembling sigh,
Her heavy plaint again begun.
' Unloved­I love; unwept­I weep;
Grief I restrain­hope I repress:
Vain is this anguish­fixed and deep;
Vainer, desires and dreams of bliss.
My
My
My
My
love awakes no love again,
tears collect, and fall unfelt;
sorrow touches none with pain,
humble hopes to nothing melt.
For me the universe is dumb,
Stone-deaf, and blank, and wholly blind;
Life I must bound, existence sum
In the strait limits of one mind;
That mind my own. Oh ! narrow cell;
12
Dark­imageless­a living tomb !
There must I sleep, there wake and dwell
Content, with palsy, pain, and gloom.'
Again she paused; a moan of pain,
A stifled sob, alone was heard;
Long silence followed­then again,
Her voice the stagnant midnight stirred.
' Must it be so ? Is this my fate ?
Can I nor struggle, nor contend ?
And am I doomed for years to wait,
Watching death's lingering axe descend ?
And when it falls, and when I die,
What follows ? Vacant nothingness ?
The blank of lost identity ?
Erasure both of pain and bliss ?
I've heard of heaven­I would believe;
For if this earth indeed be all,
Who longest lives may deepest grieve,
Most blest, whom sorrows soonest call.
Oh ! leaving disappointment here,
Will man find hope on yonder coast ?
Hope, which, on earth, shines never clear,
And oft in clouds is wholly lost.
Will he hope's source of light behold,
Fruition's spring, where doubts expire,
And drink, in waves of living gold,
Contentment, full, for long desire ?
Will he find bliss, which here he dreamed ?
Rest, which was weariness on earth ?
Knowledge, which, if o'er life it beamed,
Served but to prove it void of worth ?
Will he find love without lust's leaven,
Love fearless, tearless, perfect, pure,
To all with equal bounty given,
13
In all, unfeigned, unfailing, sure ?
Will he, from penal sufferings free,
Released from shroud and wormy clod,
All calm and glorious, rise and see
Creation's Sire­Existence' God ?
Then, glancing back on Time's brief woes,
Will he behold them, fading, fly;
Swept from Eternity's repose,
Like sullying cloud, from pure blue sky ?
If so­endure, my weary frame;
And when thy anguish strikes too deep,
And when all troubled burns life's flame,
Think of the quiet, final sleep;
Think of the glorious waking-hour,
Which will not dawn on grief and tears,
But on a ransomed spirit's power,
Certain, and free from mortal fears.
Seek now thy couch, and lie till morn,
Then from thy chamber, calm, descend,
With mind nor tossed, nor anguish-torn,
But tranquil, fixed, to wait the end.
And when thy opening eyes shall see
Mementos, on the chamber wall,
Of one who has forgotten thee,
Shed not the tear of acrid gall.
The tear which, welling from the heart,
Burns where its drop corrosive falls,
And makes each nerve, in torture, start,
At feelings it too well recalls:
When the sweet hope of being loved,
Threw Eden sunshine on life's way;
When every sense and feeling proved
Expectancy of brightest day.
14
When the hand trembled to receive
A thrilling clasp, which seemed so near,
And the heart ventured to believe,
Another heart esteemed it dear.
When words, half love, all tenderness,
Were hourly heard, as hourly spoken,
When the long, sunny days of bliss,
Only by moonlight nights were broken.
Till drop by drop, the cup of joy
Filled full, with purple light, was glowing,
And Faith, which watched it, sparkling high,
Still never dreamt the overflowing.
It fell not with a sudden crashing,
It poured not out like open sluice;
No, sparkling still, and redly flashing,
Drained, drop by drop, the generous juice.
I saw it sink, and strove to taste it,
My eager lips approached the brim;
The movement only seemed to waste it,
It sank to dregs, all harsh and dim.
These I have drank, and they for ever
Have poisoned life and love for me;
A draught from Sodom's lake could never
More fiery, salt, and bitter, be.
Oh ! Love was all a thin illusion;
Joy, but the desert's flying stream;
And, glancing back on long delusion,
My memory grasps a hollow dream.
Yet, whence that wondrous change of feeling,
I never knew, and cannot learn,
Nor why my lover's eye, congealing,
Grew cold, and clouded, proud, and stern.
Nor wherefore, friendship's forms forgetting,
He careless left, and cool withdrew;
15
Nor spoke of grief, nor fond regretting,
Nor even one glance of comfort threw.
And neither word nor token sending,
Of kindness, since the parting day,
His course, for distant regions bending,
Went, self-contained and calm, away.
Oh, bitter, blighting, keen sensation,
Which will not weaken, cannot die,
Hasten thy work of desolation,
And let my tortured spirit fly !
Vain as the passing gale, my crying;
Though lightning-struck, I must live on;
I know, at heart, there is no dying
Of love, and ruined hope, alone.
Still strong, and young, and warm with vigour,
Though scathed, I long shall greenly grow,
And many a storm of wildest rigour
Shall yet break o'er my shivered bough.
Rebellious now to blank inertion,
My unused strength demands a task;
Travel, and toil, and full exertion,
Are the last, only boon I ask.
Whence, then, this vain and barren dreaming
Of death, and dubious life to come ?
I see a nearer beacon gleaming
Over dejection's sea of gloom.
The very wildness of my sorrow
Tells me I yet have innate force;
My track of life has been too narrow,
Effort shall trace a broader course.
The world is not in yonder tower,
Earth is not prisoned in that room,
'Mid whose dark pannels, hour by hour,
I've sat, the slave and prey of gloom.
16
One feeling­turned to utter anguish,
Is not my being's only aim;
When, lorn and loveless, life will languish,
But courage can revive the flame.
He, when he left me, went a roving
To sunny climes, beyond the sea;
And I, the weight of woe removing,
Am free and fetterless as he.
New scenes, new language, skies less clouded,
May once more wake the wish to live;
Strange, foreign towns, astir, and crowded,
New pictures to the mind may give.
New forms and faces, passing ever,
May hide the one I still retain,
Defined, and fixed, and fading never,
Stamped deep on vision, heart, and brain.
And we might meet­time may have changed him;
Chance may reveal the mystery,
The secret influence which estranged him;
Love may restore him yet to me.
False thought­false hope­in scorn be banished !
I am not loved­nor loved have been;
Recall not, then, the dreams scarce vanished,
Traitors ! mislead me not again !
To words like yours I bid defiance,
'Tis such my mental wreck have made;
Of God alone, and self-reliance,
I ask for solace­hope for aid.
Morn comes­and ere meridian glory
O'er these, my natal woods, shall smile,
Both lonely wood and mansion hoary
I'll leave behind, full many a mile.
17
~ Charlotte Brontë,
494:See you the towers, that, gray and old,
Frown through the sunlight's liquid gold,
Steep sternly fronting steep?
The Hellespont beneath them swells,
And roaring cleaves the Dardanelles,
The rock-gates of the deep!
Hear you the sea, whose stormy wave,
From Asia, Europe clove in thunder?
That sea which rent a world, cannot
Rend love from love asunder!

In Hero's, in Leander's heart,
Thrills the sweet anguish of the dart
Whose feather flies from love.
All Hebe's bloom in Hero's cheek
And his the hunter's steps that seek
Delight, the hills above!
Between their sires the rival feud
Forbids their plighted hearts to meet;
Love's fruits hang over danger's gulf,
By danger made more sweet.

Alone on Sestos' rocky tower,
Where upward sent in stormy shower,
The whirling waters foam,
Alone the maiden sits, and eyes
The cliffs of fair Abydos rise
Afarher lover's home.
Oh, safely thrown from strand to strand,
No bridge can love to love convey;
No boatman shoots from yonder shore,
Yet Love has found the way.

That love, which could the labyrinth pierce
Which nerves the weak, and curbs the fierce,
And wings with wit the dull;
That love which o'er the furrowed land
Bowedtame beneath young Jason's hand
The fiery-snorting bull!
Yes, Styx itself, that ninefold flows,
Has love, the fearless, ventured o'er,
And back to daylight borne the bride,
From Pluto's dreary shore!

What marvel then that wind and wave,
Leander doth but burn to brave,
When love, that goads him, guides!
Still when the day, with fainter glimmer,
Wanes palehe leaps, the daring swimmer,
Amid the darkening tides;
With lusty arms he cleaves the waves,
And strikes for that dear strand afar;
Where high from Hero's lonely tower
Lone streams the beacon-star.

In vain his blood the wave may chill,
These tender arms can warm it still
And, weary if the way,
By many a sweet embrace, above
All earthly boonscan liberal love
The lover's toil repay,
Until Aurora breaks the dream,
And warns the loiterer to depart
Back to the ocean's icy bed,
Scared from that loving heart.

So thirty suns have sped their flight
Still in that theft of sweet delight
Exult the happy pair;
Caress will never pall caress,
And joys that gods might envy, bless
The single bride-night there.
Ah! never he has rapture known,
Who has not, where the waves are driven
Upon the fearful shores of hell,
Plucked fruits that taste of heaven!

Now changing in their season are,
The morning and the Hesper star;
Nor see those happy eyes
The leaves that withering droop and fall,
Nor hear, when, from its northern hall,
The neighboring winter sighs;
Or, if they see, the shortening days
But seem to them to close in kindness;
For longer joys, in lengthening nights,
They thank the heaven in blindness.

It is the time, when night and day,
In equal scales contend for sway
Lone, on her rocky steep,
Lingers the girl with wistful eyes
That watch the sun-steeds down the skies,
Careering towards the deep.
Lulled lay the smooth and silent sea,
A mirror in translucent calm,
The breeze, along that crystal realm,
Unmurmuring, died in balm.

In wanton swarms and blithe array,
The merry dolphins glide and play
Amid the silver waves.
In gray and dusky troops are seen,
The hosts that serve the ocean-queen,
Upborne from coral caves:
Theyonly theyhave witnessed love
To rapture steal its secret way:
And Hecate [36] seals the only lips
That could the tale betray!

She marks in joy the lulled water,
And Sestos, thus thy tender daughter,
Soft-flattering, woos the sea!
"Fair godand canst thou then betray?
No! falsehood dwells with them that say
That falsehood dwells with thee!
Ah! faithless is the race of man,
And harsh a father's heart can prove;
But thee, the gentle and the mild,
The grief of love can move!"

"Within these hated walls of stone,
Should I, repining, mourn alone,
And fade in ceaseless care,
But thou, though o'er thy giant tide,
Nor bridge may span, nor boat may glide,
Dost safe my lover bear.
And darksome is thy solemn deep,
And fearful is thy roaring wave;
But wave and deep are won by love
Thou smilest on the brave!"

"Nor vainly, sovereign of the sea,
Did Eros send his shafts to thee
What time the rain of gold,
Bright Helle, with her brother bore,
How stirred the waves she wandered o'er,
How stirred thy deeps of old!
Swift, by the maiden's charms subdued,
Thou cam'st from out the gloomy waves,
And in thy mighty arms, she sank
Into thy bridal caves."

"A goddess with a god, to keep
In endless youth, beneath the deep,
Her solemn ocean-court!
And still she smooths thine angry tides,
Tames thy wild heart, and favoring guides
The sailor to the port!
Beautiful Helle, bright one, hear
Thy lone adoring suppliant pray!
And guide, O goddessguide my love
Along the wonted way!"

Now twilight dims the waters' flow,
And from the tower, the beacon's glow
Waves flickering o'er the main.
Ah, where athwart the dismal stream,
Shall shine the beacon's faithful beam
The lover's eyes shall strain!
Hark! sounds moan threatening from afar
From heaven the blessed stars are gone
More darkly swells the rising sea
The tempest labors on!

Along the ocean's boundless plains
Lies nightin torrents rush the rains
From the dark-bosomed cloud
Red lightning skirs the panting air,
And, loosed from out their rocky lair,
Sweep all the storms abroad.
Huge wave on huge wave tumbling o'er,
The yawning gulf is rent asunder,
And shows, as through an opening pall,
Grim earththe ocean under!

Poor maiden! bootless wail or vow
"Have mercy, Jovebe gracious, thou!
Dread prayer was mine before!"
What if the gods have heardand he,
Lone victim of the stormy sea,
Now struggles to the shore!
There's not a sea-bird on the wave
Their hurrying wings the shelter seek;
The stoutest ship the storms have proved,
Takes refuge in the creek.

"Ah, still that heart, which oft has braved
The danger where the daring saved,
Love lureth o'er the sea;
For many a vow at parting morn,
That naught but death should bar return,
Breathed those dear lips to me;
And whirled around, the while I weep,
Amid the storm that rides the wave,
The giant gulf is grasping down
The rash one to the grave!

"False Pontus! and the calm I hailed,
The awaiting murder darkly veiled
The lulled pellucid flow,
The smiles in which thou wert arrayed,
Were but the snares that love betrayed
To thy false realm below!
Now in the midway of the main,
Return relentlessly forbidden,
Thou loosenest on the path beyond
The horrors thou hadst hidden."

Loud and more loud the tempest raves
In thunder break the mountain waves,
White-foaming on the rock
No ship that ever swept the deep
Its ribs of gnarled oak could keep
Unshattered by the shock.
Dies in the blast the guiding torch
To light the struggler to the strand;
'Tis death to battle with the wave,
And death no less to land!

On Venus, daughter of the seas,
She calls the tempest to appease
To each wild-shrieking wind
Along the ocean-desert borne,
She vows a steer with golden horn
Vain vowrelentless wind!
On every goddess of the deep,
On all the gods in heaven that be,
She callsto soothe in calm, awhile
The tempest-laden sea!

"Hearken the anguish of my cries!
From thy green halls, arisearise,
Leucothoe the divine!
Who, in the barren main afar,
Oft on the storm-beat mariner
Dost gently-saving shine.
Oh,reach to him thy mystic veil,
To which the drowning clasp may cling,
And safely from that roaring grave,
To shore my lover bring!"

And now the savage winds are hushing.
And o'er the arched horizon, blushing,
Day's chariot gleams on high!
Back to their wonted channels rolled,
In crystal calm the waves behold
One smile on sea and sky!
All softly breaks the rippling tide,
Low-murmuring on the rocky land,
And playful wavelets gently float
A corpse upon the strand!

'Tis he!who even in death would still
Not fail the sweet vow to fulfil;
She looksseesknows him there!
From her pale lips no sorrow speaks,
No tears glide down her hueless cheeks;
Cold-numbed in her despair
She looked along the silent deep,
She looked upon the brightening heaven,
Till to the marble face the soul
Its light sublime had given!

"Ye solemn powers men shrink to name,
Your might is here, your rights ye claim
Yet think not I repine
Soon closed my course; yet I can bless
The life that brought me happiness
The fairest lot was mine!
Living have I thy temple served,
Thy consecrated priestess been
My last glad offering now receive
Venus, thou mightiest queen!"

Flashed the white robe along the air,
And from the tower that beetled there
She sprang into the wave;
Roused from his throne beneath the waste,
Those holy forms the god embraced
A god himself their grave!
Pleased with his prey, he glides along
More blithe the murmured music seems,
A gush from unexhausted urns
His everlasting streams!

~ Friedrich Schiller, Hero And Leander
,
495:I.

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.

II.

What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare,

III.

If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed: neither pride
Nor hope rekindling at the end descried,
So much as gladness that some end might be.

IV.

For, what with my whole world-wide wandering,
What with my search drawn out thro' years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.

V.

As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bid the other go, draw breath
Freelier outside, (``since all is o'er,'' he saith,
``And the blow falIen no grieving can amend;'')

VI.

While some discuss if near the other graves
Be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves:
And still the man hears all, and only craves
He may not shame such tender love and stay.

VII.

Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among ``The Band''-to wit,
The knights who to the Dark Tower's search addressed
Their steps-that just to fail as they, seemed best,
And all the doubt was now-should I be fit?

VIII.

So, quiet as despair, I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.

IX.

For mark! no sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backward a last view
O'er the safe road, 'twas gone; grey plain all round:
Nothing but plain to the horizon's bound.
I might go on; nought else remained to do.

X.

So, on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers-as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind, with none to awe,
You'd think; a burr had been a treasure-trove.

XI.

No! penury, inertness and grimace,
In some strange sort, were the land's portion. ``See
``Or shut your eyes,'' said nature peevishly,
``It nothing skills: I cannot help my case:
``'Tis the Last judgment's fire must cure this place,
``Calcine its clods and set my prisoners free.''

XII.

If there pushed any ragged thistle-stalk
Above its mates, the head was chopped; the bents
Were jealous else. What made those holes and rents
In the dock's harsh swarth leaves, bruised as to baulk
All hope of greenness?'tis a brute must walk
Pashing their life out, with a brute's intents.

XIII.

As for the grass, it grew as scant as hair
In leprosy; thin dry blades pricked the mud
Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare,
Stood stupefied, however he came there:
Thrust out past service from the devil's stud!

XIV.

Alive? he might be dead for aught I know,
With that red gaunt and colloped neck a-strain,
And shut eyes underneath the rusty mane;
Seldom went such grotesqueness with such woe;
I never saw a brute I hated so;
He must be wicked to deserve such pain.

XV.

I shut my eyes and turned them on my heart.
As a man calls for wine before he fights,
I asked one draught of earlier, happier sights,
Ere fitly I could hope to play my part.
Think first, fight afterwards-the soldier's art:
One taste of the old time sets all to rights.

XVI.

Not it! I fancied Cuthbert's reddening face
Beneath its garniture of curly gold,
Dear fellow, till I almost felt him fold
An arm in mine to fix me to the place,
That way he used. Alas, one night's disgrace!
Out went my heart's new fire and left it cold.

XVII.

Giles then, the soul of honour-there he stands
Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good-but the scene shifts-faugh! what hangman hands
Pin to his breast a parchment? His own bands
Read it. Poor traitor, spit upon and curst!

XVIII.

Better this present than a past like that;
Back therefore to my darkening path again!
No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat?
I asked: when something on the dismal flat
Came to arrest my thoughts and change their train.

XIX.

A sudden little river crossed my path
As unexpected as a serpent comes.
No sluggish tide congenial to the glooms;
This, as it frothed by, might have been a bath
For the fiend's glowing hoof-to see the wrath
Of its black eddy bespate with flakes and spumes.

XX.

So petty yet so spiteful! All along,
Low scrubby alders kneeled down over it;
Drenched willows flung them headlong in a fit
Of route despair, a suicidal throng:
The river which had done them all the wrong,
Whate'er that was, rolled by, deterred no whit.

XXI.

Which, while I forded,-good saints, how I feared
To set my foot upon a dead man's cheek,
Each step, or feel the spear I thrust to seek
For hollows, tangled in his hair or beard!
-It may have been a water-rat I speared,
But, ugh! it sounded like a baby's shriek.

XXII.

Glad was I when I reached the other bank.
Now for a better country. Vain presage!
Who were the strugglers, what war did they wage,
Whose savage trample thus could pad the dank
Soil to a plash? Toads in a poisoned tank,
Or wild cats in a red-hot iron cage-

XXIII.

The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose?
No foot-print leading to that horrid mews,
None out of it. Mad brewage set to work
Their brains, no doubt, like galley-slaves the Turk
Pits for his pastime, Christians against Jews.

XXIV.

And more than that-a furlong on-why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel-that harrow fit to reel
Men's bodies out like silk? with all the air
Of Tophet's tool, on earth left unaware,
Or brought to sharpen its rusty teeth of steel.

XXV.

Then came a bit of stubbed ground, once a wood,
Next a marsh, it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood-
Bog, clay and rubble, sand and stark black dearth.

XXVI.

Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.

XXVII.

And just as far as ever from the end!
Nought in the distance but the evening, nought
To point my footstep further! At the thought,
great black bird, Apollyon's bosom-friend,
Sailed past, nor beat his wide wing dragon-penned
That brushed my cap-perchance the guide I sought.

XXVIII.

For, looking up, aware I somehow grew,
'Spite of the dusk, the plain had given place
All round to mountains-with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me,-solve it, you!
How to get from them was no clearer case.

XXIX.

Yet half I seemed to recognize some trick
Of mischief happened to me, God knows when-
In a bad dream perhaps. Here ended, then,
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts-you're inside the den!

XXX.

Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left, a tall scalped mountain Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!

XXXI.

What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counter-part
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.

XXXII.

Not see? because of night perhaps?-why, day
Came back again for that! before it left,
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay,-
``Now stab and end the creature-to the heft!''

XXXIII.

Not hear? when noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers my peers,-
How such a one was strong, and such was bold,
And such was fortunate, yet, each of old
Lost, lost! one moment knelled the woe of years.

XXXIV.

There they stood, ranged along the hill-sides, met
To view the last of me, a living frame
For one more picture! in a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. ``Childe Roland to the Dark Tower came.''


~ Robert Browning, Childe Roland To The Dark Tower Came
,
496:Alma Venus! [excerpt]
Trembling Creation's omnipresent sun,
Immanent Harmonist, Whose rhythms run.
Alike where midge pursues his swift romance,
Or grave stars cluster for their midnight dance 1
Bringer of fire, from what far fane despoiled?
Potter of grace, by what fell finger soiled?
In temple throned of old, or here in shame
Lurking, to Deathless YOU, of many a namePaphia, Freya, Aphrodite, Fand,
Cabiri vague, or in the fairy band
Titania, Niamh, or that Morgan fay
Our simpler eyes in. Sicily to-day
Catch at her sorcery-to YOU, whose breath
To a rippling rapture stirs the pool of Death,
I bring this coronal of rose and rue,
With golden wattle twined-and she-oak too.
The living wheels we call Creation roll
Whither and while You lead. Who are their soul!
Wheels within wheels, and whose the whirl of eyes
But Love's, Who was. Who is. Who never dies?
Wheels within wheels, but ever at the nave
Venus Pandemos, She for Whom we crave!
Wheels within wheels, but glowing from the tires
Venus Immaculate's Uranian fires!
If lovelight played not round the misty bourn
Could Life her marshy perils thread unworn?
Were Heaven's many mansions built to hold
Women and men seraphically cold?
Or does annihilation mean but this'Tristram no more desires Isolda's kiss'?
Fountains of Art that keep this old Earth fresh
Ascend to God from cisterns of the flesh:
Angel and phoenix flowered from the fires
Of virgin Ishtar's ravenous desires:
In good Nile mud incestuous Isis set
Many a tree of knowledge bearing yet:
Austere Mohammed meets at Heaven's door
Fond phantoms of his desert dreams of yore:
The shrine, the song, the picture and the bust
Are diamonds doubles of the charcoal, lust. . .
Your ruby billows floated to our ken
Many a rite that soothes the souls of men;
Swastik of Ind as once Egyptian Tau
In shining symbol utters yet Your law:
And coldest fanes for eunuch gods designed
Reveal Your girdle with their chaplets twined.
Around the Maypole, aeon-old, they dance,
Maiden and youth of Britain and of France,
Obedient to the law, forgot to-day,
That fertile gods, unshackled by their play,
From winter death will duly be reborn
And with their foison fill the ears of corn:
Or where, horizonward, Australian sand
Billows monotonous, behold Your band
Of leaf-clad lubras, swaying to the hum
Of droning wizard and barbaric drum,
In strange Unthippa dance to conjure there,
With warm wild posturing and coy despair,
Some dream-time god of golden ages dim,
That with the drama of their love for him
The waste in sympathy will fertile grow,
Emu be plentiful, the dry creeks flow,
And all the wild be rich with nut and plant,
Witchetty grub and root and honey-ant:
Virgins and boys, who with the bridal pair
And hymeneal chant through Athens bear
That casket strange, unknowing that inside
The mysteries of Aphrodite hide,
Ye will acknowledge too, in turn, ere long,
Omnipotent the goddess of my song:
And, childless ones of Ind, with prayer ye pour
Oil on that shrine to-day, as wives of yore
On wayside Jahv or god of boundary,
For benison of grudged fertility. . . .
Let pale usurpers of Your old domain
In crumbling book and vapid hymn maintain
That You, great Queen, are dead, that nevermore
Shall devotee Your majesty adore,
Or sad Meander wail as long ago
For torn Adonis and Your helpless woe:
We hear in beating hearts another rune,
In hymn of man and maid another tune:
On every road Your living creatures draw,
Whither You list, the Tables of Your Law:
Wherever tree hath sap or being breath,
Ubiquitous, You bruise the head of Death:
Here, pallid cuckoo's great crescendos call
His coy companion to Your festival:
There, magpie warbles to the morning star
The advent of the rapture that You are:
And desolate the spirit unaware
Of quivering enchantment in the air
When August struggles from his gaoler's power,
And gleaming envoys from each wooing flower
Cajole the bees to waft his tender dues
To some dear tabernacle's secret cruse;
When listening almonds weary of the night
Hearing You coming blossom into white;
When wattle waking from her torpor cold
Knowing You near her trembles into gold;
When, ancient symbols realizing here,
Gabriel Spring announces every year
To expectant Nature's myriad maidenhood,
In rolling plain or solitary wood,
The miracle that maketh Life complete,
The brooding Presence of the Paraclete.
*
Magi profounder than the Eastern Three
Followed the Star of Your Epiphany:
Isis had hidden with a sullen pall
The secret of the Universe from all,
Until Lucretius wondering found a fold,
It swayed to Goethe's eyes, and, growing bold,
Darwin stooped down and groping patiently
Out of the dust lifted the hem, till we
Staggering saw against the eternal blue
The secret Builder of Creation-You I ...
'When Love was driven from the world by stark
And sexless mattoids of the Ages Dark,
Disgusted lore to Moorish havens fled,
The Muses nine with eunuch monks were wed:
Primordial terror to the day returned,
The witch in hordes and great Servetus burned:
Celibate piety with thumb uncouth
Plastered a fig-leaf over Plato's truth:
Aquinas thinned, to make a draught divine,
With holy water, Aristotle's wine;
Round every comer eft or devil stares,
And very Dante mumbles craven prayers;
The childish painter daubs his maudlin fears,
And song forgets to sing a thousand years.
Yet You had lingered cunningly concealed
Now in an altar-piece, now in a field
With shards of pillared grandeur buried deep,
Until the nightmare passed. Yea, did You peep
A moment now and then, ere rose the sun,
Under the hood of a rose-hearted nun
At Abelard, or told the tale so well
Of Launcelot that even glowering hell
Drove not Francesca from her lover's wraith;
Yea, visored chivalry unhorsed his faith,
And far Jerusalem and Paynim tryst
Forgot, for victory in a gender list
Where with the provocation of a smile
Your ambushed omnipresence would beguile
Crusader sullen to a softer creed,
Knight errant to an errant knight indeed....
As what strange god did You entice the King
Through brave Uriah's comely wife to fling
Harp and the psaltery aside to plan
As mean a deed as had polluted man
Till Sextus lusted, or her father's knife
Rescued Virginia from the hell of life?
Yea, there is that in You man dare not face:
A dark star dogs Your limpid planet's grace:
Jetsam from old pollution stales Your shore:
Lewd gargoyles grin above Your temple door. ...
Wormwood is waiter at Your choicest feast,
Your Beauty shadowed ever by the Beast.
Yon feudal lord of mediaeval France,
Your devotee of many a Rose Romance,
Hath on his peasants' daughters' bridal nights
Exacted to the full his shameful rights:
Your cuckoo calling Spring into the wood
Was stark nest-brother to a robin's brood:
And, tragi-comedy of humble life,
That doting husband of the buxom wife
Is fondling (while You laugh) the child she gave
At Your still altar to some passing knave. . ..
Was it a glimpse of phases fell that mar
The radiant round of Your auspicious star,
That drove the hermit to the wilderness
From demons lurking in Your least caress,
And bade the nun, as once the vestal too,
Renounce Your works and all Your pomps-and You?
Yea, those whose eyes can pierce the dazzling veil
Of Light that is Your mask have told a tale
Of how we in the world were once expelled
From Paradise, and now, in prison held,
On moaning treadmills of repeated lives
Work out our crimes, until the hour arrives
For life to cease on earth and You to fade
With all the woe Your temptress wiles have made.
You are the gaoler of that prison, Who
(For so they say) inveigle all to woo,
Be won, that so by our own ardours we
Keep lit Your hell, yea, for eternity,
Unless, until, ignoring all You say,
As monk, as nun, we dare to disobey.
If so it be, then were the barren one
Blest of all women underneath the sun,
An angel of the Lord sent here to ray
The midnight of the soul with coming day;
The tower impregnable that masters Fate
Is not the Caesar but the celibate;
And he at whom no woman ever smiled
Is everlasting Heaven's favoured child
Ordained (who knows?) in what benignant star
As Baptist of some glorious Avatar,
Whose Word shall cause all flesh to cease to be
And man be one again with Deity!. . .
Or when the veil we call Reality
Rifts, and the meaning of it all we see,
Will Good and Evil kiss and understand?
God walk with brother Satan hand in hand?
The cool-haired Night repose beside the Sun?
Pandemos prove with Love Uranian one?
The Tree of Life mature its golden fruits
From bark so sinister and those wan roots?
Slowly our interrogating eyes
Sobered with long deception recognize,
'Mid older clues dissolved to flecks, at last
One signal flashing from the Outer Vast,
Fell or benign (as falls or rises faith),
Comet or guiding star-Your rosy wraith!
Your rosy wraith that both in man and weed
'Writes deep and undeniable Your creed'Beget or hear, though ye to-morrow die,
Beget or bear, nor ask the reason why 1
Though sun and earth shall duly pass away,
Though all the gods shall ripen and decay,
It is Their Will Who bade the world exist:
And woe to him or her who doth not list
The sole clear mandate from the Otherwhere
Flushed through the Universe-Beget or bear 1'
Love we or dread we may not all ignore
The single beacon on the circling shore
Where Being laps upon the caverned steep
Wherefrom we drifted and whereto we creep.
Beacon 1 although You lead us but to gloom!
A guiding star, it may be, to the tomb!
Comet flung from the Void through trackless Light!
Yet is Your rosy flame in ion mite
And great pathetic man the only trace
Of something more than chance in Time and Space,
That purpose dimly threads the crazy web,
That tides of anguish ultimately ebb,
That green hope signals underground a Nile,
That faith is wiser than an ostrich wile,
That there is something in us will elude
The withering fingers of vicissitude,
And man's ripe earth by a guttering sun betrayed
Will not in cold and useless ruin fade.
Question the sibyl grottoes near or far
Whither or whence we sail or why we are!
Listen at Nature's beating heart for clue,
And every oracle we know or knew!
From Zodiac round of older destiny,
From tiny orbit of an atomy,
From Pythoness or oak or Magian fire,
Augur antique or wizard new inquire,
Austral churinga or the crystal ball,
'Wherefore does anything exist at all?'
Of star or fungus seek, of life or death,
Whence Being came and whither wandereth!
10
Ask of the gloom that locks the secret in,
Ask of the light that saw the world begin!
The day, the night, and death and life are dumb:
From fungus, star or ball no answers come:
Silent, churinga, table, passing bird:
From fire or Druid oak no guiding word:
The Pythoness ambiguously sighs:
Orbit minute nor Zodiac house replies:
But dim the beating heart amid its sobs
With 'Alma Venus!' 'Alma Venus!' throbs;
While on two sibyl leaves, by a world-wind strange
Blown to our shore across the gulf of Change,
'Increase and multiply' on one is scrolled
In ochre crude, on one, in glowing gold
Around the pearly nimbus of a dove,
The script imperishable-'God is Love.'
~ Bernard O'Dowd,
497:The Romance Of Britomarte
I'LL tell you a story ; but pass the 'jack',
And let us make merry to-night, my men.
Aye, those were the days when my beard was black—
I like to remember them now and then—
Then Miles was living, and Cuthbert there,
On his lip was never a sign of down ;
But I carry about some braided hair,
That has not yet changed from the glossy brown
That it show'd the day when I broke the heart
Of that bravest of destriers, 'Britomarte.'
Sir Hugh was slain (may his soul find grace !)
In the fray that was neither lost nor won
At Edgehill—then to St. Hubert's Chase
Lord Goring despatch'd a garrison—
But men and horses were ill to spare,
And ere long the soldiers were shifted fast.
As for me, I never was quartered there
Till Marston Moor had been lost ; at last,
As luck would have it, alone, and late
In the night, I rode to the northern gate.
I thought, as I pass'd through the moonlit park,
On the boyish days I used to spend
In the halls of the knight lying stiff and stark—
Thought on his lady, my father's friend
(Mine, too, in spite of my sinister bar,
But with that my story has naught to do)—
She died the winter before the war—
Died giving birth to the baby Hugh.
He pass'd ere the green leaves clothed the bough,
And the orphan girl was the heiress now.
When I was a rude and a reckless boy,
And she a brave and a beautiful child,
I was her page, her playmate, her toy—
I have crown'd her hair with the field-flowers wild
Cowslip and crowfoot and colt's-foot bright—
I have carried her miles when the woods were wet,
282
I have read her romances of dame and knight ;
She was my princess, my pride, my pet.
There was then this proverb us twain between,
For the glory of God and of Gwendoline.
She had grown to a maiden wonderful fair,
But for years I had scarcely seen her face.
Now, with troopers Holdsworth, Huntly, and Clare,
Old Miles kept guard at St. Hubert's Chase,
And the chatelaine was a Mistress Ruth,
Sir Hugh's half-sister, an ancient dame,
But a mettlesome soul had she forsooth,
As she show'd when the time of her trial came.
I bore despatches to Miles and to her
To warn them against the bands of Kerr.
And mine would have been a perilous ride
With the rebel horsemen—we knew not where
They were scattered over that country side,—
If it had not been for my brave brown mare.
She was iron-sinew'd and satin-skinn'd,
Ribb'd like a drum and limb'd like a deer,
Fierce as the fire and fleet as the wind—
There was nothing she couldn't climb or clear—
Rich lords had vex'd me, in vain, to part
For their gold and silver, with Britomarte.
Next morn we muster'd scarce half a score
With the serving men, who were poorly arm'd
Five soldiers, counting myself, no more,
And a culverin, which might well have harm'd
Us, had we used it, but not our foes,
When, with horses and foot, to our doors they came,
And a psalm-singer summon'd us (through his nose),
And deliver'd—'This, in the people's name,
Unto whoso holdeth this fortress here,
Surrender ! or bide the siege—John Kerr.'
'Twas a mansion built in a style too new,
A castle by courtesy, he lied
Who called it a fortress—yet, 'tis true,
It had been indifferently fortified—
283
We were well provided with bolt and bar—
And while I hurried to place our men,
Old Miles was call'd to a council of war
With Mistress Ruth and with her, and when
They had argued loudly and long, those three,
They sent, as a last resource, for me.
In the chair of state sat erect Dame Ruth ;
She had cast aside her embroidery ;
She had been a beauty, they say, in her youth,
There was much fierce fire in her bold black eye.
'Am I deceived in you both ?' quoth she.
'If one spark of her father's spirit lives
In this girl here—so, this Leigh, Ralph Leigh,
Let us hear what counsel the springald gives.'
Then I stammer'd, somewhat taken aback—
(Simon, you ale-swiller, pass the 'jack').
The dame wax'd hotter—'Speak out, lad, say,
Must we fall in that canting caitiff's power ?
Shall we yield to a knave and a turncoat ? Nay,
I had liever leap from our topmost tower.
For a while we can surely await relief ;
Our walls are high and our doors are strong.'
This Kerr was indeed a canting thief—
I know not rightly, some private wrong
He had done Sir Hugh, but I know this much,
Traitor or turncoat he suffer'd as such.
Quoth Miles—'Enough ! your will shall be done ;
Relief may arrive by the merest chance,
But your house ere dusk will be lost and won ;
They have got three pieces of ordnance.'
Then I cried, 'Lord Guy, with four troops of horse,
Even now is biding at Westbrooke town ;
If a rider could break through the rebel force
He would bring relief ere the sun goes down
Through the postern door could I make one dart
I could baffle them all upon Britomarte.'
Miles mutter'd 'Madness !' Dame Ruth look'd grave,
Said, 'True, though we cannot keep one hour
284
The courtyard, no, nor the stables save,
They will have to batter piecemeal the tower,
And thus——' But suddenly she halted there.
With a shining hand on my shoulder laid,
Stood Gwendoline. She had left her chair,
And, 'Nay, if it needs must be done,' she said,
'Ralph Leigh will gladly do it, I ween,
For the glory of God and of Gwendoline.'
I had undertaken a heavier task
For a lighter word. I saddled with care,
Nor cumber'd myself with corselet nor casque
(Being loth to burden the brave brown mare).
Young Clare kept watch on the wall—he cried,
'Now, haste, Ralph ! this is the time to seize ;
The rebels are round us on every side,
But here they straggle by twos and threes.'
Then out I led her, and up I sprung,
And the postern door on its hinges swung.
I had drawn this sword—you may draw it and feel,
For this is the blade that I bore that day—
There's a notch even now on the long grey steel,
A nick that has never been rasp'd away.
I bow'd my head and I buried my spurs,
One bound brought the gliding green beneath ;
I could tell by her back-flung, flatten'd ears
She had fairly taken the bit in her teeth—
(What, Jack, have you drain'd your namesake dry,
Left nothing to quench the thirst of a fly ?)
These things are done, and are done with, lad,
In far less time than your talker tells;
The sward with their hoof-strokes shook like mad,
And rang with their carbines and petronels ;
And they shouted, 'Cross him and cut him off,'
'Surround him,' 'Seize him,' 'Capture the clown,
Or kill him,' 'Shall he escape to scoff
In your faces ?' 'Shoot him or cut him down.'
And their bullets whistled on every side :
Many were near us and more were wide.
285
Not a bullet told upon Britomarte ;
Suddenly snorting, she launched along ;
So the osprey dives where the seagulls dart,
So the falcon swoops where the kestrels throng ;
And full in my front one pistol flash'd,
And right in my path their sergeant got.
How are jack-boots jarr'd, how are stirrups clash'd,
While the mare like a meteor past him shot ;
But I clove his skull with a backstroke clean,
For the glory of God and of Gwendoline.
And as one whom the fierce wind storms in the face
With spikes of hail and with splinters of rain,
I, while we fled through St. Hubert's Chase,
Bent till my cheek was amongst her mane.
To the north full a league of the deer-park lay,
Smooth, springy turf, and she fairly flew,
And the sound of their hoof-strokes died away,
And their far shots faint in the distance grew.
Loudly I laughed, having won the start,
At the folly of following Britomarte.
They had posted a guard at the northern gate—
Some dozen of pikemen and musketeers.
To the tall park palings I turn'd her straight ;
She veer'd in her flight as the swallow veers.
And some blew matches and some drew swords,
And one of them wildly hurl'd his pike,
But she clear'd by inches the oaken boards,
And she carried me yards beyond the dyke ;
Then gaily over the long green down
We gallop'd, heading for Westbrooke town.
The green down slopes to the great grey moor,
The grey moor sinks to the gleaming Skelt—
Sudden and sullen, and swift and sure,
The whirling water was round my belt.
She breasted the bank with a savage snort,
And a backward glance of her bloodshot eye,
And 'Our Lady of Andover's' flash'd like thought,
And flitted St. Agatha's nunnery,
And the firs at The Ferngrove fled on the right,
286
And 'Falconer's Tower' on the left took flight.
And over 'The Ravenswold' we raced—
We rounded the hill by 'The Hermit's Well'—
We burst on the Westbrooke Bridge—'What haste ?
What errand ?' shouted the sentinel.
'To Beelzebub with the Brewer's knave !'
'Carolus Rex and he of the Rhine !'
Galloping past him, I got and gave
In the gallop password and countersign,
All soak'd with water and soil'd with mud,
With the sleeve of my jerkin half drench'd in blood.
Now, Heaven be praised that I found him there—
Lord Guy. He said, having heard my tale,
'Leigh, let my own man look to your mare,
Rest and recruit with our wine and ale ;
But first must our surgeon attend to you ;
You are somewhat shrewdly stricken, no doubt.'
Then he snatched a horn from the wall and blew,
Making 'Boot and Saddle' ring sharply out.
'Have I done good service this day ?' quoth I.
'Then I will ride back in your troop, Lord Guy.'
In the street I heard how the trumpets peal'd,
And I caught the gleam of a morion
From the window—then to the door I reel'd ;
I had lost more blood than I reckon'd upon ;
He eyed me calmly with keen grey eyes—
Stern grey eyes of a steel-blue grey—
Said, 'The wilful man can never be wise,
Nathless the wilful must have his way,'
And he pour'd from a flagon some fiery wine ;
I drain'd it, and straightway strength was mine.
I was with them all the way on the brown—
'Guy to the rescue !' 'God and the king !'
We were just in time, for the doors were down ;
And didn't our sword-blades rasp and ring,
And didn't we hew and didn't we hack ?
287
The sport scarce lasted minutes ten—
(Aye, those were the days when my beard was black ;
I like to remember them now and then).
Though they fought like fiends, we were four to one,
And we captured those that refused to run.
We have not forgotten it, Cuthbert, boy !
That supper scene when the lamps were lit ;
How the women (some of them) sobb'd for joy ;
How the soldiers drank the deeper for it;
How the dame did honours, and Gwendoline,
How grandly she glided into the hall,
How she stoop'd with the grace of a girlish queen,
And kiss'd me gravely before them all ;
And the stern Lord Guy, how gaily he laugh'd,
Till more of his cup was spilt than quaff'd.
Brown Britomarte lay dead in her straw
Next morn—we buried her—brave old girl !
John Kerr, we tried him by martial law,
And we twisted some hemp for the trait'rous churl ;
And she—I met her alone—said she,
'You have risk'd your life, you have lost your mare,
And what can I give in return, Ralph Leigh ?'
I replied, 'One braid of that bright brown hair.'
And with that she bow'd her beautiful head,
'You can take as much as you choose,' she said.
And I took it—it may be, more than enough—
And I shore it rudely, close to the roots.
The wine or wounds may have made me rough,
And men at the bottom are merely brutes.
Three weeks I slept at St. Hubert's Chase ;
When I woke from the fever of wounds and wine
I could scarce believe that the ghastly face
That the glass reflected was really mine.
I sought the hall—where a wedding had been—
The wedding of Guy and of Gwendoline.
The romance of a grizzled old trooper's life
May make you laugh in your sleeves : laugh out,
Lads ; we have most of us seen some strife ;
288
We have all of us had some sport, no doubt.
I have won some honour and gain'd some gold,
Now that our king returns to his own ;
If the pulses beat slow, if the blood runs cold,
And if friends have faded and loves have flown,
Then the greater reason is ours to drink,
And the more we swallow the less we shall think.
At the battle of Naseby, Miles was slain,
And Huntly sank from his wounds that week ;
We left young Clare upon Worcester plain—
How the 'Ironside' gash'd his girlish cheek.
Aye, strut, and swagger, and ruffle anew,
Gay gallants, now that the war is done !
They fought like fiends (give the fiend his due)—
We fought like fops, it was thus they won.
Holdsworth is living for aught I know,
At least he was living two years ago,
And Guy—Lord Guy—so stately and stern,
He is changed, I met him at Winchester ;
He has grown quite gloomy and taciturn.
Gwendoline !—why do you ask for her ?
Died ! as her mother had died before—
Died giving birth to the baby Guy !
Did my voice shake ? Then am I fool the more.
Sooner or later we all must die ;
But, at least, let us live while we live to-night.
The days may be dark, but the lamps are bright.
For to me the sunlight seems worn and wan :
The sun, he is losing his splendour now—
He can never shine as of old he shone
On her glorious hair and glittering brow.
Ah ! those days that were, when my beard was black,
Now I have only the nights that are.
What, landlord, ho ! bring in haste burnt sack,
And a flask of your fiercest usquebaugh.
You, Cuthbert ! surely you know by heart
The story of her and of Britomarte.
289
~ Adam Lindsay Gordon,
498:Rubáiyát Of Omar Khayyám
AWAKE! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.
II
Dreaming when Dawn's Left Hand was in the Sky
I heard a Voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."
III
And, as the Cock crew, those who stood before
The Tavern shouted--"Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."
IV
Now the New Year reviving old Desires,
The thoughtful Soul to Solitude retires,
Where the WHITE HAND OF MOSES on the Bough
Puts out, and Jesus from the Ground suspires.
Irám indeed is gone with all its Rose,
And Jamsh{'y}d's Sev'n-ring'd Cup where no one knows;
But still the Vine her ancient Ruby yields,
And still a Garden by the Water blows.
VI
And David's Lips are lock't; but in divine
High piping Pehleví, with "Wine! Wine! Wine!
Red Wine!"--the Nightingale cries to the Rose
That yellow Cheek of hers to' incarnadine.
55
VII
Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly--and Lo! the Bird is on the Wing.
VIII
And look--a thousand Blossoms with the Day
Woke--and a thousand scatter'd into Clay:
And this first Summer Month that brings the Rose
Shall take Jamsh{'y}d and Kaikobád away.
IX
But come with old Khayyám, and leave the Lot
Of Kaikobád and Kaikhosrú forgot:
Let Rustum lay about him as he will,
Or Hátim Tai cry Supper--heed them not.
With me along some Strip of Herbage strown
That just divides the desert from the sown,
Where name of Slave and Sultán scarce is known,
And pity Sultán Mahmúd on his Throne.
XI
Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse--and Thou
Beside me singing in the Wilderness-And Wilderness is Paradise enow.
XII
"How sweet is mortal Sovranty!"--think some:
Others--"How blest the Paradise to come!"
Ah, take the Cash in hand and wave the Rest;
Oh, the brave Music of a distant Drum!
56
XIII
Look to the Rose that blows about us--"Lo,
Laughing," she says, "into the World I blow:
At once the silken Tassel of my Purse
Tear, and its Treasure on the Garden throw."
XIV
The Worldly Hope men set their Hearts upon
Turns Ashes--or it prospers; and anon,
Like Snow upon the Desert's dusty Face
Lighting a little Hour or two--is gone.
XV
And those who husbanded the Golden Grain,
And those who flung it to the Winds like Rain,
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.
XVI
Think, in this batter'd Caravanserai
Whose Doorways are alternate Night and Day,
How Sultán after Sultán with his Pomp
Abode his Hour or two, and went his way.
XVII
They say the Lion and the Lizard keep
The Courts where Jamsh{'y}d gloried and drank deep:
And Bahrám, that great Hunter--the Wild Ass
Stamps o'er his Head, and he lies fast asleep.
XVIII
I sometimes think that never blows so red
The Rose as where some buried Cæsar bled;
That every Hyacinth the Garden wears
Dropt in its Lap from some once lovely Head.
XIX
57
And this delightful Herb whose tender Green
Fledges the River's Lip on which we lean-Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!
XX
Ah, my Beloved, fill the Cup that clears
TO-DAY of past Regrets and future Fears-To-morrow?--Why, To-morrow I may be
Myself with Yesterday's Sev'n Thousand Years.
XXI
Lo! some we lov'd, the loveliest and best
That Time and Fate of all their Vintage prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to Rest.
XXII
And we, that now make merry in the Room
They left, and Summer dresses in new Bloom,
Ourselves must we beneath the Couch of Earth
Descend, ourselves to make a Couch--for whom?
XXIII
Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust, to lie,
Sans Wine, sans Song, sans Singer, and--sans End!
XXIV
Alike for those who for TO-DAY prepare,
And those that after a TO-MORROW stare,
A Muezzin from the Tower of Darkness cries
"Fools! your Reward is neither Here nor There!"
XXV
58
Why, all the Saints and Sages who discuss'd
Of the Two Worlds so learnedly are thrust
Like foolish Prophets forth; their Words to Scorn
Are scatter'd, and their Mouths are stopt with Dust.
XXVI
Oh, come with old Khayyám, and leave the Wise
To talk; one thing is certain, that Life flies;
One thing is certain, and the Rest is Lies;
The Flower that once has blown for ever dies.
XXVII
Myself when young did eagerly frequent
Doctor and Saint, and heard great Argument
About it and about: but evermore
Came out by the same Door as in I went.
XXVIII
With them the Seed of Wisdom did I sow,
And with my own hand labour'd it to grow:
And this was all the Harvest that I reap'd-"I came like Water, and like Wind I go."
XXIX
Into this Universe, and why not knowing,
Nor whence like Water willy-nilly flowing:
And out of it, as Wind along the Waste,
I know not whither willy-nilly blowing.
XXX
What, without asking, hither hurried whence?
59
And, without asking, whither hurried hence!
Another and another Cup to drown
The Memory of this Impertinence!
XXXI
Up from Earth's Centre through the Seventh Gate
I rose, and on the Throne of Saturn sate,
And many Knots unravel'd by the Road;
But not the Knot of Human Death and Fate.
XXXII
There was a Door to which I found no Key:
There was a Veil past which I could not see:
Some little Talk awhile of ME and THEE
There seem'd--and then no more of THEE and ME.
XXXIII
Then to the rolling Heav'n itself I cried,
Asking, "What Lamp had Destiny to guide
Her little Children stumbling in the Dark?"
And--"A blind Understanding!" Heav'n replied.
XXXIV
Then to this earthen Bowl did I adjourn
My Lip the secret Well of Life to learn:
And Lip to Lip it murmur'd--"While you live
Drink!--for once dead you never shall return."
XXXV
I think the Vessel, that with fugitive
Articulation answer'd, once did live,
And merry-make; and the cold Lip I kiss'd
60
How many Kisses might it take--and give!
XXXVI
For in the Market-place, one Dusk of Day,
I watch'd the Potter thumping his wet Clay:
And with its all obliterated Tongue
It murmur'd--"Gently, Brother, gently, pray!"
XXXVII
Ah, fill the Cup:--what boots it to repeat
How Time is slipping underneath our Feet:
Unborn TO-MORROW, and dead YESTERDAY,
Why fret about them if TO-DAY be sweet!
XXXVIII
One Moment in Annihilation's Waste,
One Moment, of the Well of Life to taste-The Stars are setting and the Caravan
Starts for the Dawn of Nothing--Oh, make haste!
XXXIX
How long, how long, in infinite Pursuit
Of This and That endeavour and dispute?
Better be merry with the fruitful Grape
Than sadden after none, or bitter, Fruit.
XL
You know, my Friends, how long since in my House
For a new Marriage I did make Carouse:
Divorc'd old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.
61
XLI
For "Is" and "IS-NOT" though with Rule and Line,
And "UP-AND-DOWN" without I could define,
I yet in all I only cared to know,
Was never deep in anything but--Wine.
XLII
And lately, by the Tavern Door agape,
Came stealing through the Dusk an Angel Shape
Bearing a Vessel on his Shoulder; and
He bid me taste of it; and 'twas--the Grape!
XLIII
The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The subtle Alchemist that in a Trice
Life's leaden Metal into Gold transmute:
XLIV
The mighty Mahmúd, the victorious Lord,
That all the misbelieving and black Horde
Of Fears and Sorrows that infest the Soul
Scatters and slays with his enchanted Sword.
XLV
But leave the Wise to wrangle, and with me
The Quarrel of the Universe let be:
And, in some corner of the Hubbub coucht,
Make Game of that which makes as much of Thee.
XLVI
62
For in and out, above, about, below,
'Tis nothing but a Magic Shadow-show,
Play'd in a Box whose Candle is the Sun,
Round which we Phantom Figures come and go.
XLVII
And if the Wine you drink, the Lip you press,
End in the Nothing all Things end in--Yes-Then fancy while Thou art, Thou art but what
Thou shalt be--Nothing--Thou shalt not be less.
XLVIII
While the Rose blows along the River Brink,
With old Khayyám the Ruby Vintage drink:
And when the Angel with his darker Draught
Draws up to Thee--take that, and do not shrink.
XLIX
'Tis all a Chequer-board of Nights and Days
Where Destiny with Men for Pieces plays:
Hither and thither moves, and mates, and slays,
And one by one back in the Closet lays.
The Ball no Question makes of Ayes and Noes,
But Right or Left as strikes the Player goes;
And He that toss'd Thee down into the Field,
He knows about it all--HE knows--HE knows!
LI
The Moving Finger writes; and, having writ,
63
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.
LII
And that inverted Bowl we call The Sky,
Whereunder crawling coop't we live and die,
Lift not thy hands to It for help--for It
Rolls impotently on as Thou or I.
LIII
With Earth's first Clay They did the Last Man's knead,
And then of the Last Harvest sow'd the Seed:
Yea, the first Morning of Creation wrote
What the Last Dawn of Reckoning shall read.
LIV
I tell Thee this--When, starting from the Goal,
Over the shoulders of the flaming Foal
Of Heav'n Parwín and Mushtara they flung,
In my predestin'd Plot of Dust and Soul
LV
The Vine had struck a Fibre; which about
If clings my Being--let the Súfi flout;
Of my Base Metal may be fil'd a Key
That shall unlock the Door he howls without.
LVI
And this I know: whether the one True Light
Kindle to Love, or Wrath consume me quite,
One Glimpse of It within the Tavern caught
64
Better than in the Temple lost outright.
LVII
Oh Thou, who didst with Pitfall and with Gin
Beset the Road I was to wander in,
Thou wilt not with Predestination round
Enmesh me, and impute my Fall to Sin?
LVIII
Oh, Thou, who Man of baser Earth didst make,
And who with Eden didst devise the Snake;
For all the Sin wherewith the Face of Man
Is blacken'd, Man's Forgiveness give--and take!
KÚZA-NÁMALIX
Listen again. One Evening at the Close
Of Ramazán, ere the better Moon arose,
In that old Potter's Shop I stood alone
With the clay Population round in Rows.
LX
And, strange to tell, among that Earthen Lot
Some could articulate, while others not:
And suddenly one more impatient cried-"Who is the Potter, pray, and who the Pot?"
LXI
Then said another--"Surely not in vain
My Substance from the common Earth was ta'en,
That He who subtly wrought me into Shape
Should stamp me back to common Earth again."
LXII
65
Another said--"Why, ne'er a peevish Boy
Would break the Bowl from which he drank in Joy;
Shall He that made the Vessel in pure Love
And Fancy, in an after Rage destroy!"
LXIII
None answer'd this; but after Silence spake
A Vessel of a more ungainly Make:
"They sneer at me for leaning all awry;
What! did the Hand then of the Potter shake?"
LXIV
Said one--"Folks of a surly Tapster tell,
And daub his Visage with the Smoke of Hell;
They talk of some strict Testing of us--Pish!
He's a Good Fellow, and 'twill all be well."
LXV
Then said another with a long-drawn Sigh,
"My Clay with long oblivion is gone dry:
But, fill me with the old familiar Juice,
Methinks I might recover by-and-bye!"
LXVI
So while the Vessels one by one were speaking,
One spied the little Crescent all were seeking:
And then they jogg'd each other, "Brother! Brother!
Hark to the Porter's Shoulder-knot a-creaking!"
LXVII
66
Ah, with the Grape my fading Life provide,
And wash my Body whence the Life has died,
And in a Windingsheet of Vine-leaf wrapt,
So bury me by some sweet Garden-side.
LXVIII
That ev'n my buried Ashes such a Snare
Of Perfume shall fling up into the Air,
As not a True Believer passing by
But shall be overtaken unaware.
LXIX
Indeed the Idols I have lov'd so long
Have done my Credit in Men's Eye much wrong:
Have drown'd my Honour in a shallow Cup,
And sold my Reputation for a Song.
LXX
Indeed, indeed, Repentance oft before
I swore--but was I sober when I swore?
And then and then came Spring, and Rose-in-hand
My thread-bare Penitence apieces tore.
LXXI
And much as Wine has play'd the Infidel,
And robb'd me of my Robe of Honour--well
I often wonder what the Vintners buy
One half so precious as the Goods they sell.
LXXII
Alas, that Spring should vanish with the Rose!
That Youth's sweet-scented Manuscript should close!
67
The Nightingale that in the Branches sang,
Ah, whence, and whither flown again, who knows!
LXXIII
Ah Love! could thou and I with Fate conspire
To grasp this sorry Scheme of Things entire,
Would not we shatter it to bits--and then
Re-mould it nearer to the Heart's Desire!
LXXIV
Ah, Moon of my Delight who know'st no wane,
The Moon of Heav'n is rising once again:
How oft hereafter rising shall she look
Through this same Garden after me in vain!
LXXV
And when Thyself with shining Foot shall pass
Among the Guests Star-scatter'd on the Grass
And in thy joyous Errand reach the Spot
Where I made one--turn down an empty Glass!TAMÁM SHUD
~ Edward Fitzgerald,
499:Sacred And Profane Love
In the dark shadow of the windless pines
Whose gloomy glory lines the obsequies
Of the gaunt Claudian Aqueduct along
The lone Campagna to sepulchral Rome,
A Northern youth, companionless, reclined,
Pondering on records of the Roman Past,
Kingdom, Republic, Empire, longwhile gone.
Hard-by, through marble tomb revivified,
Rippled and bubbled water crystalline,
Inwelling from the far-off Sabine hills.
When lo! upon the tomb's deep-dinted rim
Slowly there broadened on his gaze two shapes,
Material embodiment of those
The great Venetian in resplendent hues
Upon the canvas lastingly portrayed,
Christened by fame Profane and Sacred Love.
One was in rich habiliments arrayed,
With dimpling folds about her rounded limbs,
And heaving corset of embossed brocade,
Compressing beaker for her brimming breasts.
Jewels were in her hair, jewels entwined
Themselves round her columnar throat, and thus
On him she gazed unshrinkingly, and seemed
Sensuous seduction irresistible.
The other in nude innocency clad,
All save veined vineleaf cincture round her waist,
Sate with her gaze averted, and beheld
Only her image trembling in the wave.
Her had he fain accosted, but the dread
Of violating her aloofness checked
The movement of his mind, and held him mute.
So to the One resplendently enrobed,
Familiarly fearless as herself,
He turned, albeit his thought was otherwhere,
As elsewhere his desire, and boldly said:
``If with your earthly seeming be conjoined
Gift and capacity of earthly speech,
Speak to me, earthly, an you will, and break
The all too spacious silence with your voice.''
383
Her curving lips, whose fulness seemed to pledge
Intoxicating kisses, drooped apart,
And to her orbs upsurged volcanic fire,
As she with prompt unhesitating voice,
Commanding more than musical, rejoined.
Whereat that Other ever and anon
Would for a moment turn to him her face,
To note the interpretation of his heart
And wavering of his will, and then once more
Her look averted to the Sabine hills,
And cloudless vault of overarching Heaven.
Profane Love speaks
``I am the Goddess mortals call Profane,
Yet worship me as though I were divine;
Over their lives, unrecognised, I reign,
For all their thoughts are mine.
``I was coeval with the peopled Earth,
And, while it lasts, I likewise shall endure,
For Destiny endowed me at my birth
With every mundane lure.
``Men rear no marble temple to my name,
No statues mould in Minster or in mart,
Yet in their longings silently proclaim
My throne is on their heart.
``Unto the phantom Deities of air
They pay lip homage, carven altars raise,
To these bow down with ceremonial prayer,
And sycophantic praise.
``With them I kneel, but neither praise nor pray,
While tapers burn, hymns float, and organ rolls,
Because I know that there too can I sway
And stupefy their souls.
``Their pompous flatteries are not for me,
My panegyric is the secret sigh:
Wherefore should mortals monuments decree
To Me who cannot die?
384
``I am the fountain of wealth, titles, power,
'Tis I ordain the pedestal and bust,
When there doth toll the inevitable hour,
The hour of death and dust.
``Ruby, and pearl, and diamond, and the ore
Torn from the entrails of the Earth, are mine;
Mine are the cargoes shipped from shore to shore,
Spices, and silks, and wine:
``Wherewith men buy what crafty barter brings,Greater the gain, more hazardous the risks,Toil from the many, coronets from Kings,
And lust from odalisques.
``If such content not, since your hopes aspire
On heights of popularity to tower,
I can conduct you on yet swifter tire
To winning-peak of Power.
``Then without scruple, pity, or restraint,
Cleave you your conquering way; for there is nought,
Of all that worldlings crave and hirelings paint,
But can be seized or bought.
``Myriads from mine and furrow, quay and loom,
Shall congregate to hear you pledge and prate,
Hailing you heaven-sent warder-off of gloom,
And Saviour of the State.
``And lissom sirens, temptingly attired,
With heartless hearts, self-seeking as your own,
By your sonorous phrases will be fired,
And gather round your throne.
``Platform and Senate, Cabinet and Court,
You shall cajole, convert, or overawe;
Whithersoe'er you speciously disport,
Your wordy Will be law.
``But many and many a worshipper have I,
385
So cannot grant monopoly of power:
Others there be who fain would climb as high
As you, and have their hour.
``Then their ambition with your own will shock,
And they awhile on foremost seat may reign:
Men's favour is a quicksand, not a rock,
And veers like gust and vane.
``Then must you with invectives fume and rage
All through the land, denouncing evil times,
With histrionic passion; 'tis a stage
For mountebanks and mimes``Slandering the foes who slander you, and so,
If thousands hate, thousands will hail, your name,
Till you in notoriety shall grow,
The herd confound with Fame.
``Them that o'erwhelm, vindictiveness o'erwhelms,
So nought shall you from Fortune's wheel entice,
Gambling for Self's predominance with Realms
And Empires for your dice.
``If with the years male energy should wane,
Orders and honours on you shall be shed:
Thus will you still in man's remembrance reign,
A halo round your head.
``And when at length the End of all life's ends
Doth with the little lay the mighty down,
And domination finally descends
Graveward without its Crown,
``Processions populous, bedizened hearse,
And mourners ermined shall your dust convey
To pompous tomb, and vying prose and verse
Protract your little day.
``What though your name grow faint, as time recedes,
Like scarce-heard wave upon a far-off shore,
And wax the record of your words and deeds
386
A voice and nothing more,
``You will have drained all that the world can give,
All boons and blandishments of Love Profane,
Success and homage, for which sane men live,
And all the rest is vain.''
She ceased; and, as she ceased, then Sacred Love,
That ever and anon meanwhile had bent
On him her look, and smilingly surmised,
From his vague gaze and inattentive ears,
That he was only waiting for Her voice,
Like to the moon fleeting through fleecy clouds,
Her undissembled beauty on him bared,
And with a voice like sylvan rivulet
That haunts the woodlands, muffled half by leaves,
Serene and slow with silvery clearness spake.
``In the unseen first-fostering of breath
Whose secret is by Science vainly sought,
Uncertain borderland 'twixt Life and Death,
I share the silence of the Mother's thought.
``Her love is not more anxious than is mine,
Together we await the human cry,
For even then I, Sacred Love, divine
If it will grow to voice that may not die.
``And I its foster-mother am, and feed
Its suckling dreams, and watch it waxing strong,
Giving it for its plaything moorland reed,
That it may grow and ripen into Song.
``For Love Profane doth sleeplessly await
Its coming, to mislead it on its way,
Whispering, `Become what Greatness deemeth great,
Till mighty Rulers recognise your sway.'
``I listened tremblingly while Love Profane
Strove to entice you to the worldling's throne,
Along the worldling's way, but strove in vain.
Now hath She gone, and we are here alone.''
387
His gaze that had on Her who thuswise spake
Fastened, since indivisibly intent
Upon the cadence of her voice, quick turned
At these last words, to look for Love Profane.
But lo! its effigy from marble rim
Had vanished, like the face of Roman sway,
Kingship, Republic, Empire; and the flow
Of water welling through the rifled tomb
Was the sole sound he heard, until her voice
Melodiously measured, spake once more.
``Rise and come near to me, and take my hand,
And lay your cheek against my cheek, for sign
That you henceforth will know and understand
That all the children of the Muse are mine.
``Your parent am I, though I seem so young,
It is my birthright never to grow old;
Young shall I keep so long as songs are sung,
By such fresh offspring gladdened and consoled.
``I was beside the font when you were brought
Into the granite-pillared House of Prayer;
Smiled at your loneliness when first you sought
To sing away your load of childish care.
``Rapture maternal fluttered in my heart
When you yourself disdainfully denied
What worldlings prize, and chose the better part,
Wending where now I find you at my side.
``I know your present sorrow, since you fear
I have forsaken you and left you lone,
And Rome has silenced what you held so dear.
Wait! from the unseen seed the flower is grown.
``Rome is the tomb of Heroes, and of Kings,
Consuls, and conquerors, and world-wide sway:
What wonder, should it silence him that sings
Before he learns what he must sing and say?
388
``But you may live and die, a Voice unheard:
I promise not what I can not fulfil:
Only,-in the Beginning was the Word,
It was with God, and it is godlike still.
``But unto you, as unto all my line,
Or strong or weak, resounding or obscure,
I pledge the gifts inalienably mine,
Gifts that content and pleasures that endure:
``Companionship of woodlands, hills, and streams,
And gentle womenkind, to whom you owe
Youth in your heart, and shaping of your dreams,
And these will teach what more you need to know.
``Nature's still fresh society will keep
Your feelings young, as you each April follow
Coy maiden Spring, when she awakes from sleep
In windflower dell and primrose pillowed hollow:
``Watch Autumn wax in splendour day by day,
Then, slowly yielding unto Time's assault,
Her moribund magnificence decay,
To sleep entombed in Winter's icy vault;
``And when the boughs stretch bare and fallows hoar,
And plovers wheel about the moorland wide,
Hear the pinched wind wailing through chink and door,
With piteous prayer to share the warm fireside.
``Nature's capriciousness leaves just the same
Her inmost self; she does nor change nor veer;
Just as the seasons lend, with varying name,
Their contrast to the oneness of the year.
``The Poet's love no base-bred difference knows
Of high and low, the peasant and the peer,
Save that his tenderness more heed bestows
On humble sorrow than luxurious tear.
``Childhood's keen questioning, Youth's gropings blind,
Manhood's ambition, Age's graver part,
389
Alike can move his understanding mind,
And rouse his promptly sympathising heart.
``Here, 'mid the ruins that you now behold,
You will imbibe the meaning of the Past,
Learning to weigh the new by what is old,
The things that perish, and the things that last.
``Instructed thus, keep severed in your mind
The Passing from the Permanent, and prize
Only the precious heirlooms of Mankind,
Thought that ennobles, Art that vivifies.
``Vex not your mind with riddles that beguile
The unwise to wrangle over things unknown.
'Tis not for Song to enrage, but reconcile,
So to the Tower of Babel add no stone.
``But while from futile feuds you dwell apart,
Never forget to render what is due,
In hour of need, from manly hand and heart,
To the male Land whose soil engendered you.
``Should opulence, and ease, and base desire
Deaden effeminate ears to just alarms,
Sound all the clanging octaves of the lyre,
And rouse a nation's manhood unto arms,
``Save only then, no clamorous crowds must mar
The musing silence of secluded days,
Whose course should journey quiet as a star,
That moves alone along Heaven's trackless ways.
``Then will you 'mid deserted Abbey walls
Hear both the matin and the vesper bell,
The girdled Brothers chanting in their stalls,
And see the Prior praying in his cell.
``The Present and the Past shall seem but one,
Kingdoms, and Creeds, and Sceptres, passed away,
Stand out, in retrospection's noonday sun,
As Kingdoms, Creeds, and Sceptres, of to-day.
390
``In the fair hospitable Tuscan Land,
Where Raphael and Donatello wrought,
Sojourn, and ponder till you understand
The masculine restraint themselves were taught``Taught by the disentombed Minervan mind
That, in the days still governing if gone,
Within the rugged Parian block divined
Majestic calmness of the Parthenon.
``And when, departing hence, you wandering wend
Where the brief Attic splendour dawned and shone,
Pray to Athene she to you will lend
The golden curb she lent Bellerophon.
``Nor be the Hill Hellenic sculptors trod
Your one sole haunt, but, let who will condemn,
Kneel at all altars `To the Unknown God,'
Alike at Athens or Jerusalem.
``Siren and seraph, athlete, anchorite,
Saints of the cloister, satyrs of the grove,
In one and all seek meaning and delight,
Reigning Jehovah, abdicated Jove.
``Deem not the Oracles to-day are dumb;
They from their graves the World's course still forecast,
From things long gone expound the things to come,
And prophesy the Future from the Past.
``And not from Gothic shrine and classic urn,
From dome, or spire, or portico alone,
Study the mystery of Art, but learn
From each in turn to apprehend your own.
``Not least from its loved twin, melodious sound,
The universal unseen soul of things,
Whose utterance men invoke when words are found
Powerless to frame their vague imaginings.
``And, when the riper Youth that men call Age
391
Welcomes the closing dispensation, death,
Song that soothes sorrow and makes suffering sage,
Shall linger with you till your farewell breath.
``Not crowded aisle and ceremonial nave
Claim those that have from me life's lesson learned.
Who best have loved them bear them to their grave,
Where they near home lie `quietly inurned.'''
Then, like the cadence of a closing song,
Her soft voice sank to silence, and he felt
Her arms fold round him, and so widened his,
Eager to share in privileged embrace:
When, lo! the vision vanished with the voice,
And all he saw were the calm Sabine hills,
And all he heard, the lisping of the wave
Clear-welling through the rifled marble tomb.
But all She had said sank deep into his heart,
And what She said is truly written here.
~ Alfred Austin,
500:Jeanette Speaks
1.
A bright and barefoot little girl
with a garland of cherry blossoms
enters the unattended village church.
She makes a shorthand cross
upon the makeshift wooden amulet
attached to her leather necklace.
She then runs her bony fingers
through the long, black locks
parted above her forehead.
She walks past the empty benches
towards the peaceful altar
and her petite, russet-clad figure
stoops to kneel there.
She clasps her delicate hands
in front of a wooden statue
and casts her large, green eyes
upon the Saint’s figurine.
She whispers
in a soft but confident voice:
– Sister Catherine. I didn’t give you
the spring’s gift yesterday.
Mama told me to donate
my pickings to Mother Mary.
It’s Jeannette speaking, sister
in case you’ve forgotten me.
Please don’t be mad.
Here, I hope you like these.
42
She places the crimson wreath
at the pedestal of the religious icon
and stands up to leaves the chapel
glowing with a heart-felt grin.
2.
I think
she liked the flowers.
I know I would
if I was a saint.
I wonder how
a girl gets to become a saint?
My Godmother, old Madame Agnes
says before there were saints
there used to be sacred women called High Priestesses
or Goddesses in this land. But Mama says
Madame Agnes is a witch
and I shouldn’t listen to her.
Now I should go and do my chores.
Afterwards, if there’s time
I’ll go with my friends
to the slopes near the Fairies’ Tree.
The Tree, they say, is a hundred years old.
We’ll pick lilies-of-the-valley and camellia
for wreaths to put on the branches of the Tree at Lent
and I’ll get some jasmine
for Mama’s vase at home.
The jasmine have such an amazing
smell now
in early spring.
The best mushrooms grow on the paddocks
behind the Virgin Spring.
43
I’ve heard the nuns at the Hermitage say
the Spring has healing powers.
I’ve even seen a leper and a blind monk
come all the way from Nancy to drink its water.
I wonder if any of them is cured. I’m lucky
to be “strong and healthy,” Mama says.
She reckons
I was born in winter, on the night of Epiphany
about nine or ten years ago. She says
Epiphany was when Lord Jesus
was first recognised as the Son of God by
people. But
Madame Agnes says my birthday
was on the same day as Le Jour des Rois,
Day of the Kings, an ancient celebration
when the rich baked a cake for the beggars
and the last beggar to get a piece
was named the Bean-King, or something like
that.
Mama says
it’s blessed for girls
to go down the Valley to pick
blossoms and weave garlands
for the images of saints in our Church
and for those in the Hermitage behind the Bois
Chesnu
Oak Forest. I love
Saint Catherine’s statue, and Saint Margaret
too.
She sometimes looks
straight at my praying and
when feeling the kindness of her eyes
I wonder why Papa says
the statue is a lifeless thing.
Mama calls Papa sacrilegious
whenever he makes fun of our praying. Why
does he call the statue
lifeless? Doesn’t wood
come from the living trees?
44
My dress today
is the colour of oak. It’s made of
rough wool cut out of Mama’s old dress.
She’s given it
puffy sleeves and stitched pretty
blue ribbons
on the skirt
making it look like the dress
of a rich city girl. She says
I’m short like her but have Papa’s
legs.
I’m not sure what she means.
My hair’s black like Papa’s
and really messy today
I’ll have to get Mama to brush it
once I’ve been to the well
and drawn water. Now
she’s making lunch for Papa and the
boys
and putting the bundle of bread and fruit
into the saddle of the mule they’ll take with
them
to the farms.
Sometimes they take me with them
to help with sowing the seeds, pruning the
plants
or ploughing. I like
digging furrows between the rows of grape
and corn.
I like using a sharp spade
and getting my hands dirty, but
being a girl, and “little”
Papa usually makes me take the sheep
to the meadows near the Village of Maxey.
I have to sit there and watch them
stuff their mouths with grass and leaves.
I use my spinning distaff
for handling the silly animals when they don’t
45
listen to me.
I have wound a bit of wool
on top of my staff. When I get bored with being
a shepherdess
I spin the wool
around the stick. I use it
like a cane when climbing a steep hillock
and it’s a weapon
if the Maxey kids come to annoy my flock.
I know I’m supposed to act like a girl
and scream and cry if there’s
trouble
but sometimes I can’t help
chasing the bullies, or at least yelling at
them.
Mama gets upset sometimes
telling me I’m too much like a boy
but I’m very good at spinning wool
and sing with the girls
the Maiden Melodies
at the dances and celebrations.
And today
after visiting Saint Catherine,
getting water and milking the
cows,
I’m in the kitchen with Mama
with canvas aprons over our
skirts.
She’s teaching me to make
the dish she calls
“Our great region’s most famous cuisine.”
I don’t really like Quiche Lorraine.
I prefer fresh bread and creamy cheese.
46
But Mama is very keen
and doesn’t give up until I’ve beaten my eggs
and made them as foamy as hers. She tells me
with pride in her voice:
“Ah, Jeannette, have I told you about my pilgrimage to
Rome?”
(She has. About a hundred times)
“There I presented a slice of our cherished pastry
to our Holy Father, the Pope himself.
That’s why they call me
Isabelle Romee, because I’ve been to the
Holy City.”
After pouring the mixture
into the vessels covered with pastry
we take the clay pots
to the communal village oven.
Mama’s worried I could burn myself
and lets me go before
kindling the fire herself. I return home
take off the apron, put an apple
in my pocket and fasten the clog sandals
to my ankles. I take my distaff
and go out into our back garden…
the silly rabbits
have made it through the fence again.
I step over the leftovers of our baby carrots
and yell at the neighbour’s cottage:
– Margarette! Margarette! You
wanna go
graze the sheep?
My oldest friend quickly runs out.
Her golden hair is so beautiful
and her teeth are much nicer than mine.
She throws herself at me
and giggles: “Let’s run! I’m so sick of my baby sister!
47
She’s crying all the time!”
And we lock arms
and skip in our heavy clogs
to where the animals are caged
in a fenced field behind our cottages.
3.
We open the strong gates
and my cattle dog Claude
a big wolfy breed called Alsatian
barks the sleepy sheep into action.
The lazy beasts bleat unhappily.
I yell: “OHOY OHOY” and poke my distaff
into the stubborn ones refusing to move
accidentally hitting the grumpy ram
Papa’s told me to stay away from.
I stand still and see the horned beast
huff and shiver with anger.
My heart beats fast and I go
to call for Margarette but how
could she help?
The ram attacks me.
I jump out of his way
over the lazy sheep.
But he hasn’t forgiven me
and shoves the others out of his
way
spotting me with his furious eyes
and bolting towards me again.
And all of a sudden
a gilded image
I’ve seen painted on the walls of the
48
Hermitage
flashes across my mind:
Saint Michael the Archangel
Hero of the Battle of Heaven
and Hell
a winged, armoured knight
pushing his lance into the
throat
of a vicious serpent.
All of a sudden my distaff
becomes the Angel’s holy lance
and I firmly aim it
at the oncoming monster
pushing it into his thick fleece
making him stop. The ram
angrily stamps his short legs
pushing against the tip
of my hard distaff.
I clench my teeth and groan
against his force
holding the distaff with both hands
when Claude, my strong wolf-dog
jumps over the other sheep
into the scene of my battle
and furiously barks at the ram
who’s been outnumbered
and begins to set back.
I pat Claude’s hairy neck
when the ram has been pushed
into the flow of sheep
exiting the fenced area for the pastures.
I plant my distaff into the ground
to catch my breath while putting my messy hair
into a horsetail. I notice
Margarette staring at me from the other side of the
fence.
49
I say:
– Stupid ram! What was his problem?!
Margarette doesn’t laugh
at my smart remark
like she usually would. Her blue eyes
are bulging with fear. She speaks
hesitantly:
“Jeannette…
how did you do that?”
– How did I do what, Margarette?
“Fight! How did you
fight like a…
like a…
boy! You looked
so mean…so angry! Why didn’t
you
cry for help?”
– I… dunno…
Margarette hitches her skirt
and steps carefully over the fence
coming over and giving me a hug
her beautiful eyes breaking into tears:
“I was so worried... Oh sister... I was so
scared...”
I giggle and boast: – It was only a sheep! By God!
It wasn’t a wild boar or anything!
She sniffs her nose and says:
“No it wasn’t… it was… it was…
terrible… you… you
scared me… don’t do that again. Promise me!”
Feeling confused and uncomfortable
I push her away and run towards a wandering lamb
who’s left the others
50
yelling:
on…
– C’mon Margarette! I wanna pick mushrooms later
we’re gonna run out of time. C’mon!
That night after the Campanile
when Papa and the boys return from the farms
Mama serves the quiche
she’s made. My quiche
“didn’t have the proper consistency” she reckons
and was given to the parish priest instead.
Papa teases me:
“You won’t find a husband if you can’t cook properly!
We’ll have to send you to a bloody convent! How about
that?!”
I stick my tongue out at him.
He laughs and ruffles my head.
4.
A few months later, on Saint Jean the Baptist’s Eve
everyone in the village brings a log
or a bundle of sticks. Jeannette has a twig
for the bonfire lit every year near the Fairies’ Tree.
Madame Agnes has told her that this ritual is actually
a pagan salute to summer called Midsummer,
symbolising the passage of spring
with a bonfire that consumes the flowers. But
Jeannette’s mother, Isabelle, believes
that the fire is a reminder of Hell for the sinful
and the vain; she’s told her daughter to burn
something precious to her, so Jeannette’s tied a fresh lily
to her twig.
The evening begins with the chiming of church bells
51
and the villagers, in their best dresses and tunics
walk cheerfully up the hill towards the primeval Tree.
Jeannette and the children sing:
“This is Saint Jean’s night
The great occasion
When lovers delight
And burn with passion
The moon has risen.”
Madame Agnes, despite her frail legs,
has climbed the hillock ahead of the others
instructing the young men and girls
to arrange the wood in a pyramid
that would last long and look prominent.
She whispers to Jeannette’s oldest brother, Joe
quietly so that the parish priest can’t hear:
“You’ll see, dear boy, once the flames have risen
the fairy folk will come to dance beneath the Tree.”
5.
Jeannette is full of verve
running ahead of the other children
her singing is the loudest
noise after the ringing of the bells.
The thin girl hops like a stag
and her green eyes radiate
with anticipation. The elders choose her
as “Saint Jean’s Queen”
to light the bonfire. She’s hoisted
on the shoulders of her uncle, Durand,
and Isabelle holds the torch that sets fire
to her daughter’s twig. Jeannette brushes
the unruly black hair off her pink face
52
and throws the ignited flower
at the hay stacked beneath the tower of wood.
The villagers crack open the barrels of wine
and the priest begins playing his lyre.
Margarette is holding the hands of a boy
called Collot and Joe has his eyes on a girl
he hasn’t met before. Jeannette, having drunk
a cup of wine diluted with water,
is almost shouting at Madame Agnes:
– The Goddess of Moon?!!!
I wanna see her! And the fairies!
Where are they! You promised!
Jacques and Isabelle watch their children
from a distance. She tells him: “Jacques
could we go to Toul, please. I wanna give alms
at the cathedral there. We must thank our Lord
for our children, the harvest, oh…for everything!
We’re so blessed…Can we Jacques?”
Jacques kisses her and empties another goblet
into his mouth before saying: “Sure, sweetheart.
We should thank God, and our lucky stars.”
6.
Now everyone’s smeared with the orange glow
of the flames. Some are dancing in a circle around the pyre.
Some of them believe that this dance will prevent
illness and bad luck for the next year. As is
and has been customary for centuries,
the night ends with the younger couples jumping the subsiding blaze
holding hands to strengthen their romance. Jeannette
who has no interest in boys yet
has decided to take part in this closing ritual alone
53
because Madame Agnes has told her that her father’s crops
will grow as tall as her leap tonight. She’s rolled up her skirt
above her calves and kneecaps, watching impatiently
as the others hesitate to brave the fire. She yells:
– My turn! My turn!
and runs towards the flames. Her legs heave
and fly over the bonfire. She swims through
the smoky air. The flames brush the soles of her feet
but can’t hurt her. She makes it and joyously screams
upon landing, but her excitement
quickly dissipates. She’s exhausted; her large eyes close
and her body collapses into the grass. By the time
Jacques has come to her side, she’s fast asleep.
She’s so bloody adorable, he thinks
and lifts his snoring daughter carefully. He places her
on the bed at their house and himself returns
to have a few more drinks with the other farmers.
7.
Jeannette’s tiny lips shiver in sleep
and her cheeks tremble as she breathes
heavily; she dreams
of the villagers drinking and being merry
a year of joy descends upon the Valley
her white sheep flying through the blue sky
the crops weaving into crowns for her head
ghosts twist into the tubers of the Fairies’ Tree
Archangel Michael and Saint Catherine get
married
a bouquet of daisies burns in the sacred fire
the sun mixes with the soil and plants are
54
born
and far behind the Oak Forest
a flood
of identical men
wielding axes
cut down the trees and crush the farms
they’re thousands and their stampede rattles the
Valley
they’re soldiers of the greatest army in the world
their faces are eyeless and their feet are hooves
they have black crosses tattooed on the
forehead…
Jeannette wakes up
next to her parents and brothers under the blanket.
They’re deep asleep
and the girl’s shivering figure doesn’t wake them.
Outside, a few farmers
strew the ashes of the fire over the vegetation
to banish bad omens.
~ Ali Alizadeh,
501:Le Forgeron (The Blacksmith)
Le bras sur un marteau gigantesque, effrayant
D'ivresse et de grandeur, le front large, riant
Comme un clairon d'airain, avec toute sa bouche,
Et prenant ce gros-là dans son regard farouche,
Le Forgeron parlait à Louis Seize, un jour
Que le Peuple était là, se tordant tout autour,
Et sur les lambris d'or traînait sa veste sale.
Or le bon roi, debout sur son ventre, était pâle
Pâle comme un vaincu qu'on prend pour le gibet,
Et, soumis comme un chien, jamais ne regimbait,
Car ce maraud de forge aux énormes épaules
Lui disait de vieux mots et des choses si drôles,
Que cela l'empoignait au front, comme cela !
'Donc, Sire, tu sais bien, nous chantions tra la la
Et nous piquions les boeufs vers les sillons des autres :
Le Chanoine au soleil disait ses patenôtres
Sur des chapelets clairs grenés de pièces d'or.
Le Seigneur, à cheval, passait, sonnant du cor,
Et l'un avec la hart, l'autre avec la cravache,
Nous fouaillaient ; Hébétés comme des yeux de vache,
Nos yeux ne pleuraient pas : nous allions ! nous allions !
Et quand nous avions mis le pays en sillons,
Quand nous avions laissé dans cette terre noire
Un peu de notre chair... nous avions un pourboire :
- Nous venions voir flamber nos taudis dans la nuit ;
Nos enfants y faisaient un gâteau fort bien cuit !...
'Oh ! je ne me plains pas. Je te dis mes bêtises :
- C'est entre nous. J'admets que tu me contredises...
Or, n'est-ce pas joyeux de voir, au mois de juin
Dans les granges entrer des voitures de foin
Enormes ? De sentir l'odeur de ce qui pousse,
Des vergers quand il pleut un peu, de l'herbe rousse ?
De voir les champs de blé, les épis pleins de grain,
De penser que cela prépare bien du pain ?...
- Oui, l'on pourrait, plus fort, au fourneau qui s'allume,
Chanter joyeusement en martelant l'enclume,
Si l'on était certain qu'on pourrait prendre un peu,
71
Étant homme, à la fin !, de ce que donne Dieu !...
- Mais voilà, c'est toujours la même vieille histoire !
'... Oh ! je sais, maintenant ! Moi, je ne peux plus croire,
Quand j'ai deux bonnes mains, mon front et mon marteau,
Qu'un homme vienne là, dague sous le manteau
Et me dise : Maraud, ensemence ma terre ;
Que l'on arrive encor, quand ce serait la guerre,
Me prendre mon garçon comme cela, chez moi !...
- Moi, je serais un homme, et toi tu serais roi,
Tu me dirais : Je veux ! - Tu vois bien, c'est stupide !...
Tu crois que j'aime à voir ta baraque splendide,
Tes officiers dorés, tes mille chenapans,
Tes palsembleu bâtards tournant comme des paons ?
Ils ont rempli ton nid de l'odeur de nos filles,
Et de petits billets pour nous mettre aux Bastilles,
Et nous dirions : C'est bien : les pauvres à genoux !...
Nous dorerions ton Louvre en donnant nos gros sous,
Et tu te soûlerais, tu ferais belle fête,
Et tes Messieurs riraient, les reins sur notre tête !...
'Non ! Ces saletés-là datent de nos papas !
Oh ! Le Peuple n'est plus une putain ! Trois pas,
Et, tous, nous avons mis ta Bastille en poussière !
Cette bête suait du sang à chaque pierre...
Et c'était dégoûtant, la Bastille debout
Avec ses murs lépreux qui nous rappelaient tout
Et, toujours, nous tenaient enfermés dans leur ombre !
- Citoyen ! citoyen ! c'était le passé sombre
Qui croulait, qui râlait, quand nous prîmes la tour !
Nous avions quelque chose au coeur comme l'amour :
Nous avions embrassé nos fils sur nos poitrines,
Et, comme des chevaux, en soufflant des narines,
Nous marchions, nous chantions, et ça nous battait là,
Nous allions au soleil, front haut, comme cela,
Dans Paris accourant devant nos vestes sales !...
Enfin ! Nous nous sentions hommes ! Nous étions pâles,
Sire ; nous étions soûls de terribles espoirs,
Et quand nous fûmes là, devant les donjons noirs,
Agitant nos clairons et nos feuilles de chêne,
Les piques à la main ; nous n'eûmes pas de haine :
- Nous nous sentions si forts ! nous voulions être doux !
72
'Et depuis ce jour-là, nous sommes comme fous...
Le flot des ouvriers a monté dans la rue
Et ces maudits s'en vont, foule toujours accrue,
Comme des revenants, aux portes des richards !...
Moi, je cours avec eux assommer les mouchards,
Et je vais dans Paris le marteau sur l'épaule,
Farouche, à chaque coin balayant quelque drôle,
Et, si tu me riais au nez, je te tuerais !...
- Puis, tu dois y compter, tu te feras des frais
Avec tes avocats, qui prennent nos requêtes
Pour se les renvoyer comme sur des raquettes,
Et, tout bas, les malins ! Nous traitant de gros sots !
Pour mitonner des lois, ranger des de petits pots
Pleins de menus décrets, de méchantes droguailles,
S'amuser à couper proprement quelques tailles,
Puis se boucher le nez quand nous passons près d'eux,
- Ces chers avocassiers qui nous trouvent crasseux ! Pour débiter là-bas des milliers de sornettes
Et ne rien redouter sinon les baïonnettes,
Nous en avons assez, de tous ces cerveaux plats !
Ils embêtent le peuple !... Ah ! ce sont là les plats
Que tu nous sers, bourgeois, quand nous sommes féroces,
Quand nous cassons déjà les sceptres et les crosses !...'
Puis il le prend au bras, arrache le velours
Des rideaux, et lui montre, en bas, les larges cours
Où fourmille, où fourmille, où se lève la foule,
La foule épouvantable avec des bruits de houle,
Hurlant comme une chienne, hurlant comme une mer,
Avec ses bâtons forts et ses piques de fer,
Ses clameurs, ses grands cris de halles et de bouges,
Tas sombre de haillons taché de bonnets rouges !
L'Homme, par la fenêtre ouverte, montre tout
Au Roi pâle, suant qui chancelle debout,
Malade à regarder cela !...
spacespacespacespacespacespacespacespace'C'est la Crapule,
Sire ! ça bave aux murs, ça roule, ça pullule...
- Puisqu'ils ne mangent pas, Sire, ce sont les gueux !
- Je suis un forgeron : ma femme est avec eux :
Folle ! Elle vient chercher du pain aux Tuileries :
- On ne veut pas de nous dans les boulangeries !...
73
J'ai trois petits ; -Je suis crapule ! - Je connais
Des vieilles qui s'en vont pleurant sous leurs bonnets,
Parce qu'on leur a pris leur garçon ou leur fille :
- C'est la crapule. - Un homme était à la bastille,
D'autres étaient forçats ; c'étaient des citoyens
Honnêtes ; Libérés, ils sont comme des chiens ;
On les insulte ! Alors, ils ont là quelque chose
Qui leur fait mal, allez ! C'est terrible, et c'est cause
Que, se sentant brisés, que, se sentant damnés,
Ils viennent maintenant hurler sous votre nez !...
- Crapules : - Là-dedans sont des filles, infâmes
Parce que -, sachant bien que c'est faible, les femmes,
Messeigneurs de la cour, que ça veut toujours bien, Vous leur avez sali leur âme, comme rien !
Vos belles, aujourd'hui, sont là : - C'est la Crapule...
'Oh ! tous les Malheureux, tout ceux dont le dos brûle
Sous le soleil féroce, et qui vont, et qui vont,
Et dans ce travail-là sentent crever leur front,
Chapeau bas, mes bourgeois ! Oh ! ceux-là sont les hommes !
- Nous sommes Ouvriers ! Sire, Ouvriers ! - nous sommes
Pour les grands temps nouveaux où l'on voudra savoir,
Où l'homme forgera du matin jusqu'au soir,
Où, lentement vainqueur, il chassera les choses
Poursuivant les grands buts, cherchant les grandes causes,
Et montera sur Tout comme sur un cheval !
Oh ! nous sommes contents, nous aurons bien du mal !
- Tout ce qu'on ne sait pas, c'est peut-être terrible.
Nous pendrons nos marteaux, nous passerons au crible
Tout ce que nous savons, puis, Frères, en avant !...
- Nous faisons quelquefois ce grand rêve émouvant
De vivre simplement, ardemment, sans rien dire
De mauvais, travaillant sous l'auguste sourire
D'une femme qu'on aime avec un noble amour !
Et l'on travaillerait fièrement tout le jour,
Ecoutant le devoir comme un clairon qui sonne :
Et l'on se trouverait fort heureux, et personne,
Oh ! personne ! surtout, ne vous ferait plier !...
On aurait un fusil au-dessus du foyer....
'Oh ! mais ! l'air est tout plein d'une odeur de bataille !
Que te disais-je donc ? Je suis de la canaille !'
74
_____________________________________________________
Translation by A. S. Kline
His hand on a gigantic hammer, terrifying
In size and drunkenness, vast-browed, laughing
Like a bronze trumpet, his whole mouth displayed,
Devouring the fat man, now, with his wild gaze,
The Blacksmith spoke with Louis, with the king,
The People there, all around him, cavorting,
Trailing their dirty coats down gilded panels.
But the dear king, belly upright, was pallid,
Pale as the victim led to the guillotine,
Submissive like a dog, cowed by the scene,
Since that wide-shouldered forge-black soul
Spoke of things past and other things so droll,
He had him by the short hairs, just like that!
‘Now, Sir, you know how we’d sing tra-la-la,
And drive the ox down other people’s furrows:
The Canon spun paternosters in the shadows
On rosaries bright with golden coins adorned,
Some Lord, astride, passed blowing on his horn,
One with the noose, another with whip-blows
Lashed us on. – Dazed like the eyes of cows,
Our eyes no longer wept; on and on we went,
And when we’d ploughed a whole continent,
When we had left behind in that black soil
A little of our own flesh…to reward our toil:
They’d set alight our hovels in the night;
Our little ones made burnt cakes alright.
…Oh, I’m not complaining! All my follies,
They’re between us. I’ll let you contradict.
But, isn’t it fine to see, in the month of June,
The enormous hay-wains entering the barns?
To smell the odour of burgeoning things,
The orchards in fine rain, the oats reddening?
To see wheat, wheat, ears filled with grain,
To think it promises us good bread again?...
Oh! You’d go to the forge, be more cheerful,
Sing and hammer joyfully at the anvil,
75
If you were sure to gain a little in the end –
Being, in fact, a man – of what God intends!
– But there it is, always the same old story!...
But now I know! I don’t credit it any more,
Owning two strong hands, a head, a hammer,
That a man in a cloak, wearing a dagger
Can say: go and sow my land, there, fellow;
Or that another, if maybe war should follow,
Can take my son like that, from where I’m living!
– Suppose I were a man, and you a king,
You’d say: I will it!... – What stupidity.
You think your splendid barn pleases me,
Your gilded servants, your thousand rogues,
Your fancy bastards, peacocks in a row:
Filling your nest with our daughters’ odour,
Warrants to the Bastille for us, moreover
That we should say: fine: make the poor poorer!
We’ll give you our last sous to gild the Louvre!
While you get drunk and enjoy the feast,
– And they all laugh, riding our backs beneath!
No. Those puerilities were our fathers!
The People is no one’s whore now, three steps further
And then, we razed your Bastille to the ground.
That monster sweated blood from every mound,
Was an abomination, that Bastille standing,
With leprous walls its every story yielding,
And, we forever held fast in its shadow!
– Citizen! That was the past, its sorrow,
That broke, and died, when we stormed the tower!
We had something in our hearts like true ardour.
We had clutched our children to our breast.
And like chargers, snorting at the contest,
We went, proud and strong, beating here inside…
We marched in the sun – like this – heads high
Into Paris! They greeted us in our ragged clothes.
At last! We felt ourselves Men! We were sallow,
Sire, drunk, and pallid with terrifying hopes:
And there, in front of those black prison slopes,
Waving our bugles and our sprigs of oak,
Pikes in our fists; did we feel hatred, no!
76
– We felt such strength we wanted to be gentle! ...
And since that day, we have proved elementals!
A mass of workers sprang up in the street,
And, cursed, are gone, a swelling crowd replete
With ghostly shades, to haunt the rich man’s gate.
I, I run with them, and set informers straight:
I scour Paris, dark-faced, wild, hammer on shoulder,
Sweeping something droll out of every corner,
And, if you smile at me, then I’ll do for you!
– Well, count on it: all this is going to cost you
And your men in black, culling our requests
To bat them about on their racquets all in jest,
And whisper, the rascals, softly: “Oh, what sots!”
To cook up laws, and stick up little pots,
Filled with cute pink decrees, and sugar pills,
Cutting us down to size, to amuse themselves,
Then they hold their noses when we pass by,
– Our kind representatives who hate the sty! –
Fearful of nothing, nothing, but bayonets….
That’s fine. Enough of snuff and lorgnettes!
We’ve had our fill, here, of those dull heads
And bellies of gods. Ah! That’s the bread
You serve us, bourgeoisie, while we rage here,
While we shatter the sceptre and the crozier!...’
He takes his arm, tears back the velvet curtain
And shows the vast courtyards beneath them,
Where the mob swarms, and seethes, where rise,
Out of the frightful mob those storm-filled cries,
Howling as bitches howl, or like the sea,
With their knotted stakes, their pikes of steel,
With the clamour of their market-halls and slums,
A ragged mass of blood-stained caps, and drums:
The Man, through the open window, shows all
To the pale sweating king, reeling, about to fall,
Sick at the sight of it!
‘Those are the Scum, Sire.
Licking the walls, seething, rising higher:
– But then they’ve not eaten, Sire, these beggars!
I’m a blacksmith: my wife, madwoman, is there!
She thinks she’ll get bread at the Tuileries!
77
– They’ll have none of us in the bakeries.
I’ve three youngsters. I’m scum, too – I know
Old women weeping under their bonnets so
Because they’ve taken a daughter or a son:
One man was in the Bastille – oh, they’re scum –
Another the galleys: both honest citizens.
Freed, they’re treated like dogs, these men:
Insulted! Then, they have something here
That hurts them, see! It’s terrible, it’s clear
They feel broken, feel themselves damned,
There, screaming beneath you where you stand!
Scum. – Down there girls, infamous, shriek,
Because – well, you knew girls were weak –
Gentlemen of the court – gave all you sought –
You’d spit on their souls, as if they were naught!
Now, your pretty ones are there. They’re scum.
Oh, all the Wretched, whose backs, in the fierce sun
Burn, and yet they still work on and on,
Feeling their heads burst with their exertion,
Hats off, you bourgeoisie! Those are Men.
We are the Workers, Sire! Workers! And then
We’re for the great new age, of knowledge, light,
When Man will forge from morning to night,
Pursuing great effects, chasing great causes,
When he will tame things, slowly victorious,
And like a horse, mount the mighty All!
Oh! Splendour of the forges! And no more
Evil, then! – What’s unknown, its terror maybe
We’ll know! – Hammer in hand, let’s sieve freely
All that we know: then, Brothers, we’ll go on!
Sometimes we dream that dream’s vast emotion
Of the simple ardent life, where you revile
All evil, working beneath the august smile,
Of a woman you love with love’s nobility:
And all day long you labour on proudly,
Hearing the clarion call of duty sounding!
And you feel so happy; and nothing, nothing,
Oh, above all, no-one makes you kneel!
Over the fireplace, there, you’d have a rifle…
Oh! But the air is filled with the scent of battle.
78
What did I say? I too am one of the rascals!
And there are still sharks and informers.
But we are free! With our moments of terror
When we feel we are great, so great! Just now
I was talking of peaceful work, of how…
Look at that sky! – Too small for us, you see,
If we feared the heat, we’d live on our knees!
Look at that sky! – I’ll return to the crowd,
To the vast fearful mob who cry aloud
And roll your cannon through the cobbles’ sty;
– Oh! We will wash them clean when we die!
– And if, against our cries and our vengeance,
The claws of old gilded kings, all over France,
Urge on their regiments in full battle-dress,
Well then, you lot? Shit to those dogs, no less!’
– He shoulders his hammer once more.
The crowd
Feels soul-drunk close to that man, and now
Through the great courtyard, all those rooms,
Where Paris pants and the voices boom,
A shudder shakes the immense populace.
Then, with his broad hand, its grimy grace
Gilded, while the pot-bellied king sweats,
The Blacksmith set his red cap on that head!
~ Arthur Rimbaud,
502:I
WHEN the pine tosses its cones
To the song of its waterfall tones,
Who speeds to the woodland walks?
To birds and trees who talks?
Csar of his leafy Rome,
There the poet is at home.
He goes to the river-side,
Not hook nor line hath he;
He stands in the meadows wide,
Nor gun nor scythe to see.
Sure some god his eye enchants:
What he knows nobody wants.
In the wood he travels glad,
Without better fortune had,
Melancholy without bad.
Knowledge this man prizes best
Seems fantastic to the rest:
Pondering shadows, colors, clouds,
Grass-buds and caterpillar-shrouds,
Boughs on which the wild bees settle,
Tints that spot the violet's petal,
Why Nature loves the number five,
And why the star-form she repeats:
Lover of all things alive,
Wonderer at all he meets,
Wonderer chiefly at himself,
Who can tell him what he is?
Or how meet in human elf
Coming and past eternities?

2
And such I knew, a forest seer,
A minstrel of the natural year,
Foreteller of the vernal ides,
Wise harbinger of spheres and tides,
A lover true, who knew by heart
Each joy the mountain dales impart;
It seemed that Nature could not raise
A plant in any secret place,
In quaking bog, on snowy hill,
Beneath the grass that shades the rill,
Under the snow, between the rocks,
In damp fields known to bird and fox.
But he would come in the very hour
It opened in its virgin bower,
As if a sunbeam showed the place,
And tell its long-descended race.
It seemed as if the breezes brought him,
It seemed as if the sparrows taught him;
As if by secret sight he knew
Where, in far fields, the orchis grew.
Many haps fall in the field
Seldom seen by wishful eyes,
But all her shows did Nature yield,
To please and win this pilgrim wise.
He saw the partridge drum in the woods;
He heard the woodcock's evening hymn;
He found the tawny thrushes' broods;
And the shy hawk did wait for him;
What others did at distance hear,
And guessed within the thicket's gloom,
Was shown to this philosopher,
And at his bidding seemed to come.

3
In unploughed Maine he sought the lumberers' gang
Where from a hundred lakes young rivers sprang;
He trod the unplanted forest floor, whereon
The all-seeing sun for ages hath not shone;
Where feeds the moose, and walks the surly bear,
And up the tall mast runs the woodpecker.
He saw beneath dim aisles, in odorous beds,
The slight Linna hang its twin-born heads,
And blessed the monument of the man of flowers,
Which breathes his sweet fame'through the northern bowers.
He heard, when in the grove, at intervals,
With sudden roar the aged pine-tree falls,
One crash, the death-hymn of the perfect tree,
Declares the close of its green century.

Low lies the plant to whose creation went
Sweet influence from every element;
Whose living towers the years conspired to build,
Whose giddy top the morning loved to gild.
Through these green tents, by eldest Nature dressed,
He roamed, content alike with man and beast.
Where darkness found him he lay glad at night;
There the red morning touched him with its light.
Three moons his great heart him a hermit made,
So long he roved at will the boundless shade.
The timid it concerns to ask their way,
And fear what foe in caves and swamps can stray,
To make no step until the event is known,
And ills to come as evils past bemoan.
Not so the wise; no coward watch he keeps
To spy what danger on his pathway creeps;
Go where he will, the wise man is at home,
His hearth the earth,his hall the azure dome;
Where his clear spirit leads him, there's his road
By God's own light illumined and foreshowed.

4
'T was one of the charmd days
When the genius of God doth flow;
The wind may alter twenty ways,
A tempest cannot blow;
It may blow north, it still is warm;
Or south, it still is clear;
Or east, it smells like a clover-farm;
Or west, no thunder fear.
The musing peasant, lowly great,
Beside the forest water sate;
The rope-like pine-roots crosswise grown
Composed the network of his throne;
The wide lake, edged with sand and grass,
Was burnished to a floor of glass,
Painted with shadows green and proud
Of the tree and of the cloud.
He was the heart of all the scene;
On him the sun looked more serene;
To hill and cloud his face was known,
It seemed the likeness of their own;
They knew by secret sympathy
The public child of earth and sky.
'You ask,' he said,'what guide
Me through trackless thickets led,
Through thick-stemmed woodlands rough and wide.
I found the water's bed.
The watercourses were my guide;
I travelled grateful by their side,
Or through their channel dry;
They led me through the thicket damp,
Through brake and fern, the beavers' camp,
Through beds of granite cut my road,
And their resistless friendship showed.
The falling waters led me,
The foodful waters fed me,
And brought me to the lowest land

Unerring to the ocean sand.
The moss upon the forest bark
Was pole-star when the night was dark;
The purple berries in the wood
Supplied me necessary food;
For Nature ever faithful is
To such as trust her faithfulness.
When the forest shall mislead me,
When the night and morning lie,
When sea and land refuse to feed me,
'T will be time enough to die;
Then will yet my mother yield
A pillow in her greenest field,
Nor the June flowers scorn to cover
The clay of their departed lover.'

II
As sunbeams stream through liberal space
And nothing jostle or displace,
So waved the pine-tree through my thought
And fanned the dreams it never brought.
'Whether is better, the gift or the donor?
Come to me,'
Quoth the pine-tree,
'I am the giver of honor.

My garden is the cloven rock,
And my manure the snow;
And drifting sand-heaps feed my stock,
In summer's scorching glow.
He is great who can live by me:
The rough and bearded forester
Is better than the lord;
God fills the scrip and canister,
Sin piles the loaded board.
The lord is the peasant that was,
The peasant the lord that shall be;
The lord is hay, the peasant grass,
One dry, and one the living tree.
Who liveth by the ragged pine
Foundeth a heroic line;
Who liveth in the palace hall
Waneth fast and spendeth all.
He goes to my savage haunts,
With his chariot and his care;
My twilight realm he disenchants,
And finds his prison there.
'What prizes the town and the tower?
Only what the pine-tree yields;
Sinew that subdued the fields;
The wild-eyed boy, who in the woods
Chants his hymn to hills and floods,
Whom the city's poisoning spleen
Made not pale, or fat, or lean;
Whom the rain and the wind purgeth,
Whom the dawn and the day-star urgeth,
In whose cheek the rose-leaf blusheth,
In whose feet the lion rusheth,
Iron arms, and iron mould,
That know not fear, fatigue, or cold.
I give my rafters to his boat,
My billets to his boiler's throat,
And I will swim the ancient sea
To float my child to victory,
And grant to dwellers with the pine
Dominion o'er the palm and vine.
Who leaves the pine-tree, leaves his friend,
Unnerves his strength, invites his end.
Cut a bough from my parent stem,
And dip it in thy porcelain vase;
A little while each russet gem
Will swell and rise with wonted grace;
But when it seeks enlarged supplies,
The orphan of the forest dies.
Whoso walks in solitude
And inhabiteth the wood,
Choosing light, wave, rock and bird,
Before the money-loving herd,
Into that forester shall pass,
From these companions, power and grace.
Clean shall he be, without, within,
From the old adhering sin,
All ill dissolving in the light
Of his triumphant piercing sight:
Not vain, sour, nor frivolous;
Not mad, athirst, nor garrulous;
Grave, chaste, contented, though retired,
And of all other men desired.
On him the light of star and moon
Shall fall with purer radiance down;
All constellations of the sky
Shed their virtue through his eye.
Him Nature giveth for defence
His formidable innocence;
The mounting sap, the shells, the sea,
All spheres, all stones, his helpers be;
He shall meet the speeding year,
Without wailing, without fear;
He shall be happy in his love,
Like to like shall joyful prove;
He shall be happy whilst he wooes,
Muse-born, a daughter of the Muse.
But if with gold she bind her hair,
And deck her breast with diamond,
Take off thine eyes, thy heart forbear,
Though thou lie alone on the ground.
' Heed the old oracles,
Ponder my spells;
Song wakes in my pinnacles
When the wind swells.
Soundeth the prophetic wind,
The shadows shake on the rock behind,
And the countless leaves of the pine are strings
Tuned to the lay the wood-god sings.
Hearken! Hearken!
If thou wouldst know the mystic song
Chanted when the sphere was young.
Aloft, abroad, the pan swells;
O wise man! hear'st thou half it tells?
O wise man! hear'st thou the least part?
'T is the chronicle of art.
To the open ear it sings
Sweet the genesis of things,
Of tendency through endless ages,
Of star-dust, and star-pilgrimages,
Of rounded worlds, of space and time,
Of the old flood's subsiding slime,
Of chemic matter, force and form,
Of poles and powers, cold, wet, and warm:
The rushing metamorphosis
Dissolving all that fixture is,
Melts things that be to things that seem,
And solid nature to a dream.
O, listen to the undersong,
The ever old, the ever young;
And, far within those cadent pauses,
The chorus of the ancient Causes!
Delights the dreadful Destiny
To fling his voice into the tree,
And shock thy weak ear with a note
Breathed from the everlasting throat.
In music he repeats the pang
Whence the fair flock of Nature sprang.
O mortal! thy ears are stones;
These echoes are laden with tones
Which only the pure can hear;
Thou canst not catch what they recite
Of Fate and Will, of Want and Right,
Of man to come, of human life,
Of Death and Fortune, Growth and Strife.'
Once again the pine-tree sung:
' Speak not thy speech my boughs among:
Put off thy years, wash in the breeze;
My hours are peaceful centuries.
Talk no more with feeble tongue;
No more the fool of space and time,
Come weave with mine a nobler rhyme.
Only thy Americans
Can read thy line, can meet thy glance,
But the runes that I rehearse
Understands the universe;
The least breath my boughs which tossed
Brings again the Pentecost;
To every soul resounding clear
In a voice of solemn cheer,
"Am I not thine? Are not these thine?"
And they reply, "Forever mine!"
My branches speak Italian,
English, German, Basque, Castilian,
Mountain speech to Highlanders,
Ocean tongues to islanders,
To Fin and Lap and swart Malay,
To each his bosom-secret say.
'Come learn with me the fatal song
Which knits the world in music strong,
Come lift thine eyes to lofty rhymes,
Of things with things, of times with times,
Primal chimes of sun and shade,
Of sound and echo, man and maid,
The land reflected in the flood,
Body with shadow still pursued.
For Nature beats in perfect tune,
And rounds with rhyme her every rune,
Whether she work in land or sea,
Or hide underground her alchemy.
Thou canst not wave thy staff in air,
Or dip thy paddle in the lake,
But it carves the bow of beauty there,
And the ripples in rhymes the oar forsake.
The wood is wiser far than thou;
The wood and wave each other know
Not unrelated, unaffied,
But to each thought and thing allied,
Is perfect Nature's every part,
Rooted in the mighty Heart.
But thou, poor child! unbound, unrhymed,
Whence camest thou, misplaced, mistimed,
Whence, O thou orphan and defrauded?
Is thy land peeled, thy realm marauded?
Who thee divorced, deceived and left?
Thee of thy faith who hath bereft,
And torn the ensigns from thy brow,
And sunk the immortal eye so low?
Thy cheek too white, thy form too slender,
Thy gait too slow, thy habits tender
For royal man;they thee confess
An exile from the wilderness,
The hills where health with health agrees,
And the wise soul expels disease.
Hark! in thy ear I will tell the sign
By which thy hurt thou may'st divine.
'When thou shalt climb the mountain cliff,
Or see the wide shore from thy skiff,
To thee the horizon shall express
But emptiness on emptiness;
There lives no man of Nature's worth
In the circle of the earth;
And to thine eye the vast skies fall,
Dire and satirical,
On clucking hens and prating fools,
On thieves, on drudges and on dolls.
And thou shalt say to the Most High,
"Godhead! all this astronomy,
And fate and practice and invention,
Strong art and beautiful pretension,
This radiant pomp of sun and star,
Throes that were, and worlds that are,
Behold! were in vain and in vain;
It cannot be,I will look again.
Surely now will the curtain rise,
And earth's fit tenant me surprise;
But the curtain doth not rise,
And Nature has miscarried wholly
Into failure, into folly."
'Alas! thine is the bankruptcy,
Blessed Nature so to see.
Come, lay thee in my soothing shade,
And heal the hurts which sin has made.
I see thee in the crowd alone;
I will be thy companion.
Quit thy friends as the dead in doom,
And build to them a final tomb;
Let the starred shade that nightly falls
Still celebrate their funerals,
And the bell of beetle and of bee
Knell their melodious memory.
Behind thee leave thy merchandise,
Thy churches and thy charities;
And leave thy peacock wit behind;
Enough for thee the primal mind
That flows in streams, that breathes in wind:
Leave all thy pedant lore apart;
God hid the whole world in thy heart.
Love shuns the sage, the child it crowns,
Gives all to them who all renounce.
The rain comes when the wind calls;
The river knows the way to the sea;
Without a pilot it runs and falls,
Blessing all lands with its charity;
The sea tosses and foams to find
Its way up to the cloud and wind;
The shadow sits close to the flying ball;
The date fails not on the palm-tree tall;
And thou,go burn thy wormy pages,
Shalt outsee seers, and outwit sages.
Oft didst thou thread the woods in vain
To find what bird had piped the strain:
Seek not, and the little eremite
Flies gayly forth and sings in sight.
'Hearken once more!
I will tell thee the mundane lore.
Older am I than thy numbers wot,
Change I may, but I pass not.
Hitherto all things fast abide,
And anchored in the tempest ride.
Trenchant time behoves to hurry
All to yean and all to bury:
All the forms are fugitive,
But the substances survive.
Ever fresh the broad creation,
A divine improvisation,
From the heart of God proceeds,
A single will, a million deeds.
Once slept the world an egg of stone,
And pulse, and sound, and light was none;
And God said, "Throb!" and there was motion
And the vast mass became vast ocean.
Onward and on, the eternal Pan,
Who layeth the world's incessant plan,
Halteth never in one shape,
But forever doth escape,
Like wave or flame, into new forms
Of gem, and air, of plants, and worms.
I, that to-day am a pine,
Yesterday was a bundle of grass.
He is free and libertine,
Pouring of his power the wine
To every age, to every race;.
Unto every race and age
He emptieth the beverage;
Unto each, and unto all,
Maker and original.
The world is the ring of his spells,
And the play of his miracles.
As he giveth to all to drink,
Thus or thus they are and think.
With one drop sheds form and feature;
With the next a special nature;
The third adds heat's indulgent spark;
The fourth gives light which eats the dark;
Into the fifth himself he flings,
And conscious Law is King of kings.
As the bee through the garden ranges,
From world to world the godhead changes;
As the sheep go feeding in the waste,
From form to form He maketh haste;
This vault which glows immense with light
Is the inn where he lodges for a night.
What reeks such Traveller if the bowers
Which bloom and fade like meadow flowers
A bunch of fragrant lilies be,
Or the stars of eternity?
Alike to him the better, the worse,
The glowing angel, the outcast corse.
Thou metest him by centuries,
And lo! he passes like the breeze;
Thou seek'st in globe and galaxy,
He hides in pure transparency;
Thou askest in fountains and in fires,
He is the essence that inquires.
He is the axis of the star;
He is the sparkle of the spar;
He is the heart of every creature;
He is the meaning of each feature;
And his mind is the sky.
Than all it holds more deep, more high.'
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Woodnotes
,
503:"As certain also of your own poets have said"
   (Acts 17.28)
  Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea
And laugh their pride when the light wave lisps "Greece")
To Protus in his Tyranny: much health!

They give thy letter to me, even now:
I read and seem as if I heard thee speak.
The master of thy galley still unlades
Gift after gift; they block my court at last
And pile themselves along its portico
Royal with sunset, like a thought of thee:
And one white she-slave from the group dispersed
Of black and white slaves (like the chequer-work
Pavement, at once my nation's work and gift,
Now covered with this settle-down of doves),
One lyric woman, in her crocus vest
Woven of sea-wools, with her two white hands
Commends to me the strainer and the cup
Thy lip hath bettered ere it blesses mine.

Well-counselled, king, in thy munificence!
For so shall men remark, in such an act
Of love for him whose song gives life its joy,
Thy recognition of the use of life;
Nor call thy spirit barely adequate
To help on life in straight ways, broad enough
For vulgar souls, by ruling and the rest.
Thou, in the daily building of thy tower,
Whether in fierce and sudden spasms of toil,
Or through dim lulls of unapparent growth,
Or when the general work 'mid good acclaim
Climbed with the eye to cheer the architect,
Didst ne'er engage in work for mere work's sake
Hadst ever in thy heart the luring hope
Of some eventual rest a-top of it,
Whence, all the tumult of the building hushed,
Thou first of men might'st look out to the East:
The vulgar saw thy tower, thou sawest the sun.
For this, I promise on thy festival
To pour libation, looking o'er the sea,
Making this slave narrate thy fortunes, speak
Thy great words, and describe thy royal face
Wishing thee wholly where Zeus lives the most,
Within the eventual element of calm.

Thy letter's first requirement meets me here.
It is as thou hast heard: in one short life
I, Cleon, have effected all those things
Thou wonderingly dost enumerate.
That epos on thy hundred plates of gold
Is mine,and also mine the little chant,
So sure to rise from every fishing-bark
When, lights at prow, the seamen haul their net.
The image of the sun-god on the phare,
Men turn from the sun's self to see, is mine;
The Po'er-storied its whole length,
As thou didst hear, with painting, is mine too.
I know the true proportions of a man
And woman also, not observed before;
And I have written three books on the soul,
Proving absurd all written hitherto,
And putting us to ignorance again.
For music,why, I have combined the moods,
Inventing one. In brief, all arts are mine;
Thus much the people know and recognize,
Throughout our seventeen islands. Marvel not.
We of these latter days, with greater mind
Than our forerunners, since more composite,
Look not so great, beside their simple way,
To a judge who only sees one way at once,
One mind-point and no other at a time,
Compares the small part of a man of us
With some whole man of the heroic age,
Great in his waynot ours, nor meant for ours.
And ours is greater, had we skill to know:
For, what we call this life of men on earth,
This sequence of the soul's achievements here
Being, as I find much reason to conceive,
Intended to be viewed eventually
As a great whole, not analyzed to parts,
But each part having reference to all,
How shall a certain part, pronounced complete,
Endure effacement by another part?
Was the thing done?then, what's to do again?
See, in the chequered pavement opposite,
Suppose the artist made a perfect rhomb,
And next a lozenge, then a trapezoid
He did not overlay them, superimpose
The new upon the old and blot it out,
But laid them on a level in his work,
Making at last a picture; there it lies.
So, first the perfect separate forms were made,
The portions of mankind; and after, so,
Occurred the combination of the same.
For where had been a progress, otherwise?
Mankind, made up of all the single men,
In such a synthesis the labour ends.
Now mark me! those divine men of old time
Have reached, thou sayest well, each at one point
The outside verge that rounds our faculty;
And where they reached, who can do more than reach?
It takes but little water just to touch
At some one point the inside of a sphere,
And, as we turn the sphere, touch all the rest
In due succession: but the finer air      
Which not so palpably nor obviously,  
Though no less universally, can touch
The whole circumference of that emptied sphere,
Fills it more fully than the water did;
Holds thrice the weight of water in itself
Resolved into a subtler element.
And yet the vulgar call the sphere first full
Up to the visible heightand after, void;
Not knowing air's more hidden properties.
And thus our soul, misknown, cries out to Zeus
To vindicate his purpose in our life:
Why stay we on the earth unless to grow?
Long since, I imaged, wrote the fiction out,
That he or other god descended here
And, once for all, showed simultaneously
What, in its nature, never can be shown,
Piecemeal or in succession;showed, I say,
The worth both absolute and relative
Of all his children from the birth of time,
His instruments for all appointed work.
I now go on to image,might we hear
The judgment which should give the due to each,
Show where the labour lay and where the ease,
And prove Zeus' self, the latent everywhere!
This is a dream:but no dream, let us hope,
That years and days, the summers and the springs,
Follow each other with unwaning powers.
The grapes which dye thy wine are richer far,
Through culture, than the wild wealth of the rock;
The suave plum than the savage-tasted drupe;
The pastured honey-bee drops choicer sweet;
The flowers turn double, and the leaves turn flowers;
That young and tender crescent-moon, thy slave,
Sleeping above her robe as buoyed by clouds,
Refines upon the women of my youth.
What, and the soul alone deteriorates?
I have not chanted verse like Homer, no
Nor swept string like Terpander, nonor carved
And painted men like Phidias and his friend:
I am not great as they are, point by point.
But I have entered into sympathy
With these four, running these into one soul,
Who, separate, ignored each other's art.
Say, is it nothing that I know them all?
The wild flower was the larger; I have dashed
Rose-blood upon its petals, pricked its cup's
Honey with wine, and driven its seed to fruit,
And show a better flower if not so large:
I stand myself. Refer this to the gods
Whose gift alone it is! which, shall I dare
(All pride apart) upon the absurd pretext
That such a gift by chance lay in my hand,
Discourse of lightly or depreciate?
It might have fallen to another's hand: what then?
I pass too surely: let at least truth stay!

And next, of what thou followest on to ask.
This being with me as I declare, O king,
My works, in all these varicoloured kinds,
So done by me, accepted so by men
Thou askest, if (my soul thus in men's hearts)
I must not be accounted to attain
The very crown and proper end of life?
Inquiring thence how, now life closeth up,
I face death with success in my right hand:
Whether I fear death less than dost thyself
The fortunate of men? "For" (writest thou)
"Thou leavest much behind, while I leave nought.
Thy life stays in the poems men shall sing,
The pictures men shall study; while my life,
Complete and whole now in its power and joy,
Dies altogether with my brain and arm,
Is lost indeed; since, what survives myself?
The brazen statue to o'erlook my grave,
Set on the promontory which I named.
And thatsome supple courtier of my heir
Shall use its robed and sceptred arm, perhaps,
To fix the rope to, which best drags it down.
I go then: triumph thou, who dost not go!"

Nay, thou art worthy of hearing my whole mind.
Is this apparent, when thou turn'st to muse
Upon the scheme of earth and man in chief,
That admiration grows as knowledge grows?
That imperfection means perfection hid,
Reserved in part, to grace the after-time?
If, in the morning of philosophy,
Ere aught had been recorded, nay perceived,
Thou, with the light now in thee, couldst have looked
On all earth's tenantry, from worm to bird,
Ere man, her last, appeared upon the stage
Thou wouldst have seen them perfect, and deduced
The perfectness of others yet unseen.
Conceding which,had Zeus then questioned thee,
"Shall I go on a step, improve on this,
Do more for visible creatures than is done?"
Thou wouldst have answered, "Ay, by making each
Grow conscious in himselfby that alone.
All's perfect else: the shell sucks fast the rock,
The fish strikes through the sea, the snake both swims
And slides, forth range the beasts, the birds take flight,
Till life's mechanics can no further go
And all this joy in natural life is put
Like fire from off thy finger into each,
So exquisitely perfect is the same.
But 'tis pure fire, and they mere matter are;
It has them, not they it: and so I choose
For man, thy last premeditated work
(If I might add a glory to the scheme),
That a third thing should stand apart from both,
A quality arise within his soul,
Which, intro-active, made to supervise
And feel the force it has, may view itself,
And so be happy." Man might live at first
The animal life: but is there nothing more?
In due time, let him critically learn
How he lives; and, the more he gets to know
Of his own life's adaptabilities,
The more joy-giving will his life become.
Thus man, who hath this quality, is best.

But thou, king, hadst more reasonably said:
Let progress end at once,man make no step
Beyond the natural man, the better beast,
Using his senses, not the sense of sense."
In man there's failure, only since he left
The lower and inconscious forms of life.
We called it an advance, the rendering plain
Man's spirit might grow conscious of man's life,
And, by new lore so added to the old,
Take each step higher over the brute's head.
This grew the only life, the pleasure-house,
Watch-tower and treasure-fortress of the soul,
Which whole surrounding flats of natural life
Seemed only fit to yield subsistence to;
A tower that crowns a country. But alas,
The soul now climbs it just to perish there!
For thence we have discovered ('tis no dream
We know this, which we had not else perceived)
That there's a world of capability
For joy, spread round about us, meant for us,
Inviting us; and still the soul craves all,
And still the flesh replies, "Take no jot more
Than ere thou clombst the tower to look abroad!
Nay, so much less as that fatigue has brought
Deduction to it." We struggle, fain to enlarge
Our bounded physical recipiency,
Increase our power, supply fresh oil to life,
Repair the waste of age and sickness: no,
It skills not! life's inadequate to joy,
As the soul sees joy, tempting life to take.
They praise a fountain in my garden here
Wherein a Naiad sends the water-bow
Thin from her tube; she smiles to see it rise.
What if I told her, it is just a thread
From that great river which the hills shut up,
And mock her with my leave to take the same?
The artificer has given her one small tube
Past power to widen or exchangewhat boots
To know she might spout oceans if she could?
She cannot lift beyond her first thin thread:
And so a man can use but a man's joy
While he sees God's. Is it for Zeus to boast,
"See, man, how happy I live, and despair
That I may be still happierfor thy use!"
If this were so, we could not thank our lord,
As hearts beat on to doing; 'tis not so
Malice it is not. Is it carelessness?
Still, no. If carewhere is the sign? I ask,
And get no answer, and agree in sum,
O king, with thy profound discouragement,
Who seest the wider but to sigh the more.
Most progress is most failure: thou sayest well.

The last point now:thou dost except a case
Holding joy not impossible to one
With artist-giftsto such a man as I
Who leave behind me living works indeed;
For, such a poem, such a painting lives.    
What? dost thou verily trip upon a word,      
Confound the accurate view of what joy is
(Caught somewhat clearer by my eyes than thine)  
With feeling joy? confound the knowing how
And showing how to live (my faculty)
With actually living?Otherwise
Where is the artist's vantage o'er the king?
Because in my great epos I display
How divers men young, strong, fair, wise, can act
Is this as though I acted? if I paint,
Carve the young Ph{oe}bus, am I therefore young?
Methinks I'm older that I bowed myself
The many years of pain that taught me art!
Indeed, to know is something, and to prove
How all this beauty might be enjoyed, is more:
But, knowing nought, to enjoy is something too.
Yon rower, with the moulded muscles there,
Lowering the sail, is nearer it than I.
I can write love-odes: thy fair slave's an ode.
I get to sing of love, when grown too grey
For being beloved: she turns to that young man,
The muscles all a-ripple on his back.
I know the joy of kingship: well, thou art king!

"But," sayest thou(and I marvel, I repeat,
To find thee trip on such a mere word) "what
Thou writest, paintest, stays; that does not die:
Sappho survives, because we sing her songs,
And Aeschylus, because we read his plays!"
Why, if they live still, let them come and take
Thy slave in my despite, drink from thy cup,
Speak in my place. Thou diest while I survive?
Say rather that my fate is deadlier still,
In this, that every day my sense of joy
Grows more acute, my soul (intensified
By power and insight) more enlarged, more keen;
While every day my hairs fall more and more,
My hand shakes, and the heavy years increase
The horror quickening still from year to year,
The consummation coming past escape,
When I shall know most, and yet least enjoy
When all my works wherein I prove my worth,
Being present still to mock me in men's mouths,
Alive still, in the praise of such as thou,
I, I the feeling, thinking, acting man,
The man who loved his life so over-much,
Sleep in my urn. It is so horrible,
I dare at times imagine to my need
Some future state revealed to us by Zeus,
Unlimited in capability
For joy, as this is in desire for joy,
To seek which, the joy-hunger forces us:
That, stung by straitness of our life, made strait
On purpose to make prized the life at large
Freed by the throbbing impulse we call death,
We burst there as the worm into the fly,
Who, while a worm still, wants his wings. But no!
Zeus has not yet revealed it; and alas,
He must have done so, were it possible!

Live long and happy, and in that thought die:
Glad for what was! Farewell. And for the rest,
I cannot tell thy messenger aright
Where to deliver what he bears of thine
To one called Paulus; we have heard his fame
Indeed, if Christus be not one with him
I know not, nor am troubled much to know.
Thou canst not think a mere barbarian Jew,
As Paulus proves to be, one circumcised,
Hath access to a secret shut from us?
Thou wrongest our philosophy, O king,
In stooping to inquire of such an one,
As if his answer could impose at all!
He writeth, doth he? well, and he may write.
Oh, the Jew findeth scholars! certain slaves
Who touched on this same isle, preached him and Christ;
And (as I gathered from a bystander)
Their doctrine could be held by no sane man.
NOTES



Form:
unrhyming

1.
The motto is from St. Paul's speech to the philosophers
of Athens, Acts. 17: 28. Cleon and King Protus are both
imaginary characters.

sprinkled isles: the Sporades, near Crete.

4.
tyranny: kingdom. In the Greek sense, tyrant simply
means absolute ruler, and implies no misgovernment or oppressions.

53.
P\;cile: the Portico in Athens.

140.
Terpander: founder of the first Greek School of
music (late seventh century B.C.).

141.
Phidias: famous Greek sculptor who supervised the
construction of the Parthenon, and made the great statue of
Pallas Athene for it. Died 432 B.C. "His friend" was Pericles,
ruler of Athens from 460-429 B.C.

305.
Aeschylus: the earliest of the great writers of Greek tragedy
(525-456 B.C.).



~ Robert Browning, Cleon
,
504:The Princess (Part 6)
My dream had never died or lived again.
As in some mystic middle state I lay;
Seeing I saw not, hearing not I heard:
Though, if I saw not, yet they told me all
So often that I speak as having seen.
For so it seemed, or so they said to me,
That all things grew more tragic and more strange;
That when our side was vanquished and my cause
For ever lost, there went up a great cry,
The Prince is slain. My father heard and ran
In on the lists, and there unlaced my casque
And grovelled on my body, and after him
Came Psyche, sorrowing for Aglaïa.
But high upon the palace Ida stood
With Psyche's babe in arm: there on the roofs
Like that great dame of Lapidoth she sang.
'Our enemies have fallen, have fallen: the seed,
The little seed they laughed at in the dark,
Has risen and cleft the soil, and grown a bulk
Of spanless girth, that lays on every side
A thousand arms and rushes to the Sun.
'Our enemies have fallen, have fallen: they came;
The leaves were wet with women's tears: they heard
A noise of songs they would not understand:
They marked it with the red cross to the fall,
And would have strown it, and are fallen themselves.
'Our enemies have fallen, have fallen: they came,
The woodmen with their axes: lo the tree!
But we will make it faggots for the hearth,
And shape it plank and beam for roof and floor,
And boats and bridges for the use of men.
'Our enemies have fallen, have fallen: they struck;
With their own blows they hurt themselves, nor knew
778
There dwelt an iron nature in the grain:
The glittering axe was broken in their arms,
Their arms were shattered to the shoulder blade.
'Our enemies have fallen, but this shall grow
A night of Summer from the heat, a breadth
Of Autumn, dropping fruits of power: and rolled
With music in the growing breeze of Time,
The tops shall strike from star to star, the fangs
Shall move the stony bases of the world.
'And now, O maids, behold our sanctuary
Is violate, our laws broken: fear we not
To break them more in their behoof, whose arms
Championed our cause and won it with a day
Blanched in our annals, and perpetual feast,
When dames and heroines of the golden year
Shall strip a hundred hollows bare of Spring,
To rain an April of ovation round
Their statues, borne aloft, the three: but come,
We will be liberal, since our rights are won.
Let them not lie in the tents with coarse mankind,
Ill nurses; but descend, and proffer these
The brethren of our blood and cause, that there
Lie bruised and maimed, the tender ministries
Of female hands and hospitality.'
She spoke, and with the babe yet in her arms,
Descending, burst the great bronze valves, and led
A hundred maids in train across the Park.
Some cowled, and some bare-headed, on they came,
Their feet in flowers, her loveliest: by them went
The enamoured air sighing, and on their curls
From the high tree the blossom wavering fell,
And over them the tremulous isles of light
Slided, they moving under shade: but Blanche
At distance followed: so they came: anon
Through open field into the lists they wound
Timorously; and as the leader of the herd
That holds a stately fretwork to the Sun,
And followed up by a hundred airy does,
Steps with a tender foot, light as on air,
779
The lovely, lordly creature floated on
To where her wounded brethren lay; there stayed;
Knelt on one knee,--the child on one,--and prest
Their hands, and called them dear deliverers,
And happy warriors, and immortal names,
And said 'You shall not lie in the tents but here,
And nursed by those for whom you fought, and served
With female hands and hospitality.'
Then, whether moved by this, or was it chance,
She past my way. Up started from my side
The old lion, glaring with his whelpless eye,
Silent; but when she saw me lying stark,
Dishelmed and mute, and motionlessly pale,
Cold even to her, she sighed; and when she saw
The haggard father's face and reverend beard
Of grisly twine, all dabbled with the blood
Of his own son, shuddered, a twitch of pain
Tortured her mouth, and o'er her forehead past
A shadow, and her hue changed, and she said:
'He saved my life: my brother slew him for it.'
No more: at which the king in bitter scorn
Drew from my neck the painting and the tress,
And held them up: she saw them, and a day
Rose from the distance on her memory,
When the good Queen, her mother, shore the tress
With kisses, ere the days of Lady Blanche:
And then once more she looked at my pale face:
Till understanding all the foolish work
Of Fancy, and the bitter close of all,
Her iron will was broken in her mind;
Her noble heart was molten in her breast;
She bowed, she set the child on the earth; she laid
A feeling finger on my brows, and presently
'O Sire,' she said, 'he lives: he is not dead:
O let me have him with my brethren here
In our own palace: we will tend on him
Like one of these; if so, by any means,
To lighten this great clog of thanks, that make
Our progress falter to the woman's goal.'
She said: but at the happy word 'he lives'
780
My father stooped, re-fathered o'er my wounds.
So those two foes above my fallen life,
With brow to brow like night and evening mixt
Their dark and gray, while Psyche ever stole
A little nearer, till the babe that by us,
Half-lapt in glowing gauze and golden brede,
Lay like a new-fallen meteor on the grass,
Uncared for, spied its mother and began
A blind and babbling laughter, and to dance
Its body, and reach its fatling innocent arms
And lazy lingering fingers. She the appeal
Brooked not, but clamouring out 'Mine--mine--not yours,
It is not yours, but mine: give me the child'
Ceased all on tremble: piteous was the cry:
So stood the unhappy mother open-mouthed,
And turned each face her way: wan was her cheek
With hollow watch, her blooming mantle torn,
Red grief and mother's hunger in her eye,
And down dead-heavy sank her curls, and half
The sacred mother's bosom, panting, burst
The laces toward her babe; but she nor cared
Nor knew it, clamouring on, till Ida heard,
Looked up, and rising slowly from me, stood
Erect and silent, striking with her glance
The mother, me, the child; but he that lay
Beside us, Cyril, battered as he was,
Trailed himself up on one knee: then he drew
Her robe to meet his lips, and down she looked
At the armed man sideways, pitying as it seemed,
Or self-involved; but when she learnt his face,
Remembering his ill-omened song, arose
Once more through all her height, and o'er him grew
Tall as a figure lengthened on the sand
When the tide ebbs in sunshine, and he said:
'O fair and strong and terrible! Lioness
That with your long locks play the Lion's mane!
But Love and Nature, these are two more terrible
And stronger. See, your foot is on our necks,
We vanquished, you the Victor of your will.
What would you more? Give her the child! remain
Orbed in your isolation: he is dead,
781
Or all as dead: henceforth we let you be:
Win you the hearts of women; and beware
Lest, where you seek the common love of these,
The common hate with the revolving wheel
Should drag you down, and some great Nemesis
Break from a darkened future, crowned with fire,
And tread you out for ever: but howso'er
Fixed in yourself, never in your own arms
To hold your own, deny not hers to her,
Give her the child! O if, I say, you keep
One pulse that beats true woman, if you loved
The breast that fed or arm that dandled you,
Or own one port of sense not flint to prayer,
Give her the child! or if you scorn to lay it,
Yourself, in hands so lately claspt with yours,
Or speak to her, your dearest, her one fault,
The tenderness, not yours, that could not kill,
Give ~me~ it: ~I~ will give it her.
He said:
At first her eye with slow dilation rolled
Dry flame, she listening; after sank and sank
And, into mournful twilight mellowing, dwelt
Full on the child; she took it: 'Pretty bud!
Lily of the vale! half opened bell of the woods!
Sole comfort of my dark hour, when a world
Of traitorous friend and broken system made
No purple in the distance, mystery,
Pledge of a love not to be mine, farewell;
These men are hard upon us as of old,
We two must part: and yet how fain was I
To dream thy cause embraced in mine, to think
I might be something to thee, when I felt
Thy helpless warmth about my barren breast
In the dead prime: but may thy mother prove
As true to thee as false, false, false to me!
And, if thou needs must needs bear the yoke, I wish it
Gentle as freedom'--here she kissed it: then-'All good go with thee! take it Sir,' and so
Laid the soft babe in his hard-mailèd hands,
Who turned half-round to Psyche as she sprang
To meet it, with an eye that swum in thanks;
Then felt it sound and whole from head to foot,
782
And hugged and never hugged it close enough,
And in her hunger mouthed and mumbled it,
And hid her bosom with it; after that
Put on more calm and added suppliantly:
'We two were friends: I go to mine own land
For ever: find some other: as for me
I scarce am fit for your great plans: yet speak to me,
Say one soft word and let me part forgiven.'
But Ida spoke not, rapt upon the child.
Then Arac. 'Ida--'sdeath! you blame the man;
You wrong yourselves--the woman is so hard
Upon the woman. Come, a grace to me!
I am your warrior: I and mine have fought
Your battle: kiss her; take her hand, she weeps:
'Sdeath! I would sooner fight thrice o'er than see it.'
But Ida spoke not, gazing on the ground,
And reddening in the furrows of his chin,
And moved beyond his custom, Gama said:
'I've heard that there is iron in the blood,
And I believe it. Not one word? not one?
Whence drew you this steel temper? not from me,
Not from your mother, now a saint with saints.
She said you had a heart--I heard her say it-"Our Ida has a heart"--just ere she died-"But see that some on with authority
Be near her still" and I--I sought for one-All people said she had authority-The Lady Blanche: much profit! Not one word;
No! though your father sues: see how you stand
Stiff as Lot's wife, and all the good knights maimed,
I trust that there is no one hurt to death,
For our wild whim: and was it then for this,
Was it for this we gave our palace up,
Where we withdrew from summer heats and state,
And had our wine and chess beneath the planes,
And many a pleasant hour with her that's gone,
Ere you were born to vex us? Is it kind?
Speak to her I say: is this not she of whom,
783
When first she came, all flushed you said to me
Now had you got a friend of your own age,
Now could you share your thought; now should men see
Two women faster welded in one love
Than pairs of wedlock; she you walked with, she
You talked with, whole nights long, up in the tower,
Of sine and arc, spheroïd and azimuth,
And right ascension, Heaven knows what; and now
A word, but one, one little kindly word,
Not one to spare her: out upon you, flint!
You love nor her, nor me, nor any; nay,
You shame your mother's judgment too. Not one?
You will not? well--no heart have you, or such
As fancies like the vermin in a nut
Have fretted all to dust and bitterness.'
So said the small king moved beyond his wont.
But Ida stood nor spoke, drained of her force
By many a varying influence and so long.
Down through her limbs a drooping languor wept:
Her head a little bent; and on her mouth
A doubtful smile dwelt like a clouded moon
In a still water: then brake out my sire,
Lifted his grim head from my wounds. 'O you,
Woman, whom we thought woman even now,
And were half fooled to let you tend our son,
Because he might have wished it--but we see,
The accomplice of your madness unforgiven,
And think that you might mix his draught with death,
When your skies change again: the rougher hand
Is safer: on to the tents: take up the Prince.'
He rose, and while each ear was pricked to attend
A tempest, through the cloud that dimmed her broke
A genial warmth and light once more, and shone
Through glittering drops on her sad friend.
'Come hither.
O Psyche,' she cried out, 'embrace me, come,
Quick while I melt; make reconcilement sure
With one that cannot keep her mind an hour:
Come to the hollow hear they slander so!
Kiss and be friends, like children being chid!
784
~I~ seem no more: ~I~ want forgiveness too:
I should have had to do with none but maids,
That have no links with men. Ah false but dear,
Dear traitor, too much loved, why?--why?--Yet see,
Before these kings we embrace you yet once more
With all forgiveness, all oblivion,
And trust, not love, you less.
And now, O sire,
Grant me your son, to nurse, to wait upon him,
Like mine own brother. For my debt to him,
This nightmare weight of gratitude, I know it;
Taunt me no more: yourself and yours shall have
Free adit; we will scatter all our maids
Till happier times each to her proper hearth:
What use to keep them here--now? grant my prayer.
Help, father, brother, help; speak to the king:
Thaw this male nature to some touch of that
Which kills me with myself, and drags me down
From my fixt height to mob me up with all
The soft and milky rabble of womankind,
Poor weakling even as they are.'
Passionate tears
Followed: the king replied not: Cyril said:
'Your brother, Lady,--Florian,--ask for him
Of your great head--for he is wounded too-That you may tend upon him with the prince.'
'Ay so,' said Ida with a bitter smile,
'Our laws are broken: let him enter too.'
Then Violet, she that sang the mournful song,
And had a cousin tumbled on the plain,
Petitioned too for him. 'Ay so,' she said,
'I stagger in the stream: I cannot keep
My heart an eddy from the brawling hour:
We break our laws with ease, but let it be.'
'Ay so?' said Blanche: 'Amazed am I to her
Your Highness: but your Highness breaks with ease
The law your Highness did not make: 'twas I.
I had been wedded wife, I knew mankind,
And blocked them out; but these men came to woo
Your Highness--verily I think to win.'
So she, and turned askance a wintry eye:
785
But Ida with a voice, that like a bell
Tolled by an earthquake in a trembling tower,
Rang ruin, answered full of grief and scorn.
'Fling our doors wide! all, all, not one, but all,
Not only he, but by my mother's soul,
Whatever man lies wounded, friend or foe,
Shall enter, if he will. Let our girls flit,
Till the storm die! but had you stood by us,
The roar that breaks the Pharos from his base
Had left us rock. She fain would sting us too,
But shall not. Pass, and mingle with your likes.
We brook no further insult but are gone.'
She turned; the very nape of her white neck
Was rosed with indignation: but the Prince
Her brother came; the king her father charmed
Her wounded soul with words: nor did mine own
Refuse her proffer, lastly gave his hand.
Then us they lifted up, dead weights, and bare
Straight to the doors: to them the doors gave way
Groaning, and in the Vestal entry shrieked
The virgin marble under iron heels:
And on they moved and gained the hall, and there
Rested: but great the crush was, and each base,
To left and right, of those tall columns drowned
In silken fluctuation and the swarm
Of female whisperers: at the further end
Was Ida by the throne, the two great cats
Close by her, like supporters on a shield,
Bow-backed with fear: but in the centre stood
The common men with rolling eyes; amazed
They glared upon the women, and aghast
The women stared at these, all silent, save
When armour clashed or jingled, while the day,
Descending, struck athwart the hall, and shot
A flying splendour out of brass and steel,
That o'er the statues leapt from head to head,
Now fired an angry Pallas on the helm,
Now set a wrathful Dian's moon on flame,
And now and then an echo started up,
And shuddering fled from room to room, and died
786
Of fright in far apartments.
Then the voice
Of Ida sounded, issuing ordinance:
And me they bore up the broad stairs, and through
The long-laid galleries past a hundred doors
To one deep chamber shut from sound, and due
To languid limbs and sickness; left me in it;
And others otherwhere they laid; and all
That afternoon a sound arose of hoof
And chariot, many a maiden passing home
Till happier times; but some were left of those
Held sagest, and the great lords out and in,
From those two hosts that lay beside the walls,
Walked at their will, and everything was changed.
Ask me no more: the moon may draw the sea;
The cloud may stoop from heaven and take the shape
With fold to fold, of mountain or of cape;
But O too fond, when have I answered thee?
Ask me no more.
Ask me no more: what answer should I give?
I love not hollow cheek or faded eye:
Yet, O my friend, I will not have thee die!
Ask me no more, lest I should bid thee live;
Ask me no more.
Ask me no more: thy fate and mine are sealed:
I strove against the stream and all in vain:
Let the great river take me to the main:
No more, dear love, for at a touch I yield;
Ask me no more.
~ Alfred Lord Tennyson,
505:The Duellist - Book Iii
Ah me! what mighty perils wait
The man who meddles with a state,
Whether to strengthen, or oppose!
False are his friends, and firm his foes:
How must his soul, once ventured in,
Plunge blindly on from sin to sin!
What toils he suffers, what disgrace,
To get, and then to keep, a place!
How often, whether wrong or right,
Must he in jest or earnest fight,
Risking for those both life and limb
Who would not risk one groat for him!
Under the Temple lay a Cave,
Made by some guilty, coward slave,
Whose actions fear'd rebuke: a maze
Of intricate and winding ways,
Not to be found without a clue;
One passage only, known to few,
In paths direct led to a cell,
Where Fraud in secret loved to dwell,
With all her tools and slaves about her,
Nor fear'd lest Honesty should rout her.
In a dark corner, shunning sight
Of man, and shrinking from the light,
One dull, dim taper through the cell
Glimmering, to make more horrible
The face of darkness, she prepares,
Working unseen, all kinds of snares,
With curious, but destructive art:
Here, through the eye to catch the heart,
Gay stars their tinsel beams afford,
Neat artifice to trap a lord;
There, fit for all whom Folly bred,
Wave plumes of feathers for the head;
Garters the hag contrives to make,
Which, as it seems, a babe might break,
But which ambitious madmen feel
More firm and sure than chains of steel;
Which, slipp'd just underneath the knee,
153
Forbid a freeman to be free.
Purses she knew, (did ever curse
Travel more sure than in a purse?)
Which, by some strange and magic bands,
Enslave the soul, and tie the hands.
Here Flattery, eldest-born of Guile,
Weaves with rare skill the silken smile,
The courtly cringe, the supple bow,
The private squeeze, the levee vow,
With which--no strange or recent case-Fools in, deceive fools out of place.
Corruption, (who, in former times,
Through fear or shame conceal'd her crimes,
And what she did, contrived to do it
So that the public might not view it)
Presumptuous grown, unfit was held
For their dark councils, and expell'd,
Since in the day her business might
Be done as safe as in the night.
Her eye down-bending to the ground,
Planning some dark and deadly wound,
Holding a dagger, on which stood,
All fresh and reeking, drops of blood,
Bearing a lantern, which of yore,
By Treason borrow'd, Guy Fawkes bore,
By which, since they improved in trade,
Excisemen have their lanterns made,
Assassination, her whole mind
Blood-thirsting, on her arm reclined;
Death, grinning, at her elbow stood,
And held forth instruments of blood,-Vile instruments, which cowards choose,
But men of honour dare not use;
Around, his Lordship and his Grace,
Both qualified for such a place,
With many a Forbes, and many a Dun,
Each a resolved, and pious son,
Wait her high bidding; each prepared,
As she around her orders shared,
Proof 'gainst remorse, to run, to fly,
And bid the destined victim die,
Posting on Villany's black wing,
154
Whether he patriot is, or king.
Oppression,--willing to appear
An object of our love, not fear,
Or, at the most, a reverend awe
To breed, usurp'd the garb of Law.
A book she held, on which her eyes
Were deeply fix'd, whence seem'd to rise
Joy in her breast; a book, of might
Most wonderful, which black to white
Could turn, and without help of laws,
Could make the worse the better cause.
She read, by flattering hopes deceived;
She wish'd, and what she wish'd, believed,
To make that book for ever stand
The rule of wrong through all the land;
On the back, fair and worthy note,
At large was Magna Charta wrote;
But turn your eye within, and read,
A bitter lesson, Norton's Creed.
Ready, e'en with a look, to run,
Fast as the coursers of the sun,
To worry Virtue, at her hand
Two half-starved greyhounds took their stand.
A curious model, cut in wood,
Of a most ancient castle stood
Full in her view; the gates were barr'd,
And soldiers on the watch kept guard;
In the front, openly, in black
Was wrote, The Tower: but on the back,
Mark'd with a secretary's seal,
In bloody letters, The Bastile.
Around a table, fully bent
On mischief of most black intent,
Deeply determined that their reign
Might longer last, to work the bane
Of one firm patriot, whose heart, tied
To Honour, all their power defied,
And brought those actions into light
They wish'd to have conceal'd in night,
Begot, born, bred to infamy,
A privy-council sat of three:
Great were their names, of high repute
155
And favour through the land of Bute.
The first (entitled to the place
Of Honour both by gown and grace,
Who never let occasion slip
To take right-hand of fellowship,
And was so proud, that should he meet
The twelve apostles in the street,
He'd turn his nose up at them all,
And shove his Saviour from the wall!
Who was so mean (Meanness and Pride
Still go together side by side)
That he would cringe, and creep, be civil,
And hold a stirrup for the Devil;
If in a journey to his mind,
He'd let him mount and ride behind;
Who basely fawn'd through all his life,
For patrons first, then for a wife:
Wrote Dedications which must make
The heart of every Christian quake;
Made one man equal to, or more
Than God, then left him, as before
His God he left, and, drawn by pride,
Shifted about to t' other side)
Was by his sire a parson made,
Merely to give the boy a trade;
But he himself was thereto drawn
By some faint omens of the lawn,
And on the truly Christian plan
To make himself a gentleman,-A title in which Form array'd him,
Though Fate ne'er thought on 't when she made him.
The oaths he took, 'tis very true,
But took them as all wise men do,
With an intent, if things should turn,
Rather to temporise, than burn;
Gospel and loyalty were made
To serve the purposes of trade;
Religions are but paper ties,
Which bind the fool, but which the wise,
Such idle notions far above,
Draw on and off, just like a glove;
All gods, all kings (let his great aim
156
Be answer'd) were to him the same.
A curate first, he read and read,
And laid in, whilst he should have fed
The souls of his neglected flock,
Of reading such a mighty stock,
That he o'ercharged the weary brain
With more than she could well contain;
More than she was with spirits fraught
To turn and methodise to thought,
And which, like ill-digested food,
To humours turn'd, and not to blood.
Brought up to London, from the plough
And pulpit, how to make a bow
He tried to learn; he grew polite,
And was the poet's parasite.
With wits conversing, (and wits then
Were to be found 'mongst noblemen)
He caught, or would have caught, the flame,
And would be nothing, or the same.
He drank with drunkards, lived with sinners,
Herded with infidels for dinners;
With such an emphasis and grace
Blasphemed, that Potter kept not pace:
He, in the highest reign of noon,
Bawled bawdy songs to a psalm tune;
Lived with men infamous and vile,
Truck'd his salvation for a smile;
To catch their humour caught their plan,
And laugh'd at God to laugh with man;
Praised them, when living, in each breath,
And damn'd their memories after death.
To prove his faith, which all admit
Is at least equal to his wit,
And make himself a man of note,
He in defence of Scripture wrote:
So long he wrote, and long about it,
That e'en believers 'gan to doubt it:
He wrote, too, of the inward light,
Though no one knew how he came by 't,
And of that influencing grace
Which in his life ne'er found a place:
He wrote, too, of the Holy Ghost,
157
Of whom no more than doth a post
He knew; nor, should an angel show him,
Would he, or know, or choose to know him.
Next (for he knew 'twixt every science
There was a natural alliance)
He wrote, to advance his Maker's praise,
Comments on rhymes, and notes on plays,
And with an all-sufficient air
Placed himself in the critic's chair;
Usurp'd o'er Reason full dominion,
And govern'd merely by Opinion.
At length dethroned, and kept in awe
By one plain simple man of law,
He arm'd dead friends, to vengeance true,
To abuse the man they never knew.
Examine strictly all mankind,
Most characters are mix'd, we find;
And Vice and Virtue take their turn
In the same breast to beat and burn.
Our priest was an exception here,
Nor did one spark of grace appear,
Not one dull, dim spark in his soul;
Vice, glorious Vice, possess'd the whole,
And, in her service truly warm,
He was in sin most uniform.
Injurious Satire! own at least
One snivelling virtue in the priest,
One snivelling virtue, which is placed,
They say, in or about the waist,
Call'd Chastity; the prudish dame
Knows it at large by Virtue's name.
To this his wife (and in these days
Wives seldom without reason praise)
Bears evidence--then calls her child,
And swears that Tom was vastly wild.
Ripen'd by a long course of years,
He great and perfect now appears.
In shape scarce of the human kind,
A man, without a manly mind;
No husband, though he's truly wed;
Though on his knees a child is bred,
No father; injured, without end
158
A foe; and though obliged, no friend;
A heart, which virtue ne'er disgraced;
A head, where learning runs to waste;
A gentleman well-bred, if breeding
Rests in the article of reading;
A man of this world, for the next
Was ne'er included in his text;
A judge of genius, though confess'd
With not one spark of genius bless'd;
Amongst the first of critics placed,
Though free from every taint of taste;
A Christian without faith or works,
As he would be a Turk 'mongst Turks;
A great divine, as lords agree,
Without the least divinity;
To crown all, in declining age,
Inflamed with church and party rage,
Behold him, full and perfect quite,
A false saint, and true hypocrite.
Next sat a lawyer, often tried
In perilous extremes; when Pride
And Power, all wild and trembling, stood,
Nor dared to tempt the raging flood;
This bold, bad man arose to view,
And gave his hand to help them through:
Steel'd 'gainst compassion, as they pass'd
He saw poor Freedom breathe her last;
He saw her struggle, heard her groan;
He saw her helpless and alone,
Whelm'd in that storm, which, fear'd and praised
By slaves less bold, himself had raised.
Bred to the law, he from the first
Of all bad lawyers was the worst.
Perfection (for bad men maintain
In ill we may perfection gain)
In others is a work of time,
And they creep on from crime to crime;
He, for a prodigy design'd,
To spread amazement o'er mankind,
Started full ripen'd all at once
A perfect knave, and perfect dunce.
Who will, for him, may boast of sense,
159
His better guard is impudence;
His front, with tenfold plates of brass
Secured, Shame never yet could pass,
Nor on the surface of his skin
Blush for that guilt which dwelt within.
How often, in contempt of laws,
To sound the bottom of a cause,
To search out every rotten part,
And worm into its very heart,
Hath he ta'en briefs on false pretence,
And undertaken the defence
Of trusting fools, whom in the end
He meant to ruin, not defend!
How often, e'en in open court,
Hath the wretch made his shame his sport,
And laugh'd off, with a villain's ease,
Throwing up briefs, and keeping fees!
Such things as, though to roguery bred,
Had struck a little villain dead!
Causes, whatever their import,
He undertakes, to serve a court;
For he by art this rule had got,
Power can effect what Law cannot.
Fools he forgives, but rogues he fears;
If Genius, yoked with Worth, appears,
His weak soul sickens at the sight,
And strives to plunge them down in night.
So loud he talks, so very loud,
He is an angel with the crowd;
Whilst he makes Justice hang her head,
And judges turn from pale to red.
Bid all that Nature, on a plan
Most intimate, makes dear to man,
All that with grand and general ties
Binds good and bad, the fool and wise,
Knock at his heart; they knock in vain;
No entrance there such suitors gain;
Bid kneeling kings forsake the throne,
Bid at his feet his country groan;
Bid Liberty stretch out her hands,
Religion plead her stronger bands;
Bid parents, children, wife, and friends,
160
If they come 'thwart his private ends-Unmoved he hears the general call,
And bravely tramples on them all.
Who will, for him, may cant and whine,
And let weak Conscience with her line
Chalk out their ways; such starving rules
Are only fit for coward fools;
Fellows who credit what priests tell,
And tremble at the thoughts of Hell;
His spirit dares contend with Grace,
And meets Damnation face to face.
Such was our lawyer; by his side,
In all bad qualities allied,
In all bad counsels, sat a third,
By birth a lord. Oh, sacred word!
Oh, word most sacred! whence men get
A privilege to run in debt;
Whence they at large exemption claim
From Satire, and her servant Shame;
Whence they, deprived of all her force,
Forbid bold Truth to hold her course.
Consult his person, dress, and air,
He seems, which strangers well might swear,
The master, or, by courtesy,
The captain of a colliery.
Look at his visage, and agree
Half-hang'd he seems, just from the tree
Escaped; a rope may sometimes break,
Or men be cut down by mistake.
He hath not virtue (in the school
Of Vice bred up) to live by rule,
Nor hath he sense (which none can doubt
Who know the man) to live without.
His life is a continued scene
Of all that's infamous and mean;
He knows not change, unless, grown nice
And delicate, from vice to vice;
Nature design'd him, in a rage,
To be the Wharton of his age;
But, having given all the sin,
Forgot to put the virtues in.
To run a horse, to make a match,
161
To revel deep, to roar a catch,
To knock a tottering watchman down,
To sweat a woman of the town;
By fits to keep the peace, or break it,
In turn to give a pox, or take it;
He is, in faith, most excellent,
And, in the word's most full intent,
A true choice spirit, we admit;
With wits a fool, with fools a wit:
Hear him but talk, and you would swear
Obscenity herself was there,
And that Profaneness had made choice,
By way of trump, to use his voice;
That, in all mean and low things great,
He had been bred at Billingsgate;
And that, ascending to the earth
Before the season of his birth,
Blasphemy, making way and room,
Had mark'd him in his mother's womb.
Too honest (for the worst of men
In forms are honest, now and then)
Not to have, in the usual way,
His bills sent in; too great to pay:
Too proud to speak to, if he meets
The honest tradesman whom he cheats:
Too infamous to have a friend;
Too bad for bad men to commend,
Or good to name; beneath whose weight
Earth groans; who hath been spared by Fate
Only to show, on Mercy's plan,
How far and long God bears with man.
Such were the three, who, mocking sleep,
At midnight sat, in counsel deep,
Plotting destruction 'gainst a head
Whose wisdom could not be misled;
Plotting destruction 'gainst a heart
Which ne'er from honour would depart.
'Is he not rank'd amongst our foes?
Hath not his spirit dared oppose
Our dearest measures, made our name
Stand forward on the roll of Shame
Hath he not won the vulgar tribes,
162
By scorning menaces and bribes,
And proving that his darling cause
Is, of their liberties and laws
To stand the champion? In a word,
Nor need one argument be heard
Beyond this to awake our zeal,
To quicken our resolves, and steel
Our steady souls to bloody bent,
(Sure ruin to each dear intent,
Each flattering hope) he, without fear,
Hath dared to make the truth appear.'
They said, and, by resentment taught,
Each on revenge employ'd his thought;
Each, bent on mischief, rack'd his brain
To her full stretch, but rack'd in vain;
Scheme after scheme they brought to view;
All were examined; none would do:
When Fraud, with pleasure in her face,
Forth issued from her hiding-place,
And at the table where they meet,
First having bless'd them, took her seat.
'No trifling cause, my darling boys,
Your present thoughts and cares employs;
No common snare, no random blow,
Can work the bane of such a foe:
By nature cautious as he's brave,
To Honour only he's a slave;
In that weak part without defence,
We must to honour make pretence;
That lure shall to his ruin draw
The wretch, who stands secure in law.
Nor think that I have idly plann'd
This full-ripe scheme; behold at hand,
With three months' training on his head,
An instrument, whom I have bred,
Born of these bowels, far from sight
Of Virtue's false but glaring light,
My youngest-born, my dearest joy,
Most like myself, my darling boy!
He, never touch'd with vile remorse,
Resolved and crafty in his course,
Shall work our ends, complete our schemes,
163
Most mine, when most he Honour's seems;
Nor can be found, at home, abroad,
So firm and full a slave of Fraud.'
She said, and from each envious son
A discontented murmur run
Around the table; all in place
Thought his full praise their own disgrace,
Wondering what stranger she had got,
Who had one vice that they had not;
When straight the portals open flew,
And, clad in armour, to their view
Martin, the Duellist, came forth.
All knew, and all confess'd his worth;
All justified, with smiles array'd,
The happy choice their dam had made.
~ Charles Churchill,
506:First Anniversary
Like the vain curlings of the watery maze,
Which in smooth streams a sinking weight does raise,
So Man, declining always, disappears
In the weak circles of increasing years;
And his short tumults of themselves compose,
While flowing Time above his head does close.
Cromwell alone with greater vigour runs,
(Sun-like) the stages of succeeding suns:
And still the day which he doth next restore,
Is the just wonder of the day before.
Cromwell alone doth with new lustre spring,
And shines the jewel of the yearly ring.
'Tis he the force of scattered time contracts,
And in one year the work of ages acts:
While heavy monarchs make a wide return,
Longer, and more malignant than Saturn:
And though they all Platonic years should reign,
In the same posture would be found again.
Their earthy projects under ground they lay,
More slow and brittle than the China clay:
Well may they strive to leave them to their son,
For one thing never was by one king done.
Yet some more active for a frontier town,
Taken by proxy, beg a false renown;
Another triumphs at the public cost,
And will have won, if he no more have lost;
They fight by others, but in person wrong,
And only are against their subjects strong;
Their other wars seem but a feigned contèst,
This common enemy is still oppressed;
If conquerors, on them they turn their might;
If conquered, on them they wreak their spite:
They neither build the temple in their days,
Nor matter for succeeding founders raise;
Nor sacred prophecies consult within,
Much less themself to pèfect them begin;
No other care they bear of things above,
57
But with astrologers divine of Jove
To know how long their planet yet reprieves
From the deservéd fate their guilty lives:
Thus (image-like) an useless time they tell,
And with vain sceptre strike the hourly bell,
Nor more contribute to the state of things,
Than wooden heads unto the viol's strings.
While indefatigable Cromwell hies,
And cuts his way still nearer to the skies,
Learning a music in the region clear,
To tune this lower to that higher sphere.
So when Amphion did the lute command,
Which the god gave him, with his gentle hand,
The rougher stones, unto his measures hewed,
Danced up in order from the quarries rude;
This took a lower, that an higher place,
As he the treble altered, or the bass:
No note he struck, but a new stone was laid,
And the great work ascended while he played.
The listening structures he with wonder eyed,
And still new stops to various time applied:
Now through the strings a martial rage he throws,
And joining straight the Theban tower arose;
Then as he strokes them with a touch more sweet,
The flocking marbles in a palace meet;
But for the most the graver notes did try,
Therefore the temples reared their columns high:
Thus, ere he ceased, his sacred lute creates
Th' harmonious city of the seven gates.
Such was that wondrous order and consent,
When Cromwell tuned the ruling Instrument,
While tedious statesmen many years did hack,
Framing a liberty that still went back,
Whose numerous gorge could swallow in an hour
That island, which the sea cannot devour:
Then our Amphion issued out and sings,
And once he struck, and twice, the powerful strings.
58
The Commonwealth then first together came,
And each one entered in the willing frame;
All other matter yields, and may be ruled;
But who the minds of stubborn men can build?
No quarry bears a stone so hardly wrought,
Nor with such labour from its centre brought;
None to be sunk in the foundation bends,
Each in the house the highest place contends,
And each the hand that lays him will direct,
And some fall back upon the architect;
Yet all composed by his attractive song,
Into the animated city throng.
The Commonwealth does through their centres all
Draw the circumference of the public wall;
The crossest spirits here do take their part,
Fastening the contignation which they thwart;
And they, whose nature leads them to divide,
Uphold this one, and that the other side;
But the most equal still sustain the height,
And they as pillars keep the work upright,
While the resistance of opposèd minds,
The fabric (as with arches) stronger binds,
Which on the basis of a senate free,
Knit by the roof's protecting weight, agree.
When for his foot he thus a place had found,
He hurls e'er since the world about him round,
And in his several aspects, like a star,
Here shines in peace, and thither shoots in war,
While by his beams observing princes steer,
And wisely court the influence they fear.
O would they rather by his pattern won
Kiss the approaching, not yet angry Son;
And in their numbered footsteps humbly tread
The path where holy oracles do lead;
How might they under such a captain raise
The great designs kept for the latter days!
But mad with reason (so miscalled) of state
They know them not, and what they know not, hate.
Hence still they sing hosanna to the whore,
And her, whom they should massacre, adore:
59
But Indians, whom they would convert, subdue;
Nor teach, but traffic with, or burn the Jew.
Unhappy princes, ignorantly bred,
By malice some, by error more misled,
If gracious heaven to my life give length,
Leisure to time, and to my weaknes strength,
Then shall I once with graver accents shake
Your regal sloth, and your long slumbers wake:
Like the shrill huntsman that prevents the east,
Winding his horn to kings that chase the beast.
Till then my muse shall hollo far behind
Angelic Cromwell who outwings the wind,
And in dark nights, and in cold days alone
Pursues the monster through every throne:
Which shrinking to her Roman den impure,
Gnashes her gory teeth; nor there secure.
Hence oft I think if in some happy hour
High grace should meet in one with highest power,
And then a seasonable people still
Should bend to his, as he to heaven's will,
What we might hope, what wonderful effect
From such a wished conjuncture might reflect.
Sure, the mysterious work, where none withstand,
Would forthwith finish under such a hand:
Foreshortened time its useless course would stay,
And soon precipitate the latest day.
But a thick cloud about that morning lies,
And intercepts the beams of mortal eyes,
That 'tis the most which we determine can,
If these the times, then this must be the man.
And well he therefore does, and well has guessed,
Who in his age has always forward pressed:
And knowing not where heaven's choice may light,
Girds yet his sword, and ready stand to fight;
But men, alas, as if they nothing cared,
Look on, all unconcerned, or unprepared;
And stars still fall, and still the dragon's tail
Swinges the volumes of its horrid flail.
For the great justice that did first suspend
60
The world by sin, does by the same extend.
Hence that blest day still counterposèd wastes,
The ill delaying what the elected hastes;
Hence landing nature to new seas is tossed,
And good designs still with their authors lost.
And thou, great Cromwell, for whose happy birth
A mould was chosen out of better earth;
Whose saint-like mother we did lately see
Live out an age, long as a pedigree;
That she might seem (could we the Fall dispute),
T' have smelled the blossom, and not eat the fruit;
Though none does of more lasting parents grow,
Yet never any did them honour so,
Though thou thine heart from evil still unstained,
And always hast thy tongue from fraud refrained;
Thou, who so oft through storms of thundering lead
Hast born securely thine undaunted head,
Thy breast through poniarding conspiracies,
Drawn from the sheath of lying prophecies;
Thee proof behond all other force or skill,
Our sins endanger, and shall one day kill.
How near they failed, and in thy sudden fall
At once assayed to overturn us all.
Our brutish fury struggling to be free,
Hurried thy horses while they hurried thee,
When thou hadst almost quit thy mortal cares,
And soiled in dust thy crown of silver hairs.
Let this one sorrow interweave among
The other glories of our yearly song.
Like skilful looms, which through the costly thread
Of purling ore, a shining wave do shed:
So shall the tears we on past grief employ,
Still as they trickle, glitter in our joy.
So with more modesty we may be true,
And speak, as of the dead, the praises due:
While impious men deceived with pleasure short,
On their own hopes shall find the fall retort.
But the poor beasts, wanting their noble guide,
61
(What could they more?) shrunk guiltily aside.
First wingèd fear transports them far away,
And leaden sorrow then their flight did stay.
See how they each his towering crest abate,
And the green grass, and their known mangers hate,
Nor through wide nostrils snuff the wanton air,
Nor their round hoofs, or curlèd manes compare;
With wandering eyes, and restless ears they stood,
And with shrill neighings asked him of the wood.
Thou, Cromwell, falling, not a stupid tree,
Or rock so savage, but it mourned for thee:
And all about was heard a panic groan,
As if that Nature's self were overthrown.
It seemed the earth did from the centre tear;
It seemed the sun was fall'n out of the sphere:
Justice obstructed lay, and reason fooled;
Courage disheartened, and religion cooled.
A dismal silence through the palace went,
And then loud shrieks the vaulted marbles rent,
Such as the dying chorus sings by turns,
And to deaf seas, and ruthless tempests mourns,
When now they sink, and now the plundering streams
Break up each deck, and rip the oaken seams.
But thee triumphant hence the fiery car,
And fiery steeds had borne out of the war,
From the low world, and thankless men above,
Unto the kingdom blest of peace and love:
We only mourned ourselves, in thine ascent,
Whom thou hadst left beneath with mantle rent.
For all delight of life thou then didst lose,
When to command, thou didst thyself dispose;
Resigning up thy privacy so dear,
To turn the headstrong people's charioteer;
For to be Cromwell was a greater thing,
Then ought below, or yet above a king:
Therefore thou rather didst thyself depress,
Yielding to rule, because it made thee less.
For neither didst thou from the first apply
62
Thy sober spirit unto things too high,
But in thine own fields exercised'st long,
An healthful mind within a body strong;
Till at the seventh time thou in the skies,
As a small cloud, like a man's hand, didst rise;
Then did thick mists and winds the air deform,
And down at last thou poured'st the fertile storm,
Which to the thirsty land did plenty bring,
But, though forewarned, o'ertook and wet the King.
What since he did, an higher force him pushed
Still from behind, and yet before him rushed,
Though undiscerned among the tumult blind,
Who think those high decrees by man designed.
'Twas heaven would not that his power should cease,
But walk still middle betwixt war and peace:
Choosing each stone, and poising every weight,
Trying the measures of the breadth and height;
Here pulling down, and there erecting new,
Founding a firm state by proportions true.
When Gideon so did from the war retreat,
Yet by the conquest of two kings grown great,
He on the peace extends a warlike power,
And Israel silent saw him raze the tower;
And how he Succorth's Elders durst suppress,
With thorns and briars of the wilderness.
No king might ever such a force have done;
Yet would not he be Lord, nor yet his son.
Thou with the same strength, and an heart as plain,
Didst (like thine olive) still refuse to reign,
Though why should others all thy labour spoil,
And brambles be anointed with thine oil,
Whose climbing flame, without a timely stop,
Had quickly levelled every cedar's top?
Therefore first growing to thyself a law,
Th' ambitious shrubs thou in just time didst awe.
So have I seen at sea, when whirling winds,
Hurry the bark, but more the seamen's minds,
Who with mistaken course salute the sand,
63
And threatening rocks misapprehend for land,
While baleful Tritons to the shipwreck guide,
And corposants along the tackling slide,
The passengers all wearied out before,
Giddy, and wishing for the fatal shore,
Some lusty mate, who with more careful eye
Counted the hours, and every star did spy,
The help does from the artless steersman strain,
And doubles back unto the safer main.
What though a while they grumble discontent,
Saving himself, he does their loss prevent.
'Tis not a freedom, that where all command;
Nor tyranny, where one does them withstand:
But who of both the bounder knows to lay
Him as their father must the state obey.
Thou, and thine house (like Noah's eight) did rest,
Left by the wars' flood on the mountains' crest:
And the large vale lay subject to thy will
Which thou but as an husbandman wouldst till:
And only didst for others plant the vine
Of liberty, not drunken with its wine.
That sober liberty which men may have,
That they enjoy, but more they vainly crave:
And such as to their parents' tents do press,
May show their own, not see his nakedness.
Yet such a Chammish issue still does rage,
The shame and plague both of the land and age,
Who watched thy halting, and thy fall deride,
Rejoicing when thy foot had slipped aside,
That their new king might the fifth sceptre shake,
And make the world, by his example, quake:
Whose frantic army should they want for men
Might muster heresies, so one were ten.
What thy misfortune, they the spirit call,
And their religion only is to fall.
Oh Mahomet! now couldst thou rise again,
Thy falling-sickness should have made thee reign,
While Feake and Simpson would in many a tome,
64
Have writ the comments of thy sacred foam:
For soon thou mightst have passed among their rant
Were't but for thine unmovèd tulipant;
As thou must needs have owned them of thy band
For prophecies fit to be Alcoraned.
Accursèd locusts, whom your king does spit
Out of the centre of the unbottomed pit;
Wanderers, adulterers, liars, Munster's rest,
Sorcerers, athiests, jesuits possessed;
You who the scriptures and the laws deface
With the same liberty as points and lace;
Oh race most hypocritically strict!
Bent to reduce us to the ancient Pict;
Well may you act the Adam and the Eve;
Ay, and the serpent too that did deceive.
But the great captain, now the danger's o'er,
Makes you for his sake tremble one fit more;
And, to your spite, returning yet alive
Does with himself all that is good revive.
So when first man did through the morning new
See the bright sun his shining race pursue,
All day he followed with unwearied sight,
Pleased with that other world of moving light;
But thought him when he missed his setting beams,
Sunk in the hills, or plunged below the streams.
While dismal blacks hung round the universe,
And stars (like tapers) burned upon his hearse:
And owls and ravens with their screeching noise
Did make the funerals sadder by their joys.
His weeping eyes the doleful vigils keep,
Not knowing yet the night was made for sleep;
Still to the west, where he him lost, he turned,
And with such accents as despairing mourned:
`Why did mine eyes once see so bright a ray;
Or why day last no longer than a day?'
When straight the sun behind him he descried,
Smiling serenely from the further side.
So while our star that gives us light and heat,
65
Seemed now a long and gloomy night to threat,
Up from the other world his flame he darts,
And princes (shining through their windows) starts,
Who their suspected counsellors refuse,
And credulous ambassadors accuse.
`Is this', saith one, `the nation that we read
Spent with both wars, under a captain dead,
Yet rig a navy while we dress us late,
And ere we dine, raze and rebuild their state?
What oaken forests, and what golden mines!
What mints of men, what union of designs!
(Unless their ships, do, as their fowl proceed
Of shedding leaves, that with their ocean breed).
Theirs are not ships, but rather arks of war
And beakèd promontories sailed from far;
Of floating islands a new hatchèd nest;
A fleet of worlds, of other worlds in quest;
An hideous shoal of wood-leviathans,
Armed with three tier of brazen hurricanes,
That through the centre shoot their thundering side
And sink the earth that does at anchor ride.
What refuge to escape them can be found,
Whose watery leaguers all the world surround?
Needs must we all their tributaries be,
Whose navies hold the sluices of the sea.
The ocean is the fountain of command,
But that once took, we captives are on land.
And those that have the waters for their share,
Can quickly leave us neither earth nor air.
Yet if through these our fears could find a pass,
Through double oak, and lined with treble brass,
That one man still, although but named, alarms
More than all men, all navies, and all arms.
Him, in the day, him, in late night I dread,
And still his sword seems hanging o'er my head.
The nation had been ours, but his one soul
Moves the great bulk, and animates the whole.
He secrecy with number hath enchased,
Courage with age, maturity with haste:
The valiant's terror, riddle of the wise,
And still his falchion all our knots unties.
66
Where did he learn those arts that cost us dear?
Where below earth, or where above the sphere?
He seems a king by long succession born,
And yet the same to be a king does scorn.
Abroad a king he seems, and something more,
At home a subject on the equal floor.
O could I once him with our title see,
So should I hope that he might die as we.
But let them write is praise that love him best,
It grieves me sore to have thus much confessed.'
Pardon, great Prince, if thus their fear of spite
More than our love and duty do thee right.
I yield, nor further will the prize contend,
So that we both alike may miss our end:
While thou thy venerable head dost raise
As far above their malice as my praise,
And as the Angel of our commonweal,
Troubling the waters, yearly mak'st them heal.
~ Andrew Marvell,
507:The Tower Of The Dream
Part I
HOW wonderful are dreams! If they but be
As some have said, the thin disjoining shades
Of thoughts or feelings, long foregone or late,
All interweaving, set in ghostly act
And strange procession, fair, grotesque, or grim,
By mimic fancy; wonderful no less
Are they though this be true and wondrous more
Is she, who in the dark, and stript of sense,
Can wield such sovereignty—the Queen of Art!
For what a cunning painter is she then,
Who hurriedly embodying, from the waste
Of things memorial littering life’s dim floor,
The forms and features, manifold and quaint,
That crowd the timeless vistas of a dream,
Fails in no stroke, but breathes Pygmalion-like
A soul of motion into all her work;
And doth full oft in magic mood inspire
Her phantom creatures with more eloquent tones
Than ever broke upon a waking ear.
But are they more? True glimpses oft, though vague,
Over that far unnavigable sea
Of mystic being, where the impatient soul
Is sometimes wont to stray and roam at large?
No answer comes. Yet are they wonderful
However we may rank them in our lore,
And worthy some fond record are these dreams
That with so capable a wand can bring
Back to the faded heart the rosy flush
And sweetness of a long-fled love, or touch
The eyes of an old enmity with tears
Of a yet older friendship; or restore
A world-lost mate, or reunite in joy
The living and the dead!—can, when so wills
Their wand’s weird wielder, whatsoe’er it be,
Lift up the fallen—fallen however low!
Give youth unto the worn, enrich the poor;
Build in the future higher than the hope
200
Of power, when boldest, ever dared to soar;
Annul the bars of space, the dens of time,
Giving the rigid and cold-clanking chain
Which force, that grey iniquity, hath clenched
About its captive, to relent,—yea, stretch
Forth into fairy-land, or melt like wax
In that fierce life whose spirit lightens wide
Round freedom, seated on her mountain throne.
But not thus always are our dreams benign;
Oft are they miscreations—gloomier worlds,
Crowded tempestuously with wrongs and fears,
More ghastly than the actual ever knew,
And rent with racking noises, such as should
Go thundering only through the wastes of hell.
Yes, wonderful are dreams: and I have known
Many most wild and strange. And once, long since,
As in the death-like mystery of sleep
My body lay impalled, my soul arose
And journeyed outward in a wondrous dream.
In the mid-hour of a dark night, methought
I roamed the margin of a waveless lake,
That in the knotted forehead of the land
Deep sunken, like a huge Cyclopean eye,
Lidless and void of speculation, stared
Glassily up—for ever sleepless—up
At the wide vault of heaven; and vaguely came
Into my mind a mystic consciousness
That over against me, on the farther shore
Which yet I might not see, there stood a tower.
The darkness darkened, until overhead
Solidly black the starless heaven domed,
And earth was one wide blot;—when, as I looked,
A light swung blazing from the tower (as yet
Prophesied only in my inner thought),
And brought at once its rounded structure forth
Massive and tall out of the mighty gloom.
On the broad lake that streaming radiance fell,
Through the lit fluid like a shaft of fire,
Burning its sullen depths with one red blaze.
201
Long at that wild light was I gazing held
In speechless wonder, till I thence could feel
A strange and thrillingly attractive power;
My bodily weight seemed witched away, aloft
I mounted, poised within the passive air,
Then felt I through my veins a branching warmth,
The herald of some yet unseen content,
The nearness of some yet inaudible joy,
As if some spell of golden destiny
Lifted me onwards to the fateful tower.
--------------------------------------------------------------------------------
Part II

High up the tower, a circling balcony

Emporched a brazen door. The silver roof

Rested on shafts of jet, and ivory work

Made a light fence against the deep abyss.

Before that portal huge a lady stood

In radiant loveliness, serene and bright,

Yet as it seemed expectant; for as still

She witched me towards her, soft she beckon’d me

With tiny hand more splendid than a star;

And then she smiled, not as a mortal smiles

With visible throes, to the mere face confined,

But with her whole bright influence all at once

In gracious act, as the Immortals might,

God-happy, or as smiles the morning, when

Its subtle lips in rosy beauty part

Under a pearly cloud, and breathe the while

A golden prevalence of power abroad,

That taketh all the orient heaven and earth

Into the glory of its own delight.

Then in a voice, keen, sweet, and silvery clear,

And intimately tender as the first

Fine feeling of a love-born bliss, she spoke,

“Where hast thou stayed so long? Oh, tell me where?”

202

With thrilling ears and heart I heard, but felt
Pass from me forth a cry of sudden fear,
As swooning through the wildness of my joy,
Methought I drifted,—whither? All was now
One wide cold blank; the lady and the tower,
The gleaming lake, with all around it, one
Wide dreary blank;—the drearier for that still
A dizzy, clinging, ghostly consciousness
Kept flickering from mine inmost pulse of life,
Like a far meteor in some dismal marsh;
How long I knew not, but the thrilling warmth
That, like the new birth of a passionate bliss,
Erewhile had searched me to the quick, again
Shuddered within me, more and more, until
Mine eyes had opened under two that made
All else like darkness; and upon my cheek
A breath that seemed the final spirit of health
And floral sweetness, harbingered once more
The silver accents of that wondrous voice,
Which to have heard was never to forget;
And with her tones came, warbled as it seemed,
In mystical respondence to her voice,
Still music, such as Eolus gives forth,
But purer, deeper;—warbled as from some
Unsearchable recess of soul supreme,
Some depth of the Eternal! echoing thence
Through the sweet meanings of its spirit speech.
I answered not, but followed in mute love
The beamy glances of her eyes; methought
Close at her side I lay upon a couch
Of purple, blazoned all with stars of gold
Tremblingly rayed with spiculated gems;
Thus sat we, looking forth; nor seemed it strange
That the broad lake, with its green shelving shores,
And all the hills and woods and winding vales,
Were basking in the beauty of a day
So goldenly serene, that never yet
The perfect power of life-essential light
Had so enrobed, since paradise was lost,
The common world inhabited by man.
203
I saw this rare surpassing beauty;—yea,
But saw it all through her superior life,
Orbing mine own in love; I felt her life,
The source of holiest and truth-loving thoughts,
Breathing abroad like odours from a flower,
Enriched with rosy passion, and pure joy
And earnest tenderness. Nor ever might
The glassy lake below more quickly give
Nimble impressions of the coming wind’s
Invisible footsteps, dimpling swift along,
Than instant tokens of communion sweet
With outward beauty’s subtle spirit, passed
Forth from her eyes, and thence in lambent waves
Suffused and lightened o’er her visage bright.
But as upon the wonder of her face
My soul now feasted, even till it seemed
Instinct with kindred lustre, lo! her eyes
Suddenly saddened; then abstractedly
Outfixing them as on some far wild thought
That darkened up like a portentous cloud
Over the morning of our peace, she flung
Her silver voice into a mystic song
Of many measures, which, as forth they went,
Slid all into a sweet abundant flood
Of metric melody! And to her voice
As still she sung, invisible singers joined
A choral burden that prolonged the strain’s
Rich concords, till the echoes of the hills
Came forth in tidal flow, and backward then
Subsiding like a refluent wave, died down
In one rich harmony. It strangely seemed
As though the song were ware that I but slept,
And that its utterer was but a dream;
’Tis traced upon the tablet of my soul
In shining lines that intonate themselves—
Not sounding to the ear but to the thought—
Out of the vague vast of the wonderful,
And might, when hardened into mortal speech,
And narrowed from its wide and various sweep
Into such flows as make our waking rhymes
Most wildly musical, be written thus:—
204
The Song
Wide apart, wide apart,
In old Time’s dim heart
One terrible Fiend doth his stern watch keep
Over the mystery
Lovely and deep,
Locked in thy history,
Beautiful Sleep!
Could we disarm him,
Could we but charm him,
The soul of the sleeper might happily leap,
Through the dark of the dim waste so deathly and deep
That shroudeth the triple divinity,
The three of thy mystical Trinity:
Gratitude, Liberty,
Joy from all trammels free,
Beautiful Spirit of Sleep!
Beautiful Spirit!
Could we confound him
Who darkens thy throne,
Could we surround him
With spells like thine own
For the divinity
Then of thy Trinity,
Oh, what a blesseder reign were begun!
For then it were evermore one,
With all that soul, freed from the body’s strait scheme,
Inherits of seer-light and mystical dream.
And to sleep were to die
Into life in the Infinite,
Holy and high,
Spotless and bright,
Calmly, peacefully deep
Ah then! that dread gulf should be crossed by a mortal,
Ah then! to what life were thy bright arch the portal,
Beautiful Spirit of Sleep.
205
-------------------------------------------------------------------------------Part III
She ceased, and a deep tingling silence fell

Instantly round,—silence complete, and yet

Instinct as with a breathing sweetness, left

By the rare spirit of her voice foregone;

Even as the fragrance of a flower were felt

Pervading the mute air through which erewhile,

It had been borne by the delighted hand

Of some sweet-thoughted maiden. Turning then

Her bright face towards me, as I stood entranced,

Yet with keen wonder stung, she said, “I love thee

As first love loveth—utterly! But ah

This love itself—this purple-wingéd love—

This life-enriching spirit of delight

Is but a honey-bee of paradise,

That only in the morning glory dares

To range abroad, only in vagrant mood,

Adventures out into the common world

Of man and woman, thither lured by sight

Of some sweet human soul that blooms apart,

Untainted by a rank soil’s weedy growths

Lured thither thus, yet being even then

A wilful wanderer from its birthplace pure,

Whereto it sadly must return again,

Or forfeit else its natal passport, ere

The dread night cometh. Yet of how great worth

Is love within the world! By the fair spring
Of even the lowliest love, how many rich
And gracious things that could not else have been,
Grow up like flowers, and breathe a perfume forth
That never leaves again the quickened sense
It once hath hit, as with a fairy’s wand!”
She spoke in mournful accents wild and sweet,
And lustrous tears brimmed over from the eyes
That met my own now melancholy gaze.
206
But not all comfortless is grief that sees
Itself reflected in another’s eyes,
And love again grew glad: alas, not long
For with a short low gasp of sudden fear
She started back, and hark! within the tower
A sound of strenuous steps approaching fast
Rang upwards, as it seemed, from the hard slabs
Of a steep winding stair; and soon the huge
And brazen portal, that behind us shut,
Burst open with a clang of loosened bolts—
A clang like thunder, that went rattling out
Against the echoes of the distant hills.
With deafened ears and looks aghast I turned
Towards the harsh noise, there to behold, between
The mighty jambs in the strong wall from which
The door swung inward, a tremendous form!
A horrid gloomy form that shapeless seemed,
And yet, in all its monstrous bulk, to man
A hideous likeness bare! Still more and more
Deformed it grew, as forth it swelled, and then
Its outlines melted in a grizzly haze,
That hung about them, even as grey clouds
Beskirt a coming tempest’s denser mass,
That thickens still internally, and shows
The murkiest in the midst—yea, murkiest there,
Where big with fate, and hid in solid gloom,
The yet still spirit of the thunder broods,
And menaces the world.
Beholding that dread form, the lady of light
Had rushed to my extended arms, and hid
Her beamy face, fright-harrowed, in my breast!
And thus we stood, made one in fear; while still
That terrible vision out upon us glared
With horny eyeballs—horrible the more
For that no evidence of conscious will,
No touch of passion, vitalized their fixed
Eumenidèan, stone-cold stare, as towards
Some surely destined task they seemed to guide
Its shapeless bulk and awful ruthless strength.
207
Then with a motion as of one dark stride
Shadowing forward, and outstretching straight
One vague-seen arm, from my reluctant grasp
It tore the radiant lady, saying “This
Is love forbidden!” in a voice whose tones
Were like low guttural thunders heard afar,
Outgrowling from the clouded gorges wild
Of steep-cragged mountains, when a sultry storm
Is pondering in its dark pavilions there.
Me then he seized, and threw me strongly back
Within the brazen door; its massive beam
Dropped with a wall-quake, and the bolts were shot
Into their sockets with a shattering jar.
I may not paint the horrible despair
That froze me now; more horrible than aught
In actual destiny, in waking life,
Could give the self -possession of my soul.
Within, without,—all silent, stirless, cold
Whither was she, my lady of delight
Reft terribly away? Time—every drip of which
Was as an age—kept trickling on and on,
Brought no release, no hope; brought not a breath
That spake of fellowship, or even of life
Out of myself. Utterly blank I stood
In marble-cold astonishment of heart!
And when at length I cast despairing eyes—
Eyes so despairing that the common gift
Of vision stung me like a deadly curse—
The dungeon round, pure pity of myself
So warmed and loosened from my brain, the pent
And icy anguish, that its load at once
Came like an Alp-thaw streaming through my eyes;
Till resignation, that balm-fragrant flower
Of meek pale grief that hath its root in tears,
Grew out of mine, and dewed my soul with peace.
My dungeon was a half-round lofty cell,
Massively set within the crossing wall
That seemed to cut the tower’s whole round in twain;
A door with iron studs and brazen clamps
Shut off the inner stairway of the tower;
And by this door a strange and mystic thing,
208
A bat-winged steed on scaly dragon claws,
Stood mute and rigid in the darkening cell.
The night came on; I saw the bat-winged steed
Fade, melt and die into the gathering gloom,
Then in the blackness hour by hour I paced,
And heard my step—the only sound to me
In all the wide world—throb with a dull blow
Down through the hollow tower that seemed to yawn.
A monstrous well beneath, with wide waste mouth
Bridged only by the quaking strip of floor
On which I darkling strode. Then hour on hour
Paused as if clotting at the heart of time,
And yet no other sound had being there
And still that strange, mute, mystic, bat-winged steed
Stood waiting near me by the inner door.
--------------------------------------------------------------------------------
Part IV

At last, all suddenly, in the air aloft

Over the tower a wild wailful song

Woke, flying many-voiced, then sweeping off

Far o’er the echoing hills, so passed away

In dying murmurs through the hollow dark.

Song

In vain was the charm sought

In vain was our spell wrought

Which that dread watcher’s eyes drowsy might keep;

In vain was the dragon-steed

There at the hour of need

Out with his double freight blissward to sweep.

Lost—lost—lost—lost!

In vain were our spells of an infinite cost

Lost—lost—lost—lost!

Yon gulf by a mortal may never be crossed

209

Never, ah never!

The doom holds for ever

For ever! for ever!

Away, come away!

For see, wide uprolling, the white front of day!

Away to the mystic mid-regions of sleep,

Of the beautiful Spirit of sleep.

Lost—lost—lost—lost!
The gulf we are crossing may never be crossed
By a mortal, ah, never!
The doom holds for ever!
For ever! for ever!
So passed that song (of which the drift alone
Is here reached after in such leaden speech
As uncharmed mortals use). And when its tones
Out towards the mountains in the dark afar
Had wasted, light began to pierce the gloom,
Marbling the dusk with grey; and then the steed,
With his strange dragon-claws and half-spread wings,
Grew slowly back into the day again.
The sunrise! Oh, it was a desolate pass
Immured in that relentless keep, to feel
How o’er the purple hills came the bright sun,
Rejoicing in his strength; and then to know
That he was wheeling up the heaven, and o’er
My prison roof, tracking his midway course
With step of fire, loud rolling through the world
The thunder of its universal life!
Thus seven times wore weary day and night
Wearily on, and still I could not sleep.
And still through this drear time the wintry tooth
Of hunger never gnawed my corporal frame;
No thirst inflamed me; while by the grim door
That strange, unmoving, dragon-footed steed
Stood as at first. Mere wonder at my doom
Relieved the else-fixed darkness of despair!
But on the seventh night at midnight—hark!
210
What might I hear? A step?—a small light step,
That by the stair ascending, swiftly came
Straight to the inner door—then stopped. Alas!
The black leaf opened not; and yet, the while,
A rainbow radiance through its solid breadth
Came flushing bright, in subtle wave on wave,
As sunset glow in swift rich curves wells forth
Through some dense cloud upon the verge of heaven:
So came it, filling all the cell at length
With rosy lights; and then the mystic steed
Moved, and spread wide his glimmering bat-like wings.
When hark! deep down in the mysterious tower
Another step! Yea, the same strenuous tramp
That once before I heard, big beating up—
A cry, a struggle, and retreating steps!
And that fair light had faded from the air.
Again the hateful tramp came booming up;
The great door opened, and the monster-fiend
Filled all the space between the mighty jambs.
My heart glowed hot with rage and hate at once;
Fiercely I charged him, but his horrible glooms
Enwrapped me closer, in yet denser coils
Every dread moment! But my anguish now,
My pain, and hate, and loathing, all had grown
Into so vast a horror that methought
I burst with irresistible strength away—
Rushed through the door and down the stairway—down
An endless depth—till a portcullis, hinged
In the tower’s basement, opened to my flight
It fell behind me, and my passage lay
By the long ripples of the rock-edged lake.
Then, breathless, pausing in my giddy flight,
I saw the lustrous lady upward pass
Through the lit air, with steadfast downward look
Of parting recognition—full of love,
But painless, passionless. Above the tower
And o’er the clouds her radiance passed away,
And melted into heaven’s marble dome!
Then fell there on my soul a sense of loss
So bleak, so desolate, that with a wild
211
Sleep-startling outcry, sudden I awoke
Awoke to find it but a wondrous dream;
Yet ever since to feel as if some pure
And guardian soul, out of the day and night,
Had passed for ever from the reach of love!
~ Charles Harpur,
508:Jubilate Agno: Fragment B, Part 1
Let Elizur rejoice with the Partridge, who is a prisoner of state and is proud of his
keepers.
Let Shedeur rejoice with Pyrausta, who dwelleth in a medium of fire, which God
hath adapted for him.
Let Shelumiel rejoice with Olor, who is of a goodly savour, and the very look of
him harmonizes the mind.
Let Jael rejoice with the Plover, who whistles for his live, and foils the marksmen
and their guns.
Let Raguel rejoice with the Cock of Portugal -- God send good Angels to the allies
of England!
Let Hobab rejoice with Necydalus, who is the Greek of a Grub.
Let Zurishaddai with the Polish Cock rejoice -- The Lord restore peace to Europe.
Let Zuar rejoice with the Guinea Hen -- The Lord add to his mercies in the WEST!
Let Chesed rejoice with Strepsiceros, whose weapons are the ornaments of his
peace.
Let Hagar rejoice with Gnesion, who is the right sort of eagle, and towers the
highest.
Let Libni rejoice with the Redshank, who migrates not but is translated to the
upper regions.
Let Nahshon rejoice with the Seabreese, the Lord give the sailors of his Spirit.
Let Helon rejoice with the Woodpecker -- the Lord encourage the propagation of
trees!
Let Amos rejoice with the Coote -- prepare to meet thy God, O Israel.
Let Ephah rejoice with Buprestis, the Lord endue us with temperance and
40
humanity, till every cow have her mate!
Let Sarah rejoice with the Redwing, whose harvest is in the frost and snow.
Let Rebekah rejoice with Iynx, who holds his head on one side to deceive the
adversary.
Let Shuah rejoice with Boa, which is the vocal serpent.
Let Ehud rejoice with Onocrotalus, whose braying is for the glory of God, because
he makes the best musick in his power.
Let Shamgar rejoice with Otis, who looks about him for the glory of God, and
sees the horizon compleat at once.
Let Bohan rejoice with the Scythian Stag -- he is beef and breeches against want
and nakedness.
Let Achsah rejoice with the Pigeon who is an antidote to malignity and will carry
a letter.
Let Tohu rejoice with the Grouse -- the Lord further the cultivating of heaths and
the peopling of deserts.
Let Hillel rejoice with Ammodytes, whose colour is deceitful and he plots against
the pilgrim's feet.
Let Eli rejoice with Leucon -- he is an honest fellow, which is a rarity.
Let Jemuel rejoice with Charadrius, who is from the HEIGHT and the sight of him
is good for the jaundice.
Let Pharaoh rejoice with Anataria, whom God permits to prey upon the ducks to
check their increase.
Let Lotan rejoice with Sauterelle. Blessed be the name of the Lord from the Lotetree to the Palm.
Let Dishon rejoice with the Landrail, God give his grace to the society for
preserving the game.
Let Hushim rejoice with the King's Fisher, who is of royal beauty, tho' plebeian
41
size.
Let Machir rejoice with Convolvulus, from him to the ring of Saturn, which is the
girth of Job; to the signet of God -- from Job and his daughters BLESSED BE
JESUS.
Let Atad bless with Eleos, the nightly Memorialist
ελεησον
κυριε .
Let Jamim rejoice with the Bittern -- blessed be the name of Jesus for Denver
Sluice, Ruston, and the draining of the fens.
Let Ohad rejoice with Byturos who eateth the vine and is a minister of
temperance.
Let Zohar rejoice with Cychramus who cometh with the quails on a particular
affair.
Let Serah, the daughter of Asher, rejoice with Ceyx, who maketh his cabin in the
Halcyon's hold.
Let Magdiel rejoice with Ascarides, which is the life of the bowels -- the worm
hath a part in our frame.
Let Becher rejoice with Oscen who terrifies the wicked, as trumpet and alarm the
coward.
Let Shaul rejoice with Circos, who hath clumsy legs, but he can wheel it the
better with his wings. -Let Hamul rejoice with the Crystal, who is pure and translucent.
Let Ziphion rejoice with the Tit-Lark who is a groundling, but he raises the spirits.
Let Mibzar rejoice with the Cadess, as is their number, so are their names,
blessed be the Lord Jesus for them all.
Let Jubal rejoice with Cascilia, the woman and the slow-worm praise the name of
the Lord.
42
Let Arodi rejoice with the Royston Crow, there is a society of them at
Trumpington and Cambridge.
Let Areli rejoice with the Criel, who is a dwarf that towereth above others.
Let Phuvah rejoice with Platycerotes, whose weapons of defence keep them
innocent.
Let Shimron rejoice with the Kite, who is of more value than many sparrows.
Let Sered rejoice with the Wittal -- a silly bird is wise unto his own preservation.
Let Elon rejoice with Attelabus, who is the Locust without wings.
Let Jahleel rejoice with the Woodcock, who liveth upon suction and is pure from
his diet.
Let Shuni rejoice with the Gull, who is happy in not being good for food.
Let Ezbon rejoice with Musimon, who is from the ram and she-goat.
Let Barkos rejoice with the Black Eagle, which is the least of his species and the
best-natured.
Let Bedan rejoice with Ossifrage -- the bird of prey and the man of prayer.
Let Naomi rejoice with Pseudosphece who is between a wasp and a hornet.
Let Ruth rejoice with the Tumbler -- it is a pleasant thing to feed him and be
thankful.
Let Ram rejoice with the Fieldfare, who is a good gift from God in the season of
scarcity.
Let Manoah rejoice with Cerastes, who is a Dragon with horns.
Let Talmai rejoice with Alcedo, who makes a cradle for it's young, which is rock'd
by the winds.
Let Bukki rejoice with the Buzzard, who is clever, with the reputation of a silly
fellow.
43
Let Michal rejoice with Leucocruta who is a mixture of beauty and magnanimity.
Let Abiah rejoice with Morphnus who is a bird of passage to the Heavens.
Let Hur rejoice with the Water-wag-tail, who is a neighbour, and loves to be
looked at.
Let Dodo rejoice with the purple Worm, who is cloathed sumptuously, tho he
fares meanly.
Let Ahio rejoice with the Merlin who is a cousin german of the hawk.
Let Joram rejoice with the Water-Rail, who takes his delight in the river.
Let Chileab rejoice with Ophion who is clean made, less than an hart, and a
Sardinian.
Let Shephatiah rejoice with the little Owl, which is the wingged Cat.
Let Ithream rejoice with the great Owl, who understandeth that which he
professes.
Let Abigail rejoice with Lethophagus -- God be gracious to the widows indeed.
Let Anathoth bless with Saurix, who is a bird of melancholy.
Let Shammua rejoice with the Vultur who is strength and fierceness.
Let Shobab rejoice with Evech who is of the goat kind which is meditation and
pleasantry.
Let Ittai the Gittite rejoice with the Gerfalcon amicus certus in re incertâ cernitur.
Let Ibhar rejoice with the Pochard -- a child born in prosperity is the chiefest
blessing of peace.
Let Elishua rejoice with Cantharis -- God send bread and milk to the children.
Let Chimham bless with Drepanis who is a passenger from the sea to heaven.
Let Toi rejoice with Percnopteros which haunteth the sugar-fens.
44
Let Nepheg rejoice with Cenchris which is the spotted serpent.
Let Japhia rejoice with Buteo who hath three testicles.
Let Gibeon rejoice with the Puttock, who will shift for himself to the last
extremity.
Let Elishama rejoice with Mylæcos Ισχετε
χειρα
μυλαιον
αλιτριδες .
ευδετε
μακρα .
Let Elimelech rejoice with the Horn-Owl who is of gravity and amongst my friends
in the tower.
Let Eliada rejoice with the Gier-eagle who is swift and of great penetration.
Let Eliphalet rejoice with Erodius who is God's good creature, which is sufficient
for him.
Let Jonathan, David's nephew, rejoice with Oripelargus who is noble by his
ascent.
Let Sheva rejoice with the Hobby, who is the service of the great.
Let Ahimaaz rejoice with the Silver-Worm who is a living mineral.
Let Shobi rejoice with the Kastrel -- blessed be the name JESUS in falconry and
in the MALL
Let Elkanah rejoice with Cymindis -- the Lord illuminate us against the powers of
darkness.
Let Ziba rejoice with Glottis whose tongue is wreathed in his throat.
Let Micah rejoice with the spotted Spider, who counterfeits death to effect his
purposes.
Let Rizpah rejoice with the Eyed Moth who is beautiful in corruption.
45
Let Naharai, Joab's armour-bearer rejoice with Rock who is a bird of stupendous
magnitude.
Let Abiezer, the Anethothite, rejoice with Phrynos who is the scaled frog.
Let Nachon rejoice with Parcas who is a serpent more innocent than others.
Let Lapidoth with Percnos -- the Lord is the builder of the wall of CHINA -REJOICE.
Let Ahinoam rejoice with Prester -- The seed of the woman hath bruised the
serpents head.
Let Phurah rejoice with Penelopes, the servant of Gideon with the fowl of the
brook.
Let Jether, the son of Gideon, rejoice with Ecchetae which are musical
grashoppers.
Let Hushai rejoice with the Ospray who is able to parry the eagle.
Let Eglah rejoice with Phalaris who is a pleasant object upon the water.
Let Haggith rejoice with the white Weasel who devoureth the honey and it's
maker.
Let Abital rejoice with Ptyas who is arrayed in green and gold.
Let Maacah rejoice with Dryophyte who was blessed of the Lord in the valley.
Let Zabud Solomon's friend rejoice with Oryx who is a frolicksome mountaineer.
Let Adoniram the receiver general of the excise rejoice with Hypnale the sleepy
adder.
Let Pedahel rejoice with Pityocampa who eateth his house in the pine.
Let Ibzam rejoice with the Brandling -- the Lord further the building of bridges
and making rivers navigable.
Let Gilead rejoice with Gentle -- the Lord make me a fisher of men.
46
Let Zelophehad rejoice with Ascalabotes who casteth not his coat till a new one is
prepared for him.
Let Mahlah rejoice with Pellos who is a tall bird and stately.
Let Tirzah rejoice with Tylus which is the Cheeslip and food for the chicken.
Let Hoglah rejoice with Leontophonos who will kill the lion, if he is eaten.
Let Milcah rejoice with the Horned Beetle who will strike a man in the face.
Let Noah rejoice with Hibris who is from a wild boar and a tame sow.
Let Abdon rejoice with the Glede who is very voracious and may not himself be
eaten.
Let Zuph rejoice with Dipsas, whose bite causeth thirst.
Let Schechem of Manasseh rejoice with the Green Worm whose livery is of the
field.
Let Gera rejoice with the Night Hawk -- blessed are those who watch when
others sleep.
Let Anath rejoice with Rauca who inhabiteth the root of the oak.
Let Cherub rejoice with the Cherub who is a bird and a blessed Angel.
***
For I am not without authority in my jeopardy, which I derive inevitably from the
glory of the name of the Lord.
For I bless God whose name is Jealous -- and there is a zeal to deliver us from
everlasting burnings.
For my existimation is good even amongst the slanderers and my memory shall
arise for a sweet savour unto the Lord.
For I bless the PRINCE of PEACE and pray that all the guns may be nail'd up,
save such are for the rejoicing days.
47
For I have abstained from the blood of the grape and that even at the Lord's
table.
For I have glorified God in GREEK and LATIN, the consecrated languages spoken
by the Lord on earth.
For I meditate the peace of Europe amongst family bickerings and domestic jars.
For the HOST is in the WEST -- the Lord make us thankful unto salvation.
For I preach the very GOSPEL of CHRIST without comment and with this weapon
shall I slay envy.
For I bless God in the rising generation, which is on my side.
For I have translated in the charity, which makes things better and I shall be
translated myself at the last.
For he that walked upon the sea, hath prepared the floods with the Gospel of
peace.
For the merciful man is merciful to his beast, and to the trees that give them
shelter.
For he hath turned the shadow of death into the morning,the Lord is his name.
For I am come home again, but there is nobody to kill the calf or to pay the
musick.
For the hour of my felicity, like the womb of Sarah, shall come at the latter end.
For I shou'd have avail'd myself of waggery, had not malice been multitudinous.
For there are still serpents that can speak -- God bless my head, my heart and
my heel.
For I bless God that I am of the same seed as Ehud, Mutius Scævola, and Colonel
Draper.
For the word of God is a sword on my side -- no matter what other weapon a
stick or a straw.
48
For I have adventured myself in the name of the Lord, and he hath marked me
for his own.
For I bless God for the Postmaster general and all conveyancers of letters under
his care especially Allen and Shelvock.
For my grounds in New Canaan shall infinitely compensate for the flats and
maynes of Staindrop Moor.
For the praise of God can give to a mute fish the notes of a nightingale.
For I have seen the White Raven and Thomas Hall of Willingham and am my self
a greater curiosity than both.
For I look up to heaven which is my prospect to escape envy by surmounting it.
For if Pharaoh had known Joseph, he woud have blessed God and me for the
illumination of the people.
For I pray God to bless improvements in gardening till London be a city of palmtrees.
For I pray to give his grace to the poor of England, that Charity be not offended
and that benevolence may increase.
For in my nature I quested for beauty, but God, God hath sent me to sea for
pearls.
For there is a blessing from the STONE of JESUS which is founded upon hell to
the precious jewell on the right hand of God.
For the nightly Visitor is at the window of the impenitent, while I sing a psalm of
my own composing.
For there is a note added to the scale, which the Lord hath made fuller, stronger
and more glorious.
For I offer my goat as he browses the vine, bless the Lord from chambering and
drunkeness.
For there is a traveling for the glory of God without going to Italy or France.
49
For I bless the children of Asher for the evil I did them and the good I might have
received at their hands.
For I rejoice like a worm in the rain in him that cherishes and from him that
tramples.
For I am ready for the trumpet and alarm to fight, to die and to rise again.
For the banish'd of the Lord shall come about again, for so he hath prepared for
them.
For sincerity is a jewel which is pure and transparent, eternal and inestimable.
For my hands and my feet are perfect as the sublimity of Naphtali and the felicity
of Asher.
For the names and number of animals are as the name and number of the stars.
-For I pray the Lord Jesus to translate my MAGNIFICAT into verse and represent
it.
For I bless the Lord Jesus from the bottom of Royston Cave to the top of King's
Chapel.
For I am a little fellow, which is intitled to the great mess by the benevolence of
God my father.
For I this day made over my inheritance to my mother in consideration of her
infirmities.
For I this day made over my inheritance to my mother in consideration of her
age.
For I this day made over my inheritance to my mother in consideration of her
poverty.
For I bless the thirteenth of August, in which I had the grace to obey the voice of
Christ in my conscience.
For I bless the thirteenth of August, in which I was willing to run all hazards for
50
the sake of the name of the Lord.
For I bless the thirteenth of August, in which I was willing to be called a fool for
the sake of Christ.
For I lent my flocks and my herds and my lands at once unto the Lord.
For nature is more various than observation tho' observers be innumerable.
For Agricola is Γηουργος .
For I pray God to bless POLLY in the blessing of Naomi and assign her to the
house of DAVID.
For I am in charity with the French who are my foes and Moabites because of the
Moabitish woman.
For my Angel is always ready at a pinch to help me out and to keep me up.
For CHRISTOPHER must slay the Dragon with a PHEON's head.
For they have seperated me and my bosom, whereas the right comes by setting
us together.
For silly fellow! silly fellow! is against me and belongeth neither to me nor my
family.
For he that scorneth the scorner hath condescended to my low estate.
For Abiah is the father of Joab and Joab of all Romans and English Men.
For they pass by me in their tour, and the good Samaritan is not yet come. -For I bless God in the behalf of TRINITY COLLEGE in CAMBRIDGE and the society
of PURPLES in LONDON. -For I have a nephew CHRISTOPHER to whom I implore the grace of God.
For I pray God bless the CAM -- Mr HIGGS and Mr and Mrs WASHBOURNE as the
drops of the dew.
For I pray God bless the king of Sardinia and make him an instrument of his
51
peace.
For I am possessed of a cat, surpassing in beauty, from whom I take occasion to
bless Almighty God.
For I pray God for the professors of the University of Cambridge to attend and to
amend.
For the Fatherless Children and widows are never deserted of the Lord.
For I pray God be gracious to the house of Stuart and consider their afflictions.
For I pray God be gracious to the seed of Virgil to Mr GOODMAN SMITH of King's
and Joseph STUD.
For I give God the glory that I am a son of ABRAHAM a PRINCE of the house of
my fathers.
For my brethren have dealt deceitfully as a brook, and as the stream of brooks
that pass away.
For I bless God for my retreat at CANBURY, as it was the place of the nativity of
my children.
For I pray God to give them the food which I cannot earn for them any otherwise
than by prayer.
For I pray God bless the Chinese which are of ABRAHAM and the Gospel grew
with them at the first.
For I bless God in the honey of the sugar-cane and the milk of the cocoa.
For I bless God in the libraries of the learned and for all the booksellers in the
world.
For I bless God in the strength of my loins and for the voice which he hath made
sonorous.
For tis no more a merit to provide for oneself, but to quit all for the sake of the
Lord.
For there is no invention but the gift of God, and no grace like the grace of
52
gratitude.
For grey hairs are honourable and tell every one of them to the glory of God.
For I bless the Lord Jesus for the memory of GAY, POPE and SWIFT.
For all good words are from GOD, and all others are cant.
For I am enabled by my ascent and the Lord haith raised me above my Peers.
For I pray God bless my lord CLARENDON and his seed for ever.
For there is silver in my mines and I bless God that it is rather there then in my
coffers.
For I blessed God in St James's Park till I routed all the company.
For the officers of the peace are at variance with me, and the watchman smites
me with his staff.
For I am the seed of the WELCH WOMAN and speak the truth from my heart.
For they lay wagers touching my life. -- God be gracious to the winners.
For the piety of Rizpah is imitable in the Lord -- wherefore I pray for the dead.
For the Lord is my ROCK and I am the bearer of his CROSS.
For I am like a frog in the brambles, but the Lord hath put his whole armour
upon me.
For I was a Viper-catcher in my youth and the Lord delivered me from his
venom.
For I rejoice that I attribute to God, what others vainly ascribe to feeble man.
For I am ready to die for his sake -- who lay down his life for all mankind.
For the son of JOSHUA shall prevail against the servant of Gideon -- Good men
have their betters,
For my seed shall worship the Lord JESUS as numerous and musical as the
53
grashoppers of Paradise.
For I pray God to turn the council of Ahitophel into foolishness.
For the learning of the Lord increases daily, as the sun is an improving angel.
For I pray God for a reformation amonst the women and the restoration of the
veil.
For beauty is better to look upon than to meddle with and tis good for a man not
to know a woman.
For the Lord Jesus made him a nosegay and blessed it and he blessed the
inhabitants of flowers.
For a faithful friend is the medicine of life, but a neighbour in the Lord is better
than he.
For I stood up betimes in behalf of LIBERTY, PROPERTY and NO EXCISE.
For they began with grubbing up my trees and now they have excluded the
planter.
For I am the Lord's builder and free and accepted MASON in CHRIST JESUS.
For I bless God in all gums and balsams and every thing that ministers relief to
the sick.
For the Sun's at work to make me a garment and the Moon is at work for my
wife.
For tall and stately are against me, but humiliation on humiliation is on my side.
For I have a providential acquaintance with men who bear the names of animals.
For I bless God to Mr Lion Mr Cock Mr Cat Mr Talbot Mr Hart Mrs Fysh Mr Grub,
and Miss Lamb.
For they throw my horns in my face and reptiles make themselves wings against
me.
For I bless God for the immortal soul of Mr Pigg of DOWNHAM in NORFOLK.
54
For I fast this day even the 31st of August N.S. to prepare for the SABBATH of
the Lord.
For the bite of an Adder is cured by its greese and the malice of my enemies by
their stupidity.
For I bless God in SHIPBOURNE FAIRLAWN the meadows the brooks and the
hills.
For th adversary hath exasperated the very birds against me, but the Lord
sustain'd me.
For I bless God for my Newcastle friends the voice of the raven and heart of the
oak.
For I bless God for every feather from the wren in the sedge to the CHERUBS and
their MATES.
~ Christopher Smart,
509:Pelleas And Ettarre
King Arthur made new knights to fill the gap
Left by the Holy Quest; and as he sat
In hall at old Caerleon, the high doors
Were softly sundered, and through these a youth,
Pelleas, and the sweet smell of the fields
Past, and the sunshine came along with him.
`Make me thy knight, because I know, Sir King,
All that belongs to knighthood, and I love.'
Such was his cry: for having heard the King
Had let proclaim a tournament--the prize
A golden circlet and a knightly sword,
Full fain had Pelleas for his lady won
The golden circlet, for himself the sword:
And there were those who knew him near the King,
And promised for him: and Arthur made him knight.
And this new knight, Sir Pelleas of the isles-But lately come to his inheritance,
And lord of many a barren isle was he-Riding at noon, a day or twain before,
Across the forest called of Dean, to find
Caerleon and the King, had felt the sun
Beat like a strong knight on his helm, and reeled
Almost to falling from his horse; but saw
Near him a mound of even-sloping side,
Whereon a hundred stately beeches grew,
And here and there great hollies under them;
But for a mile all round was open space,
And fern and heath: and slowly Pelleas drew
To that dim day, then binding his good horse
To a tree, cast himself down; and as he lay
At random looking over the brown earth
Through that green-glooming twilight of the grove,
It seemed to Pelleas that the fern without
Burnt as a living fire of emeralds,
So that his eyes were dazzled looking at it.
Then o'er it crost the dimness of a cloud
Floating, and once the shadow of a bird
523
Flying, and then a fawn; and his eyes closed.
And since he loved all maidens, but no maid
In special, half-awake he whispered, `Where?
O where? I love thee, though I know thee not.
For fair thou art and pure as Guinevere,
And I will make thee with my spear and sword
As famous--O my Queen, my Guinevere,
For I will be thine Arthur when we meet.'
Suddenly wakened with a sound of talk
And laughter at the limit of the wood,
And glancing through the hoary boles, he saw,
Strange as to some old prophet might have seemed
A vision hovering on a sea of fire,
Damsels in divers colours like the cloud
Of sunset and sunrise, and all of them
On horses, and the horses richly trapt
Breast-high in that bright line of bracken stood:
And all the damsels talked confusedly,
And one was pointing this way, and one that,
Because the way was lost.
And Pelleas rose,
And loosed his horse, and led him to the light.
There she that seemed the chief among them said,
`In happy time behold our pilot-star!
Youth, we are damsels-errant, and we ride,
Armed as ye see, to tilt against the knights
There at Caerleon, but have lost our way:
To right? to left? straight forward? back again?
Which? tell us quickly.'
Pelleas gazing thought,
`Is Guinevere herself so beautiful?'
For large her violet eyes looked, and her bloom
A rosy dawn kindled in stainless heavens,
And round her limbs, mature in womanhood;
And slender was her hand and small her shape;
And but for those large eyes, the haunts of scorn,
She might have seemed a toy to trifle with,
And pass and care no more. But while he gazed
The beauty of her flesh abashed the boy,
524
As though it were the beauty of her soul:
For as the base man, judging of the good,
Puts his own baseness in him by default
Of will and nature, so did Pelleas lend
All the young beauty of his own soul to hers,
Believing her; and when she spake to him,
Stammered, and could not make her a reply.
For out of the waste islands had he come,
Where saving his own sisters he had known
Scarce any but the women of his isles,
Rough wives, that laughed and screamed against the gulls,
Makers of nets, and living from the sea.
Then with a slow smile turned the lady round
And looked upon her people; and as when
A stone is flung into some sleeping tarn,
The circle widens till it lip the marge,
Spread the slow smile through all her company.
Three knights were thereamong; and they too smiled,
Scorning him; for the lady was Ettarre,
And she was a great lady in her land.
Again she said, `O wild and of the woods,
Knowest thou not the fashion of our speech?
Or have the Heavens but given thee a fair face,
Lacking a tongue?'
`O damsel,' answered he,
`I woke from dreams; and coming out of gloom
Was dazzled by the sudden light, and crave
Pardon: but will ye to Caerleon? I
Go likewise: shall I lead you to the King?'
`Lead then,' she said; and through the woods they went.
And while they rode, the meaning in his eyes,
His tenderness of manner, and chaste awe,
His broken utterances and bashfulness,
Were all a burthen to her, and in her heart
She muttered, `I have lighted on a fool,
Raw, yet so stale!' But since her mind was bent
On hearing, after trumpet blown, her name
And title, `Queen of Beauty,' in the lists
525
Cried--and beholding him so strong, she thought
That peradventure he will fight for me,
And win the circlet: therefore flattered him,
Being so gracious, that he wellnigh deemed
His wish by hers was echoed; and her knights
And all her damsels too were gracious to him,
For she was a great lady.
And when they reached
Caerleon, ere they past to lodging, she,
Taking his hand, `O the strong hand,' she said,
`See! look at mine! but wilt thou fight for me,
And win me this fine circlet, Pelleas,
That I may love thee?'
Then his helpless heart
Leapt, and he cried, `Ay! wilt thou if I win?'
`Ay, that will I,' she answered, and she laughed,
And straitly nipt the hand, and flung it from her;
Then glanced askew at those three knights of hers,
Till all her ladies laughed along with her.
`O happy world,' thought Pelleas, `all, meseems,
Are happy; I the happiest of them all.'
Nor slept that night for pleasure in his blood,
And green wood-ways, and eyes among the leaves;
Then being on the morrow knighted, sware
To love one only. And as he came away,
The men who met him rounded on their heels
And wondered after him, because his face
Shone like the countenance of a priest of old
Against the flame about a sacrifice
Kindled by fire from heaven: so glad was he.
Then Arthur made vast banquets, and strange knights
From the four winds came in: and each one sat,
Though served with choice from air, land, stream, and sea,
Oft in mid-banquet measuring with his eyes
His neighbour's make and might: and Pelleas looked
Noble among the noble, for he dreamed
His lady loved him, and he knew himself
Loved of the King: and him his new-made knight
526
Worshipt, whose lightest whisper moved him more
Than all the rangd reasons of the world.
Then blushed and brake the morning of the jousts,
And this was called `The Tournament of Youth:'
For Arthur, loving his young knight, withheld
His older and his mightier from the lists,
That Pelleas might obtain his lady's love,
According to her promise, and remain
Lord of the tourney. And Arthur had the jousts
Down in the flat field by the shore of Usk
Holden: the gilded parapets were crowned
With faces, and the great tower filled with eyes
Up to the summit, and the trumpets blew.
There all day long Sir Pelleas kept the field
With honour: so by that strong hand of his
The sword and golden circlet were achieved.
Then rang the shout his lady loved: the heat
Of pride and glory fired her face; her eye
Sparkled; she caught the circlet from his lance,
And there before the people crowned herself:
So for the last time she was gracious to him.
Then at Caerleon for a space--her look
Bright for all others, cloudier on her knight-Lingered Ettarre: and seeing Pelleas droop,
Said Guinevere, `We marvel at thee much,
O damsel, wearing this unsunny face
To him who won thee glory!' And she said,
`Had ye not held your Lancelot in your bower,
My Queen, he had not won.' Whereat the Queen,
As one whose foot is bitten by an ant,
Glanced down upon her, turned and went her way.
But after, when her damsels, and herself,
And those three knights all set their faces home,
Sir Pelleas followed. She that saw him cried,
`Damsels--and yet I should be shamed to say it-I cannot bide Sir Baby. Keep him back
Among yourselves. Would rather that we had
Some rough old knight who knew the worldly way,
527
Albeit grizzlier than a bear, to ride
And jest with: take him to you, keep him off,
And pamper him with papmeat, if ye will,
Old milky fables of the wolf and sheep,
Such as the wholesome mothers tell their boys.
Nay, should ye try him with a merry one
To find his mettle, good: and if he fly us,
Small matter! let him.' This her damsels heard,
And mindful of her small and cruel hand,
They, closing round him through the journey home,
Acted her hest, and always from her side
Restrained him with all manner of device,
So that he could not come to speech with her.
And when she gained her castle, upsprang the bridge,
Down rang the grate of iron through the groove,
And he was left alone in open field.
`These be the ways of ladies,' Pelleas thought,
`To those who love them, trials of our faith.
Yea, let her prove me to the uttermost,
For loyal to the uttermost am I.'
So made his moan; and darkness falling, sought
A priory not far off, there lodged, but rose
With morning every day, and, moist or dry,
Full-armed upon his charger all day long
Sat by the walls, and no one opened to him.
And this persistence turned her scorn to wrath.
Then calling her three knights, she charged them, `Out!
And drive him from the walls.' And out they came
But Pelleas overthrew them as they dashed
Against him one by one; and these returned,
But still he kept his watch beneath the wall.
Thereon her wrath became a hate; and once,
A week beyond, while walking on the walls
With her three knights, she pointed downward, `Look,
He haunts me--I cannot breathe--besieges me;
Down! strike him! put my hate into your strokes,
And drive him from my walls.' And down they went,
And Pelleas overthrew them one by one;
And from the tower above him cried Ettarre,
528
`Bind him, and bring him in.'
He heard her voice;
Then let the strong hand, which had overthrown
Her minion-knights, by those he overthrew
Be bounden straight, and so they brought him in.
Then when he came before Ettarre, the sight
Of her rich beauty made him at one glance
More bondsman in his heart than in his bonds.
Yet with good cheer he spake, `Behold me, Lady,
A prisoner, and the vassal of thy will;
And if thou keep me in thy donjon here,
Content am I so that I see thy face
But once a day: for I have sworn my vows,
And thou hast given thy promise, and I know
That all these pains are trials of my faith,
And that thyself, when thou hast seen me strained
And sifted to the utmost, wilt at length
Yield me thy love and know me for thy knight.'
Then she began to rail so bitterly,
With all her damsels, he was stricken mute;
But when she mocked his vows and the great King,
Lighted on words: `For pity of thine own self,
Peace, Lady, peace: is he not thine and mine?'
`Thou fool,' she said, `I never heard his voice
But longed to break away. Unbind him now,
And thrust him out of doors; for save he be
Fool to the midmost marrow of his bones,
He will return no more.' And those, her three,
Laughed, and unbound, and thrust him from the gate.
And after this, a week beyond, again
She called them, saying, `There he watches yet,
There like a dog before his master's door!
Kicked, he returns: do ye not hate him, ye?
Ye know yourselves: how can ye bide at peace,
Affronted with his fulsome innocence?
Are ye but creatures of the board and bed,
No men to strike? Fall on him all at once,
And if ye slay him I reck not: if ye fail,
529
Give ye the slave mine order to be bound,
Bind him as heretofore, and bring him in:
It may be ye shall slay him in his bonds.'
She spake; and at her will they couched their spears,
Three against one: and Gawain passing by,
Bound upon solitary adventure, saw
Low down beneath the shadow of those towers
A villainy, three to one: and through his heart
The fire of honour and all noble deeds
Flashed, and he called, `I strike upon thy side-The caitiffs!' `Nay,' said Pelleas, `but forbear;
He needs no aid who doth his lady's will.'
So Gawain, looking at the villainy done,
Forbore, but in his heat and eagerness
Trembled and quivered, as the dog, withheld
A moment from the vermin that he sees
Before him, shivers, ere he springs and kills.
And Pelleas overthrew them, one to three;
And they rose up, and bound, and brought him in.
Then first her anger, leaving Pelleas, burned
Full on her knights in many an evil name
Of craven, weakling, and thrice-beaten hound:
`Yet, take him, ye that scarce are fit to touch,
Far less to bind, your victor, and thrust him out,
And let who will release him from his bonds.
And if he comes again'--there she brake short;
And Pelleas answered, `Lady, for indeed
I loved you and I deemed you beautiful,
I cannot brook to see your beauty marred
Through evil spite: and if ye love me not,
I cannot bear to dream you so forsworn:
I had liefer ye were worthy of my love,
Than to be loved again of you--farewell;
And though ye kill my hope, not yet my love,
Vex not yourself: ye will not see me more.'
While thus he spake, she gazed upon the man
Of princely bearing, though in bonds, and thought,
`Why have I pushed him from me? this man loves,
530
If love there be: yet him I loved not. Why?
I deemed him fool? yea, so? or that in him
A something--was it nobler than myself?
Seemed my reproach? He is not of my kind.
He could not love me, did he know me well.
Nay, let him go--and quickly.' And her knights
Laughed not, but thrust him bounden out of door.
Forth sprang Gawain, and loosed him from his bonds,
And flung them o'er the walls; and afterward,
Shaking his hands, as from a lazar's rag,
`Faith of my body,' he said, `and art thou not-Yea thou art he, whom late our Arthur made
Knight of his table; yea and he that won
The circlet? wherefore hast thou so defamed
Thy brotherhood in me and all the rest,
As let these caitiffs on thee work their will?'
And Pelleas answered, `O, their wills are hers
For whom I won the circlet; and mine, hers,
Thus to be bounden, so to see her face,
Marred though it be with spite and mockery now,
Other than when I found her in the woods;
And though she hath me bounden but in spite,
And all to flout me, when they bring me in,
Let me be bounden, I shall see her face;
Else must I die through mine unhappiness.'
And Gawain answered kindly though in scorn,
`Why, let my lady bind me if she will,
And let my lady beat me if she will:
But an she send her delegate to thrall
These fighting hands of mine--Christ kill me then
But I will slice him handless by the wrist,
And let my lady sear the stump for him,
Howl as he may. But hold me for your friend:
Come, ye know nothing: here I pledge my troth,
Yea, by the honour of the Table Round,
I will be leal to thee and work thy work,
And tame thy jailing princess to thine hand.
Lend me thine horse and arms, and I will say
That I have slain thee. She will let me in
531
To hear the manner of thy fight and fall;
Then, when I come within her counsels, then
From prime to vespers will I chant thy praise
As prowest knight and truest lover, more
Than any have sung thee living, till she long
To have thee back in lusty life again,
Not to be bound, save by white bonds and warm,
Dearer than freedom. Wherefore now thy horse
And armour: let me go: be comforted:
Give me three days to melt her fancy, and hope
The third night hence will bring thee news of gold.'
Then Pelleas lent his horse and all his arms,
Saving the goodly sword, his prize, and took
Gawain's, and said, `Betray me not, but help-Art thou not he whom men call light-of-love?'
`Ay,' said Gawain, `for women be so light.'
Then bounded forward to the castle walls,
And raised a bugle hanging from his neck,
And winded it, and that so musically
That all the old echoes hidden in the wall
Rang out like hollow woods at hunting-tide.
Up ran a score of damsels to the tower;
`Avaunt,' they cried, `our lady loves thee not.'
But Gawain lifting up his vizor said,
`Gawain am I, Gawain of Arthur's court,
And I have slain this Pelleas whom ye hate:
Behold his horse and armour. Open gates,
And I will make you merry.'
And down they ran,
Her damsels, crying to their lady, `Lo!
Pelleas is dead--he told us--he that hath
His horse and armour: will ye let him in?
He slew him! Gawain, Gawain of the court,
Sir Gawain--there he waits below the wall,
Blowing his bugle as who should say him nay.'
And so, leave given, straight on through open door
Rode Gawain, whom she greeted courteously.
532
`Dead, is it so?' she asked. `Ay, ay,' said he,
`And oft in dying cried upon your name.'
`Pity on him,' she answered, `a good knight,
But never let me bide one hour at peace.'
`Ay,' thought Gawain, `and you be fair enow:
But I to your dead man have given my troth,
That whom ye loathe, him will I make you love.'
So those three days, aimless about the land,
Lost in a doubt, Pelleas wandering
Waited, until the third night brought a moon
With promise of large light on woods and ways.
Hot was the night and silent; but a sound
Of Gawain ever coming, and this lay-Which Pelleas had heard sung before the Queen,
And seen her sadden listening--vext his heart,
And marred his rest--`A worm within the rose.'
`A rose, but one, none other rose had I,
A rose, one rose, and this was wondrous fair,
One rose, a rose that gladdened earth and sky,
One rose, my rose, that sweetened all mine air-I cared not for the thorns; the thorns were there.
`One rose, a rose to gather by and by,
One rose, a rose, to gather and to wear,
No rose but one--what other rose had I?
One rose, my rose; a rose that will not die,-He dies who loves it,--if the worm be there.'
This tender rhyme, and evermore the doubt,
`Why lingers Gawain with his golden news?'
So shook him that he could not rest, but rode
Ere midnight to her walls, and bound his horse
Hard by the gates. Wide open were the gates,
And no watch kept; and in through these he past,
And heard but his own steps, and his own heart
Beating, for nothing moved but his own self,
And his own shadow. Then he crost the court,
And spied not any light in hall or bower,
But saw the postern portal also wide
533
Yawning; and up a slope of garden, all
Of roses white and red, and brambles mixt
And overgrowing them, went on, and found,
Here too, all hushed below the mellow moon,
Save that one rivulet from a tiny cave
Came lightening downward, and so spilt itself
Among the roses, and was lost again.
Then was he ware of three pavilions reared
Above the bushes, gilden-peakt: in one,
Red after revel, droned her lurdane knights
Slumbering, and their three squires across their feet:
In one, their malice on the placid lip
Frozen by sweet sleep, four of her damsels lay:
And in the third, the circlet of the jousts
Bound on her brow, were Gawain and Ettarre.
Back, as a hand that pushes through the leaf
To find a nest and feels a snake, he drew:
Back, as a coward slinks from what he fears
To cope with, or a traitor proven, or hound
Beaten, did Pelleas in an utter shame
Creep with his shadow through the court again,
Fingering at his sword-handle until he stood
There on the castle-bridge once more, and thought,
`I will go back, and slay them where they lie.'
And so went back, and seeing them yet in sleep
Said, `Ye, that so dishallow the holy sleep,
Your sleep is death,' and drew the sword, and thought,
`What! slay a sleeping knight? the King hath bound
And sworn me to this brotherhood;' again,
`Alas that ever a knight should be so false.'
Then turned, and so returned, and groaning laid
The naked sword athwart their naked throats,
There left it, and them sleeping; and she lay,
The circlet of her tourney round her brows,
And the sword of the tourney across her throat.
And forth he past, and mounting on his horse
Stared at her towers that, larger than themselves
In their own darkness, thronged into the moon.
534
Then crushed the saddle with his thighs, and clenched
His hands, and maddened with himself and moaned:
`Would they have risen against me in their blood
At the last day? I might have answered them
Even before high God. O towers so strong,
Huge, solid, would that even while I gaze
The crack of earthquake shivering to your base
Split you, and Hell burst up your harlot roofs
Bellowing, and charred you through and through within,
Black as the harlot's heart--hollow as a skull!
Let the fierce east scream through your eyelet-holes,
And whirl the dust of harlots round and round
In dung and nettles! hiss, snake--I saw him there-Let the fox bark, let the wolf yell. Who yells
Here in the still sweet summer night, but I-I, the poor Pelleas whom she called her fool?
Fool, beast--he, she, or I? myself most fool;
Beast too, as lacking human wit--disgraced,
Dishonoured all for trial of true love-Love?--we be all alike: only the King
Hath made us fools and liars. O noble vows!
O great and sane and simple race of brutes
That own no lust because they have no law!
For why should I have loved her to my shame?
I loathe her, as I loved her to my shame.
I never loved her, I but lusted for her-Away--'
He dashed the rowel into his horse,
And bounded forth and vanished through the night.
Then she, that felt the cold touch on her throat,
Awaking knew the sword, and turned herself
To Gawain: `Liar, for thou hast not slain
This Pelleas! here he stood, and might have slain
Me and thyself.' And he that tells the tale
Says that her ever-veering fancy turned
To Pelleas, as the one true knight on earth,
And only lover; and through her love her life
Wasted and pined, desiring him in vain.
But he by wild and way, for half the night,
535
And over hard and soft, striking the sod
From out the soft, the spark from off the hard,
Rode till the star above the wakening sun,
Beside that tower where Percivale was cowled,
Glanced from the rosy forehead of the dawn.
For so the words were flashed into his heart
He knew not whence or wherefore: `O sweet star,
Pure on the virgin forehead of the dawn!'
And there he would have wept, but felt his eyes
Harder and drier than a fountain bed
In summer: thither came the village girls
And lingered talking, and they come no more
Till the sweet heavens have filled it from the heights
Again with living waters in the change
Of seasons: hard his eyes; harder his heart
Seemed; but so weary were his limbs, that he,
Gasping, `Of Arthur's hall am I, but here,
Here let me rest and die,' cast himself down,
And gulfed his griefs in inmost sleep; so lay,
Till shaken by a dream, that Gawain fired
The hall of Merlin, and the morning star
Reeled in the smoke, brake into flame, and fell.
He woke, and being ware of some one nigh,
Sent hands upon him, as to tear him, crying,
`False! and I held thee pure as Guinevere.'
But Percivale stood near him and replied,
`Am I but false as Guinevere is pure?
Or art thou mazed with dreams? or being one
Of our free-spoken Table hast not heard
That Lancelot'--there he checked himself and paused.
Then fared it with Sir Pelleas as with one
Who gets a wound in battle, and the sword
That made it plunges through the wound again,
And pricks it deeper: and he shrank and wailed,
`Is the Queen false?' and Percivale was mute.
`Have any of our Round Table held their vows?'
And Percivale made answer not a word.
`Is the King true?' `The King!' said Percivale.
`Why then let men couple at once with wolves.
536
What! art thou mad?'
But Pelleas, leaping up,
Ran through the doors and vaulted on his horse
And fled: small pity upon his horse had he,
Or on himself, or any, and when he met
A cripple, one that held a hand for alms-Hunched as he was, and like an old dwarf-elm
That turns its back upon the salt blast, the boy
Paused not, but overrode him, shouting, `False,
And false with Gawain!' and so left him bruised
And battered, and fled on, and hill and wood
Went ever streaming by him till the gloom,
That follows on the turning of the world,
Darkened the common path: he twitched the reins,
And made his beast that better knew it, swerve
Now off it and now on; but when he saw
High up in heaven the hall that Merlin built,
Blackening against the dead-green stripes of even,
`Black nest of rats,' he groaned, `ye build too high.'
Not long thereafter from the city gates
Issued Sir Lancelot riding airily,
Warm with a gracious parting from the Queen,
Peace at his heart, and gazing at a star
And marvelling what it was: on whom the boy,
Across the silent seeded meadow-grass
Borne, clashed: and Lancelot, saying, `What name hast thou
That ridest here so blindly and so hard?'
`No name, no name,' he shouted, `a scourge am I
To lash the treasons of the Table Round.'
`Yea, but thy name?' `I have many names,' he cried:
`I am wrath and shame and hate and evil fame,
And like a poisonous wind I pass to blast
And blaze the crime of Lancelot and the Queen.'
`First over me,' said Lancelot, `shalt thou pass.'
`Fight therefore,' yelled the youth, and either knight
Drew back a space, and when they closed, at once
The weary steed of Pelleas floundering flung
His rider, who called out from the dark field,
`Thou art as false as Hell: slay me: I have no sword.'
Then Lancelot, `Yea, between thy lips--and sharp;
537
But here I will disedge it by thy death.'
`Slay then,' he shrieked, `my will is to be slain,'
And Lancelot, with his heel upon the fallen,
Rolling his eyes, a moment stood, then spake:
`Rise, weakling; I am Lancelot; say thy say.'
And Lancelot slowly rode his warhorse back
To Camelot, and Sir Pelleas in brief while
Caught his unbroken limbs from the dark field,
And followed to the city. It chanced that both
Brake into hall together, worn and pale.
There with her knights and dames was Guinevere.
Full wonderingly she gazed on Lancelot
So soon returned, and then on Pelleas, him
Who had not greeted her, but cast himself
Down on a bench, hard-breathing. `Have ye fought?'
She asked of Lancelot. `Ay, my Queen,' he said.
`And hast thou overthrown him?' `Ay, my Queen.'
Then she, turning to Pelleas, `O young knight,
Hath the great heart of knighthood in thee failed
So far thou canst not bide, unfrowardly,
A fall from HIM?' Then, for he answered not,
`Or hast thou other griefs? If I, the Queen,
May help them, loose thy tongue, and let me know.'
But Pelleas lifted up an eye so fierce
She quailed; and he, hissing `I have no sword,'
Sprang from the door into the dark. The Queen
Looked hard upon her lover, he on her;
And each foresaw the dolorous day to be:
And all talk died, as in a grove all song
Beneath the shadow of some bird of prey;
Then a long silence came upon the hall,
And Modred thought, `The time is hard at hand.'
~ Alfred Lord Tennyson,
510:The Botanic Garden( Part Iii)
The Economy Of Vegetation
Canto III
AGAIN the GODDESS speaks!-glad Echo swells
The tuneful tones along her shadowy dells,
Her wrinkling founts with soft vibration shakes,
Curls her deep wells, and rimples all her lakes,
Thrills each wide stream, Britannia's isle that laves,
Her headlong cataracts, and circumfluent waves.
-Thick as the dews, which deck the morning flowers,
Or rain-drops twinkling in the sun-bright showers,
Fair Nymphs, emerging in pellucid bands,
Rise, as she turns, and whiten all the lands.
I. 'YOUR buoyant troops on dimpling ocean tread,
Wafting the moist air from his oozy bed,
AQUATIC NYMPHS!-YOU lead with viewless march
The winged vapours up the aerial arch,
On each broad cloud a thousand sails expand,
And steer the shadowy treasure o'er the land,
Through vernal skies the gathering drops diffuse,
Plunge in soft rains, or sink in silver dews.YOUR lucid bands condense with fingers chill
The blue mist hovering round the gelid hill;
In clay-form'd beds the trickling streams collect,
Strain through white sands, through pebbly veins direct;
Or point in rifted rocks their dubious way,
And in each bubbling fountain rise to day.
'NYMPHS! YOU then guide, attendant from their source,
The associate rills along their sinuous course;
Float in bright squadrons by the willowy brink,
Or circling slow in limpid eddies sink;
Call from her crystal cave the Naiad-Nymph,
Who hides her fine form in the passing lymph,
And, as below she braids her hyaline hair,
111
Eyes her soft smiles reflected in the air;
Or sport in groups with River-Boys, that lave
Their silken limbs amid the dashing wave;
Pluck the pale primrose bending from its edge,
Or tittering dance amid the whispering sedge.'Onward YOU pass, the pine-capt hills divide,
Or feed the golden harvests on their side;
The wide-ribb'd arch with hurrying torrents fill,
Shove the slow barge, or whirl the foaming mill.
OR lead with beckoning hand the sparkling train
Of refluent water to its parent main,
And pleased revisit in their sea-moss vales
Blue Nereid-forms array'd in shining scales,
Shapes, whose broad oar the torpid wave impels,
And Tritons bellowing through their twisted shells.
'So from the heart the sanguine stream distils,
O'er Beauty's radiant shrine in vermil rills,
Feeds each fine nerve, each slender hair pervades,
The skins bright snow with living purple shades,
Each dimpling cheek with warmer blushes dyes,
Laughs on the lips, and lightens in the eyes.
-Erewhile absorb'd, the vagrant globules swim
From each fair feature, and proportion'd limb,
Join'd in one trunk with deeper tint return
To the warm concave of the vital urn.
II. 1.'AQUATIC MAIDS! YOU sway the mighty realms
Of scale and shell, which Ocean overwhelms;
As Night's pale Queen her rising orb reveals,
And climbs the zenith with refulgent wheels,
Car'd on the foam your glimmering legion rides,
Your little tridents heave the dashing tides,
Urge on the sounding shores their crystal course,
Restrain their fury, or direct their force.
2.'NYMPHS! YOU adorn, in glossy volumes roll'd,
The gaudy conch with azure, green, and gold.
You round Echinus ray his arrowy mail,
Give the keel'd Nautilus his oar and sail;
112
Firm to his rock with silver cords suspend
The anchor'd Pinna, and his Cancer-friend;
With worm-like beard his toothless lips array,
And teach the unwieldy Sturgeon to betray.Ambush'd in weeds, or sepulcher'd in sands,
In dread repose He waits the scaly bands,
Waves in red spires the living lures, and draws
The unwary plunderers to his circling jaws,
Eyes with grim joy the twinkling shoals beset,
And clasps the quick inextricable net.
You chase the warrior Shark, and cumberous Whale,
And guard the Mermaid in her briny vale;
Feed the live petals of her insect-flowers,
Her shell-wrack gardens, and her sea-fan bowers;
With ores and gems adorn her coral cell,
And drop a pearl in every gaping shell.
3. 'YOUR myriad trains o'er stagnant ocean's tow,
Harness'd with gossamer, the loitering prow;
Or with fine films, suspended o'er the deep,
Of oil effusive lull the waves to sleep.
You stay the flying bark, conceal'd beneath,
Where living rocks of worm-built coral breathe;
Meet fell TEREDO, as he mines the keel
With beaked head, and break his lips of steel;
Turn the broad helm, the fluttering canvas urge
From MAELSTROME'S fierce innavigable surge.
-'Mid the lorn isles of Norway's stormy main,
As sweeps o'er many a league his eddying train,
Vast watery walls in rapid circles spin,
And deep-ingulph'd the Demon dwells within;
Springs o'er the fear-froze crew with Harpy-claws,
Down his deep den the whirling vessel draws;
Churns with his bloody mouth the dread repast,
The booming waters murmuring o'er the mast.
III. 'Where with chill frown enormous ALPS alarms
A thousand realms, horizon'd in his arms;
While cloudless suns meridian glories shed
From skies of silver round his hoary head,
Tall rocks of ice refract the coloured rays,
113
And Frost sits throned amid the lambent blaze;
NYMPHS! YOUR thin forms pervade his glittering piles,
His roofs of chrystal, and his glasy ailes;
Where in cold caves imprisoned Naiads sleep,
Or chain'd on mossy couches wake and weep;
Where round dark crags indignant waters bend
Through rifted ice, in ivory veins descend,
Seek through unfathom'd snows their devious track,
Heave the vast spars, the ribbed granites crack,
Rush into day, in foamy torrents shine,
And swell the imperial Danube or the Rhine.Or feed the murmuring TIBER, as he laves
His realms inglorious with diminish'd waves,
Hears his lorn Forum sound with Eunuch-strains,
Sees dancing slaves insult his martial plains;
Parts with chill stream the dim religious bower,
Time-mouldered bastion, and dismantled tower;
By alter'd fanes and nameless villas glides,
And classic domes, that tremble on his sides;
Sighs o'er each broken urn, and yawning tomb,
And mourns the fall of LIBERTY and ROME.
IV. 'Sailing in air, when dark MONSOON inshrouds
His tropic mountains in a night of clouds;
Or drawn by whirlwinds from the Line returns,
And showers o'er Afric all his thousand urns;
High o'er his head the beams of SIRIUS glow,
And, Dog of Nile, ANUBIS barks below.
NYMPHS! YOU from cliff to cliff attendant guide
In headlong cataracts the impetuous tide;
Or lead o'er wastes of Abyssinian sands
The bright expanse to EGYPT'S shower-less lands.
-Her long canals the sacred waters fill,
And edge with silver every peopled hill;
Gigantic SPHINX in circling waves admire;
And MEMNON bending o'er his broken lyre;
O'er furrow'd glebes and green savannas sweep,
And towns and temples laugh amid the deep.
V. 1. 'High in the frozen North where HECCLA glows,
114
And melts in torrents his coeval snows;
O'er isles and oceans sheds a sanguine light,
Or shoots red stars amid the ebon night;
When, at his base intomb'd, with bellowing sound
Fell GIESAR roar'd, and struggling shook the ground;
Pour'd from red nostrils, with her scalding breath,
A boiling deluge o'er the blasted heath;
And, wide in air, in misty volumes hurl'd
Contagious atoms o'er the alarmed world;
NYMPHS! YOUR bold myriads broke the infernal spell,
And crush'd the Sorceress in her flinty cell.
2. 'Where with soft fires in unextinguish'd urns,
Cauldron'd in rock, innocuous Lava burns;
On the bright lake YOUR gelid hands distil
In pearly mowers the parsimonious rill;
And, as aloft the curling vapours rise
Through the cleft roof, ambitious for the skies,
In vaulted hills condense the tepid steams,
And pour to HEALTH the medicated streams.
-So in green vales amid her mountains bleak
BUXTONIA smiles, the Goddess-Nymyh of Peak;
Deep in warm waves, and pebbly baths she dwells,
And calls HYGEIA to her sainted wells.
'Hither in sportive bands bright DEVON leads
Graces and Loves from Chatsworth's flowery meads.Charm'd round the NYMPH, they climb the rifted rocks;
And steep in mountain-mist their golden locks;
On venturous step her sparry caves explore,
And light with radiant eyes her realms of ore;
-Oft by her bubbling founts, and shadowy domes,
In gay undress the fairy legion roams,
Their dripping palms in playful malice fill,
Or taste with ruby lip the sparkling rill;
Croud round her baths, and, bending o'er the side,
Unclasp'd their sandals, and their zones untied,
Dip with gay fear the shuddering foot undress'd,
And quick retract it to the fringed vest;
Or cleave with brandish'd arms the lucid stream,
And sob, their blue eyes twinkling in the steam.
-High o'er the chequer'd vault with transient glow
115
Bright lustres dart, as dash the waves below;
And Echo's sweet responsive voice prolongs
The dulcet tumult of their silver tongues.O'er their flush'd cheeks uncurling tresses flow,
And dew-drops glitter on their necks of snow;
Round each fair Nymph her dropping mantle clings,
And Loves emerging shake their showery wings.
'Here oft her LORD surveys the rude domain,
Fair arts of Greece triumphant in his train;
LO! as he steps, the column'd pile ascends,
The blue roof closes, or the crescent bends;
New woods aspiring clothe their hills with green,
Smooth slope the lawns, the grey rock peeps between;
Relenting Nature gives her hand to Taste,
And Health and Beauty crown the laughing waste.
VI. 'NYMPHS! YOUR bright squadrons watch with chemic eyes
The cold-elastic vapours, as they rise;
With playful force arrest them as they pass,
And to
pure
AIR betroth the
flaming
GAS.
Round their translucent forms at once they fling
Their rapturous arms, with silver bosoms cling;
In fleecy clouds their fluttering wings extend,
Or from the skies in lucid showers descend;
Whence rills and rivers owe their secret birth,
And Ocean's hundred arms infold the earth.
'So, robed by Beauty's Queen, with softer charms
SATURNIA woo'd the Thunderer to her arms;
O'er her fair limbs a veil of light she spread,
And bound a starry diadem on her head;
Long braids of pearl her golden tresses grac'd,
And the charm'd CESTUS sparkled round her waist.
-Raised o'er the woof, by Beauty's hand inwrought,
Breathes the soft Sigh, and glows the enamour'd Thought;
Vows on light wings succeed, and quiver'd Wiles,
Assuasive Accents, and seductive Smiles.
116
-Slow rolls the Cyprian car in purple pride,
And, steer'd by LOVE, ascends admiring Ide;
Climbs the green slopes, the nodding woods pervades,
Burns round the rocks, or gleams amid the shades.
-Glad ZEPHYR leads the train, and waves above
The barbed darts, and blazing torch of Love;
Reverts his smiling face, and pausing flings
Soft showers of roses from aurelian wings.
Delighted Fawns, in wreathes of flowers array'd,
With tiptoe Wood-Boys beat the chequer'd glade;
Alarmed Naiads, rising into air,
Lift o'er their silver urns their leafy hair;
Each to her oak the bashful Dryads shrink,
And azure eyes are seen through every chink.
-LOVE culls a flaming shaft of broadest wing,
And rests the fork upon the quivering string;
Points his arch eye aloft, with fingers strong
Draws to his curled ear the silken thong;
Loud twangs the steel, the golden arrow flies,
Trails a long line of lustre through the skies;
''Tis done!' he shouts, 'the mighty Monarch feels!'
And with loud laughter shakes the silver wheels;
Bends o'er the car, and whirling, as it moves,
His loosen'd bowstring, drives the rising doves.
-Pierced on his throne the slarting Thunderer turns,
Melts with soft sighs, with kindling rapture burns;
Clasps her fair hand, and eyes in fond amaze
The bright Intruder with enamour'd gaze.
'And leaves my Goddess, like a blooming bride,
'The fanes of Argos for the rocks of Ide?
'Her gorgeous palaces, and amaranth bowers,
'For cliff-top'd mountains, and aerial towers?'
He said; and, leading from her ivory seat
The blushing Beauty to his lone retreat,
Curtain'd with night the couch imperial shrouds,
And rests the crimson cushions upon clouds.Earth feels the grateful influence from above,
Sighs the soft Air, and Ocean murmurs love;
Etherial Warmth expands his brooding wing,
And in still showers descends the genial Spring.
117
VII. 'NYMPHS OF AQUATIC TASTE! whose placid smile
Breathes sweet enchantment o'er BRITANNIA'S isle;
Whose sportive touch in showers resplendent flings
Her lucid cataracts, and her bubbling springs;
Through peopled vales the liquid silver guides,
And swells in bright expanse her freighted tides.
YOU with nice ear, in tiptoe trains, pervade
Dim walks of morn or evening's silent shade;
Join the lone Nightingale, her woods among,
And roll your rills symphonious to her song;
Through fount-full dells, and wave-worn valleys move,
And tune their echoing waterfalls to love;
Or catch, attentive to the distant roar,
The pausing murmurs of the dashing shore;
Or, as aloud she pours her liquid strain,
Pursue the NEREID on the twilight main.
-Her playful Sea-horse woos her soft commands,
Turns his quick ears, his webbed claws expands,
His watery way with waving volutes wins,
Or listening librates on unmoving fins.
The Nymph emerging mounts her scaly seat,
Hangs o'er his glossy sides her silver feet,
With snow-white hands her arching veil detains,
Gives to his slimy lips the slacken'd reins,
Lifts to the star of Eve her eye serene,
And chaunts the birth of Beauty's radiant Queen.O'er her fair brow her pearly comb unfurls
Her beryl locks, and parts the waving curls,
Each tangled braid with glistening teeth unbinds
And with the floating treasure musks the winds.Thrill'd by the dulcet accents, as she sings,
The rippling wave in widening circles rings;
Night's shadowy forms along the margin gleam
With pointed ears, or dance upon the stream;
The Moon transported stays her bright career,
And maddening Stars shoot headlong from the sphere.
VIII. 'NYMPHS! whose fair eyes with vivid lustres glow
For human weal, and melt at human woe;
Late as YOU floated on your silver shells,
Sorrowing and slow by DERWENT'S willowy dells;
Where by tall groves his foamy flood he steers
118
Through ponderous arches o'er impetuous wears,
By DERBY'S shadowy towers reflective sweeps,
And gothic grandeur chills his dusky deeps;
You pearl'd with Pity's drops his velvet sides,
Sigh'd in his gales, and murmur'd in his tides,
Waved o'er his fringed brink a deeper gloom,
And bow'd his alders o'er MILCENA'S tomb.
'Oft with sweet voice She led her infant-train,
Printing with graceful step his spangled plain,
Explored his twinkling swarms, that swim or fly,
And mark'd his florets with botanic eye.'Sweet bud of Spring! how frail thy transient bloom,
'Fine film,' she cried, 'of Nature's fairest loom!
'Soon Beauty fades upon its damask throne!'-Unconscious of the worm, that mined her own!-Pale are those lips, where soft caresses hung,
Wan the warm cheek, and mute the tender tongue,
Cold rests that feeling heart on Derwent's shore,
And those love-lighted eye-balls roll no more!
-HERE her sad Consort, stealing through the gloom
Of
Hangs in mute anguish o'er the scutcheon'd hearse,
Or graves with trembling style the votive verse.
'Sexton! oh, lay beneath this sacred shrine,
When Time's cold hand shall close my aching eyes,
Oh, gently lay this wearied earth of mine,
Where wrap'd in night my loved MILCENA lies.
'So shall with purer joy my spirit move,
When the last trumpet thrills the caves of Death,
Catch the first whispers of my waking love,
And drink with holy kiss her kindling breath.
'The spotless Fair, with blush ethereal warm,
Shall hail with sweeter smile returning day,
Rise from her marble bed a brighter form,
And win on buoyant step her airy way.
'Shall bend approved, where beckoning hosts invite,
119
On clouds of silver her adoring knee,
Approach with Seraphim the throne of light,
-And BEAUTY plead with angel-tongue for Me!'
IX. 'YOUR virgin trains on BRINDLEY'S cradle smiled,
And nursed with fairy-love the unletter'd child,
Spread round his pillow all your secret spells,
Pierced all your springs, and open'd all your wells.As now on grass, with glossy folds reveal'd,
Glides the bright serpent, now in flowers conceal'd;
Far shine the scales, that gild his sinuous back,
And lucid undulations mark his track;
So with strong arm immortal BRINDLEY leads
His long canals, and parts the velvet meads;
Winding in lucid lines, the watery mass
Mines the firm rock, or loads the deep morass,
With rising locks a thousand hills alarms,
Flings o'er a thousand streams its silver arms,
Feeds the long vale, the nodding woodland laves,
And Plenty, Arts, and Commerce freight the waves.
-NYMPHS! who erewhile round BRINDLEY'S early bier
On show-white bosoms shower'd the incessant tear,
Adorn his tomb!-oh, raise the marble bust,
Proclaim his honours, and protect his dust!
With urns inverted, round the sacred shrine
Their ozier wreaths let weeping Naiads twine;
While on the top MECHANIC GENIUS stands,
Counts the fleet waves, and balances the lands.
X. 'NYMPHS! YOU first taught to pierce the secret caves
Of humid earth, and lift her ponderous waves;
Bade with quick stroke the sliding piston bear
The viewless columns of incumbent air;Press'd by the incumbent air the floods below,
Through opening valves in foaming torrents flow,
Foot after foot with lessen'd impulse move,
And rising seek the vacancy above.So when the Mother, bending o'er his charms,
Clasps her fair nurseling in delighted arms;
Throws the thin kerchief from her neck of snow,
And half unveils the pearly orbs below;
With sparkling eye the blameless Plunderer owns
120
Her soft embraces, and endearing tones,
Seeks the salubrious fount with opening lips,
Spreads his inquiring hands, and smiles, and sips.
'CONNUBIAL FAIR! whom no fond transport warms
To lull your infant in maternal arms;
Who, bless'd in vain with tumid bosoms, hear
His tender wailings with unfeeling ear;
The soothing kiss and milky rill deny
To the sweet pouting lip, and glistening eye!Ah! what avails the cradle's damask roof,
The eider bolster, and embroider'd woof!Oft hears the gilded couch unpity'd plains,
And many a tear the tassel'd cushion stains!
No voice so sweet attunes his cares to rest,
So soft no pillow, as his Mother's breast!-Thus charm'd to sweet repose, when twilight hours
Shed their soft influence on celestial bowers,
The Cherub, Innocence, with smile divine
Shuts his white wings, and sleeps on Beauty's shrine.
XI. 'From dome to dome when flames infuriate climb,
Sweep the long street, invest the tower sublime;
Gild the tall vanes amid the astonish'd night,
And reddening heaven returns the sanguine light;
While with vast strides and bristling hair aloof
Pale Danger glides along the falling roof;
And Giant Terror howling in amaze
Moves his dark limbs across the lurid blaze.
NYMPHS! you first taught the gelid wave to rise
Hurl'd in resplendent arches to the skies;
In iron cells condensed the airy spring,
And imp'd the torrent with unfailing wing;
-On the fierce flames the shower impetuous falls,
And sudden darkness shrouds the shatter'd walls;
Steam, smoak, and dust in blended volumes roll,
And Night and Silence repossess the Pole.'Where were ye, NYMPHS! in those disasterous hours,
Which wrap'd in flames AUGUSTA'S sinking towers?
Why did ye linger in your wells and groves,
121
When sad WOODMASON mourn'd her infant loves?
When thy fair Daughters with unheeded screams,
Ill-fated MOLESWORTH! call'd the loitering streams?The trembling Nymph on bloodless fingers hung
Eyes from the tottering wall the distant throng,
With ceaseless shrieks her sleeping friends alarms,
Drops with singed hair into her lover's arms.The illumin'd Mother seeks with footsteps fleet,
Where hangs the safe balcony o'er the street,
Wrap'd in her sheet her youngest hope suspends,
And panting lowers it to her tiptoe friends;
Again she hurries on affection's wings,
And now a third, and now a fourth, she brings;
Safe all her babes, she smooths her horrent brow,
And bursts through bickering flames, unscorch'd, below.
So, by her Son arraign'd, with feet unshod
O'er burning bars indignant Emma trod.
'E'en on the day when Youth with Beauty wed,
The flames surprized them in their nuptial bed;Seen at the opening sash with bosom bare,
With wringing hands, and dark dishevel'd hair,
The blushing Beauty with disorder'd charms
Round her fond lover winds her ivory arms;
Beat, as they clasp, their throbbing hearts with fear,
And many a kiss is mix'd with many a tear;Ah me! in vain the labouring engines pour
Round their pale limbs the ineffectual shower!-Then crash'd the floor, while shrinking crouds retire,
And Love and Virtue sunk amid the fire!With piercing screams afflicted strangers mourn,
And their white ashes mingle in their urn.
XII. 'PELLUCID FORMS! whose crystal bosoms show
The shine of welfare, or the shade of woe;
Who with soft lips salute returning Spring,
And hail the Zephyr quivering on his wing;
Or watch, untired, the wintery clouds, and share
With streaming eyes my vegetable care;
Go, shove the dim mist from the mountain's brow,
Chase the white fog, which floods the vale below;
Melt the thick snows, that linger on the lands,
122
And catch the hailstones in your little hands;
Guard the coy blossom from the pelting shower,
And dash the rimy spangles from the bower;
From each chill leaf the silvery drops repel,
And close the timorous floret's golden bell.
'So should young SYMPATHY, in female form,
Climb the tall rock, spectatress of the storm;
Life's sinking wrecks with secret sighs deplore,
And bleed for others' woes, Herself on shore;
To friendless Virtue, gasping on the strand,
Bare her warm heart, her virgin arms expand,
Charm with kind looks, with tender accents cheer,
And pour the sweet consolatory tear;
Grief's cureless wounds with lenient balms asswage,
Or prop with firmer staff the steps of Age;
The lifted arm of mute Despair arrest,
And snatch the dagger pointed to his breast;
Or lull to slumber Envy's haggard mien,
And rob her quiver'd shafts with hand unseen.
-Sound, NYMPHS OF HELICON! the trump of Fame,
And teach Hibernian echoes JONES'S name;
Bind round her polish'd brow the civic bay,
And drag the fair Philanthropist to day.So from secluded springs, and secret caves,
Her Liffy pours his bright meandering waves,
Cools the parch'd vale, the sultry mead divides,
And towns and temples star his shadowy sides.
XIII. 'CALL YOUR light legions, tread the swampy heath,
Pierce with sharp spades the tremulous peat beneath;
With colters bright the rushy sward bisect,
And in new veins the gushing rills direct;So flowers shall rise in purple light array'd,
And blossom'd orchards stretch their silver shade;
Admiring glebes their amber ears unfold,
And Labour sleep amid the waving gold.
'Thus when young HERCULES with firm disdain
Braved the soft smiles of Pleasure's harlot train;
To valiant toils his forceful limbs assign'd,
123
And gave to Virtue all his mighty mind,
Fierce ACHELOUS rush'd from mountain-caves,
O'er sad Etolia pour'd his wasteful waves,
O'er lowing vales and bleating pastures roll'd,
Swept her red vineyards, and her glebes of gold,
Mined all her towns, uptore her rooted woods,
And Famine danced upon the shining floods.
The youthful Hero seized his curled crest,
And dash'd with lifted club the watery Pest;
With waving arm the billowy tumult quell'd,
And to his course the bellowing Fiend repell'd.
'Then to a Snake the finny Demon turn'd
His lengthen'd form, with scales of silver burn'd;
Lash'd with restless sweep his dragon-train,
And shot meandering o'er the affrighted plain.
The Hero-God, with giant fingers clasp'd
Firm round his neck, the hissing monster grasp'd;
With starting eyes, wide throat, and gaping teeth,
Curl his redundant folds, and writhe in death.
'And now a Bull, amid the flying throng
The grisly Demon foam'd, and roar'd along;
With silver hoofs the flowery meadows spurn'd,
Roll'd his red eye, his threatening antlers turn'd.
Dragg'd down to earth, the Warrior's victor-hands
Press'd his deep dewlap on the imprinted sands;
Then with quick bound his bended knee he fix'd
High on his neck, the branching horns betwixt,
Strain'd his strong arms, his sinewy shoulders bent,
And from his curled brow the twisted terror rent.
-Pleased Fawns and Nymphs with dancing step applaud,
And hang their chaplets round the resting God;
Link their soft hands, and rear with pausing toil
The golden trophy on the furrow'd soil;
Fill with ripe fruits, with wreathed flowers adorn,
And give to PLENTY her prolific horn.
XIV. 'On Spring's fair lap, CERULEAN SISTERS! pour
From airy urns the sun-illumined shower,
Feed with the dulcet drops my tender broods,
Mellifluous flowers, and aromatic buds;
124
Hang from each bending grass and horrent thorn
The tremulous pearl, that glitters to the morn;
Or where cold dews their secret channels lave,
And Earth's dark chambers hide the stagnant wave,
O, pierce, YE NYMPHS! her marble veins, and lead
Her gushing fountains to the thirsty mead;
Wide o'er the shining vales, and trickling hills
Spread the bright treasure in a thousand rills.
So shall my peopled realms of Leaf and Flower
Exult, inebriate with the genial shower;
Dip their long tresses from the mossy brink,
With tufted roots the glassy currents drink;
Shade your cool mansions from meridian beams,
And view their waving honours in your streams.
'Thus where the veins their confluent branches bend,
And milky eddies with the purple blend;
The Chyle's white trunk, diverging from its source,
Seeks through the vital mass its shining course;
O'er each red cell, and tissued membrane spreads
In living net-work all its branching threads;
Maze within maze its tortuous path pursues,
Winds into glands, inextricable clues;
Steals through the stomach's velvet sides, and sips
The silver surges with a thousand lips;
Fills each fine pore, pervades each slender hair,
And drinks salubrious dew-drops from the air.
'Thus when to kneel in Mecca's awful gloom,
Or press with pious kiss Medina's tomb,
League after league, through many a lingering day,
Steer the swart Caravans their sultry way;
O'er sandy wastes on gasping camels toil,
Or print with pilgrim-steps the burning soil;
If from lone rocks a sparkling rill descend,
O'er the green brink the kneeling nations bend,
Bathe the parch'd lip, and cool the feverish tongue,
And the clear lake reflects the mingled throng.'
The Goddess paused,-the listening bands awhile
Still seem to hear, and dwell upon her smile;
Then with soft murmur sweep in lucid trains
125
Down the green slopes, and o'er the pebbly plains,
To each bright stream on silver sandals glide,
Reflective fountain, and tumultuous tide.
So shoot the Spider-broods at breezy dawn
Their glittering net-work o'er the autumnal lawn;
From blade to blade connect with cordage fine
The unbending grass, and live along the line;
Or bathe unwet their oily forms, and dwell
With feet repulsive on the dimpling well.
So when the North congeals his watery mass,
Piles high his snows, and floors his seas with glass;
While many a Month, unknown to warmer rays,
Marks its slow chronicle by lunar days;
Stout youths and ruddy damsels, sportive train,
Leave the white soil, and rush upon the main;
From isle to isle the moon-bright squadrons stray,
And win in easy curves their graceful way;
On step alternate borne, with balance nice
Hang o'er the gliding steel, and hiss along the ice.
~ Erasmus Darwin,
511:The Bush
I wonder if the spell, the mystery,
That like a haze about your silence clings,
Moulding your void until we seem to see
Tangible Presences of Deathless Things,
Patterned but little to our spirits' woof,
Yet from our love or hate not all aloof,
Can. be the matrix where are forming slowly
Troy tales of Old Australia, to refine
Eras to come of ordered melancholy
'Neath lily-pale Perfection's anodyne.
For Troy hath ever been, and Homer sang
Its younger story for a lodging's fee,
While o'er Scamander settlers' axes rang
Amid the Bush where Ilium was to be.
For Cretan Art, dim centuries before,
Minoan Dream-times some Briseis bore.
Sumerian Phoebus by a willowed water
Song-built a Troy for far Chaldea, where
The sons of God, beholding Leda's daughter,
Bartered eternal thrones for love of her.
Across each terraced aeon Time hath sowed
With green tautology of vanished years,
Gaping aghast or webbed with shining lode,
Achilles' anger's earthquake-rift appears.
The towers that Phoebus builds can never fall:
Desire that Helen lights can never pall:
Yea, wounded Love hath still but gods to fly to,
When lust of war inflames Diomedes:
Must some Australian Hector vainly die, too?
Captives in ships? (0 change that omen, Trees!)
Yea, Mother Bush, in your deep dreams abide
Cupids alert for man and maid unborn,
Apprentice Pucks amid your saplings hide,
And wistful gorges wait a Roland horn:
Wallet of Sigurd shall this swag replace,
And centaurs curvet where those brumbies race.
39
That drover's tale of love shall greaten duly
Through magic prisms of a myriad years,
Till bums Isolde to Tristram's fervour newly,
Or Launcelot to golden Guinevere's.
The miner cradling washdirt by the creek,
Or pulled through darkness dripping to the plat:
The navvy boring tunnels through the peak:
The farmer grubbing box-trees on the flat:
The hawker camping by the roadside spring:
The hodman on the giddy scaffolding:
Moths that around the fashion windows flutter:
The racecourse spider and the betting fly:
The children romping by the city gutter,
While baby crows to every passer-byFrom these rough blocks strewn o'er our ancient stream
Sculptors shall chisel brownie, fairy, faun,
Any myrmidons of some Homeric dream
From Melbourne mob and Sydney push be drawn.
The humdrum lives that now we tire of, then
Romance shall be, and 'we heroic men
Treading the vestibule of Golden Ages,
The Isthmus of the Land of Heart's Desire:
For lo! the Sybil's final volume's pages
Ope with our Advent, close when we expire.
Forgetful Change in one 'antiquity'
Boreal gleams shall drown, and southern glows;
Out of some singing woman's heart-break plea
Australia's dawn shall flush with Sappho's rose:
Strong Shirlow's hand shall trace Mantegna's line,
And Soma foam from Victor Daley's wine:
Scholars to be our prehistoric drama
From Esson's 'Woman Tamer' shall restore,
Or find in Gilbert's 'Lotus Stream and Lama'
An Austral Nile and Buddhas we adore.
The sunlit Satyrs follow Hugh McCrae,
Quinn spans the ocean with a Celtic ford,
And Williamson the Pan-pipe learns to play
From magpie-songs our schoolboy ears ignored:
40
A sweeter woe no keen of Erin gave
Than Kendall sings o'er Araluen's grave:
Tasmanian Wordsworth to his chapel riding
The Burning Bush and Ardath mead shall pass,
Or, from the sea-coast of Bohemia gliding
On craft of dream, behold a shepherd lass.
Jessie Mackay on Southern Highlands sees
The elves deploy in kem and gallowglass:
Our Gilbert Murray writes 'Euripides':
Pirani merges in Pythagoras:
Marsyas plunges into Lethe, flayed,
From Rhadamanthine Stephens' steady blade:
While Benvenuto Morton, drunk with singing,
Sees salamanders in a bush-fire's bed,
And Spencer sails from Alcheringa bringing
Intaglios, totems and Books of the Dead.
On Southern fiords shall Brady's Long Snakes hiss,
Heavy with brides he wins to Viking troth:
O'Reilly's Sydney shall be Sybaris,
While Melbourne's Muses sup their Spartan broth:
Murdoch, Zenobia's counsellor, in time,
Redacts from Burke his book on The Sublime:
By Way was Homer into Greek translated:
And Shakespeare's self is Sophocles so plain
They know the kerb whereon the Furies waited
Outside the Mermaid Inn in Brogan's Lane.
Vane shall divide with Vern Eureka's fame;
Tillett and Mann are Tyler then and Cade:
Dowie's entwines with Cagliostro's name,
And in Tarpeia's, lo, those fair forms fade
Who drug the poor, for social bread and wine,
And lift the furtive latch to Catiline:
There, where the Longmore-featured Gracchi hurry,
And Greek-browed Higinbotham walks, anon,
The 'wealthy lower orders' leap the Murray
Before the stockwhip cracks of Jardine Don.
Cleons in 'Windsor dress at Syracuse
Their thin plebeians' promised meal delay;
41
And Archibald begets Australia's Muse
Upon an undine red of Chowder Bay:
Paterson's swan draws Amphitrite's car,
And Sidon learns from Young what purples are:
Rose Scott refutes dogmatic Cyril gaily,
Hypatia turns the anti-suffrage flank,
And Herod's daughter sools her 'morning daily'
On John the Baptist by the Yarra Bank.
Yon regal bustard, fading hence ere long,
Shall seem the guide we followed to the Grail;
This lyre-bird on his dancing-mound of song
Our mystagogue of some Bacchantic vale,
Where feathered Pan guffaws 'Evoe!' above,
And Maenad curlews shriek their midnight love:
That trailing flight of distant swans is bearing
Sarpedon's soul to its eternal joy:
This ibis, from the very Nile, despairing,
Memnon our own would warn from fatal Troy.
Primeval gnomes distilled the golden bribes
That have impregnated your musing waste with men;
But shall the spell of your pathetic tribes
Curl round, in time, our fairer limbs again?
Through that long tunnel of your gloom, I see
Gardens of a metropolis to be!
Out of the depths the mountain ash is soaring
To embryon gods of what unsounded space?
Out of the heights what influence is pouring
Thin desolation on your haunted face?
Many there are who see no higher lot
For all your writhing centuries of toil
Than that the avaricious plough should blot
Their wilding burgeon, and the red brand spoil
Your cyclopean garniture, to sow
The cheap parterres of Europe on your woe.
They weave all sorceries but yours, and borrow
The tinkling spells of alien winds and seas
To drown the chord of purifying sorrow,
Bom ere the world, that pulses through your trees.
42
For, save when we, in not o'er-subtle mood,
Hear magpies warbling soft November in,
Or, hand in hand with Love, a dreaming wood
Or bouldered crest of crisper April win,
Your harps, unblurred by glozing strings, intone
The dirges that behind Creation moan'Where, riding reinless billows, new lives dash on
The souring beach of yesterday's decay,
Where Love's chord leaps from mandrake shrieks of passion,
And groping gods mould man from quivering clay.
(Is Nature deaf and blind and dumb? A cruse
Unfilled of wine? Clay for an unbreathed soul?
Alien to man, till his desires transfuse
Their flames through wind and water, leaf and bole,
And each crude fane elaborately fit
With oracles that echo all his wit?
The living wilds of Greece saw death returning
When Pan that men had made fell from his throne:
Till through her sap our very blood is churning
The Bush her lonely alien woe shall moan!
Or is she reticent but to be kind?
Whispers she not beneath her mask of clods'Who asks he shall receive, who seeks shall find,
Who knocks shall open every door of God's?'
Dumb Faith's, blind Hope's eternal consort she,
Gravid with all that is on earth to be;
Corn, wine and oil in hungry granite hiding,
All Beauty under sober wings of clay,
All life beneath her dead heart long abiding,
Yea, all the gods her sons and she obey!)
What sin's wan expiation strewed your Vast
With mounded pillage of what conquering fire?
Slumbering throes of what prodigious Past
Exhale these lingering ghosts of its desire?
Sunshine that bleached corruption out, that glare?
Desolate blue of Purgatory, there?
Flagellant winds through guilty Eden scouring?
Sahara drowning Prester John's domain?
Satumian dam her progeny devouring?
Hath dawn-time Hun these footprints left? Hath Cain?
43
Even the human wave, that shall at length
To man's endurance key your strident surge,
Sings in your poignant tones and sombre strength,
And makes, as yet, its own your primal dirge:
A gun-shot startles dawn back from the sky,
And mourning tea-trees echo Gordon's sigh:
Nardoo with Burke's faint sweat is dank for ever:
Spectral a tribe round poisoned rations shrieks:
Till doomday Leichhardt walks die Never Never:
Pensive, of Boake, the circling stock-whip speaks.
The wraiths unseen of roadside crimes unnamed
About that old-time shanty's ruins roam:
This squatter's fenceless acres hide ashamed
The hearth and battered zinc of Naboth's home:
Deserted 'yam-holes' pit your harmonies
With sloughing pock-marks of the gold-disease:
The sludgy creek 'mid hungry rushes rambles,
Where teal once dived and lowan raised her mound:
That tree, with crows, o'erlooks the township shambles:
These paddocks, ordure-smeared, the city bound.
0 yield not all to factory and farm!
For we, who drew a milk no stranger knows
From her scant paps, yearn for the acrid charm
That gossamers the Bush Where No Tree Grows.
And we have ritual moments when we crave
For worship in some messmate-pillared nave,
Where contrite 'bears' for woodland sins are kneeling,
And, 'mid the censers of the mountain musk,
Acolyte bell-birds the Angelus are pealing,
And boobooks moan lone vespers in the dusk,
And you have Children of the Dreaming Star,
Who care but little for the crowded ways
Where meagre spirits' vapid prizes are,
Or for the paddocked ease of dreamless days
And hedges clipped of every sunny growth
That plights the soul to God in daily troth:
Their wayward love prefers your desolation,
Or (where the human trail hath seared its charm)
44
The briar-rose on some abandoned 'station',
To all the tilled obedience of the farm.
Vineyards that purblind thrift shall never glean
The weedy waste and thistly gully hold:
No mint shall melt to currency unclean
Yon river-rounded hillock's Cape-broom gold:
The onion-grass upon that dark green slope
Returns our gaze from eyes of heliotrope:
But more we seek your underflowered expanses
Of scrub monotonous, or, where, O Bush,
The craters of your fiery noon's romances,
Like great firm bosoms, through the bare plains push.
As many. Mother, are your moods and forms
As all the sons who love you. Here, you mow
Careering grounds for every brood of storms
The wild sea-mares to desert stallions throw;
Anon, up through a sea of sand you glance
With green ephemeral exuberance,
And then quick seeds dive deep to years of slumber
From hot-hoofed drought's precipitate return:
There, league on league, the snow's cold fingers number
The shrinking nerves of supple-jack and fern.
To other eyes and ears you are a great
Pillared cathedral tremulously green,
An odorous and hospitable gate
To genial mystery, the happy screen
Of truants or of lovers rambling there
'Neath sun-shot boughs o'er miles of maidenhair.
Wee rubies dot the leaflets of the cherries,
The wooing wagtails hop from log to bough,
The bronzewing comes from Queensland for the berries,
The bell-bird by the creek is calling now.
And you can ride, an Eastern queen, they say,
By living creatures sumptuously borne,
With all barbaric equipages gay,
Beneath the torrid blue of Capricorn.
That native lotus is the very womb
That was the Hindoo goddess' earthly tomb.
45
The gang-gang screams o'er cactus wildernesses,
Palm trees are there, and swampy widths of rice,
Unguents and odours ooze from green recesses,
The jungles blaze with birds of Paradise.
But I, in city exile, hear you sing
Of saplinged hill and box-tree dotted plain,
Or silver-grass that prays the North Wind's wing
Convey its sigh to the loitering rain:
And Spring is half distraught with wintry gusts,
Summer the daily spoil of tropic lusts
The sun and she too fiercely shared together
Lingering thro' voluptuous Hindoo woods,
But o'er my windless, soft autumnal weather
The peace that passes understanding broods.
When, now, they say 'The Bush!', I see the top
Delicate amber leanings of the gum
Flutter, or flocks of screaming green leeks drop
Silent, where in the shining morning hum
The gleaning bees for honey-scented hours
'Mid labyrinthine leaves and white gum flowers.
Cantering midnight hoofs are nearing, nearing,
The straining bullocks flick the harpy flies,
The 'hatter' weeds his melancholy clearing,
The distant cow-bell tinkles o'er the rise.
You are the brooding comrade of our way,
Whispering rumour of a new Unknown,
Moulding us white ideals to obey,
Steeping whate'er we learn in lore your own,
And freshening with unpolluted light
The squalid city's day and pallid night,
Till we become ourselves distinct, Australian,
(Your native lightning charging blood and nerve),
Stripped to the soul of borrowed garments, alien
To that approaching Shape of God you serve.
Brooding, brooding, your whispers murmur plain
That searching for the clue to mystery
In grottos of decrepitude is vain,
That never shall the eye of prophet see
46
In crooked Trade's tumultuous streets the plan
Of templed cities adequate to man.
Brooding, brooding, you make us Brahmins waiting
(While uninspired pass on the hurtling years),
Faithful to dreams your spirit is creating,
Till Great Australia, born of you, appears.
For Great Australia is not yet: She waits
(Where o'er the Bush prophetic auras play)
The passing of these temporary States,
Flaunting their tawdry flags of far decay.
Her aureole above the alien mists
Beacons our filial eyes to mountain trysts:
'Mid homely trees with all ideals fruited,
She shelters us till Trade's Simoom goes by,
And slakes our thirst from cisterns unpolluted .
For ages cold in brooding deeps of sky.
We love our brothers, and to heal their woe
Pluck simples from the known old gardens still:
We love our kindred over seas, and grow
Their symbols tenderly o'er plain and hill;
We feel their blood rebounding in our hearts,
And speak as they would speak our daily parts:
But under all we know, we know that only
A virgin womb unsoiled by ancient fear
Can Saviours bear. So, we, your Brahmins, lonely,
Deaf to the barren tumult, wait your Year.
The Great Year's quivering dawn pencils the Night
To be the morning of our children's prime,
And weave from rays of yet ungathered Light
A richer noon than e'er apparelled Time.
If it must be, as Tuscan wisdom knew,
Babylon's seer, and wistful Egypt too,
That mellow afternoon shall pensive guide us
Down somnolent Decay's ravine to rest,
Then you, reborn, 0 Mother Bush, shall hide us
All the long night at your dream-laden breast.
Australian eyes that heed your lessons know
Another world than older pilgrims may:
47
Prometheus chained in Kosciusko's snow
Sees later gods than Zeus in turn decay:
Boundless plateaux expand the spirit's sight,
Resilient gales uphold her steeper flight:
And your close beating heart, 0 savage Mother,
Throbs secret words of joy and starker pain
Than reach the ears all old deceptions smother
In Lebanon, or e'en in Westermain.
We marvel not, who hear your undersong,
And catch a glimpse in rare exalted hours
Of something like a Being gleam along
Festooned arcades of flossie creeper flowers,
Or, toward the mirk, seem privileged to share
The silent rapture of the trees at prayerWe marvel not that seers in other ages,
With eyes unstrained by peering logic, saw
The desolation glow with Koran pages,
Or Sinai stones with Tables of the Law.
Homers are waiting in the gum trees now,
Far driven from the tarnished Cyclades:
More Druids to your green enchantment bow
Than 'neath unfaithful Mona's vanished trees:
A wind hath spirited from ageing France
To our fresh hills the carpet of Romance:
Heroes and maids of old with young blood tingling
In ampler gardens grow their roses new:
And races long apart their manas mingling
Prepare the cradle of an Advent due.
And those who dig the mounded eld for runes
To read Religion's tangled cipher, here,
Where all Illusion haunts the fainting noons
Of days hysteric with the tireless leer
Of ravenous enamoured suns, shall find
How May a flings her mantle o'er the mind,
Till sober sand to shining water changes,
Dodona whispers from the she-oak groves,
Afreets upon the tempest cross the ranges,
And Fafnir through the bunyip marshes roves.
48
Once, when Uranian Love appeared to glow
Through that abysmal Night that bounds our reignLove that a man may scarcely feel and know i
Quite the same world as other men againWith earthward-streaming frontier wraiths distraught,
Your oracles, 0 Mother Bush, I sought:
But found, dismayed, that eerie light revealing
Those wraiths already in your depths on sleuth,
Termagant Scorns along your hillsides stealing,
Remorse unbaring slow her barbed tooth.
My own thoughts first from far dispersion flew
Back to their sad creator, with the crops
Of woes in flower and all the harvests due
Till tiring Time the fearful seeding stops:
In pigmy forms of friends and foes, anon
In my own image, they came, stung, were gone:
And then I heard the voice of Him Who Questions,
Knowing the faltered answer ere it came,
Chilling the soul by hovering suggestions
Of wan damnation at a wince of blame.
And all your leaves in symbols were arranged,
Despairs long dead would leap from bough to bough,
A gum-tree buttress to a goblin changed
Grinning the warmth of some old broken vow:
Furtive desires for scarce-remembered maids
Glanced in a fearful bo-peep from your shades:
Till you became a purgatory cleansing
With rosy flakes in form of manikins,
To fiercer shame within my soul condensing,
The dim pollution of forgotten sins.
And She, the human symbol of that Love,
Would, as my cleansed eyes forgot their fear,
Comrade beside me. Comforter above,
With sunny smile ubiquitous appear:
Run on before me to the nooks we knew,
Walk hand in hand as glad young lovers do,
Gravely reprove me toying with temptation,
Show me the eyes and ears in roots and clods,
Bend with me o'er some blossom's revelation,
49
Or read from clouds the judgments of the gods.
My old ideals She would tune until
The grating note of self no longer rang:
She drove the birds of gloom and evil will
Out of the cote wherein my poems sang.
Time at Her wand annulled his calendar,
And Space his fallacy of Near and Far,
For through my Bush along with me She glided,
And crowded days of Beauty made more fair,
Though lagging weeks and ocean widths divided
Her mortal casing from Her Presence there.
Her wetted finger oped my shuttered eyes
To boyhood's scership of the Real again:
Upon the Bush descended from the skies
The rapt-up Eden of primordial men:
August Dominions through the vistas strode:
On white-maned clouds the smiling cherubs rode:
Maltreated Faith restored my jangled hearing
Till little seraphs sang from chip and clod:
And prayers were radiant children that, unfearing,
Floated as kisses to the lips of God.
It matters not that for some purpose wise
Myopic Reason censored long ago
The revelations of that Paradise,
When, back of all I feel or will or know,
Its silent angels beacon through the Dark
And point to harbours new my drifted ark.
Nor need we dread the fogs that round us thicken
Questing the Bush for Grails decreed for man,
When Powers our fathers saw unseen still quicken
Eyes that were ours before the world began.
'Twas then I saw the Vision of the Ways,
And 'mid their gloom and glory seemed to live,
Threaded the coverts of the Dark Road's maze,
Toiled up, with tears, the Track Retributive,
And, on the Path of Grace, beheld aglow
The love-lit Nave of all that wheeled below.
And She who flowered, my Mystic Rose, in Heaven,
50
And lit the Purging Mount, my Guiding Star,
Trudged o'er the marl, my mate, through Hell's wan levin,
Nor shrank, like lonely Dante's love, afar.
High towered a cloud over one leafy wild,
And to a bridged volcano grew. Above,
A great Greek group of father, mother, child,
Illumed a narrow round with radiant love.
Below, a smoke-pool thick with faces swirled,
The mutinous omen. of an Under-world,
Defeated, plundered, blackened, but preparing,
E'en though that calm, white dominance fell down,
To overflow the rim, and, sunward faring,
Shape myriad perfect groups from slave and clown.
Or thus I read the symbol, though 'twas sent
To hound compunction on my wincing pride,
That dreamed of raceless brotherhood, content
Though all old Charm dissolved and Glory died.
For often signs will yield their deeper signs,
Virginal Bush, in your untrodden shrines,
Than where the craven ages' human clamour
Distorts the boldest oracle with fear,
Or where dissolving wizards dew with glamour
Arden, Broceliande, or Windermere.
Once while my mother by a spreading tree
Our church's sober rubric bade me con,
My vagrant eyes among the boughs would see
Forbidden wings and •wizard aprons on
Father's 'wee people' from their Irish glades
Brighten and darken with your lights and shades.
And I would only read again those stern leaves
For whispered bribe that, when their tale I told,
We would go and look for fairies in the fern-leaves
And red-capped leprechauns with crocks of gold.
Anon, my boyhood saw how Sunbursts flamed
Or filmy hinds lured on a pale Oisin,
Where lithe indignant saplings crowding claimed
The digger's ravage for their plundered queen:
And heard within yon lichened 'mullock-heap'
51
Lord Edward's waiting horsemen moan in sleep:
Or flew the fragrant path of swans consoling
Lir's exiled daughter wandering with me,
And traced below the Wattle River rolling
Exuberant and golden toward the sea.
Here, would the •wavering wings of heat uplift
Some promontory till the tree-crowned pile
Above a phantom sea would swooning drift,
St. Brendan's vision of the Winged Isle:
Anon, the isle divides again, again,
Till archipelagos poise o'er the main.
There, lazy fingers of a breeze have scattered
The distant blur of factory chimney smoke
hi poignant groups of all the young lives shattered
To feed the ravin of a piston-stroke!
Or when I read the tale of what you were
Beyond these hungry eyes' home-keeping view,
I peopled petrel rocks with Sirens fair,
In Maid Mirage the Fairy Morgan knew,
Steered Quetzalcoatl's skiff to coral coasts,
On Chambers' Pillar throned the Olympian hosts,
Heard in white sulphur-crested parrots' screeches
Remorseful Peris vent their hopeless rage,
Atlantis' borders traced on sunken beaches,
m Alcheringa found the Golden Age.
Sibyl and Siren, with alternate breaths
You read our foetal nation's boon and bane,
And lure to trysts of orgiastic Deaths
Adventurous love that listens to your strain:
Pelsarts and Vanderdeckens of the world
Circle your charms or at your feet are hurled:
And, Southern witch, whose glamour drew De Quiros
O'er half the earth for one unyielded kiss,
Were yours the arms that healed the scalded Eros
When Psyche's curious lamp darkened their bliss?
Ye, who would challenge when we claim to see
The bush alive with Northern wealth of wings,
Forget that at a common mother's knee
52
We learned, with you, the lore of Silent Things.
There is no New that is not older far
Than swirling cradle of the first-born star:
Our youngest hearts prolong the far pulsation
And churn the brine of the primordial sea:
The foetus writes the précis of Creation:
Australia is the whole world's legatee.
Imagination built her throne in us
Before your present bodies saw the sky:
Your myths were counters of our abacus,
And in your brain developed long our eye:
We from the misty folk have also sprung
Who saw the gnomes and heard the Ever Young:
Do Southern skies the fancy disinherit
Of moly flower and Deva-laden breeze?
Do nerves attuned by old defect and merit
Their timbre lose by crossing tropic seas?
All mysteries ye claim as yours alone
Have wafted secrets over oceans here:
Our living soil Antiquity hath sown
With just the corn and tares ye love and fear:
Romance and song enthral us just as you,
Nor change of zenith changes spirit too:
Our necks as yours are sore with feudal halters:
To the Pole ye know our compasses are set;
And shivering years that huddled round your altars
Beneath our stars auspicious tremble yet.
Who fenced the nymphs in European vales?
Or Pan tabooed from all but Oxford dreams?
Warned Shakespeare off from foreign Plutarch's tales?
Or tethered Virgil to Italian themes?
And when the body sailed from your control
Think ye we left behind in bond the soul?
Whate'er was yours is ours in equal measure,
The Temple was not built for you alone,
Altho' 'tis ours to grace the common treasure
With Lares and Penates of our own!
Ye stole yourselves from gardens fragrant long
53
The sprouting seed-pods of your choicest blooms,
And wove the splendid garments of your song
From Viking foam on grave Hebraic looms:
'Twas Roman nerve and rich Hellenic lymph
Changed your pale pixie to a nubile nymph:
Yea, breathed at dawn around Atlantis' islands,
Wind-home o'er some Hesperidean road,
The morning clouds on dim Accadian highlands
Spring-fed the Nile that over Hellas flowed!
As large-eyed Greek amid Sicilian dews
Saw Dis, as ne'er before, pursue the Maid,
Or, safe 'neath screening billows, Arethuse
Alpheus' rugged sleuth unsoiled evade:
We shall complete the tale ye left half-told,
Under the ocean lead your fountains old,
To slake our sceptic thirst with haunted water,
And tame our torrents with a wedding kiss,
Shall loose, mayhap, the spell on Ceres' daughter,
And show, unclouded, God in very Dis.
(Yet, there are moods and mornings when I hear,
Above the music of the Bush's breath,
The rush of alien breezes far and near
Drowning her oracles to very death:
Exotic battle-cries the silence mar,
Seductive perfumes drive the gum-scent far;
And organ-tones august a moment show me
Miltonic billows and Homeric gales
Until I feel the older worlds below me,
And all her wonder trembles, thins and fails.)
Yea, you are all that we may be, and yet
In us is all you are to be for aye!
The Giver of the gifts that we shall get?
An empty womb that waits the wedding day?
Thus drifting sense by age-long habit buoyed
Plays round the thought that knows all nature void!
And so, my song alternate would believe her
Idiot Bush and Daughter of the Sun,
A worthless gift apart from the receiver,
An empty womb, but in a Deathless One.
54
To shapes we would of Freedom, Truth and Joy
Shall we your willing plasm mould for man:
Afresh rebuild the world, and thus destroy
What only Ragnarok in Europe can:
There is no Light but in your dark blendes sleeps,
Drops from your stars or through your ether leaps:
Yea, you are Nature, Chaos since Creation,
Waiting what human Word to chord in song?
Matrix inert of what auspicious nation?
For what far bees your nectar hiving long?
Exhausted manas of the conquering North
Shall rise refreshed to vivid life again
At your approach, and in your lap pour forth
Grateful the gleanings of his mighty reign:
As, when a tropic heat-king southward crawls,
Blistering the ranges, till he hears the calls
Of some cold high-browed bride, her streaming tresses,
Sprinkled with rose-buds, make his wild eyes thrill
To such desire for her superb caresses
He yields his fiery treasures to her will.
'Where is Australia, singer, do you know?
These sordid farms and joyless factories,
Mephitic mines and lanes of pallid woe?
Those ugly towns and cities such as these
With incense sick to all unworthy power,
And all old sin in full malignant flower?
No! to her bourn her children still are faring:
She is a Temple that we are to build:
For her the ages have been long preparing:
She is a prophecy to be fulfilled!
All that we love in olden lands and lore
Was signal of her coming long ago!
Bacon foresaw her, Campanella, More
And Plato's eyes were with her star aglow!
Who toiled for Truth, whate'er their countries were,
Who fought for Liberty, they yearned for her!
No corsair's gathering ground, or tryst for schemers,
55
No chapman Carthage to a huckster Tyre,
She is the Eldorado of old dreamers,
The Sleeping Beauty of the world's desire!
She is the scroll on which we are to write
Mythologies our own and epics new:
She is the port of our propitious flight
From Ur idolatrous and Pharaoh's crew.
She is our own, unstained, if worthy we,
By dream, or god, or star we would not see:
Her crystal beams all but the eagle dazzle;
Her wind-wide ways none but the strong-winged sail:
She is Eutopia, she is Hy-Brasil,
The watchers on the tower of morning hail I
Yet she shall be as we, the Potter, mould:
Altar or tomb, as we aspire, despair:
What wine we bring shall she, the chalice, hold:
What word we write shall she, the script, declare:
Bandage our eyes, she shall be Memphis, Spain:
Barter our souls, she shall be Tyre again:
And if we pour on her the red oblation
All o'er the world shall Asshur's buzzards throng:
Love-lit, her Chaos shall become Creation:
And dewed with dream, her silence flower in song.
~ Bernard O'Dowd,
512:Guinevere
Queen Guinevere had fled the court, and sat
There in the holy house at Almesbury
Weeping, none with her save a little maid,
A novice: one low light betwixt them burned
Blurred by the creeping mist, for all abroad,
Beneath a moon unseen albeit at full,
The white mist, like a face-cloth to the face,
Clung to the dead earth, and the land was still.
For hither had she fled, her cause of flight
Sir Modred; he that like a subtle beast
Lay couchant with his eyes upon the throne,
Ready to spring, waiting a chance: for this
He chilled the popular praises of the King
With silent smiles of slow disparagement;
And tampered with the Lords of the White Horse,
Heathen, the brood by Hengist left; and sought
To make disruption in the Table Round
Of Arthur, and to splinter it into feuds
Serving his traitorous end; and all his aims
Were sharpened by strong hate for Lancelot.
For thus it chanced one morn when all the court,
Green-suited, but with plumes that mocked the may,
Had been, their wont, a-maying and returned,
That Modred still in green, all ear and eye,
Climbed to the high top of the garden-wall
To spy some secret scandal if he might,
And saw the Queen who sat betwixt her best
Enid, and lissome Vivien, of her court
The wiliest and the worst; and more than this
He saw not, for Sir Lancelot passing by
Spied where he couched, and as the gardener's hand
Picks from the colewort a green caterpillar,
So from the high wall and the flowering grove
Of grasses Lancelot plucked him by the heel,
And cast him as a worm upon the way;
But when he knew the Prince though marred with dust,
He, reverencing king's blood in a bad man,
171
Made such excuses as he might, and these
Full knightly without scorn; for in those days
No knight of Arthur's noblest dealt in scorn;
But, if a man were halt or hunched, in him
By those whom God had made full-limbed and tall,
Scorn was allowed as part of his defect,
And he was answered softly by the King
And all his Table. So Sir Lancelot holp
To raise the Prince, who rising twice or thrice
Full sharply smote his knees, and smiled, and went:
But, ever after, the small violence done
Rankled in him and ruffled all his heart,
As the sharp wind that ruffles all day long
A little bitter pool about a stone
On the bare coast.
But when Sir Lancelot told
This matter to the Queen, at first she laughed
Lightly, to think of Modred's dusty fall,
Then shuddered, as the village wife who cries
`I shudder, some one steps across my grave;'
Then laughed again, but faintlier, for indeed
She half-foresaw that he, the subtle beast,
Would track her guilt until he found, and hers
Would be for evermore a name of scorn.
Henceforward rarely could she front in hall,
Or elsewhere, Modred's narrow foxy face,
Heart-hiding smile, and gray persistent eye:
Henceforward too, the Powers that tend the soul,
To help it from the death that cannot die,
And save it even in extremes, began
To vex and plague her. Many a time for hours,
Beside the placid breathings of the King,
In the dead night, grim faces came and went
Before her, or a vague spiritual fear-Like to some doubtful noise of creaking doors,
Heard by the watcher in a haunted house,
That keeps the rust of murder on the walls-Held her awake: or if she slept, she dreamed
An awful dream; for then she seemed to stand
On some vast plain before a setting sun,
And from the sun there swiftly made at her
172
A ghastly something, and its shadow flew
Before it, till it touched her, and she turned-When lo! her own, that broadening from her feet,
And blackening, swallowed all the land, and in it
Far cities burnt, and with a cry she woke.
And all this trouble did not pass but grew;
Till even the clear face of the guileless King,
And trustful courtesies of household life,
Became her bane; and at the last she said,
`O Lancelot, get thee hence to thine own land,
For if thou tarry we shall meet again,
And if we meet again, some evil chance
Will make the smouldering scandal break and blaze
Before the people, and our lord the King.'
And Lancelot ever promised, but remained,
And still they met and met. Again she said,
`O Lancelot, if thou love me get thee hence.'
And then they were agreed upon a night
(When the good King should not be there) to meet
And part for ever. Vivien, lurking, heard.
She told Sir Modred. Passion-pale they met
And greeted. Hands in hands, and eye to eye,
Low on the border of her couch they sat
Stammering and staring. It was their last hour,
A madness of farewells. And Modred brought
His creatures to the basement of the tower
For testimony; and crying with full voice
`Traitor, come out, ye are trapt at last,' aroused
Lancelot, who rushing outward lionlike
Leapt on him, and hurled him headlong, and he fell
Stunned, and his creatures took and bare him off,
And all was still: then she, `The end is come,
And I am shamed for ever;' and he said,
`Mine be the shame; mine was the sin: but rise,
And fly to my strong castle overseas:
There will I hide thee, till my life shall end,
There hold thee with my life against the world.'
She answered, `Lancelot, wilt thou hold me so?
Nay, friend, for we have taken our farewells.
Would God that thou couldst hide me from myself!
Mine is the shame, for I was wife, and thou
Unwedded: yet rise now, and let us fly,
173
For I will draw me into sanctuary,
And bide my doom.' So Lancelot got her horse,
Set her thereon, and mounted on his own,
And then they rode to the divided way,
There kissed, and parted weeping: for he past,
Love-loyal to the least wish of the Queen,
Back to his land; but she to Almesbury
Fled all night long by glimmering waste and weald,
And heard the Spirits of the waste and weald
Moan as she fled, or thought she heard them moan:
And in herself she moaned `Too late, too late!'
Till in the cold wind that foreruns the morn,
A blot in heaven, the Raven, flying high,
Croaked, and she thought, `He spies a field of death;
For now the Heathen of the Northern Sea,
Lured by the crimes and frailties of the court,
Begin to slay the folk, and spoil the land.'
And when she came to Almesbury she spake
There to the nuns, and said, `Mine enemies
Pursue me, but, O peaceful Sisterhood,
Receive, and yield me sanctuary, nor ask
Her name to whom ye yield it, till her time
To tell you:' and her beauty, grace and power,
Wrought as a charm upon them, and they spared
To ask it.
So the stately Queen abode
For many a week, unknown, among the nuns;
Nor with them mixed, nor told her name, nor sought,
Wrapt in her grief, for housel or for shrift,
But communed only with the little maid,
Who pleased her with a babbling heedlessness
Which often lured her from herself; but now,
This night, a rumour wildly blown about
Came, that Sir Modred had usurped the realm,
And leagued him with the heathen, while the King
Was waging war on Lancelot: then she thought,
`With what a hate the people and the King
Must hate me,' and bowed down upon her hands
Silent, until the little maid, who brooked
No silence, brake it, uttering, `Late! so late!
174
What hour, I wonder, now?' and when she drew
No answer, by and by began to hum
An air the nuns had taught her; `Late, so late!'
Which when she heard, the Queen looked up, and said,
`O maiden, if indeed ye list to sing,
Sing, and unbind my heart that I may weep.'
Whereat full willingly sang the little maid.
`Late, late, so late! and dark the night and chill!
Late, late, so late! but we can enter still.
Too late, too late! ye cannot enter now.
`No light had we: for that we do repent;
And learning this, the bridegroom will relent.
Too late, too late! ye cannot enter now.
`No light: so late! and dark and chill the night!
O let us in, that we may find the light!
Too late, too late: ye cannot enter now.
`Have we not heard the bridegroom is so sweet?
O let us in, though late, to kiss his feet!
No, no, too late! ye cannot enter now.'
So sang the novice, while full passionately,
Her head upon her hands, remembering
Her thought when first she came, wept the sad Queen.
Then said the little novice prattling to her,
`O pray you, noble lady, weep no more;
But let my words, the words of one so small,
Who knowing nothing knows but to obey,
And if I do not there is penance given-Comfort your sorrows; for they do not flow
From evil done; right sure am I of that,
Who see your tender grace and stateliness.
But weigh your sorrows with our lord the King's,
And weighing find them less; for gone is he
To wage grim war against Sir Lancelot there,
Round that strong castle where he holds the Queen;
And Modred whom he left in charge of all,
The traitor--Ah sweet lady, the King's grief
For his own self, and his own Queen, and realm,
175
Must needs be thrice as great as any of ours.
For me, I thank the saints, I am not great.
For if there ever come a grief to me
I cry my cry in silence, and have done.
None knows it, and my tears have brought me good:
But even were the griefs of little ones
As great as those of great ones, yet this grief
Is added to the griefs the great must bear,
That howsoever much they may desire
Silence, they cannot weep behind a cloud:
As even here they talk at Almesbury
About the good King and his wicked Queen,
And were I such a King with such a Queen,
Well might I wish to veil her wickedness,
But were I such a King, it could not be.'
Then to her own sad heart muttered the Queen,
`Will the child kill me with her innocent talk?'
But openly she answered, `Must not I,
If this false traitor have displaced his lord,
Grieve with the common grief of all the realm?'
`Yea,' said the maid, `this is all woman's grief,
That SHE is woman, whose disloyal life
Hath wrought confusion in the Table Round
Which good King Arthur founded, years ago,
With signs and miracles and wonders, there
At Camelot, ere the coming of the Queen.'
Then thought the Queen within herself again,
`Will the child kill me with her foolish prate?'
But openly she spake and said to her,
`O little maid, shut in by nunnery walls,
What canst thou know of Kings and Tables Round,
Or what of signs and wonders, but the signs
And simple miracles of thy nunnery?'
To whom the little novice garrulously,
`Yea, but I know: the land was full of signs
And wonders ere the coming of the Queen.
So said my father, and himself was knight
Of the great Table--at the founding of it;
176
And rode thereto from Lyonnesse, and he said
That as he rode, an hour or maybe twain
After the sunset, down the coast, he heard
Strange music, and he paused, and turning--there,
All down the lonely coast of Lyonnesse,
Each with a beacon-star upon his head,
And with a wild sea-light about his feet,
He saw them--headland after headland flame
Far on into the rich heart of the west:
And in the light the white mermaiden swam,
And strong man-breasted things stood from the sea,
And sent a deep sea-voice through all the land,
To which the little elves of chasm and cleft
Made answer, sounding like a distant horn.
So said my father--yea, and furthermore,
Next morning, while he past the dim-lit woods,
Himself beheld three spirits mad with joy
Come dashing down on a tall wayside flower,
That shook beneath them, as the thistle shakes
When three gray linnets wrangle for the seed:
And still at evenings on before his horse
The flickering fairy-circle wheeled and broke
Flying, and linked again, and wheeled and broke
Flying, for all the land was full of life.
And when at last he came to Camelot,
A wreath of airy dancers hand-in-hand
Swung round the lighted lantern of the hall;
And in the hall itself was such a feast
As never man had dreamed; for every knight
Had whatsoever meat he longed for served
By hands unseen; and even as he said
Down in the cellars merry bloated things
Shouldered the spigot, straddling on the butts
While the wine ran: so glad were spirits and men
Before the coming of the sinful Queen.'
Then spake the Queen and somewhat bitterly,
`Were they so glad? ill prophets were they all,
Spirits and men: could none of them foresee,
Not even thy wise father with his signs
And wonders, what has fallen upon the realm?'
177
To whom the novice garrulously again,
`Yea, one, a bard; of whom my father said,
Full many a noble war-song had he sung,
Even in the presence of an enemy's fleet,
Between the steep cliff and the coming wave;
And many a mystic lay of life and death
Had chanted on the smoky mountain-tops,
When round him bent the spirits of the hills
With all their dewy hair blown back like flame:
So said my father--and that night the bard
Sang Arthur's glorious wars, and sang the King
As wellnigh more than man, and railed at those
Who called him the false son of Gorlos:
For there was no man knew from whence he came;
But after tempest, when the long wave broke
All down the thundering shores of Bude and Bos,
There came a day as still as heaven, and then
They found a naked child upon the sands
Of dark Tintagil by the Cornish sea;
And that was Arthur; and they fostered him
Till he by miracle was approven King:
And that his grave should be a mystery
From all men, like his birth; and could he find
A woman in her womanhood as great
As he was in his manhood, then, he sang,
The twain together well might change the world.
But even in the middle of his song
He faltered, and his hand fell from the harp,
And pale he turned, and reeled, and would have fallen,
But that they stayed him up; nor would he tell
His vision; but what doubt that he foresaw
This evil work of Lancelot and the Queen?'
Then thought the Queen, `Lo! they have set her on,
Our simple-seeming Abbess and her nuns,
To play upon me,' and bowed her head nor spake.
Whereat the novice crying, with clasped hands,
Shame on her own garrulity garrulously,
Said the good nuns would check her gadding tongue
Full often, `and, sweet lady, if I seem
To vex an ear too sad to listen to me,
Unmannerly, with prattling and the tales
178
Which my good father told me, check me too
Nor let me shame my father's memory, one
Of noblest manners, though himself would say
Sir Lancelot had the noblest; and he died,
Killed in a tilt, come next, five summers back,
And left me; but of others who remain,
And of the two first-famed for courtesy-And pray you check me if I ask amissBut pray you, which had noblest, while you moved
Among them, Lancelot or our lord the King?'
Then the pale Queen looked up and answered her,
`Sir Lancelot, as became a noble knight,
Was gracious to all ladies, and the same
In open battle or the tilting-field
Forbore his own advantage, and the King
In open battle or the tilting-field
Forbore his own advantage, and these two
Were the most nobly-mannered men of all;
For manners are not idle, but the fruit
Of loyal nature, and of noble mind.'
`Yea,' said the maid, `be manners such fair fruit?'
Then Lancelot's needs must be a thousand-fold
Less noble, being, as all rumour runs,
The most disloyal friend in all the world.'
To which a mournful answer made the Queen:
`O closed about by narrowing nunnery-walls,
What knowest thou of the world, and all its lights
And shadows, all the wealth and all the woe?
If ever Lancelot, that most noble knight,
Were for one hour less noble than himself,
Pray for him that he scape the doom of fire,
And weep for her that drew him to his doom.'
`Yea,' said the little novice, `I pray for both;
But I should all as soon believe that his,
Sir Lancelot's, were as noble as the King's,
As I could think, sweet lady, yours would be
Such as they are, were you the sinful Queen.'
179
So she, like many another babbler, hurt
Whom she would soothe, and harmed where she would heal;
For here a sudden flush of wrathful heat
Fired all the pale face of the Queen, who cried,
`Such as thou art be never maiden more
For ever! thou their tool, set on to plague
And play upon, and harry me, petty spy
And traitress.' When that storm of anger brake
From Guinevere, aghast the maiden rose,
White as her veil, and stood before the Queen
As tremulously as foam upon the beach
Stands in a wind, ready to break and fly,
And when the Queen had added `Get thee hence,'
Fled frighted. Then that other left alone
Sighed, and began to gather heart again,
Saying in herself, `The simple, fearful child
Meant nothing, but my own too-fearful guilt,
Simpler than any child, betrays itself.
But help me, heaven, for surely I repent.
For what is true repentance but in thought-Not even in inmost thought to think again
The sins that made the past so pleasant to us:
And I have sworn never to see him more,
To see him more.'
And even in saying this,
Her memory from old habit of the mind
Went slipping back upon the golden days
In which she saw him first, when Lancelot came,
Reputed the best knight and goodliest man,
Ambassador, to lead her to his lord
Arthur, and led her forth, and far ahead
Of his and her retinue moving, they,
Rapt in sweet talk or lively, all on love
And sport and tilts and pleasure, (for the time
Was maytime, and as yet no sin was dreamed,)
Rode under groves that looked a paradise
Of blossom, over sheets of hyacinth
That seemed the heavens upbreaking through the earth,
And on from hill to hill, and every day
Beheld at noon in some delicious dale
The silk pavilions of King Arthur raised
180
For brief repast or afternoon repose
By couriers gone before; and on again,
Till yet once more ere set of sun they saw
The Dragon of the great Pendragonship,
That crowned the state pavilion of the King,
Blaze by the rushing brook or silent well.
But when the Queen immersed in such a trance,
And moving through the past unconsciously,
Came to that point where first she saw the King
Ride toward her from the city, sighed to find
Her journey done, glanced at him, thought him cold,
High, self-contained, and passionless, not like him,
`Not like my Lancelot'--while she brooded thus
And grew half-guilty in her thoughts again,
There rode an armd warrior to the doors.
A murmuring whisper through the nunnery ran,
Then on a sudden a cry, `The King.' She sat
Stiff-stricken, listening; but when armd feet
Through the long gallery from the outer doors
Rang coming, prone from off her seat she fell,
And grovelled with her face against the floor:
There with her milkwhite arms and shadowy hair
She made her face a darkness from the King:
And in the darkness heard his armd feet
Pause by her; then came silence, then a voice,
Monotonous and hollow like a Ghost's
Denouncing judgment, but though changed, the King's:
`Liest thou here so low, the child of one
I honoured, happy, dead before thy shame?
Well is it that no child is born of thee.
The children born of thee are sword and fire,
Red ruin, and the breaking up of laws,
The craft of kindred and the Godless hosts
Of heathen swarming o'er the Northern Sea;
Whom I, while yet Sir Lancelot, my right arm,
The mightiest of my knights, abode with me,
Have everywhere about this land of Christ
In twelve great battles ruining overthrown.
And knowest thou now from whence I come--from him
From waging bitter war with him: and he,
181
That did not shun to smite me in worse way,
Had yet that grace of courtesy in him left,
He spared to lift his hand against the King
Who made him knight: but many a knight was slain;
And many more, and all his kith and kin
Clave to him, and abode in his own land.
And many more when Modred raised revolt,
Forgetful of their troth and fealty, clave
To Modred, and a remnant stays with me.
And of this remnant will I leave a part,
True men who love me still, for whom I live,
To guard thee in the wild hour coming on,
Lest but a hair of this low head be harmed.
Fear not: thou shalt be guarded till my death.
Howbeit I know, if ancient prophecies
Have erred not, that I march to meet my doom.
Thou hast not made my life so sweet to me,
That I the King should greatly care to live;
For thou hast spoilt the purpose of my life.
Bear with me for the last time while I show,
Even for thy sake, the sin which thou hast sinned.
For when the Roman left us, and their law
Relaxed its hold upon us, and the ways
Were filled with rapine, here and there a deed
Of prowess done redressed a random wrong.
But I was first of all the kings who drew
The knighthood-errant of this realm and all
The realms together under me, their Head,
In that fair Order of my Table Round,
A glorious company, the flower of men,
To serve as model for the mighty world,
And be the fair beginning of a time.
I made them lay their hands in mine and swear
To reverence the King, as if he were
Their conscience, and their conscience as their King,
To break the heathen and uphold the Christ,
To ride abroad redressing human wrongs,
To speak no slander, no, nor listen to it,
To honour his own word as if his God's,
To lead sweet lives in purest chastity,
To love one maiden only, cleave to her,
And worship her by years of noble deeds,
182
Until they won her; for indeed I knew
Of no more subtle master under heaven
Than is the maiden passion for a maid,
Not only to keep down the base in man,
But teach high thought, and amiable words
And courtliness, and the desire of fame,
And love of truth, and all that makes a man.
And all this throve before I wedded thee,
Believing, "lo mine helpmate, one to feel
My purpose and rejoicing in my joy."
Then came thy shameful sin with Lancelot;
Then came the sin of Tristram and Isolt;
Then others, following these my mightiest knights,
And drawing foul ensample from fair names,
Sinned also, till the loathsome opposite
Of all my heart had destined did obtain,
And all through thee! so that this life of mine
I guard as God's high gift from scathe and wrong,
Not greatly care to lose; but rather think
How sad it were for Arthur, should he live,
To sit once more within his lonely hall,
And miss the wonted number of my knights,
And miss to hear high talk of noble deeds
As in the golden days before thy sin.
For which of us, who might be left, could speak
Of the pure heart, nor seem to glance at thee?
And in thy bowers of Camelot or of Usk
Thy shadow still would glide from room to room,
And I should evermore be vext with thee
In hanging robe or vacant ornament,
Or ghostly footfall echoing on the stair.
For think not, though thou wouldst not love thy lord,
Thy lord hast wholly lost his love for thee.
I am not made of so slight elements.
Yet must I leave thee, woman, to thy shame.
I hold that man the worst of public foes
Who either for his own or children's sake,
To save his blood from scandal, lets the wife
Whom he knows false, abide and rule the house:
For being through his cowardice allowed
Her station, taken everywhere for pure,
She like a new disease, unknown to men,
183
Creeps, no precaution used, among the crowd,
Makes wicked lightnings of her eyes, and saps
The fealty of our friends, and stirs the pulse
With devil's leaps, and poisons half the young.
Worst of the worst were that man he that reigns!
Better the King's waste hearth and aching heart
Than thou reseated in thy place of light,
The mockery of my people, and their bane.'
He paused, and in the pause she crept an inch
Nearer, and laid her hands about his feet.
Far off a solitary trumpet blew.
Then waiting by the doors the warhorse neighed
At a friend's voice, and he spake again:
`Yet think not that I come to urge thy crimes,
I did not come to curse thee, Guinevere,
I, whose vast pity almost makes me die
To see thee, laying there thy golden head,
My pride in happier summers, at my feet.
The wrath which forced my thoughts on that fierce law,
The doom of treason and the flaming death,
(When first I learnt thee hidden here) is past.
The pang--which while I weighed thy heart with one
Too wholly true to dream untruth in thee,
Made my tears burn--is also past--in part.
And all is past, the sin is sinned, and I,
Lo! I forgive thee, as Eternal God
Forgives: do thou for thine own soul the rest.
But how to take last leave of all I loved?
O golden hair, with which I used to play
Not knowing! O imperial-moulded form,
And beauty such as never woman wore,
Until it became a kingdom's curse with thee-I cannot touch thy lips, they are not mine,
But Lancelot's: nay, they never were the King's.
I cannot take thy hand: that too is flesh,
And in the flesh thou hast sinned; and mine own flesh,
Here looking down on thine polluted, cries
"I loathe thee:" yet not less, O Guinevere,
For I was ever virgin save for thee,
My love through flesh hath wrought into my life
184
So far, that my doom is, I love thee still.
Let no man dream but that I love thee still.
Perchance, and so thou purify thy soul,
And so thou lean on our fair father Christ,
Hereafter in that world where all are pure
We two may meet before high God, and thou
Wilt spring to me, and claim me thine, and know
I am thine husband--not a smaller soul,
Nor Lancelot, nor another. Leave me that,
I charge thee, my last hope. Now must I hence.
Through the thick night I hear the trumpet blow:
They summon me their King to lead mine hosts
Far down to that great battle in the west,
Where I must strike against the man they call
My sister's son--no kin of mine, who leagues
With Lords of the White Horse, heathen, and knights,
Traitors--and strike him dead, and meet myself
Death, or I know not what mysterious doom.
And thou remaining here wilt learn the event;
But hither shall I never come again,
Never lie by thy side; see thee no more-Farewell!'
And while she grovelled at his feet,
She felt the King's breath wander o'er her neck,
And in the darkness o'er her fallen head,
Perceived the waving of his hands that blest.
Then, listening till those armd steps were gone,
Rose the pale Queen, and in her anguish found
The casement: `peradventure,' so she thought,
`If I might see his face, and not be seen.'
And lo, he sat on horseback at the door!
And near him the sad nuns with each a light
Stood, and he gave them charge about the Queen,
To guard and foster her for evermore.
And while he spake to these his helm was lowered,
To which for crest the golden dragon clung
Of Britain; so she did not see the face,
Which then was as an angel's, but she saw,
Wet with the mists and smitten by the lights,
The Dragon of the great Pendragonship
185
Blaze, making all the night a steam of fire.
And even then he turned; and more and more
The moony vapour rolling round the King,
Who seemed the phantom of a Giant in it,
Enwound him fold by fold, and made him gray
And grayer, till himself became as mist
Before her, moving ghostlike to his doom.
Then she stretched out her arms and cried aloud
`Oh Arthur!' there her voice brake suddenly,
Then--as a stream that spouting from a cliff
Fails in mid air, but gathering at the base
Re-makes itself, and flashes down the vale-Went on in passionate utterance:
`Gone--my lord!
Gone through my sin to slay and to be slain!
And he forgave me, and I could not speak.
Farewell? I should have answered his farewell.
His mercy choked me. Gone, my lord the King,
My own true lord! how dare I call him mine?
The shadow of another cleaves to me,
And makes me one pollution: he, the King,
Called me polluted: shall I kill myself?
What help in that? I cannot kill my sin,
If soul be soul; nor can I kill my shame;
No, nor by living can I live it down.
The days will grow to weeks, the weeks to months
The months will add themselves and make the years,
The years will roll into the centuries,
And mine will ever be a name of scorn.
I must not dwell on that defeat of fame.
Let the world be; that is but of the world.
What else? what hope? I think there was a hope,
Except he mocked me when he spake of hope;
His hope he called it; but he never mocks,
For mockery is the fume of little hearts.
And blessd be the King, who hath forgiven
My wickedness to him, and left me hope
That in mine own heart I can live down sin
And be his mate hereafter in the heavens
Before high God. Ah great and gentle lord,
186
Who wast, as is the conscience of a saint
Among his warring senses, to thy knights-To whom my false voluptuous pride, that took
Full easily all impressions from below,
Would not look up, or half-despised the height
To which I would not or I could not climb-I thought I could not breathe in that fine air
That pure severity of perfect light-I yearned for warmth and colour which I found
In Lancelot--now I see thee what thou art,
Thou art the highest and most human too,
Not Lancelot, nor another. Is there none
Will tell the King I love him though so late?
Now--ere he goes to the great Battle? none:
Myself must tell him in that purer life,
But now it were too daring. Ah my God,
What might I not have made of thy fair world,
Had I but loved thy highest creature here?
It was my duty to have loved the highest:
It surely was my profit had I known:
It would have been my pleasure had I seen.
We needs must love the highest when we see it,
Not Lancelot, nor another.'
Here her hand
Grasped, made her vail her eyes: she looked and saw
The novice, weeping, suppliant, and said to her,
`Yea, little maid, for am I not forgiven?'
Then glancing up beheld the holy nuns
All round her, weeping; and her heart was loosed
Within her, and she wept with these and said,
`Ye know me then, that wicked one, who broke
The vast design and purpose of the King.
O shut me round with narrowing nunnery-walls,
Meek maidens, from the voices crying "shame."
I must not scorn myself: he loves me still.
Let no one dream but that he loves me still.
So let me, if you do not shudder at me,
Nor shun to call me sister, dwell with you;
Wear black and white, and be a nun like you,
Fast with your fasts, not feasting with your feasts;
187
Grieve with your griefs, not grieving at your joys,
But not rejoicing; mingle with your rites;
Pray and be prayed for; lie before your shrines;
Do each low office of your holy house;
Walk your dim cloister, and distribute dole
To poor sick people, richer in His eyes
Who ransomed us, and haler too than I;
And treat their loathsome hurts and heal mine own;
And so wear out in almsdeed and in prayer
The sombre close of that voluptuous day,
Which wrought the ruin of my lord the King.'
She said: they took her to themselves; and she
Still hoping, fearing `is it yet too late?'
Dwelt with them, till in time their Abbess died.
Then she, for her good deeds and her pure life,
And for the power of ministration in her,
And likewise for the high rank she had borne,
Was chosen Abbess, there, an Abbess, lived
For three brief years, and there, an Abbess, past
To where beyond these voices there is peace.
~ Alfred Lord Tennyson,
513:Gotham - Book Ii
How much mistaken are the men who think
That all who will, without restraint may drink,
May largely drink, e'en till their bowels burst,
Pleading no right but merely that of thirst,
At the pure waters of the living well,
Beside whose streams the Muses love to dwell!
Verse is with them a knack, an idle toy,
A rattle gilded o'er, on which a boy
May play untaught, whilst, without art or force,
Make it but jingle, music comes of course.
Little do such men know the toil, the pains,
The daily, nightly racking of the brains,
To range the thoughts, the matter to digest,
To cull fit phrases, and reject the rest;
To know the times when Humour on the cheek
Of Mirth may hold her sports; when Wit should speak,
And when be silent; when to use the powers
Of ornament, and how to place the flowers,
So that they neither give a tawdry glare,
'Nor waste their sweetness in the desert air;'
To form, (which few can do, and scarcely one,
One critic in an age, can find when done)
To form a plan, to strike a grand outline,
To fill it up, and make the picture shine
A full and perfect piece; to make coy Rhyme
Renounce her follies, and with Sense keep time;
To make proud Sense against her nature bend,
And wear the chains of Rhyme, yet call her friend.
Some fops there are, amongst the scribbling tribe,
Who make it all their business to describe,
No matter whether in or out of place;
Studious of finery, and fond of lace,
Alike they trim, as coxcomb Fancy brings,
The rags of beggars, and the robes of kings.
Let dull Propriety in state preside
O'er her dull children, Nature is their guide;
Wild Nature, who at random breaks the fence
Of those tame drudges, Judgment, Taste, and Sense,
Nor would forgive herself the mighty crime
38
Of keeping terms with Person, Place, and Time.
Let liquid gold emblaze the sun at noon,
With borrow'd beams let silver pale the moon;
Let surges hoarse lash the resounding shore,
Let streams meander, and let torrents roar;
Let them breed up the melancholy breeze,
To sigh with sighing, sob with sobbing trees;
Let vales embroidery wear; let flowers be tinged
With various tints; let clouds be laced or fringed,
They have their wish; like idle monarch boys,
Neglecting things of weight, they sigh for toys;
Give them the crown, the sceptre, and the robe,
Who will may take the power, and rule the globe.
Others there are, who, in one solemn pace,
With as much zeal as Quakers rail at lace,
Railing at needful ornament, depend
On Sense to bring them to their journey's end:
They would not (Heaven forbid!) their course delay,
Nor for a moment step out of the way,
To make the barren road those graces wear
Which Nature would, if pleased, have planted there.
Vain men! who, blindly thwarting Nature's plan,
Ne'er find a passage to the heart of man;
Who, bred 'mongst fogs in academic land,
Scorn every thing they do not understand;
Who, destitute of humour, wit, and taste,
Let all their little knowledge run to waste,
And frustrate each good purpose, whilst they wear
The robes of Learning with a sloven's air.
Though solid reasoning arms each sterling line,
Though Truth declares aloud, 'This work is mine,'
Vice, whilst from page to page dull morals creep,
Throws by the book, and Virtue falls asleep.
Sense, mere dull, formal Sense, in this gay town,
Must have some vehicle to pass her down;
Nor can she for an hour insure her reign,
Unless she brings fair Pleasure in her train.
Let her from day to day, from year to year,
In all her grave solemnities appear,
And with the voice of trumpets, through the streets,
Deal lectures out to every one she meets;
Half who pass by are deaf, and t' other half
39
Can hear indeed, but only hear to laugh.
Quit then, ye graver sons of letter'd Pride!
Taking for once Experience as a guide,
Quit this grand error, this dull college mode;
Be your pursuits the same, but change the road;
Write, or at least appear to write, with ease,
'And if you mean to profit, learn to please.'
In vain for such mistakes they pardon claim,
Because they wield the pen in Virtue's name:
Thrice sacred is that name, thrice bless'd the man
Who thinks, speaks, writes, and lives on such a plan!
This, in himself, himself of course must bless,
But cannot with the world promote success.
He may be strong, but, with effect to speak,
Should recollect his readers may be weak;
Plain, rigid truths, which saints with comfort bear,
Will make the sinner tremble and despair.
True Virtue acts from love, and the great end
At which she nobly aims is to amend.
How then do those mistake who arm her laws
With rigour not their own, and hurt the cause
They mean to help, whilst with a zealot rage
They make that goddess, whom they'd have engage
Our dearest love, in hideous terror rise!
Such may be honest, but they can't be wise.
In her own full and perfect blaze of light,
Virtue breaks forth too strong for human sight;
The dazzled eye, that nice but weaker sense,
Shuts herself up in darkness for defence:
But to make strong conviction deeper sink,
To make the callous feel, the thoughtless think,
Like God, made man, she lays her glory by,
And beams mild comfort on the ravish'd eye:
In earnest most, when most she seems in jest,
She worms into, and winds around, the breast,
To conquer Vice, of Vice appears the friend,
And seems unlike herself to gain her end.
The sons of Sin, to while away the time
Which lingers on their hands, of each black crime
To hush the painful memory, and keep
The tyrant Conscience in delusive sleep,
Read on at random, nor suspect the dart
40
Until they find it rooted in their heart.
'Gainst vice they give their vote, nor know at first
That, cursing that, themselves too they have cursed;
They see not, till they fall into the snares,
Deluded into virtue unawares.
Thus the shrewd doctor, in the spleen-struck mind,
When pregnant horror sits, and broods o'er wind,
Discarding drugs, and striving how to please,
Lures on insensibly, by slow degrees,
The patient to those manly sports which bind
The slacken'd sinews, and relieve the mind;
The patient feels a change as wrought by stealth,
And wonders on demand to find it health.
Some few, whom Fate ordain'd to deal in rhymes
In other lands, and here, in other times,
Whom, waiting at their birth, the midwife Muse
Sprinkled all over with Castalian dews,
To whom true Genius gave his magic pen,
Whom Art by just degrees led up to men;
Some few, extremes well shunn'd, have steer'd between
These dangerous rocks, and held the golden mean;
Sense in their works maintains her proper state,
But never sleeps, or labours with her weight;
Grace makes the whole look elegant and gay,
But never dares from Sense to run astray:
So nice the master's touch, so great his care,
The colours boldly glow, not idly glare;
Mutually giving and receiving aid,
They set each other off, like light and shade,
And, as by stealth, with so much softness blend,
'Tis hard to say where they begin or end:
Both give us charms, and neither gives offence;
Sense perfects Grace, and Grace enlivens Sense.
Peace to the men who these high honours claim,
Health to their souls, and to their memories fame!
Be it my task, and no mean task, to teach
A reverence for that worth I cannot reach:
Let me at distance, with a steady eye,
Observe and mark their passage to the sky;
From envy free, applaud such rising worth,
And praise their heaven, though pinion'd down to earth!
Had I the power, I could not have the time,
41
Whilst spirits flow, and life is in her prime,
Without a sin 'gainst Pleasure, to design
A plan, to methodise each thought, each line
Highly to finish, and make every grace,
In itself charming, take new charms from place.
Nothing of books, and little known of men,
When the mad fit comes on, I seize the pen,
Rough as they run, the rapid thoughts set down.
Rough as they run, discharge them on the town.
Hence rude, unfinish'd brats, before their time,
Are born into this idle world of Rhyme,
And the poor slattern Muse is brought to bed
'With all her imperfections on her head.'
Some, as no life appears, no pulses play
Through the dull dubious mass, no breath makes way,
Doubt, greatly doubt, till for a glass they call,
Whether the child can be baptized at all;
Others, on other grounds, objections frame,
And, granting that the child may have a name,
Doubt, as the sex might well a midwife pose,
Whether they should baptize it Verse or Prose.
E'en what my masters please; bards, mild, meek men,
In love to critics, stumble now and then.
Something I do myself, and something too,
If they can do it, leave for them to do.
In the small compass of my careless page
Critics may find employment for an age:
Without my blunders, they were all undone;
I twenty feed, where Mason can feed one.
When Satire stoops, unmindful of her state,
To praise the man I love, curse him I hate;
When Sense, in tides of passion borne along,
Sinking to prose, degrades the name of song,
The censor smiles, and, whilst my credit bleeds,
With as high relish on the carrion feeds
As the proud earl fed at a turtle feast,
Who, turn'd by gluttony to worse than beast,
Ate till his bowels gush'd upon the floor,
Yet still ate on, and dying call'd for more.
When loose Digression, like a colt unbroke,
Spurning Connexion and her formal yoke,
Bounds through the forest, wanders far astray
42
From the known path, and loves to lose her way,
'Tis a full feast to all the mongrel pack
To run the rambler down, and bring her back.
When gay Description, Fancy's fairy child,
Wild without art, and yet with pleasure wild,
Waking with Nature at the morning hour
To the lark's call, walks o'er the opening flower
Which largely drank all night of heaven's fresh dew,
And, like a mountain nymph of Dian's crew,
So lightly walks, she not one mark imprints,
Nor brushes off the dews, nor soils the tints;
When thus Description sports, even at the time
That drums should beat, and cannons roar in rhyme,
Critics can live on such a fault as that
From one month to the other, and grow fat.
Ye mighty Monthly Judges! in a dearth
Of letter'd blockheads, conscious of the worth
Of my materials, which against your will
Oft you've confess'd, and shall confess it still;
Materials rich, though rude, inflamed with thought,
Though more by Fancy than by Judgment wrought
Take, use them as your own, a work begin
Which suits your genius well, and weave them in,
Framed for the critic loom, with critic art,
Till, thread on thread depending, part on part,
Colour with colour mingling, light with shade,
To your dull taste a formal work is made,
And, having wrought them into one grand piece,
Swear it surpasses Rome, and rivals Greece.
Nor think this much, for at one single word,
Soon as the mighty critic fiat's heard,
Science attends their call; their power is own'd;
Order takes place, and Genius is dethroned:
Letters dance into books, defiance hurl'd
At means, as atoms danced into a world.
Me higher business calls, a greater plan,
Worthy man's whole employ, the good of man,
The good of man committed to my charge:
If idle Fancy rambles forth at large,
Careless of such a trust, these harmless lays
May Friendship envy, and may Folly praise.
The crown of Gotham may some Scot assume,
43
And vagrant Stuarts reign in Churchill's room!
O my poor People! O thou wretched Earth!
To whose dear love, though not engaged by birth,
My heart is fix'd, my service deeply sworn,
How, (by thy father can that thought be borne?-For monarchs, would they all but think like me,
Are only fathers in the best degree)
How must thy glories fade, in every land
Thy name be laugh'd to scorn, thy mighty hand
Be shorten'd, and thy zeal, by foes confess'd,
Bless'd in thyself, to make thy neighbours bless'd,
Be robb'd of vigour; how must Freedom's pile,
The boast of ages, which adorns the isle
And makes it great and glorious, fear'd abroad,
Happy at home, secure from force and fraud;
How must that pile, by ancient Wisdom raised
On a firm rock, by friends admired and praised,
Envied by foes, and wonder'd at by all,
In one short moment into ruins fall,
Should any slip of Stuart's tyrant race,
Or bastard or legitimate, disgrace
Thy royal seat of empire! But what care,
What sorrow must be mine, what deep despair
And self-reproaches, should that hated line
Admittance gain through any fault of mine!
Cursed be the cause whence Gotham's evils spring,
Though that cursed cause be found in Gotham's king.
Let War, with all his needy ruffian band,
In pomp of horror stalk through Gotham's land
Knee-deep in blood; let all her stately towers
Sink in the dust; that court which now is ours
Become a den, where beasts may, if they can,
A lodging find, nor fear rebuke from man;
Where yellow harvests rise, be brambles found;
Where vines now creep, let thistles curse the ground;
Dry in her thousand valleys be the rills;
Barren the cattle on her thousand hills;
Where Power is placed, let tigers prowl for prey;
Where Justice lodges, let wild asses bray;
Let cormorants in churches make their nest,
And on the sails of Commerce bitterns rest;
Be all, though princes in the earth before,
44
Her merchants bankrupts, and her marts no more;
Much rather would I, might the will of Fate
Give me to choose, see Gotham's ruin'd state
By ills on ills thus to the earth weigh'd down,
Than live to see a Stuart wear a crown.
Let Heaven in vengeance arm all Nature's host,
Those servants who their Maker know, who boast
Obedience as their glory, and fulfil,
Unquestion'd, their great Master's sacred will;
Let raging winds root up the boiling deep,
And, with Destruction big, o'er Gotham sweep;
Let rains rush down, till Faith, with doubtful eye,
Looks for the sign of mercy in the sky;
Let Pestilence in all her horrors rise;
Where'er I turn, let Famine blast my eyes;
Let the earth yawn, and, ere they've time to think,
In the deep gulf let all my subjects sink
Before my eyes, whilst on the verge I reel;
Feeling, but as a monarch ought to feel,
Not for myself, but them, I'll kiss the rod,
And, having own'd the justice of my God,
Myself with firmness to the ruin give,
And die with those for whom I wish to live.
This, (but may Heaven's more merciful decrees
Ne'er tempt his servant with such ills as these!)
This, or my soul deceives me, I could bear;
But that the Stuart race my crown should wear,
That crown, where, highly cherish'd, Freedom shone
Bright as the glories of the midday sun;
Born and bred slaves, that they, with proud misrule,
Should make brave freeborn men, like boys at school,
To the whip crouch and tremble--Oh, that thought!
The labouring brain is e'en to madness brought
By the dread vision; at the mere surmise
The thronging spirits, as in tumult, rise;
My heart, as for a passage, loudly beats,
And, turn me where I will, distraction meets.
O my brave fellows! great in arts and arms,
The wonder of the earth, whom glory warms
To high achievements; can your spirits bend,
Through base control (ye never can descend
So low by choice) to wear a tyrant's chain,
45
Or let, in Freedom's seat, a Stuart reign?
If Fame, who hath for ages, far and wide,
Spread in all realms the cowardice, the pride,
The tyranny and falsehood of those lords,
Contents you not, search England's fair records;
England, where first the breath of life I drew,
Where, next to Gotham, my best love is due;
There once they ruled, though crush'd by William's hand,
They rule no more, to curse that happy land.
The first, who, from his native soil removed,
Held England's sceptre, a tame tyrant proved:
Virtue he lack'd, cursed with those thoughts which spring
In souls of vulgar stamp, to be a king;
Spirit he had not, though he laugh'd at laws.
To play the bold-faced tyrant with applause;
On practices most mean he raised his pride,
And Craft oft gave what Wisdom oft denied.
Ne'er could he feel how truly man is blest
In blessing those around him; in his breast,
Crowded with follies, Honour found no room;
Mark'd for a coward in his mother's womb,
He was too proud without affronts to live,
Too timorous to punish or forgive.
To gain a crown which had, in course of time,
By fair descent, been his without a crime,
He bore a mother's exile; to secure
A greater crown, he basely could endure
The spilling of her blood by foreign knife,
Nor dared revenge her death who gave him life:
Nay, by fond Pear, and fond Ambition led,
Struck hands with those by whom her blood was shed.
Call'd up to power, scarce warm on England's throne,
He fill'd her court with beggars from his own:
Turn where you would, the eye with Scots was caught,
Or English knaves, who would be Scotsmen thought.
To vain expense unbounded loose he gave,
The dupe of minions, and of slaves the slave;
On false pretences mighty sums he raised,
And damn'd those senates rich, whom poor he praised;
From empire thrown, and doom'd to beg her bread,
On foreign bounty whilst a daughter fed,
He lavish'd sums, for her received, on men
46
Whose names would fix dishonour on my pen.
Lies were his playthings, parliaments his sport;
Book-worms and catamites engross'd the court:
Vain of the scholar, like all Scotsmen since,
The pedant scholar, he forgot the prince;
And having with some trifles stored his brain,
Ne'er learn'd, nor wish'd to learn, the art to reign.
Enough he knew, to make him vain and proud,
Mock'd by the wise, the wonder of the crowd;
False friend, false son, false father, and false king,
False wit, false statesman, and false everything,
When he should act, he idly chose to prate,
And pamphlets wrote, when he should save the state.
Religious, if religion holds in whim;
To talk with all, he let all talk with him;
Not on God's honour, but his own intent,
Not for religion's sake, but argument;
More vain if some sly, artful High-Dutch slave,
Or, from the Jesuit school, some precious knave
Conviction feign'd, than if, to peace restored
By his full soldiership, worlds hail'd him lord.
Power was his wish, unbounded as his will,
The power, without control, of doing ill;
But what he wish'd, what he made bishops preach,
And statesmen warrant, hung within his reach
He dared not seize; Fear gave, to gall his pride,
That freedom to the realm his will denied.
Of treaties fond, o'erweening of his parts,
In every treaty of his own mean arts
He fell the dupe; peace was his coward care,
E'en at a time when Justice call'd for war:
His pen he'd draw to prove his lack of wit,
But rather than unsheath the sword, submit.
Truth fairly must record; and, pleased to live
In league with Mercy, Justice may forgive
Kingdoms betray'd, and worlds resign'd to Spain,
But never can forgive a Raleigh slain.
At length, (with white let Freedom mark that year)
Not fear'd by those whom most he wish'd to fear,
Not loved by those whom most he wish'd to love,
He went to answer for his faults above;
To answer to that God, from whom alone
47
He claim'd to hold, and to abuse the throne;
Leaving behind, a curse to all his line,
The bloody legacy of Right Divine.
With many virtues which a radiance fling
Round private men; with few which grace a king,
And speak the monarch; at that time of life
When Passion holds with Reason doubtful strife,
Succeeded Charles, by a mean sire undone,
Who envied virtue even in a son.
His youth was froward, turbulent, and wild;
He took the Man up ere he left the Child;
His soul was eager for imperial sway,
Ere he had learn'd the lesson to obey.
Surrounded by a fawning, flattering throng,
Judgment each day grew weak, and humour strong;
Wisdom was treated as a noisome weed,
And all his follies left to run to seed.
What ills from such beginnings needs must spring!
What ills to such a land from such a king!
What could she hope! what had she not to fear!
Base Buckingham possess'd his youthful ear;
Strafford and Laud, when mounted on the throne,
Engross'd his love, and made him all their own;
Strafford and Laud, who boldly dared avow
The traitorous doctrine taught by Tories now;
Each strove to undo him in his turn and hour,
The first with pleasure, and the last with power.
Thinking (vain thought, disgraceful to the throne!)
That all mankind were made for kings alone;
That subjects were but slaves; and what was whim,
Or worse, in common men, was law in him;
Drunk with Prerogative, which Fate decreed
To guard good kings, and tyrants to mislead;
Which in a fair proportion to deny
Allegiance dares not; which to hold too high,
No good can wish, no coward king can dare,
And, held too high, no English subject bear;
Besieged by men of deep and subtle arts,
Men void of principle, and damn'd with parts,
Who saw his weakness, made their king their tool,
Then most a slave, when most he seem'd to rule;
Taking all public steps for private ends,
48
Deceived by favourites, whom he called friends,
He had not strength enough of soul to find
That monarchs, meant as blessings to mankind,
Sink their great state, and stamp their fame undone,
When what was meant for all, they give to one.
Listening uxorious whilst a woman's prate
Modell'd the church, and parcell'd out the state,
Whilst (in the state not more than women read)
High-churchmen preach'd, and turn'd his pious head;
Tutor'd to see with ministerial eyes;
Forbid to hear a loyal nation's cries;
Made to believe (what can't a favourite do?)
He heard a nation, hearing one or two;
Taught by state-quacks himself secure to think,
And out of danger e'en on danger's brink;
Whilst power was daily crumbling from his hand,
Whilst murmurs ran through an insulted land,
As if to sanction tyrants Heaven was bound,
He proudly sought the ruin which he found.
Twelve years, twelve tedious and inglorious years,
Did England, crush'd by power, and awed by fears,
Whilst proud Oppression struck at Freedom's root,
Lament her senates lost, her Hampden mute.
Illegal taxes and oppressive loans,
In spite of all her pride, call'd forth her groans;
Patience was heard her griefs aloud to tell,
And Loyalty was tempted to rebel.
Each day new acts of outrage shook the state,
New courts were raised to give new doctrines weight;
State inquisitions kept the realm in awe,
And cursed Star-Chambers made or ruled the law;
Juries were pack'd, and judges were unsound;
Through the whole kingdom not one Pratt was found.
From the first moments of his giddy youth
He hated senates, for they told him truth.
At length, against his will compell'd to treat,
Those whom he could not fright, he strove to cheat;
With base dissembling every grievance heard,
And, often giving, often broke his word.
Oh, where shall hapless Truth for refuge fly,
If kings, who should protect her, dare to lie?
Those who, the general good their real aim,
49
Sought in their country's good their monarch's fame;
Those who were anxious for his safety; those
Who were induced by duty to oppose,
Their truth suspected, and their worth unknown,
He held as foes and traitors to his throne;
Nor found his fatal error till the hour
Of saving him was gone and past; till power
Had shifted hands, to blast his hapless reign,
Making their faith and his repentance vain.
Hence (be that curse confined to Gotham's foes!)
War, dread to mention, Civil War arose;
All acts of outrage, and all acts of shame,
Stalk'd forth at large, disguised with Honour's name;
Rebellion, raising high her bloody hand,
Spread universal havoc through the land;
With zeal for party, and with passion drunk,
In public rage all private love was sunk;
Friend against friend, brother 'gainst brother stood,
And the son's weapon drank the father's blood;
Nature, aghast, and fearful lest her reign
Should last no longer, bled in every vein.
Unhappy Stuart! harshly though that name
Grates on my ear, I should have died with shame
To see my king before his subjects stand,
And at their bar hold up his royal hand;
At their commands to hear the monarch plead,
By their decrees to see that monarch bleed.
What though thy faults were many and were great?
What though they shook the basis of the state?
In royalty secure thy person stood,
And sacred was the fountain of thy blood.
Vile ministers, who dared abuse their trust,
Who dared seduce a king to be unjust,
Vengeance, with Justice leagued, with Power made strong,
Had nobly crush'd--'The king could do no wrong.'
Yet grieve not, Charles! nor thy hard fortunes blame;
They took thy life, but they secured thy fame.
Their greatest crimes made thine like specks appear,
From which the sun in glory is not clear.
Hadst thou in peace and years resign'd thy breath
At Nature's call; hadst thou laid down in death
As in a sleep, thy name, by Justice borne
50
On the four winds, had been in pieces torn.
Pity, the virtue of a generous soul,
Sometimes the vice, hath made thy memory whole.
Misfortunes gave what Virtue could not give,
And bade, the tyrant slain, the martyr live.
Ye Princes of the earth! ye mighty few!
Who, worlds subduing, can't yourselves subdue;
Who, goodness scorn'd, wish only to be great;
Whose breath is blasting, and whose voice is fate;
Who own no law, no reason, but your will,
And scorn restraint, though 'tis from doing ill;
Who of all passions groan beneath the worst,
Then only bless'd when they make others cursed;
Think not, for wrongs like these, unscourged to live;
Long may ye sin, and long may Heaven forgive;
But when ye least expect, in sorrow's day,
Vengeance shall fall more heavy for delay;
Nor think that vengeance heap'd on you alone
Shall (poor amends!) for injured worlds atone;
No, like some base distemper, which remains,
Transmitted from the tainted father's veins,
In the son's blood, such broad and general crimes
Shall call down vengeance e'en to latest times,
Call vengeance down on all who bear your name,
And make their portion bitterness and shame.
From land to land for years compell'd to roam,
Whilst Usurpation lorded it at home,
Of majesty unmindful, forced to fly,
Not daring, like a king, to reign or die,
Recall'd to repossess his lawful throne,
More at his people's seeking than his own,
Another Charles succeeded. In the school
Of Travel he had learn'd to play the fool;
And, like pert pupils with dull tutors sent
To shame their country on the Continent,
From love of England by long absence wean'd,
From every court he every folly glean'd,
And was--so close do evil habits cling-Till crown'd, a beggar; and when crown'd, no king.
Those grand and general powers, which Heaven design'd,
An instance of his mercy to mankind,
Were lost, in storms of dissipation hurl'd,
51
Nor would he give one hour to bless a world;
Lighter than levity which strides the blast,
And, of the present fond, forgets the past,
He changed and changed, but, every hope to curse,
Changed only from one folly to a worse:
State he resign'd to those whom state could please;
Careless of majesty, his wish was ease;
Pleasure, and pleasure only, was his aim;
Kings of less wit might hunt the bubble Fame;
Dignity through his reign was made a sport,
Nor dared Decorum show her face at court;
Morality was held a standing jest,
And Faith a necessary fraud at best.
Courtiers, their monarch ever in their view,
Possess'd great talents, and abused them too;
Whate'er was light, impertinent, and vain,
Whate'er was loose, indecent, and profane,
(So ripe was Folly, Folly to acquit)
Stood all absolved in that poor bauble, Wit.
In gratitude, alas! but little read,
He let his father's servants beg their bread-His father's faithful servants, and his own,
To place the foes of both around his throne.
Bad counsels he embraced through indolence,
Through love of ease, and not through want of sense;
He saw them wrong, but rather let them go
As right, than take the pains to make them so.
Women ruled all, and ministers of state
Were for commands at toilets forced to wait:
Women, who have, as monarchs, graced the land,
But never govern'd well at second-hand.
To make all other errors slight appear,
In memory fix'd, stand Dunkirk and Tangier;
In memory fix'd so deep, that Time in vain
Shall strive to wipe those records from the brain,
Amboyna stands--Gods! that a king could hold
In such high estimate vile paltry gold,
And of his duty be so careless found,
That when the blood of subjects from the ground
For vengeance call'd, he should reject their cry,
And, bribed from honour, lay his thunders by,
Give Holland peace, whilst English victims groan'd,
52
And butcher'd subjects wander'd unatoned!
Oh, dear, deep injury to England's fame,
To them, to us, to all! to him deep shame!
Of all the passions which from frailty spring,
Avarice is that which least becomes a king.
To crown the whole, scorning the public good,
Which through his reign he little understood,
Or little heeded, with too narrow aim
He reassumed a bigot brother's claim,
And having made time-serving senates bow,
Suddenly died--that brother best knew how.
No matter how--he slept amongst the dead,
And James his brother reigned in his stead:
But such a reign--so glaring an offence
In every step 'gainst freedom, law, and sense,
'Gainst all the rights of Nature's general plan,
'Gainst all which constitutes an Englishman,
That the relation would mere fiction seem,
The mock creation of a poet's dream;
And the poor bards would, in this sceptic age,
Appear as false as _their_ historian's page.
Ambitious Folly seized the seat of Wit,
Christians were forced by bigots to submit;
Pride without sense, without religion Zeal,
Made daring inroads on the Commonweal;
Stern Persecution raised her iron rod,
And call'd the pride of kings, the power of God;
Conscience and Fame were sacrificed to Rome,
And England wept at Freedom's sacred tomb.
Her laws despised, her constitution wrench'd
From its due natural frame, her rights retrench'd
Beyond a coward's sufferance, conscience forced,
And healing Justice from the Crown divorced,
Each moment pregnant with vile acts of power,
Her patriot Bishops sentenced to the Tower,
Her Oxford (who yet loves the Stuart name)
Branded with arbitrary marks of shame,
She wept--but wept not long: to arms she flew,
At Honour's call the avenging sword she drew,
Turn'd all her terrors on the tyrant's head,
And sent him in despair to beg his bread;
Whilst she, (may every State in such distress
53
Dare with such zeal, and meet with such success!)
Whilst she, (may Gotham, should my abject mind
Choose to enslave rather than free mankind,
Pursue her steps, tear the proud tyrant down,
Nor let me wear if I abuse the crown!)
Whilst she, (through every age, in every land,
Written in gold, let Revolution stand!)
Whilst she, secured in liberty and law,
Found what she sought, a saviour in Nassau.
~ Charles Churchill,
514:The Last Tournament
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'
For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'
To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
631
And Lancelot won, methought, for thee to wear.'
`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as givenSlid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,
But the sweet body of a maiden babe.
Perchance-who knows?-the purest of thy knights
May win them for the purest of my maids.'
She ended, and the cry of a great jousts
With trumpet-blowings ran on all the ways
From Camelot in among the faded fields
To furthest towers; and everywhere the knights
Armed for a day of glory before the King.
But on the hither side of that loud morn
Into the hall staggered, his visage ribbed
From ear to ear with dogwhip-weals, his nose
Bridge-broken, one eye out, and one hand off,
And one with shattered fingers dangling lame,
A churl, to whom indignantly the King,
`My churl, for whom Christ died, what evil beast
Hath drawn his claws athwart thy face? or fiend?
Man was it who marred heaven's image in thee thus?'
Then, sputtering through the hedge of splintered teeth,
Yet strangers to the tongue, and with blunt stump
Pitch-blackened sawing the air, said the maimed churl,
`He took them and he drave them to his towerSome hold he was a table-knight of thineA hundred goodly ones-the Red Knight, heLord, I was tending swine, and the Red Knight
Brake in upon me and drave them to his tower;
And when I called upon thy name as one
632
That doest right by gentle and by churl,
Maimed me and mauled, and would outright have slain,
Save that he sware me to a message, saying,
'Tell thou the King and all his liars, that I
Have founded my Round Table in the North,
And whatsoever his own knights have sworn
My knights have sworn the counter to it-and say
My tower is full of harlots, like his court,
But mine are worthier, seeing they profess
To be none other than themselves-and say
My knights are all adulterers like his own,
But mine are truer, seeing they profess
To be none other; and say his hour is come,
The heathen are upon him, his long lance
Broken, and his Excalibur a straw.''
Then Arthur turned to Kay the seneschal,
`Take thou my churl, and tend him curiously
Like a king's heir, till all his hurts be whole.
The heathen-but that ever-climbing wave,
Hurled back again so often in empty foam,
Hath lain for years at rest-and renegades,
Thieves, bandits, leavings of confusion, whom
The wholesome realm is purged of otherwhere,
Friends, through your manhood and your fealty,-now
Make their last head like Satan in the North.
My younger knights, new-made, in whom your flower
Waits to be solid fruit of golden deeds,
Move with me toward their quelling, which achieved,
The loneliest ways are safe from shore to shore.
But thou, Sir Lancelot, sitting in my place
Enchaired tomorrow, arbitrate the field;
For wherefore shouldst thou care to mingle with it,
Only to yield my Queen her own again?
Speak, Lancelot, thou art silent: is it well?'
Thereto Sir Lancelot answered, `It is well:
Yet better if the King abide, and leave
The leading of his younger knights to me.
Else, for the King has willed it, it is well.'
Then Arthur rose and Lancelot followed him,
633
And while they stood without the doors, the King
Turned to him saying, `Is it then so well?
Or mine the blame that oft I seem as he
Of whom was written, 'A sound is in his ears'?
The foot that loiters, bidden go,-the glance
That only seems half-loyal to command,A manner somewhat fallen from reverenceOr have I dreamed the bearing of our knights
Tells of a manhood ever less and lower?
Or whence the fear lest this my realm, upreared,
By noble deeds at one with noble vows,
From flat confusion and brute violences,
Reel back into the beast, and be no more?'
He spoke, and taking all his younger knights,
Down the slope city rode, and sharply turned
North by the gate. In her high bower the Queen,
Working a tapestry, lifted up her head,
Watched her lord pass, and knew not that she sighed.
Then ran across her memory the strange rhyme
Of bygone Merlin, `Where is he who knows?
From the great deep to the great deep he goes.'
But when the morning of a tournament,
By these in earnest those in mockery called
The Tournament of the Dead Innocence,
Brake with a wet wind blowing, Lancelot,
Round whose sick head all night, like birds of prey,
The words of Arthur flying shrieked, arose,
And down a streetway hung with folds of pure
White samite, and by fountains running wine,
Where children sat in white with cups of gold,
Moved to the lists, and there, with slow sad steps
Ascending, filled his double-dragoned chair.
He glanced and saw the stately galleries,
Dame, damsel, each through worship of their Queen
White-robed in honour of the stainless child,
And some with scattered jewels, like a bank
Of maiden snow mingled with sparks of fire.
He looked but once, and vailed his eyes again.
634
The sudden trumpet sounded as in a dream
To ears but half-awaked, then one low roll
Of Autumn thunder, and the jousts began:
And ever the wind blew, and yellowing leaf
And gloom and gleam, and shower and shorn plume
Went down it. Sighing weariedly, as one
Who sits and gazes on a faded fire,
When all the goodlier guests are past away,
Sat their great umpire, looking o'er the lists.
He saw the laws that ruled the tournament
Broken, but spake not; once, a knight cast down
Before his throne of arbitration cursed
The dead babe and the follies of the King;
And once the laces of a helmet cracked,
And showed him, like a vermin in its hole,
Modred, a narrow face: anon he heard
The voice that billowed round the barriers roar
An ocean-sounding welcome to one knight,
But newly-entered, taller than the rest,
And armoured all in forest green, whereon
There tript a hundred tiny silver deer,
And wearing but a holly-spray for crest,
With ever-scattering berries, and on shield
A spear, a harp, a bugle-Tristram-late
From overseas in Brittany returned,
And marriage with a princess of that realm,
Isolt the White-Sir Tristram of the WoodsWhom Lancelot knew, had held sometime with pain
His own against him, and now yearned to shake
The burthen off his heart in one full shock
With Tristram even to death: his strong hands gript
And dinted the gilt dragons right and left,
Until he groaned for wrath-so many of those,
That ware their ladies' colours on the casque,
Drew from before Sir Tristram to the bounds,
And there with gibes and flickering mockeries
Stood, while he muttered, `Craven crests! O shame!
What faith have these in whom they sware to love?
The glory of our Round Table is no more.'
So Tristram won, and Lancelot gave, the gems,
Not speaking other word than `Hast thou won?
635
Art thou the purest, brother? See, the hand
Wherewith thou takest this, is red!' to whom
Tristram, half plagued by Lancelot's languorous mood,
Made answer, `Ay, but wherefore toss me this
Like a dry bone cast to some hungry hound?
Lest be thy fair Queen's fantasy. Strength of heart
And might of limb, but mainly use and skill,
Are winners in this pastime of our King.
My hand-belike the lance hath dript upon itNo blood of mine, I trow; but O chief knight,
Right arm of Arthur in the battlefield,
Great brother, thou nor I have made the world;
Be happy in thy fair Queen as I in mine.'
And Tristram round the gallery made his horse
Caracole; then bowed his homage, bluntly saying,
`Fair damsels, each to him who worships each
Sole Queen of Beauty and of love, behold
This day my Queen of Beauty is not here.'
And most of these were mute, some angered, one
Murmuring, `All courtesy is dead,' and one,
`The glory of our Round Table is no more.'
Then fell thick rain, plume droopt and mantle clung,
And pettish cries awoke, and the wan day
Went glooming down in wet and weariness:
But under her black brows a swarthy one
Laughed shrilly, crying, `Praise the patient saints,
Our one white day of Innocence hath past,
Though somewhat draggled at the skirt. So be it.
The snowdrop only, flowering through the year,
Would make the world as blank as Winter-tide.
Come-let us gladden their sad eyes, our Queen's
And Lancelot's, at this night's solemnity
With all the kindlier colours of the field.'
So dame and damsel glittered at the feast
Variously gay: for he that tells the tale
Likened them, saying, as when an hour of cold
Falls on the mountain in midsummer snows,
And all the purple slopes of mountain flowers
Pass under white, till the warm hour returns
636
With veer of wind, and all are flowers again;
So dame and damsel cast the simple white,
And glowing in all colours, the live grass,
Rose-campion, bluebell, kingcup, poppy, glanced
About the revels, and with mirth so loud
Beyond all use, that, half-amazed, the Queen,
And wroth at Tristram and the lawless jousts,
Brake up their sports, then slowly to her bower
Parted, and in her bosom pain was lord.
And little Dagonet on the morrow morn,
High over all the yellowing Autumn-tide,
Danced like a withered leaf before the hall.
Then Tristram saying, `Why skip ye so, Sir Fool?'
Wheeled round on either heel, Dagonet replied,
`Belike for lack of wiser company;
Or being fool, and seeing too much wit
Makes the world rotten, why, belike I skip
To know myself the wisest knight of all.'
`Ay, fool,' said Tristram, `but 'tis eating dry
To dance without a catch, a roundelay
To dance to.' Then he twangled on his harp,
And while he twangled little Dagonet stood
Quiet as any water-sodden log
Stayed in the wandering warble of a brook;
But when the twangling ended, skipt again;
And being asked, `Why skipt ye not, Sir Fool?'
Made answer, `I had liefer twenty years
Skip to the broken music of my brains
Than any broken music thou canst make.'
Then Tristram, waiting for the quip to come,
`Good now, what music have I broken, fool?'
And little Dagonet, skipping, `Arthur, the King's;
For when thou playest that air with Queen Isolt,
Thou makest broken music with thy bride,
Her daintier namesake down in BrittanyAnd so thou breakest Arthur's music too.'
`Save for that broken music in thy brains,
Sir Fool,' said Tristram, `I would break thy head.
Fool, I came too late, the heathen wars were o'er,
The life had flown, we sware but by the shellI am but a fool to reason with a fool-
637
Come, thou art crabbed and sour: but lean me down,
Sir Dagonet, one of thy long asses' ears,
And harken if my music be not true.
`'Free love-free field-we love but while we may:
The woods are hushed, their music is no more:
The leaf is dead, the yearning past away:
New leaf, new life-the days of frost are o'er:
New life, new love, to suit the newer day:
New loves are sweet as those that went before:
Free love-free field-we love but while we may.'
`Ye might have moved slow-measure to my tune,
Not stood stockstill. I made it in the woods,
And heard it ring as true as tested gold.'
But Dagonet with one foot poised in his hand,
`Friend, did ye mark that fountain yesterday
Made to run wine?-but this had run itself
All out like a long life to a sour endAnd them that round it sat with golden cups
To hand the wine to whosoever cameThe twelve small damosels white as Innocence,
In honour of poor Innocence the babe,
Who left the gems which Innocence the Queen
Lent to the King, and Innocence the King
Gave for a prize-and one of those white slips
Handed her cup and piped, the pretty one,
'Drink, drink, Sir Fool,' and thereupon I drank,
Spat-pish-the cup was gold, the draught was mud.'
And Tristram, `Was it muddier than thy gibes?
Is all the laughter gone dead out of thee?Not marking how the knighthood mock thee, fool'Fear God: honour the King-his one true knightSole follower of the vows'-for here be they
Who knew thee swine enow before I came,
Smuttier than blasted grain: but when the King
Had made thee fool, thy vanity so shot up
It frighted all free fool from out thy heart;
Which left thee less than fool, and less than swine,
A naked aught-yet swine I hold thee still,
638
For I have flung thee pearls and find thee swine.'
And little Dagonet mincing with his feet,
`Knight, an ye fling those rubies round my neck
In lieu of hers, I'll hold thou hast some touch
Of music, since I care not for thy pearls.
Swine? I have wallowed, I have washed-the world
Is flesh and shadow-I have had my day.
The dirty nurse, Experience, in her kind
Hath fouled me-an I wallowed, then I washedI have had my day and my philosophiesAnd thank the Lord I am King Arthur's fool.
Swine, say ye? swine, goats, asses, rams and geese
Trooped round a Paynim harper once, who thrummed
On such a wire as musically as thou
Some such fine song-but never a king's fool.'
And Tristram, `Then were swine, goats, asses, geese
The wiser fools, seeing thy Paynim bard
Had such a mastery of his mystery
That he could harp his wife up out of hell.'
Then Dagonet, turning on the ball of his foot,
`And whither harp'st thou thine? down! and thyself
Down! and two more: a helpful harper thou,
That harpest downward! Dost thou know the star
We call the harp of Arthur up in heaven?'
And Tristram, `Ay, Sir Fool, for when our King
Was victor wellnigh day by day, the knights,
Glorying in each new glory, set his name
High on all hills, and in the signs of heaven.'
And Dagonet answered, `Ay, and when the land
Was freed, and the Queen false, ye set yourself
To babble about him, all to show your witAnd whether he were King by courtesy,
Or King by right-and so went harping down
The black king's highway, got so far, and grew
So witty that ye played at ducks and drakes
With Arthur's vows on the great lake of fire.
Tuwhoo! do ye see it? do ye see the star?'
639
`Nay, fool,' said Tristram, `not in open day.'
And Dagonet, `Nay, nor will: I see it and hear.
It makes a silent music up in heaven,
And I, and Arthur and the angels hear,
And then we skip.' `Lo, fool,' he said, `ye talk
Fool's treason: is the King thy brother fool?'
Then little Dagonet clapt his hands and shrilled,
`Ay, ay, my brother fool, the king of fools!
Conceits himself as God that he can make
Figs out of thistles, silk from bristles, milk
From burning spurge, honey from hornet-combs,
And men from beasts-Long live the king of fools!'
And down the city Dagonet danced away;
But through the slowly-mellowing avenues
And solitary passes of the wood
Rode Tristram toward Lyonnesse and the west.
Before him fled the face of Queen Isolt
With ruby-circled neck, but evermore
Past, as a rustle or twitter in the wood
Made dull his inner, keen his outer eye
For all that walked, or crept, or perched, or flew.
Anon the face, as, when a gust hath blown,
Unruffling waters re-collect the shape
Of one that in them sees himself, returned;
But at the slot or fewmets of a deer,
Or even a fallen feather, vanished again.
So on for all that day from lawn to lawn
Through many a league-long bower he rode. At length
A lodge of intertwisted beechen-boughs
Furze-crammed, and bracken-rooft, the which himself
Built for a summer day with Queen Isolt
Against a shower, dark in the golden grove
Appearing, sent his fancy back to where
She lived a moon in that low lodge with him:
Till Mark her lord had past, the Cornish King,
With six or seven, when Tristram was away,
And snatched her thence; yet dreading worse than shame
Her warrior Tristram, spake not any word,
But bode his hour, devising wretchedness.
640
And now that desert lodge to Tristram lookt
So sweet, that halting, in he past, and sank
Down on a drift of foliage random-blown;
But could not rest for musing how to smoothe
And sleek his marriage over to the Queen.
Perchance in lone Tintagil far from all
The tonguesters of the court she had not heard.
But then what folly had sent him overseas
After she left him lonely here? a name?
Was it the name of one in Brittany,
Isolt, the daughter of the King? `Isolt
Of the white hands' they called her: the sweet name
Allured him first, and then the maid herself,
Who served him well with those white hands of hers,
And loved him well, until himself had thought
He loved her also, wedded easily,
But left her all as easily, and returned.
The black-blue Irish hair and Irish eyes
Had drawn him home-what marvel? then he laid
His brows upon the drifted leaf and dreamed.
He seemed to pace the strand of Brittany
Between Isolt of Britain and his bride,
And showed them both the ruby-chain, and both
Began to struggle for it, till his Queen
Graspt it so hard, that all her hand was red.
Then cried the Breton, `Look, her hand is red!
These be no rubies, this is frozen blood,
And melts within her hand-her hand is hot
With ill desires, but this I gave thee, look,
Is all as cool and white as any flower.'
Followed a rush of eagle's wings, and then
A whimpering of the spirit of the child,
Because the twain had spoiled her carcanet.
He dreamed; but Arthur with a hundred spears
Rode far, till o'er the illimitable reed,
And many a glancing plash and sallowy isle,
The wide-winged sunset of the misty marsh
Glared on a huge machicolated tower
That stood with open doors, whereout was rolled
641
A roar of riot, as from men secure
Amid their marshes, ruffians at their ease
Among their harlot-brides, an evil song.
`Lo there,' said one of Arthur's youth, for there,
High on a grim dead tree before the tower,
A goodly brother of the Table Round
Swung by the neck: and on the boughs a shield
Showing a shower of blood in a field noir,
And therebeside a horn, inflamed the knights
At that dishonour done the gilded spur,
Till each would clash the shield, and blow the horn.
But Arthur waved them back. Alone he rode.
Then at the dry harsh roar of the great horn,
That sent the face of all the marsh aloft
An ever upward-rushing storm and cloud
Of shriek and plume, the Red Knight heard, and all,
Even to tipmost lance and topmost helm,
In blood-red armour sallying, howled to the King,
`The teeth of Hell flay bare and gnash thee flat!Lo! art thou not that eunuch-hearted King
Who fain had clipt free manhood from the worldThe woman-worshipper? Yea, God's curse, and I!
Slain was the brother of my paramour
By a knight of thine, and I that heard her whine
And snivel, being eunuch-hearted too,
Sware by the scorpion-worm that twists in hell,
And stings itself to everlasting death,
To hang whatever knight of thine I fought
And tumbled. Art thou King? -Look to thy life!'
He ended: Arthur knew the voice; the face
Wellnigh was helmet-hidden, and the name
Went wandering somewhere darkling in his mind.
And Arthur deigned not use of word or sword,
But let the drunkard, as he stretched from horse
To strike him, overbalancing his bulk,
Down from the causeway heavily to the swamp
Fall, as the crest of some slow-arching wave,
Heard in dead night along that table-shore,
Drops flat, and after the great waters break
Whitening for half a league, and thin themselves,
642
Far over sands marbled with moon and cloud,
From less and less to nothing; thus he fell
Head-heavy; then the knights, who watched him, roared
And shouted and leapt down upon the fallen;
There trampled out his face from being known,
And sank his head in mire, and slimed themselves:
Nor heard the King for their own cries, but sprang
Through open doors, and swording right and left
Men, women, on their sodden faces, hurled
The tables over and the wines, and slew
Till all the rafters rang with woman-yells,
And all the pavement streamed with massacre:
Then, echoing yell with yell, they fired the tower,
Which half that autumn night, like the live North,
Red-pulsing up through Alioth and Alcor,
Made all above it, and a hundred meres
About it, as the water Moab saw
Came round by the East, and out beyond them flushed
The long low dune, and lazy-plunging sea.
So all the ways were safe from shore to shore,
But in the heart of Arthur pain was lord.
Then, out of Tristram waking, the red dream
Fled with a shout, and that low lodge returned,
Mid-forest, and the wind among the boughs.
He whistled his good warhorse left to graze
Among the forest greens, vaulted upon him,
And rode beneath an ever-showering leaf,
Till one lone woman, weeping near a cross,
Stayed him. `Why weep ye?' `Lord,' she said, `my man
Hath left me or is dead;' whereon he thought`What, if she hate me now? I would not this.
What, if she love me still? I would not that.
I know not what I would'-but said to her,
`Yet weep not thou, lest, if thy mate return,
He find thy favour changed and love thee not'Then pressing day by day through Lyonnesse
Last in a roky hollow, belling, heard
The hounds of Mark, and felt the goodly hounds
Yelp at his heart, but turning, past and gained
Tintagil, half in sea, and high on land,
643
A crown of towers.
Down in a casement sat,
A low sea-sunset glorying round her hair
And glossy-throated grace, Isolt the Queen.
And when she heard the feet of Tristram grind
The spiring stone that scaled about her tower,
Flushed, started, met him at the doors, and there
Belted his body with her white embrace,
Crying aloud, `Not Mark-not Mark, my soul!
The footstep fluttered me at first: not he:
Catlike through his own castle steals my Mark,
But warrior-wise thou stridest through his halls
Who hates thee, as I him-even to the death.
My soul, I felt my hatred for my Mark
Quicken within me, and knew that thou wert nigh.'
To whom Sir Tristram smiling, `I am here.
Let be thy Mark, seeing he is not thine.'
And drawing somewhat backward she replied,
`Can he be wronged who is not even his own,
But save for dread of thee had beaten me,
Scratched, bitten, blinded, marred me somehow-Mark?
What rights are his that dare not strike for them?
Not lift a hand-not, though he found me thus!
But harken! have ye met him? hence he went
Today for three days' hunting-as he saidAnd so returns belike within an hour.
Mark's way, my soul!-but eat not thou with Mark,
Because he hates thee even more than fears;
Nor drink: and when thou passest any wood
Close vizor, lest an arrow from the bush
Should leave me all alone with Mark and hell.
My God, the measure of my hate for Mark
Is as the measure of my love for thee.'
So, plucked one way by hate and one by love,
Drained of her force, again she sat, and spake
To Tristram, as he knelt before her, saying,
`O hunter, and O blower of the horn,
Harper, and thou hast been a rover too,
For, ere I mated with my shambling king,
644
Ye twain had fallen out about the bride
Of one-his name is out of me-the prize,
If prize she were-(what marvel-she could see)Thine, friend; and ever since my craven seeks
To wreck thee villainously: but, O Sir Knight,
What dame or damsel have ye kneeled to last?'
And Tristram, `Last to my Queen Paramount,
Here now to my Queen Paramount of love
And loveliness-ay, lovelier than when first
Her light feet fell on our rough Lyonnesse,
Sailing from Ireland.'
Softly laughed Isolt;
`Flatter me not, for hath not our great Queen
My dole of beauty trebled?' and he said,
`Her beauty is her beauty, and thine thine,
And thine is more to me-soft, gracious, kindSave when thy Mark is kindled on thy lips
Most gracious; but she, haughty, even to him,
Lancelot; for I have seen him wan enow
To make one doubt if ever the great Queen
Have yielded him her love.'
To whom Isolt,
`Ah then, false hunter and false harper, thou
Who brakest through the scruple of my bond,
Calling me thy white hind, and saying to me
That Guinevere had sinned against the highest,
And I-misyoked with such a want of manThat I could hardly sin against the lowest.'
He answered, `O my soul, be comforted!
If this be sweet, to sin in leading-strings,
If here be comfort, and if ours be sin,
Crowned warrant had we for the crowning sin
That made us happy: but how ye greet me-fear
And fault and doubt-no word of that fond taleThy deep heart-yearnings, thy sweet memories
Of Tristram in that year he was away.'
And, saddening on the sudden, spake Isolt,
645
`I had forgotten all in my strong joy
To see thee-yearnings?-ay! for, hour by hour,
Here in the never-ended afternoon,
O sweeter than all memories of thee,
Deeper than any yearnings after thee
Seemed those far-rolling, westward-smiling seas,
Watched from this tower. Isolt of Britain dashed
Before Isolt of Brittany on the strand,
Would that have chilled her bride-kiss? Wedded her?
Fought in her father's battles? wounded there?
The King was all fulfilled with gratefulness,
And she, my namesake of the hands, that healed
Thy hurt and heart with unguent and caressWell-can I wish her any huger wrong
Than having known thee? her too hast thou left
To pine and waste in those sweet memories.
O were I not my Mark's, by whom all men
Are noble, I should hate thee more than love.'
And Tristram, fondling her light hands, replied,
`Grace, Queen, for being loved: she loved me well.
Did I love her? the name at least I loved.
Isolt?-I fought his battles, for Isolt!
The night was dark; the true star set. Isolt!
The name was ruler of the dark-Isolt?
Care not for her! patient, and prayerful, meek,
Pale-blooded, she will yield herself to God.'
And Isolt answered, `Yea, and why not I?
Mine is the larger need, who am not meek,
Pale-blooded, prayerful. Let me tell thee now.
Here one black, mute midsummer night I sat,
Lonely, but musing on thee, wondering where,
Murmuring a light song I had heard thee sing,
And once or twice I spake thy name aloud.
Then flashed a levin-brand; and near me stood,
In fuming sulphur blue and green, a fiendMark's way to steal behind one in the darkFor there was Mark: 'He has wedded her,' he said,
Not said, but hissed it: then this crown of towers
So shook to such a roar of all the sky,
That here in utter dark I swooned away,
646
And woke again in utter dark, and cried,
'I will flee hence and give myself to God'And thou wert lying in thy new leman's arms.'
Then Tristram, ever dallying with her hand,
`May God be with thee, sweet, when old and gray,
And past desire!' a saying that angered her.
`'May God be with thee, sweet, when thou art old,
And sweet no more to me!' I need Him now.
For when had Lancelot uttered aught so gross
Even to the swineherd's malkin in the mast?
The greater man, the greater courtesy.
Far other was the Tristram, Arthur's knight!
But thou, through ever harrying thy wild beastsSave that to touch a harp, tilt with a lance
Becomes thee well-art grown wild beast thyself.
How darest thou, if lover, push me even
In fancy from thy side, and set me far
In the gray distance, half a life away,
Her to be loved no more? Unsay it, unswear!
Flatter me rather, seeing me so weak,
Broken with Mark and hate and solitude,
Thy marriage and mine own, that I should suck
Lies like sweet wines: lie to me: I believe.
Will ye not lie? not swear, as there ye kneel,
And solemnly as when ye sware to him,
The man of men, our King-My God, the power
Was once in vows when men believed the King!
They lied not then, who sware, and through their vows
The King prevailing made his realm:-I say,
Swear to me thou wilt love me even when old,
Gray-haired, and past desire, and in despair.'
Then Tristram, pacing moodily up and down,
`Vows! did you keep the vow you made to Mark
More than I mine? Lied, say ye? Nay, but learnt,
The vow that binds too strictly snaps itselfMy knighthood taught me this-ay, being snaptWe run more counter to the soul thereof
Than had we never sworn. I swear no more.
I swore to the great King, and am forsworn.
For once-even to the height-I honoured him.
647
'Man, is he man at all?' methought, when first
I rode from our rough Lyonnesse, and beheld
That victor of the Pagan throned in hallHis hair, a sun that rayed from off a brow
Like hillsnow high in heaven, the steel-blue eyes,
The golden beard that clothed his lips with lightMoreover, that weird legend of his birth,
With Merlin's mystic babble about his end
Amazed me; then, his foot was on a stool
Shaped as a dragon; he seemed to me no man,
But Micha l trampling Satan; so I sware,
Being amazed: but this went by- The vows!
O ay-the wholesome madness of an hourThey served their use, their time; for every knight
Believed himself a greater than himself,
And every follower eyed him as a God;
Till he, being lifted up beyond himself,
Did mightier deeds than elsewise he had done,
And so the realm was made; but then their vowsFirst mainly through that sullying of our QueenBegan to gall the knighthood, asking whence
Had Arthur right to bind them to himself?
Dropt down from heaven? washed up from out the deep?
They failed to trace him through the flesh and blood
Of our old kings: whence then? a doubtful lord
To bind them by inviolable vows,
Which flesh and blood perforce would violate:
For feel this arm of mine-the tide within
Red with free chase and heather-scented air,
Pulsing full man; can Arthur make me pure
As any maiden child? lock up my tongue
From uttering freely what I freely hear?
Bind me to one? The wide world laughs at it.
And worldling of the world am I, and know
The ptarmigan that whitens ere his hour
Woos his own end; we are not angels here
Nor shall be: vows-I am woodman of the woods,
And hear the garnet-headed yaffingale
Mock them: my soul, we love but while we may;
And therefore is my love so large for thee,
Seeing it is not bounded save by love.'
648
Here ending, he moved toward her, and she said,
`Good: an I turned away my love for thee
To some one thrice as courteous as thyselfFor courtesy wins woman all as well
As valour may, but he that closes both
Is perfect, he is Lancelot-taller indeed,
Rosier and comelier, thou-but say I loved
This knightliest of all knights, and cast thee back
Thine own small saw, 'We love but while we may,'
Well then, what answer?'
He that while she spake,
Mindful of what he brought to adorn her with,
The jewels, had let one finger lightly touch
The warm white apple of her throat, replied,
`Press this a little closer, sweet, untilCome, I am hungered and half-angered-meat,
Wine, wine-and I will love thee to the death,
And out beyond into the dream to come.'
So then, when both were brought to full accord,
She rose, and set before him all he willed;
And after these had comforted the blood
With meats and wines, and satiated their heartsNow talking of their woodland paradise,
The deer, the dews, the fern, the founts, the lawns;
Now mocking at the much ungainliness,
And craven shifts, and long crane legs of MarkThen Tristram laughing caught the harp, and sang:
`Ay, ay, O ay-the winds that bend the brier!
A star in heaven, a star within the mere!
Ay, ay, O ay-a star was my desire,
And one was far apart, and one was near:
Ay, ay, O ay-the winds that bow the grass!
And one was water and one star was fire,
And one will ever shine and one will pass.
Ay, ay, O ay-the winds that move the mere.'
Then in the light's last glimmer Tristram showed
And swung the ruby carcanet. She cried,
`The collar of some Order, which our King
649
Hath newly founded, all for thee, my soul,
For thee, to yield thee grace beyond thy peers.'
`Not so, my Queen,' he said, `but the red fruit
Grown on a magic oak-tree in mid-heaven,
And won by Tristram as a tourney-prize,
And hither brought by Tristram for his last
Love-offering and peace-offering unto thee.'
He spoke, he turned, then, flinging round her neck,
Claspt it, and cried, `Thine Order, O my Queen!'
But, while he bowed to kiss the jewelled throat,
Out of the dark, just as the lips had touched,
Behind him rose a shadow and a shriek`Mark's way,' said Mark, and clove him through the brain.
That night came Arthur home, and while he climbed,
All in a death-dumb autumn-dripping gloom,
The stairway to the hall, and looked and saw
The great Queen's bower was dark,-about his feet
A voice clung sobbing till he questioned it,
`What art thou?' and the voice about his feet
Sent up an answer, sobbing, `I am thy fool,
And I shall never make thee smile again.'
~ Alfred Lord Tennyson,
515:Idylls Of The King: The Last Tournament (Excerpt)
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"
For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."
To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
197
And Lancelot won, methought, for thee to wear."
"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given-Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,
But the sweet body of a maiden babe.
Perchance--who knows?--the purest of thy knights
May win them for the purest of my maids."
She ended, and the cry of a great jousts
With trumpet-blowings ran on all the ways
From Camelot in among the faded fields
To furthest towers; and everywhere the knights
Arm'd for a day of glory before the King.
But on the hither side of that loud morn
Into the hall stagger'd, his visage ribb'd
From ear to ear with dogwhip-weals, his nose
Bridge-broken, one eye out, and one hand off,
And one with shatter'd fingers dangling lame,
A churl, to whom indignantly the King,
"My churl, for whom Christ died, what evil beast
Hath drawn his claws athwart thy face? or fiend?
Man was it who marr'd heaven's image in thee thus?"
Then, sputtering thro' the hedge of splinter'd teeth,
Yet strangers to the tongue, and with blunt stump
Pitch-blacken'd sawing the air, said the maim'd churl,
"He took them and he drave them to his tower-Some hold he was a table-knight of thine-A hundred goodly ones--the Red Knight, he-Lord, I was tending swine, and the Red Knight
Brake in upon me and drave them to his tower;
And when I cal'd upon thy name as one
198
That doest right by gentle and by churl,
Maim'd me and maul'd, and would outright have slain,
Save that he aware me to a message, saying,
'Tell thou the King and all his liars, that I
Have founded my Round Table in the North,
And whatsoever his own knights have sworn
My knights have sworn the counter to it--and say
My tower is full of harlots, like his court,
But mine are worthier, seeing they profess
To be none other than themselves--and say
My knights are all adulterers like his own,
But mine are truer, seeing they profess
To be none other; and say his hour is come,
The heathen are upon him, his long lance
Broken, and his Excalibur a straw.' "
Then Arthur turn'd to Kay the seneschal,
"Take thou my churl, and tend him curiously
Like a king's heir, till all his hurts be whole.
The heathen--but that ever-climbing wave,
Hurl'd back again so often in empty foam,
Hath lain for years at rest--and renegades,
Thieves, bandits, leavings of confusion, whom
The wholesome realm is purged of otherwhere,
Friends, thro' your manhood and your fealty,--now
Make their last head like Satan in the North.
My younger knights, new-made, in whom your flower
Waits to be solid fruit of golden deeds,
Move with me toward their quelling, which achieved,
The loneliest ways are safe from shore to shore.
But thou, Sir Lancelot, sitting in my place
Enchair'd to-morrow, arbitrate the field;
For wherefore shouldst thou care to mingle with it
Only to yield my Queen her own again?
Speak, Lancelot, thou art silent: is it well?"
Thereto Sir Lancelot answer'd, "It is well:
Yet better if the King abide, and leave
The leading of his younger knights to me.
Else, for the King has will'd it, it is well."
199
Then Arthur rose and Lancelot follow'd him,
And while they stood without the doors, the King
Turn'd to him saying, "Is it then so well?
Or mine the blame that oft I seem as he
Of whom was written, 'A sound is in his ears'?
The foot that loiters, bidden go,--the glance
That only seems half-loyal to command,-A manner somewhat fall'n from reverence-Or have I dream'd the bearing of our knights
Tells of a manhood ever less and lower?
Or whence the fear lest this my realm, uprear'd,
By noble deeds at one with noble vows,
From flat confusion and brute violence,s
Reel back into the beast, and be no more?"
He spoke, and taking all his younger knights,
Down the slope city rode, and sharply turn'd
North by the gate. In her high bower the Queen,
Working a tapestry, lifted up her head,
Watch'd her lord pass, and knew not that she sigh'd.
Then ran across her memory the strange rhyme
Of bygone Merlin, "Where is he who knows?
From the great deep to the great deep he goes."
But when the morning of a tournament,
By these in earnest those in mockery call'd
The Tournament of the Dead Innocence,
Brake with a wet wind blowing, Lancelot,
Round whose sick head all night, like birds of prey,
The words of Arthur flying shriek'd, arose,
And down a streetway hung with folds of pure
White samite, and by fountains running wine,
Where children sat in white with cups of gold,
Moved to the lists, and there, with slow sad steps
Ascending, fill'd his double-dragon'd chair.
He glanced and saw the stately galleries,
Dame, damsel, each thro' worship of their Queen
200
White-robed in honour of the stainless child,
And some with scatter'd jewels, like a bank
Of maiden snow mingled with sparks of fire.
He look'd but once, and vail'd his eyes again.
The sudden trumpet sounded as in a dream
To ears but half-awaked, then one low roll
Of Autumn thunder, and the jousts began:
And ever the wind blew, and yellowing leaf
And gloom and gleam, and shower and shorn plume
Went down it. Sighing weariedly, as one
Who sits and gazes on a faded fire,
When all the goodlier guests are past away,
Sat their great umpire, looking o'er the lists.
He saw the laws that ruled the tournament
Broken, but spake not; once, a knight cast down
Before his throne of arbitration cursed
The dead babe and the follies of the King;
And once the laces of a helmet crack'd,
And show'd him, like a vermin in its hole,
Modred, a narrow face: anon he heard
The voice that billow'd round the barriers roar
An ocean-sounding welcome to one knight,
But newly-enter'd, taller than the rest,
And armour'd all in forest green, whereon
There tript a hundred tiny silver deer,
And wearing but a holly-spray for crest,
With ever-scattering berries, and on shield
A spear, a harp, a bugle--Tristram--late
From overseas in Brittany return'd,
And marriage with a princess of that realm,
Isolt the White--Sir Tristram of the Woods-Whom Lancelot knew, had held sometime with pain
His own against him, and now yearn'd to shake
The burthen off his heart in one full shock
With Tristram ev'n to death: his strong hands gript
And dinted the gilt dragons right and left,
Until he groan'd for wrath--so many of those,
That ware their ladies' colours on the casque,
Drew from before Sir Tristram to the bounds,
And there with gibes and flickering mockeries
201
Stood, while he mutter'd, "Craven crests! O shame!
What faith have these in whom they sware to love?
The glory of our Round Table is no more."
So Tristram won, and Lancelot gave, the gems,
Not speaking other word than "Hast thou won?
Art thou the purest, brother? See, the hand
Wherewith thou takest this, is red!" to whom
Tristram, half plagued by Lancelot's languorous mood,
Made answer, "Ay, but wherefore toss me this
Like a dry bone cast to some hungry hound?
Let be thy fair Queen's fantasy. Strength of heart
And might of limb, but mainly use and skill,
Are winners in this pastime of our King.
My hand--belike the lance hath dript upon it-No blood of mine, I trow; but O chief knight,
Right arm of Arthur in the battlefield,
Great brother, thou nor I have made the world;
Be happy in thy fair Queen as I in mine."
And Tristram round the gallery made his horse
Caracole; then bow'd his homage, bluntly saying,
"Fair damsels, each to him who worships each
Sole Queen of Beauty and of love, behold
This day my Queen of Beauty is not here."
And most of these were mute, some anger'd, one
Murmuring, "All courtesy is dead," and one
"The glory of our Round Table is no more."
Then fell thick rain, plume droopt and mantle clung,
And pettish cries awoke, and the wan day
Went glooming down in wet and weariness:
But under her black brows a swarthy one
Laugh'd shrilly, crying, "Praise the patient saints,
Our one white day of Innocence hath past,
Tho' somewhat draggled at the skirt. So be it.
The snowdrop only, flowering thro' the year,
Would make the world as blank as Winter-tide.
Come--let us gladden their sad eyes, our Queen's
202
And Lancelot's, at this night's solemnity
With all the kindlier colours of the field."
So dame and damsel glitter'd at the feast
Variously gay: for he that tells the tale
Liken'd them, saying, as when an hour of cold
Falls on the mountain in midsummer snows,
And all the purple slopes of mountain flowers
Pass under white, till the warm hour returns
With veer of wind, and all are flowers again;
So dame and damsel cast the simple white,
And glowing in all colours, the live grass,
Rose-campion, bluebell, kingcup, poppy, glanced
About the revels, and with mirth so loud
Beyond all use, that, half-amazed, the Queen,
And wroth at Tristram and the lawless jousts,
Brake up their sports, then slowly to her bower
Parted, and in her bosom pain was lord.
And little Dagonet on the morrow morn,
High over all the yellowing Autumn-tide,
Danced like a wither'd leaf before the hall.
Then Tristram saying, "Why skip ye so, Sir Fool?"
Wheel'd round on either heel, Dagonet replied,
"Belike for lack of wiser company;
Or being fool, and seeing too much wit
Makes the world rotten, why, belike I skip
To know myself the wisest knight of all."
"Ay, fool," said Tristram, "but 'tis eating dry
To dance without a catch, a roundelay
To dance to." Then he twangled on his harp,
And while he twangled little Dagonet stood
Quiet as any water-sodden log
Stay'd in the wandering warble of a brook;
But when the twangling ended, skipt again;
And being ask'd, "Why skipt ye not, Sir Fool?"
Made answer, "I had liefer twenty years
Skip to the broken music of my brains
Than any broken music thou canst make."
Then Tristram, waiting for the quip to come,
203
"Good now, what music have I broken, fool?"
And little Dagonet, skipping, "Arthur, the King's;
For when thou playest that air with Queen Isolt,
Thou makest broken music with thy bride,
Her daintier namesake down in Brittany-And so thou breakest Arthur's music, too."
"Save for that broken music in thy brains,
Sir Fool," said Tristram, "I would break thy head.
Fool, I came late, the heathen wars were o'er,
The life had flown, we sware but by the shell-I am but a fool to reason with a fool-Come, thou art crabb'd and sour: but lean me down,
Sir Dagonet, one of thy long asses' ears,
And harken if my music be not true.
"`Free love--free field--we love but while we may:
The woods are hush'd, their music is no more:
The leaf is dead, the yearning past away:
New leaf, new life--the days of frost are o'er:
New life, new love, to suit the newer day:
New loves are sweet as those that went before:
Free love--free field--we love but while we may.'
"Ye might have moved slow-measure to my tune,
Not stood stockstill. I made it in the woods,
And heard it ring as true as tested gold."
But Dagonet with one foot poised in his hand,
"Friend, did ye mark that fountain yesterday
Made to run wine?--but this had run itself
All out like a long life to a sour end-And them that round it sat with golden cups
To hand the wine to whosoever came-The twelve small damosels white as Innocence,
In honour of poor Innocence the babe,
Who left the gems which Innocence the Queen
Lent to the King, and Innocence the King
Gave for a prize--and one of those white slips
Handed her cup and piped, the pretty one,
204
'Drink, drink, Sir Fool,' and thereupon I drank,
Spat--pish--the cup was gold, the draught was mud."
And Tristram, "Was it muddier than thy gibes?
Is all the laughter gone dead out of thee?-Not marking how the knighthood mock thee, fool-'Fear God: honour the King--his one true knight-Sole follower of the vows'--for here be they
Who knew thee swine enow before I came,
Smuttier than blasted grain: but when the King
Had made thee fool, thy vanity so shot up
It frighted all free fool from out thy heart;
Which left thee less than fool, and less than swine,
A naked aught--yet swine I hold thee still,
For I have flung thee pearls and find thee swine."
And little Dagonet mincing with his feet,
"Knight, an ye fling those rubies round my neck
In lieu of hers, I'll hold thou hast some touch
Of music, since I care not for thy pearls.
Swine? I have wallow'd, I have wash'd--the world
Is flesh and shadow--I have had my day.
The dirty nurse, Experience, in her kind
Hath foul'd me--an I wallow'd, then I wash'd-I have had my day and my philosophies-And thank the Lord I am King Arthur's fool.
Swine, say ye? swine, goats, asses, rams and geese
Troop'd round a Paynim harper once, who thrumm'd
On such a wire as musically as thou
Some such fine song--but never a king's fool."
And Tristram, "Then were swine, goats, asses, geese
The wiser fools, seeing thy Paynim bard
Had such a mastery of his mystery
That he could harp his wife up out of hell."
Then Dagonet, turning on the ball of his foot,
"And whither harp'st thou thine? down! and thyself
205
Down! and two more: a helpful harper thou,
That harpest downward! dost thou know the star
We call the harp of Arthur up in heaven?"
And Tristram, "Ay, Sir Fool, for when our King
Was victor wellnigh day by day, the knights,
Glorying in each new glory, set his name
High on all hills, and in the signs of heaven."
And Dagonet answer'd, "Ay, and when the land
Was freed, and the Queen false, ye set yourself
To babble about him, all to show your wit-And whether he were King by courtesy,
Or King by right--and so went harping down
The black king's highway, got so far, and grew
So witty that we play'd at ducks and drakes
With Arthur's vows on the great lake of fire.
Tuwhoo! do ye see it? do ye see the star?"
"Nay, fool," said Tristram, "not in open day."
And Dagonet, "Nay, nor will: I see it and hear.
It makes a silent music up in heaven,
And I, and Arthur and the angels hear,
And then we skip." "Lo, fool," he said, "ye talk
Fool's treason: is the King thy brother fool?"
Then little Dagonet clapt his hands and shrill'd,
"Ay, ay, my brother fool, the king of fools!
Conceits himself as God that he can make
Figs out of thistles, silk from bristles, milk
From burning spurge, honey from hornet-combs
And men from beasts--Long live the king of fools!"
And down the city Dagonet danced away;
But thro' the slowly-mellowing avenues
And solitary passes of the wood
Rode Tristram toward Lyonnesse and the west.
Before him fled the face of Queen Isolt
With ruby-circled neck, but evermore
206
Past, as a rustle or twitter in the wood
Made dull his inner, keen his outer eye
For all that walk'd, or crept, or perch'd, or flew.
Anon the face, as, when a gust hath blown,
Unruffling waters re-collect the shape
Of one that in them sees himself, return'd;
But at the slot or fewmets of a deer,
Or ev'n a fall'n feather, vanish'd again.
So on for all that day from lawn to lawn
Thro' many a league-long bower he rode. At length
A lodge of intertwisted beechen-boughs
Furze-cramm'd, and bracken-rooft, the which himself
Built for a summer day with Queen Isolt
Against a shower, dark in the golden grove
Appearing, sent his fancy back to where
She lived a moon in that low lodge with him:
Till Mark her lord had past, the Cornish King,
With six or seven, when Tristram was away,
And snatch'd her thence; yet dreading worse than shame
Her warrior Tristram, spake not any word,
But bode his hour, devising wretchedness.
And now that desert lodge to Tristram lookt
So sweet, that halting, in he past, and sank
Down on a drift of foliage random-blown;
But could not rest for musing how to smoothe
And sleek his marriage over to the Queen.
Perchance in lone Tintagil far from all
The tonguesters of the court she had not heard.
But then what folly had sent him overseas
After she left him lonely here? a name?
Was it the name of one in Brittany,
Isolt, the daughter of the King? "Isolt
Of the white hands" they call'd her: the sweet name
Allured him first, and then the maid herself,
Who served him well with those white hands of hers,
And loved him well, until himself had thought
He loved her also, wedded easily,
But left her all as easily, and return'd.
207
The black-blue Irish hair and Irish eyes
Had drawn him home--what marvel? then he laid
His brows upon the drifted leaf and dream'd.
He seem'd to pace the strand of Brittany
Between Isolt of Britain and his bride,
And show'd them both the ruby-chain, and both
Began to struggle for it, till his Queen
Graspt it so hard, that all her hand was red.
Then cried the Breton, "Look, her hand is red!
These be no rubies, this is frozen blood,
And melts within her hand--her hand is hot
With ill desires, but this I gave thee, look,
Is all as cool and white as any flower."
Follow'd a rush of eagle's wings, and then
A whimpering of the spirit of the child,
Because the twain had spoil'd her carcanet.
He dream'd; but Arthur with a hundred spears
Rode far, till o'er the illimitable reed,
And many a glancing plash and sallowy isle,
The wide-wing'd sunset of the misty marsh
Glared on a huge machicolated tower
That stood with open doors, where out was roll'd
A roar of riot, as from men secure
Amid their marshes, ruffians at their ease
Among their harlot-brides, an evil song.
"Lo there," said one of Arthur's youth, for there,
High on a grim dead tree before the tower,
A goodly brother of the Table Round
Swung by the neck: and on the boughs a shield
Showing a shower of blood in a field noir,
And therebeside a horn, inflamed the knights
At that dishonour done the gilded spur,
Till each would clash the shield, and blow the horn.
But Arthur waved them back. Alone he rode.
Then at the dry harsh roar of the great horn,
That sent the face of all the marsh aloft
An ever upward-rushing storm and cloud
Of shriek and plume, the Red Knight heard, and all,
208
Even to tipmost lance and topmost helm
In blood-red armour sallying, howl'd to the King,
"The teeth of Hell flay bare and gnash thee flat!
Lo! art thou not that eunuch-hearted King
Who fain had clipt free manhood from the world-The woman-worshipper? Yea, God's curse, and I!
Slain was the brother of my paramour
By a knight of thine, and I that heard her whine
And snivel, being eunuch-hearted too,
Sware by the scorpion-worm that twists in hell,
And stings itself to everlasting death,
To hang whatever knight of thine I fought
And tumbled. Art thou King?--Look to thy life!"
He ended: Arthur knew the voice; the face
Wellnigh was helmet-hidden, and the name
Went wandering somewhere darkling in his mind.
And Arthur deign'd not use of word or sword,
But let the drunkard, as he stretch'd from horse
To strike him, overbalancing his bulk,
Down from the causeway heavily to the swamp
Fall, as the crest of some slow-arching wave,
Heard in dead night along that table-shore,
Drops flat, and after the great waters break
Whitening for half a league, and thin themselves,
Far over sands marbled with moon and cloud,
From less and less to nothing; thus he fell
Head-heavy; then the knights, who watch'd him, roar'd
And shouted and leapt down upon the fall'n;
There trampled out his face from being known,
And sank his head in mire, and slimed themselves:
Nor heard the King for their own cries, but sprang
Thro' open doors, and swording right and left
Men, women, on their sodden faces, hurl'd
The tables over and the wines, and slew
Till all the rafters rang with woman-yells,
And all the pavement stream'd with massacre:
Then, echoing yell with yell, they fired the tower,
Which half that autumn night, like the live North,
209
Red-pulsing up thro' Alioth and Alcor,
Made all above it, and a hundred meres
About it, as the water Moab saw
Come round by the East, and out beyond them flush'd
The long low dune, and lazy-plunging sea.
So all the ways were safe from shore to shore,
But in the heart of Arthur pain was lord.
Then, out of Tristram waking, the red dream
Fled with a shout, and that low lodge return'd,
Mid-forest, and the wind among the boughs.
He whistled his good warhorse left to graze
Among the forest greens, vaulted upon him,
And rode beneath an ever-showering leaf,
Till one lone woman, weeping near a cross,
Stay'd him. "Why weep ye?" "Lord," she said, "my man
Hath left me or is dead"; whereon he thought-"What, if she hate me now? I would not this.
What, if she love me still? I would not that.
I know not what I would"--but said to her,
"Yet weep not thou, lest, if thy mate return,
He find thy favour changed and love thee not"-Then pressing day by day thro' Lyonnesse
Last in a roky hollow, belling, heard
The hounds of Mark, and felt the goodly hounds
Yelp at his heart, but turning, past and gain'd
Tintagil, half in sea, and high on land,
A crown of towers.
Down in a casement sat,
A low sea-sunset glorying round her hair
And glossy-throated grace, Isolt the Queen.
And when she heard the feet of Tristram grind
The spiring stone that scaled about her tower,
Flush'd, started, met him at the doors, and there
Belted his body with her white embrace,
Crying aloud, "Not Mark--not Mark, my soul!
The footstep flutter'd me at first: not he:
Catlike thro' his own castle steals my Mark,
But warrior-wise thou stridest thro' his halls
Who hates thee, as I him--ev'n to the death.
210
My soul, I felt my hatred for my Mark
Quicken within me, and knew that thou wert nigh."
To whom Sir Tristram smiling, "I am here.
Let be thy Mark, seeing he is not thine."
And drawing somewhat backward she replied,
"Can he be wrong'd who is not ev'n his own,
But save for dread of thee had beaten me,
Scratch'd, bitten, blinded, marr'd me somehow--Mark?
What rights are his that dare not strike for them?
Not lift a hand--not, tho' he found me thus!
But harken! have ye met him? hence he went
To-day for three days' hunting--as he said-And so returns belike within an hour.
Mark's way, my soul!--but eat not thou with Mark,
Because he hates thee even more than fears;
Nor drink: and when thou passest any wood
Close vizor, lest an arrow from the bush
Should leave me all alone with Mark and hell.
My God, the measure of my hate for Mark
Is as the measure of my love for thee.''
So, pluck'd one way by hate and one by love,
Drain'd of her force, again she sat, and spake
To Tristram, as he knelt before her, saying,
"O hunter, and O blower of the horn,
Harper, and thou hast been a rover too,
For, ere I mated with my shambling king,
Ye twain had fallen out about the bride
Of one--his name is out of me--the prize,
If prize she were--(what marvel--she could see)
Thine, friend; and ever since my craven seeks
To wreck thee villainously: but, O Sir Knight,
What dame or damsel have ye kneel'd to last?"
And Tristram, "Last to my Queen Paramount,
Here now to my Queen Paramount of love
And loveliness--ay, lovelier than when first
Her light feet fell on our rough Lyonnesse,
211
Sailing from Ireland."
Softly laugh'd Isolt;
"Flatter me not, for hath not our great Queen
My dole of beauty trebled?" and he said,
"Her beauty is her beauty, and thine thine,
And thine is more to me--soft, gracious, kind-Save when thy Mark is kindled on thy lips
Most gracious; but she, haughty ev'n to him,
Lancelot; for I have seen him wan enow
To make one doubt if ever the great Queen
Have yielded him her love."
To whom Isolt,
"Ah then, false hunter and false harper, thou
Who brakest thro' the scruple of my bond,
Calling me thy white hind, and saying to me
That Guinevere had sinn'd against the highest,
And I--misyoked with such a want of man-That I could hardly sin against the lowest."
He answer'd, "O my soul, be comforted!
If this be sweet, to sin in leading-strings,
If here be comfort, and if ours be sin,
Crown'd warrant had we for the crowning sin
That made us happy: but how ye greet me--fear
And fault and doubt--no word of that fond tale-Thy deep heart-yearnings, thy sweet memories
Of Tristram in that year he was away."
And, saddening on the sudden, spake Isolt,
"I had forgotten all in my strong joy
To see thee--yearnings?--ay! for, hour by hour,
Here in the never-ended afternoon,
O sweeter than all memories of thee,
Deeper than any yearnings after thee
Seem'd those far-rolling, westward-smiling seas,
Watch'd from this tower. Isolt of Britain dash'd
Before Isolt of Brittany on the strand,
Would that have chill'd her bride-kiss? Wedded her?
Fought in her father's battles? wounded there?
212
The King was all fulfill'd with gratefulness,
And she, my namesake of the hands, that heal'd
Thy hurt and heart with unguent and caress-Well--can I wish her any huger wrong
Than having known thee? her too hast thou left
To pine and waste in those sweet memories.
O were I not my Mark's, by whom all men
Are noble, I should hate thee more than love."
And Tristram, fondling her light hands, replied,
"Grace, Queen, for being loved: she loved me well.
Did I love her? the name at least I loved.
Isolt?--I fought his battles, for Isolt!
The night was dark; the true star set. Isolt!
The name was ruler of the dark--Isolt?
Care not for her! patient, and prayerful, meek,
Pale-blooded, she will yield herself to God."
And Isolt answer'd, "Yea, and why not I?
Mine is the larger need, who am not meek,
Pale-blooded, prayerful. Let me tell thee now.
Here one black, mute midsummer night I sat,
Lonely, but musing on thee, wondering where,
Murmuring a light song I had heard thee sing,
And once or twice I spake thy name aloud.
Then flash'd a levin-brand; and near me stood,
In fuming sulphur blue and green, a fiend-Mark's way to steal behind one in the dark-For there was Mark: 'He has wedded her,' he said,
Not said, but hiss'd it: then this crown of towers
So shook to such a roar of all the sky,
That here in utter dark I swoon'd away,
And woke again in utter dark, and cried,
'I will flee hence and give myself to God'-And thou wert lying in thy new leman's arms."
Then Tristram, ever dallying with her hand,
"May God be with thee, sweet, when old and gray,
And past desire!" a saying that anger'd her.'
213
"`May God be with thee, sweet, when thou art old,
And sweet no more to me!' I need Him now.
For when had Lancelot utter'd aught so gross
Ev'n to the swineherd's malkin in the mast?
The greater man, the greater courtesy.
Far other was the Tristram, Arthur's knight!
But thou, thro' ever harrying thy wild beasts-Save that to touch a harp, tilt with a lance
Becomes thee well--art grown wild beast thyself.
How darest thou, if lover, push me even
In fancy from thy side, and set me far
In the gray distance, half a life away,
Her to be loved no more? Unsay it, unswear!
Flatter me rather, seeing me so weak,
Broken with Mark and hate and solitude,
Thy marriage and mine own, that I should suck
Lies like sweet wines: lie to me: I believe.
Will ye not lie? not swear, as there ye kneel,
And solemnly as when ye sware to him
The man of men, our King--My God, the power
Was once in vows when men believed the King!
They lied not then, who sware, and thro' their vows
The King prevailing made his realm:--I say,
Swear to me thou wilt love me ev'n when old,
Gray-hair'd, and past desire, and in despair."
Then Tristram, pacing moodily up and down,
"Vows! did you keep the vow you made to Mark
More than I mine? Lied, say ye? Nay, but learnt,
The vow that binds too strictly snaps itself-My knighthood taught me this--ay, being snapt-We run more counter to the soul thereof
Than had we never sworn. I swear no more.
I swore to the great King, and am forsworn.
For once--ev'n to the height--I honour'd him.
'Man, is he man at all?' methought, when first
I rode from our rough Lyonnesse, and beheld
That victor of the Pagan throned in hall-His hair, a sun that ray'd from off a brow
Like hillsnow high in heaven, the steel-blue eyes,
The golden beard that clothed his lips with light--
214
Moreover, that weird legend of his birth,
With Merlin's mystic babble about his end
Amazed me; then his foot was on a stool
Shaped as a dragon; he seem'd to me no man,
But Michaël trampling Satan; so I sware,
Being amazed: but this went by--The vows!
O ay--the wholesome madness of an hour-They served their use, their time; for every knight
Believed himself a greater than himself,
And every follower eyed him as a God;
Till he, being lifted up beyond himself,
Did mightier deeds than elsewise he had done,
And so the realm was made; but then their vows-First mainly thro' that sullying of our Queen-Began to gall the knighthood, asking whence
Had Arthur right to bind them to himself?
Dropt down from heaven? wash'd up from out the deep?
They fail'd to trace him thro' the flesh and blood
Of our old kings: whence then? a doubtful lord
To bind them by inviolable vows,
Which flesh and blood perforce would violate:
For feel this arm of mine--the tide within
Red with free chase and heather-scented air,
Pulsing full man; can Arthur make me pure
As any maiden child? lock up my tongue
From uttering freely what I freely hear?
Bind me to one? The wide world laughs at it.
And worldling of the world am I, and know
The ptarmigan that whitens ere his hour
Woos his own end; we are not angels here
Nor shall be: vows--I am woodman of the woods,
And hear the garnet-headed yaffingale
Mock them: my soul, we love but while we may;
And therefore is my love so large for thee,
Seeing it is not bounded save by love."
Here ending, he moved toward her, and she said,
"Good: an I turn'd away my love for thee
To some one thrice as courteous as thyself-For courtesy wins woman all as well
As valour may, but he that closes both
215
Is perfect, he is Lancelot--taller indeed,
Rosier and comelier, thou--but say I loved
This knightliest of all knights, and cast thee back
Thine own small saw, 'We love but while we may,'
Well then, what answer?"
He that while she spake,
Mindful of what he brought to adorn her with,
The jewels, had let one finger lightly touch
The warm white apple of her throat, replied,
"Press this a little closer, sweet, until-Come, I am hunger'd and half-anger'd--meat,
Wine, wine--and I will love thee to the death,
And out beyond into the dream to come."
So then, when both were brought to full accord,
She rose, and set before him all he will'd;
And after these had comforted the blood
With meats and wines, and satiated their hearts-Now talking of their woodland paradise,
The deer, the dews, the fern, the founts, the lawns;
Now mocking at the much ungainliness,
And craven shifts, and long crane legs of Mark-Then Tristram laughing caught the harp, and sang:
"Ay, ay, O ay--the winds that bend the brier!
A star in heaven, a star within the mere!
Ay, ay, O ay--a star was my desire,
And one was far apart, and one was near:
Ay, ay, O ay--the winds that bow the grass!
And one was water and one star was fire,
And one will ever shine and one will pass.
Ay, ay, O ay--the winds that move the mere."
Then in the light's last glimmer Tristram show'd
And swung the ruby carcanet. She cried,
"The collar of some Order, which our King
Hath newly founded, all for thee, my soul,
For thee, to yield thee grace beyond thy peers."
216
"Not so, my Queen," he said, "but the red fruit
Grown on a magic oak-tree in mid-heaven,
And won by Tristram as a tourney-prize,
And hither brought by Tristram for his last
Love-offering and peace-offering unto thee."
He spoke, he turn'd, then, flinging round her neck,
Claspt it, and cried "Thine Order, O my Queen!"
But, while he bow'd to kiss the jewell'd throat,
Out of the dark, just as the lips had touch'd,
Behind him rose a shadow and a shriek-"Mark's way," said Mark, and clove him thro' the brain.
That night came Arthur home, and while he climb'd,
All in a death-dumb autumn-dripping gloom,
The stairway to the hall, and look'd and saw
The great Queen's bower was dark,--about his feet
A voice clung sobbing till he question'd it,
"What art thou?" and the voice about his feet
Sent up an answer, sobbing, "I am thy fool,
And I shall never make thee smile again."
~ Alfred Lord Tennyson,
516:Cold Calls: War Music, Continued
Many believe in the stars.
Take Quinamid
The son of a Dardanian astrologer
Who disregarded what his father said
And came to Troy in a taxi.
Gone.
Odysseus to Greece:
“Hector has never fought this far from Troy.
We want him further out. Beyond King Ilus’ tower.
So walk him to the centre of the plain and, having killed him,
Massacre the Trojans there.”
“Ave!”
Immediately beyond the ridge is Primrose Hill
Where Paris favoured Aphrodité.
“Take it,” said Hector.
Greece shouted: “Hurry up!”
Troy shouted: “Wait for us!”
See,
Far off,
Masts behind the half-built palisade.
Then
Nearer to yourselves
Scamánder’s ford
From which the land ascends
Then merges with the centre of the plain—
The tower (a ruin) its highest point.
Heaven.
Bad music.
Queen Hera is examining her gums.
Looking in through a window
Teenaged Athena says:
“Trouble for Greece.”
They leave.
Sea.
Sky.
The sunlit snow.
Two armies on the plain.
Hector, driven by Lutie,
His godchild and his nephew,
Going from lord to Trojan lord:
“The ships by dark.”
The ruined tower.
In front of it—
Their banners rising one by one.
One after one, and then another one—
50,000 Greeks.
And on a rise in front of Greece
Two hero lords:
Ajax the Great of Salamis
Behind his shield—
As fifty Trojan shields
Topped with blue plumes, swivelling their points,
Come up the rise—
Lord Teucer (five feet high and five feet wide)
Loading his bow,
Peering round Ajax’ shield,
Dropping this Trojan plume or that,
Ordering his archers to lie flat,
Promising God as many sheep as there are sheep to count
If he can put a shaft through Hector’s neck.
Prosperity!
Beneath the blue, between the sea, the snow, there
Hector is
Surrendering the urn of one he has just killed
To one who thought that he had killed the same.
Lord Teucer’s eye/Prince Hector’s throat.
But God would not. The bowstring snaps.
Outside God’s inner court.
Queen Hera and Athena still in line.
Hera so angry she can hardly speak.
A voice:
“The Wife, the Daughter.”
“You go. His face will make me
heave.”
“Serene and Dignified Grandee.”
“Papa to you.”
“Papa”—His hand—
“I know you do not want the Holy Family
visiting the plain.
But some of us would like to help the Greeks.
They lost their champion she.
Thousands of them have died. Now they are in retreat.
Please look.”
The plain.
“You will come back the moment that I call?”
“Of course, Papa.”
“Then . . . yes. Encourage Greece.
But voices only.
Words. Shouts. That sort of thing. A move—and home you come.”
“Of course, Papa.”
The plain.
Lord Teucer’s archers hidden in its grass.
Chylábborak, Lord Hector’s brother-in-law, to his blue plumes:
“Move!”
“Move!”
And on their flanks, between the sea and snow,
Led by Teléspiax’ silver yard
All Ilium’s masks
“Down came their points. Out came their battle cry.
And our cool Mr 5 x 5 called: ‘Up.’ And up we got
And sent our arrows into them,
That made them pirouette,
Topple back down the rise, leaving their dead
For some of us to strip, and some, the most,
To pause, to point, to plant, a third, a fourth
Volley into their naked backs. Pure joy!”
Chylábborak,
Holding his ground:
“Centre on me.
More die in broken than in standing ranks.
Apollo! Aphrodité! Our gods are here!
You taste the air, you taste their breath!
The Greek fleet, ours, by dark!”
Then he is ringed.
See an imperial pig harassed by dogs.
How, like a masterchef his crêpes,
He tosses them; and on their way back down
Eviscerates, then flips them back into the pack.
Likewise Chylábborak the Greeks who rushed.
Hector has seen it. As—
Beneath the blue, the miles of empty air,
Him just one glitter in that glittering mass—
The hosts begin to merge.
Fine dust clouds mixed with beams of light.
The Prince, down from his plate.
Either sides’ arrows whingeing by:
“Cover my back.”
Finding a gap
Dismissing blows as gales do slates,
Then at a run, leaping into the ring,
Taking Chylábborak’s hand:
“If you don’t mind?”
Agamemnon:
“Our time has come. God keeps his word.
Fight now as you have never fought.
We will be at Troy’s gates by dusk,
Through them by dark,
By dawn, across our oars,
As we begin our journey home,
Watching the windmills on its Wall
Turn their sails in flames.”
Heaven. The Wife. The Daughter.
Hands release black lacquer clasps inlaid with particles of gold.
Silk sheaths—with crashing waves and fishscales woven on a
navy ground—
Flow on the pavement.
Hands take their hands
While other hands supply
Warwear,
Their car,
And put the reins into Athena’s hands.
“. . . Troy’s gates by dusk,
Through them by dark . . .”
The Hours, the undeniable,
Open the gates of Paradise.
Beyond
The wastes of space.
Before
The blue.
Below
Now near
The sea, the snow.
All time experts in hand-to-hand action—
Friecourt, Okinawa, Stalingrad West—
Could not believe the battle would gain.
But it did.
10
Chylábborak’s ring is ringed. And then no ring at all.
Some Trojans raise their hands in prayer;
Some Panachéans shout for joy and wait to drag the corpses off.
Lutie, alone, the reins in one, his other hand
Hacking away the hands that grab his chariot’s bodywork,
Rearing his horses, Starlight and Bertie, through,
To,
Yes,
Chylábborak up; rescued;
Prince Hector covering. Then:
“Zoo-born wolf! Front for a family of thieves!”
Lord Diomed, on foot, with Sethynos.
My Lutie answering:
“Be proud Prince Hector is your Fate.”
(Which will be so,
Though Lutie will not see it.)
Chylábborak and Hector do not want to disappoint this oily pair:
“Here come the Sisters Karamazof, Spark,”
Chylábborak said. “Let’s send them home in halves.”
And jumped back down.
Around the tower, 1000 Greeks, 1000 Ilians, amid their swirl,
His green hair dressed in braids, each braid
Tipped with a little silver bell, note
Nyro of Simi—the handsomest of all the Greeks, save A.
The trouble was, he had no fight. He dashed from fight to fight,
Struck a quick blow, then dashed straight out again.
Save that this time he caught,
As Prince Aenéas caught his breath,
That Prince’s eye; who blocked his dash,
And as Lord Panda waved and walked away,
Took his head off his spine with a backhand slice—
Beautiful stuff . . . straight from the blade . . .
Still, as it was a special head,
Mowgag, Aenéas’ minder—
Bright as a box of rocks, but musical—
11
Spiked it, then hoisted it, and twizzling the pole
Beneath the blue, the miles of empty air,
Marched to the chingaling of its tinklers,
A knees high majorette
Towards the Greeks, the tower.
A roar of wind across the battlefield.
A pause.
And then
Scattering light,
The plain turned crystal where their glidepath stopped,
The Queen of Heaven shrills: “Typhoid for Troy!”
And through poor Nyro’s wobbling mouth
Athena yells:
“Slew of assiduous mediocrities!
Meek Greeks!”
It is enough.
Centre-plain wide,
Lit everywhere by rays of glorious light,
They rushed their standards into Ilium,
Diomed (for once) swept forward;
Converting shame to exaltation with his cry:
“Never—to Helen’s gold without her self!
Never—to Helen’s self
without her gold!”
Mowgag well slain.
Hewn through his teeth, his jaw slashed off,
And Nyro’s head beside him in the grass.
When Nyro’s mother heard of this
12
She shaved her head; she tore her frock; she went outside
Ripping her fingernails through her cheeks:
Then down her neck; her chest; her breasts;
And bleeding to her waist ran round the shops,
Sobbing:
“God, kill Troy.
Console me with its death.
Revenge is all I have.
My boy was kind. He had his life to live.
I will not have the chance to dance in Hector’s blood,
But let me hear some have before I die.”
“I saw her running round.
I took the photograph.
It summed the situation up.
He was her son.
They put it out in colour. Right?
My picture went around the
world.”
Down the shaft of the shot in his short-staved bow
Lord Panda has been follow-spotting Diomed.
Between “her self ” / “her gold” he shoots.
It hits. And as its barbs protrude through Dio’s back
Aenéas hears Lord Panda shout:
“He bleeds! The totem Greek! Right-shoulder-front!
How wise of Artemis to make
Panda her matador! Her numero uno! Moi!”
Diomed hit,
The heart went out of those who followed him
And they fell back.
Shields all round
Diomed on his knees
13
Lifting his hands:
“Sister and wife of God”
As Sethynos breaks off the arrowhead
“Eliminate my pain.”
Settles his knee beneath his hero’s shoulderblades
“Let me kill that oaf who claims my death”
Bridges his nape with one hand
“Before it comes with honour to my name.”
Then with his other hand
In one long strong slow pull
Drew the shank back, and out.
She heard his prayer.
Before their breathless eyes
His blood ran back into the pout the shank had left,
And to complete her miracle
Lord Diomed rose up between them, stood in the air,
Then hovered down onto his toes
Brimming with homicidal joy,
Imparting it to Greece.
Then Troy was driven back,
Trampling the half-stripped still-masked carcasses
Hatching the centre of the plain.
Aenéas / Panda.
“Get him.”
14
“Get him! I got him. He is dead. But there he is.”
And Diomed has spotted them.
“Calm down,” Aenéas said. “Perhaps he is possessed.”
“What god would visit him?”
“So pray to yours—and try another shot.”
“Huntress,” Lord Panda prays,
Bright-ankled god of nets and lines,
Of tangled mountains, ilex groves and dark cascades . . .”
But Artemis was bored with him
And let him rise, still praying hard,
Into the downflight of the javelin
Diomed aired at Prince Aenéas.
Sunlit, it went through Panda’s lips, out through his neck, and then
Through Biblock’s neck.
And so they fell; the lord, face up; the friend, face down
Gripping the blood-smeared barb between his teeth,
Between the sea and snow.
Aenéas covers them.
Eyeing his plate
—Technology you can enjoy—
Diomed found, and threw, a stone
As heavy as a cabbage made of lead,
That hit, and split, Aenéas’ hip.
Who went down on one knee
And put his shield hand on the grass
And with his other hand covered his eyes.
Dido might have become a grandmother
And Rome not had its day, except
As Diomed came on to lop his top
Aenéas’ mama, Aphrodité (dressed
In grey silk lounge pyjamas piped with gold
And snake-skin flip-flops) stepped
15
Between him and the Greek.
A glow came from her throat, and from her hair
A fragrance that betokened the divine.
Stooping, she kissed him better, as
Queen Hera whispered: “Greek, cut that bitch.”
And, Diomed, you did; nicking Love’s wrist.
Studying the ichor as
It seeped across her pulse into her palm
Our Lady of the Thong lifted her other hand
Removed a baby cobra from her hair
And dropped it, Diomed, onto your neck,
And saw its bite release its bane into your blood.
Then nobody could say
Who Diomed fought for, or for what he fought.
Rapt through the mass
Now shouting at the sky, now stomping on the plain,
He killed and killed and killed, Greek, Trojan, Greek,
Lord/less, shame/fame, both gone; and gone
Loyalty nurtured in the face of death,
The duty of revenge, the right to kill,
To jeer, to strip, to gloat, to be the first
To rally but the last to run, all gone—
And gone, our Lady Aphrodité, giggling.
While everywhere,
Driving your fellow Greeks
Back down the long incline that leads to the Scamánder’s ford,
Surely as when
Lit from the dark part of the sky by sudden beams,
A bitter wind
Detonates line by line of waves against the shore.
No mind. Even as Teucer backed away
He kept his eyes on you.
“You feel the stress? You feel the fear?
Behold your enemy! the Prince God loves!”
See Teucer’s bow. Hear Teucer’s: “This time lucky.”
16
His—
But this time it was not our Father, God,
Who saved your life, my Prince.
As Agamemnon cried:
“The ships are safe.
Stand at the riverside’s far bank.”
Teléspiax heard the rustle of Lord Teucer’s shot
And stood between yourself and it.
His head was opened, egglike, at the back,
Mucked with thick blood, blood trickling from his mouth.
His last words were:
“Prince, your trumpeter has lost his breath.”
“Our worst fear was his face would fade,”
Teléspiax’s father said.
“But it did not. We will remember it until we die.”
“Give his instrument to Hogem,” Hector said, and went—
Lutie on reins—between the sea and snow,
Throwing his chariots wide, Scamánderwards,
As easily as others might a cloak.
Diomed among this traffic, on his own,
Among his dead,
Their pools of blood, their cut-off body-parts,
Their cut-off heads,
Ashamed as his head cleared
To see Odysseus, Idomeneo, the Ajax—Big and Small—
Whipping away downslope, shouting towards Odysseus:
“Where are you going with your back to the battle?”
Who shouted back, although he did not turn:
“Look left!”
And there was Lutie driving Hector onto him,
Sure they would trample him, for sure
Queen Hera’s human, Diomed,
Would stand and die, except:
“Arms up, young king—” Nestor, full tilt,
Reins round his tummy, leaning out “—and
17
Jump . . .” wrists locked “. . . You young are just . . .”
Swinging him up onto the plate “. . . too much.”
“With your permission, Da?”
Nod. Drew. Then threw the chariot’s javelin
As Lutie spun his wheels, and Hector threw—
Those skewers trading brilliance as they passed—
And missed—both vehicles slither-straightening,
Regaining speed, close, close, then driven apart
By empty cars careering off the incline,
Or stationary cars, their horses cropping grass.
“Daddy, go slow. Hector will say I ran.”
“But not the widows you have made.”
And slow
And low
Cruising the blue above this mix
Heaven’s Queen and Ringsight-eyed Athena
Trumpeting down huge worms of sound
As Hector’s car rereached king Nestor’s, and:
“What kept you, Prince?” Diomed offered as they came abreast:
“You went for a refreshing towel?”
And threw his axe, that toppled through the air, and, oh,
Hector, my Hector, as you thought:
“If Heaven helps me Heaven shows it loves the best,”
Parted your Lutie’s mesh and smashed into his heart.
What did you say as God called you to death
Dear Lutie?
“King Prince, I leave you
driverless.”
And put the reins into his hands, and fled
Into oblivion
As Hector with his other hand
Held what his Lutie was, upright, face forwards, in between
The chariot’s basket and himself,
Shouting as he drove after them:
“Loathsome Greek,
18
Your loathsome hair, your loathsome blood,
Your loathsome breath, your loathsome heart,
Jump in your loathsome ships,
I will come after you,
Come over the Aegean after you,
And find you though you hide inside
Your loathsome father’s grave
And with my bare hands twist your loathsome head
Off your loathsome neck.”
There was a Greek called Themion.
Mad about armour. If not armour, cars.
Of course he went to Troy. And Troy
Saw a stray spear transfix him as he drove.
Companionably, his horses galloped up
On Starlight’s side, and muddled Starlight down,
And Bertie down, and brought the Prince
(Still holding Lutie) down, as all the world
Hurried, as if by windheads, on towards Scamánder’s ford.
hether you reach it from the palisade
Or through the trees that dot the incline’s last stretch
You hear Scamánder’s voice before you see
What one may talk across on quiet days
Its rippling sunspangled breadth
Streaming across the bars of pebbly sand
That form its ford
—Though on the Fleet’s side deeper, darkly bright.
And here
Tiptoeing from this bar to that,
Settling the cloudy sunshine of her hair,
Her towel retained by nothing save herself,
The god of Tops and Thongs
Our Lady Aphrodité came,
Her eyes brimfull with tears.
Scamánder is astonished by his luck.
19
“Beauty of Beauties, why are you weeping?”
“I have been hurt, Scamánder.”
“No . . .”
“Humiliated.”
“No . . .”
“Me. A god. Just like yourself. Touched . . .”
“Touched!”
“By a man.”
“A man!”
“A Greek.”
“Death to all Greeks!”
“He cut me!”
“Sacrilege!
. . . But where?”
“I need your healing touch.”
“How can I help you if you do not show me where?”
“Moisten its lips and my wound will be healed.”
“You must say where!”
“Well . . .”
The towel has slipped an inch.
“I am afraid you will be disappointed.”
“Never.”
“Are you sure?”
“Yes!”
“You will not criticize me?”
“No!”
Her wrist upturned.
Out-turned.
Her opened palm.
Fanning the fingers of her other hand,
Stroking his spangles with her fingertips.
“Goddess, I love you.
I have always loved you.
Say that you love me. Even a little.
I beg you. God grant it.”
“I need your help, Scamánder.”
“Take pity on me. Come into me.”
“You have your nymphs.”
“Bores! Bores!”
“I might be nibbled by an eel!”
“Death to all eels!”
The towel is down.
20
“Step into me . . .
I love your toes . . . please let me kiss your toes . . .
Your little dinkum-inkum toes . . .”
“No one has kissed them so nicely, Scamánder.”
“And now your knees . . .”
“You tickle me . . .”
“And now your thighs!”
“Oh, oh, go on . . .”
“And now your bum!
Your Holy Bum! Your Sacred Bum!
The Bum of Paradise!”
“Oh, my Scamánder, I must have your help . . .”
“Anything!”
The towel goes curling off,
And as she floated on his stream
Our Lady Aphrodité said:
“At any moment now the Greeks will reach your
Troy-side bank . . .”
Recall those sequences
When horsemen ride out of the trees and down into a
Somewhere in Kansas or Missouri, say.
So—save they were thousands—Greece
Into Scamánder’s ford.
stream
Coming downstream,
A smallish wave
That passes
But
Scamánder’s flow does not relapse.
Indeed
Almost without a sound
Its murmuring radiance rose
Into a dark, torrential surge,
Clouded with boulders, crammed with trees, as clamorous
21
as if it were a sea,
That lifted Greece, then pulled Greece down,
Cars gone, masks gone, gone under, reappearing, gone:
“Onto your knees! Praise Hector for this flood!
The Prince God loves!” Prince Hector claims
As he comes through the trees.
They do.
Then up and run, run, thousands of them,
To hold those Greeks who got back out
Under until their bubbles stopped; while those swept off
Turned somersaults amid Scamánder’s undertow.
The flat—
1000 yards of it between the river and the palisade.
The King:
“The Lord has not abandoned us.
To cross will be as bad for them.”
But it was not to be as bad for them.
Indeed,
As Hector drove towards Scamánder’s brink,
And as—their banners rising one by one,
One after one and then another one—
He and all Ilium began to enter it,
The river reassumed its softly-spoken, smooth, sunspangled way.
And Agamemnon cried:
“God, what are You for?
What use are You to me?”
As Hector cries:
22
“Two miracles!
Your Prince is close to God!”
And Hera to Athena:
“Fog?”
And fog came down.
And most of Greece got out.
Troy holding hands midstream.
An army peering through its masks.
Miss Tops and Thongs to God:
“Your Hera has . . .”
And with a wish He turned the fog to light
And with a word He called them back to Heaven.
Sky.
Snow.
The 1000 yards.
The palisade.
Hector:
“I am your Prince.
My name means He-Who-Holds.
Troy. And the plain. And now the ships.
For Troy!” his battle cry,
Rising into a common cry, that cry
Into a clamour, and that clamour to
Bayings of hatred.
23
800 yards.
The Child:
“We are the Greeks. We fight to win. If one is lost,
Close his eyes, step over him, and kill his enemy.”
800 yards.
The Greeks are tiring.
Nestor is on his knees:
“God of all Gods, Most Holy and Most High,
If Greece has ever sacrificed fresh blood to you,
Protect our ships.”
Heaven.
Soft music. Summertime. Queen Hera and Athena? Yes . . .
Some lesser gods
Observing their approach, approach,
Salaam, and then
Lead them—
Now both in black wraparound tops—
To God:
“Darling Daddy, here we are.”
“And” (Hera) “here we stay
Until you stop that worthless Hector killing Greeks.”
Up steps Love.
Hera: “Why is she wearing a tent?”
Love: “Father, see this.” (Her wrist.)
“Human strikes god! Communism! The end of everything!”
“Darlings,” He said,
“You know that being a god means being blamed.
Do this—no good. Do that—the same. The answer is:
Avoid humanity.
Remember—I am God.
I see the bigger picture.”
24
“And I am Hera, Heaven’s Queen,
Greece worships me.”
“Stuff Greece,” Love said.
“Your blubber-bummed wife with her gobstopper nipples
Hates Troy because Troy’s Paris put her last
When we stripped off for him.
As for the Ithacan boat-boy’s undercurved preceptatrix,
She hates Troy because my statue stands on its acropolis.”
Hera: “The cities’ whores were taxed to pay for it.”
Love (Dropping onto her knees before Himself):
“Please . . . stop them harming Troy. The greatest city
in the world.”
While Hera and Athena sang:
“Cleavage! Cleavage!
Queen of the Foaming Hole.
Mammoth or man or midge
She sucks from pole to pole.”
And God has had enough of it.
Lifting His scales He said:
“Hector will have his day of victory.”
Then crashed them to the ground.
700 yards.
The palisade.
Its gate.
Late sunlight on gilt beaks.
“There’s no escape from Troy.”
“Or from the plain at Troy.”
25
Begging for ransom, Trojan Hoti,
His arms around King Menelaos’ knees.
King Agamemnon: “Off.”
Then he punched Hoti in the face.
Then punched him in the face again.
And then again. And when he fell
King Agamemnon kicked him in the groin.
Kicking him in the groin with so much force
It took a step to follow up each kick.
Then pulled him up,
Then dragged him by his hair
This way and that,
Then left him, calling:
“Finish him off.”
And someone did.
“I was sixteen. I said: ‘Where is Achilles?’
Hard as it is to share another’s troubles when your own are pressing
Great Ajax took my hands in his and said:
‘He loves us. He is with us. He will come.’”
But he did not.
Then Ajax to himself:
“Dear Lord, you made me straight.
Give me the strength to last till dark.”
The Prince: “I get past
Their war is lost.”
everything I see.
It was.
Aenéas, Ábassee, Sarpédon, Gray,
Calling to one another down the line.
Then, with a mighty wall of sound,
As if a slope of stones
Rolled down into a lake of broken glass
26
We ran at them.
And now the light of evening has begun
To shawl across the plain:
Blue gray, gold gray, blue gold,
Translucent nothingnesses
Readying our space,
Within the deep, unchanging sea of space,
For Hesper’s entrance, and the silver wrap.
Covered with blood, mostly their own,
Loyal to death, reckoning to die
Odysseus, Ajax, Diomed,
Idomeneo, Nestor, Menelaos
And the King:
“Do not die because others have died.”
“Do not show them the palms of your hands.”
“Achil!”
“Achil!”
“If he won’t help us, Heaven help us.”
“Stand still and fight.”
“Feel shame in one another’s eyes.”
“I curse you, God. You are a liar, God.
Troy will be yours by dark—immortal lies.”
“Home!”
“Home!”
“There’s no such place.”
“You can’t launch burning ships.”
“More men survive if no one runs.”
But that is what Greece did.
Dropping their wounded,
Throwing down their dead,
Their shields, their spears, their swords,
They ran.
27
Leaving their heroes tattered, filthy, torn
And ran
And ran
Above their cries:
“I am the Prince! The victory is mine!”
Chylábborak:
“Do not take cowardice for granted.”
Scarce had he said it, when
His son, Kykéon, standing next to him
Took Ajax’ final spear cast in his chest.
“I shall not wear your armour, Sir,” he said.
And died.
“My son is dead.”
The Prince:
“Hector is loved by God.”
And Greece, a wall of walking swords,
But walking backwards,
Leaving the plain in silence
And in tears.
Idomeneo,
Running back out at those Trojans who came too close:
“You know my name. Come look for me. And boy,
The day you do will be the day you die.”
28
Hector to Troy:
“Soldiers!—
Unmatched my force, unconquerable my will.
After ten years of days, in one long day
To be remembered for as many days
As there are days to come, this is my day,
Your Hector’s day. Troy given back to Troy.
My day of victory!”
And when the cheering died:
“Some say: destroy Greece now. But I say no.
Out of your cars. Eat by your fires.
Two hundred fires! Around each fire
Five hundred men!
“The sound of grindstones turning through the night,
The firelight that stands between our blades,
So let King Agamemnon’s Own hold hands
And look into each other’s frightened eyes.
“True God! Great Master of the Widespread Sky!
If only you would turn
Me into a god,
As you, through me,
Tomorrow by their ships
Will see Greece die.”
Silence.
A ring of lights.
Within
Immaculate
In boat-cloaks lined with red
King Agamemnon’s lords—
The depression of retreat.
29
The depression of returning to camp.
Him at the centre of their circle
Sobbing,
Then shouting:
“We must run for it!”
Dark glasses in parked cars.
“King Agamemnon of Mycenae,
God called, God raised, God recognized,
You are a piece of shit,” Diomed said.
Silence again.
“Let us praise God,” Lord Ajax said,
“That Hector stopped before he reached the ships.”
Silence again.
Then
Nestor
(Putting his knee back in):
“Paramount Agamemnon, King of Kings,
Lord of the Shore, the Islands and the Sea
I shall begin, and end, with you.
Greece needs good words. Like them or not, the credit
will be yours.
Determined. Keen to fight, that is our Diomed—
As I should know. When just a boy of ten I fought
Blowback of Missolonghi, a cannibal, drank blood,
He captured you, he buggered you, you never walked again.
But Diomed lacks experience.
God has saved us, momentarily.
God loves Achilles.
You took, and you have kept, Achilles’ ribband she.”
“I was a fool!”
30
“And now you must appease him, Agamemnon.
Humble words. Hands shaken. Gifts.”
The King—wiping his eyes:
“As usual,
Pylos has said the only things worth hearing.
I was mad to take the she.
I shall pay fitting damages.
Plus her, I offer him
The Corfiot armour that my father wore.”
Silence.
The sea.
Its whispering.
“To which I add: a set of shields.
Posy, standard, ceremonial.
The last, cut from the hide of a one ton Lesbian bull.”
Silence.
The sea.
“And . . . a chariot!
From my own équipe!
They smoke along the ground . . .
They ride its undulations like a breeze . . .”
The sea.
“Plus: six horses—saddled, bridled and caparisoned,
Their grooms and veterinarians . . .
. . . And six tall shes:
Two good dancers, two good stitchers, two good cooks.
All capable of bearing boys . . .
“Oh, very well then: twenty loaves of gold,
31
The same of silver, and the same of iron.”
Masks. Lights.
Behind the lords
Some hundreds from the army have walked up.
Lord Nestor smiles.
Lord Menelaos smiles.
“Plus—
Though it may well reduce your King to destitution:
A’kimi’kúriex,
My summer palace by the Argive sea,
Its lawns, its terraces, its curtains in whose depths
Larks dive above a field of waving lilies
And fishscale-breakers shatter on blue rocks.
Then, as he draws their silky heights aside,
Standing among huge chests of looted booty,
Long necked, with lowered lids, but candid eyes,
My living daughter, Íphaniss, a diamond
Big as a cheeseball for her belly stud.
His wife to be! minus—I need not say—her otherwise huge
bride-price.”
“More!”
“More!”
“More!”
Lord Ajax almost has to hold him up.
“The whole of eastern Pel’po’nesia—
An area of outstanding natural beauty—
Its cities, Epi’dávros, Trów’é’zen,
Their fortresses, their harbours and their fleets,
Their taxpayers—glad to accept his modest ways—
All this, the greatest benefaction ever known,
If he agrees to fight. And he admits I am his King.”
Instantly, Nestor:
“An offer God himself could not refuse.
All that remains to say is:
Who shall take it to Achilles?”
32
Agamemnon: “You will.”
Starlight.
The starlight on the sea.
The sea.
Its whispering
Mixed with the prayers
Of Ajax and of Nestor as they walk
Along the shore towards Achilles’ gate.
“My lords?”
“Your lord.”
“This way.”
They find him, with guitar,
Singing of Gilgamesh.
“Take my hands. Here they are.”
You cannot take your eyes away from him.
His own so bright they slow you down.
His voice so low, and yet so clear.
You know that he is dangerous.
“Patroclus?
33
Friends in need.
Still,
Friends.
That has not changed,
I think.
Autómedon? Wine.
“Dear Lord and Master of the Widespread Sky,
Accept ourselves, accept our prayers.”
Their cups are taken.
“Father friend?”
King Nestor (for his life):
“You know why we are here.
We face death.
The mass choose slavery.
Mycenae has admitted he was wrong to wrong yourself.
In recompense he offers you
The greatest benefaction ever known.
Take it, and fight. Or else Hector will burn the ships
Then kill us randomly.
Remember what your Father said
The day when Ajax and myself drove up to ask
If you could come with us to Troy?
That you should stand among the blades where honour grows.
And secondly, to let your anger go.
Spirit, and strength, and beauty have combined
Such awesome power in you
A vacant Heaven would offer you its throne.
Think of what those who will come after us will say.
Save us from Hector’s god, from Hector, and from Hector’s force.
I go down on my knees to you, Achilles.”
“I must admire your courage, father friend,
For treating me as if I was a fool.
34
I shall deal with Hector as I want to.
You and your fellow countrymen will die
For how your King has treated me.
I have spent five years fighting for your King.
My record is: ten coastal and ten inland cities
Burnt to the ground. Their males, massacred.
Their cattle, and their women, given to him.
Among the rest, Briseis the Beautiful, my ribband she.
Not that I got her courtesy of him.
She joined my stock in recognition of
My strength, my courage, my superiority,
Courtesy of yourselves, my lords.
I will not fight for him.
He aims to personalise my loss.
Briseis taken from Achilles—standard practice:
Helen from Menelaos—war.
Lord Busy Busy, building his palisade, mounting my she,
One that I might have picked to run my house,
Raising her to the status of a wife.
Do I hate him? Yes, I hate him. Hate him.
And should he be afraid of me? He should.
I want to harm him. I want him to feel pain.
In his body, and between his ears.
I must admit,
Some of the things that you have said are true.
But look what he has done to me! To me!
The king on whom his kingliness depends!
I will not fight for him.
Hearing your steps, I thought: at last,
My friends have come to visit me.
They took their time about it, true—
After he took my she none of you came—
Now, though—admittedly they are in trouble,
Serious trouble—they have arrived as friends,
And of their own accord.
But you have not come here as friends.
And you have not come of your own accord.
You came because your King told you to come.
You came because I am his last resort.
And, incidentally, your last resort.
35
At least he offers stuff.
All you have offered is advice:
‘Keep your temper . . .
Mind your tongue . . .
Think what the world will say . . .’
No mention of your King’s treatment of me.
No sign of love for me behind your tears.
I will not fight for him.
I can remember very well indeed
The day you two grand lords came visiting my father’s house,
How I ran out to you, and took your hands—
The greatest men that I had ever seen:
Ajax, my fighting cousin, strong, brave, unafraid to die;
Nestor, the King of Sandy Pylos, wisdom’s sword.
And then, when all had had enough to eat and drink
And it was sealed that I should come to Troy,
Then my dear father said that lordship knows
Not only how to fight, and when to hold its tongue,
But of the difference between a child enraged
And honour bound lords.
I will not fight for him.
There is a King to be maintained. You are his lords.
My fighting powers prove my inferiority.
Whatever he, through you, may grant,
I must receive it as a favour, not of right,
Go back to him with downcast looks, a suppliant tone,
Acknowledge my transgressions—I did not
Applaud his sticky fingers on my she’s meek flesh.
My mother says I have a choice:
Live as a happy backwood king for aye
Or give the world an everlasting murmur of my name,
And die.
Be up tomorrow sharp
To see me sacrifice to Lord Poseidon and set sail.
Oh, yes, his gifts:
‘The greatest benefaction ever known.’
If he put Heaven in my hand I would not want it.
His offers magnify himself.
Likewise his child.
I do not want to trash the girl.
She is like me. Bad luck to have poor friends.
Bad luck to have his Kingship as your sire.
36
My father will select my wife.
Each spring a dozen local kings drive up
And lead their daughters naked round our yard.
Some decent local girl. My father’s worth
Is all the wealth we will require.
You Greeks will not take Troy.
You have disintegrated as a fighting force.
Troy is your cemetery. Blame your King.
The man who you say has done all he can.
The man who has admitted he was wrong.
But he has not done all he can.
And he has not admitted he was wrong.
Or not to me.
I want him here, your King.
His arms straight down his sides, his shoulders back,
Announcing loud and clear that he was wrong to take my she.
Apologising for that wrong, to me, the son of Péleus.
Before my followers, with you, Pylos and Salamis,
Crete. Sparta. Tyrins, Argos, Calydon, the Islands, here,
Stood to attention on either side of him.
That is my offer. Take it, or die.
Nestor may stay the night.
You, dear cousin Ajax, tell your King what I have said.
Preferably, in front of everyone.”
Who said,
As my Achilles lifted his guitar:
“Lord, I was never so bethumped with words
Since first I called my father Dad.”
The sea.
Their feet along the sand to Agamemnon’s gate.
And in starlit air
The Trojans singing:
“I love my wife, I love her dearly,
I love the hole she pisses through,
37
I love her lily-white tits
And her nut-brown arsehole,
I could eat her shit with a wooden spoon.”
~ Christopher Logue,
517:DRAMATIS PERSONAE
King Charles I.
Queen Henrietta.
Laud, Archbishop of Canterbury.
Wentworth, Earl of Strafford.
Lord Cottington.
Lord Weston.
Lord Coventry.
Williams, Bishop of Lincoln.
Secretary Lyttelton.
Juxon.
St. John.
Archy, the Court Fool.
Hampden.
Pym.
Cromwell.
Cromwell's Daughter.
Sir Harry Vane the younger.
Leighton.
Bastwick.
Prynne.
Gentlemen of the Inns of Court, Citizens, Pursuivants, Marshalsmen, Law Students, Judges, Clerk.

Scene I.
---The Masque of the Inns of Court.
A Pursuivant.
Place, for the Marshal of the Masque!
First Citizen.
What thinkest thou of this quaint masque which turns,
Like morning from the shadow of the night,
The night to day, and London to a place
Of peace and joy?
Second Citizen.
         And Hell to Heaven.
Eight years are gone,
And they seem hours, since in this populous street
I trod on grass made green by summer's rain,
For the red plague kept state within that palace
Where now that vanity reigns. In nine years more
The roots will be refreshed with civil blood;
And thank the mercy of insulted Heaven
That sin and wrongs wound, as an orphan's cry,
The patience of the great Avenger's ear.
A Youth.
Yet, father, 'tis a happy sight to see,
Beautiful, innocent, and unforbidden
By God or man;'tis like the bright procession
Of skiey visions in a solemn dream
From which men wake as from a Paradise,
And draw new strength to tread the thorns of life.
If God be good, wherefore should this be evil?
And if this be not evil, dost thou not draw
Unseasonable poison from the flowers
Which bloom so rarely in this barren world?
Oh, kill these bitter thoughts which make the present
Dark as the future!. . .
When Avarice and Tyranny, vigilant Fear,
And open-eyed Conspiracy lie sleeping
As on Hell's threshold; and all gentle thoughts
Waken to worship Him who giveth joys
With His own gift.
Second Citizen.
How young art thou in this old age of time!
How green in this gray world? Canst thou discern
The signs of seasons, yet perceive no hint
Of change in that stage-scene in which thou art
Not a spectator but an actor? or
Art thou a puppet moved by [enginery]?
The day that dawns in fire will die in storms,
Even though the noon be calm. My travel's done,
Before the whirlwind wakes I shall have found
My inn of lasting rest; but thou must still
Be journeying on in this inclement air.
Wrap thy old cloak about thy back;
Nor leave the broad and plain and beaten road,
Although no flowers smile on the trodden dust,
For the violet paths of pleasure. This Charles the First
Rose like the equinoctial sun, . . .
By vapours, through whose threatening ominous veil
Darting his altered influence he has gained
This height of noonfrom which he must decline
Amid the darkness of conflicting storms,
To dank extinction and to latest night . . .
There goes
The apostate Strafford; he whose titles
whispered aphorisms
From Machiavel and Bacon: and, if Judas
Had been as brazen and as bold as he
First Citizen.
                     That
Is the Archbishop.
Second Citizen.
          Rather say the Pope:
London will be soon his Rome: he walks
As if he trod upon the heads of men:
He looks elate, drunken with blood and gold;
Beside him moves the Babylonian woman
Invisibly, and with her as with his shadow,
Mitred adulterer! he is joined in sin,
Which turns Heaven's milk of mercy to revenge.
Third Citizen
(lifting up his eyes).
Good Lord! rain it down upon him! . . .
Amid her ladies walks the papist queen,
As if her nice feet scorned our English earth.
The Canaanitish Jezebel! I would be
A dog if I might tear her with my teeth!
There's old Sir Henry Vane, the Earl of Pembroke,
Lord Essex, and Lord Keeper Coventry,
And others who make base their English breed
By vile participation of their honours
With papists, atheists, tyrants, and apostates.
When lawyers masque 'tis time for honest men
To strip the vizor from their purposes.
A seasonable time for masquers this!
When Englishmen and Protestants should sit
. . . dust on their dishonoured heads,
To avert the wrath of Him whose scourge is felt
For the great sins which have drawn down from Heaven
. . . and foreign overthrow.
The remnant of the martyred saints in Rochefort
Have been abandoned by their faithless allies
To that idolatrous and adulterous torturer
Lewis of France,the Palatinate is lost Enter Leighton (who has been branded in the face) and Bastwick.
Canst thou be -- art thou? --

Leighton.
              I was Leighton: what
I am thou seest. And yet turn thine eyes,
And with thy memory look on thy friend's mind,
Which is unchanged, and where is written deep
The sentence of my judge.

Third Citizen.
              Are these the marks with which
Laud thinks to improve the image of his Maker
Stamped on the face of man? Curses upon him,
The impious tyrant!

Second Citizen.
          It is said besides
That lewd and papist drunkards may profane
The Sabbath with their...
And has permitted that most heathenish custom
Of dancing round a pole dressed up with wreaths
On May-day.
A man who thus twice crucifies his God
May well...his brother.In my mind, friend,
The root of all this ill is prelacy.
I would cut up the root.

Third Citizen.
             And by what means?

Second Citizen.
Smiting each Bishop under the fifth rib.

Third Citizen.
You seem to know the vulnerable place
Of these same crocodiles.

Second Citizen.
              I learnt it in
Egyptian bondage, sir. Your worm of Nile
Betrays not with its flattering tears like they;
For, when they cannot kill, they whine and weep.
Nor is it half so greedy of men's bodies
As they of soul and all; nor does it wallow
In slime as they in simony and lies
And close lusts of the flesh.

A Marshalsman.
                Give place, give place!
You torch-bearers, advance to the great gate,
And then attend the Marshal of the Masque
Into the Royal presence.

A Law Student.
             What thinkest thou
Of this quaint show of ours, my agd friend?
Even now we see the redness of the torches
Inflame the night to the eastward, and the clarions
[Gasp?] to us on the wind's wave. It comes!
And their sounds, floating hither round the pageant,
Rouse up the astonished air.

First Citizen.
I will not think but that our country's wounds
May yet be healed. The king is just and gracious,
Though wicked counsels now pervert his will:
These once cast off

Second Citizen.
           As adders cast their skins
And keep their venom, so kings often change;
Councils and counsellors hang on one another,
Hiding the loathsome
Like the base patchwork of a leper's rags.

The Youth.
Oh, still those dissonant thoughts!List how the music
Grows on the enchanted air! And see, the torches
Restlessly flashing, and the crowd divided
Like waves before an admiral's prow!

A Marshalsman.
                    Give place
To the Marshal of the Masque!

A Pursuivant.
                Room for the King!

The Youth.
How glorious! See those thronging chariots
Rolling, like painted clouds before the wind,
Behind their solemn steeds: how some are shaped
Like curved sea-shells dyed by the azure depths
Of Indian seas; some like the new-born moon;
And some like cars in which the Romans climbed
(Canopied by Victory's eagle-wings outspread)
The CapitolianSee how gloriously
The mettled horses in the torchlight stir
Their gallant riders, while they check their pride,
Like shapes of some diviner element
Than English air, and beings nobler than
The envious and admiring multitude.

Second Citizen.
Ay, there they are
Nobles, and sons of nobles, patentees,
Monopolists, and stewards of this poor farm,
On whose lean sheep sit the prophetic crows,
Here is the pomp that strips the houseless orphan,
Here is the pride that breaks the desolate heart.
These are the lilies glorious as Solomon,
Who toil not, neither do they spin,unless
It be the webs they catch poor rogues withal.
Here is the surfeit which to them who earn
The ****rd wages of the earth, scarce leaves
The tithe that will support them till they crawl
Back to her cold hard bosom. Here is health
Followed by grim disease, glory by shame,
Waste by lame famine, wealth by squalid want,
And England's sin by England's punishment.
And, as the effect pursues the cause foregone,
Lo, giving substance to my words, behold
At once the sign and the thing signified
A troop of cripples, beggars, and lean outcasts,
Horsed upon stumbling jades, carted with dung,
Dragged for a day from cellars and low cabins
And rotten hiding-holes, to point the moral
Of this presentment, and bring up the rear
Of painted pomp with misery!

The Youth.
               'Tis but
The anti-masque, and serves as discords do
In sweetest music. Who would love May flowers
If they succeeded not to Winter's flaw;
Or day unchanged by night; or joy itself
Without the touch of sorrow?

Second Citizen.
               I and thou

A Marshalsman.
Place, give place!

Scene II.
A Chamber in Whitehall. Enter the King, Queen, Laud, Lord Strafford, Lord Cottington, and other Lords;Archy ; also St. John, with some Gentlemen of the Inns of Court.

King.
Thanks, gentlemen. I heartily accept
This token of your service: your gay masque
Was performed gallantly. And it shows well
When subjects twine such flowers of [observance?]
With the sharp thorns that deck the English crown.
A gentle heart enjoys what it confers,
Even as it suffers that which it inflicts,
Though Justice guides the stroke.
Accept my hearty thanks.

Queen.
             And gentlemen,
Call your poor Queen your debtor. Your quaint pageant
Rose on me like the figures of past years,
Treading their still path back to infancy,
More beautiful and mild as they draw nearer
The quiet cradle. I could have almost wept
To think I was in Paris, where these shows
Are well devisedsuch as I was ere yet
My young heart shared a portion of the burthen,
The careful weight, of this great monarchy.
There, gentlemen, between the sovereign's pleasure
And that which it regards, no clamour lifts
Its proud interposition.
In Paris ribald censurers dare not move
Their poisonous tongues against these sinless sports;
And his smile
Warms those who bask in it, as ours would do
If...Take my heart's thanks: add them, gentlemen,
To those good words which, were he King of France,
My royal lord would turn to golden deeds.

St. John.
Madam, the love of Englishmen can make
The lightest favour of their lawful king
Outweigh a despot's.We humbly take our leaves,
Enriched by smiles which France can never buy.

[Exeunt St. John and the Gentlemen of the Inns of Court.

King.
My Lord Archbishop,
Mark you what spirit sits in St. John's eyes?
Methinks it is too saucy for this presence.

Archy.
Yes, pray your Grace look: for, like an unsophisticated [eye] sees everything upside down, you who are wise will discern the shadow of an idiot in lawn sleeves and a rochet setting springes to catch woodcocks in haymaking time. Poor Archy, whose owl-eyes are tempered to the error of his age, and because he is a fool, and by special ordinance of God forbidden ever to see himself as he is, sees now in that deep eye a blindfold devil sitting on the ball, and weighing words out between king and subjects. One scale is full of promises, and the other full of protestations: and then another devil creeps behind the first out of the dark windings [of a] pregnant lawyer's brain, and takes the bandage from the other's eyes, and throws a sword into the left-hand scale, for all the world like my Lord Essex's there.

Strafford.
A rod in pickle for the Fool's back!

Archy.
Ay, and some are now smiling whose tears will make the brine; for the Fool sees--

Strafford.
Insolent! You shall have your coat turned and be whipped out of the palace for this.

Archy.
When all the fools are whipped, and all the Protestant writers, while the knaves are whipping the fools ever since a thief was set to catch a thief. If all turncoats were whipped out of palaces, poor Archy would be disgraced in good company. Let the knaves whip the fools, and all the fools laugh at it. [Let the] wise and godly slit each other's noses and ears (having no need of any sense of discernment in their craft); and the knaves, to marshal them, join in a procession to Bedlam, to entreat the madmen to omit their sublime Platonic contemplations, and manage the state of England. Let all the honest men who lie [pinched?] up at the prisons or the pillories, in custody of the pursuivants of the High-Commission Court, marshal them.

Enter Secretary Lyttelton, with papers.

King
(looking over the papers).
These stiff Scots
His Grace of Canterbury must take order
To force under the Church's yoke.You, Wentworth,
Shall be myself in Ireland, and shall add
Your wisdom, gentleness, and energy,
To what in me were wanting.My Lord Weston,
Look that those merchants draw not without loss
Their bullion from the Tower; and, on the payment
Of shipmoney, take fullest compensation
For violation of our royal forests,
Whose limits, from neglect, have been o'ergrown
With cottages and cornfields. The uttermost
Farthing exact from those who claim exemption
From knighthood: that which once was a reward
Shall thus be made a punishment, that subjects
May know how majesty can wear at will
The rugged mood.My Lord of Coventry,
Lay my command upon the Courts below
That bail be not accepted for the prisoners
Under the warrant of the Star Chamber.
The people shall not find the stubbornness
Of Parliament a cheap or easy method
Of dealing with their rightful sovereign:
And doubt not this, my Lord of Coventry,
We will find time and place for fit rebuke.
My Lord of Canterbury.

Archy.
            The fool is here.

Laud.
I crave permission of your Majesty
To order that this insolent fellow be
Chastised: he mocks the sacred character,
Scoffs at the state, and--

King.
              What, my Archy?
He mocks and mimics all he sees and hears,
Yet with a quaint and graceful licencePrithee
For this once do not as Prynne would, were he
Primate of England. With your Grace's leave,
He lives in his own world; and, like a parrot
Hung in his gilded prison from the window
Of a queen's bower over the public way,
Blasphemes with a bird's mind:his words, like arrows
Which know no aim beyond the archer's wit,
Strike sometimes what eludes philosophy.
(To Archy.)
Go, sirrah, and repent of your offence
Ten minutes in the rain; be it your penance
To bring news how the world goes there.

[Exit Archy.
                      Poor Archy!
He weaves about himself a world of mirth
Out of the wreck of ours.

Laud.
I take with patience, as my Master did,
All scoffs permitted from above.

King.
                 My lord,
Pray overlook these papers. Archy's words
Had wings, but these have talons.

Queen.
                  And the lion
That wears them must be tamed. My dearest lord,
I see the new-born courage in your eye
Armed to strike dead the Spirit of the Time,
Which spurs to rage the many-headed beast.
Do thou persist: for, faint but in resolve,
And it were better thou hadst still remained
The slave of thine own slaves, who tear like curs
The fugitive, and flee from the pursuer;
And Opportunity, that empty wolf,
Flies at his throat who falls. Subdue thy actions
Even to the disposition of thy purpose,
And be that tempered as the Ebro's steel;
And banish weak-eyed Mercy to the weak,
Whence she will greet thee with a gift of peace,
And not betray thee with a traitor's kiss,
As when she keeps the company of rebels,
Who think that she is Fear. This do, lest we
Should fall as from a glorious pinnacle
In a bright dream, and wake as from a dream
Out of our worshipped state.

King.
               Belovd friend,
God is my witness that this weight of power,
Which He sets me my earthly task to wield.
Under His law, is my delight and pride
Only because thou lovest that and me.
For a king bears the office of a God
To all the under world; and to his God
Alone he must deliver up his trust,
Unshorn of its permitted attributes.
[It seems] now as the baser elements
Had mutinied against the golden sun
That kindles them to harmony and quells
Their self-destroying rapine. The wild million
Strike at the eye that guides them; like as humours
Of the distempered body that conspire
Against the spirit of life throned in the heart,
And thus become the prey of one another,
And last of death

Strafford.
That which would be ambition in a subject
Is duty in a sovereign; for on him,
As on a keystone, hangs the arch of life,
Whose safety is its strength. Degree and form,
And all that makes the age of reasoning man
More memorable than a beast's, depend on this--
That Right should fence itself inviolably
With Power; in which respect the state of England
From usurpation by the insolent commons
Cries for reform.
Get treason, and spare treasure. Fee with coin
The loudest murmurers; feed with jealousies
Opposing factions,-- be thyself of none;
And borrow gold of many, for those who lend
Will serve thee till thou payest them; and thus
Keep the fierce spirit of the hour at bay,
Till time, and its coming generations
Of nights and days unborn, bring some one chance,...
Or war or pestilence or Nature's self,--
By some distemperature or terrible sign,
Be as an arbiter betwixt themselves.
...Nor let your Majesty
Doubt here the peril of the unseen event.
How did your brother Kings, coheritors
In your high interest in the subject earth,
Rise past such troubles to that height of power
Where now they sit, and awfully serene
Smile on the trembling world? Such popular storms
Philip the Second of Spain, this Lewis of France,
And late the German head of many bodies,
And every petty lord of Italy,
Quelled or by arts or arms. Is England poorer
Or feebler? or art thou who wield'st her power
Tamer than they? or shall this island be--
[Girdled] by its inviolable waters
To the world present and the world to come
Sole pattern of extinguished monarchy?
Not if thou dost as I would have thee do.

King.
Your words shall be my deeds:
You speak the image of my thought. My friend
(If Kings can have a friend, I call thee so),
Beyond the large commission which [belongs]
Under the great seal of the realm, take this:
And, for some obvious reasons, let there be
No seal on it, except my kingly word
And honour as I am a gentleman.
Be -- as thou art within my heart and mind--
Another self, here and in Ireland:
Do what thou judgest well, take amplest licence,
And stick not even at questionable means.
Hear me, Wentworth. My word is as a wall
Between thee and this world thine enemy
That hates thee, for thou lovest me.

Strafford.
                    I own
No friend but thee, no enemies but thine:
Thy lightest thought is my eternal law.
How weak, how short, is life to pay

King.
                    Peace, peace.
Thou ow'st me nothing yet.
              (To Laud.)
My lord, what say
Those papers?

Laud.
Your Majesty has ever interposed,
In lenity towards your native soil,
Between the heavy vengeance of the Church
And Scotland. Mark the consequence of warming
This brood of northern vipers in your bosom.
The rabble, instructed no doubt
By Loudon, Lindsay, Hume, and false Argyll
(For the waves never menace heaven until
Scourged by the wind's invisible tyranny),
Have in the very temple of the Lord
Done outrage to His chosen ministers.
They scorn the liturgy of the Holy Church,
Refuse to obey her canons, and deny
The apostolic power with which the Spirit
Has filled its elect vessels, even from him
Who held the keys with power to loose and bind,
To him who now pleads in this royal presence.
Let ample powers and new instructions be
Sent to the High Commissioners in Scotland.
To death, imprisonment, and confiscation,
Add torture, add the ruin of the kindred
Of the offender, add the brand of infamy,
Add mutilation: and if this suffice not,
Unleash the sword and fire, that in their thirst
They may lick up that scum of schismatics.
I laugh at those weak rebels who, desiring
What we possess, still prate of Christian peace,
As if those dreadful arbitrating messengers
Which play the part of God 'twixt right and wrong,
Should be let loose against the innocent sleep
Of templed cities and the smiling fields,
For some poor argument of policy
Which touches our own profit or our pride
(Where it indeed were Christian charity
To turn the cheek even to the smiter's hand):
And, when our great Redeemer, when our God,
When He who gave, accepted, and retained
Himself in propitiation of our sins,
Is scorned in His immediate ministry,
With hazard of the inestimable loss
Of all the truth and discipline which is
Salvation to the extremest generation
Of men innumerable, they talk of peace!
Such peace as Canaan found, let Scotland now:
For, by that Christ who came to bring a sword,
Not peace, upon the earth, and gave command
To His disciples at the Passover
That each should sell his robe and buy a sword,
Once strip that minister of naked wrath,
And it shall never sleep in peace again
Till Scotland bend or break.

King.
               My Lord Archbishop,
Do what thou wilt and what thou canst in this.
Thy earthly even as thy heavenly King
Gives thee large power in his unquiet realm.
But we want money, and my mind misgives me
That for so great an enterprise, as yet,
We are unfurnished.

Strafford.
          Yet it may not long
Rest on our wills.

Cottington.
          The expenses
Of gathering shipmoney, and of distraining
For every petty rate (for we encounter
A desperate opposition inch by inch
In every warehouse and on every farm),
Have swallowed up the gross sum of the imposts;
So that, though felt as a most grievous scourge
Upon the land, they stand us in small stead
As touches the receipt.

Strafford.
            'Tis a conclusion
Most arithmetical: and thence you infer
Perhaps the assembling of a parliament.
Now, if a man should call his dearest enemies
To sit in licensed judgement on his life,
His Majesty might wisely take that course. [Aside to Cottington.

It is enough to expect from these lean imposts
That they perform the office of a scourge,
Without more profit. (Aloud.)
Fines and confiscations,
And a forced loan from the refractory city,
Will fill our coffers: and the golden love
Of loyal gentlemen and noble friends
For the worshipped father of our common country,
With contributions from the catholics,
Will make Rebellion pale in our excess.
Be these the expedients until time and wisdom
Shall frame a settled state of government.

Laud.
And weak expedients they! Have we not drained
All, till the...which seemed
A mine exhaustless?

Strafford.
          And the love which is,
If loyal hearts could turn their blood to gold.

Laud.
Both now grow barren: and I speak it not
As loving parliaments, which, as they have been
In the right hand of bold bad mighty kings
The scourges of the bleeding Church, I hate.
Methinks they scarcely can deserve our fear.

Strafford.
Oh! my dear liege, take back the wealth thou gavest:
With that, take all I held, but as in trust
For thee, of mine inheritance: leave me but
This unprovided body for thy service,
And a mind dedicated to no care
Except thy safety:-- but assemble not
A parliament. Hundreds will bring, like me,
Their fortunes, as they would their blood, before--

King.
No! thou who judgest them art but one. Alas!
We should be too much out of love with Heaven,
Did this vile world show many such as thee,
Thou perfect, just, and honourable man!
Never shall it be said that Charles of England
Stripped those he loved for fear of those he scorns;
Nor will he so much misbecome his throne
As to impoverish those who most adorn
And best defend it. That you urge, dear Strafford,
Inclines me rather--

Queen.
           To a parliament?
Is this thy firmness? and thou wilt preside
Over a knot of . . . censurers,
To the unswearing of thy best resolves,
And choose the worst, when the worst comes too soon?
Plight not the worst before the worst must come.
Oh, wilt thou smile whilst our ribald foes,
Dressed in their own usurped authority,
Sharpen their tongues on Henrietta's fame?
It is enough! Thou lovest me no more!
[Weeps.

King.
Oh, Henrietta!

[They talk apart.

Cottington
(to Laud).
       Money we have none:
And all the expedients of my Lord of Strafford
Will scarcely meet the arrears.

Laud.
                 Without delay
An army must be sent into the north;
Followed by a Commission of the Church,
With amplest power to quench in fire and blood,
And tears and terror, and the pity of hell,
The intenser wrath of Heresy. God will give
Victory; and victory over Scotland give
The lion England tamed into our hands.
That will lend power, and power bring gold.

Cottington.
                   Meanwhile
We must begin first where your Grace leaves off.
Gold must give power, or

Laud.
              I am not averse
From the assembling of a parliament.
Strong actions and smooth words might teach them soon
The lesson to obey. And are they not
A bubble fashioned by the monarch's mouth,
The birth of one light breath? If they serve no purpose,
A word dissolves them.

Strafford.
            The engine of parliaments
Might be deferred until I can bring over
The Irish regiments: they will serve to assure
The issue of the war against the Scots.
And, this game won -- which if lost, all is lost--
Gather these chosen leaders of the rebels,
And call them, if you will, a parliament.

King.
Oh, be our feet still tardy to shed blood,
Guilty though it may be! I would still spare
The stubborn country of my birth, and ward
From countenances which I loved in youth
The wrathful Church's lacerating hand.
(To Laud.)
Have you o'erlooked the other articles?

[Re-enter Archy.

Laud.
Hazlerig, Hampden, Pym, young Harry Vane,
Cromwell, and other rebels of less note,
Intend to sail with the next favouring wind
For the Plantations.

Archy.
           Where they think to found
A commonwealth like Gonzalo's in the play,
Gynaecocoenic and pantisocratic.

King.
What's that, sirrah?

Archy.
           New devil's politics.
Hell is the pattern of all commonwealths:
Lucifer was the first republican.
Will you hear Merlin's prophecy, how three [posts?]
'In one brainless skull, when the whitethorn is full,
Shall sail round the world, and come back again:
Shall sail round the world in a brainless skull,
And come back again when the moon is at full:'
When, in spite of the Church,
They will hear homilies of whatever length
Or form they please.

[Cottington?]
So please your Majesty to sign this order
For their detention.

Archy.
If your Majesty were tormented night and day by fever, gout, rheumatism, and stone, and asthma, etc., and you found these diseases had secretly entered into a conspiracy to abandon you, should you think it necessary to lay an embargo on the port by which they meant to dispeople your unquiet kingdom of man?

King.
If fear were made for kings, the Fool mocks wisely; But in this case --(writing.)
Here, my lord, take the warrant, And see it duly executed forthwith.--
That imp of malice and mockery shall be punished.

[Exeunt all but King, Queen, and Archy.

Archy.
Ay, I am the physician of whom Plato prophesied, who was to be accused by the confectioner before a jury of children, who found him guilty without waiting for the summing-up, and hanged him without benefit of clergy. Thus Baby Charles, and the Twelfth-night Queen of Hearts, and the overgrown schoolboy Cottington, and that little urchin Laud who would reduce a verdict of 'guilty, death,' by famine, if it were impregnable by compositionall impannelled against poor Archy for presenting them bitter physic the last day of the holidays.

Queen.
Is the rain over, sirrah?

King.
              When it rains
And the sun shines, 'twill rain again to-morrow:
And therefore never smile till you've done crying.

Archy.
But 'tis all over now: like the April anger of woman, the gentle sky has wept itself serene.

Queen.
What news abroad? how looks the world this morning?

Archy.
Gloriously as a grave covered with virgin flowers. There's a rainbow in the sky. Let your Majesty look at it, for
'A rainbow in the morning
Is the shepherd's warning;'
and the flocks of which you are the pastor are scattered among the mountain-tops, where every drop of water is a flake of snow, and the breath of May pierces like a January blast.

King.
The sheep have mistaken the wolf for their shepherd, my poor boy; and the shepherd, the wolves for their watchdogs.

Queen.
But the rainbow was a good sign, Archy: it says that the waters of the deluge are gone, and can return no more.

Archy.
Ay, the salt-water one: but that of tears and blood must yet come down, and that of fire follow, if there be any truth in lies.-- The rainbow hung over the city with all its shops,...and churches, from north to south, like a bridge of congregated lightning pieced by the masonry of heaven like a balance in which the angel that distributes the coming hour was weighing that heavy one whose poise is now felt in the lightest hearts, before it bows the proudest heads under the meanest feet.

Queen.
Who taught you this trash, sirrah?

Archy.
A torn leaf out of an old book trampled in the dirt.--
But for the rainbow.
It moved as the sun moved, and...until the top of the
Tower...of a cloud through its left-hand tip, and
Lambeth Palace look as dark as a rock before the other.
Methought I saw a crown figured upon one tip, and a mitre on the other.
So, as I had heard treasures were found where the rainbow quenches its points upon the earth, I set off, and at the Tower --
But I shall not tell your Majesty what I found close to the closet-window on which the rainbow had glimmered.

King.
Speak: I will make my Fool my conscience.

Archy.
Then conscience is a fool.I saw there a cat caught in a rat-trap. I heard the rats squeak behind the wainscots: it seemed to me that the very mice were consulting on the manner of her death.

Queen.
Archy is shrewd and bitter.

Archy.
Like the season, So blow the winds.But at the other end of the rainbow, where the gray rain was tempered along the grass and leaves by a tender interfusion of violet and gold in the meadows beyond Lambeth, what think you that I found instead of a mitre?

King.
Vane's wits perhaps.

Archy.
Something as vain. I saw a gross vapour hovering in a stinking ditch over the carcass of a dead ****, some rotten rags, and broken dishesthe wrecks of what once administered to the stuffing-out and the ornament of a worm of worms. His Grace of Canterbury expects to enter the New Jerusalem some Palm Sunday in triumph on the ghost of this ****.

Queen.
Enough, enough! Go desire Lady Jane
She place my lute, together with the music
Mari received last week from Italy,
In my boudoir, and

[Exit Archy.

King.
          I'll go in.

Queen.
                 My beloved lord,
Have you not noted that the Fool of late
Has lost his careless mirth, and that his words
Sound like the echoes of our saddest fears?
What can it mean? I should be loth to think
Some factious slave had tutored him.

King.
                 Oh, no!
He is but Occasion's pupil. Partly 'tis
That our minds piece the vacant intervals
Of his wild words with their own fashioning,
As in the imagery of summer clouds,
Or coals of the winter fire, idlers find
The perfect shadows of their teeming thoughts:
And partly, that the terrors of the time
Are sown by wandering Rumour in all spirits;
And in the lightest and the least, may best
Be seen the current of the coming wind.

Queen.
Your brain is overwrought with these deep thoughts.
Come, I will sing to you; let us go try
These airs from Italy; and, as we pass
The gallery, we'll decide where that Correggio
Shall hangthe Virgin Mother
With her child, born the King of heaven and earth,
Whose reign is men's salvation. And you shall see
A cradled miniature of yourself asleep,
Stamped on the heart by never-erring love;
Liker than any Vandyke ever made,
A pattern to the unborn age of thee,
Over whose sweet beauty I have wept for joy
A thousand times, and now should weep for sorrow,
Did I not think that after we were dead
Our fortunes would spring high in him, and that
The cares we waste upon our heavy crown
Would make it light and glorious as a wreath
Of Heaven's beams for his dear innocent brow.

King.
Dear Henrietta!

Scene III.
The Star Chamber. Laud, Juxon, Strafford, and others, as Judges. Prynne as a Prisoner, and thenBastwick.

Laud.
Bring forth the prisoner Bastwick: let the clerk
Recite his sentence.

Clerk.
          'That he pay five thousand
Pounds to the king, lose both his ears, be branded
With red-hot iron on the cheek and forehead,
And be imprisoned within Lancaster Castle
During the pleasure of the Court.'

Laud.
                  Prisoner,
If you have aught to say wherefore this sentence
Should not be put into effect, now speak.

Juxon.
If you have aught to plead in mitigation,
Speak.

Bastwick.
   Thus, my lords. If, like the prelates, I
Were an invader of the royal power,
A public scorner of the word of God,
Profane, idolatrous, popish, superstitious,
Impious in heart and in tyrannic act,
Void of wit, honesty, and temperance;
If Satan were my lord, as theirs,our God
Pattern of all I should avoid to do;
Were I an enemy of my God and King
And of good men, as ye are;I should merit
Your fearful state and gilt prosperity,
Which, when ye wake from the last sleep, shall turn
To cowls and robes of everlasting fire.
But, as I am, I bid ye grudge me not
The only earthly favour ye can yield,
Or I think worth acceptance at your hands,
Scorn, mutilation, and imprisonment.
. . . even as my Master did,
Until Heaven's kingdom shall descend on earth,
Or earth be like a shadow in the light
Of Heaven absorbedsome few tumultuous years
Will pass, and leave no wreck of what opposes
His will whose will is power.

Laud.
Officer, take the prisoner from the bar,
And be his tongue slit for his insolence.

Bastwick.
While this hand holds a pen

Laud.
                Be his hands--

Juxon.
                      Stop!
Forbear, my lord! The tongue, which now can speak
No terror, would interpret, being dumb,
Heaven's thunder to our harm;...
And hands, which now write only their own shame,
With bleeding stumps might sign our blood away.

Laud.

Much more such 'mercy' among men would be,
Did all the ministers of Heaven's revenge
Flinch thus from earthly retribution. I
Could suffer what I would inflict.

[Exit Bastwick guarded.

                  Bring up
The Lord Bishop of Lincoln.

                (To Strafford.)
Know you not
That, in distraining for ten thousand pounds
Upon his books and furniture at Lincoln,
Were found these scandalous and seditious letters
Sent from one Osbaldistone, who is fled?
I speak it not as touching this poor person;
But of the office which should make it holy,
Were it as vile as it was ever spotless.
Mark too, my lord, that this expression strikes
His Majesty, if I misinterpret not.

Enter Bishop Williams guarded.

Strafford.
'Twere politic and just that Williams taste
The bitter fruit of his connection with
The schismatics. But you, my Lord Archbishop,
Who owed your first promotion to his favour,
Who grew beneath his smile

Laud.
               Would therefore beg
The office of his judge from this High Court,
That it shall seem, even as it is, that I,
In my assumption of this sacred robe,
Have put aside all worldly preference,
All sense of all distinction of all persons,
All thoughts but of the service of the Church.
Bishop of Lincoln!

Williams.
          Peace, proud hierarch!
I know my sentence, and I own it just.
Thou wilt repay me less than I deserve,
In stretching to the utmost. . .

Scene IV.
--Hampden, Pym, Cromwell, his Daughter, and young Sir Harry Vane.

Hampden.
England, farewell! thou, who hast been my cradle,
Shalt never be my dungeon or my grave!
I held what I inherited in thee
As pawn for that inheritance of freedom
Which thou hast sold for thy despoiler's smile:
How can I call thee England, or my country?
Does the wind hold?

Vane.
          The vanes sit steady
Upon the Abbey towers. The silver lightnings
Of the evening star, spite of the city's smoke,
Tell that the north wind reigns in the upper air.
Mark too that flock of fleecy-wingd clouds
Sailing athwart St. Margaret's.

Hampden.
                 Hail, fleet herald
Of tempest! that rude pilot who shall guide
Hearts free as his, to realms as pure as thee,
Beyond the shot of tyranny,
Beyond the webs of that swoln spider . . .
Beyond the curses, calumnies, and [lies?]
Of atheist priests! . . . And thou
Fair star, whose beam lies on the wide Atlantic,
Athwart its zones of tempest and of calm,
Bright as the path to a belovd home,
Oh, light us to the isles of the evening land!
Like floating Edens cradled in the glimmer
Of sunset, through the distant mist of years
Touched by departing hope, they gleam! lone regions,
Where Power's poor dupes and victims yet have never
Propitiated the savage fear of kings
With purest blood of noblest hearts; whose dew
Is yet unstained with tears of those who wake
To weep each day the wrongs on which it dawns;
Whose sacred silent air owns yet no echo
Of formal blasphemies; nor impious rites
Wrest man's free worship, from the God who loves,
To the poor worm who envies us His love!
Receive, thou young....of Paradise,
These exiles from the old and sinful world!....
This glorious clime, this firmament, whose lights
Dart mitigated influence through their veil
Of pale blue atmosphere; whose tears keep green
The pavement of this moist all-feeding earth;
This vaporous horizon, whose dim round
Is bastioned by the circumfluous sea,
Repelling invasion from the sacred towers,
Presses upon me like a dungeon's grate,
A low dark roof, a damp and narrow wall.
The boundless universe
Becomes a cell too narrow for the soul
That owns no master; while the loathliest ward
Of this wide prison, England, is a nest
Of cradling peace built on the mountain tops,
To which the eagle spirits of the free,
Which range through heaven and earth, and scorn the storm
Of time, and gaze upon the light of truth,
Return to brood on thoughts that cannot die
And cannot be repelled.
Like eaglets floating in the heaven of time,
They soar above their quarry, and shall stoop
Through palaces and temples thunderproof.

SCENE V

Archy.
I'll go live under the ivy that overgrows the terrace, and count the tears shed on its old [roots?] as the [wind?] plays the song of

'A widow bird sate mourning
Upon a wintry bough.'

[Sings]

Heigho! the lark and the owl!
One flies the morning, and one lulls the night:--
Only the nightingale, poor fond soul,
Sings like the fool through darkness and light.

'A widow bird sate mourning for her love
Upon a wintry bough;
The frozen wind crept on above,
The freezing stream below.

'There was no leaf upon the forest bare,
No flower upon the ground,
And little motion in the air
Except the mill-wheel's sound.'
Charles the First was designed in 1818, begun towards the close of 1819, resumed in January, and finally laid aside by June, 1822. It was published in part in the Posthumous Poems, 1824, and printed, in its present form (with the addition of some 530 lines), by Mr. William Michael Rossetti, 1870.

1.
Archy, the court fool of Charles I, is
both an unacknowledged prophet and, as King Charles claims, a weaver of "a world of mirth out of the wreck of ours."

  
~ Percy Bysshe Shelley, Charles The First
,
518:The White Cliffs
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
74
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
In powder and breeches and bright gold braid;
And high above them on the wall
Hung other English faces-all
Part of the pattern of English life—
General Sir Charles, and his pretty wife,
Admirals, Lords-Lieutenant of Shires,
Men who were served by these footmen's sires
At their great parties-none of them knowing
How soon or late they would all be going
In plainer dress to a sterner strifeAnother pattern of English life.
I went up the stairs between them all,
Strange and frightened and shy and small,
And as I entered the ballroom door,
Saw something I had never seen before
Except in portraits— a stout old guest
With a broad blue ribbon across his breast—
That blue as deep as the southern sea,
Bluer than skies can ever be—
The Countess of Salisbury—Edward the Third—
No damn merit— the Duke— I heard
My own voice saying; 'Upon my word,
The garter!' and clapped my hands like a child.
Some one beside me turned and smiled,
And looking down at me said: 'I fancy,
You're Bertie's Australian cousin Nancy.
He toId me to tell you that he'd be late
At the Foreign Office and not to wait
Supper for him, but to go with me,
75
And try to behave as if I were he.'
I should have told him on the spot
That I had no cousin—that I was not
Australian Nancy—that my name
Was Susan Dunne, and that I came
From a small white town on a deep-cut bay
In the smallest state in the U.S.A.
I meant to tell him, but changed my mind—
I needed a friend, and he seemed kind;
So I put my gloved hand into his glove,
And we danced together— and fell in love.
IV
Young and in love-how magical the phrase!
How magical the fact! Who has not yearned
Over young lovers when to their amaze
They fall in love and find their love returned,
And the lights brighten, and their eyes are clear
To see God's image in their common clay.
Is it the music of the spheres they hear?
Is it the prelude to that noble play,
The drama of Joined Lives? Ah, they forget
They cannot write their parts; the bell has rung,
The curtain rises and the stage is set
For tragedy-they were in love and young.
We went to the Tower,
We went to the Zoo,
We saw every flower
In the gardens at Kew.
We saw King Charles a-prancing
On his long-tailed horse,
And thought him more entrancing
Than better kings, of course.
At a strange early hour,
In St. James's palace yard,
We watched in a shower
The changing of the guard.
And I said, what a pity,
To have just a week to spend,
When London is a city
76
Whose beauties never end!
VI
When the sun shines on England, it atones
For low-hung leaden skies, and rain and dim
Moist fogs that paint the verdure on her stones
And fill her gentle rivers to the brim.
When the sun shines on England, shafts of light
Fall on far towers and hills and dark old trees,
And hedge-bound meadows of a green as bright—
As bright as is the blue of tropic seas.
When the sun shines, it is as if the face
Of some proud man relaxed his haughty stare,
And smiled upon us with a sudden grace,
Flattering because its coming is so rare.
VII
The English are frosty
When you're no kith or kin
Of theirs, but how they alter
When once they take you in!
The kindest, the truest,
The best friends ever known,
It's hard to remember
How they froze you to a bone.
They showed me all London,
Johnnie and his friends;
They took me to the country
For long week-ends;
I never was so happy,
I never had such fun,
I stayed many weeks in England
Instead of just one.
VIII
John had one of those English faces
That always were and will always be
Found in the cream of English places
Till England herself sink into the sea—
A blond, bowed face with prominent eyes
A little bit bluer than English skies.
You see it in ruffs and suits of armour,
77
You see it in wigs of many styles,
Soldier and sailor, judge and farmer—
That face has governed the British Isles,
By the power, for good or ill bestowed,
Only on those who live by code.
Oh, that inflexible code of living,
That seems so easy and unconstrained,
The Englishman's code of taking and giving
Rights and privileges pre-ordained,
Based since English life began
On the prime importance of being a man.
IX
And what a voice he had-gentle, profound,
Clear masculine!—I melted at the sound.
Oh, English voices, are there any words
Those tones to tell, those cadences to teach!
As song of thrushes is to other birds,
So English voices are to other speech;
Those pure round 'o's '—those lovely liquid 'l's'
Ring in the ears like sound of Sabbath bells.
Yet I have loathed those voices when the sense
Of what they said seemed to me insolence,
As if the dominance of the whole nation
Lay in that clear correct enunciation.
Many years later, I remember when
One evening I overheard two men
In Claridge's— white waistcoats, coats I know
Were built in Bond Street or in Savile Row—
So calm, so confident, so finely bred—
Young gods in tails— and this is what they said:
'Not your first visit to the States?' 'Oh no,
I'd been to Canada two years ago.'
Good God, I thought, have they not heard that we
Were those queer colonists who would be free,
Who took our desperate chance, and fought and won
Under a colonist called Washington?
One does not lose one's birthright, it appears.
78
I had been English then for many years.
We went down to Cambridge,
Cambridge in the spring.
In a brick court at twilight
We heard the thrushes sing,
And we went to evening service
In the chapel of the King.
The library of Trinity,
The quadrangle of Clare,
John bought a pipe from Bacon,
And I acquired there
The Anecdotes of Painting
From a handcart in the square.
The Playing fields at sunset
Were vivid emerald green,
The elms were tall and mighty,
And many youths were seen,
Carefree young gentlemen
In the Spring of 'Fourteen.
XI
London, just before dawn-immense and dark—
Smell of wet earth and growth from the empty Park,
Pall Mall vacant-Whitehall deserted. Johnnie and I
Strolling together, averse to saying good-bye—
Strolling away from some party in silence profound,
Only far off in Mayfair, piercing, the sound
Of a footman's whistle—the rhythm of hoofs on wood,
Further and further away. . . . And now we stood
On a bridge, where a poet came to keep
Vigil while all the city lay asleep—
Westminster Bridge, and soon the sun would rise,
And I should see it with my very eyes!
Yes, now it came— a broad and awful glow
Out of the violet mists of dawn. 'Ah, no',
I said. 'Earth has not anything to show
More fair— changed though it is— than this.'
A curious background surely for a kiss—
Our first— Westminster Bridge at break of day—
79
Settings by Wordsworth, as John used to say.
XII
Why do we fall in love? I do believe
That virtue is the magnet, the small vein
Of ore, the spark, the torch that we receive
At birth, and that we render back again.
That drop of godhood, like a precious stone,
May shine the brightest in the tiniest flake.
Lavished on saints, to sinners not unknown;
In harlot, nun, philanthropist, and rake,
It shines for those who love; none else discern
Evil from good; Men's fall did not bestow
That threatened wisdom; blindly still we yearn
After a virtue that we do not know,
Until our thirst and longing rise above
The barriers of reason—and we love.
XIII
And still I did not see my life was changed,
Utterly different—by this love estranged
For ever and ever from my native land;
That I was now of that unhappy band
Who lose the old, and cannot gain the new
However loving and however true
To their new duties. I could never be
An English woman, there was that in me
Puritan, stubborn that would not agree
To English standards, though I did not see
The truth, because I thought them, good or ill,
So great a people—and I think so still.
But a day came when I was forced to face
Facts. I was taken down to see the place,
The family place in Devon— and John's mother.
'Of course, you understand,' he said, 'my brother
Will have the place.' He smiled; he was so sure
The world was better for primogeniture.
And yet he loved that place, as Englishmen
Do love their native countryside, and when
The day should be as it was sure to be—
When this was home no more to him— when he
80
Could go there only when his brother's wife
Should ask him—to a room not his— his life
Would shrink and lose its meaning. How unjust,
I thought. Why do they feel it must
Go to that idle, insolent eldest son?
Well, in the end it went to neither one.
XIV
A red brick manor-house in Devon,
In a beechwood of old grey trees,
Ivy climbing to the clustered chimneys,
Rustling in the wet south breeze.
Gardens trampled down by Cromwell's army,
Orchards of apple-trees and pears,
Casements that had looked for the Armada,
And a ghost on the stairs.
XV
Johnnie's mother, the Lady Jean,
Child of a penniless Scottish peer,
Was handsome, worn high-coloured, lean,
With eyes like Johnnie's—more blue and clear—
Like bubbles of glass in her fine tanned face.
Quiet, she was, and so at ease,
So perfectly sure of her rightful place
In the world that she felt no need to please.
I did not like her—she made me feel
Talkative, restless, unsure, as if
I were a cross between parrot and eel.
I thought her blank and cold and stiff.
XVI
And presently she said as they
Sooner or later always say:
'You're an American, Miss Dunne?
Really you do not speak like one.'
She seemed to think she'd said a thing
Both courteous and flattering.
I answered though my wrist were weak
With anger: 'Not at all, I speak—
At least I've always thought this true—
As educated people do
81
In any country-even mine.'
'Really?' I saw her head incline,
I saw her ready to assert
Americans are easily hurt.
XVII
Strange to look back to the days
So long ago
When a friend was almost a foe,
When you hurried to find a phrase
For your easy light dispraise
Of a spirit you did not know,
A nature you could not plumb
In the moment of meeting,
Not guessing a day would come
When your heart would ache to hear
Other men's tongues repeating
Those same light phrases that jest and jeer
At a friend now grown so dear— so dear.
Strange to remember long ago
When a friend was almost a foe.
XVIII
I saw the house with its oaken stair,
And the Tudor Rose on the newel post,
The panelled upper gallery where
They told me you heard the family ghost—
'A gentle unhappy ghost who sighs
Outside one's door on the night one dies.'
'Not,' Lady Jean explained, 'at all
Like the ghost at my father's place, St. Kitts,
That clanks and screams in the great West Hall
And frightens strangers out of their wits.'
I smiled politely, not thinking I
Would hear one midnight that long sad sigh.
I saw the gardens, after our tea
(Crumpets and marmalade, toast and cake)
And Drake's Walk, leading down to the sea;
Lady Jean was startled I'd heard of Drake,
For the English always find it a mystery
That Americans study English history.
82
I saw the picture of every son—
Percy, the eldest, and John; and Bill
In Chinese Customs, and the youngest one
Peter, the sailor, at Osborne still;
And the daughter, Enid, married, alas,
To a civil servant in far Madras.
A little thing happened, just before
We left— the evening papers came;
John, flicking them over to find a score,
Spoke for the first time a certain name—
The name of a town in a distant land
Etched on our hearts by a murderer's hand.
Mother and son exchanged a glance,
A curious glance of strength and dread.
I thought: what matter to them if Franz
Ferdinand dies? One of them said:
This might be serious.' 'Yes, you're right.'
The other answered, 'It really might.'
XIX
Dear John: I'm going home. I write to say
Goodbye. My boat-train leaves at break of day;
It will be gone when this is in your hands.
I've had enough of lovely foreign lands,
Sightseeing, strangers, holiday and play;
I'm going home to those who think the way
I think, and speak as I do. Will you try
To understand that this must be good-bye?
We both rooted deeply in the soil
Of our own countries. But I could not spoil
Our happy memories with the stress and strain
Of parting; if we never meet again
Be sure I shall remember till I die
Your love, your laugh, your kindness. But—goodbye.
Please do not hate me; give the devil his due,
This is an act of courage. Always, Sue.
XX
The boat-train rattling
83
Through the green country-side;
A girl within it battling
With her tears and pride.
The Southampton landing,
Porters, neat and quick,
And a young man standing,
Leaning on his stick.
'Oh, John, John, you shouldn't
Have come this long way. . .
'Did you really think I wouldn't
Be here to make you stay?'
I can't remember whether
There was much stress and strain,
But presently, together,
We were travelling back again.
XXI
The English love their country with a love
Steady, and simple, wordless, dignified;
I think it sets their patriotism above
All others. We Americans have pride—
We glory in our country's short romance.
We boast of it and love it. Frenchmen when
The ultimate menace comes, will die for France
Logically as they lived. But Englishmen
Will serve day after day, obey the law,
And do dull tasks that keep a nation strong.
Once I remember in London how I saw
Pale shabby people standing in a long
Line in the twilight and the misty rain
To pay their tax. I then saw England plain.
XXII
Johnnie and I were married. England then
Had been a week at war, and all the men
Wore uniform, as English people can,
Unconscious of it. Percy, the best man,
As thin as paper and as smart as paint,
Bade us good-by with admirable restraint,
Went from the church to catch his train to hell;
And died-saving his batman from a shell.
84
XXIII
We went down to Devon,
In a warm summer rain,
Knowing that our happiness
Might never come again;
I, not forgetting,
'Till death us do part,'
Was outrageously happy
With death in my heart.
Lovers in peacetime
With fifty years to live,
Have time to tease and quarrel
And question what to give;
But lovers in wartime
Better understand
The fullness of living,
With death close at hand.
XXIV
My father wrote me a letter—
My father, scholarly, indolent, strong,
Teaching Greek better
Than high-school students repay—
Teaching Greek in the winter, but all summer long
Sailing a yawl in Narragansett Bay;
Happier perhaps when I was away,
Free of an anxious daughter,
He could sail blue water
Day after day,
Beyond Brenton Reef Lightship, and Beavertail,
Past Cuttyhunk to catch a gale
Off the Cape, while he thought of Hellas and Troy,
Chanting with joy
Greek choruses— those lines that he said
Must be written some day on a stone at his head:
'But who can know
As the long years go
That to live is happy, has found his heaven.'
My father, so far away—
I thought of him, in Devon,
Anchoring in a blind fog in Booth Bay.
85
XXV
'So, Susan, my dear,' the letter began,
'You've fallen in love with an Englishman.
Well, they're a manly, attractive lot,
If you happen to like them, which I do not.
I am a Yankee through and through,
And I don't like them, or the things they do.
Whenever it's come to a knock-down fight
With us, they were wrong, and we right;
If you don't believe me, cast your mind
Back over history, what do you find?
They certainly had no justification
For that maddening plan to impose taxation
Without any form of representation.
Your man may be all that a man should be,
Only don't you bring him back to me
Saying he can't get decent tea—
He could have got his tea all right
In Boston Harbour a certain night,
When your great-great-grandmother— also a Sue—
Shook enough tea from her husband's shoe
To supply her house for a week or two.
The war of 1812 seems to me
About as just as a war could be.
How could we help but come to grips
With a nation that stopped and searched our ships,
And took off our seamen for no other reason
Except that they needed crews that season.
I can get angry still at the tale
Of their letting the Alabama sail,
And Palmerston being insolent
To Lincoln and Seward over the Trent.
All very long ago, you'll say,
But whenever I go up Boston-way,
I drive through Concord—that neck of the wood,
Where once the embattled farmers stood,
And I think of Revere, and the old South Steeple,
And I say, by heck, we're the only people
Who licked them not only once, but twice.
Never forget it-that's my advice.
They have their points—they're honest and brave,
Loyal and sure—as sure as the grave;
86
They make other nations seem pale and flighty,
But they do think England is god almighty,
And you must remind them now and then
That other countries breed other men.
From all of which you will think me rather
Unjust. I am. Your devoted Father.
XXVI
I read, and saw my home with sudden yearning—
The small white wooden house, the grass-green door,
My father's study with the fire burning,
And books piled on the floor.
I saw the moon-faced clock that told the hours,
The crimson Turkey carpet, worn and frayed,
The heavy dishes—gold with birds and flowers—
Fruits of the China trade.
I saw the jack o' lanterns, friendly, frightening,
Shine from our gateposts every Hallow-e'en;
I saw the oak tree, shattered once by lightning,
Twisted, stripped clean.
I saw the Dioscuri— two black kittens,
Stalking relentlessly an empty spool;
I saw a little girl in scarlet mittens
Trudging through snow to school.
XXVII
John read the letter with his lovely smile.
'Your father has a vigorous English style,
And what he says is true, upon my word;
But what's this war of which I never heard?
We didn't fight in 1812.' 'Yes, John,
That was the time when you burnt Washington.'
'We couldn't have, my dear. . .' 'I mean the city.'
'We burnt it?' 'Yes, you did.' 'What a pity!
No wonder people hate us. But, I say,
I'll make your father like me yet, some day.'
XXVIII
I settled down in Devon,
When Johnnie went to France.
Such a tame ending
87
To a great romance—
Two lonely women
With nothing much to do
But get to know each other;
She did and I did, too.
Mornings at the rectory
Learning how to roll
Bandages, and always
Saving light and coal.
Oh, that house was bitter
As winter closed in,
In spite of heavy stockings
And woollen next the skin.
I was cold and wretched,
And never unaware
Of John more cold and wretched
In a trench out there.
XXIX
All that long winter I wanted so much to complain,
But my mother-in-Iaw, as far as I could see,
Felt no such impulse, though she was always in pain,
An, as the winter fogs grew thick,
Took to walking with a stick,
Heavily.
Those bubble-like eyes grew black
Whenever she rose from a chair—
Rose and fell back,
Unable to bear
The sure agonizing
Torture of rising.
Her hands, those competent bony hands,
Grew gnarled and old,
But never ceased to obey the commands
Of her will— only finding new hold
Of bandage and needle and pen.
And not for the blinking
Of an eye did she ever stop thinking
Of the suffering of Englishmen
And her two sons in the trenches. Now and then
I could forget for an instant in a book or a letter,
But she never, never forgot— either one—
88
Percy and John—though I knew she loved one better—
Percy, the wastrel, the gambler, the eldest son.
I think I shall always remember
Until I die
Her face that day in December,
When in a hospital ward together, she and I
Were writing letters for wounded men and dying,
Writing and crying
Over their words, so silly and simple and loving,
Suddenly, looking up, I saw the old Vicar moving
Like fate down the hospital ward, until
He stood still
Beside her, where she sat at a bed.
'Dear friend, come home. I have tragic news,' he said
She looked straight at him without a spasm of fear,
Her face not stern or masked—
'Is it Percy or John?' she asked.
'Percy.' She dropped her eyes. 'I am needed here.
Surely you know
I cannot go
Until every letter is written. The dead
Must wait on the living,' she said.
'This is my work. I must stay.'
And she did— the whole long day.
XXX
Out of the dark, and dearth
Of happiness on earth,
Out of a world inured to death and pain;
On a fair spring mom
To me a son was born,
And hope was born-the future lived again.
To me a son was born,
The lonely hard forlorn
Travail was, as the Bible tells, forgot.
How old, how commonplace
To look upon the face
Of your first-born, and glory in your lot.
To look upon his face
And understand your place
Among the unknown dead in churchyards lying,
89
To see the reason why
You lived and why you die—
Even to find a certain grace in dying.
To know the reason why
Buds blow and blossoms die,
Why beauty fades, and genius is undone,
And how unjustified
Is any human pride
In all creation— save in this common one.
XXXI
Maternity is common, but not so
It seemed to me. Motherless, I did not know—
I was all unprepared to feel this glow,
Holy as a Madonna's, and as crude
As any animal's beatitude—
Crude as my own black cat's, who used to bring
Her newest litter to me every spring,
And say, with green eyes shining in the sun:
'Behold this miracle that I have done.'
And John came home on leave, and all was joy
And thankfulness to me, because my boy
Was not a baby only, but the heir—
Heir to the Devon acres and a name
As old as England. Somehow I became
Almost an English woman, almost at one
With all they ever did— all they had done.
XXXII
'I want him called John after you, or if not that I'd rather—'
'But the eldest son is always called Percy, dear.'
'I don't ask to call him Hiram, after my father—'
'But the eldest son is always called Percy, dear.'
'But I hate the name Percy. I like Richard or Ronald,
Or Peter like your brother, or Ian or Noel or Donald—'
'But the eldest is always called Percy, dear.'
So the Vicar christened him Percy; and Lady Jean
Gave to the child and me the empty place
In hr heart. Poor Lady, it was as if she had seen
The world destroyed— the extinction of her race,
Her country, her class, her name— and now she saw
90
Them live again. And I would hear her say:
'No. I admire Americans; my daughter-in-law
Was an American.' Thus she would well repay
The debt, and I was grateful— the English made
Life hard for those who did not come to her aid.
XXXIII
'They must come in in the spring.'
'Don't they care sixpence who's right?'
'What a ridiculous thing—
Saying they're too proud to fight.'
'Saying they're too proud to fight.'
'Wilson's pro-German, I'm told.'
'No, it's financial.' 'Oh, quite,
All that they care for is gold.'
'All that they care for is gold.'
'Seem to like writing a note.'
'Yes, as a penman, he's bold.'
'No. It's the Irish vote.'
'Oh, it's the Irish vote.'
'What if the Germans some night
Sink an American boat?'
'Darling, they're too proud to fight.'
XXXIV
What could I do, but ache and long
That my country, peaceful, rich, and strong,
Should come and do battle for England's sake.
What could I do, but long and ache.
And my father's letters I hid away
Lest some one should know the things he'd say.
'You ask me whether we're coming in—
We are. The English are clever as sin,
Silently, subtly they inspire
Most of youth with a holy fire
To shed their blood for the British Empire
We'll come in— we'll fight and die
Humbly to help them, and by and by,
England will do us in the eye.
They'll get colonies, gold and fame,
And we'll get nothing at all but blame.
91
Blame for not having come before,
Blame for not having sent them more
Money and men and war supplies,
Blame if we venture to criticise.
We're so damn simple— our skins so thin
We'll get nothing whatever, but we'll come in.'
XXXV
And at last—at last—like the dawn of a calm, fair day
After a night of terror and storm, they came—
My young light-hearted countrymen, tall and gay,
Looking the world over in search of fun and fame,
Marching through London to the beat of a boastful air,
Seeing for the first time Piccadilly and Leicester Square,
All the bands playing: 'Over There, Over There,
Send the word, send the word to beware—'
And as the American flag went fluttering by
Englishmen uncovered, and I began to cry.
XXXVI
'We're here to end it, by jingo.'
'We'll lick the Heinies okay.'
'I can't get on to the lingo.'
'Dumb-they don't get what we say.'
'Call that stuff coffee? You oughter
Know better. Gee, take it away.'
'Oh, for a drink of ice water! '
'They think nut-sundae's a day.'
'Say, is this chicken feed money?'
'Say, does it rain every day?'
'Say, Lady, isn't it funny
Every one drives the wrong way?'
XXXVII
How beautiful upon the mountains,
How beautiful upon the downs,
How beautiful in the village post-office,
On the pavements of towns—
How beautiful in the huge print of newspapers,
Beautiful while telegraph wires hum,
While telephone bells wildly jingle,
92
The news that peace has come—
That peace has come at last—that all wars cease.
How beautiful upon the mountains are the footsteps
Of the messengers of peace!
XXXVIII
In the depth of the night betwixt midnight and morning,
In the darkness and silence forerunning the dawn,
The throb of my heart was a drum-beat of warning,
My ears were a-strain and my breath was undrawn.
In the depth of the night, when the old house was sleeping,
I lying alone in a desolate bed,
Heard soft on the staircase a slow footstep creeping—
The ear of the living—the step of the dead.
In the depth of the night betwixt midnight and morning
A step drawing near on the old oaken floor—
On the stair— in the gallery— the ghost that gives warning
Of death, by that heartbreaking sigh at my door.
XXXIX
Bad news is not broken,
By kind tactful word;
The message is spoken
Ere the word can be heard.
The eye and the bearing,
The breath make it clear,
And the heart is despairing
Before the ears hear.
I do not remember
The words that they said:
'Killed—Douai—November—'
I knew John was dead.
All done and over—
That day long ago—
The while cliffs of Dover—
Little did I know.
XL
As I grow older, looking back, I see
Not those the longest planted in the heart
Are the most missed. Some unions seem to be
Too close for even death to tear apart.
93
Those who have lived together many years,
And deeply learnt to read each other's mind,
Vanities, tempers, virtues, hopes, and fears—
One cannot go—nor is one left behind.
Alas, with John and me this was not so;
I was defrauded even of the past.
Our days had been so pitifully few,
Fight as I would, I found the dead go fast.
I had lost all—had lost not love alone,
But the bright knowledge it had been my own.
XLI
Oh, sad people, buy not your past too dearly,
Live not in dreams of the past, for understand,
If you remember too much, too long, too clearly,
If you grasp memory with too heavy a hand,
You will destroy memory in all its glory
For the sake of the dreams of your head upon your bed.
You will be left with only the worn dead story
You told yourself of the dead.
XLII
Nanny brought up my son, as his father before him,
Austere on questions of habits, manners, and food.
Nobly yielding a mother's right to adore him,
Thinking that mothers never did sons much good.
A Scot from Lady Jean's own native passes,
With a head as smooth and round as a silver bowl,
A crooked nose, and eyes behind her glasses
Grey and bright and wise—a great soul !
Ready to lay down her life for her charge, and ready
To administer discipline without consulting me:
'Is that the way for you to answer my leddy?
I think you'll get no sweet tonight to your tea.'
Bringing him up better than I could do it,
Teaching him to be civil and manly and cool
In the face of danger. And then before I knew it
The time came for him to go off to school.
Off to school to be free of women's teaching,
Into a world of men— at seven years old;
94
Into a world where a mother's hands vainly reaching
Will never again caress and comfort and hold.
XLIII
My father came over now and then
To look at the boy and talk to me,
Never staying long,
For the urge was strong
To get back to his yawl and the summer sea.
He came like a nomad passing by,
Hands in his pockets, hat over one eye,
Teasing every one great and small
With a blank straight face and a Yankee drawl;
Teasing the Vicar on Apostolic Succession
And what the Thirty-Nine Articles really meant to convey,
Teasing Nanny, though he did not
Make much impression
On that imperturbable Scot.
Teasing our local grandee, a noble peer,
Who firmly believed the Ten Lost Tribes
Of Israel had settled here—
A theory my father had at his fingers' ends—
Only one person was always safe from his jibes—
My mother-in-law, for they were really friends.
XLIV
Oh, to come home to your country
After long years away,
To see the tall shining towers
Rise over the rim of the bay,
To feel the west wind steadily blowing
And the sunshine golden and hot,
To speak to each man as an equal,
Whether he is or not.
XLV
Was this America—this my home?
Prohibition and Teapot Dome—
Speakeasies, night-clubs, illicit stills,
Dark faces peering behind dark grills,
Hold-ups, kidnappings, hootch or booze—
Every one gambling—you just can't lose,
95
Was this my country? Even the bay
At home was altered, strange ships lay
At anchor, deserted day after day,
Old yachts in a rusty dim decay—
Like ladies going the primrose way—
At anchor, until when the moon was black,
They sailed, and often never came back.
Even my father's Puritan drawl
Told me shyly he'd sold his yawl
For a fabulous price to the constable's son—
My childhood's playmate, thought to be one
Of a criminal gang, rum-runners all,
Such clever fellows with so much money—
Even the constable found it funny,
Until one morning his son was found,
Floating dead in Long Island Sound.
Was this my country? It seemed like heaven
To get back, dull and secure, to Devon,
Loyally hiding from Lady Jean
And my English friends the horrors I'd seen.
XLVI
That year she died, my nearest, dearest friend;
Lady Jean died, heroic to the end.
The family stood about her grave, but none
Mourned her as I did. After, one by one,
They slipped away—Peter and Bill—my son
Went back to school. I hardly was aware
Of Percy's lovely widow, sitting there
In the old room, in Lady Jean's own chair.
An English beauty glacially fair
Was Percy's widow Rosamund, her hair
Was silver gilt, and smooth as silk, and fine,
Her eyes, sea-green, slanted away from mine,
From any one's, as if to meet the gaze
Of others was too intimate a phase
For one as cool and beautiful as she.
We were not friends or foes. She seemed to be
Always a little irked— fretted to find
That other women lived among mankind.
96
Now for the first time after years of meeting,
Never exchanging more than formal greeting,
She spoke to me— that sharp determined way
People will speak when they have things to say.
XLVII
ROSAMUND: Susan, go home with your offspring. Fly.
Live in America. SUSAN: Rosamund, why?
ROSAMUND: Why, my dear girl, haven't you seen
What English country life can mean
With too small an income to keep the place
Going? Already I think I trace
A change in you, you no longer care
So much how you look or what you wear.
That coat and skirt you have on, you know
You wouldn't have worn them ten years ago.
Those thick warm stockings— they make me sad,
Your ankles were ankles to drive men mad.
Look at your hair— you need a wave.
Get out— go home— be hard— be brave,
Or else, believe me, you'll be a slave.
There's something in you— dutiful— meek—
You'll be saving your pin-money every week
To mend the roof. Well, let it leak.
Why should you care? SUSAN: But I do care,
John loved this place and my boy's the heir.
ROSAMUND: The heir to what? To a tiresome life
Drinking tea with the vicar's wife,
Opening bazaars, and taking the chair
At meetings for causes that you don't care
Sixpence about and never will;
Breaking your heart over every bill.
I've been in the States, where everyone,
Even the poor, have a little fun.
Don't condemn your son to be
A penniless country squire. He
Would be happier driving a tram over there
Than mouldering his life away as heir.
SUSAN: Rosamund dear, this may all be true.
I'm an American through and through.
97
I don't see things as the English do,
But it's clearly my duty, it seems to me,
To bring up John's son, like him, to be
A country squire—poor alas,
But true to that English upper class
That does not change and does not pass.
ROSAMUND: Nonsense; it's come to an absolute stop.
Twenty years since we sat on top
Of the world, amusing ourselves and sneering
At other manners and customs, jeering
At other nations, living in clover—
Not any more. That's done and over.
No one nowadays cares a button
For the upper classes— they're dead as mutton.
Go home. SUSAN: I notice that you don't go.
ROSAMUND: My dear, that shows how little you know.
I'm escaping the fate of my peers,
Marrying one of the profiteers,
Who hasn't an 'aitch' where an 'aitch' should be,
But millions and millions to spend on me.
Not much fun— but there wasn't any
Other way out. I haven't a penny.
But with you it's different. You can go away,
And oh, what a fool you'd be to stay.
XLVIII
Rabbits in the park,
Scuttling as we pass,
Little white tails
Against the green grass.
'Next time, Mother,
I must really bring a gun,
I know you don't like shooting,
But—!' John's own son,
That blond bowed face,
Those clear steady eyes,
Hard to be certain
That the dead don't rise.
Jogging on his pony
Through the autumn day,
98
'Bad year for fruit, Mother,
But good salt hay.'
Bowling for the village
As his father had before;
Coming home at evening
To read the cricket score,
Back to the old house
Where all his race belong,
Tired and contented—
Rosamund was wrong.
XLIX
If some immortal strangers walked our land
And heard of death, how could they understand
That we—doomed creatures—draw our meted breath
Light-heartedly—all unconcerned with death.
So in these years between the wars did men
From happier continents look on us when
They brought us sympathy, and saw us stand
Like the proverbial ostrich-head in sand—
While youth passed resolutions not to fight,
And statesmen muttered everything was right—
Germany, a kindly, much ill-treated nation—
Russia was working out her own salvation
Within her borders. As for Spain, ah, Spain
Would buy from England when peace came again!
I listened and believed— believed through sheer
Terror. I could not look whither my fear
Pointed— that agony that I had known.
I closed my eyes, and was not alone.
Later than many, earlier than some,
I knew the die was cast— that war must come;
That war must come. Night after night I lay
Steeling a broken heart to face the day
When he, my son— would tread the very same
Path that his father trod. When the day came
I was not steeled— not ready. Foolish, wild
Words issued from my lips— 'My child, my child,
Why should you die for England too?' He smiled:
'Is she not worth it, if I must?' he said.
99
John would have answered yes— but John was dead.
Is she worth dying for? My love, my one
And only love had died, and now his son
Asks me, his alien mother, to assay
The worth of England to mankind today—
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war;
This happy breed of men, this little world,
This precious stone set in the silver sea—
Ah, no, not that—not Shakespeare—I must be
A sterner critic. I must weigh the ill
Against the good, must strike the balance, till
I know the answer— true for me alone—
What is she worth— this country— not my own?
I thought of my father's deep traditional wrath
Against England— the redcoat bully— the ancient foe—
That second reaping of hate, that aftermath
Of a ruler's folly and ignorance long ago—
Long, long ago— yet who can honestly say
England is utterly changed— not I— not I.
Arrogance, ignorance, folly are here today,
And for these my son must die?
I thought of these years, these last dark terrible years
When the leaders of England bade the English believe
Lies at the price of peace, lies and fears,
Lies that corrupt, and fears that sap and deceive.
I though of the bars dividing man from man,
Invisible bars that the humble may not pass,
And how no pride is uglier, crueller than
The pride unchecked of class.
Oh, those invisible bars of manners and speech,
Ways that the proud man will not teach
The humble lest they too reach
Those splendid heights where a little band
Have always stood and will always stand
Ruling the fate of this small green land,
Rulers of England—for them must I
Send out my only son to die?
100
LI
And then, and then,
I thought of Elizabeth stepping down
Over the stones of Plymouth town
To welcome her sailors, common men,
She herself, as she used to say,
Being' mere English' as much as they—
Seafaring men who sailed away
From rocky inlet and wooded bay,
Free men, undisciplined, uncontrolled,
Some of them pirates and all of them bold,
Feeling their fate was England's fate,
Coming to save it a little late,
Much too late for the easy way,
Much too late, and yet never quite
Too late to win in that last worst fight.
And I thought of Hampden and men like him,
St John and Eliot, Cromwell and Pym,
Standing firm through the dreadful years,
When the chasm was opening, widening,
Between the Commons and the King;
I thought of the Commons in tears— in tears,
When Black Rod knocked at Parliament's door,
And they saw Rebellion straight before—
Weeping, and yet as hard as stone,
Knowing what the English have always known
Since then— and perhaps have known alone—
Something that none can teach or tell—
The moment when God's voice says; 'Rebel.'
Not to rise up in sudden gust
Of passion— not, though the cause be just;
Not to submit so long that hate,
Lava torrents break out and spill
Over the land in a fiery spate;
Not to submit for ever, until
The will of the country is one man's will,
And every soul in the whole land shrinks
From thinking—except as his neighbour thinks.
Men who have governed England know
101
That dreadful line that they may not pass
And live. Elizabeth long ago
Honoured and loved, and bold as brass,
Daring and subtle, arrogant, clever,
English, too, to her stiff backbone,
Somewhat a bully, like her own
Father— yet even Elizabeth never
Dared to oppose the sullen might
Of the English, standing upon a right.
LII
And were they not English, our forefathers, never more
English than when they shook the dust of her sod
From their feet for ever, angrily seeking a shore
Where in his own way a man might worship his God.
Never more English than when they dared to be
Rebels against her-that stern intractable sense
Of that which no man can stomach and still be free,
Writing: 'When in the course of human events. . .'
Writing it out so all the world could see
Whence come the powers of all just governments.
The tree of Liberty grew and changed and spread,
But the seed was English.
I am American bred,
I have seen much to hate here— much to forgive,
But in a world where England is finished and dead,
I do not wish to live.
~ Alice Duer Miller,
519:Avon's Harvest
Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.
So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.
So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
29
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;
And that would be for me as long a time
As I remembered Avon—who is yet
Not quite forgotten. On the other hand,
For saying nothing I might have with me always
An injured and recriminating ghost
Of a dead friend. The more I pondered it
The more I knew there was not much to lose,
Albeit for one whose delving hitherto
Had been a forage of his own affairs,
The quest, however golden the reward,
Was irksome—and as Avon suddenly
And soon was driven to let me see, was needless.
It seemed an age ago that we were there
One evening in the room that in the days
When they could laugh he called the Library.
“He calls it that, you understand,” she said,
“Because the dictionary always lives here.
He’s not a man of books, yet he can read,
And write. He learned it all at school.”—He smiled,
And answered with a fervor that rang then
Superfluous: “Had I learned a little more
At school, it might have been as well for me.”
And I remember now that he paused then,
Leaving a silence that one had to break.
But this was long ago, and there was now
No laughing in that house. We were alone
This time, and it was Avon’s time to talk.
I waited, and anon became aware
That I was looking less at Avon’s eyes
Than at the dictionary, like one asking
30
Already why we make so much of words
That have so little weight in the true balance.
“Your name is Resignation for an hour,”
He said; “and I’m a little sorry for you.
So be resigned. I shall not praise your work,
Or strive in any way to make you happy.
My purpose only is to make you know
How clearly I have known that you have known
There was a reason waited on your coming,
And, if it’s in me to see clear enough,
To fish the reason out of a black well
Where you see only a dim sort of glimmer
That has for you no light.”
“I see the well,”
I said, “but there’s a doubt about the glimmer—
Say nothing of the light. I’m at your service;
And though you say that I shall not be happy,
I shall be if in some way I may serve.
To tell you fairly now that I know nothing
Is nothing more than fair.”—“You know as much
As any man alive—save only one man,
If he’s alive. Whether he lives or not
Is rather for time to answer than for me;
And that’s a reason, or a part of one,
For your appearance here. You do not know him,
And even if you should pass him in the street
He might go by without your feeling him
Between you and the world. I cannot say
Whether he would, but I suppose he might.”
“And I suppose you might, if urged,” I said,
“Say in what water it is that we are fishing.
You that have reasons hidden in a well,
Not mentioning all your nameless friends that walk
The streets and are not either dead or living
For company, are surely, one would say
To be forgiven if you may seem distraught—
I mean distrait. I don’t know what I mean.
I only know that I am at your service,
Always, yet with a special reservation
That you may deem eccentric. All the same
31
Unless your living dead man comes to life,
Or is less indiscriminately dead,
I shall go home.”
“No, you will not go home,”
Said Avon; “or I beg that you will not.”
So saying, he went slowly to the door
And turned the key. “Forgive me and my manners,
But I would be alone with you this evening.
The key, as you observe, is in the lock;
And you may sit between me and the door,
Or where you will. You have my word of honor
That I would spare you the least injury
That might attend your presence here this evening.”
“I thank you for your soothing introduction,
Avon,” I said. “Go on. The Lord giveth,
The Lord taketh away. I trust myself
Always to you and to your courtesy.
Only remember that I cling somewhat
Affectionately to the old tradition.”—
“I understand you and your part,” said Avon;
“And I dare say it’s well enough, tonight,
We play around the circumstance a little.
I’ve read of men that half way to the stake
Would have their little joke. It’s well enough;
Rather a waste of time, but well enough.”
I listened as I waited, and heard steps
Outside of one who paused and then went on;
And, having heard, I might as well have seen
The fear in his wife’s eyes. He gazed away,
As I could see, in helpless thought of her,
And said to me: “Well, then, it was like this.
Some tales will have a deal of going back .
In them before they are begun. But this one
Begins in the beginning—when he came.
I was a boy at school, sixteen years old,
And on my way, in all appearances,
To mark an even-tempered average
Among the major mediocrities
Who serve and earn with no especial noise
32
Or vast reward. I saw myself, even then,
A light for no high shining; and I feared
No boy or man—having, in truth, no cause.
I was enough a leader to be free,
And not enough a hero to be jealous.
Having eyes and ears, I knew that I was envied,
And as a proper sort of compensation
Had envy of my own for two or three—
But never felt, and surely never gave,
The wound of any more malevolence
Than decent youth, defeated for a day,
May take to bed with him and kill with sleep.
So, and so far, my days were going well,
And would have gone so, but for the black tiger
That many of us fancy is in waiting,
But waits for most of us in fancy only.
For me there was no fancy in his coming,
Though God knows I had never summoned him,
Or thought of him. To this day I’m adrift
And in the dark, out of all reckoning,
To find a reason why he ever was,
Or what was ailing Fate when he was born
On this alleged God-ordered earth of ours.
Now and again there comes one of his kind—
By chance, we say. I leave all that to you.
Whether it was an evil chance alone,
Or some invidious juggling of the stars,
Or some accrued arrears of ancestors
Who throve on debts that I was here to pay,
Or sins within me that I knew not of,
Or just a foretaste of what waits in hell
For those of us who cannot love a worm,—
Whatever it was, or whence or why it was,
One day there came a stranger to the school.
And having had one mordacious glimpse of him
That filled my eyes and was to fill my life,
I have known Peace only as one more word
Among the many others we say over
That have an airy credit of no meaning.
One of these days, if I were seeing many
To live, I might erect a cenotaph
To Job’s wife. I assume that you remember;
33
If you forget, she’s extant in your Bible.”
Now this was not the language of a man
Whom I had known as Avon, and I winced
Hearing it—though I knew that in my heart
There was no visitation of surprise.
Unwelcome as it was, and off the key
Calamitously, it overlived a silence
That was itself a story and affirmed
A savage emphasis of honesty
That I would only gladly have attuned
If possible, to vinous innovation.
But his indifferent wassailing was always
Too far within the measure of excess
For that; and then there were those eyes of his.
Avon indeed had kept his word with me,
And there was not much yet to make me happy.
“So there we were,” he said, “we two together,
Breathing one air. And how shall I go on
To say by what machinery the slow net
Of my fantastic and increasing hate
Was ever woven as it was around us?
I cannot answer; and you need not ask
What undulating reptile he was like,
For such a worm as I discerned in him
Was never yet on earth or in the ocean,
Or anywhere else than in my sense of him.
Had all I made of him been tangible,
The Lord must have invented long ago
Some private and unspeakable new monster
Equipped for such a thing’s extermination;
Whereon the monster, seeing no other monster
Worth biting, would have died with his work done.
There’s a humiliation in it now,
As there was then, and worse than there was then;
For then there was the boy to shoulder it
Without the sickening weight of added years
Galling him to the grave. Beware of hate
That has no other boundary than the grave
Made for it, or for ourselves. Beware, I say;
And I’m a sorry one, I fear, to say it,
34
Though for the moment we may let that go
And while I’m interrupting my own story
I’ll ask of you the favor of a look
Into the street. I like it when it’s empty.
There’s only one man walking? Let him walk.
I wish to God that all men might walk always,
And so, being busy, love one another more.”
“Avon,” I said, now in my chair again,
“Although I may not be here to be happy,
If you are careless, I may have to laugh.
I have disliked a few men in my life,
But never to the scope of wishing them
To this particular pedestrian hell
Of your affection. I should not like that.
Forgive me, for this time it was your fault.”
He drummed with all his fingers on his chair,
And, after a made smile of acquiescence,
Took up again the theme of his aversion,
Which now had flown along with him alone
For twenty years, like Io’s evil insect,
To sting him when it would. The decencies
Forbade that I should look at him for ever,
Yet many a time I found myself ashamed
Of a long staring at him, and as often
Essayed the dictionary on the table,
Wondering if in its interior
There was an uncompanionable word
To say just what was creeping in my hair,
At which my scalp would shrink,—at which, again,
I would arouse myself with a vain scorn,
Remembering that all this was in New York—
As if that were somehow the banishing
For ever of all unseemly presences—
And listen to the story of my friend,
Who, as I feared, was not for me to save,
And, as I knew, knew also that I feared it.
“Humiliation,” he began again,
“May be or not the best of all bad names
I might employ; and if you scent remorse,
35
There may be growing such a flower as that
In the unsightly garden where I planted,
Not knowing the seed or what was coming of it.
I’ve done much wondering if I planted it;
But our poor wonder, when it comes too late,
Fights with a lath, and one that solid fact
Breaks while it yawns and looks another way
For a less negligible adversary.
Away with wonder, then; though I’m at odds
With conscience, even tonight, for good assurance
That it was I, or chance and I together,
Did all that sowing. If I seem to you
To be a little bitten by the question,
Without a miracle it might be true;
The miracle is to me that I’m not eaten
Long since to death of it, and that you sit
With nothing more agreeable than a ghost.
If you had thought a while of that, you might,
Unhappily, not have come; and your not coming
Would have been desolation—not for you,
God save the mark!—for I would have you here.
I shall not be alone with you to listen;
And I should be far less alone tonight
With you away, make what you will of that.
“I said that we were going back to school,
And we may say that we are there—with him.
This fellow had no friend, and, as for that,
No sign of an apparent need of one,
Save always and alone—myself. He fixed
His heart and eyes on me, insufferably,—
And in a sort of Nemesis-like way,
Invincibly. Others who might have given
A welcome even to him, or I’ll suppose so—
Adorning an unfortified assumption
With gold that might come off with afterthought—
Got never, if anything, more out of him
Than a word flung like refuse in their faces,
And rarely that. For God knows what good reason,
He lavished his whole altered arrogance
On me; and with an overweening skill,
Which had sometimes almost a cringing in it,
36
Found a few flaws in my tight mail of hate
And slowly pricked a poison into me
In which at first I failed at recognizing
An unfamiliar subtle sort of pity.
But so it was, and I believe he knew it;
Though even to dream it would have been absurd—
Until I knew it, and there was no need
Of dreaming. For the fellow’s indolence,
And his malignant oily swarthiness
Housing a reptile blood that I could see
Beneath it, like hereditary venom
Out of old human swamps, hardly revealed
Itself the proper spawning-ground of pity.
But so it was. Pity, or something like it,
Was in the poison of his proximity;
For nothing else that I have any name for
Could have invaded and so mastered me
With a slow tolerance that eventually
Assumed a blind ascendency of custom
That saw not even itself. When I came in,
Often I’d find him strewn along my couch
Like an amorphous lizard with its clothes on,
Reading a book and waiting for its dinner.
His clothes were always odiously in order,
Yet I should not have thought of him as clean—
Not even if he had washed himself to death
Proving it. There was nothing right about him.
Then he would search, never quite satisfied,
Though always in a measure confident,
My eyes to find a welcome waiting in them,
Unwilling, as I see him now, to know
That it would never be there. Looking back,
I am not sure that he would not have died
For me, if I were drowning or on fire,
Or that I would not rather have let myself
Die twice than owe the debt of my survival
To him, though he had lost not even his clothes.
No, there was nothing right about that fellow;
And after twenty years to think of him
I should be quite as helpless now to serve him
As I was then. I mean—without my story.
Be patient, and you’ll see just what I mean—
37
Which is to say, you won’t. But you can listen,
And that’s itself a large accomplishment
Uncrowned; and may be, at a time like this,
A mighty charity. It was in January
This evil genius came into our school,
And it was June when he went out of it—
If I may say that he was wholly out
Of any place that I was in thereafter.
But he was not yet gone. When we are told
By Fate to bear what we may never bear,
Fate waits a little while to see what happens;
And this time it was only for the season
Between the swift midwinter holidays
And the long progress into weeks and months
Of all the days that followed—with him there
To make them longer. I would have given an eye,
Before the summer came, to know for certain
That I should never be condemned again
To see him with the other; and all the while
There was a battle going on within me
Of hate that fought remorse—if you must have it—
Never to win,… never to win but once,
And having won, to lose disastrously,
And as it was to prove, interminably—
Or till an end of living may annul,
If so it be, the nameless obligation
That I have not the Christian revenue
In me to pay. A man who has no gold,
Or an equivalent, shall pay no gold
Until by chance or labor or contrivance
He makes it his to pay; and he that has
No kindlier commodity than hate,
Glossed with a pity that belies itself
In its negation and lacks alchemy
To fuse itself to—love, would you have me say?
I don’t believe it. No, there is no such word.
If I say tolerance, there’s no more to say.
And he who sickens even in saying that—
What coin of God has he to pay the toll
To peace on earth? Good will to men—oh, yes!
That’s easy; and it means no more than sap,
Until we boil the water out of it
38
Over the fire of sacrifice. I’ll do it;
And in a measurable way I’ve done it—
But not for him. What are you smiling at?
Well, so it went until a day in June.
We were together under an old elm,
Which now, I hope, is gone—though it’s a crime
In me that I should have to wish the death
Of such a tree as that. There were no trees
Like those that grew at school—until he came.
We stood together under it that day,
When he, by some ungovernable chance,
All foreign to the former crafty care
That he had used never to cross my favor,
Told of a lie that stained a friend of mine
With a false blot that a few days washed off.
A trifle now, but a boy’s honor then—
Which then was everything. There were some words
Between us, but I don’t remember them.
All I remember is a bursting flood
Of half a year’s accumulated hate,
And his incredulous eyes before I struck him.
He had gone once too far; and when he knew it,
He knew it was all over; and I struck him.
Pound for pound, he was the better brute;
But bulking in the way then of my fist
And all there was alive in me to drive it,
Three of him misbegotten into one
Would have gone down like him—and being larger,
Might have bled more, if that were necessary.
He came up soon; and if I live for ever,
The vengeance in his eyes, and a weird gleam
Of desolation—it I make you see it—
Will be before me as it is tonight.
I shall not ever know how long it was
I waited his attack that never came;
It might have been an instant or an hour
That I stood ready there, watching his eyes,
And the tears running out of them. They made
Me sick, those tears; for I knew, miserably,
They were not there for any pain he felt.
I do not think he felt the pain at all.
He felt the blow.… Oh, the whole thing was bad—
39
So bad that even the bleaching suns and rains
Of years that wash away to faded lines,
Or blot out wholly, the sharp wrongs and ills
Of youth, have had no cleansing agent in them
To dim the picture. I still see him going
Away from where I stood; and I shall see him
Longer, sometime, than I shall see the face
Of whosoever watches by the bed
On which I die—given I die that way.
I doubt if he could reason his advantage
In living any longer after that
Among the rest of us. The lad he slandered,
Or gave a negative immunity
No better than a stone he might have thrown
Behind him at his head, was of the few
I might have envied; and for that being known,
My fury became sudden history,
And I a sudden hero. But the crown
I wore was hot; and I would happily
Have hurled it, if I could, so far away
That over my last hissing glimpse of it
There might have closed an ocean. He went home
The next day, and the same unhappy chance
That first had fettered me and my aversion
To his unprofitable need of me
Brought us abruptly face to face again
Beside the carriage that had come for him.
We met, and for a moment we were still—
Together. But I was reading in his eyes
More than I read at college or at law
In years that followed. There was blankly nothing
For me to say, if not that I was sorry;
And that was more than hate would let me say—
Whatever the truth might be. At last he spoke,
And I could see the vengeance in his eyes,
And a cold sorrow—which, if I had seen
Much more of it, might yet have mastered me.
But I would see no more of it. ‘Well, then,’
He said, ‘have you thought yet of anything
Worth saying? If so, there’s time. If you are silent,
I shall know where you are until you die.’
I can still hear him saying those words to me
40
Again, without a loss or an addition;
I know, for I have heard them ever since.
And there was in me not an answer for them
Save a new roiling silence. Once again
I met his look, and on his face I saw
There was a twisting in the swarthiness
That I had often sworn to be the cast
Of his ophidian mind. He had no soul.
There was to be no more of him—not then.
The carriage rolled away with him inside,
Leaving the two of us alive together
In the same hemisphere to hate each other.
I don’t know now whether he’s here alive,
Or whether he’s here dead. But that, of course,
As you would say, is only a tired man’s fancy.
You know that I have driven the wheels too fast
Of late, and all for gold I do not need.
When are we mortals to be sensible,
Paying no more for life than life is worth?
Better for us, no doubt, we do not know
How much we pay or what it is we buy.”
He waited, gazing at me as if asking
The worth of what the universe had for sale
For one confessed remorse. Avon, I knew,
Had driven the wheels too fast, and not for gold.
“If you had given him then your hand,” I said,
“And spoken, though it strangled you, the truth,
I should not have the melancholy honor
Of sitting here alone with you this evening.
If only you had shaken hands with him,
And said the truth, he would have gone his way.
And you your way. He might have wished you dead,
But he would not have made you miserable.
At least,” I added, indefensibly,
“That’s what I hope is true.”
He pitied me,
But had the magnanimity not to say so.
“If only we had shaken hands,” he said,
“And I had said the truth, we might have been
In half a moment rolling on the gravel.
41
If I had said the truth, I should have said
That never at any moment on the clock
Above us in the tower since his arrival
Had I been in a more proficient mood
To throttle him. If you had seen his eyes
As I did, and if you had seen his face
At work as I did, you might understand.
I was ashamed of it, as I am now,
But that’s the prelude to another theme;
For now I’m saying only what had happened
If I had taken his hand and said the truth.
The wise have cautioned us that where there’s hate
There’s also fear. The wise are right sometimes.
There may be now, but there was no fear then.
There was just hatred, hauled up out of hell
For me to writhe in; and I writhed in it.”
I saw that he was writhing in it still;
But having a magnanimity myself,
I waited. There was nothing else to do
But wait, and to remember that his tale,
Though well along, as I divined it was,
Yet hovered among shadows and regrets
Of twenty years ago. When he began
Again to speak, I felt them coming nearer.
“Whenever your poet or your philosopher
Has nothing richer for us,” he resumed,
“He burrows among remnants, like a mouse
In a waste-basket, and with much dry noise
Comes up again, having found Time at the bottom
And filled himself with its futility.
‘Time is at once,’ he says, to startle us,
‘A poison for us, if we make it so,
And, if we make it so, an antidote
For the same poison that afflicted us.’
I’m witness to the poison, but the cure
Of my complaint is not, for me, in Time.
There may be doctors in eternity
To deal with it, but they are not here now.
There’s no specific for my three diseases
That I could swallow, even if I should find it,
42
And I shall never find it here on earth.”
“Mightn’t it be as well, my friend,” I said,
“For you to contemplate the uncompleted
With not such an infernal certainty?”
“And mightn’t it be as well for you, my friend,”
Said Avon, “to be quiet while I go on?
When I am done, then you may talk all night—
Like a physician who can do no good,
But knows how soon another would have his fee
Were he to tell the truth. Your fee for this
Is in my gratitude and my affection;
And I’m not eager to be calling in
Another to take yours away from you,
Whatever it’s worth. I like to think I know.
Well then, again. The carriage rolled away
With him inside; and so it might have gone
For ten years rolling on, with him still in it,
For all it was I saw of him. Sometimes
I heard of him, but only as one hears
Of leprosy in Boston or New York
And wishes it were somewhere else. He faded
Out of my scene—yet never quite out of it:
‘I shall know where you are until you die,’
Were his last words; and they are the same words
That I received thereafter once a year,
Infallibly on my birthday, with no name;
Only a card, and the words printed on it.
No, I was never rid of him—not quite;
Although on shipboard, on my way from here
To Hamburg, I believe that I forgot him.
But once ashore, I should have been half ready
To meet him there, risen up out of the ground,
With hoofs and horns and tail and everything.
Believe me, there was nothing right about him,
Though it was not in Hamburg that I found him.
Later, in Rome, it was we found each other,
For the first time since we had been at school.
There was the same slow vengeance in his eyes
When he saw mine, and there was a vicious twist
On his amphibious face that might have been
43
On anything else a smile—rather like one
We look for on the stage than in the street.
I must have been a yard away from him
Yet as we passed I felt the touch of him
Like that of something soft in a dark room.
There’s hardly need of saying that we said nothing,
Or that we gave each other an occasion
For more than our eyes uttered. He was gone
Before I knew it, like a solid phantom;
And his reality was for me some time
In its achievement—given that one’s to be
Convinced that such an incubus at large
Was ever quite real. The season was upon us
When there are fitter regions in the world—
Though God knows he would have been safe enough—
Than Rome for strayed Americans to live in,
And when the whips of their itineraries
Hurry them north again. I took my time,
Since I was paying for it, and leisurely
Went where I would—though never again to move
Without him at my elbow or behind me.
My shadow of him, wherever I found myself,
Might horribly as well have been the man—
Although I should have been afraid of him
No more than of a large worm in a salad.
I should omit the salad, certainly,
And wish the worm elsewhere. And so he was,
In fact; yet as I go on to grow older,
I question if there’s anywhere a fact
That isn’t the malevolent existence
Of one man who is dead, or is not dead,
Or what the devil it is that he may be.
There must be, I suppose, a fact somewhere,
But I don’t know it. I can only tell you
That later, when to all appearances
I stood outside a music-hall in London,
I felt him and then saw that he was there.
Yes, he was there, and had with him a woman
Who looked as if she didn’t know. I’m sorry
To this day for that woman—who, no doubt,
Is doing well. Yes, there he was again;
There were his eyes and the same vengeance in them
44
That I had seen in Rome and twice before—
Not mentioning all the time, or most of it,
Between the day I struck him and that evening.
That was the worst show that I ever saw,
But you had better see it for yourself
Before you say so too. I went away,
Though not for any fear that I could feel
Of him or of his worst manipulations,
But only to be out of the same air
That made him stay alive in the same world
With all the gentlemen that were in irons
For uncommendable extravagances
That I should reckon slight compared with his
Offence of being. Distance would have made him
A moving fly-speck on the map of life,—
But he would not be distant, though his flesh
And bone might have been climbing Fujiyama
Or Chimborazo—with me there in London,
Or sitting here. My doom it was to see him,
Be where I might. That was ten years ago;
And having waited season after season
His always imminent evil recrudescence,
And all for nothing, I was waiting still,
When the Titanic touched a piece of ice
And we were for a moment where we are,
With nature laughing at us. When the noise
Had spent itself to names, his was among them;
And I will not insult you or myself
With a vain perjury. I was far from cold.
It seemed as for the first time in my life
I knew the blessedness of being warm;
And I remember that I had a drink,
Having assuredly no need of it.
Pity a fool for his credulity,
If so you must. But when I found his name
Among the dead, I trusted once the news;
And after that there were no messages
In ambush waiting for me on my birthday.
There was no vestige yet of any fear,
You understand—if that’s why you are smiling.”
I said that I had not so much as whispered
45
The name aloud of any fear soever,
And that I smiled at his unwonted plunge
Into the perilous pool of Dionysus.
“Well, if you are so easily diverted
As that,” he said, drumming his chair again,
“You will be pleased, I think, with what is coming;
And though there be divisions and departures,
Imminent from now on, for your diversion
I’ll do the best I can. More to the point,
I know a man who if his friends were like him
Would live in the woods all summer and all winter,
Leaving the town and its iniquities
To die of their own dust. But having his wits,
Henceforth he may conceivably avoid
The adventure unattended. Last October
He took me with him into the Maine woods,
Where, by the shore of a primeval lake,
With woods all round it, and a voyage away
From anything wearing clothes, he had reared somehow
A lodge, or camp, with a stone chimney in it,
And a wide fireplace to make men forget
Their sins who sat before it in the evening,
Hearing the wind outside among the trees
And the black water washing on the shore.
I never knew the meaning of October
Until I went with Asher to that place,
Which I shall not investigate again
Till I be taken there by other forces
Than are innate in my economy.
‘You may not like it,’ Asher said, ‘but Asher
Knows what is good. So put your faith in Asher,
And come along with him. He’s an odd bird,
Yet I could wish for the world’s decency
There might be more of him. And so it was
I found myself, at first incredulous,
Down there with Asher in the wilderness,
Alive at last with a new liberty
And with no sore to fester. He perceived
In me an altered favor of God’s works,
And promptly took upon himself the credit,
Which, in a fashion, was as accurate
As one’s interpretation of another
46
Is like to be. So for a frosty fortnight
We had the sunlight with us on the lake,
And the moon with us when the sun was down.
‘God gave his adjutants a holiday,’
Asher assured me, ‘when He made this place’;
And I agreed with him that it was heaven,—
Till it was hell for me for then and after.
“There was a village miles away from us
Where now and then we paddled for the mail
And incidental small commodities
That perfect exile might require, and stayed
The night after the voyage with an antique
Survival of a broader world than ours
Whom Asher called The Admiral. This time,
A little out of sorts and out of tune
With paddling, I let Asher go alone,
Sure that his heart was happy. Then it was
That hell came. I sat gazing over there
Across the water, watching the sun’s last fire
Above those gloomy and indifferent trees
That might have been a wall around the world,
When suddenly, like faces over the lake,
Out of the silence of that other shore
I was aware of hidden presences
That soon, no matter how many of them there were,
Would all be one. I could not look behind me,
Where I could hear that one of them was breathing,
For, if I did, those others over there
Might all see that at last I was afraid;
And I might hear them without seeing them,
Seeing that other one. You were not there;
And it is well for you that you don’t know
What they are like when they should not be there.
And there were chilly doubts of whether or not
I should be seeing the rest that I should see
With eyes, or otherwise. I could not be sure;
And as for going over to find out,
All I may tell you now is that my fear
Was not the fear of dying, though I knew soon
That all the gold in all the sunken ships
That have gone down since Tyre would not have paid
47
For me the ferriage of myself alone
To that infernal shore. I was in hell,
Remember; and if you have never been there
You may as well not say how easy it is
To find the best way out. There may not be one.
Well, I was there; and I was there alone—
Alone for the first time since I was born;
And I was not alone. That’s what it is
To be in hell. I hope you will not go there.
All through that slow, long, desolating twilight
Of incoherent certainties, I waited;
Never alone—never to be alone;
And while the night grew down upon me there,
I thought of old Prometheus in the story
That I had read at school, and saw mankind
All huddled into clusters in the dark,
Calling to God for light. There was a light
Coming for them, but there was none for me
Until a shapeless remnant of a moon
Rose after midnight over the black trees
Behind me. I should hardly have confessed
The heritage then of my identity
To my own shadow; for I was powerless there,
As I am here. Say what you like to say
To silence, but say none of it to me
Tonight. To say it now would do no good,
And you are here to listen. Beware of hate,
And listen. Beware of hate, remorse, and fear,
And listen. You are staring at the damned,
But yet you are no more the one than he
To say that it was he alone who planted
The flower of death now growing in his garden.
Was it enough, I wonder, that I struck him?
I shall say nothing. I shall have to wait
Until I see what’s coming, if it comes,
When I’m a delver in another garden—
If such an one there be. If there be none,
All’s well—and over. Rather a vain expense,
One might affirm—yet there is nothing lost.
Science be praised that there is nothing lost.”
I’m glad the venom that was on his tongue
48
May not go down on paper; and I’m glad
No friend of mine alive, far as I know,
Has a tale waiting for me with an end
Like Avon’s. There was here an interruption,
Though not a long one—only while we heard,
As we had heard before, the ghost of steps
Faintly outside. We knew that she was there
Again; and though it was a kindly folly,
I wished that Avon’s wife would go to sleep.
“I was afraid, this time, but not of man—
Or man as you may figure him,” he said.
“It was not anything my eyes had seen
That I could feel around me in the night,
There by that lake. If I had been alone,
There would have been the joy of being free,
Which in imagination I had won
With unimaginable expiation—
But I was not alone. If you had seen me,
Waiting there for the dark and looking off
Over the gloom of that relentless water,
Which had the stillness of the end of things
That evening on it, I might well have made
For you the picture of the last man left
Where God, in his extinction of the rest,
Had overlooked him and forgotten him.
Yet I was not alone. Interminably
The minutes crawled along and over me,
Slow, cold, intangible, and invisible,
As if they had come up out of that water.
How long I sat there I shall never know,
For time was hidden out there in the black lake,
Which now I could see only as a glimpse
Of black light by the shore. There were no stars
To mention, and the moon was hours away
Behind me. There was nothing but myself,
And what was coming. On my breast I felt
The touch of death, and I should have died then.
I ruined good Asher’s autumn as it was,
For he will never again go there alone,
If ever he goes at all. Nature did ill
To darken such a faith in her as his,
49
Though he will have it that I had the worst
Of her defection, and will hear no more
Apologies. If it had to be for someone,
I think it well for me it was for Asher.
I dwell on him, meaning that you may know him
Before your last horn blows. He has a name
That’s like a tree, and therefore like himself—
By which I mean you find him where you leave him.
I saw him and The Admiral together
While I was in the dark, but they were far—
Far as around the world from where I was;
And they knew nothing of what I saw not
While I knew only I was not alone.
I made a fire to make the place alive,
And locked the door. But even the fire was dead,
And all the life there was was in the shadow
It made of me. My shadow was all of me;
The rest had had its day, and there was night
Remaining—only night, that’s made for shadows,
Shadows and sleep and dreams, or dreams without it.
The fire went slowly down, and now the moon,
Or that late wreck of it, was coming up;
And though it was a martyr’s work to move,
I must obey my shadow, and I did.
There were two beds built low against the wall,
And down on one of them, with all my clothes on,
Like a man getting into his own grave,
I lay—and waited. As the firelight sank,
The moonlight, which had partly been consumed
By the black trees, framed on the other wall
A glimmering window not far from the ground.
The coals were going, and only a few sparks
Were there to tell of them; and as they died
The window lightened, and I saw the trees.
They moved a little, but I could not move,
More than to turn my face the other way;
And then, if you must have it so, I slept.
We’ll call it so—if sleep is your best name
For a sort of conscious, frozen catalepsy
Wherein a man sees all there is around him
As if it were not real, and he were not
Alive. You may call it anything you please
50
That made me powerless to move hand or foot,
Or to make any other living motion
Than after a long horror, without hope,
To turn my face again the other way.
Some force that was not mine opened my eyes,
And, as I knew it must be,—it was there.”
Avon covered his eyes—whether to shut
The memory and the sight of it away,
Or to be sure that mine were for the moment
Not searching his with pity, is now no matter.
My glance at him was brief, turning itself
To the familiar pattern of his rug,
Wherein I may have sought a consolation—
As one may gaze in sorrow on a shell,
Or a small apple. So it had come, I thought;
And heard, no longer with a wonderment,
The faint recurring footsteps of his wife,
Who, knowing less than I knew, yet knew more.
Now I could read, I fancied, through the fear
That latterly was living in her eyes,
To the sure source of its authority.
But he went on, and I was there to listen:
“And though I saw it only as a blot
Between me and my life, it was enough
To make me know that he was watching there—
Waiting for me to move, or not to move,
Before he moved. Sick as I was with hate
Reborn, and chained with fear that was more than fear,
I would have gambled all there was to gain
Or lose in rising there from where I lay
And going out after it. ‘Before the dawn,’
I reasoned, ‘there will be a difference here.
Therefore it may as well be done outside.’
And then I found I was immovable,
As I had been before; and a dead sweat
Rolled out of me as I remembered him
When I had seen him leaving me at school.
‘I shall know where you are until you die,’
Were the last words that I had heard him say;
And there he was. Now I could see his face,
51
And all the sad, malignant desperation
That was drawn on it after I had struck him,
And on my memory since that afternoon.
But all there was left now for me to do
Was to lie there and see him while he squeezed
His unclean outlines into the dim room,
And half erect inside, like a still beast
With a face partly man’s, came slowly on
Along the floor to the bed where I lay,
And waited. There had been so much of waiting,
Through all those evil years before my respite—
Which now I knew and recognized at last
As only his more venomous preparation
For the vile end of a deceiving peace—
That I began to fancy there was on me
The stupor that explorers have alleged
As evidence of nature’s final mercy
When tigers have them down upon the earth
And wild hot breath is heavy on their faces.
I could not feel his breath, but I could hear it;
Though fear had made an anvil of my heart
Where demons, for the joy of doing it,
Were sledging death down on it. And I saw
His eyes now, as they were, for the first time—
Aflame as they had never been before
With all their gathered vengeance gleaming in them,
And always that unconscionable sorrow
That would not die behind it. Then I caught
The shadowy glimpse of an uplifted arm,
And a moon-flash of metal. That was all.…
“When I believed I was alive again
I was with Asher and The Admiral,
Whom Asher had brought with him for a day
With nature. They had found me when they came;
And there was not much left of me to find.
I had not moved or known that I was there
Since I had seen his eyes and felt his breath;
And it was not for some uncertain hours
After they came that either would say how long
That might have been. It should have been much longer.
All you may add will be your own invention,
52
For I have told you all there is to tell.
Tomorrow I shall have another birthday,
And with it there may come another message—
Although I cannot see the need of it,
Or much more need of drowning, if that’s all
Men drown for—when they drown. You know as much
As I know about that, though I’ve a right,
If not a reason, to be on my guard;
And only God knows what good that will do.
Now you may get some air. Good night!—and thank you.”
He smiled, but I would rather he had not.
I wished that Avon’s wife would go to sleep,
But whether she found sleep that night or not
I do not know. I was awake for hours,
Toiling in vain to let myself believe
That Avon’s apparition was a dream,
And that he might have added, for romance,
The part that I had taken home with me
For reasons not in Avon’s dictionary.
But each recurrent memory of his eyes,
And of the man himself that I had known
So long and well, made soon of all my toil
An evanescent and a vain evasion;
And it was half as in expectancy
That I obeyed the summons of his wife
A little before dawn, and was again
With Avon in the room where I had left him,
But not with the same Avon I had left.
The doctor, an august authority,
With eminence abroad as well as here,
Looked hard at me as if I were the doctor
And he the friend. “I have had eyes on Avon
For more than half a year,” he said to me,
“And I have wondered often what it was
That I could see that I was not to see.
Though he was in the chair where you are looking,
I told his wife—I had to tell her something—
It was a nightmare and an aneurism;
And so, or partly so, I’ll say it was.
The last without the first will be enough
For the newspapers and the undertaker;
53
Yet if we doctors were not all immune
From death, disease, and curiosity,
My diagnosis would be sorry for me.
He died, you know, because he was afraid—
And he had been afraid for a long time;
And we who knew him well would all agree
To fancy there was rather more than fear.
The door was locked inside—they broke it in
To find him—but she heard him when it came.
There are no signs of any visitors,
Or need of them. If I were not a child
Of science, I should say it was the devil.
I don’t believe it was another woman,
And surely it was not another man.”
~ Edwin Arlington Robinson,
520:Last Instructions To A Painter
After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth-Of his hound's mouth to feign the raging froth-His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.
Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
80
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.
Paint then again Her Highness to the life,
Philosopher beyond Newcastle's wife.
She, nak'd, can Archimedes self put down,
For an experiment upon the crown,
She pérfected that engine, oft assayed,
How after childbirth to renew a maid,
And found how royal heirs might be matured
In fewer months than mothers once endured.
Hence Crowther made the rare inventress free
Of's Higness's Royal Society-Happiest of women, if she were but able
To make her glassen Dukes once malleáble!
Paint her with oyster lip and breath of fame,
Wide mouth that 'sparagus may well proclaim;
With Chancellor's belly and so large a rump,
There--not behind the coach--her pages jump.
Express her study now if China clay
Can, without breaking, venomed juice convey,
Or how a mortal poison she may draw
Out of the cordial meal of the cacao.
Witness, ye stars of night, and thou the pale
Moon, that o'ercame with the sick steam didst fail;
Ye neighboring elms, that your green leaves did shed,
And fawns that from the womb abortive fled;
Not unprovoked, she tries forbidden arts,
But in her soft breast love's hid cancer smarts,
While she resoloves, at once, Sidney's disgrace
And her self scorned for emulous Denham's face,
And nightly hears the hated guards, away
Galloping with the Duke to other prey.
81
Paint Castlemaine in colours that will hold
(Her, not her picture, for she now grows old):
She through her lackey's drawers, as he ran,
Discerned love's cause and a new flame began.
Her wonted joys thenceforth and court she shuns,
And still within her mind the footman runs:
His brazen calves, his brawny thighs--the face
She slights--his feet shaped for a smoother race.
Poring within her glass she readjusts
Her looks, and oft-tried beauty now distrusts,
Fears lest he scorn a woman once assayed,
And now first wished she e'er had been a maid.
Great Love, how dost thou triumph and how reign,
That to a groom couldst humble her disdain!
Stripped to her skin, see how she stooping stands,
Nor scorns to rub him down with those fair hands,
And washing (lest the scent her crime disclose)
His sweaty hooves, tickles him 'twixt the toes.
But envious Fame, too soon, began to note
More gold in's Fob, more lace upon his coat;
And he, unwary, and of tongue too fleet,
No longer could conceal his fortune sweet.
Justly the rogue was shipped in porter's den,
And Jermyn straight has leave to come again.
Ah, Painter, now could Alexander live,
And this Campaspe thee, Apelles, give!
Draw next a pair of tables opening, then
The House of Commons clattering like the men.
Describe the Court and Country, both set right
On opp'site points, the black against the white.
Those having lost the nation at tric-trac,
These now adventuring how to win it back.
The dice betwixt them must the fate divide
(As chance doth still in multitudes decide).
But here the Court does its advantage know,
For the cheat Turner for them both must throw.
As some from boxes, he so from the chair
Can strike the die and still with them goes share.
Here, Painter, rest a little, and survey
With what small arts the public game they play.
82
For so too Rubens, with affairs of state,
His labouring pencil oft would recreate.
The close Cabal marked how the Navy eats,
And thought all lost that goes not to the cheats,
So therefore secretly for peace decrees,
Yet as for war the Parliament should squeeze,
And fix to the revénue such a sum
Should Goodrick silence and strike Paston dumb,
Should pay land armies, should dissolve the vain
Commons, and ever such a court maintain;
Hyde's avarice, Bennet's luxury should suffice,
And what can these defray but the Excise?
Excise a monster worse than e'er before
Frighted the midwife and the mother tore.
A thousand hands she has and thousand eyes,
Breaks into shops and into cellars pries,
And on all trade like cassowar she feeds:
Chops off the piece wheres'e'er she close the jaw,
Else swallows all down her indented maw.
She stalks all day in streets concealed from sight
And flies, like bats with leathern wings, by night;
She wastes the country and on cities preys.
Her, of a female harpy, in dog days,
Black Birch, of all the earth-born race most hot
And most rapacious, like himself, begot,
And, of his brat enamoured, as't increased,
Buggered in incest with the mongrel beast.
Say, Muse, for nothing can escape thy sight
(And, Painter, wanting other, draw this fight),
Who, in an English senate, fierce debate
Could raise so long for this new whore of state.
Of early wittols first the troop marched in-For diligence renowned and discipline-In loyal haste they left young wives in bed,
And Denham these by one consent did head.
Of the old courtiers, next a squadron came,
That sold their master, led by Ashburnham.
To them succeeds a desipicable rout,
But know the word and well could face about;
83
Expectants pale, with hopes of spoil allured,
Though yet but pioneers, and led by Stew'rd.
Then damning cowards ranged the vocal plain,
Wood these command, the Knight of the Horn and Cane.
Still his hook-shoulder seems the blow to dread,
And under's armpit he defends his head.
The posture strange men laughed at of his poll,
Hid with his elbow like the spice he stole.
Headless St Denys so his head does bear,
And both of them alike French martyrs were.
Court officers, as used, the next place took,
And followed, Fox, but with disdainful look.
His birth, his youth, his brokage all dispraise
In vain, for always he commands that pays.
Then the procurers under Progers filed-Gentlest of men-- and his lieutenant mild,
Brounker--Love's squire--through all the field arrayed,
No troop was better clad, nor so well paid.
Then marched the troop of Clarendon, all full
Haters of fowl, to teal preferring bull:
Gross bodies, grosser minds, and grossest cheats,
And bloated Wren conducts them to their seats.
Charlton advances next, whose coif does awe
The Mitre troop, and with his looks gives law.
He marched with beaver cocked of bishop's brim,
And hid much fraud under an aspect grim.
Next the lawyers' merecenary band appear:
Finch in the front, and Thurland in the rear.
The troop of privilege, a rabble bare
Of debtors deep, fell to Trelawney's care.
Their fortune's error they supplied in rage,
Nor any further would than these engage.
Then marched the troop, whose valiant acts before
(Their public acts) obliged them still to more.
For chimney's sake they all Sir Pool obeyed,
Or in his absence him that first it laid.
Then comes the thrifty troop of privateers,
Whose horses each with other interfered.
Before them Higgons rides with brow compact,
Mourning his Countess, anxious for his Act.
Sir Frederick and Sir Solomon draw lots
For the command of politics or sots,
84
Thence fell to words, but quarrel to adjourn;
Their friends agreed they should command by turn.
Carteret the rich did the accountants guide
And in ill English all the world defied.
The Papists--but of these the House had none
Else Talbot offered to have led them on.
Bold Duncombe next, of the projectors chief,
And old Fitz-harding of the Eaters Beef.
Late and disordered out the drinkers drew,
Scarce them their leaders, they their leaders knew.
Before them entered, equal in command,
Apsley and Brod'rick, marching hand in hand.
Last then but one, Powell that could not ride,
Led the French standard, weltering in his stride.
He, to excuse his slowness, truth confessed
That 'twas so long before he could be dressed.
The Lord's sons, last, all these did reinforce:
Cornb'ry before them managed hobby-horse.
Never before nor since, an host so steeled
Trooped on to muster in the Tothill Field:
Not the first cock-horse that with cork were shod
To rescue Albemarle from the sea-cod,
Nor the late feather-men, whom Tomkins fierce
Shall with one breath, like thistledown disperse.
All the two Coventrys their generals chose
For one had much, the other nought to lose;
Nor better choice all accidents could hit,
While Hector Harry steers by Will the Wit.
They both accept the charge with merry glee,
To fight a battle, from all gunshot free.
Pleased with their numbers, yet in valour wise,
They feign a parley, better to surprise;
They that ere long shall the rude Dutch upbraid,
Who in the time of treaty durst invade.
Thick was the morning, and the House was thin,
The Speaker early, when they all fell in.
Propitious heavens, had not you them crossed,
Excise had got the day, and all been lost.
For the other side all in loose quarters lay,
Without intelligence, command, or pay:
85
A scattered body, which the foe ne'er tried,
But oftener did among themselves divide.
And some ran o'er each night, while others sleep,
And undescried returned ere morning peep.
But Strangeways, that all night still walked the round
(For vigilance and courage both renowned)
First spied he enemy and gave the 'larm,
Fighting it single till the rest might arm.
Such Romand Cocles strid before the foe,
The falling bridge behind, the stream below.
Each ran, as chance him guides to several post,
And all to pattern his example boast.
Their former trophies they recall to mind
And to new edge their angry courage grind.
First entered forward Temple, conqueror
Of Irish cattle and Solicitor;
Then daring Seymour, that with spear and shield
Had stretched the Monster Patent on the field;
Keen Whorwood next, in aid of damsel frail,
That pierced the giant Mordaunt through his mail;
And surly Williams, the accountants' bane;
And Lovelace young, of chimney-men the cane.
Old Waller, trumpet-general, swore he'd write
This combat truer than the naval fight.
How'rd on's birth, wit, strength, courage much presumes
And in his breast wears many Montezumes.
These and some more with single valour stay
The adverse troops, and hold them all at bay.
Each thinks his person represents the whole,
And with that thought does multiply his soul,
Believes himself an army, theirs, one man
As easily conquered, and believing can,
With heart of bees so full, and head of mites,
That each, though duelling, a battle fights.
Such once Orlando, famous in romance,
Broached whole brigades like larks upon his lance.
But strength at last still under number bows,
And the faint sweat trickled down Temple's brows.
E'en iron Strangeways, chafing, yet gave back,
Spent with fatigue, to breathe a while toback.
86
When marching in, a seasonable recruit
Of citizens and merchants held dispute;
And, charging all their pikes, a sullen band
Of Presyterian Switzers made a stand.
Nor could all these the field have long maintained
But for th' unknown reserve that still remained:
A gross of English gentry, nobly born,
Of clear estates, and to no faction sworn,
Dear lovers of their king, and death to meet
For country's cause, that glorious think and sweet;
To speak not forward, but in action brave,
In giving generous, but in counsel grave;
Candidly credulous for once, nay twice,
But sure the Devil cannot cheat them thrice.
The van and battle, though retiring, falls
Without dosorder in their intervals.
Then, closing all in equal front, fall on,
Led by great Garway and great Littleton.
Lee, ready to obey or to command,
Adjutant-general, was still at hand.
The martial standard, Sandys displaying, shows
St Dunstan in it, tweaking Satan's nose.
See sudden chance of war! To paint or write
Is longer work and harder than to fight.
At the first charge the enemy give out,
And the Excise receives a total rout.
Broken in courage, yet the men the same
Resolve henceforth upon their other game:
Where force had failed, with stratagem to play,
And what haste lost, recover by delay.
St Albans straight is sent to, to forbear,
Lest the sure peace, forsooth, too soon appear.
The seamen's clamour to three ends they use:
To cheat their pay, feign want, the House accuse.
Each day they bring the tale, and that too true,
How strong the Dutch their equipage renew.
Meantime through all the yards their orders run
To lay the ships up, cease the keels begun.
The timber rots, and useless axe doth rust,
Th' unpracticed saw lies buried in its dust,
87
The busy hammer sleeps, the ropes untwine,
The stores and wages all are mine and thine.
Along the coast and harbours they make care
That money lack, nor forts be in repair.
Long thus they could against the House conspire,
Load them with envy, and with sitting tire.
And the loved King, and never yet denied,
Is brought to beg in public and to chide;
But when this failed, and months enow were spent,
They with the first day's proffer seem content,
And to Land-Tax from the Excise turn round,
Bought off with eighteen-hundred-thousand pound.
Thus like fair theives, the Commons' purse they share,
But all the members' lives, consulting, spare.
Blither than hare that hath escaped the hounds,
The House prorogued, the Chancellor rebounds.
Not so decrepit Aeson, hashed and stewed,
With bitter herbs, rose from the pot renewed,
And with fresh age felt his glad limbs unite;
His gout (yet still he cursed) had left him quite.
What frosts to fruit, what arsenic to the rat,
What to fair Denham, mortal chocolate,
What an account to Carteret, that, and more,
A Parliament is to the Chancellor.
So the Sad-tree shrinks from the morning's eye,
But blooms all night and shoots its branches high.
So, at the sun's recess, again returns
The comet dread, and earth and heaven burns.
Now Mordaunt may, within his castle tower,
Imprison parents, and the child deflower.
The Irish herd is now let loose and comes
By millions over, not by hecatombs;
And now, now the Canary Patent may
Be broached again for the great holiday.
See how he reigns in his new palace culminant,
And sits in state divine like Jove the fulminant!
First Buckingham, that durst to him rebel,
Blasted with lightning, struck wtih thunder, fell.
Next the twelve Commons are condemned to groan
88
And roll in vain at Sisyphus's stone.
But still he cared, while in revenge he braved
That peace secured and money might be saved:
Gain and revenge, revenge and gain are sweet
United most, else when by turns they meet.
France had St Albans promised (so they sing),
St Albans promised him, and he the King:
The Count forthwith is ordered all to close,
To play for Flanders and the stake to lose,
While, chained together, two ambassadors
Like slaves shall beg for peace at Holland's doors.
This done, among his Cyclops he retires
To forge new thunder and inspect their fires.
The court as once of war, now fond of peace,
All to new sports their wanton fears release.
From Greenwich (where intelligence they hold)
Comes news of pastime martial and old,
A punishment invented first to awe
Masculine wives transgressing Nature's law,
Where, when the brawny female disobeys,
And beats the husband till for peace he prays,
No concerned jury for him damage finds,
Nor partial justice her behavior binds,
But the just street does the next house invade,
Mounting the neighbour couple on lean jade,
The distaff knocks, the grains from kettle fly,
And boys and girls in troops run hooting by:
Prudent antiquity, that knew by shame,
Better than law, domestic crimes to tame,
And taught youth by spectácle innocent!
So thou and I, dear Painter, represent
In quick effigy, others' faults, and feign
By making them ridiculous, to restrain.
With homely sight they chose thus to relax
The joys of state, for the new Peace and Tax.
So Holland with us had the mastery tried,
And our next neighbours, France and Flanders, ride.
But a fresh news the great designment nips,
Of, at the Isle of Candy, Dutch and ships!
Bab May and Arlington did wisely scoff
89
And thought all safe, if they were so far off.
Modern geographers, 'twas there, they thought,
Where Venice twenty years the Turk had fought,
While the first year our navy is but shown,
The next divided, and the third we've none.
They, by the name, mistook it for that isle
Where Pilgrim Palmer travelled in exile
With the bull's horn to measure his own head
And on Pasiphaë's tomb to drop a bead.
But Morice learn'd demónstrates, by the post,
This Isle of Candy was on Essex' coast.
Fresh messengers still the sad news assure;
More timorous now we are than first secure.
False terrors our believing fears devise,
And the French army one from Calais spies.
Bennet and May and those of shorter reach
Change all for guineas, and a crown for each,
But wiser men and well foreseen in chance
In Holland theirs had lodged before, and France.
Whitehall's unsafe; the court all meditates
To fly to Windsor and mure up the gates.
Each does the other blame, and all distrust;
(That Mordaunt, new obliged, would sure be just.)
Not such a fatal stupefaction reigned
At London's flame, nor so the court complained.
The Bloodworth_Chancellor gives, then does recall
Orders; amazed, at last gives none at all.
St Alban's writ to, that he may bewail
To Master Louis, and tell coward tale
How yet the Hollanders do make a noise,
Threaten to beat us, and are naughty boys.
Now Dolman's dosobedient, and they still
Uncivil; his unkindness would us kill.
Tell him our ships unrigged, our forts unmanned,
Our money spent; else 'twere at his command.
Summon him therefore of his word and prove
To move him out of pity, if not love;
Pray him to make De Witt and Ruyter cease,
And whip the Dutch unless they'll hold their peace.
But Louis was of memory but dull
90
And to St Albans too undutiful,
Nor word nor near relation did revere,
But asked him bluntly for his character.
The gravelled Count did with the answer faint-His character was that which thou didst paint-Trusses his baggage and the camp does fly.
Yet Louis writes and, lest our heart should break,
Consoles us morally out of Seneque.
Two letters next unto Breda are sent:
In cipher one to Harry Excellent;
The first instructs our (verse the name abhors)
Plenipotentiary ambassadors
To prove by Scripture treaty does imply
Cessation, as the look adultery,
And that, by law of arms, in martial strife,
Who yields his sword has title to his life.
Presbyter Holles the first point should clear,
The second Coventry the Cavalier;
But, whould they not be argued back from sea,
Then to return home straight, infecta re.
But Harry's ordered, if they won't recall
Their fleet, to threaten--we will grant them all.
The Dutch are then in proclamation shent
For sin against th' eleventh commandment.
Hyde's flippant style there pleasantly curvets,
Still his sharp wit on states and princes whets
(So Spain could not escape his laughter's spleen:
None but himsef must choose the King a Queen),
But when he came the odious clause to pen
That summons up the Parliament again,
His writing master many a time he banned
And wished himself the gout to seize his hand.
Never old lecher more repugnance felt,
Consenting, for his rupture, to be gelt;
But still then hope him solaced, ere they come,
To work the peace and so to send them home,
Or in their hasty call to find a flaw,
Their acts to vitiate, and them overawe;
But most relied upon this Dutch pretence
To raise a two-endged army for's defence.
91
First then he marched our whole militia's force
(As if indeed we ships or Dutch had horse);
Then from the usual commonplace, he blames
These, and in standing army's praise declaims;
And the wise court that always loved it dear,
Now thinks all but too little for their fear.
Hyde stamps, and straight upon the ground the swarms
Of current Myrmidons appear in arms,
And for their pay he writes, as from the King-With that cursed quill plucked from a vulture's wing-Of the whole nation now to ask a loan
(The eighteen-hundred-thousand pound was gone).
This done, he pens a proclamation stout,
In rescue of the banquiers banquerout,
His minion imps that, in his secret part,
Lie nuzzling at the sacremental wart,
Horse-leeches circling at the hem'rrhoid vein:
He sucks the King, they him, he them again.
The kingdom's farm he lets to them bid least
(Greater the bribe, and that's at interest).
Here men, induced by safety, gain, and ease,
Their money lodge; confiscate when he please.
These can at need, at instant, with a scrip
(This liked him best) his cash beyond sea whip.
When Dutch invade, when Parliament prepare,
How can he engines so convenient spare?
Let no man touch them or demand his own,
Pain of displeasure of great Clarendon.
The state affairs thus marshalled, for the rest
Monck in his shirt against the Dutch is pressed.
Often, dear Painter, have I sat and mused
Why he should still be 'n all adventures used,
If they for nothing ill, like ashen wood,
Or think him, like Herb John for nothing good;
Whether his valour they so much admire,
Or that for cowardice they all retire,
As heaven in storms, they call in gusts of state
On Monck and Parliament, yet both do hate.
All causes sure concur, but most they think
Under Hercúlean labours he may sink.
92
Soon then the independent troops would close,
And Hyde's last project would his place dispose.
Ruyter the while, that had our ocean curbed,
Sailed now among our rivers undistrubed,
Surveyed their crystal streams and banks so green
And beauties ere this never naked seen.
Through the vain sedge, the bashful nymphs he eyed:
Bosoms, and all which from themselves they hide.
The sun much brighter, and the skies more clear,
He finds the air and all things sweeter here.
The sudden change, and such a tempting sight
Swells his old veins with fresh blood, fresh delight.
Like am'rous victors he begins to shave,
And his new face looks in the English wave.
His sporting navy all about him swim
And witness their complacence in their trim.
Their streaming silks play through the weather fair
And with inveigling colours court the air,
While the red flags breathe on their topmasts high
Terror and war, but want an enemy.
Among the shrouds the seamen sit and sing,
And wanton boys on every rope do cling.
Old Neptune springs the tides and water lent
(The gods themselves do help the provident),
And where the deep keel on the shallow cleaves,
With trident's lever, and great shoulder heaves.
&Aelig;olus their sails inspires with eastern wind,
Puffs them along, and breathes upon them kind.
With pearly shell the Tritons all the while
Sound the sea-march and guide to Sheppey Isle.
So I have seen in April's bud arise
A fleet of clouds, sailing along the skies;
The liquid region with their squadrons filled,
Their airy sterns the sun behind does gild;
And gentle gales them steer, and heaven drives,
When, all on sudden, their calm bosom rives
With thunder and lightning from each armèd cloud;
Shepherds themselves in vain in bushes shroud.
Such up the stream the Belgic navy glides
And at Sheerness unloads its stormy sides.
93
Spragge there, though practised in the sea command,
With panting heart lay like a fish on land
And quickly judged the fort was not tenáble-Which, if a house, yet were not tenantáble-No man can sit there safe: the cannon pours
Thorough the walls untight and bullet showers,
The neighbourhood ill, and an unwholesome seat,
So at the first salute resolves retreat,
And swore that he would never more dwell there
Until the city put it in repair.
So he in front, his garrison in rear,
March straight to Chatham to increase the fear.
There our sick ships unrigged in summer lay
Like moulting fowl, a weak and easy prey,
For whose strong bulk earth scarce could timber find,
The ocean water, or the heavens wind-Those oaken giants of the ancient race,
That ruled all seas and did our Channel grace.
The conscious stag so, once the forest's dread,
Flies to the wood and hides his armless head.
Ruyter forthwith a squadron does untack;
They sail securely through the river's track.
An English pilot too (O shame, O sin!)
Cheated of pay, was he that showed them in.
Our wretched ships within their fate attend,
And all our hopes now on frail chain depend:
(Engine so slight to guard us from the sea,
It fitter seemed to captivate a flea).
A skipper rude shocks it without respect,
Filling his sails more force to re-collect.
Th' English from shore the iron deaf invoke
For its last aid: `Hold chain, or we are broke.'
But with her sailing weight, the Holland keel,
Snapping the brittle links, does thorough reel,
And to the rest the opened passage show;
Monck from the bank the dismal sight does view.
Our feathered gallants, which came down that day
To be spectators safe of the new play,
Leave him alone when first they hear the gun
(Cornb'ry the fleetest) and to London run.
94
Our seamen, whom no danger's shape could fright,
Unpaid, refuse to mount our ships for spite,
Or to their fellows swim on board the Dutch,
Which show the tempting metal in their clutch.
Oft had he sent of Duncombe and of Legge
Cannon and powder, but in vain, to beg;
And Upnor Castle's ill-deserted wall,
Now needful, does for ammunition call.
He finds, wheres'e'er he succor might expect,
Confusion, folly, treach'ry, fear, neglect.
But when the Royal Charles (what rage, what grief)
He saw seized, and could give her no relief!
That sacred keel which had, as he, restored
His exiled sovereign on its happy board,
And thence the British Admiral became,
Crowned, for that merit, with their master's name;
That pleasure-boat of war, in whose dear side
Secure so oft he had this foe defied,
Now a cheap spoil, and the mean victor's slave,
Taught the Dutch colours from its top to wave;
Of former glories the reproachful thought
With present shame compared, his mind destraught.
Such from Euphrates' bank, a tigress fell
After the robber for her whelps doth yell;
But sees enraged the river flow between,
Frustrate revenge and love, by loss more keen,
At her own breast her useless claws does arm:
She tears herself, since him she cannot harm.
The guards, placed for the chain's and fleet's defence,
Long since were fled on many a feigned pretence.
Daniel had there adventured, man of might,
Sweet Painter, draw his picture while I write.
Paint him of person tall, and big of bone,
Large limbs like ox, not to be killed but shown.
Scarce can burnt ivory feign an hair so black,
Or face so red, thine ocher and thy lac.
Mix a vain terror in his martial look,
And all those lines by which men are mistook;
But when, by shame constrained to go on board,
He heard how the wild cannon nearer roared,
And saw himself confined like sheep in pen,
95
Daniel then thought he was in lion's den.
And when the frightful fireships he saw,
Pregnant with sulphur, to him nearer draw,
Captain, lieutenant, ensign, all make haste
Ere in the fiery furnace they be cast-Three children tall, unsinged, away they row,
Like Shadrack, Meschack, and Abednego.
Not so brave Douglas, on whose lovely chin
The early down but newly did begin,
And modest beauty yet his sex did veil,
While envious virgins hope he is a male.
His yellow locks curl back themselves to seek,
Nor other courtship knew but to his cheek.
Oft, as he in chill Esk or Seine by night
Hardened and cooled his limbs, so soft, so white,
Among the reeds, to be espied by him,
The nymphs would rustle; he would forward swim.
They sighed and said, `Fond boy, why so untame
That fliest love's fires, reserved for other flame?'
Fixed on his ship, he faced that horrid day
And wondered much at those that ran away.
Nor other fear himself could comprehend
Then, lest heaven fall ere thither he ascend,
But entertains the while his time too short
With birding at the Dutch, as if in sport,
Or waves his sword, and could he them conjúre
Within its circle, knows himself secure.
The fatal bark him boards with grappling fire,
And safely through its port the Dutch retire.
That precious life he yet disdains to save
Or with known art to try the gentle wave.
Much him the honours of his ancient race
Inspire, nor would he his own deeds deface,
And secret joy in his calm soul does rise
That Monck looks on to see how Douglas dies.
Like a glad lover, the fierce flames he meets,
And tries his first embraces in their sheets.
His shape exact, which the bright flames enfold,
Like the sun's statue stands of burnished gold.
Round the transparent fire about him flows,
As the clear amber on the bee does close,
96
And, as on angels' heads their glories shine,
His burning locks adorn his face divine.
But when in this immortal mind he felt
His altering form and soldered limbs to melt,
Down on the deck he laid himself and died,
With his dear sword reposing by his side,
And on the flaming plank, so rests his head
As one that's warmed himself and gone to bed.
His ship burns down, and with his relics sinks,
And the sad stream beneath his ashes drinks.
Fortunate boy, if either pencil's fame,
Or if my verse can propagate thy name,
When Oeta and Alcides are forgot,
Our English youth shall sing the valiant Scot.
Each doleful day still with fresh loss returns:
The Loyal London now the third time burns,
And the true Royal Oak and Royal James,
Allied in fate, increase, with theirs, her flames.
Of all our navy none should now survive,
But that the ships themselves were taught to dive,
And the kind river in its creek them hides,
Fraughting their piercèd keels with oozy tides.
Up to the bridge contagious terror struck:
The Tower itself with the near danger shook,
And were not Ruyter's maw with ravage cloyed,
E'en London's ashes had been then destroyed.
Officious fear, however, to prevent
Our loss does so much more our loss augment:
The Dutch had robbed those jewels of the crown;
Our merchantmen, lest they be burned, we drown.
So when the fire did not enough devour,
The houses were demolished near the Tower.
Those ships that yearly from their teeming hole
Unloaded here the birth of either Pole-Furs from the north and silver from the west,
Wines from the south, and spices from the east;
From Gambo gold, and from the Ganges gems-Take a short voyage underneath the Thames,
Once a deep river, now with timber floored,
And shrunk, least navigable, to a ford.
97
Now (nothing more at Chatham left to burn),
The Holland squadron leisurely return,
And spite of Ruperts and of Albemarles,
To Ruyter's triumph lead the captive Charles.
The pleasing sight he often does prolong:
Her masts erect, tough cordage, timbers strong,
Her moving shapes, all these he does survey,
And all admires, but most his easy prey.
The seamen search her all within, without:
Viewing her strength, they yet their conquest doubt;
Then with rude shouts, secure, the air they vex,
With gamesome joy insulting on her decks.
Such the feared Hebrew, captive, blinded, shorn,
Was led about in sport, the public scorn.
Black day accursed! On thee let no man hale
Out of the port, or dare to hoist a sail,
Nor row a boat in thy unlucky hour.
Thee, the year's monster, let thy dam devour,
And constant time, to keep his course yet right,
Fill up thy space with a redoubled night.
When agèd Thames was bound with fetters base,
And Medway chaste ravished before his face,
And their dear offspring murdered in their sight,
Thou and thy fellows held'st the odious light.
Sad change since first that happy pair was wed,
When all the rivers graced their nuptial bed,
And Father Neptune promised to resign
His empire old to their immortal line!
Now with vain grief their vainer hopes they rue,
Themselves dishonoured, and the gods untrue,
And to each other, helpless couple, moan,
As the sad tortoise for the sea does groan.
But most they for their darling Charles complain,
And were it burnt, yet less would be their pain.
To see that fatal pledge of sea command
Now in the ravisher De Ruyter's hand,
The Thames roared, swooning Medway turned her tide,
And were they mortal, both for grief had died.
The court in farthing yet itself does please,
98
(And female Stuart there rules the four seas),
But fate does still accumulate our woes,
And Richmond her commands, as Ruyter those.
After this loss, to relish discontent,
Someone must be accused by punishment.
All our miscarriages on Pett must fall:
His name alone seems fit to answer all.
Whose counsel first did this mad war beget?
Who all commands sold through the navy? Pett.
Who would not follow when the Dutch were beat?
Who treated out the time at Bergen? Pett.
Who the Dutch fleet with storms disabled met,
And rifling prizes, them neglected? Pett.
Who with false news prevented the Gazette,
The fleet divided, writ for Rupert? Pett.
Who all our seamen cheated of their debt,
And all our prizes who did swallow? Pett.
Who did advise no navy out to set,
And who the forts left unrepairèd? Pett.
Who to supply with powder did forget
Languard, Sheerness, Gravesend and Upnor? Pett.
Who should it be but the Fanatic Pett?
Pett, the sea-architect, in making ships
Was the first cause of all these naval slips:
Had he not built, none of these faults had been;
If no creation, there had been no sin.
But his great crime, one boat away he sent,
That lost our fleet and did our flight prevent.
Then (that reward might in its turn take place,
And march with punishment in equal pace),
Southhampton dead, much of the Treasure's care
And place in council fell to Dunscombe's share.
All men admired he to that pitch could fly:
Powder ne'er blew man up so soon so high,
But sure his late good husbandry in petre
Showed him to manage the Exchequer meeter;
And who the forts would not vouchsafe a corn,
To lavish the King's money more would scorn.
Who hath no chimneys, to give all is best,
And ablest Speaker, who of law has least;
99
Who less estate, for Treasurer most fit,
And for a couns'llor, he that has least wit.
But the true cause was that, in's brother May,
The Exchequer might the Privy Purse obey.
But now draws near the Parliament's return;
Hyde and the court again begin to mourn:
Frequent in council, earnest in debate,
All arts they try how to prolong its date.
Grave Primate Sheldon (much in preaching there)
Blames the last session and this more does fear:
With Boynton or with Middleton 'twere sweet,
But with a Parliament abohors to meet,
And thinks 'twill ne'er be well within this nation,
Till it be governed by Convocation.
But in the Thames' mouth still De Ruyter laid;
The peace not sure, new army must be paid.
Hyde saith he hourly waits for a dispatch;
Harry came post just as he showed his watch,
All to agree the articles were clear-The Holland fleet and Parliament so near-Yet Harry must job back, and all mature,
Binding, ere the Houses meet, the treaty sure,
And 'twixt necessity and spite, till then,
Let them come up so to go down again.
Up ambles country justice on his pad,
And vest bespeaks to be more seemly clad.
Plain gentlemen in stagecoach are o'erthrown
And deputy-lieutenants in their own.
The portly burgess through the weather hot
Does for his corporation sweat and trot;
And all with sun and choler come adust
And threaten Hyde to raise a greater dust.
But fresh as from the Mint, the courtiers fine
Salute them, smiling at their vain design,
And Turner gay up to his perch does march
With face new bleached, smoothened and stiff with starch;
Tells them he at Whitehall had took a turn
And for three days thence moves them to adjourn.
`Not so!' quoth Tomkins, and straight drew his tongue,
Trusty as steel that always ready hung,
100
And so, proceeding in his motion warm,
The army soon raised, he doth as soon disarm.
True Trojan! While this town can girls afford,
And long as cider lasts in Herford,
The girls shall always kiss thee, though grown old,
And in eternal healths thy name be trolled.
Meanwhile the certain news of peace arrives
At court, and so reprieves their guilty lives.
Hyde orders Turner that he should come late,
Lest some new Tomkins spring a fresh debate.
The King that day raised early from his rest,
Expects (as at a play) till Turner's dressed.
At last together Ayton come and he:
No dial more could with the sun agree.
The Speaker, summoned, to the Lords repairs,
Nor gave the Commons leave to say their prayers,
But like his prisoners to the bar them led,
Where mute they stand to hear their sentence read.
Trembling with joy and fear, Hyde them prorogues,
And had almost mistook and called them rogues.
Dear Painter, draw this Speaker to the foot;
Where pencil cannot, there my pen shall do't:
That may his body, this his mind explain.
Paint him in golden gown, with mace's brain,
Bright hair, fair face, obscure and dull of head,
Like knife with ivory haft and edge of lead.
At prayers his eyes turn up the pious white,
But all the while his private bill's in sight.
In chair, he smoking sits like master cook,
And a poll bill does like his apron look.
Well was he skilled to season any question
And made a sauce, fit for Whitehall's digestion,
Whence every day, the palate more to tickle,
Court-mushrumps ready are, sent in in pickle.
When grievance urged, he swells like squatted toad,
Frisks like a frog, to croak a tax's load;
His patient piss he could hold longer than
An urinal, and sit like any hen;
At table jolly as a country host
And soaks his sack with Norfolk, like a toast;
101
At night, than Chanticleer more brisk and hot,
And Sergeant's wife serves him for Pertelotte.
Paint last the King, and a dead shade of night
Only dispersed by a weak taper's light,
And those bright gleams that dart along and glare
From his clear eyes, yet these too dark with care.
There, as in the calm horror all alone
He wakes, and muses of th' uneasy throne;
Raise up a sudden shape with virgin's face,
(Though ill agree her posture, hour, or place),
Naked as born, and her round arms behind
With her own tresses, interwove and twined;
Her mouth locked up, a blind before her eyes,
Yet from beneath the veil her blushes rise,
And silent tears her secret anguish speak
Her heart throbs and with very shame would break.
The object strange in him no terror moved:
He wondered first, then pitied, then he loved,
And with kind hand does the coy vision press
(Whose beauty greater seemed by her distress),
But soon shrunk back, chilled with her touch so cold,
And th' airy picture vanished from his hold.
In his deep thoughts the wonder did increase,
And he divined 'twas England or the Peace.
Express him startling next with listening ear,
As one that some unusual noise does hear.
With cannon, trumpets, drums, his door surround-But let some other painter draw the sound.
Thrice did he rise, thrice the vain tumult fled,
But again thunders, when he lies in bed.
His mind secure does the known stroke repeat
And finds the drums Louis's march did beat.
Shake then the room, and all his curtains tear
And with blue streaks infect the taper clear,
While the pale ghosts his eye does fixed admire
Of grandsire Harry and of Charles his sire.
Harry sits down, and in his open side
The grisly wound reveals of which he died,
And ghastly Charles, turning his collar low,
102
The purple thread about his neck does show,
Then whispering to his son in words unheard,
Through the locked door both of them disappeared.
The wondrous night the pensive King revolves,
And rising straight on Hyde's disgrace resolves.
At his first step, he Castlemaine does find,
Bennet, and Coventry, as 't were designed;
And they, not knowing, the same thing propose
Which his hid mind did in its depths enclose.
Through their feigned speech their secret hearts he knew:
To her own husband, Castlemaine untrue;
False to his master Bristol, Arlington;
And Coventry, falser than anyone,
Who to the brother, brother would betray,
Nor therefore trusts himself to such as they.
His Father's ghost, too, whispered him one note,
That who does cut his purse will cut his throat,
But in wise anger he their crimes forbears,
As thieves reprived for executioners;
While Hyde provoked, his foaming tusk does whet,
To prove them traitors and himself the Pett.
Painter, adieu! How well our arts agree,
Poetic picture, painted poetry;
But this great work is for our Monarch fit,
And henceforth Charles only to Charles shall sit.
His master-hand the ancients shall outdo,
Himself the painter and the poet too.
To the King
So his bold tube, man to the sun applied
And spots unknown to the bright star descried,
Showed they obscure him, while too near they please
And seem his courtiers, are but his disease.
Through optic trunk the planet seemed to hear,
And hurls them off e'er since in his career.
And you, Great Sir, that with him empire share,
Sun of our world, as he the Charles is there,
Blame not the Muse that brought those spots to sight,
103
Which in you splendour hid, corrode your light:
(Kings in the country oft have gone astray
Nor of a peasant scorned to learn the way.)
Would she the unattended throne reduce,
Banishing love, trust, ornament, and use,
Better it were to live in cloister's lock,
Or in fair fields to rule the easy flock.
She blames them only who the court restrain
And where all England serves, themselves would reign.
Bold and accursed are they that all this while
Have strove to isle our Monarch from his isle,
And to improve themselves, on false pretence,
About the Common-Prince have raised a fence;
The kingdom from the crown distinct would see
And peel the bark to burn at last the tree.
(But Ceres corn, and Flora is the spring,
Bacchus is wine, the country is the King.)
Not so does rust insinuating wear,
Nor powder so the vaulted bastion tear,
Nor earthquake so an hollow isle o'er whelm
As scratching courtiers undermine a realm,
And through the palace's foundations bore,
Burrowing themselves to hoard their guilty store.
The smallest vermin make the greatest waste,
And a poor warren once a city rased.
But they, whom born to virtue and to wealth,
Nor guilt to flattery binds, nor want to wealth,
Whose generous conscience and whose courage high
Does with clear counsels their large souls supply;
That serve the King with their estates and care,
And, as in love, on Parliaments can stare,
(Where few the number, choice is there less hard):
Give us this court, and rule without a guard.
~ Andrew Marvell,
521:MANTIS EIM ESQLWN AGWNWN
--Oedip. Colon.

TO HIS EXCELLENCY PRINCE ALEXANDER MAVROCORDATO LATE SECRETARY FOR FOREIGN AFFAIRS TO THE HOSPODAR OF WALLACHIA THE DRAMA OF HELLAS IS INSCRIBED AS AN IMPERFECT TOKEN OF THE ADMIRATION, SYMPATHY, AND FRIENDSHIP OF THE AUTHOR.

PROLOGUE TO HELLAS
Herald of Eternity.
It is the day when all the sons of God
Wait in the roofless senate-house, whose floor
Is Chaos, and the immovable abyss
Frozen by His steadfast word to hyaline...
The shadow of God, and delegate
Of that before whose breath the universe
Is as a print of dew.

           Hierarchs and kings
Who from your thrones pinnacled on the past
Sway the reluctant present, ye who sit
Pavilioned on the radiance or the gloom
Of mortal thought, which like an exhalation
Steaming from earth, conceals the...of heaven
Which gave it birth,...assemble here
Before your Father's throne; the swift decree
Yet hovers, and the fiery incarnation
Is yet withheld, clothd in which it shall
...annul
The fairest of those wandering isles that gem
The sapphire space of interstellar air,
That green and azure sphere, that earth enwrapped
Less in the beauty of its tender light
Than in an atmosphere of living spirit
Which interpenetrating all the...
...it rolls from realm to realm
And age to age, and in its ebb and flow
Impels the generations
To their appointed place,
Whilst the high Arbiter
Beholds the strife, and at the appointed time
Sends His decrees veiled in eternal...

Within the circuit of this pendent orb
There lies an antique region, on which fell
The dews of thought in the world's golden dawn
Earliest and most benign, and from it sprung
Temples and cities and immortal forms
And harmonies of wisdom and of song,
And thoughts, and deeds worthy of thoughts so fair.
And when the sun of its dominion failed,
And when the winter of its glory came,
The winds that stripped it bare blew on and swept
That dew into the utmost wildernesses
In wandering clouds of sunny rain that thawed
The unmaternal bosom of the North.
Haste, sons of God,...for ye beheld,
Reluctant, or consenting, or astonished,
The stern decrees go forth, which heaped on Greece
Ruin and degradation and despair.
A fourth now waits: assemble, sons of God,
To speed or to prevent or to suspend,
If, as ye dream, such power be not withheld,
The unaccomplished destiny...

Chorus.

The curtain of the Universe
Is rent and shattered,
The splendour-wingd worlds disperse
Like wild doves scattered.

  Space is roofless and bare,
And in the midst a cloudy shrine,
Dark amid thrones of light.
In the blue glow of hyaline
Golden worlds revolve and shine.
In...flight
From every point of the Infinite,
Like a thousand dawns on a single night
The splendours rise and spread;
And through thunder and darkness dread
Light and music are radiated,
And in their pavilioned chariots led
By living wings high overhead
The giant Powers move,
Gloomy or bright as the thrones they fill...
A chaos of light and motion
Upon that glassy ocean...
The senate of the Gods is met,
Each in his rank and station set;
  There is silence in the spaces
Lo! Satan, Christ, and Mahomet
Start from their places!

Christ.

             Almighty Father!
Low-kneeling at the feet of Destiny. . .
There are two fountains in which spirits weep
When mortals err, Discord and Slavery named,
And with their bitter dew two Destinies
Filled each their irrevocable urns; the third,
Fiercest and mightiest, mingled both, and added
Chaos and Death, and slow Oblivion's lymph,
And hate and terror, and the poisoned rain. . .
The Aurora of the nations. By this brow
Whose pores wept tears of blood, by these wide wounds,
By this imperial crown of agony,
By infamy and solitude and death,
For this I underwent, and by the pain
Of pity for those who would...for me
The unremembered joy of a revenge,
For this I feltby Plato's sacred light,
Of which my spirit was a burning morrow
By Greece and all she cannot cease to be,
Her quenchless words, sparks of immortal truth,
Stars of all nighther harmonies and forms,
Echoes and shadows of what Love adores
In thee, I do compel thee, send forth Fate,
Thy irrevocable child: let her descend,
A seraph-wingd Victory [arrayed]
In tempest of the omnipotence of God
Which sweeps through all things.

From hollow leagues, from Tyranny which arms
Adverse miscreeds and emulous anarchies
To stamp, as on a wingd serpent's seed,
Upon the name of Freedom; from the storm
Of faction, which like earthquake shakes and sickens
The solid heart of enterprise; from all
By which the holiest dreams of highest spirits
Are stars beneath the dawn...

                 She shall arise
Victorious as the world arose from Chaos!
And as the Heavens and the Earth arrayed
Their presence in the beauty and the light
Of Thy first smile, O Father,as they gather
The spirit of Thy love which paves for them
Their path o'er the abyss, till every sphere
Shall be one living Spirit,-- so shall Greece--

Satan.
Be as all things beneath the empyrean,
Mine! Art thou eyeless like old Destiny,
Thou mockery-king, crowned with a wreath of thorns?
Whose sceptre is a reed, the broken reed
Which pierces thee! whose throne a chair of scorn;
For seest thou not beneath this crystal floor
The innumerable worlds of golden light
Which are my empire, and the least of them
...which thou wouldst redeem from me?
Know'st thou not them my portion?
Or wouldst rekindle the...strife
Which our great Father then did arbitrate
Which he assigned to his competing sons
Each his apportioned realm?

               Thou Destiny,
Thou who art mailed in the omnipotence
Of Him who sends thee forth, whate'er thy task,
Speed, spare not to accomplish, and be mine
Thy trophies, whether Greece again become
The fountain in the desert whence the earth
Shall drink of freedom, which shall give it strength
To suffer, or a gulf of hollow death
To swallow all delight, all life, all hope.
Go, thou Vicegerent of my will, no less
Than of the Father's; but lest thou shouldst faint,
The wingd hounds, Famine and Pestilence,
Shall wait on thee, the hundred-forkd snake
Insatiate Superstition still shall...
The earth behind thy steps, and War shall hover
Above, and Fraud shall gape below, and Change
Shall flit before thee on her dragon wings,
Convulsing and consuming, and I add
Three vials of the tears which daemons weep
When virtuous spirits through the gate of Death
Pass triumphing over the thorns of life,
Sceptres and crowns, mitres and swords and snares,
Trampling in scorn, like Him and Socrates.
The first is Anarchy; when Power and Pleasure,
Glory and science and security,
On Freedom hang like fruit on the green tree,
Then pour it forth, and men shall gather ashes.
The second Tyranny--

Christ.
           Obdurate spirit!
Thou seest but the Past in the To-come.
Pride is thy error and thy punishment.
Boast not thine empire, dream not that thy worlds
Are more than furnace-sparks or rainbow-drops
Before the Power that wields and kindles them.
True greatness asks not space, true excellence
Lives in the Spirit of all things that live,
Which lends it to the worlds thou callest thine...

Mahomet.
Haste thou and fill the waning crescent
With beams as keen as those which pierced the shadow
Of Christian night rolled back upon the West,
When the orient moon of Islam rode in triumph
From Tmolus to the Acroceraunian snow...
                       Wake, thou Word
Of God, and from the throne of Destiny
Even to the utmost limit of thy way
May Triumph...........
Be thou a curse on them whose creed
Divides and multiplies the most high God.

HELLAS

DRAMATIS PERSONAE
Mahmud.
Hassan.
Daood.
Ahasuerus, a Jew.
Chorus of Greek Captive Women.
The Phantom of Mahomet II.
Messengers, Slaves, and Attendants.

Scene, Constantinople. Time, Sunset.

Scene--A Terrace on the Seraglio. Mahmud sleeping, an Indian Slave sitting beside his Couch.
Chorus of Greek Captive Women.
We strew these opiate flowers
  On thy restless pillow,
They were stripped from Orient bowers,
  By the Indian billow.
   Be thy sleep
   Calm and deep,
Like theirs who fellnot ours who weep!
Indian.
Away, unlovely dreams!
  Away, false shapes of sleep!
Be his, as Heaven seems,
  Clear, and bright, and deep!
Soft as love, and calm as death,
Sweet as a summer night without a breath.
Chorus.
Sleep, sleep! our song is laden
  With the soul of slumber;
It was sung by a Samian maiden,
  Whose lover was of the number
   Who now keep
   That calm sleep
Whence none may wake, where none shall weep.
Indian.
I touch thy temples pale!
  I breathe my soul on thee!
And could my prayers avail,
  All my joy should be
Dead, and I would live to weep,
So thou mightst win one hour of quiet sleep.
Chorus.
  Breathe low, low
The spell of the mighty mistress now!
When Conscience lulls her sated snake,
And Tyrants sleep, let Freedom wake.
  Breathe lowlow
The words which, like secret fire, shall flow
Through the veins of the frozen earthlow, low!
Semichorus I.
Life may change, but it may fly not;
Hope may vanish, but can die not;
Truth be veiled, but still it burneth;
Love repulsed,but it returneth!
Semichorus II.
Yet were life a charnel where
Hope lay coffined with Despair;
Yet were truth a sacred lie,
Love were lust
Semichorus I.
         If Liberty
Lent not life its soul of light,
Hope its iris of delight,
Truth its prophet's robe to wear,
Love its power to give and bear.
Chorus.
In the great morning of the world,
The Spirit of God with might unfurled
The flag of Freedom over Chaos,
And all its banded anarchs fled,
Like vultures frighted from Imaus,
Before an earthquake's tread.
So from Time's tempestuous dawn
Freedom's splendour burst and shone:
Thermopylae and Marathon
Caught, like mountains beacon-lighted,
The springing Fire.The wingd glory
On Philippi half-alighted,
Like an eagle on a promontory.
Its unwearied wings could fan
The quenchless ashes of Milan.[1]
From age to age, from man to man,
It lived; and lit from land to land
Florence, Albion, Switzerland.
Then night fell; and, as from night,
Reassuming fiery flight,
From the West swift Freedom came,
Against the course of Heaven and doom,
A second sun arrayed in flame,
To burn, to kindle, to illume.
From far Atlantis its young beams
Chased the shadows and the dreams.
France, with all her sanguine steams,
Hid, but quenched it not; again
Through clouds its shafts of glory rain
From utmost Germany to Spain.
As an eagle fed with morning
Scorns the embattled tempest's warning,
When she seeks her aerie hanging
In the mountain-cedar's hair,
And her brood expect the clanging
Of her wings through the wild air,
Sick with famine:Freedom, so
To what of Greece remaineth now
Returns; her hoary ruins glow
Like Orient mountains lost in day;
Beneath the safety of her wings
Her renovated nurslings prey,
And in the naked lightenings
Of truth they purge their dazzled eyes.
Let Freedom leavewhere'er she flies,
A Desert, or a Paradise:
Let the beautiful and the brave
Share her glory, or a grave.
Semichorus I.
With the gifts of gladness
Greece did thy cradle strew;
Semichorus II.
With the tears of sadness
Greece did thy shroud bedew!
Semichorus I.
With an orphan's affection
She followed thy bier through Time;
Semichorus II.
And at thy resurrection
Reappeareth, like thou, sublime!
Semichorus I.
If Heaven should resume thee,
To Heaven shall her spirit ascend;
Semichorus II.
If Hell should entomb thee,
To Hell shall her high hearts bend.
Semichorus I.
If Annihilation
Semichorus II.
Dust let her glories be!
And a name and a nation
Be forgotten, Freedom, with thee!
Indian.
His brow grows darkerbreathe notmove not!
He startshe shuddersye that love not,
With your panting loud and fast,
Have awakened him at last.
Mahmud
(starting from his sleep).
Man the Seraglio-guard! make fast the gate!
What! from a cannonade of three short hours?
'Tis false! that breach towards the Bosphorus
Cannot be practicable yetwho stirs?
Stand to the match; that when the foe prevails
One spark may mix in reconciling ruin
The conqueror and the conquered! Heave the tower
Into the gapwrench off the roof!
(Enter Hassan.)
                  Ha! what!
The truth of day lightens upon my dream
And I am Mahmud still.
Hassan.
            Your Sublime Highness
Is strangely moved.
Mahmud.
          The times do cast strange shadows
On those who watch and who must rule their course,
Lest they, being first in peril as in glory,
Be whelmed in the fierce ebb:and these are of them.
Thrice has a gloomy vision hunted me
As thus from sleep into the troubled day;
It shakes me as the tempest shakes the sea,
Leaving no figure upon memory's glass.
Would thatno matter. Thou didst say thou knewest
A Jew, whose spirit is a chronicle
Of strange and secret and forgotten things.
I bade thee summon him:'tis said his tribe
Dream, and are wise interpreters of dreams.
Hassan.
The Jew of whom I spake is old,so old
He seems to have outlived a world's decay;
The hoary mountains and the wrinkled ocean
Seem younger still than he;his hair and beard
Are whiter than the tempest-sifted snow;
His cold pale limbs and pulseless arteries
Are like the fibres of a cloud instinct
With light, and to the soul that quickens them
Are as the atoms of the mountain-drift
To the winter wind:but from his eye looks forth
A life of unconsumd thought which pierces
The Present, and the Past, and the To-come.
Some say that this is he whom the great prophet
Jesus, the son of Joseph, for his mockery,
Mocked with the curse of immortality.
Some feign that he is Enoch: others dream
He was pre-adamite and has survived
Cycles of generation and of ruin.
The sage, in truth, by dreadful abstinence
And conquering penance of the mutinous flesh,
Deep contemplation, and unwearied study,
In years outstretched beyond the date of man,
May have attained to sovereignty and science
Over those strong and secret things and thoughts
Which others fear and know not.
Mahmud.
                 I would talk
With this old Jew.
Hassan.
          Thy will is even now
Made known to him, where he dwells in a sea-cavern
'Mid the Demonesi, less accessible
Than thou or God! He who would question him
Must sail alone at sunset, where the stream
Of Ocean sleeps around those foamless isles,
When the young moon is westering as now,
And evening airs wander upon the wave;
And when the pines of that bee-pasturing isle,
Green Erebinthus, quench the fiery shadow
Of his gilt prow within the sapphire water,
Then must the lonely helmsman cry aloud
'Ahasuerus!' and the caverns round
Will answer 'Ahasuerus!' If his prayer
Be granted, a faint meteor will arise
Lighting him over Marmora, and a wind
Will rush out of the sighing pine-forest,
And with the wind a storm of harmony
Unutterably sweet, and pilot him
Through the soft twilight to the Bosphorus:
Thence at the hour and place and circumstance
Fit for the matter of their conference
The Jew appears. Few dare, and few who dare
Win the desired communionbut that shout
Bodes
[A shout within.
Mahmud.
    Evil, doubtless; like all human sounds.
Let me converse with spirits.
Hassan.
                That shout again.
                Mahmud.
This Jew whom thou hast summoned
Hassan.
                  Will be here
                  Mahmud.
When the omnipotent hour to which are yoked
He, I, and all things shall compelenough!
Silence those mutineersthat drunken crew,
That crowd about the pilot in the storm.
Ay! strike the foremost shorter by a head!
They weary me, and I have need of rest.
Kings are like starsthey rise and set, they have
The worship of the world, but no repose.
[Exeunt severally.
Chorus[2].
Worlds on worlds are rolling ever
From creation to decay,
Like the bubbles on a river
Sparkling, bursting, borne away.
  But they are still immortal
  Who, through birth's orient portal
And death's dark chasm hurrying to and fro,
  Clothe their unceasing flight
  In the brief dust and light
Gathered around their chariots as they go;
  New shapes they still may weave,
  New gods, new laws receive,
Bright or dim are they as the robes they last
  On Death's bare ribs had cast.
   A power from the unknown God,
  A Promethean conqueror, came;
Like a triumphal path he trod
  The thorns of death and shame.
  A mortal shape to him
  Was like the vapour dim
Which the orient planet animates with light;
  Hell, Sin, and Slavery came,
  Like bloodhounds mild and tame,
Nor preyed, until their Lord had taken flight;
  The moon of Mahomet
  Arose, and it shall set:
While blazoned as on Heaven's immortal noon
The cross leads generations on.
  Swift as the radiant shapes of sleep
  From one whose dreams are Paradise
Fly, when the fond wretch wakes to weep,
  And Day peers forth with her blank eyes;
  So fleet, so faint, so fair,
  The Powers of earth and air
Fled from the folding-star of Bethlehem:
  Apollo, Pan, and Love,
  And even Olympian Jove
Grew weak, for killing Truth had glared on them;
  Our hills and seas and streams,
  Dispeopled of their dreams,
Their watrs turned to blood, their dew to tears,
  Wailed for the golden years.
  Enter Mahmud, Hassan, Daood, and others.
Mahmud.
More gold? our ancestors bought gold with victory,
And shall I sell it for defeat?
Daood.
                 The Janizars
Clamour for pay.
Mahmud.
         Go! bid them pay themselves
With Christian blood! Are there no Grecian virgins
Whose shrieks and spasms and tears they may enjoy?
No infidel children to impale on spears?
No hoary priests after that Patriarch[3]
Who bent the curse against his country's heart,
Which clove his own at last? Go! bid them kill,
Blood is the seed of gold.
Daood.
              It has been sown,
And yet the harvest to the sicklemen
Is as a grain to each.
Mahmud.
            Then, take this signet,
Unlock the seventh chamber in which lie
The treasures of victorious Solyman,
An empire's spoil stored for a day of ruin.
O spirit of my sires! is it not come?
The prey-birds and the wolves are gorged and sleep;
But these, who spread their feast on the red earth,
Hunger for gold, which fills not.See them fed;
Then, lead them to the rivers of fresh death. [Exit Daood.

O miserable dawn, after a night
More glorious than the day which it usurped!
O faith in God! O power on earth! O word
Of the great prophet, whose o'ershadowing wings
Darkened the thrones and idols of the West,
Now bright!For thy sake cursd be the hour,
Even as a father by an evil child,
When the orient moon of Islam rolled in triumph
From Caucasus to White Ceraunia!
Ruin above, and anarchy below;
Terror without, and treachery within;
The Chalice of destruction full, and all
Thirsting to drink; and who among us dares
To dash it from his lips? and where is Hope?
Hassan.
The lamp of our dominion still rides high;
One God is GodMahomet is His prophet.
Four hundred thousand Moslems, from the limits
Of utmost Asia, irresistibly
Throng, like full clouds at the Sirocco's cry;
But not like them to weep their strength in tears:
They bear destroying lightning, and their step
Wakes earthquake to consume and overwhelm,
And reign in ruin. Phrygian Olympus,
Tmolus, and Latmos, and Mycale, roughen
With horrent arms; and lofty ships even now,
Like vapours anchored to a mountain's edge,
Freighted with fire and whirlwind, wait at Scala
The convoy of the ever-veering wind.
Samos is drunk with blood;the Greek has paid
Brief victory with swift loss and long despair.
The false Moldavian serfs fled fast and far,
When the fierce shout of 'Allah-illa-Allah!'
Rose like the war-cry of the northern wind
Which kills the sluggish clouds, and leaves a flock
Of wild swans struggling with the naked storm.
So were the lost Greeks on the Danube's day!
If night is mute, yet the returning sun
Kindles the voices of the morning birds;
Nor at thy bidding less exultingly
Than birds rejoicing in the golden day,
The Anarchies of Africa unleash
Their tempest-wingd cities of the sea,
To speak in thunder to the rebel world.
Like sulphurous clouds, half-shattered by the storm,
They sweep the pale Aegean, while the Queen
Of Ocean, bound upon her island-throne,
Far in the West, sits mourning that her sons
Who frown on Freedom spare a smile for thee:
Russia still hovers, as an eagle might
Within a cloud, near which a kite and crane
Hang tangled in inextricable fight,
To stoop upon the victor;for she fears
The name of Freedom, even as she hates thine.
But recreant Austria loves thee as the Grave
Loves Pestilence, and her slow dogs of war
Fleshed with the chase, come up from Italy,
And howl upon their limits; for they see
The panther, Freedom, fled to her old cover,
Amid seas and mountains, and a mightier brood
Crouch round. What Anarch wears a crown or mitre,
Or bears the sword, or grasps the key of gold,
Whose friends are not thy friends, whose foes thy foes?
Our arsenals and our armouries are full;
Our forts defy assault; ten thousand cannon
Lie ranged upon the beach, and hour by hour
Their earth-convulsing wheels affright the city;
The galloping of fiery steeds makes pale
The Christian merchant; and the yellow Jew
Hides his hoard deeper in the faithless earth.
Like clouds, and like the shadows of the clouds,
Over the hills of Anatolia,
Swift in wide troops the Tartar chivalry
Sweep;the far flashing of their starry lances
Reverberates the dying light of day.
We have one God, one King, one Hope, one Law;
But many-headed Insurrection stands
Divided in itself, and soon must fall.
Mahmud.
Proud words, when deeds come short, are seasonable:
Look, Hassan, on yon crescent moon, emblazoned
Upon that shattered flag of fiery cloud
Which leads the rear of the departing day;
Wan emblem of an empire fading now!
See how it trembles in the blood-red air,
And like a mighty lamp whose oil is spent
Shrinks on the horizon's edge, while, from above,
One star with insolent and victorious light
Hovers above its fall, and with keen beams,
Like arrows through a fainting antelope,
Strikes its weak from to death.
Hassan.
                 Even as that moon
Renews itself
Mahmud.
        Shall we be not renewed!
Far other bark than ours were needed now
To stem the torrent of descending time:
The Spirit that lifts the slave before his lord
Stalks through the capitals of armd kings,
And spreads his ensign in the wilderness:
Exults in chains; and, when the rebel falls,
Cries like the blood of Abel from the dust;
And the inheritors of the earth, like beasts
When earthquake is unleashed, with idiot fear
Cower in their kingly densas I do now.
What were Defeat when Victory must appal?
Or Danger, when Security looks pale?
How said the messengerwho, from the fort
Islanded in the Danube, saw the battle
Of Bucharest?that
Hassan.
           Ibrahim's scimitar
Drew with its gleam swift victory from Heaven,
To burn before him in the night of battle
A light and a destruction.
Mahmud.
              Ay! the day
Was ours: but how?
Hassan.
           The light Wallachians,
The Arnaut, Servian, and Albanian allies
Fled from the glance of our artillery
Almost before the thunderstone alit.
One half the Grecian army made a bridge
Of safe and slow retreat, with Moslem dead;
The other
Mahmud.
      Speaktremble not.
      Hassan.
                 Islanded
By victor myriads, formed in hollow square
With rough and steadfast front, and thrice flung back
The deluge of our foaming cavalry;
Thrice their keen wedge of battle pierced our lines.
Our baffled army trembled like one man
Before a host, and gave them space; but soon,
From the surrounding hills, the batteries blazed,
Kneading them down with fire and iron rain:
Yet none approached; till, like a field of corn
Under the hook of the swart sickleman,
The band, intrenched in mounds of Turkish dead,
Grew weak and few.Then said the Pacha, 'Slaves,
Render yourselvesthey have abandoned you
What hope of refuge, or retreat, or aid?
We grant your lives.' 'Grant that which is thine own!'
Cried one, and fell upon his sword and died!
Another'God, and man, and hope abandon me;
But I to them, and to myself, remain
Constant:'he bowed his head, and his heart burst.
A third exclaimed, 'There is a refuge, tyrant,
Where thou darest not pursue, and canst not harm
Shouldst thou pursue; there we shall meet again.'
Then held his breath, and, after a brief spasm,
The indignant spirit cast its mortal garment
Among the slaindead earth upon the earth!
So these survivors, each by different ways,
Some strange, all sudden, none dishonourable,
Met in triumphant death; and when our army
Closed in, while yet wonder, and awe, and shame
Held back the base hyaenas of the battle
That feed upon the dead and fly the living,
One rose out of the chaos of the slain:
And if it were a corpse which some dread spirit
Of the old saviours of the land we rule
Had lifted in its anger, wandering by;
Or if there burned within the dying man
Unquenchable disdain of death, and faith
Creating what it feigned;I cannot tell
But he cried, 'Phantoms of the free, we come!
Armies of the Eternal, ye who strike
To dust the citadels of sanguine kings,
And shake the souls throned on their stony hearts,
And thaw their frostwork diadems like dew;
O ye who float around this clime, and weave
The garment of the glory which it wears,
Whose fame, though earth betray the dust it clasped,
Lies sepulchred in monumental thought;
Progenitors of all that yet is great,
Ascribe to your bright senate, O accept
In your high ministrations, us, your sons
Us first, and the more glorious yet to come!
And ye, weak conquerors! giants who look pale
When the crushed worm rebels beneath your tread,
The vultures and the dogs, your pensioners tame,
Are overgorged; but, like oppressors, still
They crave the relic of Destruction's feast.
The exhalations and the thirsty winds
Are sick with blood; the dew is foul with death;
Heaven's light is quenched in slaughter: thus, where'er
Upon your camps, cities, or towers, or fleets,
The obscene birds the reeking remnants cast
Of these dead limbs,upon your streams and mountains,
Upon your fields, your gardens, and your housetops,
Where'er the winds shall creep, or the clouds fly,
Or the dews fall, or the angry sun look down
With poisoned lightFamine, and Pestilence,
And Panic, shall wage war upon our side!
Nature from all her boundaries is moved
Against ye: Time has found ye light as foam.
The Earth rebels; and Good and Evil stake
Their empire o'er the unborn world of men
On this one cast;but ere the die be thrown,
The renovated genius of our race,
Proud umpire of the impious game, descends,
A seraph-wingd Victory, bestriding
The tempest of the Omnipotence of God,
Which sweeps all things to their appointed doom,
And you to oblivion!'More he would have said,
But
Mahmud.
   Diedas thou shouldst ere thy lips had painted
Their ruin in the hues of our success.
A rebel's crime, gilt with a rebel's tongue!
Your heart is Greek, Hassan.
Hassan.
               It may be so:
A spirit not my own wrenched me within,
And I have spoken words I fear and hate;
Yet would I die for
Mahmud.
           Live! oh live! outlive
Me and this sinking empire. But the fleet
Hassan.
Alas!
Mahmud.
    The fleet which, like a flock of clouds
Chased by the wind, flies the insurgent banner!
Our wingd castles from their merchant ships!
Our myriads before their weak pirate bands!
Our arms before their chains! our years of empire
Before their centuries of servile fear!
Death is awake! Repulse is on the waters!
They own no more the thunder-bearing banner
Of Mahmud; but, like hounds of a base breed,
Gorge from a stranger's hand, and rend their master.
Hassan.
Latmos, and Ampelos, and Phanae saw
The wreck
Mahmud.
      The caves of the Icarian isles
Told each to the other in loud mockery,
And with the tongue as of a thousand echoes,
First of the sea-convulsing fightand, then,
Thou darest to speaksenseless are the mountains:
Interpret thou their voice!
Hassan.
               My presence bore
A part in that day's shame. The Grecian fleet
Bore down at daybreak from the North, and hung
As multitudinous on the ocean line,
As cranes upon the cloudless Thracian wind.
Our squadron, convoying ten thousand men,
Was stretching towards Nauplia when the battle
Was kindled.
First through the hail of our artillery
The agile Hydriote barks with press of sail
Dashed:ship to ship, cannon to cannon, man
To man were grappled in the embrace of war,
Inextricable but by death or victory.
The tempest of the raging fight convulsed
To its crystlline depths that stainless sea,
And shook Heaven's roof of golden morning clouds,
Poised on an hundred azure mountain-isles.
In the brief trances of the artillery
One cry from the destroyed and the destroyer
Rose, and a cloud of desolation wrapped
The unforeseen event, till the north wind
Sprung from the sea, lifting the heavy veil
Of battle-smokethen victoryvictory!
For, as we thought, three frigates from Algiers
Bore down from Naxos to our aid, but soon
The abhorrd cross glimmered behind, before,
Among, around us; and that fatal sign
Dried with its beams the strength in Moslem hearts,
As the sun drinks the dew.What more? We fled!
Our noonday path over the sanguine foam
Was beaconed,and the glare struck the sun pale,
By our consuming transports: the fierce light
Made all the shadows of our sails blood-red,
And every countenance blank. Some ships lay feeding
The ravening fire, even to the water's level;
Some were blown up; some, settling heavily,
Sunk; and the shrieks of our companions died
Upon the wind, that bore us fast and far,
Even after they were dead. Nine thousand perished!
We met the vultures legioned in the air
Stemming the torrent of the tainted wind;
They, screaming from their cloudy mountain-peaks,
Stooped through the sulphurous battle-smoke and perched
Each on the weltering carcase that we loved,
Like its ill angel or its damnd soul,
Riding upon the bosom of the sea.
We saw the dog-fish hastening to their feast.
Joy waked the voiceless people of the sea,
And ravening Famine left his ocean cave
To dwell with War, with us, and with Despair.
We met night three hours to the west of Patmos,
And with night, tempest
Mahmud.
              Cease!
              Enter a Messenger.
Messenger.
                 Your Sublime Highness,
That Christian hound, the Muscovite Ambassador,
Has left the city.If the rebel fleet
Had anchored in the port, had victory
Crowned the Greek legions in the Hippodrome,
Panic were tamer.Obedience and Mutiny,
Like giants in contention planet-struck,
Stand gazing on each other.There is peace
In Stamboul.
Mahmud.
       Is the grave not calmer still?
Its ruins shall be mine.
Hassan.
             Fear not the Russian:
The tiger leagues not with the stag at bay
Against the hunter.Cunning, base, and cruel,
He crouches, watching till the spoil be won,
And must be paid for his reserve in blood.
After the war is fought, yield the sleek Russian
That which thou canst not keep, his deserved portion
Of blood, which shall not flow through streets and fields,
Rivers and seas, like that which we may win,
But stagnate in the veins of Christian slaves!
Enter second Messenger.
Second Messenger.
Nauplia, Tripolizza, Mothon, Athens,
Navarin, Artas, Monembasia,
Corinth, and Thebes are carried by assault,
And every Islamite who made his dogs
Fat with the flesh of Galilean slaves
Passed at the edge of the sword: the lust of blood,
Which made our warriors drunk, is quenched in death;
But like a fiery plague breaks out anew
In deeds which make the Christian cause look pale
In its own light. The garrison of Patras
Has store but for ten days, nor is there hope
But from the Briton: at once slave and tyrant,
His wishes still are weaker than his fears,
Or he would sell what faith may yet remain
From the oaths broke in Genoa and in Norway;
And if you buy him not, your treasury
Is empty even of promiseshis own coin.
The freedman of a western poet-chief[4]
Holds Attica with seven thousand rebels,
And has beat back the Pacha of Negropont:
The agd Ali sits in Yanina
A crownless metaphor of empire:
His name, that shadow of his withered might,
Holds our besieging army like a spell
In prey to famine, pest, and mutiny;
He, bastioned in his citadel, looks forth
Joyless upon the sapphire lake that mirrors
The ruins of the city where he reigned
Childless and sceptreless. The Greek has reaped
The costly harvest his own blood matured,
Not the sower, Aliwho has bought a truce
From Ypsilanti with ten camel-loads
Of Indian gold.
Enter a third Messenger.
Mahmud.
        What more?
        Third Messenger.
              The Christian tribes
Of Lebanon and the Syrian wilderness
Are in revolt;Damascus, Hems, Aleppo
Tremble;the Arab menaces Medina,
The Aethiop has intrenched himself in Sennaar,
And keeps the Egyptian rebel well employed,
Who denies homage, claims investiture
As price of tardy aid. Persia demands
The cities on the Tigris, and the Georgians
Refuse their living tribute. Crete and Cyprus,
Like mountain-twins that from each other's veins
Catch the volcano-fire and earthquake-spasm,
Shake in the general fever. Through the city,
Like birds before a storm, the Santons shriek,
And prophesyings horrible and new
Are heard among the crowd: that sea of men
Sleeps on the wrecks it made, breathless and still.
A Dervise, learnd in the Koran, preaches
That it is written how the sins of Islam
Must raise up a destroyer even now.
The Greeks expect a Saviour from the West[5],
Who shall not come, men say, in clouds and glory,
But in the omnipresence of that Spirit
In which all live and are. Ominous signs
Are blazoned broadly on the noonday sky:
One saw a red cross stamped upon the sun;
It has rained blood; and monstrous births declare
The secret wrath of Nature and her Lord.
The army encamped upon the Cydaris
Was roused last night by the alarm of battle,
And saw two hosts conflicting in the air,
The shadows doubtless of the unborn time
Cast on the mirror of the night. While yet
The fight hung balanced, there arose a storm
Which swept the phantoms from among the stars.
At the third watch the Spirit of the Plague
Was heard abroad flapping among the tents;
Those who relieved watch found the sentinels dead.
The last news from the camp is, that a thousand
Have sickened, and
Enter a fourth Messenger.
Mahmud.
           And thou, pale ghost, dim shadow
Of some untimely rumour, speak!
Fourth Messenger.
                 One comes
Fainting with toil, covered with foam and blood:
He stood, he says, on Chelonites'
Promontory, which o'erlooks the isles that groan
Under the Briton's frown, and all their waters
Then trembling in the splendour of the moon,
When as the wandering clouds unveiled or hid
Her boundless light, he saw two adverse fleets
Stalk through the night in the horizon's glimmer,
Mingling fierce thunders and sulphureous gleams,
And smoke which strangled every infant wind
That soothed the silver clouds through the deep air.
At length the battle slept, but the Sirocco
Awoke, and drove his flock of thunder-clouds
Over the sea-horizon, blotting out
All objectssave that in the faint moon-glimpse
He saw, or dreamed he saw, the Turkish admiral
And two the loftiest of our ships of war,
With the bright image of that Queen of Heaven,
Who hid, perhaps, her face for grief, reversed;
And the abhorrd cross
Enter an Attendant.
Attendant.
             Your Sublime Highness,
The Jew, who
Mahmud.
       Could not come more seasonably:
Bid him attend. I'll hear no more! too long
We gaze on danger through the mist of fear,
And multiply upon our shattered hopes
The images of ruin. Come what will!
To-morrow and to-morrow are as lamps
Set in our path to light us to the edge
Through rough and smooth, nor can we suffer aught
Which He inflicts not in whose hand we are.
[Exeunt.
Semichorus I.
Would I were the wingd cloud
Of a tempest swift and loud!
  I would scorn
  The smile of morn
And the wave where the moonrise is born!
  I would leave
  The spirits of eve
A shroud for the corpse of the day to weave
From other threads than mine!
Bask in the deep blue noon divine.
   Who would? Not I.
   Semichorus II.
Whither to fly?
Semichorus I.
Where the rocks that gird th'Aegean
Echo to the battle paean
  Of the free
  I would flee
A tempestuous herald of victory!
  My golden rain
  For the Grecian slain
Should mingle in tears with the bloody main,
And my solemn thunder-knell
Should ring to the world the passing-bell
  Of Tyranny!
  Semichorus II.
Ah king! wilt thou chain
The rack and the rain?
Wilt thou fetter the lightning and hurricane?
The storms are free,
  But we
  Chorus.
O Slavery! thou frost of the world's prime,
Killing its flowers and leaving its thorns bare!
Thy touch has stamped these limbs with crime,
These brows thy branding garland bear,
  But the free heart, the impassive soul
   Scorn thy control!
   Semichorus I.
Let there be light! said Liberty,
And like sunrise from the sea,
Athens arose!Around her born,
Shone like mountains in the morn
Glorious states;and are they now
Ashes, wrecks, oblivion?
Semichorus II.
             Go,
Where Thermae and Asopus swallowed
Persia, as the sand does foam;
Deluge upon deluge followed,
Discord, Macedon, and Rome:
And lastly thou!
Semichorus I.
         Temples and towers,
Citadels and marts, and they
Who live and die there, have been ours,
And may be thine, and must decay;
But Greece and her foundations are
Built below the tide of war,
Based on the crystlline sea
Of thought and its eternity;
Her citizens, imperial spirits,
Rule the present from the past,
On all this world of men inherits
Their seal is set.
Semichorus II.
           Hear ye the blast,
Whose Orphic thunder thrilling calls
From ruin her Titanian walls?
Whose spirit shakes the sapless bones
Of Slavery? Argos, Corinth, Crete
Hear, and from their mountain thrones
The daemons and the nymphs repeat
The harmony.
Semichorus I.
      I hear! I hear!
      Semichorus II.
The world's eyeless charioteer,
  Destiny, is hurrying by!
What faith is crushed, what empire bleeds
Beneath her earthquake-footed steeds?
What eagle-wingd victory sits
At her right hand? what shadow flits
Before? what splendour rolls behind?
  Ruin and renovation cry
'Who but We?'
Semichorus I.
       I hear! I hear!
The hiss as of a rushing wind,
The roar as of an ocean foaming,
The thunder as of earthquake coming.
  I hear! I hear!
The crash as of an empire falling,
The shrieks as of a people calling
'Mercy! mercy!'How they thrill!
Then a shout of 'kill! kill! kill!'
And then a small still voice, thus
Semichorus II.
                    For
Revenge and Wrong bring forth their kind,
The foul cubs like their parents are,
Their den is in the guilty mind,
And Conscience feeds them with despair.
Semichorus I.
In sacred Athens, near the fane
Of Wisdom, Pity's altar stood:
Serve not the unknown God in vain,
But pay that broken shrine again,
Love for hate and tears for blood.
Enter Mahmud and Ahasuerus.
Mahmud.
Thou art a man, thou sayest, even as we.
Ahasuerus.
No more!
Mahmud.
    But raised above thy fellow-men
By thought, as I by power.
Ahasuerus.
              Thou sayest so.
              Mahmud.
Thou art an adept in the difficult lore
Of Greek and Frank philosophy; thou numberest
The flowers, and thou measurest the stars;
Thou severest element from element;
Thy spirit is present in the Past, and sees
The birth of this old world through all its cycles
Of desolation and of loveliness,
And when man was not, and how man became
The monarch and the slave of this low sphere,
And all its narrow circlesit is much
I honour thee, and would be what thou art
Were I not what I am; but the unborn hour,
Cradled in fear and hope, conflicting storms,
Who shall unveil? Nor thou, nor I, nor any
Mighty or wise. I apprehended not
What thou hast taught me, but I now perceive
That thou art no interpreter of dreams;
Thou dost not own that art, device, or God,
Can make the Future presentlet it come!
Moreover thou disdainest us and ours;
Thou art as God, whom thou contemplatest.
Ahasuerus.
Disdain thee?not the worm beneath thy feet!
The Fathomless has care for meaner things
Than thou canst dream, and has made pride for those
Who would be what they may not, or would seem
That which they are not. Sultan! talk no more
Of thee and me, the Future and the Past;
But look on that which cannot changethe One,
The unborn and the undying. Earth and ocean,
Space, and the isles of life or light that gem
The sapphire floods of interstellar air,
This firmament pavilioned upon chaos,
With all its cressets of immortal fire,
Whose outwall, bastioned impregnably
Against the escape of boldest thoughts, repels them
As Calpe the Atlantic cloudsthis Whole
Of suns, and worlds, and men, and beasts, and flowers,
With all the silent or tempestuous workings
By which they have been, are, or cease to be,
Is but a vision;all that it inherits
Are motes of a sick eye, bubbles and dreams;
Thought is its cradle and its grave, nor less
The Future and the Past are idle shadows
Of thought's eternal flightthey have no being:
Nought is but that which feels itself to be.
Mahmud.
What meanest thou? Thy words stream like a tempest
Of dazzling mist within my brainthey shake
The earth on which I stand, and hang like night
On Heaven above me. What can they avail?
They cast on all things surest, brightest, best,
Doubt, insecurity, astonishment.
Ahasuerus.
Mistake me not! All is contained in each.
Dodona's forest to an acorn's cup
Is that which has been, or will be, to that
Which isthe absent to the present. Thought
Alone, and its quick elements, Will, Passion,
Reason, Imagination, cannot die;
They are, what that which they regard appears,
The stuff whence mutability can weave
All that it hath dominion o'er, worlds, worms,
Empires, and superstitions. What has thought
To do with time, or place, or circumstance?
Wouldst thou behold the Future?ask and have!
Knock and it shall be openedlook, and lo!
The coming age is shadowed on the Past
As on a glass.
Mahmud.
       Wild, wilder thoughts convulse
My spiritDid not Mahomet the Second
Win Stamboul?
Ahasuerus.
       Thou wouldst ask that giant spirit
The written fortunes of thy house and faith.
Thou wouldst cite one out of the grave to tell
How what was born in blood must die.
Mahmud.
                    Thy words
Have power on me! I see
Ahasuerus.
              What hearest thou?
              Mahmud.
A far whisper
Terrible silence.
Ahasuerus.
         What succeeds?
         Mahmud.
                 The sound
As of the assault of an imperial city[6],
The hiss of inextinguishable fire,
The roar of giant cannon; the earthquaking
Fall of vast bastions and precipitous towers,
The shock of crags shot from strange enginery,
The clash of wheels, and clang of armd hoofs,
And crash of brazen mail as of the wreck
Of adamantine mountainsthe mad blast
Of trumpets, and the neigh of raging steeds,
The shrieks of women whose thrill jars the blood,
And one sweet laugh, most horrible to hear,
As of a joyous infant waked and playing
With its dead mother's breast, and now more loud
The mingled battle-cry,ha! hear I not
'En toutwi nikh!' 'Allah-illa-Allah!'?
Ahasuerus.
The sulphurous mist is raisedthou seest
Mahmud.
                       A chasm,
As of two mountains, in the wall of Stamboul;
And in that ghastly breach the Islamites,
Like giants on the ruins of a world,
Stand in the light of sunrise. In the dust
Glimmers a kingless diadem, and one
Of regal port has cast himself beneath
The stream of war. Another proudly clad
In golden arms spurs a Tartarian barb
Into the gap, and with his iron mace
Directs the torrent of that tide of men,
And seemshe isMahomet!
Ahasuerus.
              What thou seest
Is but the ghost of thy forgotten dream.
A dream itself, yet less, perhaps, than that
Thou call'st reality. Thou mayst behold
How cities, on which Empire sleeps enthroned,
Bow their towered crests to mutability.
Poised by the flood, e'en on the height thou holdest,
Thou mayst now learn how the full tide of power
Ebbs to its depths.Inheritor of glory,
Conceived in darkness, born in blood, and nourished
With tears and toil, thou seest the mortal throes
Of that whose birth was but the same. The Past
Now stands before thee like an Incarnation
Of the To-come; yet wouldst thou commune with
That portion of thyself which was ere thou
Didst start for this brief race whose crown is death,
Dissolve with that strong faith and fervent passion
Which called it from the uncreated deep,
Yon cloud of war, with its tempestuous phantoms
Of raging death; and draw with mighty will
The imperial shade hither.
[Exit Ahasuerus. The Phantom of Mahomet the Second appears.
Mahmud.
              Approach!
              Phantom.
                   I come
Thence whither thou must go! The grave is fitter
To take the living than give up the dead;
Yet has thy faith prevailed, and I am here.
The heavy fragments of the power which fell
When I arose, like shapeless crags and clouds,
Hang round my throne on the abyss, and voices
Of strange lament soothe my supreme repose,
Wailing for glory never to return.
A later Empire nods in its decay:
The autumn of a greener faith is come,
And wolfish change, like winter, howls to strip
The foliage in which Fame, the eagle, built
Her aerie, while Dominion whelped below.
The storm is in its branches, and the frost
Is on its leaves, and the blank deep expects
Oblivion on oblivion, spoil on spoil,
Ruin on ruin:Thou art slow, my son;
The Anarchs of the world of darkness keep
A throne for thee, round which thine empire lies
Boundless and mute; and for thy subjects thou,
Like us, shalt rule the ghosts of murdered life,
The phantoms of the powers who rule thee now
Mutinous passions, and conflicting fears,
And hopes that sate themselves on dust, and die!
Stripped of their mortal strength, as thou of thine.
Islam must fall, but we will reign together
Over its ruins in the world of death:
And if the trunk be dry, yet shall the seed
Unfold itself even in the shape of that
Which gathers birth in its decay. Woe! woe!
To the weak people tangled in the grasp
Of its last spasms.
Mahmud.
          Spirit, woe to all!
Woe to the wronged and the avenger! Woe
To the destroyer, woe to the destroyed!
Woe to the dupe, and woe to the deceiver!
Woe to the oppressed, and woe to the oppressor!
Woe both to those that suffer and inflict;
Those who are born and those who die! but say,
Imperial shadow of the thing I am,
When, how, by whom, Destruction must accomplish
Her consummation!
Phantom.
         Ask the cold pale Hour,
Rich in reversion of impending death,
When he shall fall upon whose ripe gray hairs
Sit Care, and Sorrow, and Infirmity
The weight which Crime, whose wings are plumed with years,
Leaves in his flight from ravaged heart to heart
Over the heads of men, under which burthen
They bow themselves unto the grave: fond wretch!
He leans upon his crutch, and talks of years
To come, and how in hours of youth renewed
He will renew lost joys, and
Voice without.
                Victory! Victory!
                [The Phantom vanishes.
Mahmud.
What sound of the importunate earth has broken
My mighty trance?
Voice without.
         Victory! Victory!
         Mahmud.
Weak lightning before darkness! poor faint smile
Of dying Islam! Voice which art the response
Of hollow weakness! Do I wake and live?
Were there such things, or may the unquiet brain,
Vexed by the wise mad talk of the old Jew,
Have shaped itself these shadows of its fear?
It matters not!for nought we see or dream,
Possess, or lose, or grasp at, can be worth
More than it gives or teaches: Come what may,
The Future must become the Past, and I
As they were to whom once this present hour,
This gloomy crag of time to which I cling,
Seemed an Elysian isle of peace and joy
Never to be attained.I must rebuke
This drunkenness of triumph ere it die,
And dying, bring despair. Victory! poor slaves!
Exit Mahmud.
Voice without.
Shout in the jubilee of death! The Greeks
Are as a brood of lions in the net
Round which the kingly hunters of the earth
Stand smiling. Anarchs, ye whose daily food
Are curses, groans, and gold, the fruit of death,
From Thule to the girdle of the world,
Come, feast! the board groans with the flesh of men;
The cup is foaming with a nation's blood,
Famine and Thirst await! eat, drink, and die!
Semichorus I.
Victorious Wrong, with vulture scream,
Salutes the rising sun, pursues the flying day!
I saw her, ghastly as a tyrant's dream,
Perch on the trembling pyramid of night,
Beneath which earth and all her realms pavilioned lay
In visions of the dawning undelight.
  Who shall impede her flight?
  Who rob her of her prey?
  Voice without.
Victory! Victory! Russia's famished eagles
Dare not to prey beneath the crescent's light.
Impale the remnant of the Greeks! despoil!
Violate! make their flesh cheaper than dust!
Semichorus II.
Thou voice which art
The herald of the ill in splendour hid!
Thou echo of the hollow heart
Of monarchy, bear me to thine abode
When desolation flashes o'er a world destroyed:
Oh, bear me to those isles of jaggd cloud
Which float like mountains on the earthquake, mid
The momentary oceans of the lightning,
Or to some toppling promontory proud
Of solid tempest whose black pyramid,
Riven, overhangs the founts intensely bright'ning
Of those dawn-tinted deluges of fire
Before their waves expire,
When heaven and earth are light, and only light
  In the thunder-night!
  Voice without.
Victory! Victory! Austria, Russia, England,
And that tame serpent, that poor shadow, France,
Cry peace, and that means death when monarchs speak.
Ho, there! bring torches, sharpen those red stakes,
These chains are light, fitter for slaves and poisoners
Than Greeks. Kill! plunder! burn! let none remain.
Semichorus I.
   Alas! for Liberty!
If numbers, wealth, or unfulfilling years,
Or fate, can quell the free!
   Alas! for Virtue, when
Torments, or contumely, or the sneers
   Of erring judging men
  Can break the heart where it abides.
Alas! if Love, whose smile makes this obscure world splendid,
  Can change with its false times and tides,
   Like hope and terror,
    Alas for Love!
And Truth, who wanderest lone and unbefriended,
If thou canst veil thy lie-consuming mirror
Before the dazzled eyes of Error,
Alas for thee! Image of the Above.
Semichorus II.
  Repulse, with plumes from conquest torn,
Led the ten thousand from the limits of the morn
  Through many an hostile Anarchy!
At length they wept aloud, and cried, 'The Sea! the Sea!'
  Through exile, persecution, and despair,
   Rome was, and young Atlantis shall become
   The wonder, or the terror, or the tomb
Of all whose step wakes Power lulled in her savage lair:
But Greece was as a hermit-child,
  Whose fairest thoughts and limbs were built
To woman's growth, by dreams so mild,
  She knew not pain or guilt;
And now, O Victory, blush! and Empire, tremble
   When ye desert the free
   If Greece must be
A wreck, yet shall its fragments reassemble,
And build themselves again impregnably
   In a diviner clime,
To Amphionic music on some Cape sublime,
Which frowns above the idle foam of Time.
Semichorus I.
Let the tyrants rule the desert they have made;
Let the free possess the Paradise they claim;
Be the fortune of our fierce oppressors weighed
With our ruin, our resistance, and our name!
Semichorus II.
Our dead shall be the seed of their decay,
Our survivors be the shadow of their pride,
Our adversity a dream to pass away
Their dishonour a remembrance to abide!
Voice without.
Victory! Victory! The bought Briton sends
The keys of ocean to the Islamite.
Now shall the blazon of the cross be veiled,
And British skill directing Othman might,
Thunder-strike rebel victory. Oh, keep holy
This jubilee of unrevengd blood!
Kill! crush! despoil! Let not a Greek escape!
Semichorus I.
Darkness has dawned in the East
On the noon of time:
The death-birds descend to their feast
From the hungry clime.
Let Freedom and Peace flee far
To a sunnier strand,
And follow Love's folding-star
To the Evening land!
Semichorus II.
    The young moon has fed
     Her exhausted horn
      With the sunset's fire:
    The weak day is dead,
     But the night is not born;
And, like loveliness panting with wild desire
While it trembles with fear and delight,
Hesperus flies from awakening night,
And pants in its beauty and speed with light
Fast-flashing, soft, and bright.
Thou beacon of love! thou lamp of the free!
   Guide us far, far away,
To climes where now veiled by the ardour of day
    Thou art hidden
  From waves on which weary Noon
  Faints in her summer swoon,
  Between kingless continents sinless as Eden,
  Around mountains and islands inviolably
    Pranked on the sapphire sea.
    Semichorus I.
Through the sunset of hope,
Like the shapes of a dream,
What Paradise islands of glory gleam!
  Beneath Heaven's cope,
Their shadows more clear float by
The sound of their oceans, the light of their sky,
The music and fragrance their solitudes breathe
Burst, like morning on dream, or like Heaven on death,
  Through the walls of our prison;
And Greece, which was dead, is arisen!
Chorus[7].
The world's great age begins anew,
The golden years return,
The earth doth like a snake renew
Her winter weeds outworn:
Heaven smiles, and faiths and empires gleam,
Like wrecks of a dissolving dream.
A brighter Hellas rears its mountains
From waves serener far;
A new Peneus rolls his fountains
Against the morning star.
Where fairer Tempes bloom, there sleep
Young Cyclads on a sunnier deep.
A loftier Argo cleaves the main,
Fraught with a later prize;
Another Orpheus sings again,
And loves, and weeps, and dies.
A new Ulysses leaves once more
Calypso for his native shore.
Oh, write no more the tale of Troy,
If earth Death's scroll must be!
Nor mix with Laian rage the joy
Which dawns upon the free:
Although a subtler Sphinx renew
Riddles of death Thebes never knew.
Another Athens shall arise,
And to remoter time
Bequeath, like sunset to the skies,
The splendour of its prime;
And leave, if nought so bright may live,
All earth can take or Heaven can give.
Saturn and Love their long repose
Shall burst[8], more bright and good
Than all who fell, than One who rose,
Than many unsubdued:
Not gold, not blood, their altar dowers,
But votive tears and symbol flowers.
Oh, cease! must hate and death return?
Cease! must men kill and die?
Cease! drain not to its dregs the urn
Of bitter prophecy.
The world is weary of the past,
Oh, might it die or rest at last!
Hellas was composed at Pisa in the autumn of 1821, and dispatched to London, November 11. It was published, with the author's name, by C. & J. Ollier in the spring of 1822. A transcript of the poem by Edward Williams is in the Rowfant Library.

Note by Mrs. Shelley: 'Hellas was among the last of his compositions, and is among the most beautiful. The choruses are singularly imaginative, and melodious in their versification. There are some stanzas that beautifully exemplify Shelley's peculiar style; as, for instance, the assertion of the intellectual empire which must be for ever the inheritance of the country of Homer, Sophocles, and Plato:--
''But Greece and her foundations are
Built below the tide of war,
Based on the crystalline sea
Of thought and its eternity.'''
~ Percy Bysshe Shelley, Hellas - A Lyrical Drama
,
522:Lancelot And Elaine
Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.
How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.
For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
290
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
Had trodden that crowned skeleton, and the skull
Brake from the nape, and from the skull the crown
Rolled into light, and turning on its rims
Fled like a glittering rivulet to the tarn:
And down the shingly scaur he plunged, and caught,
And set it on his head, and in his heart
Heard murmurs, 'Lo, thou likewise shalt be King.'
Thereafter, when a King, he had the gems
Plucked from the crown, and showed them to his knights,
Saying, 'These jewels, whereupon I chanced
Divinely, are the kingdom's, not the King's-For public use: henceforward let there be,
Once every year, a joust for one of these:
For so by nine years' proof we needs must learn
Which is our mightiest, and ourselves shall grow
In use of arms and manhood, till we drive
The heathen, who, some say, shall rule the land
Hereafter, which God hinder.' Thus he spoke:
And eight years past, eight jousts had been, and still
Had Lancelot won the diamond of the year,
With purpose to present them to the Queen,
When all were won; but meaning all at once
To snare her royal fancy with a boon
Worth half her realm, had never spoken word.
Now for the central diamond and the last
And largest, Arthur, holding then his court
Hard on the river nigh the place which now
Is this world's hugest, let proclaim a joust
At Camelot, and when the time drew nigh
291
Spake (for she had been sick) to Guinevere,
'Are you so sick, my Queen, you cannot move
To these fair jousts?' 'Yea, lord,' she said, 'ye know it.'
'Then will ye miss,' he answered, 'the great deeds
Of Lancelot, and his prowess in the lists,
A sight ye love to look on.' And the Queen
Lifted her eyes, and they dwelt languidly
On Lancelot, where he stood beside the King.
He thinking that he read her meaning there,
'Stay with me, I am sick; my love is more
Than many diamonds,' yielded; and a heart
Love-loyal to the least wish of the Queen
(However much he yearned to make complete
The tale of diamonds for his destined boon)
Urged him to speak against the truth, and say,
'Sir King, mine ancient wound is hardly whole,
And lets me from the saddle;' and the King
Glanced first at him, then her, and went his way.
No sooner gone than suddenly she began:
'To blame, my lord Sir Lancelot, much to blame!
Why go ye not to these fair jousts? the knights
Are half of them our enemies, and the crowd
Will murmur, "Lo the shameless ones, who take
Their pastime now the trustful King is gone!"'
Then Lancelot vext at having lied in vain:
'Are ye so wise? ye were not once so wise,
My Queen, that summer, when ye loved me first.
Then of the crowd ye took no more account
Than of the myriad cricket of the mead,
When its own voice clings to each blade of grass,
And every voice is nothing. As to knights,
Them surely can I silence with all ease.
But now my loyal worship is allowed
Of all men: many a bard, without offence,
Has linked our names together in his lay,
Lancelot, the flower of bravery, Guinevere,
The pearl of beauty: and our knights at feast
Have pledged us in this union, while the King
Would listen smiling. How then? is there more?
Has Arthur spoken aught? or would yourself,
Now weary of my service and devoir,
292
Henceforth be truer to your faultless lord?'
She broke into a little scornful laugh:
'Arthur, my lord, Arthur, the faultless King,
That passionate perfection, my good lord-But who can gaze upon the Sun in heaven?
He never spake word of reproach to me,
He never had a glimpse of mine untruth,
He cares not for me: only here today
There gleamed a vague suspicion in his eyes:
Some meddling rogue has tampered with him--else
Rapt in this fancy of his Table Round,
And swearing men to vows impossible,
To make them like himself: but, friend, to me
He is all fault who hath no fault at all:
For who loves me must have a touch of earth;
The low sun makes the colour: I am yours,
Not Arthur's, as ye know, save by the bond.
And therefore hear my words: go to the jousts:
The tiny-trumpeting gnat can break our dream
When sweetest; and the vermin voices here
May buzz so loud--we scorn them, but they sting.'
Then answered Lancelot, the chief of knights:
'And with what face, after my pretext made,
Shall I appear, O Queen, at Camelot, I
Before a King who honours his own word,
As if it were his God's?'
'Yea,' said the Queen,
'A moral child without the craft to rule,
Else had he not lost me: but listen to me,
If I must find you wit: we hear it said
That men go down before your spear at a touch,
But knowing you are Lancelot; your great name,
This conquers: hide it therefore; go unknown:
Win! by this kiss you will: and our true King
Will then allow your pretext, O my knight,
As all for glory; for to speak him true,
Ye know right well, how meek soe'er he seem,
No keener hunter after glory breathes.
He loves it in his knights more than himself:
293
They prove to him his work: win and return.'
Then got Sir Lancelot suddenly to horse,
Wroth at himself. Not willing to be known,
He left the barren-beaten thoroughfare,
Chose the green path that showed the rarer foot,
And there among the solitary downs,
Full often lost in fancy, lost his way;
Till as he traced a faintly-shadowed track,
That all in loops and links among the dales
Ran to the Castle of Astolat, he saw
Fired from the west, far on a hill, the towers.
Thither he made, and blew the gateway horn.
Then came an old, dumb, myriad-wrinkled man,
Who let him into lodging and disarmed.
And Lancelot marvelled at the wordless man;
And issuing found the Lord of Astolat
With two strong sons, Sir Torre and Sir Lavaine,
Moving to meet him in the castle court;
And close behind them stept the lily maid
Elaine, his daughter: mother of the house
There was not: some light jest among them rose
With laughter dying down as the great knight
Approached them: then the Lord of Astolat:
'Whence comes thou, my guest, and by what name
Livest thou between the lips? for by thy state
And presence I might guess thee chief of those,
After the King, who eat in Arthur's halls.
Him have I seen: the rest, his Table Round,
Known as they are, to me they are unknown.'
Then answered Sir Lancelot, the chief of knights:
'Known am I, and of Arthur's hall, and known,
What I by mere mischance have brought, my shield.
But since I go to joust as one unknown
At Camelot for the diamond, ask me not,
Hereafter ye shall know me--and the shield-I pray you lend me one, if such you have,
Blank, or at least with some device not mine.'
Then said the Lord of Astolat, 'Here is Torre's:
Hurt in his first tilt was my son, Sir Torre.
294
And so, God wot, his shield is blank enough.
His ye can have.' Then added plain Sir Torre,
'Yea, since I cannot use it, ye may have it.'
Here laughed the father saying, 'Fie, Sir Churl,
Is that answer for a noble knight?
Allow him! but Lavaine, my younger here,
He is so full of lustihood, he will ride,
Joust for it, and win, and bring it in an hour,
And set it in this damsel's golden hair,
To make her thrice as wilful as before.'
'Nay, father, nay good father, shame me not
Before this noble knight,' said young Lavaine,
'For nothing. Surely I but played on Torre:
He seemed so sullen, vext he could not go:
A jest, no more! for, knight, the maiden dreamt
That some one put this diamond in her hand,
And that it was too slippery to be held,
And slipt and fell into some pool or stream,
The castle-well, belike; and then I said
That IF I went and IF I fought and won it
(But all was jest and joke among ourselves)
Then must she keep it safelier. All was jest.
But, father, give me leave, an if he will,
To ride to Camelot with this noble knight:
Win shall I not, but do my best to win:
Young as I am, yet would I do my best.'
'So will ye grace me,' answered Lancelot,
Smiling a moment, 'with your fellowship
O'er these waste downs whereon I lost myself,
Then were I glad of you as guide and friend:
And you shall win this diamond,--as I hear
It is a fair large diamond,--if ye may,
And yield it to this maiden, if ye will.'
'A fair large diamond,' added plain Sir Torre,
'Such be for queens, and not for simple maids.'
Then she, who held her eyes upon the ground,
Elaine, and heard her name so tost about,
Flushed slightly at the slight disparagement
Before the stranger knight, who, looking at her,
Full courtly, yet not falsely, thus returned:
295
'If what is fair be but for what is fair,
And only queens are to be counted so,
Rash were my judgment then, who deem this maid
Might wear as fair a jewel as is on earth,
Not violating the bond of like to like.'
He spoke and ceased: the lily maid Elaine,
Won by the mellow voice before she looked,
Lifted her eyes, and read his lineaments.
The great and guilty love he bare the Queen,
In battle with the love he bare his lord,
Had marred his face, and marked it ere his time.
Another sinning on such heights with one,
The flower of all the west and all the world,
Had been the sleeker for it: but in him
His mood was often like a fiend, and rose
And drove him into wastes and solitudes
For agony, who was yet a living soul.
Marred as he was, he seemed the goodliest man
That ever among ladies ate in hall,
And noblest, when she lifted up her eyes.
However marred, of more than twice her years,
Seamed with an ancient swordcut on the cheek,
And bruised and bronzed, she lifted up her eyes
And loved him, with that love which was her doom.
Then the great knight, the darling of the court,
Loved of the loveliest, into that rude hall
Stept with all grace, and not with half disdain
Hid under grace, as in a smaller time,
But kindly man moving among his kind:
Whom they with meats and vintage of their best
And talk and minstrel melody entertained.
And much they asked of court and Table Round,
And ever well and readily answered he:
But Lancelot, when they glanced at Guinevere,
Suddenly speaking of the wordless man,
Heard from the Baron that, ten years before,
The heathen caught and reft him of his tongue.
'He learnt and warned me of their fierce design
Against my house, and him they caught and maimed;
But I, my sons, and little daughter fled
296
From bonds or death, and dwelt among the woods
By the great river in a boatman's hut.
Dull days were those, till our good Arthur broke
The Pagan yet once more on Badon hill.'
'O there, great lord, doubtless,' Lavaine said, rapt
By all the sweet and sudden passion of youth
Toward greatness in its elder, 'you have fought.
O tell us--for we live apart--you know
Of Arthur's glorious wars.' And Lancelot spoke
And answered him at full, as having been
With Arthur in the fight which all day long
Rang by the white mouth of the violent Glem;
And in the four loud battles by the shore
Of Duglas; that on Bassa; then the war
That thundered in and out the gloomy skirts
Of Celidon the forest; and again
By castle Gurnion, where the glorious King
Had on his cuirass worn our Lady's Head,
Carved of one emerald centered in a sun
Of silver rays, that lightened as he breathed;
And at Caerleon had he helped his lord,
When the strong neighings of the wild white Horse
Set every gilded parapet shuddering;
And up in Agned-Cathregonion too,
And down the waste sand-shores of Trath Treroit,
Where many a heathen fell; 'and on the mount
Of Badon I myself beheld the King
Charge at the head of all his Table Round,
And all his legions crying Christ and him,
And break them; and I saw him, after, stand
High on a heap of slain, from spur to plume
Red as the rising sun with heathen blood,
And seeing me, with a great voice he cried,
"They are broken, they are broken!" for the King,
However mild he seems at home, nor cares
For triumph in our mimic wars, the jousts-For if his own knight cast him down, he laughs
Saying, his knights are better men than he-Yet in this heathen war the fire of God
Fills him: I never saw his like: there lives
No greater leader.'
297
While he uttered this,
Low to her own heart said the lily maid,
'Save your own great self, fair lord;' and when he fell
From talk of war to traits of pleasantry-Being mirthful he, but in a stately kind-She still took note that when the living smile
Died from his lips, across him came a cloud
Of melancholy severe, from which again,
Whenever in her hovering to and fro
The lily maid had striven to make him cheer,
There brake a sudden-beaming tenderness
Of manners and of nature: and she thought
That all was nature, all, perchance, for her.
And all night long his face before her lived,
As when a painter, poring on a face,
Divinely through all hindrance finds the man
Behind it, and so paints him that his face,
The shape and colour of a mind and life,
Lives for his children, ever at its best
And fullest; so the face before her lived,
Dark-splendid, speaking in the silence, full
Of noble things, and held her from her sleep.
Till rathe she rose, half-cheated in the thought
She needs must bid farewell to sweet Lavaine.
First in fear, step after step, she stole
Down the long tower-stairs, hesitating:
Anon, she heard Sir Lancelot cry in the court,
'This shield, my friend, where is it?' and Lavaine
Past inward, as she came from out the tower.
There to his proud horse Lancelot turned, and smoothed
The glossy shoulder, humming to himself.
Half-envious of the flattering hand, she drew
Nearer and stood. He looked, and more amazed
Than if seven men had set upon him, saw
The maiden standing in the dewy light.
He had not dreamed she was so beautiful.
Then came on him a sort of sacred fear,
For silent, though he greeted her, she stood
Rapt on his face as if it were a God's.
Suddenly flashed on her a wild desire,
That he should wear her favour at the tilt.
298
She braved a riotous heart in asking for it.
'Fair lord, whose name I know not--noble it is,
I well believe, the noblest--will you wear
My favour at this tourney?' 'Nay,' said he,
'Fair lady, since I never yet have worn
Favour of any lady in the lists.
Such is my wont, as those, who know me, know.'
'Yea, so,' she answered; 'then in wearing mine
Needs must be lesser likelihood, noble lord,
That those who know should know you.' And he turned
Her counsel up and down within his mind,
And found it true, and answered, 'True, my child.
Well, I will wear it: fetch it out to me:
What is it?' and she told him 'A red sleeve
Broidered with pearls,' and brought it: then he bound
Her token on his helmet, with a smile
Saying, 'I never yet have done so much
For any maiden living,' and the blood
Sprang to her face and filled her with delight;
But left her all the paler, when Lavaine
Returning brought the yet-unblazoned shield,
His brother's; which he gave to Lancelot,
Who parted with his own to fair Elaine:
'Do me this grace, my child, to have my shield
In keeping till I come.' 'A grace to me,'
She answered, 'twice today. I am your squire!'
Whereat Lavaine said, laughing, 'Lily maid,
For fear our people call you lily maid
In earnest, let me bring your colour back;
Once, twice, and thrice: now get you hence to bed:'
So kissed her, and Sir Lancelot his own hand,
And thus they moved away: she stayed a minute,
Then made a sudden step to the gate, and there-Her bright hair blown about the serious face
Yet rosy-kindled with her brother's kiss-Paused by the gateway, standing near the shield
In silence, while she watched their arms far-off
Sparkle, until they dipt below the downs.
Then to her tower she climbed, and took the shield,
There kept it, and so lived in fantasy.
Meanwhile the new companions past away
299
Far o'er the long backs of the bushless downs,
To where Sir Lancelot knew there lived a knight
Not far from Camelot, now for forty years
A hermit, who had prayed, laboured and prayed,
And ever labouring had scooped himself
In the white rock a chapel and a hall
On massive columns, like a shorecliff cave,
And cells and chambers: all were fair and dry;
The green light from the meadows underneath
Struck up and lived along the milky roofs;
And in the meadows tremulous aspen-trees
And poplars made a noise of falling showers.
And thither wending there that night they bode.
But when the next day broke from underground,
And shot red fire and shadows through the cave,
They rose, heard mass, broke fast, and rode away:
Then Lancelot saying, 'Hear, but hold my name
Hidden, you ride with Lancelot of the Lake,'
Abashed young Lavaine, whose instant reverence,
Dearer to true young hearts than their own praise,
But left him leave to stammer, 'Is it indeed?'
And after muttering 'The great Lancelot,
At last he got his breath and answered, 'One,
One have I seen--that other, our liege lord,
The dread Pendragon, Britain's King of kings,
Of whom the people talk mysteriously,
He will be there--then were I stricken blind
That minute, I might say that I had seen.'
So spake Lavaine, and when they reached the lists
By Camelot in the meadow, let his eyes
Run through the peopled gallery which half round
Lay like a rainbow fallen upon the grass,
Until they found the clear-faced King, who sat
Robed in red samite, easily to be known,
Since to his crown the golden dragon clung,
And down his robe the dragon writhed in gold,
And from the carven-work behind him crept
Two dragons gilded, sloping down to make
Arms for his chair, while all the rest of them
Through knots and loops and folds innumerable
300
Fled ever through the woodwork, till they found
The new design wherein they lost themselves,
Yet with all ease, so tender was the work:
And, in the costly canopy o'er him set,
Blazed the last diamond of the nameless king.
Then Lancelot answered young Lavaine and said,
'Me you call great: mine is the firmer seat,
The truer lance: but there is many a youth
Now crescent, who will come to all I am
And overcome it; and in me there dwells
No greatness, save it be some far-off touch
Of greatness to know well I am not great:
There is the man.' And Lavaine gaped upon him
As on a thing miraculous, and anon
The trumpets blew; and then did either side,
They that assailed, and they that held the lists,
Set lance in rest, strike spur, suddenly move,
Meet in the midst, and there so furiously
Shock, that a man far-off might well perceive,
If any man that day were left afield,
The hard earth shake, and a low thunder of arms.
And Lancelot bode a little, till he saw
Which were the weaker; then he hurled into it
Against the stronger: little need to speak
Of Lancelot in his glory! King, duke, earl,
Count, baron--whom he smote, he overthrew.
But in the field were Lancelot's kith and kin,
Ranged with the Table Round that held the lists,
Strong men, and wrathful that a stranger knight
Should do and almost overdo the deeds
Of Lancelot; and one said to the other, 'Lo!
What is he? I do not mean the force alone-The grace and versatility of the man!
Is it not Lancelot?' 'When has Lancelot worn
Favour of any lady in the lists?
Not such his wont, as we, that know him, know.'
'How then? who then?' a fury seized them all,
A fiery family passion for the name
Of Lancelot, and a glory one with theirs.
They couched their spears and pricked their steeds, and thus,
301
Their plumes driven backward by the wind they made
In moving, all together down upon him
Bare, as a wild wave in the wide North-sea,
Green-glimmering toward the summit, bears, with all
Its stormy crests that smoke against the skies,
Down on a bark, and overbears the bark,
And him that helms it, so they overbore
Sir Lancelot and his charger, and a spear
Down-glancing lamed the charger, and a spear
Pricked sharply his own cuirass, and the head
Pierced through his side, and there snapt, and remained.
Then Sir Lavaine did well and worshipfully;
He bore a knight of old repute to the earth,
And brought his horse to Lancelot where he lay.
He up the side, sweating with agony, got,
But thought to do while he might yet endure,
And being lustily holpen by the rest,
His party,--though it seemed half-miracle
To those he fought with,--drave his kith and kin,
And all the Table Round that held the lists,
Back to the barrier; then the trumpets blew
Proclaiming his the prize, who wore the sleeve
Of scarlet, and the pearls; and all the knights,
His party, cried 'Advance and take thy prize
The diamond;' but he answered, 'Diamond me
No diamonds! for God's love, a little air!
Prize me no prizes, for my prize is death!
Hence will I, and I charge you, follow me not.'
He spoke, and vanished suddenly from the field
With young Lavaine into the poplar grove.
There from his charger down he slid, and sat,
Gasping to Sir Lavaine, 'Draw the lance-head:'
'Ah my sweet lord Sir Lancelot,' said Lavaine,
'I dread me, if I draw it, you will die.'
But he, 'I die already with it: draw-Draw,'--and Lavaine drew, and Sir Lancelot gave
A marvellous great shriek and ghastly groan,
And half his blood burst forth, and down he sank
For the pure pain, and wholly swooned away.
Then came the hermit out and bare him in,
302
There stanched his wound; and there, in daily doubt
Whether to live or die, for many a week
Hid from the wide world's rumour by the grove
Of poplars with their noise of falling showers,
And ever-tremulous aspen-trees, he lay.
But on that day when Lancelot fled the lists,
His party, knights of utmost North and West,
Lords of waste marches, kings of desolate isles,
Came round their great Pendragon, saying to him,
'Lo, Sire, our knight, through whom we won the day,
Hath gone sore wounded, and hath left his prize
Untaken, crying that his prize is death.'
'Heaven hinder,' said the King, 'that such an one,
So great a knight as we have seen today-He seemed to me another Lancelot-Yea, twenty times I thought him Lancelot-He must not pass uncared for. Wherefore, rise,
O Gawain, and ride forth and find the knight.
Wounded and wearied needs must he be near.
I charge you that you get at once to horse.
And, knights and kings, there breathes not one of you
Will deem this prize of ours is rashly given:
His prowess was too wondrous. We will do him
No customary honour: since the knight
Came not to us, of us to claim the prize,
Ourselves will send it after. Rise and take
This diamond, and deliver it, and return,
And bring us where he is, and how he fares,
And cease not from your quest until ye find.'
So saying, from the carven flower above,
To which it made a restless heart, he took,
And gave, the diamond: then from where he sat
At Arthur's right, with smiling face arose,
With smiling face and frowning heart, a Prince
In the mid might and flourish of his May,
Gawain, surnamed The Courteous, fair and strong,
And after Lancelot, Tristram, and Geraint
And Gareth, a good knight, but therewithal
Sir Modred's brother, and the child of Lot,
Nor often loyal to his word, and now
303
Wroth that the King's command to sally forth
In quest of whom he knew not, made him leave
The banquet, and concourse of knights and kings.
So all in wrath he got to horse and went;
While Arthur to the banquet, dark in mood,
Past, thinking 'Is it Lancelot who hath come
Despite the wound he spake of, all for gain
Of glory, and hath added wound to wound,
And ridden away to die?' So feared the King,
And, after two days' tarriance there, returned.
Then when he saw the Queen, embracing asked,
'Love, are you yet so sick?' 'Nay, lord,' she said.
'And where is Lancelot?' Then the Queen amazed,
'Was he not with you? won he not your prize?'
'Nay, but one like him.' 'Why that like was he.'
And when the King demanded how she knew,
Said, 'Lord, no sooner had ye parted from us,
Than Lancelot told me of a common talk
That men went down before his spear at a touch,
But knowing he was Lancelot; his great name
Conquered; and therefore would he hide his name
From all men, even the King, and to this end
Had made a pretext of a hindering wound,
That he might joust unknown of all, and learn
If his old prowess were in aught decayed;
And added, "Our true Arthur, when he learns,
Will well allow me pretext, as for gain
Of purer glory."'
Then replied the King:
'Far lovelier in our Lancelot had it been,
In lieu of idly dallying with the truth,
To have trusted me as he hath trusted thee.
Surely his King and most familiar friend
Might well have kept his secret. True, indeed,
Albeit I know my knights fantastical,
So fine a fear in our large Lancelot
Must needs have moved my laughter: now remains
But little cause for laughter: his own kin-Ill news, my Queen, for all who love him, this!-His kith and kin, not knowing, set upon him;
304
So that he went sore wounded from the field:
Yet good news too: for goodly hopes are mine
That Lancelot is no more a lonely heart.
He wore, against his wont, upon his helm
A sleeve of scarlet, broidered with great pearls,
Some gentle maiden's gift.'
'Yea, lord,' she said,
'Thy hopes are mine,' and saying that, she choked,
And sharply turned about to hide her face,
Past to her chamber, and there flung herself
Down on the great King's couch, and writhed upon it,
And clenched her fingers till they bit the palm,
And shrieked out 'Traitor' to the unhearing wall,
Then flashed into wild tears, and rose again,
And moved about her palace, proud and pale.
Gawain the while through all the region round
Rode with his diamond, wearied of the quest,
Touched at all points, except the poplar grove,
And came at last, though late, to Astolat:
Whom glittering in enamelled arms the maid
Glanced at, and cried, 'What news from Camelot, lord?
What of the knight with the red sleeve?' 'He won.'
'I knew it,' she said. 'But parted from the jousts
Hurt in the side,' whereat she caught her breath;
Through her own side she felt the sharp lance go;
Thereon she smote her hand: wellnigh she swooned:
And, while he gazed wonderingly at her, came
The Lord of Astolat out, to whom the Prince
Reported who he was, and on what quest
Sent, that he bore the prize and could not find
The victor, but had ridden a random round
To seek him, and had wearied of the search.
To whom the Lord of Astolat, 'Bide with us,
And ride no more at random, noble Prince!
Here was the knight, and here he left a shield;
This will he send or come for: furthermore
Our son is with him; we shall hear anon,
Needs must hear.' To this the courteous Prince
Accorded with his wonted courtesy,
Courtesy with a touch of traitor in it,
305
And stayed; and cast his eyes on fair Elaine:
Where could be found face daintier? then her shape
From forehead down to foot, perfect--again
From foot to forehead exquisitely turned:
'Well--if I bide, lo! this wild flower for me!'
And oft they met among the garden yews,
And there he set himself to play upon her
With sallying wit, free flashes from a height
Above her, graces of the court, and songs,
Sighs, and slow smiles, and golden eloquence
And amorous adulation, till the maid
Rebelled against it, saying to him, 'Prince,
O loyal nephew of our noble King,
Why ask you not to see the shield he left,
Whence you might learn his name? Why slight your King,
And lose the quest he sent you on, and prove
No surer than our falcon yesterday,
Who lost the hern we slipt her at, and went
To all the winds?' 'Nay, by mine head,' said he,
'I lose it, as we lose the lark in heaven,
O damsel, in the light of your blue eyes;
But an ye will it let me see the shield.'
And when the shield was brought, and Gawain saw
Sir Lancelot's azure lions, crowned with gold,
Ramp in the field, he smote his thigh, and mocked:
'Right was the King! our Lancelot! that true man!'
'And right was I,' she answered merrily, 'I,
Who dreamed my knight the greatest knight of all.'
'And if I dreamed,' said Gawain, 'that you love
This greatest knight, your pardon! lo, ye know it!
Speak therefore: shall I waste myself in vain?'
Full simple was her answer, 'What know I?
My brethren have been all my fellowship;
And I, when often they have talked of love,
Wished it had been my mother, for they talked,
Meseemed, of what they knew not; so myself-I know not if I know what true love is,
But if I know, then, if I love not him,
I know there is none other I can love.'
'Yea, by God's death,' said he, 'ye love him well,
But would not, knew ye what all others know,
And whom he loves.' 'So be it,' cried Elaine,
306
And lifted her fair face and moved away:
But he pursued her, calling, 'Stay a little!
One golden minute's grace! he wore your sleeve:
Would he break faith with one I may not name?
Must our true man change like a leaf at last?
Nay--like enow: why then, far be it from me
To cross our mighty Lancelot in his loves!
And, damsel, for I deem you know full well
Where your great knight is hidden, let me leave
My quest with you; the diamond also: here!
For if you love, it will be sweet to give it;
And if he love, it will be sweet to have it
From your own hand; and whether he love or not,
A diamond is a diamond. Fare you well
A thousand times!--a thousand times farewell!
Yet, if he love, and his love hold, we two
May meet at court hereafter: there, I think,
So ye will learn the courtesies of the court,
We two shall know each other.'
Then he gave,
And slightly kissed the hand to which he gave,
The diamond, and all wearied of the quest
Leapt on his horse, and carolling as he went
A true-love ballad, lightly rode away.
Thence to the court he past; there told the King
What the King knew, 'Sir Lancelot is the knight.'
And added, 'Sire, my liege, so much I learnt;
But failed to find him, though I rode all round
The region: but I lighted on the maid
Whose sleeve he wore; she loves him; and to her,
Deeming our courtesy is the truest law,
I gave the diamond: she will render it;
For by mine head she knows his hiding-place.'
The seldom-frowning King frowned, and replied,
'Too courteous truly! ye shall go no more
On quest of mine, seeing that ye forget
Obedience is the courtesy due to kings.'
He spake and parted. Wroth, but all in awe,
307
For twenty strokes of the blood, without a word,
Lingered that other, staring after him;
Then shook his hair, strode off, and buzzed abroad
About the maid of Astolat, and her love.
All ears were pricked at once, all tongues were loosed:
'The maid of Astolat loves Sir Lancelot,
Sir Lancelot loves the maid of Astolat.'
Some read the King's face, some the Queen's, and all
Had marvel what the maid might be, but most
Predoomed her as unworthy. One old dame
Came suddenly on the Queen with the sharp news.
She, that had heard the noise of it before,
But sorrowing Lancelot should have stooped so low,
Marred her friend's aim with pale tranquillity.
So ran the tale like fire about the court,
Fire in dry stubble a nine-days' wonder flared:
Till even the knights at banquet twice or thrice
Forgot to drink to Lancelot and the Queen,
And pledging Lancelot and the lily maid
Smiled at each other, while the Queen, who sat
With lips severely placid, felt the knot
Climb in her throat, and with her feet unseen
Crushed the wild passion out against the floor
Beneath the banquet, where all the meats became
As wormwood, and she hated all who pledged.
But far away the maid in Astolat,
Her guiltless rival, she that ever kept
The one-day-seen Sir Lancelot in her heart,
Crept to her father, while he mused alone,
Sat on his knee, stroked his gray face and said,
'Father, you call me wilful, and the fault
Is yours who let me have my will, and now,
Sweet father, will you let me lose my wits?'
'Nay,' said he, 'surely.' 'Wherefore, let me hence,'
She answered, 'and find out our dear Lavaine.'
'Ye will not lose your wits for dear Lavaine:
Bide,' answered he: 'we needs must hear anon
Of him, and of that other.' 'Ay,' she said,
'And of that other, for I needs must hence
And find that other, wheresoe'er he be,
And with mine own hand give his diamond to him,
308
Lest I be found as faithless in the quest
As yon proud Prince who left the quest to me.
Sweet father, I behold him in my dreams
Gaunt as it were the skeleton of himself,
Death-pale, for lack of gentle maiden's aid.
The gentler-born the maiden, the more bound,
My father, to be sweet and serviceable
To noble knights in sickness, as ye know
When these have worn their tokens: let me hence
I pray you.' Then her father nodding said,
'Ay, ay, the diamond: wit ye well, my child,
Right fain were I to learn this knight were whole,
Being our greatest: yea, and you must give it-And sure I think this fruit is hung too high
For any mouth to gape for save a queen's-Nay, I mean nothing: so then, get you gone,
Being so very wilful you must go.'
Lightly, her suit allowed, she slipt away,
And while she made her ready for her ride,
Her father's latest word hummed in her ear,
'Being so very wilful you must go,'
And changed itself and echoed in her heart,
'Being so very wilful you must die.'
But she was happy enough and shook it off,
As we shake off the bee that buzzes at us;
And in her heart she answered it and said,
'What matter, so I help him back to life?'
Then far away with good Sir Torre for guide
Rode o'er the long backs of the bushless downs
To Camelot, and before the city-gates
Came on her brother with a happy face
Making a roan horse caper and curvet
For pleasure all about a field of flowers:
Whom when she saw, 'Lavaine,' she cried, 'Lavaine,
How fares my lord Sir Lancelot?' He amazed,
'Torre and Elaine! why here? Sir Lancelot!
How know ye my lord's name is Lancelot?'
But when the maid had told him all her tale,
Then turned Sir Torre, and being in his moods
Left them, and under the strange-statued gate,
Where Arthur's wars were rendered mystically,
309
Past up the still rich city to his kin,
His own far blood, which dwelt at Camelot;
And her, Lavaine across the poplar grove
Led to the caves: there first she saw the casque
Of Lancelot on the wall: her scarlet sleeve,
Though carved and cut, and half the pearls away,
Streamed from it still; and in her heart she laughed,
Because he had not loosed it from his helm,
But meant once more perchance to tourney in it.
And when they gained the cell wherein he slept,
His battle-writhen arms and mighty hands
Lay naked on the wolfskin, and a dream
Of dragging down his enemy made them move.
Then she that saw him lying unsleek, unshorn,
Gaunt as it were the skeleton of himself,
Uttered a little tender dolorous cry.
The sound not wonted in a place so still
Woke the sick knight, and while he rolled his eyes
Yet blank from sleep, she started to him, saying,
'Your prize the diamond sent you by the King:'
His eyes glistened: she fancied 'Is it for me?'
And when the maid had told him all the tale
Of King and Prince, the diamond sent, the quest
Assigned to her not worthy of it, she knelt
Full lowly by the corners of his bed,
And laid the diamond in his open hand.
Her face was near, and as we kiss the child
That does the task assigned, he kissed her face.
At once she slipt like water to the floor.
'Alas,' he said, 'your ride hath wearied you.
Rest must you have.' 'No rest for me,' she said;
'Nay, for near you, fair lord, I am at rest.'
What might she mean by that? his large black eyes,
Yet larger through his leanness, dwelt upon her,
Till all her heart's sad secret blazed itself
In the heart's colours on her simple face;
And Lancelot looked and was perplext in mind,
And being weak in body said no more;
But did not love the colour; woman's love,
Save one, he not regarded, and so turned
Sighing, and feigned a sleep until he slept.
310
Then rose Elaine and glided through the fields,
And past beneath the weirdly-sculptured gates
Far up the dim rich city to her kin;
There bode the night: but woke with dawn, and past
Down through the dim rich city to the fields,
Thence to the cave: so day by day she past
In either twilight ghost-like to and fro
Gliding, and every day she tended him,
And likewise many a night: and Lancelot
Would, though he called his wound a little hurt
Whereof he should be quickly whole, at times
Brain-feverous in his heat and agony, seem
Uncourteous, even he: but the meek maid
Sweetly forbore him ever, being to him
Meeker than any child to a rough nurse,
Milder than any mother to a sick child,
And never woman yet, since man's first fall,
Did kindlier unto man, but her deep love
Upbore her; till the hermit, skilled in all
The simples and the science of that time,
Told him that her fine care had saved his life.
And the sick man forgot her simple blush,
Would call her friend and sister, sweet Elaine,
Would listen for her coming and regret
Her parting step, and held her tenderly,
And loved her with all love except the love
Of man and woman when they love their best,
Closest and sweetest, and had died the death
In any knightly fashion for her sake.
And peradventure had he seen her first
She might have made this and that other world
Another world for the sick man; but now
The shackles of an old love straitened him,
His honour rooted in dishonour stood,
And faith unfaithful kept him falsely true.
Yet the great knight in his mid-sickness made
Full many a holy vow and pure resolve.
These, as but born of sickness, could not live:
For when the blood ran lustier in him again,
Full often the bright image of one face,
Making a treacherous quiet in his heart,
311
Dispersed his resolution like a cloud.
Then if the maiden, while that ghostly grace
Beamed on his fancy, spoke, he answered not,
Or short and coldly, and she knew right well
What the rough sickness meant, but what this meant
She knew not, and the sorrow dimmed her sight,
And drave her ere her time across the fields
Far into the rich city, where alone
She murmured, 'Vain, in vain: it cannot be.
He will not love me: how then? must I die?'
Then as a little helpless innocent bird,
That has but one plain passage of few notes,
Will sing the simple passage o'er and o'er
For all an April morning, till the ear
Wearies to hear it, so the simple maid
Went half the night repeating, 'Must I die?'
And now to right she turned, and now to left,
And found no ease in turning or in rest;
And 'Him or death,' she muttered, 'death or him,'
Again and like a burthen, 'Him or death.'
But when Sir Lancelot's deadly hurt was whole,
To Astolat returning rode the three.
There morn by morn, arraying her sweet self
In that wherein she deemed she looked her best,
She came before Sir Lancelot, for she thought
'If I be loved, these are my festal robes,
If not, the victim's flowers before he fall.'
And Lancelot ever prest upon the maid
That she should ask some goodly gift of him
For her own self or hers; 'and do not shun
To speak the wish most near to your true heart;
Such service have ye done me, that I make
My will of yours, and Prince and Lord am I
In mine own land, and what I will I can.'
Then like a ghost she lifted up her face,
But like a ghost without the power to speak.
And Lancelot saw that she withheld her wish,
And bode among them yet a little space
Till he should learn it; and one morn it chanced
He found her in among the garden yews,
And said, 'Delay no longer, speak your wish,
312
Seeing I go today:' then out she brake:
'Going? and we shall never see you more.
And I must die for want of one bold word.'
'Speak: that I live to hear,' he said, 'is yours.'
Then suddenly and passionately she spoke:
'I have gone mad. I love you: let me die.'
'Ah, sister,' answered Lancelot, 'what is this?'
And innocently extending her white arms,
'Your love,' she said, 'your love--to be your wife.'
And Lancelot answered, 'Had I chosen to wed,
I had been wedded earlier, sweet Elaine:
But now there never will be wife of mine.'
'No, no,' she cried, 'I care not to be wife,
But to be with you still, to see your face,
To serve you, and to follow you through the world.'
And Lancelot answered, 'Nay, the world, the world,
All ear and eye, with such a stupid heart
To interpret ear and eye, and such a tongue
To blare its own interpretation--nay,
Full ill then should I quit your brother's love,
And your good father's kindness.' And she said,
'Not to be with you, not to see your face-Alas for me then, my good days are done.'
'Nay, noble maid,' he answered, 'ten times nay!
This is not love: but love's first flash in youth,
Most common: yea, I know it of mine own self:
And you yourself will smile at your own self
Hereafter, when you yield your flower of life
To one more fitly yours, not thrice your age:
And then will I, for true you are and sweet
Beyond mine old belief in womanhood,
More specially should your good knight be poor,
Endow you with broad land and territory
Even to the half my realm beyond the seas,
So that would make you happy: furthermore,
Even to the death, as though ye were my blood,
In all your quarrels will I be your knight.
This I will do, dear damsel, for your sake,
And more than this I cannot.'
While he spoke
She neither blushed nor shook, but deathly-pale
313
Stood grasping what was nearest, then replied:
'Of all this will I nothing;' and so fell,
And thus they bore her swooning to her tower.
Then spake, to whom through those black walls of yew
Their talk had pierced, her father: 'Ay, a flash,
I fear me, that will strike my blossom dead.
Too courteous are ye, fair Lord Lancelot.
I pray you, use some rough discourtesy
To blunt or break her passion.'
Lancelot said,
'That were against me: what I can I will;'
And there that day remained, and toward even
Sent for his shield: full meekly rose the maid,
Stript off the case, and gave the naked shield;
Then, when she heard his horse upon the stones,
Unclasping flung the casement back, and looked
Down on his helm, from which her sleeve had gone.
And Lancelot knew the little clinking sound;
And she by tact of love was well aware
That Lancelot knew that she was looking at him.
And yet he glanced not up, nor waved his hand,
Nor bad farewell, but sadly rode away.
This was the one discourtesy that he used.
So in her tower alone the maiden sat:
His very shield was gone; only the case,
Her own poor work, her empty labour, left.
But still she heard him, still his picture formed
And grew between her and the pictured wall.
Then came her father, saying in low tones,
'Have comfort,' whom she greeted quietly.
Then came her brethren saying, 'Peace to thee,
Sweet sister,' whom she answered with all calm.
But when they left her to herself again,
Death, like a friend's voice from a distant field
Approaching through the darkness, called; the owls
Wailing had power upon her, and she mixt
Her fancies with the sallow-rifted glooms
Of evening, and the moanings of the wind.
And in those days she made a little song,
314
And called her song 'The Song of Love and Death,'
And sang it: sweetly could she make and sing.
'Sweet is true love though given in vain, in vain;
And sweet is death who puts an end to pain:
I know not which is sweeter, no, not I.
'Love, art thou sweet? then bitter death must be:
Love, thou art bitter; sweet is death to me.
O Love, if death be sweeter, let me die.
'Sweet love, that seems not made to fade away,
Sweet death, that seems to make us loveless clay,
I know not which is sweeter, no, not I.
'I fain would follow love, if that could be;
I needs must follow death, who calls for me;
Call and I follow, I follow! let me die.'
High with the last line scaled her voice, and this,
All in a fiery dawning wild with wind
That shook her tower, the brothers heard, and thought
With shuddering, 'Hark the Phantom of the house
That ever shrieks before a death,' and called
The father, and all three in hurry and fear
Ran to her, and lo! the blood-red light of dawn
Flared on her face, she shrilling, 'Let me die!'
As when we dwell upon a word we know,
Repeating, till the word we know so well
Becomes a wonder, and we know not why,
So dwelt the father on her face, and thought
'Is this Elaine?' till back the maiden fell,
Then gave a languid hand to each, and lay,
Speaking a still good-morrow with her eyes.
At last she said, 'Sweet brothers, yesternight
I seemed a curious little maid again,
As happy as when we dwelt among the woods,
And when ye used to take me with the flood
Up the great river in the boatman's boat.
Only ye would not pass beyond the cape
That has the poplar on it: there ye fixt
315
Your limit, oft returning with the tide.
And yet I cried because ye would not pass
Beyond it, and far up the shining flood
Until we found the palace of the King.
And yet ye would not; but this night I dreamed
That I was all alone upon the flood,
And then I said, "Now shall I have my will:"
And there I woke, but still the wish remained.
So let me hence that I may pass at last
Beyond the poplar and far up the flood,
Until I find the palace of the King.
There will I enter in among them all,
And no man there will dare to mock at me;
But there the fine Gawain will wonder at me,
And there the great Sir Lancelot muse at me;
Gawain, who bad a thousand farewells to me,
Lancelot, who coldly went, nor bad me one:
And there the King will know me and my love,
And there the Queen herself will pity me,
And all the gentle court will welcome me,
And after my long voyage I shall rest!'
'Peace,' said her father, 'O my child, ye seem
Light-headed, for what force is yours to go
So far, being sick? and wherefore would ye look
On this proud fellow again, who scorns us all?'
Then the rough Torre began to heave and move,
And bluster into stormy sobs and say,
'I never loved him: an I meet with him,
I care not howsoever great he be,
Then will I strike at him and strike him down,
Give me good fortune, I will strike him dead,
For this discomfort he hath done the house.'
To whom the gentle sister made reply,
'Fret not yourself, dear brother, nor be wroth,
Seeing it is no more Sir Lancelot's fault
Not to love me, than it is mine to love
Him of all men who seems to me the highest.'
'Highest?' the father answered, echoing 'highest?'
316
(He meant to break the passion in her) 'nay,
Daughter, I know not what you call the highest;
But this I know, for all the people know it,
He loves the Queen, and in an open shame:
And she returns his love in open shame;
If this be high, what is it to be low?'
Then spake the lily maid of Astolat:
'Sweet father, all too faint and sick am I
For anger: these are slanders: never yet
Was noble man but made ignoble talk.
He makes no friend who never made a foe.
But now it is my glory to have loved
One peerless, without stain: so let me pass,
My father, howsoe'er I seem to you,
Not all unhappy, having loved God's best
And greatest, though my love had no return:
Yet, seeing you desire your child to live,
Thanks, but you work against your own desire;
For if I could believe the things you say
I should but die the sooner; wherefore cease,
Sweet father, and bid call the ghostly man
Hither, and let me shrive me clean, and die.'
So when the ghostly man had come and gone,
She with a face, bright as for sin forgiven,
Besought Lavaine to write as she devised
A letter, word for word; and when he asked
'Is it for Lancelot, is it for my dear lord?
Then will I bear it gladly;' she replied,
'For Lancelot and the Queen and all the world,
But I myself must bear it.' Then he wrote
The letter she devised; which being writ
And folded, 'O sweet father, tender and true,
Deny me not,' she said--'ye never yet
Denied my fancies--this, however strange,
My latest: lay the letter in my hand
A little ere I die, and close the hand
Upon it; I shall guard it even in death.
And when the heat is gone from out my heart,
Then take the little bed on which I died
For Lancelot's love, and deck it like the Queen's
317
For richness, and me also like the Queen
In all I have of rich, and lay me on it.
And let there be prepared a chariot-bier
To take me to the river, and a barge
Be ready on the river, clothed in black.
I go in state to court, to meet the Queen.
There surely I shall speak for mine own self,
And none of you can speak for me so well.
And therefore let our dumb old man alone
Go with me, he can steer and row, and he
Will guide me to that palace, to the doors.'
She ceased: her father promised; whereupon
She grew so cheerful that they deemed her death
Was rather in the fantasy than the blood.
But ten slow mornings past, and on the eleventh
Her father laid the letter in her hand,
And closed the hand upon it, and she died.
So that day there was dole in Astolat.
But when the next sun brake from underground,
Then, those two brethren slowly with bent brows
Accompanying, the sad chariot-bier
Past like a shadow through the field, that shone
Full-summer, to that stream whereon the barge,
Palled all its length in blackest samite, lay.
There sat the lifelong creature of the house,
Loyal, the dumb old servitor, on deck,
Winking his eyes, and twisted all his face.
So those two brethren from the chariot took
And on the black decks laid her in her bed,
Set in her hand a lily, o'er her hung
The silken case with braided blazonings,
And kissed her quiet brows, and saying to her
'Sister, farewell for ever,' and again
'Farewell, sweet sister,' parted all in tears.
Then rose the dumb old servitor, and the dead,
Oared by the dumb, went upward with the flood-In her right hand the lily, in her left
The letter--all her bright hair streaming down-And all the coverlid was cloth of gold
Drawn to her waist, and she herself in white
318
All but her face, and that clear-featured face
Was lovely, for she did not seem as dead,
But fast asleep, and lay as though she smiled.
That day Sir Lancelot at the palace craved
Audience of Guinevere, to give at last,
The price of half a realm, his costly gift,
Hard-won and hardly won with bruise and blow,
With deaths of others, and almost his own,
The nine-years-fought-for diamonds: for he saw
One of her house, and sent him to the Queen
Bearing his wish, whereto the Queen agreed
With such and so unmoved a majesty
She might have seemed her statue, but that he,
Low-drooping till he wellnigh kissed her feet
For loyal awe, saw with a sidelong eye
The shadow of some piece of pointed lace,
In the Queen's shadow, vibrate on the walls,
And parted, laughing in his courtly heart.
All in an oriel on the summer side,
Vine-clad, of Arthur's palace toward the stream,
They met, and Lancelot kneeling uttered, 'Queen,
Lady, my liege, in whom I have my joy,
Take, what I had not won except for you,
These jewels, and make me happy, making them
An armlet for the roundest arm on earth,
Or necklace for a neck to which the swan's
Is tawnier than her cygnet's: these are words:
Your beauty is your beauty, and I sin
In speaking, yet O grant my worship of it
Words, as we grant grief tears. Such sin in words
Perchance, we both can pardon: but, my Queen,
I hear of rumours flying through your court.
Our bond, as not the bond of man and wife,
Should have in it an absoluter trust
To make up that defect: let rumours be:
When did not rumours fly? these, as I trust
That you trust me in your own nobleness,
I may not well believe that you believe.'
While thus he spoke, half turned away, the Queen
319
Brake from the vast oriel-embowering vine
Leaf after leaf, and tore, and cast them off,
Till all the place whereon she stood was green;
Then, when he ceased, in one cold passive hand
Received at once and laid aside the gems
There on a table near her, and replied:
'It may be, I am quicker of belief
Than you believe me, Lancelot of the Lake.
Our bond is not the bond of man and wife.
This good is in it, whatsoe'er of ill,
It can be broken easier. I for you
This many a year have done despite and wrong
To one whom ever in my heart of hearts
I did acknowledge nobler. What are these?
Diamonds for me! they had been thrice their worth
Being your gift, had you not lost your own.
To loyal hearts the value of all gifts
Must vary as the giver's. Not for me!
For her! for your new fancy. Only this
Grant me, I pray you: have your joys apart.
I doubt not that however changed, you keep
So much of what is graceful: and myself
Would shun to break those bounds of courtesy
In which as Arthur's Queen I move and rule:
So cannot speak my mind. An end to this!
A strange one! yet I take it with Amen.
So pray you, add my diamonds to her pearls;
Deck her with these; tell her, she shines me down:
An armlet for an arm to which the Queen's
Is haggard, or a necklace for a neck
O as much fairer--as a faith once fair
Was richer than these diamonds--hers not mine-Nay, by the mother of our Lord himself,
Or hers or mine, mine now to work my will-She shall not have them.'
Saying which
she seized,
And, through the casement standing wide for heat,
Flung them, and down they flashed, and smote the stream.
Then from the smitten surface flashed, as it were,
Diamonds to meet them, and they past away.
Then while Sir Lancelot leant, in half disdain
320
At love, life, all things, on the window ledge,
Close underneath his eyes, and right across
Where these had fallen, slowly past the barge.
Whereon the lily maid of Astolat
Lay smiling, like a star in blackest night.
But the wild Queen, who saw not, burst away
To weep and wail in secret; and the barge,
On to the palace-doorway sliding, paused.
There two stood armed, and kept the door; to whom,
All up the marble stair, tier over tier,
Were added mouths that gaped, and eyes that asked
'What is it?' but that oarsman's haggard face,
As hard and still as is the face that men
Shape to their fancy's eye from broken rocks
On some cliff-side, appalled them, and they said
'He is enchanted, cannot speak--and she,
Look how she sleeps--the Fairy Queen, so fair!
Yea, but how pale! what are they? flesh and blood?
Or come to take the King to Fairyland?
For some do hold our Arthur cannot die,
But that he passes into Fairyland.'
While thus they babbled of the King, the King
Came girt with knights: then turned the tongueless man
From the half-face to the full eye, and rose
And pointed to the damsel, and the doors.
So Arthur bad the meek Sir Percivale
And pure Sir Galahad to uplift the maid;
And reverently they bore her into hall.
Then came the fine Gawain and wondered at her,
And Lancelot later came and mused at her,
And last the Queen herself, and pitied her:
But Arthur spied the letter in her hand,
Stoopt, took, brake seal, and read it; this was all:
'Most noble lord, Sir Lancelot of the Lake,
I, sometime called the maid of Astolat,
Come, for you left me taking no farewell,
Hither, to take my last farewell of you.
I loved you, and my love had no return,
And therefore my true love has been my death.
321
And therefore to our Lady Guinevere,
And to all other ladies, I make moan:
Pray for my soul, and yield me burial.
Pray for my soul thou too, Sir Lancelot,
As thou art a knight peerless.'
Thus he read;
And ever in the reading, lords and dames
Wept, looking often from his face who read
To hers which lay so silent, and at times,
So touched were they, half-thinking that her lips,
Who had devised the letter, moved again.
Then freely spoke Sir Lancelot to them all:
'My lord liege Arthur, and all ye that hear,
Know that for this most gentle maiden's death
Right heavy am I; for good she was and true,
But loved me with a love beyond all love
In women, whomsoever I have known.
Yet to be loved makes not to love again;
Not at my years, however it hold in youth.
I swear by truth and knighthood that I gave
No cause, not willingly, for such a love:
To this I call my friends in testimony,
Her brethren, and her father, who himself
Besought me to be plain and blunt, and use,
To break her passion, some discourtesy
Against my nature: what I could, I did.
I left her and I bad her no farewell;
Though, had I dreamt the damsel would have died,
I might have put my wits to some rough use,
And helped her from herself.'
Then said the Queen
(Sea was her wrath, yet working after storm)
'Ye might at least have done her so much grace,
Fair lord, as would have helped her from her death.'
He raised his head, their eyes met and hers fell,
He adding,
'Queen, she would not be content
Save that I wedded her, which could not be.
Then might she follow me through the world, she asked;
322
It could not be. I told her that her love
Was but the flash of youth, would darken down
To rise hereafter in a stiller flame
Toward one more worthy of her--then would I,
More specially were he, she wedded, poor,
Estate them with large land and territory
In mine own realm beyond the narrow seas,
To keep them in all joyance: more than this
I could not; this she would not, and she died.'
He pausing, Arthur answered, 'O my knight,
It will be to thy worship, as my knight,
And mine, as head of all our Table Round,
To see that she be buried worshipfully.'
So toward that shrine which then in all the realm
Was richest, Arthur leading, slowly went
The marshalled Order of their Table Round,
And Lancelot sad beyond his wont, to see
The maiden buried, not as one unknown,
Nor meanly, but with gorgeous obsequies,
And mass, and rolling music, like a queen.
And when the knights had laid her comely head
Low in the dust of half-forgotten kings,
Then Arthur spake among them, 'Let her tomb
Be costly, and her image thereupon,
And let the shield of Lancelot at her feet
Be carven, and her lily in her hand.
And let the story of her dolorous voyage
For all true hearts be blazoned on her tomb
In letters gold and azure!' which was wrought
Thereafter; but when now the lords and dames
And people, from the high door streaming, brake
Disorderly, as homeward each, the Queen,
Who marked Sir Lancelot where he moved apart,
Drew near, and sighed in passing, 'Lancelot,
Forgive me; mine was jealousy in love.'
He answered with his eyes upon the ground,
'That is love's curse; pass on, my Queen, forgiven.'
But Arthur, who beheld his cloudy brows,
Approached him, and with full affection said,
323
'Lancelot, my Lancelot, thou in whom I have
Most joy and most affiance, for I know
What thou hast been in battle by my side,
And many a time have watched thee at the tilt
Strike down the lusty and long practised knight,
And let the younger and unskilled go by
To win his honour and to make his name,
And loved thy courtesies and thee, a man
Made to be loved; but now I would to God,
Seeing the homeless trouble in thine eyes,
Thou couldst have loved this maiden, shaped, it seems,
By God for thee alone, and from her face,
If one may judge the living by the dead,
Delicately pure and marvellously fair,
Who might have brought thee, now a lonely man
Wifeless and heirless, noble issue, sons
Born to the glory of thine name and fame,
My knight, the great Sir Lancelot of the Lake.'
Then answered Lancelot, 'Fair she was, my King,
Pure, as you ever wish your knights to be.
To doubt her fairness were to want an eye,
To doubt her pureness were to want a heart-Yea, to be loved, if what is worthy love
Could bind him, but free love will not be bound.'
'Free love, so bound, were fre st,' said the King.
'Let love be free; free love is for the best:
And, after heaven, on our dull side of death,
What should be best, if not so pure a love
Clothed in so pure a loveliness? yet thee
She failed to bind, though being, as I think,
Unbound as yet, and gentle, as I know.'
And Lancelot answered nothing, but he went,
And at the inrunning of a little brook
Sat by the river in a cove, and watched
The high reed wave, and lifted up his eyes
And saw the barge that brought her moving down,
Far-off, a blot upon the stream, and said
Low in himself, 'Ah simple heart and sweet,
Ye loved me, damsel, surely with a love
324
Far tenderer than my Queen's. Pray for thy soul?
Ay, that will I. Farewell too--now at last-Farewell, fair lily. "Jealousy in love?"
Not rather dead love's harsh heir, jealous pride?
Queen, if I grant the jealousy as of love,
May not your crescent fear for name and fame
Speak, as it waxes, of a love that wanes?
Why did the King dwell on my name to me?
Mine own name shames me, seeming a reproach,
Lancelot, whom the Lady of the Lake
Caught from his mother's arms--the wondrous one
Who passes through the vision of the night-She chanted snatches of mysterious hymns
Heard on the winding waters, eve and morn
She kissed me saying, "Thou art fair, my child,
As a king's son," and often in her arms
She bare me, pacing on the dusky mere.
Would she had drowned me in it, where'er it be!
For what am I? what profits me my name
Of greatest knight? I fought for it, and have it:
Pleasure to have it, none; to lose it, pain;
Now grown a part of me: but what use in it?
To make men worse by making my sin known?
Or sin seem less, the sinner seeming great?
Alas for Arthur's greatest knight, a man
Not after Arthur's heart! I needs must break
These bonds that so defame me: not without
She wills it: would I, if she willed it? nay,
Who knows? but if I would not, then may God,
I pray him, send a sudden Angel down
To seize me by the hair and bear me far,
And fling me deep in that forgotten mere,
Among the tumbled fragments of the hills.'
So groaned Sir Lancelot in remorseful pain,
Not knowing he should die a holy man.
~ Alfred Lord Tennyson,
523:The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
162
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.
One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.
Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,—we who mass and crowd
From wall to wall in the darkening of a cloud.
The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.
163
III.
One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.
Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.
Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.
IV.
Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.
They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.
And behind them all the ghosts of thoughts went moving,
164
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.
And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.
And
And
And
And
And
there was one who turned from clamoring streets,
walked in lamplit gardens among black trees,
looked at the windy sky,
thought with terror how stones and roots would freeze
birds in the dead boughs cry . . .
And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.
And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.
V.
The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.
The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
165
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.
One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.
Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . . We spread out swiftly;
Trees are above us, and darkness. The canyon fades . . .
And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.
We
We
We
We
We
flow to the east, to the white-lined shivering sea;
reach to the west, where the whirling sun went down;
close our eyes to music in bright cafees.
diverge from clamorous streets to streets that are silent.
loaf where the wind-spilled fountain plays.
And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.
VI.
Over the darkened city, the city of towers,
166
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.
Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .
. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .
Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.
167
'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'
'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'
'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'
Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
168
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '
He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.
'I bound her to me in all soft ways,
169
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.
'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.
'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'
The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
VII.
Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.
'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'
170
He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.
Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .
And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .
Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
171
And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.
One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .
The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.
Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.
VIII.
The white fog creeps from the cold sea over the city,
Over the pale grey tumbled towers,—
And settles among the roofs, the pale grey walls.
Along damp sinuous streets it crawls,
Curls like a dream among the motionless trees
And seems to freeze.
The fog slips ghostlike into a thousand rooms,
Whirls over sleeping faces,
172
Spins in an atomy dance round misty street lamps;
And blows in cloudy waves over open spaces . . .
And one from his high window, looking down,
Peers at the cloud-white town,
And thinks its island towers are like a dream . . .
It seems an enormous sleeper, within whose brain
Laborious shadows revolve and break and gleam.
PART II.
I.
The round red sun heaves darkly out of the sea.
The walls and towers are warmed and gleam.
Sounds go drowsily up from streets and wharves.
The city stirs like one that is half in dream.
And the mist flows up by dazzling walls and windows,
Where one by one we wake and rise.
We gaze at the pale grey lustrous sea a moment,
We rub the darkness from our eyes,
And face our thousand devious secret mornings . . .
And do not see how the pale mist, slowly ascending,
Shaped by the sun, shines like a white-robed dreamer
Compassionate over our towers bending.
There, like one who gazes into a crystal,
He broods upon our city with sombre eyes;
He sees our secret fears vaguely unfolding,
Sees cloudy symbols shape to rise.
Each gleaming point of light is like a seed
Dilating swiftly to coiling fires.
Each cloud becomes a rapidly dimming face,
Each hurrying face records its strange desires.
We descend our separate stairs toward the day,
173
Merge in the somnolent mass that fills the street,
Lift our eyes to the soft blue space of sky,
And walk by the well-known walls with accustomed feet.
II. THE FULFILLED DREAM
More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.
Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .
He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.
Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
174
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?
Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.
He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'
175
III. INTERLUDE
The warm sun dreams in the dust, the warm sun falls
On bright red roofs and walls;
The trees in the park exhale a ghost of rain;
We go from door to door in the streets again,
Talking, laughing, dreaming, turning our faces,
Recalling other times and places . . .
We crowd, not knowing why, around a gate,
We crowd together and wait,
A stretcher is carried out, voices are stilled,
The ambulance drives away.
We watch its roof flash by, hear someone say
'A man fell off the building and was killed—
Fell right into a barrel . . .' We turn again
Among the frightened eyes of white-faced men,
And go our separate ways, each bearing with him
A thing he tries, but vainly, to forget,—
A sickened crowd, a stretcher red and wet.
A hurdy-gurdy sings in the crowded street,
The golden notes skip over the sunlit stones,
Wings are upon our feet.
The sun seems warmer, the winding street more bright,
Sparrows come whirring down in a cloud of light.
We bear our dreams among us, bear them all,
Like hurdy-gurdy music they rise and fall,
Climb to beauty and die.
The wandering lover dreams of his lover's mouth,
And smiles at the hostile sky.
The broker smokes his pipe, and sees a fortune.
The murderer hears a cry.
IV. NIGHTMARE
'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
176
My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'
I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.
Upon a scarlet cloth a white skull lies.
'Your hand is on the hand that holds three lilies.
You will live long, love many times.
I see a dark girl here who once betrayed you.
I see a shadow of secret crimes.
'There was a man who came intent to kill you,
And hid behind a door and waited for you;
There was a woman who smiled at you and lied.
There was a golden girl who loved you, begged you,
Crawled after you, and died.
'There is a ghost of murder in your blood—
Coming or past, I know not which.
And here is danger—a woman with sea-green eyes,
And white-skinned as a witch . . .'
The words hiss into me, like raindrops falling
On sleepy fire . . . She smiles a meaning smile.
Suspicion eats my brain; I ask a question;
Something is creeping at me, something vile;
And suddenly on the wall behind her head
I see a monstrous shadow strike and spread,
The lamp puffs out, a great blow crashes down.
I plunge through the curtain, run through dark to the street,
And hear swift steps retreat . . .
The shades are drawn, the door is locked behind me.
Behind the door I hear a hammer sounding.
I walk in a cloud of wonder; I am glad.
I mingle among the crowds; my heart is pounding;
177
You do not guess the adventure I have had! . . .
Yet you, too, all have had your dark adventures,
Your sudden adventures, or strange, or sweet . . .
My peril goes out from me, is blown among you.
We loiter, dreaming together, along the street.
V. RETROSPECT
Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.
And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.
The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.
Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.
He opened his book once more, beside the window,
178
And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.
'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'
VI. ADELE AND DAVIS
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.
Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it? That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
179
His grey eyes turning quickly; and the words
Fled from her tongue . . . She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen—
There's something I must tell you . . . ' There she stopped,
Wondering what he'd say . . . What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?
If it were Felix! If it were only Felix!—
She wouldn't mind so much. But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.'
And then she'd die . . . But that was hard on Paul . . .
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.
And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late. No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?
VII. TWO LOVERS: OVERTONES
180
Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .
She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .
181
'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .
Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .
'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'
Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.
What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.
VIII. THE BOX WITH SILVER HANDLES
182
Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper—
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
And sat me down on a sofa, and held me close,
And talked to me, telling me not to cry,
That it was all right, he'd look after me,—
But not to cry, my eyes were getting red,
Which didn't make me pretty. And he was so nice,
That when he turned my face between his hands,
And looked at me, with those blue eyes of his,
And smiled, and leaned, and kissed me—
Somehow I couldn't tell him not to do it,
Somehow I didn't mind, I let him kiss me,
And closed my eyes! . . . Well, that was how it started.
For when my heart was eased with crying, and grief
Had passed and left me quiet, somehow it seemed
As if it wasn't honest to change my mind,
To send him away, or say I hadn't meant it—
And, anyway, it seemed so hard to explain!
And so we sat and talked, not talking much,
But meaning as much in silence as in words,
There in that empty room with palms about us,
That private dining-room . . . And as we sat there
I felt my future changing, day by day,
183
With unknown streets opening left and right,
New streets with farther lights, new taller houses,
Doors swinging into hallways filled with light,
Half-opened luminous windows, with white curtains
Streaming out in the night, and sudden music,—
And thinking of this, and through it half remembering
A quick and horrible death, my husband's eyes,
The broken-plastered walls, my boy asleep,—
It seemed as if my brain would break in two.
My voice began to tremble . . . and when I stood,
And told him I must go, and said good-night—
I couldn't see the end. How would it end?
Would he return to-morrow? Or would he not?
And did I want him to—or would I rather
Look for another job?—He took my shoulders
Between his hands, and looked down into my eyes,
And smiled, and said good-night. If he had kissed me,
That would have—well, I don't know; but he didn't . .
And so I went downstairs, then, half elated,
Hoping to close the door before that party
In number four should sing that song again—
'They'll soon be lighting candles round a box with silver handles'—
And sure enough, I did. I faced the darkness.
And my eyes were filled with tears. And I was happy.
IX. INTERLUDE
The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.
We sit at tables and sip our morning coffee,
We read the papers for tales of lust or crime.
The door swings shut behind the latest comer.
We set our watches, regard the time.
What have we done? I close my eyes, remember
The great machine whose sinister brain before me
Smote and smote with a rhythmic beat.
184
My hands have torn down walls, the stone and plaster.
I dropped great beams to the dusty street.
My eyes are worn with measuring cloths of purple,
And golden cloths, and wavering cloths, and pale.
I dream of a crowd of faces, white with menace.
Hands reach up to tear me. My brain will fail.
Here, where the walls go down beneath our picks,
These walls whose windows gap against the sky,
Atom by atom of flesh and brain and marble
Will build a glittering tower before we die . . .
The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.
X. SUDDEN DEATH
'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .
One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.
And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.
What was her name? Where had she walked that morning?
Through what dark forest came her feet?
185
Along what sunlit walls, what peopled street?
Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.
Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.
Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.
Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .
Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.
Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.
Once, in her dreams, he spoke out clearly, crying,
186
'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'
She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .
She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?
Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.
XI.
Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.
And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
187
Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .
In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.
In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.
And
And
And
And
one goes late in the streets, and thinks of murder;
one lies staring, and thinks of death.
one, who has suffered, clenches her hands despairing,
holds her breath . . .
Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.
And
And
And
And
And
the new are born who desire to destroy the old;
fires are kindled and quenched; and dreams are broken,
walls flung down . . .
the slow night whirls in snow over towers of dreamers,
whiteness hushes the town.
PART III
188
As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.
As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.
189
II. THE SCREEN MAIDEN
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
190
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
191
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
192
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
III. HAUNTED CHAMBERS
The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.
Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.
To-morrow—what? And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .
We walk with you. Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
193
You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me . . . Is full of bells.
This is the thing remembered I would forget—
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.
My fans—my jewels—the portrait of my husband—
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.
Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
Dreams—they are madness. Staring eyes—illusion.
Let us return, hear music, and forget . . .
IV. ILLICIT
Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
194
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.
You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.
She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.
'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
195
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .
Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .
V. MELODY IN A RESTAURANT
The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.
This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,—and it flows, and you have pain.
So says the tune to you—but what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.
Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
196
Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'
So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.
VI. PORTRAIT OF ONE DEAD
This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.
This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.
Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.
197
Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.
Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.
How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.
A certain rose-leaf—sent without intention—
Became, with time, a woven web of fire—
She wore it, and was warm.
A certain hurried glance, let fall at parting,
Became, with time, the flashings of a storm.
Yet, there was nothing asked, no hint to tell you
Of secret idols carved in secret chambers
From all you did and said.
Nothing was done, until at last she knew you.
Nothing was known, till, somehow, she was dead.
How did she die?—You say, she died of poison.
Simple and swift. And much to be regretted.
You did not see her pass
So many thousand times from light to darkness,
Pausing so many times before her glass;
You did not see how many times she hurried
To lean from certain windows, vainly hoping,
Passionate still for beauty, remembered spring.
You did not know how long she clung to music,
You did not hear her sing.
198
Did she, then, make the choice, and step out bravely
From sound to silence—close, herself, those windows?
Or was it true, instead,
That darkness moved,—for once,—and so possessed her? . . .
We'll never know, you say, for she is dead.
VII. PORCELAIN
You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?
Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .
Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds. On rainy days,
You'll see a gas-light shedding light behind me—
An eye-shade round my forehead. There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads—I thought them stones,
Until they hopped! And then a great black spider,—
Tarantula, perhaps, a hideous thing,—
It crossed the room in one tremendous leap.
Here,—as I coil the stems between two leaves,—
It is as if, dwindling to atomy size,
199
I cried the secret between two universes . . .
A friend of mine took hasheesh once, and said
Just as he fell asleep he had a dream,—
Though with his eyes wide open,—
And felt, or saw, or knew himself a part
Of marvelous slowly-wreathing intricate patterns,
Plane upon plane, depth upon coiling depth,
Amazing leaves, folding one on another,
Voluted grasses, twists and curves and spirals—
All of it darkly moving . . . as for me,
I need no hasheesh for it—it's too easy!
Soon as I shut my eyes I set out walking
In a monstrous jungle of monstrous pale pink roseleaves,
Violets purple as death, dripping with water,
And ivy-leaves as big as clouds above me.
Here, in a simple pattern of separate violets—
With scalloped edges gilded—here you have me
Thinking of something else. My wife, you know,—
There's something lacking—force, or will, or passion,
I don't know what it is—and so, sometimes,
When I am tired, or haven't slept three nights,
Or it is cloudy, with low threat of rain,
I get uneasy—just like poplar trees
Ruffling their leaves—and I begin to think
Of poor Pauline, so many years ago,
And that delicious night. Where is she now?
I meant to write—but she has moved, by this time,
And then, besides, she might find out I'm married.
Well, there is more—I'm getting old and timid—
The years have gnawed my will. I've lost my nerve!
I never strike out boldly as I used to—
But sit here, painting violets, and remember
That thrilling night. Photographers, she said,
Asked her to pose for them; her eyes and forehead,—
Dark brown eyes, and a smooth and pallid forehead,—
Were thought so beautiful.—And so they were.
Pauline . . . These violets are like words remembered . . .
Darling! she whispered . . . Darling! . . . Darling! . . . Darling!
Well, I suppose such days can come but once.
Lord, how happy we were! . . .
200
Here, if you only knew it, is a story—
Here, in these leaves. I stopped my work to tell it,
And then, when I had finished, went on thinking:
A man I saw on a train . . . I was still a boy . . .
Who killed himself by diving against a wall.
Here is a recollection of my wife,
When she was still my sweetheart, years ago.
It's funny how things change,—just change, by growing,
Without an effort . . . And here are trivial things,—
A chill, an errand forgotten, a cut while shaving;
A friend of mine who tells me he is married . . .
Or is that last so trivial? Well, no matter!
This is the sort of thing you'll see of me,
If you look hard enough. This, in its way,
Is a kind of fame. My life arranged before you
In scrolls of leaves, rosebuds, violets, ivy,
Clustered or wreathed on plate and cup and platter . . .
Sometimes, I say, I'm just like John the Baptist—
You have my head before you . . . on a platter.
VIII. COFFINS: INTERLUDE
Wind blows. Snow falls. The great clock in its tower
Ticks with reverberant coil and tolls the hour:
At the deep sudden stroke the pigeons fly . . .
The fine snow flutes the cracks between the flagstones.
We close our coats, and hurry, and search the sky.
We are like music, each voice of it pursuing
A golden separate dream, remote, persistent,
Climbing to fire, receding to hoarse despair.
What do you whisper, brother? What do you tell me? . . .
We pass each other, are lost, and do not care.
One mounts up to beauty, serenely singing,
Forgetful of the steps that cry behind him;
One drifts slowly down from a waking dream.
One, foreseeing, lingers forever unmoving . . .
Upward and downward, past him there, we stream.
201
One has death in his eyes: and walks more slowly.
Death, among jonquils, told him a freezing secret.
A cloud blows over his eyes, he ponders earth.
He sees in the world a forest of sunlit jonquils:
A slow black poison huddles beneath that mirth.
Death, from street to alley, from door to window,
Cries out his news,—of unplumbed worlds approaching,
Of a cloud of darkness soon to destroy the tower.
But why comes death,—he asks,—in a world so perfect?
Or why the minute's grey in the golden hour?
Music, a sudden glissando, sinister, troubled,
A drift of wind-torn petals, before him passes
Down jangled streets, and dies.
The bodies of old and young, of maimed and lovely,
Are slowly borne to earth, with a dirge of cries.
Down cobbled streets they come; down huddled stairways;
Through silent halls; through carven golden doorways;
From freezing rooms as bare as rock.
The curtains are closed across deserted windows.
Earth streams out of the shovel; the pebbles knock.
Mary, whose hands rejoiced to move in sunlight;
Silent Elaine; grave Anne, who sang so clearly;
Fugitive Helen, who loved and walked alone;
Miriam too soon dead, darkly remembered;
Childless Ruth, who sorrowed, but could not atone;
Jean, whose laughter flashed over depths of terror,
And Eloise, who desired to love but dared not;
Doris, who turned alone to the dark and cried,—
They are blown away like windflung chords of music,
They drift away; the sudden music has died.
And one, with death in his eyes, comes walking slowly
And sees the shadow of death in many faces,
And thinks the world is strange.
He desires immortal music and spring forever,
And beauty that knows no change.
202
IX. CABARET
We sit together and talk, or smoke in silence.
You say (but use no words) 'this night is passing
As other nights when we are dead will pass . . .'
Perhaps I misconstrue you: you mean only,
'How deathly pale my face looks in that glass . . .'
You say: 'We sit and talk, of things important . . .
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee—
Or stare at mirrors, and do not talk at all? . . .
'This is the moment' (so you would say, in silence)
When suddenly we have had too much of laughter:
And a freezing stillness falls, no word to say.
Our mouths feel foolish . . . For all the days hereafter
What have we saved—what news, what tune, what play?
'We see each other as vain and futile tricksters,—
Posturing like bald apes before a mirror;
No pity dims our eyes . . .
How many others, like ourselves, this instant,
See how the great world wizens, and are wise? . . .'
Well, you are right . . . No doubt, they fall, these seconds . . .
When suddenly all's distempered, vacuous, ugly,
And even those most like angels creep for schemes.
The one you love leans forward, smiles, deceives you,
Opens a door through which you see dark dreams.
But this is momentary . . . or else, enduring,
Leads you with devious eyes through mists and poisons
To horrible chaos, or suicide, or crime . . .
And all these others who at your conjuration
Grow pale, feeling the skeleton touch of time,—
Or, laughing sadly, talk of things important,
Or stare at mirrors, startled to see their faces,
Or drown in the waveless vacuum of their days,—
203
Suddenly, as from sleep, awake, forgetting
This nauseous dream; take up their accustomed ways,
Exhume the ghost of a joke, renew loud laughter,
Forget the moles above their sweethearts' eyebrows,
Lean to the music, rise,
And dance once more in a rose-festooned illusion
With kindness in their eyes . . .
They say (as we ourselves have said, remember)
'What wizardry this slow waltz works upon us!
And how it brings to mind forgotten things!'
They say 'How strange it is that one such evening
Can wake vague memories of so many springs!'
And so they go . . . In a thousand crowded places,
They sit to smile and talk, or rise to ragtime,
And, for their pleasures, agree or disagree.
With secret symbols they play on secret passions.
With cunning eyes they see
The innocent word that sets remembrance trembling,
The dubious word that sets the scared heart beating . . .
The pendulum on the wall
Shakes down seconds . . . They laugh at time, dissembling;
Or coil for a victim and do not talk at all.
X. LETTER
From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.
It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—
204
Not through forgetfulness, but more for pleasure—
Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.
You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . . You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . . Then, by degrees,—
Savoring all more delicate gradations
In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber . . . Which now you've reached.
What, then's, the secret of this ultimate chamber—
Or innermost, rather? If I see it clearly
205
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,—
This world of lamentations, death, injustice,
~ Conrad Potter Aiken,
524:DRAMATIS PERSON

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I

Scene I.
An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessionslet it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
Henceforth no witnessnot the lampshall see
That which the vassal threatened to divulge
Whose throat is choked with dust for his reward.
The deed he saw could not have rated higher
Than his most worthless life:it angers me!
Respited me from Hell!So may the Devil
Respite their souls from Heaven. No doubt Pope Clement,
And his most charitable nephews, pray
That the Apostle Peter and the Saints
Will grant for their sake that I long enjoy
Strength, wealth, and pride, and lust, and length of days
Wherein to act the deeds which are the stewards
Of their revenue.But much yet remains
To which they show no title.
Camillo.
               Oh, Count Cenci!
So much that thou mightst honourably live
And reconcile thyself with thine own heart
And with thy God, and with the offended world.
How hideously look deeds of lust and blood
Through those snow white and venerable hairs!
Your children should be sitting round you now,
But that you fear to read upon their looks
The shame and misery you have written there.
Where is your wife? Where is your gentle daughter?
Methinks her sweet looks, which make all things else
Beauteous and glad, might kill the fiend within you.
Why is she barred from all society
But her own strange and uncomplaining wrongs?
Talk with me, Count,you know I mean you well
I stood beside your dark and fiery youth
Watching its bold and bad career, as men
Watch meteors, but it vanished notI marked
Your desperate and remorseless manhood; now
Do I behold you in dishonoured age
Charged with a thousand unrepented crimes.
Yet I have ever hoped you would amend,
And in that hope have saved your life three times.
Cenci.
For which Aldobrandino owes you now
My fief beyond the Pincian.Cardinal,
One thing, I pray you, recollect henceforth,
And so we shall converse with less restraint.
A man you knew spoke of my wife and daughter
He was accustomed to frequent my house;
So the next day his wife and daughter came
And asked if I had seen him; and I smiled:
I think they never saw him any more.
Camillo.
Thou execrable man, beware!
Cenci.
                Of thee?
Nay this is idle:We should know each other.
As to my character for what men call crime
Seeing I please my senses as I list,
And vindicate that right with force or guile,
It is a public matter, and I care not
If I discuss it with you. I may speak
Alike to you and my own conscious heart
For you give out that you have half reformed me,
Therefore strong vanity will keep you silent
If fear should not; both will, I do not doubt.
All men delight in sensual luxury,
All men enjoy revenge; and most exult
Over the tortures they can never feel
Flattering their secret peace with others' pain.
But I delight in nothing else. I love
The sight of agony, and the sense of joy,
When this shall be another's, and that mine.
And I have no remorse and little fear,
Which are, I think, the checks of other men.
This mood has grown upon me, until now
Any design my captious fancy makes
The picture of its wish, and it forms none
But such as men like you would start to know,
Is as my natural food and rest debarred
Until it be accomplished.
Camillo.
              Art thou not
Most miserable?
Cenci.
        Why, miserable?
No.I am what your theologians call
Hardened;which they must be in impudence,
So to revile a man's peculiar taste.
True, I was happier than I am, while yet
Manhood remained to act the thing I thought;
While lust was sweeter than revenge; and now
Invention palls:Ay, we must all grow old
And but that there yet remains a deed to act
Whose horror might make sharp an appetite
Duller than mineI'd doI know not what.
When I was young I thought of nothing else
But pleasure; and I fed on honey sweets:
Men, by St. Thomas! cannot live like bees,
And I grew tired:yet, till I killed a foe,
And heard his groans, and heard his children's groans,
Knew I not what delight was else on earth,
Which now delights me little. I the rather
Look on such pangs as terror ill conceals,
The dry fixed eyeball; the pale quivering lip,
Which tell me that the spirit weeps within
Tears bitterer than the bloody sweat of Christ.
I rarely kill the body, which preserves,
Like a strong prison, the soul within my power,
Wherein I feed it with the breath of fear
For hourly pain.
Camillo.
         Hell's most abandoned fiend
Did never, in the drunkenness of guilt,
Speak to his heart as now you speak to me;
I thank my God that I believe you not.
Enter Andrea.
Andrea.
My Lord, a gentleman from Salamanca
Would speak with you.
Cenci.
           Bid him attend me in
The grand saloon.
[Exit Andrea.
Camillo.
         Farewell; and I will pray
Almighty God that thy false, impious words
Tempt not his spirit to abandon thee.
[Exit Camillo.
Cenci.
The third of my possessions! I must use
Close husbandry, or gold, the old man's sword,
Falls from my withered hand. But yesterday
There came an order from the Pope to make
Fourfold provision for my cursd sons;
Whom I had sent from Rome to Salamanca,
Hoping some accident might cut them off;
And meaning if I could to starve them there.
I pray thee, God, send some quick death upon them!
Bernardo and my wife could not be worse
If dead and damned:then, as to Beatrice [Looking around him suspiciously.

I think they cannot hear me at that door;
What if they should? And yet I need not speak
Though the heart triumphs with itself in words.
O, thou most silent air, that shalt not hear
What now I think! Thou, pavement, which I tread
Towards her chamber,let your echoes talk
Of my imperious step scorning surprise,
But not of my intent!Andrea!
[Enter Andrea.
Andrea.
                My lord?
                Cenci.
Bid Beatrice attend me in her chamber
This evening:no, at midnight and alone.
[Exeunt.
Scene II.
A Garden of the Cenci Palace. EnterBeatrice and Orsino, as in conversation.
Beatrice.
Pervert not truth,
Orsino. You remember where we held
That conversation;nay, we see the spot
Even from this cypress;two long years are past
Since, on an April midnight, underneath
The moonlight ruins of mount Palatine,
I did confess to you my secret mind.
Orsino.
You said you loved me then.
Beatrice.
               You are a Priest,
Speak to me not of love.
Orsino.
             I may obtain
The dispensation of the Pope to marry.
Because I am a Priest do you believe
Your image, as the hunter some struck deer,
Follows me not whether I wake or sleep?
Beatrice.
As I have said, speak to me not of love;
Had you a dispensation I have not;
Nor will I leave this home of misery
Whilst my poor Bernard, and that gentle lady
To whom I owe life, and these virtuous thoughts,
Must suffer what I still have strength to share.
Alas, Orsino! All the love that once
I felt for you, is turned to bitter pain.
Ours was a youthful contract, which you first
Broke, by assuming vows no Pope will loose.
And thus I love you still, but holily,
Even as a sister or a spirit might;
And so I swear a cold fidelity.
And it is well perhaps we shall not marry.
You have a sly, equivocating vein
That suits me not.Ah, wretched that I am!
Where shall I turn? Even now you look on me
As you were not my friend, and as if you
Discovered that I thought so, with false smiles
Making my true suspicion seem your wrong.
Ah, no! forgive me; sorrow makes me seem
Sterner than else my nature might have been;
I have a weight of melancholy thoughts,
And they forbode,but what can they forbode
Worse than I now endure?
Orsino.
             All will be well.
Is the petition yet prepared? You know
My zeal for all you wish, sweet Beatrice;
Doubt not but I will use my utmost skill
So that the Pope attend to your complaint.
Beatrice.
Your zeal for all I wish;Ah me, you are cold!
Your utmost skill . . . speak but one word . . . (aside)
Alas!
Weak and deserted creature that I am,
Here I stand bickering with my only friend! [To Orsino.

This night my father gives a sumptuous feast,
Orsino; he has heard some happy news
From Salamanca, from my brothers there,
And with this outward show of love he mocks
His inward hate. 'Tis bold hypocrisy,
For he would gladlier celebrate their deaths,
Which I have heard him pray for on his knees:
Great God! that such a father should be mine!
But there is mighty preparation made,
And all our kin, the Cenci, will be there,
And all the chief nobility of Rome.
And he has bidden me and my pale Mother
Attire ourselves in festival array.
Poor lady! She expects some happy change
In his dark spirit from this act; I none.
At supper I will give you the petition:
Till whenfarewell.
Orsino.
           Farewell.
(Exit Beatrice.)
                I know the Pope
Will ne'er absolve me from my priestly vow
But by absolving me from the revenue
Of many a wealthy see; and, Beatrice,
I think to win thee at an easier rate.
Nor shall he read her eloquent petition:
He might bestow her on some poor relation
Of his sixth cousin, as he did her sister,
And I should be debarred from all access.
Then as to what she suffers from her father,
In all this there is much exaggeration:
Old men are testy and will have their way;
A man may stab his enemy, or his vassal,
And live a free life as to wine or women,
And with a peevish temper may return
To a dull home, and rate his wife and children;
Daughters and wives call this foul tyranny.
I shall be well content if on my conscience
There rest no heavier sin than what they suffer
From the devices of my lovea net
From which she shall escape not. Yet I fear
Her subtle mind, her awe-inspiring gaze,
Whose beams anatomize me nerve by nerve
And lay me bare, and make me blush to see
My hidden thoughts.Ah, no! A friendless girl
Who clings to me, as to her only hope:
I were a fool, not less than if a panther
Were panic-stricken by the antelope's eye,
If she escape me.
[Exit.
Scene III.
A Magnificent Hall in the Cenci Palace. A Banquet. Enter Cenci, Lucretia, Beatrice, Orsino, Camillo, Nobles.
Cenci.
Welcome, my friends and kinsmen; welcome ye,
Princes and Cardinals, pillars of the church,
Whose presence honours our festivity.
I have too long lived like an anchorite,
And in my absence from your merry meetings
An evil word is gone abroad of me;
But I do hope that you, my noble friends,
When you have shared the entertainment here,
And heard the pious cause for which 'tis given,
And we have pledged a health or two together,
Will think me flesh and blood as well as you;
Sinful indeed, for Adam made all so,
But tender-hearted, meek and pitiful.
First Guest.
In truth, my Lord, you seem too light of heart,
Too sprightly and companionable a man,
To act the deeds that rumour pins on you. (To his Companion.)

I never saw such blithe and open cheer
In any eye!
Second Guest.
      Some most desired event,
In which we all demand a common joy,
Has brought us hither; let us hear it, Count.
Cenci.
It is indeed a most desired event.
If, when a parent from a parent's heart
Lifts from this earth to the great Father of all
A prayer, both when he lays him down to sleep,
And when he rises up from dreaming it;
One supplication, one desire, one hope,
That he would grant a wish for his two sons,
Even all that he demands in their regard
And suddenly beyond his dearest hope
It is accomplished, he should then rejoice,
And call his friends and kinsmen to a feast,
And task their love to grace his merriment,
Then honour me thus farfor I am he.
Beatrice
(to Lucretia).
Great God! How horrible! Some dreadful ill
Must have befallen my brothers.
Lucretia.
                 Fear not, Child,
He speaks too frankly.
Beatrice.
            Ah! My blood runs cold.
I fear that wicked laughter round his eye,
Which wrinkles up the skin even to the hair.
Cenci.
Here are the letters brought from Salamanca;
Beatrice, read them to your mother. God!
I thank thee! In one night didst thou perform,
By ways inscrutable, the thing I sought.
My disobedient and rebellious sons
Are dead!Why, dead!What means this change of cheer?
You hear me not, I tell you they are dead;
And they will need no food or raiment more:
The tapers that did light them the dark way
Are their last cost. The Pope, I think, will not
Expect I should maintain them in their coffins.
Rejoice with memy heart is wondrous glad.
[Lucretia sinks, half fainting; Beatrice supports her.
Beatrice.
It is not true!Dear lady, pray look up.
Had it been true, there is a God in Heaven,
He would not live to boast of such a boon.
Unnatural man, thou knowest that it is false.
Cenci.
Ay, as the word of God; whom here I call
To witness that I speak the sober truth;
And whose most favouring Providence was shown
Even in the manner of their deaths. For Rocco
Was kneeling at the mass, with sixteen others,
When the church fell and crushed him to a mummy,
The rest escaped unhurt. Cristofano
Was stabbed in error by a jealous man,
Whilst she he loved was sleeping with his rival;
All in the self-same hour of the same night;
Which shows that Heaven has special care of me.
I beg those friends who love me, that they mark
The day a feast upon their calendars.
It was the twenty-seventh of December:
Ay, read the letters if you doubt my oath.
[The Assembly appears confused; several of the guests rise.
First Guest.
Oh, horrible! I will depart
Second Guest.
                And I.
                Third Guest.
                    No, stay!
I do believe it is some jest; though faith!
'Tis mocking us somewhat too solemnly.
I think his son has married the Infanta,
Or found a mine of gold in El Dorado;
'Tis but to season some such news; stay, stay!
I see 'tis only raillery by his smile.
Cenci
(filling a bowl of wine, and lifting it up).
Oh, thou bright wine whose purple splendour leaps
And bubbles gaily in this golden bowl
Under the lamplight, as my spirits do,
To hear the death of my accursd sons!
Could I believe thou wert their mingled blood,
Then would I taste thee like a sacrament,
And pledge with thee the mighty Devil in Hell,
Who, if a father's curses, as men say,
Climb with swift wings after their children's souls,
And drag them from the very throne of Heaven,
Now triumphs in my triumph!But thou art
Superfluous; I have drunken deep of joy,
And I will taste no other wine to-night.
Here, Andrea! Bear the bowl around.
A Guest
(rising).
                   Thou wretch!
Will none among this noble company
Check the abandoned villain?
Camillo.
               For God's sake
Let me dismiss the guests! You are insane,
Some ill will come of this.
Second Guest.
               Seize, silence him!
               First Guest.
I will!
Third Guest.
    And I!
    Cenci
(addressing those who rise with a threatening gesture).
       Who moves? Who speaks?
       (turning to the Company)
                   'tis nothing
Enjoy yourselves.Beware! For my revenge
Is as the sealed commission of a king
That kills, and none dare name the murderer.
[The Banquet is broken up; several of the Guests are departing.
Beatrice.
I do entreat you, go not, noble guests;
What, although tyranny and impious hate
Stand sheltered by a father's hoary hair?
What, if 'tis he who clothed us in these limbs
Who tortures them, and triumphs? What, if we,
The desolate and the dead, were his own flesh,
His children and his wife, whom he is bound
To love and shelter? Shall we therefore find
No refuge in this merciless wide world?
O think what deep wrongs must have blotted out
First love, then reverence in a child's prone mind,
Till it thus vanquish shame and fear! O think!
I have borne much, and kissed the sacred hand
Which crushed us to the earth, and thought its stroke
Was perhaps some paternal chastisement!
Have excused much, doubted; and when no doubt
Remained, have sought by patience, love, and tears
To soften him, and when this could not be
I have knelt down through the long sleepless nights
And lifted up to God, the Father of all,
Passionate prayers: and when these were not heard
I have still borne,until I meet you here,
Princes and kinsmen, at this hideous feast
Given at my brothers' deaths. Two yet remain,
His wife remains and I, whom if ye save not,
Ye may soon share such merriment again
As fathers make over their children's graves.
O Prince Colonna, thou art our near kinsman,
Cardinal, thou art the Pope's chamberlain,
Camillo, thou art chief justiciary,
Take us away!
Cenci.
(He has been conversing with Camillo during the first part of Beatrice's speech; he hears the conclusion, and now advances.)
       I hope my good friends here
Will think of their own daughtersor perhaps
Of their own throatsbefore they lend an ear
To this wild girl.
Beatrice
(not noticing the words of Cenci).
          Dare no one look on me?
None answer? Can one tyrant overbear
The sense of many best and wisest men?
Or is it that I sue not in some form
Of scrupulous law, that ye deny my suit?
O God! That I were buried with my brothers!
And that the flowers of this departed spring
Were fading on my grave! And that my father
Were celebrating now one feast for all!
Camillo.
A bitter wish for one so young and gentle;
Can we do nothing?
Colonna.
          Nothing that I see.
Count Cenci were a dangerous enemy:
Yet I would second any one.
A Cardinal.
               And I.
               Cenci.
Retire to your chamber, insolent girl!
Beatrice.
Retire thou, impious man! Ay, hide thyself
Where never eye can look upon thee more!
Wouldst thou have honour and obedience
Who art a torturer? Father, never dream
Though thou mayst overbear this company,
But ill must come of ill.Frown not on me!
Haste, hide thyself, lest with avenging looks
My brothers' ghosts should hunt thee from thy seat!
Cover thy face from every living eye,
And start if thou but hear a human step:
Seek out some dark and silent corner, there,
Bow thy white head before offended God,
And we will kneel around, and fervently
Pray that he pity both ourselves and thee.
Cenci.
My friends, I do lament this insane girl
Has spoilt the mirth of our festivity.
Good night, farewell; I will not make you longer
Spectators of our dull domestic quarrels.
Another time.
[Exeunt all but Cenci and Beatrice.
        My brain is swimming round;
Give me a bowl of wine!
[To Beatrice.
            Thou painted viper!
Beast that thou art! Fair and yet terrible!
I know a charm shall make thee meek and tame,
Now get thee from my sight!
[Exit Beatrice.
               Here, Andrea,
Fill up this goblet with Greek wine. I said
I would not drink this evening; but I must;
For, strange to say, I feel my spirits fail
With thinking what I have decreed to do. [Drinking the wine.

Be thou the resolution of quick youth
Within my veins, and manhood's purpose stern,
And age's firm, cold, subtle villainy;
As if thou wert indeed my children's blood
Which I did thirst to drink! The charm works well;
It must be done; it shall be done, I swear!
[Exit.
END OF THE FIRST ACT.

ACT II
Scene I.
An Apartment in the Cenci Palace. Enter Lucretia and Bernardo.
Lucretia.
Weep not, my gentle boy; he struck but me
Who have borne deeper wrongs. In truth, if he
Had killed me, he had done a kinder deed.
O God, Almighty, do Thou look upon us,
We have no other friend but only Thee!
Yet weep not; though I love you as my own,
I am not your true mother.
Bernardo.
              O more, more,
Than ever mother was to any child,
That have you been to me! Had he not been
My father, do you think that I should weep!
Lucretia.
Alas! Poor boy, what else couldst thou have done?
Enter Beatrice.
Beatrice
(in a hurried voice).
Did he pass this way? Have you seen him, brother?
Ah, no! that is his step upon the stairs;
'Tis nearer now; his hand is on the door;
Mother, if I to thee have ever been
A duteous child, now save me! Thou, great God,
Whose image upon earth a father is,
Dost Thou indeed abandon me? He comes;
The door is opening now; I see his face;
He frowns on others, but he smiles on me,
Even as he did after the feast last night. Enter a Servant.

Almighty God, how merciful Thou art!
'Tis but Orsino's servant.Well, what news?
Servant.
My master bids me say, the Holy Father
Has sent back your petition thus unopened. [Giving a paper.

And he demands at what hour 'twere secure
To visit you again?
Lucretia.
          At the Ave Mary.[Exit Servant.

So, daughter, our last hope has failed; Ah me!
How pale you look; you tremble, and you stand
Wrapped in some fixed and fearful meditation,
As if one thought were over strong for you:
Your eyes have a chill glare; O, dearest child!
Are you gone mad? If not, pray speak to me.
Beatrice.
You see I am not mad: I speak to you.
Lucretia.
You talked of something that your father did
After that dreadful feast? Could it be worse
Than when he smiled, and cried, 'My sons are dead!'
And every one looked in his neighbour's face
To see if others were as white as he?
At the first word he spoke I felt the blood
Rush to my heart, and fell into a trance;
And when it passed I sat all weak and wild;
Whilst you alone stood up, and with strong words
Checked his unnatural pride; and I could see
The devil was rebuked that lives in him.
Until this hour thus have you ever stood
Between us and your father's moody wrath
Like a protecting presence: your firm mind
Has been our only refuge and defence:
What can have thus subdued it? What can now
Have given you that cold melancholy look,
Succeeding to your unaccustomed fear?
Beatrice.
What is it that you say? I was just thinking
'Twere better not to struggle any more.
Men, like my father, have been dark and bloody,
Yet neverOh! Before worse comes of it
'Twere wise to die: it ends in that at last.
Lucretia.
Oh, talk not so, dear child! Tell me at once
What did your father do or say to you?
He stayed not after that accursd feast
One moment in your chamber.Speak to me.
Bernardo.
Oh, sister, sister, prithee, speak to us!
Beatrice
(speaking very slowly with a forced calmness).
It was one word, Mother, one little word;
One look, one smile. (Wildly.)
Oh! He has trampled me
Under his feet, and made the blood stream down
My pallid cheeks. And he has given us all
Ditch-water, and the fever-stricken flesh
Of buffaloes, and bade us eat or starve,
And we have eaten.He has made me look
On my beloved Bernardo, when the rust
Of heavy chains has gangrened his sweet limbs,
And I have never yet despairedbut now!
What could I say?
[Recovering herself.
         Ah, no! 'tis nothing new.
The sufferings we all share have made me wild:
He only struck and cursed me as he passed;
He said, he looked, he did;nothing at all
Beyond his wont, yet it disordered me.
Alas! I am forgetful of my duty,
I should preserve my senses for your sake.
Lucretia.
Nay, Beatrice; have courage, my sweet girl,
If any one despairs it should be I
Who loved him once, and now must live with him
Till God in pity call for him or me.
For you may, like your sister, find some husband,
And smile, years hence, with children round your knees;
Whilst I, then dead, and all this hideous coil
Shall be remembered only as a dream.
Beatrice.
Talk not to me, dear lady, of a husband.
Did you not nurse me when my mother died?
Did you not shield me and that dearest boy?
And had we any other friend but you
In infancy, with gentle words and looks,
To win our father not to murder us?
And shall I now desert you? May the ghost
Of my dead Mother plead against my soul
If I abandon her who filled the place
She left, with more, even, than a mother's love!
Bernardo.
And I am of my sister's mind. Indeed
I would not leave you in this wretchedness,
Even though the Pope should make me free to live
In some blithe place, like others of my age,
With sports, and delicate food, and the fresh air.
Oh, never think that I will leave you, Mother!
Lucretia.
My dear, dear children!
Enter Cenci, suddenly.
Cenci.
            What, Beatrice here!
Come hither!
[She shrinks back, and covers her face.
      Nay, hide not your face, 'tis fair;
Look up! Why, yesternight you dared to look
With disobedient insolence upon me,
Bending a stern and an inquiring brow
On what I meant; whilst I then sought to hide
That which I came to tell youbut in vain.
Beatrice
(wildly, staggering towards the door).
O that the earth would gape! Hide me, O God!
Cenci.
Then it was I whose inarticulate words
Fell from my lips, and who with tottering steps
Fled from your presence, as you now from mine.
Stay, I command youfrom this day and hour
Never again, I think, with fearless eye,
And brow superior, and unaltered cheek,
And that lip made for tenderness or scorn,
Shalt thou strike dumb the meanest of mankind;
Me least of all. Now get thee to thy chamber!
Thou too, loathed image of thy cursd mother, [To Bernardo.

Thy milky, meek face makes me sick with hate! [Exeunt Beatrice and Bernardo.
(Aside.)

So much has passed between us as must make
Me bold, her fearful.'Tis an awful thing
To touch such mischief as I now conceive:
So men sit shivering on the dewy bank,
And try the chill stream with their feet; once in . . .
How the delighted spirit pants for joy!
Lucretia
(advancing timidly towards him).
O husband! Pray forgive poor Beatrice.
She meant not any ill.
Cenci.
            Nor you perhaps?
Nor that young imp, whom you have taught by rote
Parricide with his alphabet? Nor Giacomo?
Nor those two most unnatural sons, who stirred
Enmity up against me with the Pope?
Whom in one night merciful God cut off:
Innocent lambs! They thought not any ill.
You were not here conspiring? You said nothing
Of how I might be dungeoned as a madman;
Or be condemned to death for some offence,
And you would be the witnesses?This failing,
How just it were to hire assassins, or
Put sudden poison in my evening drink?
Or smother me when overcome by wine?
Seeing we had no other judge but God,
And He had sentenced me, and there were none
But you to be the executioners
Of His decree enregistered in Heaven?
Oh, no! You said not this?
Lucretia.
              So help me God,
I never thought the things you charge me with!
Cenci.
If you dare speak that wicked lie again
I'll kill you. What! It was not by your counsel
That Beatrice disturbed the feast last night?
You did not hope to stir some enemies
Against me, and escape, and laugh to scorn
What every nerve of you now trembles at?
You judged that men were bolder than they are;
Few dare to stand between their grave and me.
Lucretia.
Look not so dreadfully! By my salvation
I knew not aught that Beatrice designed;
Nor do I think she designed any thing
Until she heard you talk of her dead brothers.
Cenci.
Blaspheming liar! You are damned for this!
But I will take you where you may persuade
The stones you tread on to deliver you:
For men shall there be none but those who dare
All thingsnot question that which I command.
On Wednesday next I shall set out: you know
That savage rock, the Castle of Petrella:
'Tis safely walled, and moated round about:
Its dungeons underground, and its thick towers
Never told tales; though they have heard and seen
What might make dumb things speak.Why do you linger?
Make speediest preparation for the journey! [Exit Lucretia.

The all-beholding sun yet shines; I hear
A busy stir of men about the streets;
I see the bright sky through the window panes:
It is a garish, broad, and peering day;
Loud, light, suspicious, full of eyes and ears,
And every little corner, nook, and hole
Is penetrated with the insolent light.
Come darkness! Yet, what is the day to me?
And wherefore should I wish for night, who do
A deed which shall confound both night and day?
'Tis she shall grope through a bewildering mist
Of horror: if there be a sun in heaven
She shall not dare to look upon its beams;
Nor feel its warmth. Let her then wish for night;
The act I think shall soon extinguish all
For me: I bear a darker deadlier gloom
Than the earth's shade, or interlunar air,
Or constellations quenched in murkiest cloud,
In which I walk secure and unbeheld
Towards my purpose.Would that it were done!
[Exit.
Scene II.
A Chamber in the Vatican. Enter Camillo and Giacomo, in conversation.
Camillo.
There is an obsolete and doubtful law
By which you might obtain a bare provision
Of food and clothing
Giacomo.
            Nothing more? Alas!
Bare must be the provision which strict law
Awards, and agd, sullen avarice pays.
Why did my father not apprentice me
To some mechanic trade? I should have then
Been trained in no highborn necessities
Which I could meet not by my daily toil.
The eldest son of a rich nobleman
Is heir to all his incapacities;
He has wide wants, and narrow powers. If you,
Cardinal Camillo, were reduced at once
From thrice-driven beds of down, and delicate food,
An hundred servants, and six palaces,
To that which nature doth indeed require?
Camillo.
Nay, there is reason in your plea; 'twere hard.
Giacomo.
'Tis hard for a firm man to bear: but I
Have a dear wife, a lady of high birth,
Whose dowry in ill hour I lent my father
Without a bond or witness to the deed:
And children, who inherit her fine senses,
The fairest creatures in this breathing world;
And she and they reproach me not. Cardinal,
Do you not think the Pope would interpose
And stretch authority beyond the law?
Camillo.
Though your peculiar case is hard, I know
The Pope will not divert the course of law.
After that impious feast the other night
I spoke with him, and urged him then to check
Your father's cruel hand; he frowned and said,
'Children are disobedient, and they sting
Their fathers' hearts to madness and despair,
Requiting years of care with contumely.
I pity the Count Cenci from my heart;
His outraged love perhaps awakened hate,
And thus he is exasperated to ill.
In the great war between the old and young
I, who have white hairs and a tottering body,
Will keep at least blameless neutrality.' Enter Orsino.

You, my good Lord Orsino, heard those words.
Orsino.
What words?
Giacomo.
      Alas, repeat them not again!
There then is no redress for me, at least
None but that which I may achieve myself,
Since I am driven to the brink.But, say,
My innocent sister and my only brother
Are dying underneath my father's eye.
The memorable torturers of this land,
Galeaz Visconti, Borgia, Ezzelin,
Never inflicted on the meanest slave
What these endure; shall they have no protection?
Camillo.
Why, if they would petition to the Pope
I see not how he could refuse ityet
He holds it of most dangerous example
In aught to weaken the paternal power,
Being, as 'twere, the shadow of his own.
I pray you now excuse me. I have business
That will not bear delay.
[Exit Camillo.
Giacomo.
              But you, Orsino,
Have the petition: wherefore not present it?
Orsino.
I have presented it, and backed it with
My earnest prayers, and urgent interest;
It was returned unanswered. I doubt not
But that the strange and execrable deeds
Alleged in itin truth they might well baffle
Any beliefhave turned the Pope's displeasure
Upon the accusers from the criminal:
So I should guess from what Camillo said.
Giacomo.
My friend, that palace-walking devil Gold
Has whispered silence to his Holiness:
And we are left, as scorpions ringed with fire.
What should we do but strike ourselves to death?
For he who is our murderous persecutor
Is shielded by a father's holy name,
Or I would
[Stops abruptly.
Orsino.
      What? Fear not to speak your thought.
Words are but holy as the deeds they cover:
A priest who has forsworn the God he serves;
A judge who makes Truth weep at his decree;
A friend who should weave counsel, as I now,
But as the mantle of some selfish guile;
A father who is all a tyrant seems,
Were the profaner for his sacred name.
Giacomo.
Ask me not what I think; the unwilling brain
Feigns often what it would not; and we trust
Imagination with such phantasies
As the tongue dares not fashion into words,
Which have no words, their horror makes them dim
To the mind's eye.My heart denies itself
To think what you demand.
Orsino.
              But a friend's bosom
Is as the inmost cave of our own mind
Where we sit shut from the wide gaze of day,
And from the all-communicating air.
You look what I suspected
Giacomo.
               Spare me now!
I am as one lost in a midnight wood,
Who dares not ask some harmless passenger
The path across the wilderness, lest he,
As my thoughts are, should bea murderer.
I know you are my friend, and all I dare
Speak to my soul that will I trust with thee.
But now my heart is heavy, and would take
Lone counsel from a night of sleepless care.
Pardon me, that I say farewellfarewell!
I would that to my own suspected self
I could address a word so full of peace.
Orsino.
Farewell!Be your thoughts better or more bold. [Exit Giacomo.

I had disposed the Cardinal Camillo
To feed his hope with cold encouragement:
It fortunately serves my close designs
That 'tis a trick of this same family
To analyse their own and other minds.
Such self-anatomy shall teach the will
Dangerous secrets: for it tempts our powers,
Knowing what must be thought, and may be done,
Into the depth of darkest purposes:
So Cenci fell into the pit; even I,
Since Beatrice unveiled me to myself,
And made me shrink from what I cannot shun,
Show a poor figure to my own esteem,
To which I grow half reconciled. I'll do
As little mischief as I can; that thought
Shall fee the accuser conscience.
(After a pause.)
                  Now what harm
If Cenci should be murdered?Yet, if murdered,
Wherefore by me? And what if I could take
The profit, yet omit the sin and peril
In such an action? Of all earthly things
I fear a man whose blows outspeed his words;
And such is Cenci: and while Cenci lives
His daughter's dowry were a secret grave
If a priest wins her.Oh, fair Beatrice!
Would that I loved thee not, or loving thee
Could but despise danger and gold and all
That frowns between my wish and its effect,
Or smiles beyond it! There is no escape . . .
Her bright form kneels beside me at the altar,
And follows me to the resort of men,
And fills my slumber with tumultuous dreams,
So when I wake my blood seems liquid fire;
And if I strike my damp and dizzy head
My hot palm scorches it: her very name,
But spoken by a stranger, makes my heart
Sicken and pant; and thus unprofitably
I clasp the phantom of unfelt delights
Till weak imagination half possesses
The self-created shadow. Yet much longer
Will I not nurse this life of feverous hours:
From the unravelled hopes of Giacomo
I must work out my own dear purposes.
I see, as from a tower, the end of all:
Her father dead; her brother bound to me
By a dark secret, surer than the grave;
Her mother scared and unexpostulating
From the dread manner of her wish achieved:
And she!Once more take courage, my faint heart;
What dares a friendless maiden matched with thee?
I have such foresight as assures success:
Some unbeheld divinity doth ever,
When dread events are near, stir up men's minds
To black suggestions; and he prospers best,
Not who becomes the instrument of ill,
But who can flatter the dark spirit, that makes
Its empire and its prey of other hearts
Till it become his slave . . . as I will do.
[Exit.
END OF THE SECOND ACT.

ACT III
Scene I.
An Apartment in the Cenci Palace. Lucretia, to her enter Beatrice.
Beatrice.
(She enters staggering, and speaks wildly.)
Reach me that handkerchief!My brain is hurt;
My eyes are full of blood; just wipe them for me . . .
I see but indistinctly . . .
Lucretia.
               My sweet child,
You have no wound; 'tis only a cold dew
That starts from your dear brow . . . Alas! Alas!
What has befallen?
Beatrice.
          How comes this hair undone?
Its wandering strings must be what blind me so,
And yet I tied it fast.O, horrible!
The pavement sinks under my feet! The walls
Spin round! I see a woman weeping there,
And standing calm and motionless, whilst I
Slide giddily as the world reels. . . . My God!
The beautiful blue heaven is flecked with blood!
The sunshine on the floor is black! The air
Is changed to vapours such as the dead breathe
In charnel pits! Pah! I am choked! There creeps
A clinging, black, contaminating mist
About me . . . 'tis substantial, heavy, thick,
I cannot pluck it from me, for it glues
My fingers and my limbs to one another,
And eats into my sinews, and dissolves
My flesh to a pollution, poisoning
The subtle, pure, and inmost spirit of life!
My God! I never knew what the mad felt
Before; for I am mad beyond all doubt!
(More wildly.)
No, I am dead! These putrefying limbs
Shut round and sepulchre the panting soul
Which would burst forth into the wandering air! (A pause.)

What hideous thought was that I had even now?
'Tis gone; and yet its burthen remains here
O'er these dull eyes . . . upon this weary heart!
O, world! O, life! O, day! O, misery!
Lucretia.
What ails thee, my poor child? She answers not:
Her spirit apprehends the sense of pain,
But not its cause; suffering has dried away
The source from which it sprung . . .
Beatrice
(franticly).
                    Like Parricide . . .
Misery has killed its father: yet its father
Never like mine . . . O, God! What thing am I?
Lucretia.
My dearest child, what has your father done?
Beatrice
(doubtfully).
Who art thou, questioner? I have no father.
(Aside.)
She is the madhouse nurse who tends on me,
It is a piteous office.
[To Lucretia, in a slow, subdued voice.
            Do you know
I thought I was that wretched Beatrice
Men speak of, whom her father sometimes hales
From hall to hall by the entangled hair;
At others, pens up naked in damp cells
Where scaly reptiles crawl, and starves her there,
Till she will eat strange flesh. This woful story
So did I overact in my sick dreams,
That I imagined . . . no, it cannot be!
Horrible things have been in this wide world,
Prodigious mixtures, and confusions strange
Of good and ill; and worse have been conceived
Than ever there was found a heart to do.
But never fancy imaged such a deed
As . . .
[Pauses, suddenly recollecting herself.
    Who art thou? Swear to me, ere I die
With fearful expectation, that indeed
Thou art not what thou seemest . . . Mother!
Lucretia.
                        Oh!
My sweet child, know you . . .
Beatrice.
                Yet speak it not:
For then if this be truth, that other too
Must be a truth, a firm enduring truth,
Linked with each lasting circumstance of life,
Never to change, never to pass away.
Why so it is. This is the Cenci Palace;
Thou art Lucretia; I am Beatrice.
I have talked some wild words, but will no more.
Mother, come near me: from this point of time,
I am . . .
[Her voice dies away faintly.
Lucretia.
     Alas! What has befallen thee, child?
What has thy father done?
Beatrice.
              What have I done?
Am I not innocent? Is it my crime
That one with white hair, and imperious brow,
Who tortured me from my forgotten years,
As parents only dare, should call himself
My father, yet should be!Oh, what am I?
What name, what place, what memory shall be mine?
What retrospects, outliving even despair?
Lucretia.
He is a violent tyrant, surely, child:
We know that death alone can make us free;
His death or ours. But what can he have done
Of deadlier outrage or worse injury?
Thou art unlike thyself; thine eyes shoot forth
A wandering and strange spirit. Speak to me,
Unlock those pallid hands whose fingers twine
With one another.
Beatrice.
         'Tis the restless life
Tortured within them. If I try to speak
I shall go mad. Ay, something must be done;
What, yet I know not . . . something which shall make
The thing that I have suffered but a shadow
In the dread lightning which avenges it;
Brief, rapid, irreversible, destroying
The consequence of what it cannot cure.
Some such thing is to be endured or done:
When I know what, I shall be still and calm,
And never anything will move me more.
But now!O blood, which art my father's blood,
Circling through these contaminated veins,
If thou, poured forth on the polluted earth,
Could wash away the crime, and punishment
By which I suffer . . . no, that cannot be!
Many might doubt there were a God above
Who sees and permits evil, and so die:
That faith no agony shall obscure in me.
Lucretia.
It must indeed have been some bitter wrong;
Yet what, I dare not guess. Oh, my lost child,
Hide not in proud impenetrable grief
Thy sufferings from my fear.
Beatrice.
               I hide them not.
What are the words which you would have me speak?
I, who can feign no image in my mind
Of that which has transformed me: I, whose thought
Is like a ghost shrouded and folded up
In its own formless horror: of all words,
That minister to mortal intercourse,
Which wouldst thou hear? For there is none to tell
My misery: if another ever knew
Aught like to it, she died as I will die,
And left it, as I must, without a name.
Death! Death! Our law and our religion call thee
A punishment and a reward . . . Oh, which
Have I deserved?
Lucretia.
         The peace of innocence;
Till in your season you be called to heaven.
Whate'er you may have suffered, you have done
No evil. Death must be the punishment
Of crime, or the reward of trampling down
The thorns which God has strewed upon the path
Which leads to immortality.
Beatrice.
               Ay; death . . .
The punishment of crime. I pray thee, God,
Let me not be bewildered while I judge.
If I must live day after day, and keep
These limbs, the unworthy temple of Thy spirit,
As a foul den from which what Thou abhorrest
May mock Thee, unavenged . . . it shall not be!
Self-murder . . . no, that might be no escape,
For Thy decree yawns like a Hell between
Our will and it:O! In this mortal world
There is no vindication and no law
Which can adjudge and execute the doom
Of that through which I suffer.
Enter Orsino.
(She approaches him solemnly.)
                 Welcome, Friend!
I have to tell you that, since last we met,
I have endured a wrong so great and strange,
That neither life nor death can give me rest.
Ask me not what it is, for there are deeds
Which have no form, sufferings which have no tongue.
Orsino.
And what is he who has thus injured you?
Beatrice.
The man they call my father: a dread name.
Orsino.
It cannot be . . .
Beatrice.
          What it can be, or not,
Forbear to think. It is, and it has been;
Advise me how it shall not be again.
I thought to die; but a religious awe
Restrains me, and the dread lest death itself
Might be no refuge from the consciousness
Of what is yet unexpiated. Oh, speak!
Orsino.
Accuse him of the deed, and let the law
Avenge thee.
Beatrice.
      Oh, ice-hearted counsellor!
If I could find a word that might make known
The crime of my destroyer; and that done,
My tongue should like a knife tear out the secret
Which cankers my heart's core; ay, lay all bare
So that my unpolluted fame should be
With vilest gossips a stale mouthd story;
A mock, a byword, an astonishment:
If this were done, which never shall be done,
Think of the offender's gold, his dreaded hate,
And the strange horror of the accuser's tale,
Baffling belief, and overpowering speech;
Scarce whispered, unimaginable, wrapped
In hideous hints . . . Oh, most assured redress!
Orsino.
You will endure it then?
Beatrice.
             Endure?Orsino,
It seems your counsel is small profit.
[Turns from him, and speaks half to herself.
                     Ay,
All must be suddenly resolved and done.
What is this undistinguishable mist
Of thoughts, which rise, like shadow after shadow,
Darkening each other?
Orsino.
           Should the offender live?
Triumph in his misdeed? and make, by use,
His crime, whate'er it is, dreadful no doubt,
Thine element; until thou mayst become
Utterly lost; subdued even to the hue
Of that which thou permittest?
Beatrice
(to herself).
                Mighty death!
Thou double-visaged shadow? Only judge!
Rightfullest arbiter!
[She retires absorbed in thought.
Lucretia.
           If the lightning
Of God has e'er descended to avenge . . .
Orsino.
Blaspheme not! His high Providence commits
Its glory on this earth, and their own wrongs
Into the hands of men; if they neglect
To punish crime . . .
Lucretia.
           But if one, like this wretch,
Should mock, with gold, opinion, law, and power?
If there be no appeal to that which makes
The guiltiest tremble? If because our wrongs,
For that they are unnatural, strange, and monstrous,
Exceed all measure of belief? O God!
If, for the very reasons which should make
Redress most swift and sure, our injurer triumphs?
And we, the victims, bear worse punishment
Than that appointed for their torturer?
Orsino.
                     Think not
But that there is redress where there is wrong,
So we be bold enough to seize it.
Lucretia.
                  How?
If there were any way to make all sure,
I know not . . . but I think it might be good
To . . .
Orsino.
    Why, his late outrage to Beatrice;
For it is such, as I but faintly guess,
As makes remorse dishonour, and leaves her
Only one duty, how she may avenge:
You, but one refuge from ills ill endured;
Me, but one counsel . . .
Lucretia.
              For we cannot hope
That aid, or retribution, or resource
Will arise thence, where every other one
Might find them with less need.
[Beatrice advances.
Orsino.
                 Then . . .
                 Beatrice.
                      Peace, Orsino!
And, honoured Lady, while I speak, I pray,
That you put off, as garments overworn,
Forbearance and respect, remorse and fear,
And all the fit restraints of daily life,
Which have been borne from childhood, but which now
Would be a mockery to my holier plea.
As I have said, I have endured a wrong,
Which, though it be expressionless, is such
As asks atonement; both for what is past,
And lest I be reserved, day after day,
To load with crimes an overburthened soul,
And be . . . what ye can dream not. I have prayed
To God, and I have talked with my own heart,
And have unravelled my entangled will,
And have at length determined what is right.
Art thou my friend, Orsino? False or true?
Pledge thy salvation ere I speak.
Orsino.
                  I swear
To dedicate my cunning, and my strength,
My silence, and whatever else is mine,
To thy commands.
Lucretia.
         You think we should devise
His death?
Beatrice.
     And execute what is devised,
And suddenly. We must be brief and bold.
Orsino.
And yet most cautious.
Lucretia.
            For the jealous laws
Would punish us with death and infamy
For that which it became themselves to do.
Beatrice.
Be cautious as ye may, but prompt. Orsino,
What are the means?
Orsino.
          I know two dull, fierce outlaws,
Who think man's spirit as a worm's, and they
Would trample out, for any slight caprice,
The meanest or the noblest life. This mood
Is marketable here in Rome. They sell
What we now want.
Lucretia.
         To-morrow before dawn,
Cenci will take us to that lonely rock,
Petrella, in the Apulian Apennines.
If he arrive there . . .
Beatrice.
             He must not arrive.
             Orsino.
Will it be dark before you reach the tower?
Lucretia.
The sun will scarce be set.
Beatrice.
               But I remember
Two miles on this side of the fort, the road
Crosses a deep ravine; 'tis rough and narrow,
And winds with short turns down the precipice;
And in its depth there is a mighty rock,
Which has, from unimaginable years,
Sustained itself with terror and with toil
Over a gulf, and with the agony
With which it clings seems slowly coming down;
Even as a wretched soul hour after hour,
Clings to the mass of life; yet clinging, leans;
And leaning, makes more dark the dread abyss
In which it fears to fall: beneath this crag
Huge as despair, as if in weariness,
The melancholy mountain yawns . . . below,
You hear but see not an impetuous torrent
Raging among the caverns, and a bridge
Crosses the chasm; and high above there grow,
With intersecting trunks, from crag to crag,
Cedars, and yews, and pines; whose tangled hair
Is matted in one solid roof of shade
By the dark ivy's twine. At noonday here
'Tis twilight, and at sunset blackest night.
Orsino.
Before you reach that bridge make some excuse
For spurring on your mules, or loitering
Until . . .
Beatrice.
      What sound is that?
      Lucretia.
Hark! No, it cannot be a servant's step
It must be Cenci, unexpectedly
Returned . . . Make some excuse for being here.
Beatrice.
(To Orsino, as she goes out.)
That step we hear approach must never pass
The bridge of which we spoke.
[Exeunt Lucretia and Beatrice.
Orsino.
                What shall I do?
Cenci must find me here, and I must bear
The imperious inquisition of his looks
As to what brought me hither: let me mask
Mine own in some inane and vacant smile. Enter Giacomo, in a hurried manner.

How! Have you ventured hither? Know you then
That Cenci is from home?
Giacomo.
             I sought him here;
And now must wait till he returns.
Orsino.
                  Great God!
Weigh you the danger of this rashness?
Giacomo.
                     Ay!
Does my destroyer know his danger? We
Are now no more, as once, parent and child,
But man to man; the oppressor to the oppressed;
The slanderer to the slandered; foe to foe:
He has cast Nature off, which was his shield,
And Nature casts him off, who is her shame;
And I spurn both. Is it a father's throat
Which I will shake, and say, I ask not gold;
I ask not happy years; nor memories
Of tranquil childhood; nor home-sheltered love;
Though all these hast thou torn from me, and more;
But only my fair fame; only one hoard
Of peace, which I thought hidden from thy hate,
Under the penury heaped on me by thee,
Or I will . . . God can understand and pardon,
Why should I speak with man?
Orsino.
               Be calm, dear friend.
               Giacomo.
Well, I will calmly tell you what he did.
This old Francesco Cenci, as you know,
Borrowed the dowry of my wife from me,
And then denied the loan; and left me so
In poverty, the which I sought to mend
By holding a poor office in the state.
It had been promised to me, and already
I bought new clothing for my raggd babes,
And my wife smiled; and my heart knew repose.
When Cenci's intercession, as I found,
Conferred this office on a wretch, whom thus
He paid for vilest service. I returned
With this ill news, and we sate sad together
Solacing our despondency with tears
Of such affection and unbroken faith
As temper life's worst bitterness; when he,
As he is wont, came to upbraid and curse,
Mocking our poverty, and telling us
Such was God's scourge for disobedient sons.
And then, that I might strike him dumb with shame,
I spoke of my wife's dowry; but he coined
A brief yet specious tale, how I had wasted
The sum in secret riot; and he saw
My wife was touched, and he went smiling forth.
And when I knew the impression he had made,
And felt my wife insult with silent scorn
My ardent truth, and look averse and cold,
I went forth too: but soon returned again;
Yet not so soon but that my wife had taught
My children her harsh thoughts, and they all cried,
'Give us clothes, father! Give us better food!
What you in one night squander were enough
For months!' I looked, and saw that home was hell.
And to that hell will I return no more
Until mine enemy has rendered up
Atonement, or, as he gave life to me
I will, reversing Nature's law . . .
Orsino.
                    Trust me,
The compensation which thou seekest here
Will be denied.
Giacomo.
        Then . . . Are you not my friend?
Did you not hint at the alternative,
Upon the brink of which you see I stand,
The other day when we conversed together?
My wrongs were then less. That word parricide,
Although I am resolved, haunts me like fear.
Orsino.
It must be fear itself, for the bare word
Is hollow mockery. Mark, how wisest God
Draws to one point the threads of a just doom,
So sanctifying it: what you devise
Is, as it were, accomplished.
Giacomo.
                Is he dead?
                Orsino.
His grave is ready. Know that since we met
Cenci has done an outrage to his daughter.
Giacomo.
What outrage?
Orsino.
       That she speaks not, but you may
Conceive such half conjectures as I do,
From her fixed paleness, and the lofty grief
Of her stern brow bent on the idle air,
And her severe unmodulated voice,
Drowning both tenderness and dread; and last
From this; that whilst her step-mother and I,
Bewildered in our horror, talked together
With obscure hints; both self-misunderstood
And darkly guessing, stumbling, in our talk,
Over the truth, and yet to its revenge,
She interrupted us, and with a look
Which told before she spoke it, he must die: . . .
Giacomo.
It is enough. My doubts are well appeased;
There is a higher reason for the act
Than mine; there is a holier judge than me,
A more unblamed avenger. Beatrice,
Who in the gentleness of thy sweet youth
Hast never trodden on a worm, or bruised
A living flower, but thou hast pitied it
With needless tears! Fair sister, thou in whom
Men wondered how such loveliness and wisdom
Did not destroy each other! Is there made
Ravage of thee? O, heart, I ask no more
Justification! Shall I wait, Orsino,
Till he return, and stab him at the door?
Orsino.
Not so; some accident might interpose
To rescue him from what is now most sure;
And you are unprovided where to fly,
How to excuse or to conceal. Nay, listen:
All is contrived; success is so assured
That . . .
Enter Beatrice.
Beatrice.
     'Tis my brother's voice! You know me not?
     Giacomo.
My sister, my lost sister!
Beatrice.
              Lost indeed!
I see Orsino has talked with you, and
That you conjecture things too horrible
To speak, yet far less than the truth. Now, stay not,
He might return: yet kiss me; I shall know
That then thou hast consented to his death.
Farewell, farewell! Let piety to God,
Brotherly love, justice and clemency,
And all things that make tender hardest hearts
Make thine hard, brother. Answer not . . . farewell.
[Exeunt severally.
Scene II.
A mean Apartment in Giacomo's House. Giacomo alone.
Giacomo.
'Tis midnight, and Orsino comes not yet. [Thunder, and the sound of a storm.

What! can the everlasting elements
Feel with a worm like man? If so, the shaft
Of mercy-wingd lightning would not fall
On stones and trees. My wife and children sleep:
They are now living in unmeaning dreams:
But I must wake, still doubting if that deed
Be just which is most necessary. O,
Thou unreplenished lamp! whose narrow fire
Is shaken by the wind, and on whose edge
Devouring darkness hovers! Thou small flame,
Which, as a dying pulse rises and falls,
Still flickerest up and down, how very soon,
Did I not feed thee, wouldst thou fail and be
As thou hadst never been! So wastes and sinks
Even now, perhaps, the life that kindled mine:
But that no power can fill with vital oil
That broken lamp of flesh. Ha! 'tis the blood
Which fed these veins that ebbs till all is cold:
It is the form that moulded mine that sinks
Into the white and yellow spasms of death:
It is the soul by which mine was arrayed
In God's immortal likeness which now stands
Naked before Heaven's judgement seat!
[A bell strikes.
                    One! Two!
The hours crawl on; and when my hairs are white,
My son will then perhaps be waiting thus,
Tortured between just hate and vain remorse;
Chiding the tardy messenger of news
Like those which I expect. I almost wish
He be not dead, although my wrongs are great;
Yet . . . 'tis Orsino's step . . .
Enter Orsino.
                  Speak!
                  Orsino.
                      I am come
To say he has escaped.
Giacomo.
            Escaped!
            Orsino.
                And safe
Within Petrella. He passed by the spot
Appointed for the deed an hour too soon.
Giacomo.
Are we the fools of such contingencies?
And do we waste in blind misgivings thus
The hours when we should act? Then wind and thunder,
Which seemed to howl his knell, is the loud laughter
With which Heaven mocks our weakness! I henceforth
Will ne'er repent of aught designed or done
But my repentance.
Orsino.
          See, the lamp is out.
          Giacomo.
If no remorse is ours when the dim air
Has drank this innocent flame, why should we quail
When Cenci's life, that light by which ill spirits
See the worst deeds they prompt, shall sink for ever?
No, I am hardened.
Orsino.
          Why, what need of this?
Who feared the pale intrusion of remorse
In a just deed? Although our first plan failed,
Doubt not but he will soon be laid to rest.
But light the lamp; let us not talk i' the dark.
Giacomo
(lighting the lamp).
And yet once quenched I cannot thus relume
My father's life: do you not think his ghost
Might plead that argument with God?
Orsino.
                   Once gone
You cannot now recall your sister's peace;
Your own extinguished years of youth and hope;
Nor your wife's bitter words; nor all the taunts
Which, from the prosperous, weak misfortune takes;
Nor your dead mother; nor . . .
Giacomo.
                 O, speak no more!
I am resolved, although this very hand
Must quench the life that animated it.
Orsino.
There is no need of that. Listen: you know
Olimpio, the castellan of Petrella
In old Colonna's time; him whom your father
Degraded from his post? And Marzio,
That desperate wretch, whom he deprived last year
Of a reward of blood, well earned and due?
Giacomo.
I knew Olimpio; and they say he hated
Old Cenci so, that in his silent rage
His lips grew white only to see him pass.
Of Marzio I know nothing.
Orsino.
              Marzio's hate
Matches Olimpio's. I have sent these men,
But in your name, and as at your request,
To talk with Beatrice and Lucretia.
Giacomo.
Only to talk?
Orsino.
       The moments which even now
Pass onward to to-morrow's midnight hour
May memorize their flight with death: ere then
They must have talked, and may perhaps have done,
And made an end . . .
Giacomo.
           Listen! What sound is that?
           Orsino.
The house-dog moans, and the beams crack: nought else.
Giacomo.
It is my wife complaining in her sleep:
I doubt not she is saying bitter things
Of me; and all my children round her dreaming
That I deny them sustenance.
Orsino.
               Whilst he
Who truly took it from them, and who fills
Their hungry rest with bitterness, now sleeps
Lapped in bad pleasures, and triumphantly
Mocks thee in visions of successful hate
Too like the truth of day.
Giacomo.
              If e'er he wakes
Again, I will not trust to hireling hands . . .
Orsino.
Why, that were well. I must be gone; good-night.
When next we meetmay all be done!
Giacomo.
                   And all
Forgotten: Oh, that I had never been!
[Exeunt.
END OF THE THIRD ACT.

ACT IV
Scene I.
An Apartment in the Castle of Petrella. Enter Cenci.
Cenci.
She comes not; yet I left her even now
Vanquished and faint. She knows the penalty
Of her delay: yet what if threats are vain?
Am I not now within Petrella's moat?
Or fear I still the eyes and ears of Rome?
Might I not drag her by the golden hair?
Stamp on her? Keep her sleepless till her brain
Be overworn? Tame her with chains and famine?
Less would suffice. Yet so to leave undone
What I most seek! No, 'tis her stubborn will
Which by its own consent shall stoop as low
As that which drags it down.
Enter Lucretia.
               Thou loathd wretch!
Hide thee from my abhorrence: fly, begone!
Yet stay! Bid Beatrice come hither.
Lucretia.
                   Oh,
Husband! I pray for thine own wretched sake
Heed what thou dost. A man who walks like thee
Through crimes, and through the danger of his crimes,
Each hour may stumble o'er a sudden grave.
And thou art old; thy hairs are hoary gray;
As thou wouldst save thyself from death and hell,
Pity thy daughter; give her to some friend
In marriage: so that she may tempt thee not
To hatred, or worse thoughts, if worse there be.
Cenci.
What! like her sister who has found a home
To mock my hate from with prosperity?
Strange ruin shall destroy both her and thee
And all that yet remain. My death may be
Rapid, her destiny outspeeds it. Go,
Bid her come hither, and before my mood
Be changed, lest I should drag her by the hair.
Lucretia.
She sent me to thee, husband. At thy presence
She fell, as thou dost know, into a trance;
And in that trance she heard a voice which said,
'Cenci must die! Let him confess himself!
Even now the accusing Angel waits to hear
If God, to punish his enormous crimes,
Harden his dying heart!'
Cenci.
             Whysuch things are . . .
No doubt divine revealings may be made.
'Tis plain I have been favoured from above,
For when I cursed my sons they died.Ay . . . so . . .
As to the right or wrong, that's talk . . . repentance . . .
Repentance is an easy moment's work
And more depends on God than me. Well . . . well . . .
I must give up the greater point, which was
To poison and corrupt her soul.
[A pause; Lucretia approaches anxiously, and then shrinks back as he speaks.
                 One, two;
Ay . . . Rocco and Cristofano my curse
Strangled: and Giacomo, I think, will find
Life a worse Hell than that beyond the grave:
Beatrice shall, if there be skill in hate,
Die in despair, blaspheming: to Bernardo,
He is so innocent, I will bequeath
The memory of these deeds, and make his youth
The sepulchre of hope, where evil thoughts
Shall grow like weeds on a neglected tomb.
When all is done, out in the wide Campagna,
I will pile up my silver and my gold;
My costly robes, paintings and tapestries;
My parchments and all records of my wealth,
And make a bonfire in my joy, and leave
Of my possessions nothing but my name;
Which shall be an inheritance to strip
Its wearer bare as infamy. That done,
My soul, which is a scourge, will I resign
Into the hands of him who wielded it;
Be it for its own punishment or theirs,
He will not ask it of me till the lash
Be broken in its last and deepest wound;
Until its hate be all inflicted. Yet,
Lest death outspeed my purpose, let me make
Short work and sure . . .
[Going.
Lucretia.
(Stops him.)
              Oh, stay! It was a feint:
She had no vision, and she heard no voice.
I said it but to awe thee.
Cenci.
              That is well.
Vile palterer with the sacred truth of God,
Be thy soul choked with that blaspheming lie!
For Beatrice worse terrors are in store
To bend her to my will.
Lucretia.
            Oh! to what will?
What cruel sufferings more than she has known
Canst thou inflict?
Cenci.
          Andrea! Go call my daughter,
And if she comes not tell her that I come.
What sufferings? I will drag her, step by step,
Through infamies unheard of among men:
She shall stand shelterless in the broad noon
Of public scorn, for acts blazoned abroad,
One among which shall be . . . What? Canst thou guess?
She shall become (for what she most abhors
Shall have a fascination to entrap
Her loathing will) to her own conscious self
All she appears to others; and when dead,
As she shall die unshrived and unforgiven,
A rebel to her father and her God,
Her corpse shall be abandoned to the hounds;
Her name shall be the terror of the earth;
Her spirit shall approach the throne of God
Plague-spotted with my curses. I will make
Body and soul a monstrous lump of ruin.
Enter Andrea.
Andrea.
The Lady Beatrice . . .
Cenci.
            Speak, pale slave! What
Said she?
Andrea.
     My Lord, 'twas what she looked; she said:
'Go tell my father that I see the gulf
Of Hell between us two, which he may pass,
I will not.'
[Exit Andrea.
Cenci.
      Go thou quick, Lucretia,
Tell her to come; yet let her understand
Her coming is consent: and say, moreover,
That if she come not I will curse her.
[Exit Lucretia.
                     Ha!
With what but with a father's curse doth God
Panic-strike armd victory, and make pale
Cities in their prosperity? The world's Father
Must grant a parent's prayer against his child,
Be he who asks even what men call me.
Will not the deaths of her rebellious brothers
Awe her before I speak? For I on them
Did imprecate quick ruin, and it came. Enter Lucretia.

Well; what? Speak, wretch!
Lucretia.
              She said, 'I cannot come;
Go tell my father that I see a torrent
Of his own blood raging between us.'
Cenci
(kneeling).
                    God!
Hear me! If this most specious mass of flesh,
Which Thou hast made my daughter; this my blood,
This particle of my divided being;
Or rather, this my bane and my disease,
Whose sight infects and poisons me; this devil
Which sprung from me as from a hell, was meant
To aught good use; if her bright loveliness
Was kindled to illumine this dark world;
If nursed by Thy selectest dew of love
Such virtues blossom in her as should make
The peace of life, I pray Thee for my sake,
As Thou the common God and Father art
Of her, and me, and all; reverse that doom!
Earth, in the name of God, let her food be
Poison, until she be encrusted round
With leprous stains! Heaven, rain upon her head
The blistering drops of the Maremma's dew,
Till she be speckled like a toad; parch up
Those love-enkindled lips, warp those fine limbs
To loathd lameness! All-beholding sun,
Strike in thine envy those life-darting eyes
With thine own blinding beams!
Lucretia.
                Peace! Peace!
For thine own sake unsay those dreadful words.
When high God grants He punishes such prayers.
Cenci
(leaping up, and throwing his right hand towards Heaven).
He does His will, I mine! This in addition,
That if she have a child . . .
Lucretia.
                Horrible thought!
                Cenci.
That if she ever have a child; and thou,
Quick Nature! I adjure thee by thy God,
That thou be fruitful in her, and increase
And multiply, fulfilling his command,
And my deep imprecation! May it be
A hideous likeness of herself, that as
From a distorting mirror, she may see
Her image mixed with what she most abhors,
Smiling upon her from her nursing breast.
And that the child may from its infancy
Grow, day by day, more wicked and deformed,
Turning her mother's love to misery:
And that both she and it may live until
It shall repay her care and pain with hate,
Or what may else be more unnatural.
So he may hunt her through the clamorous scoffs
Of the loud world to a dishonoured grave.
Shall I revoke this curse? Go, bid her come,
Before my words are chronicled in Heaven. [Exit Lucretia.

I do not feel as if I were a man,
But like a fiend appointed to chastise
The offences of some unremembered world.
My blood is running up and down my veins;
A fearful pleasure makes it prick and tingle:
I feel a giddy sickness of strange awe;
My heart is beating with an expectation
Of horrid joy.
Enter Lucretia.
       What? Speak!
       Lucretia.
              She bids thee curse;
And if thy curses, as they cannot do,
Could kill her soul . . .
Cenci.
              She would not come. 'Tis well,
I can do both: first take what I demand,
And then extort concession. To thy chamber!
Fly ere I spurn thee: and beware this night
That thou cross not my footsteps. It were safer
To come between the tiger and his prey.[Exit Lucretia.

It must be late; mine eyes grow weary dim
With unaccustomed heaviness of sleep.
Conscience! Oh, thou most insolent of lies!
They say that sleep, that healing dew of Heaven,
Steeps not in balm the foldings of the brain
Which thinks thee an impostor. I will go
First to belie thee with an hour of rest,
Which will be deep and calm, I feel: and then . . .
O, multitudinous Hell, the fiends will shake.
Thine arches with the laughter of their joy!
There shall be lamentation heard in Heaven
As o'er an angel fallen; and upon Earth
All good shall droop and sicken, and ill things
Shall with a spirit of unnatural life
Stir and be quickened . . . even as I am now.
[Exit.
Scene II.
Before the Castle of Petrella. Enter Beatrice andLucretia above on the Ramparts.
Beatrice.
They come not yet.
Lucretia.
          'Tis scarce midnight.
          Beatrice.
                     How slow
Behind the course of thought, even sick with speed,
Lags leaden-footed time!
Lucretia.
             The minutes pass . . .
If he should wake before the deed is done?
Beatrice.
O, mother! He must never wake again.
What thou hast said persuades me that our act
Will but dislodge a spirit of deep hell
Out of a human form.
Lucretia.
           'Tis true he spoke
Of death and judgement with strange confidence
For one so wicked; as a man believing
In God, yet recking not of good or ill.
And yet to die without confession! . . .
Beatrice.
                      Oh!
Believe that Heaven is merciful and just,
And will not add our dread necessity
To the amount of his offences.
Enter Olimpio and Marzio, below.
Lucretia.
                See,
They come.
Beatrice.
     All mortal things must hasten thus
To their dark end. Let us go down.
[Exeunt Lucretia and Beatrice from above.
Olimpio.
How feel you to this work?
Marzio.
              As one who thinks
A thousand crowns excellent market price
For an old murderer's life. Your cheeks are pale.
Olimpio.
It is the white reflection of your own,
Which you call pale.
Marzio.
           Is that their natural hue?
           Olimpio.
Or 'tis my hate and the deferred desire
To wreak it, which extinguishes their blood.
Marzio.
You are inclined then to this business?
Olimpio.
                     Ay.
If one should bribe me with a thousand crowns
To kill a serpent which had stung my child,
I could not be more willing.
Enter Beatrice and Lucretia, below.
               Noble ladies!
               Beatrice.
Are ye resolved?
Olimpio.
         Is he asleep?
         Marzio.
                Is all
Quiet?
Lucretia.
   I mixed an opiate with his drink:
He sleeps so soundly . . .
Beatrice.
              That his death will be
But as a change of sin-chastising dreams,
A dark continuance of the Hell within him,
Which God extinguish! But ye are resolved?
Ye know it is a high and holy deed?
Olimpio.
We are resolved.
Marzio.
         As to the how this act
Be warranted, it rests with you.
Beatrice.
                 Well, follow!
                 Olimpio.
Hush! Hark! What noise is that?
Marzio.
                 Ha! some one comes!
                 Beatrice.
Ye conscience-stricken cravens, rock to rest
Your baby hearts. It is the iron gate,
Which ye left open, swinging to the wind,
That enters whistling as in scorn. Come, follow!
And be your steps like mine, light, quick and bold.
[Exeunt.
Scene III.
An Apartment in the Castle. Enter Beatrice and Lucretia.
Lucretia.
They are about it now.
Beatrice.
            Nay, it is done.
            Lucretia.
I have not heard him groan.
Beatrice.
               He will not groan.
               Lucretia.
What sound is that?
Beatrice.
          List! 'tis the tread of feet
About his bed.
Lucretia.
       My God!
If he be now a cold stiff corpse . . .
Beatrice.
                     O, fear not
What may be done, but what is left undone:
The act seals all.
Enter Olimpio and Marzio.
          Is it accomplished?
          Marzio.
                    What?
                    Olimpio.
Did you not call?
Beatrice.
         When?
         Olimpio.
            Now.
            Beatrice.
              I ask if all is over?
              Olimpio.
We dare not kill an old and sleeping man;
His thin gray hair, his stern and reverend brow,
His veind hands crossed on his heaving breast,
And the calm innocent sleep in which he lay,
Quelled me. Indeed, indeed, I cannot do it.
Marzio.
But I was bolder; for I chid Olimpio,
And bade him bear his wrongs to his own grave
And leave me the reward. And now my knife
Touched the loose wrinkled throat, when the old man
Stirred in his sleep, and said, 'God! hear, O, hear,
A father's curse! What, art Thou not our Father?'
And then he laughed. I knew it was the ghost
Of my dead father speaking through his lips,
And could not kill him.
Beatrice.
            Miserable slaves!
Where, if ye dare not kill a sleeping man,
Found ye the boldness to return to me
With such a deed undone? Base palterers!
Cowards and traitors! Why, the very conscience
Which ye would sell for gold and for revenge
Is an equivocation: it sleeps over
A thousand daily acts disgracing men;
And when a deed where mercy insults Heaven . . .
Why do I talk?
[Snatching a dagger from one of them and raising it.
       Hadst thou a tongue to say,
'She murdered her own father!'I must do it!
But never dream ye shall outlive him long!
Olimpio.
Stop, for God's sake!
Marzio.
           I will go back and kill him.
           Olimpio.
Give me the weapon. we must do thy will.
Beatrice.
Take it! Depart! Return!
[Exeunt Olimpio and Marzio.
             How pale thou art!
We do but that which 'twere a deadly crime
To leave undone.
Lucretia.
         Would it were done!
         Beatrice.
                   Even whilst
That doubt is passing through your mind, the world
Is conscious of a change. Darkness and Hell
Have swallowed up the vapour they sent forth
To blacken the sweet light of life. My breath
Comes, methinks, lighter, and the jellied blood
Runs freely through my veins. Hark!
Enter Olimpio and Marzio.
                   He is . . .
                   Olimpio.
                         Dead!
                         Marzio.
We strangled him that there might be no blood;
And then we threw his heavy corpse i' the garden
Under the balcony; 'twill seem it fell.
Beatrice
(giving them a bag of coin).
Here, take this gold, and hasten to your homes.
And, Marzio, because thou wast only awed
By that which made me tremble, wear thou this! [Clothes him in a rich mantle.

It was the mantle which my grandfather
Wore in his high prosperity, and men
Envied his state: so may they envy thine.
Thou wert a weapon in the hand of God
To a just use. Live long and thrive! And, mark,
If thou hast crimes, repent: this deed is none.
[A horn is sounded.
Lucretia.
Hark, 'tis the castle horn; my God! it sounds
Like the last trump.
Beatrice
           Some tedious guest is coming.
           Lucretia.
The drawbridge is let down; there is a tramp
Of horses in the court; fly, hide yourselves!
[Exeunt Olimpio and Marzio.
Beatrice.
Let us retire to counterfeit deep rest;
I scarcely need to counterfeit it now:
The spirit which doth reign within these limbs
Seems strangely undisturbed. I could even sleep
Fearless and calm: all ill is surely past.
[Exeunt.
Scene IV.
Another Apartment in the Castle. Enter on one side the Legate Savella, introduced by a Servant, and on the other Lucretia and Bernardo.
Savella.
Lady, my duty to his Holiness
Be my excuse that thus unseasonably
I break upon your rest. I must speak with
Count Cenci; doth he sleep?
Lucretia
(in a hurried and confused manner).
               I think he sleeps;
Yet wake him not, I pray, spare me awhile,
He is a wicked and a wrathful man;
Should he be roused out of his sleep to-night,
Which is, I know, a hell of angry dreams,
It were not well; indeed it were not well.
Wait till day break . . . (aside)
O, I am deadly sick!
Savella.
I grieve thus to distress you, but the Count
Must answer charges of the gravest import,
And suddenly; such my commission is.
Lucretia
(with increased agitation).
I dare not rouse him: I know none who dare . . .
'Twere perilous; . . . you might as safely waken
A serpent; or a corpse in which some fiend
Were laid to sleep.
Savella.
          Lady, my moments here
Are counted. I must rouse him from his sleep,
Since none else dare.
Lucretia
(aside).
           O, terror! O, despair!
(To Bernardo.)
Bernardo, conduct you the Lord Legate to
Your father's chamber.
[Exeunt Savella and Bernardo.
Enter Beatrice.
Beatrice.
            'Tis a messenger
Come to arrest the culprit who now stands
Before the throne of unappealable God.
Both Earth and Heaven, consenting arbiters,
Acquit our deed.
Lucretia.
         Oh, agony of fear!
Would that he yet might live! Even now I heard
The Legate's followers whisper as they passed
They had a warrant for his instant death.
All was prepared by unforbidden means
Which we must pay so dearly, having done.
Even now they search the tower, and find the body;
Now they suspect the truth; now they consult
Before they come to tax us with the fact;
O, horrible, 'tis all discovered!
Beatrice.
                  Mother,
What is done wisely, is done well. Be bold
As thou art just. 'Tis like a truant child
To fear that others know what thou hast done,
Even from thine own strong consciousness, and thus
Write on unsteady eyes and altered cheeks
All thou wouldst hide. Be faithful to thyself,
And fear no other witness but thy fear.
For if, as cannot be, some circumstance
Should rise in accusation, we can blind
Suspicion with such cheap astonishment,
Or overbear it with such guiltless pride,
As murderers cannot feign. The deed is done,
And what may follow now regards not me.
I am as universal as the light;
Free as the earth-surrounding air; as firm
As the world's centre. Consequence, to me,
Is as the wind which strikes the solid rock
But shakes it not.
[A cry within and tumult.
Voices.
          Murder! Murder! Murder!
          Enter Bernardo and Savella.
Savella
(to his followers).
Go search the castle round; sound the alarm;
Look to the gates that none escape!
Beatrice.
                   What now?
                   Bernardo.
I know not what to say . . . my father's dead.
Beatrice.
How; dead! he only sleeps; you mistake, brother.
His sleep is very calm, very like death;
'Tis wonderful how well a tyrant sleeps.
He is not dead?
Bernardo.
        Dead; murdered.
        Lucretia
(with extreme agitation).
                Oh no, no
He is not murdered though he may be dead;
I have alone the keys of those apartments.
Savella.
Ha! Is it so?
Beatrice.
       My Lord, I pray excuse us;
We will retire; my mother is not well:
She seems quite overcome with this strange horror.
[Exeunt Lucretia and Beatrice.
Savella.
Can you suspect who may have murdered him?
Bernardo.
I know not what to think.
Savella.
              Can you name any
Who had an interest in his death?
Bernardo.
                  Alas!
I can name none who had not, and those most
Who most lament that such a deed is done;
My mother, and my sister, and myself.
Savella.
'Tis strange! There were clear marks of violence.
I found the old man's body in the moonlight
Hanging beneath the window of his chamber,
Among the branches of a pine: he could not
Have fallen there, for all his limbs lay heaped
And effortless; 'tis true there was no blood . . .
Favour me, Sir; it much imports your house
That all should be made clear; to tell the ladies
That I request their presence.
[Exit Bernardo.
Enter Guards bringing in Marzio.
Guard.
                We have one.
                Officer.
My Lord, we found this ruffian and another
Lurking among the rocks; there is no doubt
But that they are the murderers of Count Cenci:
Each had a bag of coin; this fellow wore
A gold-inwoven robe, which shining bright
Under the dark rocks to the glimmering moon
Betrayed them to our notice: the other fell
Desperately fighting.
Savella.
           What does he confess?
           Officer.
He keeps firm silence; but these lines found on him
May speak.
Savella.
     Their language is at least sincere.
     [Reads.
'To the Lady Beatrice.

'That the atonement of what my nature sickens to conjecture may soon arrive, I send thee, at thy brother's desire, those who will speak and do more than I dare write. . .

'Thy devoted servant, Orsino.'

Enter Lucretia, Beatrice, and Bernardo.
Knowest thou this writing, Lady?
Beatrice.
                 No.
                 Savella.
                   Nor thou?
                   Lucretia.
(Her conduct throughout the scene is marked by extreme agitation.)
Where was it found? What is it? It should be
Orsino's hand! It speaks of that strange horror
Which never yet found utterance, but which made
Between that hapless child and her dead father
A gulf of obscure hatred.
Savella.
              Is it so?
Is it true, Lady, that thy father did
Such outrages as to awaken in thee
Unfilial hate?
Beatrice.
       Not hate, 'twas more than hate:
This is most true, yet wherefore question me?
Savella.
There is a deed demanding question done;
Thou hast a secret which will answer not.
Beatrice.
What sayest? My Lord, your words are bold and rash.
Savella.
I do arrest all present in the name
Of the Pope's Holiness. You must to Rome.
Lucretia.
O, not to Rome! Indeed we are not guilty.
Beatrice.
Guilty! Who dares talk of guilt? My Lord,
I am more innocent of parricide
Than is a child born fatherless . . . Dear mother,
Your gentleness and patience are no shield
For this keen-judging world, this two-edged lie,
Which seems, but is not. What! will human laws,
Rather will ye who are their ministers,
Bar all access to retribution first,
And then, when Heaven doth interpose to do
What ye neglect, arming familiar things
To the redress of an unwonted crime,
Make ye the victims who demanded it
Culprits? 'Tis ye are culprits! That poor wretch
Who stands so pale, and trembling, and amazed,
If it be true he murdered Cenci, was
A sword in the right hand of justest God.
Wherefore should I have wielded it? Unless
The crimes which mortal tongue dare never name
God therefore scruples to avenge.
Savella.
                  You own
That you desired his death?
Beatrice.
               It would have been
A crime no less than his, if for one moment
That fierce desire had faded in my heart.
'Tis true I did believe, and hope, and pray,
Ay, I even knew . . . for God is wise and just,
That some strange sudden death hung over him.
'Tis true that this did happen, and most true
There was no other rest for me on earth,
No other hope in Heaven . . . now what of this?
Savella.
Strange thoughts beget strange deeds; and here are both:
I judge thee not.
Beatrice.
         And yet, if you arrest me,
You are the judge and executioner
Of that which is the life of life: the breath
Of accusation kills an innocent name,
And leaves for lame acquittal the poor life
Which is a mask without it. 'Tis most false
That I am guilty of foul parricide;
Although I must rejoice, for justest cause,
That other hands have sent my father's soul
To ask the mercy he denied to me.
Now leave us free; stain not a noble house
With vague surmises of rejected crime;
Add to our sufferings and your own neglect
No heavier sum: let them have been enough:
Leave us the wreck we have.
Savella.
               I dare not, Lady.
I pray that you prepare yourselves for Rome:
There the Pope's further pleasure will be known.
Lucretia.
O, not to Rome! O, take us not to Rome!
Beatrice.
Why not to Rome, dear mother? There as here
Our innocence is as an armd heel
To trample accusation. God is there
As here, and with His shadow ever clothes
The innocent, the injured and the weak;
And such are we. Cheer up, dear Lady, lean
On me; collect your wandering thoughts. My Lord,
As soon as you have taken some refreshment,
And had all such examinations made
Upon the spot, as may be necessary
To the full understanding of this matter,
We shall be ready. Mother; will you come?
Lucretia.
Ha! they will bind us to the rack, and wrest
Self-accusation from our agony!
Will Giacomo be there? Orsino? Marzio?
All present; all confronted; all demanding
Each from the other's countenance the thing
Which is in every heart! O, misery!
[She faints, and is borne out.
Savella.
She faints: an ill appearance this.
Beatrice.
                   My Lord,
She knows not yet the uses of the world.
She fears that power is as a beast which grasps
And loosens not: a snake whose look transmutes
All things to guilt which is its nutriment.
She cannot know how well the supine slaves
Of blind authority read the truth of things
When written on a brow of guilelessness:
She sees not yet triumphant Innocence
Stand at the judgement-seat of mortal man,
A judge and an accuser of the wrong
Which drags it there. Prepare yourself, my Lord;
Our suite will join yours in the court below.
[Exeunt.
END OF THE FOURTH ACT.

ACT V
Scene I.
An Apartment in Orsino's Palace. Enter Orsino and Giacomo.
Giacomo.
Do evil deeds thus quickly come to end?
O, that the vain remorse which must chastise
Crimes done, had but as loud a voice to warn
As its keen sting is mortal to avenge!
O, that the hour when present had cast off
The mantle of its mystery, and shown
The ghastly form with which it now returns
When its scared game is roused, cheering the hounds
Of conscience to their prey! Alas! Alas!
It was a wicked thought, a piteous deed,
To kill an old and hoary-headed father.
Orsino.
It has turned out unluckily, in truth.
Giacomo.
To violate the sacred doors of sleep;
To cheat kind Nature of the placid death
Which she prepares for overwearied age;
To drag from Heaven an unrepentant soul
Which might have quenched in reconciling prayers
A life of burning crimes . . .
Orsino.
                You cannot say
I urged you to the deed.
Giacomo.
             O, had I never
Found in thy smooth and ready countenance
The mirror of my darkest thoughts; hadst thou
Never with hints and questions made me look
Upon the monster of my thought, until
It grew familiar to desire . . .
Orsino.
                 'Tis thus
Men cast the blame of their unprosperous acts
Upon the abettors of their own resolve;
Or anything but their weak, guilty selves.
And yet, confess the truth, it is the peril
In which you stand that gives you this pale sickness
Of penitence; confess 'tis fear disguised
From its own shame that takes the mantle now
Of thin remorse. What if we yet were safe?
Giacomo.
How can that be? Already Beatrice,
Lucretia and the murderer are in prison.
I doubt not officers are, whilst we speak,
Sent to arrest us.
Orsino.
          I have all prepared
For instant flight. We can escape even now,
So we take fleet occasion by the hair.
Giacomo.
Rather expire in tortures, as I may.
What! will you cast by self-accusing flight
Assured conviction upon Beatrice?
She, who alone in this unnatural work,
Stands like God's angel ministered upon
By fiends; avenging such a nameless wrong
As turns black parricide to piety;
Whilst we for basest ends . . . I fear, Orsino,
While I consider all your words and looks,
Comparing them with your proposal now,
That you must be a villain. For what end
Could you engage in such a perilous crime,
Training me on with hints, and signs, and smiles,
Even to this gulf? Thou art no liar? No,
Thou art a lie! Traitor and murderer!
Coward and slave! But, no, defend thyself; [Drawing.

Let the sword speak what the indignant tongue
Disdains to brand thee with.
Orsino.
               Put up your weapon.
Is it the desperation of your fear
Makes you thus rash and sudden with a friend,
Now ruined for your sake? If honest anger
Have moved you, know, that what I just proposed
Was but to try you. As for me, I think,
Thankless affection led me to this point,
From which, if my firm temper could repent,
I cannot now recede. Even whilst we speak
The ministers of justice wait below:
They grant me these brief moments. Now if you
Have any word of melancholy comfort
To speak to your pale wife, 'twere best to pass
Out at the postern, and avoid them so.
Giacomo.
O, generous friend! How canst thou pardon me?
Would that my life could purchase thine!
Orsino.
                      That wish
Now comes a day too late. Haste; fare thee well!
Hear'st thou not steps along the corridor? [Exit Giacomo.

I'm sorry for it; but the guards are waiting
At his own gate, and such was my contrivance
That I might rid me both of him and them.
I thought to act a solemn comedy
Upon the painted scene of this new world,
And to attain my own peculiar ends
By some such plot of mingled good and ill
As others weave; but there arose a Power
Which grasped and snapped the threads of my device
And turned it to a net of ruin . . . Ha! [A shout is heard.

Is that my name I hear proclaimed abroad?
But I will pass, wrapped in a vile disguise;
Rags on my back, and a false innocence
Upon my face, through the misdeeming crowd
Which judges by what seems. 'Tis easy then
For a new name and for a country new,
And a new life, fashioned on old desires,
To change the honours of abandoned Rome.
And these must be the masks of that within,
Which must remain unaltered . . . Oh, I fear
That what is past will never let me rest!
Why, when none else is conscious, but myself,
Of my misdeeds, should my own heart's contempt
Trouble me? Have I not the power to fly
My own reproaches? Shall I be the slave
Of . . . what? A word? which those of this false world
Employ against each other, not themselves;
As men wear daggers not for self-offence.
But if I am mistaken, where shall I
Find the disguise to hide me from myself,
As now I skulk from every other eye?
[Exit.
Scene II.
A Hall of Justice. Camillo, Judges, &c., are discovered seated; Marzio is led in.
First Judge.
Accused, do you persist in your denial?
I ask you, are you innocent, or guilty?
I demand who were the participators
In your offence? Speak truth and the whole truth.
Marzio.
My God! I did not kill him; I know nothing;
Olimpio sold the robe to me from which
You would infer my guilt.
Second Judge.
              Away with him!
              First Judge.
Dare you, with lips yet white from the rack's kiss
Speak false? Is it so soft a questioner,
That you would bandy lover's talk with it
Till it wind out your life and soul? Away!
Marzio.
Spare me! O, spare! I will confess.
First Judge.
                   Then speak.
                   Marzio.
I strangled him in his sleep.
First Judge.
                Who urged you to it?
                Marzio.
His own son Giacomo, and the young prelate
Orsino sent me to Petrella; there
The ladies Beatrice and Lucretia
Tempted me with a thousand crowns, and I
And my companion forthwith murdered him.
Now let me die.
First Judge.
        This sounds as bad as truth. Guards, there,
Lead forth the prisoner!
Enter Lucretia, Beatrice, and Giacomo, guarded.
             Look upon this man;
When did you see him last?
Beatrice.
              We never saw him.
              Marzio.
You know me too well, Lady Beatrice.
Beatrice.
I know thee! How? where? when?
Marzio.
                You know 'twas I
Whom you did urge with menaces and bribes
To kill your father. When the thing was done
You clothed me in a robe of woven gold
And bade me thrive: how I have thriven, you see.
You, my Lord Giacomo, Lady Lucretia,
You know that what I speak is true.
[Beatrice advances towards him; he covers his face, and shrinks back.
                   Oh, dart
The terrible resentment of those eyes
On the dead earth! Turn them away from me!
They wound: 'twas torture forced the truth. My Lords,
Having said this let me be led to death.
Beatrice.
Poor wretch, I pity thee: yet stay awhile.
Camillo.
Guards, lead him not away.
Beatrice.
              Cardinal Camillo,
You have a good repute for gentleness
And wisdom: can it be that you sit here
To countenance a wicked farce like this?
When some obscure and trembling slave is dragged
From sufferings which might shake the sternest heart
And bade to answer, not as he believes,
But as those may suspect or do desire
Whose questions thence suggest their own reply:
And that in peril of such hideous torments
As merciful God spares even the damned. Speak now
The thing you surely know, which is that you,
If your fine frame were stretched upon that wheel,
And you were told: 'Confess that you did poison
Your little nephew; that fair blue-eyed child
Who was the lodestar of your life:'and though
All see, since his most swift and piteous death,
That day and night, and heaven and earth, and time,
And all the things hoped for or done therein
Are changed to you, through your exceeding grief,
Yet you would say, 'I confess anything:'
And beg from your tormentors, like that slave,
The refuge of dishonourable death.
I pray thee, Cardinal, that thou assert
My innocence.
Camillo.
(much moved).
       What shall we think, my Lords?
Shame on these tears! I thought the heart was frozen
Which is their fountain. I would pledge my soul
That she is guiltless.
Judge.
            Yet she must be tortured.
            Camillo.
I would as soon have tortured mine own nephew
(If he now lived he would be just her age;
His hair, too, was her colour, and his eyes
Like hers in shape, but blue and not so deep)
As that most perfect image of God's love
That ever came sorrowing upon the earth.
She is as pure as speechless infancy!
Judge.
Well, be her purity on your head, my Lord,
If you forbid the rack. His Holiness
Enjoined us to pursue this monstrous crime
By the severest forms of law; nay even
To stretch a point against the criminals.
The prisoners stand accused of parricide
Upon such evidence as justifies
Torture.
Beatrice.
What evidence? This man's?
Judge.
              Even so.
              Beatrice
(to Marzio).
Come near. And who art thou thus chosen forth
Out of the multitude of living men
To kill the innocent?
Marzio.
           I am Marzio,
Thy father's vassal.
Beatrice.
           Fix thine eyes on mine;
Answer to what I ask.
[Turning to the Judges.
           I prithee mark
His countenance: unlike bold calumny
Which sometimes dares not speak the thing it looks,
He dares not look the thing he speaks, but bends
His gaze on the blind earth.
(To Marzio.)
               What! wilt thou say
That I did murder my own father?
Marzio.
                 Oh!
Spare me! My brain swims round . . . I cannot speak . . .
It was that horrid torture forced the truth.
Take me away! Let her not look on me!
I am a guilty miserable wretch;
I have said all I know; now, let me die!
Beatrice.
My Lords, if by my nature I had been
So stern, as to have planned the crime alleged,
Which your suspicions dictate to this slave,
And the rack makes him utter, do you think
I should have left this two-edged instrument
Of my misdeed; this man, this bloody knife
With my own name engraven on the heft,
Lying unsheathed amid a world of foes,
For my own death? That with such horrible need
For deepest silence, I should have neglected
So trivial a precaution, as the making
His tomb the keeper of a secret written
On a thief's memory? What is his poor life?
What are a thousand lives? A parricide
Had trampled them like dust; and, see, he lives! (Turning to Marzio.)

And thou . . .
Marzio.
       Oh, spare me! Speak to me no more!
That stern yet piteous look, those solemn tones,
Wound worse than torture.
(To the Judges.
              I have told it all;
For pity's sake lead me away to death.
Camillo.
Guards, lead him nearer the Lady Beatrice,
He shrinks from her regard like autumn's leaf
From the keen breath of the serenest north.
Beatrice.
O thou who tremblest on the giddy verge
Of life and death, pause ere thou answerest me;
So mayst thou answer God with less dismay:
What evil have we done thee? I, alas!
Have lived but on this earth a few sad years,
And so my lot was ordered, that a father
First turned the moments of awakening life
To drops, each poisoning youth's sweet hope; and then
Stabbed with one blow my everlasting soul;
And my untainted fame; and even that peace
Which sleeps within the core of the heart's heart;
But the wound was not mortal; so my hate
Became the only worship I could lift
To our great father, who in pity and love,
Armed thee, as thou dost say, to cut him off;
And thus his wrong becomes my accusation;
And art thou the accuser? If thou hopest
Mercy in heaven, show justice upon earth:
Worse than a bloody hand is a hard heart.
If thou hast done murders, made thy life's path
Over the trampled laws of God and man,
Rush not before thy Judge, and say: 'My maker,
I have done this and more; for there was one
Who was most pure and innocent on earth;
And because she endured what never any
Guilty or innocent endured before:
Because her wrongs could not be told, not thought;
Because thy hand at length did rescue her;
I with my words killed her and all her kin.'
Think, I adjure you, what it is to slay
The reverence living in the minds of men
Towards our ancient house, and stainless fame!
Think what it is to strangle infant pity,
Cradled in the belief of guileless looks,
Till it become a crime to suffer. Think
What 'tis to blot with infamy and blood
All that which shows like innocence, and is,
Hear me, great God! I swear, most innocent,
So that the world lose all discrimination
Between the sly, fierce, wild regard of guilt,
And that which now compels thee to reply
To what I ask: Am I, or am I not
A parricide?
Marzio.
      Thou art not!
      Judge.
              What is this?
              Marzio.
I here declare those whom I did accuse
Are innocent. 'Tis I alone am guilty.
Judge.
Drag him away to torments; let them be
Subtle and long drawn out, to tear the folds
Of the heart's inmost cell. Unbind him not
Till he confess.
Marzio.
         Torture me as ye will:
A keener pang has wrung a higher truth
From my last breath. She is most innocent!
Bloodhounds, not men, glut yourselves well with me;
I will not give you that fine piece of nature
To rend and ruin.
[Exit Marzio, guarded.
Camillo.
         What say ye now, my Lords?
         Judge.
Let tortures strain the truth till it be white
As snow thrice sifted by the frozen wind.
Camillo.
Yet stained with blood.
Judge
(to Beatrice).
            Know you this paper, Lady?
            Beatrice.
Entrap me not with questions. Who stands here
As my accuser? Ha! wilt thou be he,
Who art my judge? Accuser, witness, judge,
What, all in one? Here is Orsino's name;
Where is Orsino? Let his eye meet mine.
What means this scrawl? Alas! ye know not what,
And therefore on the chance that it may be
Some evil, will ye kill us?
Enter an Officer.
Officer.
               Marzio's dead.
               Judge.
What did he say?
Officer.
         Nothing. As soon as we
Had bound him on the wheel, he smiled on us,
As one who baffles a deep adversary;
And holding his breath, died.
Judge.
                There remains nothing
But to apply the question to those prisoners,
Who yet remain stubborn.
Camillo.
             I overrule
Further proceedings, and in the behalf
Of these most innocent and noble persons
Will use my interest with the Holy Father.
Judge.
Let the Pope's pleasure then be done. Meanwhile
Conduct these culprits each to separate cells;
And be the engines ready: for this night
If the Pope's resolution be as grave,
Pious, and just as once, I'll wring the truth
Out of those nerves and sinews, groan by groan.
[Exeunt.
Scene III.
The Cell of a Prison. Beatrice is discovered asleep on a couch. Enter Bernardo.
Bernardo.
How gently slumber rests upon her face,
Like the last thoughts of some day sweetly spent
Closing in night and dreams, and so prolonged.
After such torments as she bore last night,
How light and soft her breathing comes. Ay me!
Methinks that I shall never sleep again.
But I must shake the heavenly dew of rest
From this sweet folded flower, thus . . . wake! awake!
What, sister, canst thou sleep?
Beatrice
(awaking).
                 I was just dreaming
That we were all in Paradise. Thou knowest
This cell seems like a kind of Paradise
After our father's presence.
Bernardo.
               Dear, dear sister,
Would that thy dream were not a dream! O God!
How shall I tell?
Beatrice.
         What wouldst thou tell, sweet brother?
         Bernardo.
Look not so calm and happy, or even whilst
I stand considering what I have to say
My heart will break.
Beatrice.
           See now, thou mak'st me weep:
How very friendless thou wouldst be, dear child,
If I were dead. Say what thou hast to say.
Bernardo.
They have confessed; they could endure no more
The tortures . . .
Beatrice.
          Ha! What was there to confess?
They must have told some weak and wicked lie
To flatter their tormentors. Have they said
That they were guilty? O white innocence,
That thou shouldst wear the mask of guilt to hide
Thine awful and serenest countenance
From those who know thee not!
Enter Judge with Lucretia and Giacomo, guarded.
                Ignoble hearts!
For some brief spasms of pain, which are at least
As mortal as the limbs through which they pass,
Are centuries of high splendour laid in dust?
And that eternal honour which should live
Sunlike, above the reek of mortal fame,
Changed to a mockery and a byword? What!
Will you give up these bodies to be dragged
At horses' heels, so that our hair should sweep
The footsteps of the vain and senseless crowd,
Who, that they may make our calamity
Their worship and their spectacle, will leave
The churches and the theatres as void
As their own hearts? Shall the light multitude
Fling, at their choice, curses or faded pity,
Sad funeral flowers to deck a living corpse,
Upon us as we pass to pass away,
And leave . . . what memory of our having been?
Infamy, blood, terror, despair? O thou,
Who wert a mother to the parentless,
Kill not thy child! Let not her wrongs kill thee!
Brother, lie down with me upon the rack,
And let us each be silent as a corpse;
It soon will be as soft as any grave.
'Tis but the falsehood it can wring from fear
Makes the rack cruel.
Giacomo.
           They will tear the truth
Even from thee at last, those cruel pains:
For pity's sake say thou art guilty now.
Lucretia.
Oh, speak the truth! Let us all quickly die;
And after death, God is our judge, not they;
He will have mercy on us.
Bernardo.
              If indeed
It can be true, say so, dear sister mine;
And then the Pope will surely pardon you,
And all be well.
Judge.
         Confess, or I will warp
Your limbs with such keen tortures . . .
Beatrice.
                      Tortures! Turn
The rack henceforth into a spinning-wheel!
Torture your dog, that he may tell when last
He lapped the blood his master shed . . . not me!
My pangs are of the mind, and of the heart,
And of the soul; ay, of the inmost soul,
Which weeps within tears as of burning gall
To see, in this ill world where none are true,
My kindred false to their deserted selves.
And with considering all the wretched life
Which I have lived, and its now wretched end,
And the small justice shown by Heaven and Earth
To me or mine; and what a tyrant thou art,
And what slaves these; and what a world we make,
The oppressor and the oppressed . . . such pangs compel
My answer. What is it thou wouldst with me?
Judge.
Art thou not guilty of thy father's death?
Beatrice.
Or wilt thou rather tax high-judging God
That He permitted such an act as that
Which I have suffered, and which He beheld;
Made it unutterable, and took from it
All refuge, all revenge, all consequence,
But that which thou hast called my father's death?
Which is or is not what men call a crime,
Which either I have done, or have not done;
Say what ye will. I shall deny no more.
If ye desire it thus, thus let it be,
And so an end of all. Now do your will;
No other pains shall force another word.
Judge.
She is convicted, but has not confessed.
Be it enough. Until their final sentence
Let none have converse with them. You, young Lord,
Linger not here!
Beatrice.
         Oh, tear him not away!
         Judge.
Guards, do your duty.
Bernardo
(embracing Beatrice).
           Oh! would ye divide
Body from soul?
Officer.
        That is the headsman's business.
        [Exeunt all but Lucretia, Beatrice, and Giacomo.
Giacomo.
Have I confessed? Is it all over now?
No hope! No refuge! O weak, wicked tongue
Which hast destroyed me, would that thou hadst been
Cut out and thrown to dogs first! To have killed
My father first, and then betrayed my sister;
Ay, thee! the one thing innocent and pure
In this black guilty world, to that which I
So well deserve! My wife! my little ones!
Destitute, helpless, and I . . . Father! God!
Canst Thou forgive even the unforgiving,
When their full hearts break thus, thus! . . .
[Covers his face and weeps.
Lucretia.
                         O my child!
To what a dreadful end are we all come!
Why did I yield? Why did I not sustain
Those torments? Oh, that I were all dissolved
Into these fast and unavailing tears,
Which flow and feel not!
Beatrice.
             What 'twas weak to do,
'Tis weaker to lament, once being done;
Take cheer! The God who knew my wrong, and made
Our speedy act the angel of His wrath,
Seems, and but seems, to have abandoned us.
Let us not think that we shall die for this.
Brother, sit near me; give me your firm hand,
You had a manly heart. Bear up! Bear up!
O dearest Lady, put your gentle head
Upon my lap, and try to sleep awhile:
Your eyes look pale, hollow and overworn,
With heaviness of watching and slow grief.
Come, I will sing you some low, sleepy tune,
Not cheerful, nor yet sad; some dull old thing,
Some outworn and unused monotony,
Such as our country gossips sing and spin,
Till they almost forget they live: lie down!
So, that will do. Have I forgot the words?
Faith! They are sadder than I thought they were.
SONG
False friend, wilt thou smile or weep
When my life is laid asleep?
Little cares for a smile or a tear,
The clay-cold corpse upon the bier!
Farewell! Heigho!
What is this whispers low?
There is a snake in thy smile, my dear;
And bitter poison within thy tear.
Sweet sleep, were death like to thee,
Or if thou couldst mortal be,
I would close these eyes of pain;
When to wake? Never again.
O World! Farewell!
Listen to the passing bell!
It says, thou and I must part,
With a light and a heavy heart.
[The scene closes.
Scene IV.
A Hall of the Prison. Enter Camillo and Bernardo.
Camillo.
The Pope is stern; not to be moved or bent.
He looked as calm and keen as is the engine
Which tortures and which kills, exempt itself
From aught that it inflicts; a marble form,
A rite, a law, a custom: not a man.
He frowned, as if to frown had been the trick
Of his machinery, on the advocates
Presenting the defences, which he tore
And threw behind, muttering with hoarse, harsh voice:
'Which among ye defended their old father
Killed in his sleep?' Then to another: 'Thou
Dost this in virtue of thy place; 'tis well.'
He turned to me then, looking deprecation,
And said these three words, coldly: 'They must die.'
Bernardo.
And yet you left him not?
Camillo.
              I urged him still;
Pleading, as I could guess, the devilish wrong
Which prompted your unnatural parent's death.
And he replied: 'Paolo Santa Croce
Murdered his mother yester evening,
And he is fled. Parricide grows so rife
That soon, for some just cause no doubt, the young
Will strangle us all, dozing in our chairs.
Authority, and power, and hoary hair
Are grown crimes capital. You are my nephew,
You come to ask their pardon; stay a moment;
Here is their sentence; never see me more
Till, to the letter, it be all fulfilled.'
Bernardo.
O God, not so! I did believe indeed
That all you said was but sad preparation
For happy news. Oh, there are words and looks
To bend the sternest purpose! Once I knew them,
Now I forget them at my dearest need.
What think you if I seek him out, and bathe
His feet and robe with hot and bitter tears?
Importune him with prayers, vexing his brain
With my perpetual cries, until in rage
He strike me with his pastoral cross, and trample
Upon my prostrate head, so that my blood
May stain the senseless dust on which he treads,
And remorse waken mercy? I will do it!
Oh, wait till I return!
[Rushes out.
Camillo.
            Alas! poor boy!
A wreck-devoted seaman thus might pray
To the deaf sea.
Enter Lucretia, Beatrice, and Giacomo, guarded.
Beatrice.
         I hardly dare to fear
That thou bring'st other news than a just pardon.
Camillo.
May God in heaven be less inexorable
To the Pope's prayers, than he has been to mine.
Here is the sentence and the warrant.
Beatrice
(wildly).
                    O
My God! Can it be possible I have
To die so suddenly? So young to go
Under the obscure, cold, rotting, wormy ground!
To be nailed down into a narrow place;
To see no more sweet sunshine; hear no more
Blithe voice of living thing; muse not again
Upon familiar thoughts, sad, yet thus lost
How fearful! to be nothing! Or to be . . .
What? Oh, where am I? Let me not go mad!
Sweet Heaven, forgive weak thoughts! If there should be
No God, no Heaven, no Earth in the void world;
The wide, gray, lampless, deep, unpeopled world!
If all things then should be . . . my father's spirit,
His eye, his voice, his touch surrounding me;
The atmosphere and breath of my dead life!
If sometimes, as a shape more like himself,
Even the form which tortured me on earth,
Masked in gray hairs and wrinkles, he should come
And wind me in his hellish arms, and fix
His eyes on mine, and drag me down, down, down!
For was he not alone omnipotent
On Earth, and ever present? Even though dead,
Does not his spirit live in all that breathe,
And work for me and mine still the same ruin,
Scorn, pain, despair? Who ever yet returned
To teach the laws of Death's untrodden realm?
Unjust perhaps as those which drive us now,
Oh, whither, whither?
Lucretia.
           Trust in God's sweet love,
The tender promises of Christ: ere night,
Think, we shall be in Paradise.
Beatrice.
                 'Tis past!
Whatever comes my heart shall sink no more.
And yet, I know not why, your words strike chill:
How tedious, false and cold seem all things. I
Have met with much injustice in this world;
No difference has been made by God or man,
Or any power moulding my wretched lot,
'Twixt good or evil, as regarded me.
I am cut off from the only world I know,
From light, and life, and love, in youth's sweet prime.
You do well telling me to trust in God,
I hope I do trust in Him. In whom else
Can any trust? And yet my heart is cold.
[During the latter speeches Giacomo has retired conversing with Camillo, who now goes out; Giacomo advances.
Giacomo.
Know you not, Mother . . . Sister, know you not?
Bernardo even now is gone to implore
The Pope to grant our pardon.
Lucretia.
                Child, perhaps
It will be granted. We may all then live
To make these woes a tale for distant years:
Oh, what a thought! It gushes to my heart
Like the warm blood.
Beatrice.
           Yet both will soon be cold.
Oh, trample out that thought! Worse than despair,
Worse than the bitterness of death, is hope:
It is the only ill which can find place
Upon the giddy, sharp and narrow hour
Tottering beneath us. Plead with the swift frost
That it should spare the eldest flower of spring:
Plead with awakening earthquake, o'er whose couch
Even now a city stands, strong, fair, and free;
Now stench and blackness yawn, like death. Oh, plead
With famine, or wind-walking Pestilence,
Blind lightning, or the deaf sea, not with man!
Cruel, cold, formal man; righteous in words,
In deeds a Cain. No, Mother, we must die:
Since such is the reward of innocent lives;
Such the alleviation of worst wrongs.
And whilst our murderers live, and hard, cold men,
Smiling and slow, walk through a world of tears
To death as to life's sleep; 'twere just the grave
Were some strange joy for us. Come, obscure Death,
And wind me in thine all-embracing arms!
Like a fond mother hide me in thy bosom,
And rock me to the sleep from which none wake.
Live ye, who live, subject to one another
As we were once, who now . . .
Bernardo rushes in.
Bernardo.
                Oh, horrible!
That tears, that looks, that hope poured forth in prayer,
Even till the heart is vacant and despairs,
Should all be vain! The ministers of death
Are waiting round the doors. I thought I saw
Blood on the face of one . . . What if 'twere fancy?
Soon the heart's blood of all I love on earth
Will sprinkle him, and he will wipe it off
As if 'twere only rain. O life! O world!
Cover me! let me be no more! To see
That perfect mirror of pure innocence
Wherein I gazed, and grew happy and good,
Shivered to dust! To see thee, Beatrice,
Who made all lovely thou didst look upon . . .
Thee, light of life . . . dead, dark! while I say, sister,
To hear I have no sister; and thou, Mother,
Whose love was as a bond to all our loves . . .
Dead! The sweet bond broken!
Enter Camillo and Guards.
               They come! Let me
Kiss those warm lips before their crimson leaves
Are blighted . . . white . . . cold. Say farewell, before
Death chokes that gentle voice! Oh, let me hear
You speak!
Beatrice.
     Farewell, my tender brother. Think
Of our sad fate with gentleness, as now:
And let mild, pitying thoughts lighten for thee
Thy sorrow's load. Err not in harsh despair,
But tears and patience. One thing more, my child:
For thine own sake be constant to the love
Thou bearest us; and to the faith that I,
Though wrapped in a strange cloud of crime and shame,
Lived ever holy and unstained. And though
Ill tongues shall wound me, and our common name
Be as a mark stamped on thine innocent brow
For men to point at as they pass, do thou
Forbear, and never think a thought unkind
Of those, who perhaps love thee in their graves.
So mayest thou die as I do; fear and pain
Being subdued. Farewell! Farewell! Farewell!
Bernardo.
I cannot say, farewell!
Camillo.
            Oh, Lady Beatrice!
            Beatrice.
Give yourself no unnecessary pain,
My dear Lord Cardinal. Here, Mother, tie
My girdle for me, and bind up this hair
In any simple knot; ay, that does well.
And yours I see is coming down. How often
Have we done this for one another; now
We shall not do it any more. My Lord,
We are quite ready. Well, 'tis very well.
THE END
Composed at Rome and near Leghorn (Villa Valsovano), May - August 8, 1819; published 1820 (spring) by C. & J. Ollier, London. This edition of 250 copies was printed in Italy 'because,' writes Shelley to Peacock, Sept. 21, 1819, 'it costs, with all duties and freightage, about half what it would cost in London.'
~ Percy Bysshe Shelley, The Cenci - A Tragedy In Five Acts
,

IN CHAPTERS [111/111]



   54 Poetry
   29 Fiction
   11 Mysticism
   7 Integral Yoga
   6 Christianity
   4 Philosophy
   2 Psychology
   2 Philsophy
   2 Occultism
   1 Yoga
   1 Mythology
   1 Hinduism
   1 Education
   1 Alchemy


   17 H P Lovecraft
   12 Percy Bysshe Shelley
   9 William Wordsworth
   9 William Butler Yeats
   5 The Mother
   4 Li Bai
   3 Saint Augustine of Hippo
   3 Nolini Kanta Gupta
   3 Anonymous
   2 Sri Ramana Maharshi
   2 Satprem
   2 Robert Browning
   2 Ralph Waldo Emerson
   2 Rabindranath Tagore
   2 Jorge Luis Borges
   2 Edgar Allan Poe
   2 Carl Jung


   17 Lovecraft - Poems
   12 Shelley - Poems
   9 Yeats - Poems
   9 Wordsworth - Poems
   4 Li Bai - Poems
   3 The Secret Doctrine
   3 The Bible
   2 Talks
   2 Tagore - Poems
   2 Poe - Poems
   2 Emerson - Poems
   2 City of God
   2 Browning - Poems
   2 Anonymous - Poems


0.09 - Letters to a Young Teacher, #Some Answers From The Mother, #The Mother, #Integral Yoga
  into the great hall that forms the base of The Tower and is the
  storeroom of words. Here, more or less excited, we select, reject,
  --
  the summit of The Tower, quite calm, in joyful contemplation.
  Then, after a certain length of time, we would see the visitors

01.07 - Blaise Pascal (1623-1662), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   "The zeal for the Lord hath eaten me up." Such has indeed been the case with Pascal, almost literally. The fire that burned in him was too ardent and vehement for the vehicle, the material instrument, which was very soon used up and reduced to ashes. At twenty-four he was already a broken man, being struck with paralysis and neuras thenia; he died at the comparatively early age of 39, emulating, as it were, the life career of his Lord the Christ who died at 33. The Fire martyrised the body, but kindled and brought forth experiences and realisations that save and truths that abide. It was the Divine Fire whose vision and experience he had on the famous night of 23 November 1654 which brought about his final and definitive conversion. It was the same fire that had blazed up in his brain, while yet a boy, and made him a precocious genius, a marvel of intellectual power in the exact sciences. At 12 this prodigy discovered by himself the 32nd proposition of Euclid, Book I. At sixteen he wrote a treatise on conic sections. At nineteen he invented a calculating machine which, without the help of any mathematical rule or process, gave absolutely accurate results. At twenty-three he published his experiments with vacuum. At twenty-five he conducted the well-known experiment from The Tower of St. Jacques, proving the existence of atmospheric pressure. His studies in infinitesimal calculus were remarkably creative and original. And it might be said he was a pioneer in quite a new branch of mathematics, viz., the mathematical theory of probability. We shall see presently how his preoccupation with the mathematics of chance and probability coloured and reinforced his metaphysics and theology.
   But the pressure upon his dynamic and heated brain the fiery zeal in his mindwas already proving too much and he was advised medically to take complete rest. Thereupon followed what was known as Pascal's mundane lifea period of distraction and dissipation; but this did not last long nor was it of a serious nature. The inner fire could brook no delay, it was eager and impatient to englobe other fields and domains. Indeed, it turned to its own field the heart. Pascal became initiated into the mystery of Faith and Grace. Still he had to pass through a terrible period of dejection and despair: the life of the world had given him no rest or relaxation, it served only to fill his cup of misery to the brim. But the hour of final relief was not long postponed: the Grace came to him, even as it came to Moses or St. Paul as a sudden flare of fire which burnt up the Dark Night and opened out the portals of Morning Glory.

0 1967-10-25, #Agenda Vol 08, #The Mother, #Integral Yoga
   But I have wondered whether The Tower of Babel, insofar as the story is true, wasnt a similar attempt, an attempt to harmonize men? Its presented to us the other way round, but I have wondered if it wasnt that.
   Well see.

0 1970-01-03, #Agenda Vol 11, #The Mother, #Integral Yoga
   It will be a tower with twelve facetseach facet representing one month of the year and the top, the roof of The Tower will be like this (Mother makes a gesture showing something like this:)
   Image 2

05.07 - The Observer and the Observed, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Science was born the day when the observer cut himself aloof from the observed. Not only so, not only he is to stand aside, outside the field of observation and be a bare recorder, but that he must let the observed record itself, that is, be its own observer. Modern Science means not so much the observer narrating the story of the observed but the observed telling its own story. The first step is well exemplified in the story of Galileo. When hot discussion was going on and people insisted on sayingas Aristotle decided and common sense declared that heavier bodies most naturally fall quicker from a height, it was this prince of experimenters who straightaway took two different weights, went up The Tower of Pisa and let them drop and astounded the people by showing that both travel with equal speed and fall to the ground at the same time.
   Science also declared that it is not the observation of one person, however qualified, that determines the truth or otherwise of a fact, but the observation of many persons and the possibility of observations of all persons converging, coinciding, corroborating. It is only when observation has thus been tested and checked that one can be sure that the personal element has been eliminated. Indeed the ideal condition would be if the observer, the scientist himself, could act as part of the machine for observation: at the most he should be a mere assembler of the parts of the machine that would record itself, impersonally, automatically. The rocket instruments that are sent high up in the sky to record the temperature, pressure or other weather condition in the stratosphere or the deep-sea recording machines are ingenious inventions in that line. The wizard Jagadish Chandra Bose showed his genius precisely in the way he made the plant itself declare its life-story: it is not what the scientist thinks or feels about the plant, but what the plant has to say of its own accord, as it wereits own tale of growth and decay, of suffering, spasm, swoon, suffocation or death under given conditions. This is the second step that Science took in the direction of impersonal and objective inquiry.

1.01 - The First Steps, #Raja-Yoga, #Swami Vivkenanda, #unset
  There was once a minister to a great king. He fell into disgrace. The king, as a punishment, ordered him to be shut up in the top of a very high tower. This was done, and the minister was left there to perish. He had a faithful wife, however, who came to The Tower at night and called to her husb and at the top to know what she could do to help him. He told her to return to The Tower the following night and bring with her a long rope, some stout twine, pack thread, silken thread, a beetle, and a little honey. Wondering much, the good wife obeyed her husband, and brought him the desired articles. The husb and directed her to attach the silken thread firmly to the beetle, then to smear its horns with a drop of honey, and to set it free on the wall of The Tower, with its head pointing upwards. She obeyed all these instructions, and the beetle started on its long journey. Smelling the honey ahead it slowly crept onwards, in the hope of reaching the honey, until at last it reached the top of The Tower, when the minister grasped the beetle, and got possession of the silken thread. He told his wife to tie the other end to the pack thread, and after he had drawn up the pack thread, he repeated the process with the stout twine, and lastly with the rope. Then the rest was easy. The minister descended from The Tower by means of the rope, and made his escape. In this body of ours the breath motion is the "silken thread"; by laying hold of and learning to control it we grasp the pack thread of the nerve currents, and from these the stout twine of our thoughts, and lastly the rope of Prana, controlling which we reach freedom.
  We do not know anything about our own bodies; we cannot know. At best we can take a dead body, and cut it in pieces, and there are some who can take a live animal and cut it in pieces in order to see what is inside the body. Still, that has nothing to do with our own bodies. We know very little about them. Why do we not? Because our attention is not discriminating enough to catch the very fine movements that are going on within. We can know of them only when the mind becomes more subtle and enters, as it were, deeper into the body. To get the subtle perception we have to begin with the grosser perceptions. We have to get hold of that which is setting the whole engine in motion. That is the Prana, the most obvious manifestation of which is the breath. Then, along with the breath, we shall slowly enter the body, which will enable us to find out about the subtle forces, the nerve currents that are moving all over the body. As soon as we perceive and learn to feel them, we shall begin to get control over them, and over the body. The mind is also set in motion: by these different nerve currents, so at last we shall reach the state of perfect control over the body and the mind, making both our servants. Knowledge is power. We have to get this power. So we must begin at the beginning, with Pranayama, restraining the Prana. This Pranayama is a long subject, and will take several lessons to illustrate it thoroughly. We shall take it part by part.

1.03 - Supernatural Aid, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  well, and saw a light shining in The Tower room, contrary to cus
  tom, she marveled, drew nigh, entered within the door, and be

1.04 - The Paths, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
  The Tarot card appropriate is XVI. - The Tower, the upper part of which is shaped like a crown. It is alternately
  THE PATHS 87

1.07 - The Farther Reaches of Human Nature, #Sex Ecology Spirituality, #Ken Wilber, #Philosophy
  Numerous psychologists (Bruner, Flavell, Arieti, Cowan, Kramer, Commons, Basseches, Arlin, etc.) have pointed out that there is much evidence for a stage beyond Piaget's formal operational. It has been called "dialectical," "integrative," "creative synthetic," "integral-aperspectival," "postformal," and so forth. I, of course, am using the terms vision-logic or network-logic. But the conclusions are all essentially the same: "Piaget's formal operational is considered to be a problem-solving stage. But beyond this stage are the truly creative scientists and thinkers who define important problems and ask important questions. While Piaget's formal model is adequate to describe the cognitive structures of adolescents and competent adults, it is not adequate to describe The Towering intellect of Nobel laureates, great statesmen and stateswomen, poets, and so on."5 True enough. But I would like to give a different emphasis to this structure, for while very few people might actually gain the "towering status of a Nobel laureate," the space of vision-logic (its worldspace or worldview) is available for any who wish to continue their growth and development. In other words, to progress through the various stages of growth does not mean that one has to extraordinarily master each and every stage, and demonstrate a genius comprehension at that stage before one can progress beyond it. This would be like saying that no individuals can move beyond the oral stage until they become gourmet cooks.
  It is not even necessary to be able to articulate the characteristics of a particular stage (children progress beyond preop without ever being able to define it). It is merely necessary to develop an adequate competence at that stage, in order for it to serve just fine as a platform for the transcendence to the next stage. In order to transcend the verbal, it is not necessary to first become Shakespeare.

1.07 - TRUTH, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  That words are at once indispensable and, in many cases, fatal has been recognized by all the exponents of the Perennial Philosophy. Thus, Jesus spoke of himself as bringing into the world something even worse than briarsa sword. St. Paul distinguished between the letter that kills and the spirit that gives life. And throughout the centuries that followed, the masters of Christian spirituality have found it necessary to harp again and again upon a theme which has never been outdated because homo loquax, the talking animal, is still as navely delighted by his chief accomplishment, still as helplessly the victim of his own words, as he was when The Tower of Babel was being built. Recent years have seen the publication of numerous works on semantics and of an ocean of nationalistic, racialistic and militaristic propaganda. Never have so many capable writers warned mankind against the dangers of wrong speech and never have words been used more recklessly by politicians or taken more seriously by the public. The fact is surely proof enough that, under changing forms, the old problems remain what they always wereurgent, unsolved and, to all appearances, insoluble.
  All that the imagination can imagine and the reason conceive and understand in this life is not, and cannot be, a proximate means of union with God.

1.09 - The Ambivalence of the Fish Symbol, #Aion, #Carl Jung, #Psychology
  northern corner of the temple built around The Tower at Nippur
  was called the kibla (point of orientation). In like manner the

1.240 - Talks 2, #Talks, #Sri Ramana Maharshi, #Hinduism
  M.: It is the same as self-control; control is effected by removal of samskaras which imply the functioning of the ego. The ego submits only when it recognises the Higher Power. Such recognition is surrender or submission, or self-control. Otherwise the ego remains stuck up like the image carved on a tower, making a pretence by its strained look and posture that it is supporting The Tower on its shoulders. The ego cannot exist without the Power but thinks that it acts of its own accord.
  D.: How can the rebellious mind be brought under control?

1.300 - 1.400 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
  M.: It is the same as self-control; control is effected by removal of samskaras which imply the functioning of the ego. The ego submits only when it recognises the Higher Power. Such recognition is surrender or submission, or self-control. Otherwise the ego remains stuck up like the image carved on a tower, making a pretence by its strained look and posture that it is supporting The Tower on its shoulders. The ego cannot exist without the Power but thinks that it acts of its own accord.
  D.: How can the rebellious mind be brought under control?

1.ac - The Mantra-Yoga, #Crowley - Poems, #Aleister Crowley, #Philosophy
  Slave to its single end, to storm The Tower
  That holdeth thee, who art Authentic Truth.

1.anon - If this were a world, #Anonymous - Poems, #unset, #Zen
  "My friend, we have cut down The Towering Cedar whose top
  scrapes the sky.

1.anon - The Epic of Gilgamesh Tablet VII, #Anonymous - Poems, #unset, #Zen
  until I saw The Towering Cedar
  Your wood was without compare in my eyes.

1f.lovecraft - At the Mountains of Madness, #Lovecraft - Poems, #unset, #Zen
   from which The Towers projected was strewn with fallen blocks and
   immemorial debris. Where the glaciation was transparent we could see
  --
   mountain-range between The Towers in our rear, had been enough to
   prevent our losing our way; but from now on, the artificial substitute
  --
   which confounded the descent with The Towers inner wall, had prevented
   our noticing this feature from the air, and thus caused us to seek
  --
   present top of The Towera highly remarkable circumstance in view of
   its exposureand its shelter had done much to protect the bizarre and
  --
   elsewhere. The Towers mouth was no farther from the foothills and our
   waiting plane than was the great terraced building we had entered, and

1f.lovecraft - Collapsing Cosmoses, #Lovecraft - Poems, #unset, #Zen
   installments, ascended to The Towering peak inches above the floor.
   My friends he began, with an eloquent scraping of his posterior

1f.lovecraft - Dagon, #Lovecraft - Poems, #unset, #Zen
   The Towering steeps that hemmed in the chasm, and revealed the fact
   that a far-flung body of water flowed at the bottom, winding out of

1f.lovecraft - Hypnos, #Lovecraft - Poems, #unset, #Zen
   forbidden dreams in The Tower studio chamber of the old manor-house in
   hoary Kent.
  --
   drug-dream and opened my physical eyes to The Tower studio in whose
   opposite corner reclined the pallid and still unconscious form of my

1f.lovecraft - In the Vault, #Lovecraft - Poems, #unset, #Zen
   The Tower at length finished, and his aching arms rested by a pause
   during which he sat on the bottom step of his grim device, Birch

1f.lovecraft - Poetry and the Gods, #Lovecraft - Poems, #unset, #Zen
   Gentle breezes from The Tower of Aiolos wafted them high above warm,
   scented seas, till suddenly they came upon Zeus holding court on the

1f.lovecraft - Polaris, #Lovecraft - Poems, #unset, #Zen
   Alone I mounted The Tower, for every man of stout body was needed in
   the passes below. My brain was sore dazed with excitement and fatigue,
  --
   But as I stood in The Towers topmost chamber, I beheld the horned
   waning moon, red and sinister, quivering through the vapours that

1f.lovecraft - The Doom That Came to Sarnath, #Lovecraft - Poems, #unset, #Zen
   elsewhere. In The Tower of the great temple the priests held revels,
   and in pavilions without the walls the princes of neighbouring lands
  --
   shroud in a sinister haze The Towers and the domes of fated Sarnath.
   Thereafter those in The Towers and without the walls beheld strange
   lights on the water, and saw that the grey rock Akurion, which was wont

1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Zen
   justified; for the moment a ghoul began to creep toward The Towers to
   see if the hour of the gugs resting had been rightly timed, there
  --
   concerning The Tower and the steps, and escaped ghasts are often chased
   even to the very top. So sharp are the ears of gugs, that the bare feet
  --
   The Tower during the sleep hour of the gugs. If the gugs slept long,
   and the ghasts returned soon from their deed in the cavern, the scent
  --
   about their future course. To return through The Tower they no longer
   dared, and the waking world did not appeal to them when they learned

1f.lovecraft - The Haunter of the Dark, #Lovecraft - Poems, #unset, #Zen
   old church steeplethe black windowless steeple, and not The Tower
   where Blakes diary said those things originally were. Though widely
  --
   At last he saw The Tower plain against the southwest, and a huge stone
   bulk rose darkly at the end of an alley. Presently he stood in a
  --
   ropes below, he expected to find a bell or peal of bells in The Tower
   whose narrow, louver-boarded lancet windows his field-glass had studied
  --
   the top of the stairs he found The Tower chamber vacant of chimes, and
   clearly devoted to vastly different purposes.
  --
   The Tower, where there were sounds of the shattering of glass. It could
   go wherever the darkness reached, but light would always send it
  --
   The Tower, for even the feeble light trickling through the
   grime-blackened, louver-boarded windows was too much for the thing. It
  --
   patches of what looked like charring. Opening the door to The Tower,
   and pausing a moment at the suspicion of a scraping sound above, they
  --
   In The Tower itself a similarly half-swept condition existed. They
   spoke of the heptagonal stone pillar, the overturned Gothic chairs, and
  --
   interrupted in the act of restoring The Tower to the absolute blackness
   of its tightly curtained days.
  --
   easterly facade. The Tower was invisible now that the candles would not
   burn, but as the object neared the ground the people knew that it was
  --
   mad or going madthe thing is stirring and fumbling in The TowerI
   am it and it is II want to get out . . . must get out and unify the
  --
   I am Robert Blake, but I see The Tower in the dark. There is a
   monstrous odour . . . senses transfigured . . . boarding at that

1f.lovecraft - The Moon-Bog, #Lovecraft - Poems, #unset, #Zen
   uncanny silence of The Tower. It was very dark, for although the sky
   was clear the moon was now well in the wane, and would not rise till

1f.lovecraft - The Quest of Iranon, #Lovecraft - Poems, #unset, #Zen
   before The Tower of Mlin, though they liked not the colour of his
   tattered robe, nor the myrrh in his hair, nor his chaplet of

1f.lovecraft - The Shadow out of Time, #Lovecraft - Poems, #unset, #Zen
   find the house of the writing-master, and The Tower where Sggha, a
   captive mind from the star-headed vegetable carnivores of Antarctica,

1f.lovecraft - The Very Old Folk, #Lovecraft - Poems, #unset, #Zen
   altar-flames on The Towering peaks; hellish and red, and now
   silhouetting the mad, leaping, and colossal forms of such nameless

1f.lovecraft - The White Ship, #Lovecraft - Poems, #unset, #Zen
   And in the later watches of the night, when I went within The Tower, I
   saw on the wall a calendar which still remained as when I had left it
   at the hour I sailed away. With the dawn I descended The Tower and
   looked for wreckage upon the rocks, but what I found was only this: a

1f.lovecraft - Under the Pyramids, #Lovecraft - Poems, #unset, #Zen
   mosque of Sultan Hassan, and The Tower-flanked Bab-el-Azab, beyond
   which climbs the steep-walled pass to the mighty citadel that Saladin

1f.lovecraft - What the Moon Brings, #Lovecraft - Poems, #unset, #Zen
   the spires, The Towers, and the roofs of that dead, dripping city. And
   as I watched, my nostrils tried to close against the perfume-conquering

1.fs - Hero And Leander, #Schiller - Poems, #Friedrich Schiller, #Poetry
  See you The Towers, that, gray and old,
  Frown through the sunlight's liquid gold,
  --
  And from The Tower, the beacon's glow
   Waves flickering o'er the main.
  --
  And from The Tower that beetled there
   She sprang into the wave;

1.gmh - The Alchemist In The City, #unset, #Arthur C Clarke, #Fiction
  I mark The Tower swallows run
  Between The Tower-top and the ground
  Below me in the bearing air;

1.jk - Otho The Great - Act II, #Keats - Poems, #John Keats, #Poetry
  Nobly as Nimrod's masons, when The Towers
  Of Nineveh new kiss'd the parted clouds!

1.jwvg - Mahomets Song, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
  Leaves The Towers' flame-tipp'd summits,
  Marble palaces, the offspring

1.lb - A Song Of Changgan, #Li Bai - Poems, #Li Bai, #Poetry
  And would never lose heart in The Tower of silent watching.
  ...Then when I was sixteen, you left on a long journey

1.lb - Crows Calling At Night, #Li Bai - Poems, #Li Bai, #Poetry
  Yellow clouds beside the walls; crows near The Tower.
  Flying back, they caw, caw; calling in the boughs.

1.lb - Lament of the Frontier Guard, #Li Bai - Poems, #Li Bai, #Poetry
  I climb The Towers and towers
             to watch out the barbarous land:

1.lb - Moon Over Mountain Pass, #Li Bai - Poems, #Li Bai, #Poetry
  In The Towered chambers tonight,
  Ceaseless are the women's sighs.

1.okym - 24 - Alike for those who for To-day prepare, #unset, #Arthur C Clarke, #Fiction
   English version by Edward FitzGerald Original Language Persian/Farsi Alike for those who for To-day prepare, And those that after some To-morrow stare, A Muezzin from The Tower of Darkness cries "Fools! Your Reward is neither Here nor There!" [bk1sm.gif] -- from The Rubaiyat of Omar Khayyam, by Omar Khayyam / Translated by Edward FitzGerald <
1.pbs - Charles The First, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Their bullion from The Tower; and, on the payment
  Of shipmoney, take fullest compensation
  --
  So, as I had heard treasures were found where the rainbow quenches its points upon the earth, I set off, and at The Tower --
  But I shall not tell your Majesty what I found close to the closet-window on which the rainbow had glimmered.

1.pbs - Epipsychidion, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And, as those married lights, which from The Towers
  Of Heaven look forth and fold the wandering globe

1.pbs - Hellas - A Lyrical Drama, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The conqueror and the conquered! Heave The Tower
  Into the gapwrench off the roof!

1.pbs - Julian and Maddalo - A Conversation, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Thy mountains, seas, and vineyards, and The Towers
  Of cities they encircle!it was ours

1.pbs - Lines Written Among The Euganean Hills, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  On The Towers of Venice now,
  Like its glory long ago.

1.pbs - Marenghi, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Visit The Tower of Vado, and unlearn
  Such bitter faith beside Marenghis urn.

1.pbs - Prince Athanase, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Among The Towers of men, and as soft air
  In spring, which moves the unawakened forest,

1.pbs - The Cenci - A Tragedy In Five Acts, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Will it be dark before you reach The Tower?
  Lucretia.
  --
  Even now they search The Tower, and find the body;
  Now they suspect the truth; now they consult

1.pbs - The Cloud, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Sublime on The Towers of my skiey bowers,
     Lightning, my pilot, sits;

1.pbs - The Revolt Of Islam - Canto I-XII, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
    And bore me through The Tower adown a stair,
    Whose smooth descent some ceaseless step to wear
  --
   It overtopped The Towers that did environ
    That spacious square; for Fear is never slow
  --
   Above The Towers, like night; beneath whose shade
    Awed by the ending of their own desire

1.pbs - The Tower Of Famine, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  object:1.pbs - The Tower Of Famine
  author class:Percy Bysshe Shelley
  --
  There stands The Tower of Famine. It is built
  Upon some prison-homes, whose dwellers rave
  --
  There stands the pile, a tower amid The Towers
  And sacred domes; each marble-ribbed roof,

1.pbs - The Woodman And The Nightingale, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Surrounded by the columns and The Towers
  All overwrought with branch-like traceries

1.poe - The City In The Sea, #Poe - Poems, #unset, #Zen
     As if The Towers had thrust aside,
     In slightly sinking, the dull tide-

1.poe - The City Of Sin, #Poe - Poems, #unset, #Zen
  As if The Towers had thrown aside,
  In slightly sinking, the dull tide

1.rb - Childe Roland To The Dark Tower Came, #Browning - Poems, #Robert Browning, #Poetry
  What in the midst lay but The Tower itself?
   The round squat turret, blind as the fool's heart,

1.rb - Cleon, #Browning - Poems, #Robert Browning, #Poetry
   Than ere thou clombst The Tower to look abroad!
   Nay, so much less as that fatigue has brought

1.rmr - Falconry, #Rilke - Poems, #Rainer Maria Rilke, #Poetry
  at Frederick's workroom in The Tower
  and found him formulating facts

1.rt - Brahm, Viu, iva, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  From The Towering source of the world
     In a thousand streams

1.rt - Lovers Gifts LVIII - Things Throng And Laugh, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  rhymes, they will be housed in The Towers of the town not yet
  planned, they have their call to arms from the battle fields of the

1.rwe - Monadnoc, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Seemed to me The Towering hill
  Was not altogether still,

1.rwe - Woodnotes, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  'What prizes the town and The Tower?
  Only what the pine-tree yields;

1.shvb - O ignee Spiritus - Hymn to the Holy Spirit, #unset, #Arthur C Clarke, #Fiction
   English version by Barbara Newman Original Language Latin Praise to you Spirit of fire! to you who sound the timbrel and the lyre. Your music sets our minds ablaze! The strength of our souls awaits your coming in the tent of meeting. There the mounting will gives the soul its savor and desire is its lantern. Insight invokes you in a cry full of sweetness, while reason builds you temples as she labors at her golden crafts. But sword in hand you stand poised to prune shoots of the poisoned apple -- scions of the darkest murder -- when mist overshadows the will. Adrift in desires the soul is spinning everywhere. But the mind is a bond to bind will and desire. When the heart yearns to look the Evil One in the eye, to stare down the jaws of iniquity, swiftly you burn it in consuming fire. Such is your wish. And when reason doing ill falls from her place, you restrain and constrain her as you will in the flow of experience until she obeys you. And when the Evil One brandishes his sword against you, you break it in his own heart. For so you did to the first lost angel, tumbling The Tower of his arrogance to hell. And there you built a second tower -- traitors and sinners its stones. In repentance they confessed all their crafts. So all beings that live by you praise your outpouring like a priceless salve upon festering sores, upon fractured limbs. You convert them into priceless gems! Now gather us all to yourself and in your mercy guide us into the paths of justice. [1826.jpg] -- from Symphonia: A Critical Edition of the Symphonia armonie celstium revelationum, by Hildegard of Bingen / Translated by Barbara Newman <
1.wby - A Dialogue Of Self And Soul, #Yeats - Poems, #William Butler Yeats, #Poetry
  For emblems of the day against The Tower
  Emblematical of the night,

1.wby - A Prayer For My Daughter, #Yeats - Poems, #William Butler Yeats, #Poetry
  And heard the sea-wind scream upon The Tower,
  And-under the arches of the bridge, and scream

1.wby - Blood And The Moon, #Yeats - Poems, #William Butler Yeats, #Poetry
  Is every modern nation like The Tower,
  Half dead at the top? No matter what I said,

1.wby - Leda And The Swan, #Yeats - Poems, #William Butler Yeats, #Poetry
  (the question mark was later replaced with an exclamation mark, The Tower 1928) All the stretched body's laid on the white rush
  And feels the strange heart beating where it lies;

1.wby - Meditations In Time Of Civil War, #Yeats - Poems, #William Butler Yeats, #Poetry
  I climb to The Tower-top and lean upon broken stone,
  A mist that is like blown snow is sweeping over all,

1.wby - The Phases Of The Moon, #Yeats - Poems, #William Butler Yeats, #Poetry
  We are on the bridge; that shadow is The Tower,
  And the light proves that he is reading still.
  --
  The light in The Tower window was put out.

1.wby - The Players Ask For A Blessing On The Psalteries And On Themselves, #Yeats - Poems, #William Butler Yeats, #Poetry
  Over the ramparts and The Towers,
  And with the waving of your wings.

1.wby - The Tower, #Yeats - Poems, #William Butler Yeats, #Poetry
  object:1.wby - The Tower
  author class:William Butler Yeats

1.wby - The Winding Stair, #Yeats - Poems, #William Butler Yeats, #Poetry
   For emblems of the day against The Tower
   Emblematical of the night,

1.whitman - Rise, O Days, #Whitman - Poems, #unset, #Zen
  I ascended The Towering rocks along the Pacific, I sail'd out to sea;
  I sail'd through the storm, I was refresh'd by the storm;

1.ww - 1- The White Doe Of Rylstone, Or, The Fate Of The Nortons, #Wordsworth - Poems, #unset, #Zen
  Its courts are ravaged; but The Tower
  Is standing with a voice of power,

1.ww - 3- The White Doe Of Rylstone, Or, The Fate Of The Nortons, #Wordsworth - Poems, #unset, #Zen
  NOW joy for you who from The Towers
  Of Brancepeth look in doubt and fear,
  --
  And The Towers of Saint Cuthbert were stirred by the shout!
   Now was the North in arms:--they shine

1.ww - 5- The White Doe Of Rylstone, Or, The Fate Of The Nortons, #Wordsworth - Poems, #unset, #Zen
  They to The Tower withdrew, and there
  Would mirth run round, with generous fare;

1.ww - 6- The White Doe Of Rylstone, Or, The Fate Of The Nortons, #Wordsworth - Poems, #unset, #Zen
  Could see The Tower of Bolton rise.
  There Francis for a moment's space

1.ww - Book Ninth [Residence in France], #unset, #Arthur C Clarke, #Fiction
  In chains of mutual passion, from The Tower,
  As a tradition of the country tells,

1.ww - Book Seventh [Residence in London], #unset, #Arthur C Clarke, #Fiction
  The Monument, and that Chamber of The Tower
  Where England's sovereigns sit in long array,

1.ww - Mutability, #Wordsworth - Poems, #unset, #Zen
   And is no more; drop like The Tower sublime
   Of yesterday, which royally did wear

1.ww - The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816, #Wordsworth - Poems, #unset, #Zen
     The Towers of righteousness;
  He knows that from a holier altar came

1.ww - The Prelude, Book 1- Childhood And School-Time, #Wordsworth - Poems, #unset, #Zen
  When, having left his Mountains, to The Towers
  Of Cockermouth that beauteous River came,

2.05 - The Tale of the Vampires Kingdom, #unset, #Arthur C Clarke, #Fiction
  The same cards in this tale are read and reread with different meanings; the narrator's hand shakes convulsively and points again to The Tower and The Hanged Man as if inviting us to recognize in an evening newspaper's blurred telephotos the shots of an atrocious news item: a woman who falls from a dizzying height into the void along the skyscrapers' faades. In the first of these two pictures the fall is well rendered in the groping hands, the reversed skirt, the simultaneity of the double spinning image; the second, a close-up on the body that, before being crushed on the ground, is caught by the feet in some wires, explains the reason of the power failure.
  And so we are able to reconstruct mentally the awful event with the breathless voice of the Fool, who overtakes the King: "The Queen! The Queen! She was falling headlong! Glowing! You know what a meteor looks like? She is about to open her wings! No! her paws are bound! Down! Head first! She is caught in the wires and is hanging there! At the height of the high tension! She thrashes, crackles, slams! She kicks the bucket! The royal membrane of our beloved Queen! She swings there, croaked.'.'.'."

2.06 - Two Tales of Seeking and Losing, #unset, #Arthur C Clarke, #Fiction
  The mosaic of cards that we are watching, fixed here, is therefore the Work of the Quest that one would like to conclude without work or search. Doctor Faust has wearied of having the instantaneous metamorphoses of metals depend on the slow transformations that take place within himself, he doubts the wisdom accumulated in the solitary life of a Hermit, he is disappointed in the powers of his art as he is in this dawdling over the tarot combinations. At that moment a thunderbolt illuminates his little cell at the top of The Tower. A personage appears before him with a broad-brimmed hat, such as the students wear at Wittenberg, a wandering clerk perhaps, or a charlatan Juggler, a mountebank at a fair, who has laid out on a stand a laboratory of ill-assorted jars.
  "Do you believe you can counterfeit my art?" So the true alchemist must have addressed the impostor. "What messes are you stirring in your pots?"

2.08 - Three Tales of Madness and Destruction, #unset, #Arthur C Clarke, #Fiction
  But an old man's trembling finger is now pointed at the Arcanum of The Tower and the Thunderbolt. In his other hand he holds up the figure of the King of Cups, surely to make us recognize him, since no royal attributes remain on his derelict person: nothing in the world has been left him by his unnatural daughters (this is what he seems to say, pointing to two portraits of cruel, crowned ladies and then at the squalid landscape of the Moon), and now others want to usurp even this card from him, the proof of how he was driven from his palace, emptied from the walls like a can of rubbish, abandoned to the fury of the elements. Now he inhabits the storm and the rain and the wind as if he could have no other home, as if the world were allowed to contain only hail and thunder and tempest, just as his mind now houses only wind and thunderbolts and madness. Blow, winds, and crack your cheeks! You cataracts and hurricanoes, spout till you have drench'd our steeples, drown'd the cocks! You sulphurous and thought-executing fires, vaunt-couriers to oak-cleaving thunderbolts, singe my white head! And thou, all-shaking thunder, smite flat the thick rotundity o' the world! Crack nature's molds, all chromosomes spill at once that make ungrateful man! We read this hurricane of thoughts in the eyes of the old sovereign seated in our midst, his bent shoulders huddled no longer in his ermine mantle but in a Hermit's habit, as if he were still wandering by lantern light over the heath without shelter, the Fool his only support and mirror of his madness.
  Instead, for the young man ahead of him the Fool is merely the role he has set himself to play, the better to work out a revenge plot and to conceal his spirit, distraught by the revelation of the guilty deeds of his mother, Gertrude, and his uncle. If this is neurosis, there is a method in it, and in every method, neurosis. (We know this well, glued to our game of tarots.) It was the story of relations between the young and the old that he, Hamlet, had come to tell us: the more fragile youth feels itself in the face of age's authority, the more it is driven to form an extreme and absolute idea of itself, and the more it remains dominated by looming parental phantoms. The young arouse similar uneasiness in the old: they loom like ghosts, they wander around hanging their heads, digging up remorses the old had buried, scorning what the old believe their finest possession: experience. So let Hamlet play the fool, with his stockings ungartered and a book open under his nose: the ages of transition are subject to mental ailments. For that matter, his mother has surprised him (The Lover!) raving for Ophelia: the diagnosis is quickly made, we shall call it love-madness and thus all is explained. If anything, Ophelia, poor angel, will be the one who pays: the Arcanum that defines her is Temperance and already foretells her watery death.

2.1.4.2 - Teaching, #On Education, #The Mother, #Integral Yoga
  Usually, in our joy at their arrival and in our haste to receive them well, we lose our tranquillity and come galloping down to rush into the large hall which forms the base of The Tower and which is the store-room of words. Here, more or less excited, we select, reject, assemble, combine, disarrange, rearrange all the words within our reach in an attempt to transcribe this or that visitor who has come to us. But most often the picture we succeed in making of her is more like a caricature than a portrait.
  And yet if we were wiser, we would remain up there at the summit of The Tower, quite still, in joyful contemplation. Then, after a certain length of time, we would see the visitors themselves descending slowly, gracefully, calmly, without losing anything of their elegance or their beauty and, as they cross the store-room of words, clothing themselves effortlessly, automatically, with the words needed to make them perceptible even in the material house.
  This is what I call thinking with ideas.

26.07 - Dhammapada, #Collected Works of Nolini Kanta Gupta - Vol 06, #Nolini Kanta Gupta, #Integral Yoga
   He climbs on The Tower of wisdom and griefless he looks upon the grieving
   creatures:

4.03 - The Senses And Mental Pictures, #Of The Nature Of Things, #Lucretius, #Poetry
  The angles of The Tower each and all
  Have quite escaped the sense, the stones appear

5.04 - Three Dreams, #Words Of Long Ago, #The Mother, #Integral Yoga
  At the top of a very high tower standing on a high mountain, in a room so vast that it seemed to be low, I was leaning against the far wall, and facing me was a window looking outside. On my left a raised throne with several steps, and on the throne sat the Lord of Nations. This I knew although I had not looked at him. To my right at the far end of the immense room, in a kind of alcove lit from above, sat a young womana nation. She was a small, dumpy child with very dark hair and a pale and mat complexion. She had put on a wedding-dress, with a crown of white flowers on her head (the dress was mostly white with some blue and a few touches of gold). I knew that I had helped this nation to dress in this way, and to climb the mountain and The Tower to come up to the room. She had come to offer herself as a bride to the Lord of Nations, and for this purpose she was to undergo a series of ordeals that the Lord wanted to impose upon her in order to know whether she was worthy of him. These ordeals were the ordeals of Terror.
  For the first ordeal he had a full glass as well as a decanter brought to her. And she was to drink the contents of both. To her they seemed to be bloodhuman blood newly shed. And He, from the height of his throne, was saying to her, Drink this blood to show that you are not afraid. The poor child was trembling with disgust and did not dare touch the ghastly beverage. But at that hour, Lord, You had given me the full consciousness and power of the Truth. From where I stood I could clearly see the transparent purity of the water which the glass and the decanter really contained. And while the child was still hesitating and the Lord was taunting her in a biting tone, What! you are trembling already! This is yet only the first ordeal, the easiest of all, what will you do next?

6.09 - THE THIRD STAGE - THE UNUS MUNDUS, #Mysterium Coniunctionis, #Carl Jung, #Psychology
   (baetylus), a stone that hath a spirit,233 and the living stone mentioned in the New Testament,234 which in the Shepherd of Hermas is the living man who adds himself as a brick to The Tower of the Church. Above all, its incorruptibility is stressed: it lasts a long time, or for all eternity; though alive, it is unmoved; it radiates magic power and transforms the perishable into the imperishable and the impure into the pure; it multiplies itself indefinitely; it is simple and therefore universal, the union of all opposites; it is the parallel of Christ and is called the Saviour of the Macrocosm. But the caelum also signifies mans likeness to God (imago Dei), the anima mundi in matter, and the truth itself. It has a thousand names. It is also the Microcosm, the whole man (
  ), chn-yn, a homunculus and a hermaphrodite. These designations and significations are but a small selection from the plethora of names mentioned in the literature.

Aeneid, #unset, #Arthur C Clarke, #Fiction
  has fallen, victim of The Towering Vulcan.
  And now Ucalegon's, his neighbor, bums;
  --
  tomb, underneath The Towering walls of Troy;
  o you, for whom no lots were cast, who never
  --
  both black and vast within. The Towering Cyclops
  is tall enough to strike the high starsgods,
  --
  As soon as from her lookout on The Tower
  the queen could see the morning whitening,
  --
  his right hand, straight between The Towering horns
  he planted his tough gauntlets; and he smashed
  --
  the Gauls crept toward The Tower, under cover
  of darkness and dense night. Their hair is golden;
  --
  in their great galleys at The Towering sterns.
  Torches of hemp and flying darts of steel
  --
  await the enemy within The Towers.
  Turnus, who had outstripped his tardy column,
  --
  and fastened fire along The Tower's flank.
  Fanned by the wind, the flame caught fast the planks
  --
  holdthere, beneath the sudden weight The Tower
  falls; all of heaven thunders at that crash.
  --
  before The Towers to the right and left;
  they are armed with swords, their tall heads glittering
  --
  and ruin on The Towers of Rome, unlock
  the Alps against them: then it will be right
  --
  Aimless and sad, they stand upon The Towers
  and man the ramparts in a meager ring.
  --
  and they press toward the rooftops and The Towers
  while others stand upon the tall gateways.

Averroes Search, #Labyrinths, #Jorge Luis Borges, #Poetry
  last long; all wanted to be the muezzin, none the congregation or The Tower.
  Averroes heard them dispute in the vulgar dialect, that is, in the incipient

BOOK II. -- PART III. ADDENDA. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  antediluvian giants and The Tower of Babel, found also in the "Book of Enoch."
  Diodorus records another fact or two: the Atlanteans boasted of possessing the land in which all the

BOOK I. -- PART I. COSMIC EVOLUTION, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  India, Egypt and Greece, The Towers and the 127 towns in Europe which were found "Cyclopean in
  origin" by the French Institute, are all the work of initiated Priest-Architects, the descendants of those

BOOK I. -- PART III. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  the Fall, and the Flood, even to the legend of The Tower of Babel, were written "before the time of
  Moses" (See G. Smith's "Chaldean Account of Genesis," p. 86), how can the Pentateuch be called a

Book of Genesis, #The Bible, #Anonymous, #Various
  Now the whole world had one language and a common speech. 2 As people moved eastward, they found a plain in Shinar and settled there. 3 They said to each other, Come, lets make bricks and bake them thoroughly. They used brick instead of stone, and tar for mortar. 4 Then they said, Come, let us build ourselves a city, with a tower that reaches to the heavens, so that we may make a name for ourselves; otherwise we will be scattered over the face of the whole earth. 5 But the Lord came down to see the city and The Tower the people were building. 6 The Lord said, If as one people speaking the same language they have begun to do this, then nothing they plan to do will be impossible for them. 7 Come, let us go down and confuse their language so they will not understand each other. 8 So the Lord scattered them from there over all the earth, and they stopped building the city. 9 That is why it was called Babel because there the Lord confused the language of the whole world. From there the Lord scattered them over the face of the whole earth.
  The Genealogy of Shem
  --
  16 And they journeyed from Bethel; and there was but a little way to come to Ephrath: and Rachel travailed, and she had hard labour. 17 And it came to pass, when she was in hard labour, that the midwife said unto her, Fear not; thou shalt have this son also. 18 And it came to pass, as her soul was in departing, (for she died) that she called his name Benoni: but his father called him Benjamin. 19 And Rachel died, and was buried in the way to Ephrath, which is Bethlehem. 20 And Jacob set a pillar upon her grave: that is the pillar of Rachel's grave unto this day. 21 And Israel journeyed, and spread his tent beyond The Tower of Edar. 22 And it came to pass, when Israel dwelt in that land, that Reuben went and lay with Bilhah his father's concubine: and Israel heard it. Now the sons of Jacob were twelve: 23 The sons of Leah; Reuben, Jacob's firstborn, and Simeon, and Levi, and Judah, and Issachar, and Zebulun: 24 The sons of Rachel; Joseph, and Benjamin: 25 And the sons of Bilhah, Rachel's handmaid; Dan, and Naphtali: 26 And the sons of Zilpah, Leah's handmaid; Gad, and Asher: these [are] the sons of Jacob, which were born to him in Padanaram.
  The Death of Isaac at Hebron

Book of Imaginary Beings (text), #unset, #Arthur C Clarke, #Fiction
  world, you must climb to the top of The Tower of Victory in
  Chitor. There, standing on a circular terrace, one has a
  --
  On the stairway of The Tower of Victory there has lived
  since the beginning of time a being sensitive to the many
  --
  known as The Tower of the Phoenix.
  Chronos or Hercules
  --
  raise a higher one. A Brahman let him into The Tower and
  once inside told him:

BOOK VII. - Of the select gods of the civil theology, and that eternal life is not obtained by worshipping them, #City of God, #Saint Augustine of Hippo, #Christianity
  These are the famous mysteries of Tellus and the Great Mother, all of which are shown to have reference to mortal seeds and to agriculture. Do these things, then,namely, the tympanum, The Towers, the Galli, the tossing to and fro of limbs, the noise of cymbals, the images of lions,do these things, having this reference and this end, promise eternal life? Do the mutilated Galli, then, serve this Great Mother in order to signify that they who are in need of seed should follow the earth, as though it were not rather the case that this very service caused them to want seed? For whether do they, by following this goddess, acquire seed, being in want of it, or, by following her, lose seed when they have it? Is this to interpret or to deprecate? Nor is it considered to what a degree malign demons have gained the upper hand, inasmuch as they have been able to exact such cruel rites without having dared to promise any great things in return for them. Had[Pg 291] the earth not been a goddess, men would have, by labouring, laid their hands on it in order to obtain seed through it, and would not have laid violent hands on themselves in order to lose seed on account of it. Had it not been a goddess, it would have become so fertile by the hands of others, that it would not have compelled a man to be rendered barren by his own hands; nor that in the festival of Liber an honourable matron put a wreath on the private parts of a man in the sight of the multitude, where perhaps her husb and was standing by blushing and perspiring, if there is any shame left in men; and that in the celebration of marriages the newly-married bride was ordered to sit upon Priapus. These things are bad enough, but they are small and contemptible in comparison with that most cruel abomination, or most abominable cruelty, by which either set is so deluded that neither perishes of its wound. There the enchantment of fields is feared; here the amputation of members is not feared. There the modesty of the bride is outraged, but in such a manner as that neither her fruitfulness nor even her virginity is taken away; here a man is so mutilated that he is neither changed into a woman nor remains a man.
  25. The interpretation of the mutilation of Atys which the doctrine of the Greek sages set forth.

BOOK XVI. - The history of the city of God from Noah to the time of the kings of Israel, #City of God, #Saint Augustine of Hippo, #Christianity
  But though these nations are said to have been dispersed according to their languages, yet the narrator recurs to that time when all had but one language, and explains how it came to pass that a diversity of languages was introduced. "The whole earth," he says, "was of one lip, and all had one speech. And it came to pass, as they journeyed from the east, that they found a plain in the land of Shinar, and dwelt there. And they said one to another, Come, and let us make bricks, and burn them thoroughly. And they had bricks for stone, and slime for mortar. And they said, Come, and let us build for ourselves a city, and a tower whose top shall reach the sky; and let us make us a name, before we be scattered abroad on the face of all the earth. And the Lord came down to see the city and The Tower, which the children, of men builded. And the Lord God said, Behold, the people is one, and they have all one language; and this they begin to do: and now nothing will be restrained from them, which they have imagined to do. Come, and let us go down, and confound there their language, that they may not understand one another's speech. And God scattered them thence on the[Pg 112] face of all the earth: and they left off to build the city and The Tower. Therefore the name of it is called Confusion; because the Lord did there confound the language of all the earth: and the Lord God scattered them thence on the face of all the earth."[236] This city, which was called Confusion, is the same as Babylon, whose wonderful construction Gentile history also notices. For Babylon means Confusion. Whence we conclude that the giant Nimrod was its founder, as had been hinted a little before, where Scripture, in speaking of him, says that the beginning of his kingdom was Babylon, that is, Babylon had a supremacy over the other cities as the metropolis and royal residence; although it did not rise to the grand dimensions designed by its proud and impious founder. The plan was to make it so high that it should reach the sky, whether this was meant of one tower which they intended to build higher than the others, or of all The Towers, which might be signified by the singular number, as we speak of "the soldier," meaning the army, and of the frog or the locust, when we refer to the whole multitude of frogs and locusts in the plagues with which Moses smote the Egyptians.[237] But what did these vain and presumptuous men intend? How did they expect to raise this lofty mass against God, when they had built it above all the mountains and the clouds of the earth's atmosphere? What injury could any spiritual or material elevation do to God? The safe and true way to heaven is made by humility, which lifts up the heart to the Lord, not against Him; as this giant is said to have been a "hunter against the Lord." This has been misunderstood by some through the ambiguity of the Greek word, and they have translated it, not "against the Lord," but "before the Lord;" for means both "before" and "against." In the Psalm this word is rendered, "Let us weep before the Lord our Maker."[238] The same word occurs in the book of Job, where it is written, "Thou hast broken into fury against the Lord."[239] And so this giant is to be recognised as a "hunter against the Lord." And what is meant by the term "hunter" but deceiver, oppressor, and destroyer of the animals of the[Pg 113] earth? He and his people, therefore, erected this tower against the Lord, and so gave expression to their impious pride; and justly was their wicked intention punished by God, even though it was unsuccessful. But what was the nature of the punishment? As the tongue is the instrument of domination, in it pride was punished; so that man, who would not understand God when He issued His commands, should be misunderstood when he himself gave orders. Thus was that conspiracy disbanded, for each man retired from those he could not understand, and associated with those whose speech was intelligible; and the nations were divided according to their languages, and scattered over the earth as seemed good to God, who accomplished this in ways hidden from and incomprehensible to us.
  5. Of God's coming down to confound the languages of the builders of the city.
  We read, "The Lord came down to see the city and The Tower which the sons of men built:" it was not the sons of God, but that society which lived in a merely human way, and which we call the earthly city. God, who is always wholly everywhere, does not move locally; but He is said to descend when He does anything in the earth out of the usual course, which, as it were, makes His presence felt. And in the same way, He does not by "seeing" learn some new thing, for He cannot ever be ignorant of anything; but He is said to see and recognise, in time, that which He causes others to see and recognise. And therefore that city was not previously being seen as God made it be seen when He showed how offensive it was to Him. We might, indeed, interpret God's descending to the city of the descent of His angels in whom He dwells; so that the following words, "And the Lord God said, Behold, they are all one race and of one language," and also what follows, "Come, and let us go down and confound their speech," are a recapitulation, explaining how the previously intimated "descent of the Lord" was accomplished. For if He had already gone down, why does He say, "Come, and let us go down and confound?"words which seem to be addressed to the angels, and to intimate that He who was in the angels descended in their descent.[Pg 114] And the words most appropriately are, not, "Go ye down and confound," but, "Let us confound their speech;" showing that He so works by His servants, that they are themselves also fellow-labourers with God, as the apostle says, "For we are fellow-labourers with God."[240]
  6. What we are to understand by God's speaking to the angels.

BS 1 - Introduction to the Idea of God, #unset, #Arthur C Clarke, #Fiction
  The Jahwist version uses the name YHWH , which, apparently, people didnt say, but we believe was pronounced something like Yahwa. It has a strongly anthropomorphic God, that takes human form. It begins with Genesis 2:4. This is the account of the heavens and the earth, and it contains the story of Adam and Eve, and Cain and Abel, and Noah, and The Tower of Babel, and Exodus, and Numbers, along with the Priestly version. It also contains the law in the formjust the formof the Ten Commandments, which is like a truncated form of the law.
  Theres the Elohist source. It contains the stories of Abraham and Isaac. Its concerned with a heavenly hierarchy that includes angels. It talks about the departure from Egypt, and it presents the covenant code, which is this idea that society is predicatedthis was Israeli societyon a covenant with God thats laid out in a sequence of rules, some of which are the Ten Commandment, but many of which are much more extensive than that.

COSA - BOOK VIII, #The Confessions of Saint Augustine, #Saint Augustine of Hippo, #Christianity
  a service. Thus both being now Thine, were building The Tower at the
  necessary cost, the forsaking all that they had, and following Thee.

Liber 46 - The Key of the Mysteries, #unset, #Arthur C Clarke, #Fiction
   company, had tried to throw him from the top of The Tower which they
   had climbed together.<   --
   the knight, the soldier, the fool, The Tower, and houses representing
   numbers. In old times, chess-players sought upon their chess-board the
  --
   queen, The Tower, the devil or Typhon, death, and so on. The
   dice-indicated chances of the game represent those of life, and conceal

Talks 051-075, #unset, #Arthur C Clarke, #Fiction
  The present difficulty is that the man thinks that he is the doer. But it is a mistake. It is the Higher Power which does everything and the man is only a tool. If he accepts that position he is free from troubles; otherwise he courts them. Take for instance, the figure in a gopuram (temple tower), where it is made to appear to bear the burden of The Tower on its shoulders. Its posture and look are a picture of great strain while bearing the very heavy burden of The Tower. But think. The Tower is built on the earth and it rests on its foundations. The figure (like Atlas bearing the earth) is a part of The Tower, but is made to look as if it bore The Tower. Is it not funny?
  So is the man who takes on himself the sense of doing.

Talks With Sri Aurobindo 2, #Talks With Sri Aurobindo, #unset, #Zen
  he used to give them his blessings standing at The Tower window.
  NIRODBARAN: I heard that Mother used to see you in visions, but could

The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
  their tides. In the literature of the period Nietzsche was The Towering
  giant. He took over the unconscious Id from Lichtenberg (which
  --
  circle acquires depth and thus becomes cylindrical; The Towers
  become higher and higher; everything is arbitrary as in an experi-
  --
  symbolized in Jacob's struggle with the angel, The Tower of Babel,
  the flight of Icarus, the Faustus legend, and so on through Voltaire's
  --
  Theoretically the building of The Tower of Babel, of hierarchies of
  abstractions, can go on indefinitely, or until the most general patterns
  --
  As we move on into the eighteenth century The Towering genius of
  Benjamin Franklin sticks out of it like his Hghtning rod. Printer,
  --
  an atheist because he did not believe in The Tower of Babel. Neither
  attitude has much relevance to the unconscious, inner motivation of his

The Book of the Prophet Isaiah, #The Bible, #Anonymous, #Various
  that dwell in the wilderness: they set up The Towers thereof,
  they raised up the palaces thereof; and he brought it to ruin.
  --
  rivers and streams of waters in the day of the great slaughter, when The Towers fall.
  26 Moreover the light of the moon shall be as the light of the sun, and the light of the sun shall be sevenfold,
  --
  where is the receiver? where is he that counted The Towers?
  19 Thou shalt not see a fierce people, a people of a deeper speech than thou canst perceive;

The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
  had The Tower of Odre built near Boulogne-sur-Mer "to deceive future generations on the
  subject of the supposed raid of Caligula on Great Britain" (4) . Converted into a lighthouse
  (turris ardens) by one of his successors, The Tower of Odre collapsed in 1645.
  What historian can give us the reason superficial or profound invoked by the sovereigns
  --
  mains, phonetically identical to the name Pharamond <10> . The Tower supporting him signified
  the number 1: Pharamond was, it is said, the first King of France. Finally, the chair, a
  --
  the workmen received their salary: Jachin and Boaz, columns of which The Towers of the
  metropolitan churches are but a free, albeit bold and powerful, translation. It is finally the sign
  --
  us the best translation of esoteric symbolism. We cannot reasonably deny that The Tower, so
  important in medieval fortification, holds a clearly defined meaning, although we have not
  --
  Hermetically, we can see The Tower as the envelope, the refuge, the protective sanctuary
  mineralogists would coin the term ganque or ore-bearing earth of the mercurial dragon. It
  --
  answered through the voice of Epistemon (2), that The Tower of fortification or fortified castle,
  amounts to saying a feat of strength or a tower of strength (3); and that a feat of strength
  --
  to the Attic word [*457-1] (turns), completes the Pantagruelic meaning if The Tower, or feat, of
  strength (4). As a matter of fact, turos is substituted and used for [*457-2] (to oris ); [*457-3]

The Gospel According to Luke, #The Bible, #Anonymous, #Various
  1 There were present at that season some that told him of the Galilaeans, whose blood Pilate had mingled with their sacrifices. 2 And Jesus answering said unto them, Suppose ye that these Galilaeans were sinners above all the Galilaeans, because they suffered such things? 3 I tell you, Nay: but, except ye repent, ye shall all likewise perish. 4 Or those eighteen, upon whom The Tower in Siloam fell, and slew them, think ye that they were sinners above all men that dwelt in Jerusalem? 5 I tell you, Nay: but, except ye repent, ye shall all likewise perish.
  The Parable of the Barren Fig Tree

The Shadow Out Of Time, #unset, #Arthur C Clarke, #Fiction
  of the writing master, and The Tower where S'gg'ha, the captive mind from the star-headed
  vegetable carnivores of Antarctica, had chiselled certain pictures on the blank spaces of

Thus Spoke Zarathustra text, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  between towers? The Tower is where you belong. You
  ought to be locked up; you block the way for one better than yourself." And with every word he came
  --
  sneaked up to him and whispered in his ear-and behold, it was the jester from The Tower. "Go away from
  this town, Zarathustra," said he; "there are too many

WORDNET














IN WEBGEN [10000/251]

Wikipedia - All Hallows-by-the-Tower
Wikipedia - Category:Executions at the Tower of London
Wikipedia - Category:Prisoners in the Tower of London
Wikipedia - Ceremony of the Keys (London) -- Ancient daily ritual at the Tower of London
Wikipedia - Cirque of the Towers -- Landform in Wyoming, US
Wikipedia - Edward V of England -- 15th-century King of England and one of the Princes in the Tower
Wikipedia - Hanoi graph -- pattern of states and moves in the Tower of Hanoi puzzle
Wikipedia - Hex - The Legend of the Towers -- Amusement ride at Alton Towers
Wikipedia - Joan of The Tower
Wikipedia - Joan of the Tower -- 14th-century English princess and queen of Scotland
Wikipedia - List of Keepers of the Records in the Tower of London -- Wikipedia list article
Wikipedia - List of prisoners of the Tower of London -- Wikipedia list article
Wikipedia - List of ships named on the Tower Hill Memorial -- Wikipedia list article
Wikipedia - List of The Tower of Druaga episodes -- Wikipedia list article
Wikipedia - Madonna of the Towers -- painting by Bramantino
Wikipedia - Princes in the Tower -- 15th-century English siblings who disappeared
Wikipedia - Robert Oxenbridge (died 1574) -- English MP and Constable of the Tower
Wikipedia - Siege of the Tower of London (1460) -- 1460 battle in the English Wars of the Roses
Wikipedia - Spider World: The Tower
Wikipedia - The Book of the Knight in the Tower
Wikipedia - The Fall of the Towers -- Trilogy of science fantasy books by Samuel R. Delany
Wikipedia - The Square and the Tower -- Non-fiction book by Niall Ferguson
Wikipedia - The Strangler of the Tower -- 1966 film
Wikipedia - The Tower at Dubai Creek Harbour
Wikipedia - The Tower House -- Late Victorian townhouse in the Holland Park district, London, built by William Burges
Wikipedia - The Towering Inferno -- 1974 American disaster film
Wikipedia - The Tower of Babel (Bruegel) -- Three paintings by Pieter Bruegel the Elder
Wikipedia - The Tower of Blue Horses -- Painting by Franz Marc
Wikipedia - The Tower of Lies -- 1925 film
Wikipedia - The Tower of Silence (film) -- 1925 film
Wikipedia - The Tower of the Elephant -- 1933 novelette by Robert E. Howard
Wikipedia - The Towers of Silence -- 1971 book by Paul Scott
Wikipedia - The Tower SP
Wikipedia - The Tower (Tarot card)
Wikipedia - Yeoman Warders Club -- Exclusive pub in the Tower of London
Wikipedia - Yeomen Warders -- Ceremonial guardians of the Tower of London
https://www.goodreads.com/book/show/1000724.The_Towers_of_Silence
https://www.goodreads.com/book/show/10854908.Last_Man_in_the_Tower
https://www.goodreads.com/book/show/1122004.The_Tower
https://www.goodreads.com/book/show/11334129-where-did-the-towers-go
https://www.goodreads.com/book/show/11370469-the-tower-of-alchemy
https://www.goodreads.com/book/show/12959727-talina-in-the-tower
https://www.goodreads.com/book/show/13170795-the-tower
https://www.goodreads.com/book/show/138167.The_Tower
https://www.goodreads.com/book/show/143395.The_Tower_of_Alchemy
https://www.goodreads.com/book/show/14443313-the-tower-of-london
https://www.goodreads.com/book/show/1596479.The_Tower_of_Diverse_Shores
https://www.goodreads.com/book/show/159848.The_Lady_in_the_Tower
https://www.goodreads.com/book/show/159848.The_Lady_in_the_Tower__Queens_of_England___4_
https://www.goodreads.com/book/show/15991959-wednesdays-in-the-tower
https://www.goodreads.com/book/show/16065633-the-tower
https://www.goodreads.com/book/show/16248219.The_Tower
https://www.goodreads.com/book/show/18081109-the-tower-lord
https://www.goodreads.com/book/show/18518460-the-tower
https://www.goodreads.com/book/show/185251.The_Towers_of_the_Sunset
https://www.goodreads.com/book/show/18798870-the-tower
https://www.goodreads.com/book/show/18934004-the-tower
https://www.goodreads.com/book/show/19078860-the-tower
https://www.goodreads.com/book/show/19078861-the-tower
https://www.goodreads.com/book/show/19078862-the-tower
https://www.goodreads.com/book/show/192954.The_Towers_of_Trebizond
https://www.goodreads.com/book/show/20653979-the-towers-of-tuscany
https://www.goodreads.com/book/show/21340632-the-tower-of-silence
https://www.goodreads.com/book/show/2157346.The_Tower
https://www.goodreads.com/book/show/23257185-the-towers-of-tuscany
https://www.goodreads.com/book/show/2457653.The_Tower_of_Glass
https://www.goodreads.com/book/show/25376434.Margaret_Pole_The_Countess_in_the_Tower
https://www.goodreads.com/book/show/254092.The_Towers_of_February
https://www.goodreads.com/book/show/25956522-the-tower
https://www.goodreads.com/book/show/25990081-submission-at-the-tower
https://www.goodreads.com/book/show/26987734-the-tower-press-booklets-vol-1
https://www.goodreads.com/book/show/2705718-the-tower-and-the-rising-tide
https://www.goodreads.com/book/show/28799.The_Tower_of_Ravens
https://www.goodreads.com/book/show/2914123-ghosts-of-the-tower-of-london
https://www.goodreads.com/book/show/31944765-the-tower-of-the-antilles
https://www.goodreads.com/book/show/34050917-the-girl-in-the-tower
https://www.goodreads.com/book/show/34731459-the-girl-in-the-tower
https://www.goodreads.com/book/show/349129.The_Man_Who_Walked_Between_the_Towers
https://www.goodreads.com/book/show/35035120-the-girl-in-the-tower
https://www.goodreads.com/book/show/35062472-the-tower-of-swallows
https://www.goodreads.com/book/show/35406372-the-tower
https://www.goodreads.com/book/show/35629744-the-square-and-the-tower
https://www.goodreads.com/book/show/35629744-the-square-and-the-tower\
https://www.goodreads.com/book/show/35888548-the-survival-of-the-princes-in-the-tower
https://www.goodreads.com/book/show/35888548.The_Survival_of_the_Princes_in_the_Tower_Murder__Mystery_and_Myth
https://www.goodreads.com/book/show/35969836-the-tower-of-egizii
https://www.goodreads.com/book/show/36039298-the-towering-sky
https://www.goodreads.com/book/show/3625788-mysteries-of-the-tower-of-london
https://www.goodreads.com/book/show/36518479-the-tower-of-living-and-dying
https://www.goodreads.com/book/show/36549303-the-towering-tree-puzzle
https://www.goodreads.com/book/show/366743.Secret_of_the_Tower
https://www.goodreads.com/book/show/405050.The_Tower_of_Babel
https://www.goodreads.com/book/show/42844703-the-tower-the-monster-and-the-tree
https://www.goodreads.com/book/show/43298.The_Tower_Room
https://www.goodreads.com/book/show/4355087-the-tower-treasure-the-house-on-the-cliff
https://www.goodreads.com/book/show/44031170-the-girl-of-the-tower
https://www.goodreads.com/book/show/44440509-maiden-in-the-tower
https://www.goodreads.com/book/show/445230.The_Towers_of_Toron
https://www.goodreads.com/book/show/474197.The_Tower_at_the_End_of_the_World
https://www.goodreads.com/book/show/5824917-the-towers-of-utopia
https://www.goodreads.com/book/show/5900906-the-little-man-in-the-tower
https://www.goodreads.com/book/show/6282683-the-lady-in-the-tower
https://www.goodreads.com/book/show/6282683.The_Lady_in_the_Tower_The_Fall_of_Anne_Boleyn
https://www.goodreads.com/book/show/6399654-the-tower-of-london
https://www.goodreads.com/book/show/6749815-the-tower-of-sorcery
https://www.goodreads.com/book/show/6795323-a-beefeater-s-grisly-guide-to-the-tower-of-london
https://www.goodreads.com/book/show/7507889-the-body-at-the-tower
https://www.goodreads.com/book/show/7745326-the-tower-the-zoo-and-the-tortoise
https://www.goodreads.com/book/show/8168594-rapunzel-and-other-maiden-in-the-tower-tales-from-around-the-world
https://www.goodreads.com/book/show/825862.To_the_Tower_Born
https://www.goodreads.com/book/show/825862.To_the_Tower_Born_A_Novel_of_the_Lost_Princes
https://www.goodreads.com/book/show/87976.The_Tower_Treasure
https://www.goodreads.com/book/show/911660.Tales_From_The_Tower_of_London
https://familypedia.wikia.org/wiki/File:The_Towers,_Narragansett_Pier_RI.jpg
https://military.wikia.org/wiki/File:President_Ronald_Reagan_receives_the_Tower_Commission_Report_with_John_Tower_and_Edmund_Muskie.jpg
https://en.wikiquote.org/wiki/File:Hans_Bol_-_The_Tower_of_Babel.jpg
The Tower of Druaga (2008 - 2009) - It is said that every few years, there is what's known as the "Summer of Anu." During that summer, thanks to the divine protection of the sky-god Anu, all of the demons in the tower lose their power. The country of Uruk has begun an invasion of the tower in order to suppress the demons. They've buil...
Blassreiter (2008 - Current) - a 2008 Japanese anime from the animation studio Gonzo and the multimedia studio Nitro+. The title is pseudo-German and can be translated as "Pale Rider".[1] A manga titled Blassreiter -genetic- is serialized in Champion Red magazine.Along with The Tower of Druaga: The Aegis of Uruk, and later Strike...
Sorcerous Stabber Orphen (1998 - 2012) - Orphen is former student of the prestigious magic school known as the Tower of Fang. Orphen has left the order to save his friend Azalie has been turned into a monstrous dragon known as the the Bloody August. The Tower of Fang is determined to destroy the dragon at all cost however Orphen refuse to...
Ernest Rides Again(1993) - Ernest P. Worrell (Jim Varney) inadvertently finds the long-missing British crown jewels (the tower of London contains fake jewels, according to the film) after he stumbles over a half-buried cannon from the Revolutionary War on the campus of the university where he works. This dim-bulbed comedy (th...
The Towering Inferno(1974) - Doug Roberts (Paul Newman) is chief architect for Duncan Enterprises, an architectural firm specializing in skyscrappers. Their greatest project, the Glass Tower, is 1,800 feet high and set for dedication in San Francisco, and a lavish ceremony is scheduled to include Mayor Robert Ramsey (Jack Coll...
Game of Death 2(1991) - Released years after Bruce Lee's death this one only features Lee in stock footage. The story talks of Billy Lo and his brother and as the story begins he is killed and it is up to his brother Bobby Lo to venture the Tower of the Death and avenge his brother
The Tower(1993) - A man(Paul Reiser) working in a building, that is totally computer operated ,accidentally damages his pass key. He tries to re-enter the pass key ,but the computer see the man as a threat and tries to eliminate him.
The Dark Tower (2017) ::: 5.6/10 -- PG-13 | 1h 35min | Action, Adventure, Fantasy | 4 August 2017 (USA) -- A boy haunted by visions of a dark tower from a parallel reality teams up with the tower's disillusioned guardian to stop an evil warlock known as the Man in Black who plans to use the boy to destroy the tower and open the gates of Hell. Director: Nikolaj Arcel Writers:
The Towering Inferno (1974) ::: 7.0/10 -- PG | 2h 45min | Action, Drama, Thriller | 14 December 1974 (Canada) -- At the opening party of a colossal, but poorly constructed, office building, a massive fire breaks out that threatens to destroy the tower and everyone in it. Director: John Guillermin Writers:
Tower of God ::: TV-14 | 23min | Animation, Action, Adventure | TV Series (2020- ) Episode Guide 13 episodes Tower of God Poster Reach the top, and everything will be yours. At the top of the tower exists everything in this world, and all of it can be yours. Stars: Matthew David Rudd, Johnny Yong Bosch, Chris Hackney
https://allthetropes.fandom.com/wiki/The_Tower
https://amnesia.fandom.com/wiki/The_Tower
https://banjokazooie.fandom.com/wiki/Top_of_the_Tower
https://beastars.fandom.com/wiki/The_Tower_of_Black_Market
https://courage.fandom.com/wiki/The_Tower_of_Dr._Zalost
https://demonssouls.fandom.com/wiki/Archstone_of_the_Tower_Queen
https://dnd4.fandom.com/wiki/Guardian_of_the_Towering_Oak
https://dreamfiction.fandom.com/wiki/King_of_the_Tower
https://dreamfiction.fandom.com/wiki/The_Tower_of_the_Apes
https://elderscrolls.fandom.com/wiki/Taking_the_Tower
https://elderscrolls.fandom.com/wiki/The_Crystal_of_the_Tower
https://elderscrolls.fandom.com/wiki/The_Tower
https://elderscrolls.fandom.com/wiki/...the_Tower
https://elderscrolls.fandom.com/wiki/The_Tower_(Aurbis)
https://elderscrolls.fandom.com/wiki/The_Tower_(Constellation)
https://elderscrolls.fandom.com/wiki/The_Tower_(Online)
https://elderscrolls.fandom.com/wiki/The_Towers
https://elderscrolls.fandom.com/wiki/The_Tower_Sentinels
https://elderscrolls.fandom.com/wiki/The_Towers'_Fall
https://elderscrolls.fandom.com/wiki/The_Towers'_Remains
https://elderscrolls.fandom.com/wiki/The_Tower_Stone_(Online)
https://elderscrolls.fandom.com/wiki/The_Tower_Stone_(Skyrim)
https://elderscrolls.fandom.com/wiki/Wizard_of_the_Tower
https://eq2.fandom.com/wiki/Dominance_of_the_Tower_of_Frozen_Shadow
https://eq2.fandom.com/wiki/The_Tower_of_the_Drafling
https://eq2.fandom.com/wiki/The_Tower_of_Vul
https://eq2.fandom.com/wiki/The_Tower_of_Vul?
https://gantz.fandom.com/wiki/Destroy_the_Tower_Mission
https://hardyboys.fandom.com/wiki/The_Tower_Treasure_(revised_text)
https://huntik.fandom.com/wiki/The_Tower_of_Nostradamus
https://layton.fandom.com/wiki/The_Tower_of_St._Mystere
https://nintendo.fandom.com/wiki/Dragon_Quest_Swords:_The_Masked_Queen_and_the_Tower_of_Mirrors
https://nintendo.fandom.com/wiki/The_Tower_SP
https://onceuponatime.fandom.com/wiki/Rapunzel_(The_Tower)
https://questforglory.fandom.com/wiki/The_Tower_of_Indomitable_Circumstance
https://riordan.fandom.com/wiki/The_Tower_of_Nero
https://starwars.fandom.com/wiki/The_Tower_of_Alistan_Nor
https://tardis.fandom.com/wiki/...and_from_the_Tower_She_Did_Fall_(short_story)
https://tardis.fandom.com/wiki/Princes_in_the_Tower
https://tardis.fandom.com/wiki/Secret_of_the_Tower_(comic_story)
https://tardis.fandom.com/wiki/The_Battle_of_the_Tower_(audio_story)
https://totally-accurate-battle-simulator.fandom.com/wiki/Defend_The_Tower
https://vvvvvv.fandom.com/wiki/The_Tower
https://witcher.fandom.com/wiki/The_Tower_of_the_Swallow
https://witcher-games.fandom.com/wiki/The_Tower_of_the_Swallow
Ar Tonelico: Sekai no Owari de Utai Tsuzukeru Shoujo -- -- Trans Arts -- 1 ep -- Game -- Action Adventure Fantasy Magic Sci-Fi -- Ar Tonelico: Sekai no Owari de Utai Tsuzukeru Shoujo Ar Tonelico: Sekai no Owari de Utai Tsuzukeru Shoujo -- Based on the RPG game of the same name. Aurica Nestmile is a young Reyvateil, or "singing maiden" who feels her song magic is not of much use to anyone. From high up on the tower Ar Tonelico comes Lyner Barsett, whose airship is totaled upon impact with the ground. These two meet up, and in the search for someone who can repair the ship, end up helping both each other and themselves. -- OVA - Mar 22, 2006 -- 12,469 6.15
Detective Conan Movie 05: Countdown to Heaven -- -- TMS Entertainment -- 1 ep -- Manga -- Adventure Police Comedy Mystery Shounen -- Detective Conan Movie 05: Countdown to Heaven Detective Conan Movie 05: Countdown to Heaven -- Conan Edogawa, the Detective Boys, and Professor Hiroshi Agasa decide to visit the Nishitamashi Twin Towers. There they run into Ran Mouri; her closest friend, Sonoko Suzuki, and Ran's father, the famous Kogorou Mouri. Learning the trio are attending the towers' grand opening, Conan and company tag along for a private tour of its floors. -- -- However, as preparations are finalized for the opening ceremony, their visit takes an unexpected turn—three brutal murders occur, seemingly linked to a mysterious Porsche 356A. Soon after, as Conan and the detectives dive deeper into the case, the towers are rocked by an explosion. With fire rapidly spreading and lives in danger, police desperately seek to evacuate everyone. But when the elevator, their only means to escape goes down, Conan and company are left behind. With help on its way, they frantically try to keep everyone safe, but time is running out if they want to bring the perpetrators to justice. -- -- -- Licensor: -- Funimation -- Movie - Apr 21, 2001 -- 49,927 8.13
Druaga no Tou: The Aegis of Uruk -- -- Gonzo -- 12 eps -- Game -- Adventure Comedy Fantasy -- Druaga no Tou: The Aegis of Uruk Druaga no Tou: The Aegis of Uruk -- It is said that every few years, there is what's known as the "Summer of Anu." During that summer, thanks to the divine protection of the sky-god Anu, all of the demons in the tower lose their power. The country of Uruk has begun an invasion of the tower in order to suppress the demons. They've built up positions inside the tower, with their sights set on getting to the upper levels. The Uruk army knows that this is the third Summer of Anu-a perfect time to launch a mission to suppress the monster Druaga once and for all. The army soldiers aren't the only ones in the tower, though. An enitre city called Meskia has formed inside the tower's first floor. It plays host not just to soldiers, but also to adventurers who have heard rumors about a legendary treasure called the Blue Crystal Rod, which is said to rest at the very top of the tower. With all these different groups in the mix, each with its own agenda, one can only guess how things will play out during this unusual summer. -- -- (Source: Newtype Magazine) -- -- Licensor: -- Funimation -- TV - Apr 5, 2008 -- 105,591 7.18
Druaga no Tou: The Sword of Uruk -- -- Gonzo -- 12 eps -- Game -- Adventure Fantasy -- Druaga no Tou: The Sword of Uruk Druaga no Tou: The Sword of Uruk -- With broken spirits and enigmatic questions that hold no answers lingering, Jil is still trying to figure everything out. Then, a mysterious girl named Kai appears before him and says: "Take me to the top of the tower." -- -- Kai's request shrouded in ambiguity, Jil will have another chance to work towards completing his destiny and ascend the Tower. With his hopes and aspirations seemingly slipping out of his hands, Jil must rise to the challenge once again on this never-ending adventure. -- -- (Source: Crunchyroll) -- -- Licensor: -- Funimation -- 67,214 7.23
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- After having descended upon this world, the gods have created guilds where adventurers can test their mettle. These guilds, known as "familia," grant adventurers the chance to explore, gather, hunt, or simply enjoy themselves. -- -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria begins in Orario, the lively city of adventures. The Sword Princess, Ais Wallenstein, and the novice mage, Lefiya Viridis, are members of the Loki Familia, who are experts at monster hunting. With the rest of their group, they journey to the tower of Babel in hopes of exploring the dungeon underneath. Home to powerful monsters, the dungeon will fulfill Ais's desire to master her sword skills, while bringing Lefiya closer to her dream of succeeding Riveria Ljos Alf, vice-captain of the Loki Familia, as the most powerful mage in the land. -- -- 331,637 7.05
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- After having descended upon this world, the gods have created guilds where adventurers can test their mettle. These guilds, known as "familia," grant adventurers the chance to explore, gather, hunt, or simply enjoy themselves. -- -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria begins in Orario, the lively city of adventures. The Sword Princess, Ais Wallenstein, and the novice mage, Lefiya Viridis, are members of the Loki Familia, who are experts at monster hunting. With the rest of their group, they journey to the tower of Babel in hopes of exploring the dungeon underneath. Home to powerful monsters, the dungeon will fulfill Ais's desire to master her sword skills, while bringing Lefiya closer to her dream of succeeding Riveria Ljos Alf, vice-captain of the Loki Familia, as the most powerful mage in the land. -- -- -- Licensor: -- Sentai Filmworks -- 331,637 7.05
Kami no Tou -- -- Telecom Animation Film -- 13 eps -- Web manga -- Action Adventure Mystery Drama Fantasy -- Kami no Tou Kami no Tou -- There is a tower that summons chosen people called "Regulars" with the promise of granting their deepest desires. Whether it be wealth, fame, authority, or something that surpasses them all—everything awaits those who reach the top. -- -- Twenty-Fifth Bam is a boy who had only known a dark cave, a dirty cloth, and an unreachable light his entire life. So when a girl named Rachel came to him through the light, his entire world changed. Becoming close friends with Rachel, he learned various things about the outside world from her. But when Rachel says she must leave him to climb the Tower, his world shatters around him. Vowing to follow after her no matter what it takes, he sets his sight on the tower, and a miracle occurs. -- -- Thus begins the journey of Bam, a young boy who was not chosen by the Tower but opened its gates by himself. They call his kind "Irregulars"—beings that have shaken the very foundation of the Tower each time they set foot inside it. -- -- -- Licensor: -- Crunchyroll -- 584,626 7.62
Kino no Tabi: The Beautiful World - Tou no Kuni - Free Lance -- -- A.C.G.T. -- 1 ep -- Light novel -- Adventure Psychological Fantasy -- Kino no Tabi: The Beautiful World - Tou no Kuni - Free Lance Kino no Tabi: The Beautiful World - Tou no Kuni - Free Lance -- Waking up from a nap, Kino is relieved to see that a certain tower from afar is still proudly standing. Located in the heart of the Tower Country, the immensely tall tower stretches high into the sky, reaching seemingly infinite heights. The tower looks like something out of a dream, but the breathtaking construction is unmistakably real. Intrigued, the traveling partners Kino and Hermes—the talking motorcycle—journey to the tower to get a closer look at the building. -- -- Despite already being unbelievably tall, the tower is still being built by the townspeople to this day. Puzzled by the origins of the tower, Kino and Hermes ask around the town for information, but they fail to obtain any definitive answer. They continue to observe both the tower and the townspeople during their stay, hoping to understand the reasoning behind building a tower that requires so much effort. After all, there is always something to learn... even from the strangest of countries. -- -- Special - Oct 19, 2005 -- 33,066 7.60
Kumo no Mukou, Yakusoku no Basho -- -- CoMix Wave Films -- 1 ep -- Original -- Drama Military Romance Sci-Fi -- Kumo no Mukou, Yakusoku no Basho Kumo no Mukou, Yakusoku no Basho -- Hiroki Fujisawa and Takuya Shirakawa harbor admiration for two things in their life: their classmate Sayuri Sawatari and the vast Ezo Tower that stands boundlessly across the Tsugaru Strait. Fascinated by the limitless structure beyond their reach, Hiroki and Takuya begin constructing an aeroplane from a fallen drone they discovered—naming it the Bella Ciela—to fulfill their dream of one day reaching the sky-scraping top of the tower. Later joined by the girl they love, Hiroki and Takuya promise Sayuri to fly with her to the seemingly otherworldly top together. However, Japan has suffered a North-South partitioning that has fueled conflict near the base of the tower, which marks the border between the America-controlled Southern islands and the Northern lands occupied by the Soviet Union. -- -- Further along, Sayuri suddenly disappears, and Hiroki and Takuya never see her again. Unbeknownst to them, she fell victim to a sleeping disorder that left her comatose for the past three years. Although Hiroki and Takuya later learn about Sayuri's condition, they also discover that the girl's unconscious state is oddly linked to the same tower the trio had promised to conquer together. -- -- -- Licensor: -- ADV Films -- Movie - Nov 20, 2004 -- 181,371 7.54
Majutsushi Orphen -- -- J.C.Staff -- 24 eps -- Light novel -- Action Adventure Comedy Demons Fantasy Magic -- Majutsushi Orphen Majutsushi Orphen -- Six years ago at the magic school known as the Tower of Fang, a grave accident happened involving the magical sword Baltanders and the magic user Azali. Unable to control the sword's power, Azali was transformed into the shape of a great dragon who since that day became known as Bloody August. Krilancelo, a young magician at the Tower who cared greatly for Azali found much to his disgust that the elders of the Tower of Fang were less than willing to save Azali and wanted rather to pretend the accident never happened. Angered by their stand, Krilanceloa swore that he would find a way to return Azali to her former self. Thus he forsook the name Krilancelo and declared himself Orphen, leaving the Tower and his magical studies behind to wander the world... -- -- (Source: ANN) -- -- Licensor: -- Sentai Filmworks -- 36,924 7.16
Majutsushi Orphen Hagure Tabi -- -- Studio Deen -- 13 eps -- Light novel -- Action Adventure Drama Magic Martial Arts Fantasy -- Majutsushi Orphen Hagure Tabi Majutsushi Orphen Hagure Tabi -- In a world of magic and monsters, Krylancelo Finrandi and his foster sister Azalea Cait-Sith were once promising students of sorcery, prodigies at the famous Tower of Fangs. But an experiment gone horribly wrong warps Azalea's appearance, trapping her in the form of a dragon. -- -- Elders at the Tower—more interested in preserving their reputation rather than their students' lives—drive off the transformed Azalea and cover up the incident. Outraged, Krylancelo strikes out on his own, taking the new name of "Orphen" and vowing to return Azalea to her normal state. -- -- Five years later, Orphen's quest has stalled. A chance encounter brings him face to face with Azalea again, but he still has no way to restore her body. And with a hostile group of sorcerers hunting her down, he may be running out of time. The past and present collide as Orphen tries to find how to save Azalea from their former teachers and friends. -- -- -- Licensor: -- Funimation -- 51,556 5.79
Pokemon Movie 10: Dialga vs. Palkia vs. Darkrai -- -- OLM -- 1 ep -- Game -- Action Adventure Comedy Drama Fantasy Kids -- Pokemon Movie 10: Dialga vs. Palkia vs. Darkrai Pokemon Movie 10: Dialga vs. Palkia vs. Darkrai -- The beautiful Alamos Town is home to a pair of century-old structures known as the Space-Time Towers, built by the architect Godey to play orchestral music in the area. The towers are also home to the Alamos Town Contest Hall, which is the next destination for Hikari, Satoshi, and Takeshi in their journey through the Sinnoh region. A woman named Alice and her partner Chimchar are happy to guide Satoshi and his friends through the town and its hallmarks. -- -- But the tour is suddenly interrupted when Alice's friend Tonio notices a wave of dimensional disturbances throughout the town—all of which is blamed on an ominous Pokémon named Darkrai. The space-time disturbances continue to intensify as two legendary Pokémon, the Temporal Pokémon Dialga and the Spatial Pokémon Palkia, appear to duel each other, isolating the town and everyone present in it from the world into another dimension! -- -- As he learns that this event was foreseen long ago, Tonio finds that his great-grandfather left behind a way to stop the dueling Pokémon. Will Satoshi and his friends be able to use this last resort to save Alamos Town from vaporizing between the dimensions? -- -- -- Licensor: -- The Pokemon Company International, VIZ Media -- Movie - Jul 15, 2007 -- 86,536 7.26
Pokemon Movie 10: Dialga vs. Palkia vs. Darkrai -- -- OLM -- 1 ep -- Game -- Action Adventure Comedy Drama Fantasy Kids -- Pokemon Movie 10: Dialga vs. Palkia vs. Darkrai Pokemon Movie 10: Dialga vs. Palkia vs. Darkrai -- The beautiful Alamos Town is home to a pair of century-old structures known as the Space-Time Towers, built by the architect Godey to play orchestral music in the area. The towers are also home to the Alamos Town Contest Hall, which is the next destination for Hikari, Satoshi, and Takeshi in their journey through the Sinnoh region. A woman named Alice and her partner Chimchar are happy to guide Satoshi and his friends through the town and its hallmarks. -- -- But the tour is suddenly interrupted when Alice's friend Tonio notices a wave of dimensional disturbances throughout the town—all of which is blamed on an ominous Pokémon named Darkrai. The space-time disturbances continue to intensify as two legendary Pokémon, the Temporal Pokémon Dialga and the Spatial Pokémon Palkia, appear to duel each other, isolating the town and everyone present in it from the world into another dimension! -- -- As he learns that this event was foreseen long ago, Tonio finds that his great-grandfather left behind a way to stop the dueling Pokémon. Will Satoshi and his friends be able to use this last resort to save Alamos Town from vaporizing between the dimensions? -- -- Movie - Jul 15, 2007 -- 86,536 7.26
Ta ga Tame no Alchemist -- -- Satelight -- 1 ep -- Game -- Action Adventure Magic Fantasy -- Ta ga Tame no Alchemist Ta ga Tame no Alchemist -- The game is set in the continent of Babel, where the Tower of Babel looms large over seven nations. After the invention of alchemy led to its use as a tool of war that brought humanity to the brink of extinction, the seven nations struck an uneasy peace that led to a prohibition on alchemy for hundreds of years since. In the Continental Year 911, the nation of Lustrice broke the pact by assembling an army bolstered by alchemy, with ambitions of conquest over the continent. Led by Envylia, the six nations allied and struck down the rogue nation, casting alchemy once again to darkness. But 20 years after the war, alchemy once again begins to cause chaos in the land. -- -- (Source: ANN) -- Movie - Jun 14, 2019 -- 8,105 6.45
Tennis no Ouji-sama -- -- Trans Arts -- 178 eps -- Manga -- Action Comedy Sports School Shounen -- Tennis no Ouji-sama Tennis no Ouji-sama -- The world of tennis is harsh and highly competitive. Numerous schools from Japan battle it out to determine the best of the best. -- -- Seishun Gakuen Junior High School, more commonly known as Seigaku, is one of the most prominent contestants in this battle of the finest. Their team line-up gets even stronger with the sudden arrival of a young prodigy from the West, Ryouma Echizen, who is determined to prove himself and escape the towering shadow of his legendary father. This fine addition changes the team forever. -- -- Prince of Tennis follows the heartwarming and inspirational story of Ryouma on his quest to become one of the best tennis players the country has ever seen. He pushes himself hard so that he can one day surpass his father’s name and his own personal expectations. Alongside the rest of the Seigaku team, Ryouma fights to make his and his teammate's dreams come true. -- -- Licensor: -- VIZ Media -- TV - Oct 10, 2001 -- 146,203 7.90
Tennis no Ouji-sama -- -- Trans Arts -- 178 eps -- Manga -- Action Comedy Sports School Shounen -- Tennis no Ouji-sama Tennis no Ouji-sama -- The world of tennis is harsh and highly competitive. Numerous schools from Japan battle it out to determine the best of the best. -- -- Seishun Gakuen Junior High School, more commonly known as Seigaku, is one of the most prominent contestants in this battle of the finest. Their team line-up gets even stronger with the sudden arrival of a young prodigy from the West, Ryouma Echizen, who is determined to prove himself and escape the towering shadow of his legendary father. This fine addition changes the team forever. -- -- Prince of Tennis follows the heartwarming and inspirational story of Ryouma on his quest to become one of the best tennis players the country has ever seen. He pushes himself hard so that he can one day surpass his father’s name and his own personal expectations. Alongside the rest of the Seigaku team, Ryouma fights to make his and his teammate's dreams come true. -- TV - Oct 10, 2001 -- 146,203 7.90
Uzumaki -- -- Drive -- 4 eps -- Manga -- Dementia Horror Psychological Supernatural Drama Romance Seinen -- Uzumaki Uzumaki -- In the town of Kurouzu-cho, Kirie Goshima lives a fairly normal life with her family. As she walks to the train station one day to meet her boyfriend, Shuuichi Saito, she sees his father staring at a snail shell in an alley. Thinking nothing of it, she mentions the incident to Shuuichi, who says that his father has been acting weird lately. Shuuichi reveals his rising desire to leave the town with Kirie, saying that the town is infected with spirals. -- -- But his father's obsession with the shape soon proves deadly, beginning a chain of horrific and unexplainable events that causes the residents of Kurouzu-cho to spiral into madness. -- -- TV - ??? ??, 2021 -- 33,169 N/A -- -- Kino no Tabi: The Beautiful World - Tou no Kuni - Free Lance -- -- A.C.G.T. -- 1 ep -- Light novel -- Adventure Psychological Fantasy -- Kino no Tabi: The Beautiful World - Tou no Kuni - Free Lance Kino no Tabi: The Beautiful World - Tou no Kuni - Free Lance -- Waking up from a nap, Kino is relieved to see that a certain tower from afar is still proudly standing. Located in the heart of the Tower Country, the immensely tall tower stretches high into the sky, reaching seemingly infinite heights. The tower looks like something out of a dream, but the breathtaking construction is unmistakably real. Intrigued, the traveling partners Kino and Hermes—the talking motorcycle—journey to the tower to get a closer look at the building. -- -- Despite already being unbelievably tall, the tower is still being built by the townspeople to this day. Puzzled by the origins of the tower, Kino and Hermes ask around the town for information, but they fail to obtain any definitive answer. They continue to observe both the tower and the townspeople during their stay, hoping to understand the reasoning behind building a tower that requires so much effort. After all, there is always something to learn... even from the strangest of countries. -- -- Special - Oct 19, 2005 -- 33,066 7.60
Witch Craft Works -- -- J.C.Staff -- 12 eps -- Manga -- Action Supernatural Magic Fantasy Seinen -- Witch Craft Works Witch Craft Works -- Even though they shared the same bus every morning and sat next to each other in class, Ayaka Kagari, the "Princess" of Tougetsu High School, was nothing more than an unreachable idol for Honoka Takamiya. The horde of students who worshipped the "Princess" was merely a nuisance to Honoka, living his lazy, regular high school life. -- -- Everything seemed perfectly normal until, one day, Honoka is attacked out of the blue by a mysterious witch. To his surprise, Ayaka saves his life, revealing herself to be a fire witch on a covert mission to protect Honoka. -- -- From that fateful day, the ordinary life of Honoka is turned upside down as he is thrown into the war between the Workshop Witches, who strive to protect the citizens, and the Tower Witches, who desire to steal a power hidden within him. -- -- TV - Jan 5, 2014 -- 249,978 7.05
All Hallows-by-the-Tower
Cirque of the Towers
Constable of the Tower
Daniel and the Towers
Draft:In The Shadow of the Towers: Stuyvesant High on 9-11
Girl in the Tower
Goethe Tower
Hex The Legend of the Towers
Joan of the Tower
Liberties of the Tower of London
Lieutenant of the Tower of London
List of Keepers of the Records in the Tower of London
List of ships named on the Tower Hill Memorial
List of The Tower of Druaga characters
List of The Tower of Druaga episodes
Lord Lieutenant of the Tower Hamlets
Order of the Tower and Sword
Princes in the Tower
Prisoner in the Tower of Fire
Ravens of the Tower of London
Resident Governor of the Tower of London and Keeper of the Jewel House
Shiren the Wanderer: The Tower of Fortune and the Dice of Fate
The Book of the Knight of the Tower
The Gem in the Tower
The Shadow of the Tower
The Strangler of the Tower
The Tower
The Tower (1965 film)
The Tower (1987 novel)
The Tower: A Tale of Two Cities
The Tower Burbank
The Tower (Dubai)
The Tower (Fort Worth, Texas)
The Tower House
The Towering Inferno
The Towerlight
The Tower Magazine
The Tower, Meridian Quay
The Tower of Babble
The Tower of Babel (Bruegel)
The Tower of Babel (West novel)
The Tower of Blue Horses
The Tower of Cabin
The Tower of Druaga
The Tower of Druaga (TV series)
The Tower of Fools
The Tower of Hanoi Myths and Maths
The Tower of Power!
The Tower of Silence (film)
The Tower of the Elephant
The Tower of the Seven Hunchbacks
The Tower of the Swallow
The Tower (poetry collection)
The Towers
The Towers by Foster + Partners
The Towers (Narragansett, Rhode Island)
The Towers of Bois-Maury
The Towers of Hackney
The Towers of Silence
The Tower (Tarot card)
The Tower (The Legendary Pink Dots album)
The Tower Treasure



convenience portal:
recent: Section Maps - index table - favorites
Savitri -- Savitri extended toc
Savitri Section Map -- 1 2 3 4 5 6 7 8 9 10 11 12
authors -- Crowley - Peterson - Borges - Wilber - Teresa - Aurobindo - Ramakrishna - Maharshi - Mother
places -- Garden - Inf. Art Gallery - Inf. Building - Inf. Library - Labyrinth - Library - School - Temple - Tower - Tower of MEM
powers -- Aspiration - Beauty - Concentration - Effort - Faith - Force - Grace - inspiration - Presence - Purity - Sincerity - surrender
difficulties -- cowardice - depres. - distract. - distress - dryness - evil - fear - forget - habits - impulse - incapacity - irritation - lost - mistakes - obscur. - problem - resist - sadness - self-deception - shame - sin - suffering
practices -- Lucid Dreaming - meditation - project - programming - Prayer - read Savitri - study
subjects -- CS - Cybernetics - Game Dev - Integral Theory - Integral Yoga - Kabbalah - Language - Philosophy - Poetry - Zen
6.01 books -- KC - ABA - Null - Savitri - SA O TAOC - SICP - The Gospel of SRK - TIC - The Library of Babel - TLD - TSOY - TTYODAS - TSZ - WOTM II
8 unsorted / add here -- Always - Everyday - Verbs


change css options:
change font "color":
change "background-color":
change "font-family":
change "padding":
change "table font size":
last updated: 2022-05-06 18:06:31
117517 site hits