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object:Lord of the Flies
class:William Golding
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book
William_Golding

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Lord of the Flies
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--- DICTIONARIES (in Dictionaries, in Quotes, in Chapters)


Lord of the Flies. See BEELZEBUB


--- QUOTES [1 / 1 - 47 / 47] (in Dictionaries, in Quotes, in Chapters)



KEYS (10k)

   1 Elon Musk

NEW FULL DB (2.4M)

   6 William Golding

   2 Tom Shippey

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1:Elon Musks Reading List J. E. Gordon - Structures: Or Why Things Don't Fall Down Walter Isaacson - Benjamin Franklin: An American Life Walter Isaacson - Einstein: His Life and Universe Nick Bostrom - Superintelligence: Paths, Dangers, Strategies Erik M. Conway & Naomi Oreskes - Merchants of Doubt William Golding - Lord of the Flies Peter Thiel - Zero to One: Notes on Startups, or How to Build the Future Isaac Asimov - The Foundation Trilogy ~ Elon Musk, CNBC.html">CNBC ,

*** NEWFULLDB 2.4M ***

1:It was Lord of the Flies without table manners. ~ Denise Mina
2:Eighth grade is like Lord Of The Flies but with eyeliner. ~ Holly Brown
3:-I got the conch!" --Piggy (in Lord of the Flies), attempting Democracy ~ William Golding
4:and suddenly it was all ‘Lord of the Flies’ meets the Battle for Helm’s Deep. ~ Vera Nazarian
5:I think the boarding schools are like miniature versions of "Lord of the Flies." ~ Reid Hoffman
6:They make Lord of the Flies look like Pollyanna.” “When did you read Pollyanna?” “It was a book? ~ Orson Scott Card
7:Really?” “Yes. Lord of the Flies is like some Christian support group compared to the mean girls’ club. ~ Kim Stanley Robinson
8:Two hundred women, no phones, no washing machines, no hair dryers--it was like Lord of the Flies on estrogen. ~ Piper Kerman
9:The kids are vicious. They make Lord of the Flies look like Pollyanna.” “When did you read Pollyanna?” “It was a book? ~ Orson Scott Card
10:Teddy had taken his shirt off and had streaked himself with mud. Dad said he looked like one of the boys from Lord of the Flies. ~ Gayle Forman
11:They were black and iridescent green and without number; and in front of Simon, the Lord of the Flies hung on his stick and grinned ~ William Golding
12:Ideas for my first experiments in human aggression came from discussions we had in a research seminar about William Golding's 'Lord of the Flies.' ~ Philip Zimbardo
13:We went into the laser tag room, paranoid, delirious, and shot at one another. It was a little like Lord of the Flies but with more 98 Degrees. ~ Katie Heaney
14:I learned that if you're going to be a troublemaker, you don't want a ton of witnesses, because there's inevitable fallout from living like you're in 'Lord of the Flies.' ~ Natasha Lyonne
15:I recently watched Peter Brook's Lord of the Flies, and it wasn't a favorite film. Then I saw the one that was made in 1990, which in my opinion didn't match up to the original. ~ Brendan Fraser
16:Annie’s other prized book lay nearby—a copy of Lord of the Flies, a vintage clothbound volume in a sturdy slipcase, one of three copies she possessed. She hoped the reporter wouldn’t ask about that. ~ Susan Wiggs
17:I don't miss much about my childhood. I lived in a good neighborhood, a wacky neighborhood. It was a very boy-heavy neighborhood - kind of Lord of the Flies-y. So many weird things happened, funny things. ~ Justin Theroux
18:How easily Neverland is corrupted into the deserted island of Lord of the Flies. How quickly Tinkerbell regresses to being one of the flies pestering the gouged eye sockets of the pig that the lost boys butcher. ~ Gregory Maguire
19:How can we read Golding's Lord of the Flies or Conrad's Heart of Darkness and say we have no myths to express our evil? These, surely, are the myths of our time, myths that contain the necessary wisdom about how to integrate the dark side. ~ David Tacey
20:I can't remember coming across a more precise evocation of innocence lost since Golding's The Lord of the Flies. With The Death of Sweet Mister, Daniel Woodrell has written his masterpiece-spare, dark, and incandescently beautiful. It broke my heart. ~ Dennis Lehane
21:A lot of people have been saying 'The 100' reminds them of 'Lord Of The Flies,' 'Lost' and 'Battlestar Galactica,' and all of those titles have been very successful and interesting to watch. Any time anyone refers to any of those great shows, I'm flattered. ~ Marie Avgeropoulos
22:They do best in groups with other three-year-olds. In a community of their peers, these toddlers will create complicated Lord of the Flies hierarchies rich with unspoken rules and contracts. Don’t try to make sense of it, just enjoy that they’re not giving you hell for five minutes. ~ Bunmi Laditan
23:I remember realizing, when I did Little Women [1994], that that was the only time girls that age were being written about. It was always boys - from David Copperfield to Lord of the Flies to Holden Caulfield. There were never young women going through adolescence or teen years; there were only little girls. ~ Winona Ryder
24:Each time I wander into blogdom, I'm reminded of the savage children stranded on an island in William Golding's "Lord of the Flies." Without adult supervision, they organize themselves into rival tribes, learn to hunt and kill, and eventually become murderous barbarians in the absence of a civilizing structure. ~ Kathleen Parker
25:But those who initially went to the West were overtaken by the barbarism of the frontier with astonishing speed - think Lord of the Flies or Heart of Darkness. There was murder, mayhem, robbery, alcoholism, depression, and suicide, and all of it on a positively Homeric scale that still has cultural anthropologists enraptured. ~ Simon Winchester
26:I’m talking about kids, Mrs. H. Terrible, dreadful, blasted awful kids. They've all got a darkness inside them. They've all got the capacity for evil. Give them free range over a piece of territory, like that out there, and you’ve got Lord of the Flies. You cannot afford to take your eye off the ball for a second. Not for even a second.... ~ Lisa Jewell
27:They were black and iridescent green and without number; and in front of Simon, the Lord of the Flies hung on his stick and grinned. At last Simon gave up and looked back; saw the white teeth and dim eyes, the blood—and his gaze was held by that ancient, inescapable recognition. In Simon’s right temple, a pulse began to beat on the brain. ~ William Golding
28:I've been thinking about that book about the boys who crash on the island....Lord of the Flies what about it....You know how you said it wasn't a true measure of humanity since there were no girls and you wondered how it would be different if there had been girls...Maybe girls need an island to find themselves. Maybe they need a place where no one's watching them so they can be who they really are. ~ Libba Bray
29:Allusions to Golding’s book can be found in movies (Hook with Robin Williams), television (a stand-up comedy bit in Seinfeld, “The Library,” season 3, episode 5), the novels of Stephen King, and contemporary music. Three of the most powerful and relevant songs that reference the novel include U2’s “Shadows and Tall Trees,” Iron Maiden’s “Lord of the Flies,” and The Offspring’s “You’re Gonna Go Far, Kid. ~ William Golding
30:Any day you had gym class was a weird school day. It started off normal. You had English, Social Studies, Geometry, then suddenly your in Lord of the Flies for 40 minutes. Your hanging from a rope, you have hardly any clothes on, teachers are yelling at you, kids are throwing dodge balls at you and snapping towels - you're trying to survive. And then it's Science,Language, and History. Now that is a weird day. ~ Jerry Seinfeld
31:In my eyes, PE was a twice-weekly period of anarchy during which the school’s most aggressive pupils were formally permitted to dominate and torment those they considered physically inferior. Perhaps if the whole thing had been pitched as an exercise in interactive drama intended to simulate how it might feel to live in a fascist state run by thick schoolboys – an episodic, improvised adaptation of Lord of the Flies in uniform sportswear – I’d have appreciated it more. ~ Charlie Brooker
32:Toddlers were running the place like some miniature version of Lord of the Flies, complete with weapons made from blocks and tinker toys. One of them came at me, charging my knees and the pink pod that held my precious baby. I screamed and made a run for the front door, flip-flops sticking to squelchy dried puddles of juice. I let out a relieved sigh when we were outside breathing fresh air. The near-deafening roar of the highway was a lark song compared to the screeching we’d just escaped. ~ Piper Vaughn
33:If you leave a bunch of eleven-year-olds to their own devices, what you get is Lord of the Flies. Like a lot of American kids, I read this book in school. Presumably it was not a coincidence. Presumably someone wanted to point out to us that we were savages, and that we had made ourselves a cruel and stupid world. This was too subtle for me. While the book seemed entirely believable, I didn't get the additional message. I wish they had just told us outright that we were savages and our world was stupid. ~ Paul Graham
34:The pile of guts was a black blob of flies that buzzed like a saw. After a while these flies found Simon. Gorged, they alighted by his runnels of sweat and drank. They tickled under his nostrils and played leapfrog on his thighs. They were black and iridescent green and without number; and in front of Simon, the Lord of the Flies hung on his stick and grinned. At last Simon gave up and looked back; saw the white teeth and dim eyes, the blood—and his gaze was held by that ancient, inescapable recognition. ~ William Golding
35:Dr. Rose has an accurate but tragic assessment of the plight of SeaWorld’s orcas. “I personally think,” she says, “all captive orcas, whether caught in the wild or born in captivity, are behaviorally abnormal. They are like the children in Lord of the Flies—unnaturally violent because they do not have any of the normal societal brakes on their immature tendency toward violence. Children can be very violent, but under normal circumstances, they are socialized to suppress that violence and channel it productively as they mature. ~ John Hargrove
36:Joe Keohane, “Politically Correct ‘Lord of the Flies,’” The New Yorker, September 9, 2015 This humorous essay recasts many of the novel’s most emblematic moments in a mashup of politically correct sensibilities. Here debates aren’t about who should be chief; instead they’re about the need to eschew noninclusive language, create a safe space, and recognize the blind spots that accompany positions of privilege. A great example of how satire asks us to poke fun at ourselves, and a text that adds welcome levity to discussions of an otherwise dark novel. ~ William Golding
37:Elon Musks Reading List
   J. E. Gordon - Structures: Or Why Things Don't Fall Down
   Walter Isaacson - Benjamin Franklin: An American Life
   Walter Isaacson - Einstein: His Life and Universe
   Nick Bostrom - Superintelligence: Paths, Dangers, Strategies
   Erik M. Conway & Naomi Oreskes - Merchants of Doubt
   William Golding - Lord of the Flies
   Peter Thiel - Zero to One: Notes on Startups, or How to Build the Future
   Isaac Asimov - The Foundation Trilogy
   ~ Elon Musk, CNBC,
38:I didn’t want to be transported to another world. My favorite books all involved people dealing with hardships. I loved The Grapes of Wrath, Lord of the Flies, and especially A Tree Grows in Brooklyn. I thought Francie Nolan and I were practically identical, except that she had lived fifty years earlier in Brooklyn and her mother always kept the house clean. Francie Nolan’s father sure reminded me of Dad. If Francie saw the good in her father, even though most people considered him a shiftless drunk, maybe I wasn’t a complete fool for believing in mine. Or trying to believe in him. It was getting harder. • • • ~ Jeannette Walls
39:The creative writing teacher was horrified at the thought that she was teaching a pack of insipient arsonists—or Lord of the Flies sociopaths. In fact, they were just boys. But, increasingly, in our schools and in our homes, everyday boyishness is seen as aberrational, toxic—a pathology in need of a cure. Boys today bear the burden of several powerful cultural trends: a therapeutic approach to education that valorizes feelings and denigrates competition and risk, zero-tolerance policies that punish normal antics of young males, and a gender equity movement that views masculinity as predatory. Natural male exuberance is no longer tolerated. ~ Christina Hoff Sommers
40:My best friend, Keri Downey, lived a block away. Her house was a much livelier version of mine. Keri and I met the first day of kindergarten. I was dressed in a cowgirl outfit, which says more about my mother’s wonderful acceptance of my weirdness and less about my fashion choices at that time. Remember, this was still the 1970s, a time when my teachers wore leotards and corduroys and kissed their boyfriends in front of us. My mother was at home, but Keri’s mom, Ginny, worked. Keri was a typical latchkey kid, and her house had that exciting Lord of the Flies feeling of being run by children. Keri had a list of chores and suffered consequences if she didn’t do them. I came from a home where my mother would gently suggest that maybe I could pick up my room if I had the chance. ~ Amy Poehler
41:I’ve been thinking about that book about the boys who crash on an island,” Mary Lou said to Adina one afternoon as they rested on their elbows taking bites from the same papaya.

Lord of the Flies. What about it?”

You know how you said it wasn’t a true measure of humanity because there were no girls and you wondered how it would be different if there had been girls?”

“Yeah?”

“Maybe girls need an island to find themselves. Maybe they need a place where no one’s watching them so they can be who they really are.”

There was something about the island that made the girls forget who they had been. All those rules and shalt nots. They were no longer waiting for some arbitrary grade. They were no longer performing. Waiting. Hoping.

They were becoming.

They were. ~ Libba Bray
42:Tell me a story, Wilson. It can even be a long, boring, dusty English tome.”
“Wow! Tome. Learn a new word, Echohawk?” Wilson wrapped his arms around me as I sagged against him.
“I think you taught me that one, Mr. Dictionary.” I tried not to whimper as the pain swept through me.
“How about Lord of the Flies?”
“How about you just kill me now?” I ground out, my teeth gritted against the onslaught, appreciative of Wilson's diversionary tactics if not his choice in stories.
Wilson's laughter made his chest rumble against my cheek. “Hmm. Too realistic and depressing, right? Let's see . . . dusty tomes . . . how about Ivanhoe?”
“Ivan's Ho'? Sounds like Russian p**n ,” I quipped tiredly. Wilson laughed again, a sputtering groan. He was practically carrying me at this point and looked almost as exhausted as I felt.
“How about I tell you one ~ Amy Harmon
43:Something changed in me, as it did for many people, in the aftermath of Hurricane Katrina. It felt like the day I first beat my father at arm wrestling. In that moment, I realized that he could no longer protect me. I had to take care of myself. An anarchist is someone who believes that people are responsible enough to maintain order in the absence of government. That week, I realized I was something very different: a Fliesian. I began to subscribe to the view of human nature depicted in the William Golding novel Lord of the Flies. After reading reports of the chaos, violence, and suffering in New Orleans, it became clear that when the system is smashed, some of us start smashing each other. Most survivalists are also Fliesians. That’s why they stockpile guns. They’re planning to use them not to shoot enemy soldiers, but to shoot the neighbors trying to steal their supplies. ~ Neil Strauss
44:Dagon brushed a couple flies away from his face angrily. “These flies are truly annoying. If their presence persists, I may have to call you, Ba’alzebub.” Ba’alzebub meant “Lord of the Flies.” Dagon said, “Now let us call upon the Sons of Rapha.”               • • • • • Goliath and Ishbi came alone to the sanctuary later that night. Dagon limited his presence to the highest officials of the warrior cult. And Dagon alone of the gods was present. He felt that including the other deities would only dilute his authority in the eyes of his devotees. Goliath and Ishbi knelt before Dagon, eager for duty. He had told them of Israel’s new institution of monarchy, and their first king, Saul of Benjamin. Goliath said, “A king would unite their tribes and make their military formidable.” “Indeed,” pondered Dagon. “What is your command, my god?” “Continue organizing and training the Sons of Rapha. But begin gathering intelligence on this Saul. He is a mighty warrior king and you will be fighting battles against him. You will need to know how he thinks, his weaknesses, his strengths. ~ Brian Godawa
45:Suppose you and Pa were gone, and we were lost. Suppose we were inside of Lord of the Flies What would happen then?

I wonder what my sister, who understand books better than life, would say if she were confronted with a question like this one. She's so good at explaining books and their meanings, beyond the obvious. Maybe she'd say that all those books and stories devoted to adult-less children – books like Peter Pan, The Adventures of Huckleberry Finn, that short story by García Márquez, "Light is Like Water," and of course Lord of the Flies – are nothing but desperate attempts by adults to come to terms with childhood. That although they may seem to be stories about children's worlds – worlds without adults – they are in fact stories about children's worlds – worlds without adults – they are in fact stores about an adult's world when there are children in it, about the way that children's imaginations destabilize our adult sense of reality and force us to question the very grounds of that reality. The more time one spends surrounded by children, disconnected by other adults, the more their imaginations leak through the cracks of our own fragile structures. ~ Valeria Luiselli
46:All seizures of power, no matter how ‘strong or well-meaning’ the seizers, will go the same way. That’s what power does. Meanwhile, at exactly the same time as the publication of The Lord of the Rings William Golding was bringing out his fables, Lord of the Flies (1954), and The Inheritors (1955), the meaning of which Golding conveniently summarized for commentators in a later essay, ‘Fable’, in his collection The Hot Gates:

I must say that anyone who passed through those years [of World War II] without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head.
(Hot Gates, p. 87)

So the English choirboys, marooned on an idyllic desert island, invent murder and
human sacrifice and create the ‘lord of the flies’ himself, Beelzebub; in The Inheritors our ancestors, Cro-Magnon men, exterminate the gentle and friendly Neanderthals and create an entirely false legend of ogres and cannibals to justify their actions. A very similar if more complex argument was put forward, one might add, by the other great fantasy of the 1950s, T.H. White’s The Once and Future King, a work which began like Tolkien’s with a children’s book, The Sword in the Stone (1937), but took even longer than Tolkien’s to reach termination, appearing as a whole (though still unfinished) in 1958. White’s points are too many and too self-doubting to summarize readily, but there is at least no doubt that White saw in humanity a basic urge to destruction, expressed in a work written like The Lord of the Rings, nationibus in diro bello certantibus, ‘while the nations were striving in fearful war’. Orwell, Golding, White (and several other post-war authors of fantasy and fable): the thought that they expressed in their highly different ways was that people could never be trusted, least of all if they expressed a wish for the betterment of humanity. The major disillusionment of the twentieth century has been over political good intentions, which have led only to gulags and killing fields. That is why what Gandalf says has rung true to virtually everyone who reads it – though it is, I repeat, yet one more anachronism in Middle-earth, and the greatest of them, an entirely modern conviction. ~ Tom Shippey
47:The dominant literary mode of the twentieth century has been the fantastic. This may appear a surprising claim, which would not have seemed even remotely
conceivable at the start of the century and which is bound to encounter fierce resistance even now. However, when the time comes to look back at the century, it seems very likely that future literary historians, detached from the squabbles of our present, will see as its most representative and distinctive works books like J.R.R. Tolkien’s The Lord of the Rings, and also George Orwell’s Nineteen Eighty-Four and Animal Farm, William Golding’s Lord of the Flies and The Inheritors, Kurt Vonnegut’s Slaughterhouse-Five and Cat’s Cradle, Ursula Le Guin’s The Left Hand of Darkness and The Dispossessed, Thomas Pynchon’s The Crying of Lot-49 and Gravity’s Rainbow. The list could readily be extended, back to the late nineteenth century with H.G. Wells’s The Island of Dr Moreau and The War of the Worlds, and up to writers currently active like Stephen R. Donaldson and George R.R. Martin. It could take in authors as different, not to say opposed, as Kingsley and Martin Amis, Anthony Burgess, Stephen King, Terry Pratchett, Don DeLillo, and Julian Barnes. By the end of the century, even authors deeply committed to the realist novel have often found themselves unable to resist the gravitational pull of the fantastic as a literary mode.

This is not the same, one should note, as fantasy as a literary genre – of the authors listed above, only four besides Tolkien would find their works regularly placed on the ‘fantasy’ shelves of bookshops, and ‘the fantastic’ includes many genres besides fantasy: allegory and parable, fairy-tale, horror and science fiction, modern ghost-story and medieval romance. Nevertheless, the point remains.
Those authors of the twentieth century who have spoken most powerfully to and for their contemporaries have for some reason found it necessary to use the metaphoric mode of fantasy, to write about worlds and creatures which we know do not exist, whether Tolkien’s ‘Middle-earth’, Orwell’s ‘Ingsoc’, the remote islands of Golding and Wells, or the Martians and Tralfa-madorians who burst into peaceful English or American suburbia in Wells and Vonnegut. A ready explanation for this phenomenon is of course that it represents a kind of literary disease, whose sufferers – the millions of readers of fantasy – should be scorned, pitied, or rehabilitated back to correct and proper taste. Commonly the disease is said to be ‘escapism’: readers and writers of fantasy are fleeing from reality. The problem with this is that so many of the originators of the later twentieth-century fantastic mode, including all four of those first mentioned above (Tolkien, Orwell, Golding, Vonnegut) are combat veterans, present at or at least deeply involved in the most traumatically significant events of the century, such as the Battle of the Somme (Tolkien), the bombing of Dresden (Vonnegut), the rise and early victory of fascism (Orwell). Nor can anyone say that they turned their backs on these events. Rather, they had to find some way of communicating and commenting on them. It is strange that this had, for some reason, in so many cases to involve fantasy as well as realism, but that is what has happened. ~ Tom Shippey

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