TERMS STARTING WITH
Rosary ::: Prayer beads in the form of a necklace used in many religious traditions. See also Mala.
rosary ::: n. --> A bed of roses, or place where roses grow.
A series of prayers (see Note below) arranged to be recited in order, on beads; also, a string of beads by which the prayers are counted.
A chapelet; a garland; a series or collection, as of beautiful thoughts or of literary selections.
A coin bearing the figure of a rose, fraudulently circulated in Ireland in the 13th century for a penny.
rosary. See JAPAMĀLĀ; MĀLĀ.
rosary
TERMS ANYWHERE
Agni. (T. Me lha; C. Huoshen; J. Kashin; K. Hwasin 火神). The Vedic fire deity adopted into the Buddhist pantheon as the guardian of the southeast. In the MAHAVAIROCANABHISAMBODHISŮTRA, he is identified as an incarnation of VAIROCANA; in Tibet, he is associated with HEVAJRA. Agni is depicted riding a goat, with one face and two hands, the right holding a rosary, the left a vase full of the nectar of immortality (AMṚTA). The term also refers to a class of pre-Buddhist fire deities absorbed into the Tibetan Buddhist pantheon.
Aksayamati. (T. Blo gros mi zad pa; C. Wujinyi pusa; J. Mujin'i bosatsu; K. Mujinŭi posal 無盡意菩薩). In Sanskrit, "Inexhaustible Intention," a bodhisattva who expounds the AKsAYAMATINIRDEsA. Aksayamati is also the foil for chapter twentyfive of the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra") where the Buddha explains the efficacy of calling AVALOKITEsVARA's name; upon hearing the Buddha's discourse, Aksayamati is said to have given Avalokitesvara his crystal rosary.
Avalokitesvara. (T. Spyan ras gzigs; C. Guanshiyin/Guanyin; J. Kanzeon/Kannon; K. Kwanseŭm/Kwanŭm 觀世音/觀音). In Sanskrit, "Lord who Looks Down [in Empathy]"; the BODHISATTVA of compassion, the most widely worshipped of the MAHAYANA bodhisattvas and one of the earliest to appear in Buddhist literature. According to legend, Avalokitesvara was produced from a beam of light that radiated from the forehead of AMITABHA while that buddha was deep in meditation. For this reason, Buddhist iconography often depicts AmitAbha as embedded in Avalokitesvara's crown. His name dates back to the beginning of the Common Era, when he replaced the Vedic god BRAHMA as the attendant to sAKYAMUNI Buddha, inheriting in turn BrahmA's attribute of the lotus (PADMA). Images of Avalokitesvara as PADMAPAnI LOKEsVARA ("Lord with a Lotus in his Hand"), an early name, are numerous. Avalokitesvara is the interlocutor or main figure in numerous important MahAyAna sutras, including the PRAJNAPARAMITAHṚDAYASuTRA ("Heart Sutra"). His cult was introduced to China in the first century CE, where his name was translated as Guanshiyin ("Perceiver of the Sounds of the World") or GUANYIN ("Perceiver of Sounds"); his cult entered Korea and Japan with the advent of Buddhism in those countries. Avalokitesvara was once worshipped widely in Southeast Asia as well, beginning at the end of the first millennium CE. Although the MahAyAna tradition eventually faded from the region, images of Avalokitesvara remain. Avalokitesvara is also the patron deity of Tibet, where he is said to have taken the form of a monkey and mated with TARA in the form of a local demoness to produce the Tibetan race. Tibetan political and religious leaders have been identified as incarnations of him, such as the seventh-century king SRONG BTSAN SGAM PO (although that attribution was most likely a later addition to the king's legacy) and, notably, the DALAI LAMAs. The PO TA LA Palace, the residence of the Dalai Lamas, in the Tibetan capital of LHA SA is named for Avalokitesvara's abode on Mount POTALAKA in India. In China, Avalokitesvara as Guanyin underwent a transformation in gender into a popular female bodhisattva, although the male iconographic form also persists throughout East Asia. PUTUOSHAN, located off the east coast of China south of Shanghai, is said to be Potalaka. Avalokitesvara is generally depicted in the full raiments of a bodhisattva, often with an image of AmitAbha in his crown. He appears in numerous forms, among them the two-armed PadmapAni who stands and holds a lotus flower; the four-armed seated Avalokitesvara, known either as Caturbhuja Avalokitesvara [CaturbhujAvalokitesvara] or CintAmani Avalokitesvara [CintAmanyavalokitesvara], who holds the wish-fulfilling jewel (CINTAMAnI) with his central hands in ANJALIMUDRA, and a lotus and crystal rosary in his left and right hands, respectively; the eleven-armed, eleven-faced EKADAsAMUKHA; and the thousand-armed and thousand-headed SAHASRABHUJASAHASRANETRAVALOKITEsVARA (q.v. MAHAKARUnIKA). Tradition holds that his head split into multiple skulls when he beheld the suffering of the world. Numerous other forms also exist in which the god has three or more heads, and any number of arms. In his wrathful form as AstabhayatrAnAvalokitesvara (T. Spyan ras gzigs 'jigs pa brgyad skyob), "Avalokitesvara who Protects against the Eight Fears," the bodhisattva stands in ARDHAPARYAnKA ("half cross-legged posture") and has one face and eight hands, each of which holds a symbol of one of the eight fears. This name is also given to eight separate forms of Avalokitesvara that are each dedicated to protecting from one of the eight fears, namely: AgnibhayatrAnAvalokitesvara ("Avalokitesvara Who Protects from Fear of Fire") and so on, replacing fire with Jala (water), SiMha (lion), Hasti (elephant), Danda (cudgel), NAga (snake), dAkinī (witch) [alt. PisAcī]; and Cora (thief). In addition to his common iconographic characteristic, the lotus flower, Avalokitesvara also frequently holds, among other accoutrements, a jeweled rosary (JAPAMALA) given to him by Aksamati (as related in chapter twenty-five of the SADDHARMAPUndARĪKASuTRA), or a vase. In East Asia, Avalokitesvara often appears in a triad: the buddha AmitAbha in the center, flanked to his left and right by his two bodhisattva attendants, Avalokitesvara and MAHASTHAMAPRAPTA, respectively. In Tibet, Avalokitesvara is part of a popular triad with VAJRAPAnI and MANJUsRĪ. As one of the AstAMAHOPAPUTRA, Avalokitesvara also appears with the other bodhisattvas in group representation. The tantric deity AMOGHAPAsA is also a form of Avalokitesvara. The famous mantra of Avalokitesvara, OM MAnI PADME HuM, is widely recited in the MahAyAna traditions and nearly universally in Tibetan Buddhism. In addition to the twenty-fifth chapter of the Saddharmapundarīkasutra, the KARAndAVYuHA is also devoted to him. See also BAIYI GUANYIN; GUANYIN; MIAOSHAN; MAnI BKA' 'BUM.
bead ::: n. --> A prayer.
A little perforated ball, to be strung on a thread, and worn for ornament; or used in a rosary for counting prayers, as by Roman Catholics and Mohammedans, whence the phrases to tell beads, to at one&
Bhṛkutī. (T. Khro gnyer can; C. Pijuzhi; J. Bikutei; K. Piguji 毘胝). In Sanskrit, lit. "She who Frowns"; a wrathful deity understood to be a form of TARA, who is reputed to have been born from a frown of the BODHISATTVA AVALOKITEsVARA. An alternate account is that she arose from a ray of light emanating out of Avalokitesvara's left eye at the same time TArA was born from the right eye. Bhṛkutī is sometimes said to be an emanation of the buddha AMITABHA as well, particularly in Japan, and often appears with an image of AmitAbha in her crown. Although she can appear in peaceful form, she is generally depicted as a wrathful deity, most commonly with one face with three eyes, and four arms holding a trident, vase, and rosary and displaying the VARADAMUDRA, and either standing in ALĪdHA posture or sitting in LALITASANA. ¶ Bhṛkutī is also the name of the Nepali princess who married SRONG BTSAN SGAM PO. According to the MAnI BKA' 'BUM, she was the daughter of the Nepalese king AMsuvarman and was brought to Tibet by the famed minister Mgar stong btsan after Srong btsan sgam po saw her in a prophetic dream. The Nepalese king initially refused to send her, deriding Tibet as a land of savagery, lacking not only the teachings of the Buddha but basic civil laws as well. Mgar convinced the king that Srong btsan sgam po was sincere in desiring the DHARMA, and was able to return with her, after which he set out to China to bring back the Tang princess WENCHENG. Bhṛkuti is said to have brought with her to Tibet the statue of sAKYAMUNI called JO BO MI BSKYOD RDO RJE, which was eventually housed in RA MO CHE. The historicity of both Bhṛkuti and her father has been called into question by recent scholarship. The Nepalese princess is said to have also brought a sandalwood statue of BhṛkutĪ to Tibet, but (if it ever existed) it had disappeared by the seventeenth century, when the fifth DALAI LAMA, in his guidebook to the temples of LHA SA, reported it missing.
Bka' thang gser 'phreng. (Katang Sertreng). In Tibetan, "The Golden Rosary Chronicle"; a treasure text (GTER MA) containing a well-known biography of PADMASAMBHAVA, discovered by the treasure revealer (GTER STON) SANGS RGYAS GLING PA. Its complete title is: O rgyan gu ru padma 'byung gnas kyi rnam par thar pa gser gyi phreng ba thar lam gsal byed.
Rosary ::: Prayer beads in the form of a necklace used in many religious traditions. See also Mala.
chaplet ::: n. --> A garland or wreath to be worn on the head.
A string of beads, or part of a string, used by Roman Catholic in praying; a third of a rosary, or fifty beads.
A small molding, carved into beads, pearls, olives, etc.
A chapelet. See Chapelet, 1.
A bent piece of sheet iron, or a pin with thin plates on its ends, for holding a core in place in the mold.
A tuft of feathers on a peacock&
Chokti ::: A prayer rope used in a manner similar to a rosary.
comboloio ::: n. --> A Mohammedan rosary, consisting of ninety-nine beads.
duanzhu. (C) (短珠). In Chinese, "short rosary." See JAPAMĀLĀ.
gaudy ::: superl. --> Ostentatiously fine; showy; gay, but tawdry or meretricious.
Gay; merry; festal. ::: n. --> One of the large beads in the rosary at which the paternoster is recited.
Japamaala: Rosary (to count the number of repetitio done).
japamālā. (T. bzlas brjod kyi 'phreng ba; C. shuzhu/nianzhu; J. juzu/nenju; K. suju/yomju 數珠/念珠). In Sanskrit and Pāli, lit. "garland for recitation," thus "prayer beads" or "rosary"; a string of beads held usually in the right hand and fingered by adherents to keep count of the number of recitations made in the course of a worship service, MANTRA recitation, or meditation session. The beads are often made from sandalwood or seeds of the BODHI TREE (Ficus religiosa), the tree under which the Buddha gained enlightenment, although rosaries made from a range of other materials are also common; in some tantric practices, a rosary with beads made from human bone is used. The number of beads on a rosary varies widely. The most common number is 108, the significance of which receives widely varying explanations. One common interpretation is that this number refers to a list of 108 afflictions (KLEsA); fingering all 108 beads in the course of a recitation would then be either a reminder to remain mindful of these afflictions or would constitute their symbolic purification. Alternatively, this 108 can refer to all of phenomenal existence, i.e., the eighteen elements (DHĀTU), viz., the six sense bases, six sense objects, and six sensory consciousnesses, in all of the six states of existence (GATI) (18 × 6 = 108). In Tibetan Buddhism, the number 111 is sometimes used, based on the assumption that for each ten mantras recited, one will be mistaken and need to be repeated, thus adding an additional ten beads for 110. An additional bead is then added to account for the mistaken recitation among the additional ten. Thus, although a mantra might be recited 111 times, only 100 are counted. The Chinese PURE LAND advocate DAOCHUO (562-645) is famous for having used small beans (xiaodou) to keep track of the number of times he had recited the buddha AMITĀBHA's name (see NIANFO); some believe his habit of using such counting beans is the origin of the East Asian japamālā. In many Buddhist traditions, carrying a rosary serves almost as a symbol of the faith. In East Asia, Buddhist monks and nuns, and even many lay adherents, will commonly wear the full-length rosary around their necks. Rosaries of abbreviated lengths, which are more typically worn around the wrist, are sometimes designated duanzhu (J. tanju; K. tanju), or "short rosary." These rosaries will be a maximum of fifty-four beads in length (half the usual length), which would require two repetitions to complete a full round of recitation, and a minimum of nine beads, which would take twelve repetitions. In Tibetan Buddhism, a short rosary is sometimes worn around the right hand while doing prostrations. The CHAN school often uses a short rosary with eighteen beads, requiring six repetitions. See also JAPA.
japa. (T. bzlas brjod; C. niansong; J. nenju; K. yomsong 念誦). In Sanskrit and Pāli, "recitation"; usually oral recitations of invocations or MANTRAs, often counted by fingering a rosary (JAPAMĀLĀ). The various merits forthcoming from specific numbers of such recitations are related in different scriptures. The number of such recitations to be performed in a single sitting is often related to specific numerical lists, such as varying rosters of stages on the BODHISATTVA path. The recitation would then constitute a reenactment of the path, or a process of purification. Perhaps the most common number across traditions is 108, but these numbers range from as few as seven, to fourteen, twenty-one, twenty-seven, thirty-six, forty-two, or fifty-four, up to as many as 1,080. The common figure of 108 is typically said to correspond to a list of 108 proclivities or afflictions (see KLEsA), although other texts say it refers instead to lists of 108 enlightened ones or 108 SAMĀDHIs; 1,080 would then constitute these 108 across all the ten directions (DAsADIs). (See also other explanations in JAPAMĀLĀ, s.v.)
Ksitigarbha. (T. Sa yi snying po; C. Dizang; J. Jizo; K. Chijang 地藏). In Sanskrit, lit. "Earth Store," an important BODHISATTVA who has the power to rescue beings who have the misfortune to be reborn in the hells. Although Ksitigarbha is known in all Mahāyāna countries through his inclusion in the widely known grouping of eight great bodhisattvas (MAHOPAPUTRA; AstAMAHOPAPUTRA), he was apparently not the object of individual cultic worship in India or Tibet. It was in East Asian Buddhism that Ksitigarbha came into his own and became widely worshipped. In China, the cult of Ksitigarbha (C. Dizang) gained popularity by at least the fifth century, with the translation of the Dasheng daji Dizang shilun jing ("Mahāyāna Mahāsannipāta Sutra on Ksitigarbha and the Ten Wheels"), first in the Northern Liang dynasty and subsequently again by XUANZANG in 651 CE. The eponymous KsITIGARBHASuTRA, translated at the end of the seventh century, specifically relates the bodhisattva's vow to rescue all beings in the six realms of existence before he would attain buddhahood himself and tells the well-known prior-birth story of the bodhisattva as a young woman, whose filial piety after the death of her heretical mother saved her mother from rebirth in the AVĪCI hell. It was his ability to rescue deceased family members from horrific rebirths that became Dizang's dominant characteristic in China, where he took on the role of the Lord of Hell, opposite the Jade Emperor of native Chinese cosmology. This role may possibly have resulted from Dizang's portrayal as the Lord of Hell in the apocryphal (see APOCRYPHA) Foshuo Dizang pusa faxin yinlu shiwang jing and reflects Buddhist accommodations to the medieval Chinese interest in the afterlife. This specialization in servicing the denizens of hell seems also to have evolved alongside the emergence of Dizang's portrayal as a monk, whom the Chinese presume to reside on the Buddhist sacred mountain of JIUHUASHAN in Anhui province. (See also CHIJANG; KIM KYUGAK.) Ksitigarbha is easily recognizable in Chinese iconography because he is the only bodhisattva who wears the simple raiments of a monk and has a shaved head rather than an ornate headdress. In Japan, where Ksitigarbha is known as Jizo, the bodhisattva has taken on a different significance. Introduced to Japan during the Heian period, Jizo became immensely popular as a protector of children, patron of travelers, and guardian of community thresholds. Jizo is typically depicted as a monk carrying a staff in his left hand and a chaplet or rosary in his right. The boundaries of a village beyond which children should not wander were often marked by a stone statue of Jizo. Japanese fisherman also looked to Jizo for protection; statues of the bodhisattva erected by early Japanese immigrants to Hawaii are still found today at many popular shoreline fishing and swimming sites in the Hawaiian Islands. In modern Japan, Jizo continues to be regarded as the special protector of children, including the stillborn and aborted. In memory of these children, and as a means of requesting Jizo's protection of them, statues of Jizo are often dressed in a bib (usually red in color), sometimes wearing a knit cap or bonnet, with toys placed nearby (see MIZUKO KUYo). Tibetan iconography typically has Ksitigarbha seated on a lotus flower, holding a CINTĀMAnI in his right hand and displaying the VARADAMUDRĀ with his left.
Maala: Rosary; beads used for counting the number of Japa done.
mālā. (T. 'phreng ba; C. man; J. man; K. man 鬘). In Sanskrit and Pāli, lit. "garland" a "rosary," viz., a string of beads usually held in the right hand and used for counting the recitations of prayers or MANTRAs; also called a JAPAMĀLĀ. The number of beads on the rosary varies by tradition, with some rosaries in pure land traditions having twenty-seven beads, and rosaries in Tibetan Buddhism commonly having 108 or 111 beads. The rationale for 111 beads is as follows: it is assumed that in each set of ten repetitions, one repetition will be faulty and need to be redone. Thus ten beads are added for the first hundred beads and one bead is added for the additional ten beads. The significance of the more common number of 108 is less clear. One common interpretation is that this number refers to a list of 108 afflictions (KLEsA); fingering all 108 beads in the course of a recitation would then be either a reminder to remain mindful of these afflictions or would constitute their symbolic purification. Alternatively, this 108 can refer to all of phenomenal existence, i.e., the eighteen elements (DHĀTU), viz., the six sense bases, six sense objects, and six sensory consciousnesses, in all of the six realms of existence (GATI) (18 × 6 = 108). See also JAPAMĀLĀ.
ma ni 'khor lo. In Tibetan, lit. "MAnI wheel," commonly rendered into English as a "prayer wheel"; a device for the repetition of a MANTRA, so-called because of its frequent use in conjunction with repetitions of the mantra OM MAnI PADME HuM. The device, commonly used in Tibetan Buddhism, is a hollow cylinder ranging in length from a few inches to a few feet, filled with a long scroll of paper on which a mantra has been printed thousands of times. The scroll is wrapped tightly around the central axis of the device and enclosed in the cylinder. Each turn of the wheel is considered the equivalent of one recitation of the mantra, multiplied by the number of times the mantra is printed on the scroll. Smaller prayer wheels are carried and spun in the left hand while a rosary (JAPAMĀLĀ) is counted in the right hand as the mantra is recited. Larger versions are often mounted in a series along walls; very large wheels may even fill a small temple, where they are turned by pushing handles at their base. There are also wheels that are turned by the wind, water, or convection.
mantra. (T. sngags; C. zhenyan; J. shingon; K. chinon 眞言). In Sanskrit, "spell," "charm," or "magic formula"; a syllable or series of syllables that may or may not have semantic meaning, most often in a form of Sanskrit, the contemplation or recitation of which is thought to be efficacious. Indian exegetes creatively etymologized the term with the paronomastic gloss "mind protector," because a mantra serves to protect the mind from ordinary appearances. There are many famous mantras, ranging in length from one syllable to a hundred syllables or more. They are often recited to propitiate a deity, and their letters are commonly visualized in tantric meditations, sometimes within the body of the meditator. Although mantras are typically associated with tantric texts, they also appear in the SuTRAs, most famously in the PRAJNĀPĀRAMITĀHṚDAYASuTRA ("Heart Sutra"). Numerous tantric SĀDHANAs require the recitation of a particular mantra a specific number of times, with the recitations counted on a rosary (JAPAMĀLĀ). In Tibetan Buddhism, mantras are also repeated mechanically by turning "prayer wheels" (MA nI 'KHOR LO). Perhaps the most famous of all such spells is the six-syllable mantra of the bodhisattva AVALOKITEsVARA, OM MAnI PADME HuM, which is recited throughout the Tibetan Buddhist world. The Japanese SHINGONSHu takes its name from the Sinitic translation of mantra as "true word" (C. zhenyan; J. shingon).
musbaha ::: string of prayer beads; rosary; also known as tasbih
psalter ::: n. --> The Book of Psalms; -- often applied to a book containing the Psalms separately printed.
Specifically, the Book of Psalms as printed in the Book of Common Prayer; among the Roman Catholics, the part of the Breviary which contains the Psalms arranged for each day of the week.
A rosary, consisting of a hundred and fifty beads, corresponding to the number of the psalms.
rosaries ::: pl. --> of Rosary
rosary ::: n. --> A bed of roses, or place where roses grow.
A series of prayers (see Note below) arranged to be recited in order, on beads; also, a string of beads by which the prayers are counted.
A chapelet; a garland; a series or collection, as of beautiful thoughts or of literary selections.
A coin bearing the figure of a rose, fraudulently circulated in Ireland in the 13th century for a penny.
rosary. See JAPAMĀLĀ; MĀLĀ.
rosary
rosery ::: n. --> A place where roses are cultivated; a nursery of roses. See Rosary, 1.
Rudraksha: (lit.) Eye of Lord Siva; a kind of berries of which the seeds are worn by some religious sects of the Hindus as rosary, around their necks, heads, arms, etc., as sacred to Lord Siva.
sadaksarī. [alt. sadaksarīvidyā] (T. yi ge drug pa'i rig sngags; C. liuzi daming/liuzi zhangju; J. rokujidaimyo/rokujishoku; K. yukcha taemyong/yukcha changgu 六字大明/六字章句). In Sanskrit, "six-syllable spell"; the renowned MANTRA associated with the BODHISATTVA of compassion, AVALOKITEsVARA: viz., "OM MAnI PADME HuM." The mantra has six syllables and is used to call upon the bodhisattva, using his epithet Manipadma or "Jewel Lotus," a four-armed form who holds both a rosary of jewels (RATNA) and a lotus flower (PADMA). Hence, the mantra means "OM, O Jewel-Lotus," not "jewel in the lotus," contrary to popular belief. The earliest textual source for this mantra is the KĀRAndAVYuHA [alt. Avalokitesvaraguna-Kārandavyuha]. See OM MAnI PADME HuM.
tanju. (短珠). In Japanese and Korean, "short rosary." See JAPAMĀLĀ.
Tasbih Prayer beads for the recitation of wazaif (e.g. mala or japa mala (Hinduism) akshamala (Buddhism)). All are forerunners of the catholic rosary which came into use in the 15th century
Virupa. (Bi ru pa). Sanskrit proper name of one of the eighty-four MAHĀSIDDHAs, particularly revered in the SA SKYA sect of Tibetan Buddhism. Very little can be said with certainty about his life (whether he was a historical figure is open to question), but he may have lived at the end of the tenth century CE. He is said to have been a monk and a distinguished scholar of NĀLANDĀ monastery (in some sources, SOMAPURA), who was originally named Dharmapāla, devoting himself to scholastic study during the day and tantric practice at night. He recited the MANTRA of CAKRASAMVARA for years, but, unable to make any progress in his practice, he threw his rosary into the latrine. That night, the goddess NAIRĀTMYĀ, appeared to him in a dream, instructing him to retrieve his rosary. Over the course of six nights, she conferred initiations and instructions that allowed him to attain the sixth bodhisattva BHuMI. She also gave him a text, which is otherwise unknown in Sanskrit, whose Sanskrit title might be reconstructed as *Mārgaphalamulasāstra, the "Root Treatise on the Path and Its Fruition." Dharmapāla subsequently began to engage openly in tantric practices and was expelled from the monastery and branded "deformed" or "ugly" (virupa), whence he derived his name. Among the many stories told about him, perhaps the most famous tells of his stopping in a tavern to drink. When the tavern keeper demanded payment, he offered her the sun instead, using his ritual dagger to stop the sun in its course. The sun did not move for three days, during which time Virupa consumed huge amounts of drink. In order to set the sun on its course, the king agreed to pay his bill. Virupa eventually encountered two YOGINs who became his disciples: dombiheruka and Kṛsnacārin. In the eleventh century, the Tibetan scholar SA CHEN KUN DGA' SNYING PO of the 'Khon clan is said to have had a vision of Virupa in which he received transmission of the *Mārgaphalamulasāstra. This became the foundation for the LAM 'BRAS teachings of the Sa skya sect, where Virupa is regarded as a buddha, equal in importance to Nāropa for the BKA' RGYUD sect. His most famous work is his RDO RJE TSHIG RKANG ("Vajra Verses").
KEYS (10k)
1 Swami Akhandananda
1 Saint Josemaria Escriva
1 Our Lady of Akita
1 Jalaluddin Rumi
1 Blessed Cardinal Newman
1 Kabir
NEW FULL DB (2.4M)
10 Pope John Paul II
9 Louis de Montfort
6 Fulton J Sheen
5 Pope Francis
5 Josemaria Escriva
4 Pope Pius XI
4 Pope Pius X
4 Pio of Pietrelcina
4 Bulleh Shah
4 Anonymous
3 Susan Sarandon
3 Robert Browning
3 Pope Leo XIII
3 Pope John XXIII
3 Poetical Works of John Keats
3 Michael Gaitley
3 Kabir
3 James Joyce
2 Pope Paul V
2 Neal Stephenson
1:Within the Supreme Brahma, the worlds are being told like beads:
Look upon that rosary with the eyes of wisdom. ~ Kabir,#KEYS
2:O garden! O garden! Let me use your roses for my rosary and I will let your flowers bloom in every heart. ~ Jalaluddin Rumi, @Sufi_Path #KEYS
3:The survivors will find themselves so desolate that they will envy the dead. The only arms which will remain for you will be The Rosary and The Sign Left by My Son. Each day recite the Prayers of the Rosary." ~ Our Lady of Akita, #KEYS
4:For those who use their intelligence and their study as a weapon, the Rosary is most effective. Because that apparently monotonous way of beseeching Our Lady as children do their Mother, can destroy every seed of vainglory and pride. ~ Saint Josemaria Escriva, #KEYS
5:How long will you keep turning the rosary beads? Call on Him with intense longing. Gradually everything will come to a standstill. The rosary beads will stop, the fingers will not move, even the lips will not open to utter His name. All bonds will fall off,even that of clothes ~ Swami Akhandananda, #KEYS
6:If you ask me what you are to do in order to be perfect, I say, first--Do not lie in bed beyond the due time of rising; give your first thoughts to God; make a good visit to the Blessed Sacrament; say the Angelus devoutly; eat and drink to God's glory; say the Rosary well; be recollected; keep out bad thoughts; make your evening meditation well; examine yourself daily; go to bed in good time, and you are already perfect. ~ Blessed Cardinal Newman, Meditations and Devotions, #KEYS
*** WISDOM TROVE ***
1:Deciding to chant the mantra a certain number of times daily will help foster the japa habit. We should always keep a rosary with us for doing japa. A rosary can be made of 108, 54, 27 or 18 beads of rudraksha, tulsi, crystal, sandalwood, gems, etc, with one & *** NEWFULLDB 2.4M ***
1:The Rosary is THE weapon. ~ Pio of Pietrelcina, #NFDB
2:The Rosary is a treasure of graces ~ Pope Paul V, #NFDB
3:The rosary is spiritual medicine. ~ Pope Francis, #NFDB
4:I'm saying my rosary every day. ~ Jordana Brewster, #NFDB
5:The Rosary is my favorite prayer. ~ Pope John Paul II, #NFDB
6:The Rosary is the book of the blind. ~ Fulton J Sheen, #NFDB
7:Mary prays the rosary for my broken mind. ~ Lana Del Rey, #NFDB
8:The power of the rosary is beyond description. ~ Fulton J Sheen, #NFDB
9:Life is laughter amid a rosary of death. ~ Federico Garcia Lorca, #NFDB
10:The Rosary is the compendium of the entire Gospel. ~ Pope Paul V, #NFDB
11:The Rosary is a priceless treasure inspired by God. ~ Louis de Montfort, #NFDB
12:The Holy Rosary is the storehouse of countless blessings. ~ Alanus de Rupe, #NFDB
13:Give me an army saying the Rosary and I will conquer the world. ~ Pope Pius IX, #NFDB
14:The greatest method of praying is to pray the Rosary. ~ Saint Francis de Sales, #NFDB
15:The Rosary is a school for learning true Christian perfection. ~ Pope John XXIII, #NFDB
16:The rosary is a weapon against depression and hopelessness. ~ Benedict Groeschel, #NFDB
17:The Rosary is a school of Prayer. The Rosary is a school of Faith. ~ Pope Francis, #NFDB
18:How beautiful is the family that recites the Rosary every evening. ~ Pope John Paul II, #NFDB
19:These were the rosary beads of my submission. Though my only god was love. ~ Alexis Hall, #NFDB
20:Carry the rosary with you everywhere, and it will carry you through anything. ~ Jason Evert, #NFDB
21:One day, through the Rosary and the Scapular, Our Lady will save the world. ~ Saint Dominic, #NFDB
22:Irish Catholics are more interested in the rosary beads than in the rosary. ~ Bernadette Devlin, #NFDB
23:I come from a very, very Catholic family. We used to pray the rosary every day after dinner. ~ Juanes, #NFDB
24:Religion is only in the service of the people; it is not in the rosary and the prayer-carpet. ~ Saadi, #NFDB
25:My process of preparing for any type of psychic work is to meditate and pray the rosary. ~ John Edward, #NFDB
26:Saadi’s dictum, in the Bostan: ‘The Path is not in the rosary, the prayer-mat and the robe ~ Idries Shah, #NFDB
27:Recite your Rosary with faith, with humility, with confidence, and with perseverance. ~ Louis de Montfort, #NFDB
28:We put great confidence in the Holy Rosary for the healing of evils which afflict our times. ~ Pope Pius X, #NFDB
29:To recite the Rosary is nothing other than to contemplate the face of Christ with Mary. ~ Pope John Paul II, #NFDB
30:The next person that tells me I'm not religious, I'm going to shove my rosary beads up their ass. ~ Joe Biden, #NFDB
31:If there were one million families praying the Rosary every day, the entire world would be saved. ~ Pope Pius X, #NFDB
32:Love Our Lady and make her loved; always recite the Rosary and recite it as often as possible. ~ Pio of Pietrelcina, #NFDB
33:The holy Rosary is a powerful weapon. Use it with confidence and you'll be amazed at the results. ~ Josemaria Escriva, #NFDB
34:Never will anyone who says his Rosary every day become a formal heretic or be led astray by the devil. ~ Louis de Montfort, #NFDB
35:Say the Holy Rosary. Blessed be that monotony of Hail Mary's which purifies the monotony of your sins! ~ Josemaria Escriva, #NFDB
36:The rosary is the most powerful weapon to touch the Heart of Jesus, Our Redeemer, who loves His Mother. ~ Louis de Montfort, #NFDB
37:Within the Supreme Brahma, the worlds are being told like beads:
Look upon that rosary with the eyes of wisdom. ~ Kabir,#NFDB
38:I have no better way of knowing if a man is for God than if he likes to say the Hail Mary and the Rosary. ~ Louis de Montfort, #NFDB
39:There is no surer means of calling down God's blessing upon the family than the daily recitation of the Rosary. ~ Pope Pius XII, #NFDB
40:I thought that I had no time for faith nor time to pray, then I saw an armless man saying his Rosary with his feet. ~ John Locke, #NFDB
41:The Rosary is a magnificent and universal prayer for the needs of the Church, the nations and the entire world. ~ Pope John XXIII, #NFDB
42:It’s the relationship that heals, the relationship that heals, the relationship that heals—my professional rosary. ~ Irvin D Yalom, #NFDB
43:Some vampires wouldn't react if you shoved a rosary down their pants, though I wouldn't recommend testing the theory. ~ Molly Harper, #NFDB
44:The Rosary is my favorite prayer. A prayer so simple and so rich; from deepest heart, I exhort all to recite it. ~ Pope John Paul II, #NFDB
45:Those who say the Rosary daily and wear the Brown Scapular and who do a little more, will go straight to Heaven. ~ Alphonsus Liguori, #NFDB
46:We are convinced that the Rosary, if devotely used is bound to benefit not only the individual but society at large. ~ Pope Leo XIII, #NFDB
47:The Rosary is a prayer both so humble and simple and a theologically rich in Biblical content. I beg you to pray it. ~ Pope John Paul II, #NFDB
48:Through the Rosary the faithful receive abundant grace, as though from the very hands of the Mother of the Redeemer. ~ Pope John Paul II, #NFDB
49:When the Holy Rosary is said well, it gives Jesus and Mary more glory and is more meritorious than any other prayer. ~ Louis de Montfort, #NFDB
50:Rediscover the Rosary in the light of scripture, in harmony with the Liturgy, and in the context of your daily lives. ~ Pope John Paul II, #NFDB
51:The Rosary offers an easy way to present the chief mysteries of the Christian religion and to impress then upon the mind. ~ Pope Leo XIII, #NFDB
52:Those who say the Rosary daily and wear the Brown Scapular and who do a little more, will go straight to Heaven. ~ Saint Alphonsus Liguori, #NFDB
53:Filipinos everywhere are known for their love of God, their fervent piety and their warm devotion to Our Lady and her rosary ~ Pope Francis, #NFDB
54:For Christians, the first of books is the Gospel and the Rosary is actually the abridgement of the Gospel. ~ Jean Baptiste Henri Lacordaire, #NFDB
55:Simon traces his fingers up my spine, touching bone after bone like he’s holding the individual beads of a rosary in silent worship. ~ B L Berry, #NFDB
56:Among all the devotions approved by the Church none has been so favored by so many miracles as the devotion of the Most Holy Rosary ~ Pope Pius X, #NFDB
57:How awful for the string of inequities to be brought out in his mind, that useless rosary, so he can finger again those memories: ~ Andrew Sean Greer, #NFDB
58:How guilt refined the methods of self-torture, threading the beads of detail into an eternal loop, a rosary to be fingered for a lifetime. ~ Ian McEwan, #NFDB
59:How guilt refined the methods of self-torture, threading the beads of detail into an eternal loop, a rosary to be fingered for a lifetime. ~ Ian Mcewan, #NFDB
60:One night I looked down and my rosary beads were glowing. And I realized that I did not want to see the blessed Virgin - I was terrified. ~ Susan Sarandon, #NFDB
61:The turning of the charkha in a lifeless way will be like the turning of the beads of the rosary with a wandering mind turned away from God. ~ Mahatma Gandhi, #NFDB
62:Every day I'm trying to be more humble and how do you do that? I guess, every day, we have mass. Every day, I pray the rosary. That's what I do. ~ Jim Caviezel, #NFDB
63:If you say the Holy Rosary every day, with a spirit of faith and love, our Lady will make sure she leads you very far along her Son's path. ~ Josemaria Escriva, #NFDB
64:the inventor of the plow did more good than the maker of the first rosary - because, say what you will, plowing is better than praying. ~ Robert Green Ingersoll, #NFDB
65:The past is always with us, in the form of our photographs, which we feel as we might a rosary, wearing them smooth with the fingering of our eyes. ~ A D Coleman, #NFDB
66:This crown of the laughter, the rosary crown: to you, my brothers, I throw this crown! I pronounced laughter holy: you higher men, learn — to laugh! ~ Friedrich Nietzsche, #NFDB
67:If you say the Rosary faithfully unto death, I do assure you that, in spite of the gravity of your sins, 'you will receive a never-fading crown of glory' ~ Louis de Montfort, #NFDB
68:In the concealed darkness of the bag her fingers began to work her rosary, clumsily at first but with increasing dexterity - Push. Click. Slide. Press - ~ Robert Harris, #NFDB
69:K,
the lady at the store said yellow means friendship and red means love. The rosary is the only thing I own that has value to me. It's yours. I'm yours
C. ~ Simone Elkeles,#NFDB
70:Ever wonder how to pray? The Rosary offers a complete way of prayer that includes the three forms of prayer: vocal prayer, meditation, and even contemplation. The ~ Michael Gaitley, #NFDB
71:With the Rosary, the Christian people sits at the school of Mary and is led to contemplate the beauty on the face of Christ and to experience the depths of his love. ~ Pope John Paul II, #NFDB
72:Connie drove a silver Camry with rosary beads hanging from her rearview mirror and a Smith& Wesson stuck under the seat. No matter whatwent down, Connie was covered. ~ Janet Evanovich, #NFDB
73:In a way, fasting is like the "calming of the monkey mind" effected by the rosary prayer: both are means of stilling the effervescence of relatively superficial preoccupations. ~ Robert Barron, #NFDB
74:May our love be a prayer … Anoint me with seeing you, and I will make the moments I dream of you into a rosary, with my tediums for Our Fathers and my anxieties for Hail Marys. ~ Fernando Pessoa, #NFDB
75:I wake up and look at that bridge, try to count the red taillights I see heading east every morning, a kind of rosary as I pray for another crisis to dwarf the one defining us right now. ~ K I Hope, #NFDB
76:His gut told him that somehow the rosary had played a role in Father O’Shannon’s sudden life-threatening illness. But a rosary of tourmaline beads that changed color overnight? ~ James Marshall Smith, #NFDB
77:All these stuff she's done before - the rosary, the deep thoughts, the faux British accent. It's the same thing over and over. She's be so much better if she just retired, and I like Madonna. ~ Andrea Tantaros, #NFDB
78:Thanks.” Dave put the car in reverse. Backing carefully around the workers, he parked in the nearest lot, then sprinted across the roadway to the side entrance of Sisters of the Holy Rosary Hospital. ~ Mary SanGiovanni, #NFDB
79:Why this meaningless talk about the believer, the kafir, the obedient, the sinner, the rightly guided, the misdirected, the Muslim, the pious, the infidel, the fire worshipper? All are like beads in a rosary. ~ Anonymous, #NFDB
80:In moments when fever, agony, and pain make it hard to pray, the suggestion of prayer that comes from merely holding the rosary - or better still, from caressing the Crucifix at the end of it - is tremendous! ~ Fulton J Sheen, #NFDB
81:Mary joins us, she fights at our side. She supports Christians in the fight against the forces of evil. Especially through prayer, through the rosary. Hear me out, the rosary... Do you pray the Rosary each day? ~ Pope Francis, #NFDB
82:I'll pray for you."
"That's very kind of you."
"I can't spare you a whole rosary, you know. Just a decade. I've got such a long list of people. I take them in order and they get a decade about once a week. ~ Evelyn Waugh,#NFDB
83:With the Rosary, we allow ourselves to be guided by Mary, model of faith, in meditating on the mysteries of Christ, and day after day we are helped to assimilate the Gospel, so that it shapes all our lives. ~ Pope Benedict XVI, #NFDB
84:The Rosary is the most beautiful and the most rich in graces of all prayers; it is the prayer that touches most the Heart of the Mother of God...and if you wish peace to reign in your homes, recite the family Rosary. ~ Pope Pius X, #NFDB
85:The rosary was said every evening. I always liked that sentence about the medieval Churches, that they were the Bibles of the poor. The Church was my first book and I would think it is still my most important book. ~ John McGahern, #NFDB
86:The Rosary is the most excellent form of prayer and the most efficacious means of attaining eternal life. It is the remedy for all our evils, the root of all our blessings. There is no more excellent way of praying. ~ Pope Leo XIII, #NFDB
87:When we have spiritual reading at meals, when we have the rosary at night, when we have study groups, forums, when we go out to distribute literature at meetings, or sell it on the street corners, Christ is there with us. ~ Dorothy Day, #NFDB
88:And if he had judged her harshly? If her life were a simple rosary of hours, her life simple and strange as a bird's life, gay in the morning, restless all day, tired at sundown? Her heart simple and wilful as a bird's heart? ~ James Joyce, #NFDB
89:And if he had judged her harshly? If her life were a simple rosary of hours, her life simple and strange as a bird’s life, gay in the morning, restless all day, tired at sundown? Her heart simple and wilful as a bird’s heart? ~ James Joyce, #NFDB
90:And if he had judged her harshly? If her life were a simple rosary of hours, her life simple and strange as a bird's life, gay in the morning, restless all day, tired at sundown? Her heart simple and willful as a bird's heart? ~ James Joyce, #NFDB
91:The Rosary is the best therapy for these distraught, unhappy, fearful, and frustrated souls, precisely because it involves the simultaneous use of three powers: the physical, the vocal, and the spiritual, and in that order. ~ Fulton J Sheen, #NFDB
92:Go to the Madonna. Love her! Always say the Rosary. Say it well. Say it as often as you can! Be souls of prayer. Never tire of praying, it is what is essential. Prayer shakes the Heart of God, it obtains necessary graces! ~ Pio of Pietrelcina, #NFDB
93:The Rosary is my favorite prayer. A marvelous prayer! Marvelous in its simplicity and its depth. In the prayer we repeat many times the words that the Virgin Mary heard from the Archangel, and from her kinswoman Elizabeth. ~ Pope John Paul II, #NFDB
94:If you wish to convert anyone to the fullness of the knowledge of Our Lord and of His Mystical Body, then teach him the Rosary. One of two things will happen. Either he will stop saying the Rosary - or he will get the gift of faith. ~ Fulton J Sheen, #NFDB
95:And then he experienced an inexplicable confusion of thoughts, like a rosary of ideas comprised of diverse and ingenious beads that had unraveled and was now rattling around in his brain with no thread linking them, no coherence. ~ Joris Karl Huysmans, #NFDB
96:breadfruit seeds she had offered him was untouched—he no longer ate anything at all of hers—and she looked at him, this man wearing trousers, and a rosary around his neck, and wondered whether she had meddled with his destiny. ~ Chimamanda Ngozi Adichie, #NFDB
97:For those who use their intelligence and their study as a weapon, the Rosary is most effective. Because that apparently monotonous way of beseeching Our Lady as children do their Mother, can destroy every seed of vainglory and pride. ~ Josemaria Escriva, #NFDB
98:You always leave the Rosary for later, and you end up not saying it at all because you are sleepy. If there is no other time, say it in the street without letting anybody notice it. It will, moreover, help you to have presence of God. ~ Josemaria Escriva, #NFDB
99:For those who use their intelligence and their study as a weapon, the Rosary is most effective. Because that apparently monotonous way of beseeching Our Lady as children do their Mother, can destroy every seed of vainglory and pride. ~ Saint Josemaria Escriva, #NFDB
100:You fascinate me.” Chris leaned away so he could see her face. “How so?” “You quote Augustine, and you make an awesome campfire. You carry a rosary in your pocket, and you’re going to work at a brewery. You’re a virgin, and you ride a Harley. ~ Carolyn Astfalk, #NFDB
101:You can guess the size of a village by the grandiosity of its grotto. Blonde Marys, black Marys. Marys in blue, Marys in white, but Mary always draped in rosary beads, standing on a serpent and holding her palms open around the height of her crotch. ~ Sara Baume, #NFDB
102:The Rosary is the book of the blind, where souls see and there enact the greatest drama of love the world has ever known; it is the book of the simple, which initiates them into mysteries and knowledge more satisfying than the education of other men. ~ Fulton J Sheen, #NFDB
103:This is a prayer, inchoate and unfinished, for you, my love, my loss, my lesion, a rosary of words to count out time's illusions, all the minutes, hours, days the calendar compounds as if the past existed somewhere like an inheritance still waiting to be claimed. ~ Dana Gioia, #NFDB
104:When you say your Rosary, the angels rejoice, the Blessed Trinity delights in it, my Son finds joy in it too, and I myself am happier than you can possibly guess. After the Holy Sacrifice of the Mass, there is nothing in the Church that I love as much as the Rosary. ~ Alanus de Rupe, #NFDB
105:All ten years of my trepidations,
Each and every sleepless night,
I placed them all in a quiet word
And I voiced it – in vain, unsure.
You walked off and with order restored,
My soul was empty and pure.
- From "Confusion", Anna Akhmatova, Rosary ~ Anna Akhmatova,#NFDB
106:Most of your statues in churches do not correspond to the picture I have of you. In the statues you are shown very much like a nun, with a rosary in your hand. You are smiling serenely. But nuns have no children. You have. Your true likeness has yet to be depicted. ~ Richard Wurmbrand, #NFDB
107:I am a Catholic. As far as possible, I go to Mass every day. This is a rosary. As far as possible, I kneel down and tell these beads every day. If you reject me on account of my religion, I shall thank God that He has spared me the indignity of being your representative. ~ Hilaire Belloc, #NFDB
108:Some people are so foolish that they think they can go through life without the help of the Blessed Mother. Love the Madonna and pray the rosary, for her Rosary is the weapon against the evils of the world today. All graces given by God pass through the Blessed Mother. ~ Pio of Pietrelcina, #NFDB
109:Have you not often met poor old women who are most faithful to the pious recitation of the Rosary? You also must do all that you can to recite it with fervour. Get right down, at the feet of Jesus: it is a good thing to make oneself small in the presence of so great a God. ~ Columba Marmion, #NFDB
110:I came because I wanted to be the one to break the news to you. No amount of prayers, confessions in a wooden booth, counting rosary beads, kneeling before a cross, or fasting will purify a soul. Once you’ve welcomed evil inside you, there is no turning back. Heaven will reject you. ~ Ashlan Thomas, #NFDB
111:Spanish pilgrims travel on Camino de Santiago from monastery to monastery, collecting small medals to attach to their rosary as proof of their steps. I have stacks of Polaroids, each marking my own, that I sometimes spread out like tarots or baseball cards of an imagined celestial team. ~ Patti Smith, #NFDB
112:Do not forsake the prayer of her Rosary; it binds you to her. Do not neglect the Ave Maris Stella and the other acts of love for her that she has asked of you or that the Holy Spirit has inspired you to offer her. Such little means are of immense, incalculable value in My eyes and in hers. ~ Anonymous, #NFDB
113:He had no money and no home; he lived entirely on the road of the racing circuit, sleeping in empty stalls, carrying with him only a saddle, his rosary, and his books...The books were the closest thing he had to furniture, and he lived in them the way other men live in easy chairs. ~ Laura Hillenbrand, #NFDB
114:He had no money and no home; he lived entirely on the road of the racing circuit, sleeping in empty stalls, carrying with him only a saddle, his rosary, and his books....The books were the closest thing he had to furniture, and he lived in them the way other men live in easy chairs. ~ Laura Hillenbrand, #NFDB
115:I wished I had renounced the faith, taken a rosary in my hand, put a sectarian mark on my forehead, tied a sacred thread round my waist and seated myself on the bank of the Ganges so that I could wash the contamination of existence away from myself and like a drop be one with the river. ~ Pavan K Varma, #NFDB
116:When I grew up in the church, we were praying because the Communists were going to come over and hang you upside down on a cross, and I so wanted to be a good person, and I had these rosary beads that I would sleep with every night, and I just wanted the blessed Virgin to be on my side. ~ Susan Sarandon, #NFDB
117:The first day she rocked up to school she was wearing a massive brown rosary, hanging around her neck outside her school uniform jumper with a swinging cross at the bottom. Her dad probably made her wear it. “Hey yo, pimping for Christ!” I called out, and she turned as red as the sacred heart, bless. ~ Alice Pung, #NFDB
118:I heard that someone asked Mother Teresa what was most important in her work. I thought she'd say the Rosary but she said, 'My nuns and I take very good care of ourselves so we can tend to the lepers and do whatever we need to assist.' If you're strong, or at least not hurting, you can inspire others. ~ Valerie Harper, #NFDB
119:She mothered as a penance, like sliding fingers along rosary beads. Each mile, its own prayer. If she gave her time selflessly, maybe she could forget the wrong she’d done. If she worked for no reward, if she was kind to people who could offer her nothing in return, maybe then her sins would be washed away. ~ Brit Bennett, #NFDB
120:The Rosary is a powerful weapon to put the demons to flight and to keep oneself from sin…If you desire peace in your hearts, in your homes, and in your country, assemble each evening to recite the Rosary. Let not even one day pass without saying it, no matter how burdened you may be with many cares and labors. ~ Pope Pius XI, #NFDB
121:I, uh, figured you could use that to maybe put your rosary beads in, or whatever jewelry you might have,” Moss told the temporarily speechless Amanda. “I know you probably aren’t a woman who would keep much jewelry. But I know Catholics have them prayin’ beads, so I figured you must have some. Do you like it?” She ~ Rosanne Bittner, #NFDB
122:Lama Yeshe says: I hope that you understand what the word “spiritual” really means. It means to search for, to investigate, the true nature of the mind. There’s nothing spiritual outside. My rosary isn’t spiritual; my robes aren’t spiritual. Spiritual means the mind, and spiritual people are those who seek its nature.4 ~ Tashi Tsering, #NFDB
123:My aunt had given me these rosary beads that were glow-in-the-dark. So all of a sudden I look down and they're glowing, and I'm looking toward the door and thinking, "Oh, my God, I don't want anything to come though here. I'm not worthy, I'm not ready." I didn't want to be one of those kids who sees Our Lady of Fatima. ~ Susan Sarandon, #NFDB
124:Mirza Ghalib In Old Age
His eyesight failed him,
But in his soldier's hands,
Still held like a sword,
Was the mirror of couplets.
By every post came
Friends' verses to correct,
But his rosary-chain
Was a string of debts.
[From: Both Sides of the Sky] (anthology ed. by Eunice de Souza)
~ Arvind Krishna Mehrotra,#NFDB
125:Among the various supplications with which we successfully appeal to the Virgin Mother of God, the Holy Rosary without doubt occupies a special and distinct place. This prayer, which some call the Psalter of the Virgin or Breviary of the Gospel and of Christian life, was described and recommended by Our Predecessor of happy memory, Leo XIII ~ Pope Pius XI, #NFDB
126:As it turned out, ballroom dance practice techniques led me out of my little loop of “mystery misery.” Instead of starting out trying to pray a good Rosary with the contemplative powers of a saint, I treated the repetition of the Rosary as though it were a foundation for later prayer, and all I had to do was practice keeping a steady beat. ~ Leah Libresco, #NFDB
127:Cass had a few points but, really, a vampire? Who believed in such a myth? What was Cass suggesting anyway? That I grab my rosary and head for the nearest church begging for holy water? Line my door and windows with salt? Sleep with a wooden stake under my pillow? Hang garlic bulbs from my bedroom door? Why was I even considering these options? ~ Jayde Scott, #NFDB
128:I believe in the Church of Baseball. I've tried all the major religions and most of the minor ones. I've worshipped Buddha, Allah, Brahma, Vishnu, Siva, trees, mushrooms, and Isadora Duncan. I know things. For instance, there are 108 beads in a Catholic rosary and there are 108 stitches in a baseball. When I learned that, I gave Jesus a chance. ~ Ron Shelton, #NFDB
129:The Rosary Chicken hadn’t moved from the deck of the Dolly Llama since the battle began, but as she watched the helpless fairy fall to her death, the chicken knew this was her moment to contribute. The Rosary Chicken plunged toward the jar, but just as she clutched the jar’s handle with her beak, the chicken suddenly remembered she couldn’t fly! ~ Chris Colfer, #NFDB
130:the knight is described as a man capable of living up to an ideal all his life. That sort of thing is not to be found every day among the men of our times. In the poem it is not stated exactly what the ideal was, but it was evidently some vision, some revelation of pure Beauty, and the knight wore round his neck, instead of a scarf, a rosary. ~ Fyodor Dostoyevsky, #NFDB
131:Deciding to chant the mantra a certain number of times daily will help foster the japa habit. We should always keep a rosary with us for doing japa. A rosary can be made of 108, 54, 27 or 18 beads of rudraksha, tulsi, crystal, sandalwood, gems, etc, with one 'guru bead'. We should resolve to chant a certain number of rosaries (rounds) daily. ~ Mata Amritanandamayi, #NFDB
132:The Rosary mystically transports us to Mary's side as she is busy watching over the human growth of Christ in the home of Nazareth. This enables her to train us and to mold us with the same care, until Christ is ''fully formed'' in us... Why should we not once more have recourse to the Rosary, with the same faith as those who have gone before us? ~ Pope John Paul II, #NFDB
133:O Jesus in the Blessed Sacrament, I would like to be filled with love for You; keep me closely united with You, may my heart be near to Yours. I want to be to You like the apostle John. O Mary of the Rosary, keep me recollected when I say these prayers of yours; bind me forever, with your rosary, to Jesus of the Blessed Sacrament. Blessed be Jesus, my love. ~ Pope John XXIII, #NFDB
134:A man who is in the habit of smiling in the glass at his handsome face and stalwart figure, if you shew him their radiograph, will have, face to face with that rosary of bones, labelled as being the image of himself, the same suspicion of error as the visitor to an art gallery who, on coming to the portrait of a girl, reads in his catalogue: “Dromedary resting. ~ Marcel Proust, #NFDB
135:For ordinary books are like meteors. Each of them has only one moment, a moment when it soars screaming like the phoenix, all its pages aflame. For that single moment we love them ever after, although they soon turn to ashes. With bitter resignation we sometimes wander late at night through the extinct pages that tell their stone dead messages like wooden rosary beads. ~ Bruno Schulz, #NFDB
136:Aunty Ifeoma was silent as she ladled the thick cocoyam paste into the soup pot; then she looked up and said Papa-Nnukwu was not a heathen but a traditionalist, that sometimes what was different was just as good as what was familiar, that when Papa-Nnukwu did his itu-nzu, his declaration of innocence, in the morning, it was the same as our saying the rosary. ~ Chimamanda Ngozi Adichie, #NFDB
137:From it (the Rosary) the young will draw fresh energy with which to control the rebellious tendencies to evil and to preserve intact the stainless purity of the soul. Also in it, the old will again find repose, relief, and peace from their anxious cares. And to all those who suffer in any way, especially the dying, may it bring comfort and increase the hope of eternal happiness. ~ Pope Pius XI, #NFDB
138:If our age in its pride laughs at and rejects Our Lady's Rosary, a countless legion of the most saintly men of every age and of every condition have not only held it most dear and have most piously recited it but have also used it at all times as a most powerful weapon to overcome the devil, to preserve the purity of their lives, to acquire virtue more zealously, in a word, to promote peace among men. ~ Pope Pius XI, #NFDB
139:Juanita refused to analyze this process, insisted that it was something ineffable, something you couldn't explain with words. A radical, rosary-toting Catholic, she has no problem with that kind of thing. But the bitheads didn't like it. Said it was irrational mysticism. So she quit and took a job with some Nipponese company. They don't have any problem with irrational mysticism as long as it makes money. ~ Neal Stephenson, #NFDB
140:The river and its waves are one surf: where is the difference between the river and its waves?
When the wave rises, it is the water; and when it falls, it is the same water again. Tell me, Sir, where is the distinction?
Because it has been named as wave, shall it no longer be considered as water?
Within the Supreme Brahma, the worlds are being told like beads:
Look upon that rosary with the eyes of wisdom. ~ Kabir,#NFDB
141:You can wake from one dream only to find yourself plunged into yet another, like some endless rosary of the mind. When that happens, it is hard to glimpse what is not dream; the waking, undreamed world flies by you, in rushing flashes of light and air, in loud, quick, dangerous spaces like those between the cars of a train. There is nothing you can do. You walk in the sleep of yourself and wait. You wait for the train to pass. ~ Lorrie Moore, #NFDB
142:When we pray the Rosary, the goal is not so much to reflect on the words of the Hail Mary prayer itself. Rather, the Hail Marys are meant to be a kind of “background music” that helps us enter into contemplation of the mysteries. This background music is like the gentle hand of a mother on our shoulders, standing behind us, getting us to look at Jesus, contemplate his face, and love him through his mother’s eyes, mind, and heart. ~ Michael Gaitley, #NFDB
143:If only customs were logical. If only the rules were as simple as "Don't do anything that will hurt others." If that were the only rule, I’d have at least a fifty percent chance of getting it right. I would, for example, ask myself whether saying the Rosary silently on the train would hurt others. The answer would be no and so I would say it. As it is, the reasons as to why something is right and something is not seem arbitrary. ~ Francisco X Stork, #NFDB
144:While Lou loved the raucous music, loud voices, and chaotic movement of a dinner rush, the calm of prep-work soothed her soul and gave her time to think. Some people did downward dog, some burned incense in front of a Buddha statue, some prayed the rosary; Lou chopped the vegetables into tiny squares, filleted fish, and reduced veal stock. Her meditation smelled better, and even if she didn't find a solution, at least she got to eat. ~ Amy E Reichert, #NFDB
145:/Farsi A pious one with a hundred beads on your rosary, or a drunkard in a tavern, any gift you bring the Beloved will be accepted as long as you come in longing. It is this most secret pain, this bleeding separation, which will guide you to your Heart of Hearts. [1472.jpg] -- from Nobody, Son of Nobody: Poems of Shaikh Abu-Saeed Abil-Kheir, Translated by Vraje Abramian
~ Abu-Said Abil-Kheir, A pious one with a hundred beads on your rosary
,#NFDB
146:If you'd told me even a year before...that I'd wind up whispering my sins in the confessional or on my knees saying the rosary, I would've laughed myself cockeyed. More likely pastime?Pole dancer. International spy. Drug mule. Assassin.
I drive under a sky black as graphite to meet my new spiritual director...a bulky Franciscan nun named Sister Margaret, patiently going blind behind fish-tank glasses that magnify her eyes like goggles. ~ Mary Karr,#NFDB
147:Ever since Blessed Alan de la Roche re-established this devotion the voice of the people, which is the voice of God, called it the Rosary. The word Rosary means "Crown of Roses" that is to say that every time people say the Rosary devoutly they place a crown of one hundred and fifty-three red roses and sixteen white roses upon the heads of Jesus and Mary. Being heavenly flowers these roses will never fade or lose their exquisite beauty. ~ Louis de Montfort, #NFDB
148:I pray the breviary every morning. I like to pray with the psalms. Then, later, I celebrate Mass. I pray the Rosary. What I really prefer is adoration in the evening, even when I get distracted and think of other things, or even fall asleep praying. In the evening then, between seven and eight o'clock, I stay in front of the Blessed Sacrament for an hour in adoration. But I pray mentally even when I am waiting at the dentist or at other times of the day. ~ Pope Francis, #NFDB
149:In her own room, she pulled back the covers, took the rosary beads from under her pillow, and got into bed. Joyful, Sorrowful, Glorious Mysteries. She chose the Joyful for this night—another day gone, not so bad, a date no less—but in her weariness forgot where she had begun and followed the Visitation with Jesus being lost in the Temple and then Mary’s assumption into heaven, wondering all the while just who—Mr. Who?—had wiped the tear from Adele’s eye. ~ Alice McDermott, #NFDB
150:If you ask me what you are to do in order to be perfect, I say, first--Do not lie in bed beyond the due time of rising; give your first thoughts to God; make a good visit to the Blessed Sacrament; say the Angelus devoutly; eat and drink to God's glory; say the Rosary well; be recollected; keep out bad thoughts; make your evening meditation well; examine yourself daily; go to bed in good time, and you are already perfect. ~ Blessed Cardinal Newman, Meditations and Devotions, #NFDB
151:Hidden within the heart of the great rose of music, he could forget time and place, forget the sting of his cut lip and the white man who’d given it to him, who had the right by law to give it to him; forget the whole of this past half year. For as long as he could remember, music had been his refuge, when grief and pity and rage and incomprehension of the whole of the bleeding world overwhelmed him: It had been a retreat, like the gentle hypnotism of the Rosary. ~ Barbara Hambly, #NFDB
152:THE river and its waves are one
surf: where is the difference between the river and its waves?
When the wave rises, it is the water; and when it falls, it is the same water again. Tell me, Sir, where is the distinction?
Because it has been named as wave, shall it no longer be considered as water?
Within the Supreme Brahma, the worlds are being told like beads:
Look upon that rosary with the eyes of wisdom.
Translated by Rabindranath Tagore
~ Kabir, Poem 8
,#NFDB
153:Here is an example to help you understand the efficacy of the Rosary. You remember the story of David who vanquished Goliath. What steps did the young Israelite take to overthrow the giant? He struck him in the middle of the forehead with a pebble from his sling. If we regard the Philistine as representing evil and all its powers: heresy, impurity, pride, we can consider the little stones from the sling capable of overthrowing the enemy as symbolizing the Aves of the Rosary. ~ Columba Marmion, #NFDB
154:Even if you are on the brink of damnation, even if you have one foot in hell, even if you have sold your soul to the devil as sorcerers do who practice black magic, and even if you are a heretic as obstinate as a devil, sooner or later you will be converted and will amend your life and will save your soul, if-and mark well what I say-if you say the Holy Rosary devoutly every day until death for the purpose of knowing the truth and obtaining contrition and pardon for your sins. ~ Louis de Montfort, #NFDB
155:Who is it?” asks Zain, his eyes wide with disbelief at Shayda’s unusual outburst. “No-one,” she replies. It’s a day of simple words, loaded with meaning. The no-one she said yes to a few hours ago. The no-one she agreed to spend the rest of her life with. The no-one whose rosary is dangling from her wrist. I will always be no-one. Because everyone who counts in Shayda’s world is on the other side of the door. I will always be on the perimeter of her life, always the outsider, looking in. ~ Leylah Attar, #NFDB
156:A very special case. A few years more, and that pretty creature who you love too much, I think, will, without ever loving them, have known as many men as there are beads on her aunt's rosary. No happy medium! Either a nun or a monster! God's bosom or sensual passions! It would, perhaps, be better to put her in a convent, since we put hysterical women in the Saltpetriere! She does not know vice, she invents it!"
That was ten years ago before the day our story begins and... Raoule was not a nun. ~ Rachilde,#NFDB
157:MAULANA'S LAST LETTER TO SHAMS
Sometimes I wonder, sweetest love, if you
Were a mere dream in along winter night,
A dream of spring-days, and of golden light
Which sheds its rays upon a frozen heart;
A dream of wine that fills the drunken eye.
And so I wonder, sweetest love, if I
Should drink this ruby wine, or rather weep;
Each tear a bezel with your face engraved,
A rosary to memorize your name...
There are so many ways to call you back-
Yes, even if you only were a dream. ~ Rumi,#NFDB
158:Unfortunately, we may not always fully enter into the mysteries of Christ, because we don't persevere in praying the Rosary. We forget that, as the Catechism of the Catholic Church teaches, prayer can be a real battle (135). Sometimes the attacks in this battle are dryness in praying the Rosary. Well we should keep praying it. Sometimes as we get ready to pray the Rosary, we suddenly feel an aversion, fatigue comes over us, and our minds think of a million other things that have to be done. We should keep praying it. ~ Michael Gaitley, #NFDB
159:He may have liked many other things, but we know for certain only that he liked a sweet summer breeze, stars shining softly above, memories (made of This), his mother's rosary and her posary, an old-fashioned melody, broken hearts, baby shoes, a garden of love made just for two, moments passing into hours, pretty hubbahubba babies, the roses of Picardy, the moment when the band started playing, a little home for two, gleaming candlelight, beautiful Alsace-Lorraine, heavens above, and smiles that make you happy. ~ Gilbert Sorrentino, #NFDB
160:Then the green curtain in the confessional twitched and was drawn back, and a good-looking woman of about thirty stepped out. She was holding a rosary, crossing herself more for form’s sake than anything else. She was wearing a tight red dress and it was easy to see why she had spent such a long time in the confessional. From the look of her, none of the venial sins would have detained her. She was built for just the one kind of sin, the mortal kind that cried aloud to heaven when you managed to touch her in the right places. ~ Philip Kerr, #NFDB
161:Avoiding my eyes he said a rumor had started that I didn’t make it, that I died in the lake, so he drove out to where it happened and sure enough someone had hung a twist of flowers on the torn fence. Carnations and baby’s breath. There was a white plastic cross and a laminated photo saying, “Virgil Wander RIP.” While he poked around, a little scorched-haired lady arrived in a Chevy pickup and marched to the brink with a rosary. When Tom revealed I was alive she wrapped it around her fist in annoyance and sped off dragging a veil of smoke. ~ Leif Enger, #NFDB
162:Let them like the Tibetans, chew the cud of their "om mane padme hum" innumerable times, or, as in Benares, count the name of the God Ram-Ram-Ram (etc. with or without charm) on their fingers; or honour Vishnu with his thousand names of invocation, Allah with his ninety-nine; or they may make use of the prayer-wheels and the rosary: the main thing is that they are settled down for a time at this work and are tolerable to look at. This kind of prayer has been invented for the benefit of the pious who have thought and elevations of their own. ~ Friedrich Nietzsche, #NFDB
163:The keeping of lists was for November an exercise kin to repeating of a rosary. She considered it neither obsessive nor compulsive, but a ritual, an essential ordering of the world into tall, thin jars containing perfect nouns. Enough nouns connected one to the other create a verb, and verbs had created everything, had skittered across the face of the void like pebbles across a frozen pond. She had not created a verb herself, but the cherry-wood cabinet in the hall contained book after book, jar after jar, vessel upon vessel, all brown as branches, and she had faith. ~ Catherynne M Valente, #NFDB
164:In A Breton Cemetery
They sleep well here,
These fisher-folk who passed their anxious days
In fierce Atlantic ways;
And found not there,
Beneath the long curled wave,
So quiet a grave.
And they sleep well,
These peasant-folk, who told their lives away,
From day to market-day,
As one should tell,
With patient industry,
Some sad old rosary.
And now night falls,
Me, tempest-tost, and driven from pillar to post,
A poor worn ghost,
This quiet pasture calls;
And dear dead people with pale hands
Beckon me to their lands.
~ Ernest Christopher Dowson,#NFDB
165:Beginning the holy Rosary, I asked the Blessed Virgin for whom I ought to pray in the first joyful mystery. It was N. The Virgin made me understand that I had to pray for him, because the prayer of a priest must make itself felt even in the depths of purgatory where souls are waiting for it, waiting for it in patience and in suffering. I want him close to Me in My light. I want him to see the splendour of My Face and to exult together with his mother and all the saints. You, by offering the Holy Sacrifice for him, will help him to leave purgatory and to come to the light for which he waits, and which he desires. Do not put this off. I want to deliver him. ~ Anonymous, #NFDB
166:Again, the endless northern rain between us
like a veil. Tonight, I know exactly where you are,
which row, which seat. I stand at my back door.
The light pollution blindfolds every star.
I hold my hand out to the rain, simply to feel it, wet
and literal. It spills and tumbles in my palm,
a broken rosary. Devotion to you lets me see
the concert hall, lit up, the other side of town,
then see you leave there, one of hundreds in the dark,
your black umbrella raised. If rain were words, could talk,
somehow, against your skin, I’d say look up, let it utter
on your face. Now hear my love for you. Now walk.
- Bridgewater Hall ~ Carol Ann Duffy,#NFDB
167:Pride Of Youth
Even as a child, of sorrow that we give
The dead, but little in his heart can find,
Since without need of thought to his clear mind
Their turn it is to die and his to live:
Even so the winged New Love smiles to receive
Along his eddying plumes the auroral wind,
Nor, forward glorying, casts one look behind
Where night-wrack shrouds the Old Love fugitive.
There is a change in every hour's recall
And the last cowslip in the fields we see
On the same day with the first corn-poppy.
Alas for hourly change! Alas for all
The loves that from his hand proud Youth lets fall,
Even as the beads of a told rosary!
~ Dante Gabriel Rossetti,#NFDB
168:Conner, what did you write for dinner?" Alex asked.
"Tomato soup, mashed potatoes, and rosary chicken," Conner said, and licked his lips.
"Rosary chicken?" she asked. "Did you mean rotisserie chicken?"
"Oh no," he said fearfully.
Fish-Lips Lucy uncovered the largest serving tray, and rather than a delicious roasted chicken, she revealed a live chicken wearing a Catholic rosary. The chicken panicked and fluttered amok around the chambers, squawking loudly and shedding feathers whenever she went.
Auburn Sally gave Fish-Lips Lucy a dirty look. "The chicken seems a little undercooked," she said.
"Sorry, Captain," Fish-Lips Lucy said. "I knew I was forgetting something. ~ Chris Colfer,#NFDB
169:Sonnet Xxiv: Pride Of Youth
Even as a child, of sorrow that we give
The dead, but little in his heart can find,
Since without need of thought to his clear mind
Their turn it is to die and his to live:—
Even so the winged New Love smiles to receive
Along his eddying plumes the auroral wind,
Nor, forward glorying, casts one look behind
Where night-rack shrouds the Old Love fugitive.
There is a change in every hour's recall,
And the last cowslip in the fields we see
On the same day with the first corn-poppy.
Alas for hourly change! Alas for all
The loves that from his hand proud Youth lets fall,
Even as the beads of a told rosary!
~ Dante Gabriel Rossetti,#NFDB
170:He’d given her all the love he could give tonight without taking her maidenhead, undressing her, carrying her to his bed, kissing away her tears, caressing her, bringing her to her peak with his hands again and again, until she lay, weak and utterly spent, in his arms. Then he’d held her through the watches of the night, wishing dawn would never come.
“Tha moran ghradh agam ort, dh’Amaliedh,” he whispered. My love lies upon you, Amalie.
He lifted the rosary from around his neck and placed the wooden beads in her palm. Then he took the tartan sash from his French uniform and draped it across the pillow beside her, branding her with Clan MacKinnon’s colors. Would she know what that meant? ~ Pamela Clare,#NFDB
171:Perhaps a stranger would look at Toby and see little more than a skinny postadolescent with a shockingly bad haircut. But he was my boyfriend, my dom, my fragile prince, and he was nothing less than beautiful to me. I loved the tender spot at the back of his neck and all the whisper-soft hairs that would stir beneath my breath. I loved his his narrow feet and his disproportionately large toes. I loved the small, flat mole that lurked beneath his left earlobe. I loved the place between his collarbones and the hollows beneath his clavicles where sweat gathered and gleamed. I loved the slim and gorgeous cock that tasted so much of salt and him. These were the rosary beads of my submission. Though my only god was love. ~ Alexis Hall, #NFDB
172:Oh, God, who does not exist, you hate women, otherwise you'd have made them different. And Jesus, who snubbed your mother, you hate them more. Roaming around all that time with a bunch of men, fishing; and sermons-on-the-mount. Abandoning women. I thought of all the women who had it, and didn't even know when the big moment was, and others saying their rosary with the beads held over the side of the bed, and others saying, "Stop, stop, you dirty old dog," and others yelling desperately to be jacked right up to their middles, and it often leading to nothing, and them getting up out of bed and riding a poor door knob and kissing the wooden face of a door and urging with foul language, then crying, wiping the knob, and it all adding up to nothing either. ~ Edna O Brien, #NFDB
173:Love Springs Eternal
Love springs eternal!
When I learnt the lesson of Love
I dreaded going to the mosque.
Hesitantly, I found a temple
Where they beat a thousand drums.
Love springs eternal! Come!
I am tired of reading holy books,
Fed up with prostrations good.
God is not in Mathura or Mecca.
He who finds Him is enlightened!
Love springs eternal! Come!
Burn the prayer mat, break the beaker!
Quit the rosary, chuck the staff!
Lovers shout at the top of their voices:
Break all rules that tie you down!
Love springs eternal! Come!
Heer and Ranjha are united:
While she searches for him in orchards,
He is in her warm embrace!
She has her love, she is fulfilled!
Love springs eternal! Come!
~ Bulleh Shah,#NFDB
174:Sometimes he comes to me in my dreams, and I wonder if ironically all our stories were written on his skin back there in Texas City in 1947. Or maybe that's just poetic illusion purchased by time. But even in the middle of an Indian summer's day, when the sugarcane is beaten with purple and gold light in the fields and the sun is both warm and cool on your skin at the same time, when I know that the earth is a fine place after all, I have to mourn just a moment for those people of years ago who lived lives they did not choose, who carried burdens that were not their own, whose invisible scars were as private as the scarlet beads of Sister Roberta's rosary wrapped across the back of her small hand, as bright as drops of blood ringed round the souls of little people. ~ James Lee Burke, #NFDB
175:In the convent, y'all,
I tend the gardens,
watch things grow,
pray for the immortal soul
of rock 'n' roll.
They call me
Sister Presley here,
The Reverend Mother
digs the way I move my hips
just like my brother.
Gregorian chant
drifts out across the herbs
Pascha nostrum immolatus est...
I wear a simple habit,
darkish hues,
a wimple with a novice-sewn
lace band, a rosary,
a chain of keys,
a pair of good and sturdy
blue suede shoes.
I think of it
as Graceland here,
a land of grace.
It puts my trademark slow lopsided smile
back on my face.
Lawdy.
I'm alive and well.
Long time since I walked
down Lonely Street
towards Heartbreak Hotel.
- Elvis's Twin Sister ~ Carol Ann Duffy,#NFDB
176:Sappho's Dirge
Looking at the Pleiades
Poetess Sappho sheds tears
Do the Pleiades ever know
That a friend here is waiting for them
Magic and marvel fill the green isles
That throb like the rosary of the sea
The spark, the dream, and the sea-speak:
Surging and surfing over the waves of Time
Fighting and fighting, the men are in ruins
Still they are beating the war-drums again
Divorced and distempered the women in huts
Are distressed without enough drinking water
They shout there is no place at home
For those who do not return to work at home
We shall never clear their debts
We stand only for ourselves hereafter
Watching the Pleiades
Sappho sings her tears
To listen to the dirge of long waiting
The Pleiades come down
~ Ayyappa Paniker,#NFDB
177:Love springs eternal! When I learnt the lesson of Love I dreaded going to the mosque. Hesitantly, I found a temple Where they beat a thousand drums. Love springs eternal! Come! I am tired of reading holy books, Fed up with prostrations good. God is not in Mathura or Mecca. He who finds Him is enlightened! Love springs eternal! Come! Burn the prayer mat, break the beaker! Quit the rosary, chuck the staff! Lovers shout at the top of their voices: Break all rules that tie you down! Love springs eternal! Come! Heer and Ranjha are united: While she searches for him in orchards, He is in her warm embrace! She has her love, she is fulfilled! Love springs eternal! Come! [2469.jpg] -- from Islamic Mystical Poetry: Sufi Verse from the Early Mystics to Rumi, Translated by Mahmood Jamal
~ Bulleh Shah, Love Springs Eternal
,#NFDB
178:The modern Berkshire Hathaway that he had created churned out new beads for the rosary almost like a clockwork. Buffett’s hunt for things to buy had become more ambitious, free of the cigar butts and lawsuits of the decades before. The great engine of compounding worked as a servant on his behalf, at exponential speed and under the gathering approval of a public gaze. The method was the same: estimate an investment’s intrinsic value, handicap its risk, buy using margin of safety, concentrate, stay in the circle of competence, let it roll as compounding did the work. Anyone could understand these simple ideas, but few could execute them. Even though Buffett made the process look effortless, the technique and discipline underlying it actually did involve an enormous amount of work for him and his employees. As ~ Alice Schroeder, #NFDB
179:Love Is Ever New And Fresh
Love is ever new and fresh
The day I learn the lesson of Love
I was scared of the mosque and dreaded fasts
I looked around and entered a temple
Where sounded many a drum-blast
Love is ever new and fresh
Tired of reading the Vedas and Quran
Kneeling and prostrating my forehead shorn
At Mathura or Mecca He does not dwell
He who has found Him, only he can tell
Love is ever new and fresh
Burn the prayer mat, break the water pot
Quit the rosary, threw away the staff
Lovers say at the top of their voice
Leave the kosher and eat the shot
Love is ever new and fresh
Heer and Ranjha have already met
In vain she looks for him in the orchard
Ranjha lies in the folds of her arms
Having her love, she has gained him hard
~ Bulleh Shah,#NFDB
180:McCoy, drained and hollow-eyed, couldn't take his eyes off the life vest belonging to the boy who'd slipped away from the group during the night. The empty vest spooked McCoy. All its straps were still tightly tied-it looked like some trick that Houdini might've played. Then McCoy peered into the water and got another shock: the boy was floating below him, spread-eagled, about fifteen feet below the surface. He lay motionless until a current caught him; then it was as if he were flying in the depths. Jesus, McCoy thought, Mother of God. He started saying the rosary over and over. McCoy had never been overly religious; his mom was the spiritual one in the family. But now he began the process of what he'd later call his purification; he'd started asking God to forgive him of his sins. He was resolved to live but he was getting ready to die. ~ Doug Stanton, #NFDB
181:You really think I’m pretty enough for a man to love?”
“You’re more than pretty enough.” He sounded embarrassed.
“Chris, remember when Momma told us that it was money that made the world go around and not love? Well, I think she’s wrong.”
“Yeah? Give that a bit more thought. Why can’t you have both?”
I gave it thought. Plenty of thought. I lay and stared up at the ceiling that was my dancing floor, and I mulled life and love over and over. And from every book I’d ever read, I took one wise bead of philosophy and strung them all into a rosary to believe in for the rest of my life.
Love, when it came and knocked on my door, was going to be enough.
And that unknown author who’d written that if you had fame, it was not enough, and if you had wealth as well, it was still not enough, and if you had fame, wealth, and also love . . . still it was not enough—boy, did I feel sorry for him. ~ V C Andrews,#NFDB
182:To A Nun
Please God, forsake your water and dry bread,
And fling the bitter cress you eat aside.
Put by your rosary. In Mary's name leave chanting creeds
To mildewing monks in Rome.
Spring's at work in gardens bright with sun,
Springtime's not made for living like a nun.
Your faith, my fairest lady, your religion,
Shows but a single face of love's medallion.
Slip on this ring and this green gown, these laces The wood is furnitured with resting places.
Hide in the birch tree's shade; upon your knees
Murmur the mass of cuckoos, litanies
Of spring's green foliage. There's no sacrilege
If we find heaven here against the hedge.
Remember Ovid's book and Ovid's truth There's such a thing as having too much faith.
Let us discover the shapes, the earthly signs,
Of our true selves, our souls, among the vines.
For surely God and all his saints above,
High in their other heaven, pardon love.
~ Anonymous,#NFDB
183:She had no need in her heart for either book or magazine. She had her own way of escape, her own passage into contentment: her rosary. That string of white beads, the tiny links worn in a dozen places and held together by strands of white thread which in turn broke regularly, was, bead for bead, her quiet flight out of the world. Hail Mary, full of grace, the Lord is with thee. And Maria began to climb. Bead for bead, life and living fell away. Hail Mary, Hail Mary. Dream without sleep encompassed her. Passion without flesh lulled her. Love without death crooned the melody of belief. She was away: she was free; she was no longer Maria, American or Italian, poor or rich, with or without electric washing machines and vacuum cleaners; here was the land of all-possessing. Hail Mary, Hail Mary, over and over, a thousand and a hundred thousand times, prayer upon prayer, the sleep of the body, the escape of the mind, the death of memory, the slipping away of pain, the deep silent reverie of belief. Hail Mary and Hail Mary. It was for this that she lived. ~ John Fante, #NFDB
184:Dr. Sigmund Freud Discovers The Sea Shell
Science, that simple saint, cannot be bothered
Figuring what anything is for:
Enough for her devotions that things are
And can be contemplated soon as gathered.
She knows how every living thing was fathered,
She calculates the climate of each star,
She counts the fish at sea, but cannot care
Why any one of them exists, fish, fire or feathered.
Why should she? Her religion is to tell
By rote her rosary of perfect answers.
Metaphysics she can leave to man:
She never wakes at night in heaven or hell
Staring at darkness. In her holy cell
There is no darkness ever: the pure candle
Burns, the beads drop briskly from her hand.
Who dares to offer Her the curled sea shell!
She will not touch it!--knows the world she sees
Is all the world there is! Her faith is perfect!
And still he offers the sea shell . . .
What surf
Of what far sea upon what unknown ground
Troubles forever with that asking sound?
What surge is this whose question never ceases?
~ Archibald MacLeish,#NFDB
185:Morning
GRAY-VESTED Dawn, with flameless, tranquil eye,
Cool hands, and dewy lips, is in the sky,
A sober nun, with starry rosary.
With eyes downcast and with uplifted palm,
She seems to whisper now her silent psalm;
Beneath her gaze the sleeping earth is calm.
Her prayer is ended, and she riseth slow,
And o'er the hills she quietly doth go,
Noiseless and gentle as the midnight snow.
Then suddenly the pale-east blushes red,
The flowers to see upraise a sleepy head,
The rosy colors deepen, grow, and spread.
A cool breeze whispers: 'She is coming now!'
And then the radiant colors burn and glow,
The white cast blushes over cheek and brow,
And glorious on the hills the Morning stands,
Her saffron hair back-blown from rosy bands,
And light and joy and fragrance in her hands.
Her foot has touched the hill-tops, and they shine;
She comes,— the willow rustles and the pine;
She smiles upon the fields a smile divine,
And all the earth smiles back; from mount to vale,
From oak to shuddering grass, from glen to dale,
Wet fields and flowers and glistening brooks cry 'Hail!'
~ Emma Lazarus,#NFDB
186:As we strolled into the hospital, I couldn’t help thinking about Maroon 5’s “Harder to Breathe” because I was having a difficult time staying calm. I had been kidnapped and beaten senseless by an agent of Lucifer, and yet the white coats the doctors wore scared me just as badly. The men who had taken me from my mother wore those same damned lab coats. Every time I saw one, it awakened a dormant fear inside me—fear that I’d be dragged away from someone I loved again, fear that I’d be placed into the waiting hands of another horrible person. It would never truly go away.
Michael’s shoulder bumped mine, which shook me out of my thoughts. I glanced at him. “What?”
“You’re frowning.”
“Am I supposed to be smiling right now?”
He faced forward, looking at our reflection in the elevator doors. “No, but you look like you’re about to bolt at any second.”
I watched the digital numbers change one by one as we rose up to the right floor, fiddling with the rosary in the pocket of my leather jacket. Somehow, the beads had a calming effect on me. “I’m fine.”
“Hard ass.”
A tiny smirk touched my lips. “Stop thinking about my butt. You’re an archangel.”
He grinned, but didn’t reply. ~ Kyoko M,#NFDB
187:Her departure left no traces but were speedily repaired by the coming of spring. The sun growing warmer, and the close season putting an end to the Marquess's hunting, it was now Odo's chief pleasure to carry his books to the walled garden between the castle and the southern face of the cliff. This small enclosure, probably a survival of medieval horticulture, had along the upper ledge of its wall a grass walk commanding the flow of the stream, and an angle turret that turned one slit to the valley, the other to the garden lying below like a tranquil well of scent and brightness: its box trees clipped to the shape of peacocks and lions, its clove pinks and simples set in a border of thrift, and a pear tree basking on its sunny wall. These pleasant spaces, which Odo had to himself save when the canonesses walked there to recite their rosary, he peopled with the knights and ladies of the novelle, and the fantastic beings of Pulci's epic: there walked the Fay Morgana, Regulus the loyal knight, the giant Morgante, Trajan the just Emperor and the proud figure of King Conrad; so that, escaping thither from the after-dinner dullness of the tapestry parlour, the boy seemed to pass from the most oppressive solitude to a world of warmth and fellowship. ~ Edith Wharton, #NFDB
188:To me, the best part about opening yourself up to hearing from Spirit is that you can do it just by being yourself. You don’t need tarot cards or crystals. You don’t even need to hold or wear an object with your family member’s energy, like a lot of people think. When I mention a necklace or ring during a session that you’ve brought with you, it’s not because I’m drawn to that energy like a magnet. It’s because Spirit tells me to reference it. In fact, I once did a phone reading for a woman who had a lot of female energy around her that had passed on, including a mom, grandmother, aunt, and cousin. She also had a grandfather and father on the Other Side. Anyway, Spirit showed me a picture I have of Victoria, wearing the most random clothes—a baseball cap, sunglasses, Rug Rat pajamas, holding the pet parakeet that Gram got her, and Mardi Gras beads. So I said, “This is going to sound bizarre, but I feel like you’re wearing a strange mix of items: pajamas, a silk scarf, a man’s hat, gloves, rosary beads, and jewelry that doesn’t match. Are you wearing an article from every dead person you want to hear from?” There was total silence on the phone. I think she was a little embarrassed, but I have to admit that I was actually relieved she didn’t dress like that all the time! ~ Theresa Caputo, #NFDB
189:The Dervish
Schemas and schedules. The price
or the worth? Chant of recalcitrance
from solitary sandstone minaret
protruding from the promenade
patched with bikini girl billboards. This
modernity, fringed, at times punctured
by the intransigent "Real"-the hidden
conspiring to cause havoc? Strategies
and methodologies; scaffolding
and Content-Based Instruction: chains
to contain the "backward" menace
of veiled women and rosary-fiddling
unemployed, unshaven men. This
modernity-an intensive course designed
by squadrons of directors-shivers. Manuals
and handbooks; policies and procedures
can't abate the horror of the superstitious.
Regulations are no match for religion
in spite of the sheen of Ataturk's wellingtons
or the threat of Uncle Sam's bombbearing promulgations. The fear of
an incipient blotch of black Islamic ink
creeping from the centre of the fabric
of the secularists' fantasy flag, can it be
***
assuaged by probation and invigilation;
75
supervision and castigation? Utterly exhausted
I forget why I'm paying for "progress"
with my freedom. Ah, how joyous
the howl of someone praising something
called Allah; this soothing, primitive growl.
~ Ali Alizadeh,#NFDB
190:The Blossoming Of Love Is Strange And Wondrous
The blossoming of love is strange and wondrous!
When I acquired the knowledge of love,
I dreaded the mosque.
I fled to my lord’s dwelling,
Where a thousand sounds reverberate.
When love revealed its mystery to me,
The parroted words vanished.
Inside and out, I was cleansed.
I saw my beloved wherever I looked.
Heer and Ranjha are already one.
But Heer, deluded, still searches the woods.
Her Ranjha is with her,
And she doesn’t even know it.
I am tired of reading the Vedas and the Koran!
Obeisance has only abraded my forehead .
God was not in Mecca, nor any holy place.
But who ever found him became brightly illuminated.
Burn the prayer rug, break the clay pot,
Divest yourself of rosary, bowl and staff.
Those who love proclaim repeatedly and loudly,
‘Eat the forbidden! Forsake halaal!’
You have spent your life in the mosque,
Your heart still filled with filth.
Not once did you declare that god is one!
What is the point of making this racket now?
Your devotion was loveless.
Now your protestations are worthless.
Bulla says, I would have remained silent,
It is love that compels me to speak forcefully.
The blossoming of love is strange and wonderful
43
~ Bulleh Shah,#NFDB
191:The night wind whispered, rattling the bark on the roof. She strained her ears. A footstep? A rustle of leather? She set her rosary aside and crawled to the window. Silver light shifted in the swaying trees along the river, and she felt a cool breeze.
Oh, Lordy, her pantalets were gone!
She clutched the sill and eased her head through the square. What she saw didn’t surprise her. Hunter sat astride his horse, right out in the open, bold and challenging. The wind caught his hair, whipping it about his carved features. He lifted a powerfully muscled arm to her in silent salute, his fist clutching her wet drawers. For several endless seconds they stared at one another, then he wheeled his horse, his arm still held high, her ruffled underwear fluttering like a flag of glory behind him. Loretta watched long after he rode from sight.
I’m dreaming. He wasn’t really there. I’ve just been dreaming. She had nearly convinced herself when her gaze fell to the edge of the roof. Where was her bowl? Had the heathen lowlife swiped that as well? Then she spotted it sitting under the window. She knew then that the Comanche had been there and had stared at her while she dreamed of him. She couldn’t make herself touch the bowl. He had touched it. Oh, mercy. And now he had her drawers. Had he spied on her while she bathed? The thought made her feel naked as sin. ~ Catherine Anderson,#NFDB
192:We should tell her,” Cass whispered, once Siena had disappeared.
“What reason do we have to tell anyone? I’m still wishing you hadn’t told me.”
“She might be able to help,” Cass said in a low voice. “When it comes to the goings-on of Venice, the servants know almost as much as the Senate. Maybe more.” She craned her neck to peer through the doorway. The dark had seemingly swallowed Siena whole. “And, if we don’t tell her, she’s going to think you and I are…”
Falco smirked. “We couldn’t have that now, could we? Lord knows I don’t want to give the woman reason to attack me again.” He touched the crown of his head gingerly and winced. “But what makes you think we can trust her?”
Cass had to look away when Falco took God’s name in vain. How could he do that so casually? Her fingers went to her waist, but she’d already removed her rosary for the night. She’d say a prayer for him later, she decided. “She covered for me last night. She didn’t tell Agnese I’d snuck out.”
A smile played at Falco’s lips. He brushed an unruly lock of Cass’s hair back from the left side of her face. “How did you manage to get caught in the first place?” he asked.
“Long story.” Cass still hadn’t found his nude drawing, and she didn’t want to confess to having lost it. She hoped it would turn up before Agnese got back. If the old woman found it, she might keel over on the spot. ~ Fiona Paul,#NFDB
193:So to avoid the twin dangers of nostalgia and despairing bitterness, I'll just say that in Cartagena we'd spend a whole month of happiness, and sometimes even a month and a half, or even longer, going out in Uncle Rafa's motorboat, La Fiorella, to Bocachica to collect seashells and eat fried fish with plantain chips and cassava, and to the Rosary Islands, where I tried lobster, or to the beach at Bocagrande, or walking to the pool at the Caribe Hotel, until we were mildly burned on our shoulders, which after a few days started peeling and turned freckly forever, or playing football with my cousins, in the little park opposite Bocagrande Church, or tennis in the Cartagena Club or ping-pong in their house, or going for bike rides, or swimming under the little nameless waterfalls along the coast, or making the most of the rain and the drowsiness of siesta time to read the complete works of Agatha Christie or the fascinating novels of Ayn Rand (I remember confusing the antics of the architect protagonist of The Fountainhead with those of my uncle Rafael), or Pearl S. Buck's interminable sagas, in cool hammocks strung up in the shade on the terrace of the house, with a view of the sea, drinking Kola Roman, eating Chinese empanadas on Sundays, coconut rice with red snapper on Mondays, Syrian-Lebanese kibbeh on Wednesdays, sirloin steak on Fridays and, my favourite, egg arepas on Saturday mornings, piping hot and brought fresh from a nearby village, Luruaco, where they had the best recipe. ~ H ctor Abad Faciolince, #NFDB
194:Nuns Of The Perpetual Adoration
Calm, sad, secure; behind high convent walls,
These watch the sacred lamp, these watch and pray:
And it is one with them when evening falls,
And one with them the cold return of day.
These heed not time; their nights and days they make
Into a long returning rosary,
Whereon their lives are threaded for Christ's sake;
Meekness and vigilance and chastity.
A vowed patrol, in silent companies,
Life-long they keep before the living Christ.
In the dim church, their prayers and penances
Are fragrant incense to the Sacrificed.
Outside, the world is wild and passionate;
Man's weary laughter and his sick despair
Entreat at their impenetrable gate:
They heed no voices in their dream of prayer.
They saw the glory of the world displayed;
They saw the bitter of it, and the sweet;
They knew the roses of the world should fade,
And be trod under by the hurrying feet.
Therefore they rather put away desire,
And crossed their hands and came to sanctuary
And veiled their heads and put on coarse attire:
Because their comeliness was vanity.
And there they rest; they have serene insight
Of the illuminating dawn to be:
Mary's sweet Star dispels for them the night,
The proper darkness of humanity.
Calm, sad, secure; with faces worn and mild:
Surely their choice of vigil is the best?
Yea! for our roses fade, the world is wild;
But there, beside the altar, there is rest.
48
~ Ernest Christopher Dowson,#NFDB
195:When he demanded gold, the Indians brought him copper, and when he demanded silver, they brought him silvery mica, which they mined in the North Carolina mountains, in sheets up to three feet wide and three feet long. De Soto found little precious metal, but an abundance of pearls, especially in the mortuary temples. In one town alone his expedition found 25,000 pounds of pearls. The mortuary temples of the people of Cutifachiqui astounded the Spaniards, who had already seen the cathedrals of Spain, the mosques and fountains of the Arabs, the palace of Montezuma in Mexico, and the gold ransom of Atahualpa in Peru. Outside the massive doors into the temple that housed the pearls, twelve wooden giants stood guard. The huge figures held over their heads massive clubs covered with strips of copper and studded with what appeared to the Spaniards to be diamonds, but may have been mica chips. The Indians had decorated the roof of one temple with pearls and feathers so that it looked to the Spaniards like a building from a fairy tale. Along the sides of the roof, pearls had been suspended from threads so thin that the pearls seemed to be floating in the air around the temple. Inside the temples the Spaniards saw rows of chests, each filled with pearls of uniform size. The Spaniards could not carry all the pearls, but they selected out the best ones for themselves. Ironically, even though De Soto’s expedition was the first into the area, his men also found in the temple some European trade goods—glass, cheap beads, and a rosary—indicating ~ Jack Weatherford, #NFDB
196:Feeling The Draft
We were young and it was an accomplishment
to have a body. No one said this. No one
said much beyond “throw me that sky” or
“can the lake sleep over?” The lake could not.
The lake was sent home and I ate too many
beets, went around with beet-blood tongue
worrying about my draft card-burning brother
going to war. Other brothers became holes
at first base at war, then a few holes
Harleying back from war in their always
it seemed green jackets with pockets galore
and flaps for I wondered bullets, I wondered
how to worship these giants. None of them
wanted to talk to me or anyone it seemed
but the river or certain un-helmeted curves
at high speed, I had my body
and flung it over branches and fences
toward my coming sullenness as the gravity
of girls’ hips began and my brother
marched off to march against the war.
I watched different masses of bodies on TV,
people saying no to the jungle with grenades
and people saying no to the grenades with signs
and my father saying no to all of them
with the grinding of his teeth he spoke with.
I’d pedal after the nos up and down a hill
like it was somehow a rosary, somehow my body
was a prayer I could chant by letting it loose
with others like me milling around
the everything below five feet tall
that was ours, the everything below
the adult line of sight that was ours
to hold as long as we could: a year,
a summer. Until the quarterback came back
without . . . well, without. When the next Adonis
stepped up to throw the bomb.
~ Bob Hicok,#NFDB
197:Litany
This is a litany of lost things,
a canon of possessions dispossessed,
a photograph, an old address, a key.
It is a list of words to memorize
or to forget–of amo, amas, amat,
the conjugations of a dead tongue
in which the final sentence has been spoken.
This is the liturgy of rain,
falling on mountain, field, and ocean–
indifferent, anonymous, complete–
of water infinitesimally slow,
sifting through rock, pooling in darkness,
gathering in springs, then rising without our agency,
only to dissolve in mist or cloud or dew.
This is a prayer to unbelief,
to candles guttering and darkness undivided,
to incense drifting into emptiness.
It is the smile of a stone Madonna
and the silent fury of the consecrated wine,
a benediction on the death of a young god,
brave and beautiful, rotting on a tree.
This is a litany to earth and ashes,
to the dust of roads and vacant rooms,
to the fine silt circling in a shaft of sun,
settling indifferently on books and beds.
This is a prayer to praise what we become,
'Dust thou art, to dust thou shalt return.'
Savor its taste–the bitterness of earth and ashes.
This is a prayer, inchoate and unfinished,
for you, my love, my loss, my lesion,
a rosary of words to count out time's
illusions, all the minutes, hours, days
the calendar compounds as if the past
existed somewhere–like an inheritance
still waiting to be claimed.
10
Until at last it is our litany, mon vieux,
my reader, my voyeur, as if the mist
steaming from the gorge, this pure paradox,
the shattered river rising as it falls–
splintering the light, swirling it skyward,
neither transparent nor opaque but luminous,
even as it vanishes–were not our life.
~ Dana Gioia,#NFDB
198:It's ironic that Juanita has come into this place in a low-tech, black-and-white
avatar. She was the one who figured out a way to make avatars show something
close to real emotion. That is a fact Hiro has never forgotten, because she did
most of her work when they were together, and whenever an avatar looks surprised
or angry or passionate in the Metaverse, he sees an echo of himself or Juanita -
- the Adam and Eve of the Metaverse. Makes it hard to forget.
Shortly after Juanita and Da5id got divorced, The Black Sun really took off.
And once they got done counting their money, marketing the spinoffs, soaking up
the adulation of others in the hacker community, they all came to the
realization that what made this place a success was not the collision-avoidance
algorithms or the bouncer daemons or any of that other stuff. It was Juanita's
faces. Just ask the businessmen in the Nipponese Quadrant. They come here to
talk turkey with suits from around the world, and they consider it just as good
as a face-to-face. They more or less ignore what is being said -- a lot gets
lost in translation, after all. They pay attention to the facial expressions
and body language of the people they are talking to. And that's how they know
what's going on inside a person's head-by condensing fact from the vapor of
nuance.
Juanita refused to analyze this process, insisted that it was something
ineffable, something you couldn't explain with words. A radical, rosary-toting
Catholic, she has no problem with that kind of thing. But the bitheads didn't
like it. Said it was irrational mysticism. So she quit and took a job with
some Nipponese company. They don't have any problem with irrational mysticism
as long as it makes money.
But Juanita never comes to The Black Sun anymore. Partly, she's pissed at Da5id
and the other hackers who never appreciated her work. But she has also decided
that the whole thing is bogus. That no matter how good it is, the Metaverse is
distorting the way people talk to each other, and she wants no such distortion
in her relationships. ~ Neal Stephenson,#NFDB
199:You should be more careful, you know.”
Cass opened her mouth but no words came out. Again, she felt her stays crushing down on her chest. “Careful?” she managed to croak. “You’re the one who knocked me over.”
“I couldn’t resist,” he said, and he actually had the nerve to wink at her. “It’s not often I get the chance to put my hands on such a beautiful woman.”
Cass stared at him, speechless. Without another word, he turned away and followed the group of laughing artists into a crowded campo, his muscular form disappearing among merchants’ sacks of cabbages and potatoes. The scene blurred a little, like a painting, and for a second Cass wondered if maybe she had hit her head and had imagined the whole exchange.
Liviana’s uncle Pietro materialized suddenly by her side, followed by Madalena. “What were you thinking, running off by yourself?” Pietro frowned severely. “And that common street thug put his hands on you! Do you want me to go after him?”
“No, no,” Cass said quickly. “It was just an accident.” Still, the nerve of the boy to tell her to be careful. He, clearly, was the one who needed to watch where he was going.
“Your dress!” Madalena reached toward Cass, but stopped short of touching the soiled fabric. “You must be furious.”
Cass looked down at her soggy gown. Even the rosary hanging from her belt had gotten dirty. Cass wiped the coral and rosewood crucifix clean in the folds of her skirt. The dress was obviously ruined, but she had always found it a bit uncomfortable, and she had plenty of others.
“You’re lucky you weren’t hurt,” Liviana’s uncle said sternly. “I hope that teaches you not to wander the streets unaccompanied again.”
“Who was he?” Madalena asked in a whisper as Cass allowed her to take her arm and lead her back to the church.
“No idea.” Cass realized she was trembling. Her heart thudded against the walls of her rib cage. The sting in her palm was already fading to a dull throb, but she couldn’t stop thinking about the boy’s devilish smile, or the feeling of his hands on her. Mostly, she couldn’t shake the image of those bright blue eyes that just for a second had gazed at her so intensely, in a way no one had ever looked at her before. ~ Fiona Paul,#NFDB
200:Verbal Whips
1.
Still applying tilak1 have turned fifty-three
and worn out are the holes of the rosary.
Exhausted are feet from pilgrimage
but not seen yet the Lord's visage.
Hearing religious discourses ears burst
Akha, received no enlightenment yet.
2.
Such was the habit of a dunce
worshipped as many gods as stones.
Would start bathing at water's sight
pluck leaves on seeing tulsi plant2.
This talk of countless gods from whence?
That Akha, is the chief menace.
3.
A fire has erupted in the city what danger to those that fly?
Rats poor things make such noise
since no power to fly have those.
What birth's fear Akha have the wise
whose experience-wing spans the skies?
4.
Trust not the talk of a big-wig
its like drum-beat in a desolate place.
Like sesame seed mingled with kodara grain
the blind congregate in darkness.
Can't cook gruel nor cook dhani3
says Akha I now fully realize this.
5.
Blind man and his veiled daughter-in-law
such set out for a religious discourse.
Hearing was disconnected from preaching
like eyeliner for eyes rubbed on cheek.
Like a deep well and leaking pail
learning-listening was all worthless.
6.
Body's vanity weighed a quarter seer4
on getting education it quadrupled to a seer.
During scholarly dispute turned heavier
on becoming a preceptor, weighed much greater.
Akha, if from chaff weight is thus got
then one loses all self-insight.
7.
Wherever one looks one sees deceivers
like owls squatting opposite one another.
If one raises the sun's topic
the others oppose raising their beak:
‘In darkness we spent a thousand years
how did you turn so wise O youngster? '
Akha, the big people are of such sort
they discard diamond and pick up rock.
8.
As the hunter hides behind foliage
to seize beasts that are unwary
so sheltering behind the Lord are cheats
for gold and women they play their tricks.
Akha, how can a guru ferry you across
whose mentor is a potter and pupils are asses?
[Note:
1 An auspicious mark made on the forehead by the religiously inclined.
2 Basil
3 Roasted grain
4 A seer is about a kilo]
~ Akha Bhagat,#NFDB
201:The Unloved
These are the women whom no man has loved.
Year after year, day after day has moved.
These hearts with many longings, and with tears,
And with content; they have received the years
With empty hands, expecting no good thing;
Life has passed by their doors, not entering.
In solitude, and without vain desire,
They have warmed themselves beside a lonely fire;
And, without scorn, beheld as in a glass
The blown and painted leaves of Beauty pass.
Their souls have been made fragrant with the spice
Of costly virtues lit for sacrifice;
They have accepted life, the unpaid debt,
And looked for no vain day of reckoning. Yet
They too in certain windless summer hours
Have felt the stir of dreams, and dreamed the powers
And the exemptions and the miracles
And the cruelty of Beauty. Citadels
Of many-walled and deeply-moated hearts
Have suddenly surrendered to the arts
Of so compelling magic; entering,
They have esteemed it but a little thing
To have won so great a conquest; and with haste
They have cast down, and utterly laid waste,
Tower upon tower, and sapped their roots with flame;
And passed on that eternity of shame
Which is the way of Beauty on the earth.
And they have shaken laughter from its mirth,
To be a sound of trumpets and of horns
Crying the battle-cry of those red morns
Against a sky of triumph. On some nights
Of delicate Springtide, when the hesitant lights
Begin to fade, and glimmer, and grow warm,
And all the softening air is quick with storm,
And the ardours of the young year, entering in,
Flush the grey earth with buds; when trees begin
To feel a trouble mounting from their roots,
And all their green life blossoming into shoots,
They too, in some obscure, unblossoming strife,
124
Have felt the stirring of the sap of life.
And they have wept, with bowed heads; in the street
They hear the twittering of little feet,
The rocking of the cradles in their hearts.
This is a mood, and, as a mood, departs
With the dried tears; and they resume the tale
Of the dropt stitches; these must never fail
For a dream's sake; nor, for a memory,
The telling of a patient rosary.
~ Arthur Symons,#NFDB
202:1.
No, no! go not to Lethe, neither twist
Wolf's-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kissed
By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
Nor let the beetle nor the death-moth be
Your mournful Psyche, nor the downy owl
A partner in your sorrow's mysteries;
For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul.
2.
But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes.
3.
She dwells with Beauty Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips;
Ay, in the very temple of delight
Veiled Melancholy has her sovran shrine,
Though seen of none save him whose strenuous
tongue
Can burst Joy's grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung.
'Lord Houghton gives the following stanza as the intended opening of the Ode, from the original manuscript:
Though you should build a bark of dead men's bones,
And rear a phantom gibbet for a mast,
Stitch shrouds together for a sail, with groans
To fill it out, blood-stained and aghast;
Although your rudder be a dragon's tail
Long sever'd, yet still hard with agony,
Your cordage large uprootings from the skull
Of bald Medusa, certes you would fail
To find the Melancholy -- whether she
Dreameth in any isle of Lethe dull.
His Lordship adds -- "But no sooner was this written, than the poet became conscious that the coarseness of the contrast would destroy the general effect of luxurious tenderness which it was the object of the poem to produce, and he confined the gross notion of Melancholy to less violent images,..."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode On Melancholy
,#NFDB
203:Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever? ~ Jack Kerouac, #NFDB
204:Each of our actions, our words, our attitudes is cut off from the ‘world,’ from the people who have not directly perceived it, by a medium the permeability of which is of infinite variation and remains unknown to ourselves; having learned by experience that some important utterance which we eagerly hoped would be disseminated … has found itself, often simply on account of our anxiety, immediately hidden under a bushel, how immeasurably less do we suppose that some tiny word, which we ourselves have forgotten, or else a word never uttered by us but formed on its course by the imperfect refraction of a different word, can be transported without ever halting for any obstacle to infinite distances … and succeed in diverting at our expense the banquet of the gods. What we actually recall of our conduct remains unknown to our nearest neighbor; what we have forgotten that we ever said, or indeed what we never did say, flies to provoke hilarity even in another planet, and the image that other people form of our actions and behavior is no more like that which we form of them ourselves, than is like an original drawing a spoiled copy in which, at one point, for a black line, we find an empty gap, and for a blank space an unaccountable contour. It may be, all the same, that what has not been transcribed is some non-existent feature, which we behold, merely in our purblind self-esteem, and that what seems to us added is indeed a part of ourselves, but so essential a part as to have escaped our notice. So that this strange print which seems to us to have so little resemblance to ourselves bears sometimes the same stamp of truth, scarcely flattering, indeed, but profound and useful, as a photograph taken by X-rays. Not that that is any reason why we should recognize ourselves in it. A man who is in the habit of smiling in the glass at his handsome face and stalwart figure, if you show him their radiograph, will have, face to face with that rosary of bones, labeled as being the image of himself, the same suspicion of error as the visitor to an art gallery who, on coming to the portrait of a girl, reads in his catalogue: “Dromedary resting.” Later on, this discrepancy between our portraits, according as it was our own hand that drew them or another, I was to register in the case of others than myself, living placidly in the midst of a collection of photographs which they themselves had taken while round about them grinned frightful faces, invisible to them as a rule, but plunging them in stupor if an accident were to reveal them with the warning: “This is you. ~ Marcel Proust, #NFDB
205:For The Year Of The Insane
A prayer
O Mary, fragile mother,
hear me, hear me now
although I do not know your words.
The black rosary with its silver Christ
lies unblessed in my hand
for I am the unbeliever.
Each bead is round and hard between my fingers,
a small black angel.
O Mary, permit me this grace,
this crossing over,
although I am ugly,
submerged in my own past
and my own madness.
Although there are chairs
I lie on the floor.
Only my hands are alive,
touching beads.
Word for word, I stumble.
A beginner, I feel your mouth touch mine.
I count beads as waves,
hammering in upon me.
I am ill at their numbers,
sick, sick in the summer heat
and the window above me
is my only listener, my awkward being.
She is a large taker, a soother.
The giver of breath
she murmurs,
exhaling her wide lung like an enormous fish.
Closer and closer
comes the hour of my death
as I rearrange my face, grow back,
grow undeveloped and straight-haired.
All this is death.
In the mind there is a thin alley called death
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and I move through it as
through water.
My body is useless.
It lies, curled like a dog on the carpet.
It has given up.
There are no words here except the half-learned,
the Hail Mary and the full of grace.
Now I have entered the year without words.
I note the queer entrance and the exact voltage.
Without words they exist.
Without words on my touch bread
and be handed bread
and make no sound.
O Mary, tender physician,
come with powders and herbs
for I am in the center.
It is very small and the air is gray
as in a steam house.
I am handed wine as a child is handed milk.
It is presented in a delicate glass
with a round bowl and a thin lip.
The wine itself is pitch-colored, musty and secret.
The glass rises in its own toward my mouth
and I notice this and understand this
only because it has happened.
I have this fear of coughing
but I do not speak,
a fear of rain, a fear of the horseman
who comes riding into my mouth.
The glass tilts in on its own
and I amon fire.
I see two thin streaks burn down my chin.
I see myself as one would see another.
I have been cut int two.
O Mary, open your eyelids.
I am in the domain of silence,
the kingdom of the crazy and the sleeper.
There is blood here.
and I haven't eaten it.
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O mother of the womb,
did I come for blood alone?
O little mother,
I am in my own mind.
I am locked in the wrong house.
~ Anne Sexton,#NFDB
206:Where were you on the night of March 7?" Typical detective stuff you hear on television all the time. It's so phony. I hate it. Most people can't remember where they were three nights ago much less on a particular date. I know I can't.
The times you remember are the ones you're supposed to: Christmas Day, the Fourth of July, your birthday. As you get older and occasionally look back, even those days drift together into one small blob of memories.
But you always remember the first time and the last. You remember your first day of school and the last. You remember the first time you went to the show by yourself and the last time you saw your grandfather. The first time you made love.
Most of the nights of my life have passed by barely noticed, like the black squares of rosary beads slipping through the wrinkled fingers in the last pew. But later, when I've looked back, I've realized that a few ink colored seeds have taken root in my mind and have grown into oaken strength.
My dreams drift back and nestle in their branches. If those nights were suddenly not to be, I, who had come to lean on them, to relish those few surviving leaves of a young autumn that has passed and will not come again, would not know where I'd been. And I'd wonder, even more so, if there was anywhere to go.
Every Chicago winter delivers four gray weeks, with rare spots of sunshine that are apparently the flipside of hell. Teeth bared, the wind comes snarling off the lake with every intention of shredding the skin off your face. Numb since November, hands can no longer tell or care if they are wearing gloves. Snowmen, offsprings of childhood enthusiasm, are rarely born during these weeks.
Along with the human spirit, the temperature continues to plummet. The ground is smothered by aging layers of ice and snow. Looking at a magazine ad, you see a vaguely familiar blanket of green. Squinting back through months of brown snow, salt-marked shoes, running noses, icy railings, slippery sidewalks, and smoking sewers, you try to recall the feeling of grass.
February is four weeks of hanging onto the ropes, waiting to be saved from a knockout by the bell of spring.
One year, I was invited to Engrim University's President's Ball, which was to be held on the first Saturday in February.
I don't know why I was invited. Most of the students who received invitations were involved in a number of extracurricular activities; they participated in student government, belonged to various clubs, were presidents of fraternities or sororities, were doing extremely well academically or were, in some other way, pleasing the gods. I was never late with my tuition payments. Maybe that was it. Regardless, the President's Ball was to be held in the main ballroom of one of Chicago's swankiest hotels. I thought it was an excellent opportunity to impress Sarah with my importance.
A light snowfall was dotting the night air when ~ John R Powers,#NFDB
207:The town is old and very steep
A place of bells and cloisters and grey towers,
And black-clad people walking in their sleep—
A nun, a priest, a woman taking flowers
To her new grave; and watched from end to end
By the great Church above, through the still hours:
But in the morning and the early dark
The children wake to dart from doors and call
Down the wide, crooked street, where, at the bend,
Before it climbs up to the park,
Ken's is in the gabled house facing the Castle wall.
When first I came upon him there
Suddenly, on the half-lit stair,
I think I hardly found a trace
Of likeness to a human face
In his. And I said then
If in His image God made men,
Some other must have made poor Ken—
But for his eyes which looked at you
As two red, wounded stars might do.
He scarcely spoke, you scarcely heard,
His voice broke off in little jars
To tears sometimes. An uncouth bird
He seemed as he ploughed up the street,
Groping, with knarred, high-lifted feet
And arms thrust out as if to beat
Always against a threat of bars.
And oftener than not there'd be
A child just higher than his knee
Trotting beside him. Through his dim
Long twilight this, at least, shone clear,
That all the children and the deer,
Whom every day he went to see
Out in the park, belonged to him.
"God help the folk that next him sits
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He fidgets so, with his poor wits,"
The neighbours said on Sunday nights
When he would go to Church to "see the lights!"
Although for these he used to fix
His eyes upon a crucifix
In a dark corner, staring on
Till everybody else had gone.
And sometimes, in his evil fits,
You could not move him from his chair—
You did not look at him as he sat there,
Biting his rosary to bits.
While pointing to the Christ he tried to say,
"Take it away".
Nothing was dead:
He said "a bird" if he picked up a broken wing,
A perished leaf or any such thing
Was just "a rose"; and once when I had said
He must not stand and knock there any more,
He left a twig on the mat outside my door.
Not long ago
The last thrush stiffened in the snow,
While black against a sullen sky
The sighing pines stood by.
But now the wind has left our rattled pane
To flutter the hedge-sparrow's wing,
The birches in the wood are red again
And only yesterday
The larks went up a little way to sing
What lovers say
Who loiter in the lanes to-day;
The buds begin to talk of May
With learned rooks on city trees,
And if God please
With all of these
We, too, shall see another Spring.
But in that red brick barn upon the hill
I wonder—can one own the deer,
And does one walk with children still
As one did here?
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Do roses grow
Beneath those twenty windows in a row—
And if some night
When you have not seen any light
They cannot move you from your chair
What happens there?
I do not know.
So, when they took
Ken to that place, I did not look
After he called and turned on me
His eyes. These I shall see—
~ Charlotte Mary Mew,#NFDB
208:Ode to the Beloved’s Hips"
Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.
O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.
They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.
Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.
More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.
At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.
O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.
Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer. ~ Natalie D az,#NFDB
209:So, you put in a no-show for the turkey,” Sean said. “What’s up with that? You’re stateside, you’re not that far away….” “I have things to do here, Sean,” he said. “And I explained to Mother—I can’t leave Art and I can’t take him on a trip.” “So I heard. And that’s your only reason?” “What else?” “Oh, I don’t know,” he said, as if he did know what else. “Well then, you’ll be real happy to hear this—I’m bringing Mother to Virgin River for Thanksgiving.” Luke was dead silent for a moment. “What!” Luke nearly shouted into the phone. “Why the hell would you do that?” “Because you won’t come to Phoenix. And she’d like to see this property you’re working on. And the helper. And the girl.” “You aren’t doing this to me,” Luke said in a threatening tone. “Tell me you aren’t doing this to me!” “Yeah, since you can’t make it to Mom’s, we’re coming to you. I thought that would make you sooo happy,” he added with a chuckle in his voice. “Oh God,” he said. “I don’t have room for you. There’s not a hotel in town.” “You lying sack of shit. You have room. You have two extra bedrooms and six cabins you’ve been working on for three months. But if it turns out you’re telling the truth, there’s a motel in Fortuna that has some room. As long as Mom has the good bed in the house, clean sheets and no rats, everything will be fine.” “Good. You come,” Luke said. “And then I’m going to kill you.” “What’s the matter? You don’t want Mom to meet the girl? The helper?” “I’m going to tear your limbs off before you die!” But Sean laughed. “Mom and I will be there Tuesday afternoon. Buy a big turkey, huh?” Luke was paralyzed for a moment. Silent and brooding. He had lived a pretty wild life, excepting that couple of years with Felicia, when he’d been temporarily domesticated. He’d flown helicopters in combat and played it loose with the ladies, taking whatever was consensually offered. His bachelorhood was on the adventurous side. His brothers were exactly like him; maybe like their father before them, who hadn’t married until the age of thirty-two. Not exactly ancient, but for the generation before theirs, a little mature to begin a family of five sons. They were frisky Irish males. They all had taken on a lot: dared much, had no regrets, moved fast. But one thing none of them had ever done was have a woman who was not a wife in bed with them under the same roof with their mother. “I’m thirty-eight years old and I’ve been to war four times,” he said to himself, pacing in his small living room, rubbing a hand across the back of his neck. “This is my house and she is a guest. She can disapprove all she wants, work her rosary until she has blisters on her hands, but this is not up to her.” Okay, then she’ll tell everything, was his next thought. Every little thing about me from the time I was five, every young lady she’d had high hopes for, every indiscretion, my night in jail, my very naked fling with the high-school vice-principal’s daughter…. Everything from speeding tickets to romances. Because that’s the way the typical dysfunctional Irish family worked—they bartered in secrets. He could either behave the way his mother expected, which she considered proper and gentlemanly and he considered tight-assed and useless, or he could throw caution to the wind, do things his way, and explain all his mother’s stories to Shelby later. ~ Robyn Carr, #NFDB
210:Au Revoir
That morn our hearts were like artesian wells,
Both deep and calm, and brimming with pure love.
And in each one, like to an April day,
Truth smiled and wept, while Courage wound his horn,
Dispatching echoes that are whispering still
Through all the vacant chambers of our souls;
While Sorrow sat with drooped and aimless wing,
Within the solitary fane of thought.
We wished some warlike Joshua were there
To make the sun stand still, or to put back
The dial to the brighter side of time.
A cloud hung over Couchiching; a cloud
Eclipsed the merry sunshine of our hearts.
We needed no philosopher to teach
That laughter is not always born of joy.
'All's for the best,' the fair Eliza said;
And we derived new courage from her lips,
That spake the maxim of her trusting heart.
We even smiled, at some portentous sign
That signified-well, if it turn out true,
Then, I'll believe it. Heaven works in signs
More parting words, more lingering farewells,
Pressure of hands, and thrilling touch of lips,
A waving of white handkerchiefs, and Love
Grew prayerful, and knelt down, and wept
His scattered rosary of human hearts.
Soon looking back, we saw where Ramah lay;
Cold, wan, and cheerless as the race it holds.
And as we neared the Lake the sun came forth,
As tardily as if the sluggard day
Had slept more soundly for the piping storm,
That, veering round, had flung its challenge out
In sullen menace to the western sky,
Now black with clouds. A flash, a muffled roll
Of elemental passion, broke the spell,
And down on Simcoe fell the sudden rain,
Veiling the gloomy landscape from our sight.
Throughout the changeful day, alternate cloud
11
And sunshine left their traces on our hearts,
Until the evening reared its dreamy piles
Of cloud-built chateaux steeped in gorgeous tints,
That from celestial censers are outpoured
When the grand miracle of sunset draws
Our souls, all yearning with a joy divine,
To share the fleeting glory, ere it goes
To glean new splendors for the ruby morn.
'Tis ever thus with true impassioned love;
Love's sun, like that of day, may set, and set,
It hath as bright a rising in the morn.
True love has no gray hairs; his golden looks
Can never whiten with the snows of time.
Sorrow lies drear on many a youthful heart,
Like snow upon the evergreens; but love
Can gather sweetest honey by the way,
E'en from the carcass of some prostrate grief.
We have been spoiled with blessings. Though the world
Holds nothing dearer than the hope that's fled,
God ever opens up new founts of blissSpiritual Bethsaidas where the soul
Can wash the earth-stains from its fevered loins.
We carve our sorrows on the face of joy,
Reversing the true image; we are weak
Where strength is needed most, and most is given.
Thus musing, as they chatted in the train,
The whistle broke my reverie, as one
Might be awakened from a truthful dream.
The city gas-lights flashed into our eyes;
And we, half-shrinking from the glare and din,
Thought but of two more partings on the morn,
When Love should be enfettered, hand and foot,
For the long aeon of a human year.
~ Charles Sangster,#NFDB
211:I'M Going Together With Jogi
Going to Makkah is not the ultimate
Even if hundreds of prayers are offered
Going to River Ganges is not the ultimate
Even if hundreds of cleansing (Baptisms) are done
Going to Gaya is not the ultimate
Even if hundreds of worships are done
~ Bulleh Shah
the ultimate is
When the "I" is removed from the heart
[He] Read a lot and became a scholar
But [he] never read himself
[He] goes enters into the temple & mosque
But [he] never entered into his own heart
He fights with the devil every day for nothing
He never wrestled with his own ego
~ Bulleh Shah
he grabs for heavenly flying things
But doesn't grasp the one who's sitting at home
Religious scholars stay awake at night
But dogs stay awake at night, higher than you
They don't cease from barking at night
Then they go sleep in yards, higher than you
They [dogs] don't leave the beloved's doorstep
Even if they're beaten hundreds of times, higher than you
~ Bulleh Shah
get up and make up with the beloved
Otherwise dogs will win the contest, better than you
O friends, don't call Ranjha a shepherd
I shy away from calling him a shepherd
22
I am like a thousand Heers to him
Who am I, like countless others
He's the ruler of Hazara's throne
And I am forever the plain Heer
~ Bulleh Shah
may God hear my wail
And I'll become shepherded by the Shepherd
Ranjha became a Jogi and arrived
He exchanged into a unique disguise
He changed his name from Ahad (One God) to Ahmad (Prophet Mohammad
PBUH)
I'm going together with Jogi
Someone's with someone else, this one's with that one
I'm together with Jogi
Since I have become Jogi's
I have no "I" left in me
Repeating Ranjha Ranjha
I became Ranjha myself
Call me Ranjha
Nobody call me Heer
It's not me, it's he himself
He amuses his own self
The one with whom I connected my heart
I became just like him, O friends
Jogi is with me
I am with Jogi
I'm going together with Jogi
After putting earrings in my ears
and decorating my forehead with Tilak
Hey he's not [a] Jogi
23
He's some form of God
He's disguised as Jogi
This Jogi has attracted me
This Jogi has established residence in my heart
I swear by the Quran it's true
Jogi is my belief and faith
This Jogi has marked me
Hey I belong to him
Now I'm not worth any one else (Now there's no other Jogi)
I'm floating, I've drifted across, O people
My eyes inter-meshed with Jogi's, O people
Call me Jogi's female Jogi
Heer is dead, O people
In Khayrray they have deep talks
I have to listen to accusations about
I don't know anything about anyone else
If I know anything, I only know Jogi
No one has attained what he has attained
His shadow is on both worlds
His fame is celebrated in both world
His shoes were kissed by Heaven
This Jogi is full of wonders
In his hand is the rosary of "There is Nothing But One God"
Hey, his name is [Mohammad] "The One With The Shawl"
If Jogi comes to my home
All your fights will end
I will embrace him
And celebrate a million praises
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~ Bulleh Shah
a Jogi came
To our door….(…? …)
He stole away Heer of Sayal
He came in a disguise
~ Bulleh Shah,#NFDB
212:The Mandan Priest
THEY call me now the Indian Priest,
Their fathers' fathers did not so,
The very Mandan name hath ceased
From speech since fifty years ago;
I am so old my fingers fail
My trembling rosary beads to tell,
Yet all my years do not avail
My Mandan memories to quell.
The whole flat world I've seen how changed
Within my lifetime's hundred years;
O'er plains where herding buffalo ranged
Came strange new grass with white men's steers,
The lowing cattle passed as dreams,
Their pastures reared a farmer race,
Now city windows flash their gleams
Nigh our old Monastery's place.
The Prior gives to me no more
Even a task of inward praise,
The Brethren bear me through our door
To bask me here on summer days;
I am so old I cannot kneel,
I cannot hear, I cannot see,
Often I wonder if I feel
The very sunbeams warming me.
Yet do I watch the Mandan dogs
And Mandan ponies slain for meat
That year the squaws chewed snakes and frogs
That babes might tug a living teat,
And Mandan braves, in daylight dance,
Gashed side and arm and painted breast
Praying The Manitou might trance
No more the buffalo from their quest.
A circled plain all horse-high grassed
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Our mounting scouts beheld at dawn,
They saw naught else though far they passed
Apart before the sun was gone;
Each night's ride back through starlit lanes
They saw the tepee sparks ascend,
And hoped, and sniffed, and knew their pains
Of famine had not yet an end.
Alone within his magic tent
The new-made Midi wrought the spell
That soothed Life's Master to relent
In years the Old remembered well.
He cried,–'The Mission Priests have wreaked
Some curse that balks the Ancient Art!'
'Thou useless Fool,' the war-chief shrieked,
And sped the knife-thrust to his heart.
With that, 'What comes?' my mother screamed–
How quick the squatted braves arose!
Far in the south the tallest deemed
He saw the flight of up-scared crows;
Above the horse-high grass came slow
A lifted Cross, a tonsured head,–
And what the meaning none could know
Until the black-robed rider said:–
'Mandans, I bear our Mission's word,–
Your children, brought to us, shall eat.'
Scarce had the fierce young War-chief heard
Ere fell the Blackrobe from his seat;
The Chief held high the reeking knife,
He frowned about the Woman's Ring,
And yet my mother's face took life
Anew in pondering the thing.
She stole at night the dead Priest's scrip,
His meagre wallet's hard-baked food,
His crucifix, his waist-rope strip
All blackened with his martyr blood;
Through dark, day-hidden, hand in hand,
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We traced his trail for ninety mile,
She starved herself that I might stand,
She spoke me comfort all the while:–
'So shalt thou live, my little son,
The white men's magic shalt thou learn,
And when the hungry moons are run,
Be sure thy mother shall return;
Oh, sweet my joy when, come again,
I find thy Mandan heart untamed,
As fits a warrior of the plain,
That I, thy mother, be not shamed.'
She left me while the black-robed men
Blest and beseeched her sore to stay;
No voice hath told my heart since then
How fared my mother's backward way.
Years, years within the Mission School,
By love, by prayer they gained my heart;
It held me to Our Order's rule,
From all the Mandan life apart.
From tribe to tribe, through sixty years,
The Mandan Priest for Christ he wrought,
And many an Indian heart to tears,
And many a soul to God he brought;
Yet do I hear my mother's voice
Soft lingering round her little son,
And, O dear Lord, dost Thou rejoice
In all my mother's child hath done?
~ Edward William Thomson,#NFDB
213:Sancta Maria, Succurre Miseris
Dear Virgin Mary, far away,
Look down from Heaven while I pray.
Open your golden casement high,
And lean way out beyond the sky.
I am so little, it may be
A task for you to harken me.
O Lady Mary, I have bought
A candle, as the good priest taught.
I only had one penny, so
Old Goody Jenkins let it go.
It is a little bent, you see.
But Oh, be merciful to me!
I have not anything to give,
Yet I so long for him to live.
A year ago he sailed away
And not a word unto today.
I've strained my eyes from the sea-wall
But never does he come at all.
Other ships have entered port
Their voyages finished, long or short,
And other sailors have received
Their welcomes, while I sat and grieved.
My heart is bursting for his hail,
O Virgin, let me spy his sail.
~Hull down on the edge of a sun-soaked sea
Sparkle the bellying sails for me.
Taut to the push of a rousing wind
Shaking the sea till it foams behind,
The tightened rigging is shrill with the song:
'We are back again who were gone so long.'~
One afternoon I bumped my head.
I sat on a post and wished I were dead
Like father and mother, for no one cared
Whither I went or how I fared.
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A man's voice said, 'My little lad,
Here's a bit of a toy to make you glad.'
Then I opened my eyes and saw him plain,
With his sleeves rolled up, and the dark blue stain
Of tattooed skin, where a flock of quail
Flew up to his shoulder and met the tail
Of a dragon curled, all pink and green,
Which sprawled on his back, when it was seen.
He held out his hand and gave to me
The most marvellous top which could ever be.
It had ivory eyes, and jet-black rings,
And a red stone carved into little wings,
All joined by a twisted golden line,
And set in the brown wood, even and fine.
Forgive me, Lady, I have not brought
My treasure to you as I ought,
But he said to keep it for his sake
And comfort myself with it, and take
Joy in its spinning, and so I do.
It couldn't mean quite the same to you.
Every day I met him there,
Where the fisher-nets dry in the sunny air.
He told me stories of courts and kings,
Of storms at sea, of lots of things.
The top he said was a sort of sign
That something in the big world was mine.
~Blue and white on a sun-shot ocean.
Against the horizon a glint in motion.
Full in the grasp of a shoving wind,
Trailing her bubbles of foam behind,
Singing and shouting to port she races,
A flying harp, with her sheets and braces.~
O Queen of Heaven, give me heed,
I am in very utmost need.
He loved me, he was all I had,
And when he came it made the sad
205
Thoughts disappear. This very day
Send his ship home to me I pray.
I'll be a priest, if you want it so,
I'll work till I have enough to go
And study Latin to say the prayers
On the rosary our old priest wears.
I wished to be a sailor too,
But I will give myself to you.
I'll never even spin my top,
But put it away in a box. I'll stop
Whistling the sailor-songs he taught.
I'll save my pennies till I have bought
A silver heart in the market square,
I've seen some beautiful, white ones there.
I'll give up all I want to do
And do whatever you tell me to.
Heavenly Lady, take away
All the games I like to play,
Take my life to fill the score,
Only bring him back once more!
~The poplars shiver and turn their leaves,
And the wind through the belfry moans and grieves.
The gray dust whirls in the market square,
And the silver hearts are covered with care
By thick tarpaulins. Once again
The bay is black under heavy rain.~
The Queen of Heaven has shut her door.
A little boy weeps and prays no more.
~ Amy Lowell,#NFDB
214:Honest to God, I hadn’t meant to start a bar fight.
“So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big.
He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?”
I shrugged. “My mother was a religious woman.”
“Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat.
“I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket.
“Just here to ask a question, that’s all. I don’t want trouble.”
Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.”
I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.”
My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.”
He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder.
“Fine. What’s your question?”
“Know anybody by the name of Matthias Gruber?”
He didn’t even blink. “No.”
“Ah. I see. Sorry to have wasted your time.”
I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list.
“Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.”
I hung up and let out a slow breath. Only a couple things left to do.
I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance.
The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible.
I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.”
“Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster.
The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.”
I smiled back. “God bless you.”
She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it. ~ Kyoko M,#NFDB
215:Oh! did you observe the Black Canon pass,
And did you observe his frown?
He goeth to say the midnight mass,
In holy St. Edmond's town.
He goeth to sing the burial chaunt,
And to lay the wandering sprite,
Whose shadowy, restless form doth haunt,
The Abbey's drear aisle this night.
It saith it will not its wailing cease,
'Till that holy man come near,
'Till he pour oer its grave the prayer of peace,
And sprinkle the hallowed tear.
The Canon's horse is stout and strong
The road is plain and fair,
But the Canon slowly wends along,
And his brow is gloomed with care.
Who is it thus late at the Abbey-gate?
Sullen echoes the portal bell,
It sounds like the whispering voice of fate,
It sounds like a funeral knell.
The Canon his faltering knee thrice bowed,
And his frame was convulsed with fear,
When a voice was heard distinct and loud,
'Prepare! for thy hour is near.'
He crosses his breast, he mutters a prayer,
To Heaven he lifts his eye,
He heeds not the Abbot's gazing stare,
Nor the dark Monks who murmured by.
Bare-headed he worships the sculptured saints
That frown on the sacred walls,
His face it grows pale,--he trembles, he faints,
At the Abbots feet he falls.
And straight the fathers robe he kissed,
Who cried, 'Grace dwells with thee,
The spirit will fade like the morning mist,
At your benedicite.
'Now haste within! the board is spread,
Keen blows the air, and cold,
The spectre sleeps in its earthy bed,
'Till St. Edmonds bell hath tolled,--
'Yet rest your wearied limbs to-night,
Youve journeyed many a mile,
To-morrow lay the wailing sprite,
That shrieks in the moonlight aisle.
'Oh! faint are my limbs and my bosom is cold,
Yet to-night must the sprite be laid,
Yet to-night when the hour of horror's told,
Must I meet the wandering shade.
'Nor food, nor rest may now delay,--
For hark! the echoing pile,
A bell loud shakes!Oh haste away,
O lead to the haunted aisle.'
The torches slowly move before,
The cross is raised on high,
A smile of peace the Canon wore,
But horror dimmed his eye--
And now they climb the footworn stair,
The chapel gates unclose,
Now each breathed low a fervent prayer,
And fear each bosom froze--
Now paused awhile the doubtful band
And viewed the solemn scene,--
Full dark the clustered columns stand,
The moon gleams pale between--
'Say father, say, what cloisters' gloom
Conceals the unquiet shade,
Within what dark unhallowed tomb,
The corse unblessed was laid.'
'Through yonder drear aisle alone it walks,
And murmurs a mournful plaint,
Of thee! Black Canon, it wildly talks,
And call on thy patron saint--
The pilgrim this night with wondering eyes,
As he prayed at St. Edmond's shrine,
From a black marble tomb hath seen it rise,
And under yon arch recline.'--
Oh! say upon that black marble tomb,
What memorial sad appears.'--
Undistinguished it lies in the chancel's gloom,
No memorial sad it bears'--
The Canon his paternoster reads,
His rosary hung by his side,
Now swift to the chancel doors he leads,
And untouched they open wide,
Resistless, strange sounds his steps impel,
To approach to the black marble tomb,
'Oh! enter, Black Canon,' a whisper fell,
'Oh! enter, thy hour is come.'
He paused, told his beads, and the threshold passed.
Oh! horror, the chancel doors close,
A loud yell was borne on the rising blast,
And a deep, dying groan arose.
The Monks in amazement shuddering stand,
They burst through the chancel's gloom,
From St. Edmonds shrine, lo! a skeletons hand,
Points to the black marble tomb.
Lo! deeply engraved, an inscription blood red,
In characters fresh and clear--
'The guilty Black Canon of Elmham's dead,
And his wife lies buried here!'
In Elmhams tower he wedded a Nun,
To St. Edmonds his bride he bore,
On this eve her noviciate here was begun,
And a Monks gray weeds she wore;--
O! deep was her conscience dyed with guilt,
Remorse she full oft revealed,
Her blood by the ruthless Black Canon was spilt,
And in death her lips he sealed;
Her spirit to penance this night was doomed,
'Till the Canon atoned the deed,
Here together they now shall rest entombed,
'Till their bodies from dust are freed--
Hark! a loud peal of thunder shakes the roof,
Round the altar bright lightnings play,
Speechless with horror the Monks stand aloof,
And the storm dies sudden away--
The inscription was gone! a cross on the ground,
And a rosary shone through the gloom,
But never again was the Canon there found,
Or the Ghost on the black marble tomb.
~ Percy Bysshe Shelley, Saint Edmonds Eve
,#NFDB
216:The Orphans' New Year's Gift
The room is full of shadow; you can hear, indistinctly, the sad soft whispering of
two children.
Their foreheads lean forward, still heavy with dreams, beneath the long white
bed-curtain
which shudders and rises... Outside the birds crowd together, chilled;
their wings are benumbed under the grey tints of the skies; and the New Year,
with her train of mist, trailing the folds of her snowy garment,
smiles through her tears, and shivering, sings...
II
But the little children, beneath the swaying curtain, talk in low voices as one does
on a dark night.
Thoughtfully they listen as to a far-off murmur... They tremble often at the clear
golden voice of the
morning chime repeatedly striking its metallic refrain beneath its glass dome...
And then, the room is icy... you can see, strewn here and there on the floor
round the beds,
mourning clothes: the bitter blast of winter which moans at the threshold blows
its melancholy
breath into the house! You can feel, in all this, that there is something missing...
Is there then no mother for these little children? No mother full of fresh smiles
and looks of triumph?
Did she forget, last night, stooping down by herself, to kindle a flame saved from
these ashes,
and to heap up the blankets and eiderdown on them before leaving them,
calling out to them: forgive me! Did she not forsee the chill of the morning?
Did she forget to close the door against the blast of winter? A mother's dream is
the warm coverlet,
the downy nest, where children, huddled like pretty birds rocked by the
branches,
sleep their sweet sleep full of white dreams. -- And here? -- it is like a nest
without feathers or warmth,
where the little ones are cold, do not sleep, are afraid; a nest that the bitter blast
must have frozen...
III
Your heart has understood: -- these children are motherless. No mother in the
place any more!...
and their father is far away!... -- An old servant woman, then, has taken them
under her care.
The little ones are alone in the icy house; four-year-old orphans, see how in their
184
thoughts,
little by little, a smiling memory awakes... It's like a rosary which you tell,
praying: -Ah, what a beautiful morning, that New Year's morning!
Everyone had dreamt of his dear ones that night,
in some strange dream where you could see toys, sweets covered with gold,
sparkling jewels,
all whirling an echoing dance, and then disappearing beneath the curtain, and
then reappearing!
You awoke in the morning and got up full of joy with your mouth watering,
rubbing your eyes...
You went with tangled hair and shining eyes, as on holiday mornings,
little bare feet brushing the floor, to tap softly on your parents' door... You went
in!...
And then came the greetings... in your nightshirt, kisses upon kisses, and fun all
allowed!
IV
Ah how charming it was, those words so often spoken! -- But how the old home
has changed!
There used to be a big fire crackling bright in the grate, so that the old bedroom
was all lit up by it;
and the red reflection from the great hearth would play over the gleaming
furniture... -There was no key in the cupboard!... the big brown cupboard with no key!...
You kept looking at the dark brown door... No key!... That was strange!...
you kept wondering about the mysteries sleeping within its wooden sides; and
you seemed to hear,
from the bottom of the huge keyhole, a far-off sound, an indistinct and joyful
murmur...
Their parents' bedroom is quite empty now: there is no red reflection shining
under the door;
there are no parents, no fire, no hidden keys; and so there are no kisses either,
or pleasant surprises! Oh how sad their New Year's Day will be! -- And sadly,
while a bitter tear falls silently from their big blue eyes,
they murmur: 'Oh when will our mother come back?'...
Now the little ones are dozing sadly: you would say, to see them,
that they are crying in their sleep, their eyes are so swollen, their breathing so
painful!
Small children have such sensitive hearts! -- But the guardian angel of the cradle
comes and
wipes their eyes and puts a happy dream into their heavy slumber, such a joyous
185
dream that
their half-open lips seem, smiling, to murmur something. They are dreaming
that, leaning
on their small round arms, in the sweet gesture of awakening, they lift their
heads and gaze
mildly about them... They seem to have fallen asleep in some rose-coloured
paradise...
The fire crackles merrily in the bright hearth... Through the window you can see
a lovely
blue sky over there; nature is awakening and becoming drunk again with
sunlight...
the earth, half-bare, happy to be alive again, trembles with joy beneath the sun's
kisses.
In the old home all is warm and flushed: no longer are there mourning garments
strewn on the floor,
and the draught has at least ceased to moan under the door... You would say
that a fairy
had passed this way!... The children, full of happiness, give two cries...
Here, near their mother's bed in a beautiful rose-coloured ray of light,
here on the big carpet, something shines... It is two silvery plaques, black and
white,
glittering with mother-of-pearl and jet; little black frames and wreaths of glass,
with three words engraved in gold: 'TO OUR MOTHER'...
~ Arthur Rimbaud,#NFDB
217:The Star-Apple Kingdom
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
'Herefords at Sunset in the valley of the Wye.'
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
'Herefords at Sunset in the Valley of the Wye.'
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
74
the tenants, the good Negroes down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
75
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside. He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name. No vowels left
in the mill wheel, the river. Rock stone. Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
76
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
'San Salvador, pray for us,St. Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes,' and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
'Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.'
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
77
raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls. Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth. He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,'I am powerless, except for love.'
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain. He rose in his dream.
~ Derek Walcott,#NFDB
218:Interim
The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—
Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here. Here 'twas as if a weed-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, "I have been here before!"
You are not here. I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust's grey fingers like a shielded light.
There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here. I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
62
Perhaps you thought, "I wonder what comes next,
And whether this or this will be the end";
So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still. When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro...
And here are the last words your fingers wrote,
Scrawled in broad characters across a page
In this brown book I gave you. Here your hand,
Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t,"
And here another like it, just beyond
These two eccentric "e's." You were so small,
And wrote so brave a hand!
How strange it seems
That of all words these are the words you chose!
And yet a simple choice; you did not know
You would not write again. If you had known—
But then, it does not matter,—and indeed
If you had known there was so little time
You would have dropped your pen and come to me
And this page would be empty, and some phrase
Other than this would hold my wonder now.
Yet, since you could not know, and it befell
That these are the last words your fingers wrote,
There is a dignity some might not see
In this, "I picked the first sweet-pea to-day."
To-day! Was there an opening bud beside it
You left until to-morrow?—O my love,
The things that withered,—and you came not back
That day you filled this circle of my arms
That now is empty. (O my empty life!)
That day—that day you picked the first sweet-pea,—
And brought it in to show me! I recall
With terrible distinctness how the smell
Of your cool gardens drifted in with you.
I know, you held it up for me to see
63
And flushed because I looked not at the flower,
But at your face; and when behind my look
You saw such unmistakable intent
You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made,
I think.) And then your hands above my heart
Drew down its stem into a fastening,
And while your head was bent I kissed your hair.
I wonder if you knew. (Beloved hands!
Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust
In your bright hair.) What is the need of Heaven
When earth can be so sweet?—If only God
Had let us love,—and show the world the way!
Strange cancellings must ink th' eternal books
When love-crossed-out will bring the answer right!
That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere,
And yet,—I am not sure. I am not sure,
Even, if it was white or pink; for then
'Twas much like any other flower to me
Save that it was the first. I did not know
Then, that it was the last. If I had known—
But then, it does not matter. Strange how few,
After all's said and done, the things that are
Of moment.
Few indeed! When I can make
Of ten small words a rope to hang the world!
"I had you and I have you now no more."
There, there it dangles,—where's the little truth
That can for long keep footing under that
When its slack syllables tighten to a thought?
Here, let me write it down! I wish to see
Just how a thing like that will look on paper!
"I had you and I have you now no more."
O little words, how can you run so straight
Across the page, beneath the weight you bear?
How can you fall apart, whom such a theme
Has bound together, and hereafter aid
In trivial expression, that have been
64
So hideously dignified?—Would God
That tearing you apart would tear the thread
I strung you on! Would God—O God, my mind
Stretches asunder on this merciless rack
Of imagery! O, let me sleep a while!
Would I could sleep, and wake to find me back
In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar!
How easily could God, if He so willed,
Set back the world a little turn or two!
Correct its griefs, and bring its joys again!
We were so wholly one I had not thought
That we could die apart. I had not thought
That I could move,—and you be stiff and still!
That I could speak,—and you perforce be dumb!
I think our heart-strings were, like warp and woof
In some firm fabric, woven in and out;
Your golden filaments in fair design
Across my duller fibre. And to-day
The shining strip is rent; the exquisite
Fine pattern is destroyed; part of your heart
Aches in my breast; part of my heart lies chilled
In the damp earth with you. I have been tom
In two, and suffer for the rest of me.
What is my life to me? And what am I
To life,—a ship whose star has guttered out?
A Fear that in the deep night starts awake
Perpetually, to find its senses strained
Against the taut strings of the quivering air,
Awaiting the return of some dread chord?
Dark, Dark, is all I find for metaphor;
All else were contrast,—save that contrast's wall
Is down, and all opposed things flow together
Into a vast monotony, where night
And day, and frost and thaw, and death and life,
Are synonyms. What now—what now to me
Are all the jabbering birds and foolish flowers
That clutter up the world? You were my song!
Now, let discord scream! You were my flower!
Now let the world grow weeds! For I shall not
65
Plant things above your grave—(the common balm
Of the conventional woe for its own wound!)
Amid sensations rendered negative
By your elimination stands to-day,
Certain, unmixed, the element of grief;
I sorrow; and I shall not mock my truth
With travesties of suffering, nor seek
To effigy its incorporeal bulk
In little wry-faced images of woe.
I cannot call you back; and I desire
No utterance of my immaterial voice.
I cannot even turn my face this way
Or that, and say, "My face is turned to you";
I know not where you are, I do not know
If Heaven hold you or if earth transmute,
Body and soul, you into earth again;
But this I know:—not for one second's space
Shall I insult my sight with visionings
Such as the credulous crowd so eager-eyed
Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears!
My sorrow shall be dumb!
What do I say?
God! God!—God pity me! Am I gone mad
That I should spit upon a rosary?
Am I become so shrunken? Would to God
I too might feel that frenzied faith whose touch
Makes temporal the most enduring grief;
Though it must walk a while, as is its wont,
With wild lamenting! Would I too might weep
Where weeps the world and hangs its piteous wreaths
For its new dead! Not Truth, but Faith, it is
That keeps the world alive. If all at once
Faith were to slacken,—that unconscious faith
Which must, I know, yet be the corner-stone
Of all believing,—birds now flying fearless
Across would drop in terror to the earth;
Fishes would drown; and the all-governing reins
Would tangle in the frantic hands of God
And the worlds gallop headlong to destruction!
66
O God, I see it now, and my sick brain
Staggers and swoons! How often over me
Flashes this breathlessness of sudden sight
In which I see the universe unrolled
Before me like a scroll and read thereon
Chaos and Doom, where helpless planets whirl
Dizzily round and round and round and round,
Like tops across a table, gathering speed
With every spin, to waver on the edge
One instant—looking over—and the next
To shudder and lurch forward out of sight—
Ah, I am worn out—I am wearied out—
It is too much—I am but flesh and blood,
And I must sleep. Though you were dead again,
I am but flesh and blood and I must sleep.
~ Edna St. Vincent Millay,#NFDB
219:PIANO DI SORRENTO
Fort, Fort, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco.
Now, open your eyes,
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the Plain saw me gather, I garland
-The flowers or the weeds.
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,-speckled white
Over brown like a great spider's back,
As I told you last night,-
Your mother bites off for her supper.
Red-ripe as could be,
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flint-stone,
Or in the thick dust
On the path, or straight out of the rock-side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look thro' the twisted dead vine-twigs,
Sole lattice that's known.
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth.
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o'er the blind-rock.
No seeing our skiff
Arrive about noon from Amalfi,
-Our fisher arrive
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit;
You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps,
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle
-You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But to-day not a bout reached Salerno,
So back, to a man,
Came our friends, with whose help in the vineyards
Grape-harvest began.
In the vat, halfway up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain's driving;
Your girls that are older,-
For under the hedges of aloe,
And where, on its bed
Of the orchard's black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,-
Your best of regales,
As to-night will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape bunch they've brought you:
The rain-water slips
O'er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence:
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball
That peels, flake by flake,
Like an onion, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine;
And end with the prickly-pear's red flesh
That leaves thro' its juice
The stony black seeds on your pearl-teeth.
Scirocco is loose!
Hark, the quick, whistling pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them,
Tho' not yet half black!
How the old twisted olive trunks shudder,
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,
For here comes the whole of the tempest!
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.
O how will your country show next week,
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-balls, black, glossy and luscious,-
Or strip from the sorbs
A treasure, or, rosy and wondrous,
Those hairy gold orbs!
But my mule picked his sure sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the ****s and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow;
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e'en grudged
'Mid the rock-chasms and piles of loose stones
Like the loose broken teeth
Of some monster which climbed there to die
From the ocean beneath-
Place was grudged to the silver-grey fume-weed
That clung to the path,
And dark rosemary ever a-dying
That, 'spite the wind's wrath,
So loves the salt rock's face to seaward,
And lentisks
as staunch
To the stone where they root and bear berries,
And what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves;
Over all trod my mule with the caution
Of gleaners o'er sheaves,
Still, foot after foot like a lady,
Till, round after round,
He climbed to the top of Calvano,
And God's own profound
Was above me, and round me the mountains,
And under, the sea,
And within me my heart to bear witness
What was and shall be.
Oh, heaven and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes.
Oh, those mountains, their infinite movement!
Still moving with you;
For, ever some new head and breast of them
Thrusts into view
To observe the intruder; you see it
If quickly you turn
And before they escape you surprise them.
They grudge you should learn
How the soft plains they look on, lean over
And love (they pretend)
-Cower beneath them, the flat sea-pine crouches,
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut:
All is silent and grave:
'Tis a sensual and timorous beauty,
How fair! but a slave.
So, I turned to the sea; and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,-halfway
On the voyage, she looked at Ulysses-
No farther to-day,
Tho' the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum halfway already.
Fort, shall we sail there together
And see from the sides
Quite new rocks show their faces, new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, tho' unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds' quiet singing, that tells us
What life is, so clear?
-The secret they sang to Ulysses
When, ages ago,
He heard and he knew this life's secret
I hear and I know.
Ah, see! The sun breaks o'er Calvano;
He strikes the great gloom
And flutters it o'er the mount's summit
In airy gold fume.
All is over. Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews'-harps to proof,
While the other, thro' locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfall
-Chew, abbot's own cheek!
All is over. Wake up and come out now,
And down let us go,
And see the fine things got in order
At church for the show
Of the Sacrament, set forth this evening.
To-morrow's the Feast
Of the Rosary's Virgin, by no means
Of Virgins the least,
As you'll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a pillar nor post but is dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest's hoarse,
Will strike us up something that's brisk
For the feast's second course.
And then will the flaxen-wigged Image
Be carried in pomp
Thro' the plain, while in gallant procession
The priests mean to stomp.
All round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped;
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang.
At all events, come-to the garden
As far as the wall;
See me tap with a hoe on the plaster
Till out there shall fall
A scorpion with wide angry nippers!
-``Such trifles!'' you say?
Fort, in my England at home,
Men meet gravely to-day
And debate, if abolishing Corn-laws
Be righteous and wise
-If 'twere proper, Scirocco should vanish
In black from the skies!
The mastic tree (resinous).
~ Robert Browning, The Englishman In Italy
,#NFDB
220:I.
How well I know what I mean to do
When the long dark autumn-evenings come:
And where, my soul, is thy pleasant hue?
With the music of all thy voices, dumb
In life's November too!
II.
I shall be found by the fire, suppose,
O'er a great wise book as beseemeth age,
While the shutters flap as the cross-wind blows
And I turn the page, and I turn the page,
Not verse now, only prose!
III.
Till the young ones whisper, finger on lip,
``There he is at it, deep in Greek:
``Now then, or never, out we slip
``To cut from the hazels by the creek
``A mainmast for our ship!''
IV.
I shall be at it indeed, my friends:
Greek puts already on either side
Such a branch-work forth as soon extends
To a vista opening far and wide,
And I pass out where it ends.
V.
The outside-frame, like your hazel-trees:
But the inside-archway widens fast,
And a rarer sort succeeds to these,
And we slope to Italy at last
And youth, by green degrees.
VI.
I follow wherever I am led,
Knowing so well the leader's hand:
Oh woman-country, wooed not wed,
Loved all the more by earth's male-lands,
Laid to their hearts instead!
VII.
Look at the ruined chapel again
Half-way up in the Alpine gorge!
Is that a tower, I point you plain,
Or is it a mill, or an iron-forge
Breaks solitude in vain?
VIII.
A turn, and we stand in the heart of things:
The woods are round us, heaped and dim;
From slab to slab how it slips and springs,
The thread of water single and slim,
Through the ravage some torrent brings!
IX.
Does it feed the little lake below?
That speck of white just on its marge
Is Pella; see, in the evening-glow,
How sharp the silver spear-heads charge
When Alp meets heaven in snow!
X.
On our other side is the straight-up rock;
And a path is kept 'twixt the gorge and it
By boulder-stones where lichens mock
The marks on a moth, and small ferns fit
Their teeth to the polished block.
XI.
Oh the sense of the yellow mountain-flowers ,
And thorny balls, each three in one,
The chestnuts throw on our path in showers!
For the drop of the woodland fruit's begun,
These early November hours,
XII.
That crimson the creeper's leaf across
Like a splash of blood, intense, abrupt,
O'er a shield else gold from rim to boss,
And lay it for show on the fairy-cupped
Elf-needled mat of moss,
XIII.
By the rose-flesh mushrooms, undivulged
Last evening-nay, in to-day's first dew
Yon sudden coral nipple bulged,
Where a freaked fawn-coloured flaky crew
Of toadstools peep indulged.
XIV.
And yonder, at foot of the fronting ridge
That takes the turn to a range beyond,
Is the chapel reached by the one-arched bridge
Where the water is stopped in a stagnant pond
Danced over by the midge.
XV.
The chapel and bridge are of stone alike,
Blackish-grey and mostly wet;
Cut hemp-stalks steep in the narrow dyke.
See here again, how the lichens fret
And the roots of the ivy strike!
XVI.
Poor little place, where its one priest comes
On a festa-day, if he comes at all,
To the dozen folk from their scattered homes,
Gathered within that precinct small
By the dozen ways one roams-
XVII.
To drop from the charcoal-burners ' huts,
Or climb from the hemp-dressers' low shed,
Leave the grange where the woodman stores his nuts,
Or the wattled cote where the fowlers spread
Their gear on the rock's bare juts.
XVIII.
It has some pretension too, this front,
With its bit of fresco half-moon-wise
Set over the porch, Art's early wont:
'Tis John in the Desert, I surmise,
But has borne the weather's brunt-
XIX.
Not from the fault of the builder, though,
For a pent-house properly projects
Where three carved beams make a certain show,
Dating-good thought of our architect's-
'Five, six, nine, he lets you know.
XX.
And all day long a bird sings there,
And a stray sheep drinks at the pond at times;
The place is silent and aware;
It has had its scenes, its joys and crimes,
But that is its own affair.
XXI.
My perfect wife, my Leonor,
Oh heart, my own, oh eyes, mine too,
Whom else could I dare look backward for,
With whom beside should I dare pursue
The path grey heads abhor?
XXII.
For it leads to a crag's sheer edge with them;
Youth, flowery all the way, there stops-
Not they; age threatens and they contemn,
Till they reach the gulf wherein youth drops,
One inch from life's safe hem!
XXIII.
With me, youth led I will speak now,
No longer watch you as you sit
Reading by fire-light, that great brow
And the spirit-small hand propping it,
Mutely, my heart knows how-
XXIV.
When, if I think but deep enough,
You are wont to answer, prompt as rhyme;
And you, too, find without rebuff
Response your soul seeks many a time
Piercing its fine flesh-stuff.
XXV.
My own, confirm me! If I tread
This path back, is it not in pride
To think how little I dreamed it led
To an age so blest that, by its side,
Youth seems the waste instead?
XXVI.
My own, see where the years conduct!
At first, 'twas something our two souls
Should mix as mists do; each is sucked
In each now: on, the new stream rolls,
Whatever rocks obstruct.
XXVII.
Think, when our one soul understands
The great Word which makes all things new,
When earth breaks up and heaven expands,
How will the change strike me and you
ln the house not made with hands?
XXVIII.
Oh I must feel your brain prompt mine,
Your heart anticipate my heart,
You must be just before, in fine,
See and make me see, for your part,
New depths of the divine!
XXIX.
But who could have expected this
When we two drew together first
Just for the obvious human bliss,
To satisfy life's daily thirst
With a thing men seldom miss?
XXX.
Come back with me to the first of all,
Let us lean and love it over again,
Let us now forget and now recall,
Break the rosary in a pearly rain,
And gather what we let fall!
XXXI.
What did I say?-that a small bird sings
All day long, save when a brown pair
Of hawks from the wood float with wide wings
Strained to a bell: 'gainst noon-day glare
You count the streaks and rings.
XXXII.
But at afternoon or almost eve
'Tis better; then the silence grows
To that degree, you half believe
It must get rid of what it knows,
Its bosom does so heave.
XXXIII.
Hither we walked then, side by side,
Arm in arm and cheek to cheek,
And still I questioned or replied,
While my heart, convulsed to really speak,
Lay choking in its pride.
XXXIV.
Silent the crumbling bridge we cross,
And pity and praise the chapel sweet,
And care about the fresco's loss,
And wish for our souls a like retreat,
And wonder at the moss.
XXXV.
Stoop and kneel on the settle under,
Look through the window's grated square:
Nothing to see! For fear of plunder,
The cross is down and the altar bare,
As if thieves don't fear thunder.
XXXVI.
We stoop and look in through the grate,
See the little porch and rustic door,
Read duly the dead builder's date;
Then cross the bridge that we crossed before,
Take the path again-but wait!
XXXVII.
Oh moment, one and infinite!
The water slips o'er stock and stone;
The West is tender, hardly bright:
How grey at once is the evening grown-
One star, its chrysolite!
XXXVIII.
We two stood there with never a third,
But each by each, as each knew well:
The sights we saw and the sounds we heard,
The lights and the shades made up a spell
Till the trouble grew and stirred.
XXXIX.
Oh, the little more, and how much it is!
And the little less, and what worlds away!
How a sound shall quicken content to bliss,
Or a breath suspend the blood's best play,
And life be a proof of this!
XL.
Had she willed it, still had stood the screen
So slight, so sure, 'twixt my love and her:
I could fix her face with a guard between,
And find her soul as when friends confer,
Friends-lovers that might have been.
XLI.
For my heart had a touch of the woodland-time,
Wanting to sleep now over its best.
Shake the whole tree in the summer-prime,
But bring to the Iast leaf no such test!
``Hold the last fast!'' runs the rhyme.
XLII.
For a chance to make your little much,
To gain a lover and lose a friend,
Venture the tree and a myriad such,
When nothing you mar but the year can mend:
But a last leaf-fear to touch!
XLIII.
Yet should it unfasten itself and fall
Eddying down till it find your face
At some slight wind-best chance of all!
Be your heart henceforth its dwelling-place
You trembled to forestall!
XLIV.
Worth how well, those dark grey eyes,
That hair so dark and dear, how worth
That a man should strive and agonize,
And taste a veriest hell on earth
For the hope of such a prize!
XIIV.
You might have turned and tried a man,
Set him a space to weary and wear,
And prove which suited more your plan,
His best of hope or his worst despair,
Yet end as he began.
XLVI.
But you spared me this, like the heart you are,
And filled my empty heart at a word.
If two lives join, there is oft a scar,
They are one and one, with a shadowy third;
One near one is too far.
XLVII.
A moment after, and hands unseen
Were hanging the night around us fast
But we knew that a bar was broken between
Life and life: we were mixed at last
In spite of the mortal screen.
XLVIII.
The forests had done it; there they stood;
We caught for a moment the powers at play:
They had mingled us so, for once and good,
Their work was done-we might go or stay,
They relapsed to their ancient mood.
XLIX.
How the world is made for each of us!
How all we perceive and know in it
Tends to some moment's product thus,
When a soul declares itself-to wit,
By its fruit, the thing it does
L.
Be hate that fruit or love that fruit,
It forwards the general deed of man,
And each of the Many helps to recruit
The life of the race by a general plan;
Each living his own, to boot.
LI.
I am named and known by that moment's feat;
There took my station and degree;
So grew my own small life complete,
As nature obtained her best of me-
One born to love you, sweet!
LII.
And to watch you sink by the fire-side now
Back again, as you mutely sit
Musing by fire-light, that great brow
And the spirit-small hand propping it,
Yonder, my heart knows how!
LIII.
So, earth has gained by one man the more,
And the gain of earth must be heaven's gain too;
And the whole is well worth thinking o'er
When autumn comes: which I mean to do
One day, as I said before.
~ Robert Browning, By The Fire-Side
,#NFDB
221:Julia, Or The Convent Of St. Claire
Stranger, that massy, mouldering pile,
Whose ivied ruins load the ground,
Reechoed once to pious strains
By holy sisters breathed around.
There many a noble virgin came
To bid the world she loved....adieu;
There, victim of parental pride,
To years of hopeless grief withdrew.
Yes, proud St. Claire! thy costly walls
Have witnessed oft the mourner's pain;
And hearts in joyless durance bound,
Which sighed for kindred hearts in vain.
But never more within thy cells
Shall beauty breathe the fruitless sigh,
Nor hid beneath the envious veil
Shall sorrow dim the sparkling eye.
For now, a sight by reason blest,
Thy gloomy dome in ruins falls,
While bats and screechowls harbour there,
Sole tenants of thy crumbling walls.
And soon, blest change! as those dread plains,
Where Etna's burning torrents poured,
Become, when Time its power has shed,
With softly-smiling verdure stored:
So, when thy darkly-frowning towers
The verdant plain no longer load,
These scenes, where sorrow reigned, may prove
Fond, faithful lovers' blest abode.
And they shall pledge the nuptial vow,
Where once far different vows were heard;
And where thy pining virgins mourned,
Shall babes, sweet smiling babes, be reared.
Hail, glorious change, to Nature dear!
Methinks I see the bridal throng;
And hark, where lonely sisters prayed,
How sweetly swells the social song!
But nought, O! nought can her restore
To social life, to happy love,
Who once amidst thy cloistered train
With passion's hopeless sorrow strove.
Lamented maid! my faithful Muse
To pity's ear shall tell thy tale;
Shall tell, at midnight's awful hour
Why groaning ghosts affright the vale.
On Julia's softly dimpled cheek
Just bloom'd to view youth's opening rose,
When, proudly stern, her father bade
St. Claire's dark walls her bloom enclose.
But no reluctance to obey
With tears bedewed her beauteous cheek,
Since love with soft persuasive power
Not yet had taught her heart to speak.
"Yes,....be a nun's vocation mine,
So I my brother's bliss improve;
His be their wealth," sweet Julia cried,
So I may boast my parent's love!"
Proud Clermont blessed his generous child;
Her gentler mother dropped a tear,
As if her boding heart foretold
That love and Julia's woes were near.
For lo! where glows the nuptial feast,
And Clermont's heir leads in his bride,
While Julia, called that feast to grace,
Sits by a blooming baron's side.
Dear, fatal hour! the feast is o'er,
But still in faithful memory charms,
And Julia's conscious heart has learnt
To throb with passion's new alarms.
"Now then I feel the power of love,"
She on her sleepless pillow cried,
"Then must I still my sire obey,
And this warm heart in cloisters hide?
"But hold, fond girl! thy throbbing breast
May be with hopeless fondness fraught;
Yet sure Montrose's speaking eyes
Declared he felt the love he taught."
And well her hopes his glance had read,....
Montrose a mutual passion felt,
Nor long his tender pangs concealed,
But at her feet impassioned knelt.
Her downcast eye, her blush, her smile
To crown her lover's suit conspired,
Who, bold in hope, to Clermont told
The artless wish by fondness fired.
But told in vain--"Away!" he cried;
"O'er me your pleadings boast no power:
Think not my son his rights shall yield,
To swell my pining daughter's dower."
"No:--let his rights still sacred be,"
Montrose with throbbing heart replied,
"Give me but Julia's willing hand,
I ask, I wish for nought beside."
"And darest thou think that Clermont's child
Shall e'er pronounce the nuptial vow
Unless," he said, "I could a dower
Equal to Clermont's rank bestow!
"Away, young lord! entreat no more!
Nor thus with vain complainings mourn;
For, ere tomorrow's sun has set,
My child shall to her cell return."
He spoke, and frown'd.--Alas, Montrose!
In vain thy manly bosom mourned
For, ere tomorrow's sun had set,
Thy Julia to her cell returned.
But changed indeed! Youth's opening rose
Now on her cheek no longer glowed;
And now, with earthly cares opprest,
Before the holy shrine she bowed.
Now to religion's rites no more
Her heart with ready zeal impelled;
No more with genuine fervour warm,
Her voice the holy anthem swelled.
"Whence thy pale cheek? and whence, my child,
Proceeds this change?" the abbess said,
"Why heaves thy breast with deep-drawn sighs,
And wherefore droops thy youthful head?"
"Yes,....you shall know," the sufferer cried,
"And let my fate your pity move!
See Passion's victim! Morn and eve
This struggling soul is lost in love.
"And I yon sacred shrine profane;
The cross with languid zeal I press;
Montrose's image claims the vows
Which my false lips to Heaven address.
"Yes:--while I drop the sacred bead,
His form obtrudes upon my view,
And love's warm tears my rosary wet,
Love claims the sigh devotion's due.
"Inhuman Father! wilt thou risk
My peace on earth, and hopes of heaven?
Tremble, tyrannic parent, think
What love may do to madness driven!"
With pitying heart the abbess heard;
For she an answering pang had known,
And well her gentle soul could mourn
A fate, a grief, so like her own.
"But why despair, my child?" she said,
"Before thy father lowly kneel,
And teach that heart, though fenced by pride,
Compassion's generous throb to feel."
Julia the kind advice obeyed;
And when the haughty Clermont came,
Before his feet she lowly knelt,
And hailed him by a parent's name.
"Think'st thou to wrong thy brother's rights
I e'er can be by thee beguiled?"
"Father!" her trembling lips replied,
"Say, is not Julia too your child?
"For him you bid the nuptial feast,
And all life's dearest blessings glow,
While I, alike your child, you doom
To hopeless love, and lonely woe."
But vain remonstrance, tears, and prayers;
The Count's proud heart could all deride,
For Nature's voice can never melt
The callous bosom fenced by pride.
"Urge me no more," he fiercely said,
"But know, not long these prayers can last;
Reflect, fond girl! at morning's dawn
The year of thy probation's past!"
Pale, pale grew then her youthful cheek,
Heart-piercing seemed her mournful cry:
"Clermont! relent," her mother cried,
"Nor coldly doom thy child to die."
But vain was Julia's piercing shriek;
Nor justice he nor mercy knew:
"Receive," he said, "my last embrace,"....
Then from the mournful scene withdrew.
Loud called the evening bell to prayers,
But still on Julia vainly called,
Who, leaning on her mother's breast,
With desperate words that breast appalled.
"Suppress, suppress thy grief, my child,
Or fear to call dread vengeance down:
Wouldst thou not tremble, impious girl!
Before thy God's avenging frown?"
"Paint not that gracious God in frowns,
Did not for us a Saviour bleed?
In mercy clothe his awful power,
For I shall soon that mercy need."
Dark, cheerless, awful is the night
When tempests load the troubled air;
But darker, gloomier is the mind
Where reigns the ghastly fiend Despair.
Fond mother! in thy Julia's eyes
Canst thou not see his reign is near?
Inhuman father! hark! loud groans
Shall swell the blast;....Beware! beware!
"Mother, the hour commands thee hence,"
Sad Julia cried, "we now must part;
And never may thy bosom know
A grief like that which rends my heart!
"In all thy prayers tonight for me,
The awful throne of Heaven address,
While I with grateful bosom kneel,
And bid its power thy goodness bless."
Speechless the mourning mother heard;
Her tongue denied the word 'farewell!'
At length her quivering lips she pressed,
And Julia hurried to her cell.....
10
Now chill and loud the North wind blew,
Through the long aisles hoarse murmurs ran;
The shuddering sisters' cheeks were pale,
When they their midnight tasks began.
Mock'd by deep groans each anthem seemed,
The vaulted roofs still gloomier grew:
The blast of night was swelled by shrieks,
The bird of night ill-omened flew.
The trembling tapers grew more pale,
While, where their languid radiance fell,
A phantom dimly seemed to glide,
And loud was heard the passing bell.
"Did you not see a phantom flit?
Did you not hear the passing bell?"
Each sister cried; while, pale with dread,
With hurried steps she sought her cell.
At length arose the fatal morn
Decreed to seal sad Julia's doom,
And make the worm of hopeless love
Feed on her beauty's opening bloom.
"Julia, thy bridal vest prepare;
Thy heavenly spouse expects thee; rise!"
The abbess cried.--"Oh, stay awhile,"
Julia with broken tones replies.
"The tapers burn, the altar glows,
Robed are the priests in costly pride,
The organ sounds! Prepare!"--Again
"One moment stay!" the victim cried.
When through the long and echoing aisles
An unknown voice the abbess hears-It seems with wild, impatience fraught-And lo! Montrose himself appears!
"I come," he cries, "to claim my bride;
11
A father's frown no more impedes:
His son's no more!--and Julia now
To Clermont's wealth and power succeeds."
Distrest, yet pleased, the abbess heard,
While on to Julia's cell she led,
And, as she went, to pitying Heaven
Her arms in pious homage spread.
"Julia, come forth! come forth, my child!
Unlock thy cell, Montrose's bride!
Now thou art his, a father's frown
No longer will your fates divide.
"Behold him here to snatch thee hence,
And give thee to thy father's sight."
"How! silent still?" Montrose exclaimed;
"Why thus thy lover's soul affright?"
The door with trembling speed he forced....
Ah me! what object meets their eyes!
Stretcht on her bed in death's last pangs,
And bathed in blood, his Julia lies.
Presumptuous girl! when Heaven afflicts
Should we its dread decrees arraign?
Lo! Heaven thy woe with mercy saw,
But thou hast made its mercy vain.
"Behold the work of rash despair!"
In fluttering, feeble words she said:
"Had I been patient still, Montrose,
This day had blessings on me shed.
"Didst thou not say my father's heart
Had deigned at length thy vows to hear?
Too late remorse! but oh, to him
My pardon, and my blessing bear.
"But must I die? and canst not thou
Thy Julia from death's terrors save?
We should have been so blest, Montrose!
12
And must I leave thee for the grave?
"Help me! they tear me from thy arms,
Save me, O save thy destin'd bride!
It will not be;....forgive me, Heaven!"
She feebly said, then groaned and died.
Oh! who can paint the lover's woe,
Or childless father's deep remorse,
While, bending o'er the blood-stained bed,
He clasped his daughter's pallid corse!
But from this scene of dreadful woe,
Learn why the village swain turns pale,
When he at midnight wanders near
The mouldering Convent in the vale.
There, faintly heard through whispering trees,
A mournful voice on Julia calls;
There, dimly seen, a blood-stained vest
Streams ghastly o'er the ivied walls.
~ Amelia Opie,#NFDB
222:Monadnoc
Thousand minstrels woke within me,
Our music's in the hills;
Gayest pictures rose to win me,
Leopard-colored rills.
Up!If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;
Up!where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.
Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.
I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.
Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.
In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an arial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.
The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?
I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!
Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magicians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dullness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,
Nought the mountain yields thereof
But savage health and sinews tough.
On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:
Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.
Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone
Each can only take his own.
Let him heed who can and will,
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.
Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.
Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.
Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.
He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?
Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile erect
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime grope,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Monadnoc
,#NFDB
223:I.
St. Agnes' Eve--Ah, bitter chill it was!
The owl, for all his feathers, was a-cold;
The hare limp'd trembling through the frozen grass,
And silent was the flock in woolly fold:
Numb were the Beadsman's fingers, while he told
His rosary, and while his frosted breath,
Like pious incense from a censer old,
Seem'd taking flight for heaven, without a death,
Past the sweet Virgin's picture, while his prayer he saith.
II.
His prayer he saith, this patient, holy man;
Then takes his lamp, and riseth from his knees,
And back returneth, meagre, barefoot, wan,
Along the chapel aisle by slow degrees:
The sculptur'd dead, on each side, seem to freeze,
Emprison'd in black, purgatorial rails:
Knights, ladies, praying in dumb orat'ries,
He passeth by; and his weak spirit fails
To think how they may ache in icy hoods and mails.
III.
Northward he turneth through a little door,
And scarce three steps, ere Music's golden tongue
Flatter'd to tears this aged man and poor;
But no--already had his deathbell rung
The joys of all his life were said and sung:
His was harsh penance on St. Agnes' Eve:
Another way he went, and soon among
Rough ashes sat he for his soul's reprieve,
And all night kept awake, for sinners' sake to grieve.
IV.
That ancient Beadsman heard the prelude soft;
And so it chanc'd, for many a door was wide,
From hurry to and fro. Soon, up aloft,
The silver, snarling trumpets 'gan to chide:
The level chambers, ready with their pride,
Were glowing to receive a thousand guests:
The carved angels, ever eager-eyed,
Star'd, where upon their heads the cornice rests,
With hair blown back, and wings put cross-wise on their breasts.
V.
At length burst in the argent revelry,
With plume, tiara, and all rich array,
Numerous as shadows haunting fairily
The brain, new-stuff'd, in youth, with triumphs gay
Of old romance. These let us wish away,
And turn, sole-thoughted, to one lady there,
Whose heart had brooded, all that wintry day,
On love, and wing'd St Agnes' saintly care,
As she had heard old dames full rnany times declare.
VI.
They told her how, upon St Agnes' Eve,
Young virgins might have visions of delight,
And soft adorings from their loves receive
Upon the honey'd middle of the night,
If ceremonies due they did aright;
As, supperless to bed they must retire,
And couch supine their beauties, lily white;
Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.
VII.
Full of this whim was thoughtful Madeline:
The music, yearning like a God in pain,
She scarcely heard: her maiden eyes divine,
Fix'd on the floor, saw many a sweeping train
Pass by--she heeded not at all: in vain
Came many a tiptoe, amorous cavalier,
And back retir'd; not cool'd by high disdain,
But she saw not: her heart was otherwhere;
She sigh'd for Agnes' dreams, the sweetest of the year.
VIII.
She danc'd along with vague, regardless eyes,
Anxious her lips, her breathing quick and short:
The hallow'd hour was near at hand: she sighs
Amid the timbrels, and the throng'd resort
Of whisperers in anger, or in sport;
'Mid looks of love, defiance, hate, and scorn,
Hoodwink'd with faery fancy; all amort,
Save to St Agnes and her lambs unshorn,
And all the bliss to be before to-morrow morn.
IX.
So, purposing each moment to retire,
She linger'd still. Meantime, across the moors,
Had come young Porphyro, with heart on fire
For Madeline. Beside the portal doors,
Buttress'd from moonlight, stands he, and implores
All saints to give him sight of Madeline,
But for one moment in the tedious hours,
That he might gaze and worship all unseen;
Perchance speak, kneel, touch, kiss-in sooth such things have been.
X.
He ventures in: let no buzz'd whisper tell:
All eyes be muffled, or a hundred swords
Will storm his heart, Love's fev'rous citadel:
For him, those chambers held barbarian hordes,
Hyena foemen, and hot-blooded lords,
Whose very dogs would execrations howl
Against his lineage: not one breast affords
Him any mercy, in that mansion foul,
Save one old beldame, weak in body and in soul.
XI.
Ah, happy chance! the aged creature came,
Shuffling along with ivory-headed wand,
To where he stood, hid from the torch's flame,
Behind a broad hall-pillar, far beyond
The sound of merriment and chorus bland.
He startled her; but soon she knew his face,
And grasp'd his fingers in her palsied hand,
Saying, "Mercy, Porphyro! hie thee from this place;
"They are all here to-night, the whole blood-thirsty race!
XII.
"Get hence! get hence! there's dwarfish Hildebrand;
He had a fever late, and in the fit
He cursed thee and thine, both house and land:
Then there's that old Lord Maurice, not a whit
More tame for his gray hairs--Alas me! flit!
Flit like a ghost away."--Ah, gossip dear,
We're safe enough; here in this arm-chair sit,
And tell me how"--"Good saints! not here, not here;
Follow me, child, or else these stones will be thy bier."
XIII.
He follow'd through a lowly arched way,
Brushing the cobwebs with his lofty plume,
And as she mutter'd "Well-a-well-a-day!"
He found him in a little moonlight room,
Pale, lattic'd, chill, and silent as a tomb.
"Now tell me where is Madeline", said he,
"O tell me, Angela, by the holy loom
Which none but secret sisterhood may see,
"When they St Agnes' wool are weaving piously."
XIV.
"St Agnes! Ah! it is St Agnes' Eve--
Yet men will murder upon holy days:
Thou must hold water in a witch's sieve,
And be liege-lord of all the Elves and Fays
To venture so: it fills me with amaze
To see thee, Porphyro!--St Agnes' Eve!
God's help! my lady fair the conjuror plays
This very night: good angels her deceive!
But let me laugh awhile, I've mickle time to grieve."
XV.
Feebly she laugheth in the languid moon,
While Porphyro upon her face doth look,
Like puzzled urchin on an aged crone
Who keepeth clos'd a wondrous riddle-book,
As spectacled she sits in chimney nook.
But soon his eyes grew brilliant, when she told
His lady's purpose; and he scarce could brook
Tears, at the thought of those enchantments cold
And Madeline asleep in lap of legends old.
XVI.
Sudden a thought came like a full-blown rose,
Flushing his brow, and in his pained heart
Made purple riot: then doth he propose
A stratagem, that makes the beldame start:
"A cruel man and impious thou art:
Sweet lady, let her pray, and sleep, and dream
Alone with her good angels, far apart
From wicked men like thee. Go, go!--I deem
Thou canst not surely be the same that thou didst seem."
XVII.
"I will not harm her, by all saints I swear,"
Quoth Porphyro: "O may I ne'er find grace
When my weak voice shall whisper its last prayer,
If one of her soft ringlets I displace,
Or look with ruffian passion in her face:
Good Angela, believe me by these tears;
Or I will, even in a moment's space,
Awake, with horrid shout, my foemen's ears,
And beard them, though they be more fang'd than wolves and bears."
XVIII.
"Ah! why wilt thou affright a feeble soul?
A poor, weak, palsy-stricken, churchyard thing,
Whose passing-bell may ere the midnight toll;
Whose prayers for thee, each morn and evening,
Were never miss'd." Thus plaining, doth she bring
A gentler speech from burning Porphyro;
So woeful, and of such deep sorrowing,
That Angela gives promise she will do
Whatever he shall wish, betide her weal or woe.
XIX.
Which was, to lead him, in close secrecy,
Even to Madeline's chamber, and there hide
Him in a closet, of such privacy
That he might see her beauty unespied,
And win perhaps that night a peerless bride,
While legion'd fairies pac'd the coverlet,
And pale enchantment held her sleepy-eyed.
Never on such a night have lovers met,
Since Merlin paid his Demon all the monstrous debt.
XX.
"It shall be as thou wishest," said the Dame:
"All cates and dainties shall be stored there
Quickly on this feast-night: by the tambour frame
Her own lute thou wilt see: no time to spare,
For I am slow and feeble, and scarce dare
On such a catering trust my dizzy head.
Wait here, my child, with patience; kneel in prayer
The while: Ah! thou must needs the lady wed,
Or may I never leave my grave among the dead."
XXI.
So saying, she hobbled off with busy fear.
The lover's endless minutes slowly pass'd;
The Dame return'd, and whisper'd in his ear
To follow her; with aged eyes aghast
From fright of dim espial. Safe at last
Through many a dusky gallery, they gain
The maiden's chamber, silken, hush'd and chaste;
Where Porphyro took covert, pleas'd amain.
His poor guide hurried back with agues in her brain.
XXII.
Her falt'ring hand upon the balustrade,
Old Angela was feeling for the stair,
When Madeline, St Agnes' charmed maid,
Rose, like a mission'd spirit, unaware:
With silver taper's light, and pious care,
She turn'd, and down the aged gossip led
To a safe level matting. Now prepare,
Young Porphyro, for gazing on that bed;
She comes, she comes again, like dove fray'd and fled.
XXIII.
Out went the taper as she hurried in;
Its little smoke, in pallid moonshine, died:
She closed the door, she panted, all akin
To spirits of the air, and visions wide:
No utter'd syllable, or, woe betide!
But to her heart, her heart was voluble,
Paining with eloquence her balmy side;
As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her dell.
XXIV.
A casement high and triple-arch'd there was,
All garlanded with carven imag'ries
Of fruits, and flowers, and bunches of knot-grass,
And diamonded with panes of quaint device,
Innumerable of stains and splendid dyes,
As are the tiger-moth's deep-damask'd wings;
And in the midst, 'mong thousand heraldries,
And twilight saints, and dim emblazonings,
A shielded scutcheon blush'd with blood of queens and kings.
XXV.
Full on this casement shone the wintry moon,
And threw warm gules on Madeline's fair breast,
As down she knelt for heaven's grace and boon;
Rose-bloom fell on her hands, together prest,
And on her silver cross soft amethyst,
And on her hair a glory, like a saint:
She seem'd a splendid angel, newly drest,
Save wings, for heaven:--Porphyro grew faint:
She knelt, so pure a thing, so free from mortal taint.
XXVI.
Anon his heart revives: her vespers done,
Of all its wreathed pearls her hair she frees;
Unclasps her warmed jewels one by one;
Loosens her fragrant bodice; by degrees
Her rich attire creeps rustling to her knees:
Half-hidden, like a mermaid in sea-weed,
Pensive awhile she dreams awake, and sees,
In fancy, fair St Agnes in her bed,
But dares not look behind, or all the charm is fled.
XXVII.
Soon, trembling in her soft and chilly nest,
In sort of wakeful swoon, perplex'd she lay,
Until the poppied warmth of sleep oppress'd
Her soothed limbs, and soul fatigued away;
Flown, like a thought, until the morrow-day;
Blissfully haven'd both from joy and pain;
Clasp'd like a missal where swart Paynims pray;
Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.
XXVIII.
Stol'n to this paradise, and so entranced,
Porphyro gazed upon her empty dress,
And listen'd to her breathing, if it chanced
To wake into a slumbrous tenderness;
Which when he heard, that minute did he bless,
And breath'd himself: then from the closet crept,
Noiseless as fear in a wide wilderness,
And over the hush'd carpet, silent, stept,
And 'tween the curtains peep'd, where, lo!--how fast she slept!
XXIX.
Then by the bed-side, where the faded moon
Made a dim, silver twilight, soft he set
A table, and, half anguish'd, threw thereon
A doth of woven crimson, gold, and jet:--
O for some drowsy Morphean amulet!
The boisterous, midnight, festive clarion,
The kettle-drum, and far-heard clarinet,
Affray his ears, though but in dying tone:--
The hall door shuts again, and all the noise is gone.
XXX.
And still she slept an azure-lidded sleep,
In blanched linen, smooth, and lavender'd,
While he from forth the closet brought a heap
Of candied apple, quince, and plum, and gourd
With jellies soother than the creamy curd,
And lucent syrops, tinct with cinnamon;
Manna and dates, in argosy transferr'd
From Fez; and spiced dainties, every one,
From silken Samarcand to cedar'd Lebanon.
XXXI.
These delicates he heap'd with glowing hand
On golden dishes and in baskets bright
Of wreathed silver: sumptuous they stand
In the retired quiet of the night,
Filling the chilly room with perfume light.--
"And now, my love, my seraph fair, awake!
Thou art my heaven, and I thine eremite:
Open thine eyes, for meek St Agnes' sake,
Or I shall drowse beside thee, so my soul doth ache."
XXXII.
Thus whispering, his warm, unnerved arm
Sank in her pillow. Shaded was her dream
By the dusk curtains:--'twas a midnight charm
Impossible to melt as iced stream:
The lustrous salvers in the moonlight gleam;
Broad golden fringe upon the carpet lies:
It seem'd he never, never could redeem
From such a stedfast spell his lady's eyes;
So mus'd awhile, entoil'd in woofed phantasies.
XXXIII.
Awakening up, he took her hollow lute,--
Tumultuous,--and, in chords that tenderest be,
He play'd an ancient ditty, long since mute,
In Provence call'd, "La belle dame sans mercy:"
Close to her ear touching the melody:--
Wherewith disturb'd, she utter'd a soft moan:
He ceased--she panted quick--and suddenly
Her blue affrayed eyes wide open shone:
Upon his knees he sank, pale as smooth-sculptured stone.
XXXIV.
Her eyes were open, but she still beheld,
Now wide awake, the vision of her sleep:
There was a painful change, that nigh expell'd
The blisses of her dream so pure and deep,
At which fair Madeline began to weep,
And moan forth witless words with many a sigh;
While still her gaze on Porphyro would keep;
Who knelt, with joined hands and piteous eye,
Fearing to move or speak, she look'd so dreamingly.
XXXV.
"Ah, Porphyro!" said she, "but even now
Thy voice was at sweet tremble in mine ear,
Made tuneable with every sweetest vow;
And those sad eyes were spiritual and clear:
How chang'd thou art! how pallid, chill, and drear!
Give me that voice again, my Porphyro,
Those looks immortal, those complainings dear!
Oh leave me not in this eternal woe,
For if thou diest, my Love, I know not where to go."
XXXVI.
Beyond a mortal man impassion'd far
At these voluptuous accents, he arose,
Ethereal, flush'd, and like a throbbing star
Seen mid the sapphire heaven's deep repose
Into her dream he melted, as the rose
Blendeth its odour with the violet,--
Solution sweet: meantime the frost-wind blows
Like Love's alarum pattering the sharp sleet
Against the window-panes; St Agnes' moon hath set.
XXXVII.
Tis dark: quick pattereth the flaw-blown sleet:
"This is no dream, my bride, my Madeline!"
'Tis dark: the iced gusts still rave and beat:
"No dream, alas! alas! and woe is mine!
Porphyro will leave me here to fade and pine.--
Cruel! what traitor could thee hither bring?
I curse not, for my heart is lost in thine
Though thou forsakest a deceived thing;--
A dove forlorn and lost with sick unpruned wing."
XXXVIII.
"My Madeline! sweet dreamer! lovely bride!
Say, may I be for aye thy vassal blest?
Thy beauty's shield, heart-shap'd and vermeil dyed?
Ah, silver shrine, here will I take my rest
After so many hours of toil and quest,
A famish'd pilgrim,--saved by miracle.
Though I have found, I will not rob thy nest
Saving of thy sweet self; if thou think'st well
To trust, fair Madeline, to no rude infidel.
XXXIX.
"Hark! 'tis an elfin-storm from faery land,
Of haggard seeming, but a boon indeed:
Arise--arise! the morning is at hand;--
The bloated wassailers will never heed:--
Let us away, my love, with happy speed;
There are no ears to hear, or eyes to see,--
Drown'd all in Rhenish and the sleepy mead:
Awake! arise! my love, and fearless be,
For o'er the southern moors I have a home for thee."
XL.
She hurried at his words, beset with fears,
For there were sleeping dragons all around,
At glaring watch, perhaps, with ready spears--
Down the wide stairs a darkling way they found.--
In all the house was heard no human sound.
A chain-droop'd lamp was flickering by each door;
The arras, rich with horseman, hawk, and hound,
Flutter'd in the besieging wind's uproar;
And the long carpets rose along the gusty floor.
XLI.
They glide, like phantoms, into the wide hall;
Like phantoms, to the iron porch, they glide;
Where lay the Porter, in uneasy sprawl,
With a huge empty flagon by his side:
The wakeful bloodhound rose, and shook his hide,
But his sagacious eye an inmate owns:
By one, and one, the bolts fill easy slide:--
The chains lie silent on the footworn stones,--
The key turns, and the door upon its hinges groans.
XLII.
And they are gone: ay, ages long ago
These lovers fled away into the storm.
That night the Baron dreamt of many a woe,
And all his warrior-guests, with shade and form
Of witch, and demon, and large coffin-worm,
Were long be-nightmar'd. Angela the old
Died palsy-twitch'd, with meagre face deform;
The Beadsman, after thousand aves told,
For aye unsought for slept among his ashes cold.
In a letter to George Keats and his wife dated the 14th of February [1819], Keats says that he took with him to Chichester, where he had been staying in January, "some of the thin paper, and wrote on it a little poem called 'St. Agnes' Eve,' which you will have as it is, when I have finished the blank part of the rest for you." Lord Houghton says the poem "was begun on a visit in Hampshire, at the commencement of this year [1819], and finished on his return to Hampstead."
(stanza II.): Leigh Hunt says "The germ of the thought, or something like it, is in Dante, where he speaks of the figures that perform the part of sustaining columns in architecture. Keats had read Dante in Mr. Carey's translation, for which he had a great respect. He began to read him afterwards in Italian, which language he was mastering with surprising quickness.
(stanza XV): Hunt's comment is as follows: "He almost shed tears - of sympathy, to think how his treasure is exposed to the cold - and of delight and pride to think of her sleeping beauty, and her love for himself. THis passage 'asleep in lap of legends old' is in the highest imaginative taste, fusing together the imaginative and the spiritual, the remote and the near."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Eve Of St. Agnes
,#NFDB
224:I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.
II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.
III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.
IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;
V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."
VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!
VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"here she ceas'd her timid quest,
But in her tone and look he read the rest.
VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.
IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a lusty flower in June's caress.
X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.
XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.
XII.
Were they unhappy then?It cannot be
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.
XIII.
But, for the general award of love,
The little sweet doth kill much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.
XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd loins did melt
In blood from stinging whip;with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.
XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.
XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?
XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast foreststhe untired
And pannier'd mules for ducats and old lies
Quick cat's-paws on the generous stray-away,
Great wits in Spanish, Tuscan, and Malay.
XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?
Yet so they didand every dealer fair
Must see behind, as doth the hunted hare.
XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.
XX.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is donesucceed the verse or fail
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.
XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.
XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To kill Lorenzo, and there bury him.
XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.
XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.
XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.
XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back.""Good bye!" said she:
And as he went she chanted merrily.
XXVII.
So the two brothers and their murder'd man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.They pass'd the water
Into a forest quiet for the slaughter.
XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in lonelinessis ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.
XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's weed,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.
XXX.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"
XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest
Not longfor soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.
XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,
XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.
XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.
XXXV.
It was a vision.In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.
XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.
XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,the murderous spite
Of pride and avarice,the dark pine roof
In the forest,and the sodden turfed dell,
Where, without any word, from stabs he fell.
XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.
XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.
XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."
XLI.
The Spirit mourn'd "Adieu!"dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;
XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd ushappy days, or else to die;
"But there is crimea brother's bloody knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."
XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.
XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife."What feverous hectic flame
"Burns in thee, child?What good can thee betide,
"That thou should'st smile again?"The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.
XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.
XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.
XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her bosom, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her veiling hair.
XLVIII.
That old nurse stood beside her wondering,
Until her heart felt pity to the core
At sight of such a dismal labouring,
And so she kneeled, with her locks all hoar,
And put her lean hands to the horrid thing:
Three hours they labour'd at this travail sore;
At last they felt the kernel of the grave,
And Isabella did not stamp and rave.
XLIX.
Ah! wherefore all this wormy circumstance?
Why linger at the yawning tomb so long?
O for the gentleness of old Romance,
The simple plaining of a minstrel's song!
Fair reader, at the old tale take a glance,
For here, in truth, it doth not well belong
To speak:O turn thee to the very tale,
And taste the music of that vision pale.
L.
With duller steel than the Persan sword
They cut away no formless monster's head,
But one, whose gentleness did well accord
With death, as life. The ancient harps have said,
Love never dies, but lives, immortal Lord:
If Love impersonate was ever dead,
Pale Isabella kiss'd it, and low moan'd.
'Twas love; cold,dead indeed, but not dethroned.
LI.
In anxious secrecy they took it home,
And then the prize was all for Isabel:
She calm'd its wild hair with a golden comb,
And all around each eye's sepulchral cell
Pointed each fringed lash; the smeared loam
With tears, as chilly as a dripping well,
She drench'd away:and still she comb'd, and kept
Sighing all dayand still she kiss'd, and wept.
LII.
Then in a silken scarf,sweet with the dews
Of precious flowers pluck'd in Araby,
And divine liquids come with odorous ooze
Through the cold serpent pipe refreshfully,
She wrapp'd it up; and for its tomb did choose
A garden-pot, wherein she laid it by,
And cover'd it with mould, and o'er it set
Sweet Basil, which her tears kept ever wet.
LIII.
And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten'd it with tears unto the core.
LIV.
And so she ever fed it with thin tears,
Whence thick, and green, and beautiful it grew,
So that it smelt more balmy than its peers
Of Basil-tufts in Florence; for it drew
Nurture besides, and life, from human fears,
From the fast mouldering head there shut from view:
So that the jewel, safely casketed,
Came forth, and in perfumed leafits spread.
LV.
O Melancholy, linger here awhile!
O Music, Music, breathe despondingly!
O Echo, Echo, from some sombre isle,
Unknown, Lethean, sigh to usO sigh!
Spirits in grief, lift up your heads, and smile;
Lift up your heads, sweet Spirits, heavily,
And make a pale light in your cypress glooms,
Tinting with silver wan your marble tombs.
LVI.
Moan hither, all ye syllables of woe,
From the deep throat of sad Melpomene!
Through bronzed lyre in tragic order go,
And touch the strings into a mystery;
Sound mournfully upon the winds and low;
For simple Isabel is soon to be
Among the dead: She withers, like a palm
Cut by an Indian for its juicy balm.
LVII.
O leave the palm to wither by itself;
Let not quick Winter chill its dying hour!
It may not bethose Baalites of pelf,
Her brethren, noted the continual shower
From her dead eyes; and many a curious elf,
Among her kindred, wonder'd that such dower
Of youth and beauty should be thrown aside
By one mark'd out to be a Noble's bride.
LVIII.
And, furthermore, her brethren wonder'd much
Why she sat drooping by the Basil green,
And why it flourish'd, as by magic touch;
Greatly they wonder'd what the thing might mean:
They could not surely give belief, that such
A very nothing would have power to wean
Her from her own fair youth, and pleasures gay,
And even remembrance of her love's delay.
LIX.
Therefore they watch'd a time when they might sift
This hidden whim; and long they watch'd in vain;
For seldom did she go to chapel-shrift,
And seldom felt she any hunger-pain;
And when she left, she hurried back, as swift
As bird on wing to breast its eggs again;
And, patient as a hen-bird, sat her there
Beside her Basil, weeping through her hair.
LX.
Yet they contriv'd to steal the Basil-pot,
And to examine it in secret place:
The thing was vile with green and livid spot,
And yet they knew it was Lorenzo's face:
The guerdon of their murder they had got,
And so left Florence in a moment's space,
Never to turn again.Away they went,
With blood upon their heads, to banishment.
LXI.
O Melancholy, turn thine eyes away!
O Music, Music, breathe despondingly!
O Echo, Echo, on some other day,
From isles Lethean, sigh to usO sigh!
Spirits of grief, sing not your "Well-a-way!"
For Isabel, sweet Isabel, will die;
Will die a death too lone and incomplete,
Now they have ta'en away her Basil sweet.
LXII.
Piteous she look'd on dead and senseless things,
Asking for her lost Basil amorously:
And with melodious chuckle in the strings
Of her lorn voice, she oftentimes would cry
After the Pilgrim in his wanderings,
To ask him where her Basil was; and why
'Twas hid from her: "For cruel 'tis," said she,
"To steal my Basil-pot away from me."
LXIII.
And so she pined, and so she died forlorn,
Imploring for her Basil to the last.
No heart was there in Florence but did mourn
In pity of her love, so overcast.
And a sad ditty of this story born
From mouth to mouth through all the country pass'd:
Still is the burthen sung"O cruelty,
"To steal my Basil-pot away from me!"
(stanza XXIV): Leigh Hunt cites the "exquisite metaphor" of lines 3 and 4 as an instance in which Keats "over-informs the occasion or the speaker." But I doubt whether it is fair to class this kind of "over-informing" as an error. If poeple of this kind are to be denied one element of poetry, they must be denied another; and it is scarcely more strange to find the vile brethren of Isabella talking in metaphor than to find them talking in rhyme and metre. For the rest, a common-place Italian, even a villainous Italian, feels so intensely the sunlight of his land, that we need not object to the metaphor even on dramatic grounds.
(stanza XXXIII): For Hinnom's Vale see Second Book of Chronicles of the Kings of Israel, Chapter XXVIII, verse 3: "Moreover he burnt incense in the valley of the son of Hinnom, and burnt his children in the fire, after the abominations of the heathen whom the Lord had cast out before the children of Israel."
(stanza XLVII): The sixth line has been a topic of censure; but I think wrongly. Taken in itself apart from the poem, it might be held to be an inopportune description; but in the context of this most tragic and pathetic story, it has to me a surpassing fitness -- a fitness astonishing in the work of a youth of Keats's age in 1818. The idea of maternity thus connected as it were by chance with the image of this widowed girl on the borders of insanity emphasizes in the most beautiful way the helpless misery of a life wrecked by the wickedness of others, and throws into ghastly contrast the joy of what should have been and the agony of what was.
(stanza XLVIII): Hunt observes here - "It is curious to see how the simple pathos of Boccaccio, or (which is the same thing) the simple intensity of the heroine's feelings, suffices our author more and more, as he gets to the end of his story. And he has related it as happily, as if he had never written any poetry but that of the heart."
(stanza LIV): Whether the "savage and tartarly" assailants of Keats's day availed themselves of the word "leafits" in the 8th line for an accusation of word-coining, I do not know; but as far as I have been able to ascertain this diminutive of "leaf" is peculiar to the present passage.
(stanza LXII): Hunt says - "The passage about the tone of her voice, -- the poor lost-witted coaxing, -- the 'chuckle,' in which she asks after her Pilgrim and her Basil,-- is as true and touching an instance of the effect of a happy familiar word, as any in all poetry." It is difficult to imagine that these sentences of Hunt's were not somehow misprinted; but, as the review occurs only in the original issue of The Indicator, one has no means of testing this passage by comparison with later editions. It can hardly be supposed that Hunt really thought the Pilgrim meant Lorenzo; and it ought not to be necessary to explain that the poor lost girl called after any pilgrim whom chance sent her way, enquiring of him where her Basil was.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Isabella; Or, The Pot Of Basil - A Story From Boccaccio
,#NFDB
225:TO J. MILSAND, OF DIJON.
1840.
BOOK THE FIRST.
Who will, may hear Sordello's story told:
His story? Who believes me shall behold
The man, pursue his fortunes to the end,
Like me: for as the friendless-people's friend
Spied from his hill-top once, despite the din
And dust of multitudes, Pentapolin
Named o' the Naked Arm, I single out
Sordello, compassed murkily about
With ravage of six long sad hundred years.
Only believe me. Ye believe?
Appears
Verona . . . Never,I should warn you first,
Of my own choice had this, if not the worst
Yet not the best expedient, served to tell
A story I could body forth so well
By making speak, myself kept out of view,
The very man as he was wont to do,
And leaving you to say the rest for him.
Since, though I might be proud to see the dim
Abysmal past divide its hateful surge,
Letting of all men this one man emerge
Because it pleased me, yet, that moment past,
I should delight in watching first to last
His progress as you watch it, not a whit
More in the secret than yourselves who sit
Fresh-chapleted to listen. But it seems
Your setters-forth of unexampled themes,
Makers of quite new men, producing them,
Would best chalk broadly on each vesture's hem
The wearer's quality; or take their stand,
Motley on back and pointing-pole in hand,
Beside him. So, for once I face ye, friends,
Summoned together from the world's four ends,
Dropped down from heaven or cast up from hell,
To hear the story I propose to tell.
Confess now, poets know the dragnet's trick,
Catching the dead, if fate denies the quick,
And shaming her; 't is not for fate to choose
Silence or song because she can refuse
Real eyes to glisten more, real hearts to ache
Less oft, real brows turn smoother for our sake:
I have experienced something of her spite;
But there 's a realm wherein she has no right
And I have many lovers. Say; but few
Friends fate accords me? Here they are: now view
The host I muster! Many a lighted face
Foul with no vestige of the grave's disgrace;
What else should tempt them back to taste our air
Except to see how their successors fare?
My audience! and they sit, each ghostly man
Striving to look as living as he can,
Brother by breathing brother; thou art set,
Clear-witted critic, by . . . but I 'll not fret
A wondrous soul of them, nor move death's spleen
Who loves not to unlock them. Friends! I mean
The living in good earnestye elect
Chiefly for lovesuppose not I reject
Judicious praise, who contrary shall peep,
Some fit occasion, forth, for fear ye sleep,
To glean your bland approvals. Then, appear,
Verona! staythou, spirit, come not near
Nownot this time desert thy cloudy place
To scare me, thus employed, with that pure face!
I need not fear this audience, I make free
With them, but then this is no place for thee!
The thunder-phrase of the Athenian, grown
Up out of memories of Marathon,
Would echo like his own sword's griding screech
Braying a Persian shield,the silver speech
Of Sidney's self, the starry paladin,
Turn intense as a trumpet sounding in
The knights to tilt,wert thou to hear! What heart
Have I to play my puppets, bear my part
Before these worthies?
Lo, the past is hurled
In twain: up-thrust, out-staggering on the world,
Subsiding into shape, a darkness rears
Its outline, kindles at the core, appears
Verona. 'T is six hundred years and more
Since an event. The Second Friedrich wore
The purple, and the Third Honorius filled
The holy chair. That autumn eve was stilled:
A last remains of sunset dimly burned
O'er the far forests, like a torch-flame turned
By the wind back upon its bearer's hand
In one long flare of crimson; as a brand,
The woods beneath lay black. A single eye
From all Verona cared for the soft sky.
But, gathering in its ancient market-place,
Talked group with restless group; and not a face
But wrath made livid, for among them were
Death's staunch purveyors, such as have in care
To feast him. Fear had long since taken root
In every breast, and now these crushed its fruit,
The ripe hate, like a wine: to note the way
It worked while each grew drunk! Men grave and grey
Stood, with shut eyelids, rocking to and fro,
Letting the silent luxury trickle slow
About the hollows where a heart should be;
But the young gulped with a delirious glee
Some foretaste of their first debauch in blood
At the fierce news: for, be it understood,
Envoys apprised Verona that her prince
Count Richard of Saint Boniface, joined since
A year with Azzo, Este's Lord, to thrust
Taurello Salinguerra, prime in trust
With Ecelin Romano, from his seat
Ferrara,over zealous in the feat
And stumbling on a peril unaware,
Was captive, trammelled in his proper snare,
They phrase it, taken by his own intrigue.
Immediate succour from the Lombard League
Of fifteen cities that affect the Pope,
For Azzo, therefore, and his fellow-hope
Of the Guelf cause, a glory overcast!
Men's faces, late agape, are now aghast.
"Prone is the purple pavis; Este makes
"Mirth for the devil when he undertakes
"To play the Ecelin; as if it cost
"Merely your pushing-by to gain a post
"Like his! The patron tells ye, once for all,
"There be sound reasons that preferment fall
"On our beloved" . . .
"Duke o' the Rood, why not?"
Shouted an Estian, "grudge ye such a lot?
"The hill-cat boasts some cunning of her own,
"Some stealthy trick to better beasts unknown,
"That quick with prey enough her hunger blunts,
"And feeds her fat while gaunt the lion hunts."
"Taurello," quoth an envoy, "as in wane
"Dwelt at Ferrara. Like an osprey fain
"To fly but forced the earth his couch to make
"Far inland, till his friend the tempest wake,
"Waits he the Kaiser's coming; and as yet
"That fast friend sleeps, and he too sleeps: but let
"Only the billow freshen, and he snuffs
"The aroused hurricane ere it enroughs
"The sea it means to cross because of him.
"Sinketh the breeze? His hope-sick eye grows dim;
"Creep closer on the creature! Every day
"Strengthens the Pontiff; Ecelin, they say,
"Dozes now at Oliero, with dry lips
"Telling upon his perished finger-tips
"How many ancestors are to depose
"Ere he be Satan's Viceroy when the doze
"Deposits him in hell. So, Guelfs rebuilt
"Their houses; not a drop of blood was spilt
"When Cino Bocchimpane chanced to meet
"Buccio VirtGod's wafer, and the street
"Is narrow! Tutti Santi, think, a-swarm
"With Ghibellins, and yet he took no harm!
"This could not last. Off Salinguerra went
"To Padua, Podest, 'with pure intent,'
"Said he, 'my presence, judged the single bar
"'To permanent tranquillity, may jar
"'No longer'so! his back is fairly turned?
"The pair of goodly palaces are burned,
"The gardens ravaged, and our Guelfs laugh, drunk
"A week with joy. The next, their laughter sunk
"In sobs of blood, for they found, some strange way,
"Old Salinguerra back againI say,
"Old Salinguerra in the town once more
"Uprooting, overturning, flame before,
"Blood fetlock-high beneath him. Azzo fled;
"Who 'scaped the carnage followed; then the dead
"Were pushed aside from Salinguerra's throne,
"He ruled once more Ferrara, all alone,
"Till Azzo, stunned awhile, revived, would pounce
"Coupled with Boniface, like lynx and ounce,
"On the gorged bird. The burghers ground their teeth
"To see troop after troop encamp beneath
"I' the standing corn thick o'er the scanty patch
"It took so many patient months to snatch
"Out of the marsh; while just within their walls
"Men fed on men. At length Taurello calls
"A parley: 'let the Count wind up the war!'
"Richard, light-hearted as a plunging star,
"Agrees to enter for the kindest ends
"Ferrara, flanked with fifty chosen friends,
"No horse-boy more, for fear your timid sort
"Should fly Ferrara at the bare report.
"Quietly through the town they rode, jog-jog;
"'Ten, twenty, thirty,curse the catalogue
"'Of burnt Guelf houses! Strange, Taurello shows
"'Not the least sign of life'whereat arose
"A general growl: 'How? With his victors by?
"'I and my Veronese? My troops and I?
"'Receive us, was your word?' So jogged they on,
"Nor laughed their host too openly: once gone
"Into the trap!"
Six hundred years ago!
Such the time's aspect and peculiar woe
(Yourselves may spell it yet in chronicles,
Albeit the worm, our busy brother, drills
His sprawling path through letters anciently
Made fine and large to suit some abbot's eye)
When the new Hohenstauffen dropped the mask,
Flung John of Brienne's favour from his casque,
Forswore crusading, had no mind to leave
Saint Peter's proxy leisure to retrieve
Losses to Otho and to Barbaross,
Or make the Alps less easy to recross;
And, thus confirming Pope Honorius' fear,
Was excommunicate that very year.
"The triple-bearded Teuton come to life!"
Groaned the Great League; and, arming for the strife,
Wide Lombardy, on tiptoe to begin,
Took up, as it was Guelf or Ghibellin,
Its cry: what cry?
"The Emperor to come!"
His crowd of feudatories, all and some,
That leapt down with a crash of swords, spears, shields,
One fighter on his fellow, to our fields,
Scattered anon, took station here and there,
And carried it, till now, with little care
Cannot but cry for him; how else rebut
Us longer?cliffs, an earthquake suffered jut
In the mid-sea, each domineering crest
Which nought save such another throe can wrest
From out (conceive) a certain chokeweed grown
Since o'er the waters, twine and tangle thrown
Too thick, too fast accumulating round,
Too sure to over-riot and confound
Ere long each brilliant islet with itself,
Unless a second shock save shoal and shelf,
Whirling the sea-drift wide: alas, the bruised
And sullen wreck! Sunlight to be diffused
For that!sunlight, 'neath which, a scum at first,
The million fibres of our chokeweed nurst
Dispread themselves, mantling the troubled main,
And, shattered by those rocks, took hold again,
So kindly blazed itthat same blaze to brood
O'er every cluster of the multitude
Still hazarding new clasps, ties, filaments,
An emulous exchange of pulses, vents
Of nature into nature; till some growth
Unfancied yet, exuberantly clothe
A surface solid now, continuous, one:
"The Pope, for us the People, who begun
"The People, carries on the People thus,
"To keep that Kaiser off and dwell with us!"
See you?
Or say, Two Principles that live
Each fitly by its Representative.
"Hill-cat"who called him so?the gracefullest
Adventurer, the ambiguous stranger-guest
Of Lombardy (sleek but that ruffling fur,
Those talons to their sheath!) whose velvet purr
Soothes jealous neighbours when a Saxon scout
Arpo or Yoland, is it?one without
A country or a name, presumes to couch
Beside their noblest; until men avouch
That, of all Houses in the Trevisan,
Conrad descries no fitter, rear or van,
Than Ecelo! They laughed as they enrolled
That name at Milan on the page of gold,
Godego's lord,Ramon, Marostica,
Cartiglion, Bassano, Loria,
And every sheep cote on the Suabian's fief!
No laughter when his son, "the Lombard Chief"
Forsooth, as Barbarossa's path was bent
To Italy along the Vale of Trent,
Welcomed him at Roncaglia! Sadness now
The hamlets nested on the Tyrol's brow,
The Asolan and Euganean hills,
The Rhetian and the Julian, sadness fills
Them all, for Ecelin vouchsafes to stay
Among and care about them; day by day
Choosing this pinnacle, the other spot,
A castle building to defend a cot,
A cot built for a castle to defend,
Nothing but castles, castles, nor an end
To boasts how mountain ridge may join with ridge
By sunken gallery and soaring bridge.
He takes, in brief, a figure that beseems
The griesliest nightmare of the Church's dreams,
A Signory firm-rooted, unestranged
From its old interests, and nowise changed
By its new neighbourhood: perchance the vaunt
Of Otho, "my own Este shall supplant
"Your Este," come to pass. The sire led in
A son as cruel; and this Ecelin
Had sons, in turn, and daughters sly and tall
And curling and compliant; but for all
Romano (so they styled him) throve, that neck
Of his so pinched and white, that hungry cheek
Proved 't was some fiend, not him, the man's-flesh went
To feed: whereas Romano's instrument,
Famous Taurello Salinguerra, sole
I' the world, a tree whose boughs were slipt the bole
Successively, why should not he shed blood
To further a design? Men understood
Living was pleasant to him as he wore
His careless surcoat, glanced some missive o'er,
Propped on his truncheon in the public way,
While his lord lifted writhen hands to pray,
Lost at Oliero's convent.
Hill-cats, face
Our Azzo, our Guelf Lion! Why disgrace
A worthiness conspicuous near and far
(Atii at Rome while free and consular,
Este at Padua who repulsed the Hun)
By trumpeting the Church's princely son?
Styled Patron of Rovigo's Polesine,
Ancona's march, Ferrara's . . . ask, in fine,
Our chronicles, commenced when some old monk
Found it intolerable to be sunk
(Vexed to the quick by his revolting cell)
Quite out of summer while alive and well:
Ended when by his mat the Prior stood,
'Mid busy promptings of the brotherhood,
Striving to coax from his decrepit brains
The reason Father Porphyry took pains
To blot those ten lines out which used to stand
First on their charter drawn by Hildebrand.
The same night wears. Verona's rule of yore
Was vested in a certain Twenty-four;
And while within his palace these debate
Concerning Richard and Ferrara's fate,
Glide we by clapping doors, with sudden glare
Of cressets vented on the dark, nor care
For aught that 's seen or heard until we shut
The smother in, the lights, all noises but
The carroch's booming: safe at last! Why strange
Such a recess should lurk behind a range
Of banquet-rooms? Your fingerthusyou push
A spring, and the wall opens, would you rush
Upon the banqueters, select your prey,
Waiting (the slaughter-weapons in the way
Strewing this very bench) with sharpened ear
A preconcerted signal to appear;
Or if you simply crouch with beating heart,
Bearing in some voluptuous pageant part
To startle them. Nor mutes nor masquers now;
Nor any . . . does that one man sleep whose brow
The dying lamp-flame sinks and rises o'er?
What woman stood beside him? not the more
Is he unfastened from the earnest eyes
Because that arras fell between! Her wise
And lulling words are yet about the room,
Her presence wholly poured upon the gloom
Down even to her vesture's creeping stir.
And so reclines he, saturate with her,
Until an outcry from the square beneath
Pierces the charm: he springs up, glad to breathe,
Above the cunning element, and shakes
The stupor off as (look you) morning breaks
On the gay dress, and, near concealed by it,
The lean frame like a half-burnt taper, lit
Erst at some marriage-feast, then laid away
Till the Armenian bridegroom's dying day,
In his wool wedding-robe.
For hefor he,
Gate-vein of this hearts' blood of Lombardy,
(If I should falter now)for he is thine!
Sordello, thy forerunner, Florentine!
A herald-star I know thou didst absorb
Relentless into the consummate orb
That scared it from its right to roll along
A sempiternal path with dance and song
Fulfilling its allotted period,
Serenest of the progeny of God
Who yet resigns it not! His darling stoops
With no quenched lights, desponds with no blank troops
Of disenfranchised brilliances, for, blent
Utterly with thee, its shy element
Like thine upburneth prosperous and clear.
Still, what if I approach the august sphere
Named now with only one name, disentwine
That under-current soft and argentine
From its fierce mate in the majestic mass
Leavened as the sea whose fire was mixt with glass
In John's transcendent vision,launch once more
That lustre? Dante, pacer of the shore
Where glutted hell disgorgeth filthiest gloom,
Unbitten by its whirring sulphur-spume
Or whence the grieved and obscure waters slope
Into a darkness quieted by hope;
Plucker of amaranths grown beneath God's eye
In gracious twilights where his chosen lie,
I would do this! If I should falter now!
In Mantua territory half is slough,
Half pine-tree forest; maples, scarlet oaks
Breed o'er the river-beds; even Mincio chokes
With sand the summer through: but 't is morass
In winter up to Mantua walls. There was,
Some thirty years before this evening's coil,
One spot reclaimed from the surrounding spoil,
Goito; just a castle built amid
A few low mountains; firs and larches hid
Their main defiles, and rings of vineyard bound
The rest. Some captured creature in a pound,
Whose artless wonder quite precludes distress,
Secure beside in its own loveliness,
So peered with airy head, below, above,
The castle at its toils, the lapwings love
To glean among at grape-time. Pass within.
A maze of corridors contrived for sin,
Dusk winding-stairs, dim galleries got past,
You gain the inmost chambers, gain at last
A maple-panelled room: that haze which seems
Floating about the panel, if there gleams
A sunbeam over it, will turn to gold
And in light-graven characters unfold
The Arab's wisdom everywhere; what shade
Marred them a moment, those slim pillars made,
Cut like a company of palms to prop
The roof, each kissing top entwined with top,
Leaning together; in the carver's mind
Some knot of bacchanals, flushed cheek combined
With straining forehead, shoulders purpled, hair
Diffused between, who in a goat-skin bear
A vintage; graceful sister-palms! But quick
To the main wonder, now. A vault, see; thick
Black shade about the ceiling, though fine slits
Across the buttress suffer light by fits
Upon a marvel in the midst. Nay, stoop
A dullish grey-streaked cumbrous font, a group
Round it,each side of it, where'er one sees,
Upholds it; shrinking Caryatides
Of just-tinged marble like Eve's lilied flesh
Beneath her maker's finger when the fresh
First pulse of life shot brightening the snow.
The font's edge burthens every shoulder, so
They muse upon the ground, eyelids half closed;
Some, with meek arms behind their backs disposed,
Some, crossed above their bosoms, some, to veil
Their eyes, some, propping chin and cheek so pale,
Some, hanging slack an utter helpless length
Dead as a buried vestal whose whole strength
Goes when the grate above shuts heavily.
So dwell these noiseless girls, patient to see,
Like priestesses because of sin impure
Penanced for ever, who resigned endure,
Having that once drunk sweetness to the dregs.
And every eve, Sordello's visit begs
Pardon for them: constant as eve he came
To sit beside each in her turn, the same
As one of them, a certain space: and awe
Made a great indistinctness till he saw
Sunset slant cheerful through the buttress-chinks,
Gold seven times globed; surely our maiden shrinks
And a smile stirs her as if one faint grain
Her load were lightened, one shade less the stain
Obscured her forehead, yet one more bead slipt
From off the rosary whereby the crypt
Keeps count of the contritions of its charge?
Then with a step more light, a heart more large,
He may depart, leave her and every one
To linger out the penance in mute stone.
Ah, but Sordello? 'T is the tale I mean
To tell you.
In this castle may be seen,
On the hill tops, or underneath the vines,
Or eastward by the mound of firs and pines
That shuts out Mantua, still in loneliness,
A slender boy in a loose page's dress,
Sordello: do but look on him awhile
Watching ('t is autumn) with an earnest smile
The noisy flock of thievish birds at work
Among the yellowing vineyards; see him lurk
('T is winter with its sullenest of storms)
Beside that arras-length of broidered forms,
On tiptoe, lifting in both hands a light
Which makes yon warrior's visage flutter bright
Ecelo, dismal father of the brood,
And Ecelin, close to the girl he wooed,
Auria, and their Child, with all his wives
From Agnes to the Tuscan that survives,
Lady of the castle, Adelaide. His face
Look, now he turns away! Yourselves shall trace
(The delicate nostril swerving wide and fine,
A sharp and restless lip, so well combine
With that calm brow) a soul fit to receive
Delight at every sense; you can believe
Sordello foremost in the regal class
Nature has broadly severed from her mass
Of men, and framed for pleasure, as she frames
Some happy lands, that have luxurious names,
For loose fertility; a footfall there
Suffices to upturn to the warm air
Half-germinating spices; mere decay
Produces richer life; and day by day
New pollen on the lily-petal grows,
And still more labyrinthine buds the rose.
You recognise at once the finer dress
Of flesh that amply lets in loveliness
At eye and ear, while round the rest is furled
(As though she would not trust them with her world)
A veil that shows a sky not near so blue,
And lets but half the sun look fervid through.
How can such love?like souls on each full-fraught
Discovery brooding, blind at first to aught
Beyond its beauty, till exceeding love
Becomes an aching weight; and, to remove
A curse that haunts such naturesto preclude
Their finding out themselves can work no good
To what they love nor make it very blest
By their endeavour,they are fain invest
The lifeless thing with life from their own soul,
Availing it to purpose, to control,
To dwell distinct and have peculiar joy
And separate interests that may employ
That beauty fitly, for its proper sake.
Nor rest they here; fresh births of beauty wake
Fresh homage, every grade of love is past,
With every mode of loveliness: then cast
Inferior idols off their borrowed crown
Before a coming glory. Up and down
Runs arrowy fire, while earthly forms combine
To throb the secret forth; a touch divine
And the scaled eyeball owns the mystic rod;
Visibly through his garden walketh God.
So fare they. Now revert. One character
Denotes them through the progress and the stir,
A need to blend with each external charm,
Bury themselves, the whole heart wide and warm,
In something not themselves; they would belong
To what they worshipstronger and more strong
Thus prodigally fedwhich gathers shape
And feature, soon imprisons past escape
The votary framed to love and to submit
Nor ask, as passionate he kneels to it,
Whence grew the idol's empery. So runs
A legend; light had birth ere moons and suns,
Flowing through space a river and alone,
Till chaos burst and blank the spheres were strown
Hither and thither, foundering and blind:
When into each of them rushed lightto find
Itself no place, foiled of its radiant chance.
Let such forego their just inheritance!
For there 's a class that eagerly looks, too,
On beauty, but, unlike the gentler crew,
Proclaims each new revealment born a twin
With a distinctest consciousness within,
Referring still the quality, now first
Revealed, to their own soulits instinct nursed
In silence, now remembered better, shown
More thoroughly, but not the less their own;
A dream come true; the special exercise
Of any special function that implies
The being fair, or good, or wise, or strong,
Dormant within their nature all along
Whose fault? So, homage, other souls direct
Without, turns inward. "How should this deject
"Thee, soul?" they murmur; "wherefore strength be quelled
"Because, its trivial accidents withheld,
"Organs are missed that clog the world, inert,
"Wanting a will, to quicken and exert,
"Like thineexistence cannot satiate,
"Cannot surprise? Laugh thou at envious fate,
"Who, from earth's simplest combination stampt
"With individualityuncrampt
"By living its faint elemental life,
"Dost soar to heaven's complexest essence, rife
"With grandeurs, unaffronted to the last,
"Equal to being all!"
In truth? Thou hast
Life, thenwilt challenge life for us: our race
Is vindicated so, obtains its place
In thy ascent, the first of us; whom we
May follow, to the meanest, finally,
With our more bounded wills?
Ah, but to find
A certain mood enervate such a mind,
Counsel it slumber in the solitude
Thus reached nor, stooping, task for mankind's good
Its nature just as life and time accord
"Too narrow an arena to reward
"Emprizethe world's occasion worthless since
"Not absolutely fitted to evince
"Its mastery!" Or if yet worse befall,
And a desire possess it to put all
That nature forth, forcing our straitened sphere
Contain it,to display completely here
The mastery another life should learn,
Thrusting in time eternity's concern,
So that Sordello. . . .
Fool, who spied the mark
Of leprosy upon him, violet-dark
Already as he loiters? Born just now,
With the new century, beside the glow
And efflorescence out of barbarism;
Witness a Greek or two from the abysm
That stray through Florence-town with studious air,
Calming the chisel of that Pisan pair:
If Nicolo should carve a Christus yet!
While at Siena is Guidone set,
Forehead on hand; a painful birth must be
Matured ere Saint Eufemia's sacristy
Or transept gather fruits of one great gaze
At the moon: look you! The same orange haze,
The same blue stripe round thatand, in the midst,
Thy spectral whiteness, Mother-maid, who didst
Pursue the dizzy painter!
Woe, then, worth
Any officious babble letting forth
The leprosy confirmed and ruinous
To spirit lodged in a contracted house!
Go back to the beginning, rather; blend
It gently with Sordello's life; the end
Is piteous, you may see, but much between
Pleasant enough. Meantime, some pyx to screen
The full-grown pest, some lid to shut upon
The goblin! So they found at Babylon,
(Colleagues, mad Lucius and sage Antonine)
Sacking the city, by Apollo's shrine,
In rummaging among the rarities,
A certain coffer; he who made the prize
Opened it greedily; and out there curled
Just such another plague, for half the world
Was stung. Crawl in then, hag, and couch asquat,
Keeping that blotchy bosom thick in spot
Until your time is ripe! The coffer-lid
Is fastened, and the coffer safely hid
Under the Loxian's choicest gifts of gold.
Who will may hear Sordello's story told,
And how he never could remember when
He dwelt not at Goito. Calmly, then,
About this secret lodge of Adelaide's
Glided his youth away; beyond the glades
On the fir-forest border, and the rim
Of the low range of mountain, was for him
No other world: but this appeared his own
To wander through at pleasure and alone.
The castle too seemed empty; far and wide
Might he disport; only the northern side
Lay under a mysterious interdict
Slight, just enough remembered to restrict
His roaming to the corridors, the vault
Where those font-bearers expiate their fault,
The maple-chamber, and the little nooks
And nests, and breezy parapet that looks
Over the woods to Mantua: there he strolled.
Some foreign women-servants, very old,
Tended and crept about himall his clue
To the world's business and embroiled ado
Distant a dozen hill-tops at the most.
And first a simple sense of life engrossed
Sordello in his drowsy Paradise;
The day's adventures for the day suffice
Its constant tribute of perceptions strange,
With sleep and stir in healthy interchange,
Suffice, and leave him for the next at ease
Like the great palmer-worm that strips the trees,
Eats the life out of every luscious plant,
And, when September finds them sere or scant,
Puts forth two wondrous winglets, alters quite,
And hies him after unforeseen delight.
So fed Sordello, not a shard dissheathed;
As ever, round each new discovery, wreathed
Luxuriantly the fancies infantine
His admiration, bent on making fine
Its novel friend at any risk, would fling
In gay profusion forth: a ficklest king,
Confessed those minions!eager to dispense
So much from his own stock of thought and sense
As might enable each to stand alone
And serve him for a fellow; with his own,
Joining the qualities that just before
Had graced some older favourite. Thus they wore
A fluctuating halo, yesterday
Set flicker and to-morrow filched away,
Those upland objects each of separate name,
Each with an aspect never twice the same,
Waxing and waning as the new-born host
Of fancies, like a single night's hoar-frost,
Gave to familiar things a face grotesque;
Only, preserving through the mad burlesque
A grave regard. Conceive! the orpine patch
Blossoming earliest on the log-house thatch
The day those archers wound along the vines
Related to the Chief that left their lines
To climb with clinking step the northern stair
Up to the solitary chambers where
Sordello never came. Thus thrall reached thrall;
He o'er-festooning every interval,
As the adventurous spider, making light
Of distance, shoots her threads from depth to height,
From barbican to battlement: so flung
Fantasies forth and in their centre swung
Our architect,the breezy morning fresh
Above, and merry,all his waving mesh
Laughing with lucid dew-drops rainbow-edged.
This world of ours by tacit pact is pledged
To laying such a spangled fabric low
Whether by gradual brush or gallant blow.
But its abundant will was baulked here: doubt
Rose tardily in one so fenced about
From most that nurtures judgment,care and pain:
Judgment, that dull expedient we are fain,
Less favoured, to adopt betimes and force
Stead us, diverted from our natural course
Of joyscontrive some yet amid the dearth,
Vary and render them, it may be, worth
Most we forego. Suppose Sordello hence
Selfish enough, without a moral sense
However feeble; what informed the boy
Others desired a portion in his joy?
Or say a ruthful chance broke woof and warp
A heron's nest beat down by March winds sharp,
A fawn breathless beneath the precipice,
A bird with unsoiled breast and unfilmed eyes
Warm in the brakecould these undo the trance
Lapping Sordello? Not a circumstance
That makes for you, friend Naddo! Eat fern-seed
And peer beside us and report indeed
If (your word) "genius" dawned with throes and stings
And the whole fiery catalogue, while springs,
Summers, and winters quietly came and went.
Time put at length that period to content,
By right the world should have imposed: bereft
Of its good offices, Sordello, left
To study his companions, managed rip
Their fringe off, learn the true relationship,
Core with its crust, their nature with his own:
Amid his wild-wood sights he lived alone.
As if the poppy felt with him! Though he
Partook the poppy's red effrontery
Till Autumn spoiled their fleering quite with rain,
And, turbanless, a coarse brown rattling crane
Lay bare. That 's gone: yet why renounce, for that,
His disenchanted tributariesflat
Perhaps, but scarce so utterly forlorn,
Their simple presence might not well be borne
Whose parley was a transport once: recall
The poppy's gifts, it flaunts you, after all,
A poppy:why distrust the evidence
Of each soon satisfied and healthy sense?
The new-born judgment answered, "little boots
"Beholding other creatures' attributes
"And having none!" or, say that it sufficed,
"Yet, could one but possess, oneself," (enticed
Judgment) "some special office!" Nought beside
Serves you? "Well then, be somehow justified
"For this ignoble wish to circumscribe
"And concentrate, rather than swell, the tribe
"Of actual pleasures: what, now, from without
"Effects it?proves, despite a lurking doubt,
"Mere sympathy sufficient, trouble spared?
"That, tasting joys by proxy thus, you fared
"The better for them?" Thus much craved his soul,
Alas, from the beginning love is whole
And true; if sure of nought beside, most sure
Of its own truth at least; nor may endure
A crowd to see its face, that cannot know
How hot the pulses throb its heart below.
While its own helplessness and utter want
Of means to worthily be ministrant
To what it worships, do but fan the more
Its flame, exalt the idol far before
Itself as it would have it ever be.
Souls like Sordello, on the contrary,
Coerced and put to shame, retaining will,
Care little, take mysterious comfort still,
But look forth tremblingly to ascertain
If others judge their claims not urged in vain,
And say for them their stifled thoughts aloud.
So, they must ever live before a crowd:
"Vanity," Naddo tells you.
Whence contrive
A crowd, now? From these women just alive,
That archer-troop? Forth glidednot alone
Each painted warrior, every girl of stone,
Nor Adelaide (bent double o'er a scroll,
One maiden at her knees, that eve, his soul
Shook as he stumbled through the arras'd glooms
On them, for, 'mid quaint robes and weird perfumes,
Started the meagre Tuscan up,her eyes,
The maiden's, also, bluer with surprise)
But the entire out-world: whatever, scraps
And snatches, song and story, dreams perhaps,
Conceited the world's offices, and he
Had hitherto transferred to flower or tree,
Not counted a befitting heritage
Each, of its own right, singly to engage
Some man, no other,such now dared to stand
Alone. Strength, wisdom, grace on every hand
Soon disengaged themselves, and he discerned
A sort of human life: at least, was turned
A stream of lifelike figures through his brain.
Lord, liegeman, valvassor and suzerain,
Ere he could choose, surrounded him; a stuff
To work his pleasure on; there, sure enough:
But as for gazing, what shall fix that gaze?
Are they to simply testify the ways
He who convoked them sends his soul along
With the cloud's thunder or a dove's brood-song?
While they live each his life, boast each his own
Peculiar dower of bliss, stand each alone
In some one point where something dearest loved
Is easiest gainedfar worthier to be proved
Than aught he envies in the forest-wights!
No simple and self-evident delights,
But mixed desires of unimagined range,
Contrasts or combinations, new and strange,
Irksome perhaps, yet plainly recognized
By this, the sudden companyloves prized
By those who are to prize his own amount
Of loves. Once care because such make account,
Allow that foreign recognitions stamp
The current value, and his crowd shall vamp
Him counterfeits enough; and so their print
Be on the piece, 't is gold, attests the mint,
And "good," pronounce they whom his new appeal
Is made to: if their casual print conceal
This arbitrary good of theirs o'ergloss
What he has lived without, nor felt the loss
Qualities strange, ungainly, wearisome,
What matter? So must speech expand the dumb
Part-sigh, part-smile with which Sordello, late
Whom no poor woodland-sights could satiate,
Betakes himself to study hungrily
Just what the puppets his crude phantasy
Supposes notablest,popes, kings, priests, knights,
May please to promulgate for appetites;
Accepting all their artificial joys
Not as he views them, but as he employs
Each shape to estimate the other's stock
Of attributes, whereona marshalled flock
Of authorized enjoymentshe may spend
Himself, be men, now, as he used to blend
With tree and flowernay more entirely, else
'T were mockery: for instance, "How excels
"My life that chieftain's?" (who apprised the youth
Ecelin, here, becomes this month, in truth,
Imperial Vicar?) "Turns he in his tent
"Remissly? Be it somy head is bent
"Deliciously amid my girls to sleep.
"What if he stalks the Trentine-pass? Yon steep
"I climbed an hour ago with little toil:
"We are alike there. But can I, too, foil
"The Guelf's paid stabber, carelessly afford
"Saint Mark's a spectacle, the sleight o' the sword
"Baffling the treason in a moment?" Here
No rescue! Poppy he is none, but peer
To Ecelin, assuredly: his hand,
Fashioned no otherwise, should wield a brand
With Ecelin's successtry, now! He soon
Was satisfied, returned as to the moon
From earth; left each abortive boy's-attempt
For feats, from failure happily exempt,
In fancy at his beck. "One day I will
"Accomplish it! Are they not older still
"Not grown-up men and women? 'T is beside
"Only a dream; and though I must abide
"With dreams now, I may find a thorough vent
"For all myself, acquire an instrument
"For acting what these people act; my soul
"Hunting a body out may gain its whole
"Desire some day!" How else express chagrin
And resignation, show the hope steal in
With which he let sink from an aching wrist
The rough-hewn ash-bow? Straight, a gold shaft hissed
Into the Syrian air, struck Malek down
Superbly! "Crosses to the breach! God's Town
"Is gained him back!" Why bend rough ash-bows more?
Thus lives he: if not careless as before,
Comforted: for one may anticipate,
Rehearse the future, be prepared when fate
Shall have prepared in turn real men whose names
Startle, real places of enormous fames,
Este abroad and Ecelin at home
To worship him,Mantua, Verona, Rome
To witness it. Who grudges time so spent?
Rather test qualities to heart's content
Summon them, thrice selected, near and far
Compress the starriest into one star,
And grasp the whole at once!
The pageant thinned
Accordingly; from rank to rank, like wind
His spirit passed to winnow and divide;
Back fell the simpler phantasms; every side
The strong clave to the wise; with either classed
The beauteous; so, till two or three amassed
Mankind's beseemingnesses, and reduced
Themselves eventually,graces loosed,
Strengths lavished,all to heighten up One Shape
Whose potency no creature should escape.
Can it be Friedrich of the bowmen's talk?
Surely that grape-juice, bubbling at the stalk,
Is some grey scorching Saracenic wine
The Kaiser quaffs with the Miramoline
Those swarthy hazel-clusters, seamed and chapped,
Or filberts russet-sheathed and velvet-capped,
Are dates plucked from the bough John Brienne sent
To keep in mind his sluggish armament
Of Canaan:Friedrich's, all the pomp and fierce
Demeanour! But harsh sounds and sights transpierce
So rarely the serene cloud where he dwells
Whose looks enjoin, whose lightest words are spells
On the obdurate! That right arm indeed
Has thunder for its slave; but where 's the need
Of thunder if the stricken multitude
Hearkens, arrested in its angriest mood,
While songs go up exulting, then dispread,
Dispart, disperse, lingering overhead
Like an escape of angels? 'T is the tune,
Nor much unlike the words his women croon
Smilingly, colourless and faint-designed
Each, as a worn-out queen's face some remind
Of her extreme youth's love-tales. "Eglamor
"Made that!" Half minstrel and half emperor,
What but ill objects vexed him? Such he slew.
The kinder sort were easy to subdue
By those ambrosial glances, dulcet tones;
And these a gracious hand advanced to thrones
Beneath him. Wherefore twist and torture this,
Striving to name afresh the antique bliss,
Instead of saying, neither less nor more,
He had discovered, as our world before,
Apollo? That shall be the name; nor bid
Me rag by rag expose how patchwork hid
The youthwhat thefts of every clime and day
Contributed to purfle the array
He climbed with (June at deep) some close ravine
Mid clatter of its million pebbles sheen,
Over which, singing soft, the runnel slipped
Elate with rains: into whose streamlet dipped
He foot, yet trod, you thought, with unwet sock
Though really on the stubs of living rock
Ages ago it crenelled; vines for roof,
Lindens for wall; before him, aye aloof,
Flittered in the cool some azure damsel-fly,
Born of the simmering quiet, there to die.
Emerging whence, Apollo still, he spied
Mighty descents of forest; multiplied
Tuft on tuft, here, the frolic myrtle-trees,
There gendered the grave maple stocks at ease.
And, proud of its observer, straight the wood
Tried old surprises on him; black it stood
A sudden barrier ('twas a cloud passed o'er)
So dead and dense, the tiniest brute no more
Must pass; yet presently (the cloud dispatched)
Each clump, behold, was glistering detached
A shrub, oak-boles shrunk into ilex-stems!
Yet could not he denounce the stratagems
He saw thro', till, hours thence, aloft would hang
White summer-lightnings; as it sank and sprang
To measure, that whole palpitating breast
Of heaven, 't was Apollo, nature prest
At eve to worship.
Time stole: by degrees
The Pythons perish off; his votaries
Sink to respectful distance; songs redeem
Their pains, but briefer; their dismissals seem
Emphatic; only girls are very slow
To disappearhis Delians! Some that glow
O' the instant, more with earlier loves to wrench
Away, reserves to quell, disdains to quench;
Alike in one material circumstance
All soon or late adore Apollo! Glance
The bevy through, divine Apollo's choice,
His Daphne! "We secure Count Richard's voice
"In Este's counsels, good for Este's ends
"As our Taurello," say his faded friends,
"By granting him our Palma!"the sole child,
They mean, of Agnes Este who beguiled
Ecelin, years before this Adelaide
Wedded and turned him wicked: "but the maid
"Rejects his suit," those sleepy women boast.
She, scorning all beside, deserves the most
Sordello: so, conspicuous in his world
Of dreams sat Palma. How the tresses curled
Into a sumptuous swell of gold and wound
About her like a glory! even the ground
Was bright as with spilt sunbeams; breathe not, breathe
Not!poised, see, one leg doubled underneath,
Its small foot buried in the dimpling snow,
Rests, but the other, listlessly below,
O'er the couch-side swings feeling for cool air,
The vein-streaks swollen a richer violet where
The languid blood lies heavily; yet calm
On her slight prop, each flat and outspread palm,
As but suspended in the act to rise
By consciousness of beauty, whence her eyes
Turn with so frank a triumph, for she meets
Apollo's gaze in the pine glooms.
Time fleets:
That 's worst! Because the pre-appointed age
Approaches. Fate is tardy with the stage
And crowd she promised. Lean he grows and pale,
Though restlessly at rest. Hardly avail
Fancies to soothe him. Time steals, yet alone
He tarries here! The earnest smile is gone.
How long this might continue matters not;
For ever, possibly; since to the spot
None come: our lingering Taurello quits
Mantua at last, and light our lady flits
Back to her place disburthened of a care.
Strangeto be constant here if he is there!
Is it distrust? Oh, never! for they both
Goad Ecelin alike, Romano's growth
Is daily manifest, with Azzo dumb
And Richard wavering: let but Friedrich come,
Find matter for the minstrelsy's report
Lured from the Isle and its young Kaiser's court
To sing us a Messina morning up,
And, double rillet of a drinking cup,
Sparkle along to ease the land of drouth,
Northward to Provence that, and thus far south
The other! What a method to apprise
Neighbours of births, espousals, obsequies,
Which in their very tongue the Troubadour
Records! and his performance makes a tour,
For Trouveres bear the miracle about,
Explain its cunning to the vulgar rout,
Until the Formidable House is famed
Over the countryas Taurello aimed,
Who introduced, although the rest adopt,
The novelty. Such games, her absence stopped,
Begin afresh now Adelaide, recluse
No longer, in the light of day pursues
Her plans at Mantua: whence an accident
Which, breaking on Sordello's mixed content
Opened, like any flash that cures the blind,
The veritable business of mankind.
~ Robert Browning, Sordello - Book the First
,#NFDB
12 Yoga
11 Poetry
2 Fiction
1 Sufism
1 Philsophy
1 Occultism
1 Mysticism
1 Christianity
1 Alchemy
11 Sri Ramakrishna
3 Robert Browning
3 John Keats
11 The Gospel of Sri Ramakrishna
3 Keats - Poems
3 Browning - Poems
0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Totapuri, coming to know of the Master's marriage, had once remarked: "What does it matter? He alone is firmly established in the Knowledge of Brahman who can adhere to his spirit of discrimination and renunciation even while living with his wife. He alone has attained the supreme illumination who can look on man and woman alike as Brahman. A man with the idea of sex may be a good aspirant, but he is still far from the goal." Sri Ramakrishna and his wife lived together at Dakshineswar, but their minds always soared above the worldly plane. A few months after Sarada Devi's arrival Sri Ramakrishna arranged, on an auspicious day, a special worship of Kali, the Divine Mother. Instead of an image of the Deity, he placed on the seat the living image, Sarada Devi herself. The worshipper and the worshipped went into deep samadhi and in the transcendental plane their souls were united. After several hours Sri Ramakrishna came down again to the relative plane, sang a hymn to the Great Goddess, and surrendered, at the feet of the living image, himself, his Rosary, and the fruit of his life-long sadhana. This is known in Tantra as the Shorasi Puja, the "Adoration of Woman". Sri Ramakrishna realized the significance of the great statement of the Upanishad: "O Lord, Thou art the woman. Thou art the man; Thou art the boy. Thou art the girl; Thou art the old, tottering on their crutches. Thou pervadest the universe in its multiple forms."
By his marriage Sri Ramakrishna admitted the great value of marriage in man's spiritual evolution, and by adhering to his monastic vows he demonstrated the imperative necessity of self-control, purity, and continence, in the realization of God. By this unique spiritual relationship with his wife he proved that husband and wife can live together as spiritual companions. Thus his life is a synthesis of the ways of life of the householder and the monk.
--
Unsurpassed among the woman devotees of the Master in the richness of her devotion and spiritual experiences was Aghoremani Devi, an orthodox brahmin woman. Widowed at an early age, she had dedicated herself completely to spiritual pursuits. Gopala, the Baby Krishna, was her Ideal Deity, whom she worshipped following the vatsalya attitude of the Vaishnava religion, regarding Him as her own child. Through Him she satisfied her unassuaged maternal love, cooking for Him, feeding Him, bathing Him, and putting Him to bed. This sweet intimacy with Gopala won her the sobriquet of Gopal Ma, or Gopala's Mother. For forty years she had lived on the bank of the Ganges in a small, bare room, her only companions being a threadbare copy of the Ramayana and a bag containing her Rosary. At the age of sixty, in 1884, she visited Sri Ramakrishna at Dakshineswar. During the second visit, as soon as the Master saw her, he said: "Oh, you have come! Give me something to eat." With great hesitation she gave him some ordinary sweets that she had purchased for him on the way. The Master ate them with relish and asked her to bring him simple curries or sweets prepared by her own hands. Gopal Ma thought him a queer kind of monk, for, instead of talking of God, he always asked for food. She did not want to visit him again, but an irresistible attraction brought her back to the temple garden; She carried with her some simple curries that she had cooked herself.
One early morning at three o'clock, about a year later, Gopal Ma was about to finish her daily devotions, when she was startled to find Sri Ramakrishna sitting on her left, with his right hand clenched, like the hand of the image of Gopala. She was amazed and caught hold of the hand, whereupon the figure vanished and in its place appeared the real Gopala, her Ideal Deity. She cried aloud with joy. Gopala begged her for butter. She pleaded her poverty and gave Him some dry coconut candies. Gopala, sat on her lap, snatched away her Rosary, jumped on her shoulders, and moved all about the room. As soon as the day broke she hastened to Dakshineswar like an insane woman. Of course Gopala accompanied her, resting His head on her shoulder. She clearly saw His tiny ruddy feet hanging over her breast. She entered Sri Ramakrishna's room. The Master had fallen into samadhi. Like a child, he sat on her lap, and she began to feed him with butter, cream, and other delicacies. After some time he regained consciousness and returned to his bed. But the mind of Gopala's Mother was still roaming in another plane. She was steeped in bliss. She saw Gopala frequently entering the Master's body and again coming out of it. When she returned to her hut, still in a dazed condition, Gopala accompanied her.
She spent about two months in uninterrupted communion with God, the Baby Gopala never leaving her for a moment. Then the intensity of her vision was lessened; had it not been, her body would have perished. The Master spoke highly of her exalted spiritual condition and said that such vision of God was a rare thing for ordinary mortals. The fun-loving Master one day confronted the critical Narendranath with this simple-minded woman. No two could have presented a more striking contrast. The Master knew of Narendra's lofty contempt for all visions, and he asked the old lady to narrate her experiences to Narendra. With great hesitation she told him her story. Now and then she interrupted her maternal chatter to ask Narendra: "My son, I am a poor ignorant woman. I don't understand anything. You are so learned. Now tell me if these visions of Gopala are true." As Narendra listened to the story he was profoundly moved. He said, "Yes, mother, they are quite true." Behind his cynicism Narendra, too, possessed a heart full of love and tenderness.
1.03 - Japa Yoga, #Amrita Gita, #Swami Sivananda Saraswati, #Hinduism
25. Mala or Rosary is a whip to goad the mind towards God.
26. Sometimes do the Japa without a Mala. Go by the watch.
1.03 - Sympathetic Magic, #The Golden Bough, #James George Frazer, #Occultism
deliver the Rosary of their sins to the leader, who burns it in the
fire.
1.04 - ADVICE TO HOUSEHOLDERS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"Balaram comes from a family of devout Vaishnavas. His father, now an old man, is a pious devotee. He has a tuft of hair on his head, a Rosary of tulsi beads round his neck, and a string of beads in his hand. He devotes his time to the repetition of God's name.
He owns much property in Orissa and has built temples to Radha-Krishna in Kothar, Vrindvan, and other places, establishing free guesthouses as well.
1.12 - THE FESTIVAL AT PNIHTI, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
His body was stamped with the name of God, according to the Vaishnava custom, and he carried in his hand a small bag containing his Rosary. He had visited the Master, now and then, at Dakshineswar. But most of the Vaishnavas held narrow religious views; they criticized the Vedantists and the followers of the iva cult. Sri Ramakrishna soon began to speak.
Dogmatism condemned
1.13 - THE MASTER AND M., #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Narendra left the room and went to the east verandah, where Hazra was seated on a blanket, with a Rosary in his hand. They fell to talking. Other devotees arrived. The Master came down from samdhi and looked around. He could not find Narendra. The Tnpura was lying on the floor. He noticed that the earnest eyes of the devotees were riveted on him.
MASTER (referring to Narendra): "He has lighted the fire. Now it doesn't matter whether he stays in the room or goes out.
1.14 - INSTRUCTION TO VAISHNAVS AND BRHMOS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"Aspirants endowed with rajas exhibit outward pomp-a string of beads around the neck, a mark on the forehead, an ochre robe, a silk cloth, a Rosary with a gold bead, and so on. They are like stall-keepers advertising their wares with signboards.
"All religions and all paths call upon their followers to pray to one and the same God.
1.25 - ADVICE TO PUNDIT SHASHADHAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"The Vaishnavas have a very humble and lowly attitude. (Looking at Balarm's father) They tell their Rosary and whine and whimper: 'O Krishna, be gracious to us! We are wretched! We are sinners!'
Faith in God's name
1.asak - A pious one with a hundred beads on your rosary, #unset, #Anonymous, #Various
object:1.asak - A pious one with a hundred beads on your Rosary
author class:Abu-Said Abil-Kheir
--
English version by Vraje Abramian Original Language Persian/Farsi A pious one with a hundred beads on your Rosary, or a drunkard in a tavern, any gift you bring the Beloved will be accepted as long as you come in longing. It is this most secret pain, this bleeding separation, which will guide you to your Heart of Hearts. [1472.jpg] -- from Nobody, Son of Nobody: Poems of Shaikh Abu-Saeed Abil-Kheir, Translated by Vraje Abramian
1.bs - Love Springs Eternal, #unset, #Anonymous, #Various
English version by Mahmood Jamal Original Language Punjabi Love springs eternal! When I learnt the lesson of Love I dreaded going to the mosque. Hesitantly, I found a temple Where they beat a thousand drums. Love springs eternal! Come! I am tired of reading holy books, Fed up with prostrations good. God is not in Mathura or Mecca. He who finds Him is enlightened! Love springs eternal! Come! Burn the prayer mat, break the beaker! Quit the Rosary, chuck the staff! Lovers shout at the top of their voices: Break all rules that tie you down! Love springs eternal! Come! Heer and Ranjha are united: While she searches for him in orchards, He is in her warm embrace! She has her love, she is fulfilled! Love springs eternal! Come! [2469.jpg] -- from Islamic Mystical Poetry: Sufi Verse from the Early Mystics to Rumi, Translated by Mahmood Jamal <
1f.lovecraft - The Mound, #Lovecraft - Poems, #unset, #Zen
he atoned by frequent countings of the beads of his Rosary. He explored
the entire world of Kn-yan, including the deserted machine-cities of
--
Rosary. The last entry in the manuscript, which toward the end took the
form of a diary more and more, was merely a single sentenceEs ms
1.jk - Isabella; Or, The Pot Of Basil - A Story From Boccaccio, #Keats - Poems, #John Keats, #Poetry
"His dewy Rosary on the eglantine."
Lorenzo, courteously as he was wont,
1.jk - Ode On Melancholy, #Keats - Poems, #John Keats, #Poetry
Make not your Rosary of yew-berries,
Nor let the beetle nor the death-moth be
1.jk - The Eve Of St. Agnes, #Keats - Poems, #John Keats, #Poetry
His Rosary, and while his frosted breath,
Like pious incense from a censer old,
1.kbr - Poem 8, #Songs of Kabir, #Kabir, #Sufism
Look upon that Rosary with the eyes of wisdom.
Translated by Rabindranath Tagore
1.pbs - Saint Edmonds Eve, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
His Rosary hung by his side,
Now swift to the chancel doors he leads,
--
And a Rosary shone through the gloom,
But never again was the Canon there found,
1.rb - By The Fire-Side, #Browning - Poems, #Robert Browning, #Poetry
Break the Rosary in a pearly rain,
And gather what we let fall!
1.rb - Sordello - Book the First, #Browning - Poems, #Robert Browning, #Poetry
From off the Rosary whereby the crypt
Keeps count of the contritions of its charge?
1.rb - The Englishman In Italy, #Browning - Poems, #Robert Browning, #Poetry
Of the Rosary's Virgin, by no means
Of Virgins the least,
1.rwe - Monadnoc, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
But beads are of a Rosary
On prayer and music strung;
2.02 - THE DURGA PUJA FESTIVAL, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Hazra was sitting on the northeast verandah counting the beads of his Rosary. The Master went and sat in front of him, taking the Rosary in his own hands.
MASTER (to Hazra): "You see, I cannot use the Rosary. No, perhaps I can. Yes, I can with my left hand. But I cannot repeat the name of God with it."
With these words Sri Ramakrishna tried to perform a little japa. But hardly had he begun when he went into samdhi. He sat in that state a long time, still holding the Rosary in his hand. The devotees looked at him with wonder in their eyes. Hazra also watched the Master without uttering a word. After a long time Sri Ramakrishna regained consciousness of the outer world and said that he was hungry. He often said such things to bring his mind down to the normal plane. M. was going to bring something for him to eat. The Master said, "No, I shall first go to the Kli temple."
He went across the cement courtyard toward the Kli temple. On the way he bowed with folded hands to the twelve iva temples. On the left was the temple of Radhakanta. He went there first and bowed before the image. Then he entered the Kli temple and saluted the Mother. Sitting on a carpet, he offered flowers at the Mother's holy feet. He also placed a flower on his own head. While returning from the temple he asked Bhavanath to carry the green coconut offered at the temple, and the charanamrita.
2.03 - THE MASTER IN VARIOUS MOODS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER: "One day I was returning from the Pine-grove, when I saw you telling your beads. I said to the Divine Mother: 'Mother, what a small minded fellow he is! He lives here and still he pratises japa with a Rosary! Whoever comes he [referring to himself]
will have his spiritual consciousness awakened all a once; he won't have to bother much, about japa. Go to Calcutta and you will find thousands telling their beads-even the prostitutes.'
2.05 - VISIT TO THE SINTHI BRAMO SAMAJ, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"According to a certain school of thought there are four classes of devotees: the pravartaka, the sadhaka, the siddha, and the siddha of the siddha. He who has just begun religious life is a pravartaka. Such a man puts his denominational marks on his body and forehead, wears a Rosary around his neck, and scrupulously follows other outer conventions. The sadhaka has advanced farther. His desire for outer show has become less. He longs for the realization of God and prays to Him sincerely. He repeats the name of God and calls on Him with a guileless heart. Now, whom should we call the siddha? He who has the absolute conviction that Cod exists and is the sole Doer; he who has seen God. And who is the siddha of the siddha? He who has not merely seen God, but has intimately talked with Him as Father, Son, or Beloved.
Difference between intellectual understanding and actual vision "It is one thing to believe beyond a doubt that fire exists in wood, but it is quite another to get the fire from the wood, cook rice with its help, appease one's hunger, and so be satisfied. These are two entirely different things.
2.10 - THE MASTER AND NARENDRA, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER (to the devotees): "There are people who indulge in all kinds of gossip at the time of their daily devotions. As you know, one is not permitted to talk then; so they make all kinds of signs, keeping their lips closed. In order to say, 'Bring this', 'Bring that', they make sounds like 'Huh', 'Uhuh'. All such things they do! (Laughter.) "Again, there are some who bargain for fish while telling their beads. As they count the Rosary, with a finger they point out the fish, indicating, That one, please.' They reserve all their business for that time! (Laughter.)
"There are women who come to the Ganges for their bath and, instead of thinking of God, gossip about no end of things. 'What jewels did you offer at the time of your son's marriage?'- 'Has so-and-so returned from her father-in law's house?' - 'So-and-so is seriously ill.' - 'So-and-so went to see the bride; we hope that they will offer a magnificent dowry and that there will be a great feast.' - 'Harish always nags at me; he can't stay away from me even an hour.' - 'My child, I couldn't come to see you all these days; I was so busy with the betrothal of so-and-so's daughter.'
2.20 - THE MASTERS TRAINING OF HIS DISCIPLES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER (with a smile): "There was a goldsmith who kept a jewellery shop. He looked like a great devotee, a true Vaishnava, with beads around his neck, Rosary in his hand, and the holy marks on his forehead. Naturally people trusted him and came to his shop on business. They thought that, being such a pious man, he would never cheat them.
Whenever a party of customers entered the shop, they would hear one of his craftsmen say, 'Kesava! Kesava!' Another would say, after a while, 'Gopal! Gopal!' Then a third would mutter, 'Hari! Hari!' Finally someone would say, 'Hara! Hara!' Now these are, as you know, different names of God. Hearing so much chanting of God's names, the customers naturally thought that this goldsmith must be a very superior person. But can you guess the goldsmith's true intention? The man who said 'Kesava! Kesava!' meant to ask, who are these?-'who are these customers?' The man who said 'Gopal! Gopal!'
The Dwellings of the Philosophers, #unset, #Anonymous, #Various
beginning of my Philosophical Rosary which are engendered (says Rasis, Avicenna, and
Abraham the Jew) in the kidneys, entrails, and from the operations of the four elements. They
--
Panel 5 Two pilgrims, each carrying a Rosary, meet in the vicinity of a building a
church or chapel which can be noticed in the background. Of these two men, quite old,
--
A slight detail catches the acute students attention; the Rosary he holds forms, with his
pilgrims staff, the image of the caduceus, Hermes, symbolic attri bute. On the other hand, we
The Gospel According to Luke, #The Bible, #Anonymous, #Various
The first two chapters of Luke are known as his Infancy Narrative, for it describes in great detail the conception and childhood of Jesus, often through the eyes of his mother Mary. With her consent (1:38) to be the Mother of Our Lord, Mary faithfully serves the purpose of God. She then visits her hospitable cousin Elizabeth, who exclaims "Blessed are you among women and blessed is the fruit of your womb" (1:42). Several of our Marian beliefs are based on the Infancy Narrative. Indeed, the Hail Mary prayer as well as several Mysteries of the Rosary are derived from Luke's Gospel. The only time that Jesus speaks as a child in the New Testament is recorded in Luke's Infancy Narrative (2:49).
St. Luke sees the life and mission of Jesus Christ as a visitation from God. Those who are hospitable to our Lord, such as the sinful woman in the house of Simon the Pharisee (7:36-50), Zacchaeus the tax collector (19:1-10), and the thoughtful thief on the cross (23:40-42) find assurance and salvation. The prophecy of Simeon that the child Jesus was to be a sign of contradiction is fulfilled in the acceptance and rejection experienced by Jesus throughout his ministry. A poignant moment occurs in the Gospel when Jesus weeps over Jerusalem, because you did not know the time of your visitation (Luke 19:41-44).
--- Overview of noun rosary
The noun rosary has 1 sense (first 1 from tagged texts)
1. (1) rosary, prayer beads ::: (a string of beads used in counting prayers (especially by Catholics))
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun rosary
1 sense of rosary
Sense 1
rosary, prayer beads
=> beads, string of beads
=> string
=> collection, aggregation, accumulation, assemblage
=> group, grouping
=> abstraction, abstract entity
=> entity
--- Hyponyms of noun rosary
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun rosary
1 sense of rosary
Sense 1
rosary, prayer beads
=> beads, string of beads
--- Coordinate Terms (sisters) of noun rosary
1 sense of rosary
Sense 1
rosary, prayer beads
-> beads, string of beads
=> rosary, prayer beads
=> wampum, peag, wampumpeag
--- Grep of noun rosary
rosary
Wikipedia - Anglican Rosary
Wikipedia - Augustissimae Virginis Mariae -- 1897 encyclical on the Rosary Sodality
Wikipedia - Church of Our Lady of the Rosary, New Julfa -- Iranian national heritage site
Wikipedia - Church of the Blessed Virgin Mary of the Rosary, BalbieriM-EM-!kis -- Church of BalbieriM-EM-!kis
Wikipedia - Confraternity of the Rosary
Wikipedia - Dominican Nuns of the Perpetual Rosary
Wikipedia - Family Rosary Crusade
Wikipedia - Feast of Our Lady of the Rosary
Wikipedia - Feast of the Holy Rosary
Wikipedia - Holy Rosary Cathedral, Kolkata
Wikipedia - Holy Rosary Cathedral, Semarang -- Catholic church in Indonesia
Wikipedia - Holy Rosary Church (Manhattan)
Wikipedia - List of encyclicals of Pope Leo XIII on the Rosary -- Encyclicals by Pope Leo XIII on the subjecy of the Rosary
Wikipedia - Living Rosary
Wikipedia - Madonna of the Rosary (Lotto) -- 1539 painting by Lorenzo Lotto
Wikipedia - Our Lady of Rosary Cathedral, Mangalore -- Building in India
Wikipedia - Our Lady of Rosary of Mangalore
Wikipedia - Our Lady of the Holy Rosary Church (New York City)
Wikipedia - Our Lady of the Holy Rosary's Church (New York City)
Wikipedia - Our Lady of the Most Holy Rosary
Wikipedia - Our Lady of the Rosary -- Title of the Virgin Mary
Wikipedia - Our Lady's Rosary Makers
Wikipedia - Power of the rosary
Wikipedia - Rosary Basilica
Wikipedia - Rosary Cemetery, Norwich -- Non-denominational burial ground in Norwich, England
Wikipedia - Rosary devotions and spirituality
Wikipedia - Rosary High School (Aurora, Illinois)
Wikipedia - Rosaryhill School
Wikipedia - Rosary of the Philosophers
Wikipedia - Rosary -- Roman Catholic sacramental and Marian devotion to prayer
Wikipedia - Shettihalli Rosary Church -- Gothic church ruins
Wikipedia - Shrine of the Virgin of the Rosary of Pompei
Wikipedia - The Power of the Rosary -- Book on rosary prayer by Albert Shamon
Wikipedia - The Rosary (1922 film) -- 1922 film
Wikipedia - The Rosary (1931 film) -- 1931 film
Wikipedia - The Universal Living Rosary Association
https://www.goodreads.com/book/show/1178310.The_Rosary_Girls
https://www.goodreads.com/book/show/1178310.The_Rosary_Girls__Jessica_Balzano___Kevin_Byrne___1_
https://www.goodreads.com/book/show/13587535-the-rosary
https://www.goodreads.com/book/show/1420762.The_Rosary
https://www.goodreads.com/book/show/2446369.Praying_the_Rosary
https://www.goodreads.com/book/show/34879810-blood-on-the-rosary
https://www.goodreads.com/book/show/34879811-blood-on-the-rosary
https://www.goodreads.com/book/show/34879812-blood-on-the-rosary
https://www.goodreads.com/book/show/36338720-the-new-rosary
https://www.goodreads.com/book/show/4306729-the-aquarian-rosary
https://www.goodreads.com/book/show/511405.The_Rosary_of_Our_Lady
https://www.goodreads.com/book/show/737621.Please_Don_t_Drink_the_Holy_Water_Homeschool_Days_Rosary_Nights_and_Other_Near_Occasions_of_Sin
https://religion.wikia.org/wiki/Category:Rosary
https://religion.wikia.org/wiki/Category_talk:Rosary
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#.22Miracles.22
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#External_links
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#How_the_Ecumenical_Miracle_Rosary_is_Prayed
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#Origins_of_the_Ecumenical_Miracle_Rosary
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#Prayers
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#Reactions_to_the_Ecumenical_Miracle_Rosary
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#References
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#The_Great_Commission
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#The_Greatest_Commandment
https://religion.wikia.org/wiki/Ecumenical_Miracle_Rosary#The_Jesus_Prayer
https://religion.wikia.org/wiki/File:Buddhist_rosary_01.JPG
https://religion.wikia.org/wiki/How_to_pray_the_Rosary_(video)
https://religion.wikia.org/wiki/Miracle_of_the_Rosary_(video)
https://religion.wikia.org/wiki/Our_Lady_of_the_Rosary
https://religion.wikia.org/wiki/Rosary
https://religion.wikia.org/wiki/Rosary_based_prayers
https://religion.wikia.org/wiki/Rosary_(Catholic_point_of_view)
https://religion.wikia.org/wiki/Rosary_(Christian_Orthodox_point_of_view)
https://religion.wikia.org/wiki/Rosary_(Christian_Orthodox_point_of_view)#Connection_with_St._Seraphim
https://religion.wikia.org/wiki/Rosary_(Christian_Orthodox_point_of_view)#History
https://religion.wikia.org/wiki/Rosary_(Christian_Orthodox_point_of_view)#Meditations
https://religion.wikia.org/wiki/Rosary_(Christian_Orthodox_point_of_view)#Method
https://religion.wikia.org/wiki/Rosary_(Christian_Orthodox_point_of_view)#Sources
https://religion.wikia.org/wiki/Special:WhatLinksHere/Rosary
https://religion.wikia.org/wiki/Talk:Ecumenical_Miracle_Rosary
https://religion.wikia.org/wiki/Talk:Rosary
https://religion.wikia.org/wiki/Talk:Rosary_(Christian_Orthodox_point_of_view)
https://religion.wikia.org/wiki/The_Power_of_the_Rosary
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Redrosary
The Rosary Murders(1987) - A priest is put in a dilemma when the serial killer who has been murdering priests and nuns confesses to him.
https://ffxiclopedia.fandom.com/wiki/Sanctus_Rosary
https://memory-alpha.fandom.com/wiki/Rosary
https://okami.fandom.com/wiki/Rosary
Rosario to Vampire Capu2 -- -- Gonzo -- 13 eps -- Manga -- Comedy Ecchi Fantasy Harem Romance School Vampire -- Rosario to Vampire Capu2 Rosario to Vampire Capu2 -- It has been one year since Tsukune Aono enrolled at Youkai Academy, and since then his life has taken an interesting turn. In addition to being the only human at a school for monsters, he has attracted a bevy of beautiful women who want him all for themselves: the sexy succubus Kurumu Kurono; Yukari Sendou, a witch; stalker and yuki-onna Mizore Shirayuki; and Moka Akashiya, a kind vampire who, when her rosary is removed, reveals a darker personality. -- -- But soon, trouble visits Youkai Academy in the form of Moka's younger sister, Kokoa Shuzen. She is furious that her "true older sister" is sealed within Moka's rosary, and vows to bring out Moka's darker self. However, Kokoa's thoughtless actions may affect more than just her sister... -- -- 351,462 6.96
Rosario to Vampire Capu2 -- -- Gonzo -- 13 eps -- Manga -- Comedy Ecchi Fantasy Harem Romance School Vampire -- Rosario to Vampire Capu2 Rosario to Vampire Capu2 -- It has been one year since Tsukune Aono enrolled at Youkai Academy, and since then his life has taken an interesting turn. In addition to being the only human at a school for monsters, he has attracted a bevy of beautiful women who want him all for themselves: the sexy succubus Kurumu Kurono; Yukari Sendou, a witch; stalker and yuki-onna Mizore Shirayuki; and Moka Akashiya, a kind vampire who, when her rosary is removed, reveals a darker personality. -- -- But soon, trouble visits Youkai Academy in the form of Moka's younger sister, Kokoa Shuzen. She is furious that her "true older sister" is sealed within Moka's rosary, and vows to bring out Moka's darker self. However, Kokoa's thoughtless actions may affect more than just her sister... -- -- -- Licensor: -- Funimation -- 351,462 6.96
https://commons.wikimedia.org/wiki/File:Images_Online_024578_Chaucer_with_Rosary_The_Regement_of_Princes_ME_Hoccleve_Thomas.jpg
https://commons.wikimedia.org/wiki/File:Lutheran_rosary.JPG
Association of the Living Rosary
Basilica of the Holy Rosary, Bandel
Breviary Hymns of the Rosary
Cathedral Basilica of Our Lady of the Rosary
Cathedral of Our Lady of the Rosary
Church of Our Lady of Rosary, Kallianpur
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Holy Rosary College
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Holy RosaryDanish Church Historic District
Holy Rosary Minor Seminary
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Irish penal rosary
List of encyclicals of Pope Leo XIII on the Rosary
Methods of praying the rosary
Our Lady's Rosary Makers
Our Lady of Most Holy Rosary Parish Church (Makinabang)
Our Lady of Rosary Cathedral, Mangalore
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Our Lady of the Most Holy Rosary Academy
Our Lady of the Most Holy Rosary, Queen of the Caracol
Our Lady of the Rosary
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Our Lady of the Rosary Cathedral, Jashpur
Our Lady of the Rosary of Chiquinquir
Our Lady of the Rosary Roman Catholic Church (Detroit, Michigan)
Rachitic rosary
Rosary
Rosary Academy (Fullerton, California)
Rosary and scapular
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Rosary Cathedral (Toledo, Ohio)
Rosary devotions and spirituality
Rosary Lakes
Rosary of the Philosophers
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Rosary Sonatas
Rosaryville, Louisiana
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Shrine of the Virgin of the Rosary of Pompei
The Aowei Church of Holy Rosary
The Rosary
The Secret of the Rosary
Wrong Rosary
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