TERMS STARTING WITH
Inane ::: Madhav: “Inane is a vast, nebulous something, which has no character.” The Book of the Divine Mother
inane ::: a. --> Without contents; empty; void of sense or intelligence; purposeless; pointless; characterless; useless. ::: n. --> That which is void or empty.
inane ::: something that is empty or void, especially the void of infinite space.
TERMS ANYWHERE
Inane ::: Madhav: “Inane is a vast, nebulous something, which has no character.” The Book of the Divine Mother
inane ::: a. --> Without contents; empty; void of sense or intelligence; purposeless; pointless; characterless; useless. ::: n. --> That which is void or empty.
inane ::: something that is empty or void, especially the void of infinite space.
inaniloquous ::: a. --> Given to talking inanely; loquacious; garrulous.
inanition ::: n. --> The condition of being inane; emptiness; want of fullness, as in the vessels of the body; hence, specifically, exhaustion from want of food, either from partial or complete starvation, or from a disorder of the digestive apparatus, producing the same result.
inanity ::: n. --> Inanition; void space; vacuity; emptiness.
Want of seriousness; aimlessness; frivolity.
An inane, useless thing or pursuit; a vanity; a silly object; -- chiefly in pl.; as, the inanities of the world.
Integrated Database Management System ::: (database) (IDMS) A network DBMS written by the staff of B.F.Goorich (Akron, Ohio, USA) circa 1972 and sold to Cullinet (Originally Cullinane, now part of Computer Associates).IDMS was licensed to ICL in 1976 for porting to, and subsequent development on, their computers. It was implemented on the ICL 1900 Series (DME George 2, George 3, CME, TME), System 4, and ICL 2900 Series (later Series 39 Corporate Servers). The latest version runs on Series 39 OpenVME as IDMSX (IDMS extended).[Was it a relational database?] (1995-04-19)
Integrated Database Management System "database" (IDMS) A network {DBMS} written by the staff of B.F.Goorich (Akron, Ohio, USA) circa 1972 and sold to {Cullinet} (Originally Cullinane, now part of {Computer Associates}). IDMS was licensed to {ICL} in 1976 for porting to, and subsequent development on, their computers. It was implemented on the {ICL 1900} Series ({DME} {George 2}, {George 3}, {CME}, {TME}), {System 4}, and {ICL 2900} Series (later Series 39 Corporate Servers). The latest version runs on Series 39 {OpenVME} as IDMSX (IDMS extended). [Was it a {relational database}?] (1995-04-19)
Quinanes: An ancient race of giants in Central American folklore.
vacantly ::: adv. --> In a vacant manner; inanely.
KEYS (10k)
NEW FULL DB (2.4M)
13 Kyle Kinane
5 Anonymous
4 Douglas Adams
3 J D Salinger
3 Henry Rollins
2 Umberto Eco
2 J T Ellison
2 Jim Harrison
2 H P Lovecraft
2 E E Cummings
*** WISDOM TROVE ***
1:Yes, of course, the whole idea is utterly inane, but to let its predictable inanities blind you to its truly fabulous and breathtaking aspects is to do both oneself and the genre a disservice. ~ alan-moore, @wisdomtrove 2:We sought a tribal society, to be close to each other, not to sit behind a television with our families and not see our families, not just to watch the evening news and the inane comedies designed to pacify the multitudes, but rather to explore ourselves. ~ frederick-lenz, @wisdomtrove 3:He spent a lot of time flying. He learnt to communicate with birds and discovered that their conversation was fantastically boring. It was all to do with wind speed, wing spans, power-to-weight ratios and a fair bit about berries. Unfortunately, he discovered, once you have learnt birdspeak you quickly come to realize that the air is full of it the whole time, just inane bird chatter. There is no getting away from it. ~ douglas-adams, @wisdomtrove *** NEWFULLDB 2.4M ***
1:So inane-I cause Colon Blow pain ~ El P, #NFDB
2:Mistress-like, its brilliance vain, highly capricious and inane. ~ Alexander Pushkin, #NFDB
3:The original fib was dreary enough, the additional biographical titbits positively inane. ~ Kate Morton, #NFDB
4:To agree without understanding is inane. To disagree without understanding is impudent. ~ Mortimer Adler, #NFDB
5:untimely death is a common but really quite inane expression. When ever was a death timely? ~ Bill Bryson, #NFDB
6:To agree without understanding is inane. To disagree without understanding is impudent. ~ Mortimer J Adler, #NFDB
7:The qualities that make Twitter seem inane and half-baked are what makes it so powerful. ~ Jonathan Zittrain, #NFDB
8:The world that used to nurse us now keeps shouting inane instructions. That's why I ran to the woods. ~ Jim Harrison, #NFDB
9:I've been perfectly happily married for 25 years, and have a nice life. Inane things don't interest me. ~ Geezer Butler, #NFDB
10:Sometimes it is the simplest, seemingly most inane, most practical stuff that matters the most to someone. ~ Patty Duke, #NFDB
11:'Hansel and Gretel' is one of the scariest stories ever written! Psychotic mother; stupid, inane father. ~ Maurice Sendak, #NFDB
12:The world that used to nurse us
now keeps shouting inane instructions.
That's why I ran to the woods. ~ Jim Harrison,#NFDB
13:It was hard to tell what her weapons were, except for that sort of inane good sense and emotional honesty. ~ Gregory Maguire, #NFDB
14:Are you really going to ask such inane questions all the time? Mystic bloody forces; just accept them and cope! ~ Kate Griffin, #NFDB
15:Reporters used to ask me the same inane questions year-in and year-out, city-to-city, and it would drive me crazy. ~ Kareem Abdul Jabbar, #NFDB
16:lo denunció como “nulo, vacío, inválido, inequitativo, injusto, condenable, reprobable, inane y desprovisto de significado”.48 ~ Anonymous, #NFDB
17:Being a writer is an important job because we bring emotion and imagination into a world filled with endless, inane chatter. ~ Jennifer Probst, #NFDB
18:Querying greys between mouthed houses curl
thirstily. Dead stars stink. dawn. Inane,
the poetic carcass of a girl ~ E E Cummings,#NFDB
19:Drinkers tend to say inane and obnoxious things when they’re drunk, but most of them are in fact harmless, innocent souls like this. ~ Osamu Dazai, #NFDB
20:Unfortunately there is nothing more inane than an Easter carol. It is a religious perversion of the activity of Spring in our blood. ~ Wallace Stevens, #NFDB
21:The human condition is not served by our technical ability to transmit a televised image around the world - if that image is totally inane. ~ Ken Danby, #NFDB
22:Don’t waste your time playing inane games with these kids. Cricket is waiting for you at the nets. Practise hard and see what magic can transpire ~ Anonymous, #NFDB
23:If only there were not these vain ghostly hopes, these sudden inane shadows of possibilities, these unfulfilled conditionals of hopeless desire. ~ Iris Murdoch, #NFDB
24:I was glad nobody had noticed.I might have been offended if my uncle had punched me in the shoulder and said something inane like, "so you`re a man now. ~ Mike Mullin, #NFDB
25:Whilst never actually rebuffing a visitor, he always reared such a wall of reserve that few could think of anything to say to him which would not sound inane. ~ H P Lovecraft, #NFDB
26:But honesty is not always the best policy, no matter what the Boy Scouts may tell you. So I just shook my head at his inane question. “Too soon to tell,” I said. ~ Jeff Lindsay, #NFDB
27:waging war against inane language that circulates almost automatically is a writer's eternal mission, and the day will never come when this battles are unnecessary. ~ Minae Mizumura, #NFDB
28:Oh, I loathe weddings. I loathe sitting down and participating in inane conversations with proud parents and smug couples who all look like they might secretly hate each other. ~ Saleem Haddad, #NFDB
29:I hate having to do small talk. I'd rather talk about deep subjects. I'd rather talk about meditation, or the world, or the trees or animals, than small, inane, you know, banter. ~ Ellen DeGeneres, #NFDB
30:Yes, of course, the whole idea is utterly inane, but to let its predictable inanities blind you to its truly fabulous and breathtaking aspects is to do both oneself and the genre a disservice. ~ Alan Moore, #NFDB
31:To have access to literature, world literature, was to escape the prison of national vanity, of philistinism, of compulsory provincialism, of inane schooling, of imperfect destinies and bad luck. ~ Susan Sontag, #NFDB
32:And within the computer's innards, a spreading cancer. A self-replicating corruption. A B-pop mutiny of bass and drum and oscillating frequency. Inane quasi poetry glorifying a pointless act of intimacy. ~ Jay Kristoff, #NFDB
33:Have you seen this inane support from CNN extolling Hillary Clinton's breathing talents; that she has this unique ability to breathe through one nostril at a time? It's obviously she's got some problems. ~ Rush Limbaugh, #NFDB
34:I don't want to go with the smooth skin and the calm brow. I hope I end up a blithering idiot cursing the sun - hallucinating, screaming, giving obscene and inane lectures on street corners and public parks. ~ Henry Rollins, #NFDB
35:I don't want to go with the smooth skin and the calm brow. I hope I end up a
blithering idiot cursing the sun - hallucinating, screaming, giving
obscene and inane lectures on street corners and public parks. ~ Henry Rollins,#NFDB
36:...and in repose one might have admired so fine a specimen of English manhood, until the foppish ways, the affected movements, the perpetual inane laugh, brought one's admiration of Sir Percy Blakeney to an abrupt close. ~ Emmuska Orczy, #NFDB
37:Heaven, as conventionally conceived, is a place so inane, so dull, so useless, so miserable that nobody has ever ventured to describe a whole day in heaven, though plenty of people have described a day at the seaside. ~ George Bernard Shaw, #NFDB
38:It doesn't sound like there was time for the word to be there. On the other hand, I didn't intentionally make an inane statement... certainly the 'a' was intended, because that's the only way the statement makes any sense. ~ Neil Armstrong, #NFDB
39:memories of her parents would sneak up on her and hit her from behind at odd moments, sometimes for the most inane of reasons. One of her friends in Iceland, a theology student named Sigridur, had called them “grief tackles, ~ Sarah Wendell, #NFDB
40:I don't know whether we will find ourselves in the cross hairs, pulled by the short hairs, or just trying to find the next inane hairstyle. But change is coming; it is inevitable. It is as steady and reliable as a ticking clock. ~ Corey Taylor, #NFDB
41:I am suggesting that we spend a little less time in idleness, in the fruitless pursuit of watching inane and empty television programs. Time so utilized can be put to better advantage, and the consequences will be wonderful. ~ Gordon B Hinckley, #NFDB
42:Why do silences mean something different when we're with different people? With you, it's never awkward, is it? It's just silence. But with other people, I feel the need to fill it with inane ramblings. What's wrong with silence? ~ Holly Martin, #NFDB
43:If the waves were to start thinking, they would believe that they are moving forward, that they have a purpose, that they are working for the good of the sea, and they wouldn’t fail to work out a philosophy as inane as their zeal. ~ Emil M Cioran, #NFDB
44:mum's dress. mum loved big parties. she loved dressing up and champagne bubbles tickling her nose, and dancing with her arms above her head, shoes thrown to the edges of the dance floor, and shouting inane happy things at people. ~ Elizabeth Noble, #NFDB
45:The ride through town and out to the gorge was filled with that inane ‘how was your day’ chitchat which seems to mark the beginning of new friendships that don’t yet have enough momentum to simply pick up where the last conversation ended. ~ Connie Shelton, #NFDB
46:I think when Fox News goes to the Megyn Kellys, the Bret Baiers, and people who don’t have much experience, who haven’t covered campaigns, the result is, sometimes you have these inane questions that come out and, frankly, waste everybody’s time. ~ David Shuster, #NFDB
47:Just to be seen strolling to or from a helicopter on the White House lawn, shouting an evasive answer to Sam Donaldson, must seem to the Reagans not quite satisfactory enough of a 7 PM presence, and this inane scene certainly galls the press. ~ Thomas B Griffith, #NFDB
48:It was all a fiction, of course, because the land was not really inane ac uacuum—void and vacant. As the English conceived it, however, any land had to be taken out of its natural state and put to commercial use—only then would it be truly owned.6 ~ Nancy Isenberg, #NFDB
49:Sometimes you panic and find yourself emitting remarks so profoundly inane that you would be embarrassed to say them to your dog. Your dog would look at you and think to itself, 'I may lick myself in public, but I'd never say anything as stupid as that.' ~ Dave Barry, #NFDB
50:Lorraine fiddled with the unlit cigarette. The moms went back to their inane chatter, though with less enthusiasm. They constantly sneaked glances at Lorraine, as if she were some virus introduced into their suburban life-form with a mission to destroy it. ~ Harlan Coben, #NFDB
51:We sought a tribal society, to be close to each other, not to sit behind a television with our families and not see our families, not just to watch the evening news and the inane comedies designed to pacify the multitudes, but rather to explore ourselves. ~ Frederick Lenz, #NFDB
52:Work and family are both basic tenets of our society. Every government should celebrate and protect both for all of its citizens. That we have come to a place where women seeking work and family can be seen as overreaching, even selfish, is inane. ~ Kirsten Gillibrand, #NFDB
53:If culture did not filter, it would be inane - as inane as the formless, boundless Internet is on its own. And if we all possessed the boundless knowledge of the Web, we would be idiots! Culture is an instrument for making a hierarchical system of intellectual labor. ~ Umberto Eco, #NFDB
54:If culture did not filter, it would be inane — as inane as the formless, boundless Internet is on its own. And if we all possessed the boundless knowledge of the Web, we would be idiots! Culture is an instrument for making a hierarchical system of intellectual labor. ~ Umberto Eco, #NFDB
55:thing we can do for the young is set an example,’ said Oliver slowly. ‘I discovered that long ago. They don’t listen to us, they find most of what we have to say at best tedious and at worst inane. We can influence them simply by what we do and how we do it. Now think about ~ Penny Vincenzi, #NFDB
56:It's going to be okay, you know," she said in much the same way everyone had been saying to her all week, and as inane as she knew it was, she suddenly understood why they had been saying it. Not because it was true, but because it let people know that you wanted it to be true. ~ Amanda Ashby, #NFDB
57:Some people as they grow up become less. As children they have glorious ideas of who they are and of what life has for them. Thirty years later we find that they have settled for something grubby and inane. What accounts for the exchange of childhood aspiration to the adult anemia? ~ Anonymous, #NFDB
58:I can hardly bear to think of ourselves hugging and crying and making giggly phone calls, like we were in some inane sitcom. We actually discussed names. Names! I want to shout back through the years at myself, "Just because you're pregnant doesn't mean you get a baby, you idiots! ~ Liane Moriarty, #NFDB
59:The restoration of man’s inner eyes can hardly be expected in this day and age — unless, first of all, one were willing and determined simply to exclude from one’s realm of life all those inane and contrived but titillating illusions incessantly generated by the entertainment industry. ~ Josef Pieper, #NFDB
60:In recent years it has become popular for some retailers to begin their Black Friday sales on Thursday night. Do not support this inane trend. If you feel like you want to replicate the experience, blindfold yourself, tape $150 to your forehead and roll yourself down a hill in a shopping cart. ~ Jason Gay, #NFDB
61:Western radicals fall for an equally inane error. Because it is easier to expose abuses of power in democracies, and because Western radicals are most concerned about abuses of power in their own countries, they assume that democratic abuses are the major or only abuses of power worth protesting about. ~ Nick Cohen, #NFDB
62:One thing I know people will say to me is ‘Are you suggesting we go back to being hunter-gatherers?’” “That of course is an inane idea,” Ishmael said. “The Leaver life-style isn’t about hunting and gathering, it’s about letting the rest of the community live—and agriculturalists can do that as well as hunter-gatherers. ~ Daniel Quinn, #NFDB
63:to bar communication between intellectuals, who are always our best hope of peace, is particularly self-defeating and inane. It declares, inter alia, that we have a) made up our minds about what we think, b) closed our minds to what others think, and c) chosen to go on hearing nothing with which we happen to disagree. ~ Howard Jacobson, #NFDB
64:It was the Democratic Party, it was the Presidential election. We elected a president [Barack Obama]; we didn't elect a king. So all the speculation in the next three months - people camped out at his house, and wondering who's coming to visit, who's going to be the Secretary of State - that all struck me as inane and stupid. ~ Bill Ayers, #NFDB
65:My world grinds to a loud, screeching halt. Big Red? What the ever-loving knuckle f**k?
I gape up at him, too shocked to even form a proper glare. And he squints back, that inane smile still in place, as if he’s waiting for me to answer. My mind is stuck on one thing.
He’d called me Big Red. Big Fucking Red. ~ Kristen Callihan,#NFDB
66:The droning of the Sutras washed over Satoshi as he entered the Temple, the voice of the member of the faithful chosen for the honour catching with emotion, ‘And so did fire rain down upon Her face, for her children had betrayed her.’
‘Inane rubbish,’ Satoshi thought to himself as he donned the heavy metal chain that all penitents were required to wear. ~ Luke E T Hindmarsh,#NFDB
67:Wise men told him his simple fancies were inane and childish, and even more absurd because their actors persist in fancying them full of meaning and purpose as the blind cosmos grinds aimlessly on from nothing to something and from something back to nothing again, neither heeding nor knowing the wishes or existence of the minds that flicker for a second now and then in the darkness. ~ H P Lovecraft, #NFDB
68:The thing you fail to grasp is that people are not basically good. We are basically selfish. We shove and clamour and cry for adoration, and beat down everyone else to get it. Life is a competition of prattling peacocks enraptured in inane mating rituals. But for all our effacing and self-importance, we are all slaves to what we fear most. You have so very much to learn. Here. Let me teach you. ~ Christopher Nolan, #NFDB
69:It is amazing how little effort most people make to improve control of their attention. If reading a book seems too difficult, instead of sharpening concentration we tend to set it aside and instead turn on the television, which not only requires minimal attention, but in fact tends to diffuse what little it commands with choppy editing, commercial interruptions, and generally inane content. ~ Mihaly Csikszentmihalyi, #NFDB
70:Today we have a system where only those individuals with the means of capital and who can both pay the exorbitant application fee and fund a political campaign can vie for the presidency. It would not surprise any close observer to discover that in this inane system, the same unsavory characters who have destroyed the country and looted the treasury and the nation blind are the ones able to run for the presidency! ~ Chinua Achebe, #NFDB
71:He spent a lot of time flying. He learnt to communicate with birds and discovered that their conversation was fantastically boring. It was all to do with wind speed, wing spans, power-to-weight ratios and a fair bit about berries. Unfortunately, he discovered, once you have learnt birdspeak you quickly come to realize that the air is full of it the whole time, just inane bird chatter. There is no getting away from it. ~ Douglas Adams, #NFDB
72:He spent a lot of time flying.
He learnt to communicate with birds and discovered that their conversation was fantastically boring. It was all to do with wind speed, wing spans, power-to-weight ratios and a fair bit about berries. Unfortunately, he discovered, once you have learnt birdspeak you quickly come to realize that the air is full of it the whole time, just inane bird chatter. There is no getting away from it. ~ Douglas Adams,#NFDB
73:So thirsty," Jack groaned.
"So worried,"said the frog. I hope we don't starve to death."
"Yes,"said Jill, "not starving to death would be nice."
"So would not thirsting to death," said Jack
"Thirsting isn't even a word," said Jill
"It isn't?"
"No."
"Then what's the word?"
"I dont know. You just can't."
"Oh."
This is, of course, the kind of inane conversation that occurs when people are slowly losing their minds. ~ Adam Gidwitz,#NFDB
74:This was now officially the most inane conversation in which Griff had ever been a participant—and that included a drunken debate with Del over ostrich racing.
“The color isn’t too awful?” She twisted a fold of the skirt. “The draper called it ‘dewy petal,’ but your mother said the shade was more of a ‘frosted berry.’ What do you say?”
“I’m a man, Simms. Unless we’re discussing nipples, I don’t see the value in these distinctions. ~ Tessa Dare,#NFDB
75:Normally, Dominic appreciated his even temper, but today it grated on him. Maybe the forty or so hours without sleep were beginning to catch up with him. He fought an impulse to toss his phone over the metal railing. The world wasn’t the orderly, rational place Jake liked to organize it into. It was messy. It was ugly. And, most recently, it lacked justice. “How is Boston?” The inane question almost sent Dominic over the edge. “How do you think? ~ Ruth Cardello, #NFDB
76:They agreed that Luce would ride with Daniel and her parents would take Callie to the airport. While the girls ate, Luce's parents sat on the edge of the bed and talked about Thanksgiving ("Gabbe polished all the china-what an angel"). By the time they moved on to the Black Friday deals they were on the hunt for ("All your father ever wants is tools"), Luce realized that she hadn't said anything except for inane conversation fillers like "Uh-huh" and "Oh really? ~ Lauren Kate, #NFDB
77:Or let’s say you have an anger problem. You get pissed off at the stupidest, most inane stuff, and you have no idea why. And the fact that you get pissed off so easily starts to piss you off even more. And then, in your petty rage, you realize that being angry all the time makes you a shallow and mean person, and you hate this; you hate it so much that you get angry at yourself. Now look at you: you’re angry at yourself getting angry about being angry. Fuck you, wall. Here, have a fist. ~ Mark Manson, #NFDB
78:It is by discourse that men associate, and words are imposed according to the apprehension of the vulgar. And therefore the ill and unfit choice of words wonderfully obsesses the understanding. Nor do the definitions or explanations wherewith in some things learned men are wont to guard and defend themselves, by any means set the matter right. But words plainly force and overrule the understanding, and throw all into confusion, and lead men away into innumerable and inane controversies and fancies. ~ Francis Bacon, #NFDB
79:Leela's happiest childhood memories were of aloneness: reading in her room with the door closed, playing chess on the computer, embarking on long bike rides through the city, going to the movies by herself. You saw more that way, she explained to her parents. You didn't miss crucial bits of dialogue because your companion was busy making inane remarks. Her parents, themselves solitary individuals, didn't object. People– except for a selected handful– were noisy and messy. They knew that. ~ Chitra Banerjee Divakaruni, #NFDB
80:One can only return to the fact that even the most ordinary, good-hearted, intelligent people are literally prone to believing the most blatantly nonsensical untruths. And this comes from the realization that there are some opinions and some beliefs so incredibly inane, we may actually on occasion feel insane for not believing them; and that is probably because in giving the benefit of the doubt we self-doubt, we convince ourselves into lame passivity and blind acceptance, we tell ourselves, 'Maybe I'm just missing something here. ~ Criss Jami, #NFDB
81:I see myself––an angel!––and I die;
the window may be art or mysticism, yet
I long for rebirth in the former sky
where Beauty blooms, my dream being my coronet!
But, alas, our low World is suzerain!
even in this retreat it can be too
loathsome––till the foul vomit of the Inane
drives me to stop my nose before the blue.
O Self familiar with these bitter things,
can the glass outraged by that monster be
shattered? can I flee with my featherless wings––
and risk falling through all eternity? ~ St phane Mallarm,#NFDB
82:forgive.” The creature turned abruptly and headed at high speed back toward his ship. They stared dumbly after the departed alien until the vast craft swallowed the single dark opening in its side. One of the engineers, who had completely forgotten his assignment (which was to observe the details of the alien’s suit), said, “Well!” He repeated it several times. That was the signal for a mild explosion of intersuit communication, mostly inane. Cleve examined the roll of metal, found its function anything but esoteric. It was a simple scroll, in ~ Alan Dean Foster, #NFDB
83:I'd spent so much of my finite time on earth thinking small thoughts, feeling small feelings, walking under doors into unoccupied rooms. How many hours did I spend online, re-watching inane videos, scrutinising listings for houses I would never buy, clicking over to check for hasty e-mails from people I didn't care about? How much of myself, how many words, feelings, and actions, had I forcefully contained? I'd angled myself away from myself, by a fraction of a degree, but after so many years, finding my way back to myself required a plane. ~ Jonathan Safran Foer, #NFDB
84:This is in response to Thatcher’s statement that “there’s no such thing as society.” So these progressives are going to show her! Naturally, they interpret her perfectly defensible statement in the most inane and uncharitable way possible. Why, we’ll show her there really is society, by helping our fellow man! But that was exactly her point. There is no such thing as an abstract, disembodied blob called “society.” All that exists are individuals, and it is up to those individuals – not “society” – to perform the great works of charity and civilization. ~ Thomas E Woods Jr, #NFDB
85:nearer:breath of my breath:take not they tingling
limbs from me:make my pain their crazy meal
letting they tigers of smooth sweetness steal
slowly in dumb blossoms of new mingling:
deeper:blood of my blood:with upwardcringing
swiftness plunge these leopards of white ream
this pith of darkness:carve an evilfringing
flower of madness on gritted lips
and on sprawled eyes squirming with light insane
chisel the killing flame that dizzily grips.
Querying greys between mouthed houses curl
thirstily. Dead stars stink. dawn. Inane,
the poetic carcass of a girl ~ E E Cummings,#NFDB
86:But I was her first love, as she was mine. Nor have I ever been in love since. But then I have never fallen out of love with her – with her, I suppose, as she then was, or as I grew afterwards to realize or imagine she had been. What is she now, who is she now? Am I with such inane fidelity fixated on someone who could have utterly changed (but could she have? could she really have changed so much?), who could have grown to hate me for leaving her, who could have forgotten me or learned deliberately to expunge me from her mind. How many seconds or weeks after seeing me…did I survive her thoughts? ~ Vikram Seth, #NFDB
87:Enshrined
SINCE Lois died the tyrant Sun
Drags haggard in his orbit bound
This puppet Earth, whose seasons run
For me an aimless, wasted round.
Incessantly I think to die,
Nor ever doubt that Death is Peace,
And many an hour I ponder why
My soul desists from her release.
I do not dread the crash of pain
For one loud moment at the close,
Nor shrink to taste the slow, inane,
Pervasive opiate’s repose.
But in my saddest trances still
Her steadfast soul upholdeth mine
To endure till it be Nature’s will
My heart shall cease to be her shrine.
~ Edward William Thomson,#NFDB
88:What happened was, I got the idea in my head — and I could not get it out that college was just one more dopey, inane place in the world dedicated to piling up treasure on earth and everything. I mean treasure is treasare, for heaven's sake. What's the difference whether the treasure is money, property, of even culsure, or even just pain knowledge? It all seems exactly the same thing to me, if you take off the wrapping — and it still does! Sometimes I think that knowledge — when it's knowledge for knowledge's sake, anyway — is the worst of all. The least excusable, certainly. ~ J D Salinger, #NFDB
89:Renouncing false beliefs will not usher in the millennium. Few things about the strategy of contemporary apologists are more repellent than their frequent recourse to spurious alternatives. The lesser lights inform us that the alternative to Christianity is materialism, thus showing how little they have read, while the greater lights talk as if the alternative were bound to be a shallow and inane optimism. I don't believe that man will turn this earth into a bed of roses either with the aid of God or without it. Nor does life among the roses strike me as a dream from which one would not care to wake up after a very short time. ~ Walter Kaufmann, #NFDB
90:True, the imperfection of biological evolution’, I began, but he didn’t let me finish. ‘Imperfection?!’ he snorted. ‘Droppings! Trash! An outright botch-job! If you can’t do something right, you shouldn’t do it at all!’ ‘Not that I want to make excuses’, I said quickly, ‘but Nature, don’t forget, worked with what it had at hand. In the primordial sea …’ ‘Garbage floated!!’ he roared so loud, I winced. ‘Isn’t that right? A star exploded, planets formed, and from the dregs, which couldn’t be used for anything, from those gobbets and scraps life arose! Enough, no more! No more of these pudgy suns, inane galaxies, this mucilage that has a soul – enough! ~ Stanis aw Lem, #NFDB
91:What is that?” The question is inane. But, honestly, what the fuck am I supposed to do with this? Alex chuckles nervously. As is appropriate since I’m holding his dick and I’m clearly not sane. “I mean, I know what it is. Obviously. Do you have some kind of . . . disorder? Like elephantiasis of the penis or something?” I did not say that out loud. “It’s not that big.” His erection slides in my grip. I can’t stop staring. My thumb and middle finger must have a good inch or more before they can meet. I squeeze to see if it helps bring them closer together. It doesn’t. What it does is make Alex groan, and that, oh holy monster of cock, is one hot noise. ~ Helena Hunting, #NFDB
92:One sets off to investigate you see, to develop the facility to really notice things so that, over time, and with enough practice, one becomes attuned to the earth’s embedded logos and can experience the enriching joy of moving about in deep and direct accordance with things. Yet invariably this vital process is abruptly thwarted by an idiotic overlay of literal designations and inane alerts so that the whole terrain is obscured and inaccessible until eventually it is all quite formidable. As if the earth were a colossal and elaborate deathtrap. How will I ever make myself at home here if there are always these meddlesome scaremongering signs everywhere I go. ~ Claire Louise Bennett, #NFDB
93:It is a delightful thing to write, to cease to be oneself, to flow through the whole creation of which one speaks. Today, for example, man and woman at the same time, lover and mistress at once, I rode horseback through a forest on an autumn afternoon under the yellow leaves, and I was the horses, the leaves, the wind, the words they said to each other and the red sun that beat down on their eyelids, heavy with love, and made them droop. Is this pride or piety? Is it the inane outpouring of egotism, or a vague and noble religious instinct? When I think it over, after experiencing these delights, I would be tempted to offer a prayer of gratitude to God, if I were sure he could hear me. ~ Gustave Flaubert, #NFDB
94:It is an unimaginatively standardized background, a sluggishness, of speech and manners, a rigid ruling of the spirit by the desire to appear respectable. It is contentment...the contentment of the quiet dead, who are scornful of the living for their restless walking. It is negation canonized as the one positive virtue. It is the prohibition of happiness. It is slavery self-sought and self-defended. It is dullness made God. A savorless people, gulping tasteless food, and sitting afterward, coatless and thoughtless, in rocking chairs prickly with inane decorations, listening to mechanical music, saying mechanical things about the excellence of Ford automobiles, and viewing themselves as the greatest race in the world. ~ Sinclair Lewis, #NFDB
95:I got the idea in my head - and I could not get it out - that college was just one more dopey, inane place in the world dedicated to piling up treasure on earth and everything. I mean treasure is treasure, for heaven’s sake. What’s the difference whether the treasure is money, or property, or even culture, or even just plain knowledge? I think that knowledge - when it’s knowledge for knowledge’s sake, anyway - is the worst of all. The least excusable certainly. I don’t think it would have all got me quite so down if just once in a while - just once in a while - there was some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn’t, it’s just a disgusting waste of time! But there never is! ~ J D Salinger, #NFDB
96:The throbbing in her jaw brought her back. The sky outside was brightening, the morning light highlighting the horrible mess in front of her. She must have been out for a while. Rising, she took in the scene. The man was collapsed on her game room floor, slowly leaking blood on her Berber carpet. She idly eyed the stain. “That’s going to be a bitch to get out.” She shook her head to clear the cobwebs. What an inane thing to say. Shock, she must be going into shock. How long had they fought? Had it been only five minutes? Half an hour? She felt like she had struggled against him for days; her body was tired and sore. Never mind the blood caked around her mouth and the gaping slash across her shin. She put her hand up to her face. Her nose was broken again. Damn. ~ J T Ellison, #NFDB
97:But this discourse, expressed in our paternal language, keeps clear the meaning of its words. The very quality of speech and of the Egyptian words have in themselves the energy of the object they speak of.
Therefore, my king, in so far as you have the power (who are all powerful), keep the discourse uninterpreted, lest mysteries of such greatness come to the Greeks, lest the extravagant, flaccid and (as it were) dandified Greek idiom extinguish something stately and concise, the energetic idiom of usage. For the Greeks have empty speeches, O king, that are energetic only in what they demonstrate, and this is the philosophy of the Greeks, an inane foolosophy of speeches. We, by contrast, use not speeches but sounds that are full of action. (Chapter XVI) ~ Hermes Trismegistus,#NFDB
98:But all the fighting in the world will not help us if we do not also hope. What i'm trying to cultivate is not blind optimism or inane positivity but what the philosopher Jonathan Lear calls radical hope. "What makes this hope radical," Lear writes, "is that it is directed toward a future goodness that transcends the current ability to understand what it is." Radical hope is not so much something you have but something you practice; it demands flexibility, openness, and what Lear describes as "imaginative excellence." Radical hope is our best weapon against despair, even when despair seems justifiable; it makes the survival of the end of your world possible. Only radical hope could have imagined people like us into existence. And I believe that it will help us create a better, more loving future. ~ Junot D az, #NFDB
99:I've tried to keep pleasant," Mabel went on. "You don't know how I've tried. I have that verse pinned up on my dresser, about
The man worth while is the man who can smile,
When everything goes dead wrong."
"Take it down," Mother said cheerfully. "If there's a verse in the world that has been worked overtime, it's that one. I can't think of anything more inane than to smile when everything goes dead wrong, unless it is to cry when everything is passably right. That verse always seemed to me to be a surface sort of affair. Take it down and substitute 'I will lift up mine eyes unto the hills from whence cometh my help.' That goes to the heart of things--when you feel that strength, then the dead-wrong things begin to miraculously right themselves. ~ Bess Streeter Aldrich,#NFDB
100:Hymn To Lucifer
Ware, nor of good nor ill, what aim hath act?
Without its climax, death, what savour hath
Life? an impeccable machine, exact
He paces an inane and pointless path
To glut brute appetites, his sole content
How tedious were he fit to comprehend
Himself! More, this our noble element
Of fire in nature, love in spirit, unkenned
Life hath no spring, no axle, and no end.
His body a bloody-ruby radiant
With noble passion, sun-souled Lucifer
Swept through the dawn colossal, swift aslant
On Eden's imbecile perimeter.
He blessed nonentity with every curse
And spiced with sorrow the dull soul of sense,
Breathed life into the sterile universe,
With Love and Knowledge drove out innocence
The Key of Joy is disobedience.
~ Aleister Crowley,#NFDB
101:I don't want to pass through life like a smooth plane ride. All you do is get to breathe and copulate and finally die. I don't want to go with the smooth skin and the calm brow. I hope I end up a blithering idiot cursing the sun - hallucinating, screaming, giving obscene and inane lectures on street corners and public parks. People will walk by and say, "Look at that drooling idiot. What a basket case." I will turn and say to them, "It is you who are the basket case. For every moment you hated your job, cursed your wife and sold yourself to a dream that you didn't even conceive. For the times your soul screamed yes and you said no. For all of that. For your self-torture, I see the glowing eyes of the sun! The air talks to me! I am at all times!" And maybe, the passers by will drop a coin into my cup. ~ Henry Rollins, #NFDB
102:Since a lot of people in the know knew who he was, it wasn’t all that difficult getting the students who were socialist Democrats, Communists, and Greens to show up to his meeting. It was harder to convince the minor political groups with their somewhat inane grievances to show up, but they did. Once they were gathered in an auditorium that the Dean of Students let Michael use, Michael began, “My fellow Harvard students, thank you for coming. I’m sure a few of you know who I am, but let me introduce myself anyway. I am Michael Evans, my family basically runs everything from behind-the-scenes. I’m next in line to run the family business, so I thought I would get to know my future partners while we were still in college. I want to talk to you about the future of the United States and where I want to take it. ~ Cliff Ball, #NFDB
103:The term ‘holistic’ refers to my conviction that what we are concerned with here is the fundamental interconnectedness of all things. I do not concern myself with such petty things as fingerprint powder, telltale pieces of pocket fluff and inane footprints. I see the solution to each problem as being detectable in the pattern and web of the whole. The connections between causes and effects are often much more subtle and complex than we with our rough and ready understanding of the physical world might naturally suppose, Mrs Rawlinson. “Let me give you an example. If you go to an acupuncturist with toothache he sticks a needle instead into your thigh. Do you know why he does that, Mrs Rawlinson? “No, neither do I, Mrs Rawlinson, but we intend to find out. A pleasure talking to you, Mrs Rawlinson. Goodbye. ~ Douglas Adams, #NFDB
104:An Imposter
Must you, Carnegie, evermore explain
Your worth, and all the reasons give again
Why black and red are similarly white,
And you and God identically right?
Still must our ears without redress submit
To hear you play the solemn hypocrite
Walking in spirit some high moral level,
Raising at once his eye-balls and the devil?
Great King of Cant! if Nature had but made
Your mouth without a tongue I ne'er had prayed
To have an earless head. Since she did not,
Bear me, ye whirlwinds, to some favored spot
Some mountain pinnacle that sleeps in air
So delicately, mercifully rare
That when the fellow climbs that giddy hill,
As, for my sins, I know at last he will,
To utter twaddle in that void inane
His soundless organ he will play in vain.
~ Ambrose Bierce,#NFDB
105:Cuando esa alma, sin embargo, comprueba que esa realización le resulta imposible, que no tiene fuerzas para conquistar todas las partes del Todo, tiene otros dos caminos que seguir: uno, la renuncia total, la abstención formal y completa, relegando a la esfera de la sensibilidad, aquello que no puede poseer del todo en la región de la actividad y la energía. Más vale no actuar en absoluto que actuar inútil, fragmentaria, insuficientemente, como la innumerable e inane mayoría superflua de los hombres; otro, el camino del perfecto equilibrio, la búsqueda del límite de la Proporción Absoluta, por donde el ansia del Extremo pasa de la voluntad y la emoción a la Inteligencia, siendo toda su ambición no la de vivir toda la vida, no la de sentir toda la vida sino la de ordenar toda la vida, la de cumplir en Armonía y Coordinación inteligente. ~ Fernando Pessoa, #NFDB
106:Because he has bright white teeth, Egnatius whips out a tooth-flash on all possible (& impossible) occasions. You’re in court. Counsel for defence concludes a moving peroration. (Grin.) At a funeral, on all sides heart-broken mothers weep for only sons. (Grin.) Where, when, whatever the place or time – grin. It could be a sort of ‘tic’. If so, it’s a very vulgar tic, Egnatius, & one to be rid of. A Roman, a Tiburtine or Sabine, washes his teeth. Well-fed Umbrians & overfed Etruscans wash theirs daily. The dark Lanuvians (who don’t need to), & we Veronese, all wash our teeth.… But we keep them tucked in. We spare ourselves the nadir of inanity – inane laughter. You come from Spain. Spaniards use their morning urine for tooth-wash. To us that blinding mouthful means one thing & one only – the quantity of urine you have swallowed. ~ Catullus, #NFDB
107:Thomas Merton to write: The modern child may early in his or her existence have natural inclinations toward spirituality. The child may have imagination, originality, a simple and individual response to reality, and even a tendency to moments of thoughtful silence and absorption. All these tendencies, however, are soon destroyed by the dominant culture. The child becomes a yelling, brash, false little monster, brandishing a toy gun or dressed up like some character he has seen on television. His head is filled with inane slogans, songs, noises, explosions, statistics, brand names, menaces, ribaldries, and cliches. Then, when the child gets to school, he learns to verbalize, rationalize, to pace, to make faces like an advertisement, to need a car and in short, to go through life with an empty head conforming to others, like himself, in togetherness.3 ~ Brennan Manning, #NFDB
108:I'm very glad you asked me that, Mrs Rawlinson. The term `holistic' refers to my conviction that what we are concerned with here is the fundamental interconnectedness of all things. I do not concern myself with such petty things as fingerprint powder, telltale pieces of pocket fluff and inane footprints. I see the solution to each problem as being detectable in the pattern and web of the whole. The connections between causes and effects are often much more subtle and complex than we with our rough and ready understanding of the physical world might naturally suppose, Mrs Rawlinson.
"Let me give you an example. If you go to an acupuncturist with toothache he sticks a needle instead into your thigh. Do you know why he does that, Mrs Rawlinson?
No, neither do I, Mrs Rawlinson, but we intend to find out. A pleasure talking to you, Mrs Rawlinson. Goodbye. ~ Douglas Adams,#NFDB
109:That was the worst. What happened was, I got the idea in my head - and I could not get it out - that college was just one more dopey, inane place in the world dedicated to piling up treasure on earth and everything. I mean treasure is treasure, for heaven's sake. What's the difference whether the treasure is money, or property, or even culture, or even just plain knowledge? It all seemed like exactly the same thing to me, if you take off the wrapping - and it still does! Sometimes I think that knowledge - when it's knowledge for knowledge's sake, anyway - is the worst of all. The least excusable, certainly...
I don't think it would have all got me quite so down if just once in a while - just once in a while - there was at least some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! ~ J D Salinger,#NFDB
110:At lunch I turned my phone on to check my messages. Georgia always sent me a few inane texts during the day, and sure enough there were two messages from her: one complaining about her physics teacher and a second, also obviously sent from her phone: I love you, baby. V.
I wrote her back: I thought I told you to buzz off last night, you creep-o French stalker guy.
Her response came back immediately: As if! Your beet-red cheeks this morning suggest otherwise ... liar! You're so into him.
I groaned and was about to turn my phone off when I saw that there was a third text from UNKNOWN. Clicking on it, I read: Can I pick you up from school? Same place, same time?
I texted back: How'd you get my number?
Called myself from your phone while you were in the restaurant's bathroom last night. Warned you we were stalkers! ~ Amy Plum,#NFDB
111:Women's Rights
You cannot rob us of the rights we cherish,
Nor turn our thoughts away
From the bright picture of a "Woman's Mission"
Our hearts portray.
We claim to dwell, in quiet and seclusion,
Beneath the household roof,-From the great world's harsh strife, and jarring voices,
To stand aloof;-Not in a dreamy and inane abstraction
To sleep our life away,
But, gathering up the brightness of home sunshine,
To deck our way.
As humble plants by country hedgerows growing,
That treasure up the rain,
And yield in odours, ere the day's declining,
The gift again;
So let us, unobtrusive and unnoticed,
But happy none the less,
Be privileged to fill the air around us
With happiness;
To live, unknown beyond the cherished circle,
Which we can bless and aid;
To die, and not a heart that does not love us
Know where we're laid.
~ Annie Louisa Walker,#NFDB
112:villages without number whose very names summon forth an image of lazy summer afternoons and butterflies darting in meadows: Winterbourne Abbas, Weston Lullingfields, Theddle-thorpe All Saints, Little Missenden. There are villages that seem to hide some ancient and possibly dark secret: Husbands Bosworth, Rime Intrinseca, Whiteladies Aston. There are villages that sound like toilet cleansers (Potto, Sanahole, Durno) and villages that sound like skin complaints (Scabcleuch, Whiterashes, Scurlage, Sockburn). In a brief trawl through any gazetteer you can find fertilizers (Hastigrow), shoe deodorizers (Powfoot), breath fresheners (Minto), dog food (Whelpo) and even a Scottish spot remover (Sootywells). You can find villages that have an attitude problem (Seething, Mockbeggar, Wrangle) and villages of strange phenomena (Meathop, Wigtwizzle, Blubberhouses). And there are villages almost without number that are just endearingly inane - ~ Anonymous, #NFDB
113:It was a small triumph, but it was just about the only one I got for the rest of the week. As I trudged through my daily routine, Robert trudged along with me. He did not really get directly in my way too often, but every time I turned around he was there, a frown of concentration on his face, and usually some kind of inane question: Why did I do that? Why was it important to do that? Did I do that often? How many killers had I caught by doing that? Were they serial killers? Were there a lot of serial killers in Miami? A lot of the time the questions were completely unrelated to whatever I was doing, which made the whole thing seem even more pointlessly annoying. I could understand that it was a little hard for someone like him to frame intelligent questions about gas chromatography, but then, why watch me do it in the first place? Why couldn’t he just go sit in a sports bar and text me his questions while he sipped a beer and watched a ball game? ~ Jeff Lindsay, #NFDB
114:That was the worst. What happened was, I got the idea in my head- and I could not get it out- that college was just one more dopey, inane place in the world dedicated to piling up treasure on earth and everything. I mean treasure is treasure, for heaven's sake. What's the difference whether the treasure is money, or property, or even culture, or even just plain knowledge? It all seemed like exactly the same thing to me, if you take off the wrapping- and it still does! Sometimes I think that knowledge- when it's knowledge for knowledge's sake, anyway- is the worst of all. The least excusable, certainly. I don't think it would have all got me quite so down if just once in a while- just once in a while- there was at least some polite perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! But there never is! You never even hear any hints dropped on a campus that wisdom is supposed to be the goal of knowledge. ~ J D Salinger, #NFDB
115:The cry for an equality of wages rests, therefore, upon a mistake is an inane wish never to be fulfilled. It is an offspring of that false and superficial radicalism that accepts premises and tries to evade conclusions. Upon the basis of the wages system the value of labouring power is settled like that of every other commodity; and as different kinds of labouring power have different values, or require different quantities of labour for their production, they must fetch different prices in the labour market. To clamour for equal or even equitable retribution on the basis of the wages system is the same as to clamour for freedom on the basis of the slavery system. What you think just or equitable is out of the question. The question is: What is necessary and unavoidable with a given system of production? After what has been said, it will be seen that the value of labouring power is determined by the value of the necessaries required to produce, develop, maintain, and perpetuate the labouring power. ~ Karl Marx, #NFDB
116:He had read much of things as they are, and talked with too many people. Well-meaning philosophers had taught him to look into the logical relations of things, and analyse the processes which shaped his thoughts and fancies. Wonder had gone away, and he had forgotten that all life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other. Custom had dinned into his ears a superstitious reverence for that which tangibly and physically exists, and had made him secretly ashamed to dwell in visions. Wise men told him his simple fancies were inane and childish, and even more absurd because their actors persist in fancying them full of meaning and purpose as the blind cosmos grinds aimlessly on from nothing to something and from something back to nothing again, neither heeding nor knowing the wishes or existence of the minds that flicker for a second now and then in the darkness ~ H P Lovecraft, #NFDB
117:I got the idea in my head - and I could not get it out - that college was just one more dopey, inane place in the world dedicated to piling up treasure on earth and everything. I mean treasure is treasure, for heaven's sake. What's the difference whether the treasure is money, or property, or even culture, or even just plain knowledge? It all seemed like exactly the same thing to me, if you take off the wrapping - and it still does! Sometimes I think that knowledge - when it's knowledge for knowledge's sake, anyway - is the worst of all. The least excusable, certainly . . .
I don't think it would have all got me quite so down if just once in a while - just once in a while - there was at least some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! But there never is! You never even hear any hints dropped on a campus that wisdom is supposed to be the goal of knowledge. You hardly ever even hear the word 'wisdom' mentioned! ~ J D Salinger,#NFDB
118:There are so many hammocks to catch you if you fall, so many laws to keep you from experience. All these cities I have been in the last few weeks make me fully understand the cozy, stifling state in which most people pass through life. I don't want to pass through life like a smooth plane ride. All you do is get to breathe and copulate and finally die. I don't want to go with the smooth skin and the calm brow. I hope I end up a blithering idiot cursing the sun - hallucinating, screaming, giving obscene and inane lectures on street corners and public parks. People will walk by and say, "Look at that drooling idiot. What a basket case." I will turn and say to them "It is you who are the basket case. For every moment you hated your job, cursed your wife and sold yourself to a dream that you didn't even conceive. For the times your soul screamed yes and you said no. For all of that. For your self-torture, I see the glowing eyes of the sun! The air talks to me! I am at all times!" And maybe, the passers by will drop a coin into my cup. ~ Henry Rollins, #NFDB
119:Another example of their hatefulness while my dander’s up: in order to get themselves off the hook of sometimes liking uncool things, they refer to them as ‘guilty pleasures’, which is a ridiculous expression. What? So you like Abba, or Roger Moore as James Bond, but have been led to believe that this taste is somehow infra dig, so you style it a ‘guilty pleasure’, thus demonstrating you’re sufficiently relaxed and self-deprecating to own up to it – when in fact the way you have chosen to express it lays bare your bland and inane obsession with the worthless trappings of the zeitgeist.
‘Guilty pleasures’? It’s prudish and judgemental and yet it’s referring to harmless things people do in their spare time. I mean, I’ve watched and enjoyed The X Factor and I know that it’s not exactly the Proms or The Wire or whatever worthy thing I’m supposed to be watching, but why should I feel the least bit guilty about having taken pleasure from it? Or, for that matter, from eating a Findus crispy pancake, watching a Brittas Empire DVD or reading Country Life in the bath? ~ David Mitchell,#NFDB
120:The way towards this aim is clear. A science that insists on possessing the only correct method and the only acceptable results is ideology and must be separated from the state, and especially from the process of education. One may teach it, but only to those who have decided to make this particular superstition their own. On the other hand, a science that has dropped such totalitarian pretensions is no longer independent and self-contained, and it can be taught in many different combinations (myth and modern cosmology might be one such combination). Of course, every business has the right to demand that its practitioners be prepared in a special way, and it may even demand acceptance of a certain ideology (I for one am against the thinning out of subjects so that they become more and more similar to each other; whoever does not like present-day Catholicism should leave it and become a Protestant, or an Atheist, instead of ruining it by such inane changes as mass in the vernacular). That is true of physics, just as it is true of religion, or of prostitution. ~ Paul Karl Feyerabend, #NFDB
121:To break the mummified silence, Reyha says, "Thank you, Mom, it is delicious."
A gold-rimmed china bowl filled with lettuce, wheat sprouts, and beans. I have requested a massacre of plants for lunch. The sound of the lettuce crunching between my teeth echoes in my ears...
"Lettuce and carrots love human teeth," I say.
They don't know that they should laugh. Mother's skin is so fair. Her lips bitterly curved downward, just like Reyhaneh's, show no sign of her usual naive smile.
"It's great that you all eat meat. If everyone was a vegetarian, the sheep would die of hunger."
I laugh at my own inane joke, dig out the unchewable lettuce string stuck between my teeth, and I put it on the side of the bowl.
"At the front they used to tell us that if we were martyred, we would go to heaven. I have heard that in heaven, the instant you crave grapes or apples, the tree branches bend down to you. But the Quran doesn't say if there are carrots in heaven or not. Our house is better than heaven. It has lettuce, it has carrots. And I crave these every day... ~ Shahriar Mandanipour,#NFDB
122:Their ride back to Ealing was quiet. She avoided looking at him, while he couldn’t seem to stop looking at her. He tried to engage her in conversation, but the tart-tongued angel was in hiding, and he didn’t know how to get her back. Even Freddy must have realized that something had changed, for he kept his inane chatter to a minimum. By the time they reached Halstead Hall, Oliver’s nerves were on edge.
He was relieved that he could excuse himself to go work in his study on the ledgers he’d ignored last night, but he didn’t get very far. Even after an hour of turning pages and noting transactions, he kept hearing Maria’s sighs of pleasure, kept seeing her teasing smile as she said, “Would you offer to ravish me?”
Damned right he would.
A knock came at the door, jerking him from his disturbing reverie. As he glanced at the clock, shocked to discover that two hours had passed, Jarret entered and strolled over to the desk.
“Amazing,” the scapegrace said. “When the servant said you were in here working, I thought surely I’d misheard him.”
“Very amusing. ~ Sabrina Jeffries,#NFDB
123:E tenebris tantis tam clarum extollere lumen
qui primus potuisti inlustrans commoda vitae,
te sequor, o Graiae gentis decus, inque tuis nunc
ficta pedum pono pressis vestigia signis,
non ita certandi cupidus quam propter amorem
quod te imitari aveo; quid enim contendat hirundo
cycnis, aut quid nam tremulis facere artubus haedi
consimile in cursu possint et fortis equi vis?
tu, pater, es rerum inventor, tu patria nobis
suppeditas praecepta, tuisque ex, inclute, chartis,
floriferis ut apes in saltibus omnia libant,
omnia nos itidem depascimur aurea dicta,
aurea, perpetua semper dignissima vita.
nam simul ac ratio tua coepit vociferari
naturam rerum divina mente coorta
diffugiunt animi terrores, moenia mundi
discedunt. totum video per inane geri res.
apparet divum numen sedesque quietae,
quas neque concutiunt venti nec nubila nimbis
aspergunt neque nix acri concreta pruina
cana cadens violat semper[que] innubilus aether
integit et large diffuso lumine ridet:
omnia suppeditat porro natura neque ulla
res animi pacem delibat tempore in ullo. ~ Lucretius,#NFDB
124:I hit the arrow key one last time and froze. I’d captured it, all right. It nearly filled the frame, so big it would have to squeeze through the loft’s doors to move around. Or squirm through. I couldn’t take it all in at first. My eyes darted around, trying to make sense of what I was seeing. There were broken arms and opposite-facing legs, a bloated torso lined with sewn-on hands that grasped and pinched. And there were heads. I counted five, sprouting like tumors from the creature’s body, including the head on the floor being dragged along by a tentacle of meat. A man’s head and torso rose up from the back of the creature, spine curved like a scorpion’s tail. His one arm aimed directly at the camera lens, pointing an accusing finger. That was when I realized all of the heads were staring right at me. And screaming. They had seen me photographing them from across the street. While I was watching the loft, they were watching me. I shut the laptop’s lid and sat very still, alone in my motel room. A moment later, I got up and turned on the television set, tuning it to some inane sitcom. The silence wasn’t my friend. ~ Craig Schaefer, #NFDB
125:You get anxious about confronting somebody in your life. That anxiety cripples you and you start wondering why you’re so anxious. Now you’re becoming anxious about being anxious. Oh no! Doubly anxious! Now you’re anxious about your anxiety, which is causing more anxiety. Quick, where’s the whiskey?
Or let’s say you have an anger problem. You get pissed off at the stupidest, most inane stuff, and
you have no idea why. And the fact that you get pissed off so easily starts to piss you off even more.
And then, in your petty rage, you realize that being angry all the time makes you a shallow and mean person, and you hate this; you hate it so much that you get angry at yourself. Now look at you: you’re angry at yourself getting angry about being angry. Fuck you, wall. Here, have a fist.
Or you’re so worried about doing the right thing all the time that you become worried about how much you’re worrying. Or you feel so guilty for every mistake you make that you begin to feel guilty about how guilty you’re feeling. Or you get sad and alone so often that it makes you feel even more sad and alone just thinking about it.
..Welcome to the feedback loop from hell. ~ Mark Manson,#NFDB
126:Probably nothing is more true of sinners today than that they think they are free. They see Christianity as some kind of bondage. It is all about rights: “No one is going to infringe on my rights. I can be what I want to be. I’m free to be myself.” You hear that inane statement again and again. Such people are not free. The Bible defines them as prisoners. Sin has indebted them to God, and it’s a debt they cannot pay. They are in bondage, and they are awaiting eternal death. According to Hebrews 2:15, Satan wields the power of death and holds captive “those who through fear of death [are] all their lifetime subject to bondage.” They are the children of wrath; Ephesians 2:2 calls them “sons of disobedience” who are under the power of, and in bondage to, their own sin. The divine sentence on them is incarceration for eternity in hell, where they will never die. The real Sovereign over them, the real Judge who has imprisoned them, called them guilty, and sentenced them to death, is God Himself. It is God who destroys both soul and body in hell. The sinner is a prisoner of Satan and sin, but more than that, he’s a prisoner of God, the eternal Executioner, who is holding him accountable and has him awaiting a horrific, unending death. ~ John F MacArthur Jr, #NFDB
127:TIA OR TARA has stopped applying makeup to my wife’s face and is looking at Scottie with disapproval. The light is hitting this woman’s face, giving me an opportunity to see that she should perhaps be working on her own makeup. Her coloring is similar to a manila envelope. There are specks of white in her eyebrows, and her concealer is not concealing. I can tell my daughter doesn’t know what to do with this woman’s critical look.
“What?” Scottie asks. “I don’t want any makeup.” She looks at me for protection, and it’s heartbreaking. All the women who model with Joanie have this inane urge to make over my daughter with the notion that they’re helping her somehow. She’s not as pretty as her older sister or her mother, and these other models think that slapping on some rouge will somehow make her feel better about her facial fate. They’re like missionaries. Mascara thumpers.
“I was just going to say that I think your mother was enjoying the view,” Tia or Tara says. “It’s so pretty outside. You should let the light in.”
My daughter looks at the curtain. Her little mouth is open. Her hand reaches for a tumbleweed of hair.
“Listen here, T. Her mother was not enjoying the view. Her mother is in a coma. And she’s not supposed to be in bright light.”
“My name is not T,” she says. “My name is Allison.”
“Okay, then, Ali. Don’t confuse my daughter, please.”
“I’m turning into a remarkable young lady,” Scottie says.
“Damn straight.” My heart feels like one of Scottie’s clogs clomping down the hall. I don’t know why I became so angry. ~ Kaui Hart Hemmings,#NFDB
128:Making matters worse, the prefrontal cortex, the part of the brain that governs so much of our higher executive function—the ability to plan and to reason, the ability to control impulses and to self-reflect—is still undergoing crucial structural changes during adolescence and continues to do so until human beings are in their mid- or even late twenties. This is not to say that teenagers lack the tools to reason. Just before puberty, the prefrontal cortex undergoes a huge flurry of activity, enabling kids to better grasp abstractions and understand other points of view. (In Darling’s estimation, these new capabilities are why adolescents seem so fond of arguing—they can actually do it, and not half-badly, for the first time.) But their prefrontal cortexes are still adding myelin, the fatty white substance that speeds up neural transmissions and improves neural connections, which means that adolescents still can’t grasp long-term consequences or think through complicated choices like adults can. Their prefrontal cortexes are also still forming and consolidating connections with the more primitive, emotional parts of the brain—known collectively as the limbic system—which means that adolescents don’t yet have the level of self-control that adults do. And they lack wisdom and experience, which means they often spend a lot of time passionately arguing on behalf of ideas that more seasoned adults find inane. “They’re kind of flying by the seat of their pants,” says Casey. “If they’ve had only one experience that’s pretty intense, but they haven’t had any other experiences in this domain, it’s going to drive their behavior. ~ Jennifer Senior, #NFDB
129:The Secret Of The Universe
AN ODE
(By a Western Spinning Dervish)
I SPIN, I spin, around, around,
And close my eyes,
And let the bile arise
From the sacred region of the soul’s Profound;
Then gaze upon the world; how strange! how new!
The earth and heaven are one,
The horizon-line is gone,
The sky how green! the land how fair and blue!
Perplexing items fade from my large view,
And thought which vexed me with its false and true
Is swallowed up in Intuition; this,
This is the sole true mode
Of reaching God,
And gaining the universal synthesis
Which makes All—One; while fools with peering eyes
Dissect, divide, and vainly analyse.
So round, and round, and round again!
How the whole globe swells within my brain,
The stars inside my lids appear,
The murmur of the spheres I hear
Throbbing and beating in each ear;
Right in my navel I can feel
The centre of the world’s great wheel.
Ah peace divine, bliss dear and deep,
No stay, no stop,
Like any top
Whirling with swiftest speed, I sleep.
O ye devout ones round me coming,
Listen! I think that I am humming;
No utterance of the servile mind
With poor chop-logic rules agreeing
Here shall ye find,
But inarticulate burr of man’s unsundered being.
Ah, could we but devise some plan,
Some patent jack by which a man
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Might hold himself ever in harmony
With the great whole, and spin perpetually,
As all things spin
Without, within,
As Time spins off into Eternity,
And Space into the inane Immensity,
And the Finite into God’s Infinity,
Spin, spin, spin, spin.
~ Edward Dowden,#NFDB
130:What happened was, I got the idea in my head-and I could not get it out ㅡ that college was just one more dopey, inane place in the world dedicated to piling up treasure on earth and everything. I mean treasure is treasure, for heaven's sake. What's the difference whether the treasure is money, or property, or even culture, or even just plain knowledge? It all seemed like exactly the same thing to me, if you take off the wrapping ㅡ and it still does! Sometimes I think that knowledge ㅡ when it's knowledge for knowledge's sake, anyway ㅡ is the worst of all. The least excusable, certainly. [...] I don't think it would have all got me quite so down if just once in a while ㅡ just once in a while ㅡ there was at least some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! But there never is! You never even hear any hints dropped on a campus that wisdom is supposed to be the goal of knowledge. You hardly ever even hear the word 'wisdom' mentioned! Do you want to hear something funny? Do you want to hear something really funny? In almost four years of college ㅡ and this is the absolute truth ㅡ in almost four years of college, the only time I can remember ever even hearing the expression 'wise man' being used was in my freshman year, in Political Science! And you know how it was used? It was used in reference to some nice old poopy elder statesman who'd made a fortune in the stock market and then gone to Washington to be an adviser to President Roosevelt. Honestly, now! Four years of college, almost! I'm not saying that happens to everybody, but I just get so upset when I think about it I could die. ~ J D Salinger, #NFDB
131:Steldor lay on the bed, chest to the mattress, medicine-soaked bandages covering his shirtless back. The wrappings, though fresh from his best friend’s last visit, were dappled crimson and yellow from his body’s efforts to cleanse the wounds, and I could see shadows of long lines of stitches crossing his skin.
“Steldor, Shaselle is here,” Galen said.
My cousin lifted his head to squint at me.
“Where did you come from?”
“Outside,” I answered dryly, recognizing on its second asking just how inane the question was.
Steldor was not amused.
“I’ll leave you two alone,” Galen said, backing out of the room.
When the door clicked shut, Steldor propped himself up on his elbows, wincing with the movement.
“I wanted to see you,” I told him.
“Could have guessed, since you’re here. Well, what have you been doing?”
I considered his inquiry, scratching the back of my head. “I got attacked by a butcher.”
The incident was still on my mind, not one easily dismissed, and part of me wanted his reaction.
“A butcher?” he repeated, concerned. His eyes roved over me and he pronounced, “You appear to have survived.”
“The same can be said of you.”
“Thus far, anyway,” he responded with a self-deprecating chuckle. “You don’t have to tell me how smart that flag stunt was. My father has covered that.”
I quickly countered his sarcasm. “I thought it was brave.”
“The captain thought it was daft. And, in the aftermath, I’m tempted to agree with him.”
Steldor motioned vaguely to his injured back and I drew nearer, half out of morbid curiosity, half to prove that I wasn’t afraid to look. For the first time, I noticed his damp hair and the sheen of sweat across his brow--he was fevered, and no doubt miserable. ~ Cayla Kluver,#NFDB
132:Is everything okay?” Joe asks.
“Yes!” I agree quickly. “I was just checking out the light fixtures,” I say, nodding to the Starbucks decor. “They’re nice, don’t you think?” Not a total lie. I’ve always appreciated the ambiance here. “They must have them custom-made,” I muse. Brilliant conversational skills, Chloe.
“I guess.” Joe shrugs.
“I mean, it’s not like you can buy them just anywhere,” I add, because I never quit when I should.
“I imagine not,” he agrees. “They don’t want just anyone to get their hands on their exclusive light fixtures.” He says it kindly, like he’s not bothered by my inane light fixture observations.
“Right.” I nod. Joe is really so nice. And he’s really good-looking. He’s got beautiful thick dark hair. “Are you Italian?”
“No.” He shakes his head. “Well, I don’t think so. I’m adopted so I’ve got no idea. My parents are of Scottish and German descent.”
Oh. “I love Italian food,” I respond. Because that’s an appropriate response to sticking your foot in your mouth.
“I hate Italian.” Joe frowns and shakes his head, then laughs. “Just kidding. Who doesn’t love Italian food?”
Why is Boyd watching? Is this some sort of payback for pretending not to know him the other day at the hospital? I’m sure I can’t be the only girl questioned by the FBI who didn’t want her friends to know about it. Sheesh. Oh, my God. Is he on a stakeout? Is he investigating this date too? No. I mentally shake my head. Not possible.
“Have you ever been to Serafina? On 18th? My friend went into labor there last week.”
“Um, wow. Okay.” He pauses. “Congratulations to your friend,” he adds slowly, because he’s probably unsure what the correct response is to that tidbit of information. ~ Jana Aston,#NFDB
133:The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore.
And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy! ~ Robert Penn Warren,#NFDB
134:Listen. How long you been going around with her, this sculpture babe?" I asked him. I was really interested. "Did you know her when you were at Whooton?"
"Hardly. She just arrived in this country a few months ago."
"She did? Where's she from?
"She happens to be from Shanghai."
"No kidding! She Chinese, for Chrissake?"
"Obviously."
"No kidding! Do you like that? Her being Chinese?"
"Obviously."
"Why? I'd be interested to know. I really would."
"I simply happen to find Eastern philosophy more satisfactory than Western. Since you ask."
"You do? Wuddaya mean 'philosophy'? Ya mean sex and all? You mean it's better in China? That what you mean?"
"Not necessarily in China, for God's sake. The East I said. Must we go on with this inane conversation?"
" Listen, I'm serious," I said. "No kidding. Why's it better in the East?"
"It's too involved to go into, for God's sake," old Luce said. "They simply happen to regard sex as both a physical and spiritual experience. If you think I'm -"
"So do I! So do I regard it was a wuddayacallit - a physical and spiritual experience and all. I really dop. But it depends on who the hell I'm doing it with. If I'm doing it with somebody I don't even-"
"Not so loud, for God's sake, Caulfield. If you can't manage to keep your voice down, let's drop the whole -"
"All right, but listen," I said. I was getting excited and I was talking too loud. Sometimes I talk a little loud when I get excited. "This is what I mean, though," I said. "I know it's supposed to be physical and spiritual and artistic and all. But what I mean is, you can't do it with everybody - every girl you neck with and all - and make it come out that way. Canyou?"
"Let's drop it," Old Luce said. "Do you mind?"
"All right, but listen. Take you and this Chinese babe. What's so good about you two?"
"Drop it, I said. ~ J D Salinger,#NFDB
135:Ray Honeyford was an upright, conscientious teacher, who believed it to be his duty to prepare children for responsible life in society, and who was confronted with the question of how to do this, when the children are the offspring of Muslim peasants from Pakistan, and the society is that of England. Honeyford’s article honestly conveyed the problem, together with his proposed solution, which was to integrate the children into the surrounding secular culture, while protecting them from the punishments administered in their pre-school classes in the local madrasah, meanwhile opposing their parents’ plans to take them away whenever it suited them to Pakistan. He saw no sense in the doctrine of multiculturalism, and believed that the future of our country depends upon our ability to integrate its recently arrived minorities, through a shared curriculum in the schools and a secular rule of law that could protect women and girls from the kind of abuse to which he was a distressed witness. Everything Ray Honeyford said is now the official doctrine of our major political parties: too late, of course, to achieve the results that he hoped for, but nevertheless not too late to point out that those who persecuted him and who surrounded his school with their inane chants of ‘Ray-cist’ have never suffered, as he suffered, for their part in the conflict. Notwithstanding his frequently exasperated tone, Ray Honeyford was a profoundly gentle man, who was prepared to pay the price of truthfulness at a time of lies. But he was sacked from his job, and the teaching profession lost one of its most humane and public-spirited representatives. This was one example of a prolonged Stalinist purge by the educational establishment, designed to remove all signs of patriotism from our schools and to erase the memory of England from the cultural record. Henceforth the Salisbury Review was branded as a ‘racist’ publication, and my own academic career thrown into doubt. ~ Roger Scruton, #NFDB
136:If They Dare!
Realm of ocean-guarded Peace,
Humming loom and grazing steer,
Farm, and forge, and woven fleece,
Happier, homelier, year by year,
Hark! athwart the wintry air,
Menace mutters, foemen glare:
Leave the shuttle, leave the share,
For the spear!
Envious of her world-wide race,
Goaded by the greed and hate
Of the hungry and the base
For the opulent and great,
``See,'' they whisper, ``did we band
All against Her, hand-in-hand,
We might bring that haughty Land
Face with Fate.''
Plotters insolent and vain,
Muster then your servile swarms.
Moated by the unbridged main,
We but laugh at such alarms.
Blinded braggarts, to forget
England old is England yet,
And can meet, as once She met,
World in arms.
Come athwart the ocean's crest,
Mob and Monarch, crowd and Crown!
Slavish East, or shrilling West,
Come, and strike at her renown.
Madmen! by your threats inane
What is it ye hope to gain?
Think of France, think of Spain,
Smitten down!
Derelict on wind and wave,
Tossing with the tossing tide,
Crushed by ice-floe, tombed in cave,
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See the Armada's pomp and pride:
Prince and Pontiff, Rome and Spain,
Leagued against Her, leagued in vain;
England and her mother-main
Side by side.
Think of that self-sceptered King,
Caesar not by birth but brain,
Who with arbitrary wing
Hovered over hill and plain:
Headlong from that haughty height
Forced to sue to England's might,
And accept, for eagle's flight,
Cage and chain!
Still they cry, ``She is alone,
And must truckle to our nod.''
What! with half the world her own!
What! still wielding Neptune's rod!
She is lonely as the breeze,
Lonely as the stars or seas,
Lone, unreachable as these,
Lone as God!
Let the bandits then deride
Loneliness they shall not share.
We are lonely, unallied,
As the lion in his lair.
Doubters, dastards, now be dumb:
Sound the clarion! Roll the drum!
Let them menace, let them come,
If they dare!
~ Alfred Austin,#NFDB
137:Aspiration
MY friend conceived the soul hereafter dwells
In any heaven the inmost heart desires,
The heart, which craves delight, at pain rebels,
And balks, or obeys the soul till life expires.
He deemed that all the eternal Force contrives
Is wrought to revigorate its own control,
And that its alchemy some strength derives
From every tested and unflagging soul.
He deemed a spirit which avails to guide
A human heart, gives proof of energy
To be received in That which never bides,
But ever toils for what can never be—
A perfect All—toward which the Eternal strives
To urge forever every atom’s range,
The Ideal, which never unto Form arrives,
Because new concept emanates from change.
He deemed the inmost heart is what aligns
Man’s aspiration, noble or impure,
And that immortal Tolerance assigns
Each soul what Aspiration would secure.
And if it choose what highest souls would rue—
Some endless round of mortal joys inane—
Such fate befits what souls could not subdue
The heart’s poor shrinking from the chrism of pain.
My friend reviewed, nigh death, how staunch the soul
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Had waged in him a conflict, never done,
To rule the dual self that fought control,
Spirit and flesh inextricably one.
His passionless judgment pondered well the past,
Patient, relentless, ere he spoke sincere,—
“Through all the strife my soul prevailed at last,
It rules my inmost heart’s desire here;
“My Will craves not some paradise of zest
Where mortal joys eternally renew,
Nor blank nirvana, nor elysian rest,
Nor palaced pomp to bombast fancy true;
“It yearns no whit to swell some choiring strain
In endless amplitudes of useless praise;
It dares to aspire to share the immortal pain
Of toil in mouldering Form from phase to phase.
“To me, of old, such fate some terror bore,
But now great gladness in my spirit glows,
While death clings round me friendlier than before,
To loose the soul that mounts beyond repose.”
Yet, at the end, from seeming death he stirred
As one whose sleep is broke by sudden shine,
And whispered Christ, as if the soul had heard
Tidings of some exceeding sweet design.
~ Edward William Thomson,#NFDB
138:To The Comet Of 1843
Thy purpose, heavenly stranger, who may tell
But Him, who linked thee to the starry whole?
Wherefore, in this our darkness, be it ours
To must upon thee in thy high career,
As of some wandering symphony from amidst
Those highest stellar harmonies that track
Through infinite space and the great rounds of time
The mighty marches of creation.
Behold, how high thou travellest in heaven!
Myriads of wondering human spirits here,
Duly each night with upturned looks seek out
The mystery of thy advent.
In thy last
Bright visitation, even thus thou saw’st
The young, the lovely, and the wise of earth—
A buried generation—crowding out,
With looks upturned, to see thee passing forth
Beyond the signs of time—and then to know,
In all the awful vastness of the heaven,
Thy place no more! And when the flaming steps
Of thy unspeakable speed, which of itself
Blows back the long strands of thy burning hair
Through half the arch of night, shall lead thee forth
Into the dim of the inane, beyond
Our utmost vision; all the eloquent eyes
Now opened wide with welcome and with wonder—
Eyes tender as the turtle’s, or that speak
The fervent soul and the majestic mind;
All these, alas!—all these, ere thou once more
Shalt drive thus fulgently around the sun
Thy chariot of fire, fast closed in dust
And mortal darkness, shall have given for aye
Their lustre to the grave.
But human eyes
As many and beautiful—yea, more sublime
And radiant in their passion, from a more
Enlarged communion with the spirit of truth,—
Shall welcome thee instead, mysterious stranger,
270
When thou return’st anew.
And thus to think
Consoles us, even while we watch thee pass
Out of our times for ever; yea, although
Some selfish entertainment of a truth
At all times mournful, whisper us the while:
So shall it be indeed, for God abides,
And nature, born of His eternal power,
Must share its dateless energy as well.
Yea, all that flows from the Eternal must,
If from divine necessity alone,
Work with its cause for ever—still, alas!
Though thence derived, how fugitive and swift,
How vague and shadow-like, this life of Man!
~ Charles Harpur,#NFDB
139:Ego autem sum quasi vas inane,’ he began awkwardly, stuttering along the lines of meaningless prose like a small child. ‘Ego donavit corpus meum ad dominum meum in exercitu magno Cardinalis Balthazar De La Senza,’ he continued, quickly becoming surprisingly fluent despite his vaguely cockney tone. ‘Tempore domini Inquisitoris magni voluntatis esse, aequo animo et scissa animam meam a fundamentis et suspensi in abyssum quasi stercora, nihil prorsus in aeternum damnatus egisse,’ he went on, oblivious to something stirring in the small box behind him. Wisps of purple drifted from it like steam from a cooling kettle. ‘Ego Christophorus Baxtere accipe usitata res est, uti et magnis La Senza caput meum corium et nervorum et magnifici primum genus dentium,’ Baxter continued, strangely enjoying himself. Far away in another place, the bound and trapped Cardinal La Senza had begun to whisper the words in unison beneath the folds of his hooded cloak. Oblivious, Baxter was flying now, quite unaware of the sinister coaching he was receiving. ‘O magnum La Senza, cum venerit, et ad hoc bonum esse propter tempus, quia ego miser!’ Baxter read on. A coiling snake-like tendril of purple had fingered its way through the lock of the cabinet and was creeping menacingly towards its target. It advanced up Baxter’s legs, body and neck until finally, it crept imperceptibly into his ears. ‘Ego Christophorus Baxtere immolare volens alumnam cerebrum meum et animam, ut vos mos postulo ut enable uariat possessione tua ...’ Pleased beyond measure by what he had fondled and explored, La Senza went still. Content for now, he drew back his sensing vines and they fell away from Baxter, unnoticed. His jailors had seen nothing. La Senza now had the chance he’d been craving for centuries, so many lifetimes of plotting and scheming. He knew nothing of the young man he had inspected so intimately – frankly, he didn’t care. It was the body, oh his body, so young and fit; teeth clean like white mice, no trace of Popery, no hint of Lutheran, Baptist, Jew, Muslim or Buddhist within his empty soul, nothing to restrain or inhibit the Inquisitor’s foul purposes. La Senza knew that his escape was mere days away. Immobile, he marshalled dark reserves for the events to come. ‘Nunc me vacua est anima mea praeparata et redditur supersunt, La Senza venit, et possident me! Sincere vestrum, Christopher Baxter,’ finished Chris, with a flourish. ‘Bravo Mr Baxter,’ said Ascot McCauley, standing as he clapped enthusiastically. ‘Bravo! ~ T J Brown, #NFDB
140:Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous.
Kai was never nervous.
"I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday."
She swallowed a breath of cool night air. "And ... this is that day?"
His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress."
Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting."
"You have no idea."
She lowered her lashes. "I might have some idea."
Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds.
It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that.
Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand.
Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again.
"Cinder," he said, "will you marry me?"
Absurd, she thought.
The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical.
But it was Kai, and somehow, that also made it exactly right.
"Yes," she whispered. "I will marry you."
Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious.
They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after. ~ Marissa Meyer,#NFDB
141:That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them.
“He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.”
“Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.”
“In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile.
The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!”
Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped.
“I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck.
Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?”
Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!”
“Do you sit?” he asked with what might have been sarcasm.
Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.”
For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish. ~ Judith McNaught,#NFDB
142:Before their chaise drew to a complete halt in front of the house a door was already being flung open, and a tall, stocky man was bouncing down the steps.
“It would appear that our greeting here is going to be far more enthusiastic than the one we received at our last stop,” Elizabeth said in a resolute voice that still shook with nerves as she drew on her gloves, bravely preparing to meet and defy the next obstacle to her happiness and independence.
The door of their chaise was wrenched open with enough force to pull it from its hinges, and a masculine face poked inside. “Lady Elizabeth!” boomed Lord Marchman, his face flushed with eagerness-or drink; Elizabeth wasn’t certain. “This is indeed a long-awaited surprise,” and then, as if dumbstruck by his inane remark, he shook his large head and hastily said, “A long-awaited pleasure, that is! The surprise is that you’ve arrived early.”
Elizabeth firmly repressed a surge of compassion for his obvious embarrassment, along with the thought that he might be rather likeable. “I hope we haven’t inconvenienced you overmuch,” she said.
“Not overmuch. That is,” he corrected, gazing into her wide eyes and feeling himself drowning, “not at all.”
Elizabeth smiled and introduced “Aunt Berta,” then allowed their exuberant host to escort them up the steps. Beside her Berta whispered with some satisfaction, “I think he’s as nervous as I am.”
The interior of the house seemed drab and rather gloomy after the sunny splendor outside. As their host led her forward Elizabeth glimpsed the furnishings in the salon and drawing room-all of which were upholstered in dark leathers that appeared to have once been maroon and brown. Lord Marchman, who was watching her closely and hopefully, glanced about and suddenly saw his home as she must be seeing it. Trying to explain away the inadequacies of his furnishings, he said hastily, “This home is in need of a woman’s touch. I’m an old bachelor, you see, as was my father.”
Berta’s eyes snapped to his face. “Well, I never!” she exclaimed in outraged reaction to his apparent admission of being a bastard.”
“I didn’t mean,” Lord Marchman hastily assured, “that my father was never married. I meant”-he paused to nervously tug on his neckcloth, as if trying to loosen it-“that my mother died when I was very young, and my father never remarried. We lived here together.”
At the juncture of two hallways and the stairs Lord Marchman turned and looked at Berta and Elizabeth. “Would you care for refreshment, or would you rather go straight to bed?”
Elizabeth wanted a rest, and she particularly wanted to spend as little time in his company as was possible. “The latter, if you please.”
“In that case,” he said with a sweeping gesture of his arm toward the staircase, “let’s go.”
Berta let out a gasp of indignant outrage at what she perceived to be a clear indication that he was no better than Sir Francis. “Now see here, milord! I’ve been putting her in bed for nigh onto two score, and I don’t need help from the likes of you!” And then, as if she realized her true station, she ruined the whole magnificent effect by curtsying and adding in a servile whisper, “if you don’t mind, sir.”
“Mind? No, I-“ It finally occurred to John Marchmen what she thought, and he colored up clear to the roots of his hair. “I-I only meant to show you how,” he began, and then he leaned his head back and briefly closed his eyes as if praying for deliverance from his own tongue. “How to find the way,” he finished with a gusty sigh of relief.
Elizabeth was secretly touched by his sincerity and his awkwardness, and were the situation less threatening, she would have gone out of her way to put him at his ease. ~ Judith McNaught,#NFDB
143:A Vision Of Doom
I stood upon a hill. The setting sun
Was crimson with a curse and a portent,
And scarce his angry ray lit up the land
That lay below, whose lurid gloom appeared
Freaked with a moving mist, which, reeking up
From dim tarns hateful with some horrid ban,
Took shapes forbidden and without a name.
Gigantic night-birds, rising from the reeds
With cries discordant, startled all the air,
And bodiless voices babbled in the gloomThe ghosts of blasphemies long ages stilled,
And shrieks of women, and men's curses. All
These visible shapes, and sounds no mortal ear
Had ever heard, some spiritual sense
Interpreted, though brokenly; for I
Was haunted by a consciousness of crime,
Some giant guilt, but whose I knew not. All
These things malign, by sight and sound revealed,
Were sin-begotten; that I knew-no more
And that but dimly, as in dreadful dreams
The sleepy senses babble to the brain
Imperfect witness. As I stood a voice,
But whence it came I knew not, cried aloud
Some words to me in a forgotten tongue,
Yet straight I knew me for a ghost forlorn,
Returned from the illimited inane.
Again, but in a language that I knew,
As in reply to something which in me
Had shaped itself a thought, but found no words,
It spake from the dread mystery about:
'Immortal shadow of a mortal soul
That perished with eternity, attend.
What thou beholdest is as void as thou:
The shadow of a poet's dream-himself
As thou, his soul as thine, long dead,
But not like thine outlasted by its shade.
His dreams alone survive eternity
As pictures in the unsubstantial void.
Excepting thee and me (and we because
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The poet wove us in his thought) remains
Of nature and the universe no part
Or vestige but the poet's dreams. This dread,
Unspeakable land about thy feet, with all
Its desolation and its terrors-lo!
'T is but a phantom world. So long ago
That God and all the angels since have died
That poet lived-yourself long dead-his mind
Filled with the light of a prophetic fire,
And standing by the Western sea, above
The youngest, fairest city in the world,
Named in another tongue than his for one
Ensainted, saw its populous domain
Plague-smitten with a nameless shame. For there
Red-handed murder rioted; and there
The people gathered gold, nor cared to loose
The assassin's fingers from the victim's throat,
But said, each in his vile pursuit engrossed:
'Am I my brother's keeper? Let the Law
Look to the matter.' But the Law did not.
And there, O pitiful! the babe was slain
Within its mother's breast and the same grave
Held babe and mother; and the people smiled,
Still gathering gold, and said: 'The Law, the Law,'
Then the great poet, touched upon the lips
With a live coal from Truth's high altar, raised
His arms to heaven and sang a song of doom
Sang of the time to be, when God should lean
Indignant from the Throne and lift his hand,
And that foul city be no more!-a tale,
A dream, a desolation and a curse!
No vestige of its glory should survive
In fact or memory: its people dead,
Its site forgotten, and its very name
Disputed.'
'Was the prophecy fulfilled?'
The sullen disc of the declining sun
Was crimson with a curse and a portent,
And scarce his angry ray lit up the land
That lay below, whose lurid gloom appeared
Freaked with a moving mist, which, reeking up
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From dim tarns hateful with a horrid ban,
Took shapes forbidden and without a name.
Gigantic night-birds, rising from the reeds
With cries discordant, startled all the air,
And bodiless voices babbled in the gloom.
But not to me came any voice again;
And, covering my face with thin, dead hands,
I wept, and woke, and cried aloud to God!
~ Ambrose Bierce,#NFDB
144:Why are They Converting to Islam? - Op-Eds - Arutz Sheva One of the things that worries the West is the fact that hundreds and maybe even thousands of young Europeans are converting to Islam, and some of them are joining terror groups and ISIS and returning to promote Jihad against the society in which they were born, raised and educated. The security problem posed by these young people is a serious one, because if they hide their cultural identity, it is extremely difficult for Western security forces to identify them and their evil intentions. This article will attempt to clarify the reasons that impel these young people to convert to Islam and join terrorist organizations. The sources for this article are recordings made by the converts themselves, and the words they used, written here, are for the most part unedited direct quotations. Muslim migration to Europe, America and Australia gain added significance in that young people born in these countries are exposed to Islam as an alternative to the culture in which they were raised. Many of the converts are convinced that Islam is a religion of peace, love, affection and friendship, based on the generous hospitality and warm welcome they receive from the Moslem friends in their new social milieu. In many instances, a young person born into an individualistic, cold and alienating society finds that Muslim society provides – at college, university or community center – a warm embrace, a good word, encouragement and help, things that are lacking in the society from which he stems. The phenomenon is most striking in the case of those who grew up in dysfunctional families or divorced homes, whose parents are alcoholics, drug addicts, violent and abusive, or parents who take advantage of their offspring and did not give their children a suitable emotional framework and model for building a normative, productive life. The convert sees his step as a mature one based on the right of an individual to determine his own religious and cultural identity, even if the family and society he is abandoning disagree. Sometimes converting to Islam is a form of parental rebellion. Often, the convert is spurned by his family and surrounding society for his decision, but the hostility felt towards Islam by his former environment actually results in his having more confidence in the need for his conversion. Anything said against conversion to Islam is interpreted as unjustified racism and baseless Islamophobia. The Islamic convert is told by Muslims that Islam respects the prophets of its mother religions, Judaism and Christianity, is in favor of faith in He Who dwells on High, believes in the Day of Judgment, in reward and punishment, good deeds and avoiding evil. He is convinced that Islam is a legitimate religion as valid as Judaism and Christianity, so if his parents are Jewish or Christian, why can't he become Muslim? He sees a good many positive and productive Muslims who benefit their society and its economy, who have integrated into the environment in which he was raised, so why not emulate them? Most Muslims are not terrorists, so neither he nor anyone should find his joining them in the least problematic. Converts to Islam report that reading the Koran and uttering the prayers add a spiritual meaning to their lives after years of intellectual stagnation, spiritual vacuum and sinking into a materialistic and hedonistic lifestyle. They describe the switch to Islam in terms of waking up from a bad dream, as if it is a rite of passage from their inane teenage years. Their feeling is that the Islamic religion has put order into their lives, granted them a measuring stick to assess themselves and their behavior, and defined which actions are allowed and which are forbidden, as opposed to their "former" society, which couldn't or wouldn't lay down rules. They are willing to accept the limitations Islamic law places on Muslims, thereby "putting order into their lives" after "a life of in ~ Anonymous, #NFDB
145:Lucretius
Lucilla, wedded to Lucretius, found
Her master cold; for when the morning flush
Of passion and the first embrace had died
Between them, tho' he loved her none the less,
Yet often when the woman heard his foot
Return from pacings in the field, and ran
To greet him with a kiss, the master took
Small notice, or austerely, for his mind
Half buried in some weightier argument,
Or fancy-borne perhaps upon the rise
And long roll of the hexameter -- he past
To turn and ponder those three hundred scrolls
Left by the Teacher, whom he held divine.
She brook'd it not, but wrathful, petulant
Dreaming some rival, sought and found a witch
Who brew'd the philtre which had power, they said
To lead an errant passion home again.
And this, at times, she mingled with his drink,
And this destroy'd him; for the wicked broth
Confused the chemic labor of the blood,
And tickling the brute brain within the man's
Made havoc among those tender cells, and check'd
His power to shape. He loathed himself, and once
After a tempest woke upon a morn
That mock'd him with returning calm, and cried:
"Storm in the night! for thrice I heard the rain
Rushing; and once the flash of a thunderbolt -Methought I never saw so fierce a fork -Struck out the streaming mountain-side, and show'd
A riotous confluence of watercourses
Blanching and billowing in a hollow of it,
Where all but yester-eve was dusty-dry.
"Storm, and what dreams, ye holy Gods, what dreams!
For thrice I waken'd after dreams. Perchance
We do but recollect the dreams that come
Just ere the waking. Terrible: for it seem'd
A void was made in Nature, all her bonds
338
Crack'd; and I saw the flaring atom-streams
And torrents of her myriad universe,
Ruining along the illimitable inane,
Fly on to clash together again, and make
Another and another frame of things
For ever. That was mine, my dream, I knew it -Of and belonging to me, as the dog
With inward yelp and restless forefoot plies
His function of the woodland; but the next!
I thought that all the blood by Sylla shed
Came driving rainlike down again on earth,
And where it dash'd the reddening meadow, sprang
No dragon warriors from Cadmean teeth,
For these I thought my dream would show to me,
But girls, Hetairai, curious in their art,
Hired animalisms, vile as those that made
The mulberry-faced Dictator's orgies worse
Than aught they fable of the quiet Gods.
And hands they mixt, and yell'd and round me drove
In narrowing circles till I yell'd again
Half-suffocated, and sprang up, and saw -Was it the first beam of my latest day?
"Then, then, from utter gloom stood out the
The breasts of Helen, and hoveringly a sword
Now over and now under, now direct,
Pointed itself to pierce, but sank down shamed
At all that beauty; and as I stared, a fire,
The fire that left a roofless Ilion,
Shot out of them, and scorch'd me that I woke.
"Is this thy vengeance, holy Venus, thine,
Because I would not one of thine own doves,
Not even a rose, were offered to thee? thine,
Forgetful how my rich proemion makes
Thy glory fly along the Italian field,
In lays that will outlast thy deity?
"Deity? nay, thy worshippers. My tongue
Trips, or I speak profanely. Which of these
Angers thee most, or angers thee at all?
Not if thou be'st of those who, far aloof
339
From envy, hate and pity, and spite and scorn,
Live the great life which all our greatest fain
Would follow, centred in eternal calm.
"Nay, if thou canst,
Goddess, like ourselves
Touch, and be touch'd, then would I cry to thee
To kiss thy Mavors, roll thy tender arms
Round him, and keep him from the lust of blood
That makes a steaming slaughter-house of Rome.
"Ay, but I meant not thee; I meant riot her
Whom all the pines of Ida shook to see
Slide from that quiet heaven of hers, and tempt
The Trojan, while his neatherds were abroad
Nor her that o'er her wounded hunter wept
Her deity false in human-amorous tears;
Nor whom her beardless apple-arbiter
Decided fairest. Rather, O ye Gods,
Poet-like, as the great Sicilian called
Calliope to grace his golden verse -Ay, and this Kypris also -- did I take
That popular name of thine to shadow forth
The all-generating powers and genial heat
Of Nature, when she strikes thro' the thick blood
Of cattle, and light is large, and lambs are glad
Nosing the mother's udder, and the bird
Makes his heart voice amid the blaze of flowers;
Which things appear the work of mighty Gods.
"The Gods! and if I go my work is left
Unfinish'd -- if I go. The Gods, who haunt
The lucid interspace of world and world,
Where never creeps a cloud, or moves a wind,
Nor ever falls the least white star of mow
Nor ever lowest roll of thunder moans,
Nor sound of human sorrow mounts to mar
Their sacred everlasting calm! and such,
Not all so fine, nor so divine a calm
Not such, nor all unlike it, man may gain
Letting his own life go. The Gods, the Godsl
If all be atoms, how then should the Gods
340
Being atomic not be dissoluble,
Not follow the great law? My master held
That Gods there are, for all men so believe.
I prest my footsteps into his, and meant
Surely to lead my Memmius in a train
Of fiowery clauses onward to the proof
That Gods there are, and deathless. Meant? I meant?
I have forgotten what I meant, my mind
Stumbles, and all my faculties are lamed.
"Look where another of our Gods, the Sun
Apollo, Delius, or of older use
All-seeing Hyperion -- what you will -Has mounted yonder; since he never sware,
Except his wrath were wreak'd on wretched man,
That he would only shine among the dead
Hereafter -- tales! for never yet on earth
Could dead flesh creep, or bits of roasting ox
Moan round the spit -- nor knows he what he sees;
King of the East altho' he seem, and girt
With song and flame and fragrance, slowly lifts
His golden feet on those empurpled stairs
That climb into the windy halls of heaven
And here he glances on an eye new-born,
And gets for greeting but a wail of pain;
And here he stays upon a freezing orb
That fain would gaze upon him to the last;
And here upon a yellow eyelid fallen
And closed by those who mourn a friend in vain,
Not thankful that his troubles are no more.
And me, altho' his fire is on my face
Blinding, he sees not, nor at all can tell
Whether I mean this day to end myself.
Or lend an ear to Plato where he says,
That men like soldiers may not quit the post
Allotted by the Gods. But he that holds
The Gods are careless, wherefore need he care
Greatly for them, nor rather plunge at once,
Being troubled, wholly out of sight, and sink
Past earthquake -- ay, and gout and stone, that break
Body toward death, and palsy, death-in-life,
And wretched age -- and worst disease of all,
341
These prodigies of myriad nakednesses,
And twisted shapes of lust, unspeakable,
Abominable, strangers at my hearth
Not welcome, harpies miring every dish,
The phantom husks of something foully done,
And fleeting thro' the boundless universe,
And blasting the long quiet of my breast
With animal heat and dire insanity?
"How should the mind, except it loved them, clasp
These idols to herself? or do they fly
Now thinner, and now thicker, like the flakes
In a fall of snow, and so press in, perforce
Of multitude, as crowds that in an hour
Of civic tumult jam the doors, and bear
The keepers down, and throng, their rags and the
The basest, far into that council-hall
Where sit the best and stateliest of the land?
³Can I not fling this horror off me again,
Seeing with how great ease Nature can smile
Balmier and nobler from her bath of storm,
At random ravage? and how easily
The mountain there has cast his cloudy slough,
Now towering o'er him in serenest air,
A mountain o'er a mountain, -- ay, and within
All hollow as the hopes and fears of men?
"But who was he that in the garden snared
Picus and Faunus, rustic Gods? a tale
To laugh at -- more to laugh at in myself -For look! what is it? there? yon arbutus
Totters; a noiseless riot underneath
Strikes through the wood, sets all the tops quivering -- ;
The mountain quickens into Nymph and Faun,
And here an Oread -- how the sun delights
To glance and shift about her slippery sides,
And rosy knees and supple roundedness,
And budded bosom-peaks -- who this way runs
Before the rest! -- a satyr, a satyr, see,
Follows; but him I proved impossible
Twy-natured is no nature. Yet he draws
342
Nearer and nearer, and I scan him now
Beastlier than any phantom of his kind
That ever butted his rough brother-brute
For lust or lusty blood or provender.
I hate, abhor, spit, sicken at him; and she
Loathes him as well; such a precipitate heel,
Fledged as it were with Mercury's ankle-wing,
Whirls her to me -- ;but will she fling herself
Shameless upon me? Catch her, goatfoot! nay,
Hide, hide them, million-myrtled wilderness,
And cavern-shadowing laurels, hide! do I wish -What? -- ;that the bush were leafless? or to whelm
All of them in one massacre? O ye Gods
I know you careless, yet, behold, to you
From childly wont and ancient use I call -I thought I lived securely as yourselves -No lewdness, narrowing envy, monkey-spite,
No madness of ambition, avarice, none;
No larger feast than under plane or pine
With neighbors laid along the grass, to take
Only such cups as left us friendly-warm,
Affirming each his own philosophy
Nothing to mar the sober majesties
Of settled, sweet, Epicurean life.
But now it seems some unseen monster lays
His vast and filthy hands upon my will,
Wrenching it backward into his, and spoils
My bliss in being; and it was not great,
For save when shutting reasons up in rhythm,
Or Heliconian honey in living words,
To make a truth less harsh, I often grew
Tired of so much within our little life
Or of so little in our little life -Poor little life that toddles half an hour
Crown'd with a flower or two, and there an end -And since the nobler pleasure seems to fade,
Why should I, beastlike as I find myself,
Not manlike end myself? -- our privilege -- ;
What beast has heart to do it? And what man
What Roman would be dragg'd in triumph thus?
Not I; not he, who bears one name with her
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Whose death-blow struck the dateless doom of kings,
When, brooking not the Tarquin in her veins,
She made her blood in sight of Collatine
And all his peers, flushing the guiltless air,
Spout from the maiden fountain in her heart.
And from it sprang the Commonwealth, which breaks
As I am breaking now!
"And therefore now
Let her, that is the womb and tomb of all
Great Nature, take, and forcing far apart
Those blind beginnings that have made me man,
Dash them anew together at her will
Thro' all her cycles -- into man once more,
Or beast or bird or fish, or opulent flower.
But till this cosmic order everywhere
Shatter'd into one earthquake m one day
Cracks all to pieces, -- and that hour perhaps
Is not so far when momentary man
Shall seem no more a something to himself,
But he, his hopes and hates, his homes and fanes
And even his bones long laid within the grave,
The very sides of the grave itself shall pass,
Vanishing, atom and void, atom and void,
Into the unseen for ever, -- till that hour,
My golden work in which I told a truth
That stays the rolling Ixionian wheel,
And numbs the Fury's ringlet-snake, and plucks
The mortal soul from out immortal hell
Shall stand. Ay, surely; then it fails at last
And perishes as I must, for O Thou
Passionless bride, divine Tranquillity,
Yearn'd after by the wisest of the wise
Who fail to find thee, being as thou art
Without one pleasure and without one pain,
Howbeit I know thou surely must be mine
Or soon or late, yet out of season, thus
I woo thee roughly, for thou carest not
How roughly men may woo thee so they win -- ;
Thus -- thus -- the soul flies out and dies in the air
With that he drove the knife into his side.
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She heard him raging, heard him fall, ran in,
Beat breast, tore hair, cried out upon herself
As having fail'd in duty to him, shriek'd
That she but meant to win him back, fell on him
Clasp'd, kiss'd him, wail'd. He answer'd, "Care not thou!
Thy duty? What is duty? Fare thee well!"
~ Alfred Lord Tennyson,#NFDB
146:The Botanic Garden( Part I)
The Economy Of Vegetation
Canto I
STAY YOUR RUDE STEPS! whose throbbing breasts infold
The legion-fiends of Glory, or of Gold!
Stay! whose false lips seductive simpers part,
While Cunning nestles in the harlot-heart!For you no Dryads dress the roseate bower,
For you no Nymphs their sparkling vases pour;
Unmark'd by you, light Graces swim the green,
And hovering Cupids aim their shafts, unseen.
'But THOU! whose mind the well-attemper'd ray
Of Taste and Virtue lights with purer day;
Whose finer sense each soft vibration owns
With sweet responsive sympathy of tones;
So the fair flower expands it's lucid form
To meet the sun, and shuts it to the storm;For thee my borders nurse the fragrant wreath,
My fountains murmur, and my zephyrs breathe;
Slow slides the painted snail, the gilded fly
Smooths his fine down, to charm thy curious eye;
On twinkling fins my pearly nations play,
Or win with sinuous train their trackless way;
My plumy pairs in gay embroidery dress'd
Form with ingenious bill the pensile nest,
To Love's sweet notes attune the listening dell,
And Echo sounds her soft symphonious shell.
'And, if with Thee some hapless Maid should stray,
Disasterous Love companion of her way,
Oh, lead her timid steps to yonder glade,
Whose arching cliffs depending alders shade;
There, as meek Evening wakes her temperate breeze,
And moon-beams glimmer through the trembling trees,
The rills, that gurgle round, shall soothe her ear,
The weeping rocks shall number tear for tear;
There as sad Philomel, alike forlorn,
Sings to the Night from her accustomed thorn;
While at sweet intervals each falling note
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Sighs in the gale, and whispers round the grot;
The sister-woe shall calm her aching breast,
And softer slumbers steal her cares to rest.'Winds of the North! restrain your icy gales,
Nor chill the bosom of these happy vales!
Hence in dark heaps, ye gathering Clouds, revolve!
Disperse, ye Lightnings! and, ye Mists, dissolve!
-Hither, emerging from yon orient skies,
BOTANIC GODDESS! bend thy radiant eyes;
O'er these soft scenes assume thy gentle reign,
Pomona, Ceres, Flora in thy train;
O'er the still dawn thy placid smile effuse,
And with thy silver sandals print the dews;
In noon's bright blaze thy vermil vest unfold,
And wave thy emerald banner star'd with gold.'
Thus spoke the GENIUS, as He stept along,
And bade these lawns to Peace and Truth belong;
Down the steep slopes He led with modest skill
The willing pathway, and the truant rill,
Stretch'd o'er the marshy vale yon willowy mound,
Where shines the lake amid the tufted ground,
Raised the young woodland, smooth'd the wavy green,
And gave to Beauty all the quiet scene.She comes!-the GODDESS!-through the whispering air,
Bright as the morn, descends her blushing car;
Each circling wheel a wreath of flowers intwines,
And gem'd with flowers the silken harness shines;
The golden bits with flowery studs are deck'd,
And knots of flowers the crimson reins connect.And now on earth the silver axle rings,
And the shell sinks upon its slender springs;
Light from her airy seat the Goddess bounds,
And steps celestial press the pansied grounds.
Fair Spring advancing calls her feather'd quire,
And tunes to softer notes her laughing lyre;
Bids her gay hours on purple pinions move,
And arms her Zephyrs with the shafts of Love,
Pleased GNOMES, ascending from their earthy beds,
Play round her graceful footsteps, as she treads;
Gay SYLPHS attendant beat the fragrant air
On winnowing wings, and waft her golden hair;
Blue NYMPHS emerging leave their sparkling streams,
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And FIERY FORMS alight from orient beams;
Musk'd in the rose's lap fresh dews they shed,
Or breathe celestial lustres round her head.
First the fine Forms her dulcet voice requires,
Which bathe or bask in elemental fires;
From each bright gem of Day's refulgent car,
From the pale sphere of every twinkling star,
From each nice pore of ocean, earth, and air,
With eye of flame the sparkling hosts repair,
Mix their gay hues, in changeful circles play,
Like motes, that tenant the meridian ray.So the clear Lens collects with magic power
The countless glories of the midnight hour;
Stars after stars with quivering lustre fall,
And twinkling glide along the whiten'd wall.Pleased, as they pass, she counts the glittering bands,
And stills their murmur with her waving hands;
Each listening tribe with fond expectance burns,
And now to these, and now to those, she turns.
I. 'NYMPHS OF PRIMEVAL FIRE! YOUR vestal train
Hung with gold-tresses o'er the vast inane,
Pierced with your silver shafts the throne of Night,
And charm'd young Nature's opening eyes with light;
When LOVE DIVINE, with brooding wings unfurl'd,
Call'd from the rude abyss the living world.
'-LET THERE BE LIGHT!' proclaim'd the ALMIGHTY LORD,
Astonish'd Chaos heard the potent word;Through all his realms the kindling Ether runs,
And the mass starts into a million suns;
Earths round each sun with quick explosions burst,
And second planets issue from the first;
Bend, as they journey with projectile force,
In bright ellipses their reluctant course;
Orbs wheel in orbs, round centres centres roll,
And form, self-balanced, one revolving Whole.
-Onward they move amid their bright abode,
Space without bound, THE BOSOM OF THEIR GOD!
II. 'ETHEREAL POWERS! YOU chase the shooting stars,
Or yoke the vollied lightenings to your cars,
Cling round the aërial bow with prisms bright,
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And pleased untwist the sevenfold threads of light;
Eve's silken couch with gorgeous tints adorn,
And fire the arrowy throne of rising Morn.
-OR, plum'd with flame, in gay battalion's spring
To brighter regions borne on broader wing;
Where lighter gases, circumfused on high,
Form the vast concave of exterior sky;
With airy lens the scatter'd rays assault,
And bend the twilight round the dusky vault;
Ride, with broad eye and scintillating hair,
The rapid Fire-ball through the midnight air;
Dart from the North on pale electric streams,
Fringing Night's sable robe with transient beams.
-OR rein the Planets in their swift careers,
Gilding with borrow'd light their twinkling spheres;
Alarm with comet-blaze the sapphire plain,
The wan stars glimmering through its silver train;
Gem the bright Zodiac, stud the glowing pole,
Or give the Sun's phlogistic orb to roll.
III. NYMPHS! YOUR fine forms with steps impassive mock
Earth's vaulted roofs of adamantine rock;
Round her still centre tread the burning soil,
And watch the billowy Lavas, as they boil;
Where, in basaltic caves imprison'd deep,
Reluctant fires in dread suspension sleep;
Or sphere on sphere in widening waves expand,
And glad with genial warmth the incumbent land.
So when the Mother-bird selects their food
With curious bill, and feeds her callow brood;
Warmth from her tender heart eternal springs,
And pleased she clasps them with extended wings.
'YOU from deep cauldrons and unmeasured caves
Blow flaming airs, or pour vitrescent waves;
O'er shining oceans ray volcanic light,
Or hurl innocuous embers to the night.While with loud shouts to Etna Heccla calls,
And Andes answers from his beacon'd walls;
Sea-wilder'd crews the mountain-stars admire,
And Beauty beams amid tremendous fire.
'Thus when of old, as mystic bards presume,
Huge CYCLOPS dwelt in Etna's rocky womb,
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On thundering anvils rung their loud alarms,
And leagued with VULCAN forged immortal arms;
Descending VENUS sought the dark abode,
And sooth'd the labours of the grisly God.While frowning Loves the threatening falchion wield,
And tittering Graces peep behind the shield,
With jointed mail their fairy limbs o'erwhelm,
Or nod with pausing step the plumed helm;
With radiant eye She view'd the boiling ore,
Heard undismay'd the breathing bellows roar,
Admired their sinewy arms, and shoulders bare,
And ponderous hammers lifted high in air,
With smiles celestial bless'd their dazzled sight,
And Beauty blazed amid infernal night.
IV. 'EFFULGENT MAIDS! YOU round deciduous day,
Tressed with soft beams, your glittering bands array;
On Earth's cold bosom, as the Sun retires,
Confine with folds of air the lingering fires;
O'er Eve's pale forms diffuse phosphoric light,
And deck with lambent flames the shrine of Night.
So, warm'd and kindled by meridian skies,
And view'd in darkness with dilated eyes,
BOLOGNA'S chalks with faint ignition blaze,
BECCARI'S shells emit prismatic rays.
So to the sacred Sun in MEMNON's fane,
Spontaneous concords quired the matin strain;
-Touch'd by his orient beam, responsive rings
The living lyre, and vibrates all it's strings;
Accordant ailes the tender tones prolong,
And holy echoes swell the adoring song.
'YOU with light Gas the lamps nocturnal feed,
Which dance and glimmer o'er the marshy mead;
Shine round Calendula at twilight hours,
And tip with silver all her saffron flowers;
Warm on her mossy couch the radiant Worm,
Guard from cold dews her love-illumin'd form,
From leaf to leaf conduct the virgin light,
Star of the earth, and diamond of the night.
You bid in air the tropic Beetle burn,
And fill with golden flame his winged urn;
Or gild the surge with insect-sparks, that swarm
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Round the bright oar, the kindling prow alarm;
Or arm in waves, electric in his ire,
The dread Gymnotus with ethereal fire.Onward his course with waving tail he helms,
And mimic lightenings scare the watery realms,
So, when with bristling plumes the Bird of JOVE
Vindictive leaves the argent fields above,
Borne on broad wings the guilty world he awes,
And grasps the lightening in his shining claws.
V. 1. 'NYMPHS! Your soft smiles uncultur'd man subdued,
And charm'd the Savage from his native wood;
You, while amazed his hurrying Hords retire
From the fell havoc of devouring FIRE,
Taught, the first Art! with piny rods to raise
By quick attrition the domestic blaze,
Fan with soft breath, with kindling leaves provide,
And lift the dread Destroyer on his side.
So, with bright wreath of serpent-tresses crown'd,
Severe in beauty, young MEDUSA frown'd;
Erewhile subdued, round WISDOM'S Aegis roll'd
Hiss'd the dread snakes, and flam'd in burnish'd gold;
Flash'd on her brandish'd arm the immortal shield,
And Terror lighten'd o'er the dazzled field.
2. NYMPHS! YOU disjoin, unite, condense, expand,
And give new wonders to the Chemist's hand;
On tepid clouds of rising steam aspire,
Or fix in sulphur all it's solid fire;
With boundless spring elastic airs unfold,
Or fill the fine vacuities of gold;
With sudden flash vitrescent sparks reveal,
By fierce collision from the flint and steel;
Or mark with shining letter KUNKEL's name
In the pale Phosphor's self-consuming flame.
So the chaste heart of some enchanted Maid
Shines with insidious light, by Love betray'd;
Round her pale bosom plays the young Desire,
And slow she wastes by self-consuming fire.
3. 'YOU taught mysterious BACON to explore
Metallic veins, and part the dross from ore;
With sylvan coal in whirling mills combine
The crystal'd nitre, and the sulphurous mine;
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Through wiry nets the black diffusion strain,
And close an airy ocean in a grain.Pent in dark chambers of cylindric brass
Slumbers in grim repose the sooty mass;
Lit by the brilliant spark, from grain to grain
Runs the quick fire along the kindling train;
On the pain'd ear-drum bursts the sudden crash,
Starts the red flame, and Death pursues the flash.Fear's feeble hand directs the fiery darts,
And Strength and Courage yield to chemic arts;
Guilt with pale brow the mimic thunder owns,
And Tyrants tremble on their blood-stain'd thrones.
VI. NYMPHS! You erewhile on simmering cauldrons play'd,
And call'd delighted SAVERY to your aid;
Bade round the youth explosive STEAM aspire
In gathering clouds, and wing'd the wave with fire;
Bade with cold streams the quick expansion stop,
And sunk the immense of vapour to a drop.Press'd by the ponderous air the Piston falls
Resistless, sliding through it's iron walls;
Quick moves the balanced beam, of giant-birth,
Wields his large limbs, and nodding shakes the earth.
'The Giant-Power from earth's remotest caves
Lifts with strong arm her dark reluctant waves;
Each cavern'd rock, and hidden den explores,
Drags her dark coals, and digs her shining ores.Next, in close cells of ribbed oak confined,
Gale after gale, He crowds the struggling wind;
The imprison'd storms through brazen nostrils roar,
Fan the white flame, and fuse the sparkling ore.
Here high in air the rising stream He pours
To clay-built cisterns, or to lead-lined towers;
Fresh through a thousand pipes the wave distils,
And thirsty cities drink the exuberant rills.There the vast mill-stone with inebriate whirl
On trembling floors his forceful fingers twirl.
Whose flinty teeth the golden harvests grind,
Feast without blood! and nourish human-kind.
'Now his hard hands on Mona's rifted crest,
Bosom'd in rock, her azure ores arrest;
With iron lips his rapid rollers seize
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The lengthening bars, in thin expansion squeeze;
Descending screws with ponderous fly-wheels wound
The tawny plates, the new medallions round;
Hard dyes of steel the cupreous circles cramp,
And with quick fall his massy hammers stamp.
The Harp, the Lily and the Lion join,
And GEORGE and BRITAIN guard the sterling coin.
'Soon shall thy arm, UNCONQUER'D STEAM! afar
Drag the slow barge, or drive the rapid car;
Or on wide-waving wings expanded bear
The flying-chariot through the fields of air.
-Fair crews triumphant, leaning from above,
Shall wave their fluttering kerchiefs as they move;
Or warrior-bands alarm the gaping crowd,
And armies shrink beneath the shadowy cloud.
'So mighty HERCULES o'er many a clime
Waved his vast mace in Virtue's cause sublime,
Unmeasured strength with early art combined,
Awed, served, protected, and amazed mankind.First two dread Snakes at JUNO'S vengeful nod
Climb'd round the cradle of the sleeping God;
Waked by the shrilling hiss, and rustling sound,
And shrieks of fair attendants trembling round,
Their gasping throats with clenching hands he holds;
And Death untwists their convoluted folds.
Next in red torrents from her sevenfold heads
Fell HYDRA'S blood on Lerna's lake he sheds;
Grasps ACHELOUS with resistless force,
And drags the roaring River to his course;
Binds with loud bellowing and with hideous yell
The monster Bull, and threefold Dog of Hell.
'Then, where Nemea's howling forests wave,
He drives the Lion to his dusky cave;
Seized by the throat the growling fiend disarms,
And tears his gaping jaws with sinewy arms;
Lifts proud ANTEUS from his mother-plains,
And with strong grasp the struggling Giant strains;
Back falls his fainting head, and clammy hair,
Writhe his weak limbs, and flits his life in air;By steps reverted o'er the blood-dropp'd fen
He tracks huge CACUS to his murderous den;
Where breathing flames through brazen lips he fled,
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And shakes the rock-roof'd cavern o'er his head.
'Last with wide arms the solid earth He tears,
Piles rock on rock, on mountain mountain rears;
Heaves up huge ABYLA on Afric's sand,
Crowns with high CALPÈ Europe's saliant strand,
Crests with opposing towers the splendid scene,
And pours from urns immense the sea between.-Loud o'er her whirling flood Charybdis roars,
Affrighted Scylla bellows round his shores,
Vesuvio groans through all his echoing caves,
And Etna thunders o'er the insurgent waves.
VII. 1. NYMPHS! YOUR fine hands ethereal floods amass
From the warm cushion, and the whirling glass;
Beard the bright cylinder with golden wire,
And circumfuse the gravitating fire.
Cold from each point cerulean lustres gleam,
Or shoot in air the scintillating stream.
So, borne on brazen talons, watch'd of old
The sleepless dragon o'er his fruits of gold;
Bright beam'd his scales, his eye-balls blazed with ire,
And his wide nostrils breath'd inchanted fire.
'YOU bid gold-leaves, in crystal lantherns held,
Approach attracted, and recede repel'd;
While paper-nymphs instinct with motion rife,
And dancing fauns the admiring Sage surprize.
OR, if on wax some fearless Beauty stand,
And touch the sparkling rod with graceful hand;
Through her fine limbs the mimic lightnings dart,
And flames innocuous eddy round her heart;
O'er her fair brow the kindling lustres glare,
Blue rays diverging from her bristling hair;
While some fond Youth the kiss ethereal sips.
And soft fires issue from their meeting lips.
So round the virgin Saint in silver streams
The holy Halo shoots it's arrowy beams.
'YOU crowd in coated jars the denser fire,
Pierce the thin glass, and fuse the blazing wire;
Or dart the red flash through the circling band
Of youths and timorous damsels, hand in hand.
-Starts the quick Ether through the fibre-trains
Of dancing arteries, and of tingling veins,
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Goads each fine nerve, with new sensation thrill'd,
Bends the reluctant limbs with power unwill'd;
Palsy's cold hands the fierce concussion own,
And Life clings trembling on her tottering throne.So from dark clouds the playful lightning springs,
Rives the firm oak, or prints the Fairy-rings.
2. NYMPHS! on that day YE shed from lucid eyes.
Celestial tears, and breathed ethereal sighs!
When RICHMAN rear'd, by fearless haste betrayed,
The wiry rod in Nieva's fatal shade;Clouds o'er the Sage, with fringed skirts succeed,
Flash follows flash, the warning corks recede;
Near and more near He ey'd with fond amaze
The silver streams, and watch'd the saphire blaze;
Then burst the steel, the dart electric sped,
And the bold Sage lay number'd with the dead!NYMPHS! on that day YE shed from lucid eyes
Celestial tears, and breathed ethereal sighs!
3. 'YOU led your FRANKLIN to your glazed retreats,
Your air-built castles, and your silken seats;
Bade his bold arm invade the lowering sky,
And seize the tiptoe lightnings, ere they fly;
O'er the young Sage your mystic mantle spread,
And wreath'd the crown electric round his head.Thus when on wanton wing intrepid LOVE
Snatch'd the raised lightning from the arm of JOVE;
Quick o'er his knee the triple bolt He bent,
The cluster'd darts and forky arrows rent,
Snapp'd with illumin'd hands each flaming shaft,
His tingling fingers shook, and stamp'd, and laugh'd;
Bright o'er the floor the scatter'd fragments blaz'd,
And Gods retreating trembled as they gaz'd;
The immortal Sire, indulgent to his child,
Bow'd his ambrosial locks, and Heaven relenting smiled.
VIII. 'When Air's pure essence joins the vital flood,
And with phosphoric Acid dyes the blood,
YOUR VIRGIN TRAINS the transient HEAT dispart,
And lead the soft combustion round the heart;
Life's holy lamp with fires successive feed,
From the crown'd forehead to the prostrate weed,
From Earth's proud realms to all that swim or sweep
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The yielding ether or tumultuous deep.
You swell the bulb beneath the heaving lawn,
Brood the live seed, unfold the bursting spawn;
Nurse with soft lap, and warm with fragrant breath
The embryon panting in the arms of Death;
Youth's vivid eye with living light adorn,
And fire the rising blush of Beauty's golden morn.
'Thus when the Egg of Night, on Chaos hurl'd,
Burst, and disclosed the cradle of the world;
First from the gaping shell refulgent sprung
IMMORTAL LOVE, his bow celestial strung;O'er the wide waste his gaudy wings unfold,
Beam his soft smiles, and wave his curls of gold;With silver darts He pierced the kindling frame,
And lit with torch divine the ever-living flame.'
IX. The GODDESS paused, admired with conscious pride
The effulgent legions marshal'd by her side,
Forms sphered in fire with trembling light array'd,
Ens without weight, and substance without shade;
And, while tumultuous joy her bosom warms,
Waves her white hand, and calls her hosts to arms,
'Unite, ILLUSTRIOUS NYMPHS! your radiant powers,
Call from their long repose the VERNAL HOURS.
Wake with soft touch, with rosy hands unbind
The struggling pinions of the WESTERN WIND;
Chafe his wan cheeks, his ruffled plumes repair,
And wring the rain-drops from his tangled hair.
Blaze round each frosted rill, or stagnant wave,
And charm the NAIAD from her silent cave;
Where, shrined in ice, like NIOBE she mourns,
And clasps with hoary arms her empty urns.
Call your bright myriads, trooping from afar,
With beamy helms, and glittering shafts of war;
In phalanx firm the FIEND OF FROST assail,
Break his white towers, and pierce his crystal mail;
To Zembla's moon-bright coasts the Tyrant bear,
And chain him howling to the Northern Bear.
'So when enormous GRAMPUS, issuing forth
From the pale regions of the icy North;
Waves his broad tail, and opes his ribbed mouth,
And seeks on winnowing fin the breezy South;
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From towns deserted rush the breathless hosts,
Swarm round the hills, and darken all the coasts;
Boats follow boats along the shouting tides,
And spears and javelins pierce his blubbery sides;
Now the bold Sailor, raised on pointed toe,
Whirls the wing'd harpoon on the slimy foe;
Quick sinks the monster in his oozy bed,
The blood-stain'd surges circling o'er his head,
Steers to the frozen pole his wonted track,
And bears the iron tempest on his back.
X. 'On wings of flame, ETHEREAL VIRGINS! sweep
O'er Earth's fair bosom, and complacent deep;
Where dwell my vegetative realms benumb'd,
In buds imprison'd, or in bulbs intomb'd,
Pervade, PELLUCID FORMS! their cold retreat,
Ray from bright urns your viewless floods of
heat
From earth's deep wastes
electric
torrents pour,
Or shed from heaven the scintillating shower;
Pierce the dull root, relax its fibre-trains,
Thaw the thick blood, which lingers in its veins;
Melt with warm breath the fragrant gums, that bind
The expanding foliage in its scaly rind;
And as in air the laughing leaflets play,
And turn their shining bosoms to the ray,
NYMPHS! with sweet smile each opening glower invite,
And on its damask eyelids pour the
light
'So shall my pines, Canadian wilds that shade,
Where no bold step has pierc'd the tangled glade,
High-towering palms, that part the Southern flood
With shadowy isles and continents of wood,
Oaks, whose broad antlers crest Britannia's plain,
Or bear her thunders o'er the conquer'd main,
Shout, as you pass, inhale the genial skies,
And bask and brighten in your beamy eyes;
Bow their white heads, admire the changing clime,
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Shake from their candied trunks the tinkling rime;
With bursting buds their wrinkled barks adorn,
And wed the timorous floret to her thorn;
Deep strike their roots, their lengthening tops revive,
And all my world of foliage wave, alive.
'Thus with Hermetic art the ADEPT combines
The royal acid with cobaltic mines;
Marks with quick pen, in lines unseen portrayed,
The blushing mead, green dell, and dusky glade;
Shades with pellucid clouds the tintless field,
And all the future Group exists conceal'd;
Till waked by fire the dawning tablet glows,
Green springs the herb, the purple floret blows,
Hills vales and woods in bright succession rise,
And all the living landscape charms his eyes.
XI. 'With crest of gold should sultry SIRIUS glare,
And with his kindling tresses scorch the air;
With points of flame the shafts of Summer arm,
And burn the beauties he designs to warm;-So erst when JOVE his oath extorted mourn'd,
And clad in glory to the Fair return'd;
While Loves at forky bolts their torches light,
And resting lightnings gild the car of Night;
His blazing form the dazzled Maid admir'd,
Met with fond lips, and in his arms expir'd;NYMPHS! on light pinion lead your banner'd hosts
High o'er the cliffs of ORKNEY'S gulphy coasts;
Leave on your left the red volcanic light,
Which HECCLA lifts amid the dusky night;
Mark on the right the DOFRINE'S snow-capt brow,
Where whirling MAELSTROME roars and foams below;
Watch with unmoving eye, where CEPHEUS bends
His triple crown, his scepter'd hand extends;
Where studs CASSIOPE with stars unknown
Her golden chair, and gems her sapphire zone;
Where with vast convolution DRACO holds
The ecliptic axis in his scaly folds,
O'er half the skies his neck enormous rears,
And with immense meanders parts the BEARS;
Onward, the kindred BEARS with footstep rude
Dance round the Pole, pursuing and pursued.
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'There in her azure coif and starry stole,
Grey TWILIGHT sits, and rules the slumbering Pole;
Bends the pale moon-beams round the sparkling coast,
And strews with livid hands eternal frost.
There, NYMPHS! alight, array your dazzling powers,
With sudden march alarm the torpid Hours;
On ice-built isles expand a thousand sails,
Hinge the strong helms, and catch the frozen gales;
The winged rocks to feverish climates guide,
Where fainting Zephyrs pant upon the tide;
Pass, where to CEUTA CALPE'S thunder roars,
And answering echoes shake the kindred shores;
Pass, where with palmy plumes CANARY smiles,
And in her silver girdle binds her isles;
Onward, where NIGER'S dusky Naiad laves
A thousand kingdoms with prolific waves,
Or leads o'er golden sands her threefold train
In steamy channels to the fervid main,
While swarthy nations croud the sultry coast,
Drink the fresh breeze, and hail the floating Frost,
NYMPHS! veil'd in mist, the melting treasures steer,
And cool with arctic snows the tropic year.
So from the burning Line by Monsoons driven
Clouds sail in squadrons o'er the darken'd heaven;
Wide wastes of sand the gelid gales pervade,
And ocean cools beneath the moving shade.
XII. Should SOLSTICE, stalking through the sickening bowers,
Suck the warm dew-drops, lap the falling showers;
Kneel with parch'd lip, and bending from it's brink
From dripping palm the scanty river drink;
NYMPHS! o'er the soil ten thousand points erect,
And high in air the electric flame collect.
Soon shall dark mists with self-attraction shroud
The blazing day, and sail in wilds of cloud;
Each silvery Flower the streams aerial quaff,
Bow her sweet head, and infant Harvest laugh.
'Thus when ELIJA mark'd from Carmel's brow
In bright expanse the briny flood below;
Roll'd his red eyes amid the scorching air,
Smote his firm breast, and breathed his ardent prayer;
High in the midst a massy altar stood,
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And slaughter'd offerings press'd the piles of wood;
While ISRAEL'S chiefs the sacred hill surround,
And famish'd armies crowd the dusty ground;
While proud Idolatry was leagued with dearth,
And wither'd famine swept the desert earth.'OH, MIGHTY LORD! thy woe-worn servant hear,
'Who calls thy name in agony of prayer;
'Thy fanes dishonour'd, and thy prophets slain,
'Lo! I alone survive of all thy train!'Oh send from heaven thy sacred fire,-and pour
'O'er the parch'd land the salutary shower,'So shall thy Priest thy erring flock recal,'And speak in thunder, 'THOU ART LORD OF ALL.'He cried, and kneeling on the mountain-sands,
Stretch'd high in air his supplicating hands.
-Descending flames the dusky shrine illume;
Fire the wet wood, the sacred bull consume;
Wing'd from the sea the gathering mists arise,
And floating waters darken all the skies;
The King with shifted reins his chariot bends,
And wide o'er earth the airy flood descends;
With mingling cries dispersing hosts applaud,
And shouting nations own THE LIVING GOD.'
The GODDESS ceased,-the exulting tribes obey,
Start from the soil, and win their airy way;
The vaulted skies with streams of transient rays
Shine, as they pass, and earth and ocean blaze.
So from fierce wars when lawless Monarch's cease,
Or Liberty returns with laurel'd Peace;
Bright fly the sparks, the colour'd lustres burn,
Flash follows f
Blue serpents sweep along the dusky air,
Imp'd by long trains of scintillating hair;
Red rockets rise, loud cracks are heard on high,
And showers of stars rush headlong from the sky,
Burst, as in silver lines they hiss along,
And the quick flash unfolds the gazing throng.
~ Erasmus Darwin,#NFDB
147:The Unknown Eros. Book I.
Saint Valentine’s Day
Well dost thou, Love, thy solemn Feast to hold
In vestal February;
Not rather choosing out some rosy day
From the rich coronet of the coming May,
When all things meet to marry!
O, quick, prævernal Power
That signall'st punctual through the sleepy mould
The Snowdrop's time to flower,
Fair as the rash oath of virginity
Which is first-love's first cry;
O, Baby Spring,
That flutter'st sudden 'neath the breast of Earth
A month before the birth;
Whence is the peaceful poignancy,
The joy contrite,
Sadder than sorrow, sweeter than delight,
That burthens now the breath of everything,
Though each one sighs as if to each alone
The cherish'd pang were known?
At dusk of dawn, on his dark spray apart,
With it the Blackbird breaks the young Day's heart;
In evening's hush
About it talks the heavenly-minded Thrush;
The hill with like remorse
Smiles to the Sun's smile in his westering course;
The fisher's drooping skiff
In yonder sheltering bay;
The choughs that call about the shining cliff;
The children, noisy in the setting ray;
Own the sweet season, each thing as it may;
Thoughts of strange kindness and forgotten peace
In me increase;
And tears arise
Within my happy, happy Mistress' eyes,
And, lo, her lips, averted from my kiss,
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Ask from Love's bounty, ah, much more than bliss!
Is't the sequester'd and exceeding sweet
Of dear Desire electing his defeat?
Is't the waked Earth now to yon purpling cope
Uttering first-love's first cry,
Vainly renouncing, with a Seraph's sigh,
Love's natural hope?
Fair-meaning Earth, foredoom'd to perjury!
Behold, all amorous May,
With roses heap'd upon her laughing brows,
Avoids thee of thy vows!
Were it for thee, with her warm bosom near,
To abide the sharpness of the Seraph's sphere?
Forget thy foolish words;
Go to her summons gay,
Thy heart with dead, wing'd Innocencies fill'd,
Ev'n as a nest with birds
After the old ones by the hawk are kill'd.
Well dost thou, Love, to celebrate
The noon of thy soft ecstasy,
Or e'er it be too late,
Or e'er the Snowdrop die!
II
Wind And Wave
The wedded light and heat,
Winnowing the witless space,
Without a let,
What are they till they beat
Against the sleepy sod, and there beget
Perchance the violet!
Is the One found,
Amongst a wilderness of as happy grace,
To make Heaven's bound;
So that in Her
All which it hath of sensitively good
Is sought and understood
After the narrow mode the mighty Heavens prefer?
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She, as a little breeze
Following still Night,
Ripples the spirit's cold, deep seas
Into delight;
But, in a while,
The immeasurable smile
Is broke by fresher airs to flashes blent
With darkling discontent;
And all the subtle zephyr hurries gay,
And all the heaving ocean heaves one way,
T'ward the void sky-line and an unguess'd weal;
Until the vanward billows feel
The agitating shallows, and divine the goal,
And to foam roll,
And spread and stray
And traverse wildly, like delighted hands,
The fair and fleckless sands;
And so the whole
Unfathomable and immense
Triumphing tide comes at the last to reach
And burst in wind-kiss'd splendours on the deaf'ning beach,
Where forms of children in first innocence
Laugh and fling pebbles on the rainbow'd crest
Of its untired unrest.
III
Winter
I, singularly moved
To love the lovely that are not beloved,
Of all the Seasons, most
Love Winter, and to trace
The sense of the Trophonian pallor on her face.
It is not death, but plenitude of peace;
And the dim cloud that does the world enfold
Hath less the characters of dark and cold
Than warmth and light asleep,
And correspondent breathing seems to keep
With the infant harvest, breathing soft below
Its eider coverlet of snow.
Nor is in field or garden anything
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But, duly look'd into, contains serene
The substance of things hoped for, in the Spring,
And evidence of Summer not yet seen.
On every chance-mild day
That visits the moist shaw,
The honeysuckle, 'sdaining to be crost
In urgence of sweet life by sleet or frost,
'Voids the time's law
With still increase
Of leaflet new, and little, wandering spray;
Often, in sheltering brakes,
As one from rest disturb'd in the first hour,
Primrose or violet bewilder'd wakes,
And deems 'tis time to flower;
Though not a whisper of her voice he hear,
The buried bulb does know
The signals of the year,
And hails far Summer with his lifted spear.
The gorse-field dark, by sudden, gold caprice,
Turns, here and there, into a Jason's fleece;
Lilies, that soon in Autumn slipp'd their gowns of green,
And vanish'd into earth,
And came again, ere Autumn died, to birth,
Stand full-array'd, amidst the wavering shower,
And perfect for the Summer, less the flower;
In nook of pale or crevice of crude bark,
Thou canst not miss,
If close thou spy, to mark
The ghostly chrysalis,
That, if thou touch it, stirs in its dream dark;
And the flush'd Robin, in the evenings hoar,
Does of Love's Day, as if he saw it, sing;
But sweeter yet than dream or song of Summer or Spring
Are Winter's sometime smiles, that seem to well
From infancy ineffable;
Her wandering, languorous gaze,
So unfamiliar, so without amaze,
On the elemental, chill adversity,
The uncomprehended rudeness; and her sigh
And solemn, gathering tear,
And look of exile from some great repose, the sphere
Of ether, moved by ether only, or
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By something still more tranquil.
IV
Beta
Of infinite Heaven the rays,
Piercing some eyelet in our cavern black,
Ended their viewless track
On thee to smite
Solely, as on a diamond stalactite,
And in mid-darkness lit a rainbow's blaze,
Wherein the absolute Reason, Power, and Love,
That erst could move
Mainly in me but toil and weariness,
Renounced their deadening might,
Renounced their undistinguishable stress
Of withering white,
And did with gladdest hues my spirit caress,
Nothing of Heaven in thee showing infinite,
Save the delight.
The Day After To-Morrow
Perchance she droops within the hollow gulf
Which the great wave of coming pleasure draws,
Not guessing the glad cause!
Ye Clouds that on your endless journey go,
Ye Winds that westward flow,
Thou heaving Sea
That heav'st 'twixt her and me,
Tell her I come;
Then only sigh your pleasure, and be dumb;
For the sweet secret of our either self
We know.
Tell her I come,
And let her heart be still'd.
One day's controlled hope, and then one more,
And on the third our lives shall be fulfill'd!
Yet all has been before:
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Palm placed in palm, twin smiles, and words astray.
What other should we say?
But shall I not, with ne'er a sign, perceive,
Whilst her sweet hands I hold,
The myriad threads and meshes manifold
Which Love shall round her weave:
The pulse in that vein making alien pause
And varying beats from this;
Down each long finger felt, a differing strand
Of silvery welcome bland;
And in her breezy palm
And silken wrist,
Beneath the touch of my like numerous bliss
Complexly kiss'd,
A diverse and distinguishable calm?
What should we say!
It all has been before;
And yet our lives shall now be first fulfill'd,
And into their summ'd sweetness fall distill'd
One sweet drop more;
One sweet drop more, in absolute increase
Of unrelapsing peace.
O, heaving Sea,
That heav'st as if for bliss of her and me,
And separatest not dear heart from heart,
Though each 'gainst other beats too far apart,
For yet awhile
Let it not seem that I behold her smile.
O, weary Love, O, folded to her breast,
Love in each moment years and years of rest,
Be calm, as being not.
Ye oceans of intolerable delight,
The blazing photosphere of central Night,
Be ye forgot.
Terror, thou swarthy Groom of Bride-bliss coy,
Let me not see thee toy.
O, Death, too tardy with thy hope intense
Of kisses close beyond conceit of sense;
O, Life, too liberal, while to take her hand
Is more of hope than heart can understand;
Perturb my golden patience not with joy,
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Nor, through a wish, profane
The peace that should pertain
To him who does by her attraction move.
Has all not been before?
One day's controlled hope, and one again,
And then the third, and ye shall have the rein,
O Life, Death, Terror, Love!
But soon let your unrestful rapture cease,
Ye flaming Ethers thin,
Condensing till the abiding sweetness win
One sweet drop more;
One sweet drop more in the measureless increase
Of honied peace.
VI
Tristitia
Darling, with hearts conjoin'd in such a peace
That Hope, so not to cease,
Must still gaze back,
And count, along our love's most happy track,
The landmarks of like inconceiv'd increase,
Promise me this:
If thou alone should'st win
God's perfect bliss,
And I, beguiled by gracious-seeming sin,
Say, loving too much thee,
Love's last goal miss,
And any vows may then have memory,
Never, by grief for what I bear or lack,
To mar thy joyance of heav'n's jubilee.
Promise me this;
For else I should be hurl'd,
Beyond just doom
And by thy deed, to Death's interior gloom,
From the mild borders of the banish'd world
Wherein they dwell
Who builded not unalterable fate
On pride, fraud, envy, cruel lust, or hate;
Yet loved too laxly sweetness and heart's ease,
And strove the creature more than God to please.
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For such as these
Loss without measure, sadness without end!
Yet not for this do thou disheaven'd be
With thinking upon me.
Though black, when scann'd from heaven's surpassing bright,
This might mean light,
Foil'd with the dim days of mortality.
For God is everywhere.
Go down to deepest Hell, and He is there,
And, as a true but quite estranged Friend,
He works, 'gainst gnashing teeth of devilish ire,
With love deep hidden lest it be blasphemed,
If possible, to blend
Ease with the pangs of its inveterate fire;
Yea, in the worst
And from His Face most wilfully accurst
Of souls in vain redeem'd,
He does with potions of oblivion kill
Remorse of the lost Love that helps them still.
Apart from these,
Near the sky-borders of that banish'd world,
Wander pale spirits among willow'd leas,
Lost beyond measure, sadden'd without end,
But since, while erring most, retaining yet
Some ineffectual fervour of regret,
Retaining still such weal
As spurned Lovers feel,
Preferring far to all the world's delight
Their loss so infinite,
Or Poets, when they mark
In the clouds dun
A loitering flush of the long sunken sun,
And turn away with tears into the dark.
Know, Dear, these are not mine
But Wisdom's words, confirmed by divine
Doctors and Saints, though fitly seldom heard
Save in their own prepense-occulted word,
Lest fools be fool'd the further by false hope,
And wrest sweet knowledge to their own decline;
217
And (to approve I speak within my scope)
The Mistress of that dateless exile gray
Is named in surpliced Schools Tristitia.
But, O, my Darling, look in thy heart and see
How unto me,
Secured of my prime care, thy happy state,
In the most unclean cell
Of sordid Hell,
And worried by the most ingenious hate,
It never could be anything but well,
Nor from my soul, full of thy sanctity,
Such pleasure die
As the poor harlot's, in whose body stirs
The innocent life that is and is not hers:
Unless, alas, this fount of my relief
By thy unheavenly grief
Were closed.
So, with a consecrating kiss
And hearts made one in past all previous peace,
And on one hope reposed,
Promise me this!
VII
The Azalea
There, where the sun shines first
Against our room,
She train'd the gold Azalea, whose perfume
She, Spring-like, from her breathing grace dispersed.
Last night the delicate crests of saffron bloom,
For this their dainty likeness watch'd and nurst,
Were just at point to burst.
At dawn I dream'd, O God, that she was dead,
And groan'd aloud upon my wretched bed,
And waked, ah, God, and did not waken her,
But lay, with eyes still closed,
Perfectly bless'd in the delicious sphere
By which I knew so well that she was near,
My heart to speechless thankfulness composed.
Till 'gan to stir
218
A dizzy somewhat in my troubled head—
It was the azalea's breath, and she was dead!
The warm night had the lingering buds disclosed,
And I had fall'n asleep with to my breast
A chance-found letter press'd
In which she said,
‘So, till to-morrow eve, my Own, adieu!
Parting's well-paid with soon again to meet,
Soon in your arms to feel so small and sweet,
Sweet to myself that am so sweet to you!’
VIII
Departure
It was not like your great and gracious ways!
Do you, that have nought other to lament,
Never, my Love, repent
Of how, that July afternoon,
You went,
With sudden, unintelligible phrase,
And frighten'd eye,
Upon your journey of so many days,
Without a single kiss, or a good-bye?
I knew, indeed, that you were parting soon;
And so we sate, within the low sun's rays,
You whispering to me, for your voice was weak,
Your harrowing praise.
Well, it was well,
To hear you such things speak,
And I could tell
What made your eyes a growing gloom of love,
As a warm South-wind sombres a March grove.
And it was like your great and gracious ways
To turn your talk on daily things, my Dear,
Lifting the luminous, pathetic lash
To let the laughter flash,
Whilst I drew near,
Because you spoke so low that I could scarcely hear.
But all at once to leave me at the last,
More at the wonder than the loss aghast,
With huddled, unintelligible phrase,
219
And frighten'd eye,
And go your journey of all days
With not one kiss, or a good-bye,
And the only loveless look the look with which you pass'd:
'Twas all unlike your great and gracious ways.
IX
Eurydice
Is this the portent of the day nigh past,
And of a restless grave
O'er which the eternal sadness gathers fast;
Or but the heaped wave
Of some chance, wandering tide,
Such as that world of awe
Whose circuit, listening to a foreign law,
Conjunctures ours at unguess'd dates and wide,
Does in the Spirit's tremulous ocean draw,
To pass unfateful on, and so subside?
Thee, whom ev'n more than Heaven loved I have,
And yet have not been true
Even to thee,
I, dreaming, night by night, seek now to see,
And, in a mortal sorrow, still pursue
Thro' sordid streets and lanes
And houses brown and bare
And many a haggard stair
Ochrous with ancient stains,
And infamous doors, opening on hapless rooms,
In whose unhaunted glooms
Dead pauper generations, witless of the sun,
Their course have run;
And ofttimes my pursuit
Is check'd of its dear fruit
By things brimful of hate, my kith and kin,
Furious that I should keep
Their forfeit power to weep,
And mock, with living fear, their mournful malice thin.
But ever, at the last, my way I win
To where, with perfectly sad patience, nurst
By sorry comfort of assured worst,
220
Ingrain'd in fretted cheek and lips that pine,
On pallet poor
Thou lyest, stricken sick,
Beyond love's cure,
By all the world's neglect, but chiefly mine.
Then sweetness, sweeter than my tongue can tell,
Does in my bosom well,
And tears come free and quick
And more and more abound
For piteous passion keen at having found,
After exceeding ill, a little good;
A little good
Which, for the while,
Fleets with the current sorrow of the blood,
Though no good here has heart enough to smile.
The Toys
My little Son, who look'd from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobey'd,
I struck him, and dismiss'd
With hard words and unkiss'd,
His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darken'd eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
He had put, within his reach,
A box of counters and a red-vein'd stone,
A piece of glass abraded by the beach
And six or seven shells,
A bottle with bluebells
And two French copper coins, ranged there with careful art,
To comfort his sad heart.
So when that night I pray'd
221
To God, I wept, and said:
Ah, when at last we lie with tranced breath,
Not vexing Thee in death,
And Thou rememberest of what toys
We made our joys,
How weakly understood,
Thy great commanded good,
Then, fatherly not less
Than I whom Thou hast moulded from the clay,
Thou'lt leave Thy wrath, and say,
‘I will be sorry for their childishness.’
XI
Tired Memory
The stony rock of death's insensibility
Well'd yet awhile with honey of thy love
And then was dry;
Nor could thy picture, nor thine empty glove,
Nor all thy kind, long letters, nor the band
Which really spann'd
Thy body chaste and warm,
Thenceforward move
Upon the stony rock their wearied charm.
At last, then, thou wast dead.
Yet would I not despair,
But wrought my daily task, and daily said
Many and many a fond, unfeeling prayer,
To keep my vows of faith to thee from harm.
In vain.
‘For 'tis,’ I said, ‘all one,
The wilful faith, which has no joy or pain,
As if 'twere none.’
Then look'd I miserably round
If aught of duteous love were left undone,
And nothing found.
But, kneeling in a Church, one Easter-Day,
It came to me to say:
‘Though there is no intelligible rest,
In Earth or Heaven,
For me, but on her breast,
222
I yield her up, again to have her given,
Or not, as, Lord, Thou wilt, and that for aye.’
And the same night, in slumber lying,
I, who had dream'd of thee as sad and sick and dying,
And only so, nightly for all one year,
Did thee, my own most Dear,
Possess,
In gay, celestial beauty nothing coy,
And felt thy soft caress
With heretofore unknown reality of joy.
But, in our mortal air,
None thrives for long upon the happiest dream,
And fresh despair
Bade me seek round afresh for some extreme
Of unconceiv'd, interior sacrifice
Whereof the smoke might rise
To God, and 'mind Him that one pray'd below.
And so,
In agony, I cried:
‘My Lord, if Thy strange will be this,
That I should crucify my heart,
Because my love has also been my pride,
I do submit, if I saw how, to bliss
Wherein She has no part.’
And I was heard,
And taken at my own remorseless word.
O, my most Dear,
Was't treason, as I fear?
'Twere that, and worse, to plead thy veiled mind,
Kissing thy babes, and murmuring in mine ear,
‘Thou canst not be
Faithful to God, and faithless unto me!’
Ah, prophet kind!
I heard, all dumb and blind
With tears of protest; and I cannot see
But faith was broken. Yet, as I have said,
My heart was dead,
Dead of devotion and tired memory,
When a strange grace of thee
In a fair stranger, as I take it, bred
To her some tender heed,
Most innocent
223
Of purpose therewith blent,
And pure of faith, I think, to thee; yet such
That the pale reflex of an alien love,
So vaguely, sadly shown,
Did her heart touch
Above
All that, till then, had woo'd her for its own.
And so the fear, which is love's chilly dawn,
Flush'd faintly upon lids that droop'd like thine,
And made me weak,
By thy delusive likeness doubly drawn,
And Nature's long suspended breath of flame
Persuading soft, and whispering Duty's name,
Awhile to smile and speak
With this thy Sister sweet, and therefore mine;
Thy Sister sweet,
Who bade the wheels to stir
Of sensitive delight in the poor brain,
Dead of devotion and tired memory,
So that I lived again,
And, strange to aver,
With no relapse into the void inane,
For thee;
But (treason was't?) for thee and also her.
XII
Magna Est Veritas
Here, in this little Bay,
Full of tumultuous life and great repose,
Where, twice a day,
The purposeless, glad ocean comes and goes,
Under high cliffs, and far from the huge town,
I sit me down.
For want of me the world's course will not fail:
When all its work is done, the lie shall rot;
The truth is great, and shall prevail,
When none cares whether it prevail or not.
XIII
224
1867
In the year of the great crime,
When the false English Nobles and their Jew,
By God demented, slew
The Trust they stood twice pledged to keep from wrong,
One said, Take up thy Song,
That breathes the mild and almost mythic time
Of England's prime!
But I, Ah, me,
The freedom of the few
That, in our free Land, were indeed the free,
Can song renew?
Ill singing 'tis with blotting prison-bars,
How high soe'er, betwixt us and the stars;
Ill singing 'tis when there are none to hear;
And days are near
When England shall forget
The fading glow which, for a little while,
Illumes her yet,
The lovely smile
That grows so faint and wan,
Her people shouting in her dying ear,
Are not two daws worth two of any swan!
Ye outlaw'd Best, who yet are bright
With the sunken light,
Whose common style
Is Virtue at her gracious ease,
The flower of olden sanctities,
Ye haply trust, by love's benignant guile,
To lure the dark and selfish brood
To their own hated good;
Ye haply dream
Your lives shall still their charmful sway sustain,
Unstifled by the fever'd steam
That rises from the plain.
Know, 'twas the force of function high,
In corporate exercise, and public awe
Of Nature's, Heaven's, and England's Law
That Best, though mix'd with Bad, should reign,
Which kept you in your sky!
225
But, when the sordid Trader caught
The loose-held sceptre from your hands distraught,
And soon, to the Mechanic vain,
Sold the proud toy for nought,
Your charm was broke, your task was sped,
Your beauty, with your honour, dead,
And though you still are dreaming sweet
Of being even now not less
Than Gods and Goddesses, ye shall not long so cheat
Your hearts of their due heaviness.
Go, get you for your evil watching shriven!
Leave to your lawful Master's itching hands
Your unking'd lands,
But keep, at least, the dignity
Of deigning not, for his smooth use, to be,
Voteless, the voted delegates
Of his strange interests, loves and hates.
In sackcloth, or in private strife
With private ill, ye may please Heaven,
And soothe the coming pangs of sinking life;
And prayer perchance may win
A term to God's indignant mood
And the orgies of the multitude,
Which now begin;
But do not hope to wave the silken rag
Of your unsanction'd flag,
And so to guide
The great ship, helmless on the swelling tide
Of that presumptuous Sea,
Unlit by sun or moon, yet inly bright
With lights innumerable that give no light,
Flames of corrupted will and scorn of right,
Rejoicing to be free.
And, now, because the dark comes on apace
When none can work for fear,
And Liberty in every Land lies slain,
And the two Tyrannies unchallenged reign,
And heavy prophecies, suspended long
At supplication of the righteous few,
And so discredited, to fulfilment throng,
Restrain'd no more by faithful prayer or tear,
226
And the dread baptism of blood seems near
That brings to the humbled Earth the Time of Grace,
Breathless be song,
And let Christ's own look through
The darkness, suddenly increased,
To the gray secret lingering in the East.
XIV
‘If I Were Dead’
‘If I were dead, you'd sometimes say, Poor Child!’
The dear lips quiver'd as they spake,
And the tears brake
From eyes which, not to grieve me, brightly smiled.
Poor Child, poor Child!
I seem to hear your laugh, your talk, your song.
It is not true that Love will do no wrong.
Poor Child!
And did you think, when you so cried and smiled,
How I, in lonely nights, should lie awake,
And of those words your full avengers make?
Poor Child, poor Child!
And now, unless it be
That sweet amends thrice told are come to thee,
O God, have Thou no mercy upon me!
Poor Child!
XV
Peace
O England, how hast thou forgot,
In dullard care for undisturb'd increase
Of gold, which profits not,
The gain which once thou knew'st was for thy peace!
Honour is peace, the peace which does accord
Alone with God's glad word:
‘My peace I send you, and I send a sword.’
O England, how hast thou forgot,
How fear'st the things which make for joy, not fear,
Confronted near.
227
Hard days? 'Tis what the pamper'd seek to buy
With their most willing gold in weary lands.
Loss and pain risk'd? What sport but understands
These for incitements! Suddenly to die,
With conscience a blurr'd scroll?
The sunshine dreaming upon Salmon's height
Is not so sweet and white
As the most heretofore sin-spotted soul
That darts to its delight
Straight from the absolution of a faithful fight.
Myriads of homes unloosen'd of home's bond,
And fill'd with helpless babes and harmless women fond?
Let those whose pleasant chance
Took them, like me, among the German towns,
After the war that pluck'd the fangs from France,
With me pronounce
Whether the frequent black, which then array'd
Child, wife, and maid,
Did most to magnify the sombreness of grief,
Or add the beauty of a staid relief
And freshening foil
To cheerful-hearted Honour's ready smile!
Beneath the heroic sun
Is there then none
Whose sinewy wings by choice do fly
In the fine mountain-air of public obloquy,
To tell the sleepy mongers of false ease
That war's the ordained way of all alive,
And therein with goodwill to dare and thrive
Is profit and heart's peace?
But in his heart the fool now saith:
‘The thoughts of Heaven were past all finding out,
Indeed, if it should rain
Intolerable woes upon our Land again,
After so long a drought!’
‘Will a kind Providence our vessel whelm,
With such a pious Pilot at the helm?’
‘Or let the throats be cut of pretty sheep
228
That care for nought but pasture rich and deep?’
‘Were 't Evangelical of God to deal so foul a blow
At people who hate Turks and Papists so?’
‘What, make or keep
A tax for ship and gun,
When 'tis full three to one
Yon bully but intends
To beat our friends?’
‘Let's put aside
Our costly pride.
Our appetite's not gone
Because we've learn'd to doff
Our caps, where we were used to keep them on.’
‘If times get worse,
We've money in our purse,
And Patriots that know how, let who will scoff,
To buy our perils off.
Yea, blessed in our midst
Art thou who lately didst,
So cheap,
The old bargain of the Saxon with the Dane.’
Thus in his heart the fool now saith;
And, lo, our trusted leaders trust fool's luck,
Which, like the whale's 'mazed chine,
When they thereon were mulling of their wine,
Will some day duck.
Remnant of Honour, brooding in the dark
Over your bitter cark,
Staring, as Rispah stared, astonied seven days,
Upon the corpses of so many sons,
Who loved her once,
Dead in the dim and lion-haunted ways,
Who could have dreamt
That times should come like these!
Prophets, indeed, taught lies when we were young,
And people loved to have it so;
For they teach well who teach their scholars' tongue!
229
But that the foolish both should gaze,
With feeble, fascinated face,
Upon the wan crest of the coming woe,
The billow of earthquake underneath the seas,
And sit at ease,
Or stand agape,
Without so much as stepping back to 'scape,
Mumbling, ‘Perchance we perish if we stay:
'Tis certain wear of shoes to stir away!’
Who could have dreamt
That times should come like these!
Remnant of Honour, tongue-tied with contempt,
Consider; you are strong yet, if you please.
A hundred just men up, and arm'd but with a frown,
May hoot a hundred thousand false loons down,
Or drive them any way like geese.
But to sit silent now is to suborn
The common villainy you scorn.
In the dark hour
When phrases are in power,
And nought's to choose between
The thing which is not and which is not seen,
One fool, with lusty lungs,
Does what a hundred wise, who hate and hold their tongues,
Shall ne'er undo.
In such an hour,
When eager hands are fetter'd and too few,
And hearts alone have leave to bleed,
Speak; for a good word then is a good deed.
XVI
A Farewell
With all my will, but much against my heart,
We two now part.
My Very Dear,
Our solace is, the sad road lies so clear.
It needs no art,
With faint, averted feet
And many a tear,
In our opposed paths to persevere.
230
Go thou to East, I West.
We will not say
There's any hope, it is so far away.
But, O, my Best,
When the one darling of our widowhead,
The nursling Grief,
Is dead,
And no dews blur our eyes
To see the peach-bloom come in evening skies,
Perchance we may,
Where now this night is day,
And even through faith of still averted feet,
Making full circle of our banishment,
Amazed meet;
The bitter journey to the bourne so sweet
Seasoning the termless feast of our content
With tears of recognition never dry.
XVII
1880-85
Stand by,
Ye Wise, by whom Heav'n rules!
Your kingly hands suit not the hangman's tools.
When God has doom'd a glorious Past to die,
Are there no knaves and fools?
For ages yet to come your kind shall count for nought.
Smoke of the strife of other Powers
Than ours,
And tongues inscrutable with fury fraught
'Wilder the sky,
Till the far good which none can guess be wrought.
Stand by!
Since tears are vain, here let us rest and laugh,
But not too loudly; for the brave time's come,
When Best may not blaspheme the Bigger Half,
And freedom for our sort means freedom to be dumb.
Lo, how the dross and draff
Jeer up at us, and shout,
‘The Day is ours, the Night is theirs!’
231
And urge their rout
Where the wild dawn of rising Tartarus flares.
Yon strives their Leader, lusting to be seen.
His leprosy's so perfect that men call him clean!
Listen the long, sincere, and liberal bray
Of the earnest Puller at another's hay
'Gainst aught that dares to tug the other way,
Quite void of fears
With all that noise of ruin round his ears!
Yonder the people cast their caps o'erhead,
And swear the threaten'd doom is ne'er to dread
That's come, though not yet past.
All front the horror and are none aghast;
Brag of their full-blown rights and liberties,
Nor once surmise
When each man gets his due the Nation dies;
Nay, still shout ‘Progress!’ as if seven plagues
Should take the laggard who would stretch his legs.
Forward! glad rush of Gergesenian swine;
You've gain'd the hill-top, but there's yet the brine.
Forward! to meet the welcome of the waves
That mount to 'whelm the freedom which enslaves.
Forward! bad corpses turn into good dung,
To feed strange futures beautiful and young.
Forward! God speed ye down the damn'd decline,
And grant ye the Fool's true good, in abject ruin's gulf
As the Wise see him so to see himself!
Ah, Land once mine,
That seem'd to me too sweetly wise,
Too sternly fair for aught that dies,
Past is thy proud and pleasant state,
That recent date
When, strong and single, in thy sovereign heart,
The thrones of thinking, hearing, sight,
The cunning hand, the knotted thew
Of lesser powers that heave and hew,
And each the smallest beneficial part,
And merest pore of breathing, beat,
Full and complete,
The great pulse of thy generous might,
Equal in inequality,
232
That soul of joy in low and high;
When not a churl but felt the Giant's heat,
Albeit he simply call'd it his,
Flush in his common labour with delight,
And not a village-Maiden's kiss
But was for this
More sweet,
And not a sorrow but did lightlier sigh,
And for its private self less greet,
The whilst that other so majestic self stood by!
Integrity so vast could well afford
To wear in working many a stain,
To pillory the cobbler vain
And license madness in a lord.
On that were all men well agreed;
And, if they did a thing,
Their strength was with them in their deed,
And from amongst them came the shout of a king!
But, once let traitor coward meet,
Not Heaven itself can keep its feet.
Come knave who said to dastard, ‘Lo,
‘The Deluge!’ which but needed ‘No!’
For all the Atlantic's threatening roar,
If men would bravely understand,
Is softly check'd for evermore
By a firm bar of sand.
But, dastard listening knave, who said,
‘'Twere juster were the Giant dead,
That so yon bawlers may not miss
To vote their own pot-belly'd bliss,’
All that is past!
We saw the slaying, and were not aghast.
But ne'er a sun, on village Groom and Bride,
Albeit they guess not how it is,
At Easter or at Whitsuntide,
But shines less gay for this!
XVIII
The Two Deserts
233
Not greatly moved with awe am I
To learn that we may spy
Five thousand firmaments beyond our own.
The best that's known
Of the heavenly bodies does them credit small.
View'd close, the Moon's fair ball
Is of ill objects worst,
A corpse in Night's highway, naked, fire-scarr'd, accurst;
And now they tell
That the Sun is plainly seen to boil and burst
Too horribly for hell.
So, judging from these two,
As we must do,
The Universe, outside our living Earth,
Was all conceiv'd in the Creator's mirth,
Forecasting at the time Man's spirit deep,
To make dirt cheap.
Put by the Telescope!
Better without it man may see,
Stretch'd awful in the hush'd midnight,
The ghost of his eternity.
Give me the nobler glass that swells to the eye
The things which near us lie,
Till Science rapturously hails,
In the minutest water-drop,
A torment of innumerable tails.
These at the least do live.
But rather give
A mind not much to pry
Beyond our royal-fair estate
Betwixt these deserts blank of small and great.
Wonder and beauty our own courtiers are,
Pressing to catch our gaze,
And out of obvious ways
Ne'er wandering far.
XIX
Crest And Gulf
Much woe that man befalls
234
Who does not run when sent, nor come when Heaven calls;
But whether he serve God, or his own whim,
Not matters, in the end, to any one but him;
And he as soon
Shall map the other side of the Moon,
As trace what his own deed,
In the next chop of the chance gale, shall breed.
This he may know:
His good or evil seed
Is like to grow,
For its first harvest, quite to contraries:
The father wise
Has still the hare-brain'd brood;
'Gainst evil, ill example better works than good;
The poet, fanning his mild flight
At a most keen and arduous height,
Unveils the tender heavens to horny human eyes
Amidst ingenious blasphemies.
Wouldst raise the poor, in Capuan luxury sunk?
The Nation lives but whilst its Lords are drunk!
Or spread Heav'n's partial gifts o'er all, like dew?
The Many's weedy growth withers the gracious Few!
Strange opposites, from those, again, shall rise.
Join, then, if thee it please, the bitter jest
Of mankind's progress; all its spectral race
Mere impotence of rest,
The heaving vain of life which cannot cease from self,
Crest altering still to gulf
And gulf to crest
In endless chace,
That leaves the tossing water anchor'd in its place!
Ah, well does he who does but stand aside,
Sans hope or fear,
And marks the crest and gulf in station sink and rear,
And prophesies 'gainst trust in such a tide:
For he sometimes is prophet, heavenly taught,
Whose message is that he sees only nought.
Nathless, discern'd may be,
By listeners at the doors of destiny,
The fly-wheel swift and still
Of God's incessant will,
235
Mighty to keep in bound, tho' powerless to quell,
The amorous and vehement drift of man's herd to hell.
XX
‘Let Be!’
Ah, yes; we tell the good and evil trees
By fruits: But how tell these?
Who does not know
That good and ill
Are done in secret still,
And that which shews is verily but show!
How high of heart is one, and one how sweet of mood:
But not all height is holiness,
Nor every sweetness good;
And grace will sometimes lurk where who could guess?
The Critic of his kind,
Dealing to each his share,
With easy humour, hard to bear,
May not impossibly have in him shrined,
As in a gossamer globe or thickly padded pod,
Some small seed dear to God.
Haply yon wretch, so famous for his falls,
Got them beneath the Devil-defended walls
Of some high Virtue he had vow'd to win;
And that which you and I
Call his besetting sin
Is but the fume of his peculiar fire
Of inmost contrary desire,
And means wild willingness for her to die,
Dash'd with despondence of her favour sweet;
He fiercer fighting, in his worst defeat,
Than I or you,
That only courteous greet
Where he does hotly woo,
Did ever fight, in our best victory.
Another is mistook
Through his deceitful likeness to his look!
Let be, let be:
Why should I clear myself, why answer thou for me?
That shaft of slander shot
236
Miss'd only the right blot.
I see the shame
They cannot see:
'Tis very just they blame
The thing that's not.
XXI
‘Faint Yet Pursuing’
Heroic Good, target for which the young
Dream in their dreams that every bow is strung,
And, missing, sigh
Unfruitful, or as disbelievers die,
Thee having miss'd, I will not so revolt,
But lowlier shoot my bolt,
And lowlier still, if still I may not reach,
And my proud stomach teach
That less than highest is good, and may be high.
An even walk in life's uneven way,
Though to have dreamt of flight and not to fly
Be strange and sad,
Is not a boon that's given to all who pray.
If this I had
I'd envy none!
Nay, trod I straight for one
Year, month or week,
Should Heaven withdraw, and Satan me amerce
Of power and joy, still would I seek
Another victory with a like reverse;
Because the good of victory does not die,
As dies the failure's curse,
And what we have to gain
Is, not one battle, but a weary life's campaign.
Yet meaner lot being sent
Should more than me content;
Yea, if I lie
Among vile shards, though born for silver wings,
In the strong flight and feathers gold
Of whatsoever heavenward mounts and sings
I must by admiration so comply
That there I should my own delight behold.
237
Yea, though I sin each day times seven,
And dare not lift the fearfullest eyes to Heaven,
Thanks must I give
Because that seven times are not eight or nine,
And that my darkness is all mine,
And that I live
Within this oak-shade one more minute even,
Hearing the winds their Maker magnify.
XXII
Victory In Defeat
Ah, God, alas,
How soon it came to pass
The sweetness melted from thy barbed hook
Which I so simply took;
And I lay bleeding on the bitter land,
Afraid to stir against thy least command,
But losing all my pleasant life-blood, whence
Force should have been heart's frailty to withstand.
Life is not life at all without delight,
Nor has it any might;
And better than the insentient heart and brain
Is sharpest pain;
And better for the moment seems it to rebel,
If the great Master, from his lifted seat,
Ne'er whispers to the wearied servant ‘Well!’
Yet what returns of love did I endure,
When to be pardon'd seem'd almost more sweet
Than aye to have been pure!
But day still faded to disastrous night,
And thicker darkness changed to feebler light,
Until forgiveness, without stint renew'd,
Was now no more with loving tears imbued,
Vowing no more offence.
Not less to thine Unfaithful didst thou cry,
‘Come back, poor Child; be all as 'twas before.
But I,
‘No, no; I will not promise any more!
Yet, when I feel my hour is come to die,
And so I am secured of continence,
238
Then may I say, though haply then in vain,
'My only, only Love, O, take me back again!'’
Thereafter didst thou smite
So hard that, for a space,
Uplifted seem'd Heav'n's everlasting door,
And I indeed the darling of thy grace.
But, in some dozen changes of the moon,
A bitter mockery seem'd thy bitter boon.
The broken pinion was no longer sore.
Again, indeed, I woke
Under so dread a stroke
That all the strength it left within my heart
Was just to ache and turn, and then to turn and ache,
And some weak sign of war unceasingly to make.
And here I lie,
With no one near to mark,
Thrusting Hell's phantoms feebly in the dark,
And still at point more utterly to die.
O God, how long!
Put forth indeed thy powerful right hand,
While time is yet,
Or never shall I see the blissful land!
Thus I: then God, in pleasant speech and strong,
(Which soon I shall forget):
‘The man who, though his fights be all defeats,
Still fights,
Enters at last
The heavenly Jerusalem's rejoicing streets
With glory more, and more triumphant rites
Than always-conquering Joshua's, when his blast
The frighted walls of Jericho down cast;
And, lo, the glad surprise
Of peace beyond surmise,
More than in common Saints, for ever in his eyes.
XXIII
Remembered Grace
Since succour to the feeblest of the wise
239
Is charge of nobler weight
Than the security
Of many and many a foolish soul's estate,
This I affirm,
Though fools will fools more confidently be:
Whom God does once with heart to heart befriend,
He does so till the end:
And having planted life's miraculous germ,
One sweet pulsation of responsive love,
He sets him sheer above,
Not sin and bitter shame
And wreck of fame,
But Hell's insidious and more black attempt,
The envy, malice, and pride,
Which men who share so easily condone
That few ev'n list such ills as these to hide.
From these unalterably exempt,
Through the remember'd grace
Of that divine embrace,
Of his sad errors none,
Though gross to blame,
Shall cast him lower than the cleansing flame,
Nor make him quite depart
From the small flock named ‘after God's own heart,’
And to themselves unknown.
Nor can he quail
In faith, nor flush nor pale
When all the other idiot people spell
How this or that new Prophet's word belies
Their last high oracle;
But constantly his soul
Points to its pole
Ev'n as the needle points, and knows not why;
And, under the ever-changing clouds of doubt,
When others cry,
‘The stars, if stars there were,
Are quench'd and out!’
To him, uplooking t'ward the hills for aid,
Appear, at need display'd,
Gaps in the low-hung gloom, and, bright in air,
Orion or the Bear.
240
XXIV
Vesica Piscis
In strenuous hope I wrought,
And hope seem'd still betray'd;
Lastly I said,
‘I have labour'd through the Night, nor yet
Have taken aught;
But at Thy word I will again cast forth the net!’
And, lo, I caught
(Oh, quite unlike and quite beyond my thought,)
Not the quick, shining harvest of the Sea,
For food, my wish,
But Thee!
Then, hiding even in me,
As hid was Simon's coin within the fish,
Thou sigh'd'st, with joy, ‘Be dumb,
Or speak but of forgotten things to far-off times to come.’
~ Coventry Patmore,#NFDB
148:A Lyrical Drama, In Four Acts.
Audisne haec amphiarae, sub terram abdite?
ACT I
Scene.A Ravine of Icy Rocks in the Indian Caucasus. Prometheus is discovered bound to the Precipice. Panthea andIone are seated at his feet. Time, night. During the Scene, morning slowly breaks.
Prometheus.
Monarch of Gods and Dmons, and all Spirits
But One, who throng those bright and rolling worlds
Which Thou and I alone of living things
Behold with sleepless eyes! regard this Earth
Made multitudinous with thy slaves, whom thou
Requitest for knee-worship, prayer, and praise,
And toil, and hecatombs of broken hearts,
With fear and self-contempt and barren hope.
Whilst me, who am thy foe, eyeless in hate,
Hast thou made reign and triumph, to thy scorn,
O'er mine own misery and thy vain revenge.
Three thousand years of sleep-unsheltered hours,
And moments aye divided by keen pangs
Till they seemed years, torture and solitude,
Scorn and despair,these are mine empire:
More glorious far than that which thou surveyest
From thine unenvied throne, O Mighty God!
Almighty, had I deigned to share the shame
Of thine ill tyranny, and hung not here
Nailed to this wall of eagle-baffling mountain,
Black, wintry, dead, unmeasured; without herb,
Insect, or beast, or shape or sound of life.
Ah me! alas, pain, pain ever, for ever!
No change, no pause, no hope! Yet I endure.
I ask the Earth, have not the mountains felt?
I ask yon Heaven, the all-beholding Sun,
Has it not seen? The Sea, in storm or calm,
Heaven's ever-changing Shadow, spread below,
Have its deaf waves not heard my agony?
Ah me! alas, pain, pain ever, for ever!
The crawling glaciers pierce me with the spears
Of their moon-freezing crystals, the bright chains
Eat with their burning cold into my bones.
Heaven's wingd hound, polluting from thy lips
His beak in poison not his own, tears up
My heart; and shapeless sights come wandering by,
The ghastly people of the realm of dream,
Mocking me: and the Earthquake-fiends are charged
To wrench the rivets from my quivering wounds
When the rocks split and close again behind:
While from their loud abysses howling throng
The genii of the storm, urging the rage
Of whirlwind, and afflict me with keen hail.
And yet to me welcome is day and night,
Whether one breaks the hoar frost of the morn,
Or starry, dim, and slow, the other climbs
The leaden-coloured east; for then they lead
The wingless, crawling hours, one among whom
As some dark Priest hales the reluctant victim
Shall drag thee, cruel King, to kiss the blood
From these pale feet, which then might trample thee
If they disdained not such a prostrate slave.
Disdain! Ah no! I pity thee. What ruin
Will hunt thee undefended through wide Heaven!
How will thy soul, cloven to its depth with terror,
Gape like a hell within! I speak in grief,
Not exultation, for I hate no more,
As then ere misery made me wise. The curse
Once breathed on thee I would recall. Ye Mountains,
Whose many-voicd Echoes, through the mist
Of cataracts, flung the thunder of that spell!
Ye icy Springs, stagnant with wrinkling frost,
Which vibrated to hear me, and then crept
Shuddering through India! Thou serenest Air,
Through which the Sun walks burning without beams!
And ye swift Whirlwinds, who on poisd wings
Hung mute and moveless o'er yon hushed abyss,
As thunder, louder than your own, made rock
The orbd world! If then my words had power,
Though I am changed so that aught evil wish
Is dead within; although no memory be
Of what is hate, let them not lose it now!
What was that curse? for ye all heard me speak.
First Voice
(from the Mountains).
Thrice three hundred thousand years
O'er the Earthquake's couch we stood:
Oft, as men convulsed with fears,
We trembled in our multitude.
Second Voice
(from the Springs).
Thunderbolts had parched our water,
We had been stained with bitter blood,
And had run mute, 'mid shrieks of slaughter,
Thro' a city and a solitude.
Third Voice
(from the Air).
I had clothed, since Earth uprose,
Its wastes in colours not their own,
And oft had my serene repose
Been cloven by many a rending groan.
Fourth Voice
(from the Whirlwinds).
We had soared beneath these mountains
Unresting ages; nor had thunder,
Nor yon volcano's flaming fountains,
Nor any power above or under
Ever made us mute with wonder.
First Voice.
But never bowed our snowy crest
As at the voice of thine unrest.
Second Voice.
Never such a sound before
To the Indian waves we bore.
A pilot asleep on the howling sea
Leaped up from the deck in agony,
And heard, and cried, 'Ah, woe is me!'
And died as mad as the wild waves be.
Third Voice.
By such dread words from Earth to Heaven
My still realm was never riven:
When its wound was closed, there stood
Darkness o'er the day like blood.
Fourth Voice.
And we shrank back: for dreams of ruin
To frozen caves our flight pursuing
Made us keep silencethusand thus
Though silence is as hell to us.
The Earth.
The tongueless Caverns of the craggy hills
Cried, 'Misery!' then; the hollow Heaven replied,
'Misery!' And the Ocean's purple waves,
Climbing the land, howled to the lashing winds,
And the pale nations heard it, 'Misery!'
Prometheus.
I heard a sound of voices: not the voice
Which I gave forth. Mother, thy sons and thou
Scorn him, without whose all-enduring will
Beneath the fierce omnipotence of Jove,
Both they and thou had vanished, like thin mist
Unrolled on the morning wind. Know ye not me,
The Titan? He who made his agony
The barrier to your else all-conquering foe?
Oh, rock-embosomed lawns, and snow-fed streams,
Now seen athwart frore vapours, deep below,
Through whose o'ershadowing woods I wandered once
With Asia, drinking life from her loved eyes;
Why scorns the spirit which informs ye, now
To commune with me? me alone, who checked,
As one who checks a fiend-drawn charioteer,
The falsehood and the force of him who reigns
Supreme, and with the groans of pining slaves
Fills your dim glens and liquid wildernesses:
Why answer ye not, still? Brethren!
The Earth.
They dare not.
Prometheus.
Who dares? for I would hear that curse again.
Ha, what an awful whisper rises up!
'Tis scarce like sound: it tingles through the frame
As lightning tingles, hovering ere it strike.
Speak, Spirit! from thine inorganic voice
I only know that thou art moving near
And love. How cursed I him?
The Earth.
How canst thou hear
Who knowest not the language of the dead?
Prometheus.
Thou art a living spirit; speak as they.
The Earth.
I dare not speak like life, lest Heaven's fell King
Should hear, and link me to some wheel of pain
More torturing than the one whereon I roll.
Subtle thou art and good, and though the Gods
Hear not this voice, yet thou art more than God,
Being wise and kind: earnestly hearken now.
Prometheus.
Obscurely through my brain, like shadows dim,
Sweep awful thoughts, rapid and thick. I feel
Faint, like one mingled in entwining love;
Yet 'tis not pleasure.
The Earth.
No, thou canst not hear:
Thou art immortal, and this tongue is known
Only to those who die.
Prometheus.
And what art thou,
O, melancholy Voice?
The Earth.
I am the Earth,
Thy mother; she within whose stony veins,
To the last fibre of the loftiest tree
Whose thin leaves trembled in the frozen air,
Joy ran, as blood within a living frame,
When thou didst from her bosom, like a cloud
Of glory, arise, a spirit of keen joy!
And at thy voice her pining sons uplifted
Their prostrate brows from the polluting dust,
And our almighty Tyrant with fierce dread
Grew pale, until his thunder chained thee here.
Then, see those million worlds which burn and roll
Around us: their inhabitants beheld
My spherd light wane in wide Heaven; the sea
Was lifted by strange tempest, and new fire
From earthquake-rifted mountains of bright snow
Shook its portentous hair beneath Heaven's frown;
Lightning and Inundation vexed the plains;
Blue thistles bloomed in cities; foodless toads
Within voluptuous chambers panting crawled:
When Plague had fallen on man, and beast, and worm,
And Famine; and black blight on herb and tree;
And in the corn, and vines, and meadow-grass,
Teemed ineradicable poisonous weeds
Draining their growth, for my wan breast was dry
With grief; and the thin air, my breath, was stained
With the contagion of a mother's hate
Breathed on her child's destroyer; ay, I heard
Thy curse, the which, if thou rememberest not,
Yet my innumerable seas and streams,
Mountains, and caves, and winds, and yon wide air,
And the inarticulate people of the dead,
Preserve, a treasured spell. We meditate
In secret joy and hope those dreadful words,
But dare not speak them.
Prometheus.
Venerable mother!
All else who live and suffer take from thee
Some comfort; flowers, and fruits, and happy sounds,
And love, though fleeting; these may not be mine.
But mine own words, I pray, deny me not.
The Earth.
They shall be told. Ere Babylon was dust,
The Magus Zoroaster, my dead child,
Met his own image walking in the garden.
That apparition, sole of men, he saw.
For know there are two worlds of life and death:
One that which thou beholdest; but the other
Is underneath the grave, where do inhabit
The shadows of all forms that think and live
Till death unite them and they part no more;
Dreams and the light imaginings of men,
And all that faith creates or love desires,
Terrible, strange, sublime and beauteous shapes.
There thou art, and dost hang, a writhing shade,
'Mid whirlwind-peopled mountains; all the gods
Are there, and all the powers of nameless worlds,
Vast, sceptred phantoms; heroes, men, and beasts;
And Demogorgon, a tremendous gloom;
And he, the supreme Tyrant, on his throne
Of burning gold. Son, one of these shall utter
The curse which all remember. Call at will
Thine own ghost, or the ghost of Jupiter,
Hades or Typhon, or what mightier Gods
From all-prolific Evil, since thy ruin
Have sprung, and trampled on my prostrate sons.
Ask, and they must reply: so the revenge
Of the Supreme may sweep through vacant shades,
As rainy wind through the abandoned gate
Of a fallen palace.
Prometheus.
Mother, let not aught
Of that which may be evil, pass again
My lips, or those of aught resembling me.
Phantasm of Jupiter, arise, appear!
Ione.
My wings are folded o'er mine ears:
My wings are crossd o'er mine eyes:
Yet through their silver shade appears,
And through their lulling plumes arise,
A Shape, a throng of sounds;
May it be no ill to thee
O thou of many wounds!
Near whom, for our sweet sister's sake,
Ever thus we watch and wake.
Panthea.
The sound is of whirlwind underground,
Earthquake, and fire, and mountains cloven;
The shape is awful like the sound,
Clothed in dark purple, star-inwoven.
A sceptre of pale gold
To stay steps proud, o'er the slow cloud
His veind hand doth hold.
Cruel he looks, but calm and strong,
Like one who does, not suffers wrong.
Phantasm of Jupiter.
Why have the secret powers of this strange world
Driven me, a frail and empty phantom, hither
On direst storms? What unaccustomed sounds
Are hovering on my lips, unlike the voice
With which our pallid race hold ghastly talk
In darkness? And, proud sufferer, who art thou?
Prometheus.
Tremendous Image, as thou art must be
He whom thou shadowest forth. I am his foe,
The Titan. Speak the words which I would hear,
Although no thought inform thine empty voice.
The Earth.
Listen! And though your echoes must be mute,
Gray mountains, and old woods, and haunted springs,
Prophetic caves, and isle-surrounding streams,
Rejoice to hear what yet ye cannot speak.
Phantasm.
A spirit seizes me and speaks within:
It tears me as fire tears a thunder-cloud.
Panthea.
See, how he lifts his mighty looks, the Heaven
Darkens above.
Ione.
He speaks! O shelter me!
Prometheus.
I see the curse on gestures proud and cold,
And looks of firm defiance, and calm hate,
And such despair as mocks itself with smiles,
Written as on a scroll: yet speak: Oh, speak!
Phantasm.
Fiend, I defy thee! with a calm, fixed mind,
All that thou canst inflict I bid thee do;
Foul Tyrant both of Gods and Human-kind,
One only being shalt thou not subdue.
Rain then thy plagues upon me here,
Ghastly disease, and frenzying fear;
And let alternate frost and fire
Eat into me, and be thine ire
Lightning, and cutting hail, and legioned forms
Of furies, driving by upon the wounding storms.
Ay, do thy worst. Thou art omnipotent.
O'er all things but thyself I gave thee power,
And my own will. Be thy swift mischiefs sent
To blast mankind, from yon ethereal tower.
Let thy malignant spirit move
In darkness over those I love:
On me and mine I imprecate
The utmost torture of thy hate;
And thus devote to sleepless agony,
This undeclining head while thou must reign on high.
But thou, who art the God and Lord: O, thou,
Who fillest with thy soul this world of woe,
To whom all things of Earth and Heaven do bow
In fear and worship: all-prevailing foe!
I curse thee! let a sufferer's curse
Clasp thee, his torturer, like remorse;
Till thine Infinity shall be
A robe of envenomed agony;
And thine Omnipotence a crown of pain,
To cling like burning gold round thy dissolving brain.
Heap on thy soul, by virtue of this Curse,
Ill deeds, then be thou damned, beholding good;
Both infinite as is the universe,
And thou, and thy self-torturing solitude.
An awful image of calm power
Though now thou sittest, let the hour
Come, when thou must appear to be
That which thou art internally;
And after many a false and fruitless crime
Scorn track thy lagging fall through boundless space and time.
Prometheus.
Were these my words, O Parent?
The Earth.
They were thine.
Prometheus.
It doth repent me: words are quick and vain;
Grief for awhile is blind, and so was mine.
I wish no living thing to suffer pain.
The Earth.
Misery, Oh misery to me,
That Jove at length should vanquish thee.
Wail, howl aloud, Land and Sea,
The Earth's rent heart shall answer ye.
Howl, Spirits of the living and the dead,
Your refuge, your defence lies fallen and vanquishd.
First Echo.
Lies fallen and vanquishd!
Second Echo.
Fallen and vanquishd!
Ione.
Fear not: 'tis but some passing spasm,
The Titan is unvanquished still.
But see, where through the azure chasm
Of yon forked and snowy hill
Trampling the slant winds on high
With golden-sandalled feet, that glow
Under plumes of purple dye,
Like rose-ensanguined ivory,
A Shape comes now,
Stretching on high from his right hand
A serpent-cinctured wand.
Panthea.
'Tis Jove's world-wandering herald, Mercury.
Ione.
And who are those with hydra tresses
And iron wings that climb the wind,
Whom the frowning God represses
Like vapours steaming up behind,
Clanging loud, an endless crowd
Panthea.
These are Jove's tempest-walking hounds,
Whom he gluts with groans and blood,
When charioted on sulphurous cloud
He bursts Heaven's bounds.
Ione.
Are they now led, from the thin dead
On new pangs to be fed?
Panthea.
The Titan looks as ever, firm, not proud.
First Fury.
Ha! I scent life!
Second Fury.
Let me but look into his eyes!
Third Fury.
The hope of torturing him smells like a heap
Of corpses, to a death-bird after battle.
First Fury.
Darest thou delay, O Herald! take cheer, Hounds
Of Hell: what if the Son of Maia soon
Should make us food and sportwho can please long
The Omnipotent?
Mercury.
Back to your towers of iron,
And gnash, beside the streams of fire and wail,
Your foodless teeth. Geryon, arise! and Gorgon,
Chimra, and thou Sphinx, subtlest of fiends
Who ministered to Thebes Heaven's poisoned wine,
Unnatural love, and more unnatural hate:
These shall perform your task.
First Fury.
Oh, mercy! mercy!
We die with our desire: drive us not back!
Mercury.
Crouch then in silence.
Awful Sufferer!
To thee unwilling, most unwillingly
I come, by the great Father's will driven down,
To execute a doom of new revenge.
Alas! I pity thee, and hate myself
That I can do no more: aye from thy sight
Returning, for a season, Heaven seems Hell,
So thy worn form pursues me night and day,
Smiling reproach. Wise art thou, firm and good,
But vainly wouldst stand forth alone in strife
Against the Omnipotent; as yon clear lamps
That measure and divide the weary years
From which there is no refuge, long have taught
And long must teach. Even now thy Torturer arms
With the strange might of unimagined pains
The powers who scheme slow agonies in Hell,
And my commission is to lead them here,
Or what more subtle, foul, or savage fiends
People the abyss, and leave them to their task.
Be it not so! there is a secret known
To thee, and to none else of living things,
Which may transfer the sceptre of wide Heaven,
The fear of which perplexes the Supreme:
Clothe it in words, and bid it clasp his throne
In intercession; bend thy soul in prayer,
And like a suppliant in some gorgeous fane,
Let the will kneel within thy haughty heart:
For benefits and meek submission tame
The fiercest and the mightiest.
Prometheus.
Evil minds
Change good to their own nature. I gave all
He has; and in return he chains me here
Years, ages, night and day: whether the Sun
Split my parched skin, or in the moony night
The crystal-wingd snow cling round my hair:
Whilst my belovd race is trampled down
By his thought-executing ministers.
Such is the tyrant's recompense: 'tis just:
He who is evil can receive no good;
And for a world bestowed, or a friend lost,
He can feel hate, fear, shame; not gratitude:
He but requites me for his own misdeed.
Kindness to such is keen reproach, which breaks
With bitter stings the light sleep of Revenge.
Submission, thou dost know I cannot try:
For what submission but that fatal word,
The death-seal of mankind's captivity,
Like the Sicilian's hair-suspended sword,
Which trembles o'er his crown, would he accept,
Or could I yield? Which yet I will not yield.
Let others flatter Crime, where it sits throned
In brief Omnipotence: secure are they:
For Justice, when triumphant, will weep down
Pity, not punishment, on her own wrongs,
Too much avenged by those who err. I wait,
Enduring thus, the retributive hour
Which since we spake is even nearer now.
But hark, the hell-hounds clamour: fear delay:
Behold! Heaven lowers under thy Father's frown.
Mercury.
Oh, that we might be spared: I to inflict
And thou to suffer! Once more answer me:
Thou knowest not the period of Jove's power?
Prometheus.
I know but this, that it must come.
Mercury.
Alas!
Thou canst not count thy years to come of pain?
Prometheus.
They last while Jove must reign: nor more, nor less
Do I desire or fear.
Mercury.
Yet pause, and plunge
Into Eternity, where recorded time,
Even all that we imagine, age on age,
Seems but a point, and the reluctant mind
Flags wearily in its unending flight,
Till it sink, dizzy, blind, lost, shelterless;
Perchance it has not numbered the slow years
Which thou must spend in torture, unreprieved?
Prometheus.
Perchance no thought can count them, yet they pass.
Mercury.
If thou might'st dwell among the Gods the while
Lapped in voluptuous joy?
Prometheus.
I would not quit
This bleak ravine, these unrepentant pains.
Mercury.
Alas! I wonder at, yet pity thee.
Prometheus.
Pity the self-despising slaves of Heaven,
Not me, within whose mind sits peace serene,
As light in the sun, throned: how vain is talk!
Call up the fiends.
Ione.
O, sister, look! White fire
Has cloven to the roots yon huge snow-loaded cedar;
How fearfully God's thunder howls behind!
Mercury.
I must obey his words and thine: alas!
Most heavily remorse hangs at my heart!
Panthea.
See where the child of Heaven, with wingd feet,
Runs down the slanted sunlight of the dawn.
Ione.
Dear sister, close thy plumes over thine eyes
Lest thou behold and die: they come: they come
Blackening the birth of day with countless wings,
And hollow underneath, like death.
First Fury.
Prometheus!
Second Fury.
Immortal Titan!
Third Fury.
Champion of Heaven's slaves!
Prometheus.
He whom some dreadful voice invokes is here,
Prometheus, the chained Titan. Horrible forms,
What and who are ye? Never yet there came
Phantasms so foul through monster-teeming Hell
From the all-miscreative brain of Jove;
Whilst I behold such execrable shapes,
Methinks I grow like what I contemplate,
And laugh and stare in loathsome sympathy.
First Fury.
We are the ministers of pain, and fear,
And disappointment, and mistrust, and hate,
And clinging crime; and as lean dogs pursue
Through wood and lake some struck and sobbing fawn,
We track all things that weep, and bleed, and live,
When the great King betrays them to our will.
Prometheus.
Oh! many fearful natures in one name,
I know ye; and these lakes and echoes know
The darkness and the clangour of your wings.
But why more hideous than your loathd selves
Gather ye up in legions from the deep?
Second Fury.
We knew not that: Sisters, rejoice, rejoice!
Prometheus.
Can aught exult in its deformity?
Second Fury.
The beauty of delight makes lovers glad,
Gazing on one another: so are we.
As from the rose which the pale priestess kneels
To gather for her festal crown of flowers
The areal crimson falls, flushing her cheek,
So from our victim's destined agony
The shade which is our form invests us round,
Else we are shapeless as our mother Night.
Prometheus.
I laugh your power, and his who sent you here,
To lowest scorn. Pour forth the cup of pain.
First Fury.
Thou thinkest we will rend thee bone from bone,
And nerve from nerve, working like fire within?
Prometheus.
Pain is my element, as hate is thine;
Ye rend me now: I care not.
Second Fury.
Dost imagine
We will but laugh into thy lidless eyes?
Prometheus.
I weigh not what ye do, but what ye suffer,
Being evil. Cruel was the power which called
You, or aught else so wretched, into light.
Third Fury.
Thou think'st we will live through thee, one by one,
Like animal life, and though we can obscure not
The soul which burns within, that we will dwell
Beside it, like a vain loud multitude
Vexing the self-content of wisest men:
That we will be dread thought beneath thy brain,
And foul desire round thine astonished heart,
And blood within thy labyrinthine veins
Crawling like agony?
Prometheus.
Why, ye are thus now;
Yet am I king over myself, and rule
The torturing and conflicting throngs within,
As Jove rules you when Hell grows mutinous.
Chorus of Furies.
From the ends of the earth, from the ends of the earth,
Where the night has its grave and the morning its birth,
Come, come, come!
Oh, ye who shake hills with the scream of your mirth,
When cities sink howling in ruin; and ye
Who with wingless footsteps trample the sea,
And close upon Shipwreck and Famine's track,
Sit chattering with joy on the foodless wreck;
Come, come, come!
Leave the bed, low, cold, and red,
Strewed beneath a nation dead;
Leave the hatred, as in ashes
Fire is left for future burning:
It will burst in bloodier flashes
When ye stir it, soon returning:
Leave the self-contempt implanted
In young spirits, sense-enchanted,
Misery's yet unkindled fuel:
Leave Hell's secrets half unchanted
To the maniac dreamer; cruel
More than ye can be with hate
Is he with fear.
Come, come, come!
We are steaming up from Hell's wide gate
And we burthen the blast of the atmosphere,
But vainly we toil till ye come here.
Ione.
Sister, I hear the thunder of new wings.
Panthea.
These solid mountains quiver with the sound
Even as the tremulous air: their shadows make
The space within my plumes more black than night.
First Fury.
Your call was as a wingd car
Driven on whirlwinds fast and far;
It rapped us from red gulfs of war.
Second Fury.
From wide cities, famine-wasted;
Third Fury.
Groans half heard, and blood untasted;
Fourth Fury.
Kingly conclaves stern and cold,
Where blood with gold is bought and sold;
Fifth Fury.
From the furnace, white and hot,
In which
A Fury.
Speak not: whisper not:
I know all that ye would tell,
But to speak might break the spell
Which must bend the Invincible,
The stern of thought;
He yet defies the deepest power of Hell.
A Fury.
Tear the veil!
Another Fury.
It is torn.
Chorus.
The pale stars of the morn
Shine on a misery, dire to be borne.
Dost thou faint, mighty Titan? We laugh thee to scorn.
Dost thou boast the clear knowledge thou waken'dst for man?
Then was kindled within him a thirst which outran
Those perishing waters; a thirst of fierce fever,
Hope, love, doubt, desire, which consume him for ever.
One came forth of gentle worth
Smiling on the sanguine earth;
His words outlived him, like swift poison
Withering up truth, peace, and pity.
Look! where round the wide horizon
Many a million-peopled city
Vomits smoke in the bright air.
Hark that outcry of despair!
'Tis his mild and gentle ghost
Wailing for the faith he kindled:
Look again, the flames almost
To a glow-worm's lamp have dwindled:
The survivors round the embers
Gather in dread.
Joy, joy, joy!
Past ages crowd on thee, but each one remembers,
And the future is dark, and the present is spread
Like a pillow of thorns for thy slumberless head.
Semichorus I.
Drops of bloody agony flow
From his white and quivering brow.
Grant a little respite now:
See a disenchanted nation
Springs like day from desolation;
To Truth its state is dedicate,
And Freedom leads it forth, her mate;
A legioned band of linkd brothers
Whom Love calls children
Semichorus II.
'Tis another's:
See how kindred murder kin:
'Tis the vintage-time for death and sin:
Blood, like new wine, bubbles within:
Till Despair smothers
The struggling world, which slaves and tyrants win.
[All the Furies vanish, except one.
Ione.
Hark, sister! what a low yet dreadful groan
Quite unsuppressed is tearing up the heart
Of the good Titan, as storms tear the deep,
And beasts hear the sea moan in inland caves.
Darest thou observe how the fiends torture him?
Panthea.
Alas! I looked forth twice, but will no more.
Ione.
What didst thou see?
Panthea.
A woful sight: a youth
With patient looks nailed to a crucifix.
Ione.
What next?
Panthea.
The heaven around, the earth below
Was peopled with thick shapes of human death,
All horrible, and wrought by human hands,
And some appeared the work of human hearts,
For men were slowly killed by frowns and smiles:
And other sights too foul to speak and live
Were wandering by. Let us not tempt worse fear
By looking forth: those groans are grief enough.
Fury.
Behold an emblem: those who do endure
Deep wrongs for man, and scorn, and chains, but heap
Thousandfold torment on themselves and him.
Prometheus.
Remit the anguish of that lighted stare;
Close those wan lips; let that thorn-wounded brow
Stream not with blood; it mingles with thy tears!
Fix, fix those tortured orbs in peace and death,
So thy sick throes shake not that crucifix,
So those pale fingers play not with thy gore.
O, horrible! Thy name I will not speak,
It hath become a curse. I see, I see,
The wise, the mild, the lofty, and the just,
Whom thy slaves hate for being like to thee,
Some hunted by foul lies from their heart's home,
An early-chosen, late-lamented home;
As hooded ounces cling to the driven hind;
Some linked to corpses in unwholesome cells:
SomeHear I not the multitude laugh loud?
Impaled in lingering fire: and mighty realms
Float by my feet, like sea-uprooted isles,
Whose sons are kneaded down in common blood
By the red light of their own burning homes.
Fury.
Blood thou canst see, and fire; and canst hear groans;
Worse things, unheard, unseen, remain behind.
Prometheus.
Worse?
Fury.
In each human heart terror survives
The ravin it has gorged: the loftiest fear
All that they would disdain to think were true:
Hypocrisy and custom make their minds
The fanes of many a worship, now outworn.
They dare not devise good for man's estate,
And yet they know not that they do not dare.
The good want power, but to weep barren tears.
The powerful goodness want: worse need for them.
The wise want love; and those who love want wisdom;
And all best things are thus confused to ill.
Many are strong and rich, and would be just,
But live among their suffering fellow-men
As if none felt: they know not what they do.
Prometheus.
Thy words are like a cloud of wingd snakes;
And yet I pity those they torture not.
Fury.
Thou pitiest them? I speak no more!
[Vanishes.
Prometheus.
Ah woe!
Ah woe! Alas! pain, pain ever, for ever!
I close my tearless eyes, but see more clear
Thy works within my woe-illumd mind,
Thou subtle tyrant! Peace is in the grave.
The grave hides all things beautiful and good:
I am a God and cannot find it there,
Nor would I seek it: for, though dread revenge,
This is defeat, fierce king, not victory.
The sights with which thou torturest gird my soul
With new endurance, till the hour arrives
When they shall be no types of things which are.
Panthea.
Alas! what sawest thou more?
Prometheus.
There are two woes:
To speak, and to behold; thou spare me one.
Names are there, Nature's sacred watchwords, they
Were borne aloft in bright emblazonry;
The nations thronged around, and cried aloud,
As with one voice, Truth, liberty, and love!
Suddenly fierce confusion fell from heaven
Among them: there was strife, deceit, and fear:
Tyrants rushed in, and did divide the spoil.
This was the shadow of the truth I saw.
The Earth.
I felt thy torture, son; with such mixed joy
As pain and virtue give. To cheer thy state
I bid ascend those subtle and fair spirits,
Whose homes are the dim caves of human thought,
And who inhabit, as birds wing the wind,
Its world-surrounding aether: they behold
Beyond that twilight realm, as in a glass,
The future: may they speak comfort to thee!
Panthea.
Look, sister, where a troop of spirits gather,
Like flocks of clouds in spring's delightful weather,
Thronging in the blue air!
Ione.
And see! more come,
Like fountain-vapours when the winds are dumb,
That climb up the ravine in scattered lines.
And, hark! is it the music of the pines?
Is it the lake? Is it the waterfall?
Panthea.
'Tis something sadder, sweeter far than all.
Chorus of Spirits.
From unremembered ages we
Gentle guides and guardians be
Of heaven-oppressed mortality;
And we breathe, and sicken not,
The atmosphere of human thought:
Be it dim, and dank, and gray,
Like a storm-extinguished day,
Travelled o'er by dying gleams;
Be it bright as all between
Cloudless skies and windless streams,
Silent, liquid, and serene;
As the birds within the wind,
As the fish within the wave,
As the thoughts of man's own mind
Float through all above the grave;
We make there our liquid lair,
Voyaging cloudlike and unpent
Through the boundless element:
Thence we bear the prophecy
Which begins and ends in thee!
Ione.
More yet come, one by one: the air around them
Looks radiant as the air around a star.
First Spirit.
On a battle-trumpet's blast
I fled hither, fast, fast, fast,
'Mid the darkness upward cast.
From the dust of creeds outworn,
From the tyrant's banner torn,
Gathering 'round me, onward borne,
There was mingled many a cry
Freedom! Hope! Death! Victory!
Till they faded through the sky;
And one sound, above, around,
One sound beneath, around, above,
Was moving; 'twas the soul of Love;
'Twas the hope, the prophecy,
Which begins and ends in thee.
Second Spirit.
A rainbow's arch stood on the sea,
Which rocked beneath, immovably;
And the triumphant storm did flee,
Like a conqueror, swift and proud,
Between, with many a captive cloud,
A shapeless, dark and rapid crowd,
Each by lightning riven in half:
I heard the thunder hoarsely laugh:
Mighty fleets were strewn like chaff
And spread beneath a hell of death
O'er the white waters. I alit
On a great ship lightning-split,
And speeded hither on the sigh
Of one who gave an enemy
His plank, then plunged aside to die.
Third Spirit.
I sate beside a sage's bed,
And the lamp was burning red
Near the book where he had fed,
When a Dream with plumes of flame,
To his pillow hovering came,
And I knew it was the same
Which had kindled long ago
Pity, eloquence, and woe;
And the world awhile below
Wore the shade, its lustre made.
It has borne me here as fleet
As Desire's lightning feet:
I must ride it back ere morrow,
Or the sage will wake in sorrow.
Fourth Spirit.
On a poet's lips I slept
Dreaming like a love-adept
In the sound his breathing kept;
Nor seeks nor finds he mortal blisses,
But feeds on the areal kisses
Of shapes that haunt thought's wildernesses.
He will watch from dawn to gloom
The lake-reflected sun illume
The yellow bees in the ivy-bloom,
Nor heed nor see, what things they be;
But from these create he can
Forms more real than living man,
Nurslings of immortality!
One of these awakened me,
And I sped to succour thee.
Ione.
Behold'st thou not two shapes from the east and west
Come, as two doves to one belovd nest,
Twin nurslings of the all-sustaining air
On swift still wings glide down the atmosphere?
And, hark! their sweet, sad voices! 'tis despair
Mingled with love and then dissolved in sound.
Panthea.
Canst thou speak, sister? all my words are drowned.
Ione.
Their beauty gives me voice. See how they float
On their sustaining wings of skiey grain,
Orange and azure deepening into gold:
Their soft smiles light the air like a star's fire.
Chorus of Spirits.
Hast thou beheld the form of Love?
Fifth Spirit.
As over wide dominions
I sped, like some swift cloud that wings the wide air's wildernesses,
That planet-crested shape swept by on lightning-braided pinions,
Scattering the liquid joy of life from his ambrosial tresses:
His footsteps paved the world with light; but as I passed 'twas fading,
And hollow Ruin yawned behind: great sages bound in madness,
And headless patriots, and pale youths who perished, unupbraiding,
Gleamed in the night. I wandered o'er, till thou, O King of sadness,
Turned by thy smile the worst I saw to recollected gladness.
Sixth Spirit.
Ah, sister! Desolation is a delicate thing:
It walks not on the earth, it floats not on the air,
But treads with lulling footstep, and fans with silent wing
The tender hopes which in their hearts the best and gentlest bear;
Who, soothed to false repose by the fanning plumes above
And the music-stirring motion of its soft and busy feet,
Dream visions of areal joy, and call the monster, Love,
And wake, and find the shadow Pain, as he whom now we greet.
Chorus.
Though Ruin now Love's shadow be,
Following him, destroyingly,
On Death's white and wingd steed,
Which the fleetest cannot flee,
Trampling down both flower and weed,
Man and beast, and foul and fair,
Like a tempest through the air;
Thou shalt quell this horseman grim,
Woundless though in heart or limb.
Prometheus.
Spirits! how know ye this shall be?
Chorus.
In the atmosphere we breathe,
As buds grow red when the snow-storms flee,
From Spring gathering up beneath,
Whose mild winds shake the elder brake,
And the wandering herdsmen know
That the white-thorn soon will blow:
Wisdom, Justice, Love, and Peace,
When they struggle to increase,
Are to us as soft winds be
To shepherd boys, the prophecy
Which begins and ends in thee.
Ione.
Where are the Spirits fled?
Panthea.
Only a sense
Remains of them, like the omnipotence
Of music, when the inspired voice and lute
Languish, ere yet the responses are mute,
Which through the deep and labyrinthine soul,
Like echoes through long caverns, wind and roll.
Prometheus.
How fair these airborn shapes! and yet I feel
Most vain all hope but love; and thou art far,
Asia! who, when my being overflowed,
Wert like a golden chalice to bright wine
Which else had sunk into the thirsty dust.
All things are still: alas! how heavily
This quiet morning weighs upon my heart;
Though I should dream I could even sleep with grief
If slumber were denied not. I would fain
Be what it is my destiny to be,
The saviour and the strength of suffering man,
Or sink into the original gulf of things:
There is no agony, and no solace left;
Earth can console, Heaven can torment no more.
Panthea.
Hast thou forgotten one who watches thee
The cold dark night, and never sleeps but when
The shadow of thy spirit falls on her?
Prometheus.
I said all hope was vain but love: thou lovest.
Panthea.
Deeply in truth; but the eastern star looks white,
And Asia waits in that far Indian vale,
The scene of her sad exile; rugged once
And desolate and frozen, like this ravine;
But now invested with fair flowers and herbs,
And haunted by sweet airs and sounds, which flow
Among the woods and waters, from the aether
Of her transforming presence, which would fade
If it were mingled not with thine. Farewell!
END OF THE FIRST ACT.
ACT II
Scene I.
Morning. A lovely Vale in the Indian Caucasus. Asia alone.
Asia.
From all the blasts of heaven thou hast descended:
Yes, like a spirit, like a thought, which makes
Unwonted tears throng to the horny eyes,
And beatings haunt the desolated heart,
Which should have learnt repose: thou hast descended
Cradled in tempests; thou dost wake, O Spring!
O child of many winds! As suddenly
Thou comest as the memory of a dream,
Which now is sad because it hath been sweet;
Like genius, or like joy which riseth up
As from the earth, clothing with golden clouds
The desert of our life.
This is the season, this the day, the hour;
At sunrise thou shouldst come, sweet sister mine,
Too long desired, too long delaying, come!
How like death-worms the wingless moments crawl!
The point of one white star is quivering still
Deep in the orange light of widening morn
Beyond the purple mountains. through a chasm
Of wind-divided mist the darker lake
Reflects it: now it wanes: it gleams again
As the waves fade, and as the burning threads
Of woven cloud unravel in pale air:
'Tis lost! and through yon peaks of cloud-like snow
The roseate sunlight quivers: hear I not
The olian music of her sea-green plumes
Winnowing the crimson dawn?
[Panthea enters.
I feel, I see
Those eyes which burn through smiles that fade in tears,
Like stars half quenched in mists of silver dew.
Belovd and most beautiful, who wearest
The shadow of that soul by which I live,
How late thou art! the spherd sun had climbed
The sea; my heart was sick with hope, before
The printless air felt thy belated plumes.
Panthea.
Pardon, great Sister! but my wings were faint
With the delight of a remembered dream,
As are the noontide plumes of summer winds
Satiate with sweet flowers. I was wont to sleep
Peacefully, and awake refreshed and calm
Before the sacred Titan's fall, and thy
Unhappy love, had made, through use and pity,
Both love and woe familiar to my heart
As they had grown to thine: erewhile I slept
Under the glaucous caverns of old Ocean
Within dim bowers of green and purple moss,
Our young Ione's soft and milky arms
Locked then, as now, behind my dark, moist hair,
While my shut eyes and cheek were pressed within
The folded depth of her life-breathing bosom:
But not as now, since I am made the wind
Which fails beneath the music that I bear
Of thy most wordless converse; since dissolved
Into the sense with which love talks, my rest
Was troubled and yet sweet; my waking hours
Too full of care and pain.
Asia.
Lift up thine eyes,
And let me read thy dream.
Panthea.
As I have said
With our sea-sister at his feet I slept.
The mountain mists, condensing at our voice
Under the moon, had spread their snowy flakes,
From the keen ice shielding our linkd sleep.
Then two dreams came. One, I remember not.
But in the other his pale wound-worn limbs
Fell from Prometheus, and the azure night
Grew radiant with the glory of that form
Which lives unchanged within, and his voice fell
Like music which makes giddy the dim brain,
Faint with intoxication of keen joy:
'Sister of her whose footsteps pave the world
With lovelinessmore fair than aught but her,
Whose shadow thou artlift thine eyes on me.'
I lifted them: the overpowering light
Of that immortal shape was shadowed o'er
By love; which, from his soft and flowing limbs,
And passion-parted lips, and keen, faint eyes,
Steamed forth like vaporous fire; an atmosphere
Which wrapped me in its all-dissolving power,
As the warm aether of the morning sun
Wraps ere it drinks some cloud of wandering dew.
I saw not, heard not, moved not, only felt
His presence flow and mingle through my blood
Till it became his life, and his grew mine,
And I was thus absorbed, until it passed,
And like the vapours when the sun sinks down,
Gathering again in drops upon the pines,
And tremulous as they, in the deep night
My being was condensed; and as the rays
Of thought were slowly gathered, I could hear
His voice, whose accents lingered ere they died
Like footsteps of weak melody: thy name
Among the many sounds alone I heard
Of what might be articulate; though still
I listened through the night when sound was none.
Ione wakened then, and said to me:
'Canst thou divine what troubles me to-night?
I always knew what I desired before,
Nor ever found delight to wish in vain.
But now I cannot tell thee what I seek;
I know not; something sweet, since it is sweet
Even to desire; it is thy sport, false sister;
Thou hast discovered some enchantment old,
Whose spells have stolen my spirit as I slept
And mingled it with thine: for when just now
We kissed, I felt within thy parted lips
The sweet air that sustained me, and the warmth
Of the life-blood, for loss of which I faint,
Quivered between our intertwining arms.'
I answered not, for the Eastern star grew pale,
But fled to thee.
Asia.
Thou speakest, but thy words
Are as the air: I feel them not: Oh, lift
Thine eyes, that I may read his written soul!
Panthea.
I lift them though they droop beneath the load
Of that they would express: what canst thou see
But thine own fairest shadow imaged there?
Asia.
Thine eyes are like the deep, blue, boundless heaven
Contracted to two circles underneath
Their long, fine lashes; dark, far, measureless,
Orb within orb, and line through line inwoven.
Panthea.
Why lookest thou as if a spirit passed?
Asia.
There is a change: beyond their inmost depth
I see a shade, a shape: 'tis He, arrayed
In the soft light of his own smiles, which spread
Like radiance from the cloud-surrounded moon.
Prometheus, it is thine! depart not yet!
Say not those smiles that we shall meet again
Within that bright pavilion which their beams
Shall build o'er the waste world? The dream is told.
What shape is that between us? Its rude hair
Roughens the wind that lifts it, its regard
Is wild and quick, yet 'tis a thing of air,
For through its gray robe gleams the golden dew
Whose stars the noon has quenched not.
Dream.
Follow! Follow!
Panthea.
It is mine other dream.
Asia.
It disappears.
Panthea.
It passes now into my mind. Methought
As we sate here, the flower-infolding buds
Burst on yon lightning-blasted almond-tree,
When swift from the white Scythian wilderness
A wind swept forth wrinkling the Earth with frost:
I looked, and all the blossoms were blown down;
But on each leaf was stamped, as the blue bells
Of Hyacinth tell Apollo's written grief,
O, follow, follow!
Asia.
As you speak, your words
Fill, pause by pause, my own forgotten sleep
With shapes. Methought among these lawns together
We wandered, underneath the young gray dawn,
And multitudes of dense white fleecy clouds
Were wandering in thick flocks along the mountains
Shepherded by the slow, unwilling wind;
And the white dew on the new-bladed grass,
Just piercing the dark earth, hung silently;
And there was more which I remember not:
But on the shadows of the morning clouds,
Athwart the purple mountain slope, was written
Follow, O, follow! as they vanished by;
And on each herb, from which Heaven's dew had fallen,
The like was stamped, as with a withering fire;
A wind arose among the pines; it shook
The clinging music from their boughs, and then
Low, sweet, faint sounds, like the farewell of ghosts,
Were heard: O, follow, follow, follow me!
And then I said: 'Panthea, look on me.'
But in the depth of those belovd eyes
Still I saw, follow, follow!
Echo.
Follow, follow!
Panthea.
The crags, this clear spring morning, mock our voices
As they were spirit-tongued.
Asia.
It is some being
Around the crags. What fine clear sounds! O, list!
Echoes
(unseen).
Echoes we: listen!
We cannot stay:
As dew-stars glisten
Then fade away
Child of Ocean!
Asia.
Hark! Spirits speak. The liquid responses
Of their areal tongues yet sound.
Panthea.
I hear.
Echoes.
O, follow, follow,
As our voice recedeth
Through the caverns hollow,
Where the forest spreadeth; (More distant.)
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
Where the wild bee never flew,
Through the noontide darkness deep,
By the odour-breathing sleep
Of faint night flowers, and the waves
At the fountain-lighted caves,
While our music, wild and sweet,
Mocks thy gently falling feet,
Child of Ocean!
Asia.
Shall we pursue the sound? It grows more faint And distant.
Panthea.
List! the strain floats nearer now.
Echoes.
In the world unknown
Sleeps a voice unspoken;
By thy step alone
Can its rest be broken;
Child of Ocean!
Asia.
How the notes sink upon the ebbing wind!
Echoes.
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
By the woodland noontide dew;
By the forest, lakes, and fountains,
Through the many-folded mountains;
To the rents, and gulfs, and chasms,
Where the Earth reposed from spasms,
On the day when He and thou
Parted, to commingle now;
Child of Ocean!
Asia.
Come, sweet Panthea, link thy hand in mine,
And follow, ere the voices fade away.
Scene II.
A Forest, intermingled with Rocks and Caverns. Asia and Panthea pass into it. Two young Fauns are sitting on a Rock listening.
Semichorus I. of Spirits.
The path through which that lovely twain
Have passed, by cedar, pine, and yew,
And each dark tree that ever grew,
Is curtained out from Heaven's wide blue;
Nor sun, nor moon, nor wind, nor rain,
Can pierce its interwoven bowers,
Nor aught, save where some cloud of dew,
Drifted along the earth-creeping breeze,
Between the trunks of the hoar trees,
Hangs each a pearl in the pale flowers
Of the green laurel, blown anew;
And bends, and then fades silently,
One frail and fair anemone:
Or when some star of many a one
That climbs and wanders through steep night,
Has found the cleft through which alone
Beams fall from high those depths upon
Ere it is borne away, away,
By the swift Heavens that cannot stay,
It scatters drops of golden light,
Like lines of rain that ne'er unite:
And the gloom divine is all around,
And underneath is the mossy ground.
Semichorus II.
There the voluptuous nightingales,
Are awake through all the broad noonday.
When one with bliss or sadness fails,
And through the windless ivy-boughs,
Sick with sweet love, droops dying away
On its mate's music-panting bosom;
Another from the swinging blossom,
Watching to catch the languid close
Of the last strain, then lifts on high
The wings of the weak melody,
'Till some new strain of feeling bear
The song, and all the woods are mute;
When there is heard through the dim air
The rush of wings, and rising there
Like many a lake-surrounded flute,
Sounds overflow the listener's brain
So sweet, that joy is almost pain.
Semichorus I.
There those enchanted eddies play
Of echoes, music-tongued, which draw,
By Demogorgon's mighty law,
With melting rapture, or sweet awe,
All spirits on that secret way;
As inland boats are driven to Ocean
Down streams made strong with mountain-thaw:
And first there comes a gentle sound
To those in talk or slumber bound,
And wakes the destined soft emotion,
Attracts, impels them; those who saw
Say from the breathing earth behind
There steams a plume-uplifting wind
Which drives them on their path, while they
Believe their own swift wings and feet
The sweet desires within obey:
And so they float upon their way,
Until, still sweet, but loud and strong,
The storm of sound is driven along,
Sucked up and hurrying: as they fleet
Behind, its gathering billows meet
And to the fatal mountain bear
Like clouds amid the yielding air.
First Faun.
Canst thou imagine where those spirits live
Which make such delicate music in the woods?
We haunt within the least frequented caves
And closest coverts, and we know these wilds,
Yet never meet them, though we hear them oft:
Where may they hide themselves?
Second Faun.
'Tis hard to tell:
I have heard those more skilled in spirits say,
The bubbles, which the enchantment of the sun
Sucks from the pale faint water-flowers that pave
The oozy bottom of clear lakes and pools,
Are the pavilions where such dwell and float
Under the green and golden atmosphere
Which noontide kindles through the woven leaves;
And when these burst, and the thin fiery air,
The which they breathed within those lucent domes,
Ascends to flow like meteors through the night,
They ride on them, and rein their headlong speed,
And bow their burning crests, and glide in fire
Under the waters of the earth again.
First Faun.
If such live thus, have others other lives,
Under pink blossoms or within the bells
Of meadow flowers, or folded violets deep,
Or on their dying odours, when they die,
Or in the sunlight of the spherd dew?
Second Faun.
Ay, many more which we may well divine.
But, should we stay to speak, noontide would come,
And thwart Silenus find his goats undrawn,
And grudge to sing those wise and lovely songs
Of Fate, and Chance, and God, and Chaos old,
And Love, and the chained Titan's woful doom,
And how he shall be loosed, and make the earth
One brotherhood: delightful strains which cheer
Our solitary twilights, and which charm
To silence the unenvying nightingales.
Scene III.
A Pinnacle of Rock among Mountains.
Asia and Panthea.
Panthea.
Hither the sound has borne usto the realm
Of Demogorgon, and the mighty portal,
Like a volcano's meteor-breathing chasm,
Whence the oracular vapour is hurled up
Which lonely men drink wandering in their youth,
And call truth, virtue, love, genius, or joy,
That maddening wine of life, whose dregs they drain
To deep intoxication; and uplift,
Like Mnads who cry loud, Evoe! Evoe!
The voice which is contagion to the world.
Asia.
Fit throne for such a Power! Magnificent!
How glorious art thou, Earth! And if thou be
The shadow of some spirit lovelier still,
Though evil stain its work, and it should be
Like its creation, weak yet beautiful,
I could fall down and worship that and thee.
Even now my heart adoreth: Wonderful!
Look, sister, ere the vapour dim thy brain:
Beneath is a wide plain of billowy mist,
As a lake, paving in the morning sky,
With azure waves which burst in silver light,
Some Indian vale. Behold it, rolling on
Under the curdling winds, and islanding
The peak whereon we stand, midway, around,
Encinctured by the dark and blooming forests,
Dim twilight-lawns, and stream-illumd caves,
And wind-enchanted shapes of wandering mist;
And far on high the keen sky-cleaving mountains
From icy spires of sun-like radiance fling
The dawn, as lifted Ocean's dazzling spray,
From some Atlantic islet scattered up,
Spangles the wind with lamp-like water-drops.
The vale is girdled with their walls, a howl
Of cataracts from their thaw-cloven ravines,
Satiates the listening wind, continuous, vast,
Awful as silence. Hark! the rushing snow!
The sun-awakened avalanche! whose mass,
Thrice sifted by the storm, had gathered there
Flake after flake, in heaven-defying minds
As thought by thought is piled, till some great truth
Is loosened, and the nations echo round,
Shaken to their roots, as do the mountains now.
Panthea.
Look how the gusty sea of mist is breaking
In crimson foam, even at our feet! it rises
As Ocean at the enchantment of the moon
Round foodless men wrecked on some oozy isle.
Asia.
The fragments of the cloud are scattered up;
The wind that lifts them disentwines my hair;
Its billows now sweep o'er mine eyes; my brain
Grows dizzy; see'st thou shapes within the mist?
Panthea.
A countenance with beckoning smiles: there burns
An azure fire within its golden locks!
Another and another: hark! they speak!
Song of Spirits.
To the deep, to the deep,
Down, down!
Through the shade of sleep,
Through the cloudy strife
Of Death and of Life;
Through the veil and the bar
Of things which seem and are
Even to the steps of the remotest throne,
Down, down!
While the sound whirls around,
Down, down!
As the fawn draws the hound,
As the lightning the vapour,
As a weak moth the taper;
Death, despair; love, sorrow;
Time both; to-day, to-morrow;
As steel obeys the spirit of the stone,
Down, down!
Through the gray, void abysm,
Down, down!
Where the air is no prism,
And the moon and stars are not,
And the cavern-crags wear not
The radiance of Heaven,
Nor the gloom to Earth given,
Where there is One pervading, One alone,
Down, down!
In the depth of the deep,
Down, down!
Like veiled lightning asleep,
Like the spark nursed in embers,
The last look Love remembers,
Like a diamond, which shines
On the dark wealth of mines,
A spell is treasured but for thee alone.
Down, down!
We have bound thee, we guide thee;
Down, down!
With the bright form beside thee;
Resist not the weakness,
Such strength is in meekness
That the Eternal, the Immortal,
Most unloose through life's portal
The snake-like Doom coiled underneath his throne
By that alone.
Scene IV.
The Cave of Demogorgon.
Asia and Panthea.
Panthea.
What viled form sits on that ebon throne?
Asia.
The veil has fallen.
Panthea.
I see a mighty darkness
Filling the seat of power, and rays of gloom
Dart round, as light from the meridian sun.
Ungazed upon and shapeless; neither limb,
Nor form, nor outline; yet we feel it is
A living Spirit.
Demogorgon.
Ask what thou wouldst know.
Asia.
What canst thou tell?
Demogorgon.
All things thou dar'st demand.
Asia.
Who made the living world?
Demogorgon.
God.
Asia.
Who made all
That it contains? thought, passion, reason, will, Imagination?
Demogorgon.
God: Almighty God.
Asia.
Who made that sense which, when the winds of Spring
In rarest visitation, or the voice
Of one belovd heard in youth alone,
Fills the faint eyes with falling tears which dim
The radiant looks of unbewailing flowers,
And leaves this peopled earth a solitude
When it returns no more?
Demogorgon.
Merciful God.
Asia.
And who made terror, madness, crime, remorse,
Which from the links of the great chain of things,
To every thought within the mind of man
Sway and drag heavily, and each one reels
Under the load towards the pit of death;
Abandoned hope, and love that turns to hate;
And self-contempt, bitterer to drink than blood;
Pain, whose unheeded and familiar speech
Is howling, and keen shrieks, day after day;
And Hell, or the sharp fear of Hell?
Demogorgon.
He reigns.
Asia.
Utter his name: a world pining in pain
Asks but his name: curses shall drag him down.
Demogorgon.
He reigns.
Asia.
I feel, I know it: who?
Demogorgon.
He reigns.
Asia.
Who reigns? There was the Heaven and Earth at first,
And Light and Love; then Saturn, from whose throne
Time fell, an envious shadow: such the state
Of the earth's primal spirits beneath his sway,
As the calm joy of flowers and living leaves
Before the wind or sun has withered them
And semivital worms; but he refused
The birthright of their being, knowledge, power,
The skill which wields the elements, the thought
Which pierces this dim universe like light,
Self-empire, and the majesty of love;
For thirst of which they fainted. Then Prometheus
Gave wisdom, which is strength, to Jupiter,
And with this law alone, 'Let man be free,'
Clothed him with the dominion of wide Heaven.
To know nor faith, nor love, nor law; to be
Omnipotent but friendless is to reign;
And Jove now reigned; for on the race of man
First famine, and then toil, and then disease,
Strife, wounds, and ghastly death unseen before,
Fell; and the unseasonable seasons drove
With alternating shafts of frost and fire,
Their shelterless, pale tribes to mountain caves:
And in their desert hearts fierce wants he sent,
And mad disquietudes, and shadows idle
Of unreal good, which levied mutual war,
So ruining the lair wherein they raged.
Prometheus saw, and waked the legioned hopes
Which sleep within folded Elysian flowers,
Nepenthe, Moly, Amaranth, fadeless blooms,
That they might hide with thin and rainbow wings
The shape of Death; and Love he sent to bind
The disunited tendrils of that vine
Which bears the wine of life, the human heart;
And he tamed fire which, like some beast of prey,
Most terrible, but lovely, played beneath
The frown of man; and tortured to his will
Iron and gold, the slaves and signs of power,
And gems and poisons, and all subtlest forms
Hidden beneath the mountains and the waves.
He gave man speech, and speech created thought,
Which is the measure of the universe;
And Science struck the thrones of earth and heaven,
Which shook, but fell not; and the harmonious mind
Poured itself forth in all-prophetic song;
And music lifted up the listening spirit
Until it walked, exempt from mortal care,
Godlike, o'er the clear billows of sweet sound;
And human hands first mimicked and then mocked,
With moulded limbs more lovely than its own,
The human form, till marble grew divine;
And mothers, gazing, drank the love men see
Reflected in their race, behold, and perish.
He told the hidden power of herbs and springs,
And Disease drank and slept. Death grew like sleep.
He taught the implicated orbits woven
Of the wide-wandering stars; and how the sun
Changes his lair, and by what secret spell
The pale moon is transformed, when her broad eye
Gazes not on the interlunar sea:
He taught to rule, as life directs the limbs,
The tempest-wingd chariots of the Ocean,
And the Celt knew the Indian. Cities then
Were built, and through their snow-like columns flowed
The warm winds, and the azure aether shone,
And the blue sea and shadowy hills were seen.
Such, the alleviations of his state,
Prometheus gave to man, for which he hangs
Withering in destined pain: but who rains down
Evil, the immedicable plague, which, while
Man looks on his creation like a God
And sees that it is glorious, drives him on,
The wreck of his own will, the scorn of earth,
The outcast, the abandoned, the alone?
Not Jove: while yet his frown shook Heaven, ay, when
His adversary from adamantine chains
Cursed him, he trembled like a slave. Declare
Who is his master? Is he too a slave?
Demogorgon.
All spirits are enslaved which serve things evil:
Thou knowest if Jupiter be such or no.
Asia.
Whom calledst thou God?
Demogorgon.
I spoke but as ye speak,
For Jove is the supreme of living things.
Asia.
Who is the master of the slave?
Demogorgon.
If the abysm
Could vomit forth its secrets. . . But a voice
Is wanting, the deep truth is imageless;
For what would it avail to bid thee gaze
On the revolving world? What to bid speak
Fate, Time, Occasion, Chance, and Change? To these
All things are subject but eternal Love.
Asia.
So much I asked before, and my heart gave
The response thou hast given; and of such truths
Each to itself must be the oracle.
One more demand; and do thou answer me
As mine own soul would answer, did it know
That which I ask. Prometheus shall arise
Henceforth the sun of this rejoicing world:
When shall the destined hour arrive?
Demogorgon.
Behold!
Asia.
The rocks are cloven, and through the purple night
I see cars drawn by rainbow-wingd steeds
Which trample the dim winds: in each there stands
A wild-eyed charioteer urging their flight.
Some look behind, as fiends pursued them there,
And yet I see no shapes but the keen stars:
Others, with burning eyes, lean forth, and drink
With eager lips the wind of their own speed,
As if the thing they loved fled on before,
And now, even now, they clasped it. Their bright locks
Stream like a comet's flashing hair: they all
Sweep onward.
Demogorgon.
These are the immortal Hours,
Of whom thou didst demand. One waits for thee.
Asia.
A spirit with a dreadful countenance
Checks its dark chariot by the craggy gulf.
Unlike thy brethren, ghastly charioteer,
Who art thou? Whither wouldst thou bear me? Speak!
Spirit.
I am the shadow of a destiny
More dread than is my aspect: ere yon planet
Has set, the darkness which ascends with me
Shall wrap in lasting night heaven's kingless throne.
Asia.
What meanest thou?
Panthea.
That terrible shadow floats
Up from its throne, as may the lurid smoke
Of earthquake-ruined cities o'er the sea.
Lo! it ascends the car; the coursers fly
Terrified: watch its path among the stars
Blackening the night!
Asia.
Thus I am answered: strange!
Panthea.
See, near the verge, another chariot stays;
An ivory shell inlaid with crimson fire,
Which comes and goes within its sculptured rim
Of delicate strange tracery; the young spirit
That guides it has the dove-like eyes of hope;
How its soft smiles attract the soul! as light
Lures wingd insects through the lampless air.
Spirit.
My coursers are fed with the lightning,
They drink of the whirlwind's stream,
And when the red morning is bright'ning
They bathe in the fresh sunbeam;
They have strength for their swiftness I deem,
Then ascend with me, daughter of Ocean.
I desire: and their speed makes night kindle;
I fear: they outstrip the Typhoon;
Ere the cloud piled on Atlas can dwindle
We encircle the earth and the moon:
We shall rest from long labours at noon:
Then ascend with me, daughter of Ocean.
Scene V.
The Car pauses within a Cloud on the top of a snowy Mountain. Asia, Panthea, and the Spirit of the Hour.
Spirit.
On the brink of the night and the morning
My coursers are wont to respire;
But the Earth has just whispered a warning
That their flight must be swifter than fire:
They shall drink the hot speed of desire!
Asia.
Thou breathest on their nostrils, but my breath
Would give them swifter speed.
Spirit.
Alas! it could not.
Panthea.
Oh Spirit! pause, and tell whence is the light
Which fills this cloud? the sun is yet unrisen.
Spirit.
The sun will rise not until noon. Apollo
Is held in heaven by wonder; and the light
Which fills this vapour, as the areal hue
Of fountain-gazing roses fills the water,
Flows from thy mighty sister.
Panthea.
Yes, I feel
Asia.
What is it with thee, sister? Thou art pale.
Panthea.
How thou art changed! I dare not look on thee;
I feel but see thee not. I scarce endure
The radiance of thy beauty. Some good change
Is working in the elements, which suffer
Thy presence thus unveiled. The Nereids tell
That on the day when the clear hyaline
Was cloven at thine uprise, and thou didst stand
Within a veind shell, which floated on
Over the calm floor of the crystal sea,
Among the gean isles, and by the shores
Which bear thy name; love, like the atmosphere
Of the sun's fire filling the living world,
Burst from thee, and illumined earth and heaven
And the deep ocean and the sunless caves
And all that dwells within them; till grief cast
Eclipse upon the soul from which it came:
Such art thou now; nor is it I alone,
Thy sister, thy companion, thine own chosen one,
But the whole world which seeks thy sympathy.
Hearest thou not sounds i' the air which speak the love
Of all articulate beings? Feelest thou not
The inanimate winds enamoured of thee? List!
[Music.
Asia.
Thy words are sweeter than aught else but his
Whose echoes they are: yet all love is sweet,
Given or returned. Common as light is love,
And its familiar voice wearies not ever.
Like the wide heaven, the all-sustaining air,
It makes the reptile equal to the God:
They who inspire it most are fortunate,
As I am now; but those who feel it most
Are happier still, after long sufferings,
As I shall soon become.
Panthea.
List! Spirits speak.
Voice in the Air, singing.
Life of Life! thy lips enkindle
With their love the breath between them;
And thy smiles before they dwindle
Make the cold air fire; then screen them
In those looks, where whoso gazes
Faints, entangled in their mazes.
Child of Light! thy limbs are burning
Through the vest which seems to hide them;
As the radiant lines of morning
Through the clouds ere they divide them;
And this atmosphere divinest
Shrouds thee wheresoe'er thou shinest.
Fair are others; none beholds thee,
But thy voice sounds low and tender
Like the fairest, for it folds thee
From the sight, that liquid splendour,
And all feel, yet see thee never,
As I feel now, lost for ever!
Lamp of Earth! where'er thou movest
Its dim shapes are clad with brightness,
And the souls of whom thou lovest
Walk upon the winds with lightness,
Till they fail, as I am failing,
Dizzy, lost, yet unbewailing!
Asia.
My soul is an enchanted boat,
Which, like a sleeping swan, doth float
Upon the silver waves of thy sweet singing;
And thine doth like an angel sit
Beside a helm conducting it,
Whilst all the winds with melody are ringing.
It seems to float ever, for ever,
Upon that many-winding river,
Between mountains, woods, abysses,
A paradise of wildernesses!
Till, like one in slumber bound,
Borne to the ocean, I float down, around,
Into a sea profound, of ever-spreading sound:
Meanwhile thy spirit lifts its pinions
In music's most serene dominions;
Catching the winds that fan that happy heaven.
And we sail on, away, afar,
Without a course, without a star,
But, by the instinct of sweet music driven;
Till through Elysian garden islets
By thee, most beautiful of pilots,
Where never mortal pinnace glided,
The boat of my desire is guided:
Realms where the air we breathe is love,
Which in the winds and on the waves doth move,
Harmonizing this earth with what we feel above.
We have passed Age's icy caves,
And Manhood's dark and tossing waves,
And Youth's smooth ocean, smiling to betray:
Beyond the glassy gulfs we flee
Of shadow-peopled Infancy,
Through Death and Birth, to a diviner day;
A paradise of vaulted bowers,
Lit by downward-gazing flowers,
And watery paths that wind between
Wildernesses calm and green,
Peopled by shapes too bright to see,
And rest, having beheld; somewhat like thee;
Which walk upon the sea, and chant melodiously!
END OF THE SECOND ACT.
ACT III
Scene I.
Heaven. Jupiter on his Throne; Thetis and the other Deities assembled.
Jupiter.
Ye congregated powers of heaven, who share
The glory and the strength of him ye serve,
Rejoice! henceforth I am omnipotent.
All else had been subdued to me; alone
The soul of man, like unextinguished fire,
Yet burns towards heaven with fierce reproach, and doubt,
And lamentation, and reluctant prayer,
Hurling up insurrection, which might make
Our antique empire insecure, though built
On eldest faith, and hell's coeval, fear;
And though my curses through the pendulous air,
Like snow on herbless peaks, fall flake by flake,
And cling to it; though under my wrath's night
It climbs the crags of life, step after step,
Which wound it, as ice wounds unsandalled feet,
It yet remains supreme o'er misery,
Aspiring, unrepressed, yet soon to fall:
Even now have I begotten a strange wonder,
That fatal child, the terror of the earth,
Who waits but till the destined hour arrive,
Bearing from Demogorgon's vacant throne
The dreadful might of ever-living limbs
Which clothed that awful spirit unbeheld,
To redescend, and trample out the spark.
Pour forth heaven's wine, Idan Ganymede,
And let it fill the Ddal cups like fire,
And from the flower-inwoven soil divine
Ye all-triumphant harmonies arise,
As dew from earth under the twilight stars:
Drink! be the nectar circling through your veins
The soul of joy, ye ever-living Gods,
Till exultation burst in one wide voice
Like music from Elysian winds.
And thou
Ascend beside me, veild in the light
Of the desire which makes thee one with me,
Thetis, bright image of eternity!
When thou didst cry, 'Insufferable might!
God! Spare me! I sustain not the quick flames,
The penetrating presence; all my being,
Like him whom the Numidian seps did thaw
Into a dew with poison, is dissolved,
Sinking through its foundations:' even then
Two mighty spirits, mingling, made a third
Mightier than either, which, unbodied now,
Between us floats, felt, although unbeheld,
Waiting the incarnation, which ascends,
(Hear ye the thunder of the fiery wheels
Griding the winds?) from Demogorgon's throne.
Victory! victory! Feel'st thou not, O world,
The earthquake of his chariot thundering up
Olympus?
[The Car of the Hour arrives. Demogorgon descends, and moves towards the Throne of Jupiter.
Awful shape, what art thou? Speak!
Demogorgon.
Eternity. Demand no direr name.
Descend, and follow me down the abyss.
I am thy child, as thou wert Saturn's child;
Mightier than thee: and we must dwell together
Henceforth in darkness. Lift thy lightnings not.
The tyranny of heaven none may retain,
Or reassume, or hold, succeeding thee:
Yet if thou wilt, as 'tis the destiny
Of trodden worms to writhe till they are dead,
Put forth thy might.
Jupiter.
Detested prodigy!
Even thus beneath the deep Titanian prisons
I trample thee! thou lingerest?
Mercy! mercy!
No pity, no release, no respite! Oh,
That thou wouldst make mine enemy my judge,
Even where he hangs, seared by my long revenge,
On Caucasus! he would not doom me thus.
Gentle, and just, and dreadless, is he not
The monarch of the world? What then art thou?
No refuge! no appeal!
Sink with me then,
We two will sink on the wide waves of ruin,
Even as a vulture and a snake outspent
Drop, twisted in inextricable fight,
Into a shoreless sea. Let hell unlock
Its mounded oceans of tempestuous fire,
And whelm on them into the bottomless void
This desolated world, and thee, and me,
The conqueror and the conquered, and the wreck
Of that for which they combated.
Ai! Ai!
The elements obey me not. I sink
Dizzily down, ever, for ever, down.
And, like a cloud, mine enemy above
Darkens my fall with victory! Ai, Ai!
Scene II.
The Mouth of a great River in the Island Atlantis.Ocean is discovered reclining near the Shore; Apollo stands beside him.
Ocean.
He fell, thou sayest, beneath his conqueror's frown?
Apollo.
Ay, when the strife was ended which made dim
The orb I rule, and shook the solid stars,
The terrors of his eye illumined heaven
With sanguine light, through the thick ragged skirts
Of the victorious darkness, as he fell:
Like the last glare of day's red agony,
Which, from a rent among the fiery clouds,
Burns far along the tempest-wrinkled deep.
Ocean.
He sunk to the abyss? To the dark void?
Apollo.
An eagle so caught in some bursting cloud
On Caucasus, his thunder-baffled wings
Entangled in the whirlwind, and his eyes
Which gazed on the undazzling sun, now blinded
By the white lightning, while the ponderous hail
Beats on his struggling form, which sinks at length
Prone, and the areal ice clings over it.
Ocean.
Henceforth the fields of heaven-reflecting sea
Which are my realm, will heave, unstained with blood,
Beneath the uplifting winds, like plains of corn
Swayed by the summer air; my streams will flow
Round many-peopled continents, and round
Fortunate isles; and from their glassy thrones
Blue Proteus and his humid nymphs shall mark
The shadow of fair ships, as mortals see
The floating bark of the light-laden moon
With that white star, its sightless pilot's crest,
Borne down the rapid sunset's ebbing sea;
Tracking their path no more by blood and groans,
And desolation, and the mingled voice
Of slavery and command; but by the light
Of wave-reflected flowers, and floating odours,
And music soft, and mild, free, gentle voices,
And sweetest music, such as spirits love.
Apollo.
And I shall gaze not on the deeds which make
My mind obscure with sorrow, as eclipse
Darkens the sphere I guide; but list, I hear
The small, clear, silver lute of the young Spirit
That sits i' the morning star.
Ocean.
Thou must away;
Thy steeds will pause at even, till when farewell:
The loud deep calls me home even now to feed it
With azure calm out of the emerald urns
Which stand for ever full beside my throne.
Behold the Nereids under the green sea,
Their wavering limbs borne on the wind-like stream,
Their white arms lifted o'er their streaming hair
With garlands pied and starry sea-flower crowns,
Hastening to grace their mighty sister's joy. [A sound of waves is heard.
It is the unpastured sea hungering for calm.
Peace, monster; I come now. Farewell.
Apollo.
Farewell.
Scene III.
Caucasus. Prometheus, Hercules, Ione, the Earth, Spirits, Asia, and Panthea, borne in the Car with the Spirit of the Hour. Hercules unbinds Prometheus, who descends.
Hercules.
Most glorious among Spirits, thus doth strength
To wisdom, courage, and long-suffering love,
And thee, who art the form they animate,
Minister like a slave.
Prometheus.
Thy gentle words
Are sweeter even than freedom long desired
And long delayed.
Asia, thou light of life,
Shadow of beauty unbeheld: and ye,
Fair sister nymphs, who made long years of pain
Sweet to remember, through your love and care:
Henceforth we will not part. There is a cave,
All overgrown with trailing odorous plants,
Which curtain out the day with leaves and flowers,
And paved with veind emerald, and a fountain
Leaps in the midst with an awakening sound.
From its curved roof the mountain's frozen tears
Like snow, or silver, or long diamond spires,
Hang downward, raining forth a doubtful light:
And there is heard the ever-moving air,
Whispering without from tree to tree, and birds,
And bees; and all around are mossy seats,
And the rough walls are clothed with long soft grass;
A simple dwelling, which shall be our own;
Where we will sit and talk of time and change,
As the world ebbs and flows, ourselves unchanged.
What can hide man from mutability?
And if ye sigh, then I will smile; and thou,
Ione, shalt chant fragments of sea-music,
Until I weep, when ye shal smile away
The tears she brought, which yet were sweet to shed.
We will entangle buds and flowers and beams
Which twinkle on the fountain's brim, and make
Strange combinations out of common things,
Like human babes in their brief innocence;
And we will search, with looks and words of love,
For hidden thoughts, each lovelier than the last,
Our unexhausted spirits; and like lutes
Touched by the skill of the enamoured wind,
Weave harmonies divine, yet ever new,
From difference sweet where discord cannot be;
And hither come, sped on the charmd winds,
Which meet from all the points of heaven, as bees
From every flower areal Enna feeds,
At their known island-homes in Himera,
The echoes of the human world, which tell
Of the low voice of love, almost unheard,
And dove-eyed pity's murmured pain, and music,
Itself the echo of the heart, and all
That tempers or improves man's life, now free;
And lovely apparitions,dim at first,
Then radiant, as the mind, arising bright
From the embrace of beauty (whence the forms
Of which these are the phantoms) casts on them
The gathered rays which are reality
Shall visit us, the progeny immortal
Of Painting, Sculpture, and rapt Poesy,
And arts, though unimagined, yet to be.
The wandering voices and the shadows these
Of all that man becomes, the mediators
Of that best worship love, by him and us
Given and returned; swift shapes and sounds, which grow
More fair and soft as man grows wise and kind,
And, veil by veil, evil and error fall:
Such virtue has the cave and place around. [Turning to the Spirit of the Hour.
For thee, fair Spirit, one toil remains. Ione,
Give her that curvd shell, which Proteus old
Made Asia's nuptial boon, breathing within it
A voice to be accomplished, and which thou
Didst hide in grass under the hollow rock.
Ione.
Thou most desired Hour, more loved and lovely
Than all thy sisters, this is the mystic shell;
See the pale azure fading into silver
Lining it with a soft yet glowing light:
Looks it not like lulled music sleeping there?
Spirit.
It seems in truth the fairest shell of Ocean:
Its sound must be at once both sweet and strange.
Prometheus.
Go, borne over the cities of mankind
On whirlwind-footed coursers: once again
Outspeed the sun around the orbd world;
And as thy chariot cleaves the kindling air,
Thou breathe into the many-folded shell,
Loosening its mighty music; it shall be
As thunder mingled with clear echoes: then
Return; and thou shalt dwell beside our cave.
And thou, O, Mother Earth!
The Earth.
I hear, I feel;
Thy lips are on me, and their touch runs down
Even to the adamantine central gloom
Along these marble nerves; 'tis life, 'tis joy,
And through my withered, old, and icy frame
The warmth of an immortal youth shoots down
Circling. Henceforth the many children fair
Folded in my sustaining arms; all plants,
And creeping forms, and insects rainbow-winged,
And birds, and beasts, and fish, and human shapes,
Which drew disease and pain from my wan bosom,
Draining the poison of despair, shall take
And interchange sweet nutriment; to me
Shall they become like sister-antelopes
By one fair dam, snow-white and swift as wind,
Nursed among lilies near a brimming stream.
The dew-mists of my sunless sleep shall float
Under the stars like balm: night-folded flowers
Shall suck unwithering hues in their repose:
And men and beasts in happy dreams shall gather
Strength for the coming day, and all its joy:
And death shall be the last embrace of her
Who takes the life she gave, even as a mother
Folding her child, says, 'Leave me not again.'
Asia.
Oh, mother! wherefore speak the name of death?
Cease they to love, and move, and breathe, and speak,
Who die?
The Earth.
It would avail not to reply:
Thou art immortal, and this tongue is known
But to the uncommunicating dead.
Death is the veil which those who live call life:
They sleep, and it is lifted: and meanwhile
In mild variety the seasons mild
With rainbow-skirted showers, and odorous winds,
And long blue meteors cleansing the dull night,
And the life-kindling shafts of the keen sun's
All-piercing bow, and the dew-mingled rain
Of the calm moonbeams, a soft influence mild,
Shall clothe the forests and the fields, ay, even
The crag-built deserts of the barren deep,
With ever-living leaves, and fruits, and flowers.
And thou! There is a cavern where my spirit
Was panted forth in anguish whilst thy pain
Made my heart mad, and those who did inhale it
Became mad too, and built a temple there,
And spoke, and were oracular, and lured
The erring nations round to mutual war,
And faithless faith, such as Jove kept with thee;
Which breath now rises, as amongst tall weeds
A violet's exhalation, and it fills
With a serener light and crimson air
Intense, yet soft, the rocks and woods around;
It feeds the quick growth of the serpent vine,
And the dark linkd ivy tangling wild,
And budding, blown, or odour-faded blooms
Which star the winds with points of coloured light,
As they rain through them, and bright golden globes
Of fruit, suspended in their own green heaven,
And through their veind leaves and amber stems
The flowers whose purple and translucid bowls
Stand ever mantling with areal dew,
The drink of spirits: and it circles round,
Like the soft waving wings of noonday dreams,
Inspiring calm and happy thoughts, like mine,
Now thou art thus restored. This cave is thine.
Arise! Appear!
[A Spirit rises in the likeness of a winged child.
This is my torch-bearer;
Who let his lamp out in old time with gazing
On eyes from which he kindled it anew
With love, which is as fire, sweet daughter mine,
For such is that within thine own. Run, wayward,
And guide this company beyond the peak
Of Bacchic Nysa, Mnad-haunted mountain,
And beyond Indus and its tribute rivers,
Trampling the torrent streams and glassy lakes
With feet unwet, unwearied, undelaying,
And up the green ravine, across the vale,
Beside the windless and crystalline pool,
Where ever lies, on unerasing waves,
The image of a temple, built above,
Distinct with column, arch, and architrave,
And palm-like capital, and over-wrought,
And populous with most living imagery,
Praxitelean shapes, whose marble smiles
Fill the hushed air with everlasting love.
It is deserted now, but once it bore
Thy name, Prometheus; there the emulous youths
Bore to thy honour through the divine gloom
The lamp which was thine emblem; even as those
Who bear the untransmitted torch of hope
Into the grave, across the night of life,
As thou hast borne it most triumphantly
To this far goal of Time. Depart, farewell.
Beside that temple is the destined cave.
Scene IV.
A Forest. In the Background a Cave. Prometheus, Asia, Panthea, Ione, and the Spirit of the Earth.
Ione.
Sister, it is not earthly: how it glides
Under the leaves! how on its head there burns
A light, like a green star, whose emerald beams
Are twined with its fair hair! how, as it moves,
The splendour drops in flakes upon the grass!
Knowest thou it?
Panthea.
It is the delicate spirit
That guides the earth through heaven. From afar
The populous constellations call that light
The loveliest of the planets; and sometimes
It floats along the spray of the salt sea,
Or makes its chariot of a foggy cloud,
Or walks through fields or cities while men sleep,
Or o'er the mountain tops, or down the rivers,
Or through the green waste wilderness, as now,
Wondering at all it sees. Before Jove reigned
It loved our sister Asia, and it came
Each leisure hour to drink the liquid light
Out of her eyes, for which it said it thirsted
As one bit by a dipsas, and with her
It made its childish confidence, and told her
All it had known or seen, for it saw much,
Yet idly reasoned what it saw; and called her
For whence it sprung it knew not, nor do I
Mother, dear mother.
The Spirit of the Earth
(running to Asia).
Mother, dearest mother;
May I then talk with thee as I was wont?
May I then hide my eyes in thy soft arms,
After thy looks have made them tired of joy?
May I then play beside thee the long noons,
When work is none in the bright silent air?
Asia.
I love thee, gentlest being, and henceforth
Can cherish thee unenvied: speak, I pray:
Thy simple talk once solaced, now delights.
Spirit of the Earth.
Mother, I am grown wiser, though a child
Cannot be wise like thee, within this day;
And happier too; happier and wiser both.
Thou knowest that toads, and snakes, and loathly worms,
And venomous and malicious beasts, and boughs
That bore ill berries in the woods, were ever
An hindrance to my walks o'er the green world:
And that, among the haunts of humankind,
Hard-featured men, or with proud, angry looks,
Or cold, staid gait, or false and hollow smiles,
Or the dull sneer of self-loved ignorance,
Or other such foul masks, with which ill thoughts
Hide that fair being whom we spirits call man;
And women too, ugliest of all things evil,
(Though fair, even in a world where thou art fair,
When good and kind, free and sincere like thee),
When false or frowning made me sick at heart
To pass them, though they slept, and I unseen.
Well, my path lately lay through a great city
Into the woody hills surrounding it:
A sentinel was sleeping at the gate:
When there was heard a sound, so loud, it shook
The towers amid the moonlight, yet more sweet
Than any voice but thine, sweetest of all;
A long, long sound, as it would never end:
And all the inhabitants leaped suddenly
Out of their rest, and gathered in the streets,
Looking in wonder up to Heaven, while yet
The music pealed along. I hid myself
Within a fountain in the public square,
Where I lay like the reflex of the moon
Seen in a wave under green leaves; and soon
Those ugly human shapes and visages
Of which I spoke as having wrought me pain,
Passed floating through the air, and fading still
Into the winds that scattered them; and those
From whom they passed seemed mild and lovely forms
After some foul disguise had fallen, and all
Were somewhat changed, and after brief surprise
And greetings of delighted wonder, all
Went to their sleep again: and when the dawn
Came, wouldst thou think that toads, and snakes, and efts,
Could e'er be beautiful? yet so they were,
And that with little change of shape or hue:
All things had put their evil nature off:
I cannot tell my joy, when o'er a lake
Upon a drooping bough with nightshade twined,
I saw two azure halcyons clinging downward
And thinning one bright bunch of amber berries,
With quick long beaks, and in the deep there lay
Those lovely forms imaged as in a sky;
So, with my thoughts full of these happy changes,
We meet again, the happiest change of all.
Asia.
And never will we part, till thy chaste sister
Who guides the frozen and inconstant moon
Will look on thy more warm and equal light
Till her heart thaw like flakes of April snow
And love thee.
Spirit of the Earth.
What; as Asia loves Prometheus?
Asia.
Peace, wanton, thou art yet not old enough.
Think ye by gazing on each other's eyes
To multiply your lovely selves, and fill
With spherd fires the interlunar air?
Spirit of the Earth.
Nay, mother, while my sister trims her lamp
'Tis hard I should go darkling.
Asia.
Listen; look!
[The Spirit of the Hour enters.
Prometheus.
We feel what thou hast heard and seen: yet speak.
Spirit of the Hour.
Soon as the sound had ceased whose thunder filled
The abysses of the sky and the wide earth,
There was a change: the impalpable thin air
And the all-circling sunlight were transformed,
As if the sense of love dissolved in them
Had folded itself round the spherd world.
My vision then grew clear, and I could see
Into the mysteries of the universe:
Dizzy as with delight I floated down,
Winnowing the lightsome air with languid plumes,
My coursers sought their birthplace in the sun,
Where they henceforth will live exempt from toil,
Pasturing flowers of vegetable fire;
And where my moonlike car will stand within
A temple, gazed upon by Phidian forms
Of thee, and Asia, and the Earth, and me,
And you fair nymphs looking the love we feel,
In memory of the tidings it has borne,
Beneath a dome fretted with graven flowers,
Poised on twelve columns of resplendent stone,
And open to the bright and liquid sky.
Yoked to it by an amphisbaenic snake
The likeness of those wingd steeds will mock
The flight from which they find repose. Alas,
Whither has wandered now my partial tongue
When all remains untold which ye would hear?
As I have said, I floated to the earth:
It was, as it is still, the pain of bliss
To move, to breathe, to be; I wandering went
Among the haunts and dwellings of mankind,
And first was disappointed not to see
Such mighty change as I had felt within
Expressed in outward things; but soon I looked,
And behold, thrones were kingless, and men walked
One with the other even as spirits do,
None fawned, none trampled; hate, disdain, or fear,
Self-love or self-contempt, on human brows
No more inscribed, as o'er the gate of hell,
'All hope abandon ye who enter here;'
None frowned, none trembled, none with eager fear
Gazed on another's eye of cold command,
Until the subject of a tyrant's will
Became, worse fate, the abject of his own,
Which spurred him, like an outspent horse, to death.
None wrought his lips in truth-entangling lines
Which smiled the lie his tongue disdained to speak;
None, with firm sneer, trod out in his own heart
The sparks of love and hope till there remained
Those bitter ashes, a soul self-consumed,
And the wretch crept a vampire among men,
Infecting all with his own hideous ill;
None talked that common, false, cold, hollow talk
Which makes the heart deny the yes it breathes,
Yet question that unmeant hypocrisy
With such a self-mistrust as has no name.
And women, too, frank, beautiful, and kind
As the free heaven which rains fresh light and dew
On the wide earth, past; gentle radiant forms,
From custom's evil taint exempt and pure;
Speaking the wisdom once they could not think,
Looking emotions once they feared to feel,
And changed to all which once they dared not be,
Yet being now, made earth like heaven; nor pride,
Nor jealousy, nor envy, nor ill shame,
The bitterest of those drops of treasured gall,
Spoilt the sweet taste of the nepenthe, love.
Thrones, altars, judgement-seats, and prisons; wherein,
And beside which, by wretched men were borne
Sceptres, tiaras, swords, and chains, and tomes
Of reasoned wrong, glozed on by ignorance,
Were like those monstrous and barbaric shapes,
The ghosts of a no-more-remembered fame,
Which, from their unworn obelisks, look forth
In triumph o'er the palaces and tombs
Of those who were their conquerors: mouldering round,
These imaged to the pride of kings and priests
A dark yet mighty faith, a power as wide
As is the world it wasted, and are now
But an astonishment; even so the tools
And emblems of its last captivity,
Amid the dwellings of the peopled earth,
Stand, not o'erthrown, but unregarded now.
And those foul shapes, abhorred by god and man,
Which, under many a name and many a form
Strange, savage, ghastly, dark and execrable,
Were Jupiter, the tyrant of the world;
And which the nations, panic-stricken, served
With blood, and hearts broken by long hope, and love
Dragged to his altars soiled and garlandless,
And slain amid men's unreclaiming tears,
Flattering the thing they feared, which fear was hate,
Frown, mouldering fast, o'er their abandoned shrines:
The painted veil, by those who were, called life,
Which mimicked, as with colours idly spread,
All men believed or hoped, is torn aside;
The loathsome mask has fallen, the man remains
Sceptreless, free, uncircumscribed, but man
Equal, unclassed, tribeless, and nationless,
Exempt from awe, worship, degree, the king
Over himself; just, gentle, wise: but man
Passionless?no, yet free from guilt or pain,
Which were, for his will made or suffered them,
Nor yet exempt, though ruling them like slaves,
From chance, and death, and mutability,
The clogs of that which else might oversoar
The loftiest star of unascended heaven,
Pinnacled dim in the intense inane.
END OF THE THIRD ACT.
ACT IV
Scene.A Part of the Forest near the Cave of Prometheus.Panthea and Ione are sleeping: they awaken gradually during the first Song.
Voice of unseen Spirits.
The pale stars are gone!
For the sun, their swift shepherd,
To their folds them compelling,
In the depths of the dawn,
Hastes, in meteor-eclipsing array, and they flee
Beyond his blue dwelling,
As fawns flee the leopard.
But where are ye?
A Train of dark Forms and Shadows passes by confusedly, singing.
Here, oh, here:
We bear the bier
Of the Father of many a cancelled year!
Spectres we
Of the dead Hours be,
We bear Time to his tomb in eternity.
Strew, oh, strew
Hair, not yew!
Wet the dusty pall with tears, not dew!
Be the faded flowers
Of Death's bare bowers
Spread on the corpse of the King of Hours!
Haste, oh, haste!
As shades are chased,
Trembling, by day, from heaven's blue waste.
We melt away,
Like dissolving spray,
From the children of a diviner day,
With the lullaby
Of winds that die
On the bosom of their own harmony!
Ione.
What dark forms were they?
Panthea.
The past Hours weak and gray,
With the spoil which their toil
Raked together
From the conquest but One could foil.
Ione.
Have they passed?
Panthea.
They have passed;
They outspeeded the blast,
While 'tis said, they are fled:
Ione.
Whither, oh, whither?
Panthea.
To the dark, to the past, to the dead.
Voice of unseen Spirits.
Bright clouds float in heaven,
Dew-stars gleam on earth,
Waves assemble on ocean,
They are gathered and driven
By the storm of delight, by the panic of glee!
They shake with emotion,
They dance in their mirth.
But where are ye?
The pine boughs are singing
Old songs with new gladness,
The billows and fountains
Fresh music are flinging,
Like the notes of a spirit from land and from sea;
The storms mock the mountains
With the thunder of gladness.
But where are ye?
Ione.
What charioteers are these?
Panthea.
Where are their chariots?
Semichorus of Hours.
The voice of the Spirits of Air and of Earth
Have drawn back the figured curtain of sleep
Which covered our being and darkened our birth
In the deep.
A Voice.
In the deep?
Semichorus II.
Oh, below the deep.
Semichorus I.
An hundred ages we had been kept
Cradled in visions of hate and care,
And each one who waked as his brother slept,
Found the truth
Semichorus II.
Worse than his visions were!
Semichorus I.
We have heard the lute of Hope in sleep;
We have known the voice of Love in dreams;
We have felt the wand of Power, and leap
Semichorus II.
As the billows leap in the morning beams!
Chorus.
Weave the dance on the floor of the breeze,
Pierce with song heaven's silent light,
Enchant the day that too swiftly flees,
To check its flight ere the cave of Night.
Once the hungry Hours were hounds
Which chased the day like a bleeding deer,
And it limped and stumbled with many wounds
Through the nightly dells of the desert year.
But now, oh weave the mystic measure
Of music, and dance, and shapes of light,
Let the Hours, and the spirits of might and pleasure,
Like the clouds and sunbeams, unite.
A Voice.
Unite!
Panthea.
See, where the Spirits of the human mind
Wrapped in sweet sounds, as in bright veils, approach.
Chorus of Spirits.
We join the throng
Of the dance and the song,
By the whirlwind of gladness borne along;
As the flying-fish leap
From the Indian deep,
And mix with the sea-birds, half asleep.
Chorus of Hours.
Whence come ye, so wild and so fleet,
For sandals of lightning are on your feet,
And your wings are soft and swift as thought,
And your eyes are as love which is veild not?
Chorus of Spirits.
We come from the mind
Of human kind
Which was late so dusk, and obscene, and blind,
Now 'tis an ocean
Of clear emotion,
A heaven of serene and mighty motion
From that deep abyss
Of wonder and bliss,
Whose caverns are crystal palaces;
From those skiey towers
Where Thought's crowned powers
Sit watching your dance, ye happy Hours!
From the dim recesses
Of woven caresses,
Where lovers catch ye by your loose tresses
From the azure isles,
Where sweet Wisdom smiles,
Delaying your ships with her siren wiles.
From the temples high
Of Man's ear and eye,
Roofed over Sculpture and Poesy;
From the murmurings
Of the unsealed springs
Where Science bedews her Ddal wings.
Years after years,
Through blood, and tears,
And a thick hell of hatreds, and hopes, and fears;
We waded and flew,
And the islets were few
Where the bud-blighted flowers of happiness grew.
Our feet now, every palm,
Are sandalled with calm,
And the dew of our wings is a rain of balm;
And, beyond our eyes,
The human love lies
Which makes all it gazes on Paradise.
Chorus of Spirits and Hours.
Then weave the web of the mystic measure;
From the depths of the sky and the ends of the earth,
Come, swift Spirits of might and of pleasure,
Fill the dance and the music of mirth,
As the waves of a thousand streams rush by
To an ocean of splendour and harmony!
Chorus of Spirits.
Our spoil is won,
Our task is done,
We are free to dive, or soar, or run;
Beyond and around,
Or within the bound
Which clips the world with darkness round.
We'll pass the eyes
Of the starry skies
Into the hoar deep to colonize:
Death, Chaos, and Night,
From the sound of our flight,
Shall flee, like mist from a tempest's might.
And Earth, Air, and Light,
And the Spirit of Might,
Which drives round the stars in their fiery flight;
And Love, Thought, and Breath,
The powers that quell Death,
Wherever we soar shall assemble beneath.
And our singing shall build
In the void's loose field
A world for the Spirit of Wisdom to wield;
We will take our plan
From the new world of man,
And our work shall be called the Promethean.
Chorus of Hours.
Break the dance, and scatter the song;
Let some depart, and some remain.
Semichorus I.
We, beyond heaven, are driven along:
Semichorus II.
Us the enchantments of earth retain:
Semichorus I.
Ceaseless, and rapid, and fierce, and free,
With the Spirits which build a new earth and sea,
And a heaven where yet heaven could never be.
Semichorus II.
Solemn, and slow, and serene, and bright,
Leading the Day and outspeeding the Night,
With the powers of a world of perfect light.
Semichorus I.
We whirl, singing loud, round the gathering sphere,
Till the trees, and the beasts, and the clouds appear
From its chaos made calm by love, not fear.
Semichorus II.
We encircle the ocean and mountains of earth,
And the happy forms of its death and birth
Change to the music of our sweet mirth.
Chorus of Hours and Spirits.
Break the dance, and scatter the song,
Let some depart, and some remain,
Wherever we fly we lead along
In leashes, like starbeams, soft yet strong,
The clouds that are heavy with love's sweet rain.
Panthea.
Ha! they are gone!
Ione.
Yet feel you no delight
From the past sweetness?
Panthea.
As the bare green hill
When some soft cloud vanishes into rain,
Laughs with a thousand drops of sunny water
To the unpavilioned sky!
Ione.
Even whilst we speak
New notes arise. What is that awful sound?
Panthea.
'Tis the deep music of the rolling world
Kindling within the strings of the waved air
olian modulations.
Ione.
Listen too,
How every pause is filled with under-notes,
Clear, silver, icy, keen, awakening tones,
Which pierce the sense, and live within the soul,
As the sharp stars pierce winter's crystal air
And gaze upon themselves within the sea.
Panthea.
But see where through two openings in the forest
Which hanging branches overcanopy,
And where two runnels of a rivulet,
Between the close moss violet-inwoven,
Have made their path of melody, like sisters
Who part with sighs that they may meet in smiles,
Turning their dear disunion to an isle
Of lovely grief, a wood of sweet sad thoughts;
Two visions of strange radiance float upon
The ocean-like enchantment of strong sound,
Which flows intenser, keener, deeper yet
Under the ground and through the windless air.
Ione.
I see a chariot like that thinnest boat,
In which the Mother of the Months is borne
By ebbing light into her western cave,
When she upsprings from interlunar dreams;
O'er which is curved an orblike canopy
Of gentle darkness, and the hills and woods,
Distinctly seen through that dusk aery veil,
Regard like shapes in an enchanter's glass;
Its wheels are solid clouds, azure and gold,
Such as the genii of the thunderstorm
Pile on the floor of the illumined sea
When the sun rushes under it; they roll
And move and grow as with an inward wind;
Within it sits a wingd infant, white
Its countenance, like the whiteness of bright snow,
Its plumes are as feathers of sunny frost,
Its limbs gleam white, through the wind-flowing folds
Of its white robe, woof of ethereal pearl.
Its hair is white, the brightness of white light
Scattered in strings; yet its two eyes are heavens
Of liquid darkness, which the Deity
Within seems pouring, as a storm is poured
From jaggd clouds, out of their arrowy lashes,
Tempering the cold and radiant air around,
With fire that is not brightness; in its hand
It sways a quivering moonbeam, from whose point
A guiding power directs the chariot's prow
Over its wheeld clouds, which as they roll
Over the grass, and flowers, and waves, wake sounds,
Sweet as a singing rain of silver dew.
Panthea.
And from the other opening in the wood
Rushes, with loud and whirlwind harmony,
A sphere, which is as many thousand spheres,
Solid as crystal, yet through all its mass
Flow, as through empty space, music and light:
Ten thousand orbs involving and involved,
Purple and azure, white, and green, and golden,
Sphere within sphere; and every space between
Peopled with unimaginable shapes,
Such as ghosts dream dwell in the lampless deep,
Yet each inter-transpicuous, and they whirl
Over each other with a thousand motions,
Upon a thousand sightless axles spinning,
And with the force of self-destroying swiftness,
Intensely, slowly, solemnly roll on,
Kindling with mingled sounds, and many tones,
Intelligible words and music wild.
With mighty whirl the multitudinous orb
Grinds the bright brook into an azure mist
Of elemental subtlety, like light;
And the wild odour of the forest flowers,
The music of the living grass and air,
The emerald light of leaf-entangled beams
Round its intense yet self-conflicting speed,
Seem kneaded into one areal mass
Which drowns the sense. Within the orb itself,
Pillowed upon its alabaster arms,
Like to a child o'erwearied with sweet toil,
On its own folded wings, and wavy hair,
The Spirit of the Earth is laid asleep,
And you can see its little lips are moving,
Amid the changing light of their own smiles,
Like one who talks of what he loves in dream.
Ione.
'Tis only mocking the orb's harmony.
Panthea.
And from a star upon its forehead, shoot,
Like swords of azure fire, or golden spears
With tyrant-quelling myrtle overtwined,
Embleming heaven and earth united now,
Vast beams like spokes of some invisible wheel
Which whirl as the orb whirls, swifter than thought,
Filling the abyss with sun-like lightenings,
And perpendicular now, and now transverse,
Pierce the dark soil, and as they pierce and pass,
Make bare the secrets of the earth's deep heart;
Infinite mines of adamant and gold,
Valueless stones, and unimagined gems,
And caverns on crystalline columns poised
With vegetable silver overspread;
Wells of unfathomed fire, and water springs
Whence the great sea, even as a child is fed,
Whose vapours clothe earth's monarch mountain-tops
With kingly, ermine snow. The beams flash on
And make appear the melancholy ruins
Of cancelled cycles; anchors, beaks of ships;
Planks turned to marble; quivers, helms, and spears,
And gorgon-headed targes, and the wheels
Of scythd chariots, and the emblazonry
Of trophies, standards, and armorial beasts,
Round which death laughed, sepulchred emblems
Of dead destruction, ruin within ruin!
The wrecks beside of many a city vast,
Whose population which the earth grew over
Was mortal, but not human; see, they lie,
Their monstrous works, and uncouth skeletons,
Their statues, homes and fanes; prodigious shapes
Huddled in gray annihilation, split,
Jammed in the hard, black deep; and over these,
The anatomies of unknown wingd things,
And fishes which were isles of living scale,
And serpents, bony chains, twisted around
The iron crags, or within heaps of dust
To which the tortuous strength of their last pangs
Had crushed the iron crags; and over these
The jaggd alligator, and the might
Of earth-convulsing behemoth, which once
Were monarch beasts, and on the slimy shores,
And weed-overgrown continents of earth,
Increased and multiplied like summer worms
On an abandoned corpse, till the blue globe
Wrapped deluge round it like a cloak, and they
Yelled, gasped, and were abolished; or some God
Whose throne was in a comet, passed, and cried,
'Be not!' And like my words they were no more.
The Earth.
The joy, the triumph, the delight, the madness!
The boundless, overflowing, bursting gladness,
The vaporous exultation not to be confined!
Ha! ha! the animation of delight
Which wraps me, like an atmosphere of light,
And bears me as a cloud is borne by its own wind.
The Moon.
Brother mine, calm wanderer,
Happy globe of land and air,
Some Spirit is darted like a beam from thee,
Which penetrates my frozen frame,
And passes with the warmth of flame,
With love, and odour, and deep melody
Through me, through me!
The Earth.
Ha! ha! the caverns of my hollow mountains,
My cloven fire-crags, sound-exulting fountains
Laugh with a vast and inextinguishable laughter.
The oceans, and the deserts, and the abysses,
And the deep air's unmeasured wildernesses,
Answer from all their clouds and billows, echoing after.
They cry aloud as I do. Sceptred curse,
Who all our green and azure universe
Threatenedst to muffle round with black destruction, sending
A solid cloud to rain hot thunderstones,
And splinter and knead down my children's bones,
All I bring forth, to one void mass battering and blending,
Until each crag-like tower, and storied column,
Palace, and obelisk, and temple solemn,
My imperial mountains crowned with cloud, and snow, and fire;
My sea-like forests, every blade and blossom
Which finds a grave or cradle in my bosom,
Were stamped by thy strong hate into a lifeless mire:
How art thou sunk, withdrawn, covered, drunk up
By thirsty nothing, as the brackish cup
Drained by a desert-troop, a little drop for all;
And from beneath, around, within, above,
Filling thy void annihilation, love
Burst in like light on caves cloven by the thunder-ball.
The Moon.
The snow upon my lifeless mountains
Is loosened into living fountains,
My solid oceans flow, and sing, and shine:
A spirit from my heart bursts forth,
It clothes with unexpected birth
My cold bare bosom: Oh! it must be thine
On mine, on mine!
Gazing on thee I feel, I know
Green stalks burst forth, and bright flowers grow,
And living shapes upon my bosom move:
Music is in the sea and air,
Wingd clouds soar here and there,
Dark with the rain new buds are dreaming of:
'Tis love, all love!
The Earth.
It interpenetrates my granite mass,
Through tangled roots and trodden clay doth pass
Into the utmost leaves and delicatest flowers;
Upon the winds, among the clouds 'tis spread,
It wakes a life in the forgotten dead,
They breathe a spirit up from their obscurest bowers.
And like a storm bursting its cloudy prison
With thunder, and with whirlwind, has arisen
Out of the lampless caves of unimagined being:
With earthquake shock and swiftness making shiver
Thought's stagnant chaos, unremoved for ever,
Till hate, and fear, and pain, light-vanquished shadows, fleeing,
Leave Man, who was a many-sided mirror,
Which could distort to many a shape of error,
This true fair world of things, a sea reflecting love;
Which over all his kind, as the sun's heaven
Gliding o'er ocean, smooth, serene, and even,
Darting from starry depths radiance and life, doth move:
Leave Man, even as a leprous child is left,
Who follows a sick beast to some warm cleft
Of rocks, through which the might of healing springs is poured;
Then when it wanders home with rosy smile,
Unconscious, and its mother fears awhile
It is a spirit, then, weeps on her child restored.
Man, oh, not men! a chain of linkd thought,
Of love and might to be divided not,
Compelling the elements with adamantine stress;
As the sun rules, even with a tyrant's gaze,
The unquiet republic of the maze
Of planets, struggling fierce towards heaven's free wilderness.
Man, one harmonious soul of many a soul,
Whose nature is its own divine control,
Where all things flow to all, as rivers to the sea;
Familiar acts are beautiful through love;
Labour, and pain, and grief, in life's green grove
Sport like tame beasts, none knew how gentle they could be!
His will, with all mean passions, bad delights,
And selfish cares, its trembling satellites,
A spirit ill to guide, but mighty to obey,
Is as a tempest-wingd ship, whose helm
Love rules, through waves which dare not overwhelm,
Forcing life's wildest shores to own its sovereign sway.
All things confess his strength. Through the cold mass
Of marble and of colour his dreams pass;
Bright threads whence mothers weave the robes their children wear;
Language is a perpetual Orphic song,
Which rules with Ddal harmony a throng
Of thoughts and forms, which else senseless and shapeless were.
The lightning is his slave; heaven's utmost deep
Gives up her stars, and like a flock of sheep
They pass before his eye, are numbered, and roll on!
The tempest is his steed, he strides the air;
And the abyss shouts from her depth laid bare,
Heaven, hast thou secrets? Man unveils me; I have none.
The Moon.
The shadow of white death has passed
From my path in heaven at last,
A clinging shroud of solid frost and sleep;
And through my newly-woven bowers,
Wander happy paramours,
Less mighty, but as mild as those who keep
Thy vales more deep.
The Earth.
As the dissolving warmth of dawn may fold
A half unfrozen dew-globe, green, and gold,
And crystalline, till it becomes a wingd mist,
And wanders up the vault of the blue day,
Outlives the moon, and on the sun's last ray
Hangs o'er the sea, a fleece of fire and amethyst.
The Moon.
Thou art folded, thou art lying
In the light which is undying
Of thine own joy, and heaven's smile divine;
All suns and constellations shower
On thee a light, a life, a power
Which doth array thy sphere; thou pourest thine
On mine, on mine!
The Earth.
I spin beneath my pyramid of night,
Which points into the heavens dreaming delight,
Murmuring victorious joy in my enchanted sleep;
As a youth lulled in love-dreams faintly sighing,
Under the shadow of his beauty lying,
Which round his rest a watch of light and warmth doth keep.
The Moon.
As in the soft and sweet eclipse,
When soul meets soul on lovers' lips,
High hearts are calm, and brightest eyes are dull;
So when thy shadow falls on me,
Then am I mute and still, by thee
Covered; of thy love, Orb most beautiful,
Full, oh, too full!
Thou art speeding round the sun
Brightest world of many a one;
Green and azure sphere which shinest
With a light which is divinest
Among all the lamps of Heaven
To whom life and light is given;
I, thy crystal paramour
Borne beside thee by a power
Like the polar Paradise,
Magnet-like of lovers' eyes;
I, a most enamoured maiden
Whose weak brain is overladen
With the pleasure of her love,
Maniac-like around thee move
Gazing, an insatiate bride,
On thy form from every side
Like a Mnad, round the cup
Which Agave lifted up
In the weird Cadman forest.
Brother, wheresoe'er thou soarest
I must hurry, whirl and follow
Through the heavens wide and hollow,
Sheltered by the warm embrace
Of thy soul from hungry space,
Drinking from thy sense and sight
Beauty, majesty, and might,
As a lover or a chameleon
Grows like what it looks upon,
As a violet's gentle eye
Gazes on the azure sky
Until its hue grows like what it beholds,
As a gray and watery mist
Glows like solid amethyst
Athwart the western mountain it enfolds,
When the sunset sleeps
Upon its snow
The Earth.
And the weak day weeps
That it should be so.
Oh, gentle Moon, the voice of thy delight
Falls on me like thy clear and tender light
Soothing the seaman, borne the summer night,
Through isles for ever calm;
Oh, gentle Moon, thy crystal accents pierce
The caverns of my pride's deep universe,
Charming the tiger joy, whose tramplings fierce
Made wounds which need thy balm.
Panthea.
I rise as from a bath of sparkling water,
A bath of azure light, among dark rocks,
Out of the stream of sound.
Ione.
Ah me! sweet sister,
The stream of sound has ebbed away from us,
And you pretend to rise out of its wave,
Because your words fall like the clear, soft dew
Shaken from a bathing wood-nymph's limbs and hair.
Panthea.
Peace! peace! A mighty Power, which is as darkness,
Is rising out of Earth, and from the sky
Is showered like night, and from within the air
Bursts, like eclipse which had been gathered up
Into the pores of sunlight: the bright visions,
Wherein the singing spirits rode and shone,
Gleam like pale meteors through a watery night.
Ione.
There is a sense of words upon mine ear.
Panthea.
An universal sound like words: Oh, list!
Demogorgon.
Thou, Earth, calm empire of a happy soul,
Sphere of divinest shapes and harmonies,
Beautiful orb! gathering as thou dost roll
The love which paves thy path along the skies:
The Earth.
I hear: I am as a drop of dew that dies.
Demogorgon.
Thou, Moon, which gazest on the nightly Earth
With wonder, as it gazes upon thee;
Whilst each to men, and beasts, and the swift birth
Of birds, is beauty, love, calm, harmony:
The Moon.
I hear: I am a leaf shaken by thee!
Demogorgon.
Ye Kings of suns and stars, Dmons and Gods,
Aetherial Dominations, who possess
Elysian, windless, fortunate abodes
Beyond Heaven's constellated wilderness:
A Voice from above.
Our great Republic hears, we are blest, and bless.
Demogorgon.
Ye happy Dead, whom beams of brightest verse
Are clouds to hide, not colours to portray,
Whether your nature is that universe
Which once ye saw and suffered
A Voice from beneath.
Or as they
Whom we have left, we change and pass away.
Demogorgon.
Ye elemental Genii, who have homes
From man's high mind even to the central stone
Of sullen lead; from heaven's star-fretted domes
To the dull weed some sea-worm battens on:
A confused Voice.
We hear: thy words waken Oblivion.
Demogorgon.
Spirits, whose homes are flesh: ye beasts and birds,
Ye worms, and fish; ye living leaves and buds;
Lightning and wind; and ye untameable herds,
Meteors and mists, which throng air's solitudes:
A Voice.
Thy voice to us is wind among still woods.
Demogorgon.
Man, who wert once a despot and a slave;
A dupe and a deceiver; a decay;
A traveller from the cradle to the grave
Through the dim night of this immortal day:
All.
Speak: thy strong words may never pass away.
Demogorgon.
This is the day, which down the void abysm
At the Earth-born's spell yawns for Heaven's despotism,
And Conquest is dragged captive through the deep:
Love, from its awful throne of patient power
In the wise heart, from the last giddy hour
Of dread endurance, from the slippery, steep,
And narrow verge of crag-like agony, springs
And folds over the world its healing wings.
Gentleness, Virtue, Wisdom, and Endurance,
These are the seals of that most firm assurance
Which bars the pit over Destruction's strength;
And if, with infirm hand, Eternity,
Mother of many acts and hours, should free
The serpent that would clasp her with his length;
These are the spells by which to reassume
An empire o'er the disentangled doom.
To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates;
Neither to change, nor falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is alone Life, Joy, Empire, and Victory.
Composed at Este, Sept., Oct., 1818 (Act I); at Rome, March - April 6, 1819 (Acts II, III); at Florence, close of 1819 (Act IV). Published by C. and J. Ollier, London, summer of 1820.
Note from Mrs. Shelley: 'On the 12th of March, 1818, Shelley quitted England, never to return. His principal motive was the hope that his health would be improved by a milder climate; he suffered very much during the winter previous to his emigration, and this decided his vacillating purpose. .....Through the whole poem there reigns a sort of calm and holy spirit of love; it soothes the tortured, and is hope to the expectant, till the prophecy is fulfilled, and Love, untainted by any evil, becomes the law of the world. ....And, as he wandered among the ruins made one with Nature in their decay, or gaed on the Praxitelean shapes that throng the Vatican, the Capitol, and the palaces of Rome, his soul imbibed forms of loveliness which became a portion of itself. There are many passages in the Prometheus which show the intense delight he received from such studies, and give back the impression with a beauty of poetical description peculiarly his own. He felt this, as a poet must feel when he satisfies himself by the result of his labours; and he wrote from Rome, ''My Prometheus Unbound is just finished, and in a month or two I shall send it. It is a drama, with characters and mechanism of a kind yet unattempted; and I think the execution is better than any of my former attempts.'''
~ Percy Bysshe Shelley, Prometheus Unbound
,#NFDB
149:DRAMATIS PERSON
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessionslet it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
Henceforth no witnessnot the lampshall see
That which the vassal threatened to divulge
Whose throat is choked with dust for his reward.
The deed he saw could not have rated higher
Than his most worthless life:it angers me!
Respited me from Hell!So may the Devil
Respite their souls from Heaven. No doubt Pope Clement,
And his most charitable nephews, pray
That the Apostle Peter and the Saints
Will grant for their sake that I long enjoy
Strength, wealth, and pride, and lust, and length of days
Wherein to act the deeds which are the stewards
Of their revenue.But much yet remains
To which they show no title.
Camillo.
Oh, Count Cenci!
So much that thou mightst honourably live
And reconcile thyself with thine own heart
And with thy God, and with the offended world.
How hideously look deeds of lust and blood
Through those snow white and venerable hairs!
Your children should be sitting round you now,
But that you fear to read upon their looks
The shame and misery you have written there.
Where is your wife? Where is your gentle daughter?
Methinks her sweet looks, which make all things else
Beauteous and glad, might kill the fiend within you.
Why is she barred from all society
But her own strange and uncomplaining wrongs?
Talk with me, Count,you know I mean you well
I stood beside your dark and fiery youth
Watching its bold and bad career, as men
Watch meteors, but it vanished notI marked
Your desperate and remorseless manhood; now
Do I behold you in dishonoured age
Charged with a thousand unrepented crimes.
Yet I have ever hoped you would amend,
And in that hope have saved your life three times.
Cenci.
For which Aldobrandino owes you now
My fief beyond the Pincian.Cardinal,
One thing, I pray you, recollect henceforth,
And so we shall converse with less restraint.
A man you knew spoke of my wife and daughter
He was accustomed to frequent my house;
So the next day his wife and daughter came
And asked if I had seen him; and I smiled:
I think they never saw him any more.
Camillo.
Thou execrable man, beware!
Cenci.
Of thee?
Nay this is idle:We should know each other.
As to my character for what men call crime
Seeing I please my senses as I list,
And vindicate that right with force or guile,
It is a public matter, and I care not
If I discuss it with you. I may speak
Alike to you and my own conscious heart
For you give out that you have half reformed me,
Therefore strong vanity will keep you silent
If fear should not; both will, I do not doubt.
All men delight in sensual luxury,
All men enjoy revenge; and most exult
Over the tortures they can never feel
Flattering their secret peace with others' pain.
But I delight in nothing else. I love
The sight of agony, and the sense of joy,
When this shall be another's, and that mine.
And I have no remorse and little fear,
Which are, I think, the checks of other men.
This mood has grown upon me, until now
Any design my captious fancy makes
The picture of its wish, and it forms none
But such as men like you would start to know,
Is as my natural food and rest debarred
Until it be accomplished.
Camillo.
Art thou not
Most miserable?
Cenci.
Why, miserable?
No.I am what your theologians call
Hardened;which they must be in impudence,
So to revile a man's peculiar taste.
True, I was happier than I am, while yet
Manhood remained to act the thing I thought;
While lust was sweeter than revenge; and now
Invention palls:Ay, we must all grow old
And but that there yet remains a deed to act
Whose horror might make sharp an appetite
Duller than mineI'd doI know not what.
When I was young I thought of nothing else
But pleasure; and I fed on honey sweets:
Men, by St. Thomas! cannot live like bees,
And I grew tired:yet, till I killed a foe,
And heard his groans, and heard his children's groans,
Knew I not what delight was else on earth,
Which now delights me little. I the rather
Look on such pangs as terror ill conceals,
The dry fixed eyeball; the pale quivering lip,
Which tell me that the spirit weeps within
Tears bitterer than the bloody sweat of Christ.
I rarely kill the body, which preserves,
Like a strong prison, the soul within my power,
Wherein I feed it with the breath of fear
For hourly pain.
Camillo.
Hell's most abandoned fiend
Did never, in the drunkenness of guilt,
Speak to his heart as now you speak to me;
I thank my God that I believe you not.
Enter Andrea.
Andrea.
My Lord, a gentleman from Salamanca
Would speak with you.
Cenci.
Bid him attend me in
The grand saloon.
[Exit Andrea.
Camillo.
Farewell; and I will pray
Almighty God that thy false, impious words
Tempt not his spirit to abandon thee.
[Exit Camillo.
Cenci.
The third of my possessions! I must use
Close husbandry, or gold, the old man's sword,
Falls from my withered hand. But yesterday
There came an order from the Pope to make
Fourfold provision for my cursd sons;
Whom I had sent from Rome to Salamanca,
Hoping some accident might cut them off;
And meaning if I could to starve them there.
I pray thee, God, send some quick death upon them!
Bernardo and my wife could not be worse
If dead and damned:then, as to Beatrice [Looking around him suspiciously.
I think they cannot hear me at that door;
What if they should? And yet I need not speak
Though the heart triumphs with itself in words.
O, thou most silent air, that shalt not hear
What now I think! Thou, pavement, which I tread
Towards her chamber,let your echoes talk
Of my imperious step scorning surprise,
But not of my intent!Andrea!
[Enter Andrea.
Andrea.
My lord?
Cenci.
Bid Beatrice attend me in her chamber
This evening:no, at midnight and alone.
[Exeunt.
Scene II.
A Garden of the Cenci Palace. EnterBeatrice and Orsino, as in conversation.
Beatrice.
Pervert not truth,
Orsino. You remember where we held
That conversation;nay, we see the spot
Even from this cypress;two long years are past
Since, on an April midnight, underneath
The moonlight ruins of mount Palatine,
I did confess to you my secret mind.
Orsino.
You said you loved me then.
Beatrice.
You are a Priest,
Speak to me not of love.
Orsino.
I may obtain
The dispensation of the Pope to marry.
Because I am a Priest do you believe
Your image, as the hunter some struck deer,
Follows me not whether I wake or sleep?
Beatrice.
As I have said, speak to me not of love;
Had you a dispensation I have not;
Nor will I leave this home of misery
Whilst my poor Bernard, and that gentle lady
To whom I owe life, and these virtuous thoughts,
Must suffer what I still have strength to share.
Alas, Orsino! All the love that once
I felt for you, is turned to bitter pain.
Ours was a youthful contract, which you first
Broke, by assuming vows no Pope will loose.
And thus I love you still, but holily,
Even as a sister or a spirit might;
And so I swear a cold fidelity.
And it is well perhaps we shall not marry.
You have a sly, equivocating vein
That suits me not.Ah, wretched that I am!
Where shall I turn? Even now you look on me
As you were not my friend, and as if you
Discovered that I thought so, with false smiles
Making my true suspicion seem your wrong.
Ah, no! forgive me; sorrow makes me seem
Sterner than else my nature might have been;
I have a weight of melancholy thoughts,
And they forbode,but what can they forbode
Worse than I now endure?
Orsino.
All will be well.
Is the petition yet prepared? You know
My zeal for all you wish, sweet Beatrice;
Doubt not but I will use my utmost skill
So that the Pope attend to your complaint.
Beatrice.
Your zeal for all I wish;Ah me, you are cold!
Your utmost skill . . . speak but one word . . . (aside)
Alas!
Weak and deserted creature that I am,
Here I stand bickering with my only friend! [To Orsino.
This night my father gives a sumptuous feast,
Orsino; he has heard some happy news
From Salamanca, from my brothers there,
And with this outward show of love he mocks
His inward hate. 'Tis bold hypocrisy,
For he would gladlier celebrate their deaths,
Which I have heard him pray for on his knees:
Great God! that such a father should be mine!
But there is mighty preparation made,
And all our kin, the Cenci, will be there,
And all the chief nobility of Rome.
And he has bidden me and my pale Mother
Attire ourselves in festival array.
Poor lady! She expects some happy change
In his dark spirit from this act; I none.
At supper I will give you the petition:
Till whenfarewell.
Orsino.
Farewell.
(Exit Beatrice.)
I know the Pope
Will ne'er absolve me from my priestly vow
But by absolving me from the revenue
Of many a wealthy see; and, Beatrice,
I think to win thee at an easier rate.
Nor shall he read her eloquent petition:
He might bestow her on some poor relation
Of his sixth cousin, as he did her sister,
And I should be debarred from all access.
Then as to what she suffers from her father,
In all this there is much exaggeration:
Old men are testy and will have their way;
A man may stab his enemy, or his vassal,
And live a free life as to wine or women,
And with a peevish temper may return
To a dull home, and rate his wife and children;
Daughters and wives call this foul tyranny.
I shall be well content if on my conscience
There rest no heavier sin than what they suffer
From the devices of my lovea net
From which she shall escape not. Yet I fear
Her subtle mind, her awe-inspiring gaze,
Whose beams anatomize me nerve by nerve
And lay me bare, and make me blush to see
My hidden thoughts.Ah, no! A friendless girl
Who clings to me, as to her only hope:
I were a fool, not less than if a panther
Were panic-stricken by the antelope's eye,
If she escape me.
[Exit.
Scene III.
A Magnificent Hall in the Cenci Palace. A Banquet. Enter Cenci, Lucretia, Beatrice, Orsino, Camillo, Nobles.
Cenci.
Welcome, my friends and kinsmen; welcome ye,
Princes and Cardinals, pillars of the church,
Whose presence honours our festivity.
I have too long lived like an anchorite,
And in my absence from your merry meetings
An evil word is gone abroad of me;
But I do hope that you, my noble friends,
When you have shared the entertainment here,
And heard the pious cause for which 'tis given,
And we have pledged a health or two together,
Will think me flesh and blood as well as you;
Sinful indeed, for Adam made all so,
But tender-hearted, meek and pitiful.
First Guest.
In truth, my Lord, you seem too light of heart,
Too sprightly and companionable a man,
To act the deeds that rumour pins on you. (To his Companion.)
I never saw such blithe and open cheer
In any eye!
Second Guest.
Some most desired event,
In which we all demand a common joy,
Has brought us hither; let us hear it, Count.
Cenci.
It is indeed a most desired event.
If, when a parent from a parent's heart
Lifts from this earth to the great Father of all
A prayer, both when he lays him down to sleep,
And when he rises up from dreaming it;
One supplication, one desire, one hope,
That he would grant a wish for his two sons,
Even all that he demands in their regard
And suddenly beyond his dearest hope
It is accomplished, he should then rejoice,
And call his friends and kinsmen to a feast,
And task their love to grace his merriment,
Then honour me thus farfor I am he.
Beatrice
(to Lucretia).
Great God! How horrible! Some dreadful ill
Must have befallen my brothers.
Lucretia.
Fear not, Child,
He speaks too frankly.
Beatrice.
Ah! My blood runs cold.
I fear that wicked laughter round his eye,
Which wrinkles up the skin even to the hair.
Cenci.
Here are the letters brought from Salamanca;
Beatrice, read them to your mother. God!
I thank thee! In one night didst thou perform,
By ways inscrutable, the thing I sought.
My disobedient and rebellious sons
Are dead!Why, dead!What means this change of cheer?
You hear me not, I tell you they are dead;
And they will need no food or raiment more:
The tapers that did light them the dark way
Are their last cost. The Pope, I think, will not
Expect I should maintain them in their coffins.
Rejoice with memy heart is wondrous glad.
[Lucretia sinks, half fainting; Beatrice supports her.
Beatrice.
It is not true!Dear lady, pray look up.
Had it been true, there is a God in Heaven,
He would not live to boast of such a boon.
Unnatural man, thou knowest that it is false.
Cenci.
Ay, as the word of God; whom here I call
To witness that I speak the sober truth;
And whose most favouring Providence was shown
Even in the manner of their deaths. For Rocco
Was kneeling at the mass, with sixteen others,
When the church fell and crushed him to a mummy,
The rest escaped unhurt. Cristofano
Was stabbed in error by a jealous man,
Whilst she he loved was sleeping with his rival;
All in the self-same hour of the same night;
Which shows that Heaven has special care of me.
I beg those friends who love me, that they mark
The day a feast upon their calendars.
It was the twenty-seventh of December:
Ay, read the letters if you doubt my oath.
[The Assembly appears confused; several of the guests rise.
First Guest.
Oh, horrible! I will depart
Second Guest.
And I.
Third Guest.
No, stay!
I do believe it is some jest; though faith!
'Tis mocking us somewhat too solemnly.
I think his son has married the Infanta,
Or found a mine of gold in El Dorado;
'Tis but to season some such news; stay, stay!
I see 'tis only raillery by his smile.
Cenci
(filling a bowl of wine, and lifting it up).
Oh, thou bright wine whose purple splendour leaps
And bubbles gaily in this golden bowl
Under the lamplight, as my spirits do,
To hear the death of my accursd sons!
Could I believe thou wert their mingled blood,
Then would I taste thee like a sacrament,
And pledge with thee the mighty Devil in Hell,
Who, if a father's curses, as men say,
Climb with swift wings after their children's souls,
And drag them from the very throne of Heaven,
Now triumphs in my triumph!But thou art
Superfluous; I have drunken deep of joy,
And I will taste no other wine to-night.
Here, Andrea! Bear the bowl around.
A Guest
(rising).
Thou wretch!
Will none among this noble company
Check the abandoned villain?
Camillo.
For God's sake
Let me dismiss the guests! You are insane,
Some ill will come of this.
Second Guest.
Seize, silence him!
First Guest.
I will!
Third Guest.
And I!
Cenci
(addressing those who rise with a threatening gesture).
Who moves? Who speaks?
(turning to the Company)
'tis nothing
Enjoy yourselves.Beware! For my revenge
Is as the sealed commission of a king
That kills, and none dare name the murderer.
[The Banquet is broken up; several of the Guests are departing.
Beatrice.
I do entreat you, go not, noble guests;
What, although tyranny and impious hate
Stand sheltered by a father's hoary hair?
What, if 'tis he who clothed us in these limbs
Who tortures them, and triumphs? What, if we,
The desolate and the dead, were his own flesh,
His children and his wife, whom he is bound
To love and shelter? Shall we therefore find
No refuge in this merciless wide world?
O think what deep wrongs must have blotted out
First love, then reverence in a child's prone mind,
Till it thus vanquish shame and fear! O think!
I have borne much, and kissed the sacred hand
Which crushed us to the earth, and thought its stroke
Was perhaps some paternal chastisement!
Have excused much, doubted; and when no doubt
Remained, have sought by patience, love, and tears
To soften him, and when this could not be
I have knelt down through the long sleepless nights
And lifted up to God, the Father of all,
Passionate prayers: and when these were not heard
I have still borne,until I meet you here,
Princes and kinsmen, at this hideous feast
Given at my brothers' deaths. Two yet remain,
His wife remains and I, whom if ye save not,
Ye may soon share such merriment again
As fathers make over their children's graves.
O Prince Colonna, thou art our near kinsman,
Cardinal, thou art the Pope's chamberlain,
Camillo, thou art chief justiciary,
Take us away!
Cenci.
(He has been conversing with Camillo during the first part of Beatrice's speech; he hears the conclusion, and now advances.)
I hope my good friends here
Will think of their own daughtersor perhaps
Of their own throatsbefore they lend an ear
To this wild girl.
Beatrice
(not noticing the words of Cenci).
Dare no one look on me?
None answer? Can one tyrant overbear
The sense of many best and wisest men?
Or is it that I sue not in some form
Of scrupulous law, that ye deny my suit?
O God! That I were buried with my brothers!
And that the flowers of this departed spring
Were fading on my grave! And that my father
Were celebrating now one feast for all!
Camillo.
A bitter wish for one so young and gentle;
Can we do nothing?
Colonna.
Nothing that I see.
Count Cenci were a dangerous enemy:
Yet I would second any one.
A Cardinal.
And I.
Cenci.
Retire to your chamber, insolent girl!
Beatrice.
Retire thou, impious man! Ay, hide thyself
Where never eye can look upon thee more!
Wouldst thou have honour and obedience
Who art a torturer? Father, never dream
Though thou mayst overbear this company,
But ill must come of ill.Frown not on me!
Haste, hide thyself, lest with avenging looks
My brothers' ghosts should hunt thee from thy seat!
Cover thy face from every living eye,
And start if thou but hear a human step:
Seek out some dark and silent corner, there,
Bow thy white head before offended God,
And we will kneel around, and fervently
Pray that he pity both ourselves and thee.
Cenci.
My friends, I do lament this insane girl
Has spoilt the mirth of our festivity.
Good night, farewell; I will not make you longer
Spectators of our dull domestic quarrels.
Another time.
[Exeunt all but Cenci and Beatrice.
My brain is swimming round;
Give me a bowl of wine!
[To Beatrice.
Thou painted viper!
Beast that thou art! Fair and yet terrible!
I know a charm shall make thee meek and tame,
Now get thee from my sight!
[Exit Beatrice.
Here, Andrea,
Fill up this goblet with Greek wine. I said
I would not drink this evening; but I must;
For, strange to say, I feel my spirits fail
With thinking what I have decreed to do. [Drinking the wine.
Be thou the resolution of quick youth
Within my veins, and manhood's purpose stern,
And age's firm, cold, subtle villainy;
As if thou wert indeed my children's blood
Which I did thirst to drink! The charm works well;
It must be done; it shall be done, I swear!
[Exit.
END OF THE FIRST ACT.
ACT II
Scene I.
An Apartment in the Cenci Palace. Enter Lucretia and Bernardo.
Lucretia.
Weep not, my gentle boy; he struck but me
Who have borne deeper wrongs. In truth, if he
Had killed me, he had done a kinder deed.
O God, Almighty, do Thou look upon us,
We have no other friend but only Thee!
Yet weep not; though I love you as my own,
I am not your true mother.
Bernardo.
O more, more,
Than ever mother was to any child,
That have you been to me! Had he not been
My father, do you think that I should weep!
Lucretia.
Alas! Poor boy, what else couldst thou have done?
Enter Beatrice.
Beatrice
(in a hurried voice).
Did he pass this way? Have you seen him, brother?
Ah, no! that is his step upon the stairs;
'Tis nearer now; his hand is on the door;
Mother, if I to thee have ever been
A duteous child, now save me! Thou, great God,
Whose image upon earth a father is,
Dost Thou indeed abandon me? He comes;
The door is opening now; I see his face;
He frowns on others, but he smiles on me,
Even as he did after the feast last night. Enter a Servant.
Almighty God, how merciful Thou art!
'Tis but Orsino's servant.Well, what news?
Servant.
My master bids me say, the Holy Father
Has sent back your petition thus unopened. [Giving a paper.
And he demands at what hour 'twere secure
To visit you again?
Lucretia.
At the Ave Mary.[Exit Servant.
So, daughter, our last hope has failed; Ah me!
How pale you look; you tremble, and you stand
Wrapped in some fixed and fearful meditation,
As if one thought were over strong for you:
Your eyes have a chill glare; O, dearest child!
Are you gone mad? If not, pray speak to me.
Beatrice.
You see I am not mad: I speak to you.
Lucretia.
You talked of something that your father did
After that dreadful feast? Could it be worse
Than when he smiled, and cried, 'My sons are dead!'
And every one looked in his neighbour's face
To see if others were as white as he?
At the first word he spoke I felt the blood
Rush to my heart, and fell into a trance;
And when it passed I sat all weak and wild;
Whilst you alone stood up, and with strong words
Checked his unnatural pride; and I could see
The devil was rebuked that lives in him.
Until this hour thus have you ever stood
Between us and your father's moody wrath
Like a protecting presence: your firm mind
Has been our only refuge and defence:
What can have thus subdued it? What can now
Have given you that cold melancholy look,
Succeeding to your unaccustomed fear?
Beatrice.
What is it that you say? I was just thinking
'Twere better not to struggle any more.
Men, like my father, have been dark and bloody,
Yet neverOh! Before worse comes of it
'Twere wise to die: it ends in that at last.
Lucretia.
Oh, talk not so, dear child! Tell me at once
What did your father do or say to you?
He stayed not after that accursd feast
One moment in your chamber.Speak to me.
Bernardo.
Oh, sister, sister, prithee, speak to us!
Beatrice
(speaking very slowly with a forced calmness).
It was one word, Mother, one little word;
One look, one smile. (Wildly.)
Oh! He has trampled me
Under his feet, and made the blood stream down
My pallid cheeks. And he has given us all
Ditch-water, and the fever-stricken flesh
Of buffaloes, and bade us eat or starve,
And we have eaten.He has made me look
On my beloved Bernardo, when the rust
Of heavy chains has gangrened his sweet limbs,
And I have never yet despairedbut now!
What could I say?
[Recovering herself.
Ah, no! 'tis nothing new.
The sufferings we all share have made me wild:
He only struck and cursed me as he passed;
He said, he looked, he did;nothing at all
Beyond his wont, yet it disordered me.
Alas! I am forgetful of my duty,
I should preserve my senses for your sake.
Lucretia.
Nay, Beatrice; have courage, my sweet girl,
If any one despairs it should be I
Who loved him once, and now must live with him
Till God in pity call for him or me.
For you may, like your sister, find some husband,
And smile, years hence, with children round your knees;
Whilst I, then dead, and all this hideous coil
Shall be remembered only as a dream.
Beatrice.
Talk not to me, dear lady, of a husband.
Did you not nurse me when my mother died?
Did you not shield me and that dearest boy?
And had we any other friend but you
In infancy, with gentle words and looks,
To win our father not to murder us?
And shall I now desert you? May the ghost
Of my dead Mother plead against my soul
If I abandon her who filled the place
She left, with more, even, than a mother's love!
Bernardo.
And I am of my sister's mind. Indeed
I would not leave you in this wretchedness,
Even though the Pope should make me free to live
In some blithe place, like others of my age,
With sports, and delicate food, and the fresh air.
Oh, never think that I will leave you, Mother!
Lucretia.
My dear, dear children!
Enter Cenci, suddenly.
Cenci.
What, Beatrice here!
Come hither!
[She shrinks back, and covers her face.
Nay, hide not your face, 'tis fair;
Look up! Why, yesternight you dared to look
With disobedient insolence upon me,
Bending a stern and an inquiring brow
On what I meant; whilst I then sought to hide
That which I came to tell youbut in vain.
Beatrice
(wildly, staggering towards the door).
O that the earth would gape! Hide me, O God!
Cenci.
Then it was I whose inarticulate words
Fell from my lips, and who with tottering steps
Fled from your presence, as you now from mine.
Stay, I command youfrom this day and hour
Never again, I think, with fearless eye,
And brow superior, and unaltered cheek,
And that lip made for tenderness or scorn,
Shalt thou strike dumb the meanest of mankind;
Me least of all. Now get thee to thy chamber!
Thou too, loathed image of thy cursd mother, [To Bernardo.
Thy milky, meek face makes me sick with hate! [Exeunt Beatrice and Bernardo.
(Aside.)
So much has passed between us as must make
Me bold, her fearful.'Tis an awful thing
To touch such mischief as I now conceive:
So men sit shivering on the dewy bank,
And try the chill stream with their feet; once in . . .
How the delighted spirit pants for joy!
Lucretia
(advancing timidly towards him).
O husband! Pray forgive poor Beatrice.
She meant not any ill.
Cenci.
Nor you perhaps?
Nor that young imp, whom you have taught by rote
Parricide with his alphabet? Nor Giacomo?
Nor those two most unnatural sons, who stirred
Enmity up against me with the Pope?
Whom in one night merciful God cut off:
Innocent lambs! They thought not any ill.
You were not here conspiring? You said nothing
Of how I might be dungeoned as a madman;
Or be condemned to death for some offence,
And you would be the witnesses?This failing,
How just it were to hire assassins, or
Put sudden poison in my evening drink?
Or smother me when overcome by wine?
Seeing we had no other judge but God,
And He had sentenced me, and there were none
But you to be the executioners
Of His decree enregistered in Heaven?
Oh, no! You said not this?
Lucretia.
So help me God,
I never thought the things you charge me with!
Cenci.
If you dare speak that wicked lie again
I'll kill you. What! It was not by your counsel
That Beatrice disturbed the feast last night?
You did not hope to stir some enemies
Against me, and escape, and laugh to scorn
What every nerve of you now trembles at?
You judged that men were bolder than they are;
Few dare to stand between their grave and me.
Lucretia.
Look not so dreadfully! By my salvation
I knew not aught that Beatrice designed;
Nor do I think she designed any thing
Until she heard you talk of her dead brothers.
Cenci.
Blaspheming liar! You are damned for this!
But I will take you where you may persuade
The stones you tread on to deliver you:
For men shall there be none but those who dare
All thingsnot question that which I command.
On Wednesday next I shall set out: you know
That savage rock, the Castle of Petrella:
'Tis safely walled, and moated round about:
Its dungeons underground, and its thick towers
Never told tales; though they have heard and seen
What might make dumb things speak.Why do you linger?
Make speediest preparation for the journey! [Exit Lucretia.
The all-beholding sun yet shines; I hear
A busy stir of men about the streets;
I see the bright sky through the window panes:
It is a garish, broad, and peering day;
Loud, light, suspicious, full of eyes and ears,
And every little corner, nook, and hole
Is penetrated with the insolent light.
Come darkness! Yet, what is the day to me?
And wherefore should I wish for night, who do
A deed which shall confound both night and day?
'Tis she shall grope through a bewildering mist
Of horror: if there be a sun in heaven
She shall not dare to look upon its beams;
Nor feel its warmth. Let her then wish for night;
The act I think shall soon extinguish all
For me: I bear a darker deadlier gloom
Than the earth's shade, or interlunar air,
Or constellations quenched in murkiest cloud,
In which I walk secure and unbeheld
Towards my purpose.Would that it were done!
[Exit.
Scene II.
A Chamber in the Vatican. Enter Camillo and Giacomo, in conversation.
Camillo.
There is an obsolete and doubtful law
By which you might obtain a bare provision
Of food and clothing
Giacomo.
Nothing more? Alas!
Bare must be the provision which strict law
Awards, and agd, sullen avarice pays.
Why did my father not apprentice me
To some mechanic trade? I should have then
Been trained in no highborn necessities
Which I could meet not by my daily toil.
The eldest son of a rich nobleman
Is heir to all his incapacities;
He has wide wants, and narrow powers. If you,
Cardinal Camillo, were reduced at once
From thrice-driven beds of down, and delicate food,
An hundred servants, and six palaces,
To that which nature doth indeed require?
Camillo.
Nay, there is reason in your plea; 'twere hard.
Giacomo.
'Tis hard for a firm man to bear: but I
Have a dear wife, a lady of high birth,
Whose dowry in ill hour I lent my father
Without a bond or witness to the deed:
And children, who inherit her fine senses,
The fairest creatures in this breathing world;
And she and they reproach me not. Cardinal,
Do you not think the Pope would interpose
And stretch authority beyond the law?
Camillo.
Though your peculiar case is hard, I know
The Pope will not divert the course of law.
After that impious feast the other night
I spoke with him, and urged him then to check
Your father's cruel hand; he frowned and said,
'Children are disobedient, and they sting
Their fathers' hearts to madness and despair,
Requiting years of care with contumely.
I pity the Count Cenci from my heart;
His outraged love perhaps awakened hate,
And thus he is exasperated to ill.
In the great war between the old and young
I, who have white hairs and a tottering body,
Will keep at least blameless neutrality.' Enter Orsino.
You, my good Lord Orsino, heard those words.
Orsino.
What words?
Giacomo.
Alas, repeat them not again!
There then is no redress for me, at least
None but that which I may achieve myself,
Since I am driven to the brink.But, say,
My innocent sister and my only brother
Are dying underneath my father's eye.
The memorable torturers of this land,
Galeaz Visconti, Borgia, Ezzelin,
Never inflicted on the meanest slave
What these endure; shall they have no protection?
Camillo.
Why, if they would petition to the Pope
I see not how he could refuse ityet
He holds it of most dangerous example
In aught to weaken the paternal power,
Being, as 'twere, the shadow of his own.
I pray you now excuse me. I have business
That will not bear delay.
[Exit Camillo.
Giacomo.
But you, Orsino,
Have the petition: wherefore not present it?
Orsino.
I have presented it, and backed it with
My earnest prayers, and urgent interest;
It was returned unanswered. I doubt not
But that the strange and execrable deeds
Alleged in itin truth they might well baffle
Any beliefhave turned the Pope's displeasure
Upon the accusers from the criminal:
So I should guess from what Camillo said.
Giacomo.
My friend, that palace-walking devil Gold
Has whispered silence to his Holiness:
And we are left, as scorpions ringed with fire.
What should we do but strike ourselves to death?
For he who is our murderous persecutor
Is shielded by a father's holy name,
Or I would
[Stops abruptly.
Orsino.
What? Fear not to speak your thought.
Words are but holy as the deeds they cover:
A priest who has forsworn the God he serves;
A judge who makes Truth weep at his decree;
A friend who should weave counsel, as I now,
But as the mantle of some selfish guile;
A father who is all a tyrant seems,
Were the profaner for his sacred name.
Giacomo.
Ask me not what I think; the unwilling brain
Feigns often what it would not; and we trust
Imagination with such phantasies
As the tongue dares not fashion into words,
Which have no words, their horror makes them dim
To the mind's eye.My heart denies itself
To think what you demand.
Orsino.
But a friend's bosom
Is as the inmost cave of our own mind
Where we sit shut from the wide gaze of day,
And from the all-communicating air.
You look what I suspected
Giacomo.
Spare me now!
I am as one lost in a midnight wood,
Who dares not ask some harmless passenger
The path across the wilderness, lest he,
As my thoughts are, should bea murderer.
I know you are my friend, and all I dare
Speak to my soul that will I trust with thee.
But now my heart is heavy, and would take
Lone counsel from a night of sleepless care.
Pardon me, that I say farewellfarewell!
I would that to my own suspected self
I could address a word so full of peace.
Orsino.
Farewell!Be your thoughts better or more bold. [Exit Giacomo.
I had disposed the Cardinal Camillo
To feed his hope with cold encouragement:
It fortunately serves my close designs
That 'tis a trick of this same family
To analyse their own and other minds.
Such self-anatomy shall teach the will
Dangerous secrets: for it tempts our powers,
Knowing what must be thought, and may be done,
Into the depth of darkest purposes:
So Cenci fell into the pit; even I,
Since Beatrice unveiled me to myself,
And made me shrink from what I cannot shun,
Show a poor figure to my own esteem,
To which I grow half reconciled. I'll do
As little mischief as I can; that thought
Shall fee the accuser conscience.
(After a pause.)
Now what harm
If Cenci should be murdered?Yet, if murdered,
Wherefore by me? And what if I could take
The profit, yet omit the sin and peril
In such an action? Of all earthly things
I fear a man whose blows outspeed his words;
And such is Cenci: and while Cenci lives
His daughter's dowry were a secret grave
If a priest wins her.Oh, fair Beatrice!
Would that I loved thee not, or loving thee
Could but despise danger and gold and all
That frowns between my wish and its effect,
Or smiles beyond it! There is no escape . . .
Her bright form kneels beside me at the altar,
And follows me to the resort of men,
And fills my slumber with tumultuous dreams,
So when I wake my blood seems liquid fire;
And if I strike my damp and dizzy head
My hot palm scorches it: her very name,
But spoken by a stranger, makes my heart
Sicken and pant; and thus unprofitably
I clasp the phantom of unfelt delights
Till weak imagination half possesses
The self-created shadow. Yet much longer
Will I not nurse this life of feverous hours:
From the unravelled hopes of Giacomo
I must work out my own dear purposes.
I see, as from a tower, the end of all:
Her father dead; her brother bound to me
By a dark secret, surer than the grave;
Her mother scared and unexpostulating
From the dread manner of her wish achieved:
And she!Once more take courage, my faint heart;
What dares a friendless maiden matched with thee?
I have such foresight as assures success:
Some unbeheld divinity doth ever,
When dread events are near, stir up men's minds
To black suggestions; and he prospers best,
Not who becomes the instrument of ill,
But who can flatter the dark spirit, that makes
Its empire and its prey of other hearts
Till it become his slave . . . as I will do.
[Exit.
END OF THE SECOND ACT.
ACT III
Scene I.
An Apartment in the Cenci Palace. Lucretia, to her enter Beatrice.
Beatrice.
(She enters staggering, and speaks wildly.)
Reach me that handkerchief!My brain is hurt;
My eyes are full of blood; just wipe them for me . . .
I see but indistinctly . . .
Lucretia.
My sweet child,
You have no wound; 'tis only a cold dew
That starts from your dear brow . . . Alas! Alas!
What has befallen?
Beatrice.
How comes this hair undone?
Its wandering strings must be what blind me so,
And yet I tied it fast.O, horrible!
The pavement sinks under my feet! The walls
Spin round! I see a woman weeping there,
And standing calm and motionless, whilst I
Slide giddily as the world reels. . . . My God!
The beautiful blue heaven is flecked with blood!
The sunshine on the floor is black! The air
Is changed to vapours such as the dead breathe
In charnel pits! Pah! I am choked! There creeps
A clinging, black, contaminating mist
About me . . . 'tis substantial, heavy, thick,
I cannot pluck it from me, for it glues
My fingers and my limbs to one another,
And eats into my sinews, and dissolves
My flesh to a pollution, poisoning
The subtle, pure, and inmost spirit of life!
My God! I never knew what the mad felt
Before; for I am mad beyond all doubt!
(More wildly.)
No, I am dead! These putrefying limbs
Shut round and sepulchre the panting soul
Which would burst forth into the wandering air! (A pause.)
What hideous thought was that I had even now?
'Tis gone; and yet its burthen remains here
O'er these dull eyes . . . upon this weary heart!
O, world! O, life! O, day! O, misery!
Lucretia.
What ails thee, my poor child? She answers not:
Her spirit apprehends the sense of pain,
But not its cause; suffering has dried away
The source from which it sprung . . .
Beatrice
(franticly).
Like Parricide . . .
Misery has killed its father: yet its father
Never like mine . . . O, God! What thing am I?
Lucretia.
My dearest child, what has your father done?
Beatrice
(doubtfully).
Who art thou, questioner? I have no father.
(Aside.)
She is the madhouse nurse who tends on me,
It is a piteous office.
[To Lucretia, in a slow, subdued voice.
Do you know
I thought I was that wretched Beatrice
Men speak of, whom her father sometimes hales
From hall to hall by the entangled hair;
At others, pens up naked in damp cells
Where scaly reptiles crawl, and starves her there,
Till she will eat strange flesh. This woful story
So did I overact in my sick dreams,
That I imagined . . . no, it cannot be!
Horrible things have been in this wide world,
Prodigious mixtures, and confusions strange
Of good and ill; and worse have been conceived
Than ever there was found a heart to do.
But never fancy imaged such a deed
As . . .
[Pauses, suddenly recollecting herself.
Who art thou? Swear to me, ere I die
With fearful expectation, that indeed
Thou art not what thou seemest . . . Mother!
Lucretia.
Oh!
My sweet child, know you . . .
Beatrice.
Yet speak it not:
For then if this be truth, that other too
Must be a truth, a firm enduring truth,
Linked with each lasting circumstance of life,
Never to change, never to pass away.
Why so it is. This is the Cenci Palace;
Thou art Lucretia; I am Beatrice.
I have talked some wild words, but will no more.
Mother, come near me: from this point of time,
I am . . .
[Her voice dies away faintly.
Lucretia.
Alas! What has befallen thee, child?
What has thy father done?
Beatrice.
What have I done?
Am I not innocent? Is it my crime
That one with white hair, and imperious brow,
Who tortured me from my forgotten years,
As parents only dare, should call himself
My father, yet should be!Oh, what am I?
What name, what place, what memory shall be mine?
What retrospects, outliving even despair?
Lucretia.
He is a violent tyrant, surely, child:
We know that death alone can make us free;
His death or ours. But what can he have done
Of deadlier outrage or worse injury?
Thou art unlike thyself; thine eyes shoot forth
A wandering and strange spirit. Speak to me,
Unlock those pallid hands whose fingers twine
With one another.
Beatrice.
'Tis the restless life
Tortured within them. If I try to speak
I shall go mad. Ay, something must be done;
What, yet I know not . . . something which shall make
The thing that I have suffered but a shadow
In the dread lightning which avenges it;
Brief, rapid, irreversible, destroying
The consequence of what it cannot cure.
Some such thing is to be endured or done:
When I know what, I shall be still and calm,
And never anything will move me more.
But now!O blood, which art my father's blood,
Circling through these contaminated veins,
If thou, poured forth on the polluted earth,
Could wash away the crime, and punishment
By which I suffer . . . no, that cannot be!
Many might doubt there were a God above
Who sees and permits evil, and so die:
That faith no agony shall obscure in me.
Lucretia.
It must indeed have been some bitter wrong;
Yet what, I dare not guess. Oh, my lost child,
Hide not in proud impenetrable grief
Thy sufferings from my fear.
Beatrice.
I hide them not.
What are the words which you would have me speak?
I, who can feign no image in my mind
Of that which has transformed me: I, whose thought
Is like a ghost shrouded and folded up
In its own formless horror: of all words,
That minister to mortal intercourse,
Which wouldst thou hear? For there is none to tell
My misery: if another ever knew
Aught like to it, she died as I will die,
And left it, as I must, without a name.
Death! Death! Our law and our religion call thee
A punishment and a reward . . . Oh, which
Have I deserved?
Lucretia.
The peace of innocence;
Till in your season you be called to heaven.
Whate'er you may have suffered, you have done
No evil. Death must be the punishment
Of crime, or the reward of trampling down
The thorns which God has strewed upon the path
Which leads to immortality.
Beatrice.
Ay; death . . .
The punishment of crime. I pray thee, God,
Let me not be bewildered while I judge.
If I must live day after day, and keep
These limbs, the unworthy temple of Thy spirit,
As a foul den from which what Thou abhorrest
May mock Thee, unavenged . . . it shall not be!
Self-murder . . . no, that might be no escape,
For Thy decree yawns like a Hell between
Our will and it:O! In this mortal world
There is no vindication and no law
Which can adjudge and execute the doom
Of that through which I suffer.
Enter Orsino.
(She approaches him solemnly.)
Welcome, Friend!
I have to tell you that, since last we met,
I have endured a wrong so great and strange,
That neither life nor death can give me rest.
Ask me not what it is, for there are deeds
Which have no form, sufferings which have no tongue.
Orsino.
And what is he who has thus injured you?
Beatrice.
The man they call my father: a dread name.
Orsino.
It cannot be . . .
Beatrice.
What it can be, or not,
Forbear to think. It is, and it has been;
Advise me how it shall not be again.
I thought to die; but a religious awe
Restrains me, and the dread lest death itself
Might be no refuge from the consciousness
Of what is yet unexpiated. Oh, speak!
Orsino.
Accuse him of the deed, and let the law
Avenge thee.
Beatrice.
Oh, ice-hearted counsellor!
If I could find a word that might make known
The crime of my destroyer; and that done,
My tongue should like a knife tear out the secret
Which cankers my heart's core; ay, lay all bare
So that my unpolluted fame should be
With vilest gossips a stale mouthd story;
A mock, a byword, an astonishment:
If this were done, which never shall be done,
Think of the offender's gold, his dreaded hate,
And the strange horror of the accuser's tale,
Baffling belief, and overpowering speech;
Scarce whispered, unimaginable, wrapped
In hideous hints . . . Oh, most assured redress!
Orsino.
You will endure it then?
Beatrice.
Endure?Orsino,
It seems your counsel is small profit.
[Turns from him, and speaks half to herself.
Ay,
All must be suddenly resolved and done.
What is this undistinguishable mist
Of thoughts, which rise, like shadow after shadow,
Darkening each other?
Orsino.
Should the offender live?
Triumph in his misdeed? and make, by use,
His crime, whate'er it is, dreadful no doubt,
Thine element; until thou mayst become
Utterly lost; subdued even to the hue
Of that which thou permittest?
Beatrice
(to herself).
Mighty death!
Thou double-visaged shadow? Only judge!
Rightfullest arbiter!
[She retires absorbed in thought.
Lucretia.
If the lightning
Of God has e'er descended to avenge . . .
Orsino.
Blaspheme not! His high Providence commits
Its glory on this earth, and their own wrongs
Into the hands of men; if they neglect
To punish crime . . .
Lucretia.
But if one, like this wretch,
Should mock, with gold, opinion, law, and power?
If there be no appeal to that which makes
The guiltiest tremble? If because our wrongs,
For that they are unnatural, strange, and monstrous,
Exceed all measure of belief? O God!
If, for the very reasons which should make
Redress most swift and sure, our injurer triumphs?
And we, the victims, bear worse punishment
Than that appointed for their torturer?
Orsino.
Think not
But that there is redress where there is wrong,
So we be bold enough to seize it.
Lucretia.
How?
If there were any way to make all sure,
I know not . . . but I think it might be good
To . . .
Orsino.
Why, his late outrage to Beatrice;
For it is such, as I but faintly guess,
As makes remorse dishonour, and leaves her
Only one duty, how she may avenge:
You, but one refuge from ills ill endured;
Me, but one counsel . . .
Lucretia.
For we cannot hope
That aid, or retribution, or resource
Will arise thence, where every other one
Might find them with less need.
[Beatrice advances.
Orsino.
Then . . .
Beatrice.
Peace, Orsino!
And, honoured Lady, while I speak, I pray,
That you put off, as garments overworn,
Forbearance and respect, remorse and fear,
And all the fit restraints of daily life,
Which have been borne from childhood, but which now
Would be a mockery to my holier plea.
As I have said, I have endured a wrong,
Which, though it be expressionless, is such
As asks atonement; both for what is past,
And lest I be reserved, day after day,
To load with crimes an overburthened soul,
And be . . . what ye can dream not. I have prayed
To God, and I have talked with my own heart,
And have unravelled my entangled will,
And have at length determined what is right.
Art thou my friend, Orsino? False or true?
Pledge thy salvation ere I speak.
Orsino.
I swear
To dedicate my cunning, and my strength,
My silence, and whatever else is mine,
To thy commands.
Lucretia.
You think we should devise
His death?
Beatrice.
And execute what is devised,
And suddenly. We must be brief and bold.
Orsino.
And yet most cautious.
Lucretia.
For the jealous laws
Would punish us with death and infamy
For that which it became themselves to do.
Beatrice.
Be cautious as ye may, but prompt. Orsino,
What are the means?
Orsino.
I know two dull, fierce outlaws,
Who think man's spirit as a worm's, and they
Would trample out, for any slight caprice,
The meanest or the noblest life. This mood
Is marketable here in Rome. They sell
What we now want.
Lucretia.
To-morrow before dawn,
Cenci will take us to that lonely rock,
Petrella, in the Apulian Apennines.
If he arrive there . . .
Beatrice.
He must not arrive.
Orsino.
Will it be dark before you reach the tower?
Lucretia.
The sun will scarce be set.
Beatrice.
But I remember
Two miles on this side of the fort, the road
Crosses a deep ravine; 'tis rough and narrow,
And winds with short turns down the precipice;
And in its depth there is a mighty rock,
Which has, from unimaginable years,
Sustained itself with terror and with toil
Over a gulf, and with the agony
With which it clings seems slowly coming down;
Even as a wretched soul hour after hour,
Clings to the mass of life; yet clinging, leans;
And leaning, makes more dark the dread abyss
In which it fears to fall: beneath this crag
Huge as despair, as if in weariness,
The melancholy mountain yawns . . . below,
You hear but see not an impetuous torrent
Raging among the caverns, and a bridge
Crosses the chasm; and high above there grow,
With intersecting trunks, from crag to crag,
Cedars, and yews, and pines; whose tangled hair
Is matted in one solid roof of shade
By the dark ivy's twine. At noonday here
'Tis twilight, and at sunset blackest night.
Orsino.
Before you reach that bridge make some excuse
For spurring on your mules, or loitering
Until . . .
Beatrice.
What sound is that?
Lucretia.
Hark! No, it cannot be a servant's step
It must be Cenci, unexpectedly
Returned . . . Make some excuse for being here.
Beatrice.
(To Orsino, as she goes out.)
That step we hear approach must never pass
The bridge of which we spoke.
[Exeunt Lucretia and Beatrice.
Orsino.
What shall I do?
Cenci must find me here, and I must bear
The imperious inquisition of his looks
As to what brought me hither: let me mask
Mine own in some inane and vacant smile. Enter Giacomo, in a hurried manner.
How! Have you ventured hither? Know you then
That Cenci is from home?
Giacomo.
I sought him here;
And now must wait till he returns.
Orsino.
Great God!
Weigh you the danger of this rashness?
Giacomo.
Ay!
Does my destroyer know his danger? We
Are now no more, as once, parent and child,
But man to man; the oppressor to the oppressed;
The slanderer to the slandered; foe to foe:
He has cast Nature off, which was his shield,
And Nature casts him off, who is her shame;
And I spurn both. Is it a father's throat
Which I will shake, and say, I ask not gold;
I ask not happy years; nor memories
Of tranquil childhood; nor home-sheltered love;
Though all these hast thou torn from me, and more;
But only my fair fame; only one hoard
Of peace, which I thought hidden from thy hate,
Under the penury heaped on me by thee,
Or I will . . . God can understand and pardon,
Why should I speak with man?
Orsino.
Be calm, dear friend.
Giacomo.
Well, I will calmly tell you what he did.
This old Francesco Cenci, as you know,
Borrowed the dowry of my wife from me,
And then denied the loan; and left me so
In poverty, the which I sought to mend
By holding a poor office in the state.
It had been promised to me, and already
I bought new clothing for my raggd babes,
And my wife smiled; and my heart knew repose.
When Cenci's intercession, as I found,
Conferred this office on a wretch, whom thus
He paid for vilest service. I returned
With this ill news, and we sate sad together
Solacing our despondency with tears
Of such affection and unbroken faith
As temper life's worst bitterness; when he,
As he is wont, came to upbraid and curse,
Mocking our poverty, and telling us
Such was God's scourge for disobedient sons.
And then, that I might strike him dumb with shame,
I spoke of my wife's dowry; but he coined
A brief yet specious tale, how I had wasted
The sum in secret riot; and he saw
My wife was touched, and he went smiling forth.
And when I knew the impression he had made,
And felt my wife insult with silent scorn
My ardent truth, and look averse and cold,
I went forth too: but soon returned again;
Yet not so soon but that my wife had taught
My children her harsh thoughts, and they all cried,
'Give us clothes, father! Give us better food!
What you in one night squander were enough
For months!' I looked, and saw that home was hell.
And to that hell will I return no more
Until mine enemy has rendered up
Atonement, or, as he gave life to me
I will, reversing Nature's law . . .
Orsino.
Trust me,
The compensation which thou seekest here
Will be denied.
Giacomo.
Then . . . Are you not my friend?
Did you not hint at the alternative,
Upon the brink of which you see I stand,
The other day when we conversed together?
My wrongs were then less. That word parricide,
Although I am resolved, haunts me like fear.
Orsino.
It must be fear itself, for the bare word
Is hollow mockery. Mark, how wisest God
Draws to one point the threads of a just doom,
So sanctifying it: what you devise
Is, as it were, accomplished.
Giacomo.
Is he dead?
Orsino.
His grave is ready. Know that since we met
Cenci has done an outrage to his daughter.
Giacomo.
What outrage?
Orsino.
That she speaks not, but you may
Conceive such half conjectures as I do,
From her fixed paleness, and the lofty grief
Of her stern brow bent on the idle air,
And her severe unmodulated voice,
Drowning both tenderness and dread; and last
From this; that whilst her step-mother and I,
Bewildered in our horror, talked together
With obscure hints; both self-misunderstood
And darkly guessing, stumbling, in our talk,
Over the truth, and yet to its revenge,
She interrupted us, and with a look
Which told before she spoke it, he must die: . . .
Giacomo.
It is enough. My doubts are well appeased;
There is a higher reason for the act
Than mine; there is a holier judge than me,
A more unblamed avenger. Beatrice,
Who in the gentleness of thy sweet youth
Hast never trodden on a worm, or bruised
A living flower, but thou hast pitied it
With needless tears! Fair sister, thou in whom
Men wondered how such loveliness and wisdom
Did not destroy each other! Is there made
Ravage of thee? O, heart, I ask no more
Justification! Shall I wait, Orsino,
Till he return, and stab him at the door?
Orsino.
Not so; some accident might interpose
To rescue him from what is now most sure;
And you are unprovided where to fly,
How to excuse or to conceal. Nay, listen:
All is contrived; success is so assured
That . . .
Enter Beatrice.
Beatrice.
'Tis my brother's voice! You know me not?
Giacomo.
My sister, my lost sister!
Beatrice.
Lost indeed!
I see Orsino has talked with you, and
That you conjecture things too horrible
To speak, yet far less than the truth. Now, stay not,
He might return: yet kiss me; I shall know
That then thou hast consented to his death.
Farewell, farewell! Let piety to God,
Brotherly love, justice and clemency,
And all things that make tender hardest hearts
Make thine hard, brother. Answer not . . . farewell.
[Exeunt severally.
Scene II.
A mean Apartment in Giacomo's House. Giacomo alone.
Giacomo.
'Tis midnight, and Orsino comes not yet. [Thunder, and the sound of a storm.
What! can the everlasting elements
Feel with a worm like man? If so, the shaft
Of mercy-wingd lightning would not fall
On stones and trees. My wife and children sleep:
They are now living in unmeaning dreams:
But I must wake, still doubting if that deed
Be just which is most necessary. O,
Thou unreplenished lamp! whose narrow fire
Is shaken by the wind, and on whose edge
Devouring darkness hovers! Thou small flame,
Which, as a dying pulse rises and falls,
Still flickerest up and down, how very soon,
Did I not feed thee, wouldst thou fail and be
As thou hadst never been! So wastes and sinks
Even now, perhaps, the life that kindled mine:
But that no power can fill with vital oil
That broken lamp of flesh. Ha! 'tis the blood
Which fed these veins that ebbs till all is cold:
It is the form that moulded mine that sinks
Into the white and yellow spasms of death:
It is the soul by which mine was arrayed
In God's immortal likeness which now stands
Naked before Heaven's judgement seat!
[A bell strikes.
One! Two!
The hours crawl on; and when my hairs are white,
My son will then perhaps be waiting thus,
Tortured between just hate and vain remorse;
Chiding the tardy messenger of news
Like those which I expect. I almost wish
He be not dead, although my wrongs are great;
Yet . . . 'tis Orsino's step . . .
Enter Orsino.
Speak!
Orsino.
I am come
To say he has escaped.
Giacomo.
Escaped!
Orsino.
And safe
Within Petrella. He passed by the spot
Appointed for the deed an hour too soon.
Giacomo.
Are we the fools of such contingencies?
And do we waste in blind misgivings thus
The hours when we should act? Then wind and thunder,
Which seemed to howl his knell, is the loud laughter
With which Heaven mocks our weakness! I henceforth
Will ne'er repent of aught designed or done
But my repentance.
Orsino.
See, the lamp is out.
Giacomo.
If no remorse is ours when the dim air
Has drank this innocent flame, why should we quail
When Cenci's life, that light by which ill spirits
See the worst deeds they prompt, shall sink for ever?
No, I am hardened.
Orsino.
Why, what need of this?
Who feared the pale intrusion of remorse
In a just deed? Although our first plan failed,
Doubt not but he will soon be laid to rest.
But light the lamp; let us not talk i' the dark.
Giacomo
(lighting the lamp).
And yet once quenched I cannot thus relume
My father's life: do you not think his ghost
Might plead that argument with God?
Orsino.
Once gone
You cannot now recall your sister's peace;
Your own extinguished years of youth and hope;
Nor your wife's bitter words; nor all the taunts
Which, from the prosperous, weak misfortune takes;
Nor your dead mother; nor . . .
Giacomo.
O, speak no more!
I am resolved, although this very hand
Must quench the life that animated it.
Orsino.
There is no need of that. Listen: you know
Olimpio, the castellan of Petrella
In old Colonna's time; him whom your father
Degraded from his post? And Marzio,
That desperate wretch, whom he deprived last year
Of a reward of blood, well earned and due?
Giacomo.
I knew Olimpio; and they say he hated
Old Cenci so, that in his silent rage
His lips grew white only to see him pass.
Of Marzio I know nothing.
Orsino.
Marzio's hate
Matches Olimpio's. I have sent these men,
But in your name, and as at your request,
To talk with Beatrice and Lucretia.
Giacomo.
Only to talk?
Orsino.
The moments which even now
Pass onward to to-morrow's midnight hour
May memorize their flight with death: ere then
They must have talked, and may perhaps have done,
And made an end . . .
Giacomo.
Listen! What sound is that?
Orsino.
The house-dog moans, and the beams crack: nought else.
Giacomo.
It is my wife complaining in her sleep:
I doubt not she is saying bitter things
Of me; and all my children round her dreaming
That I deny them sustenance.
Orsino.
Whilst he
Who truly took it from them, and who fills
Their hungry rest with bitterness, now sleeps
Lapped in bad pleasures, and triumphantly
Mocks thee in visions of successful hate
Too like the truth of day.
Giacomo.
If e'er he wakes
Again, I will not trust to hireling hands . . .
Orsino.
Why, that were well. I must be gone; good-night.
When next we meetmay all be done!
Giacomo.
And all
Forgotten: Oh, that I had never been!
[Exeunt.
END OF THE THIRD ACT.
ACT IV
Scene I.
An Apartment in the Castle of Petrella. Enter Cenci.
Cenci.
She comes not; yet I left her even now
Vanquished and faint. She knows the penalty
Of her delay: yet what if threats are vain?
Am I not now within Petrella's moat?
Or fear I still the eyes and ears of Rome?
Might I not drag her by the golden hair?
Stamp on her? Keep her sleepless till her brain
Be overworn? Tame her with chains and famine?
Less would suffice. Yet so to leave undone
What I most seek! No, 'tis her stubborn will
Which by its own consent shall stoop as low
As that which drags it down.
Enter Lucretia.
Thou loathd wretch!
Hide thee from my abhorrence: fly, begone!
Yet stay! Bid Beatrice come hither.
Lucretia.
Oh,
Husband! I pray for thine own wretched sake
Heed what thou dost. A man who walks like thee
Through crimes, and through the danger of his crimes,
Each hour may stumble o'er a sudden grave.
And thou art old; thy hairs are hoary gray;
As thou wouldst save thyself from death and hell,
Pity thy daughter; give her to some friend
In marriage: so that she may tempt thee not
To hatred, or worse thoughts, if worse there be.
Cenci.
What! like her sister who has found a home
To mock my hate from with prosperity?
Strange ruin shall destroy both her and thee
And all that yet remain. My death may be
Rapid, her destiny outspeeds it. Go,
Bid her come hither, and before my mood
Be changed, lest I should drag her by the hair.
Lucretia.
She sent me to thee, husband. At thy presence
She fell, as thou dost know, into a trance;
And in that trance she heard a voice which said,
'Cenci must die! Let him confess himself!
Even now the accusing Angel waits to hear
If God, to punish his enormous crimes,
Harden his dying heart!'
Cenci.
Whysuch things are . . .
No doubt divine revealings may be made.
'Tis plain I have been favoured from above,
For when I cursed my sons they died.Ay . . . so . . .
As to the right or wrong, that's talk . . . repentance . . .
Repentance is an easy moment's work
And more depends on God than me. Well . . . well . . .
I must give up the greater point, which was
To poison and corrupt her soul.
[A pause; Lucretia approaches anxiously, and then shrinks back as he speaks.
One, two;
Ay . . . Rocco and Cristofano my curse
Strangled: and Giacomo, I think, will find
Life a worse Hell than that beyond the grave:
Beatrice shall, if there be skill in hate,
Die in despair, blaspheming: to Bernardo,
He is so innocent, I will bequeath
The memory of these deeds, and make his youth
The sepulchre of hope, where evil thoughts
Shall grow like weeds on a neglected tomb.
When all is done, out in the wide Campagna,
I will pile up my silver and my gold;
My costly robes, paintings and tapestries;
My parchments and all records of my wealth,
And make a bonfire in my joy, and leave
Of my possessions nothing but my name;
Which shall be an inheritance to strip
Its wearer bare as infamy. That done,
My soul, which is a scourge, will I resign
Into the hands of him who wielded it;
Be it for its own punishment or theirs,
He will not ask it of me till the lash
Be broken in its last and deepest wound;
Until its hate be all inflicted. Yet,
Lest death outspeed my purpose, let me make
Short work and sure . . .
[Going.
Lucretia.
(Stops him.)
Oh, stay! It was a feint:
She had no vision, and she heard no voice.
I said it but to awe thee.
Cenci.
That is well.
Vile palterer with the sacred truth of God,
Be thy soul choked with that blaspheming lie!
For Beatrice worse terrors are in store
To bend her to my will.
Lucretia.
Oh! to what will?
What cruel sufferings more than she has known
Canst thou inflict?
Cenci.
Andrea! Go call my daughter,
And if she comes not tell her that I come.
What sufferings? I will drag her, step by step,
Through infamies unheard of among men:
She shall stand shelterless in the broad noon
Of public scorn, for acts blazoned abroad,
One among which shall be . . . What? Canst thou guess?
She shall become (for what she most abhors
Shall have a fascination to entrap
Her loathing will) to her own conscious self
All she appears to others; and when dead,
As she shall die unshrived and unforgiven,
A rebel to her father and her God,
Her corpse shall be abandoned to the hounds;
Her name shall be the terror of the earth;
Her spirit shall approach the throne of God
Plague-spotted with my curses. I will make
Body and soul a monstrous lump of ruin.
Enter Andrea.
Andrea.
The Lady Beatrice . . .
Cenci.
Speak, pale slave! What
Said she?
Andrea.
My Lord, 'twas what she looked; she said:
'Go tell my father that I see the gulf
Of Hell between us two, which he may pass,
I will not.'
[Exit Andrea.
Cenci.
Go thou quick, Lucretia,
Tell her to come; yet let her understand
Her coming is consent: and say, moreover,
That if she come not I will curse her.
[Exit Lucretia.
Ha!
With what but with a father's curse doth God
Panic-strike armd victory, and make pale
Cities in their prosperity? The world's Father
Must grant a parent's prayer against his child,
Be he who asks even what men call me.
Will not the deaths of her rebellious brothers
Awe her before I speak? For I on them
Did imprecate quick ruin, and it came. Enter Lucretia.
Well; what? Speak, wretch!
Lucretia.
She said, 'I cannot come;
Go tell my father that I see a torrent
Of his own blood raging between us.'
Cenci
(kneeling).
God!
Hear me! If this most specious mass of flesh,
Which Thou hast made my daughter; this my blood,
This particle of my divided being;
Or rather, this my bane and my disease,
Whose sight infects and poisons me; this devil
Which sprung from me as from a hell, was meant
To aught good use; if her bright loveliness
Was kindled to illumine this dark world;
If nursed by Thy selectest dew of love
Such virtues blossom in her as should make
The peace of life, I pray Thee for my sake,
As Thou the common God and Father art
Of her, and me, and all; reverse that doom!
Earth, in the name of God, let her food be
Poison, until she be encrusted round
With leprous stains! Heaven, rain upon her head
The blistering drops of the Maremma's dew,
Till she be speckled like a toad; parch up
Those love-enkindled lips, warp those fine limbs
To loathd lameness! All-beholding sun,
Strike in thine envy those life-darting eyes
With thine own blinding beams!
Lucretia.
Peace! Peace!
For thine own sake unsay those dreadful words.
When high God grants He punishes such prayers.
Cenci
(leaping up, and throwing his right hand towards Heaven).
He does His will, I mine! This in addition,
That if she have a child . . .
Lucretia.
Horrible thought!
Cenci.
That if she ever have a child; and thou,
Quick Nature! I adjure thee by thy God,
That thou be fruitful in her, and increase
And multiply, fulfilling his command,
And my deep imprecation! May it be
A hideous likeness of herself, that as
From a distorting mirror, she may see
Her image mixed with what she most abhors,
Smiling upon her from her nursing breast.
And that the child may from its infancy
Grow, day by day, more wicked and deformed,
Turning her mother's love to misery:
And that both she and it may live until
It shall repay her care and pain with hate,
Or what may else be more unnatural.
So he may hunt her through the clamorous scoffs
Of the loud world to a dishonoured grave.
Shall I revoke this curse? Go, bid her come,
Before my words are chronicled in Heaven. [Exit Lucretia.
I do not feel as if I were a man,
But like a fiend appointed to chastise
The offences of some unremembered world.
My blood is running up and down my veins;
A fearful pleasure makes it prick and tingle:
I feel a giddy sickness of strange awe;
My heart is beating with an expectation
Of horrid joy.
Enter Lucretia.
What? Speak!
Lucretia.
She bids thee curse;
And if thy curses, as they cannot do,
Could kill her soul . . .
Cenci.
She would not come. 'Tis well,
I can do both: first take what I demand,
And then extort concession. To thy chamber!
Fly ere I spurn thee: and beware this night
That thou cross not my footsteps. It were safer
To come between the tiger and his prey.[Exit Lucretia.
It must be late; mine eyes grow weary dim
With unaccustomed heaviness of sleep.
Conscience! Oh, thou most insolent of lies!
They say that sleep, that healing dew of Heaven,
Steeps not in balm the foldings of the brain
Which thinks thee an impostor. I will go
First to belie thee with an hour of rest,
Which will be deep and calm, I feel: and then . . .
O, multitudinous Hell, the fiends will shake.
Thine arches with the laughter of their joy!
There shall be lamentation heard in Heaven
As o'er an angel fallen; and upon Earth
All good shall droop and sicken, and ill things
Shall with a spirit of unnatural life
Stir and be quickened . . . even as I am now.
[Exit.
Scene II.
Before the Castle of Petrella. Enter Beatrice andLucretia above on the Ramparts.
Beatrice.
They come not yet.
Lucretia.
'Tis scarce midnight.
Beatrice.
How slow
Behind the course of thought, even sick with speed,
Lags leaden-footed time!
Lucretia.
The minutes pass . . .
If he should wake before the deed is done?
Beatrice.
O, mother! He must never wake again.
What thou hast said persuades me that our act
Will but dislodge a spirit of deep hell
Out of a human form.
Lucretia.
'Tis true he spoke
Of death and judgement with strange confidence
For one so wicked; as a man believing
In God, yet recking not of good or ill.
And yet to die without confession! . . .
Beatrice.
Oh!
Believe that Heaven is merciful and just,
And will not add our dread necessity
To the amount of his offences.
Enter Olimpio and Marzio, below.
Lucretia.
See,
They come.
Beatrice.
All mortal things must hasten thus
To their dark end. Let us go down.
[Exeunt Lucretia and Beatrice from above.
Olimpio.
How feel you to this work?
Marzio.
As one who thinks
A thousand crowns excellent market price
For an old murderer's life. Your cheeks are pale.
Olimpio.
It is the white reflection of your own,
Which you call pale.
Marzio.
Is that their natural hue?
Olimpio.
Or 'tis my hate and the deferred desire
To wreak it, which extinguishes their blood.
Marzio.
You are inclined then to this business?
Olimpio.
Ay.
If one should bribe me with a thousand crowns
To kill a serpent which had stung my child,
I could not be more willing.
Enter Beatrice and Lucretia, below.
Noble ladies!
Beatrice.
Are ye resolved?
Olimpio.
Is he asleep?
Marzio.
Is all
Quiet?
Lucretia.
I mixed an opiate with his drink:
He sleeps so soundly . . .
Beatrice.
That his death will be
But as a change of sin-chastising dreams,
A dark continuance of the Hell within him,
Which God extinguish! But ye are resolved?
Ye know it is a high and holy deed?
Olimpio.
We are resolved.
Marzio.
As to the how this act
Be warranted, it rests with you.
Beatrice.
Well, follow!
Olimpio.
Hush! Hark! What noise is that?
Marzio.
Ha! some one comes!
Beatrice.
Ye conscience-stricken cravens, rock to rest
Your baby hearts. It is the iron gate,
Which ye left open, swinging to the wind,
That enters whistling as in scorn. Come, follow!
And be your steps like mine, light, quick and bold.
[Exeunt.
Scene III.
An Apartment in the Castle. Enter Beatrice and Lucretia.
Lucretia.
They are about it now.
Beatrice.
Nay, it is done.
Lucretia.
I have not heard him groan.
Beatrice.
He will not groan.
Lucretia.
What sound is that?
Beatrice.
List! 'tis the tread of feet
About his bed.
Lucretia.
My God!
If he be now a cold stiff corpse . . .
Beatrice.
O, fear not
What may be done, but what is left undone:
The act seals all.
Enter Olimpio and Marzio.
Is it accomplished?
Marzio.
What?
Olimpio.
Did you not call?
Beatrice.
When?
Olimpio.
Now.
Beatrice.
I ask if all is over?
Olimpio.
We dare not kill an old and sleeping man;
His thin gray hair, his stern and reverend brow,
His veind hands crossed on his heaving breast,
And the calm innocent sleep in which he lay,
Quelled me. Indeed, indeed, I cannot do it.
Marzio.
But I was bolder; for I chid Olimpio,
And bade him bear his wrongs to his own grave
And leave me the reward. And now my knife
Touched the loose wrinkled throat, when the old man
Stirred in his sleep, and said, 'God! hear, O, hear,
A father's curse! What, art Thou not our Father?'
And then he laughed. I knew it was the ghost
Of my dead father speaking through his lips,
And could not kill him.
Beatrice.
Miserable slaves!
Where, if ye dare not kill a sleeping man,
Found ye the boldness to return to me
With such a deed undone? Base palterers!
Cowards and traitors! Why, the very conscience
Which ye would sell for gold and for revenge
Is an equivocation: it sleeps over
A thousand daily acts disgracing men;
And when a deed where mercy insults Heaven . . .
Why do I talk?
[Snatching a dagger from one of them and raising it.
Hadst thou a tongue to say,
'She murdered her own father!'I must do it!
But never dream ye shall outlive him long!
Olimpio.
Stop, for God's sake!
Marzio.
I will go back and kill him.
Olimpio.
Give me the weapon. we must do thy will.
Beatrice.
Take it! Depart! Return!
[Exeunt Olimpio and Marzio.
How pale thou art!
We do but that which 'twere a deadly crime
To leave undone.
Lucretia.
Would it were done!
Beatrice.
Even whilst
That doubt is passing through your mind, the world
Is conscious of a change. Darkness and Hell
Have swallowed up the vapour they sent forth
To blacken the sweet light of life. My breath
Comes, methinks, lighter, and the jellied blood
Runs freely through my veins. Hark!
Enter Olimpio and Marzio.
He is . . .
Olimpio.
Dead!
Marzio.
We strangled him that there might be no blood;
And then we threw his heavy corpse i' the garden
Under the balcony; 'twill seem it fell.
Beatrice
(giving them a bag of coin).
Here, take this gold, and hasten to your homes.
And, Marzio, because thou wast only awed
By that which made me tremble, wear thou this! [Clothes him in a rich mantle.
It was the mantle which my grandfather
Wore in his high prosperity, and men
Envied his state: so may they envy thine.
Thou wert a weapon in the hand of God
To a just use. Live long and thrive! And, mark,
If thou hast crimes, repent: this deed is none.
[A horn is sounded.
Lucretia.
Hark, 'tis the castle horn; my God! it sounds
Like the last trump.
Beatrice
Some tedious guest is coming.
Lucretia.
The drawbridge is let down; there is a tramp
Of horses in the court; fly, hide yourselves!
[Exeunt Olimpio and Marzio.
Beatrice.
Let us retire to counterfeit deep rest;
I scarcely need to counterfeit it now:
The spirit which doth reign within these limbs
Seems strangely undisturbed. I could even sleep
Fearless and calm: all ill is surely past.
[Exeunt.
Scene IV.
Another Apartment in the Castle. Enter on one side the Legate Savella, introduced by a Servant, and on the other Lucretia and Bernardo.
Savella.
Lady, my duty to his Holiness
Be my excuse that thus unseasonably
I break upon your rest. I must speak with
Count Cenci; doth he sleep?
Lucretia
(in a hurried and confused manner).
I think he sleeps;
Yet wake him not, I pray, spare me awhile,
He is a wicked and a wrathful man;
Should he be roused out of his sleep to-night,
Which is, I know, a hell of angry dreams,
It were not well; indeed it were not well.
Wait till day break . . . (aside)
O, I am deadly sick!
Savella.
I grieve thus to distress you, but the Count
Must answer charges of the gravest import,
And suddenly; such my commission is.
Lucretia
(with increased agitation).
I dare not rouse him: I know none who dare . . .
'Twere perilous; . . . you might as safely waken
A serpent; or a corpse in which some fiend
Were laid to sleep.
Savella.
Lady, my moments here
Are counted. I must rouse him from his sleep,
Since none else dare.
Lucretia
(aside).
O, terror! O, despair!
(To Bernardo.)
Bernardo, conduct you the Lord Legate to
Your father's chamber.
[Exeunt Savella and Bernardo.
Enter Beatrice.
Beatrice.
'Tis a messenger
Come to arrest the culprit who now stands
Before the throne of unappealable God.
Both Earth and Heaven, consenting arbiters,
Acquit our deed.
Lucretia.
Oh, agony of fear!
Would that he yet might live! Even now I heard
The Legate's followers whisper as they passed
They had a warrant for his instant death.
All was prepared by unforbidden means
Which we must pay so dearly, having done.
Even now they search the tower, and find the body;
Now they suspect the truth; now they consult
Before they come to tax us with the fact;
O, horrible, 'tis all discovered!
Beatrice.
Mother,
What is done wisely, is done well. Be bold
As thou art just. 'Tis like a truant child
To fear that others know what thou hast done,
Even from thine own strong consciousness, and thus
Write on unsteady eyes and altered cheeks
All thou wouldst hide. Be faithful to thyself,
And fear no other witness but thy fear.
For if, as cannot be, some circumstance
Should rise in accusation, we can blind
Suspicion with such cheap astonishment,
Or overbear it with such guiltless pride,
As murderers cannot feign. The deed is done,
And what may follow now regards not me.
I am as universal as the light;
Free as the earth-surrounding air; as firm
As the world's centre. Consequence, to me,
Is as the wind which strikes the solid rock
But shakes it not.
[A cry within and tumult.
Voices.
Murder! Murder! Murder!
Enter Bernardo and Savella.
Savella
(to his followers).
Go search the castle round; sound the alarm;
Look to the gates that none escape!
Beatrice.
What now?
Bernardo.
I know not what to say . . . my father's dead.
Beatrice.
How; dead! he only sleeps; you mistake, brother.
His sleep is very calm, very like death;
'Tis wonderful how well a tyrant sleeps.
He is not dead?
Bernardo.
Dead; murdered.
Lucretia
(with extreme agitation).
Oh no, no
He is not murdered though he may be dead;
I have alone the keys of those apartments.
Savella.
Ha! Is it so?
Beatrice.
My Lord, I pray excuse us;
We will retire; my mother is not well:
She seems quite overcome with this strange horror.
[Exeunt Lucretia and Beatrice.
Savella.
Can you suspect who may have murdered him?
Bernardo.
I know not what to think.
Savella.
Can you name any
Who had an interest in his death?
Bernardo.
Alas!
I can name none who had not, and those most
Who most lament that such a deed is done;
My mother, and my sister, and myself.
Savella.
'Tis strange! There were clear marks of violence.
I found the old man's body in the moonlight
Hanging beneath the window of his chamber,
Among the branches of a pine: he could not
Have fallen there, for all his limbs lay heaped
And effortless; 'tis true there was no blood . . .
Favour me, Sir; it much imports your house
That all should be made clear; to tell the ladies
That I request their presence.
[Exit Bernardo.
Enter Guards bringing in Marzio.
Guard.
We have one.
Officer.
My Lord, we found this ruffian and another
Lurking among the rocks; there is no doubt
But that they are the murderers of Count Cenci:
Each had a bag of coin; this fellow wore
A gold-inwoven robe, which shining bright
Under the dark rocks to the glimmering moon
Betrayed them to our notice: the other fell
Desperately fighting.
Savella.
What does he confess?
Officer.
He keeps firm silence; but these lines found on him
May speak.
Savella.
Their language is at least sincere.
[Reads.
'To the Lady Beatrice.
'That the atonement of what my nature sickens to conjecture may soon arrive, I send thee, at thy brother's desire, those who will speak and do more than I dare write. . .
'Thy devoted servant, Orsino.'
Enter Lucretia, Beatrice, and Bernardo.
Knowest thou this writing, Lady?
Beatrice.
No.
Savella.
Nor thou?
Lucretia.
(Her conduct throughout the scene is marked by extreme agitation.)
Where was it found? What is it? It should be
Orsino's hand! It speaks of that strange horror
Which never yet found utterance, but which made
Between that hapless child and her dead father
A gulf of obscure hatred.
Savella.
Is it so?
Is it true, Lady, that thy father did
Such outrages as to awaken in thee
Unfilial hate?
Beatrice.
Not hate, 'twas more than hate:
This is most true, yet wherefore question me?
Savella.
There is a deed demanding question done;
Thou hast a secret which will answer not.
Beatrice.
What sayest? My Lord, your words are bold and rash.
Savella.
I do arrest all present in the name
Of the Pope's Holiness. You must to Rome.
Lucretia.
O, not to Rome! Indeed we are not guilty.
Beatrice.
Guilty! Who dares talk of guilt? My Lord,
I am more innocent of parricide
Than is a child born fatherless . . . Dear mother,
Your gentleness and patience are no shield
For this keen-judging world, this two-edged lie,
Which seems, but is not. What! will human laws,
Rather will ye who are their ministers,
Bar all access to retribution first,
And then, when Heaven doth interpose to do
What ye neglect, arming familiar things
To the redress of an unwonted crime,
Make ye the victims who demanded it
Culprits? 'Tis ye are culprits! That poor wretch
Who stands so pale, and trembling, and amazed,
If it be true he murdered Cenci, was
A sword in the right hand of justest God.
Wherefore should I have wielded it? Unless
The crimes which mortal tongue dare never name
God therefore scruples to avenge.
Savella.
You own
That you desired his death?
Beatrice.
It would have been
A crime no less than his, if for one moment
That fierce desire had faded in my heart.
'Tis true I did believe, and hope, and pray,
Ay, I even knew . . . for God is wise and just,
That some strange sudden death hung over him.
'Tis true that this did happen, and most true
There was no other rest for me on earth,
No other hope in Heaven . . . now what of this?
Savella.
Strange thoughts beget strange deeds; and here are both:
I judge thee not.
Beatrice.
And yet, if you arrest me,
You are the judge and executioner
Of that which is the life of life: the breath
Of accusation kills an innocent name,
And leaves for lame acquittal the poor life
Which is a mask without it. 'Tis most false
That I am guilty of foul parricide;
Although I must rejoice, for justest cause,
That other hands have sent my father's soul
To ask the mercy he denied to me.
Now leave us free; stain not a noble house
With vague surmises of rejected crime;
Add to our sufferings and your own neglect
No heavier sum: let them have been enough:
Leave us the wreck we have.
Savella.
I dare not, Lady.
I pray that you prepare yourselves for Rome:
There the Pope's further pleasure will be known.
Lucretia.
O, not to Rome! O, take us not to Rome!
Beatrice.
Why not to Rome, dear mother? There as here
Our innocence is as an armd heel
To trample accusation. God is there
As here, and with His shadow ever clothes
The innocent, the injured and the weak;
And such are we. Cheer up, dear Lady, lean
On me; collect your wandering thoughts. My Lord,
As soon as you have taken some refreshment,
And had all such examinations made
Upon the spot, as may be necessary
To the full understanding of this matter,
We shall be ready. Mother; will you come?
Lucretia.
Ha! they will bind us to the rack, and wrest
Self-accusation from our agony!
Will Giacomo be there? Orsino? Marzio?
All present; all confronted; all demanding
Each from the other's countenance the thing
Which is in every heart! O, misery!
[She faints, and is borne out.
Savella.
She faints: an ill appearance this.
Beatrice.
My Lord,
She knows not yet the uses of the world.
She fears that power is as a beast which grasps
And loosens not: a snake whose look transmutes
All things to guilt which is its nutriment.
She cannot know how well the supine slaves
Of blind authority read the truth of things
When written on a brow of guilelessness:
She sees not yet triumphant Innocence
Stand at the judgement-seat of mortal man,
A judge and an accuser of the wrong
Which drags it there. Prepare yourself, my Lord;
Our suite will join yours in the court below.
[Exeunt.
END OF THE FOURTH ACT.
ACT V
Scene I.
An Apartment in Orsino's Palace. Enter Orsino and Giacomo.
Giacomo.
Do evil deeds thus quickly come to end?
O, that the vain remorse which must chastise
Crimes done, had but as loud a voice to warn
As its keen sting is mortal to avenge!
O, that the hour when present had cast off
The mantle of its mystery, and shown
The ghastly form with which it now returns
When its scared game is roused, cheering the hounds
Of conscience to their prey! Alas! Alas!
It was a wicked thought, a piteous deed,
To kill an old and hoary-headed father.
Orsino.
It has turned out unluckily, in truth.
Giacomo.
To violate the sacred doors of sleep;
To cheat kind Nature of the placid death
Which she prepares for overwearied age;
To drag from Heaven an unrepentant soul
Which might have quenched in reconciling prayers
A life of burning crimes . . .
Orsino.
You cannot say
I urged you to the deed.
Giacomo.
O, had I never
Found in thy smooth and ready countenance
The mirror of my darkest thoughts; hadst thou
Never with hints and questions made me look
Upon the monster of my thought, until
It grew familiar to desire . . .
Orsino.
'Tis thus
Men cast the blame of their unprosperous acts
Upon the abettors of their own resolve;
Or anything but their weak, guilty selves.
And yet, confess the truth, it is the peril
In which you stand that gives you this pale sickness
Of penitence; confess 'tis fear disguised
From its own shame that takes the mantle now
Of thin remorse. What if we yet were safe?
Giacomo.
How can that be? Already Beatrice,
Lucretia and the murderer are in prison.
I doubt not officers are, whilst we speak,
Sent to arrest us.
Orsino.
I have all prepared
For instant flight. We can escape even now,
So we take fleet occasion by the hair.
Giacomo.
Rather expire in tortures, as I may.
What! will you cast by self-accusing flight
Assured conviction upon Beatrice?
She, who alone in this unnatural work,
Stands like God's angel ministered upon
By fiends; avenging such a nameless wrong
As turns black parricide to piety;
Whilst we for basest ends . . . I fear, Orsino,
While I consider all your words and looks,
Comparing them with your proposal now,
That you must be a villain. For what end
Could you engage in such a perilous crime,
Training me on with hints, and signs, and smiles,
Even to this gulf? Thou art no liar? No,
Thou art a lie! Traitor and murderer!
Coward and slave! But, no, defend thyself; [Drawing.
Let the sword speak what the indignant tongue
Disdains to brand thee with.
Orsino.
Put up your weapon.
Is it the desperation of your fear
Makes you thus rash and sudden with a friend,
Now ruined for your sake? If honest anger
Have moved you, know, that what I just proposed
Was but to try you. As for me, I think,
Thankless affection led me to this point,
From which, if my firm temper could repent,
I cannot now recede. Even whilst we speak
The ministers of justice wait below:
They grant me these brief moments. Now if you
Have any word of melancholy comfort
To speak to your pale wife, 'twere best to pass
Out at the postern, and avoid them so.
Giacomo.
O, generous friend! How canst thou pardon me?
Would that my life could purchase thine!
Orsino.
That wish
Now comes a day too late. Haste; fare thee well!
Hear'st thou not steps along the corridor? [Exit Giacomo.
I'm sorry for it; but the guards are waiting
At his own gate, and such was my contrivance
That I might rid me both of him and them.
I thought to act a solemn comedy
Upon the painted scene of this new world,
And to attain my own peculiar ends
By some such plot of mingled good and ill
As others weave; but there arose a Power
Which grasped and snapped the threads of my device
And turned it to a net of ruin . . . Ha! [A shout is heard.
Is that my name I hear proclaimed abroad?
But I will pass, wrapped in a vile disguise;
Rags on my back, and a false innocence
Upon my face, through the misdeeming crowd
Which judges by what seems. 'Tis easy then
For a new name and for a country new,
And a new life, fashioned on old desires,
To change the honours of abandoned Rome.
And these must be the masks of that within,
Which must remain unaltered . . . Oh, I fear
That what is past will never let me rest!
Why, when none else is conscious, but myself,
Of my misdeeds, should my own heart's contempt
Trouble me? Have I not the power to fly
My own reproaches? Shall I be the slave
Of . . . what? A word? which those of this false world
Employ against each other, not themselves;
As men wear daggers not for self-offence.
But if I am mistaken, where shall I
Find the disguise to hide me from myself,
As now I skulk from every other eye?
[Exit.
Scene II.
A Hall of Justice. Camillo, Judges, &c., are discovered seated; Marzio is led in.
First Judge.
Accused, do you persist in your denial?
I ask you, are you innocent, or guilty?
I demand who were the participators
In your offence? Speak truth and the whole truth.
Marzio.
My God! I did not kill him; I know nothing;
Olimpio sold the robe to me from which
You would infer my guilt.
Second Judge.
Away with him!
First Judge.
Dare you, with lips yet white from the rack's kiss
Speak false? Is it so soft a questioner,
That you would bandy lover's talk with it
Till it wind out your life and soul? Away!
Marzio.
Spare me! O, spare! I will confess.
First Judge.
Then speak.
Marzio.
I strangled him in his sleep.
First Judge.
Who urged you to it?
Marzio.
His own son Giacomo, and the young prelate
Orsino sent me to Petrella; there
The ladies Beatrice and Lucretia
Tempted me with a thousand crowns, and I
And my companion forthwith murdered him.
Now let me die.
First Judge.
This sounds as bad as truth. Guards, there,
Lead forth the prisoner!
Enter Lucretia, Beatrice, and Giacomo, guarded.
Look upon this man;
When did you see him last?
Beatrice.
We never saw him.
Marzio.
You know me too well, Lady Beatrice.
Beatrice.
I know thee! How? where? when?
Marzio.
You know 'twas I
Whom you did urge with menaces and bribes
To kill your father. When the thing was done
You clothed me in a robe of woven gold
And bade me thrive: how I have thriven, you see.
You, my Lord Giacomo, Lady Lucretia,
You know that what I speak is true.
[Beatrice advances towards him; he covers his face, and shrinks back.
Oh, dart
The terrible resentment of those eyes
On the dead earth! Turn them away from me!
They wound: 'twas torture forced the truth. My Lords,
Having said this let me be led to death.
Beatrice.
Poor wretch, I pity thee: yet stay awhile.
Camillo.
Guards, lead him not away.
Beatrice.
Cardinal Camillo,
You have a good repute for gentleness
And wisdom: can it be that you sit here
To countenance a wicked farce like this?
When some obscure and trembling slave is dragged
From sufferings which might shake the sternest heart
And bade to answer, not as he believes,
But as those may suspect or do desire
Whose questions thence suggest their own reply:
And that in peril of such hideous torments
As merciful God spares even the damned. Speak now
The thing you surely know, which is that you,
If your fine frame were stretched upon that wheel,
And you were told: 'Confess that you did poison
Your little nephew; that fair blue-eyed child
Who was the lodestar of your life:'and though
All see, since his most swift and piteous death,
That day and night, and heaven and earth, and time,
And all the things hoped for or done therein
Are changed to you, through your exceeding grief,
Yet you would say, 'I confess anything:'
And beg from your tormentors, like that slave,
The refuge of dishonourable death.
I pray thee, Cardinal, that thou assert
My innocence.
Camillo.
(much moved).
What shall we think, my Lords?
Shame on these tears! I thought the heart was frozen
Which is their fountain. I would pledge my soul
That she is guiltless.
Judge.
Yet she must be tortured.
Camillo.
I would as soon have tortured mine own nephew
(If he now lived he would be just her age;
His hair, too, was her colour, and his eyes
Like hers in shape, but blue and not so deep)
As that most perfect image of God's love
That ever came sorrowing upon the earth.
She is as pure as speechless infancy!
Judge.
Well, be her purity on your head, my Lord,
If you forbid the rack. His Holiness
Enjoined us to pursue this monstrous crime
By the severest forms of law; nay even
To stretch a point against the criminals.
The prisoners stand accused of parricide
Upon such evidence as justifies
Torture.
Beatrice.
What evidence? This man's?
Judge.
Even so.
Beatrice
(to Marzio).
Come near. And who art thou thus chosen forth
Out of the multitude of living men
To kill the innocent?
Marzio.
I am Marzio,
Thy father's vassal.
Beatrice.
Fix thine eyes on mine;
Answer to what I ask.
[Turning to the Judges.
I prithee mark
His countenance: unlike bold calumny
Which sometimes dares not speak the thing it looks,
He dares not look the thing he speaks, but bends
His gaze on the blind earth.
(To Marzio.)
What! wilt thou say
That I did murder my own father?
Marzio.
Oh!
Spare me! My brain swims round . . . I cannot speak . . .
It was that horrid torture forced the truth.
Take me away! Let her not look on me!
I am a guilty miserable wretch;
I have said all I know; now, let me die!
Beatrice.
My Lords, if by my nature I had been
So stern, as to have planned the crime alleged,
Which your suspicions dictate to this slave,
And the rack makes him utter, do you think
I should have left this two-edged instrument
Of my misdeed; this man, this bloody knife
With my own name engraven on the heft,
Lying unsheathed amid a world of foes,
For my own death? That with such horrible need
For deepest silence, I should have neglected
So trivial a precaution, as the making
His tomb the keeper of a secret written
On a thief's memory? What is his poor life?
What are a thousand lives? A parricide
Had trampled them like dust; and, see, he lives! (Turning to Marzio.)
And thou . . .
Marzio.
Oh, spare me! Speak to me no more!
That stern yet piteous look, those solemn tones,
Wound worse than torture.
(To the Judges.
I have told it all;
For pity's sake lead me away to death.
Camillo.
Guards, lead him nearer the Lady Beatrice,
He shrinks from her regard like autumn's leaf
From the keen breath of the serenest north.
Beatrice.
O thou who tremblest on the giddy verge
Of life and death, pause ere thou answerest me;
So mayst thou answer God with less dismay:
What evil have we done thee? I, alas!
Have lived but on this earth a few sad years,
And so my lot was ordered, that a father
First turned the moments of awakening life
To drops, each poisoning youth's sweet hope; and then
Stabbed with one blow my everlasting soul;
And my untainted fame; and even that peace
Which sleeps within the core of the heart's heart;
But the wound was not mortal; so my hate
Became the only worship I could lift
To our great father, who in pity and love,
Armed thee, as thou dost say, to cut him off;
And thus his wrong becomes my accusation;
And art thou the accuser? If thou hopest
Mercy in heaven, show justice upon earth:
Worse than a bloody hand is a hard heart.
If thou hast done murders, made thy life's path
Over the trampled laws of God and man,
Rush not before thy Judge, and say: 'My maker,
I have done this and more; for there was one
Who was most pure and innocent on earth;
And because she endured what never any
Guilty or innocent endured before:
Because her wrongs could not be told, not thought;
Because thy hand at length did rescue her;
I with my words killed her and all her kin.'
Think, I adjure you, what it is to slay
The reverence living in the minds of men
Towards our ancient house, and stainless fame!
Think what it is to strangle infant pity,
Cradled in the belief of guileless looks,
Till it become a crime to suffer. Think
What 'tis to blot with infamy and blood
All that which shows like innocence, and is,
Hear me, great God! I swear, most innocent,
So that the world lose all discrimination
Between the sly, fierce, wild regard of guilt,
And that which now compels thee to reply
To what I ask: Am I, or am I not
A parricide?
Marzio.
Thou art not!
Judge.
What is this?
Marzio.
I here declare those whom I did accuse
Are innocent. 'Tis I alone am guilty.
Judge.
Drag him away to torments; let them be
Subtle and long drawn out, to tear the folds
Of the heart's inmost cell. Unbind him not
Till he confess.
Marzio.
Torture me as ye will:
A keener pang has wrung a higher truth
From my last breath. She is most innocent!
Bloodhounds, not men, glut yourselves well with me;
I will not give you that fine piece of nature
To rend and ruin.
[Exit Marzio, guarded.
Camillo.
What say ye now, my Lords?
Judge.
Let tortures strain the truth till it be white
As snow thrice sifted by the frozen wind.
Camillo.
Yet stained with blood.
Judge
(to Beatrice).
Know you this paper, Lady?
Beatrice.
Entrap me not with questions. Who stands here
As my accuser? Ha! wilt thou be he,
Who art my judge? Accuser, witness, judge,
What, all in one? Here is Orsino's name;
Where is Orsino? Let his eye meet mine.
What means this scrawl? Alas! ye know not what,
And therefore on the chance that it may be
Some evil, will ye kill us?
Enter an Officer.
Officer.
Marzio's dead.
Judge.
What did he say?
Officer.
Nothing. As soon as we
Had bound him on the wheel, he smiled on us,
As one who baffles a deep adversary;
And holding his breath, died.
Judge.
There remains nothing
But to apply the question to those prisoners,
Who yet remain stubborn.
Camillo.
I overrule
Further proceedings, and in the behalf
Of these most innocent and noble persons
Will use my interest with the Holy Father.
Judge.
Let the Pope's pleasure then be done. Meanwhile
Conduct these culprits each to separate cells;
And be the engines ready: for this night
If the Pope's resolution be as grave,
Pious, and just as once, I'll wring the truth
Out of those nerves and sinews, groan by groan.
[Exeunt.
Scene III.
The Cell of a Prison. Beatrice is discovered asleep on a couch. Enter Bernardo.
Bernardo.
How gently slumber rests upon her face,
Like the last thoughts of some day sweetly spent
Closing in night and dreams, and so prolonged.
After such torments as she bore last night,
How light and soft her breathing comes. Ay me!
Methinks that I shall never sleep again.
But I must shake the heavenly dew of rest
From this sweet folded flower, thus . . . wake! awake!
What, sister, canst thou sleep?
Beatrice
(awaking).
I was just dreaming
That we were all in Paradise. Thou knowest
This cell seems like a kind of Paradise
After our father's presence.
Bernardo.
Dear, dear sister,
Would that thy dream were not a dream! O God!
How shall I tell?
Beatrice.
What wouldst thou tell, sweet brother?
Bernardo.
Look not so calm and happy, or even whilst
I stand considering what I have to say
My heart will break.
Beatrice.
See now, thou mak'st me weep:
How very friendless thou wouldst be, dear child,
If I were dead. Say what thou hast to say.
Bernardo.
They have confessed; they could endure no more
The tortures . . .
Beatrice.
Ha! What was there to confess?
They must have told some weak and wicked lie
To flatter their tormentors. Have they said
That they were guilty? O white innocence,
That thou shouldst wear the mask of guilt to hide
Thine awful and serenest countenance
From those who know thee not!
Enter Judge with Lucretia and Giacomo, guarded.
Ignoble hearts!
For some brief spasms of pain, which are at least
As mortal as the limbs through which they pass,
Are centuries of high splendour laid in dust?
And that eternal honour which should live
Sunlike, above the reek of mortal fame,
Changed to a mockery and a byword? What!
Will you give up these bodies to be dragged
At horses' heels, so that our hair should sweep
The footsteps of the vain and senseless crowd,
Who, that they may make our calamity
Their worship and their spectacle, will leave
The churches and the theatres as void
As their own hearts? Shall the light multitude
Fling, at their choice, curses or faded pity,
Sad funeral flowers to deck a living corpse,
Upon us as we pass to pass away,
And leave . . . what memory of our having been?
Infamy, blood, terror, despair? O thou,
Who wert a mother to the parentless,
Kill not thy child! Let not her wrongs kill thee!
Brother, lie down with me upon the rack,
And let us each be silent as a corpse;
It soon will be as soft as any grave.
'Tis but the falsehood it can wring from fear
Makes the rack cruel.
Giacomo.
They will tear the truth
Even from thee at last, those cruel pains:
For pity's sake say thou art guilty now.
Lucretia.
Oh, speak the truth! Let us all quickly die;
And after death, God is our judge, not they;
He will have mercy on us.
Bernardo.
If indeed
It can be true, say so, dear sister mine;
And then the Pope will surely pardon you,
And all be well.
Judge.
Confess, or I will warp
Your limbs with such keen tortures . . .
Beatrice.
Tortures! Turn
The rack henceforth into a spinning-wheel!
Torture your dog, that he may tell when last
He lapped the blood his master shed . . . not me!
My pangs are of the mind, and of the heart,
And of the soul; ay, of the inmost soul,
Which weeps within tears as of burning gall
To see, in this ill world where none are true,
My kindred false to their deserted selves.
And with considering all the wretched life
Which I have lived, and its now wretched end,
And the small justice shown by Heaven and Earth
To me or mine; and what a tyrant thou art,
And what slaves these; and what a world we make,
The oppressor and the oppressed . . . such pangs compel
My answer. What is it thou wouldst with me?
Judge.
Art thou not guilty of thy father's death?
Beatrice.
Or wilt thou rather tax high-judging God
That He permitted such an act as that
Which I have suffered, and which He beheld;
Made it unutterable, and took from it
All refuge, all revenge, all consequence,
But that which thou hast called my father's death?
Which is or is not what men call a crime,
Which either I have done, or have not done;
Say what ye will. I shall deny no more.
If ye desire it thus, thus let it be,
And so an end of all. Now do your will;
No other pains shall force another word.
Judge.
She is convicted, but has not confessed.
Be it enough. Until their final sentence
Let none have converse with them. You, young Lord,
Linger not here!
Beatrice.
Oh, tear him not away!
Judge.
Guards, do your duty.
Bernardo
(embracing Beatrice).
Oh! would ye divide
Body from soul?
Officer.
That is the headsman's business.
[Exeunt all but Lucretia, Beatrice, and Giacomo.
Giacomo.
Have I confessed? Is it all over now?
No hope! No refuge! O weak, wicked tongue
Which hast destroyed me, would that thou hadst been
Cut out and thrown to dogs first! To have killed
My father first, and then betrayed my sister;
Ay, thee! the one thing innocent and pure
In this black guilty world, to that which I
So well deserve! My wife! my little ones!
Destitute, helpless, and I . . . Father! God!
Canst Thou forgive even the unforgiving,
When their full hearts break thus, thus! . . .
[Covers his face and weeps.
Lucretia.
O my child!
To what a dreadful end are we all come!
Why did I yield? Why did I not sustain
Those torments? Oh, that I were all dissolved
Into these fast and unavailing tears,
Which flow and feel not!
Beatrice.
What 'twas weak to do,
'Tis weaker to lament, once being done;
Take cheer! The God who knew my wrong, and made
Our speedy act the angel of His wrath,
Seems, and but seems, to have abandoned us.
Let us not think that we shall die for this.
Brother, sit near me; give me your firm hand,
You had a manly heart. Bear up! Bear up!
O dearest Lady, put your gentle head
Upon my lap, and try to sleep awhile:
Your eyes look pale, hollow and overworn,
With heaviness of watching and slow grief.
Come, I will sing you some low, sleepy tune,
Not cheerful, nor yet sad; some dull old thing,
Some outworn and unused monotony,
Such as our country gossips sing and spin,
Till they almost forget they live: lie down!
So, that will do. Have I forgot the words?
Faith! They are sadder than I thought they were.
SONG
False friend, wilt thou smile or weep
When my life is laid asleep?
Little cares for a smile or a tear,
The clay-cold corpse upon the bier!
Farewell! Heigho!
What is this whispers low?
There is a snake in thy smile, my dear;
And bitter poison within thy tear.
Sweet sleep, were death like to thee,
Or if thou couldst mortal be,
I would close these eyes of pain;
When to wake? Never again.
O World! Farewell!
Listen to the passing bell!
It says, thou and I must part,
With a light and a heavy heart.
[The scene closes.
Scene IV.
A Hall of the Prison. Enter Camillo and Bernardo.
Camillo.
The Pope is stern; not to be moved or bent.
He looked as calm and keen as is the engine
Which tortures and which kills, exempt itself
From aught that it inflicts; a marble form,
A rite, a law, a custom: not a man.
He frowned, as if to frown had been the trick
Of his machinery, on the advocates
Presenting the defences, which he tore
And threw behind, muttering with hoarse, harsh voice:
'Which among ye defended their old father
Killed in his sleep?' Then to another: 'Thou
Dost this in virtue of thy place; 'tis well.'
He turned to me then, looking deprecation,
And said these three words, coldly: 'They must die.'
Bernardo.
And yet you left him not?
Camillo.
I urged him still;
Pleading, as I could guess, the devilish wrong
Which prompted your unnatural parent's death.
And he replied: 'Paolo Santa Croce
Murdered his mother yester evening,
And he is fled. Parricide grows so rife
That soon, for some just cause no doubt, the young
Will strangle us all, dozing in our chairs.
Authority, and power, and hoary hair
Are grown crimes capital. You are my nephew,
You come to ask their pardon; stay a moment;
Here is their sentence; never see me more
Till, to the letter, it be all fulfilled.'
Bernardo.
O God, not so! I did believe indeed
That all you said was but sad preparation
For happy news. Oh, there are words and looks
To bend the sternest purpose! Once I knew them,
Now I forget them at my dearest need.
What think you if I seek him out, and bathe
His feet and robe with hot and bitter tears?
Importune him with prayers, vexing his brain
With my perpetual cries, until in rage
He strike me with his pastoral cross, and trample
Upon my prostrate head, so that my blood
May stain the senseless dust on which he treads,
And remorse waken mercy? I will do it!
Oh, wait till I return!
[Rushes out.
Camillo.
Alas! poor boy!
A wreck-devoted seaman thus might pray
To the deaf sea.
Enter Lucretia, Beatrice, and Giacomo, guarded.
Beatrice.
I hardly dare to fear
That thou bring'st other news than a just pardon.
Camillo.
May God in heaven be less inexorable
To the Pope's prayers, than he has been to mine.
Here is the sentence and the warrant.
Beatrice
(wildly).
O
My God! Can it be possible I have
To die so suddenly? So young to go
Under the obscure, cold, rotting, wormy ground!
To be nailed down into a narrow place;
To see no more sweet sunshine; hear no more
Blithe voice of living thing; muse not again
Upon familiar thoughts, sad, yet thus lost
How fearful! to be nothing! Or to be . . .
What? Oh, where am I? Let me not go mad!
Sweet Heaven, forgive weak thoughts! If there should be
No God, no Heaven, no Earth in the void world;
The wide, gray, lampless, deep, unpeopled world!
If all things then should be . . . my father's spirit,
His eye, his voice, his touch surrounding me;
The atmosphere and breath of my dead life!
If sometimes, as a shape more like himself,
Even the form which tortured me on earth,
Masked in gray hairs and wrinkles, he should come
And wind me in his hellish arms, and fix
His eyes on mine, and drag me down, down, down!
For was he not alone omnipotent
On Earth, and ever present? Even though dead,
Does not his spirit live in all that breathe,
And work for me and mine still the same ruin,
Scorn, pain, despair? Who ever yet returned
To teach the laws of Death's untrodden realm?
Unjust perhaps as those which drive us now,
Oh, whither, whither?
Lucretia.
Trust in God's sweet love,
The tender promises of Christ: ere night,
Think, we shall be in Paradise.
Beatrice.
'Tis past!
Whatever comes my heart shall sink no more.
And yet, I know not why, your words strike chill:
How tedious, false and cold seem all things. I
Have met with much injustice in this world;
No difference has been made by God or man,
Or any power moulding my wretched lot,
'Twixt good or evil, as regarded me.
I am cut off from the only world I know,
From light, and life, and love, in youth's sweet prime.
You do well telling me to trust in God,
I hope I do trust in Him. In whom else
Can any trust? And yet my heart is cold.
[During the latter speeches Giacomo has retired conversing with Camillo, who now goes out; Giacomo advances.
Giacomo.
Know you not, Mother . . . Sister, know you not?
Bernardo even now is gone to implore
The Pope to grant our pardon.
Lucretia.
Child, perhaps
It will be granted. We may all then live
To make these woes a tale for distant years:
Oh, what a thought! It gushes to my heart
Like the warm blood.
Beatrice.
Yet both will soon be cold.
Oh, trample out that thought! Worse than despair,
Worse than the bitterness of death, is hope:
It is the only ill which can find place
Upon the giddy, sharp and narrow hour
Tottering beneath us. Plead with the swift frost
That it should spare the eldest flower of spring:
Plead with awakening earthquake, o'er whose couch
Even now a city stands, strong, fair, and free;
Now stench and blackness yawn, like death. Oh, plead
With famine, or wind-walking Pestilence,
Blind lightning, or the deaf sea, not with man!
Cruel, cold, formal man; righteous in words,
In deeds a Cain. No, Mother, we must die:
Since such is the reward of innocent lives;
Such the alleviation of worst wrongs.
And whilst our murderers live, and hard, cold men,
Smiling and slow, walk through a world of tears
To death as to life's sleep; 'twere just the grave
Were some strange joy for us. Come, obscure Death,
And wind me in thine all-embracing arms!
Like a fond mother hide me in thy bosom,
And rock me to the sleep from which none wake.
Live ye, who live, subject to one another
As we were once, who now . . .
Bernardo rushes in.
Bernardo.
Oh, horrible!
That tears, that looks, that hope poured forth in prayer,
Even till the heart is vacant and despairs,
Should all be vain! The ministers of death
Are waiting round the doors. I thought I saw
Blood on the face of one . . . What if 'twere fancy?
Soon the heart's blood of all I love on earth
Will sprinkle him, and he will wipe it off
As if 'twere only rain. O life! O world!
Cover me! let me be no more! To see
That perfect mirror of pure innocence
Wherein I gazed, and grew happy and good,
Shivered to dust! To see thee, Beatrice,
Who made all lovely thou didst look upon . . .
Thee, light of life . . . dead, dark! while I say, sister,
To hear I have no sister; and thou, Mother,
Whose love was as a bond to all our loves . . .
Dead! The sweet bond broken!
Enter Camillo and Guards.
They come! Let me
Kiss those warm lips before their crimson leaves
Are blighted . . . white . . . cold. Say farewell, before
Death chokes that gentle voice! Oh, let me hear
You speak!
Beatrice.
Farewell, my tender brother. Think
Of our sad fate with gentleness, as now:
And let mild, pitying thoughts lighten for thee
Thy sorrow's load. Err not in harsh despair,
But tears and patience. One thing more, my child:
For thine own sake be constant to the love
Thou bearest us; and to the faith that I,
Though wrapped in a strange cloud of crime and shame,
Lived ever holy and unstained. And though
Ill tongues shall wound me, and our common name
Be as a mark stamped on thine innocent brow
For men to point at as they pass, do thou
Forbear, and never think a thought unkind
Of those, who perhaps love thee in their graves.
So mayest thou die as I do; fear and pain
Being subdued. Farewell! Farewell! Farewell!
Bernardo.
I cannot say, farewell!
Camillo.
Oh, Lady Beatrice!
Beatrice.
Give yourself no unnecessary pain,
My dear Lord Cardinal. Here, Mother, tie
My girdle for me, and bind up this hair
In any simple knot; ay, that does well.
And yours I see is coming down. How often
Have we done this for one another; now
We shall not do it any more. My Lord,
We are quite ready. Well, 'tis very well.
THE END
Composed at Rome and near Leghorn (Villa Valsovano), May - August 8, 1819; published 1820 (spring) by C. & J. Ollier, London. This edition of 250 copies was printed in Italy 'because,' writes Shelley to Peacock, Sept. 21, 1819, 'it costs, with all duties and freightage, about half what it would cost in London.'
~ Percy Bysshe Shelley, The Cenci - A Tragedy In Five Acts
,#NFDB
8 Fiction
7 Poetry
7 Integral Yoga
5 Philosophy
1 Alchemy
12 Sri Aurobindo
6 H P Lovecraft
5 Lucretius
2 The Mother
2 Percy Bysshe Shelley
2 Nolini Kanta Gupta
8 Savitri
6 Lovecraft - Poems
5 Of The Nature Of Things
2 Shelley - Poems
01.01 - The Symbol Dawn, #Savitri, #Sri Aurobindo, #Integral Yoga
Almost was flung on the opaque Inane.
1.30
01.04 - The Secret Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
Turned on its axis in its own Inane.
Thus is the meaning of creation veiled;
0 1968-07-10, #Agenda Vol 09, #The Mother, #Integral Yoga
Words are Inane.
(Mother goes into a long contemplation, then suddenly smiles, amused in the middle of her contemplation)
02.08 - The World of Falsehood, the Mother of Evil and the Sons of Darkness, #Savitri, #Sri Aurobindo, #Integral Yoga
Revealed the endless terrible Inane.
A spiritless blank Infinity was there;
03.01 - The Pursuit of the Unknowable, #Savitri, #Sri Aurobindo, #Integral Yoga
Existence lost its aim in the Inane.
The order of the immemorial planes,
--
His spirit faced the adventure of the Inane.
Abandoned by the worlds of Form he strove.
04.03 - Consciousness as Energy, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
What is this spiritual or Yogic Energy? Ordinary people, people with a modern mind, would concede at the most that there are two kinds of activity: (1) real activityphysical action, work, labour with muscle and nerve, and (2) passive activityactivity of mind and thought. According to the pragmatic standard especial, if not entire, importance is given the first category; the other category, sicklied o'er with the pale cast of thought, is held at a discount. The thoughtful people are philosophers at the most, they are ineffectual angels in this workaday world of ours. We need upon earth people of sterner stuff, dynamic people who are not thought-bound, but know how to apply and execute their ideas, whatever they may be. Lenin was great, not because he had revolutionary ideas, but because he gave a muscular frame to them. Such people alone are the pragmatic, dynamic, useful category of humanity. The others are, according to the more radical leftist view, merely parasitic, and according to a more generous liberal view, chiefly decorative elements in human society. Mind-energy can draw dream pictures, beautiful perhaps, but Inane; it is only muscular energy that gives a living and material bodya local habitation and a nameto what otherwise would be airy nothing.
Energy, however, is not merely either muscular (physical) or cerebral. There are energies subtler than thought and yet more dynamic than the muscle (or the electric pile). One such, for example, is vital energy, although orthodox bio-chemists do not believe in any kind of vitalism that is something more than mere physico-chemical reaction. Indeed, this is the energy that counts in life; for it is this that brings about what we call success in the world. A man with push and go, as it is termed, is nothing but a person with abundant vital energy. But even of this energy there are gradations. It can be deep, controlled, organised or it can be hectic, effusive, confused: the latter kind expresses and spends itself often in mere external, nervous and muscular movements. Those, however, who are known as great men of action are precisely they who are endowed with life energy of the first kind.
07.02 - The Parable of the Search for the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
Shaping a universe out of the Inane.
In fragmentary beings she grew aware:
09.02 - The Journey in Eternal Night and the Voice of the Darkness, #Savitri, #Sri Aurobindo, #Integral Yoga
I am the nude Inane in which they cease:
I have no body and no tongue to speak,
10.02 - The Gospel of Death and Vanity of the Ideal, #Savitri, #Sri Aurobindo, #Integral Yoga
Founded on the hollow ground of the Inane
The sure bizarrerie of Nature's scheme.
--
And spread its sparse ranked armies through the Inane,
Manufactured the stars from the occult radiances,
10.03 - The Debate of Love and Death, #Savitri, #Sri Aurobindo, #Integral Yoga
Into some still original Inane.
But Savitri answered to almighty Death:
10.04 - Transfiguration, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
In this way we come very far from the Supreme Brahman, the Mayavadin's Inane Unity. The Puranic multiplicity is perhaps a corrective of the Vedantin's empty Absolute.
The Vedantin's negation of the world for the realisation of the Brahman, the Supreme Consciousness, is an effective way so far as it goes but it does not really negate the world. One only turns one's back to the world and says, "It is not there". We face the Sun and cast our shadow behind. The real solution is not to cut away or wipe off the shadow but instead of an obscure formulation, to make of it a luminous radiant image. The world is not abolished or eclipsed by the Sun but IS made luminous, in every particle a radiant and glorious body.
1.03 - The Void, #Of The Nature Of Things, #Lucretius, #Poetry
The void, the invisible Inane.
Right here
1.04 - Nothing Exists Per Se Except Atoms And The Void, #Of The Nature Of Things, #Lucretius, #Poetry
That place and room, which we do call the Inane,
Nowhere could bodies then be set, nor go
--
Which we do call the empty, the Inane.
Again, whate'er exists, as of itself,
--
Naught but the Inane can furnish room. And thus,
Beside the Inane and bodies, is no third
Nature amid the number of all things-
1.05 - Character Of The Atoms, #Of The Nature Of Things, #Lucretius, #Poetry
There not at an exists the void Inane.
Thus primal bodies are solid, without a void.
--
Again, were naught of empty and Inane,
The world were then a solid; as, without
1.07 - The Infinity Of The Universe, #Of The Nature Of Things, #Lucretius, #Poetry
To be the wide Inane, or room, or space
Wherein all things soever do go on,
--
Along the illimitable Inane afar,
Or rather, in fact, would never have once combined
--
Should pass, along the immeasurable Inane,
Away forever, and, that instant, naught
1.1.04 - Philosophy, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
The metaphysician thinks that he has got over the difficulty about the validity of premises by getting to the tattwas, the ideal truths of universal existence. Afterwards, he thinks, there can be no fear of confusion or error and by understanding and fixing them we shall be able to proceed from a sound basis to the rest of our task. He fashions his critique of reason, his system of pramanas, and launches himself into the wide Inane. Alas, the tattwas are the very foundation, support and initial reason of this
Philosophy
1.10 - The Secret of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
But in spite of this great downfall the ancient tradition, the ancient sanctity survived. The people knew not what Veda might be; but the old idea remained fixed that Veda is always the fountain of Hinduism, the standard of orthodoxy, the repository of a sacred knowledge; not even the loftiest philosopher or the most ritualistic scholar could divest himself entirely of this deeply ingrained & instinctive conception. To complete the degradation of Veda, to consummate the paradox of its history, a new element had to appear, a new form of intelligence undominated by the ancient tradition & the mediaeval method to take possession of Vedic interpretation. European scholarship which regards human civilisation as a recent progression starting yesterday with the Fiji islander and ending today with Haeckel and Rockefeller, conceiving ancient culture as necessarily primitive culture and primitive culture as necessarily half-savage culture, has turned the light of its Comparative Philology & Comparative Mythology on the Veda. The result we all know. Not only all vestige of sanctity, but all pretension to any kind of spiritual knowledge or experience disappears from the Veda. The old Rishis are revealed to us as a race of ignorant and lusty barbarians who drank & enjoyed and fought, gathered riches & procreated children, sacrificed and praised the Powers of Nature as if they were powerful men & women, and had no higher hope or idea. The only idea they had of religion beyond an occasional sense of sin and a perpetual preoccupation with a ritual barbarously encumbered with a mass of meaningless ceremonial details, was a mythology composed of the phenomena of dawn, night, rain, sunshine and harvest and the facts of astronomy converted into a wildly confused & incoherent mass of allegorical images and personifications. Nor, with the European interpretation, can we be proud of our early forefa thers as poets and singers. The versification of the Vedic hymns is indeed noble and melodious,though the incorrect method of writing them established by the old Indian scholars, often conceals their harmonious construction,but no other praise can be given. The Nibelungenlied, the Icelandic Sagas, the Kalewala, the Homeric poems, were written in the dawn of civilisation by semi-barbarous races, by poets not superior in culture to the Vedic Rishis; yet though their poetical value varies, the nations that possess them, need not be ashamed of their ancient heritage. The same cannot be said of the Vedic poems presented to us by European scholarship. Never surely was there even among savages such a mass of tawdry, glittering, confused & purposeless imagery; never such an Inane & useless burden of epithets; never such slipshod & incompetent writing; never such a strange & almost insane incoherence of thought & style; never such a bald poverty of substance. The attempt of patriotic Indian scholars to make something respectable out of the Veda, is futile. If the modern interpretation stands, the Vedas are no doubt of high interest & value to the philologist, the anthropologist & the historian; but poetically and spiritually they are null and worthless. Its reputation for spiritual knowledge & deep religious wealth, is the most imposing & baseless hoax that has ever been worked upon the imagination of a whole people throughout many millenniums.
Is this, then, the last word about the Veda? Or, and this is the idea I write to suggest, is it not rather the culmination of a long increasing & ever progressing error? The theory this book is written to enunciate & support is simply this, that our forefa thers of early Vedantic times understood the Veda, to which they were after all much nearer than ourselves, far better than Sayana, far better than Roth & Max Muller, that they were, to a great extent, in possession of the real truth about the Veda, that that truth was indeed a deep spiritual truth, karmakanda as well as jnanakanda of the Veda contains an ancient knowledge, a profound, complex & well-ordered psychology & philosophy, strange indeed to our modern conception, expressed indeed in language still stranger & remoter from our modern use of language, but not therefore either untrue or unintelligible, and that this knowledge is the real foundation of our later religious developments, & Veda, not only by historical continuity, but in real truth & substance is the parent & bedrock of all later Hinduism, of Vedanta, Sankhya, Nyaya, Yoga, of Vaishnavism & Shaivism&Shaktism, of Tantra&Purana, even, in a remoter fashion, of Buddhism & the later unorthodox religions. From this quarry all have hewn their materials or from this far-off source drawn unknowingly their waters; from some hidden seed in the Veda they have burgeoned into their wealth of branchings & foliage. The ritualism of Sayana is an error based on a false preconception popularised by the Buddhists & streng thened by the writers of the Darshanas,on the theory that the karma of the Veda was only an outward ritual & ceremony; the naturalism of the modern scholars is an error based on a false preconception encouraged by the previous misconceptions of Sayana,on the theory of the Vedas [as] not only an ancient but a primitive document, the production of semi-barbarians. The Vedantic writers of the Upanishads had alone the real key to the secret of the Vedas; not indeed that they possessed the full knowledge of a dialect even then too ancient to be well understood, but they had the knowledge of the Vedic Rishis, possessed their psychology, & many of their general ideas, even many of their particular terms & symbols. That key, less & less available to their successors owing to the difficulty of the knowledge itself & of the language in which it was couched and to the immense growth of outward ritualism, was finally lost to the schools in the great debacle of Vedism induced by the intellectual revolutions of the centuries which immediately preceded the Christian era.
1961 05 21? - 62, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
There comes a time when really one can no longer say anything: one has the feeling that whatever one says, even if it isnt absolutely Inane, is not far short of it, and that it would actually be better to keep quiet. That is the difficulty. In some of these Aphorisms you feel that he has suddenly caught hold of something above and beyond everything that can be thoughtso what can one say?
(Silence)
1f.lovecraft - Out of the Aeons, #Lovecraft - Poems, #unset, #Zen
subjectmost of it Inane and superfluousreceived at the museum.
Apparently the mummy and its origin formedfor imaginative peoplea
1f.lovecraft - The Case of Charles Dexter Ward, #Lovecraft - Poems, #unset, #Zen
which would not sound Inane.
There seemed to lurk in his bearing some cryptic, sardonic arrogance,
1f.lovecraft - The Colour out of Space, #Lovecraft - Poems, #unset, #Zen
arms, and sometimes lapsing into an Inane titter or a whisper about
the moving colours down there. Two in one family was pretty bad, but
1f.lovecraft - The Dreams in the Witch House, #Lovecraft - Poems, #unset, #Zen
cinema show, seeing the Inane performance over and over again without
paying any attention to it.
1f.lovecraft - The Shunned House, #Lovecraft - Poems, #unset, #Zen
composition of Inane verses to counteract my mood.
At 11 a.m. the next day I commenced digging. It was sunny weather, and
1f.lovecraft - The Silver Key, #Lovecraft - Poems, #unset, #Zen
dwell in visions. Wise men told him his simple fancies were Inane and
childish, and he believed it because he could see that they might
--
are just as Inane and childish, and even more absurd because their
actors persist in fancying them full of meaning and purpose as the
1.pbs - Prometheus Unbound, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Pinnacled dim in the intense Inane.
END OF THE THIRD ACT.
1.pbs - The Cenci - A Tragedy In Five Acts, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Mine own in some Inane and vacant smile. Enter Giacomo, in a hurried manner.
How! Have you ventured hither? Know you then
2.02 - Atomic Motions, #Of The Nature Of Things, #Lucretius, #Poetry
Wherewith to travel down the vast Inane:
Do thou remember to yield thee to my words.
--
For since they wander through the void Inane,
All the primordial germs of things must needs
--
Along the unfathomable Inane; but rather,
Inveterately plied by motions mixed,
--
Must rush, borne downward through the still Inane.
Thus ne'er at all have heavier from above
2.1.7.08 - Comments on Specific Lines and Passages of the Poem, #Letters On Poetry And Art, #Sri Aurobindo, #Integral Yoga
Almost was flung on the opaque Inane. [p. 4]
No word will do except invisible. I dont think there are too many lsin fact such multiplications of a vowel or consonant assonance or several together as well as syllabic assonances in a single line or occasionally between line-endings (e.g. face-fate in the next instalment) are an accepted feature of the technique in Savitri. Purposeful repetitions also, or those which serve as echoes or key notes in the theme.
Appendix 4 - Priest Spells, #Advanced Dungeons and Dragons 2E, #unset, #Zen
This spell empowers the priest to comprehend and communicate with any warm- or cold-blooded normal or giant animal that is not mindless. The priest is able to ask questions of and receive answers from the creature, although friendliness and cooperation are by no means assured. Furthermore, terseness and evasiveness are likely in basically wary and cunning creatures (the more stupid ones will instead make Inane comments). If the animal is friendly or of the same general alignment as the priest, it may do some favor or service for the priest (as determined by the DM). Note that this spell differs from the speak with monsters spell, for this spell allows conversation only with normal or giant nonfantastic creatures such as apes, bears, cats, dogs, elephants, and so on.
SPELL - Spiritual Hammer (Invocation)
BOOK II. -- PART I. ANTHROPOGENESIS., #The Secret Doctrine, #H P Blavatsky, #Theosophy
torture "while myriad time shall flow" -- to Inane, imbecile, instinctual beatitude. Knowing such an
incarnation was premature and not in the programme of nature, the heavenly host, "Prometheus," still
Liber 71 - The Voice of the Silence - The Two Paths - The Seven Portals, #unset, #Arthur C Clarke, #Fiction
Inane? Behold, these many ons have passed; whence camest thou? Whither
wilt thou go?
The Aleph, #unset, #Arthur C Clarke, #Fiction
Tired of his Inane words, I quickly made my way. The cellar, barely wider than the stairway itself, was something of a pit. My eyes searched the dark, looking in vain for the globe Carlos Argentino had spoken of. Some cases of empty bottles and some canvas sacks cluttered one corner. Carlos picked up a sack, folded it in two, and at a fixed spot spread it out.
"As a pillow," he said, "this is quite threadbare, but if it's padded even a half-inch higher, you won't see a thing, and there you'll lie, feeling ashamed and ridiculous. All right now, sprawl that hulk of yours there on the floor and count off nineteen steps."
The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
the earth, empty and Inane, and water; it is the son bom in the light of the Macrocosm, of vile
appearance (in the eyes of the ignorant), deformed and almost insignificant; however
--- Overview of adj inane
The adj inane has 1 sense (first 1 from tagged texts)
1. (1) asinine, fatuous, inane, mindless, vacuous ::: (devoid of intelligence)
--- Similarity of adj inane
1 sense of inane
Sense 1
asinine, fatuous, inane, mindless, vacuous
=> foolish (vs. wise)
--- Antonyms of adj inane
1 sense of inane
Sense 1
asinine, fatuous, inane, mindless, vacuous
INDIRECT (VIA foolish) -> wise
--- Pertainyms of adj inane
1 sense of inane
Sense 1
asinine, fatuous, inane, mindless, vacuous
--- Derived Forms of adj inane
1 sense of inane
Sense 1
asinine, fatuous, inane, mindless, vacuous
RELATED TO->(noun) inanity#1
=> inanity, senselessness, mindlessness, vacuity, pointlessness
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Kyle Kinane ::: Born: December 23, 1976; Occupation: Comedian;
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Killer Tomatoes Strike Back(1991) - This third entry in the dumbfoundingly silly "Killer Tomatoes" series continues the low-budget franchise's tradition of bombarding audiences with endless inane sight gags, horror movie in-jokes, and "nudge-nudge, wink-wink" comic asides. This installment finds flamboyant mad scientist Professor Gang...
https://apicultura.fandom.com/wiki/Apis_cerana_hainanensis
Amphipoea crinanensis
ArgentinaNew Zealand relations
Armin Sinanevi
ChinaNepal border
ChinaNepal relations
ChinaNetherlands relations
ChinaNew Zealand relations
Clonbinane
Cullinane
Cullinane College
Cullinane (name)
David Cullinane
DessMartin periodinane
Dunsinane
Dunsinane Falls
Gavinane
Hainanese
Hainanese chicken rice
Hainanese curry rice
Inane Rovers GFC
Michael Kinane
Muinane language
Nidirana hainanensis
Nosea hainanensis
Odorrana hainanensis
Oncodostigma hainanense
Oxatriquinane
Paddy Guinane
Periodinane
Peter Cullinane
Polyquinane
Samus Cullinane
Sen Cullinane
Sonneratia hainanensis
Streptomyces hainanensis
The Spinanes
Thitarodes hainanensis
Torodora chinanensis
Triazinane
William Nairne, Lord Dunsinane
Xinane Isolados Indigenous Territory
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