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object:Shiwu
subject class:Poetry
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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS

IN CHAPTERS TITLE

IN CHAPTERS CLASSNAME
1.ss_-_Its_something_no_on_can_force
1.ss_-_Most_of_the_time_I_smile
1.ss_-_Outside_the_door_I_made_but_dont_close
1.ss_-_Paper_windows_bamboo_walls_hedge_of_hibiscus
1.ss_-_This_bodys_lifetime_is_like_a_bubbles
1.ss_-_To_glorify_the_Way_what_should_people_turn_to
1.ss_-_Trying_to_become_a_Buddha_is_easy

IN CHAPTERS TEXT
1.ss_-_Its_something_no_on_can_force
1.ss_-_Most_of_the_time_I_smile
1.ss_-_Outside_the_door_I_made_but_dont_close
1.ss_-_Paper_windows_bamboo_walls_hedge_of_hibiscus
1.ss_-_This_bodys_lifetime_is_like_a_bubbles
1.ss_-_To_glorify_the_Way_what_should_people_turn_to
1.ss_-_Trying_to_become_a_Buddha_is_easy

PRIMARY CLASS

author
SIMILAR TITLES
Shiwu

DEFINITIONS


TERMS STARTING WITH

shiwuwei yin 施無畏印. See ABHAYAMUDRĀ


TERMS ANYWHERE

5. the sphere of infinite consciousness (S. vijNānāntyāyatana; T. rnam shes mtha' yas skye mched kyi rnam thar; C. ru wubian shi shiwubian chu juzu zhu/shi wubianchu juzu zhu 入無邊識識無邊處具足住/識無邊處具足住)

abhayamudrA. (T. mi 'jigs pa'i phyag rgya; C. shiwuwei yin; J. semuiin; K. simuoe in 施無畏印). In Sanskrit, "the gesture of fearlessness" or "gesture of protection"; also sometimes called the gesture of granting refuge. This gesture (MUDRA) is typically formed with the palm of the right hand facing outward at shoulder height and the fingers pointing up, although both hands may simultaneously be raised in this posture in a double abhayamudrA. Occasionally, the index, second, or third finger touches the thumb, with the remaining fingers extended upward. This gesture is associated with sAKYAMUNI Buddha immediately following his enlightenment, and standing buddha images will often be depicted with this mudrA, portraying a sense of the security, serenity, and compassion that derive from enlightenment. This gesture is also commonly associated with AMOGHASIDDHI.

ershiwu yuantong. (J. nijugoenzu; K. isibo wont'ong 二十五圓通). In Chinese, "twenty-five kinds of consummate interpenetration." According to the *suRAMGAMASuTRA (Shoulengyan jing), twenty-five of the Buddha's disciples and bodhisattvas have each mastered a concentration (SAMĀDHI) pertaining to one of the twenty-five objects of meditation. The latter include the six sensory objects (liu chen; S. ĀLAMBANA), the six sensory faculties (liu gen; S. INDRIYA), the six sensory consciousnesses (liu shi; S. VIJNĀNA), and the seven primary elements (qi da). It is said that enlightenment is possible by accessing any of the twenty-five masteries even though the bodhisattva AVALOKITEsVARA's mastery over the "ear faculty," or auditory sense-base, has been singled out as a particularly efficacious method for practice.

ershiwu yuantong

isibo wont'ong 二十五圓通. See ERSHIWU YUANTONG

nijugoenzu 二十五圓通. See ERSHIWU YUANTONG

Paegun Kyonghan. (白雲景閑) (1299-1374). Korean SoN master in the Imje (C. LINJI ZONG) lineage, who is known as one of the three great Son masters of the late-Koryo dynasty, along with T'AEGO POU (1301-1376) and NAONG HYEGŬN (1320-1376). After entering the monastery at a young age, Kyonghan eventually traveled to Yuan-dynasty China in 1351, where he studied under the Chan master Shiwu Qinggong (1272-1352), a Linji-Chan teacher from whom he received dharma transmission, and under the Indian monk ZHIKONG CHANXIAN, who later came to live and teach in Korea. After awakening in 1353, Kyonghan returned to Korea, residing at An'guksa and Sin'gwangsa, both in Hwanghae province, and later at Ch'wiamsa in Yoju, where he passed away in 1374. Kyonghan's record of dharma talks, Paegun hwasang orok ("Discourse Records of the Master Paegun"), in two rolls, was compiled posthumously by his disciple Sokch'an. Kyonghan is also the author of the PULCHO CHIKCHI SIMCH'E YOJoL, an anthology of the biographies and teachings of the Buddhist patriarchs and Son masters.

seventy-five dharmas of the Sarvāstivāda school. (S. paNcasaptatidharma; T. chos don lnga; C. qishiwu fa 七十五法)

shiwuwei yin 施無畏印. See ABHAYAMUDRĀ

T'aego Pou. (太古普愚) (1301-1382). In Korean, "Grand Ancient, Universal Stupidity"; SoN master of the late Koryo dynasty, who is presumed to have introduced the lineage of the LINJI ZONG (K. Imje chong) of the Chinese CHAN school to Korea. T'aego was a native of Hongju in present-day South Ch'ungchong province. He is said to have been born into the prominent family of a court official and ordained as a youth in 1313 by the monk Kwangji (d.u.) at the monastery of Hoeamsa (Kyonggi province). T'aego later passed the clerical examinations (SŬNGKWA) for specialists of the Hwaom (C. HUAYAN) school in 1329. While investigating the Chan case (GONG'AN) "the ten thousand dharmas return to one" (case 45 of the BIYAN LU) in 1333, T'aego is said to have attained his first awakening at the monastery of Kamnosa in Songso (South Cholla province). Four years later, he is said to have had another awakening while investigating ZHAOZHOU CONGSHEN's WU GONG'AN. In 1341, he built a hermitage near the monastery Chŭnghŭngsa on Mt. Samgak (Kyonggi province) named T'aegoam, whence he acquired his toponym. In 1346, T'aego headed for China, where he resided at the monastery of Daguangsi in the Yuan capital of Yanjing. T'aego is also said to have visited the eminent Chan master Shiwu Qinggong (1272-1352) and received his seal of transmission (C. YINKE, K. in'ga) and thus an affiliation with Shiwu's Linji lineage. After T'aego returned to Korea in 1348, he retired to Miwon on Mt. Sosol (Kyonggi province). In 1356, he was summoned to the Koryo capital of Kaesong, where he taught at the influential monastery of Pongŭnsa. That same year he was appointed the king's personal instructor, or "royal preceptor" (wangsa), and abbot of the monastery KWANGMYoNGSA, the major Son monastery in the capital. T'aego continued to serve as the personal advisor to successive kings until his death on Mt. Sosol in 1382. His teachings are recorded in the T'aego hwasang orok. ¶ In the last half of the twentieth century, attempts to trace the orthodox lineage of the contemporary Korean CHOGYE CHONG back to T'aego and his Chinese Linji lineage rather than to POJO CHINUL (1158-1210) caused a rift within the Korean Buddhist community. The focus of the critique is Chinul's putatively "gradualist" approach to Son Buddhist soteriology (viz., his advocacy of tono chomsu, C. DUNWU JIANXIU) and Chinul's lack of an authentic dharma transmission from a recognized Chan or Son master (he is known to have been an autodidact). T'aego was therefore credited with initiating true Son orthodoxy in Korea, based on T'aego's transmission from Shiwu Qinggong, an authentic successor in the Chinese Linji school with its quintessentially "sudden awakening" (DUNWU) soteriology. This issue remains a matter of unremitting controversy in contemporary Chogye order politics. T'aego's name has also been adopted by the T'AEGO CHONG, a modern order of Korean married monks, in order to give a patina of orthodoxy to its school as well.

Yangqi pai. (J. Yogiha; K. Yanggi p'a 楊岐派). One of the two major branches of the LINJI ZONG of the CHAN school, which is listed among the five houses and seven schools (WU JIA QI ZONG) of the mature Chinese Chan tradition. The school is named after its founder, YANGQI FANGHUI (995-1049), who taught at Mt. Yangqi in what is now Yuanzhou province. Yangqi was a disciple of Shishuang Chuyuan (986-1039), a sixth-generation successor in the Linji school, who also taught HUANGLONG HUINAN (1002-1069), the founder of the HUANGLONG PAI sublineage of the Linji school. The Yangqi lineage flourished under its third-generation successors, Fojian Huiqin (1059-1117), Foyan Qingyuan (1067-1120), and YUANWU KEQIN (1063-1135), who promoted it among the literati, and it became one of the dominant schools of Song-dynasty Buddhism thanks to the decisive role played by Yuanwu's disciple DAHUI ZONGGAO (1089-1163). It was especially within this lineage that the meditative technique of the Chan of investigating the meditative topic or questioning meditation (KANHUA CHAN) flourished. The Yangqi masters took a different approach to GONG'AN (public case) training, criticizing "lettered Chan" (WENZI CHAN), a style of Chan developed by Yunmen and Huanglong masters, which gained popularity among the literati officials in the Northern Song period with its polished language and elegant verse explanations of the meaning of the gong'an. Dahui in particular presented the gong'an as a meditative tool for realizing one's innate enlightenment, not to demonstrate one's talent in clever repartee or one's literary prowess; at the same time, he critiqued the approaches of rival Chan schools, criticizing such Huanglong masters as JUEFAN HUIHONG (1071-1128) for clinging to intellectual and literary endeavors and such CAODONG ZONG masters as HONGZHI ZHENGJUE (1091-1157) for clinging to tranquillity and simply waiting for one's innate enlightenment to manifest itself. The school also produced many gong'an collections, including the BIYANLU ("Blue Cliff Record"), complied by Yuanwu Keqin, and the WUMEN GUAN ("Gateless Checkpoint"), compiled by the seventh-generation successor WUMEN HUIKAI (1183-1260). The Yangqi lineage was formally introduced to Korea by T'AEGO POU (1301-1382), who studied with the eleventh-generation Yangqi teacher Shiwu Qinggong (1272-1352); some modern Korean monks and scholars argue that the contemporary Korean Son tradition should be traced back to T'aego and his Yangqi lineage, rather than to POJO CHINUL (1158-1210). The Yangqi school reached Japan in the thirteenth century through pilgrim monks, including Shunjo (1166-1227), who studied with the Yangqi teacher Meng'an Yuancong (1126-1209), and NANPO JoMYo (1235-1309), better known by his imperially bestowed title Entsu Daio Kokushi ("state preceptor," see GUOSHI), who studied with the ninth-generation teacher XUTANG ZHIYU (1185-1269). All Linji lineages in contemporary Japan are affiliated with the Yangqi pai.



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   7 Shiwu (Stonehouse)

*** WISDOM TROVE ***

*** NEWFULLDB 2.4M ***

1:Trying to become a Buddha is easy but ending delusions is hard how many moonlit nights have I sat and felt the cold before dawn [2615.jpg] -- from The Zen Works of Stonehouse: Poems and Talks of a 14th Century Chinese Hermit, Translated by Red Pine

~ Shiwu (Stonehouse), Trying to become a Buddha is easy
,
2:It's something no on can force besides knowing it's there there's nothing to know the moon shines bright above the flowering plum but who can look past the blossoms [2615.jpg] -- from The Zen Works of Stonehouse: Poems and Talks of a 14th Century Chinese Hermit, Translated by Red Pine

~ Shiwu (Stonehouse), Its something no on can force
,
3:Most of the time I smile old men can relax my mind is free of troubles nothing but mountains meet my eyes the P'eng soars into the sky a leopard blends into mist I'm more like the flowering plum I wait for the year-end cold [2615.jpg] -- from The Zen Works of Stonehouse: Poems and Talks of a 14th Century Chinese Hermit, Translated by Red Pine

~ Shiwu (Stonehouse), Most of the time I smile
,
4:This body's lifetime is like a bubble's may as well let things go plans and events seldom agree who can step back doesn't worry we blossom and fade like flowers we gather and part like clouds earthly thoughts I forgot long ago withering away on a mountain peak [2615.jpg] -- from The Zen Works of Stonehouse: Poems and Talks of a 14th Century Chinese Hermit, Translated by Red Pine

~ Shiwu (Stonehouse), This bodys lifetime is like a bubbles
,
5:To glorify the Way what should people turn to to words and deeds that agree but oceans of greed never fill up and sprouts of delusion keep growing a plum tree in bloom purifies a recluse a patch of potatoes cheers a lone monk but those who follow rules in their huts never see the Way or get past the mountain [2615.jpg] -- from The Zen Works of Stonehouse: Poems and Talks of a 14th Century Chinese Hermit, Translated by Red Pine

~ Shiwu (Stonehouse), To glorify the Way what should people turn to
,
6:Paper windows bamboo walls hedge of hibiscus when guests arrive wormwood soup serves as tea the poor people I meet are mostly content rare is the rich man who isn't vain or wasteful I move my bookstand to read sutras by moonlight I honor the buddhas with a vase of wild flowers everyone says Tushita Heaven is fine but how can it match this old hut of mine [2615.jpg] -- from The Zen Works of Stonehouse: Poems and Talks of a 14th Century Chinese Hermit, Translated by Red Pine

~ Shiwu (Stonehouse), Paper windows bamboo walls hedge of hibiscus
,
7:Outside the door I made but don't close I glimpse the movements of unfamiliar birds a handful of jade is worth a whole mountain but gold can't buy a lifetime of freedom the sound of icy falls on a dawnlit snowy ridge the sight of distant peaks through leafless autumn woods mist lifts from ancient cedars and days last forever right and wrong don't get past the clouds [2615.jpg] -- from The Zen Works of Stonehouse: Poems and Talks of a 14th Century Chinese Hermit, Translated by Red Pine

~ Shiwu (Stonehouse), Outside the door I made but dont close
,

IN CHAPTERS [0/0]









WORDNET














IN WEBGEN [10000/111]

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https://toonami.fandom.com/wiki/Ghost_in_the_Shell:_Stand_Alone_Complex
https://toonami.fandom.com/wiki/Ghost_in_the_Shell:_Stand_Alone_Complex_2nd_GIG
Ani*Kuri15 -- -- CoMix Wave Films, Gainax, Gonzo, Madhouse, Production I.G, Satelight, Studio 4°C -- 15 eps -- Original -- Slice of Life Adventure Fantasy Magic Game Martial Arts Comedy Mecha Super Power Supernatural School Drama Sci-Fi -- Ani*Kuri15 Ani*Kuri15 -- 15 one-minute shorts created by various people from Japan's animation industry. The title of the collection, Ani*Kuri15, is abbreviated from the words "anime" and "creators". -- -- Season One -- Shinji Kimura (Studio 4°C; Art Director, Steamboy) - title: Attack of Higashimachi Ni Chome/Attack of Higashimachi 2nd Burough -- Shōjirō Nishimi (Studio 4°C; Character Designer, Tekkonkinkreet) - Uchujin Raikou Hiroshi no Baai/Invasion from Space - Hiroshi's Case -- Akemi Hayashi (Gainax; Character Designer, Fruits Basket) - Namida no Mukou/From the Other Side of the Tears -- Osamu Kobayashi (Madhouse; Art/Mecha Desgin, Gungrave) - Sancha Blues/The Aromatic Tea Blues -- Yasufumi Soejima (Gonzo; 3D/CG Director, Last Exile) - Hyotoko/Blaze Man -- -- Season Two -- Atsushi Takeuchi (Production I.G; Mecha Design, Ghost in the Shell) -- Mamoru Oshii (Production I.G; Director, Ghost in the Shell) - Project Mermaid -- Kazuto Nakazawa (Studio 4°C; First Unit Director, Kill Bill Chapter 3: The Origin of O-Ren from Kill Bill: Volume 1) - "yurururu" ~Nichijou Hen~ -- Ranji Murata (Gonzo; Character Design, Blue Submarine No. 6) and Tatsuya Yabuta (Gonzo; Story Design, Final Fantasy VII) - Gyrosopter -- Tobira Oda (Original Manga, Danchi Tomō) and Yasuyuki Shimizu (Key Animation, Naruto (movies)) (Studio 4°C) -- -- Season Three -- Michael Arias (Studio 4°C; Director, Tekkonkinkreet) - Okkakekko -- Makoto Shinkai (Comix Wave Film; Director, The Place Promised in Our Early Days) - Neko no Shuukai/A Gathering of Cats -- Shōji Kawamori (Satelight; Director, The Super Dimension Fortress Macross: Do You Remember Love?) - Project Omega -- Mahiro Maeda (Gonzo; Director, Gankutsuou: The Count of Monte Cristo) - Onmitsu Hime -- Satoshi Kon (Madhouse; Director, Paprika) - Ohayō/Good Morning -- Special - Jun 7, 2007 -- 19,652 6.78
Koukaku Kidoutai 2.0 -- -- Production I.G -- 1 ep -- Manga -- Action Sci-Fi Police Psychological Mecha Seinen -- Koukaku Kidoutai 2.0 Koukaku Kidoutai 2.0 -- Mamoru Oshii's first Ghost in the Shell cyberspace film will return to five Japanese theaters in an enhanced Ghost in the Shell 2.0 edition on July 12. The new edition will include new computer graphics and digital effects for some scenes and a reunion of most of the cast members for a new 6.1 surround sound recording. Academy-Award-winning sound mixer/editor Randy Thom (Ghost in the Shell 2: Innocence, The Incredibles, The Right Stuff) has overseen the new soundtrack with Kenji Kawai's original music and a final mix that has been produced at Thom and Lucas Digital's Skywalker Sound studio in California. -- -- In the new edition, the enigmatic Puppet Master character will be played by Yoshiko Sakakibara (Ghost in the Shell 2: Innocence's Harraway, Ghost in the Shell: Stand Alone Complex's Prime Minister Yoko Kayabuki). Iemasa Kayumi (Giant Robo's Chief Chuujou Shizuo, RahXephon's Ernst Von Bähbem) played the role in the original edition. -- -- The film will screen in Tokyo, Osaka, Nagoya, Fukuoka, and Sapporo. Not coincidentally, Oshii's latest film, The Sky Crawlers, will open one month after Ghost in the Shell 2.0 on August 2. -- -- (Source: ANN) -- -- Licensor: -- Manga Entertainment -- Movie - Jul 12, 2008 -- 78,796 8.01
Koukaku Kidoutai Arise: Alternative Architecture -- -- Production I.G -- 10 eps -- Manga -- Sci-Fi Police Psychological Mecha -- Koukaku Kidoutai Arise: Alternative Architecture Koukaku Kidoutai Arise: Alternative Architecture -- A TV anime version of Ghost in the Shell: Arise. The first eight episodes are an edited version of the four movies while the last two features a new arc called "Pyrophoric Cult." -- -- The plot involves the "Fire Starter" virus explored previously, and introduces the new character Pyromania. The episode will have ties to the upcoming film. -- -- (Source: Wikipedia) -- -- Licensor: -- Funimation -- 37,585 7.25
Koukaku Kidoutai Arise: Ghost in the Shell - Border:1 Ghost Pain -- -- Production I.G -- 1 ep -- Manga -- Sci-Fi Police Psychological Mecha -- Koukaku Kidoutai Arise: Ghost in the Shell - Border:1 Ghost Pain Koukaku Kidoutai Arise: Ghost in the Shell - Border:1 Ghost Pain -- The anime's story is set in 2027, one year after the end of the fourth non-nuclear war. New Port City is still reeling from the war's aftermath when it suffers a bombing caused by a self-propelled mine. Then, a military member implicated in arms-dealing bribes is gunned down. -- -- During the investigation, Public Security Section's Daisuke Aramaki encounters Motoko Kusanagi, the cyborg wizard-level hacker assigned to the military's 501st Secret Unit. Batou, a man with the "eye that does not sleep," suspects that Kusanagi is the one behind the bombing. The Niihama Prefectural Police detective Togusa is pursuing his own dual cases of the shooting death and a prostitute's murder. Motoko herself is being watched by the 501st Secret Unit's head Kurutsu and cyborg agents. -- -- (Source: ANN) -- -- Licensor: -- Funimation -- Movie - Jun 22, 2013 -- 53,787 7.46
Koukaku Kidoutai Arise: Ghost in the Shell - Border:2 Ghost Whispers -- -- Production I.G -- 1 ep -- Manga -- Sci-Fi Police Psychological Mecha -- Koukaku Kidoutai Arise: Ghost in the Shell - Border:2 Ghost Whispers Koukaku Kidoutai Arise: Ghost in the Shell - Border:2 Ghost Whispers -- Second movie of Ghost in the Shell: Arise. -- -- Freed of her responsibilities with the 501 Organization, Motoko Kusanagi must now learn how to take orders from Aramaki. Someone hacks the Logicomas, and Batou enlists the help of former army intelligence officer Ishikawa and former air artillery expert Borma. Kusanagi also seeks to enlist ace sniper Saito and undercover cop Paz into the new Public Security Section 9. The two groups rival each other in a case involving a man who receives false memories of a refugee transport operation. -- -- (Source: Wikipedia) -- -- Licensor: -- Funimation -- Movie - Nov 30, 2013 -- 43,612 7.51
Koukaku Kidoutai Arise: Ghost in the Shell - Border:3 Ghost Tears -- -- Production I.G -- 1 ep -- Manga -- Sci-Fi Police Psychological Mecha -- Koukaku Kidoutai Arise: Ghost in the Shell - Border:3 Ghost Tears Koukaku Kidoutai Arise: Ghost in the Shell - Border:3 Ghost Tears -- Third movie of Ghost in the Shell: Arise. -- -- Motoko and Batou work to try to stop a terrorist organization whose symbol is the Scylla. Meanwhile, Togusa investigates a murder of a man who possessed a prosthetic leg manufactured by the Mermaid's Leg corporation. -- -- (Source: Wikipedia) -- -- Licensor: -- Funimation -- Movie - Jun 28, 2014 -- 38,366 7.37
Koukaku Kidoutai Arise: Ghost in the Shell - Border:4 Ghost Stands Alone -- -- Production I.G -- 1 ep -- Manga -- Sci-Fi Police Psychological Mecha -- Koukaku Kidoutai Arise: Ghost in the Shell - Border:4 Ghost Stands Alone Koukaku Kidoutai Arise: Ghost in the Shell - Border:4 Ghost Stands Alone -- The story of this fourth installment takes place amidst signs of postwar reconstruction in the winter of 2028. Tensions are rising in New Port City as demonstrations are held concerning the interests of foreign cartels. This leads to a shooting incident involving riot police. It all started with a cyberbrain infection released by the terrorist "Fire Starter." An independent offensive unit led by Motoko Kusanagi entrusts the suppression of the situation to their ghosts and aims for their own justice. Below the surface of the incident, lies the "tin girl" Emma and the "scarecrow man" Burinda Junior. As Kusanagi deals with the incident, she draws near to what those two ghosts were seeking. -- -- (Source: ANN) -- -- Licensor: -- Funimation -- Movie - Sep 6, 2014 -- 34,776 7.45
Koukaku Kidoutai: Stand Alone Complex 2nd GIG - Individual Eleven -- -- Production I.G -- 1 ep -- - -- Action Sci-Fi Mecha -- Koukaku Kidoutai: Stand Alone Complex 2nd GIG - Individual Eleven Koukaku Kidoutai: Stand Alone Complex 2nd GIG - Individual Eleven -- Compilation movie of the "Individual Eleven" story from Ghost in the Shell: SAC 2nd Gig series. -- -- (Source: AniDB) -- -- Licensor: -- Bandai Entertainment, Manga Entertainment -- Special - Jan 27, 2006 -- 25,741 8.02
Koukaku Kidoutai: Stand Alone Complex 2nd GIG - Tachikoma na Hibi -- -- Production I.G -- 26 eps -- - -- Sci-Fi Comedy Mecha -- Koukaku Kidoutai: Stand Alone Complex 2nd GIG - Tachikoma na Hibi Koukaku Kidoutai: Stand Alone Complex 2nd GIG - Tachikoma na Hibi -- Tachikomatic Days is a series of comedic shorts attached to the end of every episode of Ghost in the Shell: Stand Alone Complex 2nd GIG. The shorts feature the antics of the Tachikoma think tanks of Section 9 and usually involve plot points. The average short time is a little over a minute. -- -- Licensor: -- Bandai Entertainment -- Special - Sep 10, 2004 -- 18,555 7.20
Koukaku Kidoutai: Stand Alone Complex - Solid State Society 3D -- -- Production I.G -- 1 ep -- - -- Military Sci-Fi Mystery Police Mecha Seinen -- Koukaku Kidoutai: Stand Alone Complex - Solid State Society 3D Koukaku Kidoutai: Stand Alone Complex - Solid State Society 3D -- Kenji Kamiyama and Production I.G's Ghost in the Shell: Stand Alone Complex: Solid State Society movie will be converted into stereoscopic 3D. Kamiyama himself is overseeing the conversion, and I.G will also add a newly animated opening sequence. -- Movie - Mar 26, 2011 -- 13,509 7.75
Koukaku Kidoutai: Stand Alone Complex - Solid State Society - Uchikoma na Hibi -- -- Production I.G -- 1 ep -- Manga -- Sci-Fi Comedy Mecha -- Koukaku Kidoutai: Stand Alone Complex - Solid State Society - Uchikoma na Hibi Koukaku Kidoutai: Stand Alone Complex - Solid State Society - Uchikoma na Hibi -- Uchikomatic Days is a 5 minute short telling the story of the birth of the Uchikomas, the 'ugly duckling' second generation think-tanks that made substandard replacement models for the Tachikomas. The short features a music performance by the A.I. Tough Guy Uchikomas, a group of rising stars that will provide entertainment at the Harima City for Academic Research New Year's Eve Party. -- -- This special feature is available on the Ghost in the Shell: S.A.C. Solid State Society DVD. -- -- Licensor: -- Bandai Entertainment -- Special - Jul 24, 2007 -- 11,473 6.95
Koukaku Kidoutai: Stand Alone Complex - Tachikoma na Hibi -- -- Production I.G -- 26 eps -- - -- Sci-Fi Comedy Mecha -- Koukaku Kidoutai: Stand Alone Complex - Tachikoma na Hibi Koukaku Kidoutai: Stand Alone Complex - Tachikoma na Hibi -- Tachikomatic Days is a series of comedic shorts attached to the end of every episode of Ghost in the Shell: Stand Alone Complex. The shorts feature the antics of the Tachikoma think tanks of Section 9 and usually involve plot points. The average short time is a little over a minute. -- -- Licensor: -- Bandai Entertainment -- Special - Oct 1, 2002 -- 23,592 7.15
Koukaku Kidoutai: Stand Alone Complex - Tachikoma na Hibi (TV) -- -- Production I.G -- 12 eps -- Manga -- Sci-Fi Comedy Mecha -- Koukaku Kidoutai: Stand Alone Complex - Tachikoma na Hibi (TV) Koukaku Kidoutai: Stand Alone Complex - Tachikoma na Hibi (TV) -- Tachikoma TV series that aired on Animax. Unlike the previous "Tachikoma na Hibi," which were auxiliary episodes to the main Ghost in the Shell SAC and 2nd GIG, the special version has longer stories based on various Japanese and Orthodox folklore. Later re-released on a BD box with all the Tachikoma shorts. -- TV - May 2, 2007 -- 11,037 7.26
Ghost in the Shell
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Ghost in the Shell (disambiguation)
Ghost in the Shell (manga)
Ghost in the Shell: Stand Alone Complex
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Ghost in the Shell (video game)
List of Ghost in the Shell characters
List of Ghost in the Shell: Stand Alone Complex episodes
Music of Ghost in the Shell: Stand Alone Complex



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