8 Integral Yoga
6 Sri Aurobindo
3 Nirodbaran
2 The Mother
2 Satprem
3 Twelve Years With Sri Aurobindo
0 1967-05-03, #Agenda Vol 08, #The Mother, #Integral Yoga
And I always think of that passage in Savitri.in which he says, God shall grow up Grow up in Matter, of course (and you SEE the Divinity grow up in Matter, and Matter being made more and more capable of manifesting the Divinity), and he says, while the wise men talk and sleep.2 Its exactly that. And its charming.
(silence)
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0 1970-06-06, #Agenda Vol 11, #The Mother, #Integral Yoga
(Satprem reads out to Mother a letter he has received from E, a disciple who tried hard to intrude into the conversations between Mother and Satprem, notably under the pretext of translating Savitri.into French. Maneuvering was beginning to make itself felt.)
It would alter the whole character of our meetings, dont you think?
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05.03 - Satyavan and Savitri, #Savitri, #Sri Aurobindo, #Integral Yoga
He gathered all Savitri.into his clasp.
Around her his embrace became the sign
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1.07 - Savitri, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
It is my task in this chapter to give a factual account of the long process that led to Savitri.in its final form. As the grand epic has captured many hearts all over the world by its supernal beauty I thought that they would be much interested in the history of its growth, development and final emergence the birth of the Golden Child. But I own that it is a formidable task. Though I had the unique good fortune to see Sri Aurobindo working on the epic in its entire revised version, and had some small share in being its scribe, to try in retrospect to reconstruct the imposing edifice from such a distance in memory is indeed difficult, for there are many versions, plenty of revisions, additions, subtractions, emendations from which the final version was made. To give an accurate report of all this process is beyond my capacity. For I am not a scholar, and have no aptitude for research into old (or new) archives, neither did I ever dream that I should one day be called upon to render an account of what the Master had done, or left undone, through this poor mortal as his instrument. Had I not been helped by my esteemed and multi-capable friend Amal Kiran indefatigable researcher no less than a poet and by a young friend as assistant, my readers would have had to remain content with just a bare outline.
The apology submitted, let the rash venture begin. Savitri, according to Dinen Roy,[1] was started by Sri Aurobindo in Baroda. From all the extant versions, for there are quite a number, it appears that originally the scheme of the poem consisted of two parts: I Earth, II Beyond. The first part had four Books and the second had three Books and an epilogue.
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The next step was to make a fair copy of the entire revised work. I don't know why it was not given straightaway for typing. There was a talk between the Mother and Sri Aurobindo about it; Sri Aurobindo might have said that because of copious additions, typing by another person would not be possible. He himself could not make a fair copy. Then the Mother suggested my name and brought a thick blue ledgerlike book for the purpose. I needed two or three reminders from the Mother before I took up the work in right earnest. Every morning I used to sit on the floor behind the head of the bed, and leaning against the wall, start copying like a student of our old Sanskrit tols. Sri Aurobindo's footstool would serve as my table. The Mother would not fail to cast a glance at my good studentship. Though much of the poetry passed over my head, quite often the solar plexus would thrill at the sheer beauty of the images and expressions. The very first line made me gape with wonder. I don't remember if the copying and revision with Sri Aurobindo proceeded at the same time, or revision followed the entire copying. The Mother would make inquiries from time to time either, I thought, to make me abandon my jog-trot manner or because the newly started Press was clamouring for some publication from Sri Aurobindo. Especially now that people had come to know that after The Life Divine, Sri Aurobindo was busy with Savitri, they were eagerly waiting for it. But they had to wait quite a long time, for after the revision, when the whole book was handed to the Mother, it was passed on to Nolini for being typed out. Then another revision of the typescript before it was ready for the Press! Again, I cannot swear if the typing was completed first before its revision or both went on at the same time. At any rate, the whole process went very slowly, since Sri Aurobindo would not be satisfied with Savitri done less than perfectly. Neither could we give much time to it, not, I think, more than an hour a day, sometimes even less. The Press began to bring it out in fascicules by Cantos from 1946. At all stages of revision, even on Press proofs, alterations, additions never stopped. It may be mentioned that the very first appearance of anything from Savitri.in public was in the form of passages quoted in the essay "Sri Aurobindo: A New Age of Mystical Poetry" by Amal, published in the Bombay Circle and later included as Part III in Amal's book: The Poetic Genius of Sri Aurobindo.
So far the account of the procedure which was followed for working on the three Books seems approximately correct. We have been considerably helped by some dates mentioned before in the account. But in what follows about the rest of the epic, I am afraid that the report cannot claim as much exactness owing to my lapse of memory. I can sum up the position obtained at this stage by quoting Sri Aurobindo's letter to Amal in 1946. After investigating all the documents available, we have come to the following conclusions about the rest of the Books. Book IV, The Book of Birth and Quest, is fairly revised by Sri Aurobindo. Several versions before the end of 1938 have been worked upon these versions are expansions of much older drafts, one of them possibly dating back to Baroda. The revised version was later corrected and amplified with my help as scribe and has been divided into four Cantos. In re-doing Book V, The Book of Love, Sri Aurobindo took up, at a certain point, an earlier version than that of 1936. There are quite a number of versions with various titles before 1936. Here too, originally there were no different Cantos. There are three old versions of The Book of Fate of equal length. They were called Canto II, and fairly short. One of these versions was expanded into enormous length and developed into two Cantos, the very last touches given almost during the final month of Sri Aurobindo's life. An instance of the expansion is the passage "O singer of the ultimate ecstasy... will is Fate." There was no Book of Yoga in the original scheme of the poem. One old version called Book III, Death, has been changed into The Book of Yoga. It was enormously expanded and named Canto I. All the rest of the six Cantos were totally new and dictated. They were all at first divided into Cantos with different titles. Apparently all these Cantos except the first one are entirely new. I could get no trace of any old versions from which they could have been developed. I am now amazed to see that so many lines could have been dictated day after day, like The Book of Everlasting Day. The Book of Death contains three old versions all called Canto III; the final version is constructed from one of these and from another version some lines are taken to be inserted into The Book of Eternal Night, Canto IV, Night, of the early version served as the basis of The Book of Eternal Night. It was revised, lines were added and split into two Cantos. Then in the typescript further revisions took place. Canto I, first called The Passage into the Void of Night, was changed into Towards the Black Void. Book X, The Book of the Double Twilight, called only Twilight, Canto V in the earlier versions of which there are four or five, had no division into Cantos. From these early versions a fair number of lines have been taken and woven into a larger version. The old lines are now not always in their original form. Book XI had three old drafts. One which was larger than the other two has been used for the final version and was enormously expanded; even whole passages running into hundreds of lines have been added, as I have mentioned before. About The Epilogue, except for a few additions, it almost reproduces the single old version.
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1.09 - Sri Aurobindo and the Big Bang, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
can find her supreme praise for Savitri.in a conversation
which Mona Sarkar, then a young sadhak, has published
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1.11 - Correspondence and Interviews, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
Dilip's was a special case. Sri Aurobindo's accident had cut off all connection with him and Dilip suffered a lot. After some time, Sri Aurobindo made an exception and maintained correspondence with him almost until his withdrawal from his body. He even granted him an interview. Amal who was living in Bombay at the time was also an exception. Particularly important were the long answers (sometimes 24 typed sheets) Sri Aurobindo dictated to his questions on topics like "Greatness and Beauty in Poetry" as well as the correspondence centering on Savitri. All these constituted the last writings dictated by him. They are a work apart and form a permanent contribution to our appreciation of mystic poetry in general and Savitri.in particular. It seemed to me that he did this lengthy work with much zest and was glad to have an opportunity to shed some light on his unique poem for its proper understanding in the future. Again, I would gape in wonder at his surprisingly vast knowledge.
And this lengthy communication required very little change. The exchanges between the Master and the disciple went off and on for two years through me and one cannot be too thankful to the disciple for drawing out the Master on his own creation. Another important work that was carried on for some time with Purani was on the Vedas about which I have written in the chapter Attendants.
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1.13 - Conclusion - He is here, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
The shock and desolation, however, that we felt can be more imagined than described. Though we could see the Master only four times a year, his Presence was vibrant in the very air we breathed, in our sleep, in every moment of our life; particularly after the accident, even physically he seemed to have come nearer. So the sudden absence was felt like a yawning abyss ready to engulf our very existence. I wonder what would have happened to the vast life qf the Ashram, if the Mother was not there to envelop all of us, the whole earth, in the embrace of her infinite love and compassion. Yet, have we any measure of knowing what she must have felt, though she is the Divine? Just as he "worked, struggled, suffered", so did she suffer and bear. We witnessed it in the early period of the accident; but the command was upon her from the Lord to carry on his work. And the immense vacuum that was created could be filled by her alone. From these verses in Savitri.in a different context we get such an indication:
The dubious godhead with his torch of pain
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2.1.7.08 - Comments on Specific Lines and Passages of the Poem, #Letters On Poetry And Art, #Sri Aurobindo, #Integral Yoga
This letter was written in response to suggestions made by K. D. Sethna (Amal Kiran) before he reproduced certain passages from Savitri.in his article "Sri AurobindoA New Age of Mystic Poetry" (Sri Aurobindo Circle 2 [1946]). In that article Sethna omitted a number of lines from passages he quoted from the poem. The lines under discussion here are those that begin "Near to earth's wideness, intimate with heaven" (pp. 14-16).Ed.
In her he met a wideness like his own; [cf. p. 16].
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2.2.3 - Depression and Despondency, #Letters On Yoga IV, #Sri Aurobindo, #Integral Yoga
If you accept Krishnaprems insistence that this and no other must be your path, it is this that you have to attain and realise; any exclusive other-worldliness cannot be your way. I believe that you are quite capable of attaining this and realising the Divine and I have never been able to share your constantly recurring doubts about your capacity or the despair that arises in you so violently when there are these attacks, nor is their persistent recurrence a valid ground for believing that they can never be overcome. Such a persistent recurrence has been a feature in the sadhana of many who have finally emerged and reached the goal; even the sadhana of very great Yogis has not been exempt from such violent and constant recurrences; they have sometimes been special objects of such persistent assaults, as I have indeed indicated in Savitri.in more places than oneand that was indeed founded on my own experience. In the nature of these recurrences there is usually a constant return of the same adverse experiences, the same adverse resistance, thoughts destructive of all belief and faith and confidence in the future of the sadhana, frustrating doubts of what one has known as the truth, voices of despondency and despair, urgings to abandonment of the Yoga or to suicide or else other disastrous counsels of dchance. The course taken by the attacks is not indeed the same for all, but still they have strong family resemblance. One can eventually overcome if one begins to realise the nature and source of these assaults and acquires the faculty of observing them, bearing, without being involved or absorbed into their gulf, finally becoming the witness of their phenomena and understanding them and refusing the minds sanction even when the vital is still tossed in the whirl or the most outward physical mind still reflects the adverse suggestions. In the end these attacks lose their power and fall away from the nature; the recurrence becomes feeble or has no power to last: even, if the detachment is strong enough, they can be cut out very soon or at once. The strongest attitude to take is to regard these things as what they really are, incursions of dark forces from outside taking advantage of certain openings in the physical mind or the vital part, but not a real part of oneself or spontaneous creation in ones own nature. To create a confusion and darkness in the physical mind and throw into it or awake in it mistaken ideas, dark thoughts, false impressions is a favourite method of these assailants, and if they can get the support of this mind from over-confidence in its own correctness or the natural rightness of its impressions and inferences, then they can have a field day until the true mind reasserts itself and blows the clouds away. Another device of theirs is to awake some hurt or rankling sense of grievance in the lower vital parts and keep them hurt or rankling as long as possible. In that case one has to discover these openings in ones nature and learn to close them permanently to such attacks or else to throw out intruders at once or as soon as possible. The recurrence is no proof of a fundamental incapacity; if one takes the right inner attitude, it can and will be overcome. The idea of suicide ought never to be accepted; there is no real ground for it and in any case it cannot be a remedy or a real escape: at most it can only be postponement of difficulties and the necessity for their solution under no better circumstances in another life. One must have faith in the Master of our life and works, even if for a long time he conceals himself, and then in his own right time he will reveal his Presence.
I have tried to dispel all the misconceptions, explain things as they are and meet all the points at issue. It is not that you really cannot make progress or have not made any progress; on the contrary, you yourself have admitted that you have made a good advance in many directions and there is no reason why, if you persevere, the rest should not come. You have always believed in the Guruvada: I would ask you then to put your faith in the Guru and the guidance and rely on the Ishwara for the fulfilment, to have faith in my abiding love and affection, in the affection and divine goodwill and loving kindness of the Mother, stand firm against all attacks and go forward perseveringly towards the spiritual goal and the all-fulfilling and all-satisfying touch of the All-Blissful, the Ishwara.
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