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   3 William Gibson

NEW FULL DB (2.4M)

   3 William Gibson

1:To call up a demon you must learn its name. Men dreamed that, once, but now it is real in another way. You know that, Case. Your business is to learn the names of programs, the long formal names, names the owners seek to conceal. True names... ~ William Gibson, Neuromancer ,

2:A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he'd taken and the corners he'd cut in Night City, and still he'd see the matrix in his sleep, bright lattices of logic unfolding across that colorless void.... The Sprawl was a long strange way home over the Pacific now, and he was no console man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like live wire voodoo and he'd cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, his hands clawed into the bedslab, temper foam bunched between his fingers, trying to reach the console that wasn't there. ~ William Gibson, Neuromancer ,

3:`No. Stay, doesn't matter.' He settled the black terry sweatband across his forehead, careful not to disturb the flat Sendai dermatrodes [1]. He stared at the deck on his lap, not really seeing it, seeing instead the shop window on Ninsei, the chromed shuriken burning with reflected neon. He glanced up; on the wall, just above the Sony, he'd hung her gift, tacking it there with a yellow-headed drawing pin through the hole at its center.He closed his eyes.Found the ridged face of the power stud.And in the bloodlit dark behind his eyes, silver phosphenes boiling in from the edge of space, hypnagogic images jerking past like film compiled from random frames.Symbols, figures, faces, a blurred, fragmented mandala of visual information.Please, he prayed, now --A gray disk, the color of Chiba sky.Now --Disk beginning to rotate, faster, becoming a sphere of paler gray. Expanding --And flowed, flowered for him, fluid neon origami trick, the unfolding of his distanceless home, his country, transparent 3D chessboard extending to infinity. Inner eye opening to the stepped scarlet pyramid of the Eastern Seaboard Fission Authority burning beyond the green cubes of Mitsubishi Bank of America, and high and very far away he saw the spiral arms of military systems, forever beyond his reach. ~ William Gibson, Neuromancer ,

*** NEWFULLDB 2.4M ***

1:I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese. ~ Iain Banks

2:The future is here. It’s just not widely distributed yet. —WILLIAM GIBSON, author of Neuromancer; coined term “cyberspace” in 1984 ~ Timothy Ferriss

3:If there's a movie of Neuromancer, what I really want the special effects guys to do is make you see, from Case's point of view, the little acid giggies: the little lines and trails coming off of things. ~ William Gibson

4:Even if building robots were physically impossible, a super-intelligent and super-wealthy AI could easily pay or manipulate myriad humans to unwittingly do its bidding, as in William Gibson’s science fiction novel Neuromancer. ~ Max Tegmark

5:To call up a demon you must learn its name. Men dreamed that, once, but now it is real in another way. You know that, Case. Your business is to learn the names of programs, the long formal names, names the owners seek to conceal. True names...    ~ William Gibson, Neuromancer,

6:I've tended to find that myths of the near future give people the ability to really kind of explore the present, so say for example if look at William Gibson and his book Neuromancer or if you look at J.G. Ballard or Samuel Delaney those are probably three of my favorite writers in that genre. ~ DJ Spooky

7:One word was floating around in stories about hackings of one sort or another: “cyber.” The word had its roots in “cybernetics,” a term dating back to the mid-nineteenth century, describing the closed loops of information systems. But in its present-day context of computer networks, the term stemmed from William Gibson’s 1984 science-fiction novel, Neuromancer, a wild and eerily prescient tale of murder and mayhem in the virtual world of “cyberspace. ~ Fred Kaplan

8:If you read no other work of what’s known as “cyberpunk” (which looks at the ever-thinner line between humans and machines), at least read the novel that began it all: William Gibson’s Neuromancer, which won every major science fiction award (the Nebula, the Hugo, and the Philip K. Dick award) in 1984, the year it was published. Gibson introduced words (including “cyberpunk” itself), themes, and a dystopic vision of the future that have been liberally reworked in the writings of many other authors. ~ Nancy Pearl

9:For me as a kid, reading cyberpunk was like seeing the world for the first time. Gibson's Neuromancer wasn't just stylistically stunning; it felt like the template for a future that we were actively building. I remember reading Sterling's Islands in the Net and suddenly understanding the disruptive potential of technology once it got out into the street. Cyberpunk felt urgent. It wasn't the future 15 minutes out - it was the future sideswiping you and leaving you in a full-body cast as it passed by. ~ Paolo Bacigalupi

10:Autonomy, that’s the bugaboo, where your AI’s are concerned. My guess, Case, you’re going in there to cut the hard-wired shackles that keep this baby from getting any smarter. And I can’t see how you’d distinguish, say, between a move the parent company makes, and some move the AI makes on its own, so that’s maybe where the confusion comes in.” Again the nonlaugh. “See, those things, they can work real hard, buy themselves time to write cookbooks or whatever, but the minute, I mean the nanosecond, that one starts figuring out ways to make itself smarter, Turing’ll wipe it. Nobody trusts those fuckers, you know that. Every AI ever built has an electromagnetic shotgun wired to its forehead. ~ William Gibson Neuromancer p.126

11:A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he'd taken and the corners he'd cut in Night City, and still he'd see the matrix in his sleep, bright lattices of logic unfolding across that colorless void.... The Sprawl was a long strange way home over the Pacific now, and he was no console man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like live wire voodoo and he'd cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, his hands clawed into the bedslab, temper foam bunched between his fingers, trying to reach the console that wasn't there. ~ William Gibson, Neuromancer,

12:`No. Stay, doesn't matter.' He settled the black terry sweatband across his forehead, careful not to disturb the flat Sendai dermatrodes [1]. He stared at the deck on his lap, not really seeing it, seeing instead the shop window on Ninsei, the chromed shuriken burning with reflected neon. He glanced up; on the wall, just above the Sony, he'd hung her gift, tacking it there with a yellow-headed drawing pin through the hole at its center. He closed his eyes. Found the ridged face of the power stud. And in the bloodlit dark behind his eyes, silver phosphenes boiling in from the edge of space, hypnagogic images jerking past like film compiled from random frames. Symbols, figures, faces, a blurred, fragmented mandala of visual information. Please, he prayed, now -- A gray disk, the color of Chiba sky. Now -- Disk beginning to rotate, faster, becoming a sphere of paler gray. Expanding --And flowed, flowered for him, fluid neon origami trick, the unfolding of his distanceless home, his country, transparent 3D chessboard extending to infinity. Inner eye opening to the stepped scarlet pyramid of the Eastern Seaboard Fission Authority burning beyond the green cubes of Mitsubishi Bank of America, and high and very far away he saw the spiral arms of military systems, forever beyond his reach. ~ William Gibson, Neuromancer,

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