classes ::: game,
children ::: Kabbalah (images), wordlist (finding images)
branches ::: image, IT images, Mage
see also :::

Instances - Definitions - Quotes - Chapters - Wordnet - Webgen


object:Mage

--- WHAT I NEED TO DO
  fill out sheet.
  attributes

--- MY CHARACTER
  Name?

  Who are you?
    Prior to his awakening, NAME, was a cautious, endlessly curious and quite rebellious child. Keenly aware that the world was not as it should be, but not sure how to go about resolving that issue he would find himself getting into misadventures. He loved playing games, whether socially acceptable ones or not, the world otherwise seemed a slow-bore that seemed to have set its sights too low, and forgot how to dream and aspire.

    His parents were ....

    In his exploratory spirit, he loved to run and climb and jump and play fight with his friends. But being reflective was too keenly aware of his short comings and quick to retreat into his mind, where he would search for answers without any success.

    After his awakening, his attitude underwent a significant change and he realized that answers were not to be found in his village, nor anyone he had met so far, that he would have to either find God or one who knew him intimately to guide him to the answers he so deeply sought. A hyper extension of who he was unfolded and he found himself faster, and sharper than before, and his thirst increased twenty-fold. But with that came also came a sense that the answers could be found, the every question implied an answer and faith grew within him. This thirst made him also keenly aware of other peoples sufferings, and he wished no longer to do harm, as he knew deep down or on the surface everyone hurt enough as it was.

--- CHARCTER TRAITS
  yes i want to be a time bending, priest-monk, that can move fast and fly and boost my attributes with magick
  due to his endless curious nature he seeks to know more and more, willing to travel through time to find books or sages with the answers that will finally satisfy his thirst for Truth.
  He is willing to gain power only as a means to that knowledge, or to make the world a better place, though he is still unsure what that entails and seeks knowledge as a remedy to that.


--- TRAITS
  X No Capability
   Poor/ Novice
   Average/ Beginning Professional
   Good/ Experienced Pro
   Exceptional/ Highly Skilled Pro
   World-Class
   Beyond Normal Human Range
  Most folks range between 1 and 3 in their various
  Attributes and between 0 and 3 in assorted Abilities.
  Collaboration provides the key to an enjoyable chronicle. The characters might be at each other's throats, but the players ought to be having a good time. In that spirit, sit down with your Storyteller and fellow players to hash out a shared foundation for your adventures. Come up with a chronicle concept that has room for everyone. Create a group of characters who have compelling reasons to stick together, and offer them ties to unite them as a whole.




--- SPHERES
   Perception (in game terms, Sphere Rank 1) ::: An initiate grasps the essential principles and begins to perceive the ways in which that Sphere behaves. A Correspondence initiate learns to spot connections and reckon distances; a Forces initiate notes elemental phenomena; and a Time initiate achieves an uncanny sense of the ebbs and flows of time. The mage can't alter anything just yet, but she can put her observations to good use.
   Manipulation (Sphere Rank 2) ::: The mage begins to use the Sphere to make small alterations in her local reality. The Correspondence student can look across distances or pull small objects from "nowhere"; the Forces student can make burning candles flare or go out; and the Time student gains limited pre- and postcognition. Although not yet able to perform dramatic Effects, the mage gains a small degree of control over the Sphere's principles... but for many tasks, a small degree of control is all you need.
   Control (Sphere Rank 3) ::: Achieving a greater level of accomplishment, the mage can make notable changes to elements connected with the Sphere. Our Correspondence devotee can step through intervening space; the Forces devotee could conjure winds or make fire leap; the Time devotee might speed up or slow down her speed relative to her surroundings. Remarkable feats become possible, and the mage approaches the realm of true wizardry.
   Command (Sphere Rank 4) ::: An impressive comm and of the Sphere in question allows the mage to perform dramatic feats. The Correspondence adept might appear in several places at once, the Forces adept conjures storms, and the Time adept can literally stop time in her vicinity. Even when such Effects aren't obviously magick, the mage attains significant influence over the principles associated with that Sphere.
   Mastery (Sphere Rank 5) ::: Magnificent feats become possible with such dominion within the Sphere. Our Correspondence master can stack several places into a single location; the Forces master commands vast phenomena - firestorms, blizzards, even nuclear blasts; the Time master can step outside of time, achieve limited immortality, or travel back and forth through time. Literally godlike miracles greet the master of a Sphere, and Reality literally shapes itself to her whim.

  Rumor has it that levels of Archmastery exist for each Sphere, granting abstract powers that even gods might envy. In game terms, these would be the EXTREMELY optional Sphere Ranks 6-10. Such powers are beyond almost every mage alive, take centuries to attain, and turn chronicles into blasted wreckage. Groups that want to bring such powers into play can find them in the sourcebook Masters of the Art. We cannot, however, overemphasize the destructive potential of these, again, OPTIONAL Sphere Ranks. Though technically canon, they should be avoided for all but the most outlandish Mage chronicles.

Correspondence ::: The element of connection between apparently different things.
Entropy ::: The principle of chance, fate and mortality.
Forces ::: The understanding of elemental energies.
Life ::: The mysteries of life and death.
Matter ::: The principles behind supposedly "inanimate" objects.
Mind ::: The potentials of consciousness.
Prime ::: An understanding of the Primal Energy within all things.
Spirit ::: Comprehension of Otherworldly forces and inhabitants.
Time ::: The strange workings of chronological forces and perceptions.
Tenth ::: Most Traditions postulate the existence of a Tenth Sphere, but what exactly it entails is a matter of debate.

--- FOOTER
class:game
pdf:/home/j/lib/RPG/ASCENSION/Mage_20th_Anniversary_Edition.pdf
pdf2:/home/j/lib/RPG/ASCENSION/MAGE_M20_4-Page_Official_Interactive.pdf
pdf3:/home/j/lib/RPG/ASCENSION/MAGE_M20_4-Page_Official_Interactive2.pdf
pdf4:/home/j/lib/RPG/ASCENSION/M20_Quickstart.pdf
link:https://whitewolf.fandom.com/
link2:https://whitewolf.fandom.com/wiki/Akashic_Brotherhood









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OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS

AUTH

BOOKS
18000_books_ranked
Advanced_Dungeons_and_Dragons_2E
Bhakti-Yoga
Big_Mind,_Big_Heart
Blazing_the_Trail_from_Infancy_to_Enlightenment
City_of_God
Collected_Poems
DND_DM_Guide_5E
Essential_Integral
Full_Circle
General_Principles_of_Kabbalah
Heart_of_Matter
How_to_Free_Your_Mind_-_Tara_the_Liberator
Hymn_of_the_Universe
Infinite_Library
Liber_157_-_The_Tao_Teh_King
Liber_ABA
Life_without_Death
Maps_of_Meaning
Modern_Man_in_Search_of_a_Soul
My_Burning_Heart
On_Interpretation
Plotinus_-_Complete_Works_Vol_01
Plotinus_-_Complete_Works_Vol_02
Plotinus_-_Complete_Works_Vol_03
Plotinus_-_Complete_Works_Vol_04
Process_and_Reality
Questions_And_Answers_1953
Questions_And_Answers_1954
Questions_And_Answers_1955
Savitri
Sayings_of_Sri_Ramakrishna_(toc)
The_Act_of_Creation
The_Bible
the_Book_of_God
The_Divine_Milieu
The_Epic_of_Gilgamesh
The_Future_of_Man
The_Heros_Journey
The_Imitation_of_Christ
The_Ladder_of_Divine_Ascent
The_Red_Book_-_Liber_Novus
The_Republic
The_Secret_Of_The_Veda
the_Stack
The_Tarot_of_Paul_Christian
The_Tibetan_Yogas_of_Dream_and_Sleep
The_Wit_and_Wisdom_of_Alfred_North_Whitehead
The_Yoga_Sutras
Three_Books_on_Occult_Philosophy
Toward_the_Future
Twilight_of_the_Idols

IN CHAPTERS TITLE
07.31_-_Images_of_Gods_and_Goddesses
1.03_-_On_exile_or_pilgrimage
1.04_-_Homage_to_the_Twenty-one_Taras
1.08_-_Worship_of_Substitutes_and_Images
1.10_-_The_Image_of_the_Oceans_and_the_Rivers
1954-10-20_-_Stand_back_-_Asking_questions_to_Mother_-_Seeing_images_in_meditation_-_Berlioz_-Music_-_Mothers_organ_music_-_Destiny
1955-06-15_-_Dynamic_realisation,_transformation_-_The_negative_and_positive_side_of_experience_-_The_image_of_the_dry_coconut_fruit_-_Purusha,_Prakriti,_the_Divine_Mother_-_The_Truth-Creation_-_Pralaya_-_We_are_in_a_transitional_period
1955-08-17_-_Vertical_ascent_and_horizontal_opening_-_Liberation_of_the_psychic_being_-_Images_for_discovery_of_the_psychic_being_-_Sadhana_to_contact_the_psychic_being
1955-11-02_-_The_first_movement_in_Yoga_-_Interiorisation,_finding_ones_soul_-_The_Vedic_Age_-_An_incident_about_Vivekananda_-_The_imaged_language_of_the_Vedas_-_The_Vedic_Rishis,_involutionary_beings_-_Involution_and_evolution
1.hs_-_My_Brilliant_Image
1.lla_-_I_made_pilgrimages,_looking_for_God
1.tr_-_Images,_however_sacred
1.wb_-_The_Divine_Image
1.wby_-_An_Image_From_A_Past_Life
1.wby_-_The_Ballad_Of_Moll_Magee
1.wby_-_Those_Images
4.02_-_Existence_And_Character_Of_The_Images
4.2.02_-_An_Image

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
00.02_-_Mystic_Symbolism
00.03_-_Upanishadic_Symbolism
00.04_-_The_Beautiful_in_the_Upanishads
0.00_-_Introduction
0.01f_-_FOREWARD
0.02_-_Letters_to_a_Sadhak
0.03_-_Letters_to_My_little_smile
0.03_-_The_Threefold_Life
0.05_-_Letters_to_a_Child
0.05_-_The_Synthesis_of_the_Systems
0.06_-_Letters_to_a_Young_Sadhak
0.08_-_Letters_to_a_Young_Captain
0.09_-_Letters_to_a_Young_Teacher
01.01_-_The_One_Thing_Needful
01.02_-_Sri_Aurobindo_-_Ahana_and_Other_Poems
01.02_-_The_Creative_Soul
01.02_-_The_Issue
01.03_-_Rationalism
01.03_-_Sri_Aurobindo_and_his_School
01.03_-_The_Yoga_of_the_King__The_Yoga_of_the_Souls_Release
01.03_-_Yoga_and_the_Ordinary_Life
01.04_-_The_Intuition_of_the_Age
01.04_-_The_Poetry_in_the_Making
01.04_-_The_Secret_Knowledge
01.05_-_Rabindranath_Tagore:_A_Great_Poet,_a_Great_Man
01.05_-_The_Nietzschean_Antichrist
01.05_-_The_Yoga_of_the_King__The_Yoga_of_the_Spirits_Freedom_and_Greatness
01.07_-_Blaise_Pascal_(1623-1662)
01.08_-_Walter_Hilton:_The_Scale_of_Perfection
0.10_-_Letters_to_a_Young_Captain
01.11_-_Aldous_Huxley:_The_Perennial_Philosophy
01.12_-_Three_Degrees_of_Social_Organisation
0.11_-_Letters_to_a_Sadhak
02.01_-_A_Vedic_Story
02.01_-_The_World-Stair
02.02_-_Lines_of_the_Descent_of_Consciousness
02.02_-_The_Kingdom_of_Subtle_Matter
02.03_-_The_Glory_and_the_Fall_of_Life
02.03_-_The_Shakespearean_Word
02.04_-_The_Kingdoms_of_the_Little_Life
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_Boris_Pasternak
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.07_-_The_Descent_into_Night
02.08_-_Jules_Supervielle
02.08_-_The_Basic_Unity
02.08_-_The_World_of_Falsehood,_the_Mother_of_Evil_and_the_Sons_of_Darkness
02.09_-_The_Paradise_of_the_Life-Gods
02.09_-_Two_Mystic_Poems_in_Modern_French
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.10_-_Two_Mystic_Poems_in_Modern_Bengali
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.12_-_The_Heavens_of_the_Ideal
02.13_-_In_the_Self_of_Mind
02.13_-_Rabindranath_and_Sri_Aurobindo
02.14_-_Appendix
03.01_-_Humanism_and_Humanism
03.02_-_The_Adoration_of_the_Divine_Mother
03.03_-_Modernism_-_An_Oriental_Interpretation
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.04_-_The_Body_Human
03.04_-_The_Other_Aspect_of_European_Culture
03.04_-_The_Vision_and_the_Boon
03.05_-_Some_Conceptions_and_Misconceptions
03.05_-_The_Spiritual_Genius_of_India
03.06_-_Divine_Humanism
03.08_-_The_Spiritual_Outlook
03.15_-_Towards_the_Future
04.01_-_The_Birth_and_Childhood_of_the_Flame
04.02_-_A_Chapter_of_Human_Evolution
04.02_-_The_Growth_of_the_Flame
04.03_-_Consciousness_as_Energy
04.03_-_The_Call_to_the_Quest
04.04_-_A_Global_Humanity
04.04_-_The_Quest
04.07_-_Matter_Aspires
04.07_-_Readings_in_Savitri
04.08_-_An_Evolutionary_Problem
04.46_-_To_the_Heights-XLVI
05.01_-_At_the_Origin_of_Ignorance
05.01_-_Man_and_the_Gods
05.02_-_Gods_Labour
05.02_-_Satyavan
05.03_-_Satyavan_and_Savitri
05.04_-_The_Immortal_Person
05.05_-_In_Quest_of_Reality
05.07_-_The_Observer_and_the_Observed
05.08_-_An_Age_of_Revolution
05.10_-_Knowledge_by_Identity
05.12_-_The_Soul_and_its_Journey
05.14_-_The_Sanctity_of_the_Individual
05.19_-_Lone_to_the_Lone
05.25_-_Sweet_Adversity
06.01_-_The_End_of_a_Civilisation
06.01_-_The_Word_of_Fate
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
06.03_-_Types_of_Meditation
06.20_-_Mind,_Origin_of_Separative_Consciousness
06.21_-_The_Personal_and_the_Impersonal
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.03_-_The_Entry_into_the_Inner_Countries
07.04_-_The_World_Serpent
07.05_-_The_Finding_of_the_Soul
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
07.06_-_Record_of_World-History
07.07_-_The_Discovery_of_the_Cosmic_Spirit_and_the_Cosmic_Consciousness
07.11_-_The_Problem_of_Evil
07.14_-_The_Divine_Suffering
07.15_-_Divine_Disgust
07.20_-_Why_are_Dreams_Forgotten?
07.30_-_Sincerity_is_Victory
07.31_-_Images_of_Gods_and_Goddesses
07.32_-_The_Yogic_Centres
08.03_-_Death_in_the_Forest
08.14_-_Poetry_and_Poetic_Inspiration
08.28_-_Prayer_and_Aspiration
08.31_-_Personal_Effort_and_Surrender
08.37_-_The_Significance_of_Dates
09.01_-_Towards_the_Black_Void
09.02_-_Meditation
09.02_-_The_Journey_in_Eternal_Night_and_the_Voice_of_the_Darkness
09.05_-_The_Story_of_Love
09.18_-_The_Mother_on_Herself
10.01_-_A_Dream
10.02_-_The_Gospel_of_Death_and_Vanity_of_the_Ideal
10.03_-_Life_in_and_Through_Death
10.03_-_The_Debate_of_Love_and_Death
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
10.04_-_Transfiguration
10.07_-_The_World_is_One
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00_-_Gospel
1.00_-_Gospel_Preface
1.00_-_Main
1.00_-_Preface
1.00_-_PREFACE_-_DESCENSUS_AD_INFERNOS
1.00_-_Preliminary_Remarks
1.00_-_The_way_of_what_is_to_come
10.12_-_The_Divine_Grace_and_Love
10.15_-_The_Evolution_of_Language
10.17_-_Miracles:_Their_True_Significance
10.19_-_Short_Notes_-_2-_God_Above_and_God_Within
1.01_-_Adam_Kadmon_and_the_Evolution
1.01_-_A_NOTE_ON_PROGRESS
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_BOOK_THE_FIRST
1.01_-_Description_of_the_Castle
1.01f_-_Introduction
1.01_-_Foreward
1.01_-_Fundamental_Considerations
1.01_-_Historical_Survey
1.01_-_How_is_Knowledge_Of_The_Higher_Worlds_Attained?
1.01_-_Introduction
1.01_-_Isha_Upanishad
1.01_-_MAPS_OF_EXPERIENCE_-_OBJECT_AND_MEANING
1.01_-_Meeting_the_Master_-_Authors_first_meeting,_December_1918
1.01_-_Necessity_for_knowledge_of_the_whole_human_being_for_a_genuine_education.
1.01_-_NIGHT
1.01_-_Principles_of_Practical_Psycho_therapy
1.01_-_Seeing
1.01_-_Soul_and_God
1.01_-_Sri_Aurobindo
1.01_-_Tara_the_Divine
1.01_-_the_Call_to_Adventure
1.01_-_The_Cycle_of_Society
1.01_-_The_Four_Aids
1.01_-_The_King_of_the_Wood
1.01_-_THE_OPPOSITES
1.01_-_The_Rape_of_the_Lock
1.01_-_THE_STUFF_OF_THE_UNIVERSE
1.01_-_The_Unexpected
1.01_-_To_Watanabe_Sukefusa
1.01_-_What_is_Magick?
10.21_-_Short_Notes_-_4-_Ego
1.02.2.1_-_Brahman__Oneness_of_God_and_the_World
10.23_-_Prayers_and_Meditations_of_the_Mother
1.02.4.1_-_The_Worlds_-_Surya
10.24_-_Savitri
1.02_-_BOOK_THE_SECOND
1.02_-_Education
1.02_-_Karmayoga
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_Meditating_on_Tara
1.02_-_On_detachment
1.02_-_Self-Consecration
1.02_-_Skillful_Means
1.02_-_The_Child_as_growing_being_and_the_childs_experience_of_encountering_the_teacher.
1.02_-_The_Concept_of_the_Collective_Unconscious
1.02_-_The_Development_of_Sri_Aurobindos_Thought
1.02_-_The_Divine_Teacher
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Eternal_Law
1.02_-_The_Great_Process
1.02_-_THE_NATURE_OF_THE_GROUND
1.02_-_The_Necessity_of_Magick_for_All
1.02_-_THE_QUATERNIO_AND_THE_MEDIATING_ROLE_OF_MERCURIUS
1.02_-_The_Refusal_of_the_Call
1.02_-_The_Three_European_Worlds
1.02_-_The_Two_Negations_1_-_The_Materialist_Denial
1.02_-_The_Virtues
1.02_-_Where_I_Lived,_and_What_I_Lived_For
1.036_-_The_Rise_of_Obstacles_in_Yoga_Practice
10.37_-_The_Golden_Bridge
1.03_-_A_Parable
1.03_-_APPRENTICESHIP_AND_ENCULTURATION_-_ADOPTION_OF_A_SHARED_MAP
1.03_-_BOOK_THE_THIRD
1.03_-_Concerning_the_Archetypes,_with_Special_Reference_to_the_Anima_Concept
1.03_-_Eternal_Presence
1.03_-_Invocation_of_Tara
1.03_-_Master_Ma_is_Unwell
1.03_-_Meeting_the_Master_-_Meeting_with_others
1.03_-_Of_some_imperfections_which_some_of_these_souls_are_apt_to_have,_with_respect_to_the_second_capital_sin,_which_is_avarice,_in_the_spiritual_sense
1.03_-_On_exile_or_pilgrimage
1.03_-_ON_THE_AFTERWORLDLY
1.03_-_PERSONALITY,_SANCTITY,_DIVINE_INCARNATION
1.03_-_Preparing_for_the_Miraculous
1.03_-_Questions_and_Answers
1.03_-_Sympathetic_Magic
1.03_-_Tara,_Liberator_from_the_Eight_Dangers
1.03_-_The_Desert
1.03_-_The_Gods,_Superior_Beings_and_Adverse_Forces
1.03_-_THE_GRAND_OPTION
1.03_-_The_House_Of_The_Lord
1.03_-_The_Human_Disciple
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_The_Sephiros
1.03_-_THE_STUDY_(The_Exorcism)
1.03_-_The_Syzygy_-_Anima_and_Animus
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.03_-_To_Layman_Ishii
1.040_-_Re-Educating_the_Mind
1.04_-_BOOK_THE_FOURTH
1.04_-_Descent_into_Future_Hell
1.04_-_GOD_IN_THE_WORLD
1.04_-_Homage_to_the_Twenty-one_Taras
1.04_-_Magic_and_Religion
1.04_-_On_blessed_and_ever-memorable_obedience
1.04_-_The_Aims_of_Psycho_therapy
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Crossing_of_the_First_Threshold
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_Gods_of_the_Veda
1.04_-_The_Praise
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_The_Self
1.04_-_The_Silent_Mind
1.04_-_Wake-Up_Sermon
1.04_-_What_Arjuna_Saw_-_the_Dark_Side_of_the_Force
1.05_-_2010_and_1956_-_Doomsday?
1.05_-_Adam_Kadmon
1.05_-_BOOK_THE_FIFTH
1.05_-_Buddhism_and_Women
1.05_-_CHARITY
1.05_-_Christ,_A_Symbol_of_the_Self
1.05_-_Mental_Education
1.05_-_MORALITY_AS_THE_ENEMY_OF_NATURE
1.05_-_Prayer
1.05_-_Problems_of_Modern_Psycho_therapy
1.05_-_Ritam
1.05_-_Some_Results_of_Initiation
1.05_-_Splitting_of_the_Spirit
1.05_-_The_Ascent_of_the_Sacrifice_-_The_Psychic_Being
1.05_-_The_Belly_of_the_Whale
1.05_-_The_Creative_Principle
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_THE_NEW_SPIRIT
1.05_-_Work_and_Teaching
1.06_-_Agni_and_the_Truth
1.06_-_Being_Human_and_the_Copernican_Principle
1.06_-_Dhyana
1.06_-_Incarnate_Teachers_and_Incarnation
1.06_-_MORTIFICATION,_NON-ATTACHMENT,_RIGHT_LIVELIHOOD
1.06_-_ON_THE_PALE_CRIMINAL
1.06_-_Quieting_the_Vital
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_The_Breaking_of_the_Limits
1.06_-_The_Desire_to_be
1.06_-_The_Sign_of_the_Fishes
1.06_-_The_Transformation_of_Dream_Life
1.07_-_A_Song_of_Longing_for_Tara,_the_Infallible
1.07_-_A_STREET
1.07_-_BOOK_THE_SEVENTH
1.07_-_Hui_Ch'ao_Asks_about_Buddha
1.07_-_Incarnate_Human_Gods
1.07_-_Medicine_and_Psycho_therapy
1.07_-_Note_on_the_word_Go
1.07_-_On_Dreams
1.07_-_On_mourning_which_causes_joy.
1.07_-_Samadhi
1.07_-_Savitri
1.07_-_Sri_Aurobindo_and_The_Mother
1.07_-_Standards_of_Conduct_and_Spiritual_Freedom
1.07_-_The_Ego_and_the_Dualities
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_The_Ideal_Law_of_Social_Development
1.07_-_The_Infinity_Of_The_Universe
1.07_-_The_Mantra_-_OM_-_Word_and_Wisdom
1.07_-_The_Primary_Data_of_Being
1.07_-_The_Psychic_Center
1.07_-_The_Three_Schools_of_Magick_2
1.08a_-_The_Ladder
1.08_-_BOOK_THE_EIGHTH
1.08_-_Departmental_Kings_of_Nature
1.08_-_Independence_from_the_Physical
1.08_-_Sri_Aurobindos_Descent_into_Death
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.08_-_The_Historical_Significance_of_the_Fish
1.08_-_The_Methods_of_Vedantic_Knowledge
1.08_-_Worship_of_Substitutes_and_Images
1.096_-_Powers_that_Accrue_in_the_Practice
1.09_-_Civilisation_and_Culture
1.09_-_Fundamental_Questions_of_Psycho_therapy
1.09_-_Man_-_About_the_Body
1.09_-_Saraswati_and_Her_Consorts
1.09_-_SKIRMISHES_IN_A_WAY_WITH_THE_AGE
1.09_-_Sleep_and_Death
1.09_-_Sri_Aurobindo_and_the_Big_Bang
1.09_-_The_Ambivalence_of_the_Fish_Symbol
1.09_-_The_Greater_Self
1.09_-_The_Worship_of_Trees
1.1.01_-_Seeking_the_Divine
1.1.01_-_The_Divine_and_Its_Aspects
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
11.05_-_The_Ladder_of_Unconsciousness
11.06_-_The_Mounting_Fire
1.10_-_BOOK_THE_TENTH
1.10_-_Conscious_Force
1.10_-_GRACE_AND_FREE_WILL
1.10_-_Harmony
1.10_-_Laughter_Of_The_Gods
1.10_-_Life_and_Death._The_Greater_Guardian_of_the_Threshold
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_The_Absolute_of_the_Being
1.10_-_The_Image_of_the_Oceans_and_the_Rivers
1.10_-_Theodicy_-_Nature_Makes_No_Mistakes
1.10_-_The_Revolutionary_Yogi
1.10_-_The_Secret_of_the_Veda
1.10_-_The_Three_Modes_of_Nature
11.10_-_The_Test_of_Truth
11.15_-_Sri_Aurobindo
1.11_-_BOOK_THE_ELEVENTH
1.11_-_Correspondence_and_Interviews
1.11_-_Delight_of_Existence_-_The_Problem
1.11_-_On_Intuitive_Knowledge
1.11_-_The_Change_of_Power
1.11_-_The_Kalki_Avatar
1.11_-_The_Master_of_the_Work
1.11_-_The_Second_Genesis
1.11_-_The_Seven_Rivers
1.11_-_The_Soul_or_the_Astral_Body
1.11_-_The_Three_Purushas
1.11_-_Works_and_Sacrifice
1.1.2.01_-_Sources_of_Inspiration_and_Variety
1.1.2.02_-_Poetry_of_the_Material_or_Physical_Consciousness
1.12_-_BOOK_THE_TWELFTH
1.1.2_-_Commentary
1.12_-_Delight_of_Existence_-_The_Solution
1.12_-_God_Departs
1.12_-_Independence
1.12_-_Sleep_and_Dreams
1.12_-_The_Divine_Work
1.12_-_The_Herds_of_the_Dawn
1.12_-_The_Left-Hand_Path_-_The_Black_Brothers
1.12_-_The_Sacred_Marriage
1.12_-_The_Superconscient
1.12_-_TIME_AND_ETERNITY
1.13_-_And_Then?
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_Dawn_and_the_Truth
1.13_-_Gnostic_Symbols_of_the_Self
1.1.3_-_Mental_Difficulties_and_the_Need_of_Quietude
1.13_-_Reason_and_Religion
1.13_-_SALVATION,_DELIVERANCE,_ENLIGHTENMENT
1.13_-_The_Divine_Maya
1.13_-_The_Kings_of_Rome_and_Alba
1.13_-_The_Spirit
1.14_-_Bibliography
1.14_-_IMMORTALITY_AND_SURVIVAL
1.14_-_Noise
1.14_-_On_the_clamorous,_yet_wicked_master-the_stomach.
1.14_-_The_Secret
1.14_-_The_Stress_of_the_Hidden_Spirit
1.14_-_The_Structure_and_Dynamics_of_the_Self
1.14_-_The_Supermind_as_Creator
1.14_-_The_Suprarational_Beauty
1.14_-_The_Victory_Over_Death
1.15_-_Conclusion
1.15_-_Index
1.15_-_In_the_Domain_of_the_Spirit_Beings
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_The_Supramental_Consciousness
1.15_-_The_Suprarational_Good
1.15_-_The_Supreme_Truth-Consciousness
1.15_-_The_Violent_against_Nature._Brunetto_Latini.
1.15_-_The_Worship_of_the_Oak
1.1.5_-_Thought_and_Knowledge
1.16_-_Advantages_and_Disadvantages_of_Evocational_Magic
1.16_-_Dianus_and_Diana
1.16_-_PRAYER
1.16_-_The_Season_of_Truth
1.16_-_The_Suprarational_Ultimate_of_Life
1.16_-_The_Triple_Status_of_Supermind
1.17_-_Geryon._The_Violent_against_Art._Usurers._Descent_into_the_Abyss_of_Malebolge.
1.17_-_God
1.17_-_On_poverty_(that_hastens_heavenwards).
1.17_-_The_Burden_of_Royalty
1.17_-_The_Divine_Birth_and_Divine_Works
1.17_-_The_Divine_Soul
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.17_-_The_Transformation
1.18_-_Asceticism
1.18_-_DONJON
1.18_-_Mind_and_Supermind
1.18_-_On_insensibility,_that_is,_deadening_of_the_soul_and_the_death_of_the_mind_before_the_death_of_the_body.
1.18_-_The_Eighth_Circle,_Malebolge__The_Fraudulent_and_the_Malicious._The_First_Bolgia__Seducers_and_Panders._Venedico_Caccianimico._Jason._The_Second_Bolgia__Flatterers._Allessio_Interminelli._Thais.
1.18_-_The_Human_Fathers
1.18_-_The_Perils_of_the_Soul
1.19_-_Equality
1.19_-_On_sleep,_prayer,_and_psalm-singing_in_chapel.
1.19_-_Tabooed_Acts
1.19_-_The_Victory_of_the_Fathers
1.201_-_Socrates
12.01_-_The_Return_to_Earth
12.02_-_The_Stress_of_the_Spirit
12.03_-_The_Sorrows_of_God
1.2.07_-_Surrender
1.20_-_Equality_and_Knowledge
1.20_-_Tabooed_Persons
1.20_-_Talismans_-_The_Lamen_-_The_Pantacle
1.20_-_The_Fourth_Bolgia__Soothsayers._Amphiaraus,_Tiresias,_Aruns,_Manto,_Eryphylus,_Michael_Scott,_Guido_Bonatti,_and_Asdente._Virgil_reproaches_Dante's_Pity.
1.20_-_The_Hound_of_Heaven
1.2.1.03_-_Psychic_and_Esoteric_Poetry
1.2.1.06_-_Symbolism_and_Allegory
1.2.1.11_-_Mystic_Poetry_and_Spiritual_Poetry
1.2.1.12_-_Spiritual_Poetry
1.21_-_FROM_THE_PRE-HUMAN_TO_THE_ULTRA-HUMAN,_THE_PHASES_OF_A_LIVING_PLANET
1.21_-_IDOLATRY
1.21_-_My_Theory_of_Astrology
1.21_-_Tabooed_Things
1.22_-_ON_THE_GIFT-GIVING_VIRTUE
1.22_-_Tabooed_Words
1.22_-_The_Necessity_of_the_Spiritual_Transformation
1.23_-_Conditions_for_the_Coming_of_a_Spiritual_Age
1.23_-_Escape_from_the_Malabranche._The_Sixth_Bolgia__Hypocrites._Catalano_and_Loderingo._Caiaphas.
1.23_-_The_Double_Soul_in_Man
1.2.3_-_The_Power_of_Expression_and_Yoga
1.240_-_1.300_Talks
1.240_-_Talks_2
1.24_-_Necromancy_and_Spiritism
1.24_-_On_Beauty
1.24_-_RITUAL,_SYMBOL,_SACRAMENT
1.2.4_-_Speech_and_Yoga
1.24_-_The_Killing_of_the_Divine_King
1.25_-_Fascinations,_Invisibility,_Levitation,_Transmutations,_Kinks_in_Time
1.25_-_SPIRITUAL_EXERCISES
1.25_-_Temporary_Kings
1.25_-_Vanni_Fucci's_Punishment._Agnello_Brunelleschi,_Buoso_degli_Abati,_Puccio_Sciancato,_Cianfa_de'_Donati,_and_Guercio_Cavalcanti.
1.26_-_Mental_Processes_-_Two_Only_are_Possible
1.26_-_On_discernment_of_thoughts,_passions_and_virtues
1.26_-_Sacrifice_of_the_Kings_Son
1.26_-_The_Ascending_Series_of_Substance
1.27_-_On_holy_solitude_of_body_and_soul.
1.27_-_Succession_to_the_Soul
1.28_-_Need_to_Define_God,_Self,_etc.
1.28_-_Supermind,_Mind_and_the_Overmind_Maya
1.28_-_The_Killing_of_the_Tree-Spirit
1.29_-_What_is_Certainty?
1.2_-_Katha_Upanishads
1.300_-_1.400_Talks
13.03_-_A_Programme_for_the_Second_Century_of_the_Divine_Manifestation
1.3.03_-_Quiet_and_Calm
1.30_-_Adonis_in_Syria
1.30_-_Concerning_the_linking_together_of_the_supreme_trinity_among_the_virtues.
1.30_-_Other_Falsifiers_or_Forgers._Gianni_Schicchi,_Myrrha,_Adam_of_Brescia,_Potiphar's_Wife,_and_Sinon_of_Troy.
1.31_-_Adonis_in_Cyprus
1.32_-_How_can_a_Yogi_ever_be_Worried?
1.32_-_The_Ritual_of_Adonis
1.33_-_The_Gardens_of_Adonis
1.34_-_The_Myth_and_Ritual_of_Attis
1.34_-_The_Tao_1
1.35_-_Attis_as_a_God_of_Vegetation
1.35_-_The_Tao_2
1.36_-_Human_Representatives_of_Attis
1.37_-_Death_-_Fear_-_Magical_Memory
1.37_-_Oriential_Religions_in_the_West
1.38_-_The_Myth_of_Osiris
1.39_-_The_Ritual_of_Osiris
1.3_-_Mundaka_Upanishads
1.400_-_1.450_Talks
1.4.01_-_The_Divine_Grace_and_Guidance
14.02_-_Occult_Experiences
14.03_-_Janaka_and_Yajnavalkya
14.07_-_A_Review_of_Our_Ashram_Life
1.40_-_The_Nature_of_Osiris
1.41_-_Isis
1.42_-_This_Self_Introversion
1.439
1.43_-_Dionysus
1.43_-_The_Holy_Guardian_Angel_is_not_the_Higher_Self_but_an_Objective_Individual
1.44_-_Demeter_and_Persephone
1.44_-_Serious_Style_of_A.C.,_or_the_Apparent_Frivolity_of_Some_of_my_Remarks
1.46_-_The_Corn-Mother_in_Many_Lands
1.47_-_Lityerses
1.48_-_The_Corn-Spirit_as_an_Animal
1.49_-_Ancient_Deities_of_Vegetation_as_Animals
15.05_-_Twin_Prayers
15.08_-_Ashram_-_Inner_and_Outer
15.09_-_One_Day_More
1.50_-_Eating_the_God
1.51_-_Homeopathic_Magic_of_a_Flesh_Diet
1.52_-_Family_-_Public_Enemy_No._1
1.52_-_Killing_the_Divine_Animal
1.53_-_The_Propitation_of_Wild_Animals_By_Hunters
1.550_-_1.600_Talks
1.55_-_The_Transference_of_Evil
1.57_-_Public_Scapegoats
1.58_-_Human_Scapegoats_in_Classical_Antiquity
1.59_-_Killing_the_God_in_Mexico
16.02_-_Mater_Dolorosa
1.61_-_The_Myth_of_Balder
1.62_-_The_Fire-Festivals_of_Europe
1.63_-_Fear,_a_Bad_Astral_Vision
1.64_-_The_Burning_of_Human_Beings_in_the_Fires
1.65_-_Balder_and_the_Mistletoe
1.67_-_The_External_Soul_in_Folk-Custom
1.68_-_The_Golden_Bough
1.69_-_Farewell_to_Nemi
17.01_-_Hymn_to_Dawn
1.70_-_Morality_1
17.11_-_A_Prayer
1.72_-_Education
18.02_-_Ramprasad
18.04_-_Modern_Poems
1.81_-_Method_of_Training
1.83_-_Epistola_Ultima
19.08_-_Thousands
19.11_-_Old_Age
1912_11_26p
1912_11_28p
1913_11_25p
1915_07_31p
1915_11_26p
1917_03_27p
1918_07_12p
1929-04-21_-_Visions,_seeing_and_interpretation_-_Dreams_and_dreaml_and_-_Dreamless_sleep_-_Visions_and_formulation_-_Surrender,_passive_and_of_the_will_-_Meditation_and_progress_-_Entering_the_spiritual_life,_a_plunge_into_the_Divine
1929-05-12_-_Beings_of_vital_world_(vampires)_-_Money_power_and_vital_beings_-_Capacity_for_manifestation_of_will_-_Entry_into_vital_world_-_Body,_a_protection_-_Individuality_and_the_vital_world
1951-02-10_-_Liberty_and_license_-_surrender_makes_you_free_-_Men_in_authority_as_representatives_of_the_divine_Truth_-_Work_as_offering_-_total_surrender_needs_time_-_Effort_and_inspiration_-_will_and_patience
1951-02-24_-_Psychic_being_and_entity_-_dimensions_-_in_the_atom_-_Death_-_exteriorisation_-_unconsciousness_-_Past_lives_-_progress_upon_earth_-_choice_of_birth_-_Consecration_to_divine_Work_-_psychic_memories_-_Individualisation_-_progress
1951-03-08_-_Silencing_the_mind_-_changing_the_nature_-_Reincarnation-_choice_-_Psychic,_higher_beings_gods_incarnating_-_Incarnation_of_vital_beings_-_the_Lord_of_Falsehood_-_Hitler_-_Possession_and_madness
1951-03-17_-_The_universe-_eternally_new,_same_-_Pralaya_Traditions_-_Light_and_thought_-_new_consciousness,_forces_-_The_expanding_universe_-_inexpressible_experiences_-_Ashram_surcharged_with_Light_-_new_force_-_vibrating_atmospheres
1951-03-29_-_The_Great_Vehicle_and_The_Little_Vehicle_-_Choosing_ones_family,_country_-_The_vital_being_distorted_-_atavism_-_Sincerity_-_changing_ones_character
1951-04-02_-_Causes_of_accidents_-_Little_entities,_helpful_or_mischievous-_incidents
1951-04-07_-_Origin_of_Evil_-_Misery-_its_cause
1951-04-26_-_Irrevocable_transformation_-_The_divine_Shakti_-_glad_submission_-_Rejection,_integral_-_Consecration_-_total_self-forgetfulness_-_work
1951-05-11_-_Mahakali_and_Kali_-_Avatar_and_Vibhuti_-_Sachchidananda_behind_all_states_of_being_-_The_power_of_will_-_receiving_the_Divine_Will
1953-04-01
1953-04-15
1953-04-29
1953-05-06
1953-05-27
1953-06-03
1953-07-01
1953-07-22
1953-07-29
1953-08-05
1953-08-19
1953-09-23
1953-10-07
1953-10-14
1953-10-21
1953-12-30
1954-03-24_-_Dreams_and_the_condition_of_the_stomach_-_Tobacco_and_alcohol_-_Nervousness_-_The_centres_and_the_Kundalini_-_Control_of_the_senses
1954-05-05_-_Faith,_trust,_confidence_-_Insincerity_and_unconsciousness
1954-05-26_-_Symbolic_dreams_-_Psychic_sorrow_-_Dreams,_one_is_rarely_conscious
1954-06-16_-_Influences,_Divine_and_other_-_Adverse_forces_-_The_four_great_Asuras_-_Aspiration_arranges_circumstances_-_Wanting_only_the_Divine
1954-07-14_-_The_Divine_and_the_Shakti_-_Personal_effort_-_Speaking_and_thinking_-_Doubt_-_Self-giving,_consecration_and_surrender_-_Mothers_use_of_flowers_-_Ornaments_and_protection
1954-08-11_-_Division_and_creation_-_The_gods_and_human_formations_-_People_carry_their_desires_around_them
1954-08-18_-_Mahalakshmi_-_Maheshwari_-_Mahasaraswati_-_Determinism_and_freedom_-_Suffering_and_knowledge_-_Aspects_of_the_Mother
1954-10-20_-_Stand_back_-_Asking_questions_to_Mother_-_Seeing_images_in_meditation_-_Berlioz_-Music_-_Mothers_organ_music_-_Destiny
1954-11-03_-_Body_opening_to_the_Divine_-_Concentration_in_the_heart_-_The_army_of_the_Divine_-_The_knot_of_the_ego_-Streng_thening_ones_will
1955-03-09_-_Psychic_directly_contacted_through_the_physical_-_Transforming_egoistic_movements_-_Work_of_the_psychic_being_-_Contacting_the_psychic_and_the_Divine_-_Experiences_of_different_kinds_-_Attacks_of_adverse_forces
1955-05-25_-_Religion_and_reason_-_true_role_and_field_-_an_obstacle_to_or_minister_of_the_Spirit_-_developing_and_meaning_-_Learning_how_to_live,_the_elite_-_Reason_controls_and_organises_life_-_Nature_is_infrarational
1955-06-15_-_Dynamic_realisation,_transformation_-_The_negative_and_positive_side_of_experience_-_The_image_of_the_dry_coconut_fruit_-_Purusha,_Prakriti,_the_Divine_Mother_-_The_Truth-Creation_-_Pralaya_-_We_are_in_a_transitional_period
1955-06-22_-_Awakening_the_Yoga-shakti_-_The_thousand-petalled_lotus-_Reading,_how_far_a_help_for_yoga_-_Simple_and_complicated_combinations_in_men
1955-07-13_-_Cosmic_spirit_and_cosmic_consciousness_-_The_wall_of_ignorance,_unity_and_separation_-_Aspiration_to_understand,_to_know,_to_be_-_The_Divine_is_in_the_essence_of_ones_being_-_Realising_desires_through_the_imaginaton
1955-07-20_-_The_Impersonal_Divine_-_Surrender_to_the_Divine_brings_perfect_freedom_-_The_Divine_gives_Himself_-_The_principle_of_the_inner_dimensions_-_The_paths_of_aspiration_and_surrender_-_Linear_and_spherical_paths_and_realisations
1955-08-17_-_Vertical_ascent_and_horizontal_opening_-_Liberation_of_the_psychic_being_-_Images_for_discovery_of_the_psychic_being_-_Sadhana_to_contact_the_psychic_being
1955-10-12_-_The_problem_of_transformation_-_Evolution,_man_and_superman_-_Awakening_need_of_a_higher_good_-_Sri_Aurobindo_and_earths_history_-_Setting_foot_on_the_new_path_-_The_true_reality_of_the_universe_-_the_new_race_-_...
1955-10-19
1955-11-02_-_The_first_movement_in_Yoga_-_Interiorisation,_finding_ones_soul_-_The_Vedic_Age_-_An_incident_about_Vivekananda_-_The_imaged_language_of_the_Vedas_-_The_Vedic_Rishis,_involutionary_beings_-_Involution_and_evolution
1955-12-14_-_Rejection_of_life_as_illusion_in_the_old_Yogas_-_Fighting_the_adverse_forces_-_Universal_and_individual_being_-_Three_stages_in_Integral_Yoga_-_How_to_feel_the_Divine_Presence_constantly
1956-01-04_-_Integral_idea_of_the_Divine_-_All_things_attracted_by_the_Divine_-_Bad_things_not_in_place_-_Integral_yoga_-_Moving_idea-force,_ideas_-_Consequences_of_manifestation_-_Work_of_Spirit_via_Nature_-_Change_consciousness,_change_world
1956-01-11_-_Desire_and_self-deception_-_Giving_all_one_is_and_has_-_Sincerity,_more_powerful_than_will_-_Joy_of_progress_Definition_of_youth
1956-03-07_-_Sacrifice,_Animals,_hostile_forces,_receive_in_proportion_to_consciousness_-_To_be_luminously_open_-_Integral_transformation_-_Pain_of_rejection,_delight_of_progress_-_Spirit_behind_intention_-_Spirit,_matter,_over-simplified
1956-03-14_-_Dynamic_meditation_-_Do_all_as_an_offering_to_the_Divine_-_Significance_of_23.4.56._-_If_twelve_men_of_goodwill_call_the_Divine
1956-04-04
1956-06-06_-_Sign_or_indication_from_books_of_revelation_-_Spiritualised_mind_-_Stages_of_sadhana_-_Reversal_of_consciousness_-_Organisation_around_central_Presence_-_Boredom,_most_common_human_malady
1956-08-08_-_How_to_light_the_psychic_fire,_will_for_progress_-_Helping_from_a_distance,_mental_formations_-_Prayer_and_the_divine_-_Grace_Grace_at_work_everywhere
1956-10-03_-_The_Mothers_different_ways_of_speaking_-_new_manifestation_-_new_element,_possibilities_-_child_prodigies_-_Laws_of_Nature,_supramental_-_Logic_of_the_unforeseen_-_Creative_writers,_hands_of_musicians_-_Prodigious_children,_men
1956-12-05_-_Even_and_objectless_ecstasy_-_Transform_the_animal_-_Individual_personality_and_world-personality_-_Characteristic_features_of_a_world-personality_-_Expressing_a_universal_state_of_consciousness_-_Food_and_sleep_-_Ordered_intuition
1956-12-26_-_Defeated_victories_-_Change_of_consciousness_-_Experiences_that_indicate_the_road_to_take_-_Choice_and_preference_-_Diversity_of_the_manifestation
1957-01-02_-_Can_one_go_out_of_time_and_space?_-_Not_a_crucified_but_a_glorified_body_-_Individual_effort_and_the_new_force
1957-01-09_-_God_is_essentially_Delight_-_God_and_Nature_play_at_hide-and-seek_-__Why,_and_when,_are_you_grave?
1957-01-23_-_How_should_we_understand_pure_delight?_-_The_drop_of_honey_-_Action_of_the_Divine_Will_in_the_world
1957-02-07_-_Individual_and_collective_meditation
1957-07-03_-_Collective_yoga,_vision_of_a_huge_hotel
1957-08-28_-_Freedom_and_Divine_Will
1957-10-02_-_The_Mind_of_Light_-_Statues_of_the_Buddha_-_Burden_of_the_past
1957-10-16_-_Story_of_successive_involutions
1958-02-19_-_Experience_of_the_supramental_boat_-_The_Censors_-_Absurdity_of_artificial_means
1958-03-05_-_Vibrations_and_words_-_Power_of_thought,_the_gift_of_tongues
1958-06-06_-_Supramental_Ship
1958-07-06
1958-07-21
1958-08-27_-_Meditation_and_imagination_-_From_thought_to_idea,_from_idea_to_principle
1958-08-30
1958-09-03_-_How_to_discipline_the_imagination_-_Mental_formations
1958_09_12
1958_09_19
1958-10-04
1958-10-08_-_Stages_between_man_and_superman
1958-11-04_-_Myths_are_True_and_Gods_exist_-_mental_formation_and_occult_faculties_-_exteriorization_-_work_in_dreams
1958-11-11
1958-11-15
1958-11-22
1959-06-25
1960_01_20
1960-05-24_-_supramental_flood
1960-06-07
1960-07-12_-_Mothers_Vision_-_the_Voice,_the_ashram_a_tiny_part_of_myself,_the_Mothers_Force,_sparkling_white_light_compressed_-_enormous_formation_of_negative_vibrations_-_light_in_evil
1960-07-23_-_The_Flood_and_the_race_-_turning_back_to_guide_and_save_amongst_the_torrents_-_sadhana_vs_tamas_and_destruction_-_power_of_giving_and_offering_-_Japa,_7_lakhs,_140000_per_day,_1_crore_takes_20_years
1960-07-26_-_Mothers_vision_-_looking_up_words_in_the_subconscient
1960-10-11
1960-10-22
1960-11-12
1961-01-22
1961-02-11
1961-02-25
1961-03-11
1961_03_11_-_58
1961-03-25
1961-04-07
1961-04-18
1961_04_26_-_59
1961-04-29
1961-06-02
1961-06-06
1961-06-17
1961-06-24
1961-07-18
1961-07-28
1961-08-05
1961-08-11
1961-10-30
1961-11-16a
1962-01-09
1962-01-27
1962-02-03
1962_02_03
1962-02-13
1962-02-17
1962-02-27
1962_02_27
1962-05-15
1962-05-27
1962-05-29
1962-06-02
1962-06-12
1962-06-20
1962-06-30
1962-07-07
1962-07-18
1962-07-21
1962-07-25
1962-08-04
1962-09-08
1962-09-26
1962-10-06
1962_10_06
1962-10-16
1962-11-03
1962-11-14
1962-11-17
1962-11-27
1962-12-22
1963-01-12
1963-02-19
1963-03-16
1963-03-30
1963-05-11
1963-07-06
1963-08-10
1963-08-28
1963-09-25
1963-09-28
1963-10-16
1963-11-04
1963_11_04
1963-12-03
1963-12-14
1963-12-25
1963-12-31
1964-01-04
1964-03-25
1964_03_25
1964-07-13
1964-08-14
1964-08-22
1964-09-18
1964-09-23
1964-10-10
1964-10-24a
1964-11-21
1964-11-28
1964-12-02
1965-02-19
1965-03-10
1965-03-24
1965-03-27
1965-05-29
1965_05_29
1965-06-14
1965-06-18_-_supramental_ship
1965-06-23
1965-08-21
1965-10-27
1965_12_26?
1966-02-26
1966-03-04
1966-04-09
1966-05-14
1966-05-18
1966-06-15
1966-06-29
1966-08-17
1966_09_14
1966-09-17
1966-11-03
1966-11-09
1966-12-07
1967-01-14
1967-03-11
1967-04-12
1967-05-03
1967-05-10
1967-06-03
1967-06-14
1967-07-15
1967-07-19
1967-08-12
1967-09-06
1967-09-13
1967-10-11
1967-10-21
1967-11-08
1967-12-13
1967-12-20
1967-12-27
1968-02-07
1968-02-17
1968-03-02
1968-04-03
1968-07-10
1968-07-20
1968-08-28
1968-10-11
1969-02-22
1969-04-05
1969-04-26
1969-07-23
1969-07-26
1969-07-30
1969-08-06
1969-08-23
1969_09_14
1969-09-20
1969-09-27
1969-10-18
1969_10_19
1969-10-25
1969-11-12
1969_12_07
1969_12_11
1969-12-13
1969-12-24
1970-01-01
1970-01-03
1970-01-17
1970_02_18
1970-03-14
1970-03-18
1970_04_20_-_485
1970_04_22_-_493
1970_05_02
1970_05_03?
1970-05-09
1970-05-13
1970-06-17
1970-07-01
1970-11-28
1971-01-01
1971-09-01
1971-10-16
1971-10-27
1971-11-10
1971-11-17
1972-01-12
1972-03-22
1972-04-02a
1972-04-19
1972-04-26
1972-05-31
1972-10-25
1973-01-20
1.A_-_ANTHROPOLOGY,_THE_SOUL
1.ac_-_A_Birthday
1.ac_-_Adela
1.ac_-_Colophon
1.ac_-_The_Garden_of_Janus
1.ac_-_The_Priestess_of_Panormita
1.anon_-_Enuma_Elish_(When_on_high)
1.anon_-_The_Epic_of_Gilgamesh_Tablet_X
1.bs_-_Seek_the_spirit,_forget_the_form
1.bsv_-_The_waters_of_joy
1.bs_-_Your_passion_stirs_me
1.bts_-_Invocation
1.ct_-_One_Legged_Man
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1f.lovecraft_-_Dagon
1f.lovecraft_-_Deaf,_Dumb,_and_Blind
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_Polaris
1f.lovecraft_-_The_Battle_that_Ended_the_Century
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Colour_out_of_Space
1f.lovecraft_-_The_Crawling_Chaos
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Electric_Executioner
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_Horror_in_the_Museum
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Man_of_Stone
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Nameless_City
1f.lovecraft_-_The_Night_Ocean
1f.lovecraft_-_The_Other_Gods
1f.lovecraft_-_The_Rats_in_the_Walls
1f.lovecraft_-_The_Secret_Cave
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Shunned_House
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_Temple
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_The_Trap
1f.lovecraft_-_The_Tree
1f.lovecraft_-_The_Unnamable
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Till_A_the_Seas
1f.lovecraft_-_Under_the_Pyramids
1.fs_-_Honor_To_Woman
1.fs_-_Hymn_To_Joy
1.fs_-_Ode_To_Joy
1.fs_-_Ode_To_Joy_-_With_Translation
1.fs_-_Pompeii_And_Herculaneum
1.fs_-_Punch_Song_(To_be_sung_in_the_Northern_Countries)
1.fs_-_Resignation
1.fs_-_The_Artists
1.fs_-_The_Assignation
1.fs_-_The_Cranes_Of_Ibycus
1.fs_-_The_Eleusinian_Festival
1.fs_-_The_Fight_With_The_Dragon
1.fs_-_The_Four_Ages_Of_The_World
1.fs_-_The_Ideal_And_The_Actual_Life
1.fs_-_The_Maid_Of_Orleans
1.fs_-_The_Poetry_Of_Life
1.fs_-_The_Walk
1.fs_-_To_My_Friends
1.fua_-_All_who,_reflecting_as_reflected_see
1.fua_-_Looking_for_your_own_face
1.fua_-_The_Nightingale
1.fua_-_The_Pupil_asks-_the_Master_answers
1.fua_-_The_Simurgh
1.hcyc_-_10_-_The_rays_shining_from_this_perfect_Mani-jewel_(from_The_Shodoka)
1.hs_-_My_Brilliant_Image
1.hs_-_Silence
1.hs_-_Slaves_Of_Thy_Shining_Eyes
1.hs_-_The_Margin_Of_A_Stream
1.hs_-_The_Rose_Is_Not_Fair
1.jk_-_Endymion_-_Book_I
1.jk_-_Endymion_-_Book_II
1.jk_-_Endymion_-_Book_III
1.jk_-_Fill_For_Me_A_Brimming_Bowl
1.jk_-_Hyperion,_A_Vision_-_Attempted_Reconstruction_Of_The_Poem
1.jk_-_Hyperion._Book_II
1.jk_-_Imitation_Of_Spenser
1.jk_-_Isabella;_Or,_The_Pot_Of_Basil_-_A_Story_From_Boccaccio
1.jk_-_I_Stood_Tip-Toe_Upon_A_Little_Hill
1.jk_-_Lamia._Part_II
1.jk_-_Ode_On_Melancholy
1.jk_-_Otho_The_Great_-_Act_II
1.jk_-_Sleep_And_Poetry
1.jk_-_Song_Of_Four_Faries
1.jk_-_Sonnet_I._To_My_Brother_George
1.jk_-_Sonnet_VII._To_Solitude
1.jk_-_The_Eve_Of_Saint_Mark._A_Fragment
1.jk_-_Translated_From_A_Sonnet_Of_Ronsard
1.jlb_-_Oedipus_and_the_Riddle
1.jlb_-_Rosas
1.jlb_-_The_Recoleta
1.jm_-_Upon_this_earth,_the_land_of_the_Victorious_Ones
1.jr_-_I_Swear
1.jr_-_Let_Go_Of_Your_Worries
1.jr_-_Like_This
1.jt_-_Oh,_the_futility_of_seeking_to_convey_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jwvg_-_Presence
1.jwvg_-_Prometheus
1.jwvg_-_The_Bliss_Of_Absence
1.jwvg_-_The_Godlike
1.kbr_-_The_Guest_Is_Inside_You,_And_Also_Inside_Me
1.kbr_-_The_Guest_is_inside_you,_and_also_inside_me
1.kbr_-_The_Self_Forgets_Itself
1.kbr_-_The_self_forgets_itself
1.kbr_-_Where_do_you_search_me
1.kg_-_Little_Tiger
1.kt_-_A_Song_on_the_View_of_Voidness
1.lb_-_Farewell_to_Meng_Hao-jan_at_Yellow_Crane_Tower_by_Li_Po
1.lla_-_I_made_pilgrimages,_looking_for_God
1.lla_-_One_shrine_to_the_next,_the_hermit_cant_stop_for_breath
1.lla_-_What_is_worship?_Who_are_this_man
1.lovecraft_-_An_American_To_Mother_England
1.lovecraft_-_Psychopompos-_A_Tale_in_Rhyme
1.nrpa_-_The_Summary_of_Mahamudra
1.pbs_-_A_Bridal_Song
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_Charles_The_First
1.pbs_-_Epigram_III_-_Spirit_of_Plato
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Epipsychidion_-_Passages_Of_The_Poem,_Or_Connected_Therewith
1.pbs_-_Epithalamium
1.pbs_-_Epithalamium_-_Another_Version
1.pbs_-_Evening_-_Ponte_Al_Mare,_Pisa
1.pbs_-_Fragment_-_"Igniculus_Desiderii"
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_Fragment_-_Wedded_Souls
1.pbs_-_Ginevra
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_Julian_and_Maddalo_-_A_Conversation
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Lines_Written_Among_The_Euganean_Hills
1.pbs_-_Mont_Blanc_-_Lines_Written_In_The_Vale_of_Chamouni
1.pbs_-_Ode_To_Liberty
1.pbs_-_Ode_To_Naples
1.pbs_-_Oedipus_Tyrannus_or_Swellfoot_The_Tyrant
1.pbs_-_Peter_Bell_The_Third
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_III.
1.pbs_-_Queen_Mab_-_Part_IV.
1.pbs_-_Queen_Mab_-_Part_V.
1.pbs_-_Queen_Mab_-_Part_VI.
1.pbs_-_Queen_Mab_-_Part_VII.
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.pbs_-_Sonnet_-_Political_Greatness
1.pbs_-_Sonnet_To_Byron
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Mask_Of_Anarchy
1.pbs_-_The_Pine_Forest_Of_The_Cascine_Near_Pisa
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_To_Ianthe
1.pbs_-_To_Jane_-_The_Invitation
1.pbs_-_To_Jane_-_The_Recollection
1.pbs_-_To--_Yet_look_on_me
1.pbs_-_Ugolino
1.poe_-_Al_Aaraaf-_Part_2
1.poe_-_Dreams
1.poe_-_Serenade
1.poe_-_Tamerlane
1.poe_-_The_Coliseum
1.poe_-_To_Isadore
1.poe_-_To_The_River
1.raa_-_Circles_3_(from_Life_of_the_Future_World)
1.raa_-_Circles_4_(from_Life_of_the_Future_World)
1.rb_-_A_Grammarian's_Funeral_Shortly_After_The_Revival_Of_Learning
1.rb_-_Any_Wife_To_Any_Husband
1.rb_-_Bishop_Blougram's_Apology
1.rb_-_Bishop_Orders_His_Tomb_at_Saint_Praxed's_Church,_Rome,_The
1.rb_-_Cleon
1.rb_-_Fra_Lippo_Lippi
1.rb_-_In_A_Gondola
1.rb_-_Introduction:_Pippa_Passes
1.rb_-_Paracelsus_-_Part_III_-_Paracelsus
1.rb_-_Paracelsus_-_Part_I_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_IV_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_V_-_Paracelsus_Attains
1.rb_-_Pauline,_A_Fragment_of_a_Question
1.rb_-_Pippa_Passes_-_Part_II_-_Noon
1.rb_-_Rhyme_for_a_Child_Viewing_a_Naked_Venus_in_a_Painting_of_'The_Judgement_of_Paris'
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Fourth
1.rb_-_Sordello_-_Book_the_Second
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_The_Englishman_In_Italy
1.rb_-_The_Flight_Of_The_Duchess
1.rmr_-_Elegy_X
1.rmr_-_Lady_At_A_Mirror
1.rmr_-_Narcissus
1.rmr_-_The_Grown-Up
1.rmr_-_The_Last_Evening
1.rmr_-_The_Panther
1.rmr_-_The_Sonnets_To_Orpheus_-_XXV
1.rmr_-_What_Fields_Are_As_Fragrant_As_Your_Hands?
1.rmr_-_You_Who_Never_Arrived
1.rt_-_Dream_Girl
1.rt_-_Fireflies
1.rt_-_Gitanjali
1.rt_-_Kinu_Goalas_Alley
1.rt_-_My_Pole_Star
1.rt_-_Sail_Away
1.rt_-_Shyama
1.rt_-_The_Beginning
1.rt_-_The_Gardener_LIX_-_O_Woman
1.rt_-_The_Gardener_XLVI_-_You_Left_Me
1.rt_-_Unending_Love
1.rt_-_Urvashi
1.rwe_-_Boston_Hymn
1.rwe_-_Celestial_Love
1.rwe_-_Etienne_de_la_Boce
1.rwe_-_Gnothi_Seauton
1.rwe_-_In_Memoriam
1.rwe_-_May-Day
1.rwe_-_Monadnoc
1.rwe_-_Song_of_Nature
1.rwe_-_To-day
1.rwe_-_Woodnotes
1.sb_-_Cut_brambles_long_enough
1.sca_-_Place_your_mind_before_the_mirror_of_eternity!
1.sdi_-_How_could_I_ever_thank_my_Friend?
1.sig_-_Before_I_was,_Thy_mercy_came_to_me
1.sig_-_The_Sun
1.snt_-_We_awaken_in_Christs_body
1.srh_-_The_Royal_Song_of_Saraha_(Dohakosa)
1.tm_-_The_Sowing_of_Meanings
1.tr_-_Images,_however_sacred
1.tr_-_Returning_To_My_Native_Village
1.wb_-_The_Divine_Image
1.wby_-_A_Dramatic_Poem
1.wby_-_All_Souls_Night
1.wby_-_Among_School_Children
1.wby_-_An_Image_From_A_Past_Life
1.wby_-_A_Prayer_On_Going_Into_My_House
1.wby_-_A_Thought_From_Propertius
1.wby_-_A_Woman_Young_And_Old
1.wby_-_Blood_And_The_Moon
1.wby_-_Broken_Dreams
1.wby_-_Byzantium
1.wby_-_Colonel_Martin
1.wby_-_Crazy_Jane_Grown_Old_Looks_At_The_Dancers
1.wby_-_Ego_Dominus_Tuus
1.wby_-_From_A_Full_Moon_In_March
1.wby_-_Her_Vision_In_The_Wood
1.wby_-_Hound_Voice
1.wby_-_In_Memory_Of_Eva_Gore-Booth_And_Con_Markiewicz
1.wby_-_Meditations_In_Time_Of_Civil_War
1.wby_-_Nineteen_Hundred_And_Nineteen
1.wby_-_Parnells_Funeral
1.wby_-_Solomon_And_The_Witch
1.wby_-_The_Ballad_Of_Moll_Magee
1.wby_-_The_Chosen
1.wby_-_The_Circus_Animals_Desertion
1.wby_-_The_Double_Vision_Of_Michael_Robartes
1.wby_-_The_Grey_Rock
1.wby_-_The_Indian_To_His_Love
1.wby_-_The_Indian_Upon_God
1.wby_-_The_Lover_Mourns_For_The_Loss_Of_Love
1.wby_-_The_Lover_Tells_Of_The_Rose_In_His_Heart
1.wby_-_The_Municipal_Gallery_Revisited
1.wby_-_The_Old_Age_Of_Queen_Maeve
1.wby_-_The_People
1.wby_-_The_Phases_Of_The_Moon
1.wby_-_The_Ragged_Wood
1.wby_-_The_Results_Of_Thought
1.wby_-_The_Rose_In_The_Deeps_Of_His_Heart
1.wby_-_The_Second_Coming
1.wby_-_The_Shadowy_Waters_-_Introduction
1.wby_-_The_Shadowy_Waters_-_The_Shadowy_Waters
1.wby_-_The_Sorrow_Of_Love
1.wby_-_The_Statues
1.wby_-_The_Three_Hermits
1.wby_-_The_Tower
1.wby_-_The_Two_Trees
1.wby_-_The_Wanderings_Of_Oisin_-_Book_II
1.wby_-_Those_Images
1.wby_-_Vacillation
1.whitman_-_Eidolons
1.whitman_-_Song_of_Myself
1.whitman_-_Song_Of_Myself-_XLI
1.whitman_-_Song_Of_Myself-_XXXIII
1.whitman_-_Song_Of_The_Universal
1.ww_-_2-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_3-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_4-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_7-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_Address_To_Kilchurn_Castle,_Upon_Loch_Awe
1.ww_-_A_Jewish_Family_In_A_Small_Valley_Opposite_St._Goar,_Upon_The_Rhine
1.ww_-_A_Narrow_Girdle_Of_Rough_Stones_And_Crags,
1.ww_-_An_Evening_Walk
1.ww_-_Book_Eighth-_Retrospect--Love_Of_Nature_Leading_To_Love_Of_Man
1.ww_-_Book_Eleventh-_France_[concluded]
1.ww_-_Book_Fifth-Books
1.ww_-_Book_First_[Introduction-Childhood_and_School_Time]
1.ww_-_Book_Fourteenth_[conclusion]
1.ww_-_Book_Fourth_[Summer_Vacation]
1.ww_-_Book_Second_[School-Time_Continued]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
1.ww_-_Book_Tenth_{Residence_in_France_continued]
1.ww_-_Book_Third_[Residence_at_Cambridge]
1.ww_-_Book_Thirteenth_[Imagination_And_Taste,_How_Impaired_And_Restored_Concluded]
1.ww_-_Characteristics_Of_A_Child_Three_Years_Old
1.ww_-_Character_Of_The_Happy_Warrior
1.ww_-_Dion_[See_Plutarch]
1.ww_-_Elegiac_Stanzas_Suggested_By_A_Picture_Of_Peele_Castle
1.ww_-_Guilt_And_Sorrow,_Or,_Incidents_Upon_Salisbury_Plain
1.ww_-_Influence_of_Natural_Objects
1.ww_-_Laodamia
1.ww_-_Mark_The_Concentrated_Hazels_That_Enclose
1.ww_-_Memorials_Of_A_Tour_In_Scotland
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803
1.ww_-_Memory
1.ww_-_Michael_Angelo_In_Reply_To_The_Passage_Upon_His_Staute_Of_Sleeping_Night
1.ww_-_Ode_Composed_On_A_May_Morning
1.ww_-_Remembrance_Of_Collins
1.ww_-_Resolution_And_Independence
1.ww_-_She_Was_A_Phantom_Of_Delight
1.ww_-_Stanzas_Written_In_My_Pocket_Copy_Of_Thomsons_Castle_Of_Indolence
1.ww_-_The_Brothers
1.ww_-_The_Excursion-_II-_Book_First-_The_Wanderer
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_IX-_Book_Eighth-_The_Parsonage
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Excursion-_X-_Book_Ninth-_Discourse_of_the_Wanderer,_and_an_Evening_Visit_to_the_Lake
1.ww_-_The_Prelude,_Book_1-_Childhood_And_School-Time
1.ww_-_The_Prioresss_Tale_[from_Chaucer]
1.ww_-_The_Recluse_-_Book_First
1.ww_-_There_Was_A_Boy
1.ww_-_The_Two_Thieves-_Or,_The_Last_Stage_Of_Avarice
1.ww_-_The_Virgin
1.ww_-_The_Waggoner_-_Canto_Fourth
1.ww_-_To_A_Butterfly
1.ww_-_To_H._C.
1.ww_-_To_Joanna
1.ww_-_To_M.H.
1.ww_-_To_The_Daisy
1.ww_-_Vernal_Ode
1.ww_-_Water-Fowl_Observed_Frequently_Over_The_Lakes_Of_Rydal_And_Grasmere
1.ww_-_Written_In_A_Blank_Leaf_Of_Macpherson's_Ossian
1.ww_-_Yarrow_Visited
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
2.00_-_BIBLIOGRAPHY
2.01_-_Isha_Upanishad__All_that_is_world_in_the_Universe
2.01_-_MASTER_AND_DISCIPLE
2.01_-_On_Books
2.01_-_On_the_Concept_of_the_Archetype
2.01_-_Proem
2.01_-_THE_ARCANE_SUBSTANCE_AND_THE_POINT
2.01_-_The_Mother
2.01_-_The_Object_of_Knowledge
2.01_-_The_Preparatory_Renunciation
2.01_-_The_Road_of_Trials
2.01_-_The_Therapeutic_value_of_Abreaction
2.01_-_The_Two_Natures
2.01_-_The_Yoga_and_Its_Objects
2.02_-_Atomic_Motions
2.02_-_Brahman,_Purusha,_Ishwara_-_Maya,_Prakriti,_Shakti
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_Indra,_Giver_of_Light
2.02_-_Meeting_With_the_Goddess
2.02_-_On_Letters
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_The_Monstrance
2.02_-_The_Mother_Archetype
2.02_-_THE_SCINTILLA
2.02_-_The_Status_of_Knowledge
2.02_-_The_Synthesis_of_Devotion_and_Knowledge
2.02_-_UPON_THE_BLESSED_ISLES
2.03_-_Atomic_Forms_And_Their_Combinations
2.03_-_DEMETER
2.03_-_Indra_and_the_Thought-Forces
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.03_-_THE_ENIGMA_OF_BOLOGNA
2.03_-_The_Mother-Complex
2.03_-_The_Pyx
2.03_-_VISIT_TO_VIDYASAGAR
2.04_-_ADVICE_TO_HOUSEHOLDERS
2.04_-_Agni,_the_Illumined_Will
2.04_-_Concentration
2.04_-_Positive_Aspects_of_the_Mother-Complex
2.04_-_The_Divine_and_the_Undivine
2.05_-_Apotheosis
2.05_-_On_Poetry
2.05_-_The_Cosmic_Illusion;_Mind,_Dream_and_Hallucination
2.05_-_The_Divine_Truth_and_Way
2.05_-_THE_MASTER_AND_KESHAB
2.05_-_The_Tale_of_the_Vampires_Kingdom
2.06_-_Reality_and_the_Cosmic_Illusion
2.06_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES
2.06_-_The_Synthesis_of_the_Disciplines_of_Knowledge
2.07_-_ON_THE_TARANTULAS
2.07_-_The_Knowledge_and_the_Ignorance
2.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
2.07_-_The_Mother__Relations_with_Others
2.07_-_The_Upanishad_in_Aphorism
2.08_-_Memory,_Self-Consciousness_and_the_Ignorance
2.08_-_On_Non-Violence
2.08_-_THE_MASTERS_BIRTHDAY_CELEBRATION_AT_DAKSHINESWAR
2.08_-_The_Sword
2.09_-_ADVICE_TO_THE_BRAHMOS
2.09_-_Memory,_Ego_and_Self-Experience
2.09_-_On_Sadhana
2.09_-_The_Pantacle
2.09_-_The_Release_from_the_Ego
21.01_-_The_Mother_The_Nature_of_Her_Work
2.1.02_-_Combining_Work,_Meditation_and_Bhakti
21.02_-_Gods_and_Men
2.1.02_-_Nature_The_World-Manifestation
2.1.03_-_Man_and_Superman
2.10_-_Knowledge_by_Identity_and_Separative_Knowledge
2.10_-_On_Vedic_Interpretation
2.10_-_The_Lamp
2.10_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES_(II)
2.10_-_The_Primordial_Kings__Their_Shattering
2.10_-_The_Realisation_of_the_Cosmic_Self
2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer
2.1.1.04_-_Reading,_Yogic_Force_and_the_Development_of_Style
2.11_-_The_Shattering_And_Fall_of_The_Primordial_Kings
2.11_-_The_Vision_of_the_World-Spirit_-_The_Double_Aspect
2.11_-_WITH_THE_DEVOTEES_AT_DAKSHINEWAR
2.12_-_On_Miracles
2.12_-_THE_FESTIVAL_AT_PNIHTI
2.12_-_The_Origin_of_the_Ignorance
2.1.2_-_The_Vital_and_Other_Levels_of_Being
2.13_-_Exclusive_Concentration_of_Consciousness-Force_and_the_Ignorance
2.13_-_On_Psychology
2.13_-_The_Difficulties_of_the_Mental_Being
2.13_-_THE_MASTER_AND_M.
2.1.4.2_-_Teaching
2.14_-_INSTRUCTION_TO_VAISHNAVS_AND_BRHMOS
2.14_-_On_Movements
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.14_-_The_Unpacking_of_God
2.1.5.2_-_Languages
2.15_-_LAST_VISIT_TO_KESHAB
2.15_-_ON_IMMACULATE_PERCEPTION
2.15_-_Reality_and_the_Integral_Knowledge
2.16_-_Power_of_Imagination
2.16_-_The_15th_of_August
2.16_-_The_Magick_Fire
2.16_-_WITH_THE_DEVOTEES_AT_DAKSHINESWAR
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.17_-_December_1938
2.17_-_M._AT_DAKSHINEWAR
2.17_-_The_Progress_to_Knowledge_-_God,_Man_and_Nature
2.17_-_The_Soul_and_Nature
2.18_-_January_1939
2.18_-_M._AT_DAKSHINESWAR
2.19_-_Feb-May_1939
2.19_-_THE_MASTER_AND_HIS_INJURED_ARM
2.19_-_The_Planes_of_Our_Existence
2.2.01_-_The_Outer_Being_and_the_Inner_Being
2.2.01_-_The_Problem_of_Consciousness
2.20_-_2.29_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
2.2.02_-_The_True_Being_and_the_True_Consciousness
2.2.03_-_The_Psychic_Being
2.2.03_-_The_Science_of_Consciousness
22.08_-_The_Golden_Chain
2.20_-_Nov-Dec_1939
2.20_-_The_Infancy_and_Maturity_of_ZO,_Father_and_Mother,_Israel_The_Ancient_and_Understanding
2.20_-_The_Philosophy_of_Rebirth
2.21_-_The_Ladder_of_Self-transcendence
2.21_-_The_Order_of_the_Worlds
2.22_-_Rebirth_and_Other_Worlds;_Karma,_the_Soul_and_Immortality
2.22_-_The_Supreme_Secret
2.22_-_Vijnana_or_Gnosis
2.23_-_The_Core_of_the_Gita.s_Meaning
2.2.4_-_Taittiriya_Upanishad
2.24_-_The_Evolution_of_the_Spiritual_Man
2.24_-_The_Message_of_the_Gita
2.25_-_List_of_Topics_in_Each_Talk
2.26_-_Samadhi
2.26_-_The_Ascent_towards_Supermind
2.2.7.01_-_Some_General_Remarks
2.27_-_The_Gnostic_Being
2.28_-_The_Divine_Life
2.2.9.02_-_Plato
2.3.01_-_Concentration_and_Meditation
2.30_-_2.39_-_THE_MASTER_IN_VARIOUS_MOODS
2.3.02_-_The_Supermind_or_Supramental
2.3.03_-_Integral_Yoga
2.3.03_-_The_Mother's_Presence
2.3.07_-_The_Mother_in_Visions,_Dreams_and_Experiences
2.3.08_-_The_Mother's_Help_in_Difficulties
2.3.1.09_-_Inspiration_and_Understanding
2.3.10_-_The_Subconscient_and_the_Inconscient
2.3.1_-_Svetasvatara_Upanishad
2.32_-_Prophetic_Visions
2.4.02.08_-_Contact_with_the_Divine
2.4.02.09_-_Contact_and_Union_with_the_Divine
2.40_-_2.49_-_THE_MASTER_AT_THE_HOUSES_OF_BALARM_AND_GIRISH
2.4.02_-_Bhakti,_Devotion,_Worship
24.03_-_Notes_on_Savitri_II
24.05_-_Vision_of_Dante
25.02_-_HYMN_TO_DAWN
25.03_-_Songs_of_Ramprasad
25.08_-_THY_GRACE
26.06_-_Ashram_Poets
29.05_-_The_Bride_of_Brahman
29.06_-_There_is_also_another,_similar_or_parallel_story_in_the_Veda_about_the_God_Agni,_about_the_disappearance_of_this
29.07_-_A_Small_Talk
2_-_Other_Hymns_to_Agni
3.00.1_-_Foreword
30.01_-_World-Literature
3.00.2_-_Introduction
30.03_-_Spirituality_in_Art
30.04_-_Intuition_and_Inspiration_in_Art
30.06_-_The_Poet_and_The_Seer
30.07_-_The_Poet_and_the_Yogi
30.09_-_Lines_of_Tantra_(Charyapada)
3.00_-_Introduction
3.00_-_The_Magical_Theory_of_the_Universe
30.11_-_Modern_Poetry
30.13_-_Rabindranath_the_Artist
30.14_-_Rabindranath_and_Modernism
30.16_-_Tagore_the_Unique
30.17_-_Rabindranath,_Traveller_of_the_Infinite
30.18_-_Boris_Pasternak
3.01_-_THE_BIRTH_OF_THOUGHT
3.01_-_The_Mercurial_Fountain
3.01_-_The_Principles_of_Ritual
3.02_-_King_and_Queen
3.02_-_SOL
3.02_-_The_Formulae_of_the_Elemental_Weapons
3.02_-_The_Practice_Use_of_Dream-Analysis
3.02_-_The_Psychology_of_Rebirth
3.03_-_On_Thought_-_II
3.03_-_SULPHUR
3.03_-_The_Four_Foundational_Practices
3.03_-_The_Godward_Emotions
3.03_-_THE_MODERN_EARTH
3.03_-_The_Soul_Is_Mortal
3.03_-_The_Spirit_Land
3.04_-_Immersion_in_the_Bath
3.04_-_LUNA
3.04_-_The_Flowers
3.04_-_The_Formula_of_ALHIM
3.04_-_The_Spirit_in_Spirit-Land_after_Death
3.04_-_The_Way_of_Devotion
3.05_-_SAL
3.05_-_The_Conjunction
3.05_-_The_Divine_Personality
3.05_-_The_Formula_of_I.A.O.
3.06_-_Death
3.06_-_The_Delight_of_the_Divine
3.07_-_The_Ananda_Brahman
3.07_-_The_Ascent_of_the_Soul
3.07_-_The_Formula_of_the_Holy_Grail
3.08_-_Of_Equilibrium
3.08_-_The_Myster_of_Love
3.08_-_The_Thousands
3.09_-_The_Return_of_the_Soul
31.01_-_The_Heart_of_Bengal
3.1.01_-_The_Marbles_of_Time
3.1.01_-_The_Problem_of_Suffering_and_Evil
3.1.02_-_A_Theory_of_the_Human_Being
31.02_-_The_Mother-_Worship_of_the_Bengalis
3.1.04_-_Transformation_in_the_Integral_Yoga
31.05_-_Vivekananda
3.10_-_The_New_Birth
31.10_-_East_and_West
3.1.12_-_A_Child.s_Imagination
3.1.15_-_Rebirth
3.11_-_Spells
3.1.24_-_In_the_Moonlight
3.14_-_Of_the_Consecrations
3.16.2_-_Of_the_Charge_of_the_Spirit
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
31_Hymns_to_the_Star_Goddess
3.2.02_-_The_Veda_and_the_Upanishads
3.2.05_-_The_Yoga_of_the_Bhagavad_Gita
3.2.06_-_The_Adwaita_of_Shankaracharya
32.06_-_The_Novel_Alchemy
3.2.07_-_Tantra
3.2.08_-_Bhakti_Yoga_and_Vaishnavism
3.20_-_Of_the_Eucharist
3.2.3_-_Dreams
3.3.01_-_The_Superman
3.3.03_-_The_Delight_of_Works
33.04_-_Deoghar
33.08_-_I_Tried_Sannyas
33.13_-_My_Professors
33.17_-_Two_Great_Wars
3.3.1_-_Agni,_the_Divine_Will-Force
3.3.1_-_Illness_and_Health
3.4.02_-_The_Inconscient
3.4.03_-_Materialism
34.07_-_The_Bride_of_Brahman
34.09_-_Hymn_to_the_Pillar
3.4.1.06_-_Reading_and_Sadhana
3.4.2_-_Guru_Yoga
3.5.01_-_Aphorisms
35.03_-_Hymn_To_Bhavani
3-5_Full_Circle
3.6.01_-_Heraclitus
36.07_-_An_Introduction_To_The_Vedas
36.08_-_A_Commentary_on_the_First_Six_Suktas_of_Rigveda
37.06_-_Indra_-_Virochana_and_Prajapati
37.07_-_Ushasti_Chakrayana_(Chhandogya_Upanishad)
3.7.1.01_-_Rebirth
3.7.1.02_-_The_Reincarnating_Soul
3.7.1.04_-_Rebirth_and_Soul_Evolution
3.7.1.07_-_Involution_and_Evolution
3.7.2.03_-_Mind_Nature_and_Law_of_Karma
3.7.2.04_-_The_Higher_Lines_of_Karma
3.8.1.02_-_Arya_-_Its_Significance
3.8.1.03_-_Meditation
3_-_Commentaries_and_Annotated_Translations
40.01_-_November_24,_1926
4.01_-_Introduction
4.01_-_THE_COLLECTIVE_ISSUE
4.02_-_Existence_And_Character_Of_The_Images
4.02_-_GOLD_AND_SPIRIT
4.02_-_The_Psychology_of_the_Child_Archetype
4.03_-_CONVERSATION_WITH_THE_KINGS
4.03_-_The_Psychology_of_Self-Perfection
4.03_-_The_Senses_And_Mental_Pictures
4.03_-_The_Special_Phenomenology_of_the_Child_Archetype
4.03_-_THE_TRANSFORMATION_OF_THE_KING
4.04_-_Conclusion
4.04_-_Some_Vital_Functions
4.04_-_The_Perfection_of_the_Mental_Being
4.04_-_THE_REGENERATION_OF_THE_KING
4.05_-_THE_DARK_SIDE_OF_THE_KING
4.05_-_The_Passion_Of_Love
4.06_-_THE_KING_AS_ANTHROPOS
4.07_-_Purification-Intelligence_and_Will
4.07_-_THE_RELATION_OF_THE_KING-SYMBOL_TO_CONSCIOUSNESS
4.08_-_THE_RELIGIOUS_PROBLEM_OF_THE_KINGS_RENEWAL
4.09_-_THE_SHADOW
4.0_-_NOTES_TO_ZARATHUSTRA
4.0_-_The_Path_of_Knowledge
4.1.01_-_The_Intellect_and_Yoga
4.10_-_The_Elements_of_Perfection
4.11_-_The_Perfection_of_Equality
4.11_-_THE_WELCOME
4.14_-_The_Power_of_the_Instruments
4.17_-_THE_AWAKENING
4.1_-_Jnana
4.2.01_-_The_Mother_of_Dreams
4.2.02_-_An_Image
4.2.03_-_The_Birth_of_Sin
4.21_-_The_Gradations_of_the_supermind
4.22_-_The_supramental_Thought_and_Knowledge
4.2.3.02_-_Signs_of_the_Psychic's_Coming_Forward
4.23_-_The_supramental_Instruments_--_Thought-process
4.24_-_The_supramental_Sense
4.2.4_-_Time_and_CHange_of_the_Nature
4.25_-_Towards_the_supramental_Time_Vision
4.2_-_Karma
4.3.1.01_-_Peace,_Calm,_Silence_and_the_Self
4.3.2.03_-_Wideness_and_the_Higher_Consciousness
4.3_-_Bhakti
4.43_-_Chapter_Three
5.01_-_ADAM_AS_THE_ARCANE_SUBSTANCE
5.01_-_EPILOGUE
5.02_-_THE_STATUE
5.03_-_ADAM_AS_THE_FIRST_ADEPT
5.04_-_THE_POLARITY_OF_ADAM
5.04_-_Three_Dreams
5.05_-_THE_OLD_ADAM
5.07_-_ROTUNDUM,_HEAD,_AND_BRAIN
5.08_-_ADAM_AS_TOTALITY
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.1.01.9_-_Book_IX
5.1.01_-_Ilion
5.2.01_-_The_Descent_of_Ahana
5.2.02_-_The_Meditations_of_Mandavya
5.4.01_-_Notes_on_Root-Sounds
5.4.01_-_Occult_Knowledge
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.01_-_Proem
6.01_-_THE_ALCHEMICAL_VIEW_OF_THE_UNION_OF_OPPOSITES
6.02_-_Great_Meteorological_Phenomena,_Etc
6.04_-_THE_MEANING_OF_THE_ALCHEMICAL_PROCEDURE
6.05_-_THE_PSYCHOLOGICAL_INTERPRETATION_OF_THE_PROCEDURE
6.06_-_SELF-KNOWLEDGE
6.07_-_THE_MONOCOLUS
6.08_-_THE_CONTENT_AND_MEANING_OF_THE_FIRST_TWO_STAGES
6.09_-_Imaginary_Visions
6.09_-_THE_THIRD_STAGE_-_THE_UNUS_MUNDUS
6.0_-_Conscious,_Unconscious,_and_Individuation
6.1.04_-_A_Gods_Labour
6.10_-_THE_SELF_AND_THE_BOUNDS_OF_KNOWLEDGE
7.07_-_Prudence
7.10_-_Order
7.15_-_The_Family
7.2.06_-_Rose_of_God
7.5.59_-_The_Hill-top_Temple
7.6.09_-_Despair_on_the_Staircase
Aeneid
Apology
Appendix_4_-_Priest_Spells
APPENDIX_I_-_Curriculum_of_A._A.
Averroes_Search
Big_Mind_(non-dual)
Big_Mind_(ten_perfections)
Blazing_P1_-_Preconventional_consciousness
Blazing_P2_-_Map_the_Stages_of_Conventional_Consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
BOOK_I._-_Augustine_censures_the_pagans,_who_attri_buted_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_II._-_A_review_of_the_calamities_suffered_by_the_Romans_before_the_time_of_Christ,_showing_that_their_gods_had_plunged_them_into_corruption_and_vice
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
BOOK_IV._-_That_empire_was_given_to_Rome_not_by_the_gods,_but_by_the_One_True_God
Book_of_Exodus
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
BOOK_VIII._-_Some_account_of_the_Socratic_and_Platonic_philosophy,_and_a_refutation_of_the_doctrine_of_Apuleius_that_the_demons_should_be_worshipped_as_mediators_between_gods_and_men
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_VI._-_Of_Varros_threefold_division_of_theology,_and_of_the_inability_of_the_gods_to_contri_bute_anything_to_the_happiness_of_the_future_life
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_XIV._-_Of_the_punishment_and_results_of_mans_first_sin,_and_of_the_propagation_of_man_without_lust
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_X._-_Porphyrys_doctrine_of_redemption
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVII._-_The_history_of_the_city_of_God_from_the_times_of_the_prophets_to_Christ
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BOOK_XX._-_Of_the_last_judgment,_and_the_declarations_regarding_it_in_the_Old_and_New_Testaments
BS_1_-_Introduction_to_the_Idea_of_God
CHAPTER_26_-_Continues_the_description_of_a_method_for_recollecting_the
CHAPTER_34_-_Continues_the_same_subject._This_is_very_suitable_for_reading_after
Chapter_III_-_WHEREIN_IS_RELATED_THE_DROLL_WAY_IN_WHICH_DON_QUIXOTE_HAD_HIMSELF_DUBBED_A_KNIGHT
Chapter_II_-_WHICH_TREATS_OF_THE_FIRST_SALLY_THE_INGENIOUS_DON_QUIXOTE_MADE_FROM_HOME
Chapter_I_-_WHICH_TREATS_OF_THE_CHARACTER_AND_PURSUITS_OF_THE_FAMOUS_GENTLEMAN_DON_QUIXOTE_OF_LA_MANCHA
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_III
COSA_-_BOOK_IX
COSA_-_BOOK_V
COSA_-_BOOK_VI
COSA_-_BOOK_VII
COSA_-_BOOK_X
COSA_-_BOOK_XI
COSA_-_BOOK_XII
COSA_-_BOOK_XIII
Cratylus
Deutsches_Requiem
DS3
ENNEAD_01.01_-_The_Organism_and_the_Self.
ENNEAD_01.02_-_Concerning_Virtue.
ENNEAD_01.02_-_Of_Virtues.
ENNEAD_01.04_-_Whether_Animals_May_Be_Termed_Happy.
ENNEAD_01.05_-_Does_Happiness_Increase_With_Time?
ENNEAD_01.06_-_Of_Beauty.
ENNEAD_01.07_-_Of_the_First_Good,_and_of_the_Other_Goods.
ENNEAD_01.08_-_Of_the_Nature_and_Origin_of_Evils.
ENNEAD_02.01_-_Of_the_Heaven.
ENNEAD_02.03_-_Whether_Astrology_is_of_any_Value.
ENNEAD_02.04a_-_Of_Matter.
ENNEAD_02.05_-_Of_the_Aristotelian_Distinction_Between_Actuality_and_Potentiality.
ENNEAD_02.06_-_Of_Essence_and_Being.
ENNEAD_02.09_-_Against_the_Gnostics;_or,_That_the_Creator_and_the_World_are_Not_Evil.
ENNEAD_03.02_-_Of_Providence.
ENNEAD_03.03_-_Continuation_of_That_on_Providence.
ENNEAD_03.04_-_Of_Our_Individual_Guardian.
ENNEAD_03.05_-_Of_Love,_or_Eros.
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Entities_(Soul_and_and_Matter).
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Things.
ENNEAD_03.07_-_Of_Time_and_Eternity.
ENNEAD_03.08b_-_Of_Nature,_Contemplation_and_Unity.
ENNEAD_03.09_-_Fragments_About_the_Soul,_the_Intelligence,_and_the_Good.
ENNEAD_04.02_-_How_the_Soul_Mediates_Between_Indivisible_and_Divisible_Essence.
ENNEAD_04.03_-_Problems_About_the_Soul.
ENNEAD_04.03_-_Psychological_Questions.
ENNEAD_04.04_-_Questions_About_the_Soul.
ENNEAD_04.05_-_Psychological_Questions_III._-_About_the_Process_of_Vision_and_Hearing.
ENNEAD_04.06a_-_Of_Sensation_and_Memory.
ENNEAD_04.06b_-_Of_Sensation_and_Memory.
ENNEAD_04.07_-_Of_the_Immortality_of_the_Soul:_Polemic_Against_Materialism.
ENNEAD_04.09_-_Whether_All_Souls_Form_a_Single_One?
ENNEAD_05.01_-_The_Three_Principal_Hypostases,_or_Forms_of_Existence.
ENNEAD_05.02_-_Of_Generation,_and_of_the_Order_of_things_that_Rank_Next_After_the_First.
ENNEAD_05.03_-_Of_the_Hypostases_that_Mediate_Knowledge,_and_of_the_Superior_Principle.
ENNEAD_05.03_-_The_Self-Consciousnesses,_and_What_is_Above_Them.
ENNEAD_05.04_-_How_What_is_After_the_First_Proceeds_Therefrom;_of_the_One.
ENNEAD_05.05_-_That_Intelligible_Entities_Are_Not_External_to_the_Intelligence_of_the_Good.
ENNEAD_05.06_-_The_Superessential_Principle_Does_Not_Think_-_Which_is_the_First_Thinking_Principle,_and_Which_is_the_Second?
ENNEAD_05.07_-_Do_Ideas_of_Individuals_Exist?
ENNEAD_05.08_-_Concerning_Intelligible_Beauty.
ENNEAD_05.09_-_Of_Intelligence,_Ideas_and_Essence.
ENNEAD_06.01_-_Of_the_Ten_Aristotelian_and_Four_Stoic_Categories.
ENNEAD_06.02_-_The_Categories_of_Plotinos.
ENNEAD_06.03_-_Plotinos_Own_Sense-Categories.
ENNEAD_06.04_-_The_One_and_Identical_Being_Is_Everywhere_Present_As_a_Whole.
ENNEAD_06.04_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
ENNEAD_06.05_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.06_-_Of_Numbers.
ENNEAD_06.07_-_How_Ideas_Multiplied,_and_the_Good.
ENNEAD_06.08_-_Of_the_Will_of_the_One.
ENNEAD_06.09_-_Of_the_Good_and_the_One.
Euthyphro
For_a_Breath_I_Tarry
Gorgias
Guru_Granth_Sahib_first_part
IS_-_Chapter_1
I._THE_ATTRACTIVE_POWER_OF_GOD
Liber
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
LUX.01_-_GNOSIS
LUX.02_-_EVOCATION
LUX.04_-_LIBERATION
LUX.05_-_AUGOEIDES
LUX.07_-_ENCHANTMENT
Maps_of_Meaning_text
Meno
MoM_References
Phaedo
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Ragnarok
Sayings_of_Sri_Ramakrishna_(text)
Sophist
Symposium
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Talks_600-652
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
Theaetetus
The_Aleph
The_Anapanasati_Sutta__A_Practical_Guide_to_Mindfullness_of_Breathing_and_Tranquil_Wisdom_Meditation
The_Circular_Ruins
The_Coming_Race_Contents
The_Dream_of_a_Ridiculous_Man
The_Dwellings_of_the_Philosophers
The_Essentials_of_Education
the_Eternal_Wisdom
The_Fearful_Sphere_of_Pascal
The_Five,_Ranks_of_The_Apparent_and_the_Real
The_Garden_of_Forking_Paths_1
The_Garden_of_Forking_Paths_2
The_Gospel_According_to_John
The_Gospel_of_Thomas
The_Immortal
The_Library_Of_Babel_2
The_Logomachy_of_Zos
The_Mirror_of_Enigmas
The_Monadology
The_Pilgrims_Progress
The_Poems_of_Cold_Mountain
The_Riddle_of_this_World
The_Shadow_Out_Of_Time
The_Theologians
The_Waiting
The_Wall_and_the_BOoks
The_Way_of_Perfection
The_Witness
The_Zahir
Thus_Spoke_Zarathustra_text
Timaeus
Verses_of_Vemana

PRIMARY CLASS

game
SEE ALSO

SIMILAR TITLES
image
image of God
IT images
Kabbalah (images)
L07 - Images of Story + Metastory
Mage
the Divine Image
the One who is differently named and imaged
wordlist (finding images)

DEFINITIONS

Magen David Adom ::: Red Shield of David; Israeli equivalent of the Red Cross.

Magen David ::: (Heb., “shield of David”). The distinctive six-pointed Jewish star, used especially since the 17th century.

Mage. See MAGI

Mage: Term for a human who can work magic according to a discrete set of beliefs and practices, and thereby cause the world to change according to her desire. Magic: The act of altering the world through force of will and practice of belief.

mage ::: a magician or sorcerer.

magellanic ::: a. --> Of or pertaining to, or named from, Magellan, the navigator.

mage, magus: In Awakened terms, a person who understands how to manipulate reality through force of Enlightened Will; also True Mage. From the ancient Persian and Greek terms for a Zoroastrian priest.

mage ::: n. --> A magician.

magenta ::: n. --> An aniline dye obtained as an amorphous substance having a green bronze surface color, which dissolves to a shade of red; also, the color; -- so called from Magenta, in Italy, in allusion to the battle fought there about the time the dye was discovered. Called also fuchsine, roseine, etc.

mage ::: Sri Aurobindo: “ . . . the supreme Mage, the divine Magician, . . .” [the Lord] The Life Divine



QUOTES [160 / 160 - 500 / 19720]


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1:Does killing time damage eternity? ~ George Carlin,
2:A day of silence can be a pilgrimage in itself. ~ Hafez,
3:The image of God throws a shadow that is just as great as itself. ~ Carl Jung,
4:I felt in need of a great pilgrimage, so I sat still for three days and God came to me. ~ Kabir,
5:What it knew was an image in a broken glass,
   ~ Sri Aurobindo, Savitri, In the Self of Mind, [T5],
6:' . . . the supreme Mage, the divine Magician, . . .' [the Lord]
   ~ Sri Aurobindo, The Life Divine,
7:The soul is the image of what is above it and the model of what is below. Therefore by knowing and analysing itself it knows all things without going out of its own nature. ~ Proclus, “Commentary on the Timaeus”,
8:each individual has a Word, a divine imperative that drives the figure's revelations ~ Mage, Order of Hermes,
9:Faith is not the clinging to a shrine but an endless pilgrimage of the heart. ~ Rabbi Abraham Joshua Heschel,
10:The image, if expressing in every point the entire reality, would no longer be an image.
   ~ Socrates, Cratylus,
11:Man’s virtue, a coarse-spun ill-fitting dress,
Apparels wooden images of Good; ~ Sri Aurobindo, Savitri, The Heavens of the Ideal,
12:Once the mind has been trained to fix itself on formed images, it can easily accustom itself to fix on formless realities. ~ Sri Ramakrishna,
13:The enemy only has images and illusions behind which he hides his true motives.
   Destroy the image and you will break the enemy.
   ~ Bruce Lee,
14:True nature of the gods is that of magical images shaped out of the astral plane by mankind's thought and influenced by the mind
   ~ Dion Fortune,
15:A death that eats and eating is devoured,
This is the brutal image of the world. ~ Sri Aurobindo, Collected Poems, The Meditations of Mandavya,
16:A lamp of symbol lighting hidden truth
Imaged to her the world’s significance. ~ Sri Aurobindo, Savitri, The Parable of the Search for the Soul,
17:Busy our hearts are weaving thoughts and images always:
After their kind they see what here we call truth. ~ Sri Aurobindo, Collected Poems, Ilion,
18:Make of thy daily way a pilgrimage,
   For through small joys and griefs thou movst towards God.
   ~ Sri Aurobindo, Savitri, The Way of Fate and the Problem of Pain,
19:What we call sin,
    Is but man’s leavings as from deep within
The Pilot guides him in his pilgrimage. ~ Sri Aurobindo, Collected Poems, In the Moonlight,
20:Make of thy daily way a pilgrimage,
For through small joys and griefs thou mov’st towards God. ~ Sri Aurobindo, Savitri, The Way of Fate and the Problem of Pain,
21:A battle is joined between the true and false,
A pilgrimage sets out to the divine Light. ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Greater Life,
22:In order to be an image of God, the spirit must turn to what is eternal, hold it in spirit, keep it in memory, and by loving it, embrace it in the will. ~ Edith Stein, [T5],
23:Then is our life a tranquil pilgrimage,
Each year a mile upon the heavenly Way,
Each dawn opens into a larger Light. ~ Sri Aurobindo, Savitri, The Word of Fate,
24:All Nature is an attempt at a progressive revelation of the concealed Truth, a more and more successful reproduction of the divine image.
   ~ Sri Aurobindo, The Synthesis Of Yoga,
25:The control over the thoughts and the power of seeing the image of the Mother and Sri Aurobindo in the head are a very good beginning.
   ~ Sri Aurobindo, Letters On Yoga - IV, [T5],
26:Man insists continually on making God in his own image instead of seeking to make himself more and more in the image of God, ~ Sri Aurobindo, Essays in Philosophy and Yoga, Rebirth,
27:What is Truth and who can find her form
Amid the specious images of sense,
Amid the crowding guesses of the mind ~ Sri Aurobindo, Savitri, The Dream Twilight of the Earthly Real,
28:I laugh at those who think they can damage me. They do not know who I am, they do not know what I think, they cannot even touch the things which are really mine and with which I live
   ~ Epictetus,
29:Nature is not an outcast from Spirit, but its Image, world is not a falsity contradicting Brahman, but the symbol of a divine Existence. ~ Sri Aurobindo, Isha Upanishad, The Isha Upanishad,
30:We perceive that this miraculous development is not the result of our own efforts: an eternal Perfection is moulding us into its own image
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Four Aids [63],
31:Light flung the photon’s swift revealing spark
And showed, in the minuteness of its flash
Imaged, this cosmos of apparent things. ~ Sri Aurobindo, Savitri, The Godheads of the Little Life,
32:A solid image of reality
Carved out of being to prop the works of Time,
Matter on the firm earth sits strong and sure. ~ Sri Aurobindo, Savitri, The Gospel of Death and Vanity of the Ideal,
33:Wilt thou not perfect this rather that sprang too from Wisdom and Power?
Taking the earthly rose canst thou image not Heaven in a flower? ~ Sri Aurobindo, Collected Poems, The Descent of Ahana,
34:Time is a strong convention; future and present
Were living in the past;
They are one image that our wills complaisant
Into three schemes have cast. ~ Sri Aurobindo, Collected Poems, Rebirth,
35:An Energy of perpetual transience makes
The journey from which no return is sure,
The pilgrimage of Nature to the Unknown. ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Greater Life,
36:The world expresses a foreseen Truth, obeys a predetermining Will, realises an original formative self-vision,—it is the growing image of a divine creation. ~ Sri Aurobindo, The Life Divine, The Divine Maya,
37:I made the worlds my net, each joy a mesh.
A Hunger amorous of its suffering prey,
Life that devours, my image see in things. ~ Sri Aurobindo, Savitri, The Journey in Eternal Night and the Voice of the Darkness,
38:In the occult teachings you have been given certain images, under which you are instructed to think of certain things. These images are not descriptive but symbolic, and are designed to train the mind, not inform it.
   ~ Dion Fortune,
39:Spirit is the image of the Lord of the Yoga; mind and body are the means He has provided for reproducing that image in phenomenal existence.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Conditions of the Synthesis, The Threefold Life, 29,
40:There is a place where words are born of silence,
A place where the whispers of the heart arise.

There is a place where voices sing your beauty,
A place where every breath
carves your image
in my soul. ~ Jalaluddin Rumi,
41:He who now stares at the world with ignorant eyes
Hardly from the Inconscient’s night aroused,
That look at images and not at Truth,
Can fill those orbs with an immortal’s sight. ~ Sri Aurobindo, Savitri, The Call to the Quest,
42:It is, I suppose, the image of Sri Krishna as Lord of the divine Love and Ananda - and his flute calls the physical being to awake out of the attachments of the physical world and turn to that Love and Ananda.
   ~ Sri Aurobindo, Letters On Yoga - I,
43:Pythagoras said that the universal Creator had formed two things in His own image: The first was the cosmic system with its myriads of suns, moons, and planets; the second was man, in whose nature the entire universe existed in miniature. ~ Manly P Hall,
44:A map of subtle signs surpassing thought
Was hung upon a wall of inmost mind.
Illumining the world's concrete images
Into significant symbols by its gloss,
~ Sri Aurobindo, Savitri, The Yoga of the King The Yoga of the Spirits Freedom and Greatness,
45:Traveller on plateau and on musing ridge,
As one who sees in the World-Magician’s glass
A miracled imagery of soul-scapes flee
He traversed scenes of an immortal joy
And gazed into abysms of beauty and bliss. ~ Sri Aurobindo, Savitri, The Paradise of the Life-Gods,
46:All-vision gathered into a single ray,
   As when the eyes stare at an invisible point
   Till through the intensity of one luminous spot
   An apocalypse of a world of images
   Enters into the kingdom of the seer.
   ~ Sri Aurobindo, Savitri, The Yoga of the King The Yoga of the Souls Release,
47:All-vision gathered into a single ray,
As when the eyes stare at an invisible point
Till through the intensity of one luminous spot
An apocalypse of a world of images
Enters into the kingdom of the seer. ~ Sri Aurobindo, Savitri, The Yoga of the King, The Yoga of the Soul’s Release,
48:The intelligence can also follow this trend, but is ceases then to be the pure intellect; it calls in its power of imagination to its aid, it becomes the image-maker, the creator of symbols and values, a spiritual artist and poet. ~ Sri Aurobindo, The Synthesis Of Yoga, The Divine Personality,
49:Soon Rome fell, and Western civilization fell onto Dark Times. The Cult of Mercury officially disbanded itself in 415 CE. Hermetic scholars fragmented, the sharing of ideas halted, and wizards secluded themselves in their towers for protection and to study free of the Church's inquiry. ~ Mage, Order of Hermes,
50:Dream-caught or sensed, they touch our hearts with their depths;
Unreal-seeming, yet more real than life,
Happier than happiness, truer than things true,
If dreams these were or captured images,
Dream’s truth made false earth’s vain realities. ~ Sri Aurobindo, Savitri, The Glory and Fall of Life,
51:the priest and the mage, the man of piety, the just man, the man of wisdom, the saint, the prophet, the Rishi, the Yogi, the seer, the spiritual sage and the mystic ... the saint, the devotee, the spiritual sage, the seer, the prophet, the servant of God, the soldier of the spirit
   ~ Sri Aurobindo, The Life Divine,
52:In a wide opening of its native sky
Intuition’s lightnings range in a bright pack
Hunting all hidden truths out of their lairs,
Its fiery edge of seeing absolute
Cleaves into locked unknown retreats of self,
Rummages the sky-recesses of the brai ~ Sri Aurobindo, Savitri, The Dream Twilight of the Earthly Real,
53:To be "integrally developed" does not mean that you have to excel in all the known intelligences, or that all of your lines have to be at level 3. But it does mean that you develop a very good sense of what your own psychograph is actually like, so that with a much more Integral self-image you can plan your future development. ~ Ken Wilber,
54:With writing as an ability to catch and manipulate names, the scribe was able to imprison the object and manipulate its very nature. The catching of names was considered a magical act in ancient societies so the ability to write was reserved for the clergy under the direct influence of gods of wisdom and magic such as Thoth. ~ Mage, Order of Hermes,
55:O Death, if thou couldst touch the Truth supreme
Thou wouldst grow suddenly wise and cease to be.
If our souls could see and love and clasp God's Truth,
Its infinite radiance would seize our hearts,
Our being in God's image be remade
And earthly life become the life divine.
   ~ Sri Aurobindo, Savitri, The Dream Twilight of the Earthly Real,
56:When the imagination is not controlled and the attention not steadied on the feeling of the wish fulfilled, then no amount of prayer or piety or invocation will produce the desired effect. When you can call up at will whatsoever image you please, when the forms of your imagination are as vivid to you as the forms of nature, you are master of your fate. ~ Neville Goddard,
57:We need way more intimacy than nearly anyone considers normal. Always hungry for it, we seek solace and sustenance in the closest available substitutes: television, shopping, pornography, conspicuous consumption - anything to ease the hurt, to feel connected, or to project an image by which we might be seen and known, or at least see and know ourselves.
   ~ Charles Eisenstein,
58:Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth--penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told. ~ Joseph Campbell, The Power of Myth,
59:
   The priest an ignorant mage who only makes
   Futile mutations in the altar's plan
   And casts blind hopes into a powerless flame.
   A burden of transient gains weighs down her steps
   And hardly under that load can she advance;
   But the hours cry to her, she travels on
   Passing from thought to thought, from want to want;
   Her greatest progress is a deepened need.
   ~ Sri Aurobindo, Savitri, The Growth of the Flame,
60:Many experiments have shown that categories appear to be coded in the mind neither by means of lists of each individual member of the category, nor by means of a list of formal criteria necessary and sufficient for category membership, but, rather, in terms of a prototype of a typical category member. The most cognitively economical code for a category is, in fact, a concrete image of an average category member.
   ~ Rosch, 1977, p. 30,
61:If thou shalt perfectly observe these rules, all the following Symbols and an infinitude of others will be granted unto thee by thy Holy Guardian Angel; thou thus living for the Honour and Glory of the True and only God, for thine own good, and that of thy neighbour. Let the Fear of God be ever before the eyes and the heart of him who shall possess this Divine Wisdom and Sacred Magic. ~ MacGregor Mathers, The Book of the Sacred Magic of Abramelin the Mage,
62:For arousing compassion, the nineteenth-century yogi Patrul Rinpoche suggested imagining beings in torment - an animal about to be slaughtered, a person awaiting execution. To make it more immediate, he recommended imagining ourselves in their place. Particularly painful is his image of a mother with no arms watching as a raging river sweeps her child away. To contact the suffering of another being fully and directly is as painful as being in the woman's shoes. ~ Pema Chodron,
63:... The sadhana of inner concentration consists in:
(1) Fixing the consciousness in the heart and concentrating there on the idea, image or name of the Divine Mother, whichever comes easiest to you.
(2) A gradual and progressive quieting of the mind by this concentration in the heart.
(3) An aspiration for the Mother's presence in the heart and the control by her of mind, life and action. ~ Sri Aurobindo, Letters On Yoga - II, Combining Work, Meditation and Bhakti,
64:the three-dimensional world of ordinary experience-the universe filled with galaxies, stars, planets, houses, boulders, and people-is a hologram, an image of reality coded on a distant two-dimensional surface. This new law of physics, known as the Holographic Principle, asserts that everything inside a region of space can be described by bits of information restricted to the boundary. ~ Leonard Susskind, The Black Hole War: My Battle with Stephen Hawking to Make the World Safe for Quantum Mechanics,
65:Who is the object of homage?
   You, whose face is very white, lovely and beautiful, glowing with light like an array of a hundred full autumn moons, all together, without the dust from earth and water, You are adorned with completely open, immeasurable twofold knowledge like the hosts of a thousand stars, The brilliant light of your clear wisdom manifesting the four correct analytical knowledges shines forth, Noble Lady Tara, Goddess Vajra Sarasvati, I pay homage to you. ~ Khenchen Palden Sherab Rinpoche, Smile Of Sun And Moon,
66:If a man finds himself haunted by evil desires and unholy images, which will generally be at periodical hours, let him commit to memory passages of Scripture, or passages from the best writers in verse or prose. Let him store his mind with these, as safeguards to repeat when he lies awake in some restless night, or when despairing imaginations, or gloomy, suicidal thoughts, beset him. Let these be to him the sword, turning everywhere to keep the way of the Garden of Life from the intrusion of profaner footsteps. ~ Lewis Carroll, Sylvie and Bruno, [T6],
67:When you only have sensations, perceptions, and impulses, the world is archaic. When you add the capacity for images and symbols, the world appears magical. When you add concepts, rules, and roles, the world becomes mythic. When formal-reflexive capacities emergy, the rational world comes into view. With vision-logic, the existential world stands forth. When the subtle emerges, the world becomes divine. When the causal emerges, the self becomes divine. When the nondual emerges, world and self are realized to be one Spirit.
   ~ Ken Wilber, Integral Psychology, 119,
68:To merely gaze upon the images of alchemy, is to in a sense, enter into a kind of psychoanalytical process because what alchemy was, and I should stress this or the rap makes no sense at all alchemy was not the vulgar pursuit of the transmutation of lesser metals into gold or silver. That was the charlatan's game played in every market in Europe for centuries among the simple people. Alchemy is the body of symbols and of literature that accreted around the effort to extract a universal medicine out of Nature for the transformation of societies and human beings. ~ Terence McKenna,
69:I believe faith is a human universal. We are endowed at birth with nascent capacities for faith. How these capacities are activated and grow depends to a large extent on how we are welcomed into the world and what kinds of environments we grow in. Faith is interactive and social; it requires community, language, ritual and nurture. Faith is also shaped by initiatives from beyond us and other people, initiatives of spirit or grace. How these latter initiatives are recognized and imaged, or unperceived and ignored, powerfully affects the shape of faith in our lives.
   ~ James W Fowler, Stages Of Faith,
70:823. Should you think of God only at the time of meditation and remain forgetful of Him at all other times? Have you not noticed how during Durga Puja a lamp is kept constantly burning near the image? It should never be allowed to go out. If ever it is extinguished, the house-holder meets with some mishap. Similarly, after installing the Deity on the lotus of your heart, you must keep the lamp of remembering Him ever burning. While engaged in the affairs of the world, you should constantly turn your gaze inwards and see whether the lamp is burning or not. ~ Sri Ramakrishna, Sayings of Sri Ramakrishna,
71:Bride of the Fire :::

Bride of the Fire, clasp me now close, -
Bride of the Fire!
I have shed the bloom of the earthly rose,
I have slain desire.

Beauty of the Light, surround my life, -
Beauty of the Light!
I have sacrificed longing and parted from grief,
I can bear thy delight.

Image of Ecstasy, thrill and enlace, -
Image of Bliss!
I would see only thy marvellous face,
Feel only thy kiss.

Voice of Infinity, sound in my heart, -
Call of the One!
Stamp there thy radiance, never to part,
O living sun. ~ Sri Aurobindo, Collected Poems,
72:We ought not to have or let ourselves be satisfied with any thought of God. When the thought goes, our God goes with it. No, what we want is a real (subsistent) God who far transcends the thoughts of men and creatures. This God does not disappear unless we turn our back on him of our own accord. He who has God thus, in reality, has gotten God divinely; to him God is apparent in all things. Everything smacks to him of God; everywhere God's image stares him in the face. God is gleaming in him all the time. In him there is riddance and return; the vision of his God is ever present to his mind. ~ Meister Eckhart,
73:It is the devil's greatest triumph when he can deprive us of the joy of the Spirit. He carries fine dust with him in little boxes and scatters it through the cracks in our conscience in order to dim the soul's pure impulses and its luster. But the joy that fills the heart of the spiritual person destroys the deadly poison of the serpent. But if any are gloomy and think that they are abandoned in their sorrow, gloominess will continuously tear at them or else they will waste away in empty diversions. When gloominess takes root, evil grows. If it is not dissolved by tears, permanent damage is done. ~ Saint Francis of Assisi,
74:The event of falling in love is of such a nature that we are right to reject as intolerable the idea that it should be transitory. In one high bound it has overleaped the massive of our selfhood; it has made appetite itself altruistic, tossed personal happiness aside as a triviality and planted the interests of another in the centre of our being. Spontaneously and without effort we have fulfilled the law (towards one person) by loving our neighbour as ourselves. It is an image, a foretaste, of what we must become to all if Love Himself rules in us without a rival. It is even (well used) a preparation for that. ~ C S Lewis,
75:Most of what passes for legitimate entertainment is inferior or foolish and only caters to or exploits people's weaknesses. Avoid being one of the mob who indulges in such pastimes. Your life is too short and you have important things to do. Be discriminating about what images and ideas you permit into your mind. If you yourself don't choose what thoughts and images you expose yourself to, someone else will, and their motives may not be the highest. It is the easiest thing in the world to slide imperceptibly into vulgarity. But there's no need for that to happen if you determine not to waste your time and attention on mindless pap.
   ~ Epictetus,
76:A bit of Prime, a bit of Matter, and a fair understanding of Life installs cybernetic devices and allows them to function; a blend of Forces and Prime conjures fire, wind, and light. With Correspondence alone, a skilled mage can step from one place to another without passing through the intervening space; add Time, and she can see past events in a distant place as well; add Forces, and she could project the images she sees upon a wall; use Matter and Correspondence instead, and she could open a door in one place, open another door in the next, and step between two doors that had not existed - and could not have existed - until that moment. ~ Mage 20th Anniversary Edition,
77:But while it is difficult for man to believe in something unseen within himself, it is easy for him to believe in something which he can image as extraneous to himself. The spiritual progress of most human beings demands an extraneous support, an object of faith outside us. It needs an external image of God; or it needs a human representative, - Incarnation, Prophet or Guru; or it demands both and receives them. For according to the need of the human soul the Divine manifests himself as deity, as human divine or in simple humanity - using that thick disguise, which so successfully conceals the Godhead, for a means of transmission of his guidance. ~ Sri Aurobindo, The Synthesis Of Yoga,
78:Shakespeare said that art is a mirror held up to nature. And that's what it is. The nature is your nature, and all of these wonderful poetic images of mythology are referring to something in you. When your mind is trapped by the image out there so that you never make the reference to yourself, you have misread the image.

The inner world is the world of your requirements and your energies and your structure and your possibilities that meets the outer world. And the outer world is the field of your incarnation. That's where you are. You've got to keep both going. As Novalis said, 'The seat of the soul is there where the inner and outer worlds meet. ~ Joseph Campbell, The Power of Myth,
79:The physical form of a magical weapon is no more than a convenient handle or anchor for its aetheric form.
The Sword and Pentacle are weapons of analysis and synthesis respectively. Upon the pentacle aetheric forms, images, and powers are assembled when the magical will and perception vitalize the imagination. The magician may create hundreds of pentacles in the course of his sorceries, yet there is a virtue in having a general purpose weapon of this class, for its power increases with use, and it can be employed as an altar for the consecration of lesser pentacles. For many operations of an evocatory type, the pentacle is placed on the cup and the conjuration performed with the wand. ~ Peter J Carroll, Liber Null,
80:The media’s the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses. The press is so powerful in its image-making role, it can make the criminal look like he’s a the victim and make the victim look like he’s the criminal. This is the press, an irresponsible press. It will make the criminal look like he’s the victim and make the victim look like he’s the criminal. If you aren’t careful, the newspapers will have you hating the people who are being oppressed and loving the people who are doing the oppressing. ... This is sort of a propaganda tactic that I would call psychological warfare. ~ Malcolm X,
81:The other day I told you the meaning of bhakti. It is to adore God with body, mind, and words. 'With body' means to serve and worship God with one's hands, go to holy places with one's feet, hear the chanting of the name and glories of God with one's ears, and behold the divine image with one's eyes. 'With mind' means to contemplate and meditate on God constantly and to remember and think of His lila. 'With words' means to sing hymns to Him and chant His name and glories.
Devotion as described by Narada is suited to the Kaliyuga. It means to chant constantly the name and glories of God. Let those who have no leisure worship God at least morning and evening by whole-heartedly chanting His name and clapping their hands. ~ Sri Ramakrishna,
82:One memory alone was left: the thought of his beautiful wife. This thought possessed his mind with such intensity that he did not notice his loss of memory for the rest of the world. His whole nature became obsessed by her image, and like a madman, who losing his own identity becomes the being whose image possesses him, Puranjana found him self transformed into a lovely young girl like his wife.

   "The young girl he had now become forgot her previous identity to such an extent that when she met with King Malayadhvaja, she fell in love with him and married him. When in the course of time the king passed away and she was left alone, lamenting his death and her bereavement, an unknown brahm in came to her and said:

   ~ Rishi Nityabodhananda, Ajna Chakra,
83:Therefore, also, an integral liberation. Not only the freedom born of unbroken contact and identification of the individual being in all its parts with the Divine, sayujya-mukti, by which it can become free even in its separation, even in the duality; not only the salokya-mukti by which the whole conscious existence dwells in the same status of being as the Divine, in the state of Sachchidananda; but also the acquisition of the divine nature by the transformation of this lower being into the human image of the Divine, sadharmya-mukti, and the complete and final release of all, the liberation of the consciousness from the transitory mould of the ego and its unification with the One Being, universal both in the world and the individual and transcendentally one both in the world and beyond all universe. ~ Sri Aurobindo, The Synthesis Of Yoga,
84:The thunderbolt (vajra) is one of the major symbols in Buddhist iconography, signifying the spiritual power of Buddhahood (indestructible enlightenment) which shatters the illusory realities of the world. The Absolute, or Adi Buddha, is represented in the images of Tibet as Vajra-Dhara (Tibetan: Dorje-Chang) "Holder of the Adamantine Bolt.
...
We know also that among primitive peoples warriors may speak of their weapons as thunderbolts. Sicut in coelo et in terra: the initiated warrior is an agent of the divine will; his training is not only in manual but also in spiritual skills. Magic (the supernatural power of the thunderbolt), as well as physical force and chemical poison, gives the lethal energy to his blows. A consummate master would require no physical weapon at all; the power of his magic word would suffice. ~ Joseph Campbell, The Hero with a Thousand Faces,
85:But it was enough if, in my own bed, my sleep was deep and allowed my mind to relax entirely; then it would let go of the map of the place where I had fallen asleep and, when I woke in the middle of the night, since I did not know where I was, I did not even understand in the first moment who I was; all I had, in its original simplicity, was the sense of existence as it may quiver in the depths of an animal; I was more bereft than a caveman; but then the memory - not yet of the place where I was, but of several of those where I had lived and where I might have been - would come to me like help from on high to pull me out of the void from which I could not have got out on my own; I passed over centuries of civilization in one second, and the image confusedly glimpsed of oil lamps, then of wing-collar shirts, gradually recomposed my self's original features. ~ Marcel Proust,
86:Often he went to the workshop, to encourage the assistant Erich, who continued working at the altar and eagerly awaited his master's return. Sometimes the Abbot unlocked Goldmund's room, where the Mary figure stood, lifted the cloth from the figure carefully and stayed with her awhile. He knew nothing of the figure's origin; Goldmund had never told him Lydia's story. But he felt everything; he saw that the girl's form had long lived in Goldmund's heart. Perhaps he had seduced her, perhaps betrayed and left heR But, truer than the most faithful husband, he had taken her along in his soul, preserving her image until finally, perhaps after many years in which he had never seen her again, he had fashioned this beautiful, touching statue of a girl and captured in her face, her bear­ ing, her hands all the tenderness, admiration, and longing of their love.

   ~ Hermann Hesse, Narcissus and Goldmund,
87:Sri Ramakrishna has described the incident: "The Divine Mother revealed to me in the Kāli temple that it was She who had become everything. She showed me that everything was full of Consciousness. The image was Consciousness, the Altar was Consciousness, the water-vessels were Consciousness, the door-sill was Consciousness, the marble floor was Consciousness - all was Consciousness. I found everything inside the room soaked, as it were, in Bliss - the Bliss of God. I saw a wicked man in front of the Kāli temple; but in him also I saw the power of the Divine Mother vibrating. That was why I fed a cat with the food that was to be offered to the Divine Mother. I clearly perceived that all this was the Divine Mother - even the cat. The manager of the temple garden wrote to Mathur Bābu saying that I was feeding the cat with the offering intended for the Divine Mother. ~ Sri Ramakrishna, Gospel of Sri Ramakrishna,
88:As long as you remain in mortality,' Jesus continued, 'you will not be able to discern who is in what group, for they grow as tares among wheat, but those who ascend to live on a spiritual plane will be called out by the More Sure Word of Prophecy and brought into the Body of the Firstborn through a holy anointing so that you will know them. Others may not know them, but you will know them, just as you will be known by them. Those who are deaf and blind to Truth will join together, for mortals prefer the company of their own kind, and they will separate themselves from you, for they will be uncomfortable in your Light. They will set up their own churches in the image of my Body, but there will be no Life in them except that which they borrow from my teachings, so that while they may have the illusion of life for a little while, they will eventually die and dissolve into that darkness which is their Source.
   ~ Source?,
89:And He will judge and will forgive all, the good and the evil, the wise and the meek . . . And when He has done with all of them, then He will summon us. 'You too come forth,' He will say, 'Come forth ye drunkards, come forth, ye weak ones, come forth, ye children of shame!' And we shall all come forth, without shame and shall stand before him. And He will say unto us, 'Ye are swine, made in the Image of the Beast and with his mark; but come ye also!' And the wise ones and those of understanding will say, 'Oh Lord, why dost Thou receive these men?' And He will say, 'This is why I receive them, oh ye wise, this is why I receive them, oh ye of understanding, that not one of them believed himself to be worthy of this.' And He will hold out His hands to us and we shall fall down before him . . . and we shall weep . . . and we shall understand all things! Then we shall understand everything! . . . and all will understand ~ Fyodor Dostoevsky,
90:Only by our coming into constant touch with the divine Consciousness and its absolute Truth can some form of the conscious Divine, the dynamic Absolute, take up our earth-existence and transform its strife, stumbling, sufferings and falsities into an image of the supreme Light, Power and Ananda.
   The culmination of the soul's constant touch with the Supreme is that self-giving which we call surrender to the divine Will and immergence of the separated ego in the One who is all. A vast universality of soul and an intense unity with all is the base and fixed condition of the supramental consciousness and spiritual life. In that universality and unity alone can we find the supreme law of the divine manifestation in the life of the embodied spirit; in that alone can we discover the supreme motion and right play of our individual nature. In that alone can all these lower discords resolve themselves into a victorious harmony of the true relations between manifested beings who are portions of the one Godhead and children of one universal Mother. ~ Sri Aurobindo, The Synthesis Of Yoga, Standards of Conduct and Spiritual Freedom, 205,
91:To us poetry is a revel of intellect and fancy, imagination a plaything and caterer for our amusement, our entertainer, the nautch-girl of the mind. But to the men of old the poet was a seer, a revealer of hidden truths, imagination no dancing courtesan but a priestess in God's house commissioned not to spin fictions but to image difficult and hidden truths; even the metaphor or simile in the Vedic style is used with a serious purpose and expected to convey a reality, not to suggest a pleasing artifice of thought. The image was to these seers a revelative symbol of the unrevealed and it was used because it could hint luminously to the mind what the precise intellectual word, apt only for logical or practical thought or to express the physical and the superficial, could not at all hope to manifest. To them this symbol of the Creator's body was more than an image, it expressed a divine reality. Human society was for them an attempt to express in life the cosmic Purusha who has expressed himself otherwise in the material and the supraphysical universe. Man and the cosmos are both of them symbols and expressions of the same hidden Reality.
   ~ Sri Aurobindo, The Human Cycle, Chapter 1, The Cycle of Society,
92:An integral method and an integral result. First, an integral realisation of Divine Being; not only a realisation of the One in its indistinguishable unity, but also in its multitude of aspects which are also necessary to the complete knowledge of it by the relative consciousness; not only realisation of unity in the Self, but of unity in the infinite diversity of activities, worlds and creatures. Therefore, also, an integral liberation. Not only the freedom born of unbroken contact of the individual being in all its parts with the Divine, sayujyamukti, by which it becomes free even in its separation, even in the duality; not only the salokyalmukti by which the whole conscious existence dwells in the same status of being as the Divine, in the state of Sachchidananda; but also the acquisition of the divine nature by the transformation of this lower being into the human image of the divine, sadharmyamukti, and the complete and final release of all, the liberation of the consciousness from the transitory mould of the ego and its unification with the One Being, universal both in the world and the individual and transcendentally one both in the world and beyond all universe.
   ~ Sri Aurobindo, The Synthesis Of Yoga, p.47-8,
93:Directly on awakening, preferably at dawn, the initiate goes to the place of invocation. Figuring to himself as he goes that being born anew each day brings with it the chance of greater rebirth, first he banishes the temple of his mind by ritual or by some magical trance. Then he unveils some token or symbol or sigil which represents to him the Holy Guardian Angel. This symbol he will likely have to change during the great work as the inspiration begins to move him. Next he invokes an image of the Angel into his minds eye. It may be considered as a luminous duplicate of ones own form standing in front of or behind one, or simply as a ball of brilliant light above ones head. Then he formulates his aspirations in what manner he will, humbling himself in prayer or exalting himself in loud proclamation as his need be. The best form of this invocation is spoken spontaneously from the heart, and if halting at first, will prove itself in time. He is aiming to establish a set of ideas and images which correspond to the nature of his genius, and at the same time receive inspiration from that source. As the magician begins to manifest more of his true will, the Augoeides will reveal images, names, and spiritual principles by which it can be drawn into greater manifestation.
   ~ Peter J Carroll, Liber Null,
94:Adoration, before it turns into an element of the deeper Yoga of devotion, a petal of the flower of love, its homage and self-uplifting to its sun, must bring with it, if it is profound, an increasing consecration of the being to the Divine who is adored. And one element of this consecration must be a self-purifying so as to become fit for the divine contact, or for the entrance of the Divine into the temple of our inner being, or for his self-revelation in the shrine of the heart. This purifying may be ethical in its character, but it will not be merely the moralists seeking for the right and blameless action or even, when once we reach the stage of Yoga, an obedience to the law of God as revealed in formal religion; but it will be a throwing away, katharsis, of all that conflicts whether with the idea of the Divine in himself or of the Divine in ourselves. In the former case it becomes in habit of feeling and outer act an imitation of the Divine, in the latter a growing into his likeness in our nature. What inner adoration is to ceremonial worship, this growing into the divine likeness is to the outward ethical life. It culminates in a sort of liberation by likeness to the Divine, a liberation from our lower nature and a change into the divine nature.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Way of Devotion, 572,
95:For this is the other face of the psychic: not only is it joy and sweetness, but also quiet strength, as if it were forever above every possible tragedy - an invulnerable master. In this case, too, the details of a scene can be indelibly engraved. But what passes on to the next life is not so much the details as the essence of the scene: we will be struck by certain repetitive patterns of events or deadlocked situations that have an air of déjà vu and seem surrounded by an aura of fatality - for what has not been overcome in the past returns again and again, each time with a slightly different appearance, but basically always identical, until we confront the old knot and untie it. Such is the law of inner progress. Generally, however, the memory of actual physical circumstances does not remain, because, although our small surface consciousness makes much of them, they are, after all, of little significance. There is even a spontaneous mechanism that erases the profusion of useless past memories, just as those of the present life soon become eradicated. If we glance behind us, without thinking, what is actually left of our present life? A nebulous mass with perhaps two or three outstanding images; all the rest is blotted out. This is likewise the case for the soul and its past lives.
   ~ Satprem, Sri Aurobindo Or The Adventure Of Consciousness,
96:`No. Stay, doesn't matter.' He settled the black terry sweatband across his forehead, careful not to disturb the flat Sendai dermatrodes [1]. He stared at the deck on his lap, not really seeing it, seeing instead the shop window on Ninsei, the chromed shuriken burning with reflected neon. He glanced up; on the wall, just above the Sony, he'd hung her gift, tacking it there with a yellow-headed drawing pin through the hole at its center.

He closed his eyes.

Found the ridged face of the power stud.

And in the bloodlit dark behind his eyes, silver phosphenes boiling in from the edge of space, hypnagogic images jerking past like film compiled from random frames.

Symbols, figures, faces, a blurred, fragmented mandala of visual information.

Please, he prayed, now --

A gray disk, the color of Chiba sky.

Now --

Disk beginning to rotate, faster, becoming a sphere of paler gray. Expanding --And flowed, flowered for him, fluid neon origami trick, the unfolding of his distanceless home, his country, transparent 3D chessboard extending to infinity. Inner eye opening to the stepped scarlet pyramid of the Eastern Seaboard Fission Authority burning beyond the green cubes of Mitsubishi Bank of America, and high and very far away he saw the spiral arms of military systems, forever beyond his reach. ~ William Gibson, Neuromancer,
97:The supramental memory is different from the mental, not a storing up of past knowledge and experience, but an abiding presence of knowledge that can be brought forward or, more characteristically, offers itself, when it is needed: it is not dependent on attention or on conscious reception, for the things of the past not known actually or not observed can be called up from latency by an action which is yet essentially a remembrance. Especially on a certain level all knowledge presents itself as a remembering, because all is latent or inherent in the self of supermind. The future like the past presents itself to knowledge in the supermind as a memory of the preknown. The imagination transformed in the supermind acts on one side as a power of true image and symbol, always all image or index of some value or significance or other truth of being, on the other as an inspiration or interpretative seeing of possibilities and potentialities not less true than actual or realised things. These are put in their place either by an attendant intuitive or interpretative judgment or by one inherent in the vision of the image, symbol or potentiality, or by a supereminent revelation of that which is behind the image or symbol or which determines the potential and the actual and their relations and, it may be, overrides and overpasses them, imposing ultimate truths and supreme certitudes.
   ~ Sri Aurobindo, The Synthesis Of Yoga,
98:To prepare for Astral Magic a temple or series of temples needs to be erected on the plane of visualized imagination. Such temples can take any convenient form although some magicians prefer to work with an exact simulacrum of their physical temple. The astral temple is visualized in fine detail and should contain all the equipment required for ritual or at least cupboards where any required instruments can be found.
   Any objects visualized into the temple should always remain there for subsequent inspection unless specifically dissolved or removed. The most important object in the temple is the magician's image of himself working in it. At first it may seem that he is merely manipulating a puppet of himself in the temple but with persistence this should give way to a feeling of actually being there. Before beginning Astral Magic proper, the required temple and instruments together with an image of the magician moving about in it should be built up by a repeated series of visualizations until all the details are perfect. Only when this is complete should the magician begin to use the temple. Each conjuration that is performed should be planned in advance with the same attention to detail as in Ritual Magic. The various acts of astral evocation, divination, enchantment, invocation and illumination take on a similar general form to the acts of Ritual Magic which the magician adapts for astral work. ~ Peter J Carroll, Liber Kaos [T2],
99:5. Belly of the Whale:The idea that the passage of the magical threshold is a transit into a sphere of rebirth is symbolized in the worldwide womb image of the belly of the whale. The hero, instead of conquering or conciliating the power of the threshold, is swallowed into the unknown and would appear to have died. This popular motif gives emphasis to the lesson that the passage of the threshold is a form of self-annihilation. Instead of passing outward, beyond the confines of the visible world, the hero goes inward, to be born again. The disappearance corresponds to the passing of a worshipper into a temple-where he is to be quickened by the recollection of who and what he is, namely dust and ashes unless immortal. The temple interior, the belly of the whale, and the heavenly land beyond, above, and below the confines of the world, are one and the same. That is why the approaches and entrances to temples are flanked and defended by colossal gargoyles: dragons, lions, devil-slayers with drawn swords, resentful dwarfs, winged bulls. The devotee at the moment of entry into a temple undergoes a metamorphosis. Once inside he may be said to have died to time and returned to the World Womb, the World Navel, the Earthly Paradise. Allegorically, then, the passage into a temple and the hero-dive through the jaws of the whale are identical adventures, both denoting in picture language, the life-centering, life-renewing act. ~ Joseph Campbell,
100:the joy of progress :::
It is the will for progress and self-purification which lights the [psychic] fire. The will for progress. Those who have a strong will, when they turn it towards spiritual progress and purification, automatically light the fire within themselves.
   And each defect one wants to cure or each progress one wants to make - if all that is thrown into the fire, it burns with a new intensity. And this is not an image, it is a fact in the subtle physical. One can feel the warmth of the flame, one can see in the subtle physical the light of the flame. And when there is something in the nature which prevents one from advancing and one throws it into this fire, it begins to burn and the flame becomes more intense....
How can one feel sweetness and joy when one is in difficulty?
Exactly, when the difficulty is egoistic or personal, if one makes an offering of it and throws it into the fire of purification, one immediately feels the joy of progress. If one does it sincerely, at once there is a welling up of joy.
   That is obviously what ought to be done instead of despairing and lamenting. If one offers it up and aspires sincerely for transformation and purification, one immediately feels joy springing up in the depths of the heart. Even when the difficulty is a great sorrow, one may do this with much success. One realises that behind the sorrow, no matter how intense it may be, there is divine joy. ~ The Mother,
101:the first necessity; :::
   The first necessity is to dissolve that central faith and vision in the mind which concentrate it on its development and satisfaction and interests in the old externalised order of things. It is imperative to exchange this surface orientation for the deeper faith and vision which see only the Divine and seek only after the Divine. The next need is to compel all our lower being to pay homage to this new faith and greater vision. All our nature must make an integral surrender; it must offer itself in every part and every movement to that which seems to the unregenerated sensemind so much less real than the material world and its objects. Our whole being - soul, mind, sense, heart, will, life, body - must consecrate all its energies so entirely and in such a way that it shall become a fit vehicle for the Divine. This is no easy task; for everything in the world follows the fixed habit which is to it a law and resists a radical change. And no change can be more radical than the revolution attempted in the integral Yoga. Everything in us has constantly to be called back to the central faith and will and vision. Every thought and impulse has to be reminded in the language of the Upanishad that That is the divine Brahman and not this which men here adore. Every vital fibre has to be persuaded to accept an entire renunciation of all that hitherto represented to it its own existence.
   ~ Sri Aurobindo, The Synthesis Of Yoga, Self-Consecration, 72,
102:In terms of energy - there are three characteristic ways in which the energy manifests - Dang, Rolpa, and rTsal (gDang, rol pa, and rTsal). Dang is the energy in which 'internal' and 'external' are not divided from that which manifests. It is symbolised by the crystal sphere which becomes the colour of whatever it is placed upon. Rolpa is the energy which manifests internally as vision. It is symbolised by the mirror. The image of the reflection always appears as if it is inside the mirror. rTsal is externally manifested energy which radiates. It is symbolised by the refractive capacity of the faceted crystal. For a realised being, this energy is inseparable in its manifestation from the dimension of manifest reality. Dang, Rolpa, and rTsal are not divided.

Dang, Rolpa and rTsal are not divided and neither are the ku-sum (sKu gSum - the trikaya) the three spheres of being. Cho-ku (chos sKu - Dharmakaya), the sphere of unconditioned potentiality, is the creative space from which the essence of the elements arises as long-ku (longs sKu - Sambhogakaya) the sphere of intangible appearances - light and rays, non material forms only perceivable by those with visionary clarity. Trülku (sPrul sKu - Nirmanakaya), the sphere of realised manifestation, is the level of matter in apparently solid material forms. The primordial base manifests these three distinct yet indivisible modes. ~ Sam Van Schaik, Approaching the Great Perfection: Simultaneous and Gradual Methods of Dzogchen Practice in the Longchen Nyingtig,
103:On a thousand bridges and paths they shall throng to the future, and ever more war and inequality shall divide them: thus does my great love make me speak.

In their hostilities they shall become inventors of images and ghosts, and with their images and ghosts they shall yet fight the highest fight against one another. Good and evil, and rich and poor, and high and low, and all the names of values-arms shall they be and clattering signs that life must overcome itself again and again.

Life wants to build itself up into the heights with pillars and steps; it wants to look into vast distances and out toward stirring beauties: therefore it requires height. And because it requires height, it requires steps and contradiction among the steps and the climbers.

Life wants to climb and to overcome itself climbing.

And behold, my friends: here where the tarantula has its hole, the ruins of an ancient temple rise; behold it with enlightened eyes Verily, the man who once piled his thoughts to the sky in these stones-he, like the wisest, knew the secret of all life. That struggle and inequality are present even in beauty, and also war for power and more power: that is what he teaches us here in the plainest parable. How divinely vault and arches break through each other in a wrestling match; how they strive against each other with light and shade, the godlike strivers-with such assurance and beauty let us be enemies too, my friends Let us strive against one another like gods. ~ Friedrich Nietzsche, Thus Spoke Zarathustra, trans. Fred Kaufmann,
104:What is that work and result, if not a self-involution of Consciousness in form and a self-evolution out of form so as to actualise some mighty possibility in the universe which it has created? And what is its will in Man if not a will to unending Life, to unbounded Knowledge, to unfettered Power? Science itself begins to dream of the physical conquest of death, expresses an insatiable thirst for knowledge, is working out something like a terrestrial omnipotence for humanity. Space and Time are contracting to the vanishing-point in its works, and it strives in a hundred ways to make man the master of circumstance and so lighten the fetters of causality. The idea of limit, of the impossible begins to grow a little shadowy and it appears instead that whatever man constantly wills, he must in the end be able to do; for the consciousness in the race eventually finds the means. It is not in the individual that this omnipotence expresses itself, but the collective Will of mankind that works out with the individual as a means. And yet when we look more deeply, it is not any conscious Will of the collectivity, but a superconscious Might that uses the individual as a centre and means, the collectivity as a condition and field. What is this but the God in man, the infinite Identity, the multitudinous Unity, the Omniscient, the Omnipotent, who having made man in His own image, with the ego as a centre of working, with the race, the collective Narayana, the visvamanava as the mould and circumscription, seeks to express in them some image of the unity, omniscience, omnipotence which are the self-conception of the Divine?
   ~ Sri Aurobindo, The Life Divine,
105:[God is] The Hindu discipline of spirituality provides for this need of the soul by the conceptions of the Ishta Devata, the Avatar and the Guru. By the Ishta Devata, the chosen deity, is meant, - not some inferior Power, but a name and form of the transcendent and universal Godhead. Almost all religions either have as their base or make use of some such name and form of the Divine. Its necessity for the human soul is evident. God is the All and more than the All. But that which is more than the All, how shall man conceive? And even the All is at first too hard for him; for he himself in his active consciousness is a limited and selective formation and can open himself only to that which is in harmony with his limited nature. There are things in the All which are too hard for his comprehension or seem too terrible to his sensitive emotions and cowering sensations. Or, simply, he cannot conceive as the Divine, cannot approach or cannot recognise something that is too much out of the circle of his ignorant or partial conceptions. It is necessary for him to conceive God in his own image or in some form that is beyond himself but consonant with his highest tendencies and seizable by his feelings or his intelligence. Otherwise it would be difficult for him to come into contact and communion with the Divine.
   Even then his nature calls for a human intermediary so that he may feel the Divine in something entirely close to his own humanity and sensible in a human influence and example. This call is satisfied by the Divine manifest in a human appearance, the Incarnation, the Avatar - Krishna, Christ, Buddha.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Four Aids, 65 [T9],
106:But if somewhere in your being - either in your body or even in your vital or mind, either in several parts or even in a single one - there is an incapacity to receive the descending Force, this acts like a grain of sand in a machine. You know, a fine machine working quite well with everything going all right, and you put into it just a little sand (nothing much, only a grain of sand), suddenly everything is damaged and the machine stops. Well, just a little lack of receptivity somewhere, something that is unable to receive the Force, that is completely shut up (when one looks at it, it becomes as it were a little dark spot somewhere, a tiny thing hard as a stone: the Force cannot enter into it, it refuses to receive it - either it cannot or it will not) and immediately that produces a great imbalance; and this thing that was moving upward, that was blooming so wonderfully, finds itself sick, and sometimes just when you were in the normal equilibrium; you were in good health, everything was going on well, you had nothing to complain about. One day when you grasped a new idea, received a new impulse, when you had a great aspiration and received a great force and had a marvellous experience, a beautiful experience opening to you inner doors, giving you a knowledge you did not have before; then you were sure that everything was going to be all right.... The next day, you are taken ill. So you say: "Still that? It is impossible! That should not happen." But it was quite simply what I have just said: a grain of sand. There was something that could not receive; immediately it brings about a disequilibrium. Even though very small it is enough, and you fall ill.

~ The Mother, Questions And Answers 1953, 175,
107:Contact and Union with the Divine;
Seeing is of many kinds. There is a superficial seeing which only erects or receives momentarily or for some time an image of the Being seen; that brings no change, unless the inner bhakti makes it a means for change. There is also the reception of the living image of the Divine in one of his forms into oneself, - say, in the heart, - that can have an immediate effect or initiate a period of spiritual growth. There is also the seeing outside oneself in a more or less objective and subtle physical or physical way. As for milana, the abiding union is within and that can be there at all times; the outer milana or contact is not usually abiding. There are some who often or almost invariably have the contact whenever they worship, the Deity may become living to them in the picture or other image they worship, may move and act through it; others may feel him always present, outwardly, subtle-physically, abiding with them where they live or in the very room, but sometimes this is only for a period. Or they may feel the Presence with them, see it frequently in a body (but not materially except sometimes), feel its touch or embrace, converse with it constantly - that is also a kind of milana. The greatest milana is one in which one is constantly aware of the Deity abiding in oneself, in everything in the world, holding all the world in him, identical with existence and yet supremely beyond the world - but in the world too one sees, hears, feels nothing but him, so that the very senses bear witness to him alone - and this does not exclude such specific personal manifestations as those vouchsafed to Krishnaprem and his guru. The more ways there are of the union, the better. ~ Sri Aurobindo, Letters On Yoga - II, [T4],
108:If we accept the Vedic image of the Sun of Truth, - an image which in this experience becomes a reality, - we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; for though we have applied that word for want of a better to any supra-intellectual direct way of knowing, yet what we actually know as intuition is only one special movement of self-existent knowledge. This new range is its origin; it imparts to our intuitions something of its own distinct character and is very clearly an intermediary of a greater Truth-Light with which our mind cannot directly communicate. At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the Supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies, - not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality. This then is the occult link we were looking for; this is the Power that at once connects and divides the supreme Knowledge and the cosmic Ignorance. ~ Sri Aurobindo, The Life Divine, Supermind Mind and the Overmind Maya, 293,
109:Hence, it's obvious to see why in AA the community is so important; we are powerless over ourselves. Since we don't have immediate awareness of the Higher Power and how it works, we need to be constantly reminded of our commitment to freedom and liberation. The old patterns are so seductive that as they go off, they set off the association of ideas and the desire to give in to our addiction with an enormous force that we can't handle. The renewal of defeat often leads to despair. At the same time, it's a source of hope for those who have a spiritual view of the process. Because it reminds us that we have to renew once again our total dependence on the Higher Power. This is not just a notional acknowledgment of our need. We feel it from the very depths of our being. Something in us causes our whole being to cry out, "Help!" That's when the steps begin to work. And that, I might add, is when the spiritual journey begins to work. A lot of activities that people in that category regard as spiritual are not communicating to them experientially their profound dependence on the grace of God to go anywhere with their spiritual practices or observances. That's why religious practice can be so ineffective. The real spiritual journey depends on our acknowledging the unmanageability of our lives. The love of God or the Higher Power is what heals us. Nobody becomes a full human being without love. It brings to life people who are most damaged. The steps are really an engagement in an ever-deepening relationship with God. Divine love picks us up when we sincerely believe nobody else will. We then begin to experience freedom, peace, calm, equanimity, and liberation from cravings for what we have come to know are damaging-cravings that cannot bring happiness, but at best only momentary relief that makes the real problem worse. ~ Thomas Keating, Divine Therapy and Addiction,
110:When, in last week's aphorism, Sri Aurobindo opposed - as one might say - "knowledge" to "Wisdom", he was speaking of knowledge as it is lived in the average human consciousness, the knowledge which is obtained through effort and mental development, whereas here, on the contrary, the knowledge he speaks of is the essential Knowledge, the supramental divine Knowledge, Knowledge by identity. And this is why he describes it here as "vast and eternal", which clearly indicates that it is not human knowledge as we normally understand it.
Many people have asked why Sri Aurobindo said that the river is "slender". This is an expressive image which creates a striking contrast between the immensity of the divine, supramental Knowledge - the origin of this inspiration, which is infinite - and what a human mind can perceive of it and receive from it.
Even when you are in contact with these domains, the portion, so to say, which you perceive, is minimal, slender. It is like a tiny little stream or a few falling drops and these drops are so pure, so brilliant, so complete in themselves, that they give you the sense of a marvellous inspiration, the impression that you have reached infinite domains and risen very high above the ordinary human condition. And yet this is nothing in comparison with what is still to be perceived.
I have also been asked if the psychic being or psychic consciousness is the medium through which the inspiration is perceived.
Generally, yes. The first contact you have with higher regions is a psychic one. Certainly, before an inner psychic opening is achieved, it is difficult to have these inspirations. It can happen as an exception and under exceptional conditions as a grace, but the true contact comes through the psychic; because the psychic consciousness is certainly the medium with the greatest affinity with the divine Truth. ~ The Mother, On Thoughts And Aphorisms,
111:This inner Guide is often veiled at first by the very intensity of our personal effort and by the ego's preoccupation with itself and its aims. As we gain in clarity and the turmoil of egoistic effort gives place to a calmer self-knowledge, we recognise the source of the growing light within us. We recognise it retrospectively as we realise how all our obscure and conflicting movements have been determined towards an end that we only now begin to perceive, how even before our entrance into the path of the Yoga the evolution of our life has been designedly led towards its turning point. For now we begin to understand the sense of our struggles and efforts, successes and failures. At last we are able to seize the meaning of our ordeals and sufferings and can appreciate the help that was given us by all that hurt and resisted and the utility of our very falls and stumblings. We recognise this divine leading afterwards, not retrospectively but immediately, in the moulding of our thoughts by a transcendent Seer, of our will and actions by an all-embracing Power, of our emotional life by an all-attracting and all-assimilating Bliss and Love. We recognise it too in a more personal relation that from the first touched us or at the last seizes us; we feel the eternal presence of a supreme Master, Friend, Lover, Teacher. We recognise it in the essence of our being as that develops into likeness and oneness with a greater and wider existence; for we perceive that this miraculous development is not the result of our own efforts; an eternal Perfection is moulding us into its own image. One who is the Lord or Ishwara of the Yogic philosophies, the Guide in the conscious being ( caitya guru or antaryamin ), the Absolute of the thinker, the Unknowable of the Agnostic, the universal Force of the materialist, the supreme Soul and the supreme Shakti, the One who is differently named and imaged by the religions, is the Master of our Yoga.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Four Aids, 62 [T1],
112:My method is different. I do not rush into actual work. When I get an idea, I start at once building it up in my imagination. I change the construction, make improvements and operate the device in my mind. It is absolutely immaterial to me whether I run my turbine in thought or test it in my shop. I even note if it is out of balance. There is no difference whatever; the results are the same. In this way I am able to rapidly develop and perfect a conception without touching anything. When I have gone so far as to embody in the invention every possible improvement I can think of and see no fault anywhere, I put into concrete form this final product of my brain. Invariably my device works as I conceived that it should, and the experiment comes out exactly as I planned it. In twenty years there has not been a single exception. Why should it be otherwise? Engineering, electrical and mechanical, is positive in results. There is scarcely a subject that cannot be examined beforehand, from the available theoretical and practical data. The carrying out into practice of a crude idea as is being generally done, is, I hold, nothing but a waste of energy, money, and time. My early affliction had however, another compensation. The incessant mental exertion developed my powers of observation and enabled me to discover a truth of great importance. I had noted that the appearance of images was always preceded by actual vision of scenes under peculiar and generally very exceptional conditions, and I was impelled on each occasion to locate the original impulse. After a while this effort grew to be almost automatic and I gained great facility in connecting cause and effect. Soon I became aware, to my surprise, that every thought I conceived was suggested by an external impression. Not only this but all my actions were prompted in a similar way. In the course of time it became perfectly evident to me that I was merely an automation endowed with power OF MOVEMENT RESPONDING TO THE STIMULI OF THE SENSE ORGANS AND THINKING AND ACTING ACCORDINGLY.

   ~ Nikola Tesla, The Strange Life of Nikola Tesla,
113:the spiritual force behind adoration :::
   All love, indeed, that is adoration has a spiritual force behind it, and even when it is offered ignorantly and to a limited object, something of that splendor appears through the poverty of the rite and the smallness of its issues. For love that is worship is at once an aspiration and a preparation: it can bring even within its small limits in the Ignorance a glimpse of a still more or less blind and partial but surprising realisation; for there are moments when it is not we but the One who loves and is loved in us, and even a human passion can be uplifted and glorified by a slight glimpse of this infinite Love and Lover. It is for this reason that the worship of the god, the worship of the idol, the human magnet or ideal are not to be despised; for these are steps through which the human race moves towards that blissful passion and ecstasy of the Infinite which, even in limiting it, they yet represent for our imperfect vision when we have still to use the inferior steps Nature has hewn for our feet and admit the stages of our progress. Certain idolatries are indispensable for the development of our emotional being, nor will the man who knows be hasty at any time to shatter this image unless he can replace it in the heart of the worshipper by the Reality it figures. Moreover, they have this power because there is always something in them that is greater than their forms and, even when we reach the supreme worship, that abides and becomes a prolongation of it or a part of its catholic wholeness. our knowledge is still imperfect in us, love incomplete if even when we know That which surpasses all forms and manifestations, we cannot still accept the Divine in creature and object, in man, in the kind, in the animal, in the tree, in the flower, in the work of our hands, in the Nature-Force which is then no longer to us the blind action of a material machinery but a face and power of the universal Shakti: for in these things too is the presence of the Eternal.
   ~ Sri Aurobindo, The Synthesis Of Yoga, Ascent of the Sacrifice - 2, The Works of Love - The Works of Life, 159,
114:Are there no false visions?
There are what in appearance are false visions. There are, for instance, hundreds or thousands of people who say that they have seen the Christ. Of that number those who have actually seen Him are perhaps less than a dozen, and even with them there is much to say about what they have seen. What the others saw may be an emanation; or it may be a thought or even an image remembered by the mind. There are, too, those who are strong believers in the Christ and have had a vision of some Force or Being or some remembered image that is very luminous and makes upon them a strong impression. They have seen something which they feel belongs to another world, to a supernatural order, and it has created in them an emotion of fear, awe or joy; and as they believe in the Christ, they can think of nothing else and say it is He. But the same vision or experience if it comes to one who believes in the Hindu, the Mohammedan or some other religion, will take a different name and form. The thing seen or experienced may be fundamentally the same, but it is formulated differently according to the different make-up of the apprehending mind. It is only those that can go beyond beliefs and faiths and myths and traditions who are able to say what it really is; but these are few, very few. You must be free from every mental construction, you must divest yourself of all that is merely local or temporal, before you can know what you have seen.

   Spiritual experience means the contact with the Divine in oneself (or without, which comes to the same thing in that domain). And it is an experience identical everywhere in all countries, among all peoples and even in all ages. If you meet the Divine, you meet it always and everywhere in the same way. Difference comes in because between the experience and its formulation there is almost an abyss. Directly you have spiritual experience, which takes place always in the inner consciousness, it is translated into your external consciousness and defined there in one way or another according to your education, your faith, your mental predisposition. There is only one truth, one reality; but the forms through which it may be expressed are many. 21 April 1929 ~ The Mother, Questions And Answers 1929-1931,
115:And for the same reason, because that which we are seeking through beauty is in the end that which we are seeking through religion, the Absolute, the Divine. The search for beauty is only in its beginning a satisfaction in the beauty of form, the beauty which appeals to the physical senses and the vital impressions, impulsions, desires. It is only in the middle a satisfaction in the beauty of the ideas seized, the emotions aroused, the perception of perfect process and harmonious combination. Behind them the soul of beauty in us desires the contact, the revelation, the uplifting delight of an absolute beauty in all things which it feels to be present, but which neither the senses and instincts by themselves can give, though they may be its channels, - for it is suprasensuous, - nor the reason and intelligence, though they too are a channel, - for it is suprarational, supra-intellectual, - but to which through all these veils the soul itself seeks to arrive. When it can get the touch of this universal, absolute beauty, this soul of beauty, this sense of its revelation in any slightest or greatest thing, the beauty of a flower, a form, the beauty and power of a character, an action, an event, a human life, an idea, a stroke of the brush or the chisel or a scintillation of the mind, the colours of a sunset or the grandeur of the tempest, it is then that the sense of beauty in us is really, powerfully, entirely satisfied. It is in truth seeking, as in religion, for the Divine, the All-Beautiful in man, in nature, in life, in thought, in art; for God is Beauty and Delight hidden in the variation of his masks and forms. When, fulfilled in our growing sense and knowledge of beauty and delight in beauty and our power for beauty, we are able to identify ourselves in soul with this Absolute and Divine in all the forms and activities of the world and shape an image of our inner and our outer life in the highest image we can perceive and embody of the All-Beautiful, then the aesthetic being in us who was born for this end, has fulfilled himself and risen to his divine consummation. To find highest beauty is to find God; to reveal, to embody, to create, as we say, highest beauty is to bring out of our souls the living image and power of God. ~ Sri Aurobindo, The Human Cycle, 144,
116:The poet-seer sees differently, thinks in another way, voices himself in quite another manner than the philosopher or the prophet. The prophet announces the Truth as the Word, the Law or the command of the Eternal, he is the giver of the message; the poet shows us Truth in its power of beauty, in its symbol or image, or reveals it to us in the workings of Nature or in the workings of life, and when he has done that, his whole work is done; he need not be its explicit spokesman or its official messenger. The philosopher's business is to discriminate Truth and put its parts and aspects into intellectual relation with each other; the poet's is to seize and embody aspects of Truth in their living relations, or rather - for that is too philosophical a language - to see her features and, excited by the vision, create in the beauty of her image.

   No doubt, the prophet may have in him a poet who breaks out often into speech and surrounds with the vivid atmosphere of life the directness of his message; he may follow up his injunction "Take no thought for the morrow," by a revealing image of the beauty of the truth he enounces, in the life of Nature, in the figure of the lily, or link it to human life by apologue and parable. The philosopher may bring in the aid of colour and image to give some relief and hue to his dry light of reason and water his arid path of abstractions with some healing dew of poetry. But these are ornaments and not the substance of his work; and if the philosopher makes his thought substance of poetry, he ceases to be a philosophic thinker and becomes a poet-seer of Truth. Thus the more rigid metaphysicians are perhaps right in denying to Nietzsche the name of philosopher; for Nietzsche does not think, but always sees, turbidly or clearly, rightly or distortedly, but with the eye of the seer rather than with the brain of the thinker. On the other hand we may get great poetry which is full of a prophetic enthusiasm of utterance or is largely or even wholly philosophic in its matter; but this prophetic poetry gives us no direct message, only a mass of sublime inspirations of thought and image, and this philosophic poetry is poetry and lives as poetry only in so far as it departs from the method, the expression, the way of seeing proper to the philosophic mind. It must be vision pouring itself into thought-images and not thought trying to observe truth and distinguish its province and bounds and fences.

   ~ Sri Aurobindo, The Future Poetry,
117:As far as heaven, as near as thought and hope,
Glimmered the kingdom of a griefless life.
Above him in a new celestial vault
Other than the heavens beheld by mortal eyes,
As on a fretted ceiling of the gods,
An archipelago of laughter and fire,
Swam stars apart in a rippled sea of sky.
Towered spirals, magic rings of vivid hue
And gleaming spheres of strange felicity
Floated through distance like a symbol world.
On the trouble and the toil they could not share,
On the unhappiness they could not aid,
Impervious to life's suffering, struggle, grief,
Untarnished by its anger, gloom and hate,
Unmoved, untouched, looked down great visioned planes
Blissful for ever in their timeless right.
Absorbed in their own beauty and content,
Of their immortal gladness they live sure.
Apart in their self-glory plunged, remote
Burning they swam in a vague lucent haze,
An everlasting refuge of dream-light,
A nebula of the splendours of the gods
Made from the musings of eternity.
Almost unbelievable by human faith,
Hardly they seemed the stuff of things that are.
As through a magic television's glass
Outlined to some magnifying inner eye
They shone like images thrown from a far scene
Too high and glad for mortal lids to seize.
But near and real to the longing heart
And to the body's passionate thought and sense
Are the hidden kingdoms of beatitude.
In some close unattained realm which yet we feel,
Immune from the harsh clutch of Death and Time,
Escaping the search of sorrow and desire,
In bright enchanted safe peripheries
For ever wallowing in bliss they lie.
In dream and trance and muse before our eyes,
Across a subtle vision's inner field,
Wide rapturous landscapes fleeting from the sight,
The figures of the perfect kingdom pass
And behind them leave a shining memory's trail.
Imagined scenes or great eternal worlds,
Dream-caught or sensed, they touch our hearts with their depths;
Unreal-seeming, yet more real than life,
Happier than happiness, truer than things true,
If dreams these were or captured images,
Dream's truth made false earth's vain realities.
In a swift eternal moment fixed there live
Or ever recalled come back to longing eyes
Calm heavens of imperishable Light,
Illumined continents of violet peace,
Oceans and rivers of the mirth of God
And griefless countries under purple suns.
~ Sri Aurobindo, Savitri, The Glory and the Fall of Life,
118:There is also the consecration of the thoughts to the Divine. In its inception this is the attempt to fix the mind on the object of adoration, -for naturally the restless human mind is occupied with other objects and, even when it is directed upwards, constantly drawn away by the world, -- so that in the end it habitually thinks of him and all else is only secondary and thought of only in relation to him. This is done often with the aid of a physical image or, more intimately and characteristically, of a Mantra or a divine name through which the divine being is realised. There are supposed by those who systematise, to be three stages of the seeking through the devotion of the mind, first, the constant hearing of the divine name, qualities and all that has been attached to them, secondly, the constant thinking on them or on the divine being or personality, thirdly, the settling and fixing of the mind on the object; and by this comes the full realisation. And by these, too, there comes when the accompanying feeling or the concentration is very intense, the Samadhi, the ecstatic trance in which the consciousness passes away from outer objects. But all this is really incidental; the one thing essential is the intense devotion of the thought in the mind to the object of adoration. Although it seems akin to the contemplation of the way of knowledge, it differs from that in its spirit. It is in its real nature not a still, but an ecstatic contemplation; it seeks not to pass into the being of the Divine, but to bring the Divine into ourselves and to lose ourselves in the deep ecstasy of his presence or of his possession; and its bliss is not the peace of unity, but the ecstasy of union. Here, too, there may be the separative self-consecration, which ends in the giving up of all other thought of life for the possession of this ecstasy, eternal afterwards in planes beyond, or the comprehensive consecration in which all the thoughts are full of the Divine and even in the occupations of life every thought remembers him. As in the other Yogas, so in this, one comes to see the Divine everywhere and in all and to pour out the realisation of the Divine in all ones inner activities and outward actions. But all is supported here by the primary force of the emotional union: for it is by love that the entire self-consecration and the entire possession is accomplished, and thought and action become shapes and figures of the divine love which possesses the spirit and its members.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Way of Devotion [T2],
119:He continuously reflected on her image and attributes, day and night. His bhakti was such that he could not stop thinking of her. Eventually, he saw her everywhere and in everything. This was his path to illumination.

   He was often asked by people: what is the way to the supreme? His answer was sharp and definite: bhakti yoga. He said time and time again that bhakti yoga is the best sadhana for the Kali Yuga (Dark Age) of the present.

   His bhakti is illustrated by the following statement he made to a disciple:

   To my divine mother I prayed only for pure love.
At her lotus feet I offered a few flowers and I prayed:

   Mother! here is virtue and here is vice;
   Take them both from me.
   Grant me only love, pure love for Thee.
   Mother! here is knowledge and here is ignorance;
   Take them both from me.
   Grant me only love, pure love for Thee.
   Mother! here is purity and impurity;
   Take them both from me.
   Grant me only love, pure love for Thee.

Ramakrishna, like Kabir, was a practical man.
He said: "So long as passions are directed towards the world and its objects, they are enemies. But when they are directed towards a deity, then they become the best of friends to man, for they take him to illumination. The desire for worldly things must be changed into longing for the supreme; the anger which you feel for fellow man must be directed towards the supreme for not manifesting himself to you . . . and so on, with all other emotions. The passions cannot be eradicated, but they can be turned into new directions."

   A disciple once asked him: "How can one conquer the weaknesses within us?" He answered: "When the fruit grows out of the flower, the petals drop off themselves. So when divinity in you increases, the weaknesses of human nature will vanish of their own accord." He emphasized that the aspirant should not give up his practices. "If a single dive into the sea does not bring you a pearl, do not conclude that there are no pearls in the sea. There are countless pearls hidden in the sea.

   So if you fail to merge with the supreme during devotional practices, do not lose heart. Go on patiently with the practices, and in time you will invoke divine grace." It does not matter what form you care to worship. He said: "Many are the names of the supreme and infinite are the forms through which he may be approached. In whatever name and form you choose to worship him, through that he will be realized by you." He indicated the importance of surrender on the path of bhakti when he said:

   ~ Swami Satyananda Saraswati, A Systematic Course in the Ancient Tantric Techniques of Yoga and Kriya,
120:PROTECTION
   Going to sleep is a little like dying, a journey taken alone into the unknown. Ordinarily we are not troubled about sleep because we are familiar with it, but think about what it entails. We completely lose ourselves in a void for some period of time, until we arise again in a dream. When we do so, we may have a different identity and a different body. We may be in a strange place, with people we do not know, involved in baffling activities that may seem quite risky.
   Just trying to sleep in an unfamiliar place may occasion anxiety. The place may be perfectly secure and comfortable, but we do not sleep as well as we do at home in familiar surroundings. Maybe the energy of the place feels wrong. Or maybe it is only our own insecurity that disturbs us,and even in familiar places we may feel anxious while waiting for sleep to come, or be frightenedby what we dream. When we fall asleep with anxiety, our dreams are mingled with fear and tension, sleep is less restful, and the practice harder to do. So it is a good idea to create a sense of protection before we sleep and to turn our sleeping area into a sacred space.
   This is done by imagining protective dakinis all around the sleeping area. Visualize the dakinis as beautiful goddesses, enlightened female beings who are loving, green in color, and powerfully protective. They remain near as you fall asleep and throughout the night, like mothers watching over their child, or guardians surrounding a king or queen. Imagine them everywhere, guarding the doors and the windows, sitting next to you on the bed, walking in the garden or the yard, and so on, until you feel completely protected.
   Again, this practice is more than just trying to visualize something: see the dakinis with your mind but also use your imagination to feel their presence. Creating a protective, sacred environment in this way is calming and relaxing and promotes restful sleep. This is how the mystic lives: seeing the magic, changing the environment with the mind, and allowing actions, even actions of the imagination, to have significance.
   You can enhance the sense of peace in your sleeping environment by keeping objects of a sacred nature in the bedroom: peaceful, loving images, sacred and religious symbols, and other objects that direct your mind toward the path.
   The Mother Tantra tells us that as we prepare for sleep we should maintain awareness of the causes of dream, the object to focus upon, the protectors, and of ourselves. Hold these together inawareness, not as many things, but as a single environment, and this will have a great effect in dream and sleep.
   ~ Tenzin Wangyal Rinpoche, The Tibetan Yogas Of Dream And Sleep,
121:10000 ::: The True Object of Spiritual Seeking:
   To find the Divine is indeed the first reason for seeking the spiritual Truth and the spiritual life; it is the one thing indispensable and all the rest is nothing without it. The Divine once found, to manifest Him,-that is, first of all to transform one's own limited consciousness into the Divine Consciousness, to live in the infinite Peace, Light, Love, Strength, Bliss, to become that in one's essential nature and, as a consequence, to be its vessel, channel, instrument in one's active nature. To bring into activity the principle of oneness on the material plane or to work for humanity is a mental mistranslation of the Truth-these things cannot be the first or true object of spiritual seeking. We must find the Self, the Divine, then only can we know what is the work the Self or the Divine demands from us. Until then our life and action can only be a help or means towards finding the Divine and it ought not to have any other purpose. As we grow in the inner consciousness, or as the spiritual Truth of the Divine grows in us, our life and action must indeed more and more flow from that, be one with that. But to decide beforehand by our limited mental conceptions what they must be is to hamper the growth of the spiritual Truth within. As that grows we shall feel the Divine Light and Truth, the Divine Power and Force, the Divine Purity and Peace working within us, dealing with our actions as well as our consciousness, making use of them to reshape us into the Divine Image, removing the dross, substituting the pure gold of the Spirit. Only when the Divine Presence is there in us always and the consciousness transformed, can we have the right to say that we are ready to manifest the Divine on the material plane. To hold up a mental ideal or principle and impose that on the inner working brings the danger of limiting ourselves to a mental realisation or of impeding or even falsifying by a half-way formation the true growth into the full communion and union with the Divine and the free and intimate outflowing of His will in our life. This is a mistake of orientation to which the mind of today is especially prone. It is far better to approach the Divine for the Peace or Light or Bliss that the realisation of Him gives than to bring in these minor things which can divert us from the one thing needful. The divinisation of the material life also as well as the inner life is part of what we see as the Divine Plan, but it can only be fulfilled by an outflowing of the inner realisation, something that grows from within outward, not by the working out of a mental principle.
   ~ Sri Aurobindo, Letters On Yoga - II, [T1],
122:INVOCATION
   The ultimate invocation, that of Kia, cannot be performed. The paradox is that as Kia has no dualized qualities, there are no attributes by which to invoke it. To give it one quality is merely to deny it another. As an observant dualistic being once said:
   I am that I am not.
   Nevertheless, the magician may need to make some rearrangements or additions to what he is. Metamorphosis may be pursued by seeking that which one is not, and transcending both in mutual annihilation. Alternatively, the process of invocation may be seen as adding to the magician's psyche any elements which are missing. It is true that the mind must be finally surrendered as one enters fully into Chaos, but a complete and balanced psychocosm is more easily surrendered.
   The magical process of shuffling beliefs and desires attendant upon the process of invocation also demonstrates that one's dominant obsessions or personality are quite arbitrary, and hence more easily banished.
   There are many maps of the mind (psychocosms), most of which are inconsistent, contradictory, and based on highly fanciful theories. Many use the symbology of god forms, for all mythology embodies a psychology. A complete mythic pantheon resumes all of man's mental characteristics. Magicians will often use a pagan pantheon of gods as the basis for invoking some particular insight or ability, as these myths provide the most explicit and developed formulation of the particular idea's extant. However it is possible to use almost anything from the archetypes of the collective unconscious to the elemental qualities of alchemy.
   If the magician taps a deep enough level of power, these forms may manifest with sufficient force to convince the mind of the objective existence of the god. Yet the aim of invocation is temporary possession by the god, communication from the god, and manifestation of the god's magical powers, rather than the formation of religious cults.
   The actual method of invocation may be described as a total immersion in the qualities pertaining to the desired form. One invokes in every conceivable way. The magician first programs himself into identity with the god by arranging all his experiences to coincide with its nature. In the most elaborate form of ritual he may surround himself with the sounds, smells, colors, instruments, memories, numbers, symbols, music, and poetry suggestive of the god or quality. Secondly he unites his life force to the god image with which he has united his mind. This is accomplished with techniques from the gnosis. Figure 5 shows some examples of maps of the mind. Following are some suggestions for practical ritual invocation.
   ~ Peter J Carroll, Liber Null,
123:Workshops, churches, and palaces were full of these fatal works of art; he had even helped with a few himself. They were deeply disappointing be­ cause they aroused the desire for the highest and did not fulfill it. They lacked the most essential thing-mystery. That was what dreams and truly great works of art had in common : mystery. Goldmund continued his thought: It is mystery I love and pursue. Several times I have seen it beginning to take shape; as an artist, I would like to capture and express it. Some day, perhaps, I'll be able to. The figure of the universal mother, the great birthgiver, for example. Unlike other fi gures, her mystery does not consist of this or that detail, of a particular voluptuousness or sparseness, coarseness or delicacy, power or gracefulness. It consists of a fusion of the greatest contrasts of the world, those that cannot otherwise be combined, that have made peace only in this figure. They live in it together: birth and death, tenderness and cruelty, life and destruction. If I only imagined this fi gure, and were she merely the play of my thoughts, it would not matter about her, I could dismiss her as a mistake and forget about heR But the universal mother is not an idea of mine; I did not think her up, I saw her! She lives inside me. I've met her again and again. She appeared to me one winter night in a village when I was asked to hold a light over the bed of a peasant woman giving birth: that's when the image came to life within me. I often lose it; for long periods it re­ mains remote; but suddenly it Hashes clear again, as it did today. The image of my own mother, whom I loved most of all, has transformed itself into this new image, and lies encased within the new one like the pit in the cherry.

   As his present situation became clear to him, Goldmund was afraid to make a decision. It was as difficult as when he had said farewell to Narcissus and to the cloister. Once more he was on an impor­ tant road : the road to his mother. Would this mother-image one day take shape, a work of his hands, and become visible to all? Perhaps that was his goal, the hidden meaning of his life. Perhaps; he didn't know. But one thing he did know : it was good to travel toward his mother, to be drawn and called by her. He felt alive. Perhaps he'd never be able to shape her image, perhaps she'd always remain a dream, an intuition, a golden shimmer, a sacred mystery. At any rate, he had to follow her and submit his fate to her. She was his star.

   And now the decision was at his fingertips; everything had become clear. Art was a beautiful thing, but it was no goddess, no goal-not for him. He was not to follow art, but only the call of his mother.

   ~ Hermann Hesse, Narcissus and Goldmund,
124:"O Death, thou lookst on an unfinished world
Assailed by thee and of its road unsure,
Peopled by imperfect minds and ignorant lives,
And sayest God is not and all is vain.
How shall the child already be the man?
Because he is infant, shall he never grow?
Because he is ignorant, shall he never learn?
In a small fragile seed a great tree lurks,
In a tiny gene a thinking being is shut;
A little element in a little sperm,
It grows and is a conqueror and a sage.
Then wilt thou spew out, Death, God's mystic truth,
Deny the occult spiritual miracle?
Still wilt thou say there is no spirit, no God?
A mute material Nature wakes and sees;
She has invented speech, unveiled a will.
Something there waits beyond towards which she strives,
Something surrounds her into which she grows:
To uncover the spirit, to change back into God,
To exceed herself is her transcendent task.
In God concealed the world began to be,
Tardily it travels towards manifest God:
Our imperfection towards perfection toils,
The body is the chrysalis of a soul:
The infinite holds the finite in its arms,
Time travels towards revealed eternity.
A miracle structure of the eternal Mage,
Matter its mystery hides from its own eyes,
A scripture written out in cryptic signs,
An occult document of the All-Wonderful's art.
All here bears witness to his secret might,
In all we feel his presence and his power.
A blaze of his sovereign glory is the sun,
A glory is the gold and glimmering moon,
A glory is his dream of purple sky.
A march of his greatness are the wheeling stars.
His laughter of beauty breaks out in green trees,
His moments of beauty triumph in a flower;
The blue sea's chant, the rivulet's wandering voice
Are murmurs falling from the Eternal's harp.
This world is God fulfilled in outwardness.
His ways challenge our reason and our sense;
By blind brute movements of an ignorant Force,
By means we slight as small, obscure or base,
A greatness founded upon little things,
He has built a world in the unknowing Void.
His forms he has massed from infinitesimal dust;
His marvels are built from insignificant things.
If mind is crippled, life untaught and crude,
If brutal masks are there and evil acts,
They are incidents of his vast and varied plot,
His great and dangerous drama's needed steps;
He makes with these and all his passion-play,
A play and yet no play but the deep scheme
Of a transcendent Wisdom finding ways
To meet her Lord in the shadow and the Night:
Above her is the vigil of the stars;
Watched by a solitary Infinitude
She embodies in dumb Matter the Divine,
In symbol minds and lives the Absolute.
~ Sri Aurobindo, Savitri, The Debate of Love and Death,
125:How can one awaken his Yoga-shakti?

It depends on this: when one thinks that it is the most important thing in his life. That's all.

Some people sit in meditation, concentrate on the base of the vertebral column and want it very much to awake, but that's not enough. It is when truly it becomes the most important thing in one's life, when all the rest seems to have lost all taste, all interest, all importance, when one feels within that one is born for this, that one is here upon earth for this, and that it is the only thing that truly counts, then that's enough.

One can concentrate on the different centres; but sometimes one concentrates for so long, with so much effort, and has no result. And then one day something shakes you, you feel that you are going to lose your footing, you have to cling on to something; then you cling within yourself to the idea of union with the Divine, the idea of the divine Presence, the idea of the transformation of the consciousness, and you aspire, you want, you try to organise your feelings, movements, impulses around this. And it comes.

Some people have recommended all kinds of methods; probably these were methods which had succeeded in their case; but to tell the truth, one must find one's own method, it is only after having done the thing that one knows how it should be done, not before.

If one knows it beforehand, one makes a mental construction and risks greatly living in his mental construction, which is an illusion; because when the mind builds certain conditions and then they are realised, there are many chances of there being mostly pure mental construction which is not the experience itself but its image. So for all these truly spiritual experiences I think it is wiser to have them before knowing them. If one knows them, one imitates them, one doesn't have them, one imagines oneself having them; whereas if one knows nothing - how things are and how they ought to happen, what should happen and how it will come about - if one knows nothing about all this, then by keeping very still and making a kind of inner sorting out within one's being, one can suddenly have the experience, and then later knows what one has had. It is over, and one knows how it has to be done when one has done it - afterwards. Like that it is sure.

One may obviously make use of his imagination, imagine the Kundalini and try to pull it upwards. But one can also tell himself tales like this. I have had so many instances of people who described their experiences to me exactly as they are described in books, knowing all the words and putting down all the details, and then I asked them just a little question like that, casually: that if they had had the experience they should have known or felt a certain thing, and as this was not in the books, they could not answer.~ The Mother, Questions And Answers 1955, 211-212,
126:The modern distinction is that the poet appeals to the imagination and not to the intellect. But there are many kinds of imagination; the objective imagination which visualises strongly the outward aspects of life and things; the subjective imagination which visualises strongly the mental and emotional impressions they have the power to start in the mind; the imagination which deals in the play of mental fictions and to which we give the name of poetic fancy; the aesthetic imagination which delights in the beauty of words and images for their own sake and sees no farther. All these have their place in poetry, but they only give the poet his materials, they are only the first instruments in the creation of poetic style. The essential poetic imagination does not stop short with even the most subtle reproductions of things external or internal, with the richest or delicatest play of fancy or with the most beautiful colouring of word or image. It is creative, not of either the actual or the fictitious, but of the more and the most real; it sees the spiritual truth of things, - of this truth too there are many gradations, - which may take either the actual or the ideal for its starting-point. The aim of poetry, as of all true art, is neither a photographic or otherwise realistic imitation of Nature, nor a romantic furbishing and painting or idealistic improvement of her image, but an interpretation by the images she herself affords us, not on one but on many planes of her creation, of that which she conceals from us, but is ready, when rightly approached, to reveal.

   This is the true, because the highest and essential aim of poetry; but the human mind arrives at it only by a succession of steps, the first of which seems far enough from its object. It begins by stringing its most obvious and external ideas, feelings and sensations of things on a thread of verse in a sufficient language of no very high quality. But even when it gets to a greater adequacy and effectiveness, it is often no more than a vital, an emotional or an intellectual adequacy and effectiveness. There is a strong vital poetry which powerfully appeals to our sensations and our sense of life, like much of Byron or the less inspired mass of the Elizabethan drama; a strong emotional poetry which stirs our feelings and gives us the sense and active image of the passions; a strong intellectual poetry which satisfies our curiosity about life and its mechanism, or deals with its psychological and other "problems", or shapes for us our thoughts in an effective, striking and often quite resistlessly quotable fashion. All this has its pleasures for the mind and the surface soul in us, and it is certainly quite legitimate to enjoy them and to enjoy them strongly and vividly on our way upward; but if we rest content with these only, we shall never get very high up the hill of the Muses.

   ~ Sri Aurobindo, The Future Poetry,
127:Our culture, the laws of our culture, are predicated on the idea that people are conscious. People have experience; people make decisions, and can be held responsible for them. There's a free will element to it. You can debate all that philosophically, and fine, but the point is that that is how we act, and that is the idea that our legal system is predicated on. There's something deep about it, because you're subject to the law, but the law is also limited by you, which is to say that in a well-functioning, properly-grounded democratic system, you have intrinsic value. That's the source of your rights. Even if you're a murderer, we have to say the law can only go so far because there's something about you that's divine.

Well, what does that mean? Partly it means that there's something about you that's conscious and capable of communicating, like you're a whole world unto yourself. You have that to contribute to everyone else, and that's valuable. You can learn new things, transform the structure of society, and invent a new way of dealing with the world. You're capable of all that. It's an intrinsic part of you, and that's associated with the idea that there's something about the logos that is necessary for the absolute chaos of the reality beyond experience to manifest itself as reality. That's an amazing idea because it gives consciousness a constitutive role in the cosmos. You can debate that, but you can't just bloody well brush it off. First of all, we are the most complicated things there are, that we know of, by a massive amount. We're so complicated that it's unbelievable. So there's a lot of cosmos out there, but there's a lot of cosmos in here, too, and which one is greater is by no means obvious, unless you use something trivial, like relative size, which really isn't a very sophisticated approach.

Whatever it is that is you has this capacity to experience reality and to transform it, which is a very strange thing. You can conceptualize the future in your imagination, and then you can work and make that manifest-participate in the process of creation. That's one way of thinking about it. That's why I think Genesis 1 relates the idea that human beings are made in the image of the divine-men and women, which is interesting, because feminists are always criticizing Christianity as being inexorably patriarchal. Of course, they criticize everything like that, so it's hardly a stroke of bloody brilliance. But I think it's an absolute miracle that right at the beginning of the document it says straightforwardly, with no hesitation whatsoever, that the divine spark which we're associating with the word, that brings forth Being, is manifest in men and women equally. That's a very cool thing. You got to think, like I said, do you actually take that seriously? Well, what you got to ask is what happens if you don't take it seriously, right? Read Dostoevsky's Crime and Punishment. That's the best investigation into that tactic that's ever been produced. ~ Jordan Peterson, Biblical Series, 1,
128:28 August 1957
Mother, Sri Aurobindo says here: "Whether the whole of humanity would be touched [by the Supramental influence] or only a part of it ready for the change would depend on what was intended or possible in the continued order of the universe."
The Supramental Manifestation, SABCL, Vol. 16, p. 56

What is meant by "what was intended or possible"? The two things are different. So far you have said that if humanity changes, if it wants to participate in the new birth...

It is the same thing. But when you look at an object on a certain plane, you see it horizontally, and when you look at the same object from another plane, you see it vertically. (Mother shows the cover and the back of her book.) So, if one looks from above, one says "intended"; if one looks from below, one says "possible".... But it is absolutely the same thing, only the point of view is different.

But in that case, it is not our incapacity or lack of will to change that makes any difference.

We have already said this many a time. If you remain in a consciousness which functions mentally, even if it is the highest mind, you have the notion of an absolute determinism of cause and effect and feel that things are what they are because they are what they are and cannot be otherwise.

It is only when you come out of the mental consciousness completely and enter a higher perception of things - which you may call spiritual or divine - that you suddenly find yourself in a state of perfect freedom where everything is possible.

(Silence)

Those who have contacted that state or lived in it, even if only for a moment, try to describe it as a feeling of an absolute Will in action, which immediately gives to the human mentality the feeling of being arbitrary. And because of that distortion there arises the idea - which I might call traditional - of a supreme and arbitrary God, which is something most unacceptable to every enlightened mind. I suppose that this experience badly expressed is at the origin of this notion. And in fact it is incorrect to express it as an absolute Will: it is very, very, very different. It is something else altogether. For, what man understands by "Will" is a decision that is taken and carried out. We are obliged to use the word "will", but in its truth the Will acting in the universe is neither a choice nor a decision that is taken. What seems to me the closest expression is "vision". Things are because they are seen. But of course "seen", not seen as we see with these eyes.

(Mother touches her eyes...) All the same, it is the nearest thing.
It is a vision - a vision unfolding itself.
The universe becomes objective as it is progressively seen.

And that is why Sri Aurobindo has said "intended or possible". It is neither one nor the other. All that can be said is a distortion.

(Silence)

Objectivisation - universal objectivisation - is something like a projection in space and time, like a living image of what is from all eternity. And as the image is gradually projected on the screen of time and space, it becomes objective:

The Supreme contemplating His own Image.
~ The Mother, Questions And Answers 1957-1958,
129:Apotheosis ::: One of the most powerful and beloved of the Bodhisattvas of the Mahayana Buddhism of Tibet, China, and Japan is the Lotus Bearer, Avalokiteshvara, "The Lord Looking Down in Pity," so called because he regards with compassion all sentient creatures suffering the evils of existence. To him goes the millionfold repeated prayer of the prayer wheels and temple gongs of Tibet: Om mani padme hum, "The jewel is in the lotus." To him go perhaps more prayers per minute than to any single divinity known to man; for when, during his final life on earth as a human being, he shattered for himself the bounds of the last threshold (which moment opened to him the timelessness of the void beyond the frustrating mirage-enigmas of the named and bounded cosmos), he paused: he made a vow that before entering the void he would bring all creatures without exception to enlightenment; and since then he has permeated the whole texture of existence with the divine grace of his assisting presence, so that the least prayer addressed to him, throughout the vast spiritual empire of the Buddha, is graciously heard. Under differing forms he traverses the ten thousand worlds, and appears in the hour of need and prayer. He reveals himself in human form with two arms, in superhuman forms with four arms, or with six, or twelve, or a thousand, and he holds in one of his left hands the lotus of the world.

Like the Buddha himself, this godlike being is a pattern of the divine state to which the human hero attains who has gone beyond the last terrors of ignorance. "When the envelopment of consciousness has been annihilated, then he becomes free of all fear, beyond the reach of change." This is the release potential within us all, and which anyone can attain-through herohood; for, as we read: "All things are Buddha-things"; or again (and this is the other way of making the same statement) : "All beings are without self."

The world is filled and illumined by, but does not hold, the Bodhisattva ("he whose being is enlightenment"); rather, it is he who holds the world, the lotus. Pain and pleasure do not enclose him, he encloses them-and with profound repose. And since he is what all of us may be, his presence, his image, the mere naming of him, helps. "He wears a garland of eight thousand rays, in which is seen fully reflected a state of perfect beauty.

The color of his body is purple gold. His palms have the mixed color of five hundred lotuses, while each finger tip has eighty-four thousand signet-marks, and each mark eighty-four thousand colors; each color has eighty-four thousand rays which are soft and mild and shine over all things that exist. With these jewel hands he draws and embraces all beings. The halo surrounding his head is studded with five hundred Buddhas, miraculously transformed, each attended by five hundred Bodhisattvas, who are attended, in turn, by numberless gods. And when he puts his feet down to the ground, the flowers of diamonds and jewels that are scattered cover everything in all directions. The color of his face is gold. While in his towering crown of gems stands a Buddha, two hundred and fifty miles high." - Amitayur-Dhyana Sutra, 19; ibid., pp. 182-183. ~ Joseph Campbell, The Hero with a Thousand Faces, Apotheosis,
130:On that spring day in the park I saw a young woman who attracted me. She was tall and slender, elegantly dressed, and had an intelligent and boyish face. I liked her at once. She was my type and began to fill my imagination. She probably was not much older than I but seemed far more mature, well-defined, a full-grown woman, but with a touch of exuberance and boyishness in her face, and this was what I liked above all .

   I had never managed to approach a girl with whom I had fallen in love, nor did I manage in this case. But the impression she made on me was deeper than any previous one had been and the infatuation had a profound influence on my life.

   Suddenly a new image had risen up before me, a lofty and cherished image. And no need, no urge was as deep or as fervent within me as the craving to worship and admire. I gave her the name Beatrice, for, even though I had not read Dante, I knew about Beatrice from an English painting of which I owned a reproduction. It showed a young pre-Raphaelite woman, long-limbed and slender, with long head and etherealized hands and features. My beautiful young woman did not quite resemble her, even though she, too, revealed that slender and boyish figure which I loved, and something of the ethereal, soulful quality of her face.

   Although I never addressed a single word to Beatrice, she exerted a profound influence on me at that time. She raised her image before me, she gave me access to a holy shrine, she transformed me into a worshiper in a temple.

   From one day to the next I stayed clear of all bars and nocturnal exploits. I could be alone with myself again and enjoyed reading and going for long walks.

   My sudden conversion drew a good deal of mockery in its wake. But now I had something I loved and venerated, I had an ideal again, life was rich with intimations of mystery and a feeling of dawn that made me immune to all taunts. I had come home again to myself, even if only as the slave and servant of a cherished image.

   I find it difficult to think back to that time without a certain fondness. Once more I was trying most strenuously to construct an intimate "world of light" for myself out of the shambles of a period of devastation; once more I sacrificed everything within me to the aim of banishing darkness and evil from myself. And, furthermore, this present "world of light" was to some extent my own creation; it was no longer an escape, no crawling back to -nether and the safety of irresponsibility; it was a new duty, one I had invented and desired on my own, with responsibility and self-control. My sexuality, a torment from which I was in constant flight, was to be transfigured nto spirituality and devotion by this holy fire. Everything :brk and hateful was to be banished, there were to be no more tortured nights, no excitement before lascivious picures, no eavesdropping at forbidden doors, no lust. In place of all this I raised my altar to the image of Beatrice, :.. and by consecrating myself to her I consecrated myself to the spirit and to the gods, sacrificing that part of life which I withdrew from the forces of darkness to those of light. My goal was not joy but purity, not happiness but beauty, and spirituality.

   This cult of Beatrice completely changed my life.

   ~ Hermann Hesse, Demian,
131:HOW CAN I READ SAVITRI?
An open reply by Dr Alok Pandey to a fellow devotee

A GIFT OF LOVE TO THE WORLD
Most of all enjoy Savitri. It is Sri Aurobindo's gift of Love to the world. Read it from the heart with love and gratitude as companions and drown in its fiery bliss. That is the true understanding rather than one that comes by a constant churning of words in the head.

WHEN
Best would be to fix a time that works for you. One can always take out some time for the reading, even if it be late at night when one is done with all the daily works. Of course, a certain receptivity is needed. If one is too tired or the reading becomes too mechanical as a ritual routine to be somehow finished it tends to be less effective, as with anything else. Hence the advice is to read in a quiet receptive state.

THE PACE
As to the pace of reading it is best to slowly build up and keep it steady. To read a page or a passage daily is better than reading many pages one day and then few lines or none for days. This brings a certain discipline in the consciousness which makes one receptive. What it means is that one should fix up that one would read a few passages or a page or two daily, and then if an odd day one is enjoying and spontaneously wants to read more then one can go by the flow.

COMPLETE OR SELECTIONS?
It is best to read at least once from cover to cover. But if one is not feeling inclined for that do read some of the beautiful cantos and passages whose reference one can find in various places. This helps us familiarise with the epic and the style of poetry. Later one can go for the cover to cover reading.

READING ALOUD, SILENTLY, OR WRITING DOWN?
One can read it silently. Loud reading is needed only if one is unable to focus with silent reading. A mantra is more potent when read subtly. I am aware that some people recommend reading it aloud which is fine if that helps one better. A certain flexibility in these things is always good and rigid rules either ways are not helpful.

One can also write some of the beautiful passages with which one feels suddenly connected. It is a help in the yoga since such a writing involves the pouring in of the consciousness of Savitri through the brain and nerves and the hand.

Reflecting upon some of these magnificent lines and passages while one is engaged in one\s daily activities helps to create a background state for our inner being to get absorbed in Savitri more and more.

HOW DO I UNDERSTAND THE MEANING? DO I NEED A DICTIONARY?
It is helpful if a brief background about the Canto is known. This helps the mind top focus and also to keep in sync with the overall scene and sense of what is being read.

But it is best not to keep referring to the dictionary while reading. Let the overall sense emerge. Specifics can be done during a detailed reading later and it may not be necessary at all. Besides the sense that Sri Aurobindo has given to many words may not be accurately conveyed by the standard dictionaries. A flexibility is required to understand the subtle suggestions hinted at by the Master-poet.

In this sense Savitri is in the line of Vedic poetry using images that are at once profound as well as commonplace. That is the beauty of mystic poetry. These are things actually experienced and seen by Sri Aurobindo, and ultimately it is Their Grace that alone can reveal the intrinsic sense of this supreme revelation of the Supreme. ~ Dr Alok Pandey,
132:
   "The beings who were always appearing and speaking to Jeanne d'Arc would, if seen by an Indian, have quite a different appearance; for when one sees, one projects the forms of one's mind.... You have the vision of one in India whom you call the Divine Mother; the Catholics say it is the Virgin Mary, and the Japanese call it Kwannon, the Goddess of Mercy; and others would give other names. It is the same force, the same power, but the images made of it are different in different faiths." Questions and Answers 1929 - 1931 (21 April 1929)


And then? You are not very talkative today! Is that all?

   You say that "each person has his own world of dreamimagery peculiar to himself." Ibid.


Each individual has his own way of expressing, thinking, speaking, feeling, understanding. It is the combination of all these ways of being that makes the individual. That is why everyone can understand only according to his own nature. As long as you are shut up in your own nature, you can know only what is in your consciousness. All depends upon the height of the nature of your consciousness. Your world is limited to what you have in your consciousness. If you have a very small consciousness, you will understand only a few things. When your consciousness is very vast, universal, only then will you understand the world. If the consciousness is limited to your little ego, all the rest will escape you.... There are people whose brain and consciousness are smaller than a walnut. You know that a walnut resembles the brain; well these people look at things and don't understand them. They can understand nothing else except what is in direct contact with their senses. For them only what they taste, what they see, hear, touch has a reality, and all the rest simply does not exist, and they accuse us of speaking fancifully! "What I cannot touch does not exist", they say. But the only answer to give them is: "It does not exist for you, but there's no reason why it shouldn't exist for others." You must not insist with these people, and you must not forget that the smaller they are the greater is the audacity in their assertions.

   One's cocksureness is in proportion to one's unconsciousness; the more unconscious one is, the more is one sure of oneself. The most foolish are always the most vain. Your stupidity is in proportion to your vanity. The more one knows... In fact, there is a time when one is quite convinced that one knows nothing at all. There's not a moment in the world which does not bring something new, for the world is perpetually growing. If one is conscious of that, one has always something new to learn. But one can become conscious of it only gradually. One's conviction that one knows is in direct proportion to one's ignorance and stupidity.

   Mother, have the scientists, then, a very small consciousness?


Why? All scientists are not like that. If you meet a true scientist who has worked hard, he will tell you: "We know nothing. What we know today is nothing beside what we shall know tomorrow. This year's discoveries will be left behind next year." A real scientist knows very well that there are many more things he doesn't know than those he knows. And this is true of all branches of human activity. I have never met a scientist worthy of the name who was proud. I have never met a man of some worth who has told me: "I know everything." Those I have seen have always confessed: "In short, I know nothing." After having spoken of all that he has done, all that he has achieved, he tells you very quietly: "After all, I know nothing." ~ The Mother, Questions And Answers 1953, [T8],
133:The recurring beat that moments God in Time.
Only was missing the sole timeless Word
That carries eternity in its lonely sound,
The Idea self-luminous key to all ideas,
The integer of the Spirit's perfect sum
That equates the unequal All to the equal One,
The single sign interpreting every sign,
The absolute index to the Absolute.

There walled apart by its own innerness
In a mystical barrage of dynamic light
He saw a lone immense high-curved world-pile
Erect like a mountain-chariot of the Gods
Motionless under an inscrutable sky.
As if from Matter's plinth and viewless base
To a top as viewless, a carved sea of worlds
Climbing with foam-maned waves to the Supreme
Ascended towards breadths immeasurable;
It hoped to soar into the Ineffable's reign:
A hundred levels raised it to the Unknown.
So it towered up to heights intangible
And disappeared in the hushed conscious Vast
As climbs a storeyed temple-tower to heaven
Built by the aspiring soul of man to live
Near to his dream of the Invisible.
Infinity calls to it as it dreams and climbs;
Its spire touches the apex of the world;
Mounting into great voiceless stillnesses
It marries the earth to screened eternities.
Amid the many systems of the One
Made by an interpreting creative joy
Alone it points us to our journey back
Out of our long self-loss in Nature's deeps;
Planted on earth it holds in it all realms:
It is a brief compendium of the Vast.
This was the single stair to being's goal.
A summary of the stages of the spirit,
Its copy of the cosmic hierarchies
Refashioned in our secret air of self
A subtle pattern of the universe.
It is within, below, without, above.
Acting upon this visible Nature's scheme
It wakens our earth-matter's heavy doze
To think and feel and to react to joy;
It models in us our diviner parts,
Lifts mortal mind into a greater air,
Makes yearn this life of flesh to intangible aims,
Links the body's death with immortality's call:
Out of the swoon of the Inconscience
It labours towards a superconscient Light.
If earth were all and this were not in her,
Thought could not be nor life-delight's response:
Only material forms could then be her guests
Driven by an inanimate world-force.
Earth by this golden superfluity
Bore thinking man and more than man shall bear;
This higher scheme of being is our cause
And holds the key to our ascending fate;

It calls out of our dense mortality
The conscious spirit nursed in Matter's house.
The living symbol of these conscious planes,
Its influences and godheads of the unseen,
Its unthought logic of Reality's acts
Arisen from the unspoken truth in things,
Have fixed our inner life's slow-scaled degrees.
Its steps are paces of the soul's return
From the deep adventure of material birth,
A ladder of delivering ascent
And rungs that Nature climbs to deity.
Once in the vigil of a deathless gaze
These grades had marked her giant downward plunge,
The wide and prone leap of a godhead's fall.
Our life is a holocaust of the Supreme.
The great World-Mother by her sacrifice
Has made her soul the body of our state;
Accepting sorrow and unconsciousness
Divinity's lapse from its own splendours wove
The many-patterned ground of all we are.
An idol of self is our mortality.
Our earth is a fragment and a residue;
Her power is packed with the stuff of greater worlds
And steeped in their colour-lustres dimmed by her drowse;
An atavism of higher births is hers,
Her sleep is stirred by their buried memories
Recalling the lost spheres from which they fell.
Unsatisfied forces in her bosom move;
They are partners of her greater growing fate
And her return to immortality;
They consent to share her doom of birth and death;
They kindle partial gleams of the All and drive
Her blind laborious spirit to compose
A meagre image of the mighty Whole.
The calm and luminous Intimacy within
~ Sri Aurobindo, Savitri, The World-Stair,
134:This greater Force is that of the Illumined Mind, a Mind no longer of higher Thought, but of spiritual light. Here the clarity of the spiritual intelligence, its tranquil daylight, gives place or subordinates itself to an intense lustre, a splendour and illumination of the spirit: a play of lightnings of spiritual truth and power breaks from above into the consciousness and adds to the calm and wide enlightenment and the vast descent of peace which characterise or accompany the action of the larger conceptual-spiritual principle, a fiery ardour of realisation and a rapturous ecstasy of knowledge. A downpour of inwardly visible Light very usually envelops this action; for it must be noted that, contrary to our ordinary conceptions, light is not primarily a material creation and the sense or vision of light accompanying the inner illumination is not merely a subjective visual image or a symbolic phenomenon: light is primarily a spiritual manifestation of the Divine Reality illuminative and creative; material light is a subsequent representation or conversion of it into Matter for the purposes of the material Energy. There is also in this descent the arrival of a greater dynamic, a golden drive, a luminous enthousiasmos of inner force and power which replaces the comparatively slow and deliberate process of the Higher Mind by a swift, sometimes a vehement, almost a violent impetus of rapid transformation.
   But these two stages of the ascent enjoy their authority and can get their own united completeness only by a reference to a third level; for it is from the higher summits where dwells the intuitional being that they derive the knowledge which they turn into thought or sight and bring down to us for the mind's transmutation. Intuition is a power of consciousness nearer and more intimate to the original knowledge by identity; for it is always something that leaps out direct from a concealed identity. It is when the consciousness of the subject meets with the consciousness in the object, penetrates it and sees, feels or vibrates with the truth of what it contacts, that the intuition leaps out like a spark or lightning-flash from the shock of the meeting; or when the consciousness, even without any such meeting, looks into itself and feels directly and intimately the truth or the truths that are there or so contacts the hidden forces behind appearances, then also there is the outbreak of an intuitive light; or, again, when the consciousness meets the Supreme Reality or the spiritual reality of things and beings and has a contactual union with it, then the spark, the flash or the blaze of intimate truth-perception is lit in its depths. This close perception is more than sight, more than conception: it is the result of a penetrating and revealing touch which carries in it sight and conception as part of itself or as its natural consequence. A concealed or slumbering identity, not yet recovering itself, still remembers or conveys by the intuition its own contents and the intimacy of its self-feeling and self-vision of things, its light of truth, its overwhelming and automatic certitude. ... Intuition is always an edge or ray or outleap of a superior light; it is in us a projecting blade, edge or point of a far-off supermind light entering into and modified by some intermediate truth-mind substance above us and, so modified, again entering into and very much blinded by our ordinary or ignorant mind substance; but on that higher level to which it is native its light is unmixed and therefore entirely and purely veridical, and its rays are not separated but connected or massed together in a play of waves of what might almost be called in the Sanskrit poetic figure a sea or mass of stable lightnings.
   ~ Sri Aurobindo, The Life Divine,
135:Reading list (1972 edition)[edit]
1. Homer - Iliad, Odyssey
2. The Old Testament
3. Aeschylus - Tragedies
4. Sophocles - Tragedies
5. Herodotus - Histories
6. Euripides - Tragedies
7. Thucydides - History of the Peloponnesian War
8. Hippocrates - Medical Writings
9. Aristophanes - Comedies
10. Plato - Dialogues
11. Aristotle - Works
12. Epicurus - Letter to Herodotus; Letter to Menoecus
13. Euclid - Elements
14.Archimedes - Works
15. Apollonius of Perga - Conic Sections
16. Cicero - Works
17. Lucretius - On the Nature of Things
18. Virgil - Works
19. Horace - Works
20. Livy - History of Rome
21. Ovid - Works
22. Plutarch - Parallel Lives; Moralia
23. Tacitus - Histories; Annals; Agricola Germania
24. Nicomachus of Gerasa - Introduction to Arithmetic
25. Epictetus - Discourses; Encheiridion
26. Ptolemy - Almagest
27. Lucian - Works
28. Marcus Aurelius - Meditations
29. Galen - On the Natural Faculties
30. The New Testament
31. Plotinus - The Enneads
32. St. Augustine - On the Teacher; Confessions; City of God; On Christian Doctrine
33. The Song of Roland
34. The Nibelungenlied
35. The Saga of Burnt Njal
36. St. Thomas Aquinas - Summa Theologica
37. Dante Alighieri - The Divine Comedy;The New Life; On Monarchy
38. Geoffrey Chaucer - Troilus and Criseyde; The Canterbury Tales
39. Leonardo da Vinci - Notebooks
40. Niccolò Machiavelli - The Prince; Discourses on the First Ten Books of Livy
41. Desiderius Erasmus - The Praise of Folly
42. Nicolaus Copernicus - On the Revolutions of the Heavenly Spheres
43. Thomas More - Utopia
44. Martin Luther - Table Talk; Three Treatises
45. François Rabelais - Gargantua and Pantagruel
46. John Calvin - Institutes of the Christian Religion
47. Michel de Montaigne - Essays
48. William Gilbert - On the Loadstone and Magnetic Bodies
49. Miguel de Cervantes - Don Quixote
50. Edmund Spenser - Prothalamion; The Faerie Queene
51. Francis Bacon - Essays; Advancement of Learning; Novum Organum, New Atlantis
52. William Shakespeare - Poetry and Plays
53. Galileo Galilei - Starry Messenger; Dialogues Concerning Two New Sciences
54. Johannes Kepler - Epitome of Copernican Astronomy; Concerning the Harmonies of the World
55. William Harvey - On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals
56. Thomas Hobbes - Leviathan
57. René Descartes - Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy
58. John Milton - Works
59. Molière - Comedies
60. Blaise Pascal - The Provincial Letters; Pensees; Scientific Treatises
61. Christiaan Huygens - Treatise on Light
62. Benedict de Spinoza - Ethics
63. John Locke - Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education
64. Jean Baptiste Racine - Tragedies
65. Isaac Newton - Mathematical Principles of Natural Philosophy; Optics
66. Gottfried Wilhelm Leibniz - Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology
67.Daniel Defoe - Robinson Crusoe
68. Jonathan Swift - A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal
69. William Congreve - The Way of the World
70. George Berkeley - Principles of Human Knowledge
71. Alexander Pope - Essay on Criticism; Rape of the Lock; Essay on Man
72. Charles de Secondat, baron de Montesquieu - Persian Letters; Spirit of Laws
73. Voltaire - Letters on the English; Candide; Philosophical Dictionary
74. Henry Fielding - Joseph Andrews; Tom Jones
75. Samuel Johnson - The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets
   ~ Mortimer J Adler,
136:There's an idea in Christianity of the image of God as a Trinity. There's the element of the Father, there's the element of the Son, and there's the element of the Holy Spirit. It's something like the spirit of tradition, human beings as the living incarnation of that tradition, and the spirit in people that makes relationship with the spirit and individuals possible. I'm going to bounce my way quickly through some of the classical, metaphorical attributes of God, so that we kind of have a cloud of notions about what we're talking about, when we return to Genesis 1 and talk about the God who spoke chaos into Being.

There's a fatherly aspect, so here's what God as a father is like. You can enter into a covenant with it, so you can make a bargain with it. Now, you think about that. Money is like that, because money is a bargain you make with the future. We structured our world so that you can negotiate with the future. I don't think that we would have got to the point where we could do that without having this idea to begin with. You can act as if the future's a reality; there's a spirit of tradition that enables you to act as if the future is something that can be bargained with. That's why you make sacrifices. The sacrifices were acted out for a very long period of time, and now they're psychological. We know that you can sacrifice something valuable in the present and expect that you're negotiating with something that's representing the transcendent future. That's an amazing human discovery. No other creature can do that; to act as if the future is real; to know that you can bargain with reality itself, and that you can do it successfully. It's unbelievable.

It responds to sacrifice. It answers prayers. I'm not saying that any of this is true, by the way. I'm just saying what the cloud of ideas represents. It punishes and rewards. It judges and forgives. It's not nature. One of the things weird about the Judeo-Christian tradition is that God and nature are not the same thing, at all. Whatever God is, partially manifest in this logos, is something that stands outside of nature. I think that's something like consciousness as abstracted from the natural world. It built Eden for mankind and then banished us for disobedience. It's too powerful to be touched. It granted free will. Distance from it is hell. Distance from it is death. It reveals itself in dogma and in mystical experience, and it's the law. That's sort of like the fatherly aspect.

The son-like aspect. It speaks chaos into order. It slays dragons and feeds people with the remains. It finds gold. It rescues virgins. It is the body and blood of Christ. It is a tragic victim, scapegoat, and eternally triumphant redeemer simultaneously. It cares for the outcast. It dies and is reborn. It is the king of kings and hero of heroes. It's not the state, but is both the fulfillment and critic of the state. It dwells in the perfect house. It is aiming at paradise or heaven. It can rescue from hell. It cares for the outcast. It is the foundation and the cornerstone that was rejected. It is the spirit of the law.

The spirit-like aspect. It's akin to the human soul. It's the prophetic voice. It's the still, small voice of conscience. It's the spoken truth. It's called forth by music. It is the enemy of deceit, arrogance, and resentment. It is the water of life. It burns without consuming. It's a blinding light.

That's a very well-developed set of poetic metaphors. These are all...what would you say...glimpses of the transcendent ideal. That's the right way of thinking about it. They're glimpses of the transcendent ideal, and all of them have a specific meaning. In part, what we're going to do is go over that meaning, as we continue with this series. What we've got now is a brief description, at least, of what this is. ~ Jordan Peterson, Biblical Series, 1,
137:EVOCATION
   Evocation is the art of dealing with magical beings or entities by various acts which create or contact them and allow one to conjure and command them with pacts and exorcism. These beings have a legion of names drawn from the demonology of many cultures: elementals, familiars, incubi, succubi, bud-wills, demons, automata, atavisms, wraiths, spirits, and so on. Entities may be bound to talismans, places, animals, objects, persons, incense smoke, or be mobile in the aether. It is not the case that such entities are limited to obsessions and complexes in the human mind. Although such beings customarily have their origin in the mind, they may be budded off and attached to objects and places in the form of ghosts, spirits, or "vibrations," or may exert action at a distance in the form of fetishes, familiars, or poltergeists. These beings consist of a portion of Kia or the life force attached to some aetheric matter, the whole of which may or may not be attached to ordinary matter.

   Evocation may be further defined as the summoning or creation of such partial beings to accomplish some purpose. They may be used to cause change in oneself, change in others, or change in the universe. The advantages of using a semi-independent being rather than trying to effect a transformation directly by will are several: the entity will continue to fulfill its function independently of the magician until its life force dissipates. Being semi-sentient, it can adapt itself to a task in that a non-conscious simple spell cannot. During moments of the possession by certain entities the magician may be the recipient of inspirations, abilities, and knowledge not normally accessible to him.

   Entities may be drawn from three sources - those which are discovered clairvoyantly, those whose characteristics are given in grimoires of spirits and demons, and those which the magician may wish to create himself.

   In all cases establishing a relationship with the spirit follows a similar process of evocation. Firstly the attributes of the entity, its type, scope, name, appearance and characteristics must be placed in the mind or made known to the mind. Automatic drawing or writing, where a stylus is allowed to move under inspiration across a surface, may help to uncover the nature of a clairvoyantly discovered being. In the case of a created being the following procedure is used: the magician assembles the ingredients of a composite sigil of the being's desired attributes. For example, to create an elemental to assist him with divination, the appropriate symbols might be chosen and made into a sigil such as the one shown in figure 4.

   A name and an image, and if desired, a characteristic number can also be selected for the elemental.

   Secondly, the will and perception are focused as intently as possible (by some gnostic method) on the elemental's sigils or characteristics so that these take on a portion of the magician's life force and begin autonomous existence. In the case of preexisting beings, this operation serves to bind the entity to the magician's will.

   This is customarily followed by some form of self-banishing, or even exorcism, to restore the magician's consciousness to normal before he goes forth.

   An entity of a low order with little more than a singular task to perform can be left to fulfill its destiny with no further interference from its master. If at any time it is necessary to terminate it, its sigil or material basis should be destroyed and its mental image destroyed or reabsorbed by visualization. For more powerful and independent beings, the conjuration and exorcism must be in proportion to the power of the ritual which originally evoked them. To control such beings, the magicians may have to re-enter the gnostic state to the same depth as before in order to draw their power. ~ Peter J Carroll, Liber Null,
138:All Yoga is a turning of the human mind and the human soul, not yet divine in realisation, but feeling the divine impulse and attraction in it, towards that by which it finds its greater being. Emotionally, the first form which this turning takes must be that of adoration. In ordinary religion this adoration wears the form of external worship and that again develops a most external form of ceremonial worship. This element is ordinarily necessary because the mass of men live in their physical minds, cannot realise anything except by the force of a physical symbol and cannot feel that they are living anything except by the force of a physical action. We might apply here the Tantric gradation of sadhana, which makes the way of the pasu, the herd, the animal or physical being, the lowest stage of its discipline, and say that the purely or predominantly ceremonial adoration is the first step of this lowest part of the way. It is evident that even real religion, - and Yoga is something more than religion, - only begins when this quite outward worship corresponds to something really felt within the mind, some genuine submission, awe or spiritual aspiration, to which it becomes an aid, an outward expression and also a sort of periodical or constant reminder helping to draw back the mind to it from the preoccupations of ordinary life. But so long as it is only an idea of the Godhead to which one renders reverence or homage, we have not yet got to the beginning of Yoga. The aim of Yoga being union, its beginning must always be a seeking after the Divine, a longing after some kind of touch, closeness or possession. When this comes on us, the adoration becomes always primarily an inner worship; we begin to make ourselves a temple of the Divine, our thoughts and feelings a constant prayer of aspiration and seeking, our whole life an external service and worship. It is as this change, this new soul-tendency grows, that the religion of the devotee becomes a Yoga, a growing contact and union. It does not follow that the outward worship will necessarily be dispensed with, but it will increasingly become only a physical expression or outflowing of the inner devotion and adoration, the wave of the soul throwing itself out in speech and symbolic act.
   Adoration, before it turns into an element of the deeper Yoga of devotion, a petal of the flower of love, its homage and self-uplifting to its sun, must bring with it, if it is profound, an increasing consecration of the being to the Divine who is adored. And one element of this consecration must be a self-purifying so as to become fit for the divine contact, or for the entrance of the Divine into the temple of our inner being, or for his selfrevelation in the shrine of the heart. This purifying may be ethical in its character, but it will not be merely the moralist's seeking for the right and blameless action or even, when once we reach the stage of Yoga, an obedience to the law of God as revealed in formal religion; but it will be a throwing away, katharsis, of all that conflicts whether with the idea of the Divine in himself or of the Divine in ourselves. In the former case it becomes in habit of feeling and outer act an imitation of the Divine, in the latter a growing into his likeness in our nature. What inner adoration is to ceremonial worship, this growing into the divine likeness is to the outward ethical life. It culminates in a sort of liberation by likeness to the Divine,1 a liberation from our lower nature and a change into the divine nature.
   Consecration becomes in its fullness a devoting of all our being to the Divine; therefore also of all our thoughts and our works. Here the Yoga takes into itself the essential elements of the Yoga of works and the Yoga of knowledge, but in its own manner and with its own peculiar spirit. It is a sacrifice of life and works to the Divine, but a sacrifice of love more than a tuning of the will to the divine Will. The bhakta offers up his life and all that he is and all that he has and all that he does to the Divine. This surrender may take the ascetic form, as when he leaves the ordinary life of men and devotes his days solely to prayer ~ Sri Aurobindo, The Synthesis Of Yoga, The Way of Devotion, 571 [T1],
139:To arrive then at this settled divine status must be the object of our concentration. The first step in concentration must be always to accustom the discursive mind to a settled unwavering pursuit of a single course of connected thought on a single subject and this it must do undistracted by all lures and alien calls on its attention. Such concentration is common enough in our ordinary life, but it becomes more difficult when we have to do it inwardly without any outward object or action on which to keep the mind; yet this inward concentration is what the seeker of knowledge must effect. Nor must it be merely the consecutive thought of the intellectual thinker, whose only object is to conceive and intellectually link together his conceptions. It is not, except perhaps at first, a process of reasoning that is wanted so much as a dwelling so far as possible on the fruitful essence of the idea which by the insistence of the soul's will upon it must yield up all the facets of its truth. Thus if it be the divine Love that is the subject of concentration, it is on the essence of the idea of God as Love that the mind should concentrate in such a way that the various manifestation of the divine Love should arise luminously, not only to the thought, but in the heart and being and vision of the Sadhaka. The thought may come first and the experience afterwards, but equally the experience may come first and the knowledge arise out of the experience. Afterwards the thing attained has to be dwelt on and more and more held till it becomes a constant experience and finally the Dharma or law of the being.
   This is the process of concentrated meditation; but a more strenuous method is the fixing of the whole mind in concentration on the essence of the idea only, so as to reach not the thought-knowledge or the psychological experience of the subject, but the very essence of the thing behind the idea. In this process thought ceases and passes into the absorbed or ecstatic contemplation of the object or by a merging into it m an inner Samadhi. If this be the process followed, then subsequently the state into which we rise must still be called down to take possession of the lower being, to shed its light, power and bliss on our ordinary consciousness. For otherwise we may possess it, as many do, in the elevated condition or in the inward Samadhi, but we shall lose our hold of it when we awake or descend into the contacts of the world; and this truncated possession is not the aim of an integral Yoga.
   A third process is neither at first to concentrate in a strenuous meditation on the one subject nor in a strenuous contemplation of the one object of thought-vision, but first to still the mind altogether. This may be done by various ways; one is to stand back from the mental action altogether not participating in but simply watching it until, tired of its unsanctioned leaping and running, it falls into an increasing and finally an absolute quiet. Another is to reject the thought-suggestions, to cast them away from the mind whenever they come and firmly hold to the peace of the being which really and always exists behind the trouble and riot of the mind. When this secret peace is unveiled, a great calm settles on the being and there comes usually with it the perception and experience of the all-pervading silent Brahman, everything else at first seeming to be mere form and eidolon. On the basis of this calm everything else may be built up in the knowledge and experience no longer of the external phenomena of things but of the deeper truth of the divine manifestation.
   Ordinarily, once this state is obtained, strenuous concentration will be found no longer necessary. A free concentration of will using thought merely for suggestion and the giving of light to the lower members will take its place. This Will will then insist on the physical being, the vital existence, the heart and the mind remoulding themselves in the forms of the Divine which reveal themselves out of the silent Brahman. By swifter or slower degrees according to the previous preparation and purification of the members, they will be obliged with more or less struggle to obey the law of the will and its thought-suggestion, so that eventually the knowledge of the Divine takes possession of our consciousness on all its planes and the image of the Divine is formed in our human existence even as it was done by the old Vedic Sadhakas. For the integral Yoga this is the most direct and powerful discipline.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Yoga of Integral Knowledge, Concentration,
140:The ancient Mesopotamians and the ancient Egyptians had some very interesting, dramatic ideas about that. For example-very briefly-there was a deity known as Marduk. Marduk was a Mesopotamian deity, and imagine this is sort of what happened. As an empire grew out of the post-ice age-15,000 years ago, 10,000 years ago-all these tribes came together. These tribes each had their own deity-their own image of the ideal. But then they started to occupy the same territory. One tribe had God A, and one tribe had God B, and one could wipe the other one out, and then it would just be God A, who wins. That's not so good, because maybe you want to trade with those people, or maybe you don't want to lose half your population in a war. So then you have to have an argument about whose God is going to take priority-which ideal is going to take priority.

What seems to happen is represented in mythology as a battle of the gods in celestial space. From a practical perspective, it's more like an ongoing dialog. You believe this; I believe this. You believe that; I believe this. How are we going to meld that together? You take God A, and you take God B, and maybe what you do is extract God C from them, and you say, 'God C now has the attributes of A and B.' And then some other tribes come in, and C takes them over, too. Take Marduk, for example. He has 50 different names, at least in part, of the subordinate gods-that represented the tribes that came together to make the civilization. That's part of the process by which that abstracted ideal is abstracted. You think, 'this is important, and it works, because your tribe is alive, and so we'll take the best of both, if we can manage it, and extract out something, that's even more abstract, that covers both of us.'

I'll give you a couple of Marduk's interesting features. He has eyes all the way around his head. He's elected by all the other gods to be king God. That's the first thing. That's quite cool. They elect him because they're facing a terrible threat-sort of like a flood and a monster combined. Marduk basically says that, if they elect him top God, he'll go out and stop the flood monster, and they won't all get wiped out. It's a serious threat. It's chaos itself making its comeback. All the gods agree, and Marduk is the new manifestation. He's got eyes all the way around his head, and he speaks magic words. When he fights, he fights this deity called Tiamat. We need to know that, because the word 'Tiamat' is associated with the word 'tehom.' Tehom is the chaos that God makes order out of at the beginning of time in Genesis, so it's linked very tightly to this story. Marduk, with his eyes and his capacity to speak magic words, goes out and confronts Tiamat, who's like this watery sea dragon. It's a classic Saint George story: go out and wreak havoc on the dragon. He cuts her into pieces, and he makes the world out of her pieces. That's the world that human beings live in.

The Mesopotamian emperor acted out Marduk. He was allowed to be emperor insofar as he was a good Marduk. That meant that he had eyes all the way around his head, and he could speak magic; he could speak properly. We are starting to understand, at that point, the essence of leadership. Because what's leadership? It's the capacity to see what the hell's in front of your face, and maybe in every direction, and maybe the capacity to use your language properly to transform chaos into order. God only knows how long it took the Mesopotamians to figure that out. The best they could do was dramatize it, but it's staggeringly brilliant. It's by no means obvious, and this chaos is a very strange thing. This is a chaos that God wrestled with at the beginning of time.

Chaos is half psychological and half real. There's no other way to really describe it. Chaos is what you encounter when you're blown into pieces and thrown into deep confusion-when your world falls apart, when your dreams die, when you're betrayed. It's the chaos that emerges, and the chaos is everything it wants, and it's too much for you. That's for sure. It pulls you down into the underworld, and that's where the dragons are. All you've got at that point is your capacity to bloody well keep your eyes open, and to speak as carefully and as clearly as you can. Maybe, if you're lucky, you'll get through it that way and come out the other side. It's taken people a very long time to figure that out, and it looks, to me, that the idea is erected on the platform of our ancient ancestors, maybe tens of millions of years ago, because we seem to represent that which disturbs us deeply using the same system that we used to represent serpentile, or other, carnivorous predators. ~ Jordan Peterson, Biblical Series, 1,
141:A God's Labour
I have gathered my dreams in a silver air
   Between the gold and the blue
And wrapped them softly and left them there,
   My jewelled dreams of you.

I had hoped to build a rainbow bridge
   Marrying the soil to the sky
And sow in this dancing planet midge
   The moods of infinity.

But too bright were our heavens, too far away,
   Too frail their ethereal stuff;
Too splendid and sudden our light could not stay;
   The roots were not deep enough.

He who would bring the heavens here
   Must descend himself into clay
And the burden of earthly nature bear
   And tread the dolorous way.

Coercing my godhead I have come down
   Here on the sordid earth,
Ignorant, labouring, human grown
   Twixt the gates of death and birth.

I have been digging deep and long
   Mid a horror of filth and mire
A bed for the golden river's song,
   A home for the deathless fire.

I have laboured and suffered in Matter's night
   To bring the fire to man;
But the hate of hell and human spite
   Are my meed since the world began.

For man's mind is the dupe of his animal self;
   Hoping its lusts to win,
He harbours within him a grisly Elf
   Enamoured of sorrow and sin.

The grey Elf shudders from heaven's flame
   And from all things glad and pure;
Only by pleasure and passion and pain
   His drama can endure.

All around is darkness and strife;
   For the lamps that men call suns
Are but halfway gleams on this stumbling life
   Cast by the Undying Ones.

Man lights his little torches of hope
   That lead to a failing edge;
A fragment of Truth is his widest scope,
   An inn his pilgrimage.

The Truth of truths men fear and deny,
   The Light of lights they refuse;
To ignorant gods they lift their cry
   Or a demon altar choose.

All that was found must again be sought,
   Each enemy slain revives,
Each battle for ever is fought and refought
   Through vistas of fruitless lives.

My gaping wounds are a thousand and one
   And the Titan kings assail,
But I dare not rest till my task is done
   And wrought the eternal will.

How they mock and sneer, both devils and men!
   "Thy hope is Chimera's head
Painting the sky with its fiery stain;
   Thou shalt fall and thy work lie dead.

"Who art thou that babblest of heavenly ease
   And joy and golden room
To us who are waifs on inconscient seas
   And bound to life's iron doom?

"This earth is ours, a field of Night
   For our petty flickering fires.
How shall it brook the sacred Light
   Or suffer a god's desires?

"Come, let us slay him and end his course!
   Then shall our hearts have release
From the burden and call of his glory and force
   And the curb of his wide white peace."

But the god is there in my mortal breast
   Who wrestles with error and fate
And tramples a road through mire and waste
   For the nameless Immaculate.

A voice cried, "Go where none have gone!
   Dig deeper, deeper yet
Till thou reach the grim foundation stone
   And knock at the keyless gate."

I saw that a falsehood was planted deep
   At the very root of things
Where the grey Sphinx guards God's riddle sleep
   On the Dragon's outspread wings.

I left the surface gauds of mind
   And life's unsatisfied seas
And plunged through the body's alleys blind
   To the nether mysteries.

I have delved through the dumb Earth's dreadful heart
   And heard her black mass' bell.
I have seen the source whence her agonies part
   And the inner reason of hell.

Above me the dragon murmurs moan
   And the goblin voices flit;
I have pierced the Void where Thought was born,
   I have walked in the bottomless pit.

On a desperate stair my feet have trod
   Armoured with boundless peace,
Bringing the fires of the splendour of God
   Into the human abyss.

He who I am was with me still;
   All veils are breaking now.
I have heard His voice and borne His will
   On my vast untroubled brow.

The gulf twixt the depths and the heights is bridged
   And the golden waters pour
Down the sapphire mountain rainbow-ridged
   And glimmer from shore to shore.

Heaven's fire is lit in the breast of the earth
   And the undying suns here burn;
Through a wonder cleft in the bounds of birth
   The incarnate spirits yearn

Like flames to the kingdoms of Truth and Bliss:
   Down a gold-red stairway wend
The radiant children of Paradise
   Clarioning darkness' end.

A little more and the new life's doors
   Shall be carved in silver light
With its aureate roof and mosaic floors
   In a great world bare and bright.

I shall leave my dreams in their argent air,
   For in a raiment of gold and blue
There shall move on the earth embodied and fair
   The living truth of you.
   ~ Sri Aurobindo, Collected Poems, A God's Labour, 534,
142:GURU YOGA
   Guru yoga is an essential practice in all schools of Tibetan Buddhism and Bon. This is true in sutra, tantra, and Dzogchen. It develops the heart connection with the masteR By continually strengthening our devotion, we come to the place of pure devotion in ourselves, which is the unshakeable, powerful base of the practice. The essence of guru yoga is to merge the practitioner's mind with the mind of the master.
   What is the true master? It is the formless, fundamental nature of mind, the primordial awareness of the base of everything, but because we exist in dualism, it is helpful for us to visualize this in a form. Doing so makes skillful use of the dualisms of the conceptual mind, to further strengthen devotion and help us stay directed toward practice and the generation of positive qualities.
   In the Bon tradition, we often visualize either Tapihritsa* as the master, or the Buddha ShenlaOdker*, who represents the union of all the masters. If you are already a practitioner, you may have another deity to visualize, like Guru Rinpoche or a yidam or dakini. While it is important to work with a lineage with which you have a connection, you should understand that the master you visualize is the embodiment of all the masters with whom you are connected, all the teachers with whom you have studied, all the deities to whom you have commitments. The master in guru yoga is not just one individual, but the essence of enlightenment, the primordial awareness that is your true nature.
   The master is also the teacher from whom you receive the teachings. In the Tibetan tradition, we say the master is more important than the Buddha. Why? Because the master is the immediate messenger of the teachings, the one who brings the Buddha's wisdom to the student. Without the master we could not find our way to the Buddha. So we should feel as much devotion to the master as we would to the Buddha if the Buddha suddenly appeared in front of us.
   Guru yoga is not just about generating some feeling toward a visualized image. It is done to find the fundamental mind in yourself that is the same as the fundamental mind of all your teachers, and of all the Buddhas and realized beings that have ever lived. When you merge with the guru, you merge with your pristine true nature, which is the real guide and masteR But this should not be an abstract practice. When you do guru yoga, try to feel such intense devotion that the hair stands upon your neck, tears start down your face, and your heart opens and fills with great love. Let yourself merge in union with the guru's mind, which is your enlightened Buddha-nature. This is the way to practice guru yoga.
  
The Practice
   After the nine breaths, still seated in meditation posture, visualize the master above and in front of you. This should not be a flat, two dimensional picture-let a real being exist there, in three dimensions, made of light, pure, and with a strong presence that affects the feeling in your body,your energy, and your mind. Generate strong devotion and reflect on the great gift of the teachings and the tremendous good fortune you enjoy in having made a connection to them. Offer a sincere prayer, asking that your negativities and obscurations be removed, that your positive qualities develop, and that you accomplish dream yoga.
   Then imagine receiving blessings from the master in the form of three colored lights that stream from his or her three wisdom doors- of body, speech, and mind-into yours. The lights should be transmitted in the following sequence: White light streams from the master's brow chakra into yours, purifying and relaxing your entire body and physical dimension. Then red light streams from the master's throat chakra into yours, purifying and relaxing your energetic dimension. Finally, blue light streams from the master's heart chakra into yours, purifying and relaxing your mind.
   When the lights enter your body, feel them. Let your body, energy, and mind relax, suffused inwisdom light. Use your imagination to make the blessing real in your full experience, in your body and energy as well as in the images in your mind.
   After receiving the blessing, imagine the master dissolving into light that enters your heart and resides there as your innermost essence. Imagine that you dissolve into that light, and remain inpure awareness, rigpa.
   There are more elaborate instructions for guru yoga that can involve prostrations, offerings, gestures, mantras, and more complicated visualizations, but the essence of the practice is mingling your mind with the mind of the master, which is pure, non-dual awareness. Guru yoga can be done any time during the day; the more often the better. Many masters say that of all the practices it is guru yoga that is the most important. It confers the blessings of the lineage and can open and soften the heart and quiet the unruly mind. To completely accomplish guru yoga is to accomplish the path.
   ~ Tenzin Wangyal Rinpoche, The Tibetan Yogas Of Dream And Sleep, [T3],
143:AUGOEIDES:
   The magicians most important invocation is that of his Genius, Daemon, True Will, or Augoeides. This operation is traditionally known as attaining the Knowledge and Conversation of the Holy Guardian Angel. It is sometimes known as the Magnum Opus or Great Work.
   The Augoeides may be defined as the most perfect vehicle of Kia on the plane of duality. As the avatar of Kia on earth, the Augoeides represents the true will, the raison detre of the magician, his purpose in existing. The discovery of ones true will or real nature may be difficult and fraught with danger, since a false identification leads to obsession and madness. The operation of obtaining the knowledge and conversation is usually a lengthy one. The magician is attempting a progressive metamorphosis, a complete overhaul of his entire existence. Yet he has to seek the blueprint for his reborn self as he goes along. Life is less the meaningless accident it seems. Kia has incarnated in these particular conditions of duality for some purpose. The inertia of previous existences propels Kia into new forms of manifestation. Each incarnation represents a task, or a puzzle to be solved, on the way to some greater form of completion.
   The key to this puzzle is in the phenomena of the plane of duality in which we find ourselves. We are, as it were, trapped in a labyrinth or maze. The only thing to do is move about and keep a close watch on the way the walls turn. In a completely chaotic universe such as this one, there are no accidents. Everything is signifcant. Move a single grain of sand on a distant shore and the entire future history of the world will eventually be changed. A person doing his true will is assisted by the momentum of the universe and seems possessed of amazing good luck. In beginning the great work of obtaining the knowledge and conversation, the magician vows to interpret every manifestation of existence as a direct message from the infinite Chaos to himself personally.
   To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness.
   Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within.
   Directly on awakening, preferably at dawn, the initiate goes to the place of invocation. Figuring to himself as he goes that being born anew each day brings with it the chance of greater rebirth, first he banishes the temple of his mind by ritual or by some magical trance. Then he unveils some token or symbol or sigil which represents to him the Holy Guardian Angel. This symbol he will likely have to change during the great work as the inspiration begins to move him. Next he invokes an image of the Angel into his minds eye. It may be considered as a luminous duplicate of ones own form standing in front of or behind one, or simply as a ball of brilliant light above ones head. Then he formulates his aspirations in what manner he will, humbling himself in prayer or exalting himself in loud proclamation as his need be. The best form of this invocation is spoken spontaneously from the heart, and if halting at first, will prove itself in time. He is aiming to establish a set of ideas and images which correspond to the nature of his genius, and at the same time receive inspiration from that source. As the magician begins to manifest more of his true will, the Augoeides will reveal images, names, and spiritual principles by which it can be drawn into greater manifestation. Having communicated with the invoked form, the magician should draw it into himself and go forth to live in the way he hath willed.
   The ritual may be concluded with an aspiration to the wisdom of silence by a brief concentration on the sigil of the Augoeides, but never by banishing. Periodically more elaborate forms of ritual, using more powerful forms of gnosis, may be employed. At the end of the day, there should be an accounting and fresh resolution made. Though every day be a catalog of failure, there should be no sense of sin or guilt. Magic is the raising of the whole individual in perfect balance to the power of Infinity, and such feelings are symptomatic of imbalance. If any unnecessary or imbalanced scraps of ego become identified with the genius by mistake, then disaster awaits. The life force flows directly into these complexes and bloats them into grotesque monsters variously known as the demon Choronzon. Some magicians attempting to go too fast with this invocation have failed to banish this demon, and have gone spectacularly insane as a result.
   ~ Peter J Carroll, Liber Null,
144:
   In the lower planes can't one say what will happen at a particular moment?

That depends. On certain planes there are consciousnesses that form, that make formations and try to send them down to earth and manifest them. These are planes where the great forces are at play, forces struggling with each other to organise things in one way or another. On these planes all the possibilities are there, all the possibilities that present themselves but have not yet come to a decision as to which will come down.... Suppose a plane full of the imaginations of people who want certain things to be realised upon earth - they invent a novel, narrate stories, produce all kinds of phenomena; it amuses them very much. It is a plane of form-makers and they are there imagining all kinds of circumstances and events; they play with the forces; they are like the authors of a drama and they prepare everything there and see what is going to happen. All these formations are facing each other; and it is those which are the strongest, the most successful or the most persistent or those that have the advantage of a favourable set of circumstances which dominate. They meet and out of the conflict yet another thing results: you lose one thing and take up another, you make a new combination; and then all of a sudden, you find, pluff! it is coming down. Now, if it comes down with a sufficient force, it sets moving the earth atmosphere and things combine; as for instance, when with your fist you thump the saw-dust, you know surely what happens, don't you? You lift your hand, give a formidable blow: all the dust gets organised around your fist. Well, it is like that. These formations come down into matter with that force, and everything organises itself automatically, mechanically as around the striking fist. And there's your wished object about to be realised, sometimes with small deformations because of the resistance, but it will be realised finally, even as the person narrating the story up above wanted it more or less to be realised. If then you are for some reason or other in the secret of the person who has constructed the story and if you follow the way in which he creates his path to reach down to the earth and if you see how a blow with the fist acts on earthly matter, then you are able to tell what is going to happen, because you have seen it in the world above, and as it takes some time to make the whole journey, you see in advance. And the higher you rise, the more you foresee in advance what is going to happen. And if you pass far beyond, go still farther, then everything is possible.
   It is an unfolding that follows a wide road which is for you unknowable; for all will be unfolded in the universe, but in what order and in what way? There are decisions that are taken up there which escape our ordinary consciousness, and so it is very difficult to foresee. But there also, if you enter consciously and if you can be present up there... How shall I explain that to you? All is there, absolute, static, eternal: but all that will be unfolded in the material world, naturally more or less one thing after another; for in the static existence all can be there, but in the becoming all becomes in time, that is, one thing after another. Well, what path will the unfolding follow? Up there is the domain of absolute freedom.... Who says that a sufficiently sincere aspiration, a sufficiently intense prayer is not capable of changing the path of the unfolding?
   This means that all is possible.
   Now, one must have a sufficient aspiration and a prayer that's sufficiently intense. But that has been given to human nature. It is one of the marvellous gifts of grace given to human nature; only, one does not know how to make use of it. This comes to saying that in spite of the most absolute determinisms in the horizontal line, if one knows how to cross all these horizontal lines and reach the highest Point of consciousness, one is able to make things change, things apparently absolutely determined. So you may call it by any name you like, but it is a kind of combination of an absolute determinism with an absolute freedom. You may pull yourself out of it in any way you like, but it is like that.
   I forgot to say in that book (perhaps I did not forget but just felt that it was useless to say it) that all these theories are only theories, that is, mental conceptions which are merely more or less imaged representations of the reality; but it is not the reality at all. When you say "determinism" and when you say "freedom", you say only words and all that is only a very incomplete, very approximate and very weak description of what is in reality within you, around you and everywhere; and to be able to begin to understand what the universe is, you must come out of your mental formulas, otherwise you will never understand anything.
   To tell the truth, if you live only a moment, just a tiny moment, of this absolutely sincere aspiration or this sufficiently intense prayer, you will know more things than by meditating for hours.

~ The Mother, Questions And Answers 1953,
145:What are these operations? They are not mere psychological self-analysis and self-observation. Such analysis, such observation are, like the process of right thought, of immense value and practically indispensable. They may even, if rightly pursued, lead to a right thought of considerable power and effectivity. Like intellectual discrimination by the process of meditative thought they will have an effect of purification; they will lead to self-knowledge of a certain kind and to the setting right of the disorders of the soul and the heart and even of the disorders of the understanding. Self-knowledge of all kinds is on the straight path to the knowledge of the real Self. The Upanishad tells us that the Self-existent has so set the doors of the soul that they turn outwards and most men look outward into the appearances of things; only the rare soul that is ripe for a calm thought and steady wisdom turns its eye inward, sees the Self and attains to immortality. To this turning of the eye inward psychological self-observation and analysis is a great and effective introduction.We can look into the inward of ourselves more easily than we can look into the inward of things external to us because there, in things outside us, we are in the first place embarrassed by the form and secondly we have no natural previous experience of that in them which is other than their physical substance. A purified or tranquillised mind may reflect or a powerful concentration may discover God in the world, the Self in Nature even before it is realised in ourselves, but this is rare and difficult. (2) And it is only in ourselves that we can observe and know the process of the Self in its becoming and follow the process by which it draws back into self-being. Therefore the ancient counsel, know thyself, will always stand as the first word that directs us towards the knowledge. Still, psychological self-knowledge is only the experience of the modes of the Self, it is not the realisation of the Self in its pure being.
   The status of knowledge, then, which Yoga envisages is not merely an intellectual conception or clear discrimination of the truth, nor is it an enlightened psychological experience of the modes of our being. It is a "realisation", in the full sense of the word; it is the making real to ourselves and in ourselves of the Self, the transcendent and universal Divine, and it is the subsequent impossibility of viewing the modes of being except in the light of that Self and in their true aspect as its flux of becoming under the psychical and physical conditions of our world-existence. This realisation consists of three successive movements, internal vision, complete internal experience and identity.
   This internal vision, dr.s.t.i, the power so highly valued by the ancient sages, the power which made a man a Rishi or Kavi and no longer a mere thinker, is a sort of light in the soul by which things unseen become as evident and real to it-to the soul and not merely to the intellect-as do things seen to the physical eye. In the physical world there are always two forms of knowledge, the direct and the indirect, pratyaks.a, of that which is present to the eyes, and paroks.a, of that which is remote from and beyond our vision. When the object is beyond our vision, we are necessarily obliged to arrive at an idea of it by inference, imagination, analogy, by hearing the descriptions of others who have seen it or by studying pictorial or other representations of it if these are available. By putting together all these aids we can indeed arrive at a more or less adequate idea or suggestive image of the object, but we do not realise the thing itself; it is not yet to us the grasped reality, but only our conceptual representation of a reality. But once we have seen it with the eyes,-for no other sense is adequate,-we possess, we realise; it is there secure in our satisfied being, part of ourselves in knowledge. Precisely the same rule holds good of psychical things and of he Self. We may hear clear and luminous teachings about the Self from philosophers or teachers or from ancient writings; we may by thought, inference, imagination, analogy or by any other available means attempt to form a mental figure or conception of it; we may hold firmly that conception in our mind and fix it by an entire and exclusive concentration;3 but we have not yet realised it, we have not seen God. It is only when after long and persistent concentration or by other means the veil of the mind is rent or swept aside, only when a flood of light breaks over the awakened mentality, jyotirmaya brahman, and conception gives place to a knowledge-vision in which the Self is as present, real, concrete as a physical object to the physical eye, that we possess in knowledge; for we have seen. After that revelation, whatever fadings of the light, whatever periods of darkness may afflict the soul, it can never irretrievably lose what it has once held. The experience is inevitably renewed and must become more frequent till it is constant; when and how soon depends on the devotion and persistence with which we insist on the path and besiege by our will or our love the hidden Deity.
   (2) And it is only in ourselves that we can observe and know the 2 In one respect, however, it is easier, because in external things we are not so much hampered by the sense of the limited ego as in ourselves; one obstacle to the realisation of God is therefore removed.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Status of Knowledge,
146:Education

THE EDUCATION of a human being should begin at birth and continue throughout his life.

   Indeed, if we want this education to have its maximum result, it should begin even before birth; in this case it is the mother herself who proceeds with this education by means of a twofold action: first, upon herself for her own improvement, and secondly, upon the child whom she is forming physically. For it is certain that the nature of the child to be born depends very much upon the mother who forms it, upon her aspiration and will as well as upon the material surroundings in which she lives. To see that her thoughts are always beautiful and pure, her feelings always noble and fine, her material surroundings as harmonious as possible and full of a great simplicity - this is the part of education which should apply to the mother herself. And if she has in addition a conscious and definite will to form the child according to the highest ideal she can conceive, then the very best conditions will be realised so that the child can come into the world with his utmost potentialities. How many difficult efforts and useless complications would be avoided in this way!

   Education to be complete must have five principal aspects corresponding to the five principal activities of the human being: the physical, the vital, the mental, the psychic and the spiritual. Usually, these phases of education follow chronologically the growth of the individual; this, however, does not mean that one of them should replace another, but that all must continue, completing one another until the end of his life.

   We propose to study these five aspects of education one by one and also their interrelationships. But before we enter into the details of the subject, I wish to make a recommendation to parents. Most parents, for various reasons, give very little thought to the true education which should be imparted to children. When they have brought a child into the world, provided him with food, satisfied his various material needs and looked after his health more or less carefully, they think they have fully discharged their duty. Later on, they will send him to school and hand over to the teachers the responsibility for his education.

   There are other parents who know that their children must be educated and who try to do what they can. But very few, even among those who are most serious and sincere, know that the first thing to do, in order to be able to educate a child, is to educate oneself, to become conscious and master of oneself so that one never sets a bad example to one's child. For it is above all through example that education becomes effective. To speak good words and to give wise advice to a child has very little effect if one does not oneself give him an example of what one teaches. Sincerity, honesty, straightforwardness, courage, disinterestedness, unselfishness, patience, endurance, perseverance, peace, calm, self-control are all things that are taught infinitely better by example than by beautiful speeches. Parents, have a high ideal and always act in accordance with it and you will see that little by little your child will reflect this ideal in himself and spontaneously manifest the qualities you would like to see expressed in his nature. Quite naturally a child has respect and admiration for his parents; unless they are quite unworthy, they will always appear to their child as demigods whom he will try to imitate as best he can.

   With very few exceptions, parents are not aware of the disastrous influence that their own defects, impulses, weaknesses and lack of self-control have on their children. If you wish to be respected by a child, have respect for yourself and be worthy of respect at every moment. Never be authoritarian, despotic, impatient or ill-tempered. When your child asks you a question, do not give him a stupid or silly answer under the pretext that he cannot understand you. You can always make yourself understood if you take enough trouble; and in spite of the popular saying that it is not always good to tell the truth, I affirm that it is always good to tell the truth, but that the art consists in telling it in such a way as to make it accessible to the mind of the hearer. In early life, until he is twelve or fourteen, the child's mind is hardly open to abstract notions and general ideas. And yet you can train it to understand these things by using concrete images, symbols or parables. Up to quite an advanced age and for some who mentally always remain children, a narrative, a story, a tale well told teach much more than any number of theoretical explanations.

   Another pitfall to avoid: do not scold your child without good reason and only when it is quite indispensable. A child who is too often scolded gets hardened to rebuke and no longer attaches much importance to words or severity of tone. And above all, take good care never to scold him for a fault which you yourself commit. Children are very keen and clear-sighted observers; they soon find out your weaknesses and note them without pity.

   When a child has done something wrong, see that he confesses it to you spontaneously and frankly; and when he has confessed, with kindness and affection make him understand what was wrong in his movement so that he will not repeat it, but never scold him; a fault confessed must always be forgiven. You should not allow any fear to come between you and your child; fear is a pernicious means of education: it invariably gives birth to deceit and lying. Only a discerning affection that is firm yet gentle and an adequate practical knowledge will create the bonds of trust that are indispensable for you to be able to educate your child effectively. And do not forget that you have to control yourself constantly in order to be equal to your task and truly fulfil the duty which you owe your child by the mere fact of having brought him into the world.

   Bulletin, February 1951

   ~ The Mother, On Education,
147:SECTION 1. Books for Serious Study
   Liber CCXX. (Liber AL vel Legis.) The Book of the Law. This book is the foundation of the New Æon, and thus of the whole of our work.
   The Equinox. The standard Work of Reference in all occult matters. The Encyclopaedia of Initiation.
   Liber ABA (Book 4). A general account in elementary terms of magical and mystical powers. In four parts: (1) Mysticism (2) Magical (Elementary Theory) (3) Magick in Theory and Practice (this book) (4) The Law.
   Liber II. The Message of the Master Therion. Explains the essence of the new Law in a very simple manner.
   Liber DCCCXXXVIII. The Law of Liberty. A further explanation of The Book of the Law in reference to certain ethical problems.
   Collected Works of A. Crowley. These works contain many mystical and magical secrets, both stated clearly in prose, and woven into the Robe of sublimest poesy.
   The Yi King. (S. B. E. Series [vol. XVI], Oxford University Press.) The "Classic of Changes"; give the initiated Chinese system of Magick.
   The Tao Teh King. (S. B. E. Series [vol. XXXIX].) Gives the initiated Chinese system of Mysticism.
   Tannhäuser, by A. Crowley. An allegorical drama concerning the Progress of the Soul; the Tannhäuser story slightly remodelled.
   The Upanishads. (S. B. E. Series [vols. I & XV.) The Classical Basis of Vedantism, the best-known form of Hindu Mysticism.
   The Bhagavad-gita. A dialogue in which Krishna, the Hindu "Christ", expounds a system of Attainment.
   The Voice of the Silence, by H.P. Blavatsky, with an elaborate commentary by Frater O.M. Frater O.M., 7°=48, is the most learned of all the Brethren of the Order; he has given eighteen years to the study of this masterpiece.
   Raja-Yoga, by Swami Vivekananda. An excellent elementary study of Hindu mysticism. His Bhakti-Yoga is also good.
   The Shiva Samhita. An account of various physical means of assisting the discipline of initiation. A famous Hindu treatise on certain physical practices.
   The Hathayoga Pradipika. Similar to the Shiva Samhita.
   The Aphorisms of Patanjali. A valuable collection of precepts pertaining to mystical attainment.
   The Sword of Song. A study of Christian theology and ethics, with a statement and solution of the deepest philosophical problems. Also contains the best account extant of Buddhism, compared with modern science.
   The Book of the Dead. A collection of Egyptian magical rituals.
   Dogme et Rituel de la Haute Magie, by Eliphas Levi. The best general textbook of magical theory and practice for beginners. Written in an easy popular style.
   The Book of the Sacred Magic of Abramelin the Mage. The best exoteric account of the Great Work, with careful instructions in procedure. This Book influenced and helped the Master Therion more than any other.
   The Goetia. The most intelligible of all the mediæval rituals of Evocation. Contains also the favourite Invocation of the Master Therion.
   Erdmann's History of Philosophy. A compendious account of philosophy from the earliest times. Most valuable as a general education of the mind.
   The Spiritual Guide of [Miguel de] Molinos. A simple manual of Christian Mysticism.
   The Star in the West. (Captain Fuller). An introduction to the study of the Works of Aleister Crowley.
   The Dhammapada. (S. B. E. Series [vol. X], Oxford University Press). The best of the Buddhist classics.
   The Questions of King Milinda. (S. B. E. Series [vols. XXXV & XXXVI].) Technical points of Buddhist dogma, illustrated bydialogues.
   Liber 777 vel Prolegomena Symbolica Ad Systemam Sceptico-Mysticæ Viæ Explicandæ, Fundamentum Hieroglyphicam Sanctissimorum Scientiæ Summæ. A complete Dictionary of the Correspondences of all magical elements, reprinted with extensive additions, making it the only standard comprehensive book of reference ever published. It is to the language of Occultism what Webster or Murray is to the English language.
   Varieties of Religious Experience (William James). Valuable as showing the uniformity of mystical attainment.
   Kabbala Denudata, von Rosenroth: also The Kabbalah Unveiled, by S.L. Mathers. The text of the Qabalah, with commentary. A good elementary introduction to the subject.
   Konx Om Pax [by Aleister Crowley]. Four invaluable treatises and a preface on Mysticism and Magick.
   The Pistis Sophia [translated by G.R.S. Mead or Violet McDermot]. An admirable introduction to the study of Gnosticism.
   The Oracles of Zoroaster [Chaldæan Oracles]. An invaluable collection of precepts mystical and magical.
   The Dream of Scipio, by Cicero. Excellent for its Vision and its Philosophy.
   The Golden Verses of Pythagoras, by Fabre d'Olivet. An interesting study of the exoteric doctrines of this Master.
   The Divine Pymander, by Hermes Trismegistus. Invaluable as bearing on the Gnostic Philosophy.
   The Secret Symbols of the Rosicrucians, reprint of Franz Hartmann. An invaluable compendium.
   Scrutinium Chymicum [Atalanta Fugiens]¸ by Michael Maier. One of the best treatises on alchemy.
   Science and the Infinite, by Sidney Klein. One of the best essays written in recent years.
   Two Essays on the Worship of Priapus [A Discourse on the Worship of Priapus &c. &c. &c.], by Richard Payne Knight [and Thomas Wright]. Invaluable to all students.
   The Golden Bough, by J.G. Frazer. The textbook of Folk Lore. Invaluable to all students.
   The Age of Reason, by Thomas Paine. Excellent, though elementary, as a corrective to superstition.
   Rivers of Life, by General Forlong. An invaluable textbook of old systems of initiation.
   Three Dialogues, by Bishop Berkeley. The Classic of Subjective Idealism.
   Essays of David Hume. The Classic of Academic Scepticism.
   First Principles by Herbert Spencer. The Classic of Agnosticism.
   Prolegomena [to any future Metaphysics], by Immanuel Kant. The best introduction to Metaphysics.
   The Canon [by William Stirling]. The best textbook of Applied Qabalah.
   The Fourth Dimension, by [Charles] H. Hinton. The best essay on the subject.
   The Essays of Thomas Henry Huxley. Masterpieces of philosophy, as of prose.
   ~ Aleister Crowley, Liber ABA, Appendix I: Literature Recommended to Aspirants
148:This, in short, is the demand made on us, that we should turn our whole life into a conscious sacrifice. Every moment and every movement of our being is to be resolved into a continuous and a devoted self-giving to the Eternal. All our actions, not less the smallest and most ordinary and trifling than the greatest and most uncommon and noble, must be performed as consecrated acts. Our individualised nature must live in the single consciousness of an inner and outer movement dedicated to Something that is beyond us and greater than our ego. No matter what the gift or to whom it is presented by us, there must be a consciousness in the act that we are presenting it to the one divine Being in all beings. Our commonest or most grossly material actions must assume this sublimated character; when we eat, we should be conscious that we are giving our food to that Presence in us; it must be a sacred offering in a temple and the sense of a mere physical need or self-gratification must pass away from us. In any great labour, in any high discipline, in any difficult or noble enterprise, whether undertaken for ourselves, for others or for the race, it will no longer be possible to stop short at the idea of the race, of ourselves or of others. The thing we are doing must be consciously offered as a sacrifice of works, not to these, but either through them or directly to the One Godhead; the Divine Inhabitant who was hidden by these figures must be no longer hidden but ever present to our soul, our mind, our sense. The workings and results of our acts must be put in the hands of that One in the feeling that that Presence is the Infinite and Most High by whom alone our labour and our aspiration are possible. For in his being all takes place; for him all labour and aspiration are taken from us by Nature and offered on his altar. Even in those things in which Nature is herself very plainly the worker and we only the witnesses of her working and its containers and supporters, there should be the same constant memory and insistent consciousness of a work and of its divine Master. Our very inspiration and respiration, our very heart-beats can and must be made conscious in us as the living rhythm of the universal sacrifice.
   It is clear that a conception of this kind and its effective practice must carry in them three results that are of a central importance for our spiritual ideal. It is evident, to begin with, that, even if such a discipline is begun without devotion, it leads straight and inevitably towards the highest devotion possible; for it must deepen naturally into the completest adoration imaginable, the most profound God-love. There is bound up with it a growing sense of the Divine in all things, a deepening communion with the Divine in all our thought, will and action and at every moment of our lives, a more and more moved consecration to the Divine of the totality of our being. Now these implications of the Yoga of works are also of the very essence of an integral and absolute Bhakti. The seeker who puts them into living practice makes in himself continually a constant, active and effective representation of the very spirit of self-devotion, and it is inevitable that out of it there should emerge the most engrossing worship of the Highest to whom is given this service. An absorbing love for the Divine Presence to whom he feels an always more intimate closeness, grows upon the consecrated worker. And with it is born or in it is contained a universal love too for all these beings, living forms and creatures that are habitations of the Divine - not the brief restless grasping emotions of division, but the settled selfless love that is the deeper vibration of oneness. In all the seeker begins to meet the one Object of his adoration and service. The way of works turns by this road of sacrifice to meet the path of Devotion; it can be itself a devotion as complete, as absorbing, as integral as any the desire of the heart can ask for or the passion of the mind can imagine.
   Next, the practice of this Yoga demands a constant inward remembrance of the one central liberating knowledge, and a constant active externalising of it in works comes in too to intensify the remembrance. In all is the one Self, the one Divine is all; all are in the Divine, all are the Divine and there is nothing else in the universe, - this thought or this faith is the whole background until it becomes the whole substance of the consciousness of the worker. A memory, a self-dynamising meditation of this kind, must and does in its end turn into a profound and uninterrupted vision and a vivid and all-embracing consciousness of that which we so powerfully remember or on which we so constantly meditate. For it compels a constant reference at each moment to the Origin of all being and will and action and there is at once an embracing and exceeding of all particular forms and appearances in That which is their cause and upholder. This way cannot go to its end without a seeing vivid and vital, as concrete in its way as physical sight, of the works of the universal Spirit everywhere. On its summits it rises into a constant living and thinking and willing and acting in the presence of the Supramental, the Transcendent. Whatever we see and hear, whatever we touch and sense, all of which we are conscious, has to be known and felt by us as That which we worship and serve; all has to be turned into an image of the Divinity, perceived as a dwelling-place of his Godhead, enveloped with the eternal Omnipresence. In its close, if not long before it, this way of works turns by communion with the Divine Presence, Will and Force into a way of Knowledge more complete and integral than any the mere creature intelligence can construct or the search of the intellect can discover.
   Lastly, the practice of this Yoga of sacrifice compels us to renounce all the inner supports of egoism, casting them out of our mind and will and actions, and to eliminate its seed, its presence, its influence out of our nature. All must be done for the Divine; all must be directed towards the Divine. Nothing must be attempted for ourselves as a separate existence; nothing done for others, whether neighbours, friends, family, country or mankind or other creatures merely because they are connected with our personal life and thought and sentiment or because the ego takes a preferential interest in their welfare. In this way of doing and seeing all works and all life become only a daily dynamic worship and service of the Divine in the unbounded temple of his own vast cosmic existence. Life becomes more and more the sacrifice of the eternal in the individual constantly self-offered to the eternal Transcendence. It is offered in the wide sacrificial ground of the field of the eternal cosmic Spirit; and the Force too that offers it is the eternal Force, the omnipresent Mother. Therefore is this way a way of union and communion by acts and by the spirit and knowledge in the act as complete and integral as any our Godward will can hope for or our soul's strength execute.
   It has all the power of a way of works integral and absolute, but because of its law of sacrifice and self-giving to the Divine Self and Master, it is accompanied on its one side by the whole power of the path of Love and on the other by the whole power of the path of Knowledge. At its end all these three divine Powers work together, fused, united, completed, perfected by each other.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Yoga of Divine Works, The Sacrifice, the Triune Path and the Lord of the Sacrifice [111-114],
149:Chapter 18 - Trapped in a Dream

(A guy is playing a pinball machine, seemingly the same guy who rode with him in the back of the boat car. This part is played by Richard Linklater, aka, the director.)

Hey, man.

Hey.

Weren't you in a boat car? You know, the guy, the guy with the hat? He gave me a ride in his car, or boat thing, and you were in the back seat with me?

I mean, I'm not saying that you don't know what you're talking about, but I don't know what you're talking about.

No, you see, you guys let me off at this really specific spot that you gave him directions to let me off at, I get out, and end up getting hit by a car, but then, I just woke up because I was dreaming, and later than that, I found out that I was still dreaming, dreaming that I'd woken up.

Oh yeah, those are called false awakenings. I used to have those all the time.

Yeah, but I'm still in it now. I, I can't get out of it. It's been going on forever, I keep waking up, but, but I'm just waking up into another dream. I'm starting to get creeped out, too. Like I'm talking to dead people. This woman on TV's telling me about how death is this dreamtime that exists outside of life. I mean, (desperate sigh) I'm starting to think that I'm dead.

I'm gonna tell you about a dream I once had. I know that's, when someone says that, then usually you're in for a very boring next few minutes, and you might be, but it sounds like, you know, what else are you going to do, right? Anyway, I read this essay by Philip K. Dick.

What, you read it in your dream?

No, no. I read it before the dream. It was the preamble to the dream. It was about that book, um Flow My Tears the Policeman Said. You know that one?

Uh, yeah yeah, he won an award for that one.

Right, right. That's the one he wrote really fast. It just like flowed right out of him. He felt he was sort of channeling it, or something. But anyway, about four years after it was published, he was at this party, and he met this woman who had the same name as the woman character in the book. And she had a boyfriend with the same name as the boyfriend character in the book, and she was having an affair with this guy, the chief of police, and he had the same name as the chief of police in his book. So she's telling him all of this stuff from her life, and everything she's saying is right out of his book. So that's totally freaking him out, but, what can he do?

And then shortly after that, he was going to mail a letter, and he saw this kind of, um, you know, dangerous, shady looking guy standing by his car, but instead of avoiding him, which he says he would have usually done, he just walked right up to him and said, "Can I help you?" And the guy said, "Yeah. I, I ran out of gas." So he pulls out his wallet, and he hands him some money, which he says he never would have done, and then he gets home and thinks, wait a second, this guy, you know, he can't get to a gas station, he's out of gas. So he gets back in his car, he goes and finds the guy, takes him to the gas station, and as he's pulling up at the gas station, he realizes, "Hey, this is in my book too. This exact station, this exact guy. Everything."

So this whole episode is kind of creepy, right? And he's telling his priest about it, you know, describing how he wrote this book, and then four years later all these things happened to him. And as he's telling it to him, the priest says, "That's the Book of Acts. You're describing the Book of Acts." And he's like, "I've never read the Book of Acts." So he, you know, goes home and reads the Book of Acts, and it's like uncanny. Even the characters' names are the same as in the Bible. And the Book of Acts takes place in 50 A.D., when it was written, supposedly. So Philip K. Dick had this theory that time was an illusion and that we were all actually in 50 A.D., and the reason he had written this book was that he had somehow momentarily punctured through this illusion, this veil of time, and what he had seen there was what was going on in the Book of Acts.

And he was really into Gnosticism, and this idea that this demiurge, or demon, had created this illusion of time to make us forget that Christ was about to return, and the kingdom of God was about to arrive. And that we're all in 50 A.D., and there's someone trying to make us forget that God is imminent. And that's what time is. That's what all of history is. It's just this kind of continuous, you know, daydream, or distraction.

And so I read that, and I was like, well that's weird. And than that night I had a dream and there was this guy in the dream who was supposed to be a psychic. But I was skeptical. I was like, you know, he's not really a psychic, you know I'm thinking to myself. And then suddenly I start floating, like levitating, up to the ceiling. And as I almost go through the roof, I'm like, "Okay, Mr. Psychic. I believe you. You're a psychic. Put me down please." And I float down, and as my feet touch the ground, the psychic turns into this woman in a green dress. And this woman is Lady Gregory.

Now Lady Gregory was Yeats' patron, this, you know, Irish person. And though I'd never seen her image, I was just sure that this was the face of Lady Gregory. So we're walking along, and Lady Gregory turns to me and says, "Let me explain to you the nature of the universe. Now Philip K. Dick is right about time, but he's wrong that it's 50 A.D. Actually, there's only one instant, and it's right now, and it's eternity. And it's an instant in which God is posing a question, and that question is basically, 'Do you want to, you know, be one with eternity? Do you want to be in heaven?' And we're all saying, 'No thank you. Not just yet.' And so time is actually just this constant saying 'No' to God's invitation. I mean that's what time is. I mean, and it's no more 50 A.D. than it's two thousand and one. And there's just this one instant, and that's what we're always in."

And then she tells me that actually this is the narrative of everyone's life. That, you know, behind the phenomenal difference, there is but one story, and that's the story of moving from the "no" to the "yes." All of life is like, "No thank you. No thank you. No thank you." then ultimately it's, "Yes, I give in. Yes, I accept. Yes, I embrace." I mean, that's the journey. I mean, everyone gets to the "yes" in the end, right?

Right.

So we continue walking, and my dog runs over to me. And so I'm petting him, really happy to see him, you know, he's been dead for years. So I'm petting him and I realize there's this kind of gross oozing stuff coming out of his stomach. And I look over at Lady Gregory, and she sort of coughs. She's like [cough] [cough] "Oh, excuse me." And there's vomit, like dribbling down her chin, and it smells really bad. And I think, "Well, wait a second, that's not just the smell of vomit," which is, doesn't smell very good, "that's the smell of like dead person vomit." You know, so it's like doubly foul. And then I realize I'm actually in the land of the dead, and everyone around me is dead. My dog had been dead for over ten years, Lady Gregory had been dead a lot longer than that. When I finally woke up, I was like, whoa, that wasn't a dream, that was a visitation to this real place, the land of the dead.

So what happened? I mean how did you finally get out of it?

Oh man. It was just like one of those like life altering experiences. I mean I could never really look at the world the same way again, after that.

Yeah, but I mean like how did you, how did you finally get out of the dream? See, that's my problem. I'm like trapped. I keep, I keep thinking that I'm waking up, but I'm still in a dream. It seems like it's going on forever. I can't get out of it, and I want to wake up for real. How do you really wake up?

I don't know, I don't know. I'm not very good at that anymore. But, um, if that's what you're thinking, I mean you, you probably should. I mean, you know if you can wake up, you should, because you know someday, you know, you won't be able to. So just, um ... But it's easy. You know. Just, just wake up. ~ Waking Life,
150:[The Gods and Their Worlds]

   [...] According to traditions and occult schools, all these zones of realities, these planes of realities have got different names; they have been classified in a different way, but there is an essential analogy, and if you go back far enough into the traditions, you see only the words changing according to the country and the language. Even now, the experiences of Western occultists and those of Eastern occultists offer great similarities. All who set out on the discovery of these invisible worlds and make a report of what they saw, give a very similar description, whether they be from here or there; they use different words, but the experience is very similar and the handling of forces is the same.

   This knowledge of the occult worlds is based on the existence of subtle bodies and of subtle worlds corresponding to those bodies. They are what the psychological method calls "states of consciousness", but these states of consciousness really correspond to worlds. The occult procedure consists then in being aware of these various inner states of being or subtle bodies and in becoming sufficiently a master of them so as to be able to go out of them successively, one after another. There is indeed a whole scale of subtleties, increasing or decreasing according to the direction in which you go, and the occult procedure consists in going out of a denser body into a subtler body and so on again, up to the most ethereal regions. You go, by successive exteriorisations, into bodies or worlds more and more subtle. It is somewhat as if every time you passed into another dimension. The fourth dimension of the physicists is nothing but the scientific transcription of an occult knowledge. To give another image, one can say that the physical body is at the centre - it is the most material, the densest and also the smallest - and the inner bodies, more subtle, overflow more and more the central physical body; they pass through it, extending themselves farther and farther, like water evaporating from a porous vase and forming a kind of steam all around. And the greater the subtlety, the more the extension tends to unite with that of the universe: one ends by universalising oneself. And it is altogether a concrete process which gives an objective experience of invisible worlds and even enables one to act in these worlds.

   There are, then, only a very small number of people in the West who know that these gods are not merely subjective and imaginary - more or less wildly imaginary - but that they correspond to a universal truth.

   All these regions, all these domains are filled with beings who exist, each in its own domain, and if you are awake and conscious on a particular plane - for instance, if on going out of a more material body you awake on some higher plane, you have the same relation with the things and people of that plane as you had with the things and people of the material world. That is to say, there exists an entirely objective relation that has nothing to do with the idea you may have of these things. Naturally, the resemblance is greater and greater as you approach the physical world, the material world, and there even comes a time when the one region has a direct action upon the other. In any case, in what Sri Aurobindo calls the overmental worlds, you will find a concrete reality absolutely independent of your personal experience; you go back there and again find the same things, with the differences that have occurred during your absence. And you have relations with those beings that are identical with the relations you have with physical beings, with this difference that the relation is more plastic, supple and direct - for example, there is the capacity to change the external form, the visible form, according to the inner state you are in. But you can make an appointment with someone and be at the appointed place and find the same being again, with certain differences that have come about during your absence; it is entirely concrete with results entirely concrete.

   One must have at least a little of this experience in order to understand these things. Otherwise, those who are convinced that all this is mere human imagination and mental formation, who believe that these gods have such and such a form because men have thought them to be like that, and that they have certain defects and certain qualities because men have thought them to be like that - all those who say that God is made in the image of man and that he exists only in human thought, all these will not understand; to them this will appear absolutely ridiculous, madness. One must have lived a little, touched the subject a little, to know how very concrete the thing is.

   Naturally, children know a good deal if they have not been spoilt. There are so many children who return every night to the same place and continue to live the life they have begun there. When these faculties are not spoilt with age, you can keep them with you. At a time when I was especially interested in dreams, I could return exactly to a place and continue a work that I had begun: supervise something, for example, set something in order, a work of organisation or of discovery, of exploration. You go until you reach a certain spot, as you would go in life, then you take a rest, then you return and begin again - you begin the work at the place where you left off and you continue it. And you perceive that there are things which are quite independent of you, in the sense that changes of which you are not at all the author, have taken place automatically during your absence.

   But for this, you must live these experiences yourself, you must see them yourself, live them with sufficient sincerity and spontaneity in order to see that they are independent of any mental formation. For you can do the opposite also, and deepen the study of the action of mental formation upon events. This is very interesting, but it is another domain. And this study makes you very careful, very prudent, because you become aware of how far you can delude yourself. So you must study both, the dream and the occult reality, in order to see what is the essential difference between the two. The one depends upon us; the other exists in itself; entirely independent of the thought that we have of it.

   When you have worked in that domain, you recognise in fact that once a subject has been studied and something has been learnt mentally, it gives a special colour to the experience; the experience may be quite spontaneous and sincere, but the simple fact that the subject was known and studied lends a particular quality. Whereas if you had learnt nothing about the question, if you knew nothing at all, the transcription would be completely spontaneous and sincere when the experience came; it would be more or less adequate, but it would not be the outcome of a previous mental formation.

   Naturally, this occult knowledge or this experience is not very frequent in the world, because in those who do not have a developed inner life, there are veritable gaps between the external consciousness and the inmost consciousness; the linking states of being are missing and they have to be constructed. So when people enter there for the first time, they are bewildered, they have the impression they have fallen into the night, into nothingness, into non-being!

   I had a Danish friend, a painter, who was like that. He wanted me to teach him how to go out of the body; he used to have interesting dreams and thought that it would be worth the trouble to go there consciously. So I made him "go out" - but it was a frightful thing! When he was dreaming, a part of his mind still remained conscious, active, and a kind of link existed between this active part and his external being; then he remembered some of his dreams, but it was a very partial phenomenon. And to go out of one's body means to pass gradually through all the states of being, if one does the thing systematically. Well, already in the subtle physical, one is almost de-individualised, and when one goes farther, there remains nothing, for nothing is formed or individualised.

   Thus, when people are asked to meditate or told to go within, to enter into themselves, they are in agony - naturally! They have the impression that they are vanishing. And with reason: there is nothing, no consciousness!

   These things that appear to us quite natural and evident, are, for people who know nothing, wild imagination. If, for example, you transplant these experiences or this knowledge to the West, well, unless you have been frequenting the circles of occultists, they stare at you with open eyes. And when you have turned your back, they hasten to say, "These people are cranks!" Now to come back to the gods and conclude. It must be said that all those beings who have never had an earthly existence - gods or demons, invisible beings and powers - do not possess what the Divine has put into man: the psychic being. And this psychic being gives to man true love, charity, compassion, a deep kindness, which compensate for all his external defects.

   In the gods there is no fault because they live according to their own nature, spontaneously and without constraint: as gods, it is their manner of being. But if you take a higher point of view, if you have a higher vision, a vision of the whole, you see that they lack certain qualities that are exclusively human. By his capacity of love and self-giving, man can have as much power as the gods and even more, when he is not egoistic, when he has surmounted his egoism.

   If he fulfils the required condition, man is nearer to the Supreme than the gods are. He can be nearer. He is not so automatically, but he has the power to be so, the potentiality.

   If human love manifested itself without mixture, it would be all-powerful. Unfortunately, in human love there is as much love of oneself as of the one loved; it is not a love that makes you forget yourself. - 4 November 1958

   ~ The Mother, Words Of The Mother III, 355
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151:Mental Education

OF ALL lines of education, mental education is the most widely known and practised, yet except in a few rare cases there are gaps which make it something very incomplete and in the end quite insufficient.

   Generally speaking, schooling is considered to be all the mental education that is necessary. And when a child has been made to undergo, for a number of years, a methodical training which is more like cramming than true schooling, it is considered that whatever is necessary for his mental development has been done. Nothing of the kind. Even conceding that the training is given with due measure and discrimination and does not permanently damage the brain, it cannot impart to the human mind the faculties it needs to become a good and useful instrument. The schooling that is usually given can, at the most, serve as a system of gymnastics to increase the suppleness of the brain. From this standpoint, each branch of human learning represents a special kind of mental gymnastics, and the verbal formulations given to these various branches each constitute a special and well-defined language.

   A true mental education, which will prepare man for a higher life, has five principal phases. Normally these phases follow one after another, but in exceptional individuals they may alternate or even proceed simultaneously. These five phases, in brief, are:

   (1) Development of the power of concentration, the capacity of attention.
   (2) Development of the capacities of expansion, widening, complexity and richness.
   (3) Organisation of one's ideas around a central idea, a higher ideal or a supremely luminous idea that will serve as a guide in life.
   (4) Thought-control, rejection of undesirable thoughts, to become able to think only what one wants and when one wants.
   (5) Development of mental silence, perfect calm and a more and more total receptivity to inspirations coming from the higher regions of the being.

   It is not possible to give here all the details concerning the methods to be employed in the application of these five phases of education to different individuals. Still, a few explanations on points of detail can be given.

   Undeniably, what most impedes mental progress in children is the constant dispersion of their thoughts. Their thoughts flutter hither and thither like butterflies and they have to make a great effort to fix them. Yet this capacity is latent in them, for when you succeed in arousing their interest, they are capable of a good deal of attention. By his ingenuity, therefore, the educator will gradually help the child to become capable of a sustained effort of attention and a faculty of more and more complete absorption in the work in hand. All methods that can develop this faculty of attention from games to rewards are good and can all be utilised according to the need and the circumstances. But it is the psychological action that is most important and the sovereign method is to arouse in the child an interest in what you want to teach him, a liking for work, a will to progress. To love to learn is the most precious gift that one can give to a child: to love to learn always and everywhere, so that all circumstances, all happenings in life may be constantly renewed opportunities for learning more and always more.

   For that, to attention and concentration should be added observation, precise recording and faithfulness of memory. This faculty of observation can be developed by varied and spontaneous exercises, making use of every opportunity that presents itself to keep the child's thought wakeful, alert and prompt. The growth of the understanding should be stressed much more than that of memory. One knows well only what one has understood. Things learnt by heart, mechanically, fade away little by little and finally disappear; what is understood is never forgotten. Moreover, you must never refuse to explain to a child the how and the why of things. If you cannot do it yourself, you must direct the child to those who are qualified to answer or point out to him some books that deal with the question. In this way you will progressively awaken in the child the taste for true study and the habit of making a persistent effort to know.

   This will bring us quite naturally to the second phase of development in which the mind should be widened and enriched.

   You will gradually show the child that everything can become an interesting subject for study if it is approached in the right way. The life of every day, of every moment, is the best school of all, varied, complex, full of unexpected experiences, problems to be solved, clear and striking examples and obvious consequences. It is so easy to arouse healthy curiosity in children, if you answer with intelligence and clarity the numerous questions they ask. An interesting reply to one readily brings others in its train and so the attentive child learns without effort much more than he usually does in the classroom. By a choice made with care and insight, you should also teach him to enjoy good reading-matter which is both instructive and attractive. Do not be afraid of anything that awakens and pleases his imagination; imagination develops the creative mental faculty and through it study becomes living and the mind develops in joy.

   In order to increase the suppleness and comprehensiveness of his mind, one should see not only that he studies many varied topics, but above all that a single subject is approached in various ways, so that the child understands in a practical manner that there are many ways of facing the same intellectual problem, of considering it and solving it. This will remove all rigidity from his brain and at the same time it will make his thinking richer and more supple and prepare it for a more complex and comprehensive synthesis. In this way also the child will be imbued with the sense of the extreme relativity of mental learning and, little by little, an aspiration for a truer source of knowledge will awaken in him.

   Indeed, as the child grows older and progresses in his studies, his mind too ripens and becomes more and more capable of forming general ideas, and with them almost always comes a need for certitude, for a knowledge that is stable enough to form the basis of a mental construction which will permit all the diverse and scattered and often contradictory ideas accumulated in his brain to be organised and put in order. This ordering is indeed very necessary if one is to avoid chaos in one's thoughts. All contradictions can be transformed into complements, but for that one must discover the higher idea that will have the power to bring them harmoniously together. It is always good to consider every problem from all possible standpoints so as to avoid partiality and exclusiveness; but if the thought is to be active and creative, it must, in every case, be the natural and logical synthesis of all the points of view adopted. And if you want to make the totality of your thoughts into a dynamic and constructive force, you must also take great care as to the choice of the central idea of your mental synthesis; for upon that will depend the value of this synthesis. The higher and larger the central idea and the more universal it is, rising above time and space, the more numerous and the more complex will be the ideas, notions and thoughts which it will be able to organise and harmonise.

   It goes without saying that this work of organisation cannot be done once and for all. The mind, if it is to keep its vigour and youth, must progress constantly, revise its notions in the light of new knowledge, enlarge its frame-work to include fresh notions and constantly reclassify and reorganise its thoughts, so that each of them may find its true place in relation to the others and the whole remain harmonious and orderly.

   All that has just been said concerns the speculative mind, the mind that learns. But learning is only one aspect of mental activity; the other, which is at least equally important, is the constructive faculty, the capacity to form and thus prepare action. This very important part of mental activity has rarely been the subject of any special study or discipline. Only those who want, for some reason, to exercise a strict control over their mental activities think of observing and disciplining this faculty of formation; and as soon as they try it, they have to face difficulties so great that they appear almost insurmountable.

   And yet control over this formative activity of the mind is one of the most important aspects of self-education; one can say that without it no mental mastery is possible. As far as study is concerned, all ideas are acceptable and should be included in the synthesis, whose very function is to become more and more rich and complex; but where action is concerned, it is just the opposite. The ideas that are accepted for translation into action should be strictly controlled and only those that agree with the general trend of the central idea forming the basis of the mental synthesis should be permitted to express themselves in action. This means that every thought entering the mental consciousness should be set before the central idea; if it finds a logical place among the thoughts already grouped, it will be admitted into the synthesis; if not, it will be rejected so that it can have no influence on the action. This work of mental purification should be done very regularly in order to secure a complete control over one's actions.

   For this purpose, it is good to set apart some time every day when one can quietly go over one's thoughts and put one's synthesis in order. Once the habit is acquired, you can maintain control over your thoughts even during work and action, allowing only those which are useful for what you are doing to come to the surface. Particularly, if you have continued to cultivate the power of concentration and attention, only the thoughts that are needed will be allowed to enter the active external consciousness and they then become all the more dynamic and effective. And if, in the intensity of concentration, it becomes necessary not to think at all, all mental vibration can be stilled and an almost total silence secured. In this silence one can gradually open to the higher regions of the mind and learn to record the inspirations that come from there.

   But even before reaching this point, silence in itself is supremely useful, because in most people who have a somewhat developed and active mind, the mind is never at rest. During the day, its activity is kept under a certain control, but at night, during the sleep of the body, the control of the waking state is almost completely removed and the mind indulges in activities which are sometimes excessive and often incoherent. This creates a great stress which leads to fatigue and the diminution of the intellectual faculties.

   The fact is that like all the other parts of the human being, the mind too needs rest and it will not have this rest unless we know how to provide it. The art of resting one's mind is something to be acquired. Changing one's mental activity is certainly one way of resting; but the greatest possible rest is silence. And as far as the mental faculties are concerned a few minutes passed in the calm of silence are a more effective rest than hours of sleep.

   When one has learned to silence the mind at will and to concentrate it in receptive silence, then there will be no problem that cannot be solved, no mental difficulty whose solution cannot be found. When it is agitated, thought becomes confused and impotent; in an attentive tranquillity, the light can manifest itself and open up new horizons to man's capacity. Bulletin, November 1951

   ~ The Mother, On Education,
152:One little picture in this book, the Magic Locket, was drawn by 'Miss Alice Havers.' I did not state this on the title-page, since it seemed only due, to the artist of all these (to my mind) wonderful pictures, that his name should stand there alone.
The descriptions, of Sunday as spent by children of the last generation, are quoted verbatim from a speech made to me by a child-friend and a letter written to me by a lady-friend.
The Chapters, headed 'Fairy Sylvie' and 'Bruno's Revenge,' are a reprint, with a few alterations, of a little fairy-tale which I wrote in the year 1867, at the request of the late Mrs. Gatty, for 'Aunt Judy's Magazine,' which she was then editing.
It was in 1874, I believe, that the idea first occurred to me of making it the nucleus of a longer story.
As the years went on, I jotted down, at odd moments, all sorts of odd ideas, and fragments of dialogue, that occurred to me--who knows how?--with a transitory suddenness that left me no choice but either to record them then and there, or to abandon them to oblivion. Sometimes one could trace to their source these random flashes of thought--as being suggested by the book one was reading, or struck out from the 'flint' of one's own mind by the 'steel' of a friend's chance remark but they had also a way of their own, of occurring, a propos of nothing --specimens of that hopelessly illogical phenomenon, 'an effect without a cause.' Such, for example, was the last line of 'The Hunting of the Snark,' which came into my head (as I have already related in 'The Theatre' for April, 1887) quite suddenly, during a solitary walk: and such, again, have been passages which occurred in dreams, and which I cannot trace to any antecedent cause whatever. There are at least two instances of such dream-suggestions in this book--one, my Lady's remark, 'it often runs in families, just as a love for pastry does', the other, Eric Lindon's badinage about having been in domestic service.

And thus it came to pass that I found myself at last in possession of a huge unwieldy mass of litterature--if the reader will kindly excuse the spelling --which only needed stringing together, upon the thread of a consecutive story, to constitute the book I hoped to write. Only! The task, at first, seemed absolutely hopeless, and gave me a far clearer idea, than I ever had before, of the meaning of the word 'chaos': and I think it must have been ten years, or more, before I had succeeded in classifying these odds-and-ends sufficiently to see what sort of a story they indicated: for the story had to grow out of the incidents, not the incidents out of the story I am telling all this, in no spirit of egoism, but because I really believe that some of my readers will be interested in these details of the 'genesis' of a book, which looks so simple and straight-forward a matter, when completed, that they might suppose it to have been written straight off, page by page, as one would write a letter, beginning at the beginning; and ending at the end.

It is, no doubt, possible to write a story in that way: and, if it be not vanity to say so, I believe that I could, myself,--if I were in the unfortunate position (for I do hold it to be a real misfortune) of being obliged to produce a given amount of fiction in a given time,--that I could 'fulfil my task,' and produce my 'tale of bricks,' as other slaves have done. One thing, at any rate, I could guarantee as to the story so produced--that it should be utterly commonplace, should contain no new ideas whatever, and should be very very weary reading!
This species of literature has received the very appropriate name of 'padding' which might fitly be defined as 'that which all can write and none can read.' That the present volume contains no such writing I dare not avow: sometimes, in order to bring a picture into its proper place, it has been necessary to eke out a page with two or three extra lines : but I can honestly say I have put in no more than I was absolutely compelled to do.
My readers may perhaps like to amuse themselves by trying to detect, in a given passage, the one piece of 'padding' it contains. While arranging the 'slips' into pages, I found that the passage was 3 lines too short. I supplied the deficiency, not by interpolating a word here and a word there, but by writing in 3 consecutive lines. Now can my readers guess which they are?

A harder puzzle if a harder be desired would be to determine, as to the Gardener's Song, in which cases (if any) the stanza was adapted to the surrounding text, and in which (if any) the text was adapted to the stanza.
Perhaps the hardest thing in all literature--at least I have found it so: by no voluntary effort can I accomplish it: I have to take it as it come's is to write anything original. And perhaps the easiest is, when once an original line has been struck out, to follow it up, and to write any amount more to the same tune. I do not know if 'Alice in Wonderland' was an original story--I was, at least, no conscious imitator in writing it--but I do know that, since it came out, something like a dozen storybooks have appeared, on identically the same pattern. The path I timidly explored believing myself to be 'the first that ever burst into that silent sea'--is now a beaten high-road: all the way-side flowers have long ago been trampled into the dust: and it would be courting disaster for me to attempt that style again.

Hence it is that, in 'Sylvie and Bruno,' I have striven with I know not what success to strike out yet another new path: be it bad or good, it is the best I can do. It is written, not for money, and not for fame, but in the hope of supplying, for the children whom I love, some thoughts that may suit those hours of innocent merriment which are the very life of Childhood; and also in the hope of suggesting, to them and to others, some thoughts that may prove, I would fain hope, not wholly out of harmony with the graver cadences of Life.
If I have not already exhausted the patience of my readers, I would like to seize this opportunity perhaps the last I shall have of addressing so many friends at once of putting on record some ideas that have occurred to me, as to books desirable to be written--which I should much like to attempt, but may not ever have the time or power to carry through--in the hope that, if I should fail (and the years are gliding away very fast) to finish the task I have set myself, other hands may take it up.
First, a Child's Bible. The only real essentials of this would be, carefully selected passages, suitable for a child's reading, and pictures. One principle of selection, which I would adopt, would be that Religion should be put before a child as a revelation of love--no need to pain and puzzle the young mind with the history of crime and punishment. (On such a principle I should, for example, omit the history of the Flood.) The supplying of the pictures would involve no great difficulty: no new ones would be needed : hundreds of excellent pictures already exist, the copyright of which has long ago expired, and which simply need photo-zincography, or some similar process, for their successful reproduction. The book should be handy in size with a pretty attractive looking cover--in a clear legible type--and, above all, with abundance of pictures, pictures, pictures!
Secondly, a book of pieces selected from the Bible--not single texts, but passages of from 10 to 20 verses each--to be committed to memory. Such passages would be found useful, to repeat to one's self and to ponder over, on many occasions when reading is difficult, if not impossible: for instance, when lying awake at night--on a railway-journey --when taking a solitary walk-in old age, when eyesight is failing or wholly lost--and, best of all, when illness, while incapacitating us for reading or any other occupation, condemns us to lie awake through many weary silent hours: at such a time how keenly one may realise the truth of David's rapturous cry "O how sweet are thy words unto my throat: yea, sweeter than honey unto my mouth!"
I have said 'passages,' rather than single texts, because we have no means of recalling single texts: memory needs links, and here are none: one may have a hundred texts stored in the memory, and not be able to recall, at will, more than half-a-dozen--and those by mere chance: whereas, once get hold of any portion of a chapter that has been committed to memory, and the whole can be recovered: all hangs together.
Thirdly, a collection of passages, both prose and verse, from books other than the Bible. There is not perhaps much, in what is called 'un-inspired' literature (a misnomer, I hold: if Shakespeare was not inspired, one may well doubt if any man ever was), that will bear the process of being pondered over, a hundred times: still there are such passages--enough, I think, to make a goodly store for the memory.
These two books of sacred, and secular, passages for memory--will serve other good purposes besides merely occupying vacant hours: they will help to keep at bay many anxious thoughts, worrying thoughts, uncharitable thoughts, unholy thoughts. Let me say this, in better words than my own, by copying a passage from that most interesting book, Robertson's Lectures on the Epistles to the Corinthians, Lecture XLIX. "If a man finds himself haunted by evil desires and unholy images, which will generally be at periodical hours, let him commit to memory passages of Scripture, or passages from the best writers in verse or prose. Let him store his mind with these, as safeguards to repeat when he lies awake in some restless night, or when despairing imaginations, or gloomy, suicidal thoughts, beset him. Let these be to him the sword, turning everywhere to keep the way of the Garden of Life from the intrusion of profaner footsteps."
Fourthly, a "Shakespeare" for girls: that is, an edition in which everything, not suitable for the perusal of girls of (say) from 10 to 17, should be omitted. Few children under 10 would be likely to understand or enjoy the greatest of poets: and those, who have passed out of girlhood, may safely be left to read Shakespeare, in any edition, 'expurgated' or not, that they may prefer: but it seems a pity that so many children, in the intermediate stage, should be debarred from a great pleasure for want of an edition suitable to them. Neither Bowdler's, Chambers's, Brandram's, nor Cundell's 'Boudoir' Shakespeare, seems to me to meet the want: they are not sufficiently 'expurgated.' Bowdler's is the most extraordinary of all: looking through it, I am filled with a deep sense of wonder, considering what he has left in, that he should have cut anything out! Besides relentlessly erasing all that is unsuitable on the score of reverence or decency, I should be inclined to omit also all that seems too difficult, or not likely to interest young readers. The resulting book might be slightly fragmentary: but it would be a real treasure to all British maidens who have any taste for poetry.
If it be needful to apologize to any one for the new departure I have taken in this story--by introducing, along with what will, I hope, prove to be acceptable nonsense for children, some of the graver thoughts of human life--it must be to one who has learned the Art of keeping such thoughts wholly at a distance in hours of mirth and careless ease. To him such a mixture will seem, no doubt, ill-judged and repulsive. And that such an Art exists I do not dispute: with youth, good health, and sufficient money, it seems quite possible to lead, for years together, a life of unmixed gaiety--with the exception of one solemn fact, with which we are liable to be confronted at any moment, even in the midst of the most brilliant company or the most sparkling entertainment. A man may fix his own times for admitting serious thought, for attending public worship, for prayer, for reading the Bible: all such matters he can defer to that 'convenient season', which is so apt never to occur at all: but he cannot defer, for one single moment, the necessity of attending to a message, which may come before he has finished reading this page,' this night shalt thy soul be required of thee.'
The ever-present sense of this grim possibility has been, in all ages, 1 an incubus that men have striven to shake off. Few more interesting subjects of enquiry could be found, by a student of history, than the various weapons that have been used against this shadowy foe. Saddest of all must have been the thoughts of those who saw indeed an existence beyond the grave, but an existence far more terrible than annihilation--an existence as filmy, impalpable, all but invisible spectres, drifting about, through endless ages, in a world of shadows, with nothing to do, nothing to hope for, nothing to love! In the midst of the gay verses of that genial 'bon vivant' Horace, there stands one dreary word whose utter sadness goes to one's heart. It is the word 'exilium' in the well-known passage

Omnes eodem cogimur, omnium
Versatur urna serius ocius
Sors exitura et nos in aeternum
Exilium impositura cymbae.

Yes, to him this present life--spite of all its weariness and all its sorrow--was the only life worth having: all else was 'exile'! Does it not seem almost incredible that one, holding such a creed, should ever have smiled?
And many in this day, I fear, even though believing in an existence beyond the grave far more real than Horace ever dreamed of, yet regard it as a sort of 'exile' from all the joys of life, and so adopt Horace's theory, and say 'let us eat and drink, for to-morrow we die.'
We go to entertainments, such as the theatre--I say 'we', for I also go to the play, whenever I get a chance of seeing a really good one and keep at arm's length, if possible, the thought that we may not return alive. Yet how do you know--dear friend, whose patience has carried you through this garrulous preface that it may not be your lot, when mirth is fastest and most furious, to feel the sharp pang, or the deadly faintness, which heralds the final crisis--to see, with vague wonder, anxious friends bending over you to hear their troubled whispers perhaps yourself to shape the question, with trembling lips, "Is it serious?", and to be told "Yes: the end is near" (and oh, how different all Life will look when those words are said!)--how do you know, I say, that all this may not happen to you, this night?
And dare you, knowing this, say to yourself "Well, perhaps it is an immoral play: perhaps the situations are a little too 'risky', the dialogue a little too strong, the 'business' a little too suggestive.
I don't say that conscience is quite easy: but the piece is so clever, I must see it this once! I'll begin a stricter life to-morrow." To-morrow, and to-morrow, and tomorrow!

"Who sins in hope, who, sinning, says,
'Sorrow for sin God's judgement stays!'
Against God's Spirit he lies; quite stops Mercy with insult; dares, and drops,
Like a scorch'd fly, that spins in vain
Upon the axis of its pain,
Then takes its doom, to limp and crawl,
Blind and forgot, from fall to fall."

Let me pause for a moment to say that I believe this thought, of the possibility of death--if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going. Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.
But, once realise what the true object is in life--that it is not pleasure, not knowledge, not even fame itself, 'that last infirmity of noble minds'--but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man--and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!
One other matter may perhaps seem to call for apology--that I should have treated with such entire want of sympathy the British passion for 'Sport', which no doubt has been in by-gone days, and is still, in some forms of it, an excellent school for hardihood and for coolness in moments of danger.
But I am not entirely without sympathy for genuine 'Sport': I can heartily admire the courage of the man who, with severe bodily toil, and at the risk of his life, hunts down some 'man-eating' tiger: and I can heartily sympathize with him when he exults in the glorious excitement of the chase and the hand-to-hand struggle with the monster brought to bay. But I can but look with deep wonder and sorrow on the hunter who, at his ease and in safety, can find pleasure in what involves, for some defenceless creature, wild terror and a death of agony: deeper, if the hunter be one who has pledged himself to preach to men the Religion of universal Love: deepest of all, if it be one of those 'tender and delicate' beings, whose very name serves as a symbol of Love--'thy love to me was wonderful, passing the love of women'--whose mission here is surely to help and comfort all that are in pain or sorrow!

'Farewell, farewell! but this I tell
To thee, thou Wedding-Guest!
He prayeth well, who loveth well
Both man and bird and beast.
He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.' ~ Lewis Carroll, Sylvie and Bruno,
153:I am and I am not
I'm drenched in the flood which has yet to come
I'm tied up in the prison that has yet to exist
Not having played the game of chess I'm already the checkmate
Not having tasted a single cup of your wine I'm already drunk
Not having entered the battlefield I'm already wounded and slain
I no longer know the difference between image and reality
Like the shadow I am and I am not ~ Jalaluddin Rumi,
154:The blue sky opens out farther and farther, the damage I have done to myself fades, a million suns come forward with light. ~ Kabir,
155:All worshipped marvellingly, none dared to claim.
Her mind sat high pouring its golden beams,
Her heart was a crowded temple of delight.
A single lamp lit in perfection's house,
A bright pure image in a priestless shrine,
Midst those encircling lives her spirit dwelt,
Apart in herself until her hour of fate. ~ Sri Aurobindo, Savitri, 4:2,
156:Wake-Initiated Lucid Dreams (WILDS)
In the last chapter we talked about strategies for inducing lucid dreams by carrying an idea from the waking world into the dream, such as an intention to comprehend the dream state, a habit of critical state testing, or the recognition of a dreamsign. These strategies are intended to stimulate a dreamer to become lucid within a dream.
This chapter presents a completely different set of approaches to the world of lucid dreaming based on the idea of falling asleep consciously. This involves retaining consciousness while wakefulness is lost and allows direct entry into the lucid dream state without any loss of reflective consciousness. The basic idea has many variations.
While falling asleep, you can focus on hypnagogic (sleep onset) imagery, deliberate visualizations, your breath or heartbeat, the sensations in your body, your sense of self, and so on. If you keep the mind sufficiently active while the tendency to enter REM sleep is strong, you feel your body fall asleep, but you, that is to say, your consciousness, remains awake. The next thing you know, you will find yourself in the dream world, fully lucid.
These two different strategies for inducing lucidity result in two distinct types of lucid dreams. Experiences in which people consciously enter dreaming sleep are referred to as wake-initiated lucid dreams (WILDs), in contrast to dream-initiated lucid dreams (DILDs), in which people become lucid after having fallen asleep unconsciously. 1 The two kinds of lucid dreams differ in a number of ways. WILDs always happen in association with brief awakenings (sometimes only one or two seconds long) from and immediate return to REM sleep. The sleeper has a subjective impression of having been awake. This is not true of DILDs. Although both kinds of lucid dream are more likely to occur later in the night, the proportion of WILDs also increases with time of night. In other words, WILDs are most likely to occur the late morning hours or in afternoon naps. This is strikingly evident in my own record of lucid dreams. Of thirty-three lucid dreams from the first REM period of the night, only one (3 percent) was a WILD, compared with thirteen out of thirty-two (41 percent) lucid dreams from afternoon naps. 2 Generally speaking, WILDs are less frequent than DILDs; in a laboratory study of seventy-six lucid dreams, 72 percent were DILDs compared with 28 percent WILDs. 3 The proportion of WILDs observed in the laboratory seems, by my experience, to be considerably higher than the proportion of WILDs reported at home.
To take a specific example, WILDs account for only 5 percent of my home record of lucid dreams, but for 40 percent of my first fifteen lucid dreams in the laboratory. 4 Ibelieve there are two reasons for this highly significant difference: whenever I spentthe night in the sleep laboratory, I was highly conscious of every time I awakened andI made extraordinary efforts not to move more than necessary in order to minimizeinterference with the physiological recordings.
Thus, my awakenings from REM in the lab were more likely to lead toconscious returns to REM than awakenings at home when I was sleeping with neitherheightened consciousness of my environment and self nor any particular intent not tomove. This suggests that WILD induction techniques might be highly effective underthe proper conditions.
Paul Tholey notes that, while techniques for direct entry to the dream staterequire considerable practice in the beginning, they offer correspondingly greatrewards. 5 When mastered, these techniques (like MILD) can confer the capacity toinduce lucid dreams virtually at will. ~ Stephen LaBerge, Exploring the World of Lucid Dreaming, 4 - Falling Asleep Consciously,
157:Attention on Hypnagogic Imagery The most common strategy for inducing WILDs is to fall asleep while focusing on the hypnagogic imagery that accompanies sleep onset. Initially, you are likely to see relatively simple images, flashes of light, geometric patterns, and the like.

Gradually more complicated forms appear: faces, people, and finally entire scenes. 6

The following account of what the Russian philosopher P. D. Ouspensky called “half-dream states” provides a vivid example of what hypnagogic imagery can be like:

I am falling asleep. Golden dots, sparks and tiny stars appear and disappear before my eyes. These sparks and stars gradually merge into a golden net with diagonal meshes which moves slowly and regularly in rhythm with the beating of my heart, which I feel quite distinctly. The next moment the golden net is transformed into rows of brass helmets belonging to Roman soldiers marching along the street below. I hear their measured tread and watch them from the window of a high house in Galata, in Constantinople, in a narrow lane, one end of which leads to the old wharf and the Golden Horn with its ships and steamers and the minarets of Stamboul behind them. I hear their heavy measured tread, and see the sun shining on their helmets. Then suddenly I detach myself from the window sill on which I am lying, and in the same reclining position fly slowly over the lane, over the houses, and then over the Golden Horn in the direction of Stamboul. I smell the sea, feel the wind, the warm sun. This flying gives me a wonderfully pleasant sensation, and I cannot help opening my eyes. 7

Ouspensky’s half-dream states developed out of a habit of observing the contents of his mind while falling asleep or in half-sleep after awakening from a dream. He notes that they were much easier to observe in the morning after awakening than before sleep at the beginning of the night and did not occur at all “without definite efforts.” 8

Dr. Nathan Rapport, an American psychiatrist, cultivated an approach to lucid dreaming very similar to Ouspensky’s: “While in bed awaiting sleep, the experimenter interrupts his thoughts every few minutes with an effort to recall the mental item vanishing before each intrusion that inquisitive attention.” 9 This habit is continued sleep itself, with results like the following:

Brilliant lights flashed, and a myriad of sparkles twinkled from a magnificent cut glass chandelier. Interesting as any stage extravaganza were the many quaintly detailed figurines upon a mantel against the distant, paneled wall adorned in rococo.

At the right a merry group of beauties and gallants in the most elegant attire of Victorian England idled away a pleasant occasion. This scene continued for [a] period of I was not aware, before I discovered that it was not reality, but a mental picture and that I was viewing it. Instantly it became an incommunicably beautiful vision. It was with the greatest stealth that my vaguely awakened mind began to peep: for I knew that these glorious shows end abruptly because of such intrusions.

I thought, “Have I here one of those mind pictures that are without motion?” As if in reply, one of the young ladies gracefully waltzed about the room. She returned to the group and immobility, with a smile lighting her pretty face, which was turned over her shoulder toward me. The entire color scheme was unobtrusive despite the kaleidoscopic sparkles of the chandelier, the exquisite blues and creamy pinks of the rich settings and costumes. I felt that only my interest in dreams brought my notice to the tints – delicate, yet all alive as if with inner illumination. 10

Hypnagogic Imagery Technique

1. Relax completely

While lying in bed, gently close your eyes and relax your head, neck, back, arms, and legs. Completely let go of all muscular and mental tension, and breathe slowly and restfully. Enjoy the feeling of relaxation and let go of your thoughts, worries, and concerns. If you have just awakened from sleep, you are probably sufficiently relaxed.

Otherwise, you may use either the progressive relaxation exercise (page 33) or the 61-point relaxation exercise (page 34) to relax more deeply. Let everything wind down,

slower and slower, more and more relaxed, until your mind becomes as serene as the calmest sea.

2. Observe the visual images

Gently focus your attention on the visual images that will gradually appear before your mind’s eye. Watch how the images begin and end. Try to observe the images as delicately as possible, allowing them to be passively reflected in your mind as they unfold. Do not attempt to hold onto the images, but instead just watch without attachment or desire for action. While doing this, try to take the perspective of a detached observer as much as possible. At first you will see a sequence of disconnected, fleeting patterns and images. The images will gradually develop into scenes that become more and more complex, finally joining into extended sequences.

3. Enter the dream

When the imagery becomes a moving, vivid scenario, you should allow yourself to be passively drawn into the dream world. Do not try to actively enter the dream scene,

but instead continue to take a detached interest in the imagery. Let your involvement with what is happening draw you into the dream. But be careful of too much involvement and too little attention. Don’t forget that you are dreaming now!

Commentary

Probably the most difficult part of this technique to master is entering the dream at Step 3. The challenge is to develop a delicate vigilance, an unobtrusive observer perspective, from which you let yourself be drawn into the dream. As Paul Tholey has emphasized, “It is not desirable to want actively to enter into the scenery,

since such an intention as a rule causes the scenery to disappear.” 11 A passive volition similar to that described in the section on autosuggestion in the previous chapter is required: in Tholey’s words, “Instead of actively wanting to enter into the scenery, the subject should attempt to let himself be carried into it passively.” 12 A Tibetan teacher advises a similar frame of mind: “While delicately observing the mind, lead it gently into the dream state, as though you were leading a child by the hand.” 13

Another risk is that, once you have entered into the dream, the world can seem so realistic that it is easy to lose lucidity, as happened in the beginning of Rapport’s WILD described above. As insurance in case this happens, Tholey recommends that you resolve to carry out a particular action in the dream, so that if you momentarily lose lucidity, you may remember your intention to carry out the action and thereby regain lucidity.
~ Stephen LaBerge, Exploring the World of Lucid Dreaming,
158:The supreme Form is then made visible. It is that of the infinite Godhead whose faces are everywhere and in whom are all the wonders of existence, who multiplies unendingly all the many marvellous revelations of his being, a world-wide Divinity seeing with innumerable eyes, speaking from innumerable mouths, armed for battle with numberless divine uplifted weapons, glorious with divine ornaments of beauty, robed in heavenly raiment of deity, lovely with garlands of divine flowers, fragrant with divine perfumes. Such is the light of this body of God as if a thousand suns had risen at once in heaven. The whole world multitudinously divided and yet unified is visible in the body of the God of Gods. Arjuna sees him, God magnificent and beautiful and terrible, the Lord of souls who has manifested in the glory and greatness of his spirit this wild and monstrous and orderly and wonderful and sweet and terrible world, and overcome with marvel and joy and fear he bows down and adores with words of awe and with clasped hands the tremendous vision. "I see" he cries "all the gods in thy body, O God, and different companies of beings, Brahma the creating lord seated in the Lotus, and the Rishis and the race of the divine Serpents. I see numberless arms and bellies and eyes and faces, I see thy infinite forms on every side, but I see not thy end nor thy middle nor thy beginning, O Lord of the universe, O Form universal. I see thee crowned and with thy mace and thy discus, hard to discern because thou art a luminous mass of energy on all sides of me, an encompassing blaze, a sun-bright fire-bright Immeasurable. Thou art the supreme Immutable whom we have to know, thou art the high foundation and abode of the universe, thou art the imperishable guardian of the eternal laws, thou art the sempiternal soul of existence."

But in the greatness of this vision there is too the terrific image of the Destroyer. This Immeasurable without end or middle or beginning is he in whom all things begin and exist and end.

This Godhead who embraces the worlds with his numberless arms and destroys with his million hands, whose eyes are suns and moons, has a face of blazing fire and is ever burning up the whole universe with the flame of his energy. The form of him is fierce and marvellous and alone it fills all the regions and occupies the whole space between earth and heaven. The companies of the gods enter it, afraid, adoring; the Rishis and the Siddhas crying "May there be peace and weal" praise it with many praises; the eyes of Gods and Titans and Giants are fixed on it in amazement. It has enormous burning eyes; it has mouths that gape to devour, terrible with many tusks of destruction; it has faces like the fires of Death and Time. The kings and the captains and the heroes on both sides of the world-battle are hastening into its tusked and terrible jaws and some are seen with crushed and bleeding heads caught between its teeth of power; the nations are rushing to destruction with helpless speed into its mouths of flame like many rivers hurrying in their course towards the ocean or like moths that cast themselves on a kindled fire. With those burning mouths the Form of Dread is licking all the regions around; the whole world is full of his burning energies and baked in the fierceness of his lustres. The world and its nations are shaken and in anguish with the terror of destruction and Arjuna shares in the trouble and panic around him; troubled and in pain is the soul within him and he finds no peace or gladness. He cries to the dreadful Godhead, "Declare to me who thou art that wearest this form of fierceness. Salutation to thee, O thou great Godhead, turn thy heart to grace. I would know who thou art who wast from the beginning, for I know not the will of thy workings." ~ Sri Aurobindo, Essays On The Gita, 2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer,
159:And all the time the experience lasted, one hourone hour of that time is longI was in a state of extraordinary joyfulness, almost in an intoxicated state. The difference between the two states of consciousness is so great that when you are in one, the other seems unreal, like a dream. When I came back what struck me first of all was the futility of life here; our little conceptions down here seem so laughable, so comical. We say that some people are mad, but their madness is perhaps a great wisdom, from the supramental point of view, and their behaviour is perhaps nearer to the truth of thingsI am not speaking of the obscure mad men whose brains have been damaged, but of many other incomprehensible mad men, the luminous mad: they have wanted to cross the border too quickly and the rest has not followed. ~ The Mother, Agenda Vol 1, 1958-02
160:The words of language, as they are written or spoken, do not seem to play any role in my mechanism of thought. The physical entities which seem to serve as elements in thought are certain signs and more or less clear images. ~ Albert Einstein

*** NEWFULLDB 2.4M ***

1:Armageddon chickens. ~ Ransom Riggs
2:I like creating images. ~ Kate Moss
3:Modesmagen
~ Adam Oehlenschläger
4:The Christos-image ~ Hilda Doolittle
5:The great image lacks shape. ~ Laozi
6:Image is sorcery. ~ Jorge Luis Borges
7:image pictured. ~ Norman Vincent Peale
8:Imagery is like music. ~ Steven Bochco
9:Pálida Imagem
~ Álvares de Azevedo
10:The image is an image. ~ Lenny Kravitz
11:Love beyond the damage. ~ Henry Rollins
12:Reality confounds image. ~ Peter Heather
13:THE ARMAGEDDON-2419 ISSUE ~ Ray Bradbury
14:We’re all damaged, somehow. ~ Libba Bray
15:It's kinda all about image. ~ Bam Margera
16:Concepts are mental images. ~ Paul Virilio
17:Parody is homage gone sour. ~ Brendan Gill
18:The body believes in images. ~ Robert Moss
19:Memory demands an image. ~ Bertrand Russell
20:Time is the moving image of reality ~ Plato
21:Time, not image, makes Heroes ~ Tony Reinke
22:All Children Have Brain Damage! ~ Bill Cosby
23:Click the image to play! Posted: ~ Anonymous
24:I don't care about my image. ~ Jean Dujardin
25:Integrity eclipses image. ~ Michael Chandler
26:In the beginning was the image. ~ Asger Jorn
27:Objects damage pictures. ~ Wassily Kandinsky
28:Promoting an image of success. ~ Bandy X Lee
29:Reality is blocked by form and image. ~ Rumi
30:Fix the image before it fades. ~ Ray Bradbury
31:hopes to challenge Norway's image ~ Anonymous
32:Image of rugged cliffs ~ Percy Bysshe Shelley
33:Man hath a weary pilgrimage, ~ Robert Southey
34:Time is the moving image of eternity. ~ Plato
35:beginning to damage my calm. ~ John G Hartness
36:I am an adult, but a damaged one. ~ S J Watson
37:Imagination demands an image. ~ G K Chesterton
38:I may be damaged but I'm okay ~ Lauren Gibaldi
39:Man made God in his own image. ~ Eckhart Tolle
40:All mind is made of images, ~ Ant nio R Dam sio
41:Atom-thick CCD could capture images ~ Anonymous
42:Deep truth is imageless. ~ Percy Bysshe Shelley
43:The damaged love the damaged. ~ Chuck Palahniuk
44:This life is but a pilgrimage. ~ Horace Walpole
45:fairy changeling lay the mage; ~ Alfred Tennyson
46:Man made God in his own image... ~ Eckhart Tolle
47:Style is the image of character. ~ Edward Gibbon
48:The damaged loves the damaged. ~ Chuck Palahniuk
49:Think it’ll damage their chances … ~ J K Rowling
50:asleep to rummage in their minds ~ James M Barrie
51:CAKE AUX LARDONS ET FROMAGE BLEU ~ David Lebovitz
52:Celebrity damages private life. ~ Tim Berners Lee
53:Everybody's damaged by something. ~ Emma Donoghue
54:Adultery is an image of hell. ~ Emanuel Swedenborg
55:Dani rummaged through her pocketbook ~ Marti Green
56:Does killing time damage eternity? ~ George Carlin
57:Images contaminate us like viruses. ~ Paul Virilio
58:IMAGES: This Is What Domestic Violence ~ Anonymous
59:in my own. It forms the image that ~ Kate McCarthy
60:I wish I hadn't made so many images. ~ Andy Warhol
61:Poetry is fact given over to imagery. ~ Rod McKuen
62:Poetry is good for unleashing images. ~ Paula Rego
63:SERIOUS DAMAGE TO THE INTERESTS OF ~ W E B Griffin
64:She was beautiful in a damaged way. ~ Elliott Holt
65:Yeah, I have a tough-girl image. ~ Miranda Lambert
66:A word is worth a thousand images. ~ Andreas Gursky
67:Does killing time damage eternity? ~ George Carlin,
68:Doubt packs more damage, kept secret. ~ Janny Wurts
69:Hackett had plenty of maxillary damage. ~ Lee Child
70:I can't die. It would ruin my image. ~ Jack LaLanne
71:I like visual imagery in my head. ~ Stephen Malkmus
72:Imagenes espina b fida - Tu marcador en ~ Anonymous
73:I never did think I had brain damage. ~ Leon Spinks
74:into position. They have one mage ~ L E Modesitt Jr
75:Let us make man [8] in our image, after ~ Anonymous
76:Pain or damage don't end the world. ~ Al Swearengen
77:So what does that make me? Damaged? ~ Saruuh Kelsey
78:Words are tools of imagery in motion. ~ Sam Shepard
79:A film is a machine made of images ~ Hollis Frampton
80:I love retouching images on Photoshop. ~ Troye Sivan
81:Man created God in his own image. ~ Ludwig Feuerbach
82:Memory is your image of perfection. ~ Barbara Kruger
83:Mir scheint, mein Magen hat Beine. ~ Frank Sch tzing
84:You should never think without an image. ~ Aristotle
85:Damn. How much damage can you do with a pen? ~ Eminem
86:End with an image and don't explain. ~ Stanley Kunitz
87:For you know only a heap of broken images ~ T S Eliot
88:Homeless people bear God's image too. ~ Philip Yancey
89:I am not an image. I am a human being. ~ Kevin Spacey
90:Maniac Magee was not born in a dump. ~ Jerry Spinelli
91:Man makes god in his own image. ~ Friedrich Nietzsche
92:Only an animal visibly damages its mate. ~ C E Morgan
93:Science is but an image of the truth. ~ Francis Bacon
94:what you can image you can be. ~ Norman Vincent Peale
95:An image is better than one thousand words ~ Confucius
96:Brains mouses over one of the images. ~ Charles Stross
97:Economics is a form of brain damage. ~ Hazel Henderson
98:I've never met anyone that is their image. ~ Macy Gray
99:I've seen the needle and the damage done. ~ Neil Young
100:Men always makes gods in their own image. ~ Xenophanes
101:Suddenly, he caught another image. ~ Maggie Stiefvater
102:Thanne longen folk to go on pilgrimages. ~ Helen Bryan
103:The Academy is paranoid about its image. ~ Roger Ebert
104:to view a larger image. When I found ~ Linwood Barclay
105:We've created life in our own image. ~ Stephen Hawking
106:You can’t do damage control dead. ~ Karen Marie Moning
107:You can't out-perform your self-image. ~ William James
108:You made her mad when you're teasing me. ~ Jamie Magee
109:I like surfers. Their imagery, it's great. ~ Ray Davies
110:Infinite are the arguments of mages, ~ Ursula K Le Guin
111:Infinite are the arguments of mages. ~ Ursula K Le Guin
112:Man alone is made in the image of God. ~ Mahatma Gandhi
113:Men create the gods after their own images. ~ Aristotle
114:Reading can seriously damage your Ignorance ~ Anonymous
115:A day of silence can be a pilgrimage in itself. ~ Hafez,
116:It began in images and it ended in symbolism. ~ B W Powe
117:Rita was almost as badly damaged as I am. ~ Jeff Lindsay
118:The act of living causes brain damage. ~ Douglas Preston
119:The image is a dream. The beauty is real. ~ Richard Bach
120:The image of her bounding away—pristine ~ Pepper Winters
121:The noble man is only God's image. ~ Johann Ludwig Tieck
122:The primary pigment of poetry is the IMAGE. ~ Ezra Pound
123:The world is a living image of God. ~ Tommaso Campanella
124:Was the sky always this shade of magenta? ~ Jandy Nelson
125:We are all damaged goods in recovery. ~ Charles Spurgeon
126:We mistake our mistakes as being damaged. ~ Taylor Swift
127:Abuse is an indirect species of homage. ~ William Hazlitt
128:A joke is a joke or the image of a truth. ~ Storm Jameson
129:Each man creates god in his own image. ~ Mordecai Richler
130:images far swifter than these sentences ~ Herman Melville
131:Sometimes a little brain damage can help. ~ George Carlin
132:The archetypal image decides the fate of man. ~ Carl Jung
133:The opinions of others cannot damage you. ~ Veronica Roth
134:To assess the damage is a dangerous act. ~ Cherrie Moraga
135:What is the image you have of yourself? ~ Jeffrey Gitomer
136:Affirmation + Imagery + Emotion = Success ~ Robert Anthony
137:A little damage could only be an improvement ~ Belva Plain
138:Do not make gods in your own images. ~ Stanislaw Jerzy Lec
139:Her hair, brown.
Her speciality, damage. ~ Laura Mullen
140:I dislike the thought of damage to you. ~ Lilith Saintcrow
141:Images are ... a kind of emotional shorthand. ~ Erica Jong
142:It's a true image, born of a false spectacle. ~ Jean Genet
143:It takes time to see anyone's real damage. ~ Rick Remender
144:Keep away from fantasy. Shake off the image. ~ Sam Shepard
145:nothing is stranger to man than his own image ~ Karel apek
146:Sex can damage love but love can’t damage sex. ~ Matt Haig
147:Surely the stars are images of love. ~ Philip James Bailey
148:The damaged love the damaged. True fact. ~ Chuck Palahniuk
149:The image of Eve is not our image of woman. ~ Merlin Stone
150:Truth never damages a cause that is just. ~ Mahatma Gandhi
151:Years of Pilgrimage, “First Year: Switzerland. ~ Anonymous
152:A vivid image compels the whole body to follow. ~ Aristotle
153:If you get an image try to destroy it. ~ Richard Diebenkorn
154:I know there are thousands of images of me. ~ Stevie Wonder
155:I'm drawn to damaged, complicated characters. ~ Ruth Wilson
156:I'm not big into images. I'm into reality. ~ Paul Tagliabue
157:In every parting there is an image of death. ~ George Eliot
158:Life is a long pilgrimage from fear to love. ~ Paulo Coelho
159:Man, like Deity, creates in his own image. ~ Elbert Hubbard
160:Paintings. Or the collapse of time in images. ~ Paul Auster
161:Programming in Basic causes brain damage. ~ Edsger Dijkstra
162:Time is the “moving image of eternity.”12 ~ Walter Kaufmann
163:When the image is new, the world is new. ~ Gaston Bachelard
164:Both nuns and mothers worship images, ~ William Butler Yeats
165:Fromage and coffee and cognac and no gods. ~ Wallace Stevens
166:I damaged my Achilles tendon, so I can't run. ~ Jason Isaacs
167:Nothing is stranger to man than his own image. ~ Karel Capek
168:Parece uma imagem roubada a um sonho. ~ Jos Eduardo Agualusa
169:Photographs shape the past in our own image. ~ Chloe Thurlow
170:Tu as un cerveau comme un sandwich au fromage! ~ R J Palacio
171:When my coach gives me a program, I damage it. ~ Yohan Blake
172:...with the damage meter still clicking away. ~ John Grisham
173:I think you have to show homage to creators. ~ Brendan Fraser
174:Spiderlike, I spin mirrors, Loyal to my image. ~ Sylvia Plath
175:The misfortunes of mankind are of varied plumage. ~ Aeschylus
176:The pilgrimage to Swaraj is a painful climb. ~ Mahatma Gandhi
177:We created god in our own image and likeness! ~ George Carlin
178:we wouldn't ask why a rose with damaged petals ~ Tupac Shakur
179:What good are images if people understand them? ~ Jon Stewart
180:You are made in the image of what you desire. ~ Thomas Merton
181:Your image is your currency in this world. ~ Charlotte Cotton
182:A fine image is geometry, modulated by the heart ~ Willy Ronis
183:Create and preserve the image of your choice. ~ Mahatma Gandhi
184:Disease is an image of thought externalized. ~ Mary Baker Eddy
185:Distorted images of God lead to distorted lives. ~ Pete Wilson
186:Do not make images. Everything is. Mirkka Rekola ~ Leena Krohn
187:I can't afford to die. It would wreck my image. ~ Jack LaLanne
188:IF ARMAGEDDON IS ANYWHERE, IT IS EVERYWHERE. ~ Terry Pratchett
189:Im not a baker so im not going to sugar coat it. ~ Jamie Magee
190:I will not be just a tourist in a world of images. ~ Anais Nin
191:My focus was always toward imagery of some sort. ~ David Salle
192:We may be the generation that sees Armageddon. ~ Ronald Reagan
193:A free society cherishes nonconformity. ~ Henry Steele Commager
194:America's image throughout the world is very bad. ~ John McCain
195:Create and preserve the image of your choice. ~ George Harrison
196:Even the smallest of groups could inflict damage. ~ Sara Raasch
197:Everything to be imagined is an image of truth. ~ William Blake
198:Every woman is after a kind of classy image. ~ Evangeline Lilly
199:Fraud is the homage that force pays to reason. ~ Charles Curtis
200:He who manages the distance, manages the damage. ~ Rener Gracie
201:I’d bet on Armageddon before the government any day. ~ Joe Hart
202:I loved you both with all of my damaged heart. ~ Kristin Hannah
203:it remains for us to treat of His image, ~ Saint Thomas Aquinas
204:It's easier to fix damage than it is to create it. ~ Brian Lamb
205:Kind words produce their images on men's souls. ~ Blaise Pascal
206:Our best people don't go into politics. ~ Henry Steele Commager
207:Our life is a warfare, and a mere pilgrimage. ~ Marcus Aurelius
208:Peeta might have done a lot of damage tonight ~ Suzanne Collins
209:Romanticism implies nostalgia for damaged goods. ~ Brad Mehldau
210:The necessary condition for an image is sight. ~ Roland Barthes
211:Tu nais dans un miroir Devant mon ancienne image. ~ Paul Éluard
212:Two damaged people trying to heal each other, is love ~ R H Sin
213:Well, I don't know what image people have of me. ~ Greg Kinnear
214:Wherever I look there is nothing but the image of death. ~ Ovid
215:Anything that's popular is a rear-view image. ~ Marshall McLuhan
216:Conventional economics is a form of brain damage. ~ David Suzuki
217:Damaged people gravitate towards damaged people. ~ Norman Reedus
218:Directing music videos is all about capturing images. ~ Nia Long
219:He who remains unmarried impairs the divine image. ~ Rabbi Akiva
220:How much damage will have been done before we act? ~ John McCain
221:In mourning the plumage, he forgot the dying bird ~ Thomas Paine
222:I regard belief as a form of brain damage. ~ Robert Anton Wilson
223:It isn’t the whiskey they choose, it’s the image. ~ David Ogilvy
224:Love begins with an image; lust with a sensation. ~ Mason Cooley
225:My rhymes make niggas rebuild like water damage. ~ Meyhem Lauren
226:some images, once seen, can never be forgotten. ~ Kristin Hannah
227:The greatest homage to truth is to use it. ~ Ralph Waldo Emerson
228:The poetic image exists apart from causality. ~ Gaston Bachelard
229:Willful blindness sees no end of damage done. ~ Stephen Richards
230:Everyone is damaged, but the heart can be repaired. ~ Dean Koontz
231:Hypocrisy is a sort of homage that vice pays to virtue. ~ Various
232:I never worked out for any kind of image. ~ Sarah Michelle Gellar
233:I think we rely on images far too often these days. ~ Fiona Davis
234:I worry about images. Images are what things mean. ~ E L Doctorow
235:Mirrors should reflect before sending an image. ~ Jean Luc Godard
236:Most humans she knew were badly damaged individuals. ~ Tim Lebbon
237:The craft of photography is the key to good images. ~ Ansel Adams
238:time is simply an illusion, and the gifted live on, ~ Jamie Magee
239:Try to go out empty and let your images fill you up. ~ Jay Maisel
240:We are the same, you and I. We are images of light. ~ Miguel Ruiz
241:Well, maybe at home I don't have the best image. ~ Martina Hingis
242:You say your image is new, but it looks well tested. ~ Ray Davies
243:A nation writes its history in the image of its ideal. ~ Abba Eban
244:ENEMIES OFTEN become mirror images of each other. ~ Mark Kurlansky
245:Every word, every image, is leased and mortgaged. ~ Sherrie Levine
246:Here is the repeated image of the lover destroyed. ~ Richard Siken
247:I do not want to work to correspond to an image. ~ Isabelle Adjani
248:I keep the bad-boy image just to make my fans happy. ~ Sanjay Dutt
249:I love the show 'Damages!' I am truly addicted. ~ Carrie Ann Inaba
250:It's a TV show. Only the emotional damage is real. ~ Steven Moffat
251:Memory loss is one way of coping with damage. ~ Jeanette Winterson
252:One must confront vague ideas with clear images. ~ Jean Luc Godard
253:There are images I need to complete my own reality. ~ Jim Morrison
254:The society of whores stuck needles in an image of me. ~ Nick Cave
255:This is not a just image, this is just an image. ~ Jean Luc Godard
256:...though nothing is damaged, everything is changed. ~ E M Forster
257:We are all hungry and thirsty for concrete images. ~ Salvador Dali
258:We are made in his image, and to him we return. After ~ Amy Harmon
259:Writing poetry and reading books causes brain damage. ~ Pat Conroy
260:Everything transitory is but an image. ~ Johann Wolfgang von Goethe
261:God is worshipped only inpictures, images, idols. ~ Sathya Sai Baba
262:Hay más realidad en una imagen que en una palabra ~ Joseph Campbell
263:Images have an advanced religion; they bury history. ~ Alfredo Jaar
264:I'm going to change my image - backward caps, the lot. ~ Tom Felton
265:I'm having a magenta day. Not just red, but magenta! ~ Stephen King
266:Imitation is the homage mediocrity pays to greatness. ~ Oscar Wilde
267:Nothing is more important than the moving image; ~ Charlie Chaplin
268:Règle d'or : laisser une image incomplète de soi... ~ Emil M Cioran
269:The Hitler Myth’: Image and Reality in the Third Reich, ~ Anonymous
270:The pen is the lever that moves the world. ~ Thomas De Witt Talmage
271:We only dream of images we already have inside of us. ~ David Lynch
272:A God made in the world's image can't save the world. ~ Peter Kreeft
273:A mage's soul is forged in the crucible of the magic ~ Margaret Weis
274:Anybody going into boxing already has brain damage. ~ George Foreman
275:A thick head can do as much damage as a hard heart. ~ Harold W Dodds
276:But I don't think I've grown up to be a damaged adult. ~ Vanessa Mae
277:History breaks down into images, not into stories. ~ Walter Benjamin
278:I don't think in any language. I think in images. ~ Vladimir Nabokov
279:Images are more real than anyone could have supposed. ~ Susan Sontag
280:Images, not words, capture feelings in faces; nothing ~ Sven Nykvist
281:I'm sensitive about my image of being hard to reach. ~ Roone Arledge
282:Isolation has carved me in its image and likeness. ~ Fernando Pessoa
283:Most pornographic images are simply too repulsive. ~ Volkmar Sigusch
284:No matter how much damage he had done, he hadn't won. ~ Linda Howard
285:Outer world is just the mirror image of your inner world. ~ Amit Ray
286:Since I'm inarticulate, I express myself with images. ~ Helen Levitt
287:Some of us are just less damaged than others. ~ R Buckminster Fuller
288:Storytelling can heal broken hearts and damaged minds. ~ Dean Koontz
289:The photographic image is a message without a code. ~ Roland Barthes
290:We're all damaged somehow."-A Great and Terrible Beauty ~ Libba Bray
291:What is a word? The image of a nerve stimulus in sounds. ~ Anonymous
292:What you wear in the house does impact your self-image. ~ Marie Kond
293:All parents damage their children. It cannot be helped. ~ Mitch Albom
294:Beloved is man, for he was created in the image of God. ~ Rabbi Akiva
295:Each breath is transforming me into thine image. ~ Jiddu Krishnamurti
296:I kept an image of you in my mind through all of it. ~ Kristin Hannah
297:The images of things are not the things in themselves. ~ E L Doctorow
298:Where does personality end and brain damage begin? ~ Douglas Coupland
299:You can be for something and still be damaged by it. ~ Patterson Hood
300:A faithful friend is the true image of the Deity. ~ Napoleon Bonaparte
301:A shadow of a reflection of an image of an illusion. ~ Chuck Palahniuk
302:Because it very specifically said the mage that came ~ Lindsay Buroker
303:enfrentado valerosamente a la imagen terrible de la muerte ~ Anonymous
304:I believe they [images] are the soul's immune system.... ~ Lynda Barry
305:If we were made in his image then call us by our names. ~ Erykah Badu
306:I make myself into a new image in order to produce new images. ~ Orlan
307:No. Not even in the face of Armageddon. Never compromise. ~ Alan Moore
308:Other titles Crazy Ex-Ghoulfriend Backwoods Armageddon ~ Angela Roquet
309:People are never able to outperform their self-image. ~ John C Maxwell
310:Regret is always worse than anxiety ~ chase your dreams. ~ Jamie Magee
311:Tension has a way of tearing down your self-image. ~ Emerson Eggerichs
312:The only thing about 3-D is the dullness of the image. ~ Peter Jackson
313:There is a secret person undamaged in every individual. ~ Paul Shepard
314:The relationships that are damaged are often your best. ~ Albert Ellis
315:the words you say to yourself affect your self-image, ~ Robin S Sharma
316:They swapped the real thing for an image of the real thing. ~ Bob Goff
317:Your thoughts and words are the mirror images of your soul. ~ Amit Ray
318:a golden rule: to leave an incomplete image of oneself. ~ Emil M Cioran
319:An image is a stop the mind makes between uncertainties. ~ Djuna Barnes
320:A novel is never anything, but a philosophy put into images. ~ Jim Rohn
321:Imagine a world in which there is no time. Only images. ~ Alan Lightman
322:It wouldn't be a Dragon Age game without ugly mage hats. ~ David Gaider
323:Moi ? C'est une image que je poursuis, rien de plus. ~ G rard de Nerval
324:No one has any experience of the battle of Armageddon. ~ G K Chesterton
325:No vivimos en la realidad sino en nuestra imagen de ella. ~ Jorge Bucay
326:Okay, my limits are don’t damage me. Don’t destroy me. ~ Laurelin Paige
327:Our brains are organized by narrative and image. After ~ Gloria Steinem
328:[Our self-image is] that gap between intention and effect ~ Diane Arbus
329:The human being, creature of eyes, needs the image. ~ Leonardo da Vinci
330:The human body is always treated as an image of society. ~ Mary Douglas
331:The photographic image... is a message without a code. ~ Roland Barthes
332:The questions don't do the damage. Only the answers do. ~ Sam Donaldson
333:We are the same, you and I. We are images of light. ~ Miguel Angel Ruiz
334:We stand at Armageddon and we battle for the Lord. ~ Theodore Roosevelt
335:When the mind is exhausted of images, it invents its own. ~ Gary Snyder
336:Yep, I went from seeing red to seeing fucking magenta. ~ Mariana Zapata
337:A golden rule: to leave an incomplete image of oneself. ~ Emile M Cioran
338:Beauty itself is but the sensible image of the Infinite. ~ Francis Bacon
339:[Christina:] Yeah, me social and bubbly, that’s an image. ~ Jessica Lave
340:Every breath we take as human beings damages the planet. ~ Kevin McCloud
341:Everything possible to be believed is an image of truth. ~ William Blake
342:having ‘weakly disturbing’ images of waffles with pasta on top ~ Tao Lin
343:If I broke her heart, her image of me would break too ~ Vladimir Nabokov
344:Isn't it god's own image? tramping his thirty miles a day ~ D H Lawrence
345:I use a lot of film images, analogies, and imagination. ~ Carlos Fuentes
346:James Dean was the damaged but beautiful soul of our time. ~ Andy Warhol
347:Life damages us, every one. We can't escape that damage. ~ Veronica Roth
348:That's what hate does – it remakes us in its image. ~ Richard Paul Evans
349:The city burning is Los Angeles's deepest image of itself. ~ Joan Didion
350:The image of the Lord has been replaced by a mirror. ~ Jorge Luis Borges
351:We are possessed by our images, suffer our own images. ~ Herbert Marcuse
352:What you can image, you will be, in the long run. ~ Norman Vincent Peale
353:Anyone that damaged doesn’t have a handle on what they need. ~ John Glatt
354:Ardiles strokes the ball like it was a part of his anatomy. ~ Jimmy Magee
355:Doing nothing can cause as much damage as doing something. ~ Jenn Bennett
356:Every thing possible to be believ'd is an image of truth. ~ William Blake
357:Housework, if it is done properly, can cause brain damage. ~ Erma Bombeck
358:I don't think the Republicans can damage my character ~ William J Clinton
359:I love creating images, of course, because I'm an artist. ~ Steve McQueen
360:Images are the pegs holding down memory's billowing tent. ~ Frances Mayes
361:I think of images as an immune system and a transit system. ~ Lynda Barry
362:Libraries are places where the damaged go to find friends ~ Tamora Pierce
363:Not all lines, not all images, survive their season. ~ Andrei Voznesensky
364:On days when I do not work, I am working on my image. ~ Linda Evangelista
365:Property damage is so much easier to live with than murder. ~ Peter Watts
366:reinforce a positive self-image by wearing clothes you love. ~ Marie Kond
367:So …” now extending verbally the image of identicalness. ~ Jonathan Stone
368:The good lord tripped me up behind the line of scrimmage. ~ George Carlin
369:the process of consciousness itself relies on images. ~ Ant nio R Dam sio
370:This generation may be the one that will face Armageddon. ~ Ronald Reagan
371:[To be an artist,] this desire to conquer all with images. ~ Gunter Grass
372:with one image he would make that beauty explode into me. ~ Marcel Proust
373:You may not like my burglar, but please don't damage him. ~ J R R Tolkien
374:Armageddon was yesterday, today we have a serious problem. ~ Steig Larsson
375:Armageddon was yesterday, today we have a serious problem. ~ Stieg Larsson
376:Damaged people are dangerous. They know they can survive. ~ Josephine Hart
377:First you must have the images, then come the words. ~ Robert James Waller
378:If we are to change our world view, images have to change. ~ David Hockney
379:Image of a Roman wax tablet, which looks very like an iPad. ~ Tom Standage
380:I’m nobody. I’m collateral damage with a lot of training. ~ Kiersten White
381:in damages to the families of the American victims. Yet ~ Joel C Rosenberg
382:I want every image to be the beginning of an unseen image. ~ Khalil Gibran
383:Memories images, once they are fixed in words, are erased. ~ Italo Calvino
384:Memory's images, once they are fixed in words, are erased. ~ Italo Calvino
385:Pilgrim, Pilgrimage, and Way are but Myself toward Myself. ~ Erich Neumann
386:Smash the control images. Smash the control machine. ~ William S Burroughs
387:The vocabulary of pleasure depends on the imagery of pain. ~ Marina Warner
388:When you love someone, you should see beyond their image. ~ Olga Kurylenko
389:Actually, I don't really like being confused with my image. ~ Eva Herzigova
390:Alcoholism isn't a disease. It's a failure of self-image. ~ Terence McKenna
391:A novel is never anything, but a philosophy put into images. ~ Albert Camus
392:Because she had formed an image of me as a ravening monster? ~ Jeff Lindsay
393:Behaviour is the mirror in which we can display our image. ~ Mahatma Gandhi
394:Every ad is an investment in the long-term image of a brand. ~ David Ogilvy
395:Everything possible to be believed is an image of truth. ~ Orson Scott Card
396:God made us in His own image so that His image would be shown. ~ John Piper
397:He was like a damaged bird. And they always die, she thought. ~ Sadie Jones
398:He was not talking with US, but with his IMAGE of us. ~ John Howard Griffin
399:Hypocrisy is the homage vice pays to virtue. ~ Francois de La Rochefoucauld
400:I am the Hand of the Mage-King of Mars" (Damien Montgomery) ~ Glynn Stewart
401:If God has made us in his image, we have returned him the favor. ~ Voltaire
402:If I can't get a mental image from the song, I won't sing it. ~ Namie Amuro
403:If you control your distribution, you control your image. ~ Bernard Arnault
404:Images of the world are Renormalization Group fixed points. ~ David Mumford
405:Mirrors should reflect a little before throwing back images. ~ Jean Cocteau
406:The brutality of war could damage even the best of men. ~ Tracy Anne Warren
407:There is nothing worse than a sharp image of a fuzzy concept. ~ Ansel Adams
408:The tomato hides its griefs. Internal damage is hard to spot. ~ Julia Child
409:Want of care does us more damage than want of knowledge ~ Benjamin Franklin
410:When you become a celebrity, the world owns you and your image. ~ Megan Fox
411:Your level of performance matches your dominant self image. ~ Jack Canfield
412:Being made in the image of God, man was the crown of creation. ~ Walter Lang
413:Everybody's damaged by something.”
― Emma Donoghue, Room ~ Emma Donoghue
414:If you are here unfaithfully with us, you're causing terrible damage. ~ Rumi
415:I get a crystal-clear image of Holt as a modern-day Mercutio. ~ Leisa Rayven
416:Ignorance is ignorance, not a licence to believe what we like. ~ Bryan Magee
417:I have absolutely no interest in creating depressing images. ~ Ryan McGinley
418:I'm a bear technician, so I know what bear damage looks like. ~ Jon Krakauer
419:Image plays a huge part in my music and in my lifestyle. ~ Theophilus London
420:I'm going nowhere. I'm just travelling. I'm on a pilgrimage. ~ Hermann Hesse
421:In the image of the lion made He kittens small and curious. ~ Heinrich Heine
422:It was like a weary pilgrimage amongst hints for nightmares. ~ Joseph Conrad
423:My soul intertwined with the divine…an angel I wish were mine. ~ Jamie Magee
424:Nothing can work me damage except myself," said St. Bernard. ~ Maxwell Maltz
425:Obama seems to want to do something to damage rich people. ~ George P Shultz
426:Self-image sets the boundaries of individual accomplishment. ~ Maxwell Maltz
427:Television's very dependent on images. That's not what news is. ~ Kurt Loder
428:The glory of 70mm is the sharpness of the image it offers. ~ Kenneth Branagh
429:The ocean is a central image. It is the symbolism of a great journey. ~ Enya
430:We are all a little damaged, Bee. Some of us more than others. ~ T M Frazier
431:Without images we can neither think nor understand anything. ~ Martin Luther
432:54Your statutes have been my songs In the house of my pilgrimage. ~ Anonymous
433:Damaged souls have their own beauty. A dark, terrifying beauty. ~ A Zavarelli
434:He only half dies who leaves an image of himself in his sons. ~ Carlo Goldoni
435:I certainly believe we all suffer damage, one way or another. ~ Julian Barnes
436:I think Sean Parker damaged the music business with Napster. ~ Curtis Jackson
437:Lord, remember me when thou comest into thy kingdom. ~ Thomas De Witt Talmage
438:Sean is permanently damaged; something is awry in that boy. ~ Maggie Mitchell
439:Some inner images made you want to see beyond this world. ~ Jussi Adler Olsen
440:The greatest homage we can pay to truth, is to use it. ~ James Russell Lowell
441:Thinking for yourself - that's scarier than any devil image. ~ Marilyn Manson
442:We surround ourselves with the true image of ourselves. ~ Ralph Waldo Emerson
443:What you wear in the house does impact your self-image. Clothing ~ Marie Kond
444:But not every image is symbolic; not every woman is a goddess. ~ Wendy Doniger
445:If God created us in his own image, we have more than reciprocated. ~ Voltaire
446:I have permanent damage to my body because I wanted to be thin. ~ Margaret Cho
447:I thought playing an angel would be very good for my image. ~ Shirley MacLaine
448:It's so dense, every single image has so many things going on. ~ Rick McCallum
449:I want people to fall in love with my voice before my image. ~ Jessica Simpson
450:I want to produce images that startle one into recollection. ~ John Baldessari
451:Les premiers instants du sommeil sont l'image de la mort... ~ G rard de Nerval
452:No thought is born in me that does not bear the image of death. ~ Michelangelo
453:The image of God throws a shadow that is just as great as itself. ~ Carl Jung,
454:The images we create could turn into wild beasts and tear us to pieces. ~ Rumi
455:The weight of your body is controlled by the image in your mind. ~ Bob Proctor
456:When you recreate the image of man, why repeat God's mistakes? ~ Arundhati Roy
457:Where I am always thou art. Thy image lives within my heart ~ Sherrilyn Kenyon
458:Whoever controls the media, the images, controls the culture. ~ Allen Ginsberg
459:Yoga is the art of realizing that you are made in the image of God. ~ Amit Ray
460:A shadow
of a reflection
of an image
of an illusion. ~ Chuck Palahniuk
461:Changing how we see images is clearly one way to change the world. ~ Bell Hooks
462:Changing how we see images is clearly one way to change the world. ~ bell hooks
463:Detestation of the high is the involuntary homage of the low. ~ Charles Dickens
464:If god created man in his own image, how come I'm not invisible? ~ David Powers
465:I have a high art, I hurt with cruelty those who would damage me. ~ Archilochus
466:Images of broken light which dance before me like a million eyes ~ John Lennon
467:I've actually trademarked the term 'Momager,' which is what I am. ~ Kris Jenner
468:I would never create an image for myself; I'm not that clever. ~ Ellie Goulding
469:Narcissus weeps to find that his Image does not return his love. ~ Mason Cooley
470:Once you get the right image the details aren't that important. ~ Abbie Hoffman
471:Perfect clarity would profit the intellect but damage the will. ~ Blaise Pascal
472:To an artist, creating an image means being in love with it. ~ Yevgeny Zamyatin
473:We have these images, these icons before us that are not reality. ~ Lauryn Hill
474:Where I am always thou art. Thy image lives within my heart. ~ Sherrilyn Kenyon
475:Who is there in the world who can insult the God in the image? ~ Mahatma Gandhi
476:Wouldn't want to tarnish my image by looking like a good guy. ~ Janet Evanovich
477:At first the ancient images of the Goddess did not interest me. ~ Carol P Christ
478:a world of autonomized images where even the deceivers are deceived. ~ Anonymous
479:Brain damage is never a good idea, no matter what your friends say. ~ Ted Chiang
480:clung to those faint images that seemed to blur and fade ~ Jennifer L Armentrout
481:Conversion is not a single prayer. Conversion is pilgrimage. ~ Diana Butler Bass
482:Do I not damage my enemies after i make them my close friends? ~ Abraham Lincoln
483:Do not damage any human being , animal , vegetable or mineral. ~ Thich Nhat Hanh
484:Henry Adams, like most people, saw society in his own image. ~ Barbara W Tuchman
485:I'd always maintained an image so that people wouldn't approach me. ~ John Lurie
486:I don't think you should ever damage other people for your art. ~ Carey Mulligan
487:In England the only homage which they pay to Virtue - is hypocrisy. ~ Lord Byron
488:In literature, it’s called plagiarism. In the movies, it’s homage. ~ Roger Ebert
489:I think it really holds you back having to think about your image. ~ Jane Badler
490:making a bootable disk image and checking on your old machine ~ Daniel J Levitin
491:Mediocrity is gonna kill the world before Armageddon ever does. ~ Emmylou Harris
492:Nobody has single-handedly done more for the US image than me... ~ Bobby Fischer
493:No one wanted to deal with damaged. It made them uncomfortable. ~ Cambria Hebert
494:One did not alter lives and simply walk away from the damage. ~ Elizabeth George
495:Their God is angry and unkind because they made him in their image. ~ Roxane Gay
496:The only antidote to the magic of images is the magic of words. ~ Camille Paglia
497:This is one image. This is one moment. This is one statement. ARTPOP ~ Lady Gaga
498:Time has a way of fading the sharp edges of a person’s image. ~ Kristen Callihan
499:We are image-makers and image-ridden... We work until we vanish. ~ Philip Guston
500:We might be the holographic image of a two-dimensional structure. ~ Brian Greene

IN CHAPTERS



   15 Occultism
   5 Poetry
   4 Integral Yoga
   1 Mysticism
   1 Fiction
   1 Buddhism
   1 Alchemy


   14 Aleister Crowley
   7 Sri Aurobindo
   2 The Mother
   2 Satprem
   2 Robert Browning


   7 Magick Without Tears
   5 Liber ABA
   2 Savitri
   2 Crowley - Poems
   2 Browning - Poems


02.04 - The Kingdoms of the Little Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  But vain unending is the sacrifice,
  The priest an ignorant Mage who only makes
  Futile mutations in the altar's plan

10.03 - The Debate of Love and Death, #Savitri, #Sri Aurobindo, #Integral Yoga
  
  A miracle structure of the eternal Mage,
  Matter its mystery hides from its own eyes,

1.05 - Buddhism and Women, #Tara - The Feminine Divine, #unset, #Kabbalah
  Kailash.
  When I was 11 years old, I went on pilgri Mage to
  Moun t Kailash. My tutor accom panie d me on this

1.08a - The Ladder, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
   its approach is from a different angle. Just as there are various technical methods of Yoga, so there are of Magick.
  I ignore completely, at this stage of exegesis, the charms and amulets which comprise a greater part of such Qabal- istic works as Sepher Ratsiel haMaloch and The Greater Key of King Solomon. My references are in the main directed towards the spiritual thaumaturgy manifested in, for example, The Sacred Magic of Abramelin the Mage and such invocations as " The Bornless One ", " Liber Israfel " ; the latter being an adaptation from the Book of the Dead ; and the powerful fragments of lyrical ritual found in the Dee manuscripts. When a man endeavours to perfect his meditation, the rebellion of the human will and the Ruach is violent, and only by experience can one discover the almost diabolical ingenuity of the mind in attempting to escape from control. There are methods of training that will, by which it is more or less easy to check one's progress. Magical ritual is a mnemonic process devoted to this end. I say mnemonic advisedly, to answer objections to " apparatus " employed by the Practical Qabalist.
  

1.10 - Laughter Of The Gods, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  
  Sri Aurobindo: Why not seven tails with an eighth on the head everybody different colours, blue, Magenta, indigo, green, scarlet, etc.; hair luxuriant but vermillion and flying erect skywards; other details to match? Amen!
  

1.20 - Talismans - The Lamen - The Pantacle, #Magick Without Tears, #Aleister Crowley, #Occultism
  
  You must on no account attempt to use the squares given in the Book of the Sacred Magic of Abramelin the Mage until you have succeeded in the Operation. More, unless you mean to perform it, and are prepared to go to any length to do so, you are a fool to have the book in your possession at all. Those squares are liable to get loose and do things on their own initiative; and you won't like it.
  

1.21 - My Theory of Astrology, #Magick Without Tears, #Aleister Crowley, #Occultism
  
  Now let me start! You want me to explain the system or no-system! which I use. I do not "move in a mysterious way My wonders to perform;" for nothing could be simpler. For its origin I have to thank Abramelin the Mage, who empties the vials of his scorn upon the astrologers of his time with their meticulous calculations of "the hours of the planets" and so on. I think he goes too far when he says that a planet can have no influence at all, or very little, unless it is above the horizon; but he meant well, bless him! And, though he does not say so, I believe that I do my stuff in very much the same way as he did.
  

1.42 - This Self Introversion, #Magick Without Tears, #Aleister Crowley, #Occultism
  
  There is only one point of theory which matters to our practice. We may readily concur that the Augoeides, the "Genius" of Socrates, and the "Holy Guardian Angel" of Abramelin the Mage, are identical. But we cannot include this "Higher Self"; for the Angel is an actual Individual with his own Universe, exactly as man is; or, for the matter of that, a bluebottle. He is not a mere abstraction, a selection from, and exaltation of, one's own favorite qualities, as the "Higher Self" seems to be. The trouble is (I think) that the Hindu passion for analysis makes them philosophize any limited being out of existence.
  

1.43 - The Holy Guardian Angel is not the Higher Self but an Objective Individual, #Magick Without Tears, #Aleister Crowley, #Occultism
  
  It it were not so, there would be no point in The Sacred Magic of Abramelin the Mage.
  

1.52 - Family - Public Enemy No. 1, #Magick Without Tears, #Aleister Crowley, #Occultism
  
  The one serious grimoire of the Middle Ages is The Book of the Sacred Magic of Abramelin the Mage. He makes no bone about it. He even condescends to point out the family as the most serious of all the obstacles to the performance of the Operation, and he gives the correct psychological reasons why this should be so. You said it yourself! "Family pressure" was your pungent and pertinent expression. Just so.
  

1.81 - Method of Training, #Magick Without Tears, #Aleister Crowley, #Occultism
  
  Of other writers, you have The Book of the Sacred Magic of Abramelin the Mage, and any of the works of Eliphaz Lvi. But that's all.
  

1.83 - Epistola Ultima, #Magick Without Tears, #Aleister Crowley, #Occultism
    Raja Yoga, Vivekananda 373
    The Book of the Sacred Magic of Abramelin the Mage, 374
    MacGregor Mathers

1961-10-30, #Agenda Vol 02, #unset, #Kabbalah
  
   There is obviously a Secret, and all the traditions bear witness to it the Rishis, the Mages of Iran, the priests of Chaldea or Memphis or Yucatan.
   ***

1966-11-03, #Agenda Vol 07, #unset, #Kabbalah
  
   Its generally fragmentsfragments of life that were individualized, and when in the present life you follow a normal development with the [various beings] gathering around the central consciousness, all those elements come back to gather together. They come back, each with its own memories. For instance, I had a memory like that (I tell you, Ive had hundreds of them) when I was very young (I must have been twenty or so). It wasnt at night, but I was lying down, resting: suddenly I felt myself riding a horse, with tremendous warlike power and the sense a will for victory and the POWER of victory. And I felt as if I was riding a horse: I saw a white horse, I saw my legs, with riding breeches, you understand, and a red velvet costume. And there I was, at a gallop. I couldnt tell what the head was like or anything, naturally! And also, the crowd, the armies, and the rising sun. It was so strong, the sense that it was the sense of the will for victory and the POWER of victory. It came just like that. Then, sometime later, I read somewhere the story of Murat (I forget I think his victory was Magenta3 I no longer remember all that), and I immediately understood that my vision was at the moment of launching the battle: he had an inner call to a Power, so there was an identification [with Mothers power], and thats what I remembered and what came back. If I said (as the Theosophists tell you), I was Murat, it would be stupid. But it was a consciousness coming back. It was so strong! The impression lasted long enough, with the sense of the battle but above all the sense of that POWER making you invincible. It was interesting, because at the time (it was just in the beginning, I was beginning to take interest in these things and I had just come across the Cosmic teaching), I was convinced that a womans psychic being was always reincarnated in a woman and a mans psychic being was always reincarnated in a man (many schools teach that; Thon too believed so, he insisted on it). So it came as a surprise, because it wasnt in conformity with what I thought (!). Afterwards (long afterwards), I realized that naturally all those dogmas were nonsense, but
  
  --
  
   If it is the battle of Magenta, it is not Murat but MacMahon. It seems more likely to be Murat and another battle.
  

1.ac - Adela, #Crowley - Poems, #Aleister Crowley, #Occultism
  Life is absorbed in its beatitude,
  A meditative Mage beneath the moon
  Ah! should we come, a delicate interlude,

1.ac - The Priestess of Panormita, #Crowley - Poems, #Aleister Crowley, #Occultism
  
  The Mage hath wrought by his art
  A billion shapes in the sun.
  --
  And the many are shapes of one!
  An end to the art of the Mage,
  And the cold grey blank of the prison!

1f.lovecraft - The Whisperer in Darkness, #Lovecraft - Poems, #unset, #Kabbalah
   had flared forth. I guessedfrom hints which made even my informant
   pause timidlythe secret behind the Magellanic Clouds and globular
   nebulae, and the black truth veiled by the immemorial allegory of Tao.

1.rb - In A Gondola, #Browning - Poems, #Robert Browning, #Poetry
  Their subtle spirit in his cruce
  And leave but ashes: so, sweet Mage,
  Leave them my ashes when thy use

1.rb - Sordello - Book the Sixth, #Browning - Poems, #Robert Browning, #Poetry
  Of their material round us! Pliant earth
  And plastic flamewhat balks the Mage his birth
  Jacinth in balls or lodestone by the block?

1.wby - The Ballad Of Moll Magee, #Yeats - Poems, #William Butler Yeats, #Poetry
  object:1.wby - The Ballad Of Moll Magee
  author class:William Butler Yeats
  --
  Because I mutter as I go;
  But pity Moll Magee.
  My man was a poor fisher
  --
  But gather with your shinin' looks
  And pity Moll Magee.
  

2.24 - The Evolution of the Spiritual Man, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  Stoic and Epicurean, which were dynamic not only for thought but for conduct of life and developed a discipline, an effort at inner perfection of the being; this reached a higher spiritual plane of knowledge in later Christian or Neo-pagan thought-structures where East and West met together. But later on the intellectualisation became complete and the connection of philosophy with life and its energies or spirit and its dynamism was either cut or confined to the little that the metaphysical idea can impress on life and action by an abstract and secondary influence. Religion has supported itself in the West not by philosophy but by a credal theology; sometimes a spiritual philosophy emerges by sheer force of individual genius, but it has not been as in the East a necessary adjunct to every considerable line of spiritual experience and endeavour. It is true that a philosophic development of spiritual thought is not entirely indispensable; for the truths of spirit can be reached more directly and completely by intuition and by a concrete inner contact. It must also be said that the critical control of the intellect over spiritual experience can be hampering and unreliable, for it is an inferior light turned upon a field of higher illumination; the true controlling power is an inner discrimination, a psychic sense and tact, a superior intervention of guidance from above or an innate and luminous inner guidance. But still this line of development too is necessary, because there must be a bridge between the spirit and the intellectual reason: the light of a spiritual or at least a spiritualised intelligence is necessary for the fullness of our total inner evolution, and without it, if another deeper guidance is lacking, the inner movement may be erratic and undisciplined, turbid and mixed with unspiritual elements or one-sided or incomplete in its catholicity. For the transformation of the Ignorance into the integral Knowledge the growth in us of a spiritual intelligence ready to receive a higher light and canalise it for all the parts of our nature is an intermediate necessity of great importance.
  But none of these three lines of approach can by themselves entirely fulfil the greater and ulterior intention of Nature; they cannot create in mental man the spiritual being, unless and until they open the door to spiritual experience. It is only by an inner realisation of what these approaches are seeking after, by an overwhelming experience or by many experiences building up an inner change, by a transmutation of the consciousness, by a liberation of the spirit from its present veil of mind, life and body that there can emerge the spiritual being. That is the final line of the soul's progress towards which the others are pointing and, when it is ready to disengage itself from the preliminary approaches, then the real work has begun and the turning-point of the change is no longer distant. Till then all that the human mental being has reached is a familiarity with the idea of things beyond him, with the possibility of an other-worldly movement, with the ideal of some ethical perfection; he may have made too some contact with greater Powers or Realities which help his mind or heart or life. A change there may be, but not the transmutation of the mental into the spiritual being. Religion and its thought and ethics and occult mysticism in ancient times produced the priest and the Mage, the man of piety, the just man, the man of wisdom, many high points of mental manhood; but it is only after spiritual experience through the heart and mind began that we see arise the saint, the prophet, the Rishi, the Yogi, the seer, the spiritual sage and the mystic, and it is the religions in which these types of spiritual manhood came into being that have endured, covered the globe and given mankind all its spiritual aspiration and culture.
  When spirituality disengages itself in the consciousness and puts on its distinctive character, it is only at first a small kernel, a growing tendency, an exceptional light of experience amidst the great mass of normal unenlightened human mind, vitality, physicality which forms the outer self and engrosses our natural preoccupation. There are tentative beginnings and a slow evolution and hesitating emergence. An earlier first preliminary form of it creates a certain kind of religiosity which is not the pure spiritual temperament, but is of the nature of mind or life seeking or finding in itself a spiritual support or factor; in this stage man is mostly preoccupied with the utilisation of such contacts as he can get or construct with what is beyond him to help or serve his mental ideas or moral ideals or his vital and physical interests; the true turn to some spiritual change has not come. The first true formations take the shape of a spiritualisation of our natural activities, a permeating influence on them or a direction: there is a preparatory influence or influx in some part or tendency of the mind or life, - a spiritualised turn of thought with uplifting illuminations, or a spiritualised turn of the emotional or the aesthetic being, a spiritualised ethical formation in the character, a spiritualised urge in some life-action or other dynamic vital movement of the nature. An awareness comes perhaps of an inner light, of a guidance or a communion, of a greater Control than the mind and will to which something in us obeys; but all is not yet recast in the mould of that experience. But when these intuitions and illuminations grow in insistence and canalise themselves, make a strong inner formation and claim to govern the whole life and take over the nature, then there begins the spiritual formation of the being; there emerges the saint, the devotee, the spiritual sage, the seer, the prophet, the servant of God, the soldier of the spirit. All these take their stand on one part of the natural being lifted up by a spiritual light, power or ecstasy. The sage and seer live in the spiritual mind, their thought or their vision is governed and moulded by an inner or a greater divine light of knowledge; the devotee lives in the spiritual aspiration of the heart, its self-offering and its seeking; the saint is moved by the awakened psychic being in the inner heart grown powerful to govern the emotional and vital being; the others stand in the vital kinetic nature driven by a higher spiritual energy and turned by it towards an inspired action, a God-given work or mission, the service of some divine Power, idea or ideal. The last or highest emergence is the liberated man who has realised the Self and Spirit within him, entered into the cosmic consciousness, passed into union with the Eternal and, so far as he still accepts life and action, acts by the light and energy of the Power within him working through his human instruments of Nature. The largest formulation of this spiritual change and achievement is a total liberation of soul, mind, heart and action, a casting of them all into the sense of the cosmic Self and the Divine Reality.10 The spiritual evolution of the individual has then found its way and thrown up its range of Himalayan eminences and its peaks of highest nature. Beyond this height and largeness there opens only the supramental ascent or the incommunicable Transcendence.

26.06 - Ashram Poets, #Collected Works of Nolini Kanta Gupta - Vol 06, #Nolini Kanta Gupta, #Integral Yoga
  
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2 - Other Hymns to Agni, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  7. The immortal, the godhead, the priest of the call goes in
  our front with his Mage wisdom, impelling the discoveries
  of knowledge.
  --
  
  10. May these men, heroes in the slayings of the Coverer, who work out the thought I have voiced, overcome all undivine Mage-knowledge.
  

3.01 - The Principles of Ritual, #Liber ABA, #Aleister Crowley, #Occultism
  
  1. See The Book of the Sacred Magic of Abramelin the Mage; and Liber 418, 8th thyr;
  Liber Samekh, appendix IV of this book.

3.11 - Spells, #Advanced Dungeons and Dragons 2E, #unset, #Kabbalah
    The material components of this spell are (in addition to those of the companion spell)
    100 gp worth of quicksilver and an eyelash of an ogre Mage, ki-rin, or similar spell-using
    creature. In addition, the spell requires a statuette of the wizard carved from elephant

3.14 - Of the Consecrations, #Liber ABA, #Aleister Crowley, #Occultism
  invoking His Holy Guardian Angel according to the Sacred Magick
  of Abramelin the Mage. That Angel wrote on the lamen the Word
   101

3.20 - Of the Eucharist, #Liber ABA, #Aleister Crowley, #Occultism
  
  1. See The Book of the Sacred Magic of Abramelin the Mage.
  2. There is nevertheless the general objection to the diversion of channels of
  --
  2. [Possibly a reference to Antony of Prague, mentioned in The Book of the
  Sacred Magic of Abramelin the Mage (Book I, cap. 5 and 6), who, according to
  Abraham, had made a pact with the Demon, and had given himself over to
  --
  This is the reason why the magician who performs the Operation
  of the Sacred Magic of Abramelin the Mage, immediately after
  attaining to the Knowledge and Conversation of the Holy Guardian

3.6.01 - Heraclitus, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  
  Heraclitus is using the old language of the Mysteries, though in his own new way and for his own individual purpose, when he speaks of Hades and Dionysus and the ever-living Fire or of the Furies, the succourers of Justice who will find out the Sun if he oversteps his measure. We miss his sense, if we see in these names of the gods only the poorer superficial meanings of the popular mythological religion. When Heraclitus speaks of the dry or the moist soul, it is of the soul and not the intellect that he is thinking, psuchē and not nous. Psuchē corresponds roughly to the cetas or citta of Indian psychology, nous to buddhi; the dry soul of the Greek thinker to the purified heart-consciousness, śuddha citta, of the Indian psychologists, which in their experience was the first basis for a purified intellect, viśuddha buddhi. The moist soul is that which allows itself to be perturbed by the impure wine of sense ecstasy, emotional excitement, an obscure impulse and inspiration whose source is from a dark under-world. Dionysus is the god of this wine-born ecstasy, the god of the Bacchic mysteries,—of the “walkers in the night, Mages, bacchanals, mystics”: therefore Heraclitus says that Dionysus and Hades are one. In an opposite sense the ecstatic devotee of the Bhakti path in India reproaches the exclusive seeker by the way of thought-discernment with his “dry knowledge”, using Heraclitus’ epithet, but with a pejorative and not a laudatory significance.
  

APPENDIX I - Curriculum of A. A., #Liber ABA, #Aleister Crowley, #Occultism
      Dogme et Rituel de la Haute Magie, ::: by Eliphas Levi. The best general textbook of magical theory and practice for beginners. Written in an easy popular style.
      The Book of the Sacred Magic of Abramelin the Mage. ::: The best exoteric account of the Great Work, with careful instructions in procedure. This Book influenced and helped the Master Therion more than any other.
   The Goetia. ::: The most intelligible of the mediaeval rituals of Evocation. Contains also the favorite Invocation of the Master Therion.
  --
    Liber DCCLXXVII. (777) [B] - Vel Prolegomena Symbolica Ad Systemam Sceptico-Mysticae Viae Explicandae, Fundamentum Hieroglyphicorum sanctissimorum Scientae Summae ::: A complete Dictionary of the Correspondences of all magical elements, reprinted with extensive additions, making it the only standard comprehensive book of reference ever published. It is to the language of Occultism what Webster or Murray is to the English Language. The reprint with additions will shortly be published.
    Liber DCCC. (800) [D] - Liber Samekh ::: Being the Ritual employed by the Beast 666 for the Attainment of the Knowledge and Conversation of his Holy Guardian Angel during the semester of His performance of the Operation of the Sacred Magick of Abramelin the Mage.
    Liber DCCCVIII (808) [] - Serpentis Nehushtan

Blazing P1 - Preconventional consciousness, #unset, #Rabbi Moses Luzzatto, #Kabbalah
  research is available). For each stage of consciousness, I first cover cognition, then selfidentity, the order of consciousness, values, morals, and end with faith.7 The paper is broken
  into three parts: preconventional consciousness, which covers Infrared, Magenta, and Red;
  
  --
  In this early stage, no concept of morals seems to have developed yet. Kohlbergs Stage 0
  starts at the Magenta stage of consciousness.
  
  --
  
  THE MageNTA STAGE OF CONSCIOUSNESS
  
  --
  
  Cognition at the Magenta Stage of Consciousness
  Preoperational
  [Note that this stage of cognitive development covers both the Magenta and the Red stage of
  consciousness.]
  --
  
  Self-Identity at the Magenta Stage of Consciousness
  Impulsive Stage
  --
  
  Order of Consciousness at the Magenta Stage
  1st Order43
  --
  
  Values at the Magenta Stage of Consciousness
  The Animistic Existence The BO State (Purple)46
  --
  
  Morals at the Magenta Stage of Consciousness
  Stage 0 (Magic Wish)
  --
  
  Faith at the Magenta Stage of Consciousness
  Intuitive-Projective Faith52
  --
  Cognition at the Red Stage of Consciousness
  [See the Preoperational stage of cognitive development in the Magenta section. This stage
  goes through both the Magenta and Red stages of consciousness.]
  

WORDNET


































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https://religion.wikia.org/wiki/Portal:Atheism/Intro/Image_Layout
https://religion.wikia.org/wiki/Religionwiki:Categorization#Images
https://religion.wikia.org/wiki/Religionwiki:_List_Public_domain_image_resources
https://religion.wikia.org/wiki/Religionwiki:manual#Posting_Images_and_Media
https://religion.wikia.org/wiki/Second_Coming#Other_biblical_images
https://religion.wikia.org/wiki/Shikoku_Pilgrimage
https://religion.wikia.org/wiki/Talk:Cult_image
https://religion.wikia.org/wiki/The_Beast_(Revelation)#Image_of_the_beast
https://religion.wikia.org/wiki/The_Holy_Qur'an_(Maulana_Muhammad_Ali)/22._The_Pilgrimage
https://religion.wikia.org/wiki/World_egg#ImageMap_8fd3c3fd34afc0fb
https://religion.wikia.org/wiki/Zoroastrianism#ImageMap_a1bd47e73d02a075
https://schools.wikia.org/wiki/How_to_find_quotations_and_images_for_Keywords_for_Imperialism
https://schools.wikia.org/wiki/Template:Body_Image
https://threekingdoms.wikia.org/wiki/Category:Historical_Images
https://wikiapiary.com/wiki/Extension:ImageMap
https://world-war-2.wikia.org/wiki/Category:Image_Archive
https://world-war-2.wikia.org/wiki/World_War_II_Wiki:Image_Policy
http://www.imagecomics.wikia.com/Main_Page
auromere - unpleasant-images-and-negative-thoughts-during-meditation
auromere - subconscient
auromere - meditation
auromere - pranayama
auromere - unpleasant-images-and-negative-thoughts-during-meditation
auromere - unpleasant-images-and-negative-thoughts-during-meditation
Integral World - Meditating Catholic, An Agnostic Pilgrimage For Contemplative Enclaves Inside Roman Catholic Churches, David Lane
Integral World - How Did We Waste 30 Years of Warnings About Escalating Global Warming?, Climageddon, Part 1, Chapter 7, Lawrence Wollersheim
Growing Up: A Guided Tour Part 2 Crimson, Magenta, Red, and Amber
selforum - matrubhaban place of pilgrimage
selforum - oriental tastes and tropical imagery
selforum - its image is keatsian and minute and
selforum - father image of gandhi and sri
selforum - unified image of mother india is yet to
https://thoughtsandvisions-searle88.blogspot.com/2012/09/pandit-gopi-krishna.html#ImageMap_1_1051368823
https://thoughtsandvisions-searle88.blogspot.com/2012/09/pandit-gopi-krishna.html#ImageMap_2_1503115762
https://thoughtsandvisions-searle88.blogspot.com/2012/10/psi-and-psychiatry.html#logo-imagemap
https://thoughtsandvisions-searle88.blogspot.com/2015/08/aphantasia-life-without-mental-images.html
https://thoughtsandvisions-searle88.blogspot.com/2015/10/mental-imagery.html
https://thoughtsandvisions-searle88.blogspot.com/2015/10/visual-mental-imagery-training.html
https://thoughtsandvisions-searle88.blogspot.com/2015/11/the-galton-paper-on-mental-imagery.html
dedroidify.blogspot - secret-images-of-google-earth
dedroidify.blogspot - dedroidify-google-images
dedroidify.blogspot - killing-us-softly-3-advertisings-image
dedroidify.blogspot - its-big-lucid-dreaming-image
dedroidify.blogspot - in-its-image
dedroidify.blogspot - hey-its-one-of-these-image-posts
dedroidify.blogspot - myth-and-religion-image-of-man-alan
dedroidify.blogspot - myth-and-religion-image-of-man-alan.html?showComment=1474743908600
https://esotericotherworlds.blogspot.com/2012/12/brain-dreams-imagery.html
https://esotericotherworlds.blogspot.com/2013/04/dcbd-deliberately-caused-bodily-damage.html
https://esotericotherworlds.blogspot.com/2019/08/scientists-unveil-first-ever-image-of.html
wiki.auroville - Auroville_art_(image_gallery)
wiki.auroville - News_&_Notes_695:Homage_to_Njal
wiki.auroville - Ritam_"International_Zone_-_A_Living_Image_of_a_Human_Unity"
Dharmapedia - 2000_Amarnath_pilgrimage_massacre
Dharmapedia - Category:Buddhist_pilgrimages
Dharmapedia - Category:No_local_image_but_image_on_Wikidata
Dharmapedia - Hindu_pilgrimage_sites
Psychology Wiki - Hinduism#Pilgrimage_and_festivals
Psychology Wiki - Human_sex_differences#ImageMap_e214a9e71b214673
Psychology Wiki - Imagery
Psychology Wiki - Special:NewFiles?mediatype=VIDEO&wpFormIdentifier=specialnewimages
Stanford Encyclopedia of Philosophy - mental-imagery
Occultopedia - armageddon
Occultopedia - visualization_imagery
https://en.wikiquote.org/wiki/Armageddon
https://en.wikiquote.org/wiki/Armageddon_(film)
https://en.wikiquote.org/wiki/Bryan_Magee
https://en.wikiquote.org/wiki/Childe_Harold's_Pilgrimage
https://en.wikiquote.org/wiki/Damage
https://en.wikiquote.org/wiki/Damages_(TV_series)
https://en.wikiquote.org/wiki/Ferdinand_Magellan
https://en.wikiquote.org/wiki/File:Charlton_Heston_as_Antony_in_Julius_Caesar,_B%26W_image_by_Chalmers_Butterfield.jpg
https://en.wikiquote.org/wiki/File:Charlton_Heston_as_Antony_in_Julius_Caesar,_B&W_image_by_Chalmers_Butterfield.jpg
https://en.wikiquote.org/wiki/File:Domingos_Sequeira_-_The_Worship_of_the_Mages.jpg
https://en.wikiquote.org/wiki/File:Fantin-Latour_Homage_to_Delacroix.jpg
https://en.wikiquote.org/wiki/File:General_Omar_Bradley,_General_Dwight_Eisenhower,_and_General_George_Patton,_all_graduates_of_West_Point,_survey_war_damage_in_Bastogne,_Belgium._1944-1945.jpg
https://en.wikiquote.org/wiki/File:Image050h.jpg
https://en.wikiquote.org/wiki/File:Image-UN_Swords_into_Plowshares_Statue.JPG
https://en.wikiquote.org/wiki/File:Jiuhuashan_bodhisattva_image.jpg
https://en.wikiquote.org/wiki/File:L%27Image_et_le_Pouvoir_-_Buste_cuirass%C3%A9_de_Marc_Aur%C3%A8le_ag%C3%A9_-_3.jpg
https://en.wikiquote.org/wiki/File:London_Road,_Croydon,_riot_damage_2.jpg
https://en.wikiquote.org/wiki/File:Lord_Byron_-_Childe_Harold%27s_Pilgimage_-_Dugdale_edition.jpg
https://en.wikiquote.org/wiki/File:Pentagon_satellite_image.jpg
https://en.wikiquote.org/wiki/File:Satellite_image_of_Denmark_in_July_2001.jpg
https://en.wikiquote.org/wiki/File:Satellite_image_of_Sri_Lanka_in_May_2002.jpg
https://en.wikiquote.org/wiki/File:Trident_II_missile_image.jpg
https://en.wikiquote.org/wiki/Henry_Steele_Commager
https://en.wikiquote.org/wiki/Image
https://en.wikiquote.org/wiki/Images
https://en.wikiquote.org/wiki/Jimmy_Magee
https://en.wikiquote.org/wiki/Mental_image
https://en.wikiquote.org/wiki/Spitting_Image
https://en.wikiquote.org/wiki/Thomas_De_Witt_Talmage
https://en.wikiquote.org/wiki/User:Dark_Mage/matrix
https://en.wikiquote.org/wiki/User:Kalki/images-biotics
https://en.wikiquote.org/wiki/User:Kalki/images-mathematics
https://en.wikiquote.org/wiki/User:Kalki/images-physics
https://en.wikiquote.org/wiki/User:Muqman_52/Images_of_the_elements
Wikipedia - 1978 North Sea storm surge -- A storm surge which occurred over 11-12 January causing extensive [[coastal flooding]] and considerable damage on the east coast of England between the Humber and Kent
Wikipedia - 25th NAACP Image Awards -- 25th NAACP Image Awards ceremony
Wikipedia - 48 Portraits -- Series of 48 portrait images of Gerhard Richter
Wikipedia - 4chan -- Anonymous imageboard website
Wikipedia - 80 Million Tiny Images -- Dataset for training machine learning systems.
Wikipedia - 8chan -- imageboard website
Wikipedia - 9GAG -- Social media website whereby users upload and share user-generated images and videos
Wikipedia - AB7 -- Binary star in the Small Magellanic Cloud
Wikipedia - Abramelin the Mage
Wikipedia - Abu Mena -- Town, monastery complex and Christian pilgrimage center in Late Antique Egypt
Wikipedia - Acaena magellanica -- Species of plant
Wikipedia - Accidental viewpoint -- Singular position from which an image can be perceived creating either an ambiguous image or an illusion
Wikipedia - Acoustic seabed classification -- The partitioning of a seabed acoustic image into discrete physical entities or classes
Wikipedia - Adaptive histogram equalization -- Computer image processing technique
Wikipedia - A Divine Image
Wikipedia - Adobe Photoshop Elements -- Raster image editing product
Wikipedia - A Dream of Armageddon -- Short story by H. G. Wells
Wikipedia - Aerial photography -- Taking images of the ground from the air
Wikipedia - Afterimage (film) -- 2016 film
Wikipedia - Afterimage (magazine) -- Journal of contemporary art, culture, and politics
Wikipedia - AfterImage -- Filipino rock band
Wikipedia - Afterimage -- Image that continues to appear in the eyes after a period of exposure to the original image
Wikipedia - Air burst -- Detonation of an explosive above a target for increased pressure wave damage
Wikipedia - Almagest -- Astronomical treatise
Wikipedia - Amager Strandpark -- Seaside park in Copenhagen
Wikipedia - Amager
Wikipedia - Amazon Machine Image -- Virtual appliance within the Amazon EC2
Wikipedia - Ambiguous image -- An image which exploits graphical similarities between two or more distinct image forms
Wikipedia - Amir al-hajj -- Commander of Hajj, a muslim pilgrimage honor or title annually
Wikipedia - Amith Thenuka Vidanagamage -- Sri Lankan politician
Wikipedia - Analog image processing
Wikipedia - Analog transmission -- Transmission method of conveying voice, data, image, signal or video
Wikipedia - Ananda Wickramage -- Sri Lankan actor and comedian
Wikipedia - Ancient Egypt in the Western imagination -- Legendary image of Egypt in the Western world
Wikipedia - Andrea Bartfai-Mager -- Hungarian politician
Wikipedia - Andrew Magee -- American professional golfer
Wikipedia - Angular resolution -- Ability of any image-forming device to distinguish small details of an object
Wikipedia - Aniconism in Islam -- Avoidance of images of sentient beings in some forms of Islamic art
Wikipedia - An Image of the Past -- 1915 film
Wikipedia - Animator -- Person who makes animated sequences out of still images
Wikipedia - Anisotropic filtering -- Method of enhancing the image quality of textures on surfaces of computer graphics
Wikipedia - Antiochus III of Commagene -- King of Commagene from 12 BC to 17 AD
Wikipedia - Antiochus I of Commagene
Wikipedia - Antiochus I Theos of Commagene
Wikipedia - Antiochus IV of Commagene -- Last king of Commagene (ruled AD 38-72)
Wikipedia - Anton-Babinski syndrome -- Rare symptom of brain damage where sufferers deny being blind
Wikipedia - Aperture synthesis -- Mixing signals from many telescopes to produce images with high angular resolution
Wikipedia - Aphantasia -- Condition in which an individual cannot voluntarily visualize imagery
Wikipedia - Apple Icon Image format
Wikipedia - Arba'een Pilgrimage
Wikipedia - Arbaeen Pilgrimage
Wikipedia - ArbaM-JM-=een Pilgrimage -- Pilgrimage to Imam Hussein shrine
Wikipedia - Ardre image stones -- Runestone
Wikipedia - Armageddon (1998 film) -- 1998 science fiction film directed by Michael Bay
Wikipedia - Armageddon (1999) -- 1999 World Wrestling Federation pay-per-view event
Wikipedia - Armageddon (2000) -- 2000 World Wrestling Federation pay-per-view event
Wikipedia - Armageddon (2002) -- 2002 World Wrestling Entertainment pay-per-view event
Wikipedia - Armageddon (2003) -- 2003 World Wrestling Entertainment pay-per-view event
Wikipedia - Armageddon (2004) -- 2004 World Wrestling Entertainment pay-per-view event
Wikipedia - Armageddon (2005) -- 2005 World Wrestling Entertainment pay-per-view event
Wikipedia - Armageddon (2006) -- 2006 World Wrestling Entertainment pay-per-view event
Wikipedia - Armageddon (2007) -- 2007 World Wrestling Entertainment pay-per-view event
Wikipedia - Armageddon (2008) -- 2008 World Wrestling Entertainment pay-per-view event
Wikipedia - Armageddon (convention) -- New Zealand science fiction and comics convention
Wikipedia - Armageddon Gospels -- British film
Wikipedia - Armageddon It -- 1987 song by Def Leppard
Wikipedia - Armageddon (MUD) -- Low fantasy MUD
Wikipedia - Armageddon -- According to the Book of Revelation, the site of a battle during the end times
Wikipedia - Armagetron Advanced
Wikipedia - Armour -- Covering to protect from damage
Wikipedia - Arthur Talmage Abernethy -- American journalist, scholar, theologian and poet
Wikipedia - ART image file format
Wikipedia - A Shaun the Sheep Movie: Farmageddon -- 2019 film directed by Will Becher and Richard Phelan
Wikipedia - Aspect ratio (image) -- Width/height proportion of an image
Wikipedia - Association for Information and Image Management -- Professional association
Wikipedia - Association of Moving Image Archivists -- US non-profit to advance the field of moving image archiving
Wikipedia - Astronomical survey -- General map or image of a region of the sky with no specific observational target.
Wikipedia - Astrophotography -- Specialized type of photography for recording images of astronomical objects and large areas of the night sky
Wikipedia - Ataxia telangiectasia and Rad3 related -- Protein kinase that detects DNA damage and halts cell division
Wikipedia - Atelectotrauma -- Damage caused to the lung by mechanical ventilation
Wikipedia - Athetoid cerebral palsy -- Type of cerebral palsy associated with basal ganglia damage
Wikipedia - Attorney General v Blake -- English contract law case on damages for breach of contract
Wikipedia - Auditory imagery
Wikipedia - Augustus Magee -- American adventurer and filibuster
Wikipedia - Austrian Pilgrim Hospice to the Holy Family -- Catholic pilgrimage hostel in Jerusalem
Wikipedia - Autodesk Softimage
Wikipedia - Automatic image annotation
Wikipedia - Automatic image captioning
Wikipedia - Aviary (image editor)
Wikipedia - Bag-of-words model in computer vision -- Image classification model
Wikipedia - BahaM-JM- -- Gardens in BahaM-JM-
Wikipedia - BahaM-JM- -- Pilgrimage to several BahaM-JM-
Wikipedia - Baishatun Mazu Pilgrimage
Wikipedia - Balanced histogram thresholding -- Type of image thresholding
Wikipedia - Barbara Channel -- Channel connecting the Magellan Strait to the Pacific Ocean
Wikipedia - Barbara Talmage -- American diver
Wikipedia - Barnstar -- Painted object or image, often in the shape of a five-pointed star but occasionally in a circular "wagon wheel" style, used to decorate a barn in some parts of the United States
Wikipedia - Base change theorems -- Relate the direct image and the pull-back of sheaves
Wikipedia - Battle of Magenta -- Battle of the Second Italian War of Independence
Wikipedia - Battle of Magersfontein -- Battle of the Second Boer War
Wikipedia - Battle of Remagen -- World War II US Army crossing the Rhine.
Wikipedia - Beatrice B. Magee -- American biochemist
Wikipedia - Bell-Magendie law
Wikipedia - Ben Magec - Ecologistas en Accion -- Non-governmental organization in the Canary Islands
Wikipedia - Binary image -- image comprising exactly two colors, typically black and white
Wikipedia - Binocular vision -- Ability to perceive a single three-dimensional image of surroundings with two eyes
Wikipedia - Bioimage informatics
Wikipedia - Bipyramid -- Polyhedron formed by joining a pyramid and its mirror image base-to-base
Wikipedia - Bitmap image
Wikipedia - Blackmagic Fusion -- Image compositor and post-production software
Wikipedia - Blind Stamp -- Image, design or lettering on an art print or book formed by creating a depression in the paper or other material
Wikipedia - Block-matching and 3D filtering -- Algorithm for noise reduction in images
Wikipedia - Blues Image -- American rock band
Wikipedia - Body Gossip -- English teenage body image charity
Wikipedia - Body image -- A person's perception of the aesthetics or sexual attractiveness of his or her own body
Wikipedia - Bokeh -- Aesthetic quality of blur in the out-of-focus parts of an image
Wikipedia - Bomb (icon) -- Symbolic image used to represent a bomb
Wikipedia - Book -- Medium for recording information in the form of writing or images
Wikipedia - Brahma from Mirpur-Khas -- A famous bronze image of Brahma made in Sindh
Wikipedia - Brain damage -- Destruction or degeneration of brain cells
Wikipedia - Bremer wall -- Type of barrier used to protect structures against damage from explosions
Wikipedia - Bret Hart vs. Tom Magee -- Professional wrestling match
Wikipedia - Brian Magee
Wikipedia - Bryan Magee
Wikipedia - Buddhist pilgrimage sites in India
Wikipedia - Buddhist pilgrimage sites
Wikipedia - Buddhist pilgrimage
Wikipedia - BuddhabhiM-aM-9M-#eka -- Buddhist rituals used to consecrate images of the Buddha and bodhisattvas
Wikipedia - Buli Tsho -- Pilgrimage place and Lake in Bhutan
Wikipedia - Bullbar -- Device fitted to the front of a vehicle to protect it and its passengers from damage in a collision with an animal
Wikipedia - Calligram -- Poem, phrase, or word in which the typeface, calligraphy or handwriting is arranged in a way that creates a visual image
Wikipedia - Callinicus (Prince of Commagene) -- 1st century AD prince of the Kingdom of Commagene
Wikipedia - Camera Image File Format -- File format
Wikipedia - Camera -- Optical device for recording images
Wikipedia - Camino de Santiago -- Pilgrimage routes to Santiago de Compostela, Spain
Wikipedia - Canonical coronation -- Catholic ceremonial crowning of an image of Mary or Jesus
Wikipedia - Carbon print -- Photographic print made by the carbon process, which uses carbon pigment and gelatin to transfer images to a paper support
Wikipedia - Card image
Wikipedia - Carmageddon -- 1997 vehicular combat video game
Wikipedia - Category:Articles having different image on Wikidata and Wikipedia
Wikipedia - Category:Articles having same image on Wikidata and Wikipedia
Wikipedia - Category:Articles using infobox ethnic group with image parameters
Wikipedia - Category:Articles using Wikidata infoboxes with locally defined images
Wikipedia - Category:Comics infobox image less alt text
Wikipedia - Category:Computing articles needing images
Wikipedia - Category:History images
Wikipedia - Category:Image compression
Wikipedia - Category:Image processing software
Wikipedia - Category:Image processing
Wikipedia - Category:Images of philosophers
Wikipedia - Category:No local image but image on Wikidata
Wikipedia - Category:Pages using infobox settlement with image map1 but not image map
Wikipedia - Category:Pages using infobox university with the image name parameter
Wikipedia - Category:Pages using multiple image with auto scaled images
Wikipedia - Category:Pages using multiple image with manual scaled images
Wikipedia - Category:People from Magenta, Lombardy
Wikipedia - Category:Philosophy images
Wikipedia - Category:Pilgrimages
Wikipedia - Category:Wikipedia books (books without cover images)
Wikipedia - Category:Wikipedia Manual of Style (images)
Wikipedia - Category:Wikipedia requested images
Wikipedia - Cathode-ray tube -- Vacuum tube that displays images used in old TVs and monitors
Wikipedia - Catholic Association Pilgrimage
Wikipedia - Cats and the Internet -- Images and videos of domestic cats on the internet
Wikipedia - Cauda equina syndrome -- Nerve damage at the end of the spinal cord
Wikipedia - Cell damage -- Variety of changes of stress that a cell suffers due to external as well as internal environmental changes
Wikipedia - Censor bars -- Basic form of text, photography and video censorship that occludes certain information or images with rectangular boxes
Wikipedia - Censorship of images in the Soviet Union
Wikipedia - Cerebellar cognitive affective syndrome -- Cognitive and affective symptoms of cerebellum damage
Wikipedia - Cerebral angiography -- Angiography that produces images of blood vessels in and around the brain
Wikipedia - Channel (digital image)
Wikipedia - Char Dham -- Four major Hindu pilgrimage sites in India
Wikipedia - Charles R. Magel
Wikipedia - Charticle -- Text, images and graphics newspaper
Wikipedia - Chicago Film Archives -- Regional moving image archive founded in 2003
Wikipedia - Childe Harold's Pilgrimage -- 1812-1818 narrative poem by Lord Byron
Wikipedia - China girl (filmmaking) -- Colour test image for movie film
Wikipedia - Chirality (mathematics) -- Property of an object that is not congruent to its mirror image
Wikipedia - Chiral knot -- Knot that is not equivalent to its mirror image
Wikipedia - Chonmage -- Traditional Japanese men's hairstyle
Wikipedia - Chota Char Dham -- Hindu pilgrimage circuit of four sites in India
Wikipedia - Christian interpolation -- Textual insertion and textual damage to Jewish source texts during Christian scribal transmission
Wikipedia - Christian Mager -- German bicycle racer
Wikipedia - Christian pilgrimage -- Wikimedia list article
Wikipedia - Christopher L. Magee -- American engineer and researcher
Wikipedia - Church of the Flagellation -- Roman Catholic church and Christian pilgrimage site located in the Muslim Quarter of the Old City of Jerusalem
Wikipedia - Cinema 1: The Movement Image
Wikipedia - Cinema 2: The Time-Image
Wikipedia - Circuit breaker -- Automatically operated electrical switch designed to protect an electrical circuit from damage caused by excess current from an overload or short circuit
Wikipedia - Clapperboard -- Device used to aid in the syncing of audio with a moving image
Wikipedia - Claudia Capitolina -- 1st century princess of Commagene
Wikipedia - CloudApp -- Video and image sharing platform
Wikipedia - Collateral damage
Wikipedia - Columbus: Images for Orchestra -- 1991 composition by Leonardo Balada
Wikipedia - Commagene
Wikipedia - Communist symbolism -- Symbols central to communist imagery
Wikipedia - Complement system -- Part of the immune system that enhances the ability of antibodies and phagocytic cells to clear microbes and damaged cells
Wikipedia - Computer animation -- Art of creating moving images using computers
Wikipedia - Computer-generated imagery -- Application of computer graphics to create or contribute to images
Wikipedia - Computer Graphics Metafile -- Image file format family
Wikipedia - Computer image analysis
Wikipedia - Computer security -- The protection of computer systems from theft or damage
Wikipedia - Computer Vision Annotation Tool -- free and open source, web-based image and video annotation tool
Wikipedia - Computer vision -- Computerized information extraction from images
Wikipedia - Constraint-induced movement therapy -- Rehabilitation program for cases of CNS damage
Wikipedia - Contact image sensor -- Type of image sensor
Wikipedia - Content-based image retrieval
Wikipedia - Contents of the Voyager Golden Record -- Sounds and images on the Voyager Golden Record
Wikipedia - Contextual image classification
Wikipedia - Controlled image base -- Data pack for unclassified military digital imagery
Wikipedia - Conus magellanicus -- Species of sea snail
Wikipedia - COPINE scale -- System for rating the severity of images of child sex abuse
Wikipedia - Core Image
Wikipedia - Created in the Image of Suffering -- 2017 King Woman album
Wikipedia - Creepypasta -- Horror-related legends or images that have been copy-and-pasted around the Internet
Wikipedia - Cropping (image)
Wikipedia - Crossover (Image Comics) -- American comic book series
Wikipedia - Crucifix -- Image of Jesus on the cross
Wikipedia - CSS image replacement
Wikipedia - CT scan -- Medical imaging procedure using X-rays to produce cross-sectional images
Wikipedia - Cult image -- Human-made object that is venerated for the deity, person, spirit or daemon that it represents
Wikipedia - Cutman -- person responsible for preventing and treating physical damage to a fighter
Wikipedia - Cyclopean image
Wikipedia - Cyril Wickramage -- Sri Lankan actor
Wikipedia - Cytotoxic T cell -- T cell that kills infected, damaged or cancerous cells
Wikipedia - Czechoslovak myth -- Scholarly term describing Czechoslovakia's image between 1918 and 1938
Wikipedia - Dajia Mazu Pilgrimage
Wikipedia - Dakimakura -- Type of large pillow from Japan, sometimes with printed images
Wikipedia - Damage Control (comics) -- Fictional company appearing in Marvel Comics
Wikipedia - Damage control -- In maritime context, emergency control of situations which may cause the sinking of a ship
Wikipedia - Damaged Justice -- 1988-1989 concert tour by Metallica
Wikipedia - Damaged Lives -- 1933 film by Edgar George Ulmer
Wikipedia - Damage, Inc. Tour -- 1986-1987 concert tour by Metallica
Wikipedia - Damage over time
Wikipedia - Damage per second
Wikipedia - Damageplan -- 21st-century American band
Wikipedia - Damages (TV series) -- American legal thriller television series
Wikipedia - Damages -- Legal term for compensation awarded for loss or injury
Wikipedia - Damage tolerance
Wikipedia - Damage (You Am I song) -- 2000 single by Australian rock band You Am I
Wikipedia - Data recovery -- Process of salvaging inaccessible data from corrupted or damaged secondary storage
Wikipedia - David Magee -- American screenwriter and actor
Wikipedia - David Magerman
Wikipedia - David Talmage
Wikipedia - David W. Talmage
Wikipedia - Daya Gamage -- Sri Lankan politician and businessman
Wikipedia - Deep Image Prior
Wikipedia - Deep image
Wikipedia - Defocus aberration -- Quality of an image being out of focus
Wikipedia - Deirdre Barrett -- American psychologist who studies dreams, hypnosis and imagery
Wikipedia - Demyelinating disease -- Any neurological disease in which the myelin sheath of neurons is damaged
Wikipedia - Dental barotrauma -- Damage to a tooth caused by a change of ambient pressure
Wikipedia - Depiction of Jesus -- Christian icons or images depicting Jesus
Wikipedia - Depth of field -- Distance between the nearest and the furthest objects that are in focus in an image
Wikipedia - De situ terrae sanctae -- Short 6th-century report of a pilgrimage to the Holy Land
Wikipedia - Developing Virtue Secondary School -- A private Buddhist secondary school in Talmage, California (USA)
Wikipedia - Devghat -- Hindu Pilgrimage Site in Nepal
Wikipedia - Diana Gamage -- Sri Lankan politician
Wikipedia - Digital cinematography -- Digital image capture for film
Wikipedia - Digital fur -- Computer generated imagery technique
Wikipedia - Digital image processing -- Algorithmic processing of digitally-represented images
Wikipedia - Digital images
Wikipedia - Digital image
Wikipedia - Digital mapping -- Compiling data to create a visual image
Wikipedia - Digital Negative -- Patented, open, lossless raw image format written by Adobe used for digital photography
Wikipedia - Digital topology -- Properties of 2D or 3D digital images that correspond to classic topological properties
Wikipedia - Digital video -- digital electronic representation of moving visual images
Wikipedia - Direct DNA damage -- Formation of pyrimidine dimers in DNA due to UVB exposure
Wikipedia - Disaster -- An event or combination of events resulting in major damage, destruction or death
Wikipedia - Discrete tomography -- Reconstruction of binary images from a small number of their projections
Wikipedia - DiskImageMounter
Wikipedia - Disk image
Wikipedia - Divine Mercy image
Wikipedia - DNA-binding protein from starved cells -- Group of bacterial ferritin proteins that protect DNA against oxidative damage
Wikipedia - DNA damage (naturally occurring)
Wikipedia - DNA damage theory of aging -- Hypothesis that aging is caused by accumulated DNA damage
Wikipedia - DNA damage
Wikipedia - Dormagen
Wikipedia - Doubtnut -- Interactive online tutoring platform which uses image recognition technologies, to provide solutions of some mathematical questions.
Wikipedia - Draft:Maged Essam -- Egyptian actor
Wikipedia - Draft:Movingimage -- Berlin-based software company founded in 2004
Wikipedia - Draft:RAF Lakenheath near nuclear disasters -- Accidental damage to nuclear weapons, RAF Lakenheath, Suffolk, United Kingdom
Wikipedia - Dream board -- Collage of images, pictures and affirmations of one's dreams and desires, designed to serve as a source of inspiration and motivation
Wikipedia - Dulmage -- Surname list
Wikipedia - Dvaraka -- Sacred historical city and pilgrimage site associated with Hindu God Krishna
Wikipedia - Dynamic response index -- Measure of the likelihood of spinal damage from a vertical shock load
Wikipedia - Dysarthria -- Motor speech disorder cause by damage to motor systems
Wikipedia - E0102 -- Remnant of a supernova that exploded in the Small Magellanic Cloud,
Wikipedia - Earth sciences graphics software -- Plotting and image processing software used in Earth sciences
Wikipedia - East Asia Image Collection
Wikipedia - Easter egg (media) -- Intentional inside joke, hidden message or image, or secret feature of a work
Wikipedia - Edited image
Wikipedia - Effects of nuclear explosions -- Type and severity of damage caused by nuclear weapons
Wikipedia - E-Hentai -- Community-oriented image hosting and file sharing website focused on hentai
Wikipedia - Ekatmata Yatras -- political-based pilgrimages
Wikipedia - Electronicam -- System that shot an image on film and television at the same time through a common lens.
Wikipedia - Elmar Magerramov -- Azerbaijani chess player
Wikipedia - Emblem -- Pictorial image that epitomizes a concept or that represents a person
Wikipedia - Enantiomer -- Stereoisomers which are non-superposable mirror images of each other
Wikipedia - Engram (Dianetics) -- Mental image of an unconscious past traumatic event
Wikipedia - Eugene Magee -- Ireland men's field hockey international
Wikipedia - Evelyn collection -- Collection of images of York, North Yorkshire, England
Wikipedia - Event Horizon Telescope -- Global radio telescope array to image supermassive black holes
Wikipedia - Exact sequence -- Sequence of homomorphisms such that each kernel equals the preceding image
Wikipedia - Exchangeable image file format
Wikipedia - Exif -- Metadata standard in digital images
Wikipedia - External image -- The image other people have of a person
Wikipedia - Facial recognition system -- Technology capable of matching a face from an image against a database of faces
Wikipedia - Fake nude photography -- Falsified images of the naked human body
Wikipedia - Family Portrait (Voyager) -- Image of the Solar System acquired by Voyager 1
Wikipedia - Fantastic Damage
Wikipedia - Farewell Pilgrimage
Wikipedia - Fascist symbolism -- Use of certain images and symbols which are designed to represent aspects of fascism
Wikipedia - Fax -- Method of transmitting images, often of documents
Wikipedia - Ferdinand Magellan -- Portuguese explorer who organised first circumnavigation of the Earth
Wikipedia - Fidelity Magellan Fund -- American mutual fund
Wikipedia - Field-sequential color system -- Color television system in which the primary color information is transmitted in successive images
Wikipedia - Film & History -- A peer-reviewed academic journal for the interdisciplinary study of moving-image arts
Wikipedia - Film -- Sequence of images that give the impression of movement, stored on film stock
Wikipedia - Fingerprint scanner -- Electronic device used to capture a digital image of the fingerprint pattern
Wikipedia - Fire urgency estimator in geosynchronous orbit -- Wildfire damage mitigation proposal
Wikipedia - First impression (psychology) -- event when a person first encounters another person and forms a mental image of that person
Wikipedia - Flammagenitus cloud -- Cloud that forms from large fires or explosions
Wikipedia - Flickr -- Image and video hosting website
Wikipedia - Flipped image
Wikipedia - Fluoroscopy -- Production of an image when X-rays strike a fluorescent screen
Wikipedia - Footprint -- Impressions or images left behind by a person walking or running
Wikipedia - For the Damaged Coda -- 2000 song by Blonde Redhead
Wikipedia - Foveated rendering -- Rendering technique in which image quality is reduced in the peripheral vision
Wikipedia - Foveon -- American manufacturer of image sensors
Wikipedia - Fraud -- Intentional deception made for personal gain or to damage another individual
Wikipedia - Freedom of panorama -- Right to freely create and use images of copyrighted works in public places
Wikipedia - Free Lossless Image Format
Wikipedia - Freeze frame television -- Television in which fixed images are transmitted sequentially at a slow rate
Wikipedia - Frontal lobe damage
Wikipedia - Frontal release sign -- Primitive reflex reactivated by damage to the frontal lobes
Wikipedia - Frost damage (construction) -- Damages caused by water freezing can occur as cracks, stone splinters and swelling of the material
Wikipedia - Full-frame DSLR -- Image sensor format
Wikipedia - Fumage -- Surrealist art technique
Wikipedia - Fundamental theorem on homomorphisms -- Theorem relating a group with the image and kernel of a homomorphism
Wikipedia - Futaba Channel -- Japanese imageboard website
Wikipedia - Future Imagery Architecture -- American spy satellite program
Wikipedia - Fyuse -- Spatial photography app for capturing and sharing interactive 3D images
Wikipedia - Gaius Julius Archelaus Antiochus Epiphanes -- Prince of the Kingdom of Commagene (38 AD-92 AD)
Wikipedia - Gamage Point -- Headland
Wikipedia - Gastric mucosal restitution -- Reformation of the gastric mucosa in response to damage
Wikipedia - Geohazard -- Geological state that may lead to widespread damage or risk
Wikipedia - Geon (physics) -- Gravitational-electromagentic entity
Wikipedia - Gerstmann syndrome -- Neuropsychological disorder caused by damage to the inferior parietal lobule
Wikipedia - Getty Images -- American visual media company
Wikipedia - Ghetto Romance -- 2000 single by Damage
Wikipedia - GHS hazard pictograms -- Standard set of hazard warning images
Wikipedia - Giant Magellan Telescope
Wikipedia - GIF -- Bitmap image file format family
Wikipedia - Gigapixel image -- Digital image bitmap composed of one billion pixels
Wikipedia - GIMP -- Open source image retouching and editing tool
Wikipedia - Glaucoma -- Eye disease in which high intraocular pressure damages the optic nerve
Wikipedia - Global catastrophic risk -- Hypothetical future events that could damage human well-being globally
Wikipedia - Godiji -- Temple and images in India
Wikipedia - Golden calf -- idol (a cult image) made by the Israelites when Moses went up to Mount Sina
Wikipedia - Google Goggles -- Downloadable image recognition application created by Google
Wikipedia - Google Image Labeler
Wikipedia - Google Image Search
Wikipedia - Google Images -- Image search engine by Google Inc.
Wikipedia - Google Image Swirl
Wikipedia - Google Lens -- Image recognition tool developed by Google
Wikipedia - Goremageddon: The Saw and the Carnage Done -- album by Aborted
Wikipedia - Grady Gammage -- 9th President of Arizona State University
Wikipedia - Grayscale -- Image where each pixel's intensity is shown only achromatic values of black, gray, and white
Wikipedia - Great Pilgrimage -- Suffrage march of 1913
Wikipedia - Grupo Imagen -- Mexican media conglomerate
Wikipedia - Guard stone -- Architectural element intended to protect structures from damage from vehicle wheels
Wikipedia - Guided imagery
Wikipedia - Hajj -- Islamic pilgrimage to Mecca
Wikipedia - Handheld projector -- Image projector in a handheld device
Wikipedia - Heinz Magenheimer -- Austrian military historian
Wikipedia - Helena Magenbuch -- German pharmacist
Wikipedia - Help:Introduction to images with VisualEditor/1
Wikipedia - Help:Introduction to images with Wiki Markup/1
Wikipedia - Help:Introduction to uploading images/1
Wikipedia - Help:Menu/Images and media
Wikipedia - Help:Options to hide an image
Wikipedia - Henry Ramage -- Recipient of the Victoria Cross
Wikipedia - Henry Steele Commager
Wikipedia - Hepatotoxicity -- Liver damage caused by a drug or chemical
Wikipedia - Hermann Magerl -- German athletics competitor
Wikipedia - Hermann Mager -- German politician
Wikipedia - Hero image -- Large graphic with a small amount of text, at the top of a page
Wikipedia - Hidden Mickey -- Subtle representation of cartoon character Mickey Mouse's image
Wikipedia - High Efficiency Image File Format -- File format
Wikipedia - Hindu pilgrimage sites in India
Wikipedia - Hindu pilgrimage sites
Wikipedia - History of photography -- The invention and development of the camera and the creation of permanent images
Wikipedia - Hit-or-miss transform -- Detects a given configuration (or pattern) in a binary image
Wikipedia - Homage (arts)
Wikipedia - Homage at Siesta Time -- 1962 film
Wikipedia - Homage (feudal) -- Medieval oath of allegiance
Wikipedia - Homage (sculpture) -- Sculpture by Haydn Davies
Wikipedia - Homage to Catalonia -- book by George Orwell
Wikipedia - Homage to Chagall: The Colours of Love -- 1977 film
Wikipedia - Hommage a Noir -- 1996 film
Wikipedia - Horizontal blanking interval -- Part of the process of displaying images on a raster scan monitor
Wikipedia - Horrorcore -- Subgenre of hip hop music based in horror-themed lyrical content and imagery
Wikipedia - Hubble Deep Field -- Multiple exposure image of deep space in the constellation Ursa Major
Wikipedia - Hubble Legacy Field -- image by Hubble Space Telescope of a small region of space containing ~265,000 galaxies
Wikipedia - Hubble Ultra-Deep Field -- Image of a small region of space in the constellation Fornax, containing ~10,000 galaxies
Wikipedia - Human image synthesis
Wikipedia - HV 11423 -- Star in the Small Magellanic Cloud
Wikipedia - HV 2112 -- Small Magellanic Cloud star in the constellation Tucana
Wikipedia - Ian Ramage -- Scottish cricket umpire
Wikipedia - Ice jacking -- Structural damage caused by the expansion of freezing water in a confined space
Wikipedia - ICER -- Image compression file format
Wikipedia - I Could Be Happy -- 1981 song by Altered Images
Wikipedia - Ida Basilier-Magelssen -- Finnish soprano
Wikipedia - Idea -- Mental image or concept
Wikipedia - Idiographic image
Wikipedia - Illusory motion -- Optical illusion in which a static image appears to be moving
Wikipedia - Illustrator -- Narrative artist who makes images for printed and electronic products
Wikipedia - Image analysis -- Extraction of information from images via digital image processing techniques
Wikipedia - Image and object order rendering
Wikipedia - Image-based modeling and rendering
Wikipedia - Imageboard -- Type of Internet forum
Wikipedia - Image Capture
Wikipedia - Image Channel -- Nepali television channel
Wikipedia - Image classification
Wikipedia - Image Composite Editor
Wikipedia - Image compression
Wikipedia - Image Constraint Token -- protocol flag
Wikipedia - Image Cytometry Standard
Wikipedia - Image de-noising
Wikipedia - Image destriping -- Image processing task
Wikipedia - Image editing -- Processes of altering images, digital or traditional photos and add/paste/and cut words
Wikipedia - Image enhancement
Wikipedia - Image file formats -- Standardized means of organizing and storing digital images
Wikipedia - Image file format
Wikipedia - Image (function)
Wikipedia - Image guided surgery
Wikipedia - Image hosting service -- Service for hosting images on an Internet website
Wikipedia - Image intensifier
Wikipedia - ImageJ
Wikipedia - Image Lake -- Lake in Snohomish County, Washington, USA
Wikipedia - Image macro
Wikipedia - Image (magazine) -- Irish lifestyle and fashion magazine
Wikipedia - ImageMagick -- Free and open-source software
Wikipedia - Image manipulation
Wikipedia - Image map
Wikipedia - Image Mastering API
Wikipedia - Image (mathematics) -- The set of all values of a function
Wikipedia - Image Metrics -- American company providing facial animation software for the visual effects industries
Wikipedia - ImageNet challenge
Wikipedia - ImageNet competition
Wikipedia - ImageNet Large Scale Visual Recognition Challenge
Wikipedia - ImageNet
Wikipedia - Imagen Television -- Mexican national TV network
Wikipedia - Imagen -- Puerto Rican fashion magazine
Wikipedia - Image of God
Wikipedia - Imageon
Wikipedia - Image Packaging System
Wikipedia - Image persistence -- Temporary effect on LCD and plasma screens
Wikipedia - Image plane
Wikipedia - Image processing
Wikipedia - Image processor -- Specialized digital signal processor used for image processing
Wikipedia - Image recognition
Wikipedia - Image reconstruction
Wikipedia - Image registration
Wikipedia - Image resolution -- Measure of how fine an image is
Wikipedia - Image restoration
Wikipedia - Image retrieval
Wikipedia - Imagery intelligence
Wikipedia - Imagery of nude celebrities -- Topic of visual depiction of nude celebrities
Wikipedia - Imagery
Wikipedia - Images (band)
Wikipedia - Image scaling -- Changing the resolution of a digital image
Wikipedia - Image scanner
Wikipedia - Image schema
Wikipedia - Image search
Wikipedia - Image segmentation
Wikipedia - Image sensors
Wikipedia - Image sensor -- Device that converts an optical image into an electronic signal
Wikipedia - Images Festival -- Film festival
Wikipedia - Images (film) -- 1972 British-American film by Robert Altman
Wikipedia - ImageShack -- American image hosting website
Wikipedia - Image sharing
Wikipedia - Images (Phil Woods album) -- album by Phil Woods
Wikipedia - Image stabilization
Wikipedia - Image stitching -- Combining multiple photographic images with overlapping fields of view
Wikipedia - Image Studio Lite -- Software for Western blot analysis
Wikipedia - Image subtraction -- Digital image manipulation technique
Wikipedia - Image tracing -- Conversion of raster graphics into vector graphics
Wikipedia - Image understanding
Wikipedia - Image viewer
Wikipedia - Image -- Artifact that depicts or records visual perception
Wikipedia - Impact of the COVID-19 pandemic on Hajj -- Effect of viral outbreak on Muslim pilgrimage
Wikipedia - Implant (medicine) -- Medical device manufactured to replace a missing biological structure, support a damaged biological structure, or enhance an existing biological structure
Wikipedia - Incidents during the Hajj -- Religious pilgrimage incident
Wikipedia - Indiana University Libraries Moving Image Archive -- Film repository in Bloomington, Indiana
Wikipedia - Indirect DNA damage -- Free radical damage to DNA by a molecule that absorbs UV photons
Wikipedia - In Our Image: America's Empire in the Philippines -- 1989 book by Stanley Karnow
Wikipedia - INS Magen -- Sa'ar-class corvette
Wikipedia - Invasive species -- Non-native organism causing ecological, environmental, and/or economic damage
Wikipedia - Inverse image
Wikipedia - Invincible (comics) -- Superhero in the Image Comics Universe
Wikipedia - Islandmagee witch trial
Wikipedia - It's okay to be white -- Slogan based on a poster campaign organized on the American imageboard 4chan's board /pol/ in 2017
Wikipedia - Jamage -- Village in Maharashtra
Wikipedia - James E. Talmage -- American Mormon leader
Wikipedia - James Joseph Magennis -- British military diver. Recipient of the Victoria Cross
Wikipedia - Japan 100 Kannon Pilgrimage
Wikipedia - Jean Image -- French filmmaker
Wikipedia - Jessica Mager -- German sports shooter
Wikipedia - Jesus Trail -- Hiking and pilgrimage route in the Galilee region of Israel
Wikipedia - Joey Image -- American drummer
Wikipedia - John Gillespie Magee, Jr.
Wikipedia - John Gillespie Magee Jr. -- Royal Canadian Air Force aviator and poet (1922-1941)
Wikipedia - John Magee (bishop)
Wikipedia - John Magee (missionary) -- American Episcopal priest, missionary in China
Wikipedia - John Magera -- American archer
Wikipedia - Joint Bi-level Image Experts Group
Wikipedia - JPEG File Interchange Format -- Image file format with multiple editions
Wikipedia - JPEG -- Lossy compression method for digital images
Wikipedia - JPEG XS -- Image compression standard
Wikipedia - Julia Iotapa (daughter of Antiochus III) -- 1st century AD Queen of Commagene
Wikipedia - Julia Iotapa (daughter of Antiochus IV) -- Daughter of Antiochus IV of Commagene, Queen of Cetis, in Cilicia
Wikipedia - Jungian archetypes -- Universal, archaic symbols and images that derive from the collective unconscious
Wikipedia - KartaView -- Website that provides free street view imagery for mapping
Wikipedia - Keratin -- One of a family of fibrous structural proteins; protein that protects epithelial cells from damage or stress
Wikipedia - Kernel (algebra) -- Inverse image of zero under a homomorphism
Wikipedia - Kernel (image processing)
Wikipedia - Kernel (linear algebra) -- Inverse image of zero under a homomorphism
Wikipedia - Kernel (set theory) -- Equivalence relation expressing that two elements have the same image under a function
Wikipedia - Kevin Magee (motorcyclist) -- Australian motorcycle racer
Wikipedia - Killer Image -- 1992 film by David Winning
Wikipedia - Killing of Jonny Gammage -- 1995 killing by police in the Pittsburgh area
Wikipedia - Kimmage -- Residential suburb of Dublin, Ireland
Wikipedia - Kora (pilgrimage)
Wikipedia - Kreuzkapelle, Bad Camberg -- Catholic pilgrimage church
Wikipedia - Kumbh Mela -- Hindu pilgrimage and festival celebrated in India
Wikipedia - La otra imagen -- 1973 film
Wikipedia - Large Magellanic Cloud -- Irregular galaxy, satellite of the Milky Way
Wikipedia - Larry Clamage -- American filmmaker and author
Wikipedia - Lasso tool -- Editing tool in digital image editing software
Wikipedia - Lawson P. Ramage -- US Navy admiral and Medal of Honor recipient
Wikipedia - Lebanese Council for Development and Reconstruction -- Lebanese governmental organisation involved in repairing infrastructure damaged by war
Wikipedia - Legal liability -- Legal obligation for any damage, enforceable by either civil law or criminal law
Wikipedia - Lenna -- Standard test image
Wikipedia - Lens flare -- Image artifact produced by scattered or flared light within a lens system
Wikipedia - Les Rois mages -- 2001 film by Didier Bourdon
Wikipedia - Lewy body -- Spherical inclusion commonly found in damaged neurons
Wikipedia - Lillian Brown -- US radio and television producer, university administrator and instructor, author, makeup artist and image consultant
Wikipedia - Line engraving -- Engraved images printed on paper
Wikipedia - Liquid Image
Wikipedia - List of awards and nominations received by Damages -- Wikipedia list article
Wikipedia - List of canonically crowned images -- Wikimedia list article
Wikipedia - List of Christian pilgrimage sites -- Wikimedia list article
Wikipedia - List of Damages characters -- Wikipedia list article
Wikipedia - List of Damages episodes -- Wikipedia list article
Wikipedia - List of directly imaged exoplanets -- Wikipedia list article
Wikipedia - List of Fujitsu image scanners -- Wikipedia list article
Wikipedia - List of heritage sites damaged during the Syrian Civil War -- Wikipedia list article
Wikipedia - List of image-sharing websites -- Wikipedia list article
Wikipedia - List of libraries damaged during World War II -- Wikipedia list article
Wikipedia - List of lost, damaged, or destroyed dinosaur specimens -- Wikipedia list article
Wikipedia - List of Mage: The Ascension books
Wikipedia - List of manual image annotation tools -- Wikipedia list article
Wikipedia - List of Mashin Sentai Kiramager episodes -- Wikipedia list article
Wikipedia - List of online image archives -- Wikipedia list article
Wikipedia - List of photographs considered the most important -- Images considered among the most important ever
Wikipedia - List of Polish cities damaged in World War II -- Wikipedia list article
Wikipedia - List of rulers of Commagene -- Wikipedia list article
Wikipedia - List of satellite map images with missing or unclear data -- Wikimedia list article
Wikipedia - List of School Rumble character image albums -- Wikipedia list article
Wikipedia - List of stars with resolved images -- Wikipedia list article
Wikipedia - List of television series and films based on Image Comics publications -- Wikipedia list article
Wikipedia - List of things named after Ferdinand Magellan -- Wikipedia list article
Wikipedia - List of Turkish ships sunk or damaged during World War II -- Wikipedia list article
Wikipedia - List of unproduced Image Comics projects -- Wikimedia list article
Wikipedia - List of US Navy ships sunk or damaged in action during World War II -- Wikipedia list article
Wikipedia - Lotus Magellan
Wikipedia - Love Guaranteed (song) -- 1997 single by Damage
Wikipedia - Love's Pilgrimage (play)
Wikipedia - Maged Mohamed -- Egyptian weightlifter
Wikipedia - Maged N. Kamel Boulos
Wikipedia - Maged Youssef -- Egyptian archer
Wikipedia - Magee Campus
Wikipedia - Magee College
Wikipedia - Mageia -- Unix-like operating system forked from Mandriva Linux
Wikipedia - Magellanic oystercatcher -- Species of bird
Wikipedia - Magellanic penguin -- Species of bird
Wikipedia - Magellanic plover -- Species of bird
Wikipedia - Magellanic Premium -- American science award
Wikipedia - Magellanic subpolar forests -- Ecoregion of southernmost South America
Wikipedia - Magellanic woodpecker -- Species of bird
Wikipedia - Magellan Navigation
Wikipedia - Magellan Rise (ocean plateau) -- An oceanic plateau in the Pacific Ocean
Wikipedia - Magellan's circumnavigation -- 16th-century Spanish maritime expedition
Wikipedia - Magellan (spacecraft) -- Space probe
Wikipedia - Magen David Synagogue (Kolkata)
Wikipedia - Magenta-Crocco elevator -- Elevator for pedestrians in Genoa, Italy
Wikipedia - Magenta Devine -- British TV presenter and journalist
Wikipedia - Magenta, Lombardy
Wikipedia - Magenta Riddim -- 2018 song by DJ Snake
Wikipedia - Magenta Telekom -- Austrian telecommunications company
Wikipedia - Magenta-throated woodstar -- Species of bird
Wikipedia - MAGENTA
Wikipedia - Magento
Wikipedia - Magere Brug -- Bridge in Amsterdam
Wikipedia - Magerit -- Supercomputer in Madrid, Spain
Wikipedia - Magerrain -- Mountain of the Glarus Alps
Wikipedia - Mages (company) -- Japanese media company
Wikipedia - Magesh Chandran Panchanathan -- Indian chess grandmaster
Wikipedia - MAGESTIC -- Gene-editing technology
Wikipedia - Magetan railway station -- railway station in Indonesia
Wikipedia - Magey Hithakee Hitheh Noon Hey? -- 2010 Maldivian drama series
Wikipedia - Magezhuang station -- Beijing Subway station
Wikipedia - Magick Image File Format
Wikipedia - Magic lantern -- Type of image projector
Wikipedia - Magic: The Gathering: BattleMage
Wikipedia - Magnetic resonance angiography -- Group of techniques based on magnetic resonance imaging (MRI) to image blood vessels.
Wikipedia - Main theorem of elimination theory -- The image of a projective variety by a projection is also a variety
Wikipedia - Maniac Magee -- Novel written by Jerry Spinelli
Wikipedia - Marcus Brimage -- American mixed martial arts fighter
Wikipedia - Mashin Sentai Kiramager -- Japanese tokusatsu television series
Wikipedia - Maytenus magellanica -- Species of plant
Wikipedia - Media processor -- Microprocessor-based system-on-a-chip which is designed to deal with digital streaming data such as images and video in real-time
Wikipedia - Medical image analysis
Wikipedia - Medical image computing
Wikipedia - Mega Image -- Romanian supermarket chain
Wikipedia - Mental imagery
Wikipedia - Mental image
Wikipedia - Metropolis light transport -- Application of the Monte Carlo method to image rendering
Wikipedia - Mimagelasta grisescens -- Genus of beetles
Wikipedia - Mipmap -- Memory-saving rendering technique in which resolution of farther-away images is lowered
Wikipedia - Mise en abyme -- A formal technique of placing a copy of an image within itself
Wikipedia - Module:Portal/images/b
Wikipedia - Module:Portal/images/c
Wikipedia - Module:Portal/images/h
Wikipedia - Module:Portal/images/l
Wikipedia - Module:Portal/images/p
Wikipedia - Module:Portal/images/s
Wikipedia - Monsieur Hector -- 1940 film by Maurice Cammage
Wikipedia - Morphological gradient -- Difference between the dilation and the erosion of a given image
Wikipedia - Morphological image processing
Wikipedia - Mosaic -- Image made from small colored tiles
Wikipedia - Mosquito control -- efforts to reduce damage from mosquitoes
Wikipedia - Motor imagery
Wikipedia - Multiple exposure -- Superimposition of two or more exposures to create a single image
Wikipedia - Multiple-image Network Graphics -- File format
Wikipedia - Multiple sclerosis -- Disease that damages the myelin sheaths around nerves
Wikipedia - Multi-spectral image
Wikipedia - Multispectral image
Wikipedia - Muriel Magenta -- American visual artist
Wikipedia - Museu da Imagem e do Som de Alagoas -- Museum in Brazil
Wikipedia - Museum of the Moving Image -- Museum and archive in Queens, New York
Wikipedia - Mushroom cloud -- Mushroom-shaped flammagenitus cloud of debris/smoke resulting from a large or nuclear explosion
Wikipedia - Music video -- Short film integrating a song and imagery
Wikipedia - Music visualization -- Generation of animated imagery based on a piece of music
Wikipedia - Musix GNU+Linux -- Free software Linux distribution for sound, image a video editing
Wikipedia - National Geographic Image Collection -- Stock photography agency
Wikipedia - Native Image Generator
Wikipedia - NCCR-Mageuzi -- Political party in Tanzania
Wikipedia - Near miss (safety) -- Unplanned event that did not result in injury, illness, or damage but had the potential to do so
Wikipedia - Negative (photography) -- Image on photographic film
Wikipedia - Neumagen-Dhron -- Place in Rhineland-Palatinate, Germany
Wikipedia - Neumagen -- River in Germany
Wikipedia - Neural Style Transfer -- Type of software algorithm for image manipulation
Wikipedia - NeuroImage (journal)
Wikipedia - NeuroImage
Wikipedia - NGC 339 -- A globular cluster in the Small Magellanic Cloud
Wikipedia - NGC 361 -- Open star cluster in the Small Magellanic Cloud
Wikipedia - Night-vision device -- Device that allows images to be produced in levels of light approaching total darkness
Wikipedia - Nishantha Muthuhettigamage -- Sri Lankan politician
Wikipedia - Nominal analogue blanking -- Outermost part of the overscan of a standard definition digital television image
Wikipedia - Nondestructive testing -- Evaluating the properties of a material, component or system without causing damage
Wikipedia - Non-linear editing -- Non-destructive audio, video, or image editing
Wikipedia - Not Damaged -- 1930 film
Wikipedia - NTP server misuse and abuse -- Practices which cause damage or degradation to a Network Time Protocol server
Wikipedia - Nuclear meltdown -- Severe nuclear reactor accident that results in core damage from overheating
Wikipedia - Nu Image -- American film company
Wikipedia - Nuisance -- Something that causes inconvenience or damage
Wikipedia - Off Armageddon Reef -- Novel by David Weber
Wikipedia - Ogre mage
Wikipedia - OpenEXR -- Image storage format for the motion picture industry
Wikipedia - Optical disc image -- Archive file of an optical disc
Wikipedia - Optical illusion -- Visually perceived images that differ from objective reality
Wikipedia - Optical instrument -- Scientific instrument using light waves for image viewing
Wikipedia - Orientation (vector space) -- Choice of reference for distinguishing an object and its mirror image
Wikipedia - Orontid dynasty -- Kings of Armenia and later Sophene and Commagene
Wikipedia - Otsu's method -- In computer vision and image processing
Wikipedia - Oversampled binary image sensor -- Image sensor with non-linear response capabilities reminiscent of traditional photographic film
Wikipedia - Palladium (protective image)
Wikipedia - Paper embossing -- Process of creating either raised or recessed relief images and designs in paper and other materials
Wikipedia - Pareidolia -- Perception of meaningful patterns or images in random or vague stimuli
Wikipedia - Patrick Magee (actor) -- Northern Irish actor and director of stage and screen
Wikipedia - Patrick Mermagen -- English cricketer and school teacher
Wikipedia - Patrick Smage -- American motorcycle racer
Wikipedia - Paul Ramage -- English cricketer and headmaster
Wikipedia - Perambalur Buddhas -- Set of historic Buddhist images found in Thiyaganur, Tamil Nadu, India
Wikipedia - Perceptions of religious imagery in natural phenomena
Wikipedia - Persistent vegetative state -- Disorder of consciousness caused by severe brain damage
Wikipedia - Persona -- Public image of one's personality
Wikipedia - Petroglyph -- Images carved on a rock surface as a form of rock art
Wikipedia - Petrosomatoglyph -- |A supposed image of parts of a human or animal body in rock
Wikipedia - Philippine Airlines Flight 434 -- Flight on December 11, 1994 that was damaged by a bomb
Wikipedia - Philopappos -- 1st / 2nd century prince of Commagene and Roman and Athenian citizen
Wikipedia - Photobucket -- American photo storage and image hosting website
Wikipedia - Photochrom -- Process for producing colorized images from black-and-white photographies
Wikipedia - Photograph -- Image created by light falling on a light-sensitive surface
Wikipedia - Photoimageable thick-film technology
Wikipedia - Photojournalism -- Particular form of journalism that creates images in order to tell a news story
Wikipedia - Picasa -- Former image organizer and image viewer by Google
Wikipedia - PicsArt -- Image editing, collage and drawing application and a social network
Wikipedia - PICtor PIC image format
Wikipedia - Pilgrimage (1933 film) -- 1933 film
Wikipedia - Pilgrimage (2001 film) -- 2001 film
Wikipedia - Pilgrimage (Christian)
Wikipedia - Pilgrimage Church of Saint John of Nepomuk
Wikipedia - Pilgrimage (disambiguation)
Wikipedia - Pilgrimage (horse) -- British Thoroughbred racehorse
Wikipedia - Pilgrimage (novel sequence)
Wikipedia - Pilgrimage of Grace -- 1536 uprising against Henry VIII in England
Wikipedia - Pilgrimage of the Relics, Maastricht
Wikipedia - Pilgrimages
Wikipedia - Pilgrimage to Chartres
Wikipedia - Pilgrimage -- Journey or search of moral or spiritual significance
Wikipedia - Pinch point hazard -- Mechanical hazard which may damage or injure by reducing a gap
Wikipedia - Pixar Image Computer
Wikipedia - Pixelization -- Blurring technique in images or videos
Wikipedia - Pixel -- Physical point in a raster image
Wikipedia - Piyasena Gamage -- Sri Lankan politician
Wikipedia - Plain tobacco packaging -- Legally mandated packaging of tobacco products without any brand imagery
Wikipedia - Platige Image -- Polish visual arts company
Wikipedia - PNGOUT -- Command line PNG image optimizer
Wikipedia - Point feature matching -- Image processing method
Wikipedia - Polarized 3D system -- Uses polarization glasses to create the illusion of three-dimensional images by restricting the light that reaches each eye
Wikipedia - Polynomial mapping -- Function such that the coordinates of the image of a point are polynomial functions of the coordinates of the point
Wikipedia - Portable Network Graphics -- Family of lossless compression file formats for image files
Wikipedia - Postmodern Metanarratives: Blade Runner and Literature in the Age of Image
Wikipedia - Preimage attack -- Attack model against cryptographic hash functions
Wikipedia - Preimage resistance
Wikipedia - Preimage theorem -- On the preimage of points in a manifold under the action of a smooth map
Wikipedia - Preimage
Wikipedia - Preview (macOS) -- Image and PDF viewer software by Apple
Wikipedia - Primera Angostura -- sound of the Strait of Magellan
Wikipedia - Printing -- Process for reproducing text and images using a master form or template
Wikipedia - Process image
Wikipedia - Professional video camera -- High-end camera for creating electronic moving images
Wikipedia - Projectional radiography -- Formation of 2D images using X-rays
Wikipedia - Projector -- Optical device that projects an image or moving images onto a surface
Wikipedia - Property damage -- damage or destruction of property caused by negligence, willful destruction, or act of nature
Wikipedia - Proteasome -- Protein complexes which degrade unneeded or damaged proteins by proteolysis
Wikipedia - Protection -- measures taken to guard against damage
Wikipedia - Psychopathy in the workplace -- Psychopaths typically represent a relatively small percentage of workplace staff but can do enormous damage when in senior management roles.
Wikipedia - Public Image Ltd -- English rock band
Wikipedia - Public image of George W. Bush -- Public perceptions of George W. Bush regarding his policies, personality and performance as head of state
Wikipedia - Public image of Narendra Modi -- Public Views on Narendra Modi, Prime Minister of India
Wikipedia - Punitive damages -- Damages assessed in order to punish the defendant for outrageous conduct
Wikipedia - Purkinje images
Wikipedia - P. W. Vidanagamage -- Sri Lankan cricket umpire
Wikipedia - Pyramid (image processing)
Wikipedia - Quantization (image processing)
Wikipedia - Quantum image processing
Wikipedia - Quarterly Review of Film and Video -- Academic journal covering moving image studies
Wikipedia - Quintus Servaeus -- Roman governor of Commagene in 17 AD
Wikipedia - Radiofax -- Analogue mode for transmitting monochrome images
Wikipedia - RAF Lakenheath nuclear near-disasters -- Accidental damage to nuclear weapons, RAF Lakenheath, Suffolk, United Kingdom
Wikipedia - Rajim Kumbh -- Hindu pilgrimage
Wikipedia - Ramage & Ferguson -- Scottish shipyard
Wikipedia - Range imaging -- Technique which produces a 2D image showing the distance to points in a scene from a specific point
Wikipedia - Ranger 7 -- First space probe of the United States to successfully transmit close images of the lunar surface back to Earth
Wikipedia - Rank-nullity theorem -- The dimension of the domain of a linear map is the sum of the dimensions of its kernel and its image
Wikipedia - Raster image
Wikipedia - Raw image format -- File format used in digital photography
Wikipedia - Ray Magee -- Australian weightlifter
Wikipedia - Religious image
Wikipedia - R. Ellen Magenis
Wikipedia - Remagen -- Place in Rhineland-Palatinate, Germany
Wikipedia - Rendering (computer graphics) -- Process of generating an image from a model
Wikipedia - Reperfusion injury -- Tissue damage after return of blood supply following ischemia or hypoxia
Wikipedia - Reporting of child pornography images on Wikimedia Commons -- 2010 incident by Larry Sanger to the FBI targeting Wikimedia Commons
Wikipedia - Resilience (engineering and construction) -- Infrastructure design able to absorb damage without suffering complete failure
Wikipedia - Reverse graffiti -- A method of creating images on surfaces by removing dirt
Wikipedia - Reverse image search -- Content-based image retrieval
Wikipedia - Reye syndrome -- Syndrome characterized by acute brain damage and liver function problems
Wikipedia - RGBE image format
Wikipedia - RGB images
Wikipedia - Rhabdomyolysis -- Human disease (condition) in which damaged skeletal muscle breaks down rapidly
Wikipedia - Richard Magenis (died 1807) -- Anglo-Irish politician (1710-1807)
Wikipedia - Richard Magenis (died 1831) -- Anglo-Irish politician (c.1763-1831)
Wikipedia - Ride Captain Ride -- 1970 single by Blues Image
Wikipedia - Right hemisphere brain damage
Wikipedia - Rimmon -- Ancient Syrian cult image and temple
Wikipedia - Rishikesh Complex of Ruru Kshetra -- Hindu pilgrimage and cremation site
Wikipedia - Romeria -- Annual Catholic pilgrimage in Spain or Portugal
Wikipedia - ROM image
Wikipedia - Rose (color) -- Color between red and magenta plus its shades
Wikipedia - Rose Prince -- Canadian subject of pilgrimage
Wikipedia - Royal Family of Commagene -- Family tree of Commagene royal family
Wikipedia - Rumours (song) -- 2000 single by Damage
Wikipedia - Ruru Kshetra -- hindu pilgrimage site in Nepal
Row cover - In agriculture and gardening, row cover is any transparent or semi-transparent, flexible material, like fabric or plastic sheeting, used as a protective covering to shield plants, usually vegetables, primarily from the undesirable effects of cold and wind, and also from insect damage.[1] In addition to reducing the drying effect of wind, row cover can provide a limited amount of warming by the same effect that cold frames, greenhouses, and polytunnels produce, creating a microclimate for the plants.
Wikipedia - Saigoku Kannon Pilgrimage
Wikipedia - Salentin VI of Isenburg-Neumagen -- Count of Isenburg-Neumagen from 1502 until 1534
Wikipedia - Sant'Anna funicular -- Funicular railway in the Italian city of Genoa, connecting Piazza Portello to Corso Magenta
Wikipedia - Satellite imagery -- Imagery of the Earth or another astronomical object taken from an artificial satellite
Wikipedia - Scanline rendering -- 3D computer graphics image rendering method
Wikipedia - Screen reader -- Assistive technology that converts text or images to speech or Braille
Wikipedia - Screensaver -- Computer program that blanks the screen or fills it with moving images
Wikipedia - Sediment Profile Imagery -- A technique for photographing the interface between the seabed and the overlying water
Wikipedia - Self image
Wikipedia - Self-image -- Mental picture of self that comes from different sources
Wikipedia - Seven Pilgrim Churches of Rome -- Pilgrimage route in Rome
Wikipedia - Severe Tire Damage (band)
Wikipedia - Shades of magenta
Wikipedia - Shendurni -- Pilgrimage city in Maharashtra, India
Wikipedia - Shikharji -- Jain pilgrimage centre and hill forest in Jharkhand, India
Wikipedia - Shikoku Pilgrimage
Wikipedia - ShoreZone -- Mapping program that uses oblique aerial images acquired at low altitude
Wikipedia - Shotwell (software) -- Free software image organizer
Wikipedia - Shroud of Turin -- Length of linen cloth bearing the image of a man who is alleged to be Jesus of Nazareth
Wikipedia - Shutterfly -- American photography, photography products, and image sharing company
Wikipedia - Siddhachalam -- First Jain pilgrimage site located outside of India
Wikipedia - Silicon Graphics Image
Wikipedia - Silicon Image
Wikipedia - Skate photography -- Taking images of skateboarding
Wikipedia - SMC 018136 -- Star in the Small Magellanic Cloud
Wikipedia - Smiling Girl, a Courtesan, Holding an Obscene Image -- 1625 painting by Gerrit van Honthorst
Wikipedia - Smith-Magenis syndrome -- Human disease
Wikipedia - SmugMug -- Paid image sharing, image hosting service, and online video platform
Wikipedia - Social cost of carbon -- Monetary cost of the damage done by emitting a tonne of carbon dioxide equivalent
Wikipedia - Socratic problem -- The problems in reconstructing a historical and philosophical image of Socrates
Wikipedia - Source Mage
Wikipedia - Southwest Symposium on Image Analysis and Interpretation -- |Biennial conference
Wikipedia - Spacer GIF -- Small image used in the layout of web pages
Wikipedia - Sparse image -- Type of disk image file used on macOS that grows in size as the user adds data to the image
Wikipedia - Spitting Image (2020 TV series) -- Satirical television puppet show
Wikipedia - Spitting Image -- Satirical television puppet show
Wikipedia - Splash Damage
Wikipedia - Splash damage
Wikipedia - Sprain -- Damage to one or more ligaments in a joint
Wikipedia - Sprout damage -- Premature sprouting of wheat grains
Wikipedia - SS Pedernales -- Lake tanker damaged by a torpedo at Aruba, was part of the ships remains
Wikipedia - Stable Image Platform Program
Wikipedia - Standard test image
Wikipedia - Starlight (comics) -- A six-issue limited series from Image Comics, written by Mark Millar with art by Goran Parlov
Wikipedia - Stealing Images -- 1989 film
Wikipedia - Steerable filter -- Convolution kernel used in image processing
Wikipedia - Stemage -- American guitarist and composer
Wikipedia - Stereoscope -- Device for viewing a stereoscopic pair of separate images
Wikipedia - Stereoscopy -- Technique for creating or enhancing the illusion of depth in an image
Wikipedia - Still image film -- Film technique involving the use of still images
Wikipedia - St. Michael, Kaubenheim -- Catholic pilgrimage church
Wikipedia - Stora Hammars stones -- Four Viking Age image stones located in Gotland, Sweden
Wikipedia - Storm Alex -- Extratropical cyclone which caused severe damage to Europe in October 2020, with 15 fatalities
Wikipedia - Storm Ciara -- Extratropical cyclone which caused severe damage to Europe in February 2020, with 13 fatalities
Wikipedia - St Patrick's Purgatory -- Ancient pilgrimage site on in Lough Derg, Ireland
Wikipedia - Strait of Magellan -- Strait in southern Chile joining the Atlantic and Pacific oceans
Wikipedia - Structural fracture mechanics -- Field of structural engineering concerned with load-carrying structures with one or more failed or damaged components
Wikipedia - Subtitles -- Textual representation of events and speech in motion imagery
Wikipedia - Supermac (cartoon) -- 1958 cartoon image of British Prime Minister Harold Macmillan
Wikipedia - SurfSafe -- Web browser extension intended to spot altered or misleading images
Wikipedia - Surjective function -- Function such that every element has a preimage (mathematics)
Wikipedia - Sustainable tourism -- Form of travel without damage to nature or cultural area
Wikipedia - Symbolic language (art) -- The use of characters or images to represent concepts
Wikipedia - Synthetic-aperture radar -- Form of radar used to create images of landscapes
Wikipedia - System image
Wikipedia - Tagged Image File Format
Wikipedia - Tailstrike -- Contact of an aircraft tail with the ground or another object causing substantial damage
Wikipedia - Talmage, California
Wikipedia - Technomage
Wikipedia - Telestrator -- Device that allows its operator to draw a freehand sketch over a moving or still video image
Wikipedia - Television -- Telecommunication medium for transmitting and receiving moving images
Wikipedia - Text comics -- Oldest form of comics, where the stories are told in captions below the images
Wikipedia - The Anatomy Lesson of Dr. Deijman -- Damaged painting by Rembrandt from1656
Wikipedia - The Armageddon Inheritance -- Novel by David Weber
Wikipedia - The Armageddon Network -- Non-fiction book by Michael Saba
Wikipedia - The Beautiful Image -- 1951 film
Wikipedia - The Bird with the Crystal Plumage -- 1970 film
Wikipedia - The Book of Images
Wikipedia - The Book of the Sacred Magic of Abramelin the Mage
Wikipedia - The Cancer Imaging Archive (TCIA) -- Database of medical images for cancer research
Wikipedia - The Discarded Image -- 1964 book by C. S. Lewis
Wikipedia - The Divine Image
Wikipedia - The first pilgrimage
Wikipedia - The Hill of James Magee -- Art installation in El Paso, Texas
Wikipedia - The Image Book -- 2017 film by Jean-Luc Godard
Wikipedia - The Image Maker -- 1917 film by Eugene Moore
Wikipedia - The Italian Camp at the Battle of Magenta -- 1862 painting by Giovanni Fattori
Wikipedia - The Last Image -- 1986 film
Wikipedia - The Laughing Cow -- Brand of processed cheese products made by Fromageries Bel since 1865
Wikipedia - The Magellanic Cloud
Wikipedia - The Marriage of Heaven and Hell -- Book with text and images by William Blake
Wikipedia - The Needle and the Damage Done -- Song of Neil Young
Wikipedia - The Pilgrimage of Love -- 1923 film
Wikipedia - The Pilgrimage Play -- 1949 film directed by Frank R. Strayer
Wikipedia - Thermal image
Wikipedia - The Scientific Image
Wikipedia - The Scream -- image by artist Edvard Munch
Wikipedia - The Spitting Image -- Book by Jerry Lembcke
Wikipedia - The Treachery of Images -- Painting by RenM-CM-) Magritte
Wikipedia - The Wandering Image -- 1920 film
Wikipedia - Thomas Abel Brimage Spratt -- Royal Navy admiral
Wikipedia - Thomas Image
Wikipedia - Thomas Magee -- Irish Anglican archdeacon
Wikipedia - Thou shalt not make unto thee any graven image -- One of the Ten Commandments
Wikipedia - Three Pilgrimage Festivals
Wikipedia - Thresholding (image processing) -- Image segmentation algorithm
Wikipedia - TIFF -- Series of image file formats
Wikipedia - Time smearing -- Time-based degradation of interferometric images
Wikipedia - TinEye -- Reverse image search engine
Wikipedia - TinyPic -- Former free image hosting website
Wikipedia - TjM-CM-$ngvide image stone -- Viking Age image stone on Gotland, Sweden
Wikipedia - Tobacco Damages and Health Care Costs Recovery Act -- Anti-tobacco law in British Columbia, Canada
Wikipedia - Tone mapping -- Image processing technique
Wikipedia - Top-hat transform -- Operation that extracts small elements and details from given images
Wikipedia - To See and Be Seen: The Environments, Interactions and Identities Behind News Images -- Book written by T.J. Thomson
Wikipedia - Toupha -- Plumage of hair or bristles worn on the helmets of horsemen or the emperor's crown in the Byzantine Empire
Wikipedia - Tourist guy -- Hoax image related to the September 11th attacks on the World Trade Center
Wikipedia - Toxicity -- The ability of a chemical to cause damage to life
Wikipedia - Toxicology testing -- Testing conducted to determine the degree to which a substance can damage a living or non-living organisms
Wikipedia - Tracheobronchial injury -- Damage to the tracheobronchial tree
Wikipedia - Travis Mager -- American ice dancer
Wikipedia - Treachery of Images
Wikipedia - Treble damages -- Right of a court to triple the amount of the actual/compensatory damages awarded
Wikipedia - TurboIMAGE
Wikipedia - TVARK -- Website for TV broadcast archives with sound, video clips and images
Wikipedia - Ukhimath -- Small town and Hindu pilgrimage site in Rudraprayag district, Uttarakhand, India
Wikipedia - Umiray Dumaget language -- Austronesian language spoken in the Philippines
Wikipedia - Umrah -- Islamic pilgrimage
Wikipedia - Underwater videography -- The branch of electronic underwater photography concerned with capturing moving images
Wikipedia - UV mapping -- The process of projecting a 2D image to a 3D model's surface for texture mapping
Wikipedia - Vandalism -- Deliberate damage or defacement of an object or structure
Wikipedia - Vector graphics -- Computer graphics images defined by points, lines and curves
Wikipedia - Venus Engine -- Image processing engine for digital cameras
Wikipedia - Video card -- Expansion card which generates a feed of output images to a display device
Wikipedia - Video -- Electronic moving image
Wikipedia - Vignetting -- Reduction of an image's brightness or saturation toward the periphery compared to the image center
Wikipedia - Virtually imaged phased array -- Dispersive optical device
Wikipedia - Vognmagergade -- Street in Copenhagen, Denmark
Wikipedia - Voice-over -- Piece of narration that is not accompanied by an image of the speaker
Wikipedia - Volume ray casting -- Image-based volume rendering technique
Wikipedia - VoTT -- Microsoft open source image annotation tool
Wikipedia - Wallpaper (computing) -- Digital image used as a decorative background on a computer desktop
Wikipedia - Warlock: The Armageddon -- 1993 film by Anthony Hickox
Wikipedia - Warning: Her Majesty's Government Can Seriously Damage Your Health -- 1983 extended play by Discharge
Wikipedia - Weak topology -- Topology where convergence of points is defined by the convergence of their image under continuous linear functionals
Wikipedia - Weapon of mass destruction -- Weapon that can kill numerous humans or cause great damage
Wikipedia - WebP -- Type of image file format
Wikipedia - Weirdmageddon 3: Take Back The Falls
Wikipedia - Welcome Home Armageddon -- album by Funeral for a Friend
Wikipedia - Werl pilgrimage -- Baroque pilgrimage church in Werl, Germany
Wikipedia - Wes Magee -- Scottish poet and author
Wikipedia - Whamageddon -- Christmas season game
Wikipedia - Wikipedia:Featured pictures -- Counterpart of Featured Articles for images
Wikipedia - Wikipedia:Graphics Lab -- Forum to request image creation or improvement by and for Wikipedia
Wikipedia - Wikipedia:Images -- Wikipedia information page
Wikipedia - Wikipedia:Image use policy -- English Wikipedia policy
Wikipedia - Wikipedia:Manual of Style/Captions -- Wikipedia guideline on image captions
Wikipedia - Wikipedia:WikiProject Images and Media -- Wikimedia subject-area collaboration
Wikipedia - Wilhelm Christian Magelssen -- Norwegian Minister of Education (1926-1927)
Wikipedia - William Connor Magee -- Irish clergyman who worked in England
Wikipedia - William Magee (physician) -- American plastic surgeon
Wikipedia - William Magee (politician) -- American politician
Wikipedia - Windows Image Acquisition
Wikipedia - Windows Photo Viewer -- Image viewing software
Wikipedia - WKXI-FM -- Radio station in Magee-Jackson, Mississippi
Wikipedia - Woman, Bird, Star (Homage to Pablo Picasso) {{DISPLAYTITLE:''Woman, Bird, Star (Homage to Pablo Picasso)'' -- Woman, Bird, Star (Homage to Pablo Picasso) {{DISPLAYTITLE:''Woman, Bird, Star (Homage to Pablo Picasso)''
Wikipedia - Woodblock printing in Japan -- Ancient technique for reproducing images or text
Wikipedia - Worry -- Thoughts, images, emotions, and actions of a pessimistic nature
Wikipedia - WRBJ-TV -- TBN TV station in Magee, Mississippi
Wikipedia - WSJC -- Radio station in Magee, Mississippi
Wikipedia - WWE Armageddon -- WWE pay-per-view
Wikipedia - XHCMS-FM -- Imagen Radio station in Mexicali
Wikipedia - XHCTMX-TDT -- Imagen Television transmitter in Mexico City
Wikipedia - XHMDR-FM -- Imagen Radio station in Tampico, Tamaulipas
Wikipedia - XHMIG-FM -- Imagen Radio station in San Miguel de Allende, Guanajuato
Wikipedia - XHOZ-FM (QuerM-CM-)taro) -- Imagen Radio station in QuerM-CM-)taro
Wikipedia - XHPCPG-FM -- Imagen Radio station in Chilpancingo, Guerrero, Mexico
Wikipedia - XHSC-FM -- Imagen Radio station in Guadalajara
Wikipedia - XHTLN-FM -- Imagen Radio station in Nuevo Laredo, Tamaulipas
Wikipedia - Xoanon -- Archaic wooden cult image of Ancient Greece
Wikipedia - Yatra -- Pilgrimage in Indian religions
Wikipedia - Yellamma Temple, Saundatti -- Indian pilgrimage destination
Wikipedia - Ylilauta -- Finnish imageboard
Wikipedia - Zerfe Wondemagegn -- Ethiopian athlete
Wikipedia - Ziyarat -- A pilgrimage to sites associated with Muhammad and Islam
Wikipedia - Zvi Magen -- Israeli diplomat
https://allpoetry.com/John-Gillespie-Magee-Jr
https://allpoetry.com/William-Gamage
Eureeka's Castle (1989 - 1995) - Eureeka's Castle was a Nick Jr puppet show that took place in a castle music box that was wound up by a friendly giant. Eureeka was a young wizard who was a little clumsy with her wand. Magellan the dragon and his pet Cooey lived there along with Magellan's mischeivous tail that had a mind of it's o...
Rupert The Bear! (1991 - 1997) - A white bear named Rupert the Bear with a big imagenary adventure
Magic Knight Rayearth (1994 - 1995) - Three young girls, Hikaru, Umi, and Fuu, are transported to a magical world called Cephiro during a field trip to Tokyo Tower. They are soon greeted by Master Mage Clef, who explains to them that they have been summoned to become the Legendary Magic Knights and save Cephiro. The girls are less than...
Bionic Woman (1976 - 1978) - Starring Lindsay Wagner as Jamie Sommers. A retired pro tennis player turned Californian middle school teacher experiences a parachute failure and the accident renders her a tomato. The government takes the opportunity to turn her into a government project and replaces her most damaged limbs and p...
Time Trax (1993 - 1994) - Each week Darian Lambert searches out criminals from the future hiding out in our time. He is armed with a credit card that houses a powerful computer which helps holographic image Darian search out threats to the present.
Spitting Image (1984 - 1992) - Puppet based satire show which used latex images of celebs and politians to make fun of the weeks news. If you were famous, you were fair game in a series that even poked fun at Pope John Paul II.
Choujin Sentai Jetman (1991 - 1992) - The 15th Super Sentai series. A 1991 homage to the classic Gatchaman anime. In the not too distant future, Vyram begins its invasion of Earth by destroying the Skyforce's base Earth Ship. Ryuu's beloved, Aoi Rie, was sucked out in the chaos. Ryuu escaped with Commander Odagiri. Earth Ship had been...
SOF: Special Ops Force (1997 - 1999) - Originally titled "Soldiers of Fortune, Inc." SOF: Special Ops Force was one of the first television shows produced by Jerry Bruckheimer of "Con Air" and "Armageddon". The series focused on a group of highly trained soldiers who are contracted by the US Government to take on "Black Ops" missions, t...
Dr. Slump (1981 - 1986) - Akira Toriyama's first anime. Dr. Senbei Norimaki created a purple haired android who can run real fast, cannot get damaged, and has great strength. Until 1986, Akira Toriyama moves on to Dragonball.
Hypernauts (1995 - 1996) - Hypernauts was a proof of concept show made by Foundation Imaging. To further prove that the computer-generated imagery and visual effects created in Babylon 5 were easily applied to other venues, the Hypernauts were born. ABC purchased thirteen episodes of the show from DIC Entertainment, eight of...
Getter Robo: Armageddon (1998 - 1999) - Dr. Saotome returns from the dead after being seemingly murdered by Getter pilot Nagare Ryoma and threatens the world with his ultimate creation: the Shin Dragon. Ryoma reluctantly teams up with his former co-pilots Jin Hayato and Tomoe Mushashi to combat Dr. Saotome. The pilots must also deal with...
Fairy Tail (2014) (2014 - 2016) - Natsu, Lucy, and their fellow Fairy Tail mages return to protect the humanity from powerful enemies, including but not limited to Dark Guilds, dragons, and Zeref, the most powerful dark mage.
Fairy Tail (2009 - 2019) - Lucy is a 17-year-old girl, who wants to be a full-fledged mage. One day when visiting Harujion Town, she meets Natsu, a young man who gets sick easily by any type of transportation. But Natsu isn't just any ordinary kid, he's a member of one of the world's most infamous mage guilds: Fairy Tail.
Sorcerer Hunters (1995 - 1995) - In the continent of spooner, sorcerers, who are the continent's aristocrats, have begun to abuse their powers. Under the guidance of Big Momma (their boss) Carrot (who turns into a giant monster every time he's placed under a magic spell), Gateau (a bodybuilder), Marron (a mage), Chocolate and Tira...
The Familiar of Zero (2006 - 2012) - Louise Franoise Le Blanc de La Vallire is a self-absorbed mage in a world of wands, cloaks, and royalty. Although she studies at Tristain Academy, a prestigious school for magicians, she has a major problem: Louise is unable to cast magic properly, earning her the nickname of "Louise the Zero" fro...
Someday's Dreamers (2003 - 2008) - Hepburn: Mahtsukai ni Taisetsu na Koto, lit. "Things That Are Precious To a Mage") an anime series that was produced by J.C.Staff under the direction of Masami Shimoda. It is loosely based on the storyline of the first manga series with new characters added to the story. It ran for a total of 12 ep...
Rune Soldier (2001 - 2001) - Louie, a brawny student at the mage's guild, is reluctantly accepted by three girls (Merrill-thief, Genie-fighter, and Melissa-priestess) as a companion for their adventuring party. As the foursome explore ruins, battle dark creatures, and make new friends, they also uncover a sinister plot within t...
The Beeps (2007 - 2008) - The Beeps is an animated pre-school children's television series of 65 x 11-minute episodes, produced by Impossible TV Limited using computer-generated imagery CGI for the United Kingdom television network, Channel Five Broadcasting Ltd.
The Dark Crystal(1982) - Another planet, another time. 1000 years ago the Dark Crystal was damaged by one of the Urskeks and an age of chaos began. Now the time of the great conjunction of the three suns is near. If the crystal is not healed now the control of the evil Skekses will last forever. Jen the last of the Gelfings...
Mrs. Doubtfire(1993) - Daniel Hillard likes to entertain children. His job is providing voices for cartoons, but when he disagrees with the image that the studio wants to convey to children, he's fired. It is also his son's birthday and feeling down and wanting to do something special for him, he throws a wild children's...
Star Trek: First Contact(1996) - The Borg are launching another attack striking at Earth. This time however they are traveling to the past to prevent a defining moment in humanities past, first contact with alien life. Picard must overcome his past experiances of turtore by the Borg while his crew attempts to correct the damage d...
Rocky V(1990) - Rocky Balboa is forced to retire after having permanent damage inflicted on him in the ring by the Russian boxer Ivan Drago. Returning home after the Drago bout, Balboa discovers that the fortune that he had acquired as heavyweight champ has been stolen and lost on the stockmarket by his accountant....
The Matrix(1999) - In the distant future, a computer hacker named Neo discovers that what we think is reality is actually a computerized image planted in our minds. The real world is run by machines that use human bodies as batteries, and place the human's minds into an alternate reality, a reality knows as The Matrix...
Ed Wood(1994) - Hollywood visionary Tim Burton pays homage to another Hollywood visionary, albeit a less successful one, in this unusual fictionalized biography. The film follows Wood (Johnny Depp) in his quest for film greatness as he writes and directs turkey after turkey, cross-dresses, and surrounds himself wit...
Suburban Commando(1991) - In this scifi/comedy Hulk Hogan plays an intergalactic warior named Shep Ramsey who must land on Earth to repair his ship after he accidently damages the dashboard following a deep space battle with his arch enemy General Suitor. The only problem with this is that he hates Earthlings. He then rents...
Brain Damage(1988) - Basket Case director Frank Henenlotter explores another bizarre symbiotic human-monster relationship in this surreal horror-comedy about a young man named Brian (Rick Herbst) who emerges from a night of bizarre hallucinations to find a jovial talking slug attached to his body. The creature, a brain-...
Angus(1995) - Angus is a large, pathetic 14 year old whose thoughts are most often filled with the image of one Melissa Lefevre. Angus is shy and thinks that he has no chance of ever 'getting' her. Being especially uncool, he is incredibly surprised (along with the rest of the school) that he is chosen to dance w...
Armageddon(1998) - Michael Bay directed this $150 million science fiction action thriller about an asteroid on a collision course with Earth, sending fireballs down on Manhattan, prompting a plan to split the asteroid into two sections before it arrives and causes human extinction. NASA executive director Dan Truman (...
High Anxiety(1977) - An affectionate homage more than a spoof of Alfred Hitchcock thrillers, Mel Brooks's hilarious movie is one of the funniest modern comedies around. Brooks plays a psychiatrist with a severe fear of heights who moves to the Bay Area to take over a psychiatric hospital after its former head mysterious...
Natural Born Killers(1994) - Mickey Knox (Woody Harrelson) and his wife Mallory (Juliette Lewis) are damaged. Both had horrible childhoods, and Mickey met Mallory while she still lived with her uncaring mother (Edie McClurg) and abusive father (Rodney Dangerfield in a rare dramatic role). Whether they were influenced by their p...
Scanners(1981) - Darryl Revok is the most powerful of all the scanners, and is the head of the underground scanner movement for world domination. Scanners have great psychic power, strong enough to control minds; they can inflict enormous pain/damage on their victims. Doctor Paul Ruth finds a scanner that Revok hasn...
Shrunken Heads(1994) - An enthusiastically brain-damaged outing from Charles Band's prolific B-Movie outfit Full Moon Entertainment, this cult-move manqu, directed by Oingo Boingo co-founder Richard Elfman (brother of composer Danny Elfman) is weird even by Full Moon's unique standards. The demented plot begins with a...
Warlock: The Armageddon(1993) - The sequel to Warlock, this film features the return of the evil warlock (Julian Sands) who is on a quest to search out and obtain a set of six magical runestones needed to summon the Devil to Earth. However, a group of powerful druids have become aware of the sinister plans afoot, and it is up to t...
Posse(1993) - Writer, director, and star Mario Van Peebles tried to correct historical misconceptions about African-Americans on the frontier with this action-packed western that's also an homage to spaghetti Westerns. During the Spanish-American War, a squadron of black soldiers led by Jesse Lee (Van Peebles) is...
Babylon 5: A Call to Arms(1999) - Five years after the events of the Babylon 5 series, a technomage named Galen predicts an imminent attack by the Drakh, the old allies of the Shadows. Through dreams, a thief, a captain, and a president are brought together to head them off. The president is John Sheridan. Because of his irrational...
Babylon 5: In the Beginning(1998) - Five years after the events of the Babylon 5 series, a technomage named Galen predicts an imminent attack by the Drakh, the old allies of the Shadows. Through dreams, a thief, a captain, and a president are brought together to head them off. The president is John Sheridan. Because of his irrational...
Nobody's Perfekt(1981) - After their car is damaged, by a pothole, 3 crazy guys decide to sue the city of Miami.
Jem: the movie(1985) - Jerrica Benton is the owner of Starlight Music and the Starlight Foundation, which is a foster home for young girls. But by using her earrings to project a holographic image over herself, she is transformed into her alter ego Jem, the lead singer for the successful music group, Jem and the Holograms...
Every Home Should Have One(1970) - An advertising man(Marty Feldman)tries to use sexy images to sell a type of frozen porridge.
Corruption(1968) - A plastic surgeon(Peter Cushing) uses the pituitary glands of murdered women to continually restore his fiance's(Sue Lloyd) damaged face.
The Tower(1993) - A man(Paul Reiser) working in a building, that is totally computer operated ,accidentally damages his pass key. He tries to re-enter the pass key ,but the computer see the man as a threat and tries to eliminate him.
Planes: Fire & Rescue(2014) - When Dusty learns that his engine is damaged and he may never race again, he joins a forest fire and rescue unit to be trained as a firefighter.
Harmagedon: Genma Wars(1983) - From the depths of space he i
Parsifal(1982) - Richard Wagner's last opera has remained controversial since its first performance for its unique, and, for some, unsavory blending of religious and erotic themes and imagery. Based on one of the medieval epic romances of King Arthur and the search for the holy grail (the chalice touched by the lips...
The American Success Company(1980) - Also known as "Success", Jeff Bridges plays a man thought lowly of by everyone in his life who changes his image.
A Nymphoid Barbarian In Dinosaur Hell(1990) - In a post-Armageddon world, a young woman finds herself in a fight for survival against mutant cavemen, dinosaurs and other prehistoric animals.
At Long Last Love(1975) - This film was Peter Bogdanovich's homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O'Kelly meet and fall in love. Meanwhile, an indigent woman named Brooke Carter and an Italian gambler named Johnny Spanish meet and fall in love. All...
Impulse(1985) - The natural disaster of an earthquake leads to the personal disasters that come from a small town's citizens acting on their own impulses (hence the title). If these images are scary, imagine what your own impulses could lead to.
Damage(1992) - A member of Parliament falls passionately in love with his son's fiance despite the dangers of discovery.
Where the Wild Things Are(2009) - Where the Wild Things Are is a 2009 fantasy drama film directed by Spike Jonze and adapted from Maurice Sendak's 1963 children's book Where the Wild Things Are. It combines live action, performers in costumes, animatronics, and computer-generated imagery (CGI). The film stars Max Records, and featur...
Baadasssss!(2003) - Mario Van Peebles's half documentary/half homage to his father Melvin's 1971 film, Sweet Sweetback's Baadasssss Song.
Crush(1992) - On the way to interview a novelist, Lane and Christina are involved in a car crash which leaves literary critic Christina brain-damaged. Lane undertakes the assignment and becomes attracted to the novelist's 15 year old daughter, leading to stormy emotions.
TMNT(2007) - TMNT is a 2007 American computer-animated action film based on the Teenage Mutant Ninja Turtles (TMNT) franchise. The film is the fourth and final installment in the original film series. It was the first Teenage Mutant Ninja Turtles film made with computer-generated imagery (CGI), created by Imagi...
Wallace & Gromit: The Curse of the Were-Rabbit(2005) - Tottington Hall's annual Giant Vegetable Competition is approaching. The winner of the competition will win the coveted Golden Carrot Award. All are eager to protect their vegetables from damage and thievery by rabbits until the contest, and Wallace and Gromit are cashing in by running a vegetable s...
The New Guy(2002) - A high school senior branded uncool in the ninth grade gets himself expelled so he changes his image to cool kid at the town's other high school.
Night Of The Living Dead 3D(2006) - Both an homage to and a re-imagining of the original 1968 film, this update follows a group of survivors trapped in a farmhouse battling a siege of undead zombies....in 3D!
Hancock(2008) - Hancock is a superhero whose ill considered behavior regularly causes damage in the millions. He changes when the person he saves helps him improve his public image.
Sonic Armageddon(2002) - Sonic Armageddon is a cancelled film that was originally going to be released on July 10, 2002, based on the Sonic the Hedgehog television series and the Archie Comics, possibly made around the time of Sonic's 10t
Safety Last!(1923) - Safety Last! is a 1923 American silent romantic comedy film starring Harold Lloyd. It includes one of the most famous images from the silent film era: Lloyd clutching the hands of a large clock as he dangles from the outside of a skyscraper above moving traffic. The film was highly successful and cr...
Columbus Day(2009) - A thief has just one morning to fix the damage done during the biggest heist of his career, all while attempting to repair his relationship with his ex-wife.
Home Alone: The Holiday Heist(2012) - Home Alone: The Holiday Heist (also known as Home Alone 5) is a 2012 American made-for-television Christmas comedy film. It is the fifth installment in the Home Alone franchise. Even though it does not focus on the McCallister Family it does contain a number of homages to the previou
Prep & Landing: Operation: Secret Santa(2010) - Wayne and Lanny, now partners, are called by Magee to meet with a secret contact Mrs. Claus, who sends them on a new mission to retrieve a box from Santas secret workshop. Later they sneak into Santas office while he is asleep, using their high tech equipment from the previous film. Lannys expe...
Prep & Landing: Naughty vs. Nice(2011) - With the Big 2-5 fast approaching, Wayne and Lanny must race to recover classified North Pole technology that has fallen into the hands of a hacker identified only as "jinglesmell1337." Desperate to prevent Christmas from descending into chaos, Wayne seeks out (at the insistence of Magee) the foremo...
The LEGO Movie 2: The Second Part(2019) - Emmet Brickowski attempts to rescue his friends from the Systar System, while dealing with a coming cataclysm known as "Armamageddon". Thanks to the massive theatrical success of the first LEGO movie along with its franchised sequels the creators of the previous films wanted to create a new film tha...
Goodreads author - Bryan_Magee
Goodreads author - Glenn_Magee
Goodreads author - James_E_Talmage
Goodreads author - Robert_F_Mager
Goodreads author - Kathryn_Magendie
Goodreads author - Ken_Magee
Goodreads author - Jamie_Magee
Goodreads author - Audrey_Magee
Goodreads author - Maged_S_A_Mikhail
https://myanimelist.net/anime/11705/Dragon_Age__Blood_Mage_no_Seisen -- Action, Fantasy
https://myanimelist.net/anime/31231/Pokemon_Movie_19__Volcanion_to_Karakuri_no_Magearna -- Adventure, Kids, Fantasy
https://myanimelist.net/anime/40033/Animagear -- Kids, Mecha
https://myanimelist.net/manga/13999/Magetsukan_Kitan
https://myanimelist.net/manga/19981/Dark_Mage
https://myanimelist.net/manga/3519/Masca__The_Tale_of_the_Great_Mage_of_Hessed
https://myanimelist.net/manga/7754/Tsukiyo_no_Fromage
Alien: Harvest (2019) ::: 6.4/10 -- 9min | Short, Horror, Sci-Fi | 26 April 2019 (USA) -- The surviving crew of a damaged space harvester has a motion sensor as their only navigation tool leading them to safety, while a creature in the shadows terrorizes them. However, the greatest threat might have been hiding in plain sight. Director: Benjamin Howdeshell Writers: Craig Dewey, Dan O'Bannon (based on characters created by) | 1 more credit
Apollo 13 (1995) ::: 7.6/10 -- PG | 2h 20min | Adventure, Drama, History | 30 June 1995 (USA) -- NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy. Director: Ron Howard Writers:
Armageddon (1998) ::: 6.7/10 -- PG-13 | 2h 31min | Action, Adventure, Sci-Fi | 1 July 1998 (USA) -- After discovering that an asteroid the size of Texas is going to impact Earth in less than a month, NASA recruits a misfit team of deep-core drillers to save the planet. Director: Michael Bay Writers:
A Shaun the Sheep Movie: Farmageddon (2019) ::: 6.9/10 -- G | 1h 26min | Animation, Adventure, Comedy | 14 February 2020 (USA) -- When an alien with amazing powers crash-lands near Mossy Bottom Farm, Shaun the Sheep goes on a mission to shepherd the intergalactic visitor home before a sinister organization can capture her. Directors: Will Becher, Richard Phelan Writers:
Baadasssss! (2003) ::: 7.3/10 -- How to Get the Man's Foot Outta Your Ass (original title) -- Baadasssss! Poster -- Mario Van Peebles' half-documentary/half-homage to his father Melvin Van Peebles' movie Sweet Sweetback's Baadasssss Song (1971). Director: Mario Van Peebles Writers:
Barabbas (1961) ::: 6.9/10 -- Not Rated | 2h 17min | Biography, Drama, History | 10 October 1962 -- Barabbas Poster Barabbas, the criminal that Pontius Pilate induced the populace to vote to set free, so that Christ could be crucified, is haunted by the image of Jesus for the rest of his life. Director: Richard Fleischer Writers: Christopher Fry (screenplay), Pr Lagerkvist (novel)
Brain Damage (1988) ::: 6.6/10 -- R | 1h 24min | Comedy, Drama, Horror | 22 April 1988 (USA) -- One morning, a young man wakes to find that a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but demands human victims in return. Director: Frank Henenlotter Writer: Frank Henenlotter
Concussion (2015) ::: 7.2/10 -- PG-13 | 2h 3min | Biography, Drama, Sport | 25 December 2015 (USA) -- In Pittsburgh, accomplished pathologist Dr. Bennet Omalu uncovers the truth about brain damage in football players who suffer repeated concussions in the course of normal play. Director: Peter Landesman Writers:
Damage (1992) ::: 6.8/10 -- R | 1h 51min | Drama, Romance | 22 January 1993 (USA) -- A member of Parliament falls passionately in love with his son's fiance despite the dangers of discovery. Director: Louis Malle Writers: David Hare (screenplay), Josephine Hart (novel)
Damages ::: TV-MA | 1h | Crime, Drama, Mystery | TV Series (20072012) -- A law school graduate becomes the protge of a successful high-stakes litigator. Creators: Glenn Kessler, Todd A. Kessler, Daniel Zelman
Double Trouble (1984) ::: 7.2/10 -- Non c' due senza quattro (original title) -- Double Trouble Poster A jazz musician and a stunt man are the spitting image of two millionaire brothers. They take the job to replace them in Rio de Janeiro when someone plans to assassinate them. Director: Enzo Barboni (as E.B. Clucher) Writer: Marco Barboni (as Marcotullio Barboni)
eXistenZ (1999) ::: 6.8/10 -- R | 1h 37min | Horror, Sci-Fi, Thriller | 23 April 1999 (USA) -- A game designer on the run from assassins must play her latest virtual reality creation with a marketing trainee to determine if the game has been damaged. Director: David Cronenberg Writer:
Fate/stay night ::: TV-14 | 23min | Animation, Action, Adventure | TV Series (2006) Episode Guide 24 episodes Fate/stay night Poster -- Amateur mage Shirou Emiya gets involved in a fight between mages using mythological heroes. Stars: Noriaki Sugiyama, Kate Higgins, Candice Moore
Fate/stay night: Unlimited Blade Works ::: TV-14 | 24min | Animation, Action, Fantasy | TV Series (20142015) -- A group of seven mages gets chosen to become masters of seven classes of heroic spirits, in order to fight and win the Holy Grail. Stars: Mela Lee, Bryce Papenbrook, Noriaki Sugiyama
Fate/Zero ::: TV-MA | 24min | Animation, Action, Drama | TV Series (2011-2012) Episode Guide 25 episodes Fate/Zero Poster Seven chosen mages and their summoned heroic spirits fight against each other to try and win the Holy Grail: a magical device that can grant any wish. Stars: Ayako Kawasumi, Kari Wahlgren, Sayaka hara
Fate/Zero ::: TV-MA | 24min | Animation, Action, Drama | TV Series (20112012) Seven chosen mages and their summoned heroic spirits fight against each other to try and win the Holy Grail: a magical device that can grant any wish. Stars: Ayako Kawasumi, Kari Wahlgren, Sayaka hara  
Finding Neverland (2004) ::: 7.6/10 -- PG | 1h 46min | Biography, Drama, Family | 17 December 2004 (USA) -- The story of Sir J.M. Barrie's friendship with a family who inspired him to create Peter Pan. Director: Marc Forster Writers: Allan Knee (play), David Magee (screenplay)
Fullmetal Alchemist: Brotherhood ::: Hagane no renkinjutsushi (original tit ::: TV-14 | 24min | Animation, Action, Adventure | TV Series (2009-2012) Episode Guide 69 episodes Fullmetal Alchemist: Brotherhood Poster -- Two brothers search for a Philosopher's Stone after an attempt to revive their deceased mother goes awry and leaves them in damaged physical forms. Creator:
Fullmetal Alchemist ::: Hagane no renkinjutsushi (original tit ::: TV-PG | 24min | Animation, Action, Adventure | TV Series (2003-2004) Episode Guide 51 episodes Fullmetal Alchemist Poster -- When a failed alchemical ritual leaves brothers Edward and Alphonse Elric with severely damaged bodies, they begin searching for the one thing that can save them; the fabled philosopher's stone. Stars:
Good Omens ::: TV-MA | 5h 28min | Comedy, Fantasy | TV Mini-Series (2019) Episode Guide 6 episodes Good Omens Poster -- A tale of the bungling of Armageddon features an angel, a demon, an eleven-year-old Antichrist, and a doom-saying witch. Creators: Neil Gaiman, Terry Pratchett
Grindhouse (2007) ::: 7.5/10 -- R | 3h 11min | Action, Horror, Thriller | 6 April 2007 (USA) -- Quentin Tarantino and Robert Rodriguez's homage to exploitation double features in the '60s and '70s with two back-to-back cult films that include previews of coming attractions between them. Directors: Robert Rodriguez, Eli Roth | 3 more credits Writers:
Hancock (2008) ::: 6.4/10 -- PG-13 | 1h 32min | Action, Drama, Fantasy | 2 July 2008 (USA) -- Hancock is a superhero whose ill-considered behavior regularly causes damage in the millions. He changes when the person he saves helps him improve his public image. Director: Peter Berg Writers:
Helsreach ::: Animation, Sci-Fi, War | TV Mini-Series (2017- ) Episode Guide 13 episodes Helsreach Poster When the world of Armageddon faces invasion by Orks, Chaplain Grimaldus and a group of Black Templars Space Marines are amid those sent to defend it. Charged with the defense of Hive Helsreach in one of many onsets, the task seems forlorn. Stars: Emily Freire, Jonathan Keeble, Tijiki Morris
Hotel Hell ::: TV-14 | 1h | Reality-TV | TV Series (20122016) -- Chef Gordon Ramsay visits struggling, disfunctional hotels across America and spends a week trying to help them become successful. Creator: Adeline Ramage Rooney
Human (2015) ::: 8.7/10 -- Not Rated | 3h 10min | Documentary | 12 September 2015 (France) -- A collection of stories about and images of our world, offering an immersion to the core of what it means to be human. Director: Yann Arthus-Bertrand Stars: Luis Cancu, Atman, Berthony
Images (1972) ::: 7.1/10 -- R | 1h 44min | Drama, Horror, Mystery | 18 December 1972 (USA) -- A schizophrenic housewife kills off each of her terrorizing apparitions, unsure if these demons are merely figments of her imagination or part of reality. Director: Robert Altman Writers:
Luce (2019) ::: 6.7/10 -- R | 1h 49min | Drama, Mystery | 23 August 2019 (USA) -- A married couple is forced to reckon with their idealized image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student. Director: Julius Onah Writers:
Martha Marcy May Marlene (2011) ::: 6.9/10 -- R | 1h 42min | Drama, Mystery, Thriller | 21 December 2011 (Sweden) -- Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult. Director: Sean Durkin Writer:
Ordinary Decent Criminal (2000) ::: 6.4/10 -- R | 1h 33min | Comedy, Crime | 7 January 2000 (Ireland) -- Brilliant, flamboyant master criminal Michael Lynch is more interested in his image and his posterity than the actual profit from his ill-gotten gains. Director: Thaddeus O'Sullivan Writer:
Powerless -- 21min | Comedy, Fantasy, Sci-Fi | TV Series (2017) ::: Follow the staff of an insurance company, specialising in products to protect defenseless bystanders from the collateral damage of Superheroes and Supervillains. Creator:
Riftworld Chronicles ::: 48min | Comedy, Drama, Fantasy | TV Mini-Series (2015- ) Episode Guide 8 episodes Riftworld Chronicles Poster A dimension traveling mage and a journalist team up to investigate the connection between their worlds. Creator: Jonathan Williams Stars:
Selfie ::: TV-14 | 22min | Comedy, Romance | TV Series (2014) -- After being the subject of an embarrassing viral video, a self-involved 20-something enlists the help of a marketing expert to revamp her image in the real world. Creator:
Sidewalls (2011) ::: 7.5/10 -- Medianeras (original title) -- Sidewalls Poster -- Martn and Mariana are slightly damaged people who live in buildings just opposite one another. While they often don't notice each other, separation might be the very thing that brings them together. Director: Gustavo Taretto Writer:
Sully (2016) ::: 7.4/10 -- PG-13 | 1h 36min | Biography, Drama | 9 September 2016 (USA) -- The story of Chesley "Sully" Sullenberger (Tom Hanks), an American pilot who became a hero after landing his damaged plane on the Hudson River in order to save the flight's passengers and crew. Director: Clint Eastwood Writers:
Terminator: The Sarah Connor Chronicles ::: TV-PG | 1h | Action, Drama, Fantasy | TV Series (20082009) -- Set after the events in Terminator 2: Judgment Day (1991), Sarah Connor and her son, John, try to stay under-the-radar from the government, as they plot to destroy the computer network, Skynet, in hopes of preventing Armageddon. Creator:
The Ancient Magus' Bride ::: Mah Tsukai no Yome (original tit ::: TV-14 | 25min | Animation, Drama, Fantasy | TV Series (2017- ) Episode Guide 24 episodes The Ancient Magus' Bride Poster -- Hatori Chise, 15 years old. Lost, without hope and without family - she sells herself to a non-human mage known as Elias Ainsworth. Hesitant, she starts a new life with him as his new apprentice. Stars:
The Bridge at Remagen (1969) ::: 6.7/10 -- R | 1h 55min | Action, Drama, War | 23 October 1969 (Sweden) -- As the Allied armies close in, the Germans decide to blow up the last Rhine bridge, trapping their own men on the wrong side. But will it happen? Director: John Guillermin Writers: Richard Yates (screenplay), William Roberts (screenplay) | 1 more credit
The Way (2010) ::: 7.4/10 -- PG-13 | 2h 3min | Adventure, Comedy, Drama | 19 November 2010 (Spain) -- A father heads overseas to recover the body of his estranged son who died while traveling the "El camino de Santiago," and decides to take the pilgrimage himself. Director: Emilio Estevez Writers:
Vinland Saga ::: TV-MA | 24min | Animation, Action, Adventure | TV Series (2019) Episode Guide 24 episodes Vinland Saga Poster -- Thorfinn pursues a journey with his father's killer in order to take revenge and end his life in a duel as an honorable warrior and pay his father a homage. Stars:
Welcome to the Rileys (2010) ::: 7.0/10 -- R | 1h 50min | Drama | 18 November 2011 (UK) -- On a business trip to New Orleans, a damaged man seeks salvation by caring for a wayward young woman. Director: Jake Scott Writer: Ken Hixon
WR: Mysteries of the Organism (1971) ::: 6.9/10 -- W.R. - Misterije organizma (original title) -- (Yugoslavia) WR: Mysteries of the Organism Poster A homage to the work of psychologist Wilhelm Reich, matched with a story about a Yugoslavian girl's affair with a Russian skater. Sexual repression, social systems and the orgone theory are explored. Director: Dusan Makavejev Writer: Dusan Makavejev
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100-man no Inochi no Ue ni Ore wa Tatteiru 2nd Season -- -- Maho Film -- ? eps -- Manga -- Action Game Drama Fantasy Shounen -- 100-man no Inochi no Ue ni Ore wa Tatteiru 2nd Season 100-man no Inochi no Ue ni Ore wa Tatteiru 2nd Season -- Second season of 100-man no Inochi no Ue ni Ore wa Tatteiru. -- TV - Jul ??, 2021 -- 27,971 N/A -- -- Mahou Shoujo Lyrical Nanoha: The Movie 1st -- -- Seven Arcs -- 1 ep -- Original -- Action Sci-Fi Comedy Drama Magic -- Mahou Shoujo Lyrical Nanoha: The Movie 1st Mahou Shoujo Lyrical Nanoha: The Movie 1st -- Nanoha Takamachi, an ordinary third-grader, loves her family and friends more than anything else. One day, after having a strange dream in which a ferret gets injured, she sees the very same ferret in real life and rescues it. That ferret turns out to be Yuuno Scrya, a mage from another world who is trying to capture the 21 scattered Jewel Seeds before they cause serious damage to the universe. Yuuno is not powerful enough to capture the Jewel seeds on his own, so he grants Nanoha the intelligent device "Raising Heart" and begins training her as a mage. -- -- Unfortunately, the powerful Jewel Seeds attract those with ill intentions. Another mage, Fate Testarossa, is desperate to collect the seeds for some unknown and sinister purpose, though the solemn look in her eyes makes Nanoha think that there is more to Fate than meets the eye. Mahou Shoujo Lyrical Nanoha: The Movie 1st is a retelling of the original series, which tells the story of two young mages and how their strong emotions shape their actions. -- -- Movie - Jan 23, 2010 -- 27,907 7.90
A.I.C.O.: Incarnation -- -- Bones -- 12 eps -- Original -- Action Sci-Fi -- A.I.C.O.: Incarnation A.I.C.O.: Incarnation -- In 2035, an incident known as “The Burst” occurs at a Japanese research facility, giving birth to the rapidly expanding, consuming, and self-replicating "Matter." Snaking its way through the remains of dams and military facilities in the Kurobe Gorge, the hostile Matter is besieged by task forces trying to prevent it from reaching the ocean and mercenaries seeking the truth behind its existence. -- -- Aiko Tachibana lives under constant medical surveillance after being rescued from the Matter. She spends her days waiting out her recovery by making paper planes. Soon, her daily life at school is disturbed by the arrival of transfer student Yuuya Kanzaki, who proceeds to point out a number of inconsistencies regarding her body. Why is she never injured, and why does she suddenly no longer need her wheelchair? He claims that there is more to her existence than she has been led to believe, and that she alone holds the key to ending The Burst. -- -- With many factions now interested in Aiko, she and Yuuya must gather allies and embark on a dangerous pilgrimage into the heart of the infested gorge before the net can close around them. To escape the conspiracy moving against them, the pair must face off against the Matter—an enemy that flows like water. -- -- ONA - Mar 9, 2018 -- 82,254 6.60
Aki no Puzzle -- -- - -- 1 ep -- Original -- Dementia -- Aki no Puzzle Aki no Puzzle -- A short 6-minute movie, containing flashing lights with images and drawings presented to the viewer. -- Movie - ??? ??, 2003 -- 1,667 2.58
Aoharu x Kikanjuu -- -- Brain's Base -- 12 eps -- Manga -- Action Comedy Sports Shounen -- Aoharu x Kikanjuu Aoharu x Kikanjuu -- Hotaru Tachibana has a strong sense of justice and just cannot help confronting those who choose to perform malicious acts. Furthermore, Hotaru is actually a girl who likes to disguise herself as a boy. After hearing rumors that her best friend was tricked by the popular host of a local club, Hotaru seeks to punish the evildoer. Upon arriving at the club, however, she is challenged to a so-called "survival game" by the host Masamune Matsuoka, where the first person hit by the bullet of a toy gun will lose. -- -- After a destructive fight which results in Hotaru's loss, Masamune forces the young "boy" to join his survival game team named Toy Gun Gun, in order to repay the cost of the damages that "he" has caused inside the club. Although she is initially unhappy with this turn of events, Hotaru quickly begins to enjoy what survival games have to offer and is determined to pay off her debt, much to the dismay of Tooru Yukimura, the other member of Toy Gun Gun. As time goes on, Hotaru begins to develop a close friendship with the rest of the team and hopes to take part in realizing their dream of winning the Top Combat Game (TCG), a tournament to decide the best survival game team in Japan. -- -- Although Hotaru tries her best, there are just two little problems: she is absolutely terrible at the game, and Toy Gun Gun doesn't allow female members on their team! -- -- 188,845 7.18
Aoharu x Kikanjuu -- -- Brain's Base -- 12 eps -- Manga -- Action Comedy Sports Shounen -- Aoharu x Kikanjuu Aoharu x Kikanjuu -- Hotaru Tachibana has a strong sense of justice and just cannot help confronting those who choose to perform malicious acts. Furthermore, Hotaru is actually a girl who likes to disguise herself as a boy. After hearing rumors that her best friend was tricked by the popular host of a local club, Hotaru seeks to punish the evildoer. Upon arriving at the club, however, she is challenged to a so-called "survival game" by the host Masamune Matsuoka, where the first person hit by the bullet of a toy gun will lose. -- -- After a destructive fight which results in Hotaru's loss, Masamune forces the young "boy" to join his survival game team named Toy Gun Gun, in order to repay the cost of the damages that "he" has caused inside the club. Although she is initially unhappy with this turn of events, Hotaru quickly begins to enjoy what survival games have to offer and is determined to pay off her debt, much to the dismay of Tooru Yukimura, the other member of Toy Gun Gun. As time goes on, Hotaru begins to develop a close friendship with the rest of the team and hopes to take part in realizing their dream of winning the Top Combat Game (TCG), a tournament to decide the best survival game team in Japan. -- -- Although Hotaru tries her best, there are just two little problems: she is absolutely terrible at the game, and Toy Gun Gun doesn't allow female members on their team! -- -- -- Licensor: -- Sentai Filmworks -- 188,845 7.18
Bakuretsu Hunters -- -- Xebec -- 26 eps -- Manga -- Adventure Comedy Ecchi Fantasy Magic Shounen Supernatural -- Bakuretsu Hunters Bakuretsu Hunters -- In the continent of spooner, sorcerers, who are the continent's aristocrats, have begun to abuse their powers. Under the guidance of Big Momma (their boss) Carrot (who turns into a giant monster every time he's placed under a magic spell), Gateau (a bodybuilder), Marron (a mage), Chocolate and Tira (who can transform into dominatrix's at will) must stop the evil sorcerers from picking on the weak; however, none of them (except maybe Marron) have a clue to what's going on. -- -- (Source: ANN) -- 17,495 6.70
Bakuretsu Hunters -- -- Xebec -- 26 eps -- Manga -- Adventure Comedy Ecchi Fantasy Magic Shounen Supernatural -- Bakuretsu Hunters Bakuretsu Hunters -- In the continent of spooner, sorcerers, who are the continent's aristocrats, have begun to abuse their powers. Under the guidance of Big Momma (their boss) Carrot (who turns into a giant monster every time he's placed under a magic spell), Gateau (a bodybuilder), Marron (a mage), Chocolate and Tira (who can transform into dominatrix's at will) must stop the evil sorcerers from picking on the weak; however, none of them (except maybe Marron) have a clue to what's going on. -- -- (Source: ANN) -- -- Licensor: -- ADV Films, Discotek Media -- 17,495 6.70
Bikini Warriors -- -- feel. -- 12 eps -- Other -- Comedy Ecchi Fantasy Parody -- Bikini Warriors Bikini Warriors -- When darkness threatens the world, four heroines hold the only hope for salvation—if they can even manage to get out of the first town, that is. Bikini Warriors follows a party of beautiful adventurers in revealing armor: courageous Fighter, airheaded Paladin, timid Mage, and alluring Darkelf. But can you really be an adventurer if you don't get going on an adventure? -- -- Our heroines are eternally broke, insufferably vain, and frequently outmatched by the dangers of their world. Between fleeing dungeons and robbing peasants, the unlikely heroes will have to learn to live with each other before they can survive a battle with ultimate evil! -- -- Licensor: -- Funimation -- 69,772 5.15
Black Clover -- -- Studio Pierrot -- 170 eps -- Manga -- Action Comedy Magic Fantasy Shounen -- Black Clover Black Clover -- Asta and Yuno were abandoned at the same church on the same day. Raised together as children, they came to know of the "Wizard King"—a title given to the strongest mage in the kingdom—and promised that they would compete against each other for the position of the next Wizard King. However, as they grew up, the stark difference between them became evident. While Yuno is able to wield magic with amazing power and control, Asta cannot use magic at all and desperately tries to awaken his powers by training physically. -- -- When they reach the age of 15, Yuno is bestowed a spectacular Grimoire with a four-leaf clover, while Asta receives nothing. However, soon after, Yuno is attacked by a person named Lebuty, whose main purpose is to obtain Yuno's Grimoire. Asta tries to fight Lebuty, but he is outmatched. Though without hope and on the brink of defeat, he finds the strength to continue when he hears Yuno's voice. Unleashing his inner emotions in a rage, Asta receives a five-leaf clover Grimoire, a "Black Clover" giving him enough power to defeat Lebuty. A few days later, the two friends head out into the world, both seeking the same goal—to become the Wizard King! -- -- -- Licensor: -- Crunchyroll, Funimation -- 957,323 7.96
Byulbyul Iyagi -- -- - -- 6 eps -- - -- Psychological Drama -- Byulbyul Iyagi Byulbyul Iyagi -- Six animated shorts about discrimination and being different. -- -- 1. "Daydream" talks about dealing with people with disability. It homes in on the daily life of a father with a daughter whose hands and feet are deformed. -- -- 2. "Animal Farm" relies on the rough-and-ready feel of stop-motion clay animation to create a satire of bullying and mob dynamics. -- -- 3. "At Her House" paints a devastating picture of gender inequality within a marriage. -- -- 4. "Flesh and Bone" gently pillories superficiality and the obsession with outward appearance. -- -- 5. "Bicycle Trip" focuses on the discrimination experienced by foreign workers in Korea. -- -- 6. "Be a Human Being" looks at the way young Koreans are barely treated as human beings before they get to university. -- -- (Source: ANIWEBLOG, ASIANDB, Jeonju) -- Movie - Sep 23, 2005 -- 402 N/A -- -- Paradise -- -- - -- 1 ep -- - -- Adventure Psychological Space -- Paradise Paradise -- "A highly energetic story told from outer space, battlefields, and dentist offices, over and around time and space." -- -- (Source: Image Forum Festival 2014 program) -- Movie - ??? ??, 2013 -- 381 N/A -- -- Ninja & Soldier -- -- - -- 1 ep -- - -- Psychological -- Ninja & Soldier Ninja & Soldier -- Two eight-year-old boys compete in a game of childish bravado. Ken is a Ninja, Nito a child soldier from the Congo who was forced to kill his own mother. Their naïve game addresses cruel realities, and they talk about their differences and what they have in common. Accompanied by contrasting graphics, the film explores the types of acts of which humankind is capable. -- -- (Source: Berlinale) -- Movie - ??? ??, 2012 -- 374 5.90
Cardfight!! Vanguard: overDress -- -- Kinema Citrus -- 12 eps -- Original -- Action Game -- Cardfight!! Vanguard: overDress Cardfight!! Vanguard: overDress -- Yu-yu is a boy living in Kanazawa, Kaga Province. He is 15 years old and in his third year of junior high school. He has the ability to sense the feelings of others, but he is troubled by the fact that he cannot say no when asked. -- -- One day, Yu-yu could no longer stand going along with his sister's hobby, so he ran away from home. The one who saves him is Megumi Okura. Megumi invites Yu-yu to a nighttime amusement park called "Wonder Hill" where her friends hang out. At the amusement park, Yu-yu meets Megumi, Zakusa Ishikame, and Tomari Seto, members of "Team Blackout," a group that meets to play Vanguard every night. -- -- Tonight, a serious fight for the team's flag will take place. Blackout's leader, Danji Momoyama, and the mysterious and powerful fighter, Touya Ebata. As Yu-yu stares at them, the card fight is soon eroded into a world of images. -- -- This is how Yu-yu encounters Vanguard, a world he has never seen before, and is drawn in by its powerful allure- making new friends along the way. -- -- (Source: ANN) -- -- Licensor: -- Sentai Filmworks -- 5,929 6.23
ChäoS;HEAd -- -- Madhouse -- 12 eps -- Visual novel -- Sci-Fi Harem Mystery Psychological Supernatural -- ChäoS;HEAd ChäoS;HEAd -- Throughout Shibuya, a series of murders dubbed the "New Generation Madness" gained widespread attention As these crimes gained infamy, they became a hot topic of discussion among the people of the area. Nonetheless, these "New Gen" murders do not capture the interest of Takumi Nishijou, a high school otaku who frequently experiences delusions and feels that he is constantly being watched. -- -- Having no concern for the real world, Takumi spends his time playing online games and watching anime. However, his ordinary life is disrupted when he receives a horrifying image of a man staked to a wall from a user named Shogun. After calming himself at an internet cafe, Takumi sees the exact same murder scene as the image portrayed happen right before his eyes, along with a pink-haired girl covered in blood calling out his name. -- -- Conflicted with the nature of reality, Takumi finds it difficult to judge where to place his trust as he gets caught up in the "New Gen" murders, believing that the murderer is out to get him. -- -- -- Licensor: -- Funimation -- TV - Oct 9, 2008 -- 260,693 6.36
Chrno Crusade -- -- Gonzo -- 24 eps -- Manga -- Action Demons Historical Romance Shounen Supernatural -- Chrno Crusade Chrno Crusade -- The 1920s was a decade of great change and upheaval, with monstrous demons appearing across America. To combat this menace, the holy organization known as the Order of Magdalene was established. The organization's New York branch is home to the young and reckless Sister Rosette Christopher, as well as her partner Chrno. Tasked with the extermination of demonic threats, the renowned team is excellent at their job, despite causing extensive collateral damage on their missions. -- -- However, both Rosette and Chrno are driven by their dark pasts. Through exterminating demons, Rosette hopes to find her lost brother Joshua who was taken by the sinner and demon, Aion, with whom Chrno also shares a bloody history. The two of them must fight off the increasingly dangerous demonic menace and discover its source, while continuing to search for the truth behind Joshua's disappearance. -- -- 200,692 7.65
Chrno Crusade -- -- Gonzo -- 24 eps -- Manga -- Action Demons Historical Romance Shounen Supernatural -- Chrno Crusade Chrno Crusade -- The 1920s was a decade of great change and upheaval, with monstrous demons appearing across America. To combat this menace, the holy organization known as the Order of Magdalene was established. The organization's New York branch is home to the young and reckless Sister Rosette Christopher, as well as her partner Chrno. Tasked with the extermination of demonic threats, the renowned team is excellent at their job, despite causing extensive collateral damage on their missions. -- -- However, both Rosette and Chrno are driven by their dark pasts. Through exterminating demons, Rosette hopes to find her lost brother Joshua who was taken by the sinner and demon, Aion, with whom Chrno also shares a bloody history. The two of them must fight off the increasingly dangerous demonic menace and discover its source, while continuing to search for the truth behind Joshua's disappearance. -- -- -- Licensor: -- ADV Films, Funimation -- 200,692 7.65
Closers: Side Blacklambs -- -- Studio Animal -- 12 eps -- Game -- Game Fantasy -- Closers: Side Blacklambs Closers: Side Blacklambs -- After the invading dimensional monsters were beaten back, Seoul was rebuilt. This is the story of Closers in New Seoul. -- Mysterious dimensional gates opened all over the planet and unleashed a worldwide invasion of dimensional monsters. No monsters and tactics had any effect on the waves of dimensional monsters pouring out of the dimensional gates. City after city was mercilessly destroyed. -- -- But the opening of the dimensional gates did not only cause damage and destruction. The psychokinetic power that it awoke also enabled a tiny minority of humans to gain extraordinary psychic powers. With these psychic warriors, governments around the world were able to turn the tide of the war with these monsters. After unspeakable losses, the people of earth at least succeeded in closing the gates. Since they had closed the gates, these psychics began to be called "CLOSERS," and the invasion of the dimensional monsters was named the First Dimensional War. -- -- With the dimensional monsters vanquished, peace returned to the world, and the cities were rebuilt. Through dedicated research into the dimensional gates and psychokinetic power, humans learned that the gates open when there is a singularity in this mysterious power. However, their understanding of the gates was still incomplete. The CLOSERS who survived the First Dimensional War became part of an organization called UNION. Together, they researched the psychokinetic power in all over the world, working to prevent another dimensional war. -- -- And that's when the dimensional gates all over the world started shaking again - as ever stronger outbreed creatures renewed the attack on earth. -- -- (Source: Wikipedia) -- ONA - Dec 23, 2016 -- 17,061 6.36
Commercial War -- -- - -- 1 ep -- Original -- Dementia -- Commercial War Commercial War -- In a mixture of cut-out and hand-drawn animation techniques, Tanaami jumbles together symbols of American consumer culture –such as Coca Cola, Superman, Space Age astronauts and hamburgers– with occasional Japanese iconography, such as the squat toilet. The frenetic pace of the animation, the catchphrases and songs on the soundtrack as well as the hand-drawn CRT television monitor that occasionally frames the images makes reference to television commercials. -- -- (Source: Collaborative Cataloging Japan) -- Movie - ??? ??, 1971 -- 422 4.83
Cossette no Shouzou -- -- Daume -- 3 eps -- Original -- Drama Horror Magic Psychological Romance Supernatural -- Cossette no Shouzou Cossette no Shouzou -- Eiri Kurahashi is a Japanese art student who works in an antique shop. His friends begin to notice a dramatic, and rather concerning, change in Eiri, as he becomes more absent-minded and his behavior completely changes. They quickly decide to blame their friend's troubles on a girl. -- -- They may be right, however, as Eiri has begun seeing a beautiful, doll-like girl trapped within an antique Venetian glass that his uncle bought in France. She seems to be living in a strange other world, contained entirely inside this glass, but her image refuses to leave Eiri's mind. His sketchbook becomes filled with her likeness, and he realizes he has become completely infatuated with this strange little girl. When he recognizes her in a portrait by the mysterious Italian artist, Marchello Orlando, he learns her name is Cossette d’Auvergne, and that she was tragically murdered along with the rest of her family. -- -- One night, as he closes up the shop, he hears a voice asking him not to leave. Finally making contact with the object of his obsession, he makes a deal that he doesn't fully understand. -- -- -- Licensor: -- Geneon Entertainment USA, Sentai Filmworks -- OVA - Apr 11, 2004 -- 60,299 6.84
Cossette no Shouzou -- -- Daume -- 3 eps -- Original -- Drama Horror Magic Psychological Romance Supernatural -- Cossette no Shouzou Cossette no Shouzou -- Eiri Kurahashi is a Japanese art student who works in an antique shop. His friends begin to notice a dramatic, and rather concerning, change in Eiri, as he becomes more absent-minded and his behavior completely changes. They quickly decide to blame their friend's troubles on a girl. -- -- They may be right, however, as Eiri has begun seeing a beautiful, doll-like girl trapped within an antique Venetian glass that his uncle bought in France. She seems to be living in a strange other world, contained entirely inside this glass, but her image refuses to leave Eiri's mind. His sketchbook becomes filled with her likeness, and he realizes he has become completely infatuated with this strange little girl. When he recognizes her in a portrait by the mysterious Italian artist, Marchello Orlando, he learns her name is Cossette d’Auvergne, and that she was tragically murdered along with the rest of her family. -- -- One night, as he closes up the shop, he hears a voice asking him not to leave. Finally making contact with the object of his obsession, he makes a deal that he doesn't fully understand. -- -- OVA - Apr 11, 2004 -- 60,299 6.84
Cowboy Bebop -- -- Sunrise -- 26 eps -- Original -- Action Adventure Comedy Drama Sci-Fi Space -- Cowboy Bebop Cowboy Bebop -- In the year 2071, humanity has colonized several of the planets and moons of the solar system leaving the now uninhabitable surface of planet Earth behind. The Inter Solar System Police attempts to keep peace in the galaxy, aided in part by outlaw bounty hunters, referred to as "Cowboys." The ragtag team aboard the spaceship Bebop are two such individuals. -- -- Mellow and carefree Spike Spiegel is balanced by his boisterous, pragmatic partner Jet Black as the pair makes a living chasing bounties and collecting rewards. Thrown off course by the addition of new members that they meet in their travels—Ein, a genetically engineered, highly intelligent Welsh Corgi; femme fatale Faye Valentine, an enigmatic trickster with memory loss; and the strange computer whiz kid Edward Wong—the crew embarks on thrilling adventures that unravel each member's dark and mysterious past little by little. -- -- Well-balanced with high density action and light-hearted comedy, Cowboy Bebop is a space Western classic and an homage to the smooth and improvised music it is named after. -- -- -- Licensor: -- Bandai Entertainment, Funimation -- 1,316,661 8.77
Crayon Angel -- -- - -- 1 ep -- Original -- Dementia -- Crayon Angel Crayon Angel -- In Crayon Angel, Tanaami recalls his childhood memories of wartime Japan during the Second World War. The animation mixes wartime footage, family photographs and pop imagery, much of which is seen through fusuma-like grids that cut apart the image and distance it from the viewer. The soundtrack includes a haunting heartbeat, sounds of sirens and Robert Plant’s moans. The title refers to a campaign ran during the war by a confectionary company that asked children to submit crayon drawings of their brand icon, an angel, which had a profound emotional impact on Tanaami as a child. -- -- (Source: Collaborative Cataloging Japan) -- Movie - ??? ??, 1975 -- 918 3.73
Dakaretai Otoko 1-i ni Odosarete Imasu. -- -- CloverWorks -- 13 eps -- Manga -- Comedy Drama Romance Shounen Ai -- Dakaretai Otoko 1-i ni Odosarete Imasu. Dakaretai Otoko 1-i ni Odosarete Imasu. -- Takato Saijou has held the title of "Sexiest Man of the Year" for five years running. He is an accomplished actor, with 20 years of experience under his belt, and is aware his good looks are well above average. Proud of his career, Takato regards the title as an appropriate indicator of his success. -- -- But when his reign is ended by acting newbie Junta Azumaya, who debuted only three years ago, Takato's initial shock gives way to jealous hostility. Even in the new drama that he has been cast in, Junta seems to have suddenly surpassed him; snatching Takato's usual spot of lead actor, Junta continually manages to get on his nerves. Most infuriating of all are the bright smile and kind words that accompany everything Junta does. -- -- All this animosity comes to a head, however, when Junta catches Takato in a rather vulnerable drunken state. Endangering his own public image, Takato confronts the junior actor with harsh words and angry comments—an opportunity Junta takes every advantage of. With the famous actor Takato Saijou now on video picking a fight with a co-star, Junta has the perfect means to blackmail him. -- -- Asking the price of his enemy's silence, Takato is shocked to find that his motivation lies far from advancing his career; instead, Junta's terms are those that can only be realized in the bedroom! -- -- 90,579 7.38
Dance with Devils -- -- Brain's Base -- 12 eps -- Original -- Harem Demons Supernatural Romance Vampire Shoujo -- Dance with Devils Dance with Devils -- Ritsuka Tachibana has always been a good student, so she is completely shocked when she is suddenly summoned by the student council. Even more, they seem to think of Ritsuka as a troublemaker. Led by the handsome Rem Kaginuki, the student council—also consisting of Urie Sogami, Shiki Natsumizaka and Mage Nanashiro—tries to question her, but it soon becomes clear that they have ulterior motives. -- -- However, this is only the beginning. When her mother gets kidnapped, her life is turned upside down, and Ritsuka gets drawn into a world of vampires and devils. Both groups are searching for the "Grimoire," a forbidden item allowing its owner to rule the world. The return of her brother Lindo from overseas gives her hope, but even he appears to be hiding something. In a world filled with secrets, Ritsuka questions whom she can trust in this dark musical tale, while the handsome and dangerous members of the student council compete for her attention. -- -- -- Licensor: -- Funimation -- 97,898 6.33
Darling in the FranXX -- -- A-1 Pictures, CloverWorks, Trigger -- 24 eps -- Original -- Action Drama Mecha Romance Sci-Fi -- Darling in the FranXX Darling in the FranXX -- In the distant future, humanity has been driven to near-extinction by giant beasts known as Klaxosaurs, forcing the surviving humans to take refuge in massive fortress cities called Plantations. Children raised here are trained to pilot giant mechas known as FranXX—the only weapons known to be effective against the Klaxosaurs—in boy-girl pairs. Bred for the sole purpose of piloting these machines, these children know nothing of the outside world and are only able to prove their existence by defending their race. -- -- Hiro, an aspiring FranXX pilot, has lost his motivation and self-confidence after failing an aptitude test. Skipping out on his class' graduation ceremony, Hiro retreats to a forest lake, where he encounters a mysterious girl with two horns growing out of her head. She introduces herself by her codename Zero Two, which is known to belong to an infamous FranXX pilot known as the "Partner Killer." Before Hiro can digest the encounter, the Plantation is rocked by a sudden Klaxosaur attack. Zero Two engages the creature in her FranXX, but it is heavily damaged in the skirmish and crashes near Hiro. Finding her partner dead, Zero Two invites Hiro to pilot the mecha with her, and the duo easily defeats the Klaxosaur in the ensuing fight. With a new partner by his side, Hiro has been given a chance at redemption for his past failures, but at what cost? -- -- -- Licensor: -- Funimation -- 1,083,249 7.31
Densetsu no Yuusha no Densetsu -- -- Zexcs -- 24 eps -- Light novel -- Action Adventure Magic Fantasy Shounen -- Densetsu no Yuusha no Densetsu Densetsu no Yuusha no Densetsu -- "Alpha Stigma" are known to be eyes that can analyze all types of magic. However, they are more infamously known as cursed eyes that can only bring destruction and death to others. -- -- Ryner Lute, a talented mage and also an Alpha Stigma bearer, was once a student of the Roland Empire's Magician Academy, an elite school dedicated to training magicians for military purposes. However, after many of his classmates died in a war, he makes an oath to make the nation a more orderly and peaceful place, with fellow survivor and best friend, Sion Astal. -- -- Now that Sion is the the king of Roland, he orders Ryner to search for useful relics that will aid the nation. Together with Ferris Eris, a beautiful and highly skilled swordswoman, Ryner goes on a journey to search for relics of legendary heroes from the past, and also uncover the secrets behind his cursed eyes. -- -- -- Licensor: -- Funimation -- TV - Jul 2, 2010 -- 250,632 7.59
Densetsu no Yuusha no Densetsu -- -- Zexcs -- 24 eps -- Light novel -- Action Adventure Magic Fantasy Shounen -- Densetsu no Yuusha no Densetsu Densetsu no Yuusha no Densetsu -- "Alpha Stigma" are known to be eyes that can analyze all types of magic. However, they are more infamously known as cursed eyes that can only bring destruction and death to others. -- -- Ryner Lute, a talented mage and also an Alpha Stigma bearer, was once a student of the Roland Empire's Magician Academy, an elite school dedicated to training magicians for military purposes. However, after many of his classmates died in a war, he makes an oath to make the nation a more orderly and peaceful place, with fellow survivor and best friend, Sion Astal. -- -- Now that Sion is the the king of Roland, he orders Ryner to search for useful relics that will aid the nation. Together with Ferris Eris, a beautiful and highly skilled swordswoman, Ryner goes on a journey to search for relics of legendary heroes from the past, and also uncover the secrets behind his cursed eyes. -- -- TV - Jul 2, 2010 -- 250,632 7.59
Dirty Pair -- -- Sunrise -- 24 eps -- Light novel -- Adventure Comedy Police Sci-Fi -- Dirty Pair Dirty Pair -- If you're in a big trouble, call the World Welfare Work Association or WWWA. They will send out a team of highly trained capable agents called Trouble Consultants who can solve your problems. But if the team they send you is the Dirty Pair, there will be a lot of collateral damage aside from solving your problems. -- -- (Source: AniDB) -- -- Licensor: -- Nozomi Entertainment -- TV - Jul 15, 1985 -- 22,359 7.18
Dirty Pair Flash -- -- Sunrise -- 6 eps -- Light novel -- Action Adventure Police Comedy Sci-Fi -- Dirty Pair Flash Dirty Pair Flash -- Kei and Yuri were originally junior auxiliary agents in the Worlds Works and Welfare Agency (W.W.W.A. or 3WA for short) when the two were paired together under the codename "Lovely Angels." Kei was coming off her fourth probation for something she had done, and Yuri's dating exploits were common knowledge, not to mention the two had an instant dislike for each other when they met. -- -- At first, Kei and Yuri refused to work with each other, and Kei even resigned from the 3WA. Afterwards, the two continued to work together, although they earned their nickname, "the Dirty Pair" because of all the collateral damage the two (unintentionally) cause in the completion of their cases. And even though the two now get along with one another, they continue to bicker and complain to each other. -- -- Although it is often said that these are younger versions of the original Lovely Angels Kei and Yuri, in truth this series is an alternate universe telling of Dirty Pair, set in the years 2248-49. -- -- (Source: Wikipedia) -- -- Licensor: -- ADV Films, Nozomi Entertainment -- OVA - Jan 21, 1994 -- 7,309 6.65
Doraemon -- -- - -- 26 eps -- Manga -- Adventure Comedy Fantasy Kids Shounen -- Doraemon Doraemon -- Nobita Nobi is so hapless that his 22nd century decendants are still impoverished as a result of his 20th century bumbling. In a bid to raise their social status, their servant, a robotic cat named Doraemon, decides to travel back in time and guide Nobita on the proper path to fortune. Unfortunately Doraemon, a dysfunctional robot that the familly acquired by accident (but chose to keep nonetheless), isn't much better off than Nobita. The robot leads Nobita on many adventures, and while Nobita's life certainly is more exciting with the robot cat from the future, it is questionable if it is in fact better in the way that Doraemon planned. -- -- (Source: AniDB) -- -- Note: The series has been poorly preserved, and never released on any format, nor has it ever been re-aired. -- -- Nearly all the footage within the series (except for the opening and closing credits) was destroyed in an accidental fire sometime after the series was cancelled. -- -- Surviving reels from the show are occasionally shown at Doraemon fan conventions in Japan. In addition, the audio of several episodes still survives. Still images from episodes 1 and 24 exists. -- -- (Source: Wikipedia) -- 16,840 7.37
Dragon Age: Blood Mage no Seisen -- -- Oxybot -- 1 ep -- Game -- Action Fantasy -- Dragon Age: Blood Mage no Seisen Dragon Age: Blood Mage no Seisen -- In a time of darkness and barbarism, the Chantry has arisen - a religious order seeking to bring stability to a world corrupted by sinister magic. Led by the Divine, the Chantry's Templar warriors ruthlessly restrain the Mages and their magical cabals. But when the Templars fail, the most elite order of the Chantry takes charge - the Seekers! -- -- (Source: AniDB) -- -- Licensor: -- Funimation -- Movie - Feb 11, 2012 -- 8,807 6.11
Dragon Ball Super Movie: Broly -- -- Toei Animation -- 1 ep -- Manga -- Action Adventure Super Power Martial Arts Fantasy Shounen -- Dragon Ball Super Movie: Broly Dragon Ball Super Movie: Broly -- Forty-one years ago on Planet Vegeta, home of the infamous Saiyan warrior race, King Vegeta noticed a baby named Broly whose latent power exceeded that of his own son. Believing that Broly's power would one day surpass that of his child, Vegeta, the king sends Broly to the desolate planet Vampa. Broly's father Paragus follows after him, intent on rescuing his son. However, his ship gets damaged, causing the two to spend years trapped on the barren world, unaware of the salvation that would one day come from an unlikely ally. -- -- Years later on Earth, Gokuu Son and Prince Vegeta—believed to be the last survivors of the Saiyan race—are busy training on a remote island. But their sparring is interrupted when the appearance of their old enemy Frieza drives them to search for the last of the wish-granting Dragon Balls on a frozen continent. Once there, Frieza shows off his new allies: Paragus and the now extremely powerful Broly. A legendary battle that shakes the foundation of the world ensues as Gokuu and Vegeta face off against Broly, a warrior without equal whose rage is just waiting to be unleashed. -- -- -- Licensor: -- Funimation -- Movie - Dec 14, 2018 -- 224,797 8.10
Dragon Ball Super Movie: Broly -- -- Toei Animation -- 1 ep -- Manga -- Action Adventure Super Power Martial Arts Fantasy Shounen -- Dragon Ball Super Movie: Broly Dragon Ball Super Movie: Broly -- Forty-one years ago on Planet Vegeta, home of the infamous Saiyan warrior race, King Vegeta noticed a baby named Broly whose latent power exceeded that of his own son. Believing that Broly's power would one day surpass that of his child, Vegeta, the king sends Broly to the desolate planet Vampa. Broly's father Paragus follows after him, intent on rescuing his son. However, his ship gets damaged, causing the two to spend years trapped on the barren world, unaware of the salvation that would one day come from an unlikely ally. -- -- Years later on Earth, Gokuu Son and Prince Vegeta—believed to be the last survivors of the Saiyan race—are busy training on a remote island. But their sparring is interrupted when the appearance of their old enemy Frieza drives them to search for the last of the wish-granting Dragon Balls on a frozen continent. Once there, Frieza shows off his new allies: Paragus and the now extremely powerful Broly. A legendary battle that shakes the foundation of the world ensues as Gokuu and Vegeta face off against Broly, a warrior without equal whose rage is just waiting to be unleashed. -- -- Movie - Dec 14, 2018 -- 224,797 8.10
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- After having descended upon this world, the gods have created guilds where adventurers can test their mettle. These guilds, known as "familia," grant adventurers the chance to explore, gather, hunt, or simply enjoy themselves. -- -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria begins in Orario, the lively city of adventures. The Sword Princess, Ais Wallenstein, and the novice mage, Lefiya Viridis, are members of the Loki Familia, who are experts at monster hunting. With the rest of their group, they journey to the tower of Babel in hopes of exploring the dungeon underneath. Home to powerful monsters, the dungeon will fulfill Ais's desire to master her sword skills, while bringing Lefiya closer to her dream of succeeding Riveria Ljos Alf, vice-captain of the Loki Familia, as the most powerful mage in the land. -- -- 331,637 7.05
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria -- After having descended upon this world, the gods have created guilds where adventurers can test their mettle. These guilds, known as "familia," grant adventurers the chance to explore, gather, hunt, or simply enjoy themselves. -- -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria begins in Orario, the lively city of adventures. The Sword Princess, Ais Wallenstein, and the novice mage, Lefiya Viridis, are members of the Loki Familia, who are experts at monster hunting. With the rest of their group, they journey to the tower of Babel in hopes of exploring the dungeon underneath. Home to powerful monsters, the dungeon will fulfill Ais's desire to master her sword skills, while bringing Lefiya closer to her dream of succeeding Riveria Ljos Alf, vice-captain of the Loki Familia, as the most powerful mage in the land. -- -- -- Licensor: -- Sentai Filmworks -- 331,637 7.05
Endro~! -- -- Studio Gokumi -- 12 eps -- Original -- Fantasy Magic Slice of Life -- Endro~! Endro~! -- In a world of adventurers and magic lies Naral Island. Every generation, a Demon Lord rises to plague the land, and every generation, a Hero is born to subdue him. For countless centuries, the cycle has repeated with no end in sight. The latest Hero, Juulia "Yusha" Charldetto, has almost completed her valiant campaign alongside her party members: responsible priest Seiran "Seira" Élénoir, enigmatic mage Meiza "Mei" Endust, and hyper-energetic warrior Fai Fai. -- -- In the final battle against the Demon Lord, Yusha's party attempt a risky spell to cast their enemy into the drifts of time. But the incantation goes awry, sending Yusha and her friends back to a time before the Demon Lord, before Yusha becomes the Hero, and before the party had even graduated as adventurers. With their memories of the future erased, the four girls restart their ambitions to become the Hero's Party, aspiring to defeat the Demon Lord. -- -- However, in a sudden twist of fate, the Demon Lord was also sent back in time with her memories intact. Reduced to the form of a little girl, the Demon Lord takes the name Mao and infiltrates the adventurers' school as a teacher, planning to stop Yusha before she becomes a hero. Thus begins the story of Yusha and her friends, in their quest to defeat the Demon Lord, not knowing that the one they seek is right by their side. -- -- -- Licensor: -- Funimation -- 57,878 6.93
Extra -- -- Studio 4°C -- 1 ep -- - -- Action Sci-Fi Music Dementia Horror -- Extra Extra -- Animation veteran and Studio 4°C collaborator Koji Morimoto teamed up with techo artist Ken Ishii for this AMV. -- -- "EXTRA" is a random cross talk about computer, music, images, and Internet by two authors working on their first collaboration in techno music and animation. This short animation which is stored on CD-ROM and immediately shakes the viewer with question as to what the word of the title, "EXTRA," means. -- -- (Source: AniDB) -- Music - Jan 1, 1995 -- 3,971 5.96
Fairy Tail -- -- A-1 Pictures, Satelight -- 175 eps -- Manga -- Action Adventure Comedy Magic Fantasy Shounen -- Fairy Tail Fairy Tail -- In the mystical land of Fiore, magic exists as an essential part of everyday life. Countless magic guilds lie at the core of all magical activity, and serve as venues for like-minded mages to band together and take on job requests. Among them, Fairy Tail stands out from the rest as a place of strength, spirit, and family. -- -- Lucy Heartfilia is a young mage searching for celestial gate keys, and her dream is to become a full-fledged wizard by joining this famous guild. In her search, she runs into Natsu Dragneel and his partner Happy, who are on a quest to find Natsu's foster father, the dragon Igneel. -- -- Upon being tricked by a man, Lucy falls under an abduction attempt, only to be saved by Natsu. To her shock, he reveals that he is a member of Fairy Tail and invites her to join them. There, Lucy meets the guild's strange members, such as the ice wizard Gray Fullbuster and magic swordswoman Erza Scarlet. Together as a family, they battle the forces of evil, help those in need, and gain new friends, all the while enjoying the never-ending adventure that is Fairy Tail. -- -- -- Licensor: -- Funimation -- 1,374,207 7.64
Fairy Tail x Rave -- -- A-1 Pictures, Satelight -- 1 ep -- Manga -- Action Adventure Comedy Fantasy Magic Shounen -- Fairy Tail x Rave Fairy Tail x Rave -- While on a mission to find and defeat a troublesome mage, several members of the Fairy Tail guild are split up in an unfamiliar town. At the same time, Haru, Elie, and the rest of their group are also separated. In a fortunate turn of events, Elie runs into Lucy and Happy, who are looking for Natsu. Meanwhile, Haru stumbles upon Natsu, who is struggling with motion sickness. Although she seems friendly, Elie matches the description of the troublemaker that the Fairy Tail members were assigned to locate. To make matters worse, Natsu learns of Haru's relationship with her and suspects them to be accomplices. -- -- In this crossover between two popular series, Fairy Tail x Rave follows the two groups as they discover their similarities with each other. As the miscommunications add up, they are pitted against one another in a heated clash of powers, but will have to work together against a common foe. -- -- OVA - Aug 16, 2013 -- 106,107 7.19
Fate/Apocrypha -- -- A-1 Pictures -- 25 eps -- Light novel -- Action Supernatural Drama Magic Fantasy -- Fate/Apocrypha Fate/Apocrypha -- The Holy Grail is a powerful, ancient relic capable of granting any wish the beholder desires. In order to obtain this power, various magi known as "masters" summon legendary Heroic Spirits called "servants" to fight for them in a destructive battle royale—the Holy Grail War. Only the last master-servant pair standing may claim the Grail for themselves. Yet, the third war ended inconclusively, as the Grail mysteriously disappeared following the conflict. -- -- Many years later, the magi clan Yggdmillennia announces its possession of the Holy Grail, and intends to leave the Mage's Association. In response, the Association sends 50 elite magi to retrieve the Grail; however, all but one are killed by an unknown servant. The lone survivor is used as a messenger to convey Yggdmillennia's declaration of war on the Association. -- -- As there are only two parties involved in the conflict, the Holy Grail War takes on an unusual form. Yggdmillennia and the Mage's Association will each deploy seven master-servant pairs, and the side that loses all its combatants first will forfeit the artifact. As the 14 masters summon their servants and assemble on the battlefield, the magical world shivers in anticipation with the rise of the Great Holy Grail War. -- -- 354,426 7.16
Fate/Apocrypha -- -- A-1 Pictures -- 25 eps -- Light novel -- Action Supernatural Drama Magic Fantasy -- Fate/Apocrypha Fate/Apocrypha -- The Holy Grail is a powerful, ancient relic capable of granting any wish the beholder desires. In order to obtain this power, various magi known as "masters" summon legendary Heroic Spirits called "servants" to fight for them in a destructive battle royale—the Holy Grail War. Only the last master-servant pair standing may claim the Grail for themselves. Yet, the third war ended inconclusively, as the Grail mysteriously disappeared following the conflict. -- -- Many years later, the magi clan Yggdmillennia announces its possession of the Holy Grail, and intends to leave the Mage's Association. In response, the Association sends 50 elite magi to retrieve the Grail; however, all but one are killed by an unknown servant. The lone survivor is used as a messenger to convey Yggdmillennia's declaration of war on the Association. -- -- As there are only two parties involved in the conflict, the Holy Grail War takes on an unusual form. Yggdmillennia and the Mage's Association will each deploy seven master-servant pairs, and the side that loses all its combatants first will forfeit the artifact. As the 14 masters summon their servants and assemble on the battlefield, the magical world shivers in anticipation with the rise of the Great Holy Grail War. -- -- -- Licensor: -- Aniplex of America -- 354,426 7.16
Fate/Grand Order: Zettai Majuu Sensen Babylonia -- -- CloverWorks -- 21 eps -- Game -- Action Supernatural Magic Fantasy -- Fate/Grand Order: Zettai Majuu Sensen Babylonia Fate/Grand Order: Zettai Majuu Sensen Babylonia -- A.D. 2016, the foundations of humanity have been incinerated by the Mage King Solomon. Chaldea, a secret mages organization with the mission to preserve humanity's future, foresaw mankind's extinction in 2015. Thus commenced the operation to repair the Singularities in history caused by Holy Grails dispersed across time and space—Operation Grand Order. -- -- Using the Rayshift time travel technology, Chaldea's last master Ritsuka Fujimaru and his demi-servant Mash Kyrielight have traveled to and resolved six Singularities. Now, they depart for their most dangerous destination yet: a civilization in the Age of Gods, B.C. 2655 Mesopotamia. Ritsuka and Mash soon discover that Demonic Beasts roam the land, attacking people and towns. Amidst chaos and terror lies humanity's last defense—Uruk, a fortress city that acts as the frontline for the battle against the beasts. The battlefront is commanded by none other than King Gilgamesh, the King of Heroes, who sought aid from Heroic Spirits and took on the role of a mage to protect his city. -- -- Along with Gilgamesh and the summoned servants, Ritsuka and Mash must protect Uruk against the magical beasts' onslaught and defeat the Three Goddess Alliance who aims to eradicate humankind; all the while, a greater threat looms over Uruk, preparing for its awakening. -- -- 173,690 7.94
Fate/Grand Order: Zettai Majuu Sensen Babylonia -- -- CloverWorks -- 21 eps -- Game -- Action Supernatural Magic Fantasy -- Fate/Grand Order: Zettai Majuu Sensen Babylonia Fate/Grand Order: Zettai Majuu Sensen Babylonia -- A.D. 2016, the foundations of humanity have been incinerated by the Mage King Solomon. Chaldea, a secret mages organization with the mission to preserve humanity's future, foresaw mankind's extinction in 2015. Thus commenced the operation to repair the Singularities in history caused by Holy Grails dispersed across time and space—Operation Grand Order. -- -- Using the Rayshift time travel technology, Chaldea's last master Ritsuka Fujimaru and his demi-servant Mash Kyrielight have traveled to and resolved six Singularities. Now, they depart for their most dangerous destination yet: a civilization in the Age of Gods, B.C. 2655 Mesopotamia. Ritsuka and Mash soon discover that Demonic Beasts roam the land, attacking people and towns. Amidst chaos and terror lies humanity's last defense—Uruk, a fortress city that acts as the frontline for the battle against the beasts. The battlefront is commanded by none other than King Gilgamesh, the King of Heroes, who sought aid from Heroic Spirits and took on the role of a mage to protect his city. -- -- Along with Gilgamesh and the summoned servants, Ritsuka and Mash must protect Uruk against the magical beasts' onslaught and defeat the Three Goddess Alliance who aims to eradicate humankind; all the while, a greater threat looms over Uruk, preparing for its awakening. -- -- -- Licensor: -- Aniplex of America -- 173,690 7.94
Fate/kaleid liner Prisma☆Illya -- -- SILVER LINK. -- 10 eps -- Manga -- Action Comedy Magic Fantasy -- Fate/kaleid liner Prisma☆Illya Fate/kaleid liner Prisma☆Illya -- Mage's Association members Rin Toosaka and Luviagelita "Luvia" Edelfelt are tasked with finding and retrieving seven Class Cards, medieval artifacts containing the life essence of legendary Heroic Spirits. To aid them in their mission, they are granted the power of Ruby and Sapphire, two sentient Kaleidosticks that would enable them to transform themselves into magical girls and drastically increase their abilities. However, the two mages are on anything but good terms, prompting the Kaleidosticks to abandon them in search for new masters. They stumble upon two young schoolgirls—Illyasviel von Einzbern and Miyu—and quickly convince them to form a contract. With their new powers and responsibilities, Illya and Miyu set forth to collect all the Class Cards. -- -- -- Licensor: -- Sentai Filmworks -- 221,074 7.09
Fate/stay night -- -- Studio Deen -- 24 eps -- Visual novel -- Action Supernatural Magic Romance Fantasy -- Fate/stay night Fate/stay night -- After a mysterious inferno kills his family, Shirou is saved and adopted by Kiritsugu Emiya, who teaches him the ways of magic and justice. -- -- One night, years after Kiritsugu's death, Shirou is cleaning at school, when he finds himself caught in the middle of a deadly encounter between two superhumans known as Servants. During his attempt to escape, the boy is caught by one of the Servants and receives a life-threatening injury. Miraculously, he survives, but the same Servant returns to finish what he started. In desperation, Shirou summons a Servant of his own, a knight named Saber. The two must now participate in the Fifth Holy Grail War, a battle royale of seven Servants and the mages who summoned them, with the grand prize being none other than the omnipotent Holy Grail itself. -- -- Fate/stay night follows Shirou as he struggles to find the fine line between a hero and a killer, his ideals clashing with the harsh reality around him. Will the boy become a hero like his foster father, or die trying? -- -- -- Licensor: -- Geneon Entertainment USA, Sentai Filmworks -- 759,575 7.32
Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- -- ufotable -- 1 ep -- Visual novel -- Action Fantasy Magic Supernatural -- Fate/stay night Movie: Heaven's Feel - I. Presage Flower Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- The Holy Grail War: a violent battle between mages in which seven masters and their summoned servants fight for the Holy Grail, a magical artifact that can grant the victor any wish. Nearly 10 years ago, the final battle of the Fourth Holy Grail War wreaked havoc on Fuyuki City and took over 500 lives, leaving the city devastated. -- -- Shirou Emiya, a survivor of this tragedy, aspires to become a hero of justice like his rescuer and adoptive father, Kiritsugu Emiya. Despite only being a student, Shirou is thrown into the Fifth Holy Grail War when he accidentally sees a battle between servants at school and summons his own servant, Saber. -- -- When a mysterious shadow begins a murderous spree in Fuyuki City, Shirou aligns himself with Rin Toosaka, a fellow participant in the Holy Grail War, in order to stop the deaths of countless people. However, Shirou's feelings for his close friend Sakura Matou lead him deeper into the dark secrets surrounding the war and the feuding families involved. -- -- -- Licensor: -- Aniplex of America -- Movie - Oct 14, 2017 -- 289,661 8.25
Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- -- ufotable -- 1 ep -- Visual novel -- Action Fantasy Magic Supernatural -- Fate/stay night Movie: Heaven's Feel - I. Presage Flower Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- The Holy Grail War: a violent battle between mages in which seven masters and their summoned servants fight for the Holy Grail, a magical artifact that can grant the victor any wish. Nearly 10 years ago, the final battle of the Fourth Holy Grail War wreaked havoc on Fuyuki City and took over 500 lives, leaving the city devastated. -- -- Shirou Emiya, a survivor of this tragedy, aspires to become a hero of justice like his rescuer and adoptive father, Kiritsugu Emiya. Despite only being a student, Shirou is thrown into the Fifth Holy Grail War when he accidentally sees a battle between servants at school and summons his own servant, Saber. -- -- When a mysterious shadow begins a murderous spree in Fuyuki City, Shirou aligns himself with Rin Toosaka, a fellow participant in the Holy Grail War, in order to stop the deaths of countless people. However, Shirou's feelings for his close friend Sakura Matou lead him deeper into the dark secrets surrounding the war and the feuding families involved. -- -- Movie - Oct 14, 2017 -- 289,661 8.25
Final Fantasy VII: On the Way to a Smile - Episode: Denzel -- -- A-1 Pictures -- 1 ep -- Novel -- Action Fantasy Super Power -- Final Fantasy VII: On the Way to a Smile - Episode: Denzel Final Fantasy VII: On the Way to a Smile - Episode: Denzel -- After the three-pronged conflict between tyrannical electric company Shinra, rebel group Avalanche, and the maniacal Sephiroth, the damaged planet slowly heals its wounds. A rural town dubbed Edge sprouts up on the outskirts of Midgar's ruins. Reeve Tuesti, former Head of Urban Development at Shinra, interviews a young boy named Denzel for potential membership in Reeve's World Regenesis Organization, a group devoted to the restoration and protection of the planet. -- -- Denzel recounts his tragic history to Reeve, detailing how the aftermath of the heroic Avalanche's actions laid waste to Midgar and took the lives of everyone the boy knew. Through reminiscing to Reeve, Denzel discovers a newfound purpose. -- -- OVA - Apr 16, 2009 -- 23,906 7.12
Futari wa Precure -- -- Toei Animation -- 49 eps -- Original -- Action Comedy Magic Fantasy Shoujo -- Futari wa Precure Futari wa Precure -- Futari wa Precure protagonists Nagisa Misumi and Honoka Yukishiro are about as different as two people can get. Nagisa is the captain of the lacrosse team, a lover of food, and a hater of homework. Honoka loves to learn, working with the science club and earning the nickname "The Queen of Knowledge" from her fellow classmates. Their lives are unconnected until one day, when a mysterious star shower unites them. -- -- Nagisa and Honoka meet Mipple and Mepple, two residents of the Garden of Light. Their homeland has been conquered by the evil forces of the Dark Zone who now have their sights set on the Garden of Rainbows: Earth. With powers from the Garden of Light, Nagisa becomes Cure Black and Honoka becomes Cure White. Together, they are Pretty Cure! Now Pretty Cure must locate the Prism Stones, the only power strong enough to defeat the Dark Zone and repair the damage done to the Garden of Light. Will these magical girls be able to protect their home from the evil that threatens it? Or will they be sucked into the darkness? -- -- Licensor: -- 4Kids Entertainment -- 36,291 7.00
Gall Force 1: Eternal Story -- -- AIC, animate Film, Artmic -- 1 ep -- Original -- Action Military Sci-Fi Adventure Space Mecha -- Gall Force 1: Eternal Story Gall Force 1: Eternal Story -- Two advanced civilizations, the Paranoids (a race of alien humanoids) and the Solenoids (who are all women) are waging a war that has gone on for centuries. When the Solenoid fleet leaves a battle to defend an experimentally terraformed world from the Paranoids, one damaged Solenoid ship, the Star Leaf, is separated from the fleet. -- -- Only seven women remain alive on the ship: Eluza, the captain, Rabby, the solid more or less main character, Lufy, the brash pilot, Catty, the mysterious science officer, Pony, the pink-haired ditzy tech, Patty, a solid crew member, and Remy, the cute one. -- -- After narrowly escaping the battle, the crew of the Star Leaf decides to continue with their orders and rendezvous at planet Chaos to defend it. It turns out, however, that their ship is the subject of a Paranoid experiment. In the end, it is up to the remaining crew Star Leaf to defend the artificial paradise of Chaos from the Paranoid fleet and the plans of the Solenoid leaders. -- -- (Source: AniDB) -- -- Licensor: -- Central Park Media -- Movie - Jul 28, 1986 -- 5,485 6.46
Ged Senki -- -- Studio Ghibli -- 1 ep -- Novel -- Adventure Magic Fantasy -- Ged Senki Ged Senki -- Calamities are plaguing the land of Earthsea and dragons have been seen fighting above the clouds—something which has never happened before. Sparrowhawk, a powerful Archmage, sets out to uncover the mystery behind these concerning events and meets Prince Arren along the way. Arren is the fugitive heir to the Kingdom of Enlad and a seemingly quiet and distressed lad. Wandering aimlessly in an attempt to escape the dark presence haunting him, he decides to tag along Sparrowhawk on his journey. -- -- However, their arrival in the seaside settlement of Hort Town is met with unexpected trouble—Lord Cob, a powerful evil wizard obsessed with eternal life, stands in their way. Forced to confront him, the pair joins forces with Tenar—an old friend of Sparrowhawk—and Therru, the ill-fated orphan girl she took in. But the enemy's cunning hobby of manipulating emotions may just prove to be catastrophic for the young prince. -- -- Set in a magical world, Ged Senki goes beyond the classical battle between the forces of good and evil, as it explores the inner battles of the heart. -- -- -- Licensor: -- Walt Disney Studios -- Movie - Jul 29, 2006 -- 111,570 6.92
Ged Senki -- -- Studio Ghibli -- 1 ep -- Novel -- Adventure Magic Fantasy -- Ged Senki Ged Senki -- Calamities are plaguing the land of Earthsea and dragons have been seen fighting above the clouds—something which has never happened before. Sparrowhawk, a powerful Archmage, sets out to uncover the mystery behind these concerning events and meets Prince Arren along the way. Arren is the fugitive heir to the Kingdom of Enlad and a seemingly quiet and distressed lad. Wandering aimlessly in an attempt to escape the dark presence haunting him, he decides to tag along Sparrowhawk on his journey. -- -- However, their arrival in the seaside settlement of Hort Town is met with unexpected trouble—Lord Cob, a powerful evil wizard obsessed with eternal life, stands in their way. Forced to confront him, the pair joins forces with Tenar—an old friend of Sparrowhawk—and Therru, the ill-fated orphan girl she took in. But the enemy's cunning hobby of manipulating emotions may just prove to be catastrophic for the young prince. -- -- Set in a magical world, Ged Senki goes beyond the classical battle between the forces of good and evil, as it explores the inner battles of the heart. -- -- Movie - Jul 29, 2006 -- 111,570 6.92
Glasslip -- -- P.A. Works -- 13 eps -- Original -- Romance Slice of Life Supernatural -- Glasslip Glasslip -- What if you hold the power to hear the voices or see fragments of images from the future? Would that be a good thing or a bad thing? Glasslip follows the life of Touko Fukami, an aspiring glass artist born from a glass artisan family. She enjoys her worry-free life in Fukui, save for the fragments of images that she sees on occasion. -- -- On her 18th summer, she meets the transfer student Kakeru Okikura at her school, and then again at her favorite café called Kazemichi together with all four of her friends. The voices from the future lead Kakeru to Touko, and his arrival disrupts her mediocre existence. All six of the friends must face their most unforgettable summer full of hope, affection, and heartache. -- 147,366 5.43
God Eater Prologue -- -- ufotable -- 1 ep -- Game -- Action Fantasy Military Sci-Fi -- God Eater Prologue God Eater Prologue -- Driven to the verge of extinction by "Aragami," a race of all-devouring monsters, humanity makes its last stand in isolated points of resistance. Invulnerable to conventional damage, only "Oracle Cell" weapons—composed of the same matter which makes up Aragami—can kill these creatures. -- -- However, due to their god-like ability to adapt, the Aragami soon develop further immunity. Having no other hope of fending off the enemy, the remnants of human governments decide to detonate a nuclear reactor and wipe out the monsters facing Eurasia. -- -- The soldiers tasked with this mission are aided by three "God Eaters" dispatched from the Fenrir Far East Branch, an organization controlling what remains of Japan. The state-of-the-art weapons they wield, called God Arcs, are supposedly capable of piercing through Aragami skin and tearing their cores out, pulverizing the monsters. These mighty warriors may just be humanity's last hope of fending off the Aragami threat and averting total extinction. -- -- Special - Sep 28, 2009 -- 31,718 6.68
God Eater Resonant Ops -- -- - -- 1 ep -- Game -- Fantasy Game Military Music Sci-Fi -- God Eater Resonant Ops God Eater Resonant Ops -- The opening movie to God Eater Resonant Ops, the iOS/Android game. The animation was streamed on Bandai Namco's official YouTube channel and was promoting the game's release slated for the following month. A second version of the video was posted on April 4, 2018 but contains no change in animation. Only the watermark and the still image at the end were changed. -- ONA - Mar 24, 2018 -- 2,629 5.98
Good-by Elvis and USA -- -- - -- 1 ep -- Original -- Dementia Music -- Good-by Elvis and USA Good-by Elvis and USA -- A chaotic mixture of hand-drawn animation and magazine cut-outs appropriating American pop culture. With a soundtrack involving music and sounds played in reverse, iconography of war and pop culture are intercut or merged together with images of eroticism and consumption. The film screened at the 3rd Sogetsu Animation Festival 1971. -- -- (Source: Collaborative Cataloging Japan) -- Movie - ??? ??, 1971 -- 1,136 3.10
Good-by Marilyn -- -- - -- 1 ep -- Original -- Dementia Music -- Good-by Marilyn Good-by Marilyn -- Animated to the song ‘Manatsu no dekigoto’ (Midsummer Happening) by Miki Hirayama, the film is a playfully erotic animation with appropriated images that include Marilyn Monroe, Mickey Mouse, Superman, Roy Lichtenstein prints and the Glico chocolate icon of a man running through the finishing line of a race. Screened at the 3rd Animation Festival at Sogetsu Art Center in the same year that Tanaami participated in the exhibition ‘Watashi no Marilyn Monroe’ (My Marilyn Monroe) at Gallery Décor, Tokyo. -- -- (Source: Collaborative Cataloging Japan) -- Movie - ??? ??, 1971 -- 775 4.21
Granbelm -- -- Nexus -- 13 eps -- Original -- Fantasy Magic Mecha -- Granbelm Granbelm -- Long ago, magic was abundant and enriched the lives of all people until its usage in war. To end the chaos, seven of the most powerful mages gave up their lives in order to seal all magic. Now, almost one thousand years later, their magic seal Magiaconatus hosts Granbelm, a monthly series of battles meant to determine who among its participants is worthy of the title of Princeps, the one true mage. -- -- On the night of a full moon, high school student Mangetsu Kohinata is suddenly transported to an illusionary world where six mages are participating in Granbelm. Mistaken for an enemy mage, Mangetsu is attacked by two mages until she is rescued by Shingetsu Ernesta Fukami and her Armanox Viola Katze. However, when Shingetsu is ambushed for protecting her, Magiaconatus grants Mangetsu the Armanox White Lily, allowing her to fight off Shingetsu's assailant. Overwhelmed by the revelations presented to her, Mangetsu decides to help her new friend fight in Granbelm and make her wish come true. -- -- 42,896 6.73
Grancrest Senki -- -- A-1 Pictures -- 24 eps -- Light novel -- Action Drama Fantasy Romance -- Grancrest Senki Grancrest Senki -- The continent of Atlatan once again finds itself devoured by the flames of war after a horrific event known as the Great Hall Tragedy. What was supposed to be a joyful occasion that would establish peace between the Fantasia Union and the Factory Alliance, the marriage of Sir Alexis Douse and Lady Marrine Kreische, was instead a tragedy. As the bride and groom walked down the aisle, the ceremony was suddenly interrupted by a powerful convergence of "Chaos," a dark energy from another dimension that corrupts the land and brings forth monsters and demons into the world. From within that energy appeared the Demon Lord of Diabolos, an evil being who instantly murdered the archdukes of both factions, shattering any hope for peace between them. -- -- Having failed to prevent this disaster, Siluca Meletes, an Alliance mage, is traveling through the Chaos-infested countryside to study under a master magician. When she is intercepted by a group of soldiers working with the Federation, Siluca is rescued by Theo Cornaro, a young warrior carrying a mysterious "Crest," a magical symbol that gives its wielder the ability to banish Chaos. Bearing no allegiance to a specific domain, Theo hopes to attain the rank of Lord so that he can liberate his home town of Sistina from its tyrannical ruler and the Chaos spreading within it. Impressed by his noble goal, Siluca enters into a magical contract with Theo, and the two embark on a journey to restore balance to their war-torn land. -- -- 221,418 7.24
Grancrest Senki -- -- A-1 Pictures -- 24 eps -- Light novel -- Action Drama Fantasy Romance -- Grancrest Senki Grancrest Senki -- The continent of Atlatan once again finds itself devoured by the flames of war after a horrific event known as the Great Hall Tragedy. What was supposed to be a joyful occasion that would establish peace between the Fantasia Union and the Factory Alliance, the marriage of Sir Alexis Douse and Lady Marrine Kreische, was instead a tragedy. As the bride and groom walked down the aisle, the ceremony was suddenly interrupted by a powerful convergence of "Chaos," a dark energy from another dimension that corrupts the land and brings forth monsters and demons into the world. From within that energy appeared the Demon Lord of Diabolos, an evil being who instantly murdered the archdukes of both factions, shattering any hope for peace between them. -- -- Having failed to prevent this disaster, Siluca Meletes, an Alliance mage, is traveling through the Chaos-infested countryside to study under a master magician. When she is intercepted by a group of soldiers working with the Federation, Siluca is rescued by Theo Cornaro, a young warrior carrying a mysterious "Crest," a magical symbol that gives its wielder the ability to banish Chaos. Bearing no allegiance to a specific domain, Theo hopes to attain the rank of Lord so that he can liberate his home town of Sistina from its tyrannical ruler and the Chaos spreading within it. Impressed by his noble goal, Siluca enters into a magical contract with Theo, and the two embark on a journey to restore balance to their war-torn land. -- -- -- Licensor: -- Aniplex of America -- 221,418 7.24
Hai to Gensou no Grimgar -- -- A-1 Pictures -- 12 eps -- Light novel -- Action Adventure Drama Fantasy -- Hai to Gensou no Grimgar Hai to Gensou no Grimgar -- Fear, survival, instinct. Thrown into a foreign land with nothing but hazy memories and the knowledge of their name, they can feel only these three emotions resonating deep within their souls. A group of strangers is given no other choice than to accept the only paying job in this game-like world—the role of a soldier in the Reserve Army—and eliminate anything that threatens the peace in their new world, Grimgar. -- -- When all of the stronger candidates join together, those left behind must create a party together to survive: Manato, a charismatic leader and priest; Haruhiro, a nervous thief; Yume, a cheerful hunter; Shihoru, a shy mage; Mogzo, a kind warrior; and Ranta, a rowdy dark knight. Despite its resemblance to one, this is no game—there are no redos or respawns; it is kill or be killed. -- -- It is now up to this ragtag group of unlikely fighters to survive together in a world where life and death are separated only by a fine line. -- -- -- Licensor: -- Funimation -- 564,145 7.68
Happiness! -- -- Artland -- 12 eps -- Visual novel -- Comedy Harem Magic Romance School -- Happiness! Happiness! -- Kamizaka Haruhi having been rescued when she was young by a mage, longed to be a mage herself, so she enrolled into a special school that allows regular and magic classes into two different sections. Together with her rival/best friend, Hiiragi Anri, they study magic together while she is searching for the boy that saved her years ago, to give him a Valentines' chocolate. -- -- (Source: ANN) -- TV - Oct 6, 2006 -- 32,674 6.40
Hataraku Maou-sama! 2nd Season -- -- - -- ? eps -- Light novel -- Comedy Demons Supernatural Romance Fantasy -- Hataraku Maou-sama! 2nd Season Hataraku Maou-sama! 2nd Season -- Second season of Hataraku Maou-sama! -- TV - ??? ??, ???? -- 98,137 N/ADance with Devils -- -- Brain's Base -- 12 eps -- Original -- Harem Demons Supernatural Romance Vampire Shoujo -- Dance with Devils Dance with Devils -- Ritsuka Tachibana has always been a good student, so she is completely shocked when she is suddenly summoned by the student council. Even more, they seem to think of Ritsuka as a troublemaker. Led by the handsome Rem Kaginuki, the student council—also consisting of Urie Sogami, Shiki Natsumizaka and Mage Nanashiro—tries to question her, but it soon becomes clear that they have ulterior motives. -- -- However, this is only the beginning. When her mother gets kidnapped, her life is turned upside down, and Ritsuka gets drawn into a world of vampires and devils. Both groups are searching for the "Grimoire," a forbidden item allowing its owner to rule the world. The return of her brother Lindo from overseas gives her hope, but even he appears to be hiding something. In a world filled with secrets, Ritsuka questions whom she can trust in this dark musical tale, while the handsome and dangerous members of the student council compete for her attention. -- -- 97,898 6.33
Heartcatch Precure! -- -- Toei Animation -- 49 eps -- Original -- Action Slice of Life Comedy Magic Fantasy School Shoujo -- Heartcatch Precure! Heartcatch Precure! -- Young flower enthusiast Tsubomi Hanasaki is often modest and quiet. But with her family moving to a new town, she aims to reinvent her image at her new school as someone more confident and outgoing. On moving day, she dreams of a mysterious tree in the sky guarded by a warrior named "Cure Moonlight." -- -- Tsubomi quickly learns that this was no ordinary dream when she encounters two mysterious fairies—Chypre and Coffret—who are being hunted down by a strange woman. When the woman summons a giant monster to attack the city, Tsubomi finds herself transforming into a warrior to fight the enemy! Taking on the alias "Cure Blossom," Tsubomi learns that the woman is part of a villainous group that aims to turn the world into a lifeless desert, with her new duty being to stop it from happening. As Tsubomi continues to battle more monsters and uncover the secrets behind Cure Moonlight, will she find the confidence needed to overcome her timid nature? -- -- 24,687 7.78
High School Fleet OVA -- -- Production IMS -- 2 eps -- Original -- Action Military School -- High School Fleet OVA High School Fleet OVA -- The mutinous Musashi has been defeated, and the girls from Yokosuka Girls' Marine High School are safely back home. However, the Harekaze sustained critical damage during its final encounter with the Musashi and may not be able to sail again. Moreover, rumors spread that the Harekaze-class will be dissolved due to it lacking a ship. -- -- Other classes' attempts to scout members from the Harekaze's crew only make the situation even more uncertain. The answer to this dire problem may be found in the sealed orders that the secretary of the Harekaze, Kouko Nosa, is to deliver to its crewmembers. But time is running short... -- -- OVA - Mar 31, 2017 -- 16,327 7.21
Hypnosis Mic: Division Rap Battle - Rhyme Anima -- -- A-1 Pictures -- 13 eps -- Other -- Action Sci-Fi Music -- Hypnosis Mic: Division Rap Battle - Rhyme Anima Hypnosis Mic: Division Rap Battle - Rhyme Anima -- In a world overtaken by war and conflict, "Hypnosis Microphones"—devices through which a user channels lyrics that can affect the listener's brain and even cause physical damage—were introduced to the masses by the Party of Words. Revolutionizing warfare, Hypnosis Mics have transformed words and music into the sole weapons used by gangsters, terrorists, and the military, with physical weapons having been banned from use. -- -- As a result of swooping in during the chaos, the all-female Party of Words rules over the Japanese government. Women in Japan now live in Chuuouku, while men battle over surrounding territories outside the ward through rap battles. -- -- With intentions unknown, the Party of Words begins to gather the former members of the now-disbanded legendary rap crew The Dirty Dawg to fight not for territory or war, but for their respective crew's pride and honor in the greatest rap battle of all time. The first Division Rap Battle is about to commence, and practice isn't something these rappers are going to need. -- -- -- Licensor: -- Aniplex of America -- 37,829 6.76
Innocent Venus -- -- Brain's Base -- 12 eps -- Original -- Adventure Drama Mecha Military Sci-Fi -- Innocent Venus Innocent Venus -- In the year 2010 AD, Hyper Hurricanes born concurrently all over the world caused severe damage. Five billion people lost their lives, decreasing the world's population to 3 billion. Existing economies and military were wiped out. Countries were frozen under solid ice, plains sank beneath seas, the world was changed dramatically. -- -- Human civilization enters a chaotic era. Poverty flourished outside of these economic zones and slums were widespread. The ruling class called themselves Logos and maintained their position by force of arms. They call the poor Revenus, who are exiled to live outside the special economic areas. -- -- Time has passed since then. Katsuragi Jo and Tsurasawa Jin, escape from Phantom, a force organized to watch Revenus and to suppress renegade elements of the Logos, taking with them a mysterious girl, Nobuto Sana. There are many who are interested in her, all with their own reasons. -- -- Licensor: -- ADV Films -- TV - Jul 27, 2006 -- 24,549 6.83
Innocent Venus -- -- Brain's Base -- 12 eps -- Original -- Adventure Drama Mecha Military Sci-Fi -- Innocent Venus Innocent Venus -- In the year 2010 AD, Hyper Hurricanes born concurrently all over the world caused severe damage. Five billion people lost their lives, decreasing the world's population to 3 billion. Existing economies and military were wiped out. Countries were frozen under solid ice, plains sank beneath seas, the world was changed dramatically. -- -- Human civilization enters a chaotic era. Poverty flourished outside of these economic zones and slums were widespread. The ruling class called themselves Logos and maintained their position by force of arms. They call the poor Revenus, who are exiled to live outside the special economic areas. -- -- Time has passed since then. Katsuragi Jo and Tsurasawa Jin, escape from Phantom, a force organized to watch Revenus and to suppress renegade elements of the Logos, taking with them a mysterious girl, Nobuto Sana. There are many who are interested in her, all with their own reasons. -- TV - Jul 27, 2006 -- 24,549 6.83
Inukami! -- -- Seven Arcs -- 26 eps -- Light novel -- Comedy Ecchi Romance Shounen Supernatural -- Inukami! Inukami! -- Kawahira Keita is a descendant of a historic Inukami tamer family; however, because he lacked in its ability, he was forsaken by the family. One day, an Inukami named Youko came. She looked graceful, obedient, above all, beautiful. Soon he contracted with her, and she paid homage to him. However, she was a problematic Inukami that no one had been able to control. -- -- This is a slap stick comedy of an Inukami Tamer, Keita and an Inukami, Youko. Keita is a man of worldly passions, and he likes money and girls very much. On the other hand, Youko likes to destroy things and is very jealous. -- -- (Source: AnimeNfo) -- -- Licensor: -- Discotek Media -- TV - Apr 6, 2006 -- 63,310 7.27
Inukami! -- -- Seven Arcs -- 26 eps -- Light novel -- Comedy Ecchi Romance Shounen Supernatural -- Inukami! Inukami! -- Kawahira Keita is a descendant of a historic Inukami tamer family; however, because he lacked in its ability, he was forsaken by the family. One day, an Inukami named Youko came. She looked graceful, obedient, above all, beautiful. Soon he contracted with her, and she paid homage to him. However, she was a problematic Inukami that no one had been able to control. -- -- This is a slap stick comedy of an Inukami Tamer, Keita and an Inukami, Youko. Keita is a man of worldly passions, and he likes money and girls very much. On the other hand, Youko likes to destroy things and is very jealous. -- -- (Source: AnimeNfo) -- TV - Apr 6, 2006 -- 63,310 7.27
Isekai Cheat Magician -- -- Encourage Films -- 12 eps -- Light novel -- Action Adventure Fantasy -- Isekai Cheat Magician Isekai Cheat Magician -- Regular high schooler Taichi Nishimura and his childhood friend, Rin Azuma, are on their way to school one ordinary morning. Suddenly, a glowing light envelops them, transporting them to a fantasy world full of magical creatures. -- -- Upon their arrival, Taichi and Rin are threatened by a beast. They are promptly saved by a group of adventurers, who advise the pair that traveling unarmed and inexperienced makes them vulnerable to the recently increasing monster attacks. Taichi and Rin are directed to the Guild, where they can determine their magical aptitude and register as adventurers. However, the test they take reveals an unprecedented result: Taichi and Rin possess extraordinary powers that far surpass the standard mage, instantly transforming them from typical high school students to the ultimate cheat magicians. -- -- Taichi and Rin learn to grasp the full extent of their powers and familiarize themselves with their new world. However, while the duo seeks to uncover the reason behind their transportation and a possible way back to their original world, unexpected trouble lurks in the shadows. -- -- 203,921 5.37
Isekai Shokudou -- -- SILVER LINK. -- 12 eps -- Light novel -- Comedy Fantasy Mystery -- Isekai Shokudou Isekai Shokudou -- Western Restaurant Nekoya is a popular eatery located on a street corner in a Tokyo shopping district. Serving both traditional Japanese fare as well as Western dishes, this eating establishment is popular among Tokyo's residents. But this seemingly ordinary restaurant is also popular with another type of clientele... -- -- While the restaurant is thought to be closed on Saturdays, the truth is that on this special day each week, its doors are instead opened to the inhabitants of other worlds. From dragons and elves to fairies and mages, this restaurant has no shortage of strange customers. Nevertheless, the enigmatic chef known only as "Master" will be waiting to serve up their favorite dishes with a kind smile and keep them coming back for many more Saturdays to come. -- -- 156,380 7.34
Isekai Shokudou -- -- SILVER LINK. -- 12 eps -- Light novel -- Comedy Fantasy Mystery -- Isekai Shokudou Isekai Shokudou -- Western Restaurant Nekoya is a popular eatery located on a street corner in a Tokyo shopping district. Serving both traditional Japanese fare as well as Western dishes, this eating establishment is popular among Tokyo's residents. But this seemingly ordinary restaurant is also popular with another type of clientele... -- -- While the restaurant is thought to be closed on Saturdays, the truth is that on this special day each week, its doors are instead opened to the inhabitants of other worlds. From dragons and elves to fairies and mages, this restaurant has no shortage of strange customers. Nevertheless, the enigmatic chef known only as "Master" will be waiting to serve up their favorite dishes with a kind smile and keep them coming back for many more Saturdays to come. -- -- -- Licensor: -- Funimation -- 156,380 7.34
Jinkou no Rakuen -- -- - -- 1 ep -- Original -- Dementia -- Jinkou no Rakuen Jinkou no Rakuen -- Psychedelic –and at times sinister– music by Shinpei Kikuchi accompanies a disorienting display of reproduced imagery taken from magazines and posters of sunny beaches and bikini models. Tanaami made positive and negative reprographic prints of these images onto transparent cel sheets, placed them on top of one another, and twisted them in different directions to create a moiré effect. Speaking on the work, Tanaami explained his paradise only exists in the world of reproduction. -- -- (Source: Collaborative Cataloging Japan) -- Movie - ??? ??, 1975 -- 331 4.99
Kaichou wa Maid-sama! -- -- J.C.Staff -- 26 eps -- Manga -- Comedy Romance School Shoujo -- Kaichou wa Maid-sama! Kaichou wa Maid-sama! -- Being the first female student council president isn't easy, especially when your school just transitioned from an all boys high school to a co-ed one. Aptly nicknamed "Demon President" by the boys for her strict disciplinary style, Misaki Ayuzawa is not afraid to use her mastery of Aikido techniques to cast judgment onto the hordes of misbehaving boys and defend the girls at Seika High School. -- -- Yet even the perfect Ayuzawa has an embarrassing secret—she works part-time as a maid at a maid café to help her struggling family pay the bills. She has managed to keep her job hidden from her fellow students and maintained her flawless image as a stellar student until one day, Takumi Usui, the most popular boy in school, walks into the maid café. He could destroy her reputation with her secret... or he could twist the student council president around his little finger and use her secret as an opportunity to get closer to her. -- -- -- Licensor: -- Sentai Filmworks -- 931,301 8.05
KanColle Movie -- -- Diomedéa -- 1 ep -- Game -- Action Military Sci-Fi Drama -- KanColle Movie KanColle Movie -- The movie starts off after the events of Episode 3, when Kisaragi had sunk. The Mikawa Fleet (Furutaka, Aoba, Kako, Kinugasa and Tenryuu) are in the middle of Night Battle. Choukai uses Searchlight and gets medium damage, but they win in the end. A New Fleet Girl gets "dropped", emerging from the sea. It is Kisaragi. Kisaragi is brought back to the temporary base in Solomon Islands, but she is suffering from PTSD and has amnesia, unable to remember anyone from back in the anime, excluding Mutsuki... -- -- (Source: Wikipedia) -- Movie - Nov 26, 2016 -- 33,888 7.52
Kangaeru Renshuu -- -- - -- 1 ep -- Original -- Dementia -- Kangaeru Renshuu Kangaeru Renshuu -- The description of Suwami Nogami's minimalistic line drawing piece, Imagination Practice, calls it an unending "thought loop". It depicts an artist sitting in front of a window with a self-portrait, like a miniature mirror image, on the desk in front of him. The window frame and the blue sky filled with moving clouds are in colour, but the figure of the artist is not coloured in. The soundtrack sounds like a skipping record that is punctuated by humourous springing noises (a la Bugs Bunny) as the image 'bounces' in an unending loop from the establishing shot into the "drawing." A philosophical piece, Imagination Practice considers the circular dialogue between an artist and his work. -- -- (Source: Midnight Eye) -- Movie - ??? ??, 2003 -- 483 4.27
Kanokon -- -- Xebec -- 12 eps -- Light novel -- Comedy Ecchi Harem Romance School Shounen Slice of Life Supernatural -- Kanokon Kanokon -- Kouta has girl troubles of the supernatural sort. For some reason, he keeps attracting the attention (and affections) of animal spirits! -- -- Having spent most of his life in the country, Kouta is understandably nervous when he moves in with his grandma to attend a high school in the big city. He hoped to make a good impression, but having Chizuru, a beautiful fox spirit, hanging off his arm didn't seem to be the sort of image he wanted to have. She's not alone in her love for Kouta, either. Nozomu, a wolf spirit, as well as other youkai have their sights set on the hapless country boy. -- -- Licensor: -- Media Blasters -- TV - Apr 5, 2008 -- 209,643 6.45
Kanokon -- -- Xebec -- 12 eps -- Light novel -- Comedy Ecchi Harem Romance School Shounen Slice of Life Supernatural -- Kanokon Kanokon -- Kouta has girl troubles of the supernatural sort. For some reason, he keeps attracting the attention (and affections) of animal spirits! -- -- Having spent most of his life in the country, Kouta is understandably nervous when he moves in with his grandma to attend a high school in the big city. He hoped to make a good impression, but having Chizuru, a beautiful fox spirit, hanging off his arm didn't seem to be the sort of image he wanted to have. She's not alone in her love for Kouta, either. Nozomu, a wolf spirit, as well as other youkai have their sights set on the hapless country boy. -- TV - Apr 5, 2008 -- 209,643 6.45
Kara no Kyoukai 4: Garan no Dou -- -- ufotable -- 1 ep -- Light novel -- Action Mystery Supernatural Thriller -- Kara no Kyoukai 4: Garan no Dou Kara no Kyoukai 4: Garan no Dou -- Following the events of Satsujin Kousatsu (Zen), Shiki Ryougi has been in a coma for two years due to a traffic accident. When she finally awakens, she has no memories of her past and is plagued by a profound loneliness. Even stranger, she notices dark lines encompassing the things around her, and if she touches them she can disassemble the object—something which completely terrifies her. Her friend, Mikiya Kokutou, enlists the help of Touko Aozaki, a mage who can help Shiki understand what her eyes—the "Mystic Eyes of Death Perception"—are truly capable of and how to use them properly. -- -- -- Licensor: -- Aniplex of America -- Movie - May 24, 2008 -- 175,302 7.89
Kara no Kyoukai 4: Garan no Dou -- -- ufotable -- 1 ep -- Light novel -- Action Mystery Supernatural Thriller -- Kara no Kyoukai 4: Garan no Dou Kara no Kyoukai 4: Garan no Dou -- Following the events of Satsujin Kousatsu (Zen), Shiki Ryougi has been in a coma for two years due to a traffic accident. When she finally awakens, she has no memories of her past and is plagued by a profound loneliness. Even stranger, she notices dark lines encompassing the things around her, and if she touches them she can disassemble the object—something which completely terrifies her. Her friend, Mikiya Kokutou, enlists the help of Touko Aozaki, a mage who can help Shiki understand what her eyes—the "Mystic Eyes of Death Perception"—are truly capable of and how to use them properly. -- -- Movie - May 24, 2008 -- 175,302 7.89
Kara no Kyoukai 6: Boukyaku Rokuon -- -- ufotable -- 1 ep -- Light novel -- Action Magic Mystery Romance Supernatural Thriller -- Kara no Kyoukai 6: Boukyaku Rokuon Kara no Kyoukai 6: Boukyaku Rokuon -- With strange events occurring at Reien Girls' Academy during winter break, Azaka Kokutou, a student and apprentice mage, is sent by her master to investigate. It turns out that another mage has been stealing the students' memories using fairies that, despite her magical talent, are invisible to Azaka. So Shiki Ryougi, an acquaintance with special eyes who can see what Azaka cannot, is also sent to the academy to help with the crisis. -- -- However, the two have trouble getting along, mainly due to the fact that Azaka views Shiki as her romantic rival. But when the fairy situation quickly spirals out of control and more layers of the mystery are revealed, Azaka must learn to work with Shiki in order to save her classmates. -- -- -- Licensor: -- Aniplex of America -- Movie - Dec 20, 2008 -- 156,770 7.52
Kara no Kyoukai 6: Boukyaku Rokuon -- -- ufotable -- 1 ep -- Light novel -- Action Magic Mystery Romance Supernatural Thriller -- Kara no Kyoukai 6: Boukyaku Rokuon Kara no Kyoukai 6: Boukyaku Rokuon -- With strange events occurring at Reien Girls' Academy during winter break, Azaka Kokutou, a student and apprentice mage, is sent by her master to investigate. It turns out that another mage has been stealing the students' memories using fairies that, despite her magical talent, are invisible to Azaka. So Shiki Ryougi, an acquaintance with special eyes who can see what Azaka cannot, is also sent to the academy to help with the crisis. -- -- However, the two have trouble getting along, mainly due to the fact that Azaka views Shiki as her romantic rival. But when the fairy situation quickly spirals out of control and more layers of the mystery are revealed, Azaka must learn to work with Shiki in order to save her classmates. -- -- Movie - Dec 20, 2008 -- 156,770 7.52
Ken to Mahou no Logres: Inishie no Megami x Fate/Extella -- -- Shaft -- 1 ep -- Game -- Game Music -- Ken to Mahou no Logres: Inishie no Megami x Fate/Extella Ken to Mahou no Logres: Inishie no Megami x Fate/Extella -- A collaboration between the mobile game Ken to Mahou no Logless Inishie no Megami and the video game Fate/Extella (which takes place in the Fate/Extra and Fate/Extra CCC world). Advertising that Nero Claudius (and others) from the latter are now playable characters in the former. Along with limited edition equipment and prizes the even ran from December 07-21, 2016. The commercial features some live-action imagery of the phone app but is predominately unique animated footage. -- Special - Dec 7, 2016 -- 4,168 5.57
Kikumana -- -- Studio Rikka -- 1 ep -- Original -- Dementia Psychological -- Kikumana Kikumana -- This work "Kikumana" is an animation of a girl called Kikumana who acts like in a stage performance, the role defeated by such an ill circumstance though she tries to find herself. The primal aim is to get the audience feeling a strange atmosphere spread from this work. The image has a pictorial atmosphere and a documentary touch at the same time. Unrealistic phenomena take place there. -- -- (Source: AniDB) -- ONA - Jul 14, 2001 -- 7,416 5.77
Kimi to Boku no Saigo no Senjou, Aruiwa Sekai ga Hajimaru Seisen -- -- SILVER LINK. -- 12 eps -- Light novel -- Action Military Romance Fantasy -- Kimi to Boku no Saigo no Senjou, Aruiwa Sekai ga Hajimaru Seisen Kimi to Boku no Saigo no Senjou, Aruiwa Sekai ga Hajimaru Seisen -- A force known as Astral power permeates throughout the world, wielded by astral mages. Fearing its destructive power, the "Empire" persecutes those who show their abilities. The tormented mages then founded the Nebulis Sovereignty to flee from their oppressors. Since then, the two nations have been in bitter conflict, the war still going strong for more than a century. -- -- After committing the great crime of freeing an imprisoned witch, the talented knight Iska is sentenced to prison. A year later, the Empire leadership suddenly decides to set him free, with the condition that he hunts down a fearsome mage known as the "Ice Calamity Witch." Hoping to end the war, Iska agrees. Coincidentally, the Ice Calamity Witch herself, Aliceliese "Alice" Lou Nebulis XI, also wishes for peace and is willing to do everything she can to bring down the Empire. -- -- As Iska and Alice both yearn for a crusade that will turn the world into one without struggle, woe, or pain, the strings of fate tie them ever closer together, creating a bond that goes beyond something fabricated by mere coincidence. -- -- -- Licensor: -- Funimation -- 162,998 6.54
Kino no Tabi: The Beautiful World - Byouki no Kuni - For You -- -- Shaft -- 1 ep -- Light novel -- Adventure Drama Fantasy -- Kino no Tabi: The Beautiful World - Byouki no Kuni - For You Kino no Tabi: The Beautiful World - Byouki no Kuni - For You -- After a long journey, Kino and Hermes finally arrive at their destination—a very beautiful and clean country with many skyscrapers. Unlike the other places they have visited so far, the country's landscape is a little peculiar. Although the countryside appears to be farmland, the area seems to be abandoned. Filled with old and damaged buildings, there is no sign of life. In contrast, the city is hidden within a mountain, confined under a fabricated sky that is generated by advanced technology. The highly developed city is focused on healthcare, practicing strict hygiene regulations and aiming to turn its citizens into the healthiest of people. -- -- However, despite being in a beautiful and clean environment, Kino cannot help but feel a sense of uneasiness. The town's air slightly contains a peculiar smell, and there are no birds to be seen flying in the skies, bringing a sense of mystery and dizziness to the scenery. After all, as an experienced traveler, Kino knows that looks can be deceiving and that the town may not be what they had initially expected. -- -- Movie - Apr 21, 2007 -- 42,187 7.71
Kishin Douji Zenki -- -- Studio Deen -- 51 eps -- Manga -- Action Comedy Drama Ecchi Fantasy Horror Magic Shounen -- Kishin Douji Zenki Kishin Douji Zenki -- In ancient times, a great battle was waged between a master mage, Enno Ozuno, and an evil demon goddess, Karuma. Unfortunately, Enno didn't have the strength to defeat her alone and was forced to call upon Zenki, a powerful protector demon. After Karuma was defeated, Enno sealed Zenki away in a pillar located inside his temple. -- -- 1,200 years after this epic battle, Enno's descendant, Chiaki, spends her days showing tourists around her hometown of Shikigami-cho and doing exorcisms to pay the bills. One day, two thieves enter the town in hopes of opening a seal in the Ozuno temple and releasing the hidden treasure from within. However, what actually pops out is a dark entity that attaches itself to the henchmen, transforming them into demonic beings. After this transformation, they begin a rampage through the temple, terrorizing poor Chiaki. -- -- It is now up to this young progeny to unleash her family's powers to summon Zenki and save Shikigami-cho from these demons, as well as the evil entities sure to follow in their footsteps. -- -- Licensor: -- Media Blasters -- 11,177 6.97
Kitsutsuki: The Ten Hole Stories -- -- - -- 1 ep -- Original -- Dementia -- Kitsutsuki: The Ten Hole Stories Kitsutsuki: The Ten Hole Stories -- G9+1 film. -- Movie - Jul 20, 2009 -- 210 N/A -- -- Don't You Wish You Were Here? -- -- - -- 1 ep -- - -- Dementia -- Don't You Wish You Were Here? Don't You Wish You Were Here? -- "My first abstract animation. What color do you have in your mind?" -- -- (Source: Maya Yonesho) -- Movie - ??? ??, 1997 -- 208 N/A -- -- Templex -- -- - -- 1 ep -- Original -- Dementia -- Templex Templex -- One rainy day, a woman wakes up, opens the curtains, and stares at her reflection in the window, noticing her curly hair. She climbs out of bed and begins to wash it, while strange images of self-hatred fill her mind. -- Movie - ??? ??, 2015 -- 208 5.64
Kyou kara Ore wa!! -- -- Studio Pierrot -- 10 eps -- Manga -- Comedy Shounen -- Kyou kara Ore wa!! Kyou kara Ore wa!! -- Two transfer students, Mitsuhashi Takashi and Itou Shinji, tired of their boring normal life and unpopularity decide to take their arrival at a new school as an opportunity to reinvent their image, and become delinquents! Itou's justice clashing with Mitsuhashi's mischievous ways, they initially antagonize one another but soon become fast friends. The delinquent duo set out on various misadventures to become the greatest delinquents in all Japan! -- OVA - Dec 11, 1992 -- 23,861 8.07
Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note -- -- TROYCA -- 13 eps -- Light novel -- Fantasy Mystery Supernatural -- Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note -- Ten years after facing defeat in the Fourth Holy Grail War, Waver Velvet, now Lord El Melloi II, teaches classes at the Clock Tower—the center of education for mages. However, his new status as "Lord" comes with a caveat: obey the orders of Reines, the younger sister of the deceased Kayneth El Melloi, until she is old enough to rule the House of El Melloi. -- -- Waver, along with his mysterious apprentice Gray, takes on a series of cases assigned by Reines and the Mages Association. With each case proving to be more complex than the last, could there be more to the Clock Tower than meets the eye, and what secrets does Reines hide? -- -- 112,244 7.36
Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note -- -- TROYCA -- 13 eps -- Light novel -- Fantasy Mystery Supernatural -- Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note -- Ten years after facing defeat in the Fourth Holy Grail War, Waver Velvet, now Lord El Melloi II, teaches classes at the Clock Tower—the center of education for mages. However, his new status as "Lord" comes with a caveat: obey the orders of Reines, the younger sister of the deceased Kayneth El Melloi, until she is old enough to rule the House of El Melloi. -- -- Waver, along with his mysterious apprentice Gray, takes on a series of cases assigned by Reines and the Mages Association. With each case proving to be more complex than the last, could there be more to the Clock Tower than meets the eye, and what secrets does Reines hide? -- -- -- Licensor: -- Aniplex of America -- 112,244 7.36
Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note - Hakamori to Neko to Majutsushi -- -- TROYCA -- 1 ep -- Light novel -- Fantasy Mystery Supernatural -- Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note - Hakamori to Neko to Majutsushi Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note - Hakamori to Neko to Majutsushi -- Years after the Fourth Holy Grail War, Waver Velvet becomes the head of the Modern Magecraft Theories department at the Clock Tower, succeeding the title of Lord El-Melloi II. Waver and his apprentice Gray set out to find the truth behind a mysterious shadow that stalks them, while trouble brews among the mages of the Association. -- -- -- Licensor: -- Aniplex of America -- Special - Dec 31, 2018 -- 43,361 7.10
Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note - Hakamori to Neko to Majutsushi -- -- TROYCA -- 1 ep -- Light novel -- Fantasy Mystery Supernatural -- Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note - Hakamori to Neko to Majutsushi Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note - Hakamori to Neko to Majutsushi -- Years after the Fourth Holy Grail War, Waver Velvet becomes the head of the Modern Magecraft Theories department at the Clock Tower, succeeding the title of Lord El-Melloi II. Waver and his apprentice Gray set out to find the truth behind a mysterious shadow that stalks them, while trouble brews among the mages of the Association. -- -- Special - Dec 31, 2018 -- 43,361 7.10
Lost Universe -- -- E&G Films -- 26 eps -- Light novel -- Adventure Comedy Drama Sci-Fi Shounen Space -- Lost Universe Lost Universe -- Millie Nocturne has one great goal in life: to be the best in the universe - at absolutely everything! But when she tries her hand at being the "best detective," she ends up an unwilling partner with two people who will change her life forever: Kane Blueriver, the psi-blade-wielding master of the starship Swordbreaker, and Canal, the smart-mouthed holographic image of the ship's computer. -- -- Join this unlikely trio on their adventures as they hurtle through space facing off against intergalactic crime lords, rogue starships, and hijackers dressed as chickens... and that's just the tip of the asteroid! -- -- (Source: RightStuf) -- -- Licensor: -- ADV Films, Nozomi Entertainment -- 14,072 7.02
Loveless -- -- J.C.Staff -- 12 eps -- Manga -- Action Mystery Supernatural Drama Romance Fantasy Josei Shounen Ai -- Loveless Loveless -- In the world of Loveless, each person is born with cat ears and a tail, which disappear only if that person engages in a sexual intercourse. Because of this, they have come to symbolize virginity and innocence. Additionally, fighting is only done by "fighting pairs" or couples, where one is known as the Sacrifice and the other as the Fighter. The first receives the damage while the latter attacks. -- -- Ritsuka Aoyagi is a 12-year-old boy, who for some unknown reason suffers from amnesia. His brother got killed recently, and as if his life has not been hard enough lately, on his first day at the new school he gets approached by a stranger called Agatsuma Soubi, who claims to have known his late brother. Ritsuka finds out that Agatsuma and his brother used to be a fighting pair, and that Agatsuma has inherited Ritsuga now that his brother is gone. Together, they try to find the truth behind his brother's death and the organization known as the "Seven Moons," which may have been responsible for it. All the while, it seems that Ritsuka and Agatsuma are becoming closer than they intended to be… -- -- Licensor: -- Media Blasters -- TV - Apr 7, 2005 -- 123,001 6.84
Loveless -- -- J.C.Staff -- 12 eps -- Manga -- Action Mystery Supernatural Drama Romance Fantasy Josei Shounen Ai -- Loveless Loveless -- In the world of Loveless, each person is born with cat ears and a tail, which disappear only if that person engages in a sexual intercourse. Because of this, they have come to symbolize virginity and innocence. Additionally, fighting is only done by "fighting pairs" or couples, where one is known as the Sacrifice and the other as the Fighter. The first receives the damage while the latter attacks. -- -- Ritsuka Aoyagi is a 12-year-old boy, who for some unknown reason suffers from amnesia. His brother got killed recently, and as if his life has not been hard enough lately, on his first day at the new school he gets approached by a stranger called Agatsuma Soubi, who claims to have known his late brother. Ritsuka finds out that Agatsuma and his brother used to be a fighting pair, and that Agatsuma has inherited Ritsuga now that his brother is gone. Together, they try to find the truth behind his brother's death and the organization known as the "Seven Moons," which may have been responsible for it. All the while, it seems that Ritsuka and Agatsuma are becoming closer than they intended to be… -- TV - Apr 7, 2005 -- 123,001 6.84
Mad� -- Bull 34 -- -- Magic Bus -- 4 eps -- Manga -- Action Police -- Mad� -- Bull 34 Mad� -- Bull 34 -- Daizaburo Edi-Ban, a Japanese-American, joins New York City's toughest precinct, the 34th. On his first day he is partnered up with John Estes, called Sleepy by his friends and Mad Bull by his enemies, a cop who stops crime with his own violent brand of justice. Mad Bull makes no qualms about executing common thieves with shotgun blasts if they even pose a minor threat to him or anyone around them. Mad Bull also often steals from prostitutes and does incredible amounts of property damage while fighting crime. Mad Bull's unpoliceman-like behavior often puts him in hot water with his partner Daizaburo and the 34th precinct. However, despite how reckless or illegal these acts are, a good cause is always revealed (For example, Sleepy uses the money he steals from the prostitutes to fund a venereal disease clinic and a home for battered and raped women). Perrine Valley, a police lieutenant, joins Daizaburo and Sleepy later on to help them tackle more difficult cases involving the mafia and drug-running. -- -- Mad Bull 34 is inspired by the high-action buddy cop films of the '70s and '80s. -- -- (Source: Thevinnymac) -- -- Licensor: -- Discotek Media, Manga Entertainment -- OVA - Dec 21, 1990 -- 8,417 6.32
Magic Knight Rayearth -- -- Tokyo Movie Shinsha -- 20 eps -- Manga -- Adventure Comedy Drama Fantasy Magic Mecha Romance Shoujo -- Magic Knight Rayearth Magic Knight Rayearth -- Hikaru Shidou, Umi Ryuuzaki, and Fuu Hououji are strangers brought together by fate when they meet during a seemingly normal field trip to Tokyo Tower. Accompanied by a great flash of light, they hear a mysterious woman's plea to save "Cephiro," and the junior high heroines are suddenly swept away by a giant flying fish. Afterwards, they arrive in an unknown land, where they encounter a man called Master Mage Clef. -- -- Clef informs the girls that they were summoned by Princess Emeraude to fulfill their destinies as Magic Knights, restoring peace and balance in Cephiro. The formerly lively and peaceful land has been in disarray ever since High Priest Zagato imprisoned the princess, who acted as Cephiro's pillar of stability. The Magic Knights reluctantly accept Clef's words as truth and embark on a journey to save Cephiro from the clutches of evil. -- -- -- Licensor: -- Discotek Media, Media Blasters -- 54,519 7.46
Magi: The Labyrinth of Magic -- -- A-1 Pictures -- 25 eps -- Manga -- Action Adventure Fantasy Magic Shounen -- Magi: The Labyrinth of Magic Magi: The Labyrinth of Magic -- Dispersed around the world, there are several bizarre labyrinths hiding incredible treasures within them. These mysterious places, known as "Dungeons," are said to be the work of Magi, a class of rare magicians, who also help people build their empires by guiding them to a dungeon. Djinns, supernatural beings that rule over the labyrinths, grant successful conquerors access to their immense power and choose them as potential king candidates to rule the world. -- -- Having spent life in isolation, Aladdin, a kind and young magician, is eager to explore the world upon finally leaving his home behind. He begins his journey only accompanied by his mentor Ugo—a djinn that Aladdin can summon with his flute. However, Aladdin soon becomes friends with the courageous Alibaba Saluja after causing the destruction of a local merchant's supply cart. In order to pay for the damages, Alibaba suggests that they attempt to conquer the nearest dungeon, taking the first step in an epic adventure that will decide the fate of the world itself. -- -- -- Licensor: -- Aniplex of America -- 807,447 8.06
Mahou Senshi Louie -- -- J.C.Staff -- 24 eps -- Light novel -- Adventure Comedy Fantasy Magic Shounen -- Mahou Senshi Louie Mahou Senshi Louie -- Louie, a brawny student at the mage's guild, is reluctantly accepted by three girls (Merrill-thief, Genie-fighter, and Melissa-priestess) as a companion for their adventuring party. As the foursome explore ruins, battle dark creatures, and make new friends, they also uncover a sinister plot within the kingdom. -- -- (Source: ANN) -- 18,435 7.17
Mahou Shoujo Lyrical Nanoha A's -- -- Seven Arcs -- 13 eps -- Original -- Action Comedy Drama Magic Super Power -- Mahou Shoujo Lyrical Nanoha A's Mahou Shoujo Lyrical Nanoha A's -- After solving the incident of the scattered Jewel Seeds, Nanoha Takamachi happily returns to her everyday life, though now with added magic practice in the morning. Exchanging video messages with Fate Testarossa and the crew of the Arthra, Nanoha eagerly awaits the chance to speak with them in person again. But while studying in her room one day, Raising Heart suddenly calls out to Nanoha and warns her of an incoming attack! -- -- The attacker is a young girl named Vita, who calls herself a Belka Knight. She proves her strength by using an intelligent device with a mysterious cartridge system to quickly overwhelm Nanoha. Luckily, the Space-Time Administration Bureau is able to step in before she is completely crushed. Vita and her fellow knights Shamal, Signum, and Zafila are on a mission to steal magical power from mages in order to complete the Book of Darkness, one of the Lost Logia. For what sinister purpose are the knights after this Book of Darkness? -- -- -- Licensor: -- Geneon Entertainment USA -- TV - Oct 2, 2005 -- 57,634 7.98
Mahou Shoujo Lyrical Nanoha A's -- -- Seven Arcs -- 13 eps -- Original -- Action Comedy Drama Magic Super Power -- Mahou Shoujo Lyrical Nanoha A's Mahou Shoujo Lyrical Nanoha A's -- After solving the incident of the scattered Jewel Seeds, Nanoha Takamachi happily returns to her everyday life, though now with added magic practice in the morning. Exchanging video messages with Fate Testarossa and the crew of the Arthra, Nanoha eagerly awaits the chance to speak with them in person again. But while studying in her room one day, Raising Heart suddenly calls out to Nanoha and warns her of an incoming attack! -- -- The attacker is a young girl named Vita, who calls herself a Belka Knight. She proves her strength by using an intelligent device with a mysterious cartridge system to quickly overwhelm Nanoha. Luckily, the Space-Time Administration Bureau is able to step in before she is completely crushed. Vita and her fellow knights Shamal, Signum, and Zafila are on a mission to steal magical power from mages in order to complete the Book of Darkness, one of the Lost Logia. For what sinister purpose are the knights after this Book of Darkness? -- -- TV - Oct 2, 2005 -- 57,634 7.98
Mahou Shoujo Lyrical Nanoha -- -- Seven Arcs -- 13 eps -- Original -- Action Comedy Drama Magic Super Power -- Mahou Shoujo Lyrical Nanoha Mahou Shoujo Lyrical Nanoha -- Nanoha Takamachi, an ordinary third-grader who enjoys spending time with her family and friends, rescues an injured ferret that she had dreamed about the night before. The next day, the ferret cries out to her telepathically, asking Nanoha to save him. The ferret reveals himself to be Yuuno Scrya, a mage from another world who is trying to collect the dangerous 21 Jewel Seeds that he accidentally scattered across the world. He enlists Nanoha's help, gifting her the magical wand Raising Heart, and teaches her how to become a powerful mage. -- -- Days later, after reclaiming a few of the Jewel Seeds, another mage appears: Fate Testarossa. Stronger than Nanoha, Fate refuses to divulge her reasons in trying to collect the Jewel Seeds. Nanoha senses a melancholy in her eyes, but Fate refuses to communicate. Directed by Akiyuki Shinbo, Mahou Shoujo Lyrical Nanoha is a story about the clash of emotions when goals collide. -- -- -- Licensor: -- Geneon Entertainment USA -- TV - Oct 3, 2004 -- 89,879 7.42
Mahou Shoujo Lyrical Nanoha -- -- Seven Arcs -- 13 eps -- Original -- Action Comedy Drama Magic Super Power -- Mahou Shoujo Lyrical Nanoha Mahou Shoujo Lyrical Nanoha -- Nanoha Takamachi, an ordinary third-grader who enjoys spending time with her family and friends, rescues an injured ferret that she had dreamed about the night before. The next day, the ferret cries out to her telepathically, asking Nanoha to save him. The ferret reveals himself to be Yuuno Scrya, a mage from another world who is trying to collect the dangerous 21 Jewel Seeds that he accidentally scattered across the world. He enlists Nanoha's help, gifting her the magical wand Raising Heart, and teaches her how to become a powerful mage. -- -- Days later, after reclaiming a few of the Jewel Seeds, another mage appears: Fate Testarossa. Stronger than Nanoha, Fate refuses to divulge her reasons in trying to collect the Jewel Seeds. Nanoha senses a melancholy in her eyes, but Fate refuses to communicate. Directed by Akiyuki Shinbo, Mahou Shoujo Lyrical Nanoha is a story about the clash of emotions when goals collide. -- -- TV - Oct 3, 2004 -- 89,879 7.42
Mahou Shoujo Lyrical Nanoha: The Movie 1st -- -- Seven Arcs -- 1 ep -- Original -- Action Sci-Fi Comedy Drama Magic -- Mahou Shoujo Lyrical Nanoha: The Movie 1st Mahou Shoujo Lyrical Nanoha: The Movie 1st -- Nanoha Takamachi, an ordinary third-grader, loves her family and friends more than anything else. One day, after having a strange dream in which a ferret gets injured, she sees the very same ferret in real life and rescues it. That ferret turns out to be Yuuno Scrya, a mage from another world who is trying to capture the 21 scattered Jewel Seeds before they cause serious damage to the universe. Yuuno is not powerful enough to capture the Jewel seeds on his own, so he grants Nanoha the intelligent device "Raising Heart" and begins training her as a mage. -- -- Unfortunately, the powerful Jewel Seeds attract those with ill intentions. Another mage, Fate Testarossa, is desperate to collect the seeds for some unknown and sinister purpose, though the solemn look in her eyes makes Nanoha think that there is more to Fate than meets the eye. Mahou Shoujo Lyrical Nanoha: The Movie 1st is a retelling of the original series, which tells the story of two young mages and how their strong emotions shape their actions. -- -- Movie - Jan 23, 2010 -- 27,907 7.90
Mahou Shoujo Madoka� -- Magica: Concept Movie -- -- Shaft -- 1 ep -- Original -- Drama Magic Psychological Thriller -- Mahou Shoujo Madoka� -- Magica: Concept Movie Mahou Shoujo Madoka� -- Magica: Concept Movie -- A short four-minute concept film that served as a surprise unveil at Studio SHAFT's 40th anniversary event in Winter 2015, Madogatari. The concept movie is the core of a new Madoka Magica project, and serves as its trailer. The second short was later screened in Osaka, with the difference being a replacement of several imageboard segments. -- Movie - Nov 27, 2015 -- 21,721 7.11
Mahoutsukai ni Taisetsu na Koto -- -- J.C.Staff -- 12 eps -- Manga -- Slice of Life Drama Magic Shounen -- Mahoutsukai ni Taisetsu na Koto Mahoutsukai ni Taisetsu na Koto -- Yume Kikuchi, a girl who can use magic, goes to Tokyo to be an apprentice mage to the handsome Masami Oyamada (a professional mage). In Tokyo, Yume learns about magic, helping people, and various other things on her way to being a mage. But she soon also finds out that even just magic alone isn't enough to make someone truly happy... -- -- (Source: ANN) -- -- Licensor: -- Geneon Entertainment USA, Sentai Filmworks -- TV - Jan 10, 2003 -- 22,623 6.75
Mahoutsukai ni Taisetsu na Koto -- -- J.C.Staff -- 12 eps -- Manga -- Slice of Life Drama Magic Shounen -- Mahoutsukai ni Taisetsu na Koto Mahoutsukai ni Taisetsu na Koto -- Yume Kikuchi, a girl who can use magic, goes to Tokyo to be an apprentice mage to the handsome Masami Oyamada (a professional mage). In Tokyo, Yume learns about magic, helping people, and various other things on her way to being a mage. But she soon also finds out that even just magic alone isn't enough to make someone truly happy... -- -- (Source: ANN) -- TV - Jan 10, 2003 -- 22,623 6.75
Manyuu Hikenchou -- -- Hoods Entertainment -- 12 eps -- Manga -- Action Comedy Historical Ecchi Samurai Seinen -- Manyuu Hikenchou Manyuu Hikenchou -- The Edo period of Japan gave rise to a clan of warriors with a very specialized, magical skill. The clan was known as the Manyuu, and the skill was the ability to administer a sword strike that could shrink the size of a woman's breasts. This might not seem like an ability that could exert power over a land, but in Manyuu Hikenchou, large breasts denote status, wealth, fame, and influence. -- -- Grave concern has arisen in the Manyuu clan due to the actions of their chosen successor, Chifusa. Disgusted with the breast obsessed society that the Manyuu have created and perpetuated, Chifusa has not only deserted the clan, but also stolen the sacred scroll that details their techniques to growing and severing breasts. -- -- Fortunately, Chifusa is not completely alone. Her fellow warrior Kaede is sympathetic to her cause; a sympathy that could place her in considerable danger. Now wanted by the very clan that raised her, Chifusa must defend her life and Kaede's while seeking to undo the damage their brethren have done to the land. Along the way, Chifusa will discover that she harbors a power that goes far beyond the scope of her training, one that could help shape and change the land that she seeks to bring equality to. -- 61,109 6.22
Märchen Mädchen -- -- Hoods Entertainment -- 10 eps -- Light novel -- Fantasy Magic School -- Märchen Mädchen Märchen Mädchen -- Hazuki Kagimura is a socially awkward girl with no friends; and having been recently adopted, she struggles to connect with her new family as well. Her only refuge from this painful reality is between the pages of stories where her vivid imagination allows her to live out her dreams of friendship and adventure. However, one day, an old and mysterious text appears in her book bag. On her way back to the library to return it, Hazuki sees a familiar girl who is seemingly invisible to everyone but her. Deciding to follow her, Hazuki is led a hidden library where a world she thought only existed in her dreams awaits her. -- -- Märchen Mädchen tells the story of Hazuki's meeting with Shizuka Tsuchimikado, her very first friend, and discovering she has been chosen by the original print of Cinderella to become a powerful mage known as an Origin Master. Hazuki enrolls at Kuzunoha Girl's Magic Academy where she learns to conquer her fears and believe in her ability to create her own amazing story. -- -- 35,608 5.39
Mayo Chiki! -- -- feel. -- 13 eps -- Light novel -- Harem Comedy Romance Ecchi School -- Mayo Chiki! Mayo Chiki! -- Due to his mother and sister, who both love professional wrestling, Kinjirou Sakamachi developed a resilient body that could take hard punches, aggressive kicks, and even deadly vehicle bumps, in order to survive their various grappling positions and locks. However, he also developed gynophobia, an abnormal fear of women. With just one touch from a girl, his nose bleeds uncontrollably, he sweats excessively, and in rare cases, faints abruptly. -- -- His life changes for the worse because of a fated meeting in the restroom. While trying to escape from a girl, he discovers that the most popular student in their school, Subaru Konoe—the butler of the headmaster’s daughter, Kanade Suzutsuki—is actually female! Surprised, Subaru violently assaults Kinjirou, dealing significant damage and knocking him unconscious. When he comes to, he meets Kanade. In exchange for his silence, she promises to help cure his phobia. -- -- -- Licensor: -- Sentai Filmworks -- TV - Jul 8, 2011 -- 403,110 7.30
Memory (ONA) -- -- - -- 1 ep -- - -- Drama Military Sci-Fi Slice of Life -- Memory (ONA) Memory (ONA) -- Set in a post-apocalyptic world destroyed by nuclear war, it tells the story of a damaged robot found by futuristic soldiers investigating a devastated area. -- -- The humanoid appeared to be household robot, reminiscent of Asimov, and when the soldiers booted it up, they were able to see what was left of videos recorded inside its memory as seen by the robot throughout the years. -- -- In just under seven minutes and with no dialogue, the film poignantly reminds us that all our experiences, the things that we hold dear in our lives, are in constant threat. -- -- (Source: Bouncing Red Ball.com) -- ONA - Apr ??, 2009 -- 2,278 6.21
Mobile Suit Gundam: Twilight Axis -- -- Sunrise -- 6 eps -- Novel -- Action Military Sci-Fi Space Mecha -- Mobile Suit Gundam: Twilight Axis Mobile Suit Gundam: Twilight Axis -- Universal Century 0096. Several months have passed since the incident surrounding Laplace's box also known as the Universal Century Charter. The Earth Federation Forces dispatches a group of investigators to the severed Axis which is drifting outside the Earth Sphere. Two civilians participate as members of the research group: Arlette Almage and Danton Hyleg. Both have pasts with government service to the Principality of Zeon and Neo Zeon as an engineer and test pilot. Having infiltrated Axis, the investigators come under attack inside a base where no one should be. Arlette and Dalton are confronted with an incident they never imagined. -- -- (Source: Zeonic Scanlations) -- ONA - Jun 23, 2017 -- 8,867 4.92
Mo Dao Zu Shi 3rd Season -- -- B.CMAY PICTURES -- ? eps -- Novel -- Action Historical Demons Supernatural Drama Magic -- Mo Dao Zu Shi 3rd Season Mo Dao Zu Shi 3rd Season -- Third season of Mo Dao Zu Shi. -- ONA - ??? ??, 2021 -- 18,671 N/A -- -- Mahou Senshi Louie -- -- J.C.Staff -- 24 eps -- Light novel -- Adventure Comedy Fantasy Magic Shounen -- Mahou Senshi Louie Mahou Senshi Louie -- Louie, a brawny student at the mage's guild, is reluctantly accepted by three girls (Merrill-thief, Genie-fighter, and Melissa-priestess) as a companion for their adventuring party. As the foursome explore ruins, battle dark creatures, and make new friends, they also uncover a sinister plot within the kingdom. -- -- (Source: ANN) -- -- Licensor: -- ADV Films -- 18,435 7.17
Mo Dao Zu Shi 3rd Season -- -- B.CMAY PICTURES -- ? eps -- Novel -- Action Historical Demons Supernatural Drama Magic -- Mo Dao Zu Shi 3rd Season Mo Dao Zu Shi 3rd Season -- Third season of Mo Dao Zu Shi. -- ONA - ??? ??, 2021 -- 18,671 N/ASoukou Kihei Votoms -- -- Sunrise -- 52 eps -- Original -- Action Space Mecha Military Drama Sci-Fi -- Soukou Kihei Votoms Soukou Kihei Votoms -- A century of bloodshed between warring star systems has plunged nearly 200 worlds into the flames of war. Now, an uneasy truce has settled across the Astragius Galaxy... -- -- Chirico Cuvie, a special forces powered-armor pilot is suddenly transferred into a unit engaged in a secret and highly illegal mission to steal military secrets—from their own military! Now he's on the run...from his own army! -- -- Unsure of his loyalties and to cover their own tracks, Chirico is left behind to die in space. Surviving by luck, the renegade is now hunted by both the conspirators and military intelligence. -- -- He is driven by the haunting image of a mysterious and beautiful woman—the objective of their mission, and his sole clue to unraveling their treacherous scheme. But the conspirators will do anything to preserve their mysterious agenda... -- -- (Source: AnimeNfo) -- -- Licensor: -- Central Park Media, Maiden Japan -- TV - Apr 1, 1983 -- 18,584 7.72
Monster Strike -- -- Studio Hibari -- 51 eps -- Game -- Action Game Fantasy -- Monster Strike Monster Strike -- Ren Homura has just moved back to his hometown of Kaminohara, but he isn't able to remember much about the time he spent there other than vague flashbacks. When he retrieves his cell phone which he had sent to a shop for repairs, he finds that a mysterious game titled “Monster Strike” has been installed on it. Unaware of its purpose or how it got there, Ren decides to open it, an action that will change his life forever as he finds himself suddenly attacked by a strange man. -- -- Now trapped on the roof of his school which strangely has been designated as a "stage," Ren is shocked to see the man summon a realistic monster from the game, one that is more than capable of inflicting damage on a human. His only chance of getting out of this situation alive is by summoning the dragon Oragon, who tells Ren that he will crush the opposing monster for him. Unfortunately, it turns out that Oragon is a tiny dragon that is completely useless! -- -- ONA - Oct 10, 2015 -- 20,997 6.45
Monster Strike the Movie: Lucifer - Zetsubou no Yoake -- -- Anima, Dynamo Pictures -- 1 ep -- Game -- Action Game Fantasy -- Monster Strike the Movie: Lucifer - Zetsubou no Yoake Monster Strike the Movie: Lucifer - Zetsubou no Yoake -- (No synopsis yet.) -- Movie - Nov 6, 2020 -- 2,692 N/A -- -- God Eater Resonant Ops -- -- - -- 1 ep -- Game -- Fantasy Game Military Music Sci-Fi -- God Eater Resonant Ops God Eater Resonant Ops -- The opening movie to God Eater Resonant Ops, the iOS/Android game. The animation was streamed on Bandai Namco's official YouTube channel and was promoting the game's release slated for the following month. A second version of the video was posted on April 4, 2018 but contains no change in animation. Only the watermark and the still image at the end were changed. -- ONA - Mar 24, 2018 -- 2,629 5.98
Mushoku Tensei: Isekai Ittara Honki Dasu -- -- Studio Bind -- 11 eps -- Light novel -- Drama Magic Ecchi Fantasy -- Mushoku Tensei: Isekai Ittara Honki Dasu Mushoku Tensei: Isekai Ittara Honki Dasu -- Despite being bullied, scorned, and oppressed all of his life, a thirty-four-year-old shut-in still found the resolve to attempt something heroic—only for it to end in a tragic accident. But in a twist of fate, he awakens in another world as Rudeus Greyrat, starting life again as a baby born to two loving parents. -- -- Preserving his memories and knowledge from his previous life, Rudeus quickly adapts to his new environment. With the mind of a grown adult, he starts to display magical talent that exceeds all expectations, honing his skill with the help of a mage named Roxy Migurdia. Rudeus learns swordplay from his father, Paul, and meets Sylphiette, a girl his age who quickly becomes his closest friend. -- -- As Rudeus' second chance at life begins, he tries to make the most of his new opportunity while conquering his traumatic past. And perhaps, one day, he may find the one thing he could not find in his old world—love. -- -- -- Licensor: -- Funimation -- 497,034 8.43
Ore wo Suki nano wa Omae dake ka yo -- -- Connect -- 12 eps -- Light novel -- Harem Comedy Romance School -- Ore wo Suki nano wa Omae dake ka yo Ore wo Suki nano wa Omae dake ka yo -- Amatsuyu "Jouro" Kisaragi is a completely average second-year high school student who has two dates over one weekend⁠—with the student council president Sakura "Cosmos" Akino on Saturday, then with his childhood friend Aoi "Himawari" Hinata on Sunday. Sadly for Jouro, both girls proclaim their love for his best friend Taiyou "Sun-chan" Ooga, the ace of the baseball team. Accepting each of their requests for advice and guidance, he is now responsible for helping the two girls win the heart of the same guy. -- -- Unbeknownst to his friends, Jouro's friendly and obtuse image is all but a ruse designed to cast himself as the clueless protagonist of a textbook romantic comedy. A schemer under his cheery facade, he makes the best of this unexpected turn of events with a new plan: get Sun-chan to fall for either Cosmos or Himawari and take the other as his own prize. But Jouro's last-ditch effort is threatened by the gloomy, four-eyed Sumireko "Pansy" Sanshokuin, who surprises Jouro with not only her knowledge of his secret personality but also a confession to the true self he hid for all this time. -- -- Stuck in this hilariously messy situation, each of the five students must navigate countless lies, traps, and misunderstandings to come out on top. -- -- 295,208 7.38
Otome Game no Hametsu Flag shika Nai Akuyaku Reijou ni Tensei shiteshimatta... X -- -- SILVER LINK. -- ? eps -- Light novel -- Harem Comedy Drama Romance Fantasy School Shoujo -- Otome Game no Hametsu Flag shika Nai Akuyaku Reijou ni Tensei shiteshimatta... X Otome Game no Hametsu Flag shika Nai Akuyaku Reijou ni Tensei shiteshimatta... X -- Second season of Otome Game no Hametsu Flag shika Nai Akuyaku Reijou ni Tensei shiteshimatta... -- TV - Jul ??, 2021 -- 54,526 N/A -- -- Magic Knight Rayearth -- -- Tokyo Movie Shinsha -- 20 eps -- Manga -- Adventure Comedy Drama Fantasy Magic Mecha Romance Shoujo -- Magic Knight Rayearth Magic Knight Rayearth -- Hikaru Shidou, Umi Ryuuzaki, and Fuu Hououji are strangers brought together by fate when they meet during a seemingly normal field trip to Tokyo Tower. Accompanied by a great flash of light, they hear a mysterious woman's plea to save "Cephiro," and the junior high heroines are suddenly swept away by a giant flying fish. Afterwards, they arrive in an unknown land, where they encounter a man called Master Mage Clef. -- -- Clef informs the girls that they were summoned by Princess Emeraude to fulfill their destinies as Magic Knights, restoring peace and balance in Cephiro. The formerly lively and peaceful land has been in disarray ever since High Priest Zagato imprisoned the princess, who acted as Cephiro's pillar of stability. The Magic Knights reluctantly accept Clef's words as truth and embark on a journey to save Cephiro from the clutches of evil. -- -- -- Licensor: -- Discotek Media, Media Blasters -- 54,519 7.46
Perfect Blue -- -- Madhouse -- 1 ep -- Novel -- Dementia Drama Horror Psychological -- Perfect Blue Perfect Blue -- J-pop idol group CHAM! has spent the last two years entertaining its fans. Sadly, all good things must come to an end, and CHAM! must see one of its members, Mima Kirigoe, leave the group to pursue her acting career. While Mima's choice is met with a mixed response, she hopes her fans will continue to support her. -- -- However, Mima's life begins to change drastically after her departure from the group. Wanting to shed her pop-idol image, she takes on a role in a crime drama series, and her career as an actress gradually becomes more demanding and taxing for both Mima and her manager, Rumi Hidaka. To add to Mima's growing unease, an obsessed fan who is incapable of accepting that Mima has quit being an innocent idol, begins stalking her; a new anonymous website begins to impersonate her life with intricate detail; and CHAM! also appears to be doing better without her. One by one, each disturbing development drives Mima to become increasingly unhinged and unable to distinguish reality from fantasy. -- -- -- Licensor: -- GKIDS, Manga Entertainment -- Movie - Feb 28, 1998 -- 423,581 8.49
Pokemon Movie 19: Volcanion to Karakuri no Magearna -- -- OLM -- 1 ep -- Game -- Adventure Kids Fantasy -- Pokemon Movie 19: Volcanion to Karakuri no Magearna Pokemon Movie 19: Volcanion to Karakuri no Magearna -- A mysterious force binds Ash to the Mythical Pokemon Volcanion when it falls from the sky. Volcanion can't get away, and Ash is dragged along as it continues on its mission. They arrive in a city of cogs and gears, where a corrupt minister has stolen the ultimate invention: the Artificial Pokemon Magearna, created 500 years ago. The minister plans to use Magearna's mysterious power to take control of the mechanical kingdom. -- -- (Source: ANN) -- -- Licensor: -- The Pokemon Company International -- Movie - Jul 16, 2016 -- 22,350 6.61
Quanzhi Fashi -- -- Shanghai Foch Film Culture Investment -- 12 eps -- Novel -- Action Fantasy Magic School -- Quanzhi Fashi Quanzhi Fashi -- The aloof high schooler Mo Fan has found himself in a universe similar yet distinctly different from his own mundane one; it's a place where magic has replaced the essence of science. Here, the most capable students are taught to master the wonders of spellworking to fend off large devastating beasts that lurk in the forests surrounding the city. -- -- Like his previous life, Mo Fan remains the son of a poor laborer and the older step-brother to a crippled sister. Despite these disadvantages, he dreams of attending a magic school to become a magician—a highly respected and lucrative trade—in order to repay his father for his hard work. -- -- Mo Fan is accepted into a renowned magic institution. However, rumors spread about his poverty and lack of magical ability, labeling him as the laughing stock of the school. Nonetheless, Mo Fan manages to harness not only the powerful fire element, but also the rare lightning element! Now armed with dual abilities, what dangerous encounters will the versatile mage face? -- -- ONA - Sep 2, 2016 -- 88,810 7.27
Rakudai Kishi no Cavalry -- -- Nexus, SILVER LINK. -- 12 eps -- Light novel -- Action Romance Ecchi Fantasy School -- Rakudai Kishi no Cavalry Rakudai Kishi no Cavalry -- There exist few humans in this world with the ability to manipulate their souls to form powerful weapons. Dubbed "Blazers," these people study and train at the prestigious Hagun Academy to become Mage-Knights; among the students is so-called failure Ikki Kurogane, the sole F-rated Blazer. However, when the worst student in the academy sees Stella Vermillion, an A-ranked Blazer who also happens to be a princess, naked, she challenges him to a duel with dire stakes—the loser becomes the slave of the winner. There’s no possible way that Stella can lose, right? -- -- Rakudai Kishi no Cavalry follows the story of Ikki as he tries to prove his strength to a world that believes him to be the weakest, all the while gaining new friends, wisdom, and experience. -- -- -- Licensor: -- Sentai Filmworks -- 680,772 7.51
RErideD: Tokigoe no Derrida -- -- GEEK TOYS -- 12 eps -- Original -- Action Sci-Fi Drama -- RErideD: Tokigoe no Derrida RErideD: Tokigoe no Derrida -- The year is 2050. A young engineer named Derrida Yvain became famous thanks to his contribution to the development of the "Autonomous Machine DZ" at Rebuild, the manufacturing company founded by his father. One day, Derrida and his colleague Nathan discover a flaw in the DZs and try to warn their boss, but are ignored. Although Derrida and Nathan are aware of the danger, they reluctantly decide to put off taking any measures, and instead go to Nathan's daughter Mage's birthday party. The next day, after enjoying a peaceful day, Derrida and Nathan are suddenly attacked by unknown forces. At the end of the escape, Derrida falls into a cold sleep machine and 10 years later, he wakes up to a devastated world in the middle of a war. While Derrida is attacked by a group of out of control DZs, he almost gives up, but he recalls Nathan's last words. -- -- "Take care of Mage." -- -- Despite the harsh fate that has fallen upon him, Derrida sets off to seek Mage. -- -- (Source: ANN) -- -- Licensor: -- Funimation -- 36,075 5.69
Ryuuseiki Gakusaver -- -- Production I.G -- 6 eps -- Original -- Action Sci-Fi Space Comedy Parody Mecha School -- Ryuuseiki Gakusaver Ryuuseiki Gakusaver -- A gigantic meteorite landed on earth a few years back. A mysterious capsule believed to have belonged to the aliens was discovered. Called the "black box," an international organization called "Project BB" was created to research it. -- -- Eight boys, including Manabu Yoshimura, attend International Academy, a school located near Project BB headquarters. They are enticed by their teacher Toukichi Hashiba's promise of "I'll give you class credit," and end up getting involved in his experiment. The experiment was to enter the eight empty chambers of meteorite. According to Hashiba's theory, the meteorite should strongly respond to strong human thoughts. He tells them to have a clear image of a great looking gigantic robot; if they do, something should happen... -- -- Then, a big spaceship appears in the sky and an alien calling himself Wercury appears in a 3-D image. He tells them he is from the Star of Prokimasi and that he has come to collect the meteorite of the Choshin people. If they do not hand it over, he will challenge the earth beings to a battle. Manabu and his friends are confused by the unexpected turn of events but the meteorite responds to the thoughts of the group and suddenly starts to transform itself into a gigantic robot. Then, attacked by the invading Prokimasi robot, they are forced to pull their strength together and fight back. But it is extremely difficult to put the wills of the eight together as one and the robot cannot fight in the way it should. The gigantic robot that Hashiba named "Gakusaver" and Manabu's eight; can they manage to protect Earth and the meteorite from the Prokimasi invasion? -- -- (Source: King Records) -- OVA - Aug 21, 1993 -- 1,103 6.47
Saki -- -- Gonzo, Picture Magic -- 25 eps -- Manga -- Game School Slice of Life -- Saki Saki -- Due to childhood circumstances, first-year high school student Saki Miyanaga hates anything related to mahjong. When she does play the game, she keeps a low profile to avoid standing out. One day, her friend Kyoutarou Suga drags her along to the school's mahjong club. There, she meets Nodoka Haramura, the champion of the previous year's national middle school mahjong championship, and Yuuki Kataoka, a fellow club member. -- -- As the club play a few rounds, Saki attempts to hide her talent. However, the club president, Hisa Takei, notices Saki's unusual playstyle. Realizing her potential, she puts Saki's real ability to the test—proving her to be more talented than expected. This revelation damages Nodoka's pride, and their relationship gets off to a rocky start. -- -- Saki ends up joining the club, and after clearing up the misunderstandings between her and Nodoka, friendship blooms between them. As Saki slowly warms up to mahjong once again, she and the rest of her club only have one goal—to win nationals! -- -- 80,934 7.48
Samero -- -- - -- 1 ep -- Original -- Dementia -- Samero Samero -- Short film from animator Tsuji Naoyuki, who is known for his use of both charcoal and puppet animation. Wake Up is a dark and brooding animation epitomizing his story telling style by combining serene worlds and childlike images with darkness and nightmarish scenes. -- Movie - ??? ??, 1992 -- 770 4.56
Seihou Bukyou Outlaw Star -- -- Sunrise -- 24 eps -- Manga -- Action Sci-Fi Adventure Space Comedy -- Seihou Bukyou Outlaw Star Seihou Bukyou Outlaw Star -- Gene Starwind has always dreamed of piloting his own ship out into the vast sea of stars. Unfortunately, not all dreams come true, as he spends his days working odd jobs alongside his partner, James Hawking, on the small planet Sentinel III instead. However, this all takes a turn when the duo takes on a job from Rachel Sweet who, unbeknownst to them, is actually a treasure-hunting outlaw. Tasked with protecting a mysterious girl known as Melfina, the meeting irrevocably changes the pair's lives as they are sent out into the great unknown aboard the highly advanced ship, Outlaw Star. -- -- Seihou Bukyou Outlaw Star follows Gene and his ragtag crew as they brave the final frontier, navigating the stars in search of answers to the mysteries surrounding Melfina. Encountering dangerous bounty hunters, space pirates, Taoist mages, and even catgirls, there is sure to be an exhilarating adventure around every corner. -- -- 127,821 7.86
Seihou Bukyou Outlaw Star -- -- Sunrise -- 24 eps -- Manga -- Action Sci-Fi Adventure Space Comedy -- Seihou Bukyou Outlaw Star Seihou Bukyou Outlaw Star -- Gene Starwind has always dreamed of piloting his own ship out into the vast sea of stars. Unfortunately, not all dreams come true, as he spends his days working odd jobs alongside his partner, James Hawking, on the small planet Sentinel III instead. However, this all takes a turn when the duo takes on a job from Rachel Sweet who, unbeknownst to them, is actually a treasure-hunting outlaw. Tasked with protecting a mysterious girl known as Melfina, the meeting irrevocably changes the pair's lives as they are sent out into the great unknown aboard the highly advanced ship, Outlaw Star. -- -- Seihou Bukyou Outlaw Star follows Gene and his ragtag crew as they brave the final frontier, navigating the stars in search of answers to the mysteries surrounding Melfina. Encountering dangerous bounty hunters, space pirates, Taoist mages, and even catgirls, there is sure to be an exhilarating adventure around every corner. -- -- -- Licensor: -- Bandai Entertainment, Funimation -- 127,821 7.86
Seikaisuru Kado -- -- Toei Animation -- 12 eps -- Original -- Sci-Fi -- Seikaisuru Kado Seikaisuru Kado -- Cool-headed and rational, Koujirou Shindou is a government official and master negotiator with a well-earned reputation. While departing on a business trip, a giant cube materializes and his plane is taken undamaged into the mysterious, indestructible structure. -- -- As Japanese authorities attempt to identify the cube's properties and origins, Shindou encounters an otherworldly entity known as Yaha-kui zaShunina, who materializes in the form of a human man. He assures Shindou that the passengers are not in any danger and requests help in negotiations with the human world. -- -- Hailing from a higher dimensional universe known as Novo, Yaha-kui zaShunina is able to transfer information between Novo and Shindou's universe through a cube called Kado. Despite having these unfathomable abilities, he does not appear hostile. Instead, he announces that he has come to this world with only one intention: to "advance" humanity—starting with Japan. -- -- 95,698 6.80
Seikimatsu Occult Gakuin -- -- A-1 Pictures -- 13 eps -- Original -- Sci-Fi Mystery Comedy Supernatural School -- Seikimatsu Occult Gakuin Seikimatsu Occult Gakuin -- The story revolves around Maya, the daughter of the former Headmaster of Waldstein Academy, and a time traveling agent Fumiaki Uchida. In the year 2012, the world had been invaded by aliens and time travelers were sent back to the year 1999 in order to find and destroy the Nostradamus Key, which Nostradamus Prophecy foretold as what would bring about the apocalypse. The series then turns to the year 1999, where Maya returns to the Academy with the intention of destroying the Academy by superseding her late father's position as the principal. Her plan was interrupted when she meets Fumiaki and learns of the forthcoming destruction. Despite being distrusting towards Fumiaki, they form a pact to look for the Nostradamus Key. -- -- In order to find the Nostradamus Key, time agents were provided with specially created cell phones. When a user finds an object of interest, by thinking of destroying it and taking a photo, and if the resulting image is that of a peaceful world, then the subject is the Nostradamus Key. Conversely, if the subject is not the Nostradamus Key, then the photo displays destruction. By using the phone, Maya and Fumiaki investigates occult occurrences as they occur in the town. -- -- (Source: Wikipedia) -- 91,327 7.07
Seisen Cerberus: Ryuukoku no Fatalités -- -- Bridge -- 13 eps -- Game -- Adventure Fantasy -- Seisen Cerberus: Ryuukoku no Fatalités Seisen Cerberus: Ryuukoku no Fatalités -- Maintaining a delicate balance of power, the kingdoms of Amoria, Ishilfen, and Vanrodis rule over the continent of Kuna'anh. Even the slightest hint of trouble in one country could spark a continent-wide war. However, their one common fear is the evil dragon Daganzord, whose only meaning of existence is to devour and destroy all life. -- -- Ten years ago, a group of mages worked together in an effort to seal away the malevolent beast. But the ritual—later known as the "Balbagoa Tragedy"—was a failure, and many lost their lives. Though his parents died in this tragedy, Hiiro was saved by the swordsman Giruu. Under the latter's tutelage, Hiiro learned swordsmanship with the sole purpose of seeking revenge. Now a budding master himself, he sets out in search of Daganzord in order to realize his long-awaited vengeance, or to be consumed by the dragon and meet the same fate as his parents. -- -- 86,471 5.63
Shakugan no Shana Movie -- -- J.C.Staff -- 1 ep -- Light novel -- Action Supernatural Fantasy -- Shakugan no Shana Movie Shakugan no Shana Movie -- Crimson Denizens and Rinne, beings from a parallel world, seek to devour humans' precious existences. To restore the delicate balance of the world, Flame Hazes hunt these entities down. -- -- Yet such things are unknown to Yuuji Sakai, who starts his day like any other and heads to school. His day, however, takes a turn for the extraordinary when he witnesses everyone around him freeze in place and is left the only one able to move. Immediately, a Rinne begins devouring the souls of those around him, but as the creature sets its sights on Yuuji, a katana-wielding Flame Haze with blazing red hair saves him. -- -- After his protector fixes the damage done, she explains why Yuuji was able to move: he has become a Torch, a remnant of a dead human being that will eventually fade from memory. Furthermore, he is also a Mystes, a Torch that houses an unknown treasure. Before his flame burns out completely, a Crimson Denizen will try to seize the treasure he holds, so the fiery hunter decides to watch over him. As Yuuji comes to terms with being dead, he resolves to live his life the best he can with the time he has remaining. -- -- -- Licensor: -- Funimation -- Movie - Apr 21, 2007 -- 57,208 7.38
Shakugan no Shana Movie -- -- J.C.Staff -- 1 ep -- Light novel -- Action Supernatural Fantasy -- Shakugan no Shana Movie Shakugan no Shana Movie -- Crimson Denizens and Rinne, beings from a parallel world, seek to devour humans' precious existences. To restore the delicate balance of the world, Flame Hazes hunt these entities down. -- -- Yet such things are unknown to Yuuji Sakai, who starts his day like any other and heads to school. His day, however, takes a turn for the extraordinary when he witnesses everyone around him freeze in place and is left the only one able to move. Immediately, a Rinne begins devouring the souls of those around him, but as the creature sets its sights on Yuuji, a katana-wielding Flame Haze with blazing red hair saves him. -- -- After his protector fixes the damage done, she explains why Yuuji was able to move: he has become a Torch, a remnant of a dead human being that will eventually fade from memory. Furthermore, he is also a Mystes, a Torch that houses an unknown treasure. Before his flame burns out completely, a Crimson Denizen will try to seize the treasure he holds, so the fiery hunter decides to watch over him. As Yuuji comes to terms with being dead, he resolves to live his life the best he can with the time he has remaining. -- -- Movie - Apr 21, 2007 -- 57,208 7.38
Shamanic Princess -- -- Triangle Staff -- 6 eps -- Original -- Action Fantasy Magic Romance -- Shamanic Princess Shamanic Princess -- From the Guardian World, home of mages, Tiara has been sent on a mission: recover the stolen Throne of Yord, the most powerful magic artifact of all. But Tiara finds herself in a dilemma—the Throne has been taken by her former lover, and there is more to the situation than meets the eye... -- -- (Source: ANN) -- -- Licensor: -- Central Park Media, Media Blasters -- OVA - Jun 25, 1996 -- 10,178 6.64
Shoujo Kakumei Utena -- -- J.C.Staff -- 39 eps -- Original -- Comedy Drama Fantasy Mystery Psychological Shoujo -- Shoujo Kakumei Utena Shoujo Kakumei Utena -- After meeting a traveling prince who consoled her after the deaths of her parents, Utena Tenjou vowed to become a prince herself. The prince left Utena only with a ring bearing a strange rose crest and a promise that she would meet him again some day. -- -- A few years later, Utena attends Ootori Academy, where she is drawn into a dangerous game. Duelists with rings matching Utena's own compete for a unique prize: the Rose Bride, Anthy Himemiya, and her mysterious powers. When Utena wins Anthy in a duel, she realizes that if she is to free Anthy and discover the secrets behind Ootori Academy, she has only one option: to revolutionize the world. -- -- Shoujo Kakumei Utena blends surrealist imagery and ideas with complex allegories and metaphors to create a unique coming-of-age story with themes including idealism, illusions, adulthood, and identity. -- -- 162,010 8.20
Shoujo Kakumei Utena -- -- J.C.Staff -- 39 eps -- Original -- Comedy Drama Fantasy Mystery Psychological Shoujo -- Shoujo Kakumei Utena Shoujo Kakumei Utena -- After meeting a traveling prince who consoled her after the deaths of her parents, Utena Tenjou vowed to become a prince herself. The prince left Utena only with a ring bearing a strange rose crest and a promise that she would meet him again some day. -- -- A few years later, Utena attends Ootori Academy, where she is drawn into a dangerous game. Duelists with rings matching Utena's own compete for a unique prize: the Rose Bride, Anthy Himemiya, and her mysterious powers. When Utena wins Anthy in a duel, she realizes that if she is to free Anthy and discover the secrets behind Ootori Academy, she has only one option: to revolutionize the world. -- -- Shoujo Kakumei Utena blends surrealist imagery and ideas with complex allegories and metaphors to create a unique coming-of-age story with themes including idealism, illusions, adulthood, and identity. -- -- -- Licensor: -- Central Park Media, Nozomi Entertainment -- 162,010 8.20
Slayers: The Motion Picture -- -- J.C.Staff -- 1 ep -- Light novel -- Adventure Comedy Magic Fantasy Shounen -- Slayers: The Motion Picture Slayers: The Motion Picture -- In this prequel movie to the Slayers televison series, Lina Inverse travels to Mipross Island with her rival/traveling companion Naga the Serpent. While they originally came for the hot springs, they soon find them selves mixed up in a conspiracy involving a mazoku named Joyrock. Years ago, he killed all of the elves that inhabited the island and absorbed their power. They are soon joined by an old mage named Rowdy Gabriev, who was in love with one of the elves slaughtered and also wants to defeat Joyrock. -- -- (Source: ANN) -- -- Licensor: -- ADV Films -- Movie - Jul 29, 1995 -- 21,315 7.29
Slayers: The Motion Picture -- -- J.C.Staff -- 1 ep -- Light novel -- Adventure Comedy Magic Fantasy Shounen -- Slayers: The Motion Picture Slayers: The Motion Picture -- In this prequel movie to the Slayers televison series, Lina Inverse travels to Mipross Island with her rival/traveling companion Naga the Serpent. While they originally came for the hot springs, they soon find them selves mixed up in a conspiracy involving a mazoku named Joyrock. Years ago, he killed all of the elves that inhabited the island and absorbed their power. They are soon joined by an old mage named Rowdy Gabriev, who was in love with one of the elves slaughtered and also wants to defeat Joyrock. -- -- (Source: ANN) -- Movie - Jul 29, 1995 -- 21,315 7.29
Soukou Kihei Votoms -- -- Sunrise -- 52 eps -- Original -- Action Space Mecha Military Drama Sci-Fi -- Soukou Kihei Votoms Soukou Kihei Votoms -- A century of bloodshed between warring star systems has plunged nearly 200 worlds into the flames of war. Now, an uneasy truce has settled across the Astragius Galaxy... -- -- Chirico Cuvie, a special forces powered-armor pilot is suddenly transferred into a unit engaged in a secret and highly illegal mission to steal military secrets—from their own military! Now he's on the run...from his own army! -- -- Unsure of his loyalties and to cover their own tracks, Chirico is left behind to die in space. Surviving by luck, the renegade is now hunted by both the conspirators and military intelligence. -- -- He is driven by the haunting image of a mysterious and beautiful woman—the objective of their mission, and his sole clue to unraveling their treacherous scheme. But the conspirators will do anything to preserve their mysterious agenda... -- -- (Source: AnimeNfo) -- -- Licensor: -- Central Park Media, Maiden Japan -- TV - Apr 1, 1983 -- 18,584 7.72
Sword Art Online: Alicization - War of Underworld 2nd Season -- -- A-1 Pictures -- 11 eps -- Light novel -- Action Game Adventure Romance Fantasy -- Sword Art Online: Alicization - War of Underworld 2nd Season Sword Art Online: Alicization - War of Underworld 2nd Season -- The final battle against the Dark Territory drags on, as players from all over the world flood the Underworld's servers and plunge the Human Empire into utter chaos. Asuna Yuuki and her friends defend their new allies with everything they have, but their numbers are falling. Meanwhile, Alice Zuberg heads toward the World's End Altar while Gabriel "Vecta" Miller relentlessly pursues her. -- -- Meanwhile, members of Rath strategize a plan in an attempt to restore Kirito's damaged fluctlight. However, the intruders occupying the main control room have other plans. Surrounded by death and despair, when all hope seems to be lost, one voice reaches out to Kirito—a familiar one saying, "I will always be by your side." -- -- Sword Art Online: Alicization - War of Underworld 2nd Season is the epic conclusion to Akihiko Kayaba's dream of creating artificial human intelligence. Now it is up to Kirito and his friends to protect this collapsing world from the people that still think it is just a game. -- -- 352,245 7.42
Sword Art Online: Alicization - War of Underworld 2nd Season -- -- A-1 Pictures -- 11 eps -- Light novel -- Action Game Adventure Romance Fantasy -- Sword Art Online: Alicization - War of Underworld 2nd Season Sword Art Online: Alicization - War of Underworld 2nd Season -- The final battle against the Dark Territory drags on, as players from all over the world flood the Underworld's servers and plunge the Human Empire into utter chaos. Asuna Yuuki and her friends defend their new allies with everything they have, but their numbers are falling. Meanwhile, Alice Zuberg heads toward the World's End Altar while Gabriel "Vecta" Miller relentlessly pursues her. -- -- Meanwhile, members of Rath strategize a plan in an attempt to restore Kirito's damaged fluctlight. However, the intruders occupying the main control room have other plans. Surrounded by death and despair, when all hope seems to be lost, one voice reaches out to Kirito—a familiar one saying, "I will always be by your side." -- -- Sword Art Online: Alicization - War of Underworld 2nd Season is the epic conclusion to Akihiko Kayaba's dream of creating artificial human intelligence. Now it is up to Kirito and his friends to protect this collapsing world from the people that still think it is just a game. -- -- -- Licensor: -- Aniplex of America -- 352,245 7.42
Sword Art Online: Alicization - War of Underworld -- -- A-1 Pictures -- 12 eps -- Light novel -- Action Game Adventure Romance Fantasy -- Sword Art Online: Alicization - War of Underworld Sword Art Online: Alicization - War of Underworld -- Despite the defeat of Quinella—the pontifex of the Axiom Church—things have not seemed to calm down yet. Upon contacting the real world, Kazuto "Kirito" Kirigaya finds out that the Ocean Turtle—a mega-float controlled by Rath—was raided. Due to a sudden short-circuit caused by the raiders, Kirito's fluctlight is damaged, leaving him comatose. Feeling insecure about the people at the Axiom Church, Alice brings the unconscious Kirito back to their hometown—Rulid Village, disregarding her banishment due to an unabsolved crime. Now, Alice is living an ordinary and peaceful life close by the village, wishing for Kirito to wake up. -- -- However, tragedy strikes when Alice notices that the Dark Territory has already started to invade the Human Empire. Reassuming her previous alias, Alice Synthesis Thirty, she promises to defeat the Dark Territory in order to defend the world that Kirito and Eugeo worked so hard to protect. -- -- -- Licensor: -- Aniplex of America -- 466,598 7.60
Tate no Yuusha no Nariagari Season 2 -- -- DR Movie, Kinema Citrus -- ? eps -- Light novel -- Action Adventure Drama Fantasy -- Tate no Yuusha no Nariagari Season 2 Tate no Yuusha no Nariagari Season 2 -- Second season of Tate no Yuusha no Nariagari. -- TV - Oct ??, 2021 -- 251,232 N/ADensetsu no Yuusha no Densetsu -- -- Zexcs -- 24 eps -- Light novel -- Action Adventure Magic Fantasy Shounen -- Densetsu no Yuusha no Densetsu Densetsu no Yuusha no Densetsu -- "Alpha Stigma" are known to be eyes that can analyze all types of magic. However, they are more infamously known as cursed eyes that can only bring destruction and death to others. -- -- Ryner Lute, a talented mage and also an Alpha Stigma bearer, was once a student of the Roland Empire's Magician Academy, an elite school dedicated to training magicians for military purposes. However, after many of his classmates died in a war, he makes an oath to make the nation a more orderly and peaceful place, with fellow survivor and best friend, Sion Astal. -- -- Now that Sion is the the king of Roland, he orders Ryner to search for useful relics that will aid the nation. Together with Ferris Eris, a beautiful and highly skilled swordswoman, Ryner goes on a journey to search for relics of legendary heroes from the past, and also uncover the secrets behind his cursed eyes. -- -- -- Licensor: -- Funimation -- TV - Jul 2, 2010 -- 250,632 7.59
Tate no Yuusha no Nariagari Season 2 -- -- DR Movie, Kinema Citrus -- ? eps -- Light novel -- Action Adventure Drama Fantasy -- Tate no Yuusha no Nariagari Season 2 Tate no Yuusha no Nariagari Season 2 -- Second season of Tate no Yuusha no Nariagari. -- TV - Oct ??, 2021 -- 251,232 N/ADensetsu no Yuusha no Densetsu -- -- Zexcs -- 24 eps -- Light novel -- Action Adventure Magic Fantasy Shounen -- Densetsu no Yuusha no Densetsu Densetsu no Yuusha no Densetsu -- "Alpha Stigma" are known to be eyes that can analyze all types of magic. However, they are more infamously known as cursed eyes that can only bring destruction and death to others. -- -- Ryner Lute, a talented mage and also an Alpha Stigma bearer, was once a student of the Roland Empire's Magician Academy, an elite school dedicated to training magicians for military purposes. However, after many of his classmates died in a war, he makes an oath to make the nation a more orderly and peaceful place, with fellow survivor and best friend, Sion Astal. -- -- Now that Sion is the the king of Roland, he orders Ryner to search for useful relics that will aid the nation. Together with Ferris Eris, a beautiful and highly skilled swordswoman, Ryner goes on a journey to search for relics of legendary heroes from the past, and also uncover the secrets behind his cursed eyes. -- -- TV - Jul 2, 2010 -- 250,632 7.59
Tate no Yuusha no Nariagari Season 3 -- -- - -- ? eps -- Light novel -- Action Adventure Drama Fantasy -- Tate no Yuusha no Nariagari Season 3 Tate no Yuusha no Nariagari Season 3 -- Third season of Tate no Yuusha no Nariagari. -- TV - ??? ??, ???? -- 127,135 N/A -- -- Uchuu Patrol Luluco -- -- Trigger -- 13 eps -- Original -- Action Adventure Comedy Space -- Uchuu Patrol Luluco Uchuu Patrol Luluco -- Living an abnormal existence in Ogikubo, an intergalactic melting pot of humans and aliens as well as the only Space Immigration Zone on Earth, Luluco is a bubbly middle school girl who just wants to be normal. One morning, however, her father, who works at the Space Patrol, eats a volatile sleep capsule by mistake and is frozen solid! To make matters worse, Luluco accidentally breaks him, so she hurries off to his office for help. There, the chief of the Space Patrol, Over Justice, hires Luluco as a space temp worker for undercover investigations, so that the institution may crack down on crime within her school. -- -- Made to don the Space Patrol suit and sent on her way to mete out justice, Luluco attempts to maintain the image of a normal girl who does not stand out in any way. But she soon discovers that with the automatic systems and inherently zealous judiciousness of the Space Patrol suit, continuing to be normal will be more difficult than she thought. -- -- -- Licensor: -- Crunchyroll, Funimation -- 126,964 7.59
Tekkon Kinkreet Pilot -- -- - -- 1 ep -- Manga -- Action Adventure Psychological Supernatural -- Tekkon Kinkreet Pilot Tekkon Kinkreet Pilot -- Softimage's Michael Arias started the project as a short CG exercise, which then came to the attention of Morimoto, who then agreed to work on the project on the Softimage 3D software. A few months later, Visual Director Wilson Tang and Animation Supervisor Lee Fulton introduced a pilot to the Softimage staff, made entirely on computer with a staff of only 12. The pilot won the Excellence Award at the 3rd Japan Media Arts Festival in the Digital Art Division. -- -- (Source: ANN) -- Special - Jan 1, 1999 -- 1,329 4.68
Tetsuwan Atom (1980) -- -- Tezuka Productions -- 52 eps -- Manga -- Action Sci-Fi Adventure Mecha Shounen -- Tetsuwan Atom (1980) Tetsuwan Atom (1980) -- Set in a future where machines have advanced to the point of autonomy and become a point of major contention in the political and social realms, Astro Boy (1980) chronicles the struggles of a crime-fighting young robot named Atom. Created in the image of his enigmatic inventor's deceased son, Atom survives rough beginnings, getting saved and adopted by the benevolent Dr. Ochanomizu. In his pursuit of justice, Atom finds himself in the midst of numerous clashes with various factions, and is often faced with the harsh realities of the world. -- -- -- Licensor: -- Manga Entertainment -- TV - Oct 1, 1980 -- 10,650 7.14
The Place Where We Were -- -- - -- 1 ep -- Original -- Dementia -- The Place Where We Were The Place Where We Were -- A couple are seen at home. The woman says a heartfelt prayer while the man looks up from his newspaper, holding a cup of tea. They both look out of the window. In the sky above their house a giant angel is flying past. A forest has grown on the angel's back. In the forest three creatures sit around a table and playing cards. The cards are laid out and feature different images: three cards depicting babies jump down a hole in the middle of the table and begin a journey through the body of the angel. They stop in a cave where a creature plays the harp for them and turns the cards into tears. The tears fly through the air out of the angel's eyes and one of them reaches the woman's womb. In the next scene she is seen sitting at home, with her cat, contentedly stroking her own pregnant belly. The next scene is an exterior: a field with a lone tree growing on it. The man is dancing and walking towards the tree: behind the tree he finds his partner, the woman, holding a baby. They all smile at each other. -- -- -- (Source: Tommaso Corvi-Mora) -- Movie - ??? ??, 2008 -- 428 N/A -- -- Kiseki -- -- - -- 1 ep -- - -- Music Dementia -- Kiseki Kiseki -- Experimental animation by Kuri Youji. -- Movie - ??? ??, 1963 -- 427 4.83
This Is Not Blue -- -- - -- 1 ep -- Original -- Dementia Music -- This Is Not Blue This Is Not Blue -- An experimental film by mareykrap about the color blue. Blue pigment in the natural world is very rare. Instead, what we typically observe is the reflection of blue light waves. How much "true blue" really exists in our world? A series of blue images. Or are they? -- Movie - Jul 29, 2020 -- 652 5.74
Tokyo Loop -- -- - -- 1 ep -- Original -- Comedy Dementia -- Tokyo Loop Tokyo Loop -- A series of 16 "short stories" created by the creator's group Images Forum. The stories are: -- -- Tokyo Strut (Sato Masahiko, Ueta Mio) -- Tokyo Trip (Tanaami Keiichi) -- Fishing Vine (Seike Mika) -- Yuki-chan (Oyama Kei) -- Dog & Bone (Shiriagari Kotobuki) -- Public Convenience (Tabaimo) -- TOKYO (Uda Atsuko) -- Black Fish (Aihara Nobuhiro) -- Unbalance (Ito Takashi) -- Tokyo Girl (Shimao Maho) -- Manipulated Man (Wada Atsushi) -- Nuance (Murata Tomoyasu) -- Hashimoto (Furukawa Taku) -- Funkorogashi (Kuri Yoji) -- Fig (Yamamura Koji) -- 12 O’Clock (Iwai Toshio) -- Movie - Dec 23, 2006 -- 1,558 5.14
Tomie -- -- Studio Deen -- 2 eps -- Manga -- Drama Horror Josei Supernatural -- Tomie Tomie -- Memories, both good and bad, suffuse the high school experience. Whether it's hanging out with friends or cramming for tests, everyone has something they will remember from that time in their lives. At a certain high school, one class is faced with an event that can cause people to look back on their high school days in sadness: the death of a student. -- -- The deceased is not just any student—she's Tomie Kawakami, a popular girl with an almost otherworldly beauty. Her death was particularly gruesome: her body was dismembered and the pieces scattered. As the class tries to make sense of the situation, they are shocked when a familiar voice calls out to them from the doorway, apologizing for being late. -- -- With raven hair and a beauty mark under her left eye, this girl is the spitting image of their murdered classmate. But she can't actually be Tomie, right? -- -- Special - Apr 27, 2018 -- 19,452 5.97
Top Secret: The Revelation -- -- Madhouse -- 26 eps -- Manga -- Sci-Fi Mystery Police Psychological Shoujo -- Top Secret: The Revelation Top Secret: The Revelation -- A newly developed method allows to display the memories of dead people. It is used to solve difficult murder cases. But at what cost? What of the dead's privacy as strangers poke about in their most private memories? What about the effects the imageries may have on the persons whose jobs require going through psychotic murderers' minds and experience whatever emotions and feelings these murderers felt as they skin and disembowel their victims? -- -- (Source: Adapted from manga description) -- TV - Apr 9, 2008 -- 16,796 7.32
Trinity Blood -- -- Gonzo -- 24 eps -- Light novel -- Action Supernatural Vampire -- Trinity Blood Trinity Blood -- Following Armageddon, an apocalyptic war, mankind faces yet another menace: vampires. The continuous confrontations between the races have split the world into separate factions. The race of vampires, Methuselah, are affiliated with the New Human Empire; whereas the humans, deemed Terrans by the vampires, make up the Vatican Papal State. Furthermore, extremist groups like the Rosenkreuz Order strive to rekindle a war, despite the factions' attempts to avoid direct conflict. -- -- To combat terrorist organizations, the Vatican has implemented the AX unit. Led by Cardinal Caterina Sforza, the AX agents investigate vampire-related disturbances with hopes that the Terrans and the Methuselah will one day achieve a peaceful coexistence. Amongst the AX unit is priest Abel Nightroad—a seemingly disoriented but gentle-hearted fellow, and a fierce vampire slayer on the battlefield. Joining the unit as his partner is a new agent, Sister Esther Blanchett, a brave and gentle young nun troubled with a tragic past. As the two grow closer, they begin to uncover signs of malicious schemes and dark forces working in the shadows. But the path they walk is riddled with misfortune that might just force them to confront the memories that plague their hearts. -- -- -- Licensor: -- Funimation -- TV - Apr 29, 2005 -- 160,718 7.32
Trinity Blood -- -- Gonzo -- 24 eps -- Light novel -- Action Supernatural Vampire -- Trinity Blood Trinity Blood -- Following Armageddon, an apocalyptic war, mankind faces yet another menace: vampires. The continuous confrontations between the races have split the world into separate factions. The race of vampires, Methuselah, are affiliated with the New Human Empire; whereas the humans, deemed Terrans by the vampires, make up the Vatican Papal State. Furthermore, extremist groups like the Rosenkreuz Order strive to rekindle a war, despite the factions' attempts to avoid direct conflict. -- -- To combat terrorist organizations, the Vatican has implemented the AX unit. Led by Cardinal Caterina Sforza, the AX agents investigate vampire-related disturbances with hopes that the Terrans and the Methuselah will one day achieve a peaceful coexistence. Amongst the AX unit is priest Abel Nightroad—a seemingly disoriented but gentle-hearted fellow, and a fierce vampire slayer on the battlefield. Joining the unit as his partner is a new agent, Sister Esther Blanchett, a brave and gentle young nun troubled with a tragic past. As the two grow closer, they begin to uncover signs of malicious schemes and dark forces working in the shadows. But the path they walk is riddled with misfortune that might just force them to confront the memories that plague their hearts. -- -- TV - Apr 29, 2005 -- 160,718 7.32
Two Tea Two -- -- Decovocal -- 1 ep -- Original -- Dementia -- Two Tea Two Two Tea Two -- The woman does the decision to coexist with the past. -- Returning to one person was not an answer. It is a new image. -- -- (Source: Official You Tube channel) -- Movie - ??? ??, 2010 -- 222 5.11
Uchuu Patrol Luluco -- -- Trigger -- 13 eps -- Original -- Action Adventure Comedy Space -- Uchuu Patrol Luluco Uchuu Patrol Luluco -- Living an abnormal existence in Ogikubo, an intergalactic melting pot of humans and aliens as well as the only Space Immigration Zone on Earth, Luluco is a bubbly middle school girl who just wants to be normal. One morning, however, her father, who works at the Space Patrol, eats a volatile sleep capsule by mistake and is frozen solid! To make matters worse, Luluco accidentally breaks him, so she hurries off to his office for help. There, the chief of the Space Patrol, Over Justice, hires Luluco as a space temp worker for undercover investigations, so that the institution may crack down on crime within her school. -- -- Made to don the Space Patrol suit and sent on her way to mete out justice, Luluco attempts to maintain the image of a normal girl who does not stand out in any way. But she soon discovers that with the automatic systems and inherently zealous judiciousness of the Space Patrol suit, continuing to be normal will be more difficult than she thought. -- -- -- Licensor: -- Crunchyroll, Funimation -- 126,964 7.59
Uchuu Senkan Yamato 2199: Hoshimeguru Hakobune -- -- Xebec -- 1 ep -- Original -- Action Military Sci-Fi Space Drama -- Uchuu Senkan Yamato 2199: Hoshimeguru Hakobune Uchuu Senkan Yamato 2199: Hoshimeguru Hakobune -- 2199 AD. Yamato tried to leave behind the Large Magellanic Cloud galaxy, after receiving a "Cosmo Reverse System" at its destination, Iscandar. However, suddenly, it encounters a mysterious group at the edge of the Large Magellanic Cloud. The crew finds out that the group is called the "Gatlantis," and that its leader is the Gutaba expeditionary force commander who calls himself "Goran Dagaamu of Thunder." The commander demands that Yamato be handed over to him. Yamato, wanting to hurry to Earth, escapes the fray. However, Yamato is attacked by a devastating beam weapon called the "Flame Direct Attack Cannon" that can transcend space. -- -- Yamato was able to retreat, but ends up getting lost, and finds itself in a strangely colored irregular dimension. The crew decides to turn off the engine on the ship, and explore a mysterious planet. In order to collect information, Kodai, Kiryū, Sawamura, Niimi, and Aihara land on the planet. What they saw when they arrived was a ship that was not supposed to be there. -- -- Dagaamu chases after the traces of Yamato's warp, and also reaches the strangely colored space. The planet on which Yamato landed was in fact what Dagaamu had been looking for all along. -- -- (Source: ANN) -- Movie - Dec 6, 2014 -- 11,294 7.77
Ultra Maniac -- -- Production Reed -- 26 eps -- Manga -- Comedy Magic Romance School Shoujo -- Ultra Maniac Ultra Maniac -- Fantasies and miracles never interested Ayu Tateishi, a popular second-year student at her middle school. She was content with preserving her image of being cool, calm, and collected—all to catch the eye of her crush, Tetsushi Kaji. Ayu's carefree youthful days are interrupted by the appearance of Nina Sakura, a new transfer student who turns out to be a witch. As the only person who knows about Nina's ability to cast spells using a mini-computer, Ayu is forced to help Nina with her mission to find the five Holy Stones, qualifying her to marry the prince of the Magic Kingdom. -- -- Unfortunately, Nina's ineptitude with magic and her habit of meddling in Ayu's personal life cause nothing but trouble for the two of them as Ayu toils to maintain her good reputation and Nina struggles to hide her secret from the discerning eye of Hiroki Tsujiai, Tetsushi's best friend and an avid fan of manga. And when Nina's search for the five Holy Stones brings allies and challengers from the Magic Kingdom, Ayu is dragged into a world she never even dreamed was possible. -- -- 28,255 7.17
Uta∽Kata -- -- Hal Film Maker -- 12 eps -- Original -- Psychological Drama Magic -- Uta∽Kata Uta∽Kata -- It's the last day of the school term in Kamakura Girl's School, and summer is about to begin. Serious but polite 14-year-old Ichika Tachibana is excited to make her summer vacation with her friends a special break to remember! But little does Ichika know that this summer will be more special than she could have ever imagined. -- -- While cleaning in an unused school building, Ichika notices an image of an unfamiliar girl in place of her own reflection in a large mirror. Convinced by her friends that she was just seeing things, she is surprised to see the girl in the mirror later that day, holding her lost cell phone. Introducing herself as Manatsu Kuroki, she comes out of the mirror and hands Ichika's phone back—and to Ichika's surprise, the stones on her cell phone charm have changed colors and now allow her to borrow the power of the 12 Djinn that watch over the world. -- -- Uta Kata is a tale of a young girl who will realize new things through her interactions with these spirits. As the Djinn show her overwhelming sights, they will soon also bring to her overwhelming thoughts... -- -- 22,274 6.71
Uta∽Kata -- -- Hal Film Maker -- 12 eps -- Original -- Psychological Drama Magic -- Uta∽Kata Uta∽Kata -- It's the last day of the school term in Kamakura Girl's School, and summer is about to begin. Serious but polite 14-year-old Ichika Tachibana is excited to make her summer vacation with her friends a special break to remember! But little does Ichika know that this summer will be more special than she could have ever imagined. -- -- While cleaning in an unused school building, Ichika notices an image of an unfamiliar girl in place of her own reflection in a large mirror. Convinced by her friends that she was just seeing things, she is surprised to see the girl in the mirror later that day, holding her lost cell phone. Introducing herself as Manatsu Kuroki, she comes out of the mirror and hands Ichika's phone back—and to Ichika's surprise, the stones on her cell phone charm have changed colors and now allow her to borrow the power of the 12 Djinn that watch over the world. -- -- Uta Kata is a tale of a young girl who will realize new things through her interactions with these spirits. As the Djinn show her overwhelming sights, they will soon also bring to her overwhelming thoughts... -- -- -- Licensor: -- Sentai Filmworks -- 22,274 6.71
Yahari Ore no Seishun Love Comedy wa Machigatteiru. OVA -- -- Brain's Base -- 1 ep -- Light novel -- Comedy Romance School -- Yahari Ore no Seishun Love Comedy wa Machigatteiru. OVA Yahari Ore no Seishun Love Comedy wa Machigatteiru. OVA -- One morning, Hachiman Hikigaya contemplates the superfluous nature of marriage and its misleading image of happiness. However, he is forced into confronting his skepticism when the Volunteer Service Club is tasked with assisting a local municipal magazine advertise the allure of marriage to younger people. Unfortunately, neither the club's advisor, Shizuka Hiratsuka, nor the other club members have any firsthand experience with the subject. With only one week until the deadline, the group must quickly learn about the intricacies behind the special ceremony, even if they have to resort to more creative means! -- -- OVA - Sep 19, 2013 -- 206,248 7.60
Yokohama Kaidashi Kikou: Quiet Country Cafe -- -- Ajia-Do -- 2 eps -- Manga -- Sci-Fi Slice of Life Seinen -- Yokohama Kaidashi Kikou: Quiet Country Cafe Yokohama Kaidashi Kikou: Quiet Country Cafe -- In the near-future Japan, global warming has brought the large city Yokohama underwater, and only the hills remain above the ocean surface. What used to be one of the largest cities in Japan now feels like a small town. Basically, the existence of the island country itself has been threatened. However, there is no feeling of desperation, devastation, nor hopelessness. People are enjoying laid-back lives, and they seem to appreciate each other's company, enjoying the quiet and peaceful time together. -- -- This is especially so with Alpha, a carefree young woman who runs a cafe, named Cafe Alpha. She enjoys her life immersing herself in the beautiful nature all around her. There is nothing more precious to her than spending quality time with her kind friends. Oh, the fulfillment and the joy she finds in life... it all indicates her to be a compassionate human being, but she is not quite a human. She is actually a type A7M2 robot. -- -- One day, upon hearing a radio forecast warning an approaching typhoon, her old friend who lives close by invites her to the gas station he runs, worried that her old cafe may not withstand the typhoon. Indeed, the passing of typhoon leaves Alpha with her cafe severely damaged. That's when she decides to go on a journey to raise money to rebuild her cafe, and also to see the outside world away from her friends and the comfort of a peaceful life. -- -- (Source: AniDB) -- OVA - Dec 18, 2002 -- 15,050 7.15
Yoku Wakaru Gendai Mahou -- -- Nomad -- 12 eps -- Light novel -- Comedy Magic -- Yoku Wakaru Gendai Mahou Yoku Wakaru Gendai Mahou -- Life hasn't been fair to Koyomi Morishita. Even though she's in high school, she's so short that everyone assumes she's still in grade school. The boys and girls in her school tease her mercilessly, and she's not exactly graceful either. On the other hand, she's still better off than Yumiko, who has a magician trying to kill her. Or at least Koyomi was until their paths crossed! -- -- Fortunately, salvation arrives in the form of master mage and graduate student Misa Anehara, who agrees to take Koyomi under her wing in learning the new style of magic, which breaks enchantment down into sequences of code. That'll be quite a task, given that so far Koyomi's talent seems to consist of making washbasins randomly fall out of the sky. But if it was easy, it wouldn't be magic, would it? -- -- (Source: Sentai Filmworks) -- 22,876 6.46
Yume Tsukai -- -- Madhouse -- 12 eps -- Manga -- Drama Fantasy Magic Slice of Life -- Yume Tsukai Yume Tsukai -- When people dream, they express their utmost desires and emotions within the confines of their mind; but when their strong emotions cross the border into reality, the dream can turn into an uncontrollable nightmare. -- -- Touko and Rinko are sisters known as "yume tsukai" (dream users), and their job is to take care of these nightmares. Using toys as weapons, the girls must both destroy the nightmare and return the dream to its rightful owner before the nightmare does any sort of serious damage. -- -- Have no fear, Touko and Rinko are here! -- -- (Source: Anime-Planet) -- 7,787 6.43
Zero no Tsukaima -- -- J.C.Staff -- 13 eps -- Light novel -- Action Adventure Harem Comedy Magic Romance Ecchi Fantasy School -- Zero no Tsukaima Zero no Tsukaima -- Louise Françoise Le Blanc de La Vallière is a self-absorbed mage in a world of wands, cloaks, and royalty. Although she studies at Tristain Academy, a prestigious school for magicians, she has a major problem: Louise is unable to cast magic properly, earning her the nickname of "Louise the Zero" from her classmates. -- -- When the first year students are required to perform a summoning ritual, Louise's summoning results in a catastrophic explosion! Everyone deems this to be yet another failure, but when the smoke clears, a boy named Saito Hiraga appears. Now Louise's familiar, Saito is treated as a slave, forced to clean her clothes and eat off the ground. But when an unfamiliar brand is found etched on Saito's hand from the summoning ritual, it is believed to be the mark of a powerful familiar named Gandalfr. -- -- Wild, adventurous, and explosive, Zero no Tsukaima follows Saito as he comes to terms with his new life and as Louise proves that there is more to her than her nickname suggests. -- -- -- Licensor: -- Funimation, Geneon Entertainment USA, Sentai Filmworks -- 668,146 7.31
Zero no Tsukaima: Futatsuki no Kishi -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Harem Comedy Magic Romance Ecchi Fantasy School -- Zero no Tsukaima: Futatsuki no Kishi Zero no Tsukaima: Futatsuki no Kishi -- Revered as heroes for their role in defending Tristain, Louise Françoise and her familiar Saito Hiraga face heavy pressure to continue protecting the Kingdom. With an uneasy peace now established within Albion, the newly crowned Queen Henrietta must deal with a political struggle brewing on the horizon. To make matters worse, a new villain has begun plotting in the shadows against the Crown. -- -- With the continuing threats that face the Kingdom, Louise and Saito are compelled to work together once more. No longer "Louise the Zero," the young mage's newfound aptitude for Void magic gives her enough power to wipe out an entire village; however, wielding these abilities comes with its share of challenges. As more conflicts arise, the idea of placing honor above oneself is put into question—regardless of their answer, their only choice is to see it through until the end. -- -- 425,534 7.47
Zero no Tsukaima: Futatsuki no Kishi -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Harem Comedy Magic Romance Ecchi Fantasy School -- Zero no Tsukaima: Futatsuki no Kishi Zero no Tsukaima: Futatsuki no Kishi -- Revered as heroes for their role in defending Tristain, Louise Françoise and her familiar Saito Hiraga face heavy pressure to continue protecting the Kingdom. With an uneasy peace now established within Albion, the newly crowned Queen Henrietta must deal with a political struggle brewing on the horizon. To make matters worse, a new villain has begun plotting in the shadows against the Crown. -- -- With the continuing threats that face the Kingdom, Louise and Saito are compelled to work together once more. No longer "Louise the Zero," the young mage's newfound aptitude for Void magic gives her enough power to wipe out an entire village; however, wielding these abilities comes with its share of challenges. As more conflicts arise, the idea of placing honor above oneself is put into question—regardless of their answer, their only choice is to see it through until the end. -- -- -- Licensor: -- Sentai Filmworks -- 425,534 7.47
Zero no Tsukaima: Princesses no Rondo -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Harem Comedy Magic Romance Ecchi Fantasy School -- Zero no Tsukaima: Princesses no Rondo Zero no Tsukaima: Princesses no Rondo -- Following his brave sacrifice in the war against Albion, Saito Hiraga is knighted and treated as an aristocrat, something that proves difficult for Louise Françoise Le Blanc de La Vallière. With their relationship no longer defined as the mighty Void mage and clueless familiar, she wonders what exactly this means for them. -- -- While venturing to a castle, Louise is ambushed by a powerful mage named Sheffield. Battling alone, the young mage nearly faces defeat until Saito makes his appearance. The mystical and unknown nature of Void magic seems to be at work in the battle, and Louise begins to believe in the possibility of another Void user. Moreover, she realizes that Saito's magical rune is fading, and so a new adventure begins as they search for the elf who revived Saito in the past. The relationship between former master and servant faces a new challenge as they work to restore the runes and redefine the bond which holds them together. -- -- 377,294 7.38
Zero no Tsukaima: Princesses no Rondo -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Harem Comedy Magic Romance Ecchi Fantasy School -- Zero no Tsukaima: Princesses no Rondo Zero no Tsukaima: Princesses no Rondo -- Following his brave sacrifice in the war against Albion, Saito Hiraga is knighted and treated as an aristocrat, something that proves difficult for Louise Françoise Le Blanc de La Vallière. With their relationship no longer defined as the mighty Void mage and clueless familiar, she wonders what exactly this means for them. -- -- While venturing to a castle, Louise is ambushed by a powerful mage named Sheffield. Battling alone, the young mage nearly faces defeat until Saito makes his appearance. The mystical and unknown nature of Void magic seems to be at work in the battle, and Louise begins to believe in the possibility of another Void user. Moreover, she realizes that Saito's magical rune is fading, and so a new adventure begins as they search for the elf who revived Saito in the past. The relationship between former master and servant faces a new challenge as they work to restore the runes and redefine the bond which holds them together. -- -- -- Licensor: -- Sentai Filmworks -- 377,294 7.38
Zoids -- -- Xebec -- 67 eps -- - -- Action Adventure Comedy Mecha Sci-Fi -- Zoids Zoids -- Zoids are beast-like fighting machines used in both everyday use such as transportation, and special use such as war. Some types of Zoids, know as Organoids, are miniature Zoids that are living organisms. These Organoids have the capability to fuse with a non-living Zoid and make it much more powerful. -- -- Van (Ban) Freiheit discovers a Zoid Organoid in an abandoned laboratory while running from two strangers piloting Zoids. Also in the laboratory, in an animated suspension tube is a strange girl. He breaks the tube open and takes her and the Organoid with him. Spotting a ruined Shield Liger Zoid outside nearby, the Organoid fuses with it and repairs the damages. Making his escape, Van names the Organoid Zeke, and decides to keep him as a friend. The girl, who says her name is Fiona, wants to find something called Zoids Eve, and so Van, Zeke, and Fiona begin their adventure. -- -- (Source: AniDB) -- -- Licensor: -- Geneon Entertainment USA, VIZ Media -- 42,390 7.38
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https://wiki.archlinux.org/index.php/ImageMagick
https://wiki.archlinux.org/index.php/Installation_guide#Acquire_an_installation_image
https://wiki.archlinux.org/index.php/List_of_applications#Disk_image_writing
https://wiki.archlinux.org/index.php/List_of_applications#Framebuffer_image_viewers
https://wiki.archlinux.org/index.php/List_of_applications#Graphical_image_viewers
https://wiki.archlinux.org/index.php/List_of_applications#Image
https://wiki.archlinux.org/index.php/List_of_applications#Image_compression
https://wiki.archlinux.org/index.php/List_of_applications#Image_manipulation
https://wiki.archlinux.org/index.php/List_of_applications#Image_organizers
https://wiki.archlinux.org/index.php/List_of_applications#Image_processing
https://wiki.archlinux.org/index.php/List_of_applications#Image_viewers
https://wiki.archlinux.org/index.php/List_of_applications/Multimedia#Image
https://wiki.archlinux.org/index.php/Sort_images_by_resolution
https://wiki.archlinux.org/index.php/User:Totalwormage
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Afterimage (Star Trek: Deep Space Nine)
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Aidyn Chronicles: The First Mage
Aka II of Commagene
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An Image of Africa
An Image of the Past
Animal Science Image Gallery
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Anything (Damage song)
Apollinariskirche, Remagen
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Apple Icon Image format
Arab Image Foundation
Arbaeen Pilgrimage
Arcminute Microkelvin Imager
Ardre image stones
Armageddon
Armageddon's Children
Armageddon (1998 film)
Armageddon (1999)
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Armageddon (2006)
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Armageddon 2419 A.D.
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A Rose for Armageddon
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ART image file format
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A.S.D.C. Magenta
A Shaun the Sheep Movie: Farmageddon
AS Magenta
Aspect ratio (image)
Association for Information and Image Management
Association franaise pour le nommage Internet en coopration
Association of British Lourdes Pilgrimage Hospitalits
Association of Moving Image Archivists
Astronomical Image Processing System
A Taste of Armageddon
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AtomAge
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Augustus Magee
Australian Centre for the Moving Image
Austrolycopodium magellanicum
Autodesk Softimage
Automated tissue image analysis
Automatic image annotation
Autopsy images of Ngatikaura Ngati
Avencast: Rise of the Mage
Aviary (image editor)
Bah pilgrimage
Baishatun Mazu Pilgrimage
Barchester Pilgrimage
Battle for Armageddon
Battle of Magenta
Battle of Magersfontein
Battle of Magetobriga
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Beatrice B. Magee
Beau Dommage
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Bed-Sitter Images
BellMagendie law
Ben Magec Ecologistas en Accin
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Binary image
Bite (Altered Images album)
Blacklight (Image Comics)
Bliss (image)
Bloodstrike (Image Comics)
Bloom Image Editor
Blues Image
Body image
Body image law
Body image (medicine)
Bomb damage assessment
Book:Self image
Boot image
Borehole image logs
Boulevard de Magenta
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British Guiana 1c magenta
Brummagem
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Buddleja davidii 'Tobudpipur' = Buzz Magenta
Bumageddon: The Final Pongflict
Burmageit
Camagey
Camagey Province
Camera Image File Format
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Canadian Letters and Images Project
Capitanopsis magentea
Card image
Carex magellanica
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Carmageddon II: Carpocalypse Now
Carmageddon: Reincarnation
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Centre national du cinma et de l'image anime
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Channel (digital image)
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Child Jesus images in Mexico
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Christian pilgrimage
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Cinema 1: The Movement Image
Ciudad de la Imagen (Madrid Metro)
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Cohors I Flavia Commagenorum equitata
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Colorless Tsukuru Tazaki and His Years of Pilgrimage
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Common Image Generator Interface
Compagnie des Fromages et RichesMonts
Comparison of digital image metadata editors
Comparison of disc image software
Comparison of image viewers
Complete Mage
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Conquerors of Armageddon
Contact image sensor
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Contextual image classification
Controlled image base
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Cosmic Background Imager
Countdown to Armageddon
Created in the Image of Suffering
Criminal damage in English law
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Crush.Fukk.Create: Requiem for Generation Armageddon
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CSS image replacement
Cult image
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CyberMage: Darklight Awakening
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De Klaarkampstermeermolen, Rinsumageast
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Diabolicanos Act III: Armageddon
Diffuse alveolar damage
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Digital Image Archive of Medieval Music
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Digital Theft Deterrence and Copyright Damages Improvement Act of 1999
Diocese of Shrewsbury Lourdes Pilgrimage
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Divine Mercy image
DNA damage-inducible transcript 3
DNA damage (naturally occurring)
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Doppelgnger brand image
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Double image
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Dragons of the Hourglass Mage
Drive Image (software)
Drizzle (image processing)
Duke of Magenta
DulmageMendelsohn decomposition
Eagle Vision 1 (Commercial Satellite Imagery)
Eamonn Magee
Earl Ramage Lewis
Eastman Kodak Co. v. Image Technical Services, Inc.
Echo Image
Ecological damage
Edward V. Ramage
Effects of advertising on teen body image
Elastix (image registration)
Electric Image Animation System
Electronic Letters on Computer Vision and Image Analysis
Elmar Magerramov
Elminster The Making of a Mage
Elymus magellanicus
EMAGE
Eric Magee
Eric Magennis
Escola Superior de Enfermagem de Coimbra
Eugne Mage
Eugene Magee
Expectation damages
Fantastic Damage
Farewell Pilgrimage
Farmageddon
Farmageddon (comic strip)
FastStone Image Viewer
Fatale (Image Comics)
FC Amager
FC Camagey
Ferdinand Magellan
Ferdinand Magellan (railcar)
Fidelity Magellan Fund
Filmage
Fire (Image Comics)
First Ladies: Influence & Image
Fjrilar i magen
Flammagenitus cloud
Fletcher Magee
Flipped image
Flopped image
Fluorescence image-guided surgery
Foreign object damage
Forever (Damage song)
Framing Armageddon: Something Wicked Part 1
Franois Magendie
FreeImages
Free Lossless Image Format
Free radical damage to DNA
Fremad Amager
French ironclad Magenta
French ironclad Magenta (1890)
Fresnel Imager
Fromage blanc
Fromager
Frozen mirror image method
Fuchsia magellanica
Fusitriton magellanicus
Future Imagery Architecture
G2-M DNA damage checkpoint
Galium magellense
Gammage Memorial Auditorium
Garden World Images
Gaudenzia Inc (New Image Women and Children)
Gear (Image Comics)
Gmages
Gene Gammage
General mn-type image filter
George Frederick Mager
George Magerkurth
George Ramage
Get Damaged
Getter Robo Armageddon
Getty Images
Ghost image
Giant Magellan Telescope
Gigapixel image
G.I. Joe: A Real American Hero (Image Comics and Devil's Due Publishing)
Gilbert M'Gy, 2nd Lord of Balmage
Glamour and Damage
Glittering Images
Gobelins, l'cole de l'image
Google Image Labeler
Google Images
Goremageddon: The Saw and the Carnage Done
Gradient-domain image processing
Grain damage
Grammage
Graven image
Great German Pilgrimage of 106465
Great Pilgrimage
Guided imagery
Gus Mager
GutirrezMagee Expedition
Guy Spy and the Crystals of Armageddon
Gwendolyn Ann Magee
Hajj and Pilgrimage Organization (Iran)
HaMagen
Happy Birthday (Altered Images album)
Happy? (Public Image Ltd album)
Harmagedon
Harvey Magee Watterson
HCPT The Pilgrimage Trust
Help:Composite images
Help:Gadget-ImageAnnotator
Help:Introduction to images with VisualEditor/1
Help:Introduction to images with VisualEditor/2
Help:Introduction to images with VisualEditor/3
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Help:Introduction to images with Wiki Markup/1
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Help:Introduction to images with Wiki Markup/All
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Help:Menu/Images and media
Help:Options to hide an image
Hemigomphus magela
Henry of Isenburg-Neumagen
Henry Steele Commager
Heroes of Might and Magic III: Armageddon's Blade
Hero image
High Efficiency Image File Format
Hindu pilgrimage sites
Homage
Homage at Siesta Time
Homage (feudal)
Homager och Pamfletter
Homage (sculpture)
Homage to Catalonia
Homage to Czanne
Homage to Chagall: The Colours of Love
Homage to Clio
Homage to Duke
Homage to Jerusalem
Homage to Kindness
Homage to My Heroes
Homage to Qwert Yuiop
Hommage J.S.Bach
Hommage Marguerite Bourgeoys
Hommage Noir
Hommage Piazzolla
Hommage S. Pickwick Esq. P.P.M.P.C.
Hommage to Lovey-Dovey
Hommage l'amour
Hugh Talmage Lefler
Human image synthesis
Hydrogen damage
Ian Ramage
Icarus imagery in contemporary music
IEEE Transactions on Image Processing
Image
Image 19831998
Image3D
ImageAmerica
Image analysis
Image Analysis & Stereology
Image and object order rendering
Image and Reality of the IsraelPalestine Conflict
Image and Scanner Interface Specification
Image (Angel novel)
Image-based flow visualization
Image-based lighting
Image-based modeling and rendering
Imageboard
Image burn-in
Image Capture
Image (category theory)
Image circle
Image Comics
Image Commune
Image Composite Editor
Image compression
Image consulting
Image conversion
IMAGE (database)
Image derivatives
Image destriping
Image development
Image (disambiguation)
Image dissector
Image editing
Imageepoch
Image Fight
Image file formats
Image-forming optical system
Image for Windows
Image geometry correction
Image-guided radiation therapy
Image-guided surgery
Image histogram
Image hosting service
Image Institute of Technology & Management
Image intensifier
Image in the Sand
Image Is Everything
ImageJ
Image (journal)
Image-Line
Imagem
Image macro
Image (magazine)
ImageMagick
Image map
Image markup
Image Mastering API
Image (mathematics)
ImaGem Inc.
ImageMixer
Image moment
ImageMovers
Image Museum
Image Museum of Hsinchu City
Imagen
Image Nation
Image+Nation
Imagen Awards
Imagenes
ImageNet
Image News FM (Nepal)
Imagen Latina
Imagen Ltd
Image noise
Imagen Televisin
Image of Edessa
Image of God
Image of the Fendahl
Image organizer
Image Permanence Institute
Image persistence
Image processor
Image quality
Image rectification
Image registration
Image resolution
Image response
Image restoration theory
Image retrieval
Imagery
Imagery intelligence
Imagery of nude celebrities
Images 19661967
Images and Words
Images and Words: Live in Tokyo
Image scaling
Image scanner
Images (composition)
Images (disambiguation)
Image segmentation
Image sensor
Image sensor format
Image server
Imagesetter
Images (film)
ImageShack
Image Share
Image sharing
Images in a Convent
Images in Vogue
Images of England
Images of Heaven
Images of Heaven (EP)
Images of Heaven: The Best of Peter Godwin
Images of Liberation
Image song
IMAGE (spacecraft)
Image Space Incorporated
Image spam
Images pour orchestre
Images/Reflections
Image stabilization
Image-stabilized binoculars
Images The Best of Jean-Michel Jarre
Images (The Walker Brothers album)
Image stitching
Image Studio Lite
Image subtraction
Image SXM
Image theatre
Image tracing
Image viewer
Image warping
Imageworks
ImageWriter
Importation of Plumage (Prohibition) Act 1921
In His Image
In His Image (novel)
InMage
In Our Image: America's Empire in the Philippines
International Convention on Civil Liability for Oil Pollution Damage
International Convention on the Establishment of an International Fund for Compensation for Oil Pollution Damage
International Image Festival
International Image Interoperability Framework
International Images Film Festival for Women
International Journal of Damage Mechanics
International Journal of Image and Graphics
International Society for Stereology & Image Analysis
Inverse image functor
Irreversible Damage
I Sailed with Magellan
Island Image
Islandmagee
Islandmagee F.C.
Jack Magee
James D. Ramage
James E. Talmage
James Joseph Magennis
James Magee
James McDevitt Magee
Japan Institute of the Moving Image
Jayasiri Semage
Jean Hyacinthe de Magellan
Jean Image
Joan of Arc: The Image of Female Heroism
John Alexander Magee
John Gillespie Magee Jr.
John L. Magee
John Magee
John Magee (bishop)
John Magee (congressman)
John Magee (missionary)
John Magera
John Ramage
JohnsonHolmquist damage model
John Van Nest Talmage
Joint Bi-level Image Experts Group
Jonathan Magee
Joseph Magee
Josh Magennis
Joshua Magee
Journal of Visual Communication and Image Representation
Junius Ralph Magee
K. A. Gamage
Karmageddon
KDE Image Plugin Interface
Kevin Magee
Kevin Magee (motorcyclist)
Killer Image
Killing of Jonny Gammage
Kimmage
Kimmage Development Studies Centre
Kingdom of Commagene
Kbmagergade
Konica Minolta Dimage A2
Kumage District
Lake Magenta
Lake Magenta Nature Reserve
Large Magellanic Cloud
Laser Dynamic Range Imager
Last Armageddon
Latent image
Latent Image (Star Trek: Voyager)
LAT Images
Lawson P. Ramage
Layers (digital image editing)
Le Mage
Le mage
Les Rois mages
Lichdom: Battlemage
Liebesgeschichte der schnen Magelone und des Grafen Peter von Provence
Life Image
Line of scrimmage
LionsMagenes lemma
Liquidated damages
Liquid Image
List of awards and nominations received by Damages
List of canonically crowned images
List of cities and towns severely damaged by the 2011 Thoku earthquake and tsunami
List of Damages episodes
List of directly imaged exoplanets
List of heritage sites damaged during the Syrian Civil War
List of Image Comics publications
List of image-sharing websites
List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band
List of libraries damaged during World War II
List of lost, damaged, or destroyed dinosaur specimens
List of manual image annotation tools
List of members of Public Image Ltd.
List of monuments damaged by conflict in the Middle East during the 21st century
List of online image archives
List of rulers of Commagene
List of satellite map images with missing or unclear data
List of stars with resolved images
List of television series and films based on Image Comics publications
List of things named after Ferdinand Magellan
List of Turkish ships sunk or damaged during World War II
List of US Navy ships sunk or damaged in action during the Korean War
Live Damage (Fuck the Facts album)
Live in Tokyo (Public Image Limited album)
Lomariocycas magellanica
Long Range Reconnaissance Imager
Lord Ramage
Love's Pilgrimage
Love Can Seriously Damage Your Health
Luanda Magere
Luk Magera
Lumped damage mechanics
Lunar Orbiter Image Recovery Project
Mage
MAGEA1
MAGEA11
MAGEA12
MAGEA2
MAGEA3
MAGEA4
MAGEA5
MAGEA9
MAGEB2
Mageba kaGumede
Mageba (Swiss company)
MAGEC2
Magec (disambiguation)
Mage (comics)
MAGED1
MAGED2
MAGED4B
Maged A. Abdelaziz
Maged Abdallah
Maged El Kedwany
Maged George Elias Ghattas
Maged Mohamed
Magee
Magee College
Magee Farm
Magee, Mississippi
MAGEH1
Mageina Tovah
Mageiras
Mage Knight
Mage Knight Dungeons
Magela hardyhead
Magelang
Magel Bel Abbs
Magelhaens (lunar crater)
Magellan's circumnavigation
Magellan Aerospace
Magellan (band)
Magellan Development Group
Magellan Health
Magellanic
Magellanic Bridge
Magellanic Clouds
Magellanic diving petrel
Magellanic moorland
Magellanic oystercatcher
Magellanic penguin
Magellanic plover
Magellanic Premium
Magellanic spiral
Magellanic Stream
Magellanic subpolar forests
Magellanic tapaculo
Magellanic tuco-tuco
Magellanic woodpecker
MagellanMusic
Magellan Navigation
Magellano
Magellan Planet Search Program
Magellan Shrine
Magellan (spacecraft)
Magellan Telescopes
Magema Magwaza Fuze
Mage, Myanmar
Magen
Magen Abraham
Magen Avot
Magen David Adom
Magen David Square
Magen David Synagogue
Magen, Israel
Magenium Solutions LLC
Magennis
Magens Bay
Magens Dorrien Magens
Magen Shaul
MAGENTA
Magenta
Magenta-class ironclad
MagentaCrocco elevator
Magenta (DC Comics)
Magenta Devine
Magenta (disambiguation)
Magenta (EP)
Magenta Line
Magenta Line (Delhi Metro)
Magenta, Lombardy
Magenta, Marne
Magenta (Norwegian band)
Magenta petrel
Magenta Telekom
Magenta-throated woodstar
Magenta (Welsh band)
Magento
Magen Tzedek
Mage Parab
Magere Brug
Magerya
Magers
Mages (company)
Magesh Chandran Panchanathan
Mageshima
Magesi F.C.
MageSlayer
Magestorm
Magetan Regency
Mage: The Ascension
Mage: The Awakening
Mage: The Sorcerers Crusade
Magetobria
Mageu
Magewappa
Mage Wars Arena
Magey Hithakee Hitheh Noon Hey?
Major Damage
Maniac Magee
Manny Gammage's Texas Hatters Inc.
Manoppello Image
Margaret Magennis, Viscountess Iveagh
Mars Hand Lens Imager
Martha Magee
Mashin Sentai Kiramager
MasterImage 3D
May Booth Talmage
Maytenus magellanica
Measure of damages under English law
MediaWiki:Bad image list
MediaWiki:Pageimages-blacklist
Medical Image Analysis (journal)
Medical image computing
Medical image sharing
Medical Image Understanding and Analysis conference
Mega Image
Melody of Certain Damaged Lemons
Menagerie (Image Comics)
Mental image
Mental Images
Metabolite damage
Meteosat visible and infrared imager
Method of image charges
Method of images
Michael Magee
Michael Magee (disambiguation)
Michle Magema
MicroGraphic Image
Microsoft Digital Image
Mikhail Magerovski
Milkyway Image
Millimages
Mimagelasta grisescens
Minolta Dimage 5
Minolta Dimage 7 series
Minolta Dimage A1
Minolta Dimage EX
Mirror image
Mirror Image (Blood, Sweat & Tears album)
Mirror image (disambiguation)
Mirror Image (Joey Pearson EP)
Mirror Image (short story)
Mirror Image (The Twilight Zone)
Mithridates II of Commagene
M. Magendran
Mohamed Maged Eldeeb
Montage (image software)
Mortal Kombat: Armageddon
Motion Blur: Graphic Moving Imagemakers
Motor imagery
Moving Image Archive
Moving Image Source
MS Magellan
Multi-Angle Imager for Aerosols
Multi-dynamic image technique
Multi-focus image fusion
Multi-image
Multiple-image Network Graphics
Multispectral image
Mumbai Academy of the Moving Image
Muse de l'image
Museu da Imagem e do Som de Alagoas
Museu da Imagem e do Som do Rio de Janeiro
Museum of Image and Sound
Museum of the Moving Image
Museum of the Moving Image (London)
Myrmage dishani
Myrmage imbellis
NAACP Image Award Chairman's Award
NAACP Image Award for Outstanding Directing in a Drama Series
NAACP Image Award for Outstanding Literary Work Children
NAACP Image Award for Outstanding Literary Work Fiction
NAACP Image Award for Outstanding Literary Work Instructional
NAACP Image Award for Outstanding Literary Work Nonfiction
NAACP Image Award for Outstanding Literary Work Poetry
NAACP Image Award for Outstanding News/Information Series or Special
NAACP Image Award for Outstanding News, Talk or Information Series
NAACP Image Award for Outstanding News, Talk or Information Special
NAACP Image Award for Outstanding Performance by a Youth (Series, Special, Television Movie or Limited-series)
NAACP Image Award for Outstanding Variety Series or Special
NAACP Image Award for Outstanding Writing in a Dramatic Series
NAACP Image Award Hall of Fame Award
NAACP Image Award Jackie Robinson Sports Award
NAACP Image Award President's Award
NAACP Image Awards
National Agriculture Imagery Program
National Geographic Image Collection
National Imagery Transmission Format
Native Image Generator
NCCRMageuzi
Nemagerd
Netmage
Neumagen-Dhron
NeuroImage
NeuroImage: Clinical
New Image
New Image Art
New Image College
Nishantha Muthuhettigamage
Nol Emmanuel Limage
Non-economic damages caps
Normalization (image processing)
Norm Mager
Nouma Magenta Airport
Nu Image
Numagen languages
Nymagee
Nyx (Image Comics)
Object categorization from image search
Oligoryzomys magellanicus
OpenImageIO
Operational Land Imager
Optical disc image
O est la maison de fromage?
Pacific Data Images
Pansharpened image
Particle image velocimetry
Partimage
Pat Ramage
Patrick Magee
Patrick Magee (actor)
Patrick Magee (Irish republican)
Paul Magee
Pawy Gupta image inscription
Penal damages
Perceptions of religious imagery in natural phenomena
Perezia magellanica
Personality and image of Elizabeth II
Pierre Dumage
Pilgrimage
Pilgrimage (2017 film)
Pilgrimage centres near Ernakulam city
Pilgrimage church
Pilgrimage Church Maria Straengel
Pilgrimage Church of Saint John of Nepomuk
Pilgrimage (demoparty)
Pilgrimage diplomacy
Pilgrimage (disambiguation)
Pilgrimage of Grace
Pilgrimage of the Relics, Maastricht
Pilgrimage places in India
Pilgrimage to Chartres
Pilgrimage to Hell
Pimagedine
Pixar Image Computer
Placopecten magellanicus
Play from scrimmage
Plumage
Portable Database Image
Portal:Alps/Featured Image
Portal:Alps/Image Queries
Portal:Anarchism/Selected image
Portal:Anarchism/Selected image/1
Portal:Anarchism/Selected image/7
Portal:Architecture/images
Portal:Catholic Church/Intro/Image
Portal:Catholic Church/Intro/Image/1
Portal:Catholic Church/Intro/Image/2
Portal:Catholic Church/Intro/Image/3
Portal:Catholic Church/Intro/Image/4
Portal:Catholic Church/Intro/Image/5
Portal:Children's literature/Intro/Image
Portal:Children's literature/Intro/Image Layout
Portal:Colorado/Selected image
Portal:East Germany/Image of the Month/May
Portal:Law/Intro/Image Layout
Portal:Mecklenburg-Vorpommern/Candidate Images
Portal:Prostitution/Images
Portal:Prostitution/Images/1
Portal:Prostitution/Images/10
Portal:Prostitution/Images/11
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Portal:Prostitution/Images/13
Portal:Prostitution/Images/14
Portal:Prostitution/Images/15
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Portal:Prostitution/Images/2
Portal:Prostitution/Images/20
Portal:Prostitution/Images/3
Portal:Prostitution/Images/4
Portal:Prostitution/Images/5
Portal:Prostitution/Images/6
Portal:Prostitution/Images/7
Portal:Prostitution/Images/8
Portal:Prostitution/Images/9
Portal:Radio/Selected image
Portal:San Francisco Bay Area/Selected historical image/Archive
Portal:Tropical cyclones/Selected picture/1954 sounding rocket image
Portal:Tropical cyclones/Selected picture/Hurricane Andrew damage pic
Porta Magenta
Poulet au fromage
Power of the Damager
PPSM Magelang
Prayer Pilgrimage for Freedom
Preimage attack
Prevention of Damage by Pests Act 1949
Primage
Primagen
Professionally Damaged
Property damage
Prussian Heritage Image Archive
Prussian Homage
Prussian Homage (painting)
Public image
Public Image: First Issue
Public Image Ltd
Public image of Barack Obama
Public image of Bill Clinton
Public image of Cristina Fernndez de Kirchner
Public image of George W. Bush
Public image of Hillary Clinton
Public image of Hugo Chvez
Public image of John McCain
Public image of Mitt Romney
Public image of Narendra Modi
Public image of Sarah Palin
Public image of Vladimir Putin
Punitive damages
Purkinje images
Putting the Damage On
P. W. Vidanagamage
Pygmalion and the Image series
Pyramid (image processing)
Quantization (image processing)
Quantum image
Rage of Mages
Rage of Mages II: Necromancer
Ragnhild Magery
Ramage
RAM image
Ramjet (Image Comics)
Raster image processor
Raw image format
Ray Magee
Real image
Red Faction: Armageddon
Reginald Magee
Reliance damages
Religious image
Religious images in Christian theology
R. Ellen Magenis
Remagen
Renee Magee
Reporting of child pornography images on Wikimedia Commons
Reuven Ramaty High Energy Solar Spectroscopic Imager
Reverse image search
RGBE image format
Ribes magellanicum
Richard Ramage
Rinsumageast
Rise (Public Image Ltd song)
Ritz Camera & Image
Robert F. Mager
Robert Gammage
Robert George Gammage
Robert Magee
Robert Ramage
Rogue Mage series
Roman Catholic Archdiocese of Camagey
Rome Convention on Damage Caused by Foreign Aircraft to Third Parties on the Surface
ROM image
Ron Magers
Rusty Magee
Saas-Almagell
Sabana-Camagey Archipelago
Saheli Rochana Gamage
Saigoku Kannon Pilgrimage
Salentin VI of Isenburg-Neumagen
Salut Joe! Hommage Joe Dassin
So Paulo Museum of Image and Sound
Sarath Prasanna Gamage
Satellite imagery
Saumagen
Savencia Fromage & Dairy
Scrimmage
Scrimmage vest
Sediment Profile Imagery
Seed Herbarium Image Project
Self-image
Semage Salman Kulatileke
Senator Magee
Sergei Magerovski
Severe Tire Damage
Shades of magenta
Shaft (Image Comics)
Shape factor (image analysis and microscopy)
Shaun Magennis
Sherry Magee
Shikoku Pilgrimage
Silicon Graphics Image
Silicon Image
Single system image
Sivan Magen
Skipsfjorden, Magerya
Small Magellanic Cloud
Smasher (Image Comics)
Smiling Girl, a Courtesan, Holding an Obscene Image
SmithMagenis syndrome
Snowmageddon
Sociological Images
Softimage 3D
Softimage (company)
Soft-plumaged petrel
Somatic damage
Sometimes a Little Brain Damage Can Help
Sony Imagesoft
Sony Pictures Imageworks
Soupe au fromage
Source Mage
Southwest Symposium on Image Analysis and Interpretation
Spalding v Gamage
Sparse image
Special sensor microwave/imager
Special Sensor Ultraviolet Limb Imager
Sphagnum magellanicum
Spitting Image
Spitting Image (2020 TV series)
Spitting Image (album)
Spitting Image (disambiguation)
Splash Damage
Split Image
Split Image (novel)
Spot Image
Sprth Magers
Stabilized images
Stable Image Platform Program
Stade Numa-Daly Magenta
Stairmageddon
Standard test image
Statutory damages
Stemage
Stephen Magennis
Stereo image
Still image film
Strait of Magellan
Sunmin Image Pictures
Swedish Magellanic Expedition
Swing Lo Magellan
System Deployment Image
System image
System Image Utility
Tactical Imagery-Intelligence Wing
Talk:Brummagem
Talk:Magick Image File Format
Talmage
Talmage, California
Talmage Cooley
Talmage, Kansas
Talmage, Nebraska
Technical Advisory Service for Images
Technical Report Archive & Image Library
Tele Images Kids
Tennessee Williams: Mad Pilgrimage of the Flesh
Texas Archive of the Moving Image
The Armageddon Factor
The Armageddon Inheritance
The Armageddon Rag
The Beautiful Image
The Bird with the Crystal Plumage
The Black Mages
The Book of Images
The Bronze Screen: 100 Years of the Latino Image in Hollywood
The Damage a Man Can Do
The Damage Manual
The Damage (song)
The Darker Image
The Discarded Image
The Divine Image
The first pilgrimage
The Gammage Cup
The Hill of James Magee
The Image
The Image (1969 film)
The Image (1975 film)
The Image (1990 film)
The Image Book
The Image Makers
The Image (novel)
The Image of Irelande, with a Discoverie of Woodkarne
The Image of You
The Imager Portfolio
The King's Pilgrimage
The Last Image
The Mageborn Traitor
The Magellanic Cloud
The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred
The Pilgrimage
The Pilgrimage of Love
The Pilgrimage of the Soul
The "Hitler Myth": Image and Reality in the Third Reich
The Real Magees
The Secret of Armageddon
The Sharper Image
The Spitting Image
The Treachery of Images
The Unlikely Pilgrimage of Harold Fry
The Wandering Image
This Is Not a Love Song (Public Image Ltd song)
Thomas Abel Brimage Spratt
Thomas Brimage
Thomas De Witt Talmage
Thomas Image
Thomas Montemage
Thomas Percy (Pilgrimage of Grace)
Thou shalt not make unto thee any graven image
Three Pilgrimage Festivals
Thresholding (image processing)
Timeline of Camagey
Timeline of first images of Earth from space
Timeline of the MagellanElcano circumnavigation
Tjngvide image stone
Tom Clancy's Op-Center: Mirror Image
Torso (Image Comics)
To See and Be Seen: The Environments, Interactions and Identities Behind News Images
Treble damages
Troides magellanus
Umiray Dumaget language
United Nations Register of Damage Caused by the Construction of the Wall in the Occupied Palestinian Territory
University of Camagey
Unlistenable Hymns of Indulgent Damage
UPMC Magee-Womens Hospital
User:AWeenieMan/furme/DFUI/Historic images
User:AWeenieMan/furme/DFUI/Historic images/Usage1
User:AWeenieMan/furme/DFUI/Historic images/Usage2
User:AWeenieMan/furme/DFUI/Historic images/Usage3
User:AWeenieMan/furme/DFUI/Images Using Non-Free Use Template
User:Crotalus horridus/Problems with Zombietime image
User:Edwardx/image adding
User:WereSpielChequers/image adding
USS Ramage
USS Scrimmage (AM-297)
Vaccine Damage Payment Act 1979
Valley Forge Pilgrimage
Vienna Convention on Civil Liability for Nuclear Damage
Virtual image
Virtually imaged phased array
Visa pour l'Image
Vividness of Visual Imagery Questionnaire
Walk of the People A Pilgrimage for Life
Walter W. Magee
Water damage
Waterdeep: Dungeon of the Mad Mage
Watershed (image processing)
Weirdmageddon 3: Take Back The Falls
Welcome Home Armageddon
Wendell Magee
Werl pilgrimage
Wes Magee
Wide-area motion imagery
WidnerMagers Farm Historic District
Widowmaker (Image Comics)
Wikipedia talk:Image use policy/copyright
Wikipedia talk:Manual of Style/Images
Wikipedia talk:WikiProject Opera/Verdi image project results
Wikipedia talk:WikiProject Photography/History of Photography/Preservation of historical images
WildStar (Image Comics)
Wildstorm: Armageddon
William A. Magee
William Connor Magee
William Image
William Kirkpatrick Magee
William Magee
William Magee (archbishop of Dublin)
William Magee (Medal of Honor)
William Magee (physician)
William Magenis
William Magennis
Willie Magee (cyclist)
Windows Image Acquisition
WinImages
Women's Image Network Awards
Works by Banksy that have been damaged or destroyed
World of Darkness Preludes: Vampire and Mage
Worms 2: Armageddon
Worms Armageddon
Wraith (Image Comics)
Wrocaw Walking Pilgrimage
WWE Armageddon
XImage
X-ray image intensifier
X Ray: The Inner Image
Zatoichi's Pilgrimage
Zeugma (Commagene)
Zvi Magen


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