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the_Book_of_God
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1.02_-_Taras_Tantra
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levels
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Levels of Interpretation
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1:Most of the time, there is no truth, only various levels of interpretation. Fact is a construct we provide to the public. ~ Lauren Willig, #NFDB
2:When a belief must serve persons in different degrees of faith and insight, it is necessary to provide milk for babes and meat for men, and these words themselves become a kind of parable. In ancient times, the problem of insight seldom caused difficulties. The religion itself was presented on several levels of interpretation and the earnest follower could advance as his understanding enlarged and matured. In more modern times, each of these levels becomes a distinct sect and there is little or no continuity in the search for understanding, #NFDB
3:English. I believe the ultimate gauge of success is this: Does the text free the reader? Does it contribute to our physical and emotional health? Does it put “golden tools” into our hands that can help excavate the Beloved whom we and society have buried so deep inside? Persian poets of Hafiz’s era would often address themselves in their poems, making the poem an intimate conversation. This was also a method of “signing” the poem, as one might sign a letter to a friend, or a painting. It should also be noted that sometimes Hafiz speaks as a seeker, other times as a master and guide. Hafiz also has a unique vocabulary of names for God—as one might have endearing pet names for one’s own family members. To Hafiz, God is more than just the Father, the Mother, the Infinite, or a Being beyond comprehension. Hafiz gives God a vast range of names, such as Sweet Uncle, the Generous Merchant, the Problem Giver, the Problem Solver, the Friend, the Beloved. The words Ocean, Sky, Sun, Moon, and Love, among others, when capitalized in these poems, can sometimes be synonyms for God, as it is a Hafiz trait to offer these poems to many levels of interpretation simultaneously. To Hafiz, God is Someone we can meet, enter, and eternally explore. ~ Hafez, #NFDB
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