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object:If You Must
class:trigram

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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS

IN CHAPTERS TITLE

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
0_1966-01-31
0_1966-07-30
0_1972-04-05
1.05_-_ON_ENJOYING_AND_SUFFERING_THE_PASSIONS
1.06_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES
1.10_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES_(II)
1.22_-_ADVICE_TO_AN_ACTOR
1.23_-_FESTIVAL_AT_SURENDRAS_HOUSE
1.24_-_PUNDIT_SHASHADHAR
1955-06-08_-_Working_for_the_Divine_-_ideal_attitude_-_Divine_manifesting_-_reversal_of_consciousness,_knowing_oneself_-_Integral_progress,_outer,_inner,_facing_difficulties_-_People_in_Ashram_-_doing_Yoga_-_Children_given_freedom,_choosing_yoga
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_The_Statement_of_Randolph_Carter
1.rb_-_Fra_Lippo_Lippi
1.rt_-_Lovers_Gifts_XVIII_-_Your_Days
1.rt_-_The_Gardener_XLIV_-_Reverend_Sir,_Forgive
1.wby_-_Fergus_And_The_Druid
2.01_-_AT_THE_STAR_THEATRE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.08_-_ON_THE_FAMOUS_WISE_MEN
2.15_-_CAR_FESTIVAL_AT_BALARMS_HOUSE
3.03_-_The_Four_Foundational_Practices
For_a_Breath_I_Tarry
Sayings_of_Sri_Ramakrishna_(text)
The_Act_of_Creation_text
The_Logomachy_of_Zos

PRIMARY CLASS

trigram
SIMILAR TITLES
If You Must

DEFINITIONS


TERMS STARTING WITH


TERMS ANYWHERE



QUOTES [3 / 3 - 413 / 413]


KEYS (10k)

   2 Sri Ramakrishna
   1 Saul Williams

NEW FULL DB (2.4M)

   8 Cassandra Clare
   6 Terry Pratchett
   6 Ransom Riggs
   6 Jen Turano
   5 Stephen King
   4 Tessa Dare
   4 Sue Monk Kidd
   4 Sri Ramakrishna
   4 Sabrina Jeffries
   4 Ocean Vuong
   4 Mark Lawrence
   4 Marissa Meyer
   4 J K Rowling
   4 D H Lawrence
   4 Danelle Harmon
   4 Beryl Markham
   3 Tony Robbins
   3 Timothy Snyder
   3 Samuel Beckett
   3 Noel Coward

1:If you must be crazy, let it not be with the things of the world; be crazy with the love of the Lord. ~ Sri Ramakrishna,
2:One cannot completely get rid of the six passions: lust, anger, greed, and the like. Therefore one should direct them to God. If you must have desire and greed, then you should desire love of God and be greedy to attain Him. ~ Sri Ramakrishna,
3:Coded Language

Whereas, breakbeats have been the missing link connecting the diasporic community to its drum woven past

Whereas the quantised drum has allowed the whirling mathematicians to calculate the ever changing distance between rock and stardom.

Whereas the velocity of the spinning vinyl, cross-faded, spun backwards, and re-released at the same given moment of recorded history , yet at a different moment in time's continuum has allowed history to catch up with the present.

We do hereby declare reality unkempt by the changing standards of dialogue.

Statements, such as, "keep it real", especially when punctuating or anticipating modes of ultra-violence inflicted psychologically or physically or depicting an unchanging rule of events will hence forth be seen as retro-active and not representative of the individually determined is.

Furthermore, as determined by the collective consciousness of this state of being and the lessened distance between thought patterns and their secular manifestations, the role of men as listening receptacles is to be increased by a number no less than 70 percent of the current enlisted as vocal aggressors.

Motherfuckers better realize, now is the time to self-actualize

We have found evidence that hip hops standard 85 rpm when increased by a number as least half the rate of it's standard or decreased at ¾ of it's speed may be a determining factor in heightening consciousness.

Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth.

Equate rhyme with reason, Sun with season

Our cyclical relationship to phenomenon has encouraged scholars to erase the centers of periods, thus symbolizing the non-linear character of cause and effect

Reject mediocrity!

Your current frequencies of understanding outweigh that which as been given for you to understand.

The current standard is the equivalent of an adolescent restricted to the diet of an infant.

The rapidly changing body would acquire dysfunctional and deformative symptoms and could not properly mature on a diet of apple sauce and crushed pears

Light years are interchangeable with years of living in darkness.

The role of darkness is not to be seen as, or equated with, Ignorance, but with the unknown, and the mysteries of the unseen.

Thus, in the name of:

ROBESON, GOD'S SON, HURSTON, AHKENATON, HATHSHEPUT, BLACKFOOT, HELEN
LENNON, KHALO, KALI, THE THREE MARIAS, TARA, LILITH, LOURDE, WHITMAN
BALDWIN, GINSBERG, KAUFMAN, LUMUMBA, GHANDI, GIBRAN, SHABAZZ, SIDDHARTHA
MEDUSA, GUEVARA, GURDJIEFF, RAND, WRIGHT, BANNEKER, TUBMAN, HAMER, HOLIDAY
DAVIS, COLTRANE, MORRISON, JOPLIN, DUBOIS, CLARKE, SHAKESPEARE, RACHMANINOV
ELLINGTON, CARTER, GAYE, HATHAWAY, HENDRIX, KUTI, DICKINSON, RIPPERTON
MARY, ISIS, THERESA, HANSBURY, TESLA, PLATH, RUMI, FELLINI, MICHAUX, NOSTRADAMUS, NEFERTITI
LA ROCK, SHIVA, GANESHA, YEMAJA, OSHUN, OBATALA, OGUN, KENNEDY, KING, FOUR
LITTLE GIRLS, HIROSHIMA, NAGASAKI, KELLER, BIKO, PERÓN, MARLEY, MAGDALENE, COSBY
SHAKUR, THOSE WHO BURN, THOSE STILL AFLAME, AND THE COUNTLESS UNNAMED

We claim the present as the pre-sent, as the hereafter.

We are unraveling our navels so that we may ingest the sun.

We are not afraid of the darkness, we trust that the moon shall guide us.

We are determining the future at this very moment.

We now know that the heart is the philosophers' stone

Our music is our alchemy

We stand as the manifested equivalent of 3 buckets of water and a hand full of minerals, thus realizing that those very buckets turned upside down supply the percussion factor of forever.

If you must count to keep the beat then count.

Find you mantra and awaken your subconscious.

Curve you circles counterclockwise

Use your cipher to decipher, Coded Language, man made laws.

Climb waterfalls and trees, commune with nature, snakes and bees.

Let your children name themselves and claim themselves as the new day for today we are determined to be the channelers of these changing frequencies into songs, paintings, writings, dance, drama, photography, carpentry, crafts, love, and love.

We enlist every instrument: Acoustic, electronic.

Every so-called race, gender, and sexual preference.

Every per-son as beings of sound to acknowledge their responsibility to uplift the consciousness of the entire fucking World.

Any utterance will be un-aimed, will be disclaimed - two rappers slain

Any utterance will be un-aimed, will be disclaimed - two rappers slain
~ Saul Williams,

*** WISDOM TROVE ***

1:If you must make a mistake, make a new one each time. ~ dale-carnegie, @wisdomtrove
2:Be careless in your dress if you must, but keep a tidy soul. ~ mark-twain, @wisdomtrove
3:If you must choose between two evils, pick the one you've never tried before. ~ steven-wright, @wisdomtrove
4:If you must be mad, be it not for the things of the world. Be mad with the love of God. ~ sri-ramakrishna, @wisdomtrove
5:If you must speak ill of another, do not speak it, write it in the sand near the water's edge. ~ napoleon-hill, @wisdomtrove
6:If you must be mad, be it not for the things of the world. Be mad with the love of God.”26 likesLike ~ sri-ramakrishna, @wisdomtrove
7:Go then if you must, but remember, no matter how foolish your deeds, those who love you will love you still. ~ sophocles, @wisdomtrove
8:If you must tell me your opinions, tell me what you believe in. I have plenty of doubts of my own. ~ johann-wolfgang-von-goethe, @wisdomtrove
9:If you must hold yourself up to your children as an object lesson, hold yourself up as a warning and not as an example. ~ george-bernard-shaw, @wisdomtrove
10:Our souls were one, if you must know and never shall they be apart; with splendid dawn, your face aglow i reach for you and find my heart ~ nicholas-sparks, @wisdomtrove
11:Do not lose heart, even if you must wait a bit before finding the right thing. Be prepared for disappointment also, but do not abandon the quest. ~ albert-schweitzer, @wisdomtrove
12:If you must look back, do so forgivingly. If you will look forward, do so prayerfully. But the wisest course would be to be present in the present gratefully. ~ maya-angelou, @wisdomtrove
13:&
14:If you must go to a negative place of power, go to them in a very conservative way. You must go to them when your power is up. It is like going to war. You have got to be ready if you are going to survive. ~ frederick-lenz, @wisdomtrove
15:You don't want to love - your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere. ~ d-h-lawrence, @wisdomtrove
16:One cannot completely get rid of the six passions: lust, anger, greed, and the like. Therefore one should direct them to God. If you must have desire and greed, then you should desire love of God and be greedy to attain Him. ~ sri-ramakrishna, @wisdomtrove
17:Never stop being a kid, Richard. Never stop feeling and seeing and being excited with great things like air and engines and sounds of sunlight within you. Wear your little mask if you must to protect you from the world but if you let that kid disappear you are grown up and you are dead. ~ richard-bach, @wisdomtrove
18:What I'd show you is much more bizarre than anything we have looked at so far, and I warn you in advance that the first impulse will be to laugh. That's all right. Laugh if you must. Just don't take your eye off what you see, for even in your imagination, here is a creature who can do you damage. ~ stephen-king, @wisdomtrove
19:Materialism is in fact no protection. Those who seek it in that hope (they are not a negligible class) will be disappointed. The thing you fear is impossible. Well and good. Can you therefore cease to fear it? Not here and now. And what then? If you must see ghosts, it is better not to disbelieve in them. ~ c-s-lewis, @wisdomtrove
20:While we are actually subjected to them, the &
21:Does housekeeping interest you at all? I think it really ought to be just as good as writing and I never see where the separation between the too comes in. At least if you must put books on one side and life on the other, each is a poor and bloodless thing; but my theory is that they mix indistinguishable. ~ virginia-woolf, @wisdomtrove
22:Champions get up! When you’re down to nothing, God is up to something! Champions get up! Focus your mind, pull yourself together. If you are at the end of your rope, tie a knot and hold on! You are a champion. You are more than a conqueror. Keep the faith. Cry if you must. You are still here. God is not through with you yet. You were born to win. Champions get up! You are a champion. You have GREATNESS within you! ~ les-brown, @wisdomtrove
23:In all of my universe I have seen no law of nature, unchanging and inexorable. This universe presents only changing relationships which are sometimes seen as laws by short-lived awareness. These fleshy sensoria which we call self are ephemera withering in the blaze of infinity, fleeting aware of temporary conditions which confine our activities and change as our activities change. If you must label the absolute, use its proper name: Temporary. ~ frank-herbert, @wisdomtrove
24:The sum and substance of the whole matter is that a man must love God, must be restless for Him. It doesn't matter whether you believe in God with form or God without form. You may or may not believe that God incarnates Himself as man. But you will realize Him if you have that yearning. Then He himself will let you know what He is like. If you must be mad, why should you be mad for the things of the world? If you must be mad, be mad for God alone. ~ sri-ramakrishna, @wisdomtrove
25:If you work for a man, in heaven's name work for him, speak well of him, and stand by the institution he represents. Remember, an ounce of loyalty is worth a pound of cleverness. If you must growl, condemn, and eternally find fault - resign your position, and when you are outside, damn to your heart's content - but as long as you are part of the institution, do not condemn it. If you do, the first high wind that comes along will blow you away, and probably you will never know why. ~ elbert-hubbard, @wisdomtrove
26:You will achieve grand dream, a day at a time, so set goals for each day - not long and difficult projects, but chores that will take you, step by step, toward your rainbow. Write them down, if you must, but limit your list so that you won't have to drag today's undone matters into tomorrow. Remember that you cannot build your pyramid in twenty-four hours. Be patient. Never allow your day to become so cluttered that you neglect your most important goal - to do the best you can, enjoy this day, and rest satisfied with what you have accomplished. ~ og-mandino, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:If you must flie, flie well. ~ George Herbert,
2:Make foes of bowmen if you must, ~ Thiruvalluvar,
3:Do it trembling if you must, but do it! ~ Emmet Fox,
4:Be reflective if you must be armed. ~ Timothy Snyder,
5:If you must fail, fail spectacularly! ~ Ransom Riggs,
6:If you must fail, fail spectacularly. ~ Ransom Riggs,
7:If you must go nowhere, step out. ~ Jose Lezama Lima,
8:Come if you must, you ridiculous girl. ~ Annabel Joseph,
9:If you must fail ... fail spectacularly! ~ Ransom Riggs,
10:If you must make a noise, make it quietly. ~ Oliver Hardy,
11:If you must compromise, compromise up. ~ Eleanor Roosevelt,
12:Rest if you must, but never quit. ~ John Greenleaf Whittier,
13:If you can’t, you must. If you must, you can. ~ Tony Robbins,
14:If you can't you must, and if you must you can. ~ Tony Robbins,
15:Awake! Stand up and fight! Die if you must. ~ Swami Vivekananda,
16:If you must err, do so on the side of audacity. ~ Sue Monk Kidd,
17:If you can't you must, and if you must you can. ~ Anthony Robbins,
18:If you must sleep through a third of your life, ~ Stephen LaBerge,
19:Win if you can, lose if you must, but always cheat. ~ Jesse Ventura,
20:Make foes of bowmen if you must,
Never of penmen. ~ Thiruvalluvar,
21:Change if you must, but leave the heels on, please. ~ Debra Anastasia,
22:If you must make a mistake, make a new one each time. ~ Dale Carnegie,
23:Hate me if you must, but know that I will never hate you. ~ James Frey,
24:If you can't you must, and if you must
you can".. ~ Anthony Robbins,
25:If you must get in trouble, do it at the Chateau Marmont. ~ Harry Cohn,
26:If you must fail," he said grandly, "fail spectacularly! ~ Ransom Riggs,
27:If you must fail,' he said grandly, 'fail spectacularly! ~ Ransom Riggs,
28:If you must speak ill of another, do not speak it . . . ~ Napoleon Hill,
29:Think about what is in front of you, if you must think. ~ Frederick Lenz,
30:Be careless in your dress if you must, but keep a tidy soul. ~ Mark Twain,
31:If you must be indiscrete, be discrete in your indiscretion. ~ Mark Twain,
32:If you must fail,” he said grandly, “fail spectacularly!” I ~ Ransom Riggs,
33:Satirize wickedness if you must--but pity weakness. ~ Lucy Maud Montgomery,
34:If you must eat a banana in public, never make eye contact. ~ Darynda Jones,
35:If you must break the law, do it to seize power.” —JULIUS CAESAR ~ Brad Thor,
36:If you must have motivation, think of your paycheck on Friday. ~ Noel Coward,
37:If you must kill English officials, why not kill me instead? ~ Mahatma Gandhi,
38:If you must know, he said 'my goodness me, a walking potato ~ Terry Pratchett,
39:(If you must take an antibiotic, supplement it with acidophilus.) ~ Mark Hyman,
40:The voice of God, if you must know, is Aretha Franklin's. ~ Marianne Faithfull,
41:If you must walk in someone's shadow make sure it's your own ~ Rasheed Ogunlaru,
42:Be a fool if you must, but you might at least be your own fool. ~ Terry Pratchett,
43:The big homie use a flash if you must. And I swear I aint askin for much. ~ Drake,
44:Go out and preach the gospel and if you must, use words. ~ Saint Francis of Assisi,
45:Leave me if you must, but be faithful to me if you are with me. ~ Elizabeth Edwards,
46:Weep if you must Parting is hell But life goes on So sing as well. ~ Joyce Grenfell,
47:If you must know, the best way to understand a man is with your teeth. ~ Ocean Vuong,
48:Would you mind terribly if I...” “Touch me?” “Yeah.” “If you must.” Truth ~ J R Rain,
49:You can't live without illusions, even if you must fight for them. ~ Marlene Dietrich,
50:ask once, ask twice if you must, but for God's sake don't ask three times. ~ Lee Child,
51:If you must make a difference in life, then change your mind set. ~ Matthew Ashimolowo,
52:Fight if you must on the path of righteousness and God will be with you. ~ Mahatma Gandhi,
53:If you must alleviate your frustration by eating, eat the right foods. ~ John A McDougall,
54:If you must know anything, know that the hardest task is to live only once. ~ Ocean Vuong,
55:Perhaps it would be better not to be a writer, but if you must, then write. ~ J B Priestley,
56:If you must reread old love letters, better pick a room without mirrors. ~ Mignon McLaughlin,
57:Be pretty if you can, be witty if you must, but be gracious if it kills you. ~ Elsie De Wolfe,
58:Run when you can, walk if you have to, crawl if you must; just never give up. ~ Dean Karnazes,
59:Take him to you, if you must, my love, but don’t love him. Please don’t love him. ~ Jojo Moyes,
60:If you must break the law, do it to seize power: in all other cases observe it. ~ Julius Caesar,
61:If you must run, have something to run toward, so it feels less like cowardice. ~ Mark Lawrence,
62:Love without clinging, cry if you must, but privately cry, the heart will adjust. ~ Ruth Graham,
63:If you must know anything, know that you were born because no one else was coming. ~ Ocean Vuong,
64:Under any sort of attack, keep cool. And if you must shoot, shoot with precision. ~ Jeff Cooper,
65:Be classy, if you must say anything at all. I think silence is very classy. ~ Mette Ivie Harrison,
66:Ron gave a tiny jerk of the head that Harry understood to mean, Well - if you must. ~ J K Rowling,
67:If you must stare at something for hours on end, I’d prefer it to be me alone. ~ Margaret Rogerson,
68:If you must break the law, do it to seize power: in all other cases observe it. ~ Gaius Julius Caesar,
69:If you must say yes, say it with an open heart. If you must say no, say it without fear. ~ Paulo Coelho,
70:Change for your own sake, if you must, not for what you imagine another will ask of you. ~ Emma Donoghue,
71:If you must know, the brightest star in the nighttime sky is Sirius, the Dog Star. ~ Neil deGrasse Tyson,
72:Shoot if you must this old grey head,
But spare your country’s flag,’ she said. ~ Winston S Churchill,
73:If you must be mad, be it not for the things of the world. Be mad with the love of God. ~ Sri Ramakrishna,
74:better not bring up a lion inside your city,
But if you must, then humour all his moods. ~ Aristophanes,
75:Write, if you must, because you feel like writing, never because you feel you ought to write. ~ John Fowles,
76:We have a saying in my country: If you must strike, make sure to follow the hurt with a kiss. ~ Anne Fortier,
77:He’s insufferable, if you must know. He’s arrogant and demanding, and outright infuriating. ~ Airicka Phoenix,
78:If you must speak ill of another, do not speak it, write it in the sand near the water’s edge. ~ Ellery Adams,
79:If you must speak ill of another, do not speak it, write it in the sand near the water's edge. ~ Napoleon Hill,
80:If you must work for money, find a way to work and be happy. That is financial intelligence. ~ Robert Kiyosaki,
81:Somehow don't be bored, but if you must, use it in action. Use its destructive potential. ~ Richard Diebenkorn,
82:Embrace thy need for truth. Be your own seeker. Lie to others if you must but never to yourself. ~ Truth Devour,
83:If you must let someone down, be sure it isn’t the friend who helped you up when you were down. ~ Napoleon Hill,
84:If you must be in a hurry, then let it be according to the old adage, and hasten slowly. ~ Saint Vincent de Paul,
85:If you must use more than ten slides to explain your business, you probably don't have a business. ~ Guy Kawasaki,
86:If you must err, do so on the side of audacity. That was the little slogan I’d devised for myself. ~ Sue Monk Kidd,
87:Be authentic to yourself, but if you must cheat, cheat yourself out of the lies the world created. ~ Robert M Drake,
88:First I become flush with righteous anger, which, if you must be angry, is the very best kind. ~ Seth Grahame Smith,
89:Preach Christ . . . and if you must, use words.” Comforting others puts our pain into perspective. ~ Frank E Peretti,
90:Take, if you must, this little bag of dreams, Unloose the cord, and they will wrap you round. ~ William Butler Yeats,
91:The world is full of burled and gnarly knobs on which you can hang a metaphysical system. If you must. ~ Edward Abbey,
92:If you must choose between loving someone and acting so that they feel loved, always choose to love them. ~ John Piper,
93:If you must err, do so on the side of audacity. That was the little slogan I’d devised for myself. For ~ Sue Monk Kidd,
94:But if you must be clever, then be clever. Be brave. Sleep with fists closed and shoot straight. ~ Catherynne M Valente,
95:Go then if you must, but remember, no matter how foolish your deeds, those who love you will love you still. ~ Sophocles,
96:If you must love your neighbor as yourself, it is at least as fair to love yourself as your neighbor. ~ Nicolas Chamfort,
97:My motto is "Unite now, today if you can; fight if you must. But in every case avoid British intervention." ~ Mahatma Gandhi,
98:Be a Communist, a stamp collector, or a Ladies’ Aid worker if you must, but for heaven’s sake, be something. ~ Marjorie Hillis,
99:If you must tell me your opinions, tell me what you believe in. I have plenty of doubts of my own. ~ Johann Wolfgang von Goethe,
100:If you must play, decide upon three things at the start: the rules of the game, the stakes, and quitting time. ~ Michael W Covel,
101:If you must play, decide upon three things at the start: the rules of the game, the stakes, and the quitting time. ~ Scott Lynch,
102:Bargain all you like. Consign yourself to the hangman if you must. The people don't give a fourpenny fuck."
512 ~ Hilary Mantel,
103:I don't see how you can respect yourself if you must look in the hearts and minds of others for your happiness. ~ Hunter S Thompson,
104:Amongst such as out of cunning hear all and talk little, be sure to talk less; or if you must talk, say little. ~ Jean de la Bruyere,
105:Iorek Byrnison: Can is not the same as must. Lyra Silvertongue: But if you must and you can, then there's no excuse. ~ Philip Pullman,
106:Do the most difficult thing if that is what will pay you. Dust the Rust if you Must. Success never comes with ease. ~ Israelmore Ayivor,
107:Iorek Byrnison: Can is not the same as must.
Lyra Silvertongue: But if you must and you can, then there's no excuse. ~ Philip Pullman,
108:If you must mount the gallows, give a jest to the crowd, a coin the hangman, and make the drop with a smile on your lips. ~ Robert Jordan,
109:Anything is bearable if you can fight it, but if you must sit back and take it… That breaks you in a way I can’t explain. ~ Courtney Milan,
110:If you must use your hands, use them with all the strength you possess... If you choose to strike, by all means strike hard. ~ Jeff Cooper,
111:If you must hold yourself up to your children as an object lesson, hold yourself up as a warning and not as an example. ~ George Bernard Shaw,
112:If you must play, decide upon three things at the start:the rules of the game, the stakes, and the quitting time.” Chinese Proverb ~ Anonymous,
113:No Victor, you got it backwards, you should evaluate these integrals non-rigorously if you can, and rigorously if you must. ~ Doron Zeilberger,
114:If you must know, I-I had never in my life kissed a young lady, and you are far too beautiful to me to want to get it wrong! ~ Diana Wynne Jones,
115:Why did I follow her? If you must know, Sir, it was easy. Pound for pound, Puss-in-Boots was the best commander I ever served under. ~ L A Meyer,
116:Fine, bring them along if you must. And my name is not puss. I have a very fine, revered name: Roland Archibald Whisperpaws the Fifth. ~ K M Shea,
117:If you must play, decide upon three things at the start: the rules of the game, the stakes, and the quitting time.” Chinese Proverb ~ Scott Lynch,
118:If you must play, decide on three things at the start: the rules of the game, the stakes, and the quitting time. —CHINESE PROVERB ~ Timothy Ferriss,
119:If you must be affected by other people's misfortunes, show them pity instead of contempt. Drop this readiness to hate and take offence. ~ Epictetus,
120:Our souls were one, if you must know and never shall they be apart; with splendid dawn, your face aglow i reach for you and find my heart ~ Nicholas Sparks,
121:Our souls were one, if you must know and never shall they be apart; With splendid dawn, your face aglow I reach for you and find my heart. ~ Nicholas Sparks,
122:Cry if you must. Scream. Get it all out of your system, and then we'll have fun. It won't last forever, but it will keep you busy for tonight. ~ Jamie McGuire,
123:You ask my advice about acting? Speak clearly, don't bump into the furniture and if you must have motivation, think of your pay packet on Friday. ~ Noel Coward,
124:Burning fevers flee no swifter from your body if you toss under figured counterpanes and coverlets of crimson than if you must lie in rude homespun. ~ Lucretius,
125:If you must belittle others to make yourself feel better, then you should do silently, in your own mind, where only you will suffer from your poison. ~ Kel Kade,
126:Control the things you can control, maggot. Let everything else take a flying fuck at you and if you must go down, go down with your guns blazing. ~ Stephen King,
127:Control the things you can control, maggot. Let everything else take a flying fuck at you, and if you must go down, go down with your guns blazing ~ Stephen King,
128:Do it, Ester. If you must, then deceive your husband just as you deceived me—but you’ll do it with a full belly and a house with children. I wish ~ Rachel Kadish,
129:In the silence between your heartbeat bides a summons. Do you hear it? Name it if you must, or leave it forever nameless, but why pretend it is not there? ~ Rumi,
130:Control the things you can control, maggot. Let everything else take a flying fuck at you, and if you must go down, go down with your guns blazing. ~ Stephen King,
131:If you must belittle others to make yourself feel better, then you should do so silently, in your own mind, where only you will suffer from your poison. ~ Kel Kade,
132:If you can’t be happy, then be something else. Be useful, that would be good. Decorative, if you like. Selfish, if you must. But don’t whine about it. ~ K J Charles,
133:If you must know, Carol, Barbara and I had a pity party.” “A what? You’re kidding, right?” He didn’t bother to hide his mocking grin. “Never mind. ~ Debbie Macomber,
134:Do not lose heart, even if you must wait a bit before finding the right thing. Be prepared for disappointment also, but do not abandon the quest. ~ Albert Schweitzer,
135:Kill if you must, but never hate: Man is but grass and hate is blight, The sun will scorch you soon or late, Die wholesome then, since you must fight ~ Robert Graves,
136:If you must begin then go all the way, because if you begin and quit, the unfinished business you have left behind begins to haunt you all the time. ~ Chogyam Trungpa,
137:Control the things you can control, maggot. Let everything else take a flying fuck at you, and if you must go down, go down with your guns blazing. Yes. ~ Stephen King,
138:If you must take care that your opinions do not differ in the least from those of the person with whom you are talking, you might just as well be alone. ~ Yoshida Kenk,
139:If you can’t be happy, then be something else. Be useful, that would be good. Decorative, if you like. Selfish, if you must. But don’t whine about it.” He ~ K J Charles,
140:Have your fun, my dear; but if you must earn your bread, try to make it sweet with cheerfulness, not bitter with the daily regret that it isn't cake. ~ Louisa May Alcott,
141:Why should you try to never have laughter again? Did you die? No, you are alive. So be alive! Laugh if you want to, cry if you must, let yourself feel. ~ Kim Vogel Sawyer,
142:Leadership is a potent combination of strategy and character. But if you must be without one, be without the strategy. —General Norman Schwarzkopf, U.S. Army ~ Marie Force,
143:If you must look back, do so forgivingly. If you will look forward, do so prayerfully. But the wisest course would be to be present in the present gratefully. ~ Maya Angelou,
144:If you must be Sherlock Holmes," she observed, "I'll get you a nice little syringe and a bottle labelled cocaine, but for God's sake leave that violin alone. ~ Agatha Christie,
145:If you must know anything, know that the hardest task is to live only once. That a woman on a sinking ship becomes a life raft -- no matter how soft her skin is. ~ Ocean Vuong,
146:A fire eater must eat fire even if he has to kindle it himself. And you, Lee, have got to worry even if you must kill yourself to invent something to worry about. ~ Isaac Asimov,
147:If you must always defeat two enemies each time you take the field of battle, you will soon be overcome. And of any two enemies, anger is always the stronger. ~ Stephen R Lawhead,
148:The lesson seemed to be twofold: do not anger the gods, but if you must, at least make sure your city isn't next to a lake, as that's just asking for trouble. ~ Jonathan L Howard,
149:I'd prefer that you never let me go," he said, suddenly serious. "But if you must, know that because of you I will never truly be Lost. You can always call me back. ~ Chloe Jacobs,
150:Another of Cicero's maxims was that if you must do something unpopular, you might as well do it wholeheartedly, for in politics there is no credit to be won by timidity. ~ Robert Harris,
151:I wish you hadn't told her. If you must know, I could have done without your telling her I commited statutory rape on the living room couch with her cousin." - Michael Curry ~ Anne Rice,
152:When you were too young and naïve to see the risks, I incurred your wrath to protect you. Scream at me for it if you must. Thank me for it when you finally grow up. ~ Karen Marie Moning,
153:Granted you want to go beyond ideas and beyond thought, but that takes years of practice. If you must think, think good thoughts, happy thoughts, and constructive thoughts. ~ Frederick Lenz,
154:I don't care how you photograph - use the kitchen mop if you must, but if the product is not true to the laws of photography... you have produced something that is dead. (1923) ~ Paul Strand,
155:If you must know, she is the one soul destined for my own, and we are going to be together forever,” he declared loftily. “That’s weird,” Luke told him. “We’re thirteen. ~ Sarah Rees Brennan,
156:Today,’ said Lymond, ‘if you must know, I don’t like living at all. But that’s just immaturity boggling at the sad face of failure. Tomorrow I’ll be bright as a bedbug again. ~ Dorothy Dunnett,
157:Two counts of treason, if you must know. And resisting arrest, and unlawful use of bioelectricity. Oh, and illegal immigration, but honestly, I think that’s a little excessive. ~ Marissa Meyer,
158:word ciao comes from. (If you must know, it’s an abbreviation of a phrase used by medieval Venetians as an intimate salutation: Sono il suo schiavo! Meaning: “I am your slave!”) ~ Elizabeth Gilbert,
159:If I can leave a single message with the younger generation, it is to lash yourself to the mast, like Ulysses if you must, to escape the siren calls of complacency and indifference. ~ Edward Kennedy,
160:Build slowly if you must, but by all means, build. In pursuing an orderly process [of Bible study], you follow a pattern established by God himself. The God of the Bible is a God of order. ~ Jen Wilkin,
161:Dentists don’t really approve of eating between meals, but if you must snack at least let it be dairy. Or bread. But never raisins – the very thought almost prostrates them with horror. ~ Danielle Hawkins,
162:Oh, very well," he said crossly. "Come along if you must, but please keep quiet so I may think. I need to think!"
"Yes, sir," I said, pulling on my clothes. "I will try not to be a burden to you sir. ~ Rick Yancey,
163:I must protest!’ barked Lorsen. ‘If you must, you must, but I won’t be able to hear you with all this noise.’ ‘What noise?’ Cosca stuck his fingers in his ears. ‘Blah-lee-lah-lee-lah-lee-lah-lee-lah…! ~ Joe Abercrombie,
164:Blaspheme if you must,’ said Blyth wearily. ‘You’ll get your wages all right. You’ll survive.’

‘I’m not going to die of laughing at any rate,’ said Lymond, and Blyth nearly lost his temper again. ~ Dorothy Dunnett,
165:If you must go to a negative place of power, go to them in a very conservative way. You must go to them when your power is up. It is like going to war. You have got to be ready if you are going to survive. ~ Frederick Lenz,
166:If you must needs have your pleasures, you should not have put yourselves into that calling that requireth you to make God and His service your pleasure, and restraineth you so much from fleshly pleasures. ~ Richard Baxter,
167:If you must write prose or poems, the words you use should be your own. Don't plagiarize or take 'on loan'. There's always someone, somewhere, with a big nose, who knows, who'll trip you up and laugh when you fall. ~ Morrissey,
168:So, be slow if you must, but let
the heart still play its true part.
Love still as once you loved, deeply
and without patience. Let God and the world
know you are grateful.That the gift has been given. ~ Mary Oliver,
169:You don’t want to love—your eternal and abnormal craving is to be loved. You aren’t positive, you’re negative. You absorb, absorb, as if you must fill yourself up with love, because you’ve got a shortage somewhere ~ D H Lawrence,
170:Think about it if you must, but remember: If something is worth pursuing, you shouldn’t waste time. Situations change faster than you can split an orcish skull, and a moment’s hesitation could cost you your chance. ~ Markus Heitz,
171:You don't want to love—your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere. ~ D H Lawrence,
172:Mortals are the sum of many things, Sieh. They are what circumstance has made them and what they wish to be. If you must hate them, hate them for the latter, not the former. At least they have some say over that part. ~ N K Jemisin,
173:You don't want to love - your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere. ~ D H Lawrence,
174:Here's ordinary human love beneath my feet. Fall away, if you must, contemptuous earth; melt, rocks, and shiver, stones. I'll stand my ground, right here. This I've discovered and worked for and earned. This is mine. ~ Salman Rushdie,
175:Consider the public. Never fear it nor despise it. Coax it, charm it, interest it, stimulate it, shock it now and then if you must, make it laugh, make it cry, but above all never, never, never bore the living hell out of it. ~ Noel Coward,
176:One cannot completely get rid of the six passions: lust, anger, greed, and the like. Therefore one should direct them to God. If you must have desire and greed, then you should desire love of God and be greedy to attain Him. ~ Sri Ramakrishna,
177:One cannot completely get rid of the six passions: lust, anger, greed, and the like. Therefore one should direct them to God. If you must have desire and greed, then you should desire love of God and be greedy to attain Him. ~ Sri Ramakrishna,
178:God, that's a cute dress." She plops down in the chair opposite me. "Is it wrong to want to hire based on that dress alone?" "I wouldn't complain," I say, shaking her hand. "But feel free to ask me more questions if you must. ~ Kristen Callihan,
179:If you must have a rule to follow, I would suggest cultivating a dialogue with your inner voice... If you listen to the clues your own images offer, the resulting work will be fresh, and authentic. Fall in love with your world. ~ Jane Fulton Alt,
180:Sometimes we must fall forward to keep moving. Remain motionless—remain unyielding—and you are as good as dead.
Death follows indecision, like a twisted shadow. Fall forward. Keep moving. Even if you must pick yourself up first. ~ Ren e Ahdieh,
181:If I should go before the rest of you Break not a flower nor inscribe a stone, Nor when I'm gone speak in a Sunday voice But be the usual selves that I have known. Weep if you must, Parting is hell, But life goes on, So sing as well. ~ Joyce Grenfell,
182:If you must have desire and greed, then you should desire love of God and be greedy to attain Him. If you must be conceited and egotistic, then feel conceited and egotistic thinking that you are the servant of God, the child of God. ~ Sri Ramakrishna,
183:Only cut off a buttock of each of those ladies,' said he,'and you'll fare extremely well; if you must go to it again, there will be the same entertainment a few days hence; heaven will accept of so charitable an action, and send you relief. ~ Voltaire,
184:But if you must know, your moon here is rather more powerful than the ones around my own world.”
“The moon?” said Twoflower. “I don’t under-“
“If I’ve got to spell it out,” said the troll, testily, “I’m suffering from chronic tides. ~ Terry Pratchett,
185:Never lie, steal, cheat, or drink. But if you must lie, lie in the arms of the one you love. If you must steal, steal away from bad company. If you must cheat, cheat death. And if you must drink, drink in the moments that take your breath away ~ Will Smith,
186:If you must, go and frolic with a herdsman under a starry, sky, but do not attempt to share his daylight. For the sun works on men as an elixir- it blears their eyes to the worth of women and makes them dare to think they should rule over us. ~ Anne Fortier,
187:Never lie, steal, cheat, or drink. But if you must lie, lie in the arms of the one you love. If you must steal, steal away from bad company. If you must cheat, cheat death. And if you must drink, drink in the moments that take your breath away. ~ Will Smith,
188:Oh, well. I don’t mind helping you to feel guilty if you must. On the other hand, I should point out that of all our various encounters, today is the only time you have favoured me with two civil words in sequence. I found it quite worrying. ~ Dorothy Dunnett,
189:Be reflective if you must be armed. If you carry a weapon in public service, may God bless you and keep you. But know that evils of the past involved policemen and soldiers finding themselves, one day, doing irregular things. Be ready to say no. ~ Timothy Snyder,
190:Be reflective if you must be armed: if you carry a weapon in public service, may God bless you and keep you. But know that evils of the past involved policemen and soldiers finding themselves, one day, doing irregular things. Be ready to say no. ~ Timothy Snyder,
191:Let your virtue be too high for the familiarity of names, and if you must speak of it, then do not be ashamed to stammer about it. Then speak and stammer: “This is my good, I love this, thus I like it entirely, thus alone do I want the good. I ~ Friedrich Nietzsche,
192:And if you must sacrifice yourself, do that by marrying me. I’m not an easy man. You’ll earn your martyr’s crown before you’re done. Don’t condemn both of us to an eternity of unhappiness just because you’re too stiff-necked to face society’s censure. ~ Anna Campbell,
193:It is worse than useless to do things halfway Bee, for then you think the work is done, but someone must come behind you later to do it all over again. Even if you must work much harder and get less done, it is better to do the whole task the first time. ~ Robin Hobb,
194:You'll want to read books - novels, because ladies are frivolous; poetry because ladies are sentimental; and sermons, because we are pious. If you must read essays, Mr. Emerson might be best. Your gentleman may have a nodding acquaintance with his works. ~ Donald McCaig,
195:It’s only an interrogation. She’d done dozens of them herself over the years with various prisoners. It wasn’t like they were going to torture him or anything. A few questions before they released the prince. What was the harm? “If you must.” Clarion’s ~ Sherrilyn Kenyon,
196:Don't value your self worth by others or external things but by appreciating who you are within. And if you must measure your success do it not by what you have gained personally but what you have
contributed to a wider benefit.
- Rasheed Ogunlaru ~ Rasheed Ogunlaru,
197:(Very few vampires bother to sleep in a coffin, if you must know. Lugging one around everywhere you go is inconvenient, and it almost always attracts the wrong kind of attention. I did know a vampire who had one, but it was mostly a kinky sex thing for her.) ~ Gene Doucette,
198:She loved attention. It was like a glass of the best champagne—bubbly and intoxicating—and as with champagne, she always wanted more of it. Still, she didn’t want to seem like an easy mark. “If you must know, I’ve come to join a convent,” Evie said, testing him. ~ Libba Bray,
199:Oh, I wouldn’t go that far,’ said Newt. ‘Although,’ he added, ‘I’m not actually a computer engineer. At all. Quite the opposite.’ ‘What’s the opposite?’ ‘If you must know, every time I try and make anything electronic work, it stops.’ Anathema gave him a bright ~ Terry Pratchett,
200:By the way, don't 'weep inwardly' and get a sore throat. If you must weep, weep: a good honest howl! I suspect we - and especially, my sex - don't cry enough now-a-days. Aeneas and Hector and Beowulf, Roland and Lancelot blubbered like schoolgirls, so why shouldn't we? ~ C S Lewis,
201:And you, Mary, if you must run off to London, why do it in that unfinished manner, so that I was left without the car, and couldn't catch anything until the midnight train at Northallerton? It's so much better to do things neatly and properly, even stupid things. ~ Dorothy L Sayers,
202:She loved attention. It was like a glass of the best champagne—bubbly and intoxicating—and as with champagne, she always wanted more of it. Still, she didn’t want to seem like an easy mark.

“If you must know, I’ve come to join a convent,” Evie said, testing him. ~ Libba Bray,
203:If only-if only, Hastings, you would part your hair in the middle instead of at the side! What a difference it would make to the symmetry of your appearance. And your moustache. If you must have a moustache, let it be a real moustache-a thing of beauty such as mine. ~ Agatha Christie,
204:Let people pray to God, it’s nothing to me. Some good may even come of it, if goodness is something that matters to you. Trap him in churches if you must, and lament him there. But Roma? Roma is a weapon used against us. A poison flavoured sweet and given to hungry men. ~ Mark Lawrence,
205:To be a saint is to be an exception; to be a true man is the rule. Err, fail, sin if you must, but be upright. To sin as little as possible is the law for men; to sin not at all is a dream for angels. All earthly things are subject to sin; if is like the force of gravity. ~ Victor Hugo,
206:I see nothing wrong with the human trait to desire. In fact, I consider it integral to our success mechanism. Becoming attached to what we desire is what causes the trouble. If you must have it in order to be happy, then you are denying the happiness of the here and now. ~ Peter McWilliams,
207:They were having sex on Gifford's desk, if you must know."
Lucas's eyes glinted. "His desk, huh?"
"Yes." Amaryllis raised her chin, the better to look down her nose at him. "I would have thought it would have been extremely uncomfo rtable, but they appeared to enjoy it. ~ Jayne Castle,
208:As the visitor left the office, Tuppence grabbed the violin and putting it in the cupboard turned the key in the lock.

"If you must be Sherlock Holmes," she observed, "I'll get you a nice little syringe and a bottle labelled Cocaine, but for God's sake leave that violin alone. ~ Agatha Christie,
209:Never stop being a kid, Richard. Never stop feeling and seeing and being excited with great things like air and engines and sounds of sunlight within you. Wear your little mask if you must to protect you from the world but if you let that kid disappear you are grown up and you are dead. ~ Richard Bach,
210:Even if you must have regard to wealth, in order to secure leisure, yet it is surely a bad thing that the greatest offices, such as those of kings and generals, should be bought. The law which allows this abuse makes wealth of more account than virtue, and the whole state becomes avaricious. ~ Aristotle,
211:Let me tell you something about wolves, child. When the snows fall and the white winds blow, the lone wolf dies, but the pack survives. In winter, we must protect one another, keep each other warm, share our strengths. So if you must hate, Arya, hate those who would truly do us harm. ~ George R R Martin,
212:Orien,” Birle protested again.
“You can stay if you must.” Orien’s cheeks were hollow with hunger and he had little strength for anger. “But I wish you’d come. I don’t know how long it would be before I could come back for you.”
So she followed him, since he would return for her. ~ Cynthia Voigt,
213:While we are actually subjected to them, the 'moods' and 'spirits' of nature point no morals. Overwhelming gaiety, insupportable grandeur, sombre desolation are flung at you. Make what you can of them, if you must make at all. The only imperative that nature utters is, 'Look. Listen. Attend. ~ C S Lewis,
214:Guru Gobind Singh taught the Khalsa: ‘If you must be a monk Be like this Let your own home be the forest And your own heart, the monastic recluse Eat less, sleep less Teach yourself to love, have mercy and forbearance Be mild, be patient Bear no lust, or wrath Nor be greedy or obstinate. ~ Hindol Sengupta,
215:If you can't, you must. If you must, you can. Most people fail in life because they major in minor things. Quality questions create a quality life. Successful people ask better questions, and as a result, they get better answers. It is in your moments of decision that your destiny is shaped. ~ Tony Robbins,
216:What I'd show you is much more bizarre than anything we have looked at so far, and I warn you in advance that the first impulse will be to laugh. That's all right. Laugh if you must. Just don't take your eye off what you see, for even in your imagination, here is a creature who can do you damage. ~ Stephen King,
217:Yes, yes,” said Rincewind, “but they’re going to sacrifice her, if you must know.” Twoflower looked at him in astonishment. “What, kill her?” “Yes.” “Why?” “Don’t ask me. To make the crops grow or the moon rise or something. Or maybe they’re just keen on killing people. That’s religion for you. ~ Terry Pratchett,
218:If you must run, have something to run toward, so it feels less like cowardice. And if you must run to something, why not make it the empire throne? Something suitably distant and unobtainable. After all, getting everything you wish for is nearly as dire a curse as having all your dreams come true. ~ Mark Lawrence,
219:Materialism is in fact no protection. Those who seek it in that hope (they are not a negligible class) will be disappointed. The thing you fear is impossible. Well and good. Can you therefore cease to fear it? Not here and now. And what then? If you must see ghosts, it is better not to disbelieve in them. ~ C S Lewis,
220:Quit your complaining. It’s not the world’s fault that you wanted to be an artist. It’s not the world’s job to enjoy the films you make, and it’s certainly not the world’s obligation to pay for your dreams. Nobody wants to hear it. Steal a camera if you must, but stop whining and get back to work. ~ Elizabeth Gilbert,
221:I'm breathing . . . Are you breathing too? . . . It's nice, isn't it? It isn't difficult to keep alive, friends just don't -make trouble-or if you must make trouble, make the sort of trouble that's expected. Well, I don't need to tell you that. Good night. If we should bump into one another, recognize me ~ Robert Bolt,
222:Does housekeeping interest you at all? I think it really ought to be just as good as writing and I never see where the separation between the too comes in. At least if you must put books on one side and life on the other, each is a poor and bloodless thing; but my theory is that they mix indistinguishable. ~ Virginia Woolf,
223:It’s not funny,” said Ron, fiercely. “If you must know, when I was three, Fred turned my — my teddy bear into a great big filthy spider because I broke his toy broomstick. . . . You wouldn’t like them either if you’d been holding your bear and suddenly it had too many legs and . . .” He broke off, shuddering. ~ J K Rowling,
224:Let me guess,” Thorne said. “Breaking and entering?” After a long silence of examining the retracting mechanism, the girl wrinkled her nose. “Two counts of treason, if you must know. And resisting arrest, and unlawful use of bioelectricity. Oh, and illegal immigration, but honestly, I think that’s a little excessive. ~ Marissa Meyer,
225:There's my life, why not, it is one, if you like, if you must, I don't say no, this evening. There has to be one, it seems, once there is speech, no need of a story, a story is not compulsory, just a life, that's the mistake I made, one of the mistakes, to have wanted a story for myself whereas life alone is enough. ~ Samuel Beckett,
226:I love you now more than I ever have in some ways and though different people view their marriage vows differently, I meant mine to the death. I'm ready to be yours forever if you must know it, but since you've fallen in love and want to marry someone else, I feel I have no choice but to move aside and let you do that. ~ Paula McLain,
227:There's my life, why not, it is one, if you like, if you must, I don't say no, this evening. There has to be one, it seems, once there is speech, no need of a story, a story is not compulsory, just a life, that's the mistake I made, one of the mistakes, to have wanted a story for myself, whereas life alone is enough. ~ Samuel Beckett,
228:There’s my life, why not, it is one, if you like, if you must, I don’t say no, this evening. There has to be one, it seems, once there is speech, no need of a story, a story is not compulsory, just a life, that’s the mistake I made, one of the mistakes, to have wanted a story for myself, whereas life alone is enough. ~ Samuel Beckett,
229:Let me guess,” Thorne said. “Breaking and entering?”
After a long silence of examining the retracting mechanism, the girl wrinkled her nose. “Two counts of treason, if you must know. And resisting arrest, and unlawful use of bioelectricity. Oh, and illegal immigration, but honestly, I think that's a little excessive. ~ Marissa Meyer,
230:Well, if you must know...," she began. A pensive thirty seconds went by. "It's not like anybody will do. Sometimes the whole idea turns me off. But you know, maybe I want to find out about a lot of different people. Or maybe that's how my world comes together for me."

"By sleeping with someone?"

"Uh-huh. ~ Haruki Murakami,
231:You're always begging things to love you as if you were a beggar for love. Even the flowers, you have to fawn on them -- You don't want to love -- your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere. ~ D H Lawrence,
232:Judge that boy if you must; for debauchery, for objectifying innocence... but before you finalize your verdict, oh innocent reader, I beg you to scan again that last stanza. What you and I overlooked in our cloud of perversion and nasty objectification was the unrestrained joy of a little girl playing dress-up for the very first time. ~ Jake Vander Ark,
233:Even a thought that says I don’t want something? If you don’t want it, why think about it? Don’t give it a second thought. Yet if you must think about it—that is, if you cannot not think about it—then do not resist. Rather, look at whatever it is directly—accept the reality as your creation—then choose to keep it or not, as you wish. ~ Neale Donald Walsch,
234:Grace is easy. Life is hard. So follow Jesus if you must, seek the face of God if you must, but don't be surprised if, after a while, it feels like you've been battling angels in the darkness. Seeking God's face in a fallen world is not the easy life; it's the good life, and a good life is always a life of worthwhile stories and worthwhile struggles. ~ Mike Cosper,
235:Let every fart count as a peal of thunder for liberty. Let every fart remind the nation of how much it has let pass out of its control. It is a small gesture, but one that can be very effective - especially in a large crowd. So fart, and if you must, fart often. But always fart without apology. Fart for freedom, fart for liberty - and fart proudly. ~ Benjamin Franklin,
236:Elk have not been seen in Switzerland for many a year. In the interests of scientific accuracy, please strike the idea of elk from your mind. If you must, think of ibexes instead, a fierce and agile type of goat with great spiraling horns. Marmots will also do in a pinch, but under no circumstances should you think of elk. No. Elk. The elkless among you may now proceed. ~ Maryrose Wood,
237:Somehow, some way, every person in the arts has to find an accommodation with disappointment and embarrassment. They are the pollen in the air we breathe. If you must go into the arts, go into them for yourself alone. On some basic level you must enjoy the act of doing it ... Otherwise, you are going to end up frustrated and unhappy. Recognition in the arts is luck and gravy. ~ Joan Rivers,
238:How did you find me anyway." "For all that I must keep reminding you that I am not a bloodhound, it's true that on occasion, having a sensitive nose is a useful thing. I followed the smell of you." Tybalt sighed, looking exaggeratedly put-upon. "If you must be ferried back to your people, I suppose I can oblige. But only because you asked me so very nicely, and promised me a kiss. ~ Mira Grant,
239:That's more than three questions, Max. And sometimes whether someone is your friend or enemy is all in how you look at it. But if you must know, I consider myself your friend, a good friend who loves you very much. No one loves you more than I do, Maximum. Now listen. I ask the questions, not you. You're just here... for the ride. For the incredible, indescribable Maximum Ride. ~ James Patterson,
240:When nothing worked, he decided the least he could do was pick the yam bits out of his beard. But even the proved fruitless since the bits seemed to find their way into the deepest recesses of the beard, and the just small enough boy quickly grew squeamish. Judge if you must, but if you've ever had to pick yam bits out of an old man's bushy beard, I'm sure you'd forgive him. ~ Jason Carter Eaton,
241:Fight fire with fire. If you must have bores, always put them together or at the same table ... bores have an effervescent chemical reaction on one another at a party. They invariably have a marvelous time trading banalities in the absence of competition. Clichés roll trippingly off the tongue like sparkling epigrams and trite observations acquire depth sinking into receptive minds. ~ Elsa Maxwell,
242:I should warn you that I’m not taken with horoscopes and such,” I told her. She licked her lips again and said nothing. “If you must know, I’m a goat,” I said. “That’s right, a fecking goat. There’s a whole nation of people behind the East Wall who say I was born in the year of the goat. I’ve no time for any system that has me as a goat. I don’t care how ancient their civilization is. ~ Mark Lawrence,
243:How did you find me anyway."

"For all that I must keep reminding you that I am not a bloodhound, it's true that on occasion, having a sensitive nose is a useful thing. I followed the smell of you." Tybalt sighed, looking exaggeratedly put-upon. "If you must be ferried back to your people, I suppose I can oblige. But only because you asked me so very nicely, and promised me a kiss. ~ Seanan McGuire,
244:It’s WA today, Minna,” called Orson from across the room, Orson’s name for Wolfgang Amadeus Mozart. Orson played second violin with a sloppy serenity, rolling his eyes and sticking out his tongue, his bowing long and sweeping and beautiful even when out of tune. “If you must make a mistake,” he had quoted, “make it a big one.” Was it Heifetz who had said it? Perlman? Zukerman maybe? ~ Patricia MacLachlan,
245:Freedom is choosing for yourself what problems you want to place within your sphere of attachment to solve. You alone are the arbiter of what deserves space in your life, or what is worth facing stress over. If you must have problems, make them problems worth having. Choose your attachments wisely. Figure out for yourself what is worth fighting and dying for – a principle bigger than yourself. ~ Gregory V Diehl,
246:If you must give me a label, then label me a human being. I have no pride in being a human, though, because I have nothing to do with my becoming one.
But, whereas animals don't have a rational code of ethics, I like to think I do. Which is where I am partisan. Moral partisanship is the reason for my "anger." And if I don't protest what needed to be protested, I might just as well be an animal. ~ Paul Krassner,
247:I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance. ~ Beryl Markham,
248:I keep in mind what Ann Dunnewold told me: when a mother takes care of herself, children absorb important lessons. “Both boys and girls learn that mothers have needs, too, which is also very important if they have children of their own,” she says. If you must conquer guilt, she adds, tell yourself, ‘When I take time for myself, I come back and I’m more the mother I want to be. More patient. Less reactive. ~ Jancee Dunn,
249:But in Auschwitz, I found that the room that really changes you is the one that can make you feel nothing at all. It is the room that says, Come sit in me, and you will know no pain; your suffering isn't real, and your struggles? They're only slightly more real than you are, but not by much. Save yourself, the room advises, by feeling nothing, and if you must feel something, don't doom yourself by showing it. ~ Affinity Konar,
250:It’s all very well to have your eight suspects parading in their endless ring-around-the-rosebush outside the library. That’s fine. But give some sensible reason why they were there. If you must shower the room with bus tickets, provide a reason for that too. In other words, construct your story. Your present problem is not to explain the villainy of the guilty: it’s to explain the stupidity of the innocent. ~ John Dickson Carr,
251:thought. “I want to stay,” said Twoflower. “I think ceremonies like this hark back to a primitive simplicity which—” “Yes, yes,” said Rincewind, “but they’re going to sacrifice her, if you must know.” Twoflower looked at him in astonishment. “What, kill her?” “Yes.” “Why?” “Don’t ask me. To make the crops grow or the moon rise or something. Or maybe they’re just keen on killing people. That’s religion for you. ~ Terry Pratchett,
252:In summary, serialization is dangerous and should be avoided. If you are designing a system from scratch, use a cross-platform structured-data representation such as JSON or protobuf instead. Do not deserialize untrusted data. If you must do so, use object deserialization filtering, but be aware that it is not guaranteed to thwart all attacks. Avoid writing serializable classes. If you must do so, exercise great caution. ~ Joshua Bloch,
253:Women can’t tell east from west, so you use these ridiculous ways of getting from one place to another.” “Ridiculous means? What exactly are you talking about?” “If you must know, a woman gives instructions to take a right at the beauty parlor on Main Street, and a man will tell you to head east.” “It’s the same thing, isn’t it?” “No, it isn’t,” Kyle argued. “Men don’t notice things like beauty parlors or red mailboxes. ~ Debbie Macomber,
254:The Gift

Be still, my soul, and steadfast.
Earth and heaven both are still watching
though time is draining from the clock
and your walk, that was confident and quick,
has become slow.

So, be slow if you must, but let
the heart still play its true part.
love still as once you loved, deeply
and without patience. Let God and the world
know you are grateful.
That the gift has been given. ~ Mary Oliver,
255:She managed to snag a fiber of rope with her fingernail. “I think I’m making progress.” “Thank God,” he breathed. “I’m not certain I can loosen it without a bit more slack. Is there any way you can press just a bit closer? A few moments, no more. All I need is a half inch.” He made a strangled noise. “If you must, but do it quickly. Otherwise we’re going to move a good seven inches in the wrong direction.” “What?” “Never mind. ~ Tessa Dare,
256:I'll go with you," Alec said, looking at Isabelle and Simon with suspicious eyes.
"If you must," said Isabelle with exaggerated indifference.
"I should warn you we'll be making out in the dark. Big, sloppy make-outage."
Simon looked startled.
"We are -" he began, but Isabelle stomped on his toe, and he quieted.
"Make-outage?" said Clary.
"Is that a word?"
Alec looked ill.
"I suppose I could stay here. ~ Cassandra Clare,
257:Woods? Do you have a sec?" Ty asks.
"Sure."
"Alone?" Ty eyes Henry and Jerry Rice, and I jerk my head at Henry.
"Fine," Henry says, rolling his eyes. "Divorce me if you must, Woods. I can't believe I've only been married half an hour and I'm already a single
parent." Ty holds the door to the gym open so Henry can get the stroller through. I giggle at the sight of him carrying those diaper bags across the
gym. ~ Miranda Kenneally,
258:Let me guess,” Thorne said. “Breaking and entering?”
After a long silence of examining the retracting mechanism, the girl wrinkled her nose. “Two counts of treason, if you must know. And resisting arrest, and unlawful use of bioelectricity. Oh, and illegal immigration, but honestly, I think that’s a little excessive.”
He squinted at the back of her head, a twitch developing in his left eye. “How old are you?”
“Sixteen. ~ Marissa Meyer,
259:It might be thought the height of poor taste to ascribe good fortune to a healthy man with a young family struck down at the age of sixty by an incurable degenerative disorder from which he must shortly die. But there is more than one sort of luck. To fall prey to a motor neuron disease is surely to have offended the Gods at some point, and there is nothing more to be said. But if you must suffer thus, better to have a well-stocked head. ~ Tony Judt,
260:When it's good, it's the best and most beautiful thing I've ever experienced. So good, that it makes me feel bad for people who haven't had the honor. But when it's bad, it's bad, Nikki. A goddamn Greek tragedy. It's horrific. And really fucking scary. He scares me.
But those good times...I'll take the bad just so I can have the good. Because the good is outstanding. So, if you must know, I'm going with the flow and taking it as it comes. ~ Belle Aurora,
261:We are all alone, born alone, die alone, and—in spite of True Romance magazines—we shall all someday look back on our lives and see that, in spite of our company, we were alone the whole way. I do not say lonely—at least, not all the time—but essentially, and finally, alone. This is what makes your self-respect so important, and I don't see how you can respect yourself if you must look in the hearts and minds of others for your happiness. ~ Hunter S Thompson,
262:In all of my universe I have seen no law of nature, unchanging and inexorable. This universe presents only changing relationships which are sometimes seen as laws by short-lived awareness. These fleshy sensoria which we call self are ephemera withering in the blaze of infinity, fleeting aware of temporary conditions which confine our activities and change as our activities change. If you must label the absolute, use its proper name: Temporary. ~ Frank Herbert,
263:In all of my universe I have seen no law of nature, unchanging and inexorable. This universe presents only changing relationships which are somtimes seen as laws by short-lived awareness. These fleshy sensoria which we call self are ephemera withering in the blaze of infinity, fleetingly aware of temporary conditions which confine our activities and change as our activities change. If you must label the absolute, use its proper name: Temporary. ~ Frank Herbert,
264:Never marry a beautiful woman. Worship them if you must, go to bed with them if you can—by all means, everyone should have carnal knowledge of physical perfection at least once in their life—but when it comes to marriage, it’s a losing proposition. You will never stop feeling like a gatecrasher at your own party. Instead of feeling lucky, you will spend your life on edge, waiting for the other stiletto to fall and puncture your heart like a bullet. ~ Anonymous,
265:Care less about results. Care more about putting in the work. Care less about problems. Care more about making progress despite them. Or if you must fix something, focus on the solution. Care less about what other people think. Care more about who you want to be and what you want to do. Care less about doing it right. Care more about doing it at all. Care less about failure. Care more about success. Care less about timing. Care more about the task. ~ Stephen Guise,
266:Never marry a beautiful woman. Worship them if you must, go to bed with them if you can—by all means, everyone should have carnal knowledge of physical perfection at least once in their life—but when it comes to marriage, it’s a losing proposition. You will never stop feeling like a gatecrasher at your own party. Instead of feeling lucky, you will spend your life on edge, waiting for the other stiletto to fall and puncture your heart like a bullet. ~ Jonathan Tropper,
267:we are all alone, born alone, die alone, and — in spite of true romance magazines — we shall all someday look back on our lives and see that, in spite of our company, we were alone the whole way. i do not say lonely — at least, not all the time — but essentially, and finally, alone. this is what makes your self-respect so important, and i don't see how you can respect yourself if you must look in the hearts and minds of others for your happiness ~ William S Burroughs,
268:we are all alone, born alone, die alone, and — in spite of true romance magazines — we shall all someday look back on our lives and see that, in spite of our company, we were alone the whole way. i do not say lonely — at least, not all the time — but essentially, and finally, alone. this is what makes your self-respect so important, and i don’t see how you can respect yourself if you must look in the hearts and minds of others for your happiness ~ William S Burroughs,
269:We go home with an army, sweet sister. With Khal Drogo’s army, that is how we go home. And if you must wed him and bed him for that, you will.” He smiled at her. “I’d let his whole khalasar fuck you if need be, sweet sister, all forty thousand men, and their horses too if that was what it took to get my army. Be grateful it is only Drogo. In time you may even learn to like him. Now dry your eyes. Illyrio is bringing him over, and he will not see you crying. ~ Anonymous,
270:There must be a reason you’re here after all this time.” The mischief was back in his cocky Elvis half-grin, and I felt like punching him. But instead I saw the opening and took it.
“If you must know, there is.”
“I must know.”
“Me too,” said Lou, raising his hand for the bartender to bring him another beer.
“Fine.” I glared at both of them before focusing my full attention on Nick. “I need a favor.”
His grin widened. “Sexual, I hope. ~ Melanie Harlow,
271:We are all alone, born alone, die alone, and -- in spite of True Romance magazines -- we shall all someday look back on our lives and see that, in spite of our company, we were alone the whole way. I do not say lonely -- at least, not all the time -- but essentially, and finally, alone. This is what makes your self-respect so important, and I don't see how you can respect yourself if you must look in the hearts and minds of others for your happiness. ~ Hunter S Thompson,
272:How old are you, anyway?' she asked, squinting at him.
There was a pause. At last he said, 'Why do you want to know?'
I just wondered,' said Winnie.
All right. I'm one hundred and four years old,' he told her solemnly.
No, I mean really,' she persisted.
Well then.' he said, 'if you must know, I'm seventeen.'
Seventeen?'
That's right.'
Oh,' said Winnie hopelessly. 'Seventeen. That's old.'
You have no idea,' he agreed with a nod. ~ Natalie Babbitt,
273:Pattern
Leave me to my lonely pillow.
Go, and take your silly posies
Who has vowed to wear the willow
Looks a fool, tricked out in roses.
Who are you, my lad, to ease me?
Leave your pretty words unspoken.
Tinkling echoes little please me,
Now my heart is freshly broken.
Over young are you to guide me,
And your blood is slow and sleeping.
If you must, then sit beside me....
Tell me, why have I been weeping?
~ Dorothy Parker,
274:Don’t you even care where I’m going?” he said. “What if I were going to Hell?”
“I’ve always wanted to see Hell,” Cecily said calmly. “Doesn’t everyone?”
“Most of us spend our time struggling to stay out of it,” said Will. “I am going to an ifrit den, if you must know, to purchase drugs from violent, dissolute reprobates. They may clap eyes on you and decide to sell you.”
“Wouldn’t you stop them?”
“I suppose it would depend on how much they would give me. ~ Cassandra Clare,
275:Do you even care where I’m going?” he said. “What if I were going to hell?”

“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”

“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”

“Wouldn’t you stop them?”

“I suppose it would depend on whether they cut me a part of the profit. ~ Cassandra Clare,
276:I’m well aware of my good fortune. I’m well aware I ought to be happy, we all ought to be happy as the day is long, and dance the night away on the bodies of starving workers. Well, I’m not bloody happy.” He knocked back his gin. It rasped down his throat like a rusty blade. Silas watched him as he tried not to cough it back up. “If you can’t be happy, then be something else. Be useful, that would be good. Decorative, if you like. Selfish, if you must. But don’t whine about it. ~ K J Charles,
277:Foreign, eh?" Hetty frowned. "Then I am glad Mr. Pinter is looking into his background. You have to be careful with foreigners."
"Right. I wouldn't want to rush into marriage with a stranger," Celia said tartly. "Oh, wait, yes, I would. My grandmother has dictated that I must."
Hetty stifled a smile. "Sarcasm does not become you, dear girl."
"Draconian ultimatums don't become you, Gran."
"Complain if you must, but I still mean to see you married by year's end. ~ Sabrina Jeffries,
278:If you work for a man, in heaven's name work for him, speak well of him, and stand by the institution he represents. Remember, an ounce of loyalty is worth a pound of cleverness. If you must growl, condemn, and eternally find fault - resign your position, and when you are outside, damn to your heart's content - but as long as you are part of the institution, do not condemn it. If you do, the first high wind that comes along will blow you away, and probably you will never know why. ~ Elbert Hubbard,
279:Don’t pick up the rope.” “I don’t know what that means.” “If Blair brings it up, you can’t respond with a smart remark. You can’t disagree with her about it. You cannot have thirty seconds of dialogue about this … episode. If you must, make a brief apology, but say nothing more. It’s this simple: Don’t … pick … up … the rope. Because there is always someone at the other end. And once you have the rope in your hand, you’re in a tug-of-war. And you’ll lose. Even if you win, you’ll lose. ~ Jesse Kornbluth,
280:I want to give you anything and everything you ask for, Danika.” Relieved, she sagged against the mattress. “Thank you.” “But making myself forgettable for you,” he finished, “I cannot do. You’re going to haunt my dreams for all of eternity. I have to know I meant something to you.” “You do,” she said, tortured. Her gaze dropped to her legs as she drew up her knees. “And that’s the problem.” “Resist me if you must, but do it later. After. I’ll even help you. Here, now, give me everything. ~ Gena Showalter,
281:Trust you? Good God, of course I trust you. It's you who won't trust me, you damned little fool.'" He laughed silently, and bent down to her, putting his arms round her, and he kissed her then as he had kissed her in Launceston, but deliberately now, with anger and exasperation. "Play your own game by yourself, then, and leave me to play mine," he told her. 'If you must be a boy, I can't stop you, but for the sake of your face, which I have kissed, and shall kiss again, keep away from danger. ~ Daphne du Maurier,
282:To do any important work in physics a very good mathematical ability and aptitude are required. Some work in applications can be done without this, but it will not be very inspired. If you must satisfy your "personal curiosity concerning the mysteries of nature" what will happen if these mysteries turn out to be laws expressed in mathematical terms (as they do turn out to be)? You cannot understand the physical world in any deep or satisfying way without using mathematical reasoning with facility. ~ Richard P Feynman,
283:Credit and property and the 8-hour day are great friends of the Establishment. If you must buy things, pay cash, and only buy things of value--no trinkets, no gimmicks. Everything you own must be able to fit inside one suitcase; then your mind might be free. And before you face the troops in the street, DECIDE and KNOW what you are going to replace them with and why. Romantic slogans won't do. Have a definite program, clearly worded, so if DO win you will have a suitable and decent form of government. ~ Charles Bukowski,
284:Drawing a breath, I flung myself across the door sill. That was the artless way I navigated the hurdles of girlhood. Everyone thought I was a plucky girl, but in truth, I wasn’t as fearless as everyone assumed. I had the temperament of a tortoise. Whatever dread, fright, or bump appeared in my path, I wanted nothing more than to drop in my tracks and hide. If you must err, do so on the side of audacity. That was the little slogan I’d devised for myself. For some time now, it had helped me to hurl myself over door sills. ~ Sue Monk Kidd,
285:Education must have two foundations—morality as a support for virtue, prudence as a defence for self against the vices of others. By letting the balance incline to the side of morality, you only make dupes or martyrs; by letting it incline to the other, you make calculating egoists. The one great social principle is to be just both to yourself and to others. If you must love your neighbour as yourself, it is at least as fair to love yourself as your neighbour. ~ Nicolas Chamfort, The Cynics Breviary, W. Hutchison, trans. (1902), pp. 20-21,
286:You take a straight tip from the stable, Cokey, if you must hate, hate the government or the people or the sea or men, but don't hate an individual person. Who's done you a real injury. Next thing you know he'll be getting into your beer like prussic acid; and blotting out your eyes like a cataract and screaming in your ears like a brain tumour and boiling round your heart like melted lead and ramping though your guts like a cancer. And a nice fool you'd look if he knew. It would make him laugh till his teeth dropped out; from old age. ~ Joyce Cary,
287:Use these scientifically rubber-stamped pointers to make better, brighter decisions: (a) Avoid negative things that you cannot grow accustomed to, such as commuting, noise, or chronic stress. (b) Expect only short-term happiness from material things, such as cars, houses, lottery winnings, bonuses, and prizes. (c) Aim for as much free time and autonomy as possible since long-lasting positive effects generally come from what you actively do. Follow your passions even if you must forfeit a portion of your income for them. Invest in friendships. ~ Rolf Dobelli,
288:You will achieve grand dream, a day at a time, so set goals for each day - not long and difficult projects, but chores that will take you, step by step, toward your rainbow. Write them down, if you must, but limit your list so that you won't have to drag today's undone matters into tomorrow. Remember that you cannot build your pyramid in twenty-four hours. Be patient. Never allow your day to become so cluttered that you neglect your most important goal - to do the best you can, enjoy this day, and rest satisfied with what you have accomplished. ~ Og Mandino,
289:It is easy to follow Christ when all things are safe. But your love to Jesus Christ would be seen more, if you must lose your lives, or deny your Jesus. It would be a trial of your love, when fire and faggot [a wooden stick] was before you, if you would rush into that, rather than fly from the truth as it is in Jesus. Though all things are calm now, the storm is gathering and by and by it will break; it is at present no bigger than a man's hand. But when it is full it will break and then you will see whether you are found Christians or not. ~ George Whitefield,
290:To Certain Critics
Then call me traitor if you must,
Shout reason and default!
Say I betray a sacred trust
Aching beyond this vault.
I'll bear your censure as your praise,
For never shall the clan
Confine my singing to its ways
Beyond the ways of man.
No racial option narrows grief,
Pain is not patriot,
And sorrow plaits her dismal leaf
For all as lief as not.
With blind sheep groping every hill,
Searching an oriflamme,
How shall the shpherd heart then thrill
To only the darker lamb?
~ Countee Cullen,
291:I became one of those annoying people who always say Ciao! Only I was extra annoying, since I would always explain where the word ciao comes from. (If you must know, it's an abbreviation of a phrase used by medieval Venetians as an intimate salutation: Sono il suo schiavo! Meaning: "I am your slave!") Just speaking these words made me feel sexy and happy. My divorce lawyer told me not to worry; she said she had one client (Korean by heritage) who, after a yucky divorce, legally changed her name to something Italian, just to feel sexy and happy again. ~ Elizabeth Gilbert,
292:I just asked her if she'd seen anything odd, and she started to say-"

"Oh - that - that's nothing to do with the Chamber of Secrets," said Percy at once.

"How do you know?" said Ron, his eyebrows raised.

"Well, er, if you must know, Ginny, er, walked in on me the other day when I was - well, never mind - the point is, she spotted me doing something and I, um, I asked her not to mention it to anybody. I must say, I did think she'd keep her word. It's nothing, really, I'd just rather--"

Harry had never seen Percy look so uncomfortable. ~ J K Rowling,
293:So, go to Paris. If you can’t do that, go somewhere. Take a road trip, a train trip, a bus trip if you must. Find a place that reminds you that the world is so much bigger than your heart and whoever broke it this time around. Go hang out by the ocean and trip out on its mammoth ancientness. Offer it your heartache—it’s big enough to hold it, to dilute it with all that salt and water, melt it away to nothing. Salt purifies. Take a dunk if you can stand it. You’re alive. That relationship was but one chapter in your long, long story, one little scene in your epic. ~ Michelle Tea,
294:Areo shook her head, but couldn’t help but smile a little as well. The advice was both overly simplistic and a bit meaningless, making the whole monologue fairly ridiculous. But it was a nice sentiment, nonetheless. “Thanks, Captain Borely.” “Not a problem, madame. But you can call me Borely, if you wish. Though if you must use an adjective, there’s always Handsome Borely. Or Ravishing Borely. Or from you, I wouldn’t mind hearing Sweet Borely or Dearest Borely.” Areo frowned. Certainly can’t call him Subtle Borely any time soon, she thought. “I’ll think about it. ~ Aaron McGowan,
295:I have learned that if you must leave a place that you have lived in and loved and where all your yesterdays are buried deep — leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance. The cloud clears as you enter it. I have learned this, but like everyone, I learned it late. I left the farm at Njoro almost the slowest way, and I never saw it again. ~ Beryl Markham,
296:Must you go? I was rather hoping you'd stay and be a ministering angel, but if you must go, you must." "I'll stay," Will said a bit crossly, and threw himself down in the armchair Tessa had just vacated. "I can minister angelically." "None too convincingly. And you're not as pretty to look at as Tessa is," Jem said, closing his eyes as he leaned back against the pillow. "How rude. Many who have gazed upon me have compared the experience to gazing at the radiance of the sun." Jem still had his eyes closed. "If they mean it gives you a headache, they aren't wrong. ~ Cassandra Clare,
297:I’m sorry,” he said in a soft voice while leaning closer to her, “for taking liberties earlier. I hope I didn’t offend you.”

“You kissed me,” she answered, equally quietly, then laughed out loud. “I was a little shocked at first, perhaps, but I’m over it.”

“Over it?” His heart sank. Not the reaction he’d hoped. Perhaps he was out of practice.

“I rather enjoyed it, if you must know. It has been a long time since I’ve had such a kiss. Nothing like a bold and lingering kiss. How I’ve missed it. Ah, now you look shocked. Good. I’ve had my revenge. ~ Sherri Browning,
298:Step 7. Alter Your Coping Mechanisms Instead of gorging on chocolate pie when you’re hungry, angry, lonely, or tired, fill up on leftover Mexican Potato Salad or “Fried” Rice. Better yet, go for a walk; play your favorite sport; start working on an enjoyable project or hobby; visit a friend or go to a movie (and eat popcorn without butter). The best responses are those that involve physical activity, since they do double duty by reducing intake of fat calories and increasing calorie expenditure. If you must alleviate your frustration by eating, eat the right foods. ~ John A McDougall,
299:Would it require more energy than you have in order for you to really lose it, or do you think really losing it can be a function of having too little energy to prevent losing it? Do the people you do not wish to talk to far exceed the number you do wish to talk to? Do you have much to say to even those to whom you do wish to speak? Do you know where it went wrong for you? Do you own any good copper? Are you favorably disposed to American Indian causes but less so if you must say Native American causes? Are you more at ease in a veneer of civilization or in a true hardwood of barbary? ~ Padgett Powell,
300:You wound me, " he said, and pressed his palm over his heart. "Won't you ride with me?"
"I appreciate the offer, I do, but I might want to leave the dinner early."
His eyes brightened. "With me?"
"No. It's been a long day and I'm exhausted."
Scott released a long, exaggerated sigh. "If you must."
"I must," she insisted.
The two walked side by side toward the parking lot. Abby wasn't fooled. Scott was a flirt and way too glib for her to take him seriously. Nevertheless, she couldn't remember an evening she'd enjoyed more...and the festivities were just getting started. ~ Debbie Macomber,
301:Must you go? I was rather hoping you'd stay and be a ministering angel, but if you must go, you must."

"I'll stay," Will said a bit crossly, and threw himself down in the armchair Tessa had just vacated. "I can minister angelically."

"None too convincingly. And you're not as pretty to look at as Tessa is," Jem said, closing his eyes as he leaned back against the pillow.

"How rude. Many who have gazed upon me have compared the experience to gazing at the radiance of the sun."

Jem still had his eyes closed. "If they mean it gives you a headache, they aren't wrong. ~ Cassandra Clare,
302:Somebody with a flair for small cynicism once said, 'We live and do not learn.' But I have learned some things.
I have learned that if you must leave a place that you have lived in and loved and where all your yesterdays are buried deep -- leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe than an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance. The cloud clears as you enter it. I have learned this, but like everyone, I learned it late. ~ Beryl Markham,
303:Somebody with a flair for small cynicism once said, 'We live and do not learn.' But I have learned some things.
I have learned that if you must leave a place that you have lived in and loved and where all your yesterdays are buried deep -- leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance. The cloud clears as you enter it. I have learned this, but like everyone, I learned it late. ~ Beryl Markham,
304:Jem gave her a wistful look. “Must you go? I was rather hoping that you’d stay and be a ministering angel, but if you must go, you must.”
“I’ll stay,” Will said a bit crossly, and threw himself down in the armchair Tessa had just vacated. “I can minister angelically.”
“None too convincingly. And you’re not as pretty to look at as Tessa is,” Jem said, closing his eyes as he leaned back against the pillow.
“How rude. Many who have gazed upon me have compared it to gazing at the radiance of the sun.”
Jem still had his eyes closed. “If they mean that it gives you a headache, they aren’t wrong. ~ Cassandra Clare,
305:I know what you’re thinking, Miss Gladstone.”

She doubted it.

“You’re incredulous. How could a woman of your standing possibly ascend to such a rank? I can’t deny you’ll find yourself outclassed and un-befriended among the ladies of the peerage, but you will no doubt be consoled with the material advantages. A lavish home, generous lines of credit at all the best shops, a large settlement in the event of my death. You may pay calls, go shopping. Engage in some charitable work, if you must. Your days will be yours to do whatever you wish.” His voice darkened. “Your nights, however, will belong to me. ~ Tessa Dare,
306:The Trell pushed himself upright. “Where is the library?” “Turn right, proceed thirty-four paces, turn right again, twelve paces, then through door on the right, thirty-five paces, through archway on right another eleven paces, turn right one last time, fifteen paces, enter the door on the right.” Mappo stared at Iskaral Pust. The High Priest shifted nervously. “Or,” the Trell said, eyes narrowed, “turn left, nineteen paces.” “Aye,” Iskaral muttered. Mappo strode to the door. “I shall take the short route, then.” “If you must,” the High Priest growled as he bent to close examination of the broom’s ragged end. ~ Steven Erikson,
307:Die, then!” This alarming counsel split the air. “Die if you must, Mukunda! Never believe that you live by the power of food and not by the power of God! He who has created every form of nourishment, He who has bestowed appetite, will inevitably see that His devotee is maintained. Do not imagine that rice sustains you nor that money or men support you. Could they aid if the Lord withdraws your life breath? They are His instruments merely. Is it by any skill of yours that food digests in your stomach? Use the sword of your discrimination, Mukunda! Cut through the chains of agency and perceive the Single Cause! ~ Paramahansa Yogananda,
308:I do what I do because I love God, as I love your children, as I love humanity, as I love peace, truth, and justice for all. I may not be a fan of religion, but I am a big fan of God. I choose not to subscribe to any one religion because I recognize truths in them all — both the truths and flaws. For anybody to believe that any father would want to see his children fighting is madness. It does not make the Creator happy to see anybody massacre any of his beautiful creations. If you must know the religion I choose, I choose LOVE. If you must know the name of my god, his name is Truth, or rather 'He Who is One, The One Who is All. ~ Suzy Kassem,
309:Stonecutter said, pushing him gently in the back. “No, I’ll go last,” the User-that-is-not-a-user said. “Someone has to trigger the TNT so that the monsters cannot follow, and that’s my job.” He could hear the moans of the zombies getting louder as they neared the top of the wall. “Stonecutter, I need you to look after my sister,” Gameknight said, pointing to Monet, who still stood at the top of the watchtower with Hunter and Stitcher. “Please … go get her and take her to a minecart. Carry her if you must, but make her safe.” The stocky NPC nodded his head, his stone-gray eyes staring back at Gameknight999 with confidence and ~ Mark Cheverton,
310:Care less about results. Care more about putting in the work. Care less about problems. Care more about making progress despite them. Or if you must fix something, focus on the solution. Care less about what other people think. Care more about who you want to be and what you want to do. Care less about doing it right. Care more about doing it at all. Care less about failure. Care more about success. Care less about timing. Care more about the task. In general, the idea behind imperfectionism is to not care so much about conditions or results, and care more about what you can do right now to move forward with your identity and your life. ~ Stephen Guise,
311:Comedy is hard. In many ways, it's like singing: If you have perfect pitch, it's much easier. But you can still go a long way toward mastering the rudiments if you must trust your voice. Most of the mistakes I've seen people make in trying to write funny is that they don't trust their own senses of humor. They don't think they're funny, and they set out to write funny the way they've read other people being funny with a grim determination that pretty much precludes any chance that anybody is going to have fun. Relax, listen to your characters, exploit their fears and flaws, and mine their situations for places in which they can use their own brands of humor. ~ Jennifer Crusie,
312:Why, Jon, why?” his mother asked. “Why is it so hard to be like the rest of the flock, Jon? Why can’t you leave low flying to the pelicans, the albatross? Why don’t you eat? Son, you’re bone and feathers!” “I don’t mind being bone and feathers, mom. I just want to know what I can do in the air and what I can’t, that’s all. I just want to know.” “See here, Jonathan,” said his father, not unkindly. “Winter isn’t far away. Boats will be few, and the surface fish will be swimming deep. If you must study, then study food, and how to get it. This flying business is all very well, but you can’t eat a glide, you know. Don’t you forget that the reason you fly is to eat.” Jonathan ~ Richard Bach,
313:Do crazy things if you must, they told me all the while, forever prying to unearth the mysterious, tel tale signs of heartbreak which, in their clumsy, intrusive, devoted way, both would instantly wish to heal, as if I were a soldier who had strayed into their garden and needed his wound immediately stanched or else he’d die. You can always talk to me. I was your age once, my father used to say. The things you feel and think only you have felt, believe me, I've lived and suffered through all of them, and more than once—some I've never gotten over and others I’m as ignorant about as you are today, yet I know almost every bend, every toll-booth, every chamber in the human heart. ~ Andr Aciman,
314:If you must know where I was this morning,’ Shelby said, ‘Professor Pike never misses breakfast and I was just taking advantage of that fact to . . . erm . . . visit his office.’ She produced a sheet of folded paper from the pocket of her black uniform jumpsuit. ‘I know his memory’s probably not that great these days, but he really shouldn’t just write his master server access passwords down like that.’

‘And he just left that lying around, did he?’ Wing asked with a slight frown.

‘Yeah, just lying around . . . in his safe,’ Shelby said with a mischievous smile, ‘but if you’re going to rely on such basic security you’re really asking for this kind of thing to happen. ~ Mark Walden,
315:If you want to help someone move on, you don’t label people as good, bad, worst or best. This categorizes people, rather than experiences with that person. People are not all evil or all good. You don’t teach compassion by categorizing people. Empathy and honest open communication are the only way to live your life. If you’re blaming someone then you haven’t let go of your pain long enough to really try on theirs. However, if you must believe that the only type of person that brings you difficult lessons or experiences in life are those that are bad or worse, then take the time to read the bible a little closer. Christ, put a few people in their place, in order to make point. ~ Shannon L Alder,
316:I Do But Ask That You Be Always Fair
I do but ask that you be always fair
That I forever may continue kind;
Knowing me what I am, you should not dare
To lapse from beauty ever, nor seek to bind
My alterable mood with lesser cords;
Weeping and such soft matters must invite
To further vagrancy; and bitter words
Chafe soon to irremediable flight,
Wherefore I pray you if you love me dearly,
Less dear to hold me than your own bright charms,
Whence it may fall that until death, or nearly,
I shall not move to struggle from your arms:
Fade if you must,--I would but bid you be
Like the sweet year, doing all things graciously.
~ Edna St. Vincent Millay,
317:The magic flooded us again. This time Derek was ready—his face showed no change. Ghastek, on the other hand, halted in midrise halfway off the ground.
I unsheathed Slayer. Derek backed away, giving himself room for a leap. If the vamp went berserk, we’d be in a hell of a lot of trouble.
“Ghastek?” I murmured.
“Just a second.” His voice sounded muffled.
“Are you losing your grip on him?”
“What?”
The vampire dropped to the floor, regarding me with blood-drenched eyes. “Whatever led you to that conclusion?”
“You froze.”
“If you must know, an apprentice brought me my espresso and I burned my tongue on it.”
Derek grimaced, disgust practically dripping off his face. ~ Ilona Andrews,
318:I believe anyone can teach anyone anything. But I mean this in a specific sense. If you have two dedicated, reasonably intelligent people, one interested in teaching and the other wanting to learn, something great can happen. Think master and apprentice, mentor and protégé. For learning, small numbers win. The success of this one-on-one method is proven throughout history; many so-called prodigies were tutored by a parent or family friend (Einstein, Picasso, and Mozart all qualify). Yes, they had amazing, inherent talent, but they were still privately taught by people invested in their learning. Teaching is intimacy of the mind, and you can’t achieve that if you must work in large numbers. ~ Scott Berkun,
319:as far as I can see there are two philosophies in the world. The one is to make one’s self happy, and the other is to make other people happy. The latter answers the best.” “I can’t add to her happiness by hanging about London.” “That’s a quibble. It isn’t her happiness we are talking about, — nor yet your hanging about London. Gird yourself up and go on with what you’ve got to do. Put your work before your feelings. What does a poor man do, who goes out hedging and ditching with a dead child lying in his house? If you get a blow in the face, return it if it ought to be returned, but never complain of the pain. If you must have your vitals eaten into, — have them eaten into like a man. But, mind you, — these ain’t your vitals ~ Anthony Trollope,
320:So why’d you flake out on the party?”

“I wasn’t in the mood. I kept picturing you crying here alone and pity won out.”

“I’m not crying, jackass.” I point to the boring-ass milk documentary that’s flashing on the TV screen. “I’m learning about pasteurization.”

She stares at me. “You guys pay money to subscribe to a gazillion channels and this is what you choose to watch?”

“Well, I flipped by it and saw a bunch of cow udders, and, well, you know, it turned me on, so—”

“EW!”

I burst out laughing. “Kidding, babe. If you must know, the batteries in the remote died and I was too lazy to get up and change the channel. I was watching this wicked-awesome miniseries about the Civil War before cow udders came on. ~ Elle Kennedy,
321:Jem grinned. “Where have you been? The Blue Dragon? The Mermaid?”
“The Devil Tavern if you must know.” Will sighed and leaned against one of the posts of the bed. “I had such plans for the evening. The pursuit of blind drunkenness and wayward women was my goal. But alas, it was not to be. No sooner had I consumed my third drink in the Devil than I was accosted by a delightful small flower-selling child who asked me for two-pence for a daisy. The price seemed steep, so I refused. When I told the girl as much, she proceeded to rob me.”
“A little girl robbed you?” Tessa said.
“Actually, she wasn’t a little girl at all, as it turns out, but a midget in a dress who goes by the name of Six-Fingered Nigel.”
“Easy mistake to make,” Jem said. ~ Cassandra Clare,
322:Your days will be full of cares, if you must give me your heart.
My house by the cross-roads has its doors open and my mind is
absent, -for I sing.
  I shall never be made to answer for it, if you must give me
your heart. If I pledge my word to you in tunes now, and am too
much in earnest to keep it when music is silent, you must forgive
me; for the law laid down in May is best broken in December.
  Do not always keep remembering it, if you must give me your
heart. When your eyes sing with love, and your voice ripples with
laughter, my answers to your questions will be wild, and not
miserly accurate in facts, -they are to be believed for ever and
then forgotten for good.

~ Rabindranath Tagore, Lovers Gifts XVIII - Your Days
,
323:If you must know, yesterday was my birthday.” “You neglected to tell me yesterday was your birthday.” “There was much that was neglected to be said, given Mr. Birmingham’s untimely appearance.” “Good point, but we have time to discuss matters now. May I inquire as to what birthday you celebrated?” “It’s hardly proper to ask a lady her age.” “Normally I would agree with you, but since you’re going to be seen on my arm, it’s most likely a question others are going to ask. It might bring up unwelcome speculation if I can’t answer properly.” “I’m twenty-two.” “Are you really? I thought you were closer to my age, and I’m thirty-one, which just goes . . .” The next thing Oliver knew, he was standing by himself, Harriet having shaken out of his hold and taken off down the sidewalk again. ~ Jen Turano,
324:Imagine if you can ... a world in which half the inhabitants are larger and stronger than you and are thus able to force you to their will at any time or any place. That unchangeable fact colors everything in your life - from the route you choose when you walk down the street to what you look for when you enter a room, how you dress, how you smile, how you assess people on first meeting? Friend or foe? Is this person a threat? Will that one do me harm? It's all about survival. ... Mock a a woman's desire for jewels and fine clothes and grand houses if you must, but understand that they are simple manifestations of what she truly desires - survival, safety, security - because those baubles are the thing that proclaim to the world that she is of value and, as such, will be protected. ~ Kaki Warner,
325:DYNAMITE (13 Sticks for Immediate Use—Handle with Care) PLAN tomorrow’s work today. Review the events of the day, very briefly before retiring. Keep your voice down. No screamers wanted. Train yourself to write very legibly. Keep your good humor even if you lose your shirt. Defend those who are absent. Hear the other side before you judge. Don’t cry over spilt milk. Learn to do one thing as well as anyone on earth can do it. Use your company manners on the family. If you must be rude, let strangers have it. Keep all your goods and possessions neat and orderly. Get rid of things that you do not use. Every day do something to help someone else. Read the Bible every day. These points may seem to be trite and obvious, but each one has hidden behind it, an invincible law of psychology and metaphysics. Try them. ~ Emmet Fox,
326:Is what happened to Chinook the reason you’re in a hurry to leave—or is last night’s kiss to blame?” She looked over at him, her dark brow furrowed. “Neither. I just need to get my car in for repairs before I start my new position next week.” “I see.” He did—right through her. “I came on too strong, didn’t I?” “Maybe. No. Not at all. It’s just... ” She hesitated. “I enjoyed kissing you, if you must know. In fact, I enjoyed it a little too much.” Back in his twenties and thirties, Jack might have thought her words were emotional nonsense, the kind of thing women said just to drive men insane. But he understood it better now—or he thought he did. “It’s about this Byron guy, isn’t it? And your injuries.” She looked over at him, then quickly looked away again. “Something like that. I’m just not ready for a relationship yet. ~ Pamela Clare,
327::Of course there are many ways to celebrate death & life, & of course as they bounce into their 40's & 50's & 60's, the fingers of time grow a bit longer, & yet ... & yet life doesn't stop. Life doesn't stop or wait even if you do. Pause if you must... but then catch up fast. Run with the wind. Slide down the hill tumbling head first, so that you can fall into the hands of now. Today. Everyday. Every minute. Every second. Of course it's also ok to hold onto your grief, & ride it as if your own life depended on it through a sea of rough waters, waves as high as heaven, through the thunderous barrage of emotions that are the very heart of loss. Any loss. Love. Death. Job. A slice of a segment of your life that made up the whole. Of course... the whole damn world needs to have more fun. A hellofa lot more fun. ~ Kris Radish,
328:Kestrel, if you must go to the ball, take me with you.”
“I don’t understand you,” she said, frustrated. “I don’t understand what you say, how you change, how you act one way and then come here and act another.”
“I don’t always understand myself either. But I know I want to go with you tonight.”
Kestrel let the words echo in her mind. There had been a supple strength to his voice. An unconscious melody. Kestrel wondered if Arin knew how he exposed himself as a singer with every simple, ordinary word. She wondered if he meant to hold her in thrall.
“If you think it’s stupid for me to go to the Firstwinter ball,” she said, “you can be certain that it is far worse for me to take you along.”
He lifted one shoulder. “Or it could send a bold message of what we both know to be true: that you have nothing to hide. ~ Marie Rutkoski,
329:Lilah did little more than sleep and eat and cry, which to me was the most fascinating thing in the entire universe. Why did she cry? When did she sleep? What made her eat a lot one day and little the next? Was she changing with time? I did what any obsessed person would do in such a case: I recorded data, plotted it, calculated statistical correlations. First I just wrote on scraps of paper and made charts on graph paper, but I very quickly became more sophisticated. I wrote computer software to make a beautifully colored plot showing times when Diane fed Lilah, in black; when I fed her, in blue (expressed mother's milk, if you must know); Lilah's fussy times, in angry red; her happy times, in green. I calculated patterns in sleeping times, eating times, length of sleep, amounts eaten.

Then, I did what any obsessed person would do these days; I put it all on the Web. ~ Mike Brown,
330:How old are you, anyway?” she asked, squinting at him.
There was a pause. At last he said, “Why do you want to know?”
“I just wondered,” said Winnie.
“All right. I’m one hundred and four years old,” he told her solemnly.
“No, I mean really,” she persisted.
“Well then,” he said, “if you must know, I’m seventeen.”
“Seventeen?”
“That’s right.”
“Oh,” said Winnie hopelessly. “Seventeen. That’s old.”
“You have no idea,” he agreed with a nod.
Winnie had the feeling he was laughing at her, but decided it was a nice kind of laughing. “Are you married?” she asked next.
This time he laughed out loud. “No, I’m not married. Are you?”
Now it was Winnie’s turn to laugh. “Of course not,” she said. “I’m only ten. But I’ll be eleven pretty soon.”
“And then you’ll get married,” he suggested.
Winnie laughed again, her head on one side, admiring him. ~ Natalie Babbitt,
331:I will drink wine now, for I must prepare myself for the question which my mother will now ask. She will say: “Do you go to Mass every Sunday, my Jimmy?” I will answer: “Sometimes, Ma. Sometimes.” I will be lying. She will ask: “Do you still read books against God?” I will say, lying again: “Not any more, Ma.” And I will look at the face of my mother, and I will remember a night when we lived in the South, and I came home, and I saw my mother in tears, and sick unto death, and the doctor was called, and he saved my mother, and he came out of the room wherein my mother lay, and he held a book in his hand, and he handed it to me, and he said: “This is the cause. If you must read such stuff as this, do it where your mother can’t see you.” When I looked at the book, I saw that it was the The Anti-Christ. Now I will be home soon, and my mother will ask if I read books against God, and I will answer that I do not. ~ John Fante,
332:Elegy Written In A Country Coal-Bin
THE furnace tolls the knell of falling steam,
The coal supply is virtually done,
And at this price, indeed it does not seem
As though we could afford another ton.
Now fades the glossy, cherished anthracite;
The radiators lose their temperature:
How ill avail, on such a frosty night,
The 'short and simple flannels of the poor.'
Though in the icebox, fresh and newly laid,
The rude forefathers of the omlet sleep,
No eggs for breakfast till the bill is paid:
We cannot cook again till coal is cheap.
Can Morris-chair or papier-mâché bust
Revivify the falling pressure-gage?
Chop up the grand piano if you must,
And burn the East Aurora parrot cage!
Full many a can of purest kerosene
The dark unfathomed tanks of Standard Oil
Shall furnish me, and with their aid I mean
To bring my morning coffee to a boil.
~ Christopher Morley,
333:If you want to know whether atheism should be clustered with supernaturalist religions for purposes of some particular empirical inference, the dictionary can’t answer you. If you want to know whether blacks are people, the dictionary can’t answer you. If everyone believes that the red light in the sky is Mars the God of War, the dictionary will define “Mars” as the God of War. If everyone believes that fire is the release of phlogiston, the dictionary will define “fire” as the release of phlogiston. There is an art to using words; even when definitions are not literally true or false, they are often wiser or more foolish. Dictionaries are mere histories of past usage; if you treat them as supreme arbiters of meaning, it binds you to the wisdom of the past, forbidding you to do better. Though do take care to ensure (if you must depart from the wisdom of the past) that people can figure out what you’re trying to swim. ~ Eliezer Yudkowsky,
334:In his best-selling 1928 parenting guide, Psychological Care of Infant and Child, Watson holds forth on how to raise a child “who loses himself in work and play, who quickly learns to overcome the small difficulties in his environment . . . and who finally enters manhood so bulwarked with stable work and emotional habits that no adversity can quite overwhelm him.” Here’s Watson’s advice: “Never hug and kiss them. Never let them sit in your lap. If you must, kiss them once on the forehead when they say good night. Shake hands with them in the morning. Give them a pat on the head if they have made an extraordinarily good job of a difficult task.” Watson further recommends letting children cope with problems on their own “almost from the moment of birth,” rotating different caregivers to prevent unhealthy attachment to any one adult, and otherwise avoiding the coddling affection that prevents a child from “conquering the world. ~ Angela Duckworth,
335:We’d get through this little arrangement of ours better if you didn’t lie to me, Nash.”

“Christ, Dani. I needed to get out of town for a few hours today, okay? Quinn’s got me running so many chores in her mom-wagon, I can feel my balls shrinking in daily increments. So I went to get a little girlie-action. So what? That was never verboten in our agreement. Unless you want to amend your anti-sex-with-me stance?”

I glared at him, not appreciating his suggestion, or the fact that he used Mick as an excuse for girlie-action-getting. “Fine!” He held up his hands in surrender. “I went with Sindy, if you must know.”

“To pick up girls in Atlantic City?”

“No.” He hung his head in shame. “It was a little pony-action. She likes the horse races, okay? It’s just a little embarrassing to say I drove an old lady down there.” I planted my hands on my hips. “Okay, so she drove! I hate the traffic on the turnpike. ~ Jessica Topper,
336:He smirked. “Does someone have a hangover?” “No,” she said in a loud whisper, shaking her head with vehemence and setting jackhammers off against her temples. “I’m not dressed for company.” “I heard you scream. What happened?” For the love of god, must she be tested at every turn? She tilted her chin and said in her most haughty tone, “If you must know, I almost fell down the stairs.” Faster than a man his size should move, he rounded the stairs and bounded up the steps two at a time, stopping when he stood one below her. Of course, she still had to peer up at him, irritating her further. “Are you okay?” he asked, those golden eyes warm with concern. “I’m fine.” She straightened to her full five-three, but still felt small and dowdy next to him. “You’re not hurt?” “For God’s sake, I’m fine. It was just a little stumble.” He chuckled, the deep, rich timbre sending tingles down her spine. “And here I thought you wouldn’t be any fun sober.” Her ~ Jennifer Dawson,
337:What a pleasant gentleman," Sophia remarked.
"Yes," Eliza agreed with a chuckle, "and Dr. Linley is unmarried as well. Many fine ladies in London want his services, both professional and personal. Whoever brings him to scratch will be a lucky woman."
"What do you mean by personal services?" Sophia asked, perplexed. "Surely you are not referring to-"
"Oh, yes," the cook-maid said slyly. "They say Dr. Linley is skilled in the bedroom arts as well as-"
"Eliza," Sir Ross interrupted grumpily, "if you must engage in prurient gossip, please do it in a room where I am not forced to listen." He scowled at both women, his gaze settling on Sophia. "Surely there is something better for the two of you to discuss than 'bedroom arts'."
Sophia's laughing gaze met Eliza's. "He is quite right," she said. "We should not lower ourselves to gossip in front of Sir Ross." She paused before adding mischievously, "You can tell me the rest about Dr. Linley when we're in the kitchen. ~ Lisa Kleypas,
338:The man leaned forward and whispered dramatically. “The Feather Heiress.” “Her wealth comes from…goose down?” “No.” Whitting didn’t look at him. “It’s originally from transcontinental steamers, if you must know. She’s called the Feather Heiress because being around her is like being beaten to death by feathers.” He looked utterly serious. Oliver shook his head in exasperation. “You can’t beat someone to death with a feather.” “You’re an expert on it, are you?” Whitting raised his chin. “Shows how much you know. Imagine someone starts beating you with a feather. Imagine that they never stop, until one day, the constant annoyance of goose feathers pushes you over the edge. In a fury you strangle the person who has been beating you.” He demonstrated this with a wrench of his hands. “Then you hang for murder. You, my friend, have been beaten to death by feathers.” Oliver snorted. “Nobody is that bad.” Whitting put his hand to his head and rubbed at the furrows on his brow. “She’s worse. ~ Courtney Milan,
339:Is something the matter?” she finally asked. Oliver frowned. “Why would you ask that?” “You’re not speaking, and it’s been my experience that you’re never at a loss for something to say.” Laughing, Oliver took one step forward. “If you must know, the only thing the matter at the moment is that you look enchanting this evening, quite like a princess, and your beauty is what stole the words straight from my lips and fogged up my mind.” Harriet suddenly found she was at a loss for words. Oliver grinned and moved across the room, stopping directly in front of her. He drew her hand up and placed a kiss on the knuckles, his gaze and the merest touch of his lips against her gloved hand sending shivers down her spine. “Is something wrong, Miss Peabody?” he asked and continued before she could reply, not that she was certain she would actually have been able to do that. “Why, since I’ve become known to you, it’s been my observation that you’re never without words, and yet, here you are . . . speechless. ~ Jen Turano,
340:It hurts,” Portia moaned. “It hurts so much. I must be dying.” “Of course you aren’t.” Folding her skirts, Cecily settled at her friend’s side. Luke could feel her blue eyes on him as he selected a thick branch and stripped it of twigs. Having removed his coat, Brooke folded it and propped it beneath Portia’s head, for a pillow. “You can’t die,” he told her, crouching at her other side. “Who would argue with me then?” “Anyone with sense,” she said tartly. But when Brooke took her hand, Portia allowed him to keep it. “Don’t you aggravating know-all’s have some sort of debating society?” “Yes, but none of the members have your amusing imagination. Nor such lovely hair.” He stroked an ebony lock from her pale, sweating brow. Luke pushed her skirts to the knee and took a firm grip on his branch. “Mrs. Yardley, this is going to hurt.” Portia whimpered. Brooke kept stroking her hair, murmuring, “Be brave, darling. Scream all you like. Break every bone in my hand, if you must. I won’t leave your side.” Cecily ~ Tessa Dare,
341:Hey, Patrick is looking for you.”
The voice startles me so badly that I slosh tea on myself. I look down to find Ryder standing below, his hands thrust into his pants pockets as he stares up at me, his mouth drawn into a tight line.
“Tell him I went to bed,” I say. “And thanks a lot for scaring me half to death.” Scowling, I swipe futilely at the wet splotch on the front of my tank top. He’s lucky the tea wasn’t hot.
Ryder takes a step closer, till he’s standing just beneath the balcony. He tilts his face upward, and I can see the contempt there in his features. “So now you’re just going to blow him off?”
“Why don’t you do me a favor and mind your own business?” I shoot back.
“Patrick is my friend; therefore, it is my business. By the way, you do know he’s one to kiss and tell, right?”
“You just said he was your friend.”
He shrugs. “Hey, it’s your reputation.”
“Since when do you care about my reputation, Ryder? Anyway, we were just kissing, if you must know. ~ Kristi Cook,
342:It hurts,” Portia moaned. “It hurts so much. I must be dying.”
“Of course you aren’t.” Folding her skirts, Cecily settled at her friend’s side.
Luke could feel her blue eyes on him as he selected a thick branch and stripped it of twigs.
Having removed his coat, Brooke folded it and propped it beneath Portia’s head, for a pillow. “You can’t die,” he told her, crouching at her other side. “Who would argue with me then?”
“Anyone with sense,” she said tartly. But when Brooke took her hand, Portia allowed him to keep it. “Don’t you aggravating know-all’s have some sort of debating society?” “Yes, but none of the members have your amusing imagination. Nor such lovely hair.” He stroked an ebony lock from her pale, sweating brow.
Luke pushed her skirts to the knee and took a firm grip on his branch. “Mrs. Yardley, this is going to hurt.”
Portia whimpered. Brooke kept stroking her hair, murmuring, “Be brave, darling. Scream all you like. Break every bone in my hand, if you must. I won’t leave your side. ~ Tessa Dare,
343:Don'T Quit
When things go wrong, as they sometimes will,
when the road you're trudging seems all uphill,
when the funds are low and the debts are high,
and you want to smile but you have to sigh,
when care is pressing you down a bit - rest if you must, but don't you quit.
Life is queer with its twists and turns.
As everyone of us sometimes learns.
And many a fellow turns about when he might have won had he stuck it out.
Don't give up though the pace seems slow - you may succeed with another blow.
Often the goal is nearer than it seems to a faint and faltering man;
Often the struggler has given up when he might have captured the victor's cup;
and he learned too late when the night came down,
how close he was to the golden crown.
Success is failure turned inside out - the silver tint of the clouds of doubt,
and when you never can tell how close you are,
it may be near when it seems afar;
so stick to the fight when you're hardest hit - it's when things seem worst, you
must not quit.
~ Edgar Albert Guest,
344:When things go wrong, as they sometimes will,
When the road you’re trudging seems all uphill,
When the funds are low and the debts are high,
And you want to smile, but you have to sigh,
When care is pressing you down a bit,
Rest, if you must, but don’t you quit.

Life is queer with its twists and turns,
As every one of us sometimes learns,
And many a failure turns about,
When he might have won had he stuck it out;
Don’t give up though the pace seems slow-
You may succeed with another blow.

Often the goal is nearer than,
It seems to a faint and faltering man,
Often the struggler has given up,
When he might have captured the victor’s cup,
And he learned too late when the night slipped down,
How close he was to the golden crown.

Success is failure turned inside out-
The silver tint of the clouds of doubt,
And you never can tell how close you are,
It may be near when it seems so far,
So stick to the fight when you’re hardest hit-
It’s when things seem worst that you must not quit ~ John Greenleaf Whittier,
345:He leaned forward and tucked a blanket back around her feet. “When are you going to tell me about your striped socks?” “Why, Connell McCormick.” She gave a mock gasp. “Have you been peeking at my feet?” “I haven’t meant to. But there’ve been a few times—” “Few!” Again she pretended shock, but her smile gave away her playfulness. “So not only have you been peeking, you’ve made it a regular practice to glimpse under my hem.” “It’s hard to miss those bright colors—” “Come on. Admit it. You like seeing my ankles.” He poked at the fire and ducked his head. She gave a soft laugh. Pleasure from his obvious attraction wove through her like a sweet summer breeze. She shifted her legs and let the blanket slide from her feet again, revealing them once more. He glanced sideways for only an instant before focusing his full attention on the fire, prodding the logs and sending the flames higher—almost as if their lives depended upon how hot he could get them. She laughed again. A slow grin made its way up his lips. “Well, if you must know,” she said, “Oren’s wife, Betty, made them for me. ~ Jody Hedlund,
346:In the shower today I tried to think about the best advice I'd ever been given by another writer. There was something that someone said at my first Milford, about using style as a covering, but sooner or later you would have to walk naked down the street, that was useful...

And then I remembered. It was Harlan Ellison about a decade ago.

He said, "Hey. Gaiman. What's with the stubble? Every time I see you, you're stubbly. What is it? Some kind of English fashion statement?"

"Not really."

"Well? Don't they have razors in England for Chrissakes?"

"If you must know, I don't like shaving because I have a really tough beard and sensitive skin. So by the time I've finished shaving I've usually scraped my face a bit. So I do it as little as possible."

"Oh." He paused. "I've got that too. What you do is, you rub your stubble with hair conditioner. Leave it a couple of minutes, then wash it off. Then shave normally. Makes it really easy to shave. No scraping."

I tried it. It works like a charm. Best advice from a writer I've ever received. ~ Neil Gaiman,
347:Reverend sir, forgive this pair of
sinners. Spring winds to-day are
blowing in wild eddies, driving dust
and dead leaves away, and with them
your lessons are all lost.
  Do not say, father, that life is a
vanity.
  For we have made truce with death
for once, and only for a few fragrant
hours we two have been made immortal.
  Even if the king's army came and
fiercely fell upon us we should sadly
shake our heads and say, Brothers,
you are disturbing us. If you must
have this noisy game, go and clatter
your arms elsewhere. Since only for
a few fleeting moments we have been
made immortal.
  If friendly people came and flocked
around us, we should humbly bow to
them and say, This extravagant good
fortune is an embarrassment to us.
Room is scarce in the infinite sky
where we dwell. For in the spring-
time flowers come in crowds, and the
busy wings of bees jostle each other.
Our little heaven, where dwell only
we two immortals, is too absurdly
narrow.

~ Rabindranath Tagore, The Gardener XLIV - Reverend Sir, Forgive
,
348:Ballade Of Unfortunate Mammals
Love is sharper than stones or sticks;
Lone as the sea, and deeper blue;
Loud in the night as a clock that ticks;
Longer-lived than the Wandering Jew.
Show me a love was done and through,
Tell me a kiss escaped its debt!
Son, to your death you'll pay your dueWomen and elephants never forget.
Ever a man, alas, would mix,
Ever a man, heigh-ho, must woo;
So he's left in the world-old fix,
Thus is furthered the sale of rue.
Son, your chances are thin and fewWon't you ponder, before you're set?
Shoot if you must, but hold in view
Women and elephants never forget.
Down from Caesar past Joynson-Hicks
Echoes the warning, ever new:
Though they're trained to amusing tricks,
Gentler, they, than the pigeon's coo,
Careful, son, of the curs'ed twoEither one is a dangerous pet;
Natural history proves it trueWomen and elephants never forget.
L'ENVOI
Prince, a precept I'd leave for you,
Coined in Eden, existing yet:
Skirt the parlor, and shun the zooWomen and elephants never forget.
~ Dorothy Parker,
349:Locked
Children tattooed, pierced and studded, dreadlocked;
parents panicked, indecisive, deadlocked.
Mother to daughter: live as you must, if you must;
for just a bit longer, keep the door to your bed locked.
Son to father: teach me what you know,
but I won't agree to keep the door to my head locked.
Mother to father: where have you been, and where
have you kept your thoughts and all you might have said locked?
They'd come so far, and then she saw, in him,
the door to their life, their home, their daily bread locked.
One night in a fiery panic dream he ran
and found the door toward which he'd wildly fled locked.
Aging, but at long last ripe and ready,
she found the on-ramp to the road ahead locked.
They learned too late the cost of keeping that cellar
full of truths that could not be gainsaid locked.
The young return. Too many find the way back
to lives in the country for which they fought and bled locked.
Eric, old friend, as you try each door in the mind,
will you wake one day to find the heart instead locked?
~ Eric Torgersen,
350:It's all right, Adam," she murmured, stroking the damp hair that still adorned all but the back of his head.  "Just relax." Adam stared fixedly at the wall, his lips just grazing the bloodstained pillow.  "Not Adam . . . Charles." It came out Chaaahles, on a deep and startlingly elegant drawl that left the "r" from the name and marked him as anything but the rebel they'd all assumed him to be. Amy's jaw dropped open and horrified, she whirled to stare at her brother.  "He's a —" "Redcoat."  Will went green and shot a terrified glance at the door through which the doctor had just passed.  "An officer, if you must know."  He hugged his arms to himself and stared at Amy, his lower lip thrust out, his eyes both fearful and defiant.  He looked like the frightened child he was.  "What would you have me do, leave him out in a field to die?" Amy, paling, grabbed Will by the sleeve.  "Do you realize what you've done?" Will looked as though he were about to cry.  "Now you know why I was half-hoping he wouldn't make it." "Why on earth did you bring him home?" "I felt guilty." "For heaven's sake, Will!" Beneath ~ Danelle Harmon,
351:The life of Mahadeviyakkha to some extent mirrors that of Mirabai. Both female
saints had to renounce the comforts and expectations of a family life. Both
suffered censure and displeasure from parts of society who didn't appreciate their
devotion to spirituality. However despite the difficulties both faced, the intensity
of their divine intoxication is startlingly revealed in their poetry.
"Akka's poems are moving, haunting, unforgettable. For women, her work
embodies a radical legitimacy as she struggles in her poetry to go beyond much
of Virasaiva poetry to include the struggles of her body, struggles against the
pettiness of roles she is forced into as a woman, struggles against a man who is
also a prince and a Jain, and against the social expectations that restrain her."
Don'T Despise Me
Don't despise me as
She who has no one
I'm not one to be afraid,
Whatever you do.
I exist chewing dry leaves.
My life resting on a knife edge
If you must torment me,
Chennamallikarjuna,
My life, my body
I'll offer you and be cleansed.
~ Akka Mahadevi,
352:Does this popcorn taste burnt to you?" Miles asked, chewing loudly.
"Don't eat that," Roland said, plucking the popcorn from Miles's palm. "Arriane got it out of the trash after Luce set the dorm room kitchen on fire."
Miles began spitting frantically, leaning over the edge of Roland's wings.
"It was my way of connecting with Luce." Arriane shrugged. "But here, if you must, have some Milk Duds."
"Is it weird that we're watching the two of them like a movie?" Shelby asked. "We should imagine them like a novel, or a poem, or a song. Sometimes I feel oppressed by how reductive the filmic medium is."
"Hey. Roland didn't have to fly you out here, Nephilim. So don't act smart, just watch. Look." Arriane clapped. "He's totally staring at her hair. I bet he goes home and sketches it tonight. How cuuute!"
"Arriane, you got way too good at being a teenager," Roland said. "How long are we going to watch for? I mean, don't you think they've earned a little privacy?"
"He's right," Arriane said. "We have other things on our celestial plates. Like..." Her smirk faded when she couldn't seem to think of anything. ~ Lauren Kate,
353:I shove the wooden debris out of the way until I see the smudged face of the teddy bear. “There she is.” I carefully pull out the bear and sword. I proudly flip the bridal veil skirt to show him the scabbard.

Raffe stares at the disguised sword for a second before commenting. “Do you know how many kills this sword has?”

“It’s a perfect disguise, Raffe.”

“This sword is not just an angel sword. She’s an archangel sword. Better than an angel sword, in case that’s not clear. She intimidates the other angel swords.”

“What, the other swords quake in their scabbards when they see her?” I walk over to the pile of scattered junk by Captain Jake’s boat.

“Yes, if you must know,” he says following me. “She was made for ultimate respect. How is she supposed to get that disguised as a teddy bear in a bridal gown?”

“It’s not a bridal gown, it’s a skirt for her scabbard. And it’s cute.”

“She hates cute. She wants to maim and scar cute.”

“Nobody hates cute.”

“Angel swords do.” He arches his brow and stares down at me.

I guess I won’t tell him how many cutesy angel figurines and pictures we used to have in the World Before. ~ Susan Ee,
354:I no longer ask You for either happiness or paradise; all I ask of You is to listen and let me be aware and worthy of Your listening. I no longer ask You to resolve my questions, only to receive them and make them part of You. I no longer ask You for either rest or wisdom, I only ask You not to close me to gratitude, be it of the most trivial kind, or to surprise and friendship. Love? Love is not Yours to give.
As for my enemies, I do not ask You to punish them or even to enlighten them; I only ask You not to lend them Your mask and Your powers. If You must relinquish one or the other, give them Your powers, but not Your countenance.
They are modest, my prayers, and humble. I ask You what I might ask a stranger met by chance at twilight in a barren land. I ask You, God of Abraham, Isaac, and Jacob, to enable me to pronounce these words without betraying the child that transmitted them to me. God of Abraham, Isaac, and Jacob, enable me to forgive You and enable the child I once was to forgive me too. I no longer ask You for the life of that child, nor even for his faith. I only implore You to listen to him and act in such a way that You and I can listen to him together ~ Elie Wiesel,
355:All you need do is refrain from smoking, drinking and the use of drugs. Eat only wholesome,low-fat foods, with the emphasis on vegetables, grains and fish. Seek work. Work hard. Show up on time. Do more than is expected. Think of ways to make the job efficient. Don't complain. Shave, bathe and wear clean clothes. Be cheerful. Don't gamble. Live within your means. Save. And then, when you have all this in balance, study things of substance. Read to satisfy your curiosity. Don't father children out of wedlock or bear them as a single mother. Exercise. You will find that you will be promoted - perhaps not knighted, but promoted. Is that doesn't happen, look quietly for a better position. Find a husband or a wife whom you love and who has the same good habits. Invest. Assume a mortgage if you must. Teach your children the virtues. And then, having become the means of production, you will own your share of the means of production, and if you do those things, all of which are within your power, you will live your own lives."

They looked at him as if he were an armadillo that has just spoken to them in Chinese. Not having assimilated a single phrase, they all got up and went to the bus. ~ Mark Helprin,
356: I know the consequences of what I’ve done. Kill me if You must.
There was a long silence, and I could sense Her softening, that strange affection She shared with me above the others.
Do you think I rejoice in death?
I raised my head. What?
There is no joy for Me in punishing you or in taking lives. I do what I must to survive. And not only would I not delight in your death, I would mourn it. You must know by now how dear you are to Me.
I swallowed. Why me? Why do I have Your favor more so than the others?
She was so tender with me, lifting me up from the sand as if She were cradling a baby. Considering her timelessness and my temporariness, I practically was a newborn in Her eyes.
Throughout My many, many years and all the sirens I’ve carried in My hands, none of them has considered Me as you do. There’s been a detachment, a deliberate isolation between them and Me.
But you? You come to Me with a sweetness, an attempt to understand. You come to Me even when you are not called. I feel for you what a mother feels for her daughter. To end your life would be to end Mine.

I cried again. I’m so sorry. I never wanted to hurt You. ~ Kiera Cass,
357:And what is a friend? More than a father, more than a brother: a traveling companion, with him, you can conquer the impossible, even if you must lose it later. Friendship marks a life even more deeply than love. Love risks degenerating into obsession, friendship is never anything but sharing. It is a friend that you communicate the awakening of a desire, the birth of a vision or a terror, the anguish of seeing the sun disappear or of finding that order and justice are no more. That's what you can talk about with a friend. Is the soul immortal, and if so why are we afraid to die? If God exists, how can we lay claim to freedom, since He is its beginning and its end? What is death, when you come down to it? The closing of a parenthesis, and nothing more? And what about life? In the mouth of a philosopher, these questions may have a false ring, but asked during adolescence or friendship, they have the power to change being: a look burns and ordinary gestures tend to transcend themselves. What is a friend? Someone who for the first time makes you aware of your loneliness and his, and helps you to escape so you in turn can help him. Thanks to him who you can hold your tongue without shame and talk freely without risk. That's it. ~ Elie Wiesel,
358:Mark sitting next to me proves it. I'm moving on. Getting on with my life. Staying in school. Enrolling in college. Cooking chicken instead of fish. Dating other people. And with enough luck, I'll be kissing other people by the end of this date. Even if it doesn't mean anything.
"Is everything okay?" Mark asks as we turn onto the interstate.
"Sure. Why?" But we both know why he'd ask.
Mark's obviously too much of a gentleman to point out that I'm getting more space time than an astronaut. He says, "You just seem quiet tonight. I hope I didn't already do something to screw this up."
I laugh. "That's exactly what I was just thinking. That I didn't want to screw it up, I mean."
He nods, gives a knowing smile.
"What?" I say.
He shrugs.
"No. You gave me a look," I say, crossing my arms.
"No I didn't."
"I don't date liars." Anymore.
He laughs. "Fine. If you must know, I don't think there's anything you could possibly do to screw this up."
I can't help but smile. "Oh, you shouldn't have said that out loud." Good-looking, smart, funny. And now sweet. So quit waiting for your purse to ring, stupid.
"You might remember that you forced me to say it out loud. But don't worry. I'm not superstitious."
"I'm not either. ~ Anna Banks,
359:Gonna start calling you Grace.” She lifted her chin. “You saying I’m clumsy?” Wade shrugged. “Saying you’ve been here two minutes, and you’ve already dropped a sparkler and tripped over your own feet— unless that was on purpose.” Abigail frowned. Wade cringed. Now why’d he have to go and say that? “Why would I—” Her lips pursed. “I did not trip on purpose. I was mortified, if you must know.” “Makes no difference to me.” Wade wiped his boot on the grass and got resituated. “If I were interested in Dylan, I’d go out with him—he’s asked more than once, you know.” A twinge of jealousy flared. He didn’t know Dylan had pursued that hard. “Like I said, no difference to me.” Abigail frowned and looked away. He’d done it now. Managed to take things a couple levels past awkward. He really had a way with ladies. Stretching his legs in front of him, he looked skyward. The display could start anytime now. Anytime. Was he really so incapable of making conversation with a woman? So out of practice? He shooed a mosquito from his face. Who was he kidding? It wasn’t just any woman. It was Abigail, daggonit. She did something to him that didn’t need doing. If she’d just keep her distance and stick to her job, everything would be just dandy. But no, every time he turned around, there she was. ~ Denise Hunter,
360:Come home with me tonight,Gypsy," he said huskily. "You won't regret it."
"You have a Gajo priest in residence,then,to give his blessing?"
His hand dropped from her. Frustration filled his eyes. "You are saying you would me?"
"I am saying I want you,too,Lord Englishman, but without the prist's words, I can't have you.It does not get more simple than that."
"Simple?" he all but snorted. "You must know that is impossible,that people from my social stature only marry within their class."
"Yes,I know very well how nobles are goverened by the opinions of their peers, which does not leave them free to do as they please. A shame you aren't a common man, Lord Englishman. They have more freedom than you."
"And how free are you,to do as you want?" he shot back in a frustrated tone. "Or did you not just tell me that you want me?"
"I can't deny that.Yet I am restricted by my own morals, rather than the opinions of others. If you must know,my own people would be scandalized if I were to marry you.Ironically, you would not be an acceptable mate for me, for you are not one of us. Would I let that influence me? No.Only one's heart should matter in these things.Yet mine will not let me go to a man who will not be mine to keep.I do not hold myself that cheaply. ~ Johanna Lindsey,
361:We won!” yelled Ron, bounding into sight and brandishing the silver Cup at Harry. “We won! Four hundred and fifty to a hundred and forty! We won!” Harry looked around; there was Ginny running toward him; she had a hard, blazing look in her face as she threw her arms around him. And without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments — or it might have been half an hour — or possibly several sunlit days — they broke apart. The room had gone very quiet. Then several people wolf-whistled and there was an outbreak of nervous giggling. Harry looked over the top of Ginny’s head to see Dean Thomas holding a shattered glass in his hand, and Romilda Vane looking as though she might throw something. Hermione was beaming, but Harry’s eyes sought Ron. At last he found him, still clutching the Cup and wearing an expression appropriate to having been clubbed over the head. For a fraction of a second they looked at each other, then Ron gave a tiny jerk of the head that Harry understood to mean, Well — if you must. The creature in his chest roaring in triumph, he grinned down at Ginny and gestured wordlessly out of the portrait hole. A long walk in the grounds seemed indicated, during which — if they had time — they might discuss the match. ~ J K Rowling,
362:Prayer: Father God, as I look upon the everyday drudgeries of life, may I recognize my commitment to You. May I see the eternal light in these tasks so that I can recognize that You are building eternal character in my life. Amen.   Action: Examine two or three of your drudgeries to see how God can make these into opportunities for character building.   Today’s Wisdom: When things go wrong, as they sometimes will, When the road you’re trudging seems all uphill, When the funds are low and the debts are high, And you want to smile, but you have to sigh, When care is pressing you down a bit, Rest, if you must—but don’t you quit. Life is queer with its twists and turns, As every one of us sometimes learns, And many a failure turns about When he might have won had he stuck it out; Don’t give up, though the pace seems slow— You might succeed with another blow. Often the goal is nearer than It seems to a faint and faltering man, Often the struggler has given up When he might have captured the victor’s cup, And he learned too late, when the night slipped down, How close he was to the golden crown. Success is failure turned inside out— The silver tint of the clouds of doubt— And you never can tell how close you are, It may be near when it seems afar; So stick to the fight when you’re hardest hit— It’s when things seem worst that you must not quit. ~ Emilie Barnes,
363:Well,” I flush. How to say this? “I need to talk to Kate. I’ve so many questions about sex, and you’re too involved. If you want me to do all these things, how do I know—?” I pause, struggling to find the right words. “I just don’t have any terms of reference.” He rolls his eyes at me. “Talk to her if you must.” He sounds exasperated. “Make sure she doesn’t mention anything to Elliot.” I bristle at his insinuation. Kate isn’t like that. “She wouldn’t do that, and I wouldn’t tell you anything she tells me about Elliot—if she were to tell me anything,” I add quickly. “Well, the difference is that I don’t want to know about his sex life,” Christian murmurs dryly. “Elliot’s a nosy bastard. But only about what we’ve done so far,” he warns. “She’d probably have my balls if she knew what I wanted to do to you,” he adds so softly I’m not sure I’m supposed to hear it. “Okay,” I agree readily, smiling up at him, relieved. The thought of Kate with Christian’s balls is not something I want to dwell on. His lip quirks up at me, and he shakes his head. “The sooner I have your submission the better, and we can stop all this,” he murmurs. “Stop all what?” “You, defying me.” He reaches down and cups my chin and plants a swift, sweet kiss on my lips as the doors to the elevator open. He grabs my hand and leads me into the underground garage. Me, defying him … how? ~ E L James,
364:2. Don't Listen to the Dream-Stealers.

The very next thing that will happen, once you write your goals down and start to talk to people about them, is that you will meet those all-too-common cynics who will look at you and smirk.

I call them the dream-stealers.

Beware: they are more dangerous to mankind than you might ever imagine.

In life, we will never be short of people who want to knock our confidence or mock our ambitions.

There are lots of reasons why people might want to rain on your parade: perhaps they’re a little jealous that you want more out of life than they might hope for, or they’re worried your success will make them feel inferior. It might be that their motives come from a better place and they just want to spare you the failure, heartache and tears.

Either way, the results are the same: you get dissuaded from achieving your dreams and from fulfilling your potential.

The key is not to listen to them too hard. Hear them, if you must--out of respect--but then smile and push on.

Remember, the key to your future success is going to be embracing the very same thing those dream-stealers are warning you about: the failure, the heartache and the tears.

All those things will be key stepping stones on the road to success, and are actually good solid markers that you are doing something right. ~ Bear Grylls,
365:The Star
I HAD a star to sing by, a beautiful star that led,
But when I sang of its splendour the world in its wisdom said:
'Sweet are your songs, yet the singer sings but in madness when
He hymns but stars unbeholden of us his fellows of men;
Glow-worms we see and marshlights; sing us sweet songs of those
For the guerdons we have to give you, laurel and gold and rose;
Or if you must sing of stars, unseen of your brother man,
Go, starve with your eyes on your vision; your star may save if it can!'
So I said, 'If I starve and die I never again shall see
The glory, the high white radiance that hallows the world for me;
I will sing their songs, if it must be, and when I have golden store,
I will turn from the marsh and the glow-worms, and sing of my star once more.'
So I walked in the warm wet by-ways, not daring to lift my eyes
Lest love should drive me to singing my star supreme in the skies,
And the world cried out, 'We will crown him, he sings of the lights that are,
Glories of marshlight and glow-worms, not visions vain of a star!'
I said, 'Now my brows are laurelled, my hands filled full of their gold,
I will sing the starry songs that these earthworms bade withhold.
It is time to sing of my star!' for I dreamed that my star still shone,
Then I lifted my eyes in my triumph. Night! night! and my star was gone.
~ Edith Nesbit,
366:Speaking of the children, aren’t you supposed to be watching them at the moment?” “Of course.” He glanced around the hallway. “Where are they?” “They’re perfectly fine.” She dropped her voice to the merest whisper. “I’ve tied them up in the nursery.” For a moment, he thought he’d misheard her. “Forgive me, but you didn’t just say you’ve tied up the children, did you?” “Indeed I did.” “It’s little wonder you get dismissed so often if you make a habit of tying up your charges while you wander through libraries perusing romance novels.” “Oh, I’ve never tied children up before today. . . . Well, except for some children in my youth, but that hardly counts, since I was a child myself.” She held up a hand. “Before you dismiss me—something your expression clearly states you long to do—the whole tying-up business was the children’s idea.” “You would have me believe they wanted you to tie them up?” The dimple on Millie’s cheek popped out again as she grinned. “Don’t be silly. If you must know, they insisted on tying me up first, but obviously, since I’m standing in front of you, I was able to free myself.” Her grin widened. “In the spirit of fair play, I convinced them it was their turn to be held captive, although I don’t think the children thought their little game was going to have this particular outcome.” Everett headed for the stairs. “I’m going to go release them.” “You’ll put a damper on our fun if you do.” Not ~ Jen Turano,
367:I do believe she’s rather annoyed with us,” Miss Longfellow said before she brightened. “But she didn’t say she was washing her hands of us, so all hope hasn’t been lost just yet.” She caught his eye. “Would you be a dear and fetch my bag for me? The one I dropped when you knocked me over. It’s lying there all forlorn on the sidewalk.” Unable to remember the last time someone had call him a dear, and asked him to fetch something, Everett’s lips curled into a grin, and he ambled over to the bag and bent down to pick it up. Grabbing hold of the worn handle, he straightened . . . but wobbled when the weight of the bag took him by surprise. “What in the world do you have in here?” “Essentials.” “What type of essentials could possibly weigh this much?” “Well, if you must know, since I was intending on spending the next nine weeks employed by the Cutler family before I got unfairly dismissed, I had to pack enough reading material to see me through that extended period of time. In that bag rests a few of my favorite dictionaries, one thesaurus, my Bible, numerous works by Shakespeare, although I’m not exactly enjoying his writing, and two books by the incomparable Jane Austen.” She smiled. “Those I enjoy tremendously, but besides my treasured books, I also have a few changes of clothing, an extra pair of shoes, and, well, I won’t go into further details, since what’s left to mention will most likely embarrass us both.” Hefting ~ Jen Turano,
368:Purchase Price $250,000 Down Payment $ 25,000 Mortgage Amount $225,000 At 7% Interest Rate 30 Years $1,349 $485,636 15 Years $1,899 $341,762 Difference $550 $143,874 Five hundred fifty dollars more per month, and you will save almost $150,000 and fifteen years of bondage. The really interesting thing I have observed is that fifteen-year mortgages always pay off in fifteen years. Again, part of a Total Money Makeover is putting in place systems that automate smart moves, which is what a fifteen-year mortgage is. Thirty-year mortgages are for people who enjoy slavery so much they want to extend it for fifteen more years and pay thousands of dollars more for the privilege. If you must take out a mortgage, pretend only fifteen-year mortgages exist. If you have a great interest rate, it is not necessary to refinance to pay a mortgage off in fifteen years or earlier. Simply make payments as if you have a fifteen-year mortgage, and your mortgage will pay off in fifteen years. If you want to pay any mortgage off in twelve years or any number you want, visit my website or get a calculator and calculate the proper payment at your interest rate on your balance for a twelve-year mortgage (or the number you want). Once you have that payment amount, add to your monthly mortgage payment the difference between the new principal and interest payment and your current principal and interest payment, and you will pay off your home in twelve years. ~ Dave Ramsey,
369:I shove the wooden debris out of the way until I see the smudged face of the teddy bear.
“There she is.” I carefully pull out the bear and sword. I proudly flip the bridal veil skirt to show him the scabbard.
Raffe stares at the disguised sword for a second before commenting. “Do you know how many kills this sword has?”
“It’s a perfect disguise, Raffe.”
“This sword is not just an angel sword. She’s an archangel sword. Better than an angel sword, in case that’s not clear. She intimidates the other angel swords.”
“What, the other swords quake in their scabbards when they see her?” I walk over to the pile of scattered junk by Captain Jake’s boat.
“Yes, if you must know,” he says following me. “She was made for ultimate respect. How is she supposed to get that disguised as a teddy bear in a bridal gown?”
“It’s not a bridal gown, it’s a skirt for her scabbard. And it’s cute.”
[...]
“Have you named her yet?” he asks. “She likes powerful names so maybe you could appease her by giving her a good one.”
I bite my lip as I remember telling Dee-Dum what I named my sword. “Um, I could rename her anything she likes.” I give him a cheesy smile.
He looks like he’s bracing himself for the worst. “She gets named once by each carrier. If you’ve named her, she’s stuck with it for as long as she’s with you.”
Damn.
He glares at me as if he already hates it. “What is it?”
I consider lying but what’s the point? I clear my throat. “Pooky Bear. ~ Susan Ee,
370:Go grab one of those little baskets over there,” I said to Connor as I pointed by the door.

“You aren’t seriously buying that much, are you?”

“Ok Mr. Black, if you must know the truth, it’s my PMS time.”

He took a step back and put his hands up, “Whoa, enough said.”

I grinned as I picked up a bag of Fritos, Cheetos, a Hersey bar(king size), a Twix bar, a small pack of chocolate donuts, 3 cans of coke, a bag of tiny twist pretzels and a jar of Nutella. Connor looked in the basket and then at me with a horrified look on his face.

“Hey, you’re the one who wanted to take me on this road trip. I’m just trying to keep the peace because without these foods for a woman at that time of the month,” I waved my hand. “Well, you don’t really want to know.”

I put the basket on the counter. The cashier overheard our conversation, she looked at Connor and said, “Trust her; we girls are two sheets short of psycho when it comes to our special little time.”

He just stood there and looked at both of us, speechless, as she rang up the food. She gave me the total, and I looked at Connor.

He looked at me in confusion, “Really? You want me to pay for this crap?”

The cashier leaned over the counter and looked him straight in the eyes, “Remember, 2 sheets short of psycho.”

He pulled out his wallet and paid as he was mumbling under his breath. He took the bag and headed out. I looked at the cashier and high fived her, “Thank you. ~ Sandi Lynn,
371:Well, class,” said Teacher Jane. “As I guess you all know, Valentine’s Day is coming. We’re going to have a valentine party with punch and cookies, and we’re all going to give valentines to each other.”
“Yippee!” cried the class.
“Oh, yeah?” said Sister under her breath. “If she thinks I’m going to send a valentine to that no-good, rotten Billy Grizzwold, she’s got another think coming.” But Sister had another think coming, too. She began to think about what kind of valentine Herbie Cubbison might send her.
She was still thinking about it that night at dinner when the phone rang.
“It’s probably for you, Brother,” said Papa. “So you might as well answer it.”
“That’s right,” said Sister. “It’s probably one of your sweethearts.”
“You cut that out!” said Brother as he went to answer the phone.
“I wish you wouldn’t tease your brother like that,” said Mama.
“Well,” said Sister when Brother returned, “which one of your sweethearts was it, Bonnie, Jill, or Alexis?”
“It was Bonnie, if you must know,” said Brother, “and she was calling about math homework.”
“Uh-huh,” said Sister. “But that’s not the real reason she was calling. The real reason is that Valentine’s Day is coming and she wants to make sure you send her an icky-sticky valentine with lots of kisses.”
“You cut that out!” shouted Brother. “Mama, if she doesn’t cut that out, I’m gonna--”
But the phone rang again.
“It’s probably Jill this time,” said Sister as Brother went to the phone. ~ Stan Berenstain,
372:Well, class,” said Teacher Jane. “As I guess you all know, Valentine’s Day is coming. We’re going to have a valentine party with punch and cookies, and we’re all going to give valentines to each other.”
“Yippee!” cried the class.
“Oh, yeah?” said Sister under her breath. “If she thinks I’m going to send a valentine to that no-good, rotten Billy Grizzwold, she’s got another think coming.” But Sister had another think coming, too. She began to think about what kind of valentine Herbie Cubbison might send her.
She was still thinking about it that night at dinner when the phone rang.
“It’s probably for you, Brother,” said Papa. “So you might as well answer it.”
“That’s right,” said Sister. “It’s probably one of your sweethearts.”
“You cut that out!” said Brother as he went to answer the phone.
“I wish you wouldn’t tease your brother like that,” said Mama.
“Well,�� said Sister when Brother returned, “which one of your sweethearts was it, Bonnie, Jill, or Alexis?”
“It was Bonnie, if you must know,” said Brother, “and she was calling about math homework.”
“Uh-huh,” said Sister. “But that’s not the real reason she was calling. The real reason is that Valentine’s Day is coming and she wants to make sure you send her an icky-sticky valentine with lots of kisses.”
“You cut that out!” shouted Brother. “Mama, if she doesn’t cut that out, I’m gonna--”
But the phone rang again.
“It’s probably Jill this time,” said Sister as Brother went to the phone. ~ Stan Berenstain,
373:He thrust his hand in the air and summoned his sword of pure white flame. The gods and goddesses cowered. Throwing his head back and laughing, Surt grew to his full giant size. “You minor, forgotten, pathetic deities! So easy to bend to my will. Not one of you would dare to defy me!”
I chose that moment to shape-shift into a bee, buzz up Surt’s teeny-tiny nose, and jab him with my stinger.
With a howl of pain, Surt dropped his sword and shrank to his previous size. I changed into my true form.
“I dare.”
I whipped one end of my golden garrote around his neck and yanked it tight. Then I snatched up his flame sword and with one upward flick, sliced off his pubescent nose. “Jack and Magnus send their regards.”
Surt lunged for me. I transformed into a bighorn sheep and head-butted him right where his nose used to be. Then I changed back to human, tightened the garrote until his eyes bulged, and threatened him with his own sword. “Come at me again,” I warned, “and you’ll regret it.”
I surveyed the stunned deities. “If one einherji can do this, imagine what all of us can do. And will do, come Ragnarok. We are not destined to win, but we will fight with honor. We would welcome you on our side of the fight. But, if you must side with him”—I gave the garrote a vicious tug and was rewarded with a gurgle from Surt—“know this: I will personally hunt you down on the Last Battlefield of Vigridr and see that you are sent straight to Ginnungagap. The choice is yours.”
The deities vanished. ~ Rick Riordan,
374:My dearest Rose,
One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you. I'd dream about the way you smell and how your dark hair feels like silk between my fingers.
I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss.
Without dreams, I have to be content with my own imagination - which is almost as good. I can picture all of those things perfectly, as well as how it'll be when I take your life from this world.
It's something I regret having to do, but you've made my choice inevitable. Your refusal to join me in eternal life and love leaves no other course of action, and I can't allow someone as dangerous as you to live. Besides, even if I forced your awakening, you now have so many enemies among the Strigoi that one of them would kill you. If you must die, it'll be by my hand. No one else's.
Nonetheless, I wish you well today as you take your trails - not that you need any luck. If they actually making you take them, it's a waste of everyone's time. You're the best in that group, and by this evening you'll wear your promise mark. Of course, that means you'll be all that much more of a challenge when we meet again - which I'll definitely enjoy.
And we will be meeting again. With graduation, you'll be turned out of the Academy, and once you're outside the wards, I'll find you.
There is no place in this world you can hide from me. I'm watching.
Love,
Dimitri ~ Richelle Mead,
375:I cannot believe you would take such an unpardonable risk!"  cried Charles, leaping to his feet.  "When I bade Juliet to come here should anything happen to me, I thought you, not Gareth would be responsible for her!  Gareth can't even be responsible for buckling his own shoes for God's sake, let alone a wife and baby!" Lucien had been previously content to suffer Charles's anger, but now his expression hardened.  "You are judging your brother most unfairly, Charles, and I will not tolerate your abusing him in this manner.  He would be much wounded if he were to hear you speak of him so.  I know that Gareth was once irresponsible and dissolute, but he has made much of himself, Charles.  He is a loving husband and a playful, adoring father, and his days of debauchery are far behind him.  Go ahead and be angry, as you have every right to be, but do not be angry with him.  If you must assign blame to anyone, assign it where it is due.  That is, assign it to me." "Yes, you and your infernal meddling!  I hope you're damned proud of yourself!" "I was — until I got your letter saying you were not dead, after all.  But really, Charles.  Even you must admit that Gareth, with his light heart and carefree spirit, is much better suited to Juliet, who is as serious-minded as you are.  My only regret is that something has reduced you to this pathetic wreckage I see standing before me, and I was not there to help you.  But as sorry as I feel for you, Charles, I will tell you this.  If you do anything to sabotage your brother's and Juliet's newfound happiness, I assure you I will be most irate indeed. ~ Danelle Harmon,
376:Incomplete,” he says. “If I’m whole, why do I feel like I’m not?” And as usual, Roberta has a calming platitude intended to ease his mind, but as time goes on her rote wisdom leaves him flat and disappointed.

“Wholeness comes from creating experiences that are solely yours, Cam,” she tells him. “Live your life and soon you’ll find the lives of those who came before won’t matter. Those who gave rise to you mean nothing compared to what you are.”

But how can he live his life when he’s not convinced he has one? The attacks in the press conference still plague him. If a human being has a soul, then where is his? And if the human soul is indivisible, then how can his be the sum of the parts of all the kids who gave rise to him? He’s not one of them, he’s not all of them, so who is he?

His questions make Roberta impatient. “I’m sorry,” she tells him, “but I don’t deal in the unanswerable.”

“So you don’t believe in souls?” Cam asks her.

“I didn’t say that, but I don’t try to answer things that don’t have tangible data. If people have souls, then you must have one, proved by the mere fact that you’re alive.”

“But what if there is no ‘I’ inside me? What if I’m just flesh going through the motions, with nothing inside?”

Roberta considers this, or at least pretends to. “Well, if that were the case, I doubt you’d be asking these questions.” She thinks for a moment. “If you must have a construct, then think of it this way: Whether consciousness is implanted in us by something divine, or whether it is created by the efforts of our brains, the end result is the same. We are.”

“Until we are not,” Cam adds.

Roberta nods. “Yes, until we are not.” And she leaves him with none of his questions answered. ~ Neal Shusterman,
377:The False Gods
“We are false and evanescent, and aware of our deceit,
From the straw that is our vitals to the clay that is our feet.
You may serve us if you must, and you shall have your wage of ashes,—
Though arrears due thereafter may be hard for you to meet.
“You may swear that we are solid, you may say that we are strong,
But we know that we are neither and we say that you are wrong;
You may find an easy worship in acclaiming our indulgence,
But your large admiration of us now is not for long.
“If your doom is to adore us with a doubt that’s never still,
And you pray to see our faces—pray in earnest, and you will.
You may gaze at us and live, and live assured of our confusion:
For the False Gods are mortal, and are made for you to kill.
“And you may as well observe, while apprehensively at ease
With an Art that’s inorganic and is anything you please,
That anon your newest ruin may lie crumbling unregarded,
Like an old shrine forgotten in a forest of new trees.
“Howsoever like no other be the mode you may employ,
There’s an order in the ages for the ages to enjoy;
Though the temples you are shaping and the passions you are singing
Are a long way from Athens and a longer way from Troy.
“When we promise more than ever of what never shall arrive,
And you seem a little more than ordinarily alive,
Make a note that you are sure you understand our obligations—
For there’s grief always auditing where two and two are five.
“There was this for us to say and there was this for you to know,
Though it humbles and it hurts us when we have to tell you so.
If you doubt the only truth in all our perjured composition,
May the True Gods attend you and forget us when we go.”
~ Edwin Arlington Robinson,
378:Every fop and fool in London has been sniffing after her." Having said that, Jason returned his attention for the report. "Go ahead and read off the names, if you must."
Frowning in surprise at Jason's dismissive attitude, Charles took the seat across the desk from him and put on his spectacles. "First, there is young Lord Crowley, who has already asked my permission to court her."
"No. Too impulsive," Jason decreed flatly.
"What makes you say so?" Charles said with a bewildered look.
"Crowley doesn't know Victoria well enough to want to 'court' her, as you so quaintly phrased it."
"Don't be ridiculous. The first four men on this list have already asked my permission to do the same thing- providing, of course, that your claim on her is not unbreakable.”
“No, to all those four men- for the same reason,” Jason said curtly, leaning back in his chair, absorbed in the report in his hand. Who’s next?”
“Crowley’s friend, Lord Wiltshire.”
“Too young. Who’s next?”
“Arthur Landcaster.”
“Too short,” Jason said cryptically. “Next?”
“William Rogers,” Charles shot back in a challenging voice, “and he’s tall, conservative, mature, intelligent, and handsome. He’s also the heir to one of the finest estates in England. I think he would do very well for Victoria.”
“No.”
“No?” Charles burst out. “Why not?”
“I don’t like the way Roger sits a horse.”
“You don’t like ” Charles bit out in angry disbelief; then he glanced at Jason’s implacable face and sighed. “Very well. The last name on my list is Lord Terrance. He sits horses extremely well, in addition to being and excellent chap. He is also tall, handsome, intelligent, and wealthy. Now,” he finished triumphantly, “what fault can you find with him?”
Jason’s jaw tightened ominously.“I don’t like him. ~ Judith McNaught,
379:At Parting Ii
AND you could leave me now-After the first remembered whispered vow
Which sings for ever and ever in my ears-The vow which God among His Angels hears-After the long-drawn years,
The slow hard tears,
Could break new ground, and wake
A new strange garden to blossom for your sake,
And leave me here alone,
In the old garden that was once our own?
How should I learn to bear
Our garden's pleasant ways and pleasant air,
Her flowers, her fruits, her lily, her rose and thorn,
When only in a picture these appear-These, once alive, and always over-dear?
Ah--think again: the rose you used to wear
Must still be more than other roses be
The flower of flowers. Ah, pity, pity me!
For in my acres is no plot of ground
Whereon could any garden site be found,
I have but little skill
To water weed and till
And make the desert blossom like the rose;
Yet our old garden knows
If I have loved its ways and walks and kept
The garden watered, and the pleasance swept.
Yet--if you must--go now:
Go, with my blessing filling both your hands,
And, mid the desert sands
Which life drifts deep round every garden wall,
Make your new festival
Of bud and blossom--red rose and green leaf.
No blight born of my grief
Shall touch your garden, love; but my heart's prayer
Shall draw down blessings on you from the air,
And all we learned of leaf and plant and tree
63
Shall serve you when you walk no more with me
In garden ways; and when with her you tread
The pleasant ways with blossoms overhead
And when she asks, 'How did you come to know
The secrets of the ways these green things grow?'
Then you will answer--and I, please God, hear,
'I had another garden once, my dear'.
~ Edith Nesbit,
380:Charlie bent and peered into her car, smiling. “I can see you’re one of those tidy women who likes everything in its place.” Maddie’s chin tilted with that defiant little lift. “If you must know, I actually am. My car is one of the few places I throw caution to the wind.” Mitch studied her. Somehow, he didn’t quite believe that. He thought that the real Maddie was represented in that mess of a car. Hell, he should know: she’d managed to blow through his life like a tornado in less than twenty-four hours. But unlike her, he welcomed the chaos. After three years of mind-numbing monotony, it felt good to use his brain again and even better to feel the kick of excitement, the rush of challenge she presented. “I see,” Charlie said, resting his elbow on the top of her car. “Is there anything I can help you with?” Maddie shook her head. “Nope, just looking for money.” Charlie stepped back and walked up to Mitch while Maddie climbed into the driver’s seat on her hands and knees, oblivious to the taunting view her ass presented. Mitch said, in a dry tone, “Thanks a lot, asshole. I’d almost had her relaxed before you showed up.” “Is that what you were doing?” Charlie asked in a slow, amused drawl. “Relaxing her?” “I was working on it.” “That’s not all you were working on,” Charlie said. “What’s the plan?” “At this point, I’m winging it.” Maddie’s calf flexed as she contorted herself in an impossible position and she disappeared into the well of the passenger’s seat. “And to think,” Charlie said, “if she’d have stayed in her car, I would have been the one coming to her rescue.” “Fuck off,” Mitch said in his mildest voice, ignoring the kick of possession thumping insistently against his chest. He’d known Charlie since they were teenagers. Charlie knew all the right buttons to push and was looking for a reaction. Mitch wouldn’t be giving him one. Besides, ~ Jennifer Dawson,
381:She lifts her feet up onto the couch. Her thighs are plump and perfect and I suddenly want to touch them. I have to fight to keep my hands on my side of the couch, because while she might like me, she’s definitely not at the same place I’m at. “Stop it,” she says. I jerk my eyes back up to her face. “Stop what?” “Stop staring at my fat.” “I wasn’t staring at fat.” I look into her eyes. “I was staring at those awesomely gorgeous legs, if you must know.” She rolls her eyes. “Well, stop it.” “Can’t. Sorry. They’re awesome. And awesome things get stared at. Deal with it.” I grin at her. She’s not amused. She puts her feet back down on the floor. “I think I’m going to go to bed.” “Don’t go.” I grab her as she tries to get up, but with my bum leg, I can’t chase her down. I grab her forearm and gently pull her back down, only this time she’s on the middle couch cushion. “I’m sorry. I’ll stop.” I hold up my hands like I’m surrendering to the cops. “I promise.” She settles back against the sofa. “You make me nervous,” she admits. What? “Why?” “I don’t know how to take you.” I shrug. “Just take me at face value, I guess?” I make it sound like a question, but it’s not. “But you have so many faces.” She covers her own face with her hands and groans. “No, I don’t.” I look at her. Really look at her. “I’m the same guy you see every single time I’ve been with you.” “I didn’t mean to make you angry.” She has been talking to me for about five minutes without tapping or banging anything. I look down at her feet. She’s tapping out a rhythm with her bare, pink little toes. “I’m not angry,” I tell her. “Then what are you?” “I’m just a guy with a seriously hot chick on his couch watching the chef cook-off show.” I lay my hands on my stomach. “My belly is full, my apartment’s not empty for the first time in months, and I’m happy you’re here. Can you just live with that?” She ~ Tammy Falkner,
382:Although Arin wasn’t touching her, he was touching no living part of her, it felt as if a fine net had been cast over Kestrel, one that hazed her vision and shimmered against her skin.
“There,” he said.
Kestrel watched her reflection lift a hand to her head. She couldn’t think of what to say. Arin had drawn back, hands in his pockets. But his eyes held hers in the mirror, and his face had softened, like when she had played the piano for him. She said, “How…?”
He smiled. “How did a blacksmith pick up such an unexpected skill?”
“Well, yes.”
“My older sister used to make me do this when I was little.”
Kestrel almost asked where Arin’s sister was now, then imagined the worst. She saw Arin watch her imagine it, and saw from his expression that the worst was true. Yet his smile didn’t fade. “I hated it, of course,” he said. “The way she ordered me around. The way I let her. But now…it’s a nice memory.”
She rose and faced Arin. The chair stood between them, and she wasn’t sure whether she was grateful for that barrier or not.
“Kestrel, if you must go to the ball, take me with you.”
“I don’t understand you,” she said, frustrated. “I don’t understand what you say, how you change, how you act one way and then come here and act another.”
“I don’t always understand myself either. But I know I want to go with you tonight.”
Kestrel let the words echo in her mind. There had been a supple strength to his voice. An unconscious melody. Kestrel wondered if Arin knew how he exposed himself as a singer with every simple, ordinary word. She wondered if he meant to hold her in thrall.
“If you think it’s stupid for me to go to the Firstwinter ball,” she said, “you can be certain that it is far worse for me to take you along.”
He lifted one shoulder. “Or it could send a bold message of what we both know to be true: that you have nothing to hide. ~ Marie Rutkoski,
383:CAKE whole black peppercorns whole cloves whole cardamom 1 cinnamon stick 2 cups flour 1 teaspoon baking powder 1 teaspoon baking soda ½ teaspoon salt 3 large eggs 1 large egg yolk 1 cup sour cream 1½ sticks (6 ounces) unsalted butter, at room temperature 1 cup sugar 2 large pieces fresh ginger root (¼ cup, tightly packed, when finely grated) zest from 2 to 3 oranges (1½ teaspoons finely grated) Preheat oven to 350°F. Butter and flour a 6-cup Bundt pan. Grind your peppercorns, cloves, and cardamom and measure out ¼ teaspoon of each. (You can use pre-ground spices, but the cake won’t taste as good.) Grind your cinnamon stick and measure out 1 teaspoon. (Again, you can use ground cinnamon if you must.) Whisk the flour with the baking powder, baking soda, spices, and salt in a small bowl. In another small bowl, whisk the eggs and egg yolk into the sour cream. Set aside. Cream the butter and sugar in a stand mixer until the mixture is light, fluffy, and almost white. This should take about 3 minutes. Grate the ginger root—this is a lot of ginger—and the orange zest. Add them to the butter/sugar mixture. Beat the flour mixture and the egg mixture, alternating between the two, into the butter until each addition is incorporated. The batter should be as luxurious as mousse. Spoon batter into the prepared pan and bake for about 40 minutes, until cake is golden and a wooden skewer comes out clean. Remove to a rack and cool in the pan for 10 minutes. SOAK ½ cup bourbon 1½ tablespoons sugar While the cake cools in its pan, simmer the bourbon and the sugar in a small pot for about 4 minutes. It should reduce to about ⅓ cup. While the cake is still in the pan, brush half the bourbon mixture onto its exposed surface (the bottom of the cake) with a pastry brush. Let the syrup soak in for a few minutes, then turn the cake out onto a rack. Gently brush the remaining mixture all over the cake. ~ Ruth Reichl,
384:Fergus . This whole day have I followed in the rocks,
And you have changed and flowed from shape to
shape,
First as a raven on whose ancient wings
Scarcely a feather lingered, then you seemed
A weasel moving on from stone to stone,
And now at last you wear a human shape,
A thin grey man half lost in gathering night.
Druid . What would you, king of the proud Red Branch
kings?
Fergus . This would I Say, most wise of living souls:
Young subtle Conchubar sat close by me
When I gave judgment, and his words were wise,
And what to me was burden without end,
To him seemed easy, So I laid the crown
Upon his head to cast away my sorrow.
Druid . What would you, king of the proud Red Branch
kings?
Fergus . A king and proud! and that is my despair.
I feast amid my people on the hill,
And pace the woods, and drive my chariot-wheels
In the white border of the murmuring sea;
And still I feel the crown upon my head
Druid. What would you, Fergus?
Fergus . Be no more a king
But learn the dreaming wisdom that is yours.
Druid . Look on my thin grey hair and hollow cheeks
And on these hands that may not lift the sword,
This body trembling like a wind-blown reed.
No woman's loved me, no man sought my help.
Fergus . A king is but a foolish labourer
Who wastes his blood to be another's dream.
Druid . Take, if you must, this little bag of dreams;
Unloose the cord, and they will wrap you round.
Fergus . I See my life go drifting like a river
From change to change; I have been many things
A green drop in the surge, a gleam of light
Upon a sword, a fir-tree on a hill,
An old slave grinding at a heavy quern,
A king sitting upon a chair of gold
And all these things were wonderful and great;
But now I have grown nothing, knowing all.
Ah! Druid, Druid, how great webs of sorrow
Lay hidden in the small slate-coloured thing!

~ William Butler Yeats, Fergus And The Druid
,
385:When the men finished their game of whist and downed the last of the brandy, they decided the evening was at last over.
“That’s enough for me.” Godric turned towards the ladies. “Come along, Em. Time to depart.”
Emily didn’t spare her husband a glance. She had one hand on Horatia’s shoulder and another on Audrey’s while she spoke to the pair of them in a huddle. None of the men really bothered trying to figure out what women whispered about. Lucien guessed it would always remain one of life’s mysteries, like why a woman needed countless bonnets when they were such ugly and useless things. It was a damned nuisance trying to untie yards of unnecessary ribbons in order to touch a woman’s hair while he was kissing her.
“That’s an unholy alliance if I ever saw one,” Cedric noted.
The Sheridan sisters were trouble enough, but adding Emily was like a lit match near a very large powder keg.
“I’d best collect my wife before she causes trouble,” Godric replied.
Lucien didn’t miss Godric’s pleased tone as he had said ‘wife.’
Godric stood, then walked quietly over and plucked her away from the group, scooping her up into his arms.
“Godric!” Emily kicked her feet in outrage. “Put me down at once!”
“I don’t think so, my dear. It’s time I put you to bed.” Godric bent his head low so his face was inches from hers.
“Oh if you must.” She tried to sound reluctant, but there was a breathless quality to her voice that fooled no one. For a moment, Lucien was struck with a sharp sense of envy. If Horatia weren’t related to his friend, he would have been carrying her out the door in the same fashion, to find the nearest bed.
“Good night, everyone!” Godric called over his shoulder as he and Emily left the drawing room.
Cedric shook his head, but his eyes glinted with merriment. “By the way they act I swear you’d never know they were married.”
“They are indeed fortunate,” Ashton said. “To be so in love that marriage is a blessing rather than a burden. ~ Lauren Smith,
386:The Death Of The Old Year
Full knee-deep lies the winter snow,
And the winter winds are wearily sighing:
Toll ye the church bell sad and slow,
And tread softly and speak low,
For the old year lies a-dying.
Old year you must not die;
You came to us so readily,
You lived with us so steadily,
Old year you shall not die.
He lieth still: he doth not move:
He will not see the dawn of day.
He hath no other life above.
He gave me a friend and a true truelove
And the New-year will take 'em away.
Old year you must not go;
So long you have been with us,
Such joy as you have seen with us,
Old year, you shall not go.
He froth'd his bumpers to the brim;
A jollier year we shall not see.
But tho' his eyes are waxing dim,
And tho' his foes speak ill of him,
He was a friend to me.
Old year, you shall not die;
We did so laugh and cry with you,
I've half a mind to die with you,
Old year, if you must die.
He was full of joke and jest,
But all his merry quips are o'er.
To see him die across the waste
His son and heir doth ride post-haste,
But he'll be dead before.
Every one for his own.
The night is starry and cold, my friend,
And the New-year blithe and bold, my friend,
Comes up to take his own.
587
How hard he breathes! over the snow
I heard just now the crowing cock.
The shadows flicker to and fro:
The cricket chirps: the light burns low:
'Tis nearly twelve o'clock.
Shake hands, before you die.
Old year, we'll dearly rue for you:
What is it we can do for you?
Speak out before you die.
His face is growing sharp and thin.
Alack! our friend is gone,
Close up his eyes: tie up his chin:
Step from the corpse, and let him in
That standeth there alone,
And waiteth at the door.
There's a new foot on the floor, my friend,
And a new face at the door, my friend,
A new face at the door.
~ Alfred Lord Tennyson,
387:This is Storm, and there’s nothing mysterious at all about me riding him at night, even if the good folk of Tarrytown have taken to making up tales about me and my nightly rides.” He patted Storm again. “Storm, if you must know, hasn’t tolerated sunlight well for the past couple of years. His eyes have turned sensitive to the light, but I didn’t want him to grow old before his time, which is why we ride when it’s dark.” A rather warm and mushy feeling began traveling through Lucetta, a feeling that had her knees going a tad weak, until she remembered she was talking to a man who’d yet to explain why he’d been wearing an eye patch when she’d first met him, or why questionable jewelry and a bloody sword had been stashed in his fireplace. Add in the fact that there was now a suit of armor meandering around, scaring unsuspecting guests in the middle of the night, and she had no business allowing her knees to go all wobbly. “. . . and since you have managed to track me down, would you care to join us as we continue on with our nightly adventure?” “Adventure . . . ? What kind of adventure?” she asked slowly. Bram leaned down and placed his mouth directly next to her ear, his closeness sending a chill, and one she didn’t think was from the cold air, down her spine. “We’ll just have to make that up as we go.” A thread of disappointment stole over her as he straightened, moved to Storm’s side, and then swung up into the saddle. “What type of adventure sounds fun to you?” he asked. “I’m not certain what you’re asking.” He gave a sad shake of his head. “Oh dear, you’ve forgotten how to have fun, haven’t you.” Annoyance was swift. “Of course I haven’t.” “Prove it.” Not one to back down from a challenge, Lucetta smiled. “Very well, off the top of my head, I believe it would be great fun to visit Sleepy Hollow Cemetery, and . . . walk amongst the gravestones.” Smiling, Bram sent her an approving sort of nod. “Very good, Miss Plum, you’re obviously a lady after my own heart, although I will admit I didn’t take you for the type who’d enjoy places that embrace a rather gothic nature.” “Or morbid, one might say,” she added. Nodding ~ Jen Turano,
388:CAKE whole black peppercorns whole cloves whole cardamom 1 cinnamon stick 2 cups flour 1 teaspoon baking powder 1 teaspoon baking soda ½ teaspoon salt 3 large eggs 1 large egg yolk 1 cup sour cream 1½ sticks (6 ounces) unsalted butter, at room temperature 1 cup sugar 2 large pieces fresh ginger root (¼ cup, tightly packed, when finely grated) zest from 2 to 3 oranges (1½ teaspoons finely grated) Preheat oven to 350°F. Butter and flour a 6-cup Bundt pan. Grind your peppercorns, cloves, and cardamom and measure out ¼ teaspoon of each. (You can use pre-ground spices, but the cake won’t taste as good.) Grind your cinnamon stick and measure out 1 teaspoon. (Again, you can use ground cinnamon if you must.) Whisk the flour with the baking powder, baking soda, spices, and salt in a small bowl. In another small bowl, whisk the eggs and egg yolk into the sour cream. Set aside. Cream the butter and sugar in a stand mixer until the mixture is light, fluffy, and almost white. This should take about 3 minutes. Grate the ginger root—this is a lot of ginger—and the orange zest. Add them to the butter/sugar mixture. Beat the flour mixture and the egg mixture, alternating between the two, into the butter until each addition is incorporated. The batter should be as luxurious as mousse. Spoon batter into the prepared pan and bake for about 40 minutes, until cake is golden and a wooden skewer comes out clean. Remove to a rack and cool in the pan for 10 minutes. SOAK ½ cup bourbon 1½ tablespoons sugar While the cake cools in its pan, simmer the bourbon and the sugar in a small pot for about 4 minutes. It should reduce to about ⅓ cup. While the cake is still in the pan, brush half the bourbon mixture onto its exposed surface (the bottom of the cake) with a pastry brush. Let the syrup soak in for a few minutes, then turn the cake out onto a rack. Gently brush the remaining mixture all over the cake. GLAZE ¾ cup powdered sugar, sifted or put through a strainer 5 teaspoons orange juice Once the cake is cooled, mix the sugar with the orange juice and either drizzle the glaze randomly over the cake or put it into a squeeze bottle and do a controlled drizzle. AUTHOR’S NOTE This is a work of fiction. ~ Ruth Reichl,
389:A Word To The Unwise
Charles Main, of Main & Winchester, attend
With friendly ear the chit-chat of a friend
Who knows you not, yet knows that you and he
Travel two roads that have a common end.
We journey forward through the time allowed,
I humbly bending, you erect and proud.
Our heads alike will stable soon the worm
The one that's lifted, and the one that's bowed.
You in your mausoleum shall repose,
I where it pleases Him who sleep bestows;
What matter whether one so little worth
Shall stain the marble or shall feed the rose?
Charles Main, I had a friend who died one day.
A metal casket held his honored clay.
Of cyclopean architecture stood
The splendid vault where he was laid away.
A dozen years, and lo! the roots of grass
Had burst asunder all the joints; the brass,
The gilded ornaments, the carven stones
Lay tumbled all together in a mass.
A dozen years! That taxes your belief.
Make it a thousand if the time's too brief.
'Twill be the same to you; when you are dead
You cannot even count your days of grief.
Suppose a pompous monument you raise
Till on its peak the solar splendor blaze
While yet about its base the night is black;
But will it give your glory length of days?
Say, when beneath your rubbish has been thrown,
Some rogue to reputation all unknown
Men's backs being turned-should lift his thieving hand,
Efface your name and substitute his own.
120
Whose then would be the monument? To whom
Would be the fame? Forgotten in your gloom,
Your very name forgotten-ah, my friend,
The name is all that's rescued by the tomb.
For memory of worth and work we go
To other records than a stone can show.
These lacking, naught remains; with these
The stone is needless for the world will know.
Then build your mausoleum if you must,
And creep into it with a perfect trust;
But in the twinkling of an eye the plow
Shall pass without obstruction through your dust.
Another movement of the pendulum,
And, lo! the desert-haunting wolf shall come,
And, seated on the spot, shall howl by night
O'er rotting cities, desolate and dumb.
~ Ambrose Bierce,
390:You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone."
Her pleasure died instantly. Had this just been about teaching her a lesson?
Anger roared up in her. How dare he? Remembering the pistol, she shoved it up under his chin and cocked the hammer. "And if he does, the woman has a right to defend herself. Don't you agree?"
The surprise on his face was immensely gratifying, but it didn't last long. Eyes narrowing, he leaned closer to hiss, "Go ahead then. Fire."
She swallowed. Though there was no ball, the powder alone would do serious damage. She could never...
While she hesitated, he removed the pistol from her numb fingers. His glittering gaze bore into her. "Never brandish a gun unless you're prepared to use it."
She crossed her arms over her chest, feeling suddenly exposed. "Most men would be cowed by the very sight of a pistol," she muttered.
"I wasn't."
"You're not most men," she said tightly.
He acknowledged that with a curt nod. Then he walked over to one of the pots, aimed down at the dirt, and fired. When the smoke cleared from the muzzle flash, he noted the lack of a hole in the dirt and faced her.
"Powder." He glared at her. "Did it occur to you that unless you fired at point-blank range, you might merely anger the man you're aiming for?"
"I only need it for men who get close to me," she bit out.
"All the same, the next time you need to protect yourself, forget the pistol and bring your knee up between the man's legs as hard as you can. It'll make your point just as effectively and give you plenty of time to escape."
Color flooded her cheeks. Since she had brothers, she knew what he meant, but it wasn't something she would ever have thought to do. A pity, for it would have served her well with Ned. "Why are you telling me this?"
"I want you to know how to defend yourself if someone's taking liberties."
"Even if the someone is you?"
A strange light glinted in his eyes as he pocketed her pistol. "Especially if it's me."
What did he mean by that? "Mr. Pinter, about our kiss..."
"I was making a point," he said tersely. "Nothing more. Complain to your brothers about it and get me dismissed if you must, but don't worry-regardless of what you do, it won't happen again. ~ Sabrina Jeffries,
391:Maktoob
A shell surprised our post one day
And killed a comrade at my side.
My heart was sick to see the way
He suffered as he died.
I dug about the place he fell,
And found, no bigger than my thumb,
A fragment of the splintered shell
In warm aluminum.
I melted it, and made a mould,
And poured it in the opening,
And worked it, when the cast was cold,
Into a shapely ring.
And when my ring was smooth and bright,
Holding it on a rounded stick,
For seal, I bade a Turco write
Maktoob in Arabic.
Maktoob! "'Tis written!" . . . So they think,
These children of the desert, who
From its immense expanses drink
Some of its grandeur too.
Within the book of Destiny,
Whose leaves are time, whose cover, space,
The day when you shall cease to be,
The hour, the mode, the place,
Are marked, they say; and you shall not
By taking thought or using wit
Alter that certain fate one jot,
Postpone or conjure it.
Learn to drive fear, then, from your heart.
If you must perish, know, O man,
'Tis an inevitable part
Of the predestined plan.
45
And, seeing that through the ebon door
Once only you may pass, and meet
Of those that have gone through before
The mighty, the elite -- --Guard that not bowed nor blanched with fear
You enter, but serene, erect,
As you would wish most to appear
To those you most respect.
So die as though your funeral
Ushered you through the doors that led
Into a stately banquet hall
Where heroes banqueted;
And it shall all depend therein
Whether you come as slave or lord,
If they acclaim you as their kin
Or spurn you from their board.
So, when the order comes: "Attack!"
And the assaulting wave deploys,
And the heart trembles to look back
On life and all its joys;
Or in a ditch that they seem near
To find, and round your shallow trough
Drop the big shells that you can hear
Coming a half mile off;
When, not to hear, some try to talk,
And some to clean their guns, or sing,
And some dig deeper in the chalk -- I look upon my ring:
And nerves relax that were most tense,
And Death comes whistling down unheard,
As I consider all the sense
Held in that mystic word.
And it brings, quieting like balm
46
My heart whose flutterings have ceased,
The resignation and the calm
And wisdom of the East.
~ Alan Seeger,
392:Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And ~ Danelle Harmon,
393:I would have never taken you for a coward, Mr. Mulberry, but honestly, do you really believe carting out your wards is going to convince me to agree to whatever madness has you seeking me out so late at night?” Everett smiled almost as brightly as the children. “Now, now, Miss Longfellow, there’s no cause to call me a coward. Smart like a fox, perhaps, but—” “You shouldn’t antagonize her, Everett,” Lucetta suddenly said, interrupting Everett’s speech before she turned to Millie. “And you shouldn’t be surprised he brought the children with him, considering everyone knows you have a distinct weakness for the wee ones. However, before the conversation moves forward, I really am going to have to insist that the two of you drop all of this Miss and Mister nonsense. We have a common friend in Oliver Addleshaw. Which means, like it or not, we’re now friends of a sort. And because of that, there’s really no reason for such formality.” “There is if he’s here to ask me to work for him.” “Of course he’s here to ask you to work for him,” Lucetta said. “But that has absolutely nothing to do with calling him by his given name.” Millie opened her mouth, but before she could respond, something that looked remarkably like mud began seeping through the paper wrapped around the flowers she was holding. Moving to the closest table, she unwrapped the paper before setting her sights on Everett again. “Did you pull these flowers right out of the ground, Mr. Mulberry?” Everett smiled. “Please, call me Everett since Lucetta was kind enough to point out we’re friends, and of course I didn’t pull those right out of the ground.” Millie held up the flowers, exposing the roots still clinging to dirt. “You would have me believe you purchased these from a flower shop?” “It’s after ten. There are no flower shops open, but if you must know, I had Rosetta pluck those out of the ground for you.” A little girl of about five raised an incredibly dirty hand and waved at her right as Everett cleared his throat, drawing Millie’s attention. “I think you should view it as a mark in my favor that I remembered the flowers, especially since, again, I’m a little sensitive to them, but . . . you were quite vocal about what it would take to get you to work for me.” He sent her a far-too-charming smile. Ignoring the charm, Millie lifted her chin. “You might as well tell me what disaster struck your household now.” Everett shot a glance to the children and seemed to shudder. “Why would you assume something disastrous happened?” Setting the flowers, roots and all, aside, Millie crossed her arms over her chest. “Don’t insult my intelligence, Everett. You wouldn’t be bringing me flowers or children if something of a disastrous nature hadn’t occurred.” “The children are adorable, aren’t they?” “Of course they’re adorable, dear, which I’m sure you were hoping to use to your advantage,” Abigail said as she arrived in the drawing room, pushing a cart that seemed to be heavy with treats. ~ Jen Turano,
394:What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake.

Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.”

“Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.”

“I’m not afraid of London,” Cecily said defiantly.

Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh*

She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.”

Will blinked at her words.

You are my brother, and I want to go with you.

It was the sort of thing he was used to hearing Jem say.

Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination.

“Do you even care where I’m going?” he said. “What if I were going to hell?”

“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”

“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”

“Wouldn’t you stop them?”

“I suppose it would depend on whether they cut me a part of the profit.”

She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?”

“How do you know the drugs are for Jem?” Will said.

“I’m not an idiot, Will.”

“No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.”

“So what am I?” Cecily said.

Will exhaled, too desperate to check himself. “You are my weakness.”

“And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.”

“Oh,” said Will, “and what do you want?”

“I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child.

“The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.”

“Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.”

Will fought the urge to shake her.

“Are you ready?”

She nodded, and he raised his hand to knock on the door. ~ Cassandra Clare,
395:I’ll call a cab and go to my car. I’ll sleep there for the night and figure out what to do in the light of day.” He’d started shaking his head about halfway through her proclamation and hadn’t stopped. “Do you honestly think I’m going to let you sleep in a car abandoned in some ditch on the side of the highway?” She scowled, hackles rising. “There’s no letting me. I’m perfectly capable of taking care of myself.” I think. No, screw that. I know. “Hey,” he said, voice soft. He wrapped his fingers around her wrist and, when she tried to yank away, held tight. “I know you can. You’ve already proven yourself.” Her frown deepening, she cast a suspicious glance in his direction. She was stuck in the middle of nowhere with no resources. Any idiot could see that. “I’ve proven nothing other than I can land myself in a huge mess.” One brow rose. “Oh? How long did you walk tonight? By yourself, in the dark?” “I didn’t have a choice, and I don’t have a choice now.” “There are always choices, Maddie. Don’t forget, you made a hell of a big one today.” “That doesn’t count,” she said, voice rising. Temper, temper, Maddie. She shook the voice away. “I know my options, and I’m going back to my car.” He studied her. Summing her up like the lawyer he used to be. “I don’t want to ask, but I’m going to anyway. Why don’t you want to call your family?” “Because I don’t want to.” The words shot out of her mouth, surprising her with their force. “What about friends?” Penelope and Sophie would walk through fire for her, but they weren’t an option, at least not tonight. “They’re probably at my mom’s house, consoling my family.” He scrubbed a hand over his stubbled jaw. “Won’t they be worried?” “I’m sure they are,” she said. Her voice had taken on an edge that she hoped would pass for determined, but she feared that it bordered on petulance. “But I’m not calling them. I wrote a note and stole my own car from the parking lot, so it’s not like they’ll think I’ve been kidnapped.” “What did you do, hotwire the thing?” Amusement was plain in the deep tone of his voice. “If you must know, I have three extremely overprotective older brothers, a worrywart mother, and a . . .” She paused, trying out the words in her mind and deciding she wanted to own them. “. . . suffocating ex-fiancé. They insisted I have one of those industrial-strength, military-grade, combination-lock hideaway keys. My uncle brought my car to the church because his was in the shop. So really, it’s their fault this happened.” That was the moment she’d known she was going to run. Surrounded by the smell of gardenias that made her want to gag, she’d pushed her bridesmaids out the door, begging for a few minutes of peace and quiet. She’d gone over to the window, desperate for the smell of fresh air, and there sat her little Honda. The cherry red of the car had glowed in the sun like a gift from heaven. A sudden, almost reverent calm descended on her. It had felt like peace: a feeling so foreign to her that it had taken a moment to recognize it. Mitch laughed, pulling her away from those last minutes in the church and back to the temptation sitting next to her. “Princess, you really are something,” he said, still chuckling. ~ Jennifer Dawson,
396:The Long Shadow of Lincoln: A Litany
(We can succeed only by concert. . . . The dogmas of the quiet past are
inadequate to the stormy present. The occasion is piled high with difficulty, and
we must rise with the occasion. As our case is new so we must think anew and
act anew. We must disenthrall ourselves. . . . December 1, 1862. The President's
Message to Congress.)
Be sad, be cool, be kind,
remembering those now dreamdust
hallowed in the ruts and gullies,
solemn bones under the smooth blue sea,
faces warblown in a falling rain.
Be a brother, if so can be,
to those beyond battle fatigue
each in his own corner of earth
or forty fathoms undersea
beyond all boom of guns,
beyond any bong of a great bell,
each with a bosom and number,
each with a pack of secrets,
each with a personal dream and doorway
and over them now the long endless winds
with the low healing song of time,
the hush and sleep murmur of time.
Make your wit a guard and cover.
Sing low, sing high, sing wide.
Let your laughter come free
remembering looking toward peace:
"We must disenthrall ourselves."
Be a brother, if so can be,
to those thrown forward
for taking hardwon lines,
for holding hardwon points
and their reward so-so,
little they care to talk about,
their pay held in a mute calm,
429
highspot memories going unspoken,
what they did being past words,
what they took being hardwon.
Be sad, be kind, be cool.
Weep if you must
And weep open and shameless
before these altars.
There are wounds past words.
There are cripples less broken
than many who walk whole.
There are dead youths
with wrists of silence
who keep a vast music
under their shut lips,
what they did being past words,
their dreams like their deaths
beyond any smooth and easy telling,
having given till no more to give.
There is dust alive
with dreams of The Republic,
with dreams of the Family of Man
flung wide on a shrinking globe
with old timetables,
old maps, old guide-posts
torn into shreds,
shot into tatters
burnt in a firewind,
lost in the shambles,
faded in rubble and ashes.
There is dust alive.
Out of a granite tomb,
Out of a bronze sarcophagus,
Loose from the stone and copper
Steps a whitesmoke ghost
Lifting an authoritative hand
In the name of dreams worth dying for,
In the name of men whose dust breathes
of those dreams so worth dying for,
what they did being past words,
430
beyond all smooth and easy telling.
Be sad, be kind, be cool,
remembering, under God, a dreamdust
hallowed in the ruts and gullies,
solemn bones under the smooth blue sea,
faces warblown in a falling rain.
Sing low, sing high, sing wide.
Make your wit a guard and cover.
Let your laughter come free
like a help and a brace of comfort.
The earth laughs, the sun laughs
over every wise harvest of man,
over man looking toward peace
by the light of the hard old teaching:
"We must disenthrall ourselves."
~ Carl Sandburg,
397:
ON

ENJOYING

AND

SUFFERING

THE

PASSIONS

My brother, if you have a virtue and she is your
virtue, then you have her in common with nobody. To
be sure, you want to call her by name and pet her;
you want to pull her ear and have fun with her. And
behold, now you have her name in common with the
people and have become one of the people and herd
with your virtue.
You would do better to say, "Inexpressible and
nameless is that which gives my soul agony and sweetness and is even the hunger of my entrails."
May your virtue be too exalted for the familiarity of
names: and if you must speak of her, then do not be
ashamed to stammer of her. Then speak and stammer,
"This is my good; this I love; it pleases me wholly;
thus alone do I want the good. I do not want it as
divine law; I do not want it as human statute and
need: it shall not be a signpost for me to overearths
and paradises. It is an earthly virtue that I love: there
is little prudence in it, and least of all the reason of all
men. But this bird built its nest with me: therefore I
love and caress it; now it dwells with me, siting on its
golden eggs." Thus you shall stammer and praise your
virtue.
Once you suffered passions and called them evil. But
now you have only your virtues left: they grew out of
your passions. You commended your highest goal to
the heart of these passions: then they become your
virtues and passions you enjoyed.
And whether you came from the tribe of the choleric
or of the voluptuous or of the fanatic or of the vengeful, in the end all your passions became virtues and all
your devils, angels. Once you had wild dogs in your
37
cellar, but in the end they turned into birds and
lovely singers. Out of your poisons you brewed your
balsam. You milked your cow, melancholy; now you
drink the sweet milk of her udder.
And nothing evil grows out of you henceforth, unless
it be the evil that grows out of the fight among your
virtues. My brother, if you are fortunate you have only
one virtue and no more: then you will pass over the
bridge more easily. It is a distinction to have many
virtues, but a hard lot; and many have gone into the
desert and taken their lives because they had wearied
of being the battle and battlefield of virtues.
My brother, are. war and battle evil? But this evil is
necessary; necessary are the envy and mistrust and
calumny among your virtues. Behold how each of your
virtues covets what is highest: each wants your whole
spirit that it might become her herald; each wants your
whole strength in wrath, hatred, and love. Each virtue
is jealous of the others, and jealousy is a terrible thing.
Virtues too can perish of jealousy. Surrounded by the
flame of jealousy, one will in the end, like the scorpion,
turn one's poisonous sting against oneself. Alas, my
brother, have you never yet seen a virtue deny and
stab herself?
Man is something that must be overcome; and therefore you shall love your virtues, for you will perish of
them.
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON ENJOYING AND SUFFERING THE PASSIONS
,
398:Eclogue Of The Shepherd And The Townie
SHEPHERD
Not the blue-fountained Florida hotel,
Bell-capped, bellevued, straight-jacketed and decked
With chromium palms and a fromage of moon,
Not goodnight chocolates, nor the soothing slide
Of huîtres and sentinel straight-up martinis,
Neither the yacht heraldic nor the stretch
Limos and pants, Swiss banks or Alpine stocks
Shall solace you, or quiet the long pain
Of cold ancestral disinheritance,
Severing your friendly commerce with the beasts,
Gone, lapsed, and cancelled, rendered obsolete
As the gonfalon of Bessarabia,
The shawm, the jitney, the equestrian order,
The dark daguerreotypes of Paradise.
TOWNIE
No humble folding cot, no steaming sty
Or sheep-dipped meadow now shall dignify
Your brute and sordid commerce with the beasts,
Scotch your flea-bitten bitterness or down
The voice that keeps repeating, “Up your Ars
Poetica, your earliest diapered dream
Of the long-gone Odd Fellows amity
Of bunny and scorpion, the entente cordiale
Of lamb and lion, the old nursery fraud
And droll Aesopic zoo in which the chatter
Of chimp and chaffinch, manticore and mouse,
Diverts us from all thought of entrecôtes,
Prime ribs and rashers, filets mignonnettes,
Provided for the paired pythons and jackals,
Off to their catered second honeymoons
On Noah’s forty-day excursion cruise.”
SHEPHERD
15
Call it. if this should please you, but a dream,
A bald, long-standing lie and mockery,
Yet it deserves better than your contempt.
Think also of that interstellar darkness,
Silence and desolation from which the Tempter,
Like a space capsule exiled into orbit,
Looks down on our green cabinet of peace,
A place classless and weaponless, without
Envy or fossil fuel or architecture.
Think of him as at dawn he views a snail
Traveling with blind caution up the spine
Of a frond asway with its little inching weight
In windless nods that deepen with assent
Till the ambler at last comes back to earth,
Leaving his route, as on the boughs of heaven,
Traced with a silver scrawl. The morning mist
Haunts all about that action till the sun
Makes of it a small glory, and the dew
Holds the whole scale of rainbow, the accord
Of stars and waters, luminously viewed
At the same time by water-walking spiders
That dimple a surface with their passages.
In the lewd Viennese catalogue of dreams
It’s one of the few to speak of without shame.
TOWNIE
It is the dream of a shepherd king or child,
And is without all blemish except one:
That it supposes all virtue to stem
From pure simplicity. But many cures
Of body and of spirit are the fruit
Of cultivated thought. Kindness itself
Depends on what we call consideration.
Your fear of corruption is a fear of thought,
Therefore you would be thoughtless. Think again.
Consider the perfect hexagrams of snow,
Those broadcast emblems of divinity,
That prove in their unduplicable shapes
16
Insights of Thales and Pythagoras.
If you must dream, dream of the ratio
Of Nine to Six to Four Palladio used
To shape those rooms and chapels where the soul
Imagines itself blessed, and finds its peace
Even in chambers of the Malcontenta,
Those just proportions we hypostatize
Not as flat prairies but the City of God.
~ Anthony Evan Hecht,
399:who you want to meet and we’ll bring him to you.’ ‘Abraham is a hostage,’ Satyrus said. ‘You can’t bring him out of Athens, and I need to see him.’ His captains looked at him with something like suspicion. ‘I’m going to Athens,’ he insisted. ‘Without your fleet?’ Sandokes asked. ‘Haven’t you got this backward, lord? If you must go, why not lead with a show of force?’ ‘Can you go three days armed and ready to fight?’ Satyrus asked. ‘In the midst of the Athenian fleet? No. Trust me on this, friends. And obey – I pay your wages. Go to Aegina and wait.’ Sandokes was dissatisfied and he wasn’t interested in hiding it. ‘Lord, we do obey. We’re good captains and good fighters, and most of us have been with you a few years. Long enough to earn the right to tell you when you are just plain wrong.’ He took a breath. ‘Lord, you’re wrong. Take us into Athens – ten ships full of fighting men, and no man will dare raise a finger to you. Or better yet, stay here, or you go to Aegina and we’ll sail into Athens.’ Satyrus shrugged, angered. ‘You all feel this way?’ he asked. Sarpax shook his head. ‘No,’ he said. ‘Aekes and Sandokes have a point, but I’ll obey you. I don’t know exactly what your relationship with Demetrios is, and you do.’ He looked at the other captains. ‘We don’t know.’ Sandokes shook his head. ‘I’ll obey, lord – surely I’m allowed to disagree?’ Satyrus bit his lip. After a flash of anger passed, he chose his words carefully. ‘I appreciate that you are all trying to help. I hope that you’ll trust that I’ve thought this through as carefully as I can, and I have a more complete appreciation of the forces at work than any of you can have.’ Sandokes didn’t back down. ‘I hope that you appreciate that we have only your best interests at heart, lord. And that we don’t want to look elsewhere for employment while your corpse cools.’ He shrugged. ‘Our oarsmen are hardening up, we have good helmsmen and good clean ships. I wager we can take any twenty ships in these waters. No one – no one with any sense – will mess with you while we’re in the harbour.’ Satyrus managed a smile. ‘If you are right, I’ll happily allow you to tell me that you told me so,’ he said. Sandokes turned away. Aekes caught his shoulder. ‘There’s no changing my mind on this,’ Satyrus said. Sandokes shrugged. ‘We’ll sail for Aegina when you tell us,’ Aekes said. Satyrus had never felt such a premonition of disaster in all his life. He was ignoring the advice of a god, and all of his best fighting captains, and sailing into Athens, unprotected. But his sense – the same sense that helped him block a thrust in a fight – told him that the last thing he wanted was to provoke Demetrios. He explained as much to Anaxagoras as the oarsmen ran the ships into the water. Anaxagoras just shook his head. ‘I feel like a fool,’ Satyrus said. ‘But I won’t change my mind.’ Anaxagoras sighed. ‘When we’re off Piraeus, I’ll go off in Miranda or one of the other grain ships. I want you to stay with the fleet,’ Satyrus said. ‘Just in case.’ Anaxagoras picked up the leather bag with his armour and the heavy wool bag with his sea clothes and his lyre. ‘Very well,’ he said crisply. ‘You think I’m a fool,’ Satyrus said. ‘I think you are risking your life and your kingdom to see Miriam, and you know perfectly well you don’t have to. She loves you. She’ll wait. So yes, I think you are being a fool.’ Satyrus narrowed his eyes. ‘You asked,’ Anaxagoras said sweetly, and walked away.         3           Attika appeared first out of the sea haze; a haze so fine and so thin that a landsman would not even have noticed how restricted was his visibility. ~ Christian Cameron,
400:I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally ~ Kristin Newman,
401:Bokardo
Well, Bokardo, here we are;
Make yourself at home.
Look around—you haven’t far
To look—and why be dumb?
Not the place that used to be,
Not so many things to see;
But there’s room for you and me.
And you—you’ve come.
Talk a little; or, if not,
Show me with a sign
Why it was that you forgot
What was yours and mine.
Friends, I gather, are small things
In an age when coins are kings;
Even at that, one hardly flings
Friends before swine.
Rather strong? I knew as much,
For it made you speak.
No offense to swine, as such,
But why this hide-and-seek?
You have something on your side,
And you wish you might have died,
So you tell me. And you tried
One night last week?
You tried hard? And even then
Found a time to pause?
When you try as hard again,
You’ll have another cause.
When you find yourself at odds
With all dreamers of all gods,
You may smite yourself with rods—
But not the laws.
Though they seem to show a spite
Rather devilish,
They move on as with a might
71
Stronger than your wish.
Still, however strong they be,
They bide man’s authority:
Xerxes, when he flogged the sea,
May’ve scared a fish.
It’s a comfort, if you like,
To keep honor warm,
But as often as you strike
The laws, you do no harm.
To the laws, I mean. To you—
That’s another point of view,
One you may as well indue
With some alarm.
Not the most heroic face
To present, I grant;
Nor will you insure disgrace
By fearing what you want.
Freedom has a world of sides,
And if reason once derides
Courage, then your courage hides
A deal of cant.
Learn a little to forget
Life was once a feast;
You aren’t fit for dying yet,
So don’t be a beast.
Few men with a mind will say,
Thinking twice, that they can pay
Half their debts of yesterday,
Or be released.
There’s a debt now on your mind
More than any gold?
And there’s nothing you can find
Out there in the cold?
Only—what’s his name?—Remorse?
And Death riding on his horse?
Well, be glad there’s nothing worse
Than you have told.
72
Leave Remorse to warm his hands
Outside in the rain.
As for Death, he understands,
And he will come again.
Therefore, till your wits are clear,
Flourish and be quiet—here.
But a devil at each ear
Will be a strain?
Past a doubt they will indeed,
More than you have earned.
I say that because you need
Ablution, being burned?
Well, if you must have it so,
Your last flight went rather low.
Better say you had to know
What you have learned.
And that’s over. Here you are,
Battered by the past.
Time will have his little scar,
But the wound won’t last.
Nor shall harrowing surprise
Find a world without its eyes
If a star fades when the skies
Are overcast.
God knows there are lives enough,
Crushed, and too far gone
Longer to make sermons of,
And those we leave alone.
Others, if they will, may rend
The worn patience of a friend
Who, though smiling, sees the end,
With nothing done.
But your fervor to be free
Fled the faith it scorned;
Death demands a decency
Of you, and you are warned.
But for all we give we get
Mostly blows? Don’t be upset;
73
You, Bokardo, are not yet
Consumed or mourned.
There’ll be falling into view
Much to rearrange;
And there’ll be a time for you
To marvel at the change.
They that have the least to fear
Question hardest what is here;
When long-hidden skies are clear,
The stars look strange.
~ Edwin Arlington Robinson,
402:You allowed the girl to stay just long enough to ensure that Gareth would become enchanted with her — then, when he annoyed you, as he inevitably would, you sent her away. How very cruel, my friend!  To use the poor girl to punish your brother!  But no. That is not like you to be so heartless. Thus, I can only conclude that you are up to something, though what it could be, I have yet to fathom."  He shot Lucien a sideways glance. "Are you certain she's the one Charles was so smitten with?" Lucien was sitting back, smiling and idly watching the musicians. "Dead certain." "And the child?" "The spitting image of her father." "And yet you sent them away."  Fox shook his head. "What were you thinking of?" The duke turned his head, raising his brows in feigned surprise. "My dear Roger. You know me better than that. Do you think I would actually banish them?" "'Tis what your sister told me when I arrived." 'Ah, but 'tis what I want my sister to believe," he countered, smoothly. "And my two brothers — especially, Gareth."  He sipped his port, then swirled the liquid in the glass, studying it reflectively. "Besides, Roger, if you must know, I did not send the girl away — I merely made her feel so awkward that she had no desire to remain." "Is there a difference?" "But of course. She made the decision to leave, which means she maintains both her pride and a small modicum of respect, if not liking for me — which I may find useful at a future date. Gareth thinks I sent her away, which means he is perfectly furious with me. The result? She leaves, and he chases after her, which is exactly what I wanted him to do."  He chuckled. "Oh, to be a fly on the wall when he finds her and the two of them discover my hand in all this..." "Lucien, your eyes are gleaming with that cunning amusement that tells me you're up to something especially Machiavellian." "Is that so? Then I fear I must work harder at concealing the obvious." Fox gave him a shrewd look. "This is most confusing, as I'm sure you intend it to be. You know the child is Charles's and yet you will not acknowledge her ... and this after Charles expressly asked you to make her your ward?" "Really, Roger. There is no need to make the child my ward when Gareth, in all likelihood, will adopt her as his daughter." The barrister narrowed his eyes. "You have some superior, ulterior motive that evades us mere mortals." "But of course," Lucien murmured yet again, lifting his glass and idly sipping its dark liquid. "And perhaps you can explain it to this mere mortal?" "My dear Fox. It is quite simple, really. Drastic problems call for drastic solutions. By sending the girl away, I have set in motion my plan for Gareth's salvation. If things go as I expect, he will stay so furious with me that he will not only charge headlong to her rescue — but headlong into marriage with her." "Bloody hell!  Lucien, the girl's completely ill-suited for him!" "On the contrary. I have observed them together, Fox. They compliment each other perfectly. As for the girl, what she lacks in wealth and social standing she more than makes up for in courage, resolve, common sense, and maturity. Gareth, whether he knows it or not, needs someone just like her. It is my hope that she will — shall I say — reform him." Fox shook his head and bit into a fine piece of Cheshire. "You're taking a risk in assuming Gareth will even find her." "Oh, he'll find her. I have no doubt about that."  Lucien gestured for a footman, who promptly stepped forward and refilled his glass. "He's already half in love with her as it is. Gareth is nothing if not persistent." "Yes, and he is also given to rashness, poor judgment, and an unhealthy appetite for dissolute living." "Indeed. And that, my dear Fox, is exactly what I believe the girl will cure him of. ~ Danelle Harmon,
403:I no longer require your services." With her head held high, she strode for the door.
Hell and blazes, he wouldn't let her do this! Now when he knew what was at stake.
"You don't want to hear my report?" he called out after her.
She paused near the door. "I don't believe you even have a report."
"I certainly do, a very thorough one. I've only been waiting for my aunt to transcribe my scrawl into something decipherable. Give me a day, and I can offer you names and addresses and dates, whatever you require."
"A day? Just another excuse to put me off so you can wreak more havoc." She stepped into the doorway, and he hurried to catch her by the arm and drag her around to face him.
He ignored the withering glance she cast him. "The viscount is twenty-two years your senior," he said baldly.
Her eyes went wide. "You're making that up."
"He's aged very well, I'll grant you, but he's still almost twice your age. Like many vain Continental gentlemen, he dyes his hair and beard-which is why he appears younger than you think."
That seemed to shake her momentarily. Then she stiffened. "All right, so he's an older man. That doesn't mean he wouldn't make a good husband."
"He's an aging roué, with an invalid sister. The advantages in a match are all his. You'd surely end up taking care of them both. That's probably why he wants to marry you."
"You can't be sure of that."
"No? He's already choosing not to stay here for the house party at night because of his sister. That tells me that he needs help he can't get from servants."
Her eyes met his, hot with resentment. "Because it's hard to find ones who speak Portuguese."
He snorted. "I found out this information from his Portuguese servants. They also told me that his lavish spending is a façade. He's running low on funds. Why do you think his servants gossip about him? They haven't been paid recently. So he’s definitely got his eye on your fortune.”
“Perhaps he does,” she conceded sullenly. “But not the others. Don’t try to claim that of them.”
“I wouldn’t. They’re in good financial shape. But Devonmont is estranged from his mother, and no one knows why. I need more time to determine it, though perhaps your sister-in-law could tell you, if you bothered to ask.”
“Plenty of people don’t get along with their families,” she said stoutly.
“He has a long-established mistress, too.”
A troubled expression crossed her face. “Unmarried men often have mistresses. It doesn’t mean he wouldn’t give her up when he marries.”
He cast her a hard stare. “Are you saying you have no problem with a man paying court to you while he keeps a mistress?”
The sigh that escaped her was all the answer he needed.
“I don’t think he’s interested in marriage, anyway.” She tipped up her chin. “That still leaves the duke.”
“With his mad family.”
“He’s already told me about his father, whom I knew about anyway.”
“Ah, but did you know about his great-uncle? He ended his life in an asylum in Belgium, while there to receive some special treatment for his delirium.”
Her lower lip trembled. “The duke didn’t mention that, no. But then our conversation was brief. I’m sure he’ll tell me if I ask. He was very forthright on the subject of his family’s madness when he offered-“
As she stopped short, Jackson’s heart dropped into his stomach. “Offered what?”
She hesitated, then squared her shoulders. “Marriage, if you must know.”
Damn it all. Jackson had no right to resent it, but the thought of her in Lyons’s arms made him want to smash something. “And of course, you accepted his offer,” he said bitterly. “You couldn’t resist the appeal of being a great duchess.”
Her eyes glittered at him. “You’re the only person who doesn’t see the advantage in such a match. ~ Sabrina Jeffries,
404:I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk."
"Not on your life," Fletcher growled.
From the sound, Breckenridge realized the group had moved closer to the tap.
"You don't need to think you're going to give us the slip so easily," Fletcher said again.
"My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?"
Cobbins opined that she might try to steal a horse and ride off.
"Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me."
That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush.
Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you."
Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me."
Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up."
As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them."
Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh.
"All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you."
From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work.
"So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble."
"Hmm." Heather's tone was tellingly mild.
Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land.
"If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution."
Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth.
A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more."
"Thank you, Fletcher. Come, Martha-we don't want to waste the light."
Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent.
The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door. ~ Stephanie Laurens,
405:At least tell me the truth about Blakeborough,” he said hoarsely. “Do you love him?”
“Why does it matter?”
His eyes ate her up. “If you do, I’ll keep my distance. I’ll stay out of your life from now on.”
“You’ve been doing that easily enough for the past twelve years,” she snapped. “I don’t see why my feelings for Edwin should change anything.”
“Easily? It was never easy, I assure you.” His expression was stony. “And you’re avoiding the question. Are you in love with Blakeborough?
How she wished she could lie about it. Dom would take himself off, and she wouldn’t be tempted by him anymore. Unfortunately, he could always tell when she was lying. “And if I say I’m not?”
“Then I won’t rest until you’re mine again.”
The determination in his voice shocked her. Unsettled her.
Thrilled her.
No! “I don’t want that.”
His fingers dug into her arm. “Because you love Blakeborough?”
“Because love is a lie designed to make a woman desire what is only a figure of smoke in the wind. Love is too dangerous.”
He released a heavy breath. “So you don’t love him.”
His persistence sparked her temper, and she pushed free of him. “Oh, for pity’s sake, if you must know, I don’t.” She faced him down. “Not that it matters one whit. I don’t need love to have a good marriage, an amiable marriage. I don’t even want love.”
It hurt too much when her heart was trampled upon. Dom had done that once before. How could she be sure he wouldn’t do it again?
Eyes gleaming in the firelight, he said in a low voice, “You used to want love.”
“I was practically a child. I didn’t know any better. But I do now.”
“Do you? I wonder.” He circled her like a wolf assessing its prey’s weaknesses. “Very well, let’s forget about love for the moment. What about passion?”
“What about it?” she asked unsteadily as he slipped behind her. Nervous, she edged nearer the impressively massive pianoforte that sat in the center of the room.
“What part does passion play in your plan for a safe and loveless marriage?”
She pivoted to face him, startled to find that he’d stepped to within a breath of her. “None at all.”
He chuckled. “Does Blakeborough know that?”
“Not that it’s any of your concern, but Edwin and I have an arrangement. He’ll give me children; I’ll help him make sure Yvette finds a good husband. We both agree that passion is…unimportant to our plans.”
“Really?” He raised an eyebrow. “It certainly aids in the production of those children you’re hoping for. To quote a certain lady, ‘You can set a plan in motion, but as soon as it involves people, it will rarely commence exactly as you wish.’ You may not want passion to be important, sweeting, but it always is.”
“Not to us,” she said, though with him standing so close her legs felt like rubber and her blood raced wildly through her veins. “Not to me.
With his gaze darkening, he lifted his hand to run his thumb over the pounding pulse at her throat. “Yes, I can tell how unimportant it is to you.”
“That doesn’t mean…anything.”
“Doesn’t it?” He backed her against the pianoforte. “So the way you trembled in my arms this morning means nothing.”
It meant far too much. It meant her body was susceptible to him, even when her mind had the good sense to resist.
And curse him to the devil, he knew it. He slipped his hand about her waist to pull her against him. “It means nothing that every time we’re together, we ignite.”
“People do not…ignite,” she said shakily, though her entire body was on fire. “What an absurd idea.”
She held her breath and waited for his attempt to kiss her, determined to refuse it this time.
But he didn’t kiss her. Instead he fondled her breast through her gown, catching her so by surprise that she gasped, then moaned as the feel of his hand caressing her made liquid heat swirl in her belly.
Devil take the man. ~ Sabrina Jeffries,
406:A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.”
“You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.”
“If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.”
“If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.”
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'”
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.”
“There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor. ~ Paulo Coelho,
407:Coded Language

Whereas, breakbeats have been the missing link connecting the diasporic community to its drum woven past

Whereas the quantised drum has allowed the whirling mathematicians to calculate the ever changing distance between rock and stardom.

Whereas the velocity of the spinning vinyl, cross-faded, spun backwards, and re-released at the same given moment of recorded history , yet at a different moment in time's continuum has allowed history to catch up with the present.

We do hereby declare reality unkempt by the changing standards of dialogue.

Statements, such as, "keep it real", especially when punctuating or anticipating modes of ultra-violence inflicted psychologically or physically or depicting an unchanging rule of events will hence forth be seen as retro-active and not representative of the individually determined is.

Furthermore, as determined by the collective consciousness of this state of being and the lessened distance between thought patterns and their secular manifestations, the role of men as listening receptacles is to be increased by a number no less than 70 percent of the current enlisted as vocal aggressors.

Motherfuckers better realize, now is the time to self-actualize

We have found evidence that hip hops standard 85 rpm when increased by a number as least half the rate of it's standard or decreased at ¾ of it's speed may be a determining factor in heightening consciousness.

Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth.

Equate rhyme with reason, Sun with season

Our cyclical relationship to phenomenon has encouraged scholars to erase the centers of periods, thus symbolizing the non-linear character of cause and effect

Reject mediocrity!

Your current frequencies of understanding outweigh that which as been given for you to understand.

The current standard is the equivalent of an adolescent restricted to the diet of an infant.

The rapidly changing body would acquire dysfunctional and deformative symptoms and could not properly mature on a diet of apple sauce and crushed pears

Light years are interchangeable with years of living in darkness.

The role of darkness is not to be seen as, or equated with, Ignorance, but with the unknown, and the mysteries of the unseen.

Thus, in the name of:

ROBESON, GOD'S SON, HURSTON, AHKENATON, HATHSHEPUT, BLACKFOOT, HELEN
LENNON, KHALO, KALI, THE THREE MARIAS, TARA, LILITH, LOURDE, WHITMAN
BALDWIN, GINSBERG, KAUFMAN, LUMUMBA, GHANDI, GIBRAN, SHABAZZ, SIDDHARTHA
MEDUSA, GUEVARA, GURDJIEFF, RAND, WRIGHT, BANNEKER, TUBMAN, HAMER, HOLIDAY
DAVIS, COLTRANE, MORRISON, JOPLIN, DUBOIS, CLARKE, SHAKESPEARE, RACHMANINOV
ELLINGTON, CARTER, GAYE, HATHAWAY, HENDRIX, KUTI, DICKINSON, RIPPERTON
MARY, ISIS, THERESA, HANSBURY, TESLA, PLATH, RUMI, FELLINI, MICHAUX, NOSTRADAMUS, NEFERTITI
LA ROCK, SHIVA, GANESHA, YEMAJA, OSHUN, OBATALA, OGUN, KENNEDY, KING, FOUR
LITTLE GIRLS, HIROSHIMA, NAGASAKI, KELLER, BIKO, PERÓN, MARLEY, MAGDALENE, COSBY
SHAKUR, THOSE WHO BURN, THOSE STILL AFLAME, AND THE COUNTLESS UNNAMED

We claim the present as the pre-sent, as the hereafter.

We are unraveling our navels so that we may ingest the sun.

We are not afraid of the darkness, we trust that the moon shall guide us.

We are determining the future at this very moment.

We now know that the heart is the philosophers' stone

Our music is our alchemy

We stand as the manifested equivalent of 3 buckets of water and a hand full of minerals, thus realizing that those very buckets turned upside down supply the percussion factor of forever.

If you must count to keep the beat then count.

Find you mantra and awaken your subconscious.

Curve you circles counterclockwise

Use your cipher to decipher, Coded Language, man made laws.

Climb waterfalls and trees, commune with nature, snakes and bees.

Let your children name themselves and claim themselves as the new day for today we are determined to be the channelers of these changing frequencies into songs, paintings, writings, dance, drama, photography, carpentry, crafts, love, and love.

We enlist every instrument: Acoustic, electronic.

Every so-called race, gender, and sexual preference.

Every per-son as beings of sound to acknowledge their responsibility to uplift the consciousness of the entire fucking World.

Any utterance will be un-aimed, will be disclaimed - two rappers slain

Any utterance will be un-aimed, will be disclaimed - two rappers slain
~ Saul Williams,
408: ON THE

FAMOUS WISE

MEN

You have served the people and the superstition of
the people, all you famous wise men-and not truth.
And that is precisely why you were accorded respect.
And that is also why your lack of faith was tolerated:
it was a joke and a circuitous route to the people. Thus
the master lets his slaves have their way and is even
amused by their pranks.
But the free spirit, the enemy of fetters, the nonadorer who dwells in the woods, is as hateful to the
people as a wolf to dogs. To hound him out of his lair
-that is what the people have ever called "a sense of
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decency"; and against him the people still set their
fiercest dogs.
"Truth is there: after all, the people are there Let
those who seek beware1"-these words have echoed
through the ages. You wanted to prove your people
right in their reverence: that is what you called "will
to truth," you famous wise men. And your hearts ever
said to themselves: "From among the people I came,
and from there too the voice of God came to me. As
the people's advocates you have always been stiff-necked
and clever like asses.
And many who were powerful and wanted to get
along smoothly with the people harnessed in front of
their horses a little ass, a famous wise man.
And now I should wish, you famous wise men, that
you would at long last throw off the lion's skin completely. The skin of the beast of prey, mottled, and the
mane of those who search, seek, and conquer.
Oh, to make me believe in your "truthfulness" you
would first have to break your revering will.
Truthful I call him who goes into godless deserts,
having broken his revering heart. In the yellow sands,
burned by the sun, he squints thirstily at the islands
abounding in wells, where living things rest under dark
trees. Yet his thirst does not persuade him to become
like these, dwelling in comfort; for where there are
oases there are also idols.
Hungry, violent, lonely, godless: thus the lion-will
wants itself. Free from the happiness of slaves, redeemed from gods and adorations, fearless and fearinspiring, great and lonely: such is the will of the truthful.
It was ever in the desert that the truthful have dwelt,
the free spirits, as masters of the desert; but in the
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cities dwell the well-fed, famous wise men-the beasts
of burden. For, as asses, they always pull the people's
cart. Not that I am angry with them for that: but for
me they remain such as serve and work in a harness,
even when they shine in harnesses of gold. And often
they have been good servants, worthy of praise. For thus
speaks virtue: "If you must be a servant, seek him who
profits most from your service. The spirit and virtue of
your master shall grow by your being his servant: then
you yourself will grow with his spirit and his virtue."
And verily, you famous wise men, you servants of the
people, you yourselves have grown with the spirit and
virtue of the people-and the people through you. In
your honor I say this. But even in your virtues you rexnain for me part of the people, the dumb-eyed people
-the people, who do not know what spirit is.
Spirit is the life that itself cuts into life: with its own
agony it increases its own knowledge. Did you know
that?
And the happiness of the spirit is this: to be anointed
and through tears to be consecrated as a sacrificial
animal. Did you know that?
And the blindness of the blind and their seeking and
groping shall yet bear witness to the power of the sun,
into which they have looked. Did you know that?
And the lover of knowledge shall learn to build with
mountains. It means little that the spirit moves mountains. Did you know that?
You know only the spark of the spirit, but you do not
see the anvil it is, nor the cruelty of its hammer.
Verily, you do not know the pride of the spirit! But
even less would you endure the modesty of the spirit,
if ever it would speak.
And you have never yet been able to cast your spirit
105
into a pit of snow: you are not hot enough for that.
Hence you also do not know the ecstasies of its coldness.
In all things, however, you act too familiarly with the
spirit, and you have often made wisdom into a poorhouse and a hospital for bad poets.
You are no eagles: hence you have never experienced
the happiness that is in the terror of the spirit. And he
who is not a bird should not build his nest over abysses.
You are lukewarm to me, but all profound knowledge
fows cold. Ice cold are the inmost wells of the spirit:
refreshing for hot hands and men of action. You stand
there honorable and stiff and with straight backs, you
famous wise men: no strong wind and will drives you.
Have you never seen a sail go over the sea, rounded
and taut and trembling with the violence of the wind?
Like the sail, trembling with the violence of the spirit,
my wisdom goes over the sea-my wild wisdom.
But you servants of the people, you famous wise
men-how could you go with me?
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON THE FAMOUS WISE MEN
,
409:Laughter
You, whom these eyes, no longer mine,
Shall see in the mirror's flash and shine,
Meagre of face and pale of cheek,
Pale mouth, and lines that sadness speak:
All the grey shipwreck of this me
Who look upon you and laugh for glee,
Mocking at you, poor feeble thing,
You word that's uttered, you tune that's played,
You body shrunken, you soul decayed,
You heart that whispers but cannot sing:
You, when you walk abroad in sun,
Blinking at last for the too much light,
Scorning the young life that can run,
Scorning the fierce life that can fight,
And drooling wisdom day by day,
Presuming, you, to point the way:
Here are my eyes upon you, now,
Colder than stars to sear your brow,
Here is my hand upon your hand,
A stronger grip than yours can stand,
Here are my words, so cruelly true,If you be false, they are stones for you ...
And because you are feeble, a crawling thing,
Walking by walls to hold and cling,
With terror of darkness on your breath,
And terror lest you be dead, with death:
Catching perhaps at straws of faith,
Drunk with religion in hope to drown
These maddening truths that will not down,
Clutching philosophy's vapid wraith:
Here is my perfect scorn for you,
The scorn from youth to old age due,
Merciless laughter, sharp as knife,
The egotistical laugh of life.
I hold my sides!- let truth be said,
'Twere better if things like you were dead.
For I have strength to face this earth,
I am risen warm and strong from birth,
I am song, I am love, I am bitter hate,
83
The laughter of speed that will not wait.
Nature is hard, but hard am I,
The hard will live, the soft must die:
And I who am nature know this truth,The soul of nature's soul is youth.
If you deny me, turn to shame,
Or pity me,- forego my name;
For youth is right, and age is wrongYou but a prayer, while I am song!
The weak hates strong: you will hate me,
And war upon me, with cunning wiles,Pity me, with indulgent smiles,
And shrug your shoulders paternally.
'Mad youth!' you'll murmur- 'how mad it is!
He must indulge his ecstasies!
Youth is a madness, it will pass,
The fever of blood, the mad blind eyesHis stars will burn him, he'll grow wise,
The years bring calm to lad and lass.
And what we thought so fine in youth
Was at the most but half of truth,For truth is not of youth or age,
But some of life's whole pilgrimage,The young men's visions, the old men's dreams,
The passion of days, the thought of years;
Age's cautions, and youth's extremes;
Laughter is life no more than tears.
Youth sings, 'the height of life is youth,
All after that is retrograde,
The music falters, the flowers fade,
And falsehood masquerades as truth.'
Youth sings, 'Age hath no right to speak,
Nature abhors him, he is weak,
But youth is right, for youth is strong,
Youth is the young earth's bridal-song!'
I was a young man once, myself,
Youth, I can sympathize with you;
I speak impartially from my shelfTruth lies half way between the two.
Youth scorns old age,- well, youth is right,
That is youth's nature; age scorns youth,
84
Age too is just; each sees the light
As nature grants, and each sees truth...
For truth is not of youth or age,
But sum of life's whole pilgrimage,
A wonder of many wonders wrought,
Blended of passion and of thought;
And so, young man, we'll compromiseEach of us, in our way, is wise!'
Thus you will speak, O cunning one,
Warming your cold hands in the sun;
Squinting your eyes in too bright light,
Shielding your face's sickly white.
However weak, life fends for self,Thus you, old ghost! you shuffling trimmer!
You speak impartially from your shelf?You clutch at rays, for the light grows dimmer.
This much I'll not begrudge you, thenGo, justify yourself to men,
With powers of darkness come to terms
Lest you turn sick with dread of worms.
But, for the hard work of my brain,
Hands off! your yellow hands would stain.
Our best work, youth's! one finger mars;
If you must loathe it, or disclaim,
I beg you, then, forego my name,Else, die, mid laughter from the stars!
And yet, what's life? Come, here's my hand.
For at the last, I see it well,
Age were not age unless it fell,
And crawls- because it cannot stand.
I pity you,- I laugh at you,Yet to your years I see you true,
Truer than if, with rigid thought,
Your age to ghost of youth you wrought.
Poor soul! go, make your peace with death,
And warm your heart with a shibboleth!
Yes, you will hate, despise my work,How else?- But here's my laughing dirk,
Here I have snared you, all complete,
Your pitiful pale hands, struggling feet;
85
If you breathe poison on my art
Here is my poniard, here your heart!...
Because you are aged, senile, lamed,
For this, man, you shall not be blamed,
Though youth must smirk old age to see,
And merriment bubbles up in me;
But if with hand that smears and mars
You touch our best work, yours and mine,Then comes my laughter from earth and stars,
Youthful and cruel, wild, divine!
~ Conrad Potter Aiken,
410:The Voyage
À Maxime du Camp
For the child, in love with globe, and stamps,
the universe equals his vast appetite.
Ah! How great the world is in the light of the lamps!
In the eyes of memory, how small and slight!
One morning we set out, minds filled with fire,
travel, following the rhythm of the seas,
hearts swollen with resentment, and bitter desire,
soothing, in the finite waves, our infinities:
Some happy to leave a land of infamies,
some the horrors of childhood, others whose doom,
is to drown in a woman’s eyes, their astrologies
the tyrannous Circe’s dangerous perfumes.
In order not to become wild beasts, they stun
themselves, with space and light, and skies of fire:
The ice that stings them, and the scorching sun,
slowly erase the marks of their desire.
But the true voyagers are those who leave
only to move: hearts like balloons, as light,
they never swerve from their destinies,
and, without knowing why, say, always: ‘Flight!’
Those whose desires take on cloud-likenesses,
who dream of vast sensualities, the same
way a conscript dreams of the guns, shifting vaguenesses,
that the human spirit cannot name.
II
We imitate, oh horror, tops and bowls,
in their leaps and bounds, and even in dreams, dumb
curiosity torments us, and we are rolled,
as if by a cruel Angel that whips the sun!
Strange fate, where the goal never stays the same,
and, belonging nowhere, perhaps it’s no matter where
Man, whose hope never tires, as if insane,
rushes on, in search of rest, through the air.
Our soul, a three-master, heads for the isle, of Icarus.
A voice booms, from the bridge ‘Skin your eyes!’
A voice, from aloft, eager and maddened, calls to us:
‘Love... Fame... Happiness! Hell, it’s a rock!’ it cries.
481
On every island, that the lookouts sight,
destiny promises its Eldorado:
Imagination, conjuring an orgiastic rite,
finds only a barren reef in the afterglow.
O, the poor lover of chimeric sands!
Clap him in irons, toss him in the sea,
this drunken sailor, inventing New Found Lands,
whose mirage fills the abyss, with fresh misery?
Like an old tramp, trudging through the mire,
dreaming, head up, of dazzling paradise,
his gaze, bewitched, discovering Capua’s fire,
wherever a candlelit hovel meets his eyes.
III
Astounding travellers! What histories
we read in your eyes, deeper than the ocean there!
Show us the treasures of your rich memories,
marvellous jewels made of stars and air.
We wish to voyage without steam or sails!
Project on our spirits, stretched out, like the sheets,
lightening the tedium of our prison tales,
your past, the horizon’s furthest reach completes.
Tell us, what did you see?
IV
‘We saw the sand,
and waves, we also saw the stars:
despite the shocks, disasters, the unplanned,
we were often just as bored as before.
The sunlight’s glory on the violet shoals,
the cities’ glory as the sunlight wanes,
kindled that restless longing in our souls,
to plunge into the sky’s reflected flames.
The richest cities, the greatest scenes, we found
never contained the magnetic lures,
of those that chance fashioned, in the clouds.
Always desire rent us, on distant shores!
Enjoyment adds strength to our desire.
Desire, old tree, for whom, pleasure is the ground,
while your bark thickens, as you grow higher,
your branches long to touch the sky you sound!
Will you grow forever, mighty tree
more alive than cypress? Though, we have brought, with care,
a few specimens, for your album leaves,
482
brothers, who find beauty, in objects, from out there!
We have saluted gods of ivory,
thrones, jewelled with constellated gleams,
sculpted palaces, whose walls of faery,
to your bankers, would be ruinous dreams.
Clothes that, to your vision, bring drunkenness,
women with painted teeth and breasts,
juggling savants gliding snakes caress.’
And then, what then?
VI
‘O, Childishness!
Not to forget the main thing, everywhere,
effortlessly, through this world, we’ve seen,
from top to bottom of the fatal stair,
the tedious spectacle of eternal sin.
Woman, vile slave, full of pride and foolishness,
adoring herself without laughing, loving without disgust:
Man, greedy tyrant, harsh, lewd, merciless,
slave of that slave, a sewer in the dust.
The torturer who plays; the martyr who sobs;
the feast, perfumed and moist, from the bloody drip;
the poison of power, corrupting the despot;
the crowd, in love with the stupefying whip:
Several religions just like our own,
all climbing heaven. Sanctity,
like an invalid, under the eiderdown,
finding in nails, and hair-shirts, ecstasy:
Drunk with its genius, chattering Humanity,
as mad today as ever, or even worse,
crying to God, in furious agony:
' O, my likeness, my master, take my curse!
And, the least stupid, harsh lovers of Delirium,
fleeing the great herd, guarded by Destiny,
taking refuge in the depths of opium!
- That is the news, from the whole world’s country.’
VII
Bitter the knowledge we get from travelling!
Today, tomorrow, yesterday, the world shows what we see,
monotonous and mean, our image beckoning,
an oasis of horror, in a desert of ennui!
Shall we go, or stay? Stay, if you can stay:
483
Go, if you must. One runs, another crouches, to elude
Time, that vigilant, shadow enemy.
Alas! There are runners for whom nothing is any good,
like Apostles, or wandering Jews,
nothing, no vessel or railway car, they assume,
can flee this vile slave driver; others whose
minds can kill him, without leaving their room.
When, at last he places his foot on our spine, a
hope still stirs, and we can shout: ‘Forward!’
Just as when we left for China,
the wind in our hair and our eyes fixed to starboard,
sailing over the Shadowy sea,
with a young traveller’s joyous mind.
Do you hear those voices, sadly, seductively,
chanting: ‘Over here, if you would find,
the perfumed Lotus! It’s here we press
miraculous fruits on which your hopes depend:
Come and be drunk, on the strange sweetness,
of the afternoons, that never end.’
Behind a familiar tongue we see the spectre:
Our Pylades stretches his arms towards our face.
‘To renew your heart, swim towards your Electra!’
she calls, whose knees we once embraced.
VIII
O Death, old captain, it is time! Weigh anchor.
This land wearies us, O Death! Take flight!
If the sky and sea are dark as ink’s black rancour,
our hearts, as you must know, are filled with light!
Pour out your poison, and dissolve our fears!
Its fire so burns our minds, we yearn, it’s true,
to plunge to the Void’s depths, Heaven or Hell, who cares?
Into the Unknown’s depths, to find the new.
~ Charles Baudelaire,
411:Forsaking All Others Part 1
'NOT that you'll like him,' Nell said,
'No mystery - no romance,
A fine, stern, eagle-like head,
But he simply reeks of finance, -­
Started from nothing - self-made -­
And rather likes you to know it,
And now collects porcelain and jade,
Or some Seventeenth Century poet.
'Married in simpler days,
A poor little wren of a being,
Who exists to pray and praise,
And spends her life agreeing,
Thin and dowdy and pale,
And getting paler and thinner­
Well, the point of this dreary tale
Is I've asked them both to dinner.
'I'd leave her out like a shot,
For I'm not so keen about her,
But, my dear, believe it or not,
He won't dine out without her.
She has that terrible hold
That aging wives exert to
Replace young charms grown old­
Poor health and impeccable virtue.
'Lightly I asked them to dine,
And now I perceive the dangers,
My friends-yours and mine­
Are so terribly rude to strangers.
But you, dear girl, I can trust
To come and be brilliant and tender;
Vamp the man, if you must,
But give an impression of splendor.'
II
LEE sat before her mirror... rouged her lips,
19
Set dripping diamond earrings in her ears,
Polished a little at her finger tips,
Thought that she did not look her thirty years;
Thought, 'Poor dear Nellie's ill-assorted feasts!
I want to be as helpful as I can
Among that group of men and gods and beasts...
Why does she think I shall not like this man?
She made him sound entrancing... strong and crude,
Successful, dominant...I, who for so long
Have known a somewhat pitiful servitude
To weakness, have no terror of the strong.'
Her maid held up her cloak of furry white,
And gave her money in a golden purse.
She sighed: 'Not even third-rate bridge to-night,
Just third-rate conversation... which is worse.'
III
'NELLIE, I'm sorry I'm late,
Edward, I honestly am.
Just the malignance of fate
I always get caught in a jam
Whenever I'm coming to you.
'Mrs. Wayne back of you, Lee,
And Mr. Wayne.'
'How do you do.
Isn't that cocktail for me?
IV
MENU
CAVIAR, cocktails, soup of black bean,
Shad, Moet-Chandon of 1919,
A saddle of mutton, a stuffed aubergine,
With some creme de menthe jelly of beautiful green,
Avocados and lettuce and cold galantine
And baba au rhum with a sauce grenadine,
Coffee and fruit and some excellent fine.
20
V
SOME women - hard, beautiful women - know a way
Of looking up at a man, so gentle and gay,
A magical child-like look that seems to say:
Let us be happy together for an hour, a day,
A night, or forever. Let us yield to the charm.
Lee looked at Wayne and put her hand on his arm,
Under the broadcloth and linen she felt his muscles like steel,
Feeling, she said to herself, as a man's arm ought to feel.
And she glanced at her own hand there, so slim and cool
With its single cabochon emerald, like a deep green pool.
'Shall we go first,' she asked him, 'or let them all go ahead? '
And so they spoke of leading... and being led.
And then she told him a story, heard she didn't know when,
Of an arctic expedition, from which two men
Had got lost and while they were off and away
They met a dog, starving like them and astray...
A clever heroic creature, who in the end
Guided them back, and they loved that dog like a friend; ­
Loved him and worried about him all the way back...
What would he do when he met the head of the pack,
The leader of dogs, the old dog, cruel and stern,
Who brooked no rival. How could this new dog learn...
Himself a leader and used to his own wild way,
How could he learn to be one of the pack and obey?
Would he not fight for mastery... hopeless...they caught their breath.
Were they not leading this friend they loved to death?
And now the crisis was on them... they saw camp now,
Two men in a fragile boat and a dog standing up in the prow.
They pushed the boat as near as they could to the bank,
And someone to help them land shoved out a plank,
The new dog leaped on the plank, and the old dog, bristling and proud
Made one step to meet him in front of the crowd,
And they looked at each other a moment, and the old dog lay on his back,
And the new dog stepped ashore... the head of the pack.
'A very interesting story. Why did you tell it to me? '
21
Asked Wayne, with his black eyes on her.
'Why do you think? ' asked Lee.
VI
CANDLE light beams, flickers and blazes
On panelled pine walls, fashioned of old;
Pale pink roses in golden vases,
Hothouse grapes in a bowl of gold;
Crystal goblets, and plenty of them,
Flashing their points of rainbow light.
Tall, grave men servants bending above them,
Everyone talking with all his might: ­
'Why didn't Archie go with Jessie? '
'My dear, she didn't want him, of course.'
'Aren't things getting a trifle messy? '
'There's nothing messy about divorce.'
'Algy's a sort of weak Othello.'
'Poor creature. Jessie is quite a bird.'
'I hear Nan's doing her room in yellow.'.
'Her room? I think it's her hair you heard.'
'Tom never could resist a title.'
'Well, I'm rather a snob myself-'
'The woman is large and rich and vital
And does not mean to be laid on the shelf.'
'Nonsense, she's older than Tom's own mother,
And ought to be laid on a couple of shelves.'
While Lee and Wayne just talked to each other,
Talked to each other about themselves.
VII
NELLIE and Edward left alone,
Feeling their house again their own,
Stood by the fire. 'It seemed to me
22
The Great Man fell with a crash for Lee...'
'Nellie, the dinner was very good.'
'Darling, so glad you liked your food:
I'm afraid it's all the fun you had,
With Mrs. Wayne...'
'No, not so bad.
I rather liked her. The old girl said
Good things; she's got a tongue in her head.
But why the deuce need she look like that?
She isn't old and she isn't fat.
Wayne's probably generous, certainly rich,
Why need she dress like a Salem witch? '
'Oh, I could talk an hour,' said Nell,
'On the psychic basis of dressing well.
It isn't a question of pocket-books,
It isn't a figure, it isn't looks.
It isn't going to first-rate places.
Believe me, the thing has a psychic basis.
It's caring... caring a terrible lot...
Whether you're right, or whether you're not.
It's being a slave, yet now and then
Snapping your fingers at gods and men.
It's art, it's genius, it's using your mind...
What does the Bible say-'that kind
Comes not forth but by fasting and prayer...'
Well, that's the answer... you've got to care:
And Mrs. Wayne clearly has not been caring
For twenty years about what she was wearing.'
NELLIE and Edward left alone,
Feeling their house again their own,
Stood by the fire. 'It seemed to me
The Great Man fell with a crash for Lee...'
'Nellie, the dinner was very good.'
'Darling, so glad you liked your food:
23
I'm afraid it's all the fun you had,
With Mrs. Wayne...'
'No, not so bad.
I rather liked her. The old girl said
Good things; she's got a tongue in her head.
But why the deuce need she look like that?
She isn't old and she isn't fat.
Wayne's probably generous, certainly rich,
Why need she dress like a Salem witch? '
'Oh, I could talk an hour,' said Nell,
'On the psychic basis of dressing well.
It isn't a question of pocket-books,
It isn't a figure, it isn't looks.
It isn't going to first-rate places.
Believe me, the thing has a psychic basis.
It's caring... caring a terrible lot...
Whether you're right, or whether you're not.
It's being a slave, yet now and then
Snapping your fingers at gods and men.
It's art, it's genius, it's using your mind...
What does the Bible say-'that kind
Comes not forth but by fasting and prayer...'
Well, that's the answer... you've got to care:
And Mrs. Wayne clearly has not been caring
For twenty years about what she was wearing.'
VII
AT first the Waynes were silent driving home.
Park Avenue tilted southward mile by mile
Until a pale, golden, exotic dome
Stood like a gate across the steep defile.
Rain had been falling and the streets were black.
The traffic lights-emerald and carmine pink­
Were clearly, perfectly reflected back
As in dark mirrors or a pool of ink.
And it was doubly beautiful and gay
When green or red flashed down the polished way.
Wayne in his corner, staring at the skies,
24
Thought, with his air of easy self-command:
'God, what a woman! What a skin, what eyes,
Lashes a man could feel against his hand.
She lacks a leader, and she knows her lack,
For all her skill and pride... I understood,
If I could turn Time's moving finger back
How easily I could lead her, if I would.
'Why do you tell that tale,' I asked, 'to me? '
She looked at me. 'Why do you think? ' said she.
'If I were free... but I have led my life
With Ruth, and I am bound beyond repeal,
Bound faster to her than she knows: my wife
Is sceptical and wise, and true as steel.
I will not hurt her, as I once before
Hurt her. I have an oath in heaven; and so
I shall not see this lady any more.
Thank God I have the art of saying No.
I shall not go to see her in her flat
Or telephone or write her... that is that.'
Ruth, staring at the polished onyx street,
Thought: 'Merciful God, must I again endure
This agony: must I again compete,
I who am old and tired and insecure?
And she is beautiful and white and slim,
And confident of stirring men's desire...
I felt even as she first looked at him,
Something that flashed between the two like fire.
I always know when these wild passions start,
By something sharp and sickening at my heart.
'Honey-toned Emily, my childhood friend
Who sweetly laid her plans to take my place;
And that stenographer in Little Bend
With her mad eyes and her impassive face...
Wild midnight scenes over the telephone,
In office hours a most respectful 'Sir'
And yet her heart was set on him alone,
She really loved him, and I pitied her.
We had so much in common, she and I,
She almost told me, when she said good-bye.
25
'But worst was Grace. Grace with her secret art...
She made him feel in some Satanic way
They were Olympians... she and he... apart,
Superior to me... to common clay.
They were spectators at a childish play,
They were all-seeing, in a world of blind...
I could have killed them both with ecstasy..
She so contemptuous and he so kind '
And suddenly his voice was at her ear,
Saying: 'Did you enjoy yourself, my dear? '
IX
LEE alone in her room in the dark
Stared out over Central Park.
The rain brought out the primitive smell
Of cold wet earth. Lee thought: 'Ah, well,
There is a man I certainly can
Have if I want... and he is a man;
A man who might possibly seethe and bubble,
And be a good deal of fun, and a lot of trouble.'
~ Alice Duer Miller,
412:I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do,harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets offhe's a certain . . . how d'ye call?
MasteraCosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's-gripe!  
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair price what comes into their net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hang-dogs go
Drink out this quarter-florin to the health
Of the munificent House that harbours me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face
His, elbowing on his comrade in the door
With the pike and lantern,for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night
Ouf! I leaned out of window for fresh air.
There came a hurry of feet and little feet,
A sweep of lute strings, laughs, and whifts of song,
Flower o' the broom,
Take away love, and our earth is a tomb!
Flower o' the quince,
I let Lisa go, and what good in life since?
Flower o' the thymeand so on. Round they went.
Scarce had they turned the corner when a titter
Like the skipping of rabbits by moonlight,three slim shapes,
And a face that looked up . . . zooks, sir, flesh and blood,
That's all I'm made of! Into shreds it went,
Curtain and counterpane and coverlet,
All the bed-furniturea dozen knots,
There was a ladder! Down I let myself,
Hands and feet, scrambling somehow, and so dropped,
And after them. I came up with the fun
Hard by Saint Laurence, hail fellow, well met,
Flower o' the rose,
If I've been merry, what matter who knows?
And so as I was stealing back again
To get to bed and have a bit of sleep
Ere I rise up to-morrow and go work
On Jerome knocking at his poor old breast
With his great round stone to subdue the flesh,
You snap me of the sudden. Ah, I see!
Though your eye twinkles still, you shake your head
Mine's shaveda monk, you saythe sting 's in that!
If Master Cosimo announced himself,
Mum's the word naturally; but a monk!
Come, what am I a beast for? tell us, now!
I was a baby when my mother died
And father died and left me in the street.
I starved there, God knows how, a year or two
On fig-skins, melon-parings, rinds and shucks,
Refuse and rubbish. One fine frosty day,
My stomach being empty as your hat,
The wind doubled me up and down I went.
Old Aunt Lapaccia trussed me with one hand,
(Its fellow was a stinger as I knew)
And so along the wall, over the bridge,
By the straight cut to the convent. Six words there,
While I stood munching my first bread that month:
"So, boy, you're minded," quoth the good fat father
Wiping his own mouth, 'twas refection-time,--
"To quit this very miserable world?
Will you renounce" . . . "the mouthful of bread?" thought I;
By no means! Brief, they made a monk of me;
I did renounce the world, its pride and greed,
Palace, farm, villa, shop, and banking-house,
Trash, such as these poor devils of Medici
Have given their hearts toall at eight years old.
Well, sir, I found in time, you may be sure,
'T#was not for nothingthe good bellyful,
The warm serge and the rope that goes all round,
And day-long blessed idleness beside!
"Let's see what the urchin's fit for"that came next.
Not overmuch their way, I must confess.
Such a to-do! They tried me with their books:
Lord, they'd have taught me Latin in pure waste!
Flower o' the clove.
All the Latin I construe is, "amo" I love!
But, mind you, when a boy starves in the streets
Eight years together, as my fortune was,
Watching folk's faces to know who will fling
The bit of half-stripped grape-bunch he desires,
And who will curse or kick him for his pains,
Which gentleman processional and fine,
Holding a candle to the Sacrament,
Will wink and let him lift a plate and catch
The droppings of the wax to sell again,
Or holla for the Eight and have him whipped,
How say I?nay, which dog bites, which lets drop
His bone from the heap of offal in the street,
Why, soul and sense of him grow sharp alike,
He learns the look of things, and none the less
For admonition from the hunger-pinch.
I had a store of such remarks, be sure,
Which, after I found leisure, turned to use.
I drew men's faces on my copy-books,
Scrawled them within the antiphonary's marge,
Joined legs and arms to the long music-notes,
Found eyes and nose and chin for A's and B's,
And made a string of pictures of the world
Betwixt the ins and outs of verb and noun,
On the wall, the bench, the door. The monks looked black.
"Nay," quoth the Prior, "turn him out, d'ye say?
In no wise. Lose a crow and catch a lark.
What if at last we get our man of parts,
We Carmelites, like those Camaldolese
And Preaching Friars, to do our church up fine
And put the front on it that ought to be!"
And hereupon he bade me daub away.
Thank you! my head being crammed, the walls a blank,
Never was such prompt disemburdening.
First, every sort of monk, the black and white,
I drew them, fat and lean: then, folk at church,
From good old gossips waiting to confess
Their cribs of barrel-droppings, candle-ends,
To the breathless fellow at the altar-foot,
Fresh from his murder, safe and sitting there
With the little children round him in a row
Of admiration, half for his beard and half
For that white anger of his victim's son
Shaking a fist at him with one fierce arm,
Signing himself with the other because of Christ
(Whose sad face on the cross sees only this
After the passion of a thousand years)
Till some poor girl, her apron o'er her head,
(Which the intense eyes looked through) came at eve
On tiptoe, said a word, dropped in a loaf,
Her pair of earrings and a bunch of flowers
(The brute took growling), prayed, and so was gone.
I painted all, then cried " `T#is ask and have;
Choose, for more's ready!"laid the ladder flat,
And showed my covered bit of cloister-wall.
The monks closed in a circle and praised loud
Till checked, taught what to see and not to see,
Being simple bodies,"That's the very man!
Look at the boy who stoops to pat the dog!
That woman's like the Prior's niece who comes
To care about his asthma: it's the life!''
But there my triumph's straw-fire flared and funked;
Their betters took their turn to see and say:
The Prior and the learned pulled a face
And stopped all that in no time. "How? what's here?
Quite from the mark of painting, bless us all!
Faces, arms, legs, and bodies like the true
As much as pea and pea! it's devil's-game!
Your business is not to catch men with show,
With homage to the perishable clay,
But lift them over it, ignore it all,
Make them forget there's such a thing as flesh.
Your business is to paint the souls of men
Man's soul, and it's a fire, smoke . . . no, it's not . . .
It's vapour done up like a new-born babe
(In that shape when you die it leaves your mouth)
It's . . . well, what matters talking, it's the soul!
Give us no more of body than shows soul!
Here's Giotto, with his Saint a-praising God,
That sets us praisingwhy not stop with him?
Why put all thoughts of praise out of our head
With wonder at lines, colours, and what not?
Paint the soul, never mind the legs and arms!
Rub all out, try at it a second time.
Oh, that white smallish female with the breasts,
She's just my niece . . . Herodias, I would say,
Who went and danced and got men's heads cut off!
Have it all out!" Now, is this sense, I ask?
A fine way to paint soul, by painting body
So ill, the eye can't stop there, must go further
And can't fare worse! Thus, yellow does for white
When what you put for yellow's simply black,
And any sort of meaning looks intense
When all beside itself means and looks nought.
Why can't a painter lift each foot in turn,
Left foot and right foot, go a double step,
Make his flesh liker and his soul more like,
Both in their order? Take the prettiest face,
The Prior's niece . . . patron-saintis it so pretty
You can't discover if it means hope, fear,
Sorrow or joy? won't beauty go with these?
Suppose I've made her eyes all right and blue,
Can't I take breath and try to add life's flash,
And then add soul and heighten them three-fold?
Or say there's beauty with no soul at all
(I never saw itput the case the same)
If you get simple beauty and nought else,
You get about the best thing God invents:
That's somewhat: and you'll find the soul you have missed,
Within yourself, when you return him thanks.
"Rub all out!" Well, well, there's my life, in short,
And so the thing has gone on ever since.
I'm grown a man no doubt, I've broken bounds:
You should not take a fellow eight years old
And make him swear to never kiss the girls.
I'm my own master, paint now as I please
Having a friend, you see, in the Corner-house!
Lord, it's fast holding by the rings in front
Those great rings serve more purposes than just
To plant a flag in, or tie up a horse!
And yet the old schooling sticks, the old grave eyes
Are peeping o'er my shoulder as I work,
The heads shake still"It's art's decline, my son!
You're not of the true painters, great and old;
Brother Angelico's the man, you'll find;
Brother Lorenzo stands his single peer:
Fag on at flesh, you'll never make the third!"
Flower o' the pine,
You keep your mistr manners, and I'll stick to mine!
I'm not the third, then: bless us, they must know!
Don't you think they're the likeliest to know,
They with their Latin? So, I swallow my rage,
Clench my teeth, suck my lips in tight, and paint
To please themsometimes do and sometimes don't;
For, doing most, there's pretty sure to come
A turn, some warm eve finds me at my saints
A laugh, a cry, the business of the world
(Flower o' the peach
Death for us all, and his own life for each!)
And my whole soul revolves, the cup runs over,
The world and life's too big to pass for a dream,
And I do these wild things in sheer despite,
And play the fooleries you catch me at,
In pure rage! The old mill-horse, out at grass
After hard years, throws up his stiff heels so,
Although the miller does not preach to him
The only good of grass is to make chaff.
What would men have? Do they like grass or no
May they or mayn't they? all I want's the thing
Settled for ever one way. As it is,
You tell too many lies and hurt yourself:
You don't like what you only like too much,
You do like what, if given you at your word,
You find abundantly detestable.
For me, I think I speak as I was taught;
I always see the garden and God there
A-making man's wife: and, my lesson learned,
The value and significance of flesh,
I can't unlearn ten minutes afterwards.
You understand me: I'm a beast, I know.
But see, nowwhy, I see as certainly
As that the morning-star's about to shine,
What will hap some day. We've a youngster here
Comes to our convent, studies what I do,
Slouches and stares and lets no atom drop:
His name is Guidihe'll not mind the monks
They call him Hulking Tom, he lets them talk
He picks my practice uphe'll paint apace.
I hope sothough I never live so long,
I know what's sure to follow. You be judge!
You speak no Latin more than I, belike;
However, you're my man, you've seen the world
The beauty and the wonder and the power,
The shapes of things, their colours, lights and shades,
Changes, surprises,and God made it all!
For what? Do you feel thankful, ay or no,
For this fair town's face, yonder river's line,
The mountain round it and the sky above,
Much more the figures of man, woman, child,
These are the frame to? What's it all about?
To be passed over, despised? or dwelt upon,
Wondered at? oh, this last of course!you say.
But why not do as well as say,paint these
Just as they are, careless what comes of it?
God's workspaint any one, and count it crime
To let a truth slip. Don't object, "His works
Are here already; nature is complete:
Suppose you reproduce her(which you can't)
There's no advantage! you must beat her, then."
For, don't you mark? we're made so that we love
First when we see them painted, things we have passed
Perhaps a hundred times nor cared to see;
And so they are better, paintedbetter to us,
Which is the same thing. Art was given for that;
God uses us to help each other so,
Lending our minds out. Have you noticed, now,
Your cullion's hanging face? A bit of chalk,
And trust me but you should, though! How much more,
If I drew higher things with the same truth!
That were to take the Prior's pulpit-place,
Interpret God to all of you! Oh, oh,
It makes me mad to see what men shall do
And we in our graves! This world's no blot for us,
Nor blank; it means intensely, and means good:
To find its meaning is my meat and drink.
"Ay, but you don't so instigate to prayer!"
Strikes in the Prior: "when your meaning's plain
It does not say to folkremember matins,
Or, mind you fast next Friday!" Why, for this
What need of art at all? A skull and bones,
Two bits of stick nailed crosswise, or, what's best,
A bell to chime the hour with, does as well.
I painted a Saint Laurence six months since
At Prato, splashed the fresco in fine style:
"How looks my painting, now the scaffold's down?"
I ask a brother: "Hugely," he returns
"Already not one phiz of your three slaves
Who turn the Deacon off his toasted side,
But's scratched and prodded to our heart's content,
The pious people have so eased their own
With coming to say prayers there in a rage:
We get on fast to see the bricks beneath.
Expect another job this time next year,
For pity and religion grow i' the crowd
Your painting serves its purpose!" Hang the fools!
That isyou'll not mistake an idle word
Spoke in a huff by a poor monk, God wot,
Tasting the air this spicy night which turns
The unaccustomed head like Chianti wine!
Oh, the church knows! don't misreport me, now!
It's natural a poor monk out of bounds
Should have his apt word to excuse himself:
And hearken how I plot to make amends.
I have bethought me: I shall paint a piece
There's for you! Give me six months, then go, see
Something in Sant' Ambrogio's! Bless the nuns!
They want a cast o' my office. I shall paint
God in the midst, Madonna and her babe,
Ringed by a bowery, flowery angel-brood,
Lilies and vestments and white faces, sweet
As puff on puff of grated orris-root
When ladies crowd to Church at midsummer.
And then i' the front, of course a saint or two
Saint John' because he saves the Florentines,
Saint Ambrose, who puts down in black and white
The convent's friends and gives them a long day,
And Job, I must have him there past mistake,
The man of Uz (and Us without the z,
Painters who need his patience). Well, all these
Secured at their devotion, up shall come
Out of a corner when you least expect,
As one by a dark stair into a great light,
Music and talking, who but Lippo! I!
Mazed, motionless, and moonstruckI'm the man!
Back I shrinkwhat is this I see and hear?
I, caught up with my monk's-things by mistake,
My old serge gown and rope that goes all round,
I, in this presence, this pure company!
Where's a hole, where's a corner for escape?
Then steps a sweet angelic slip of a thing
Forward, puts out a soft palm"Not so fast!"
Addresses the celestial presence, "nay
He made you and devised you, after all,
Though he's none of you! Could Saint John there draw
His camel-hair make up a painting brush?
We come to brother Lippo for all that,
Iste perfecit opus! So, all smile
I shuffle sideways with my blushing face
Under the cover of a hundred wings
Thrown like a spread of kirtles when you're gay
And play hot cockles, all the doors being shut,
Till, wholly unexpected, in there pops
The hothead husband! Thus I scuttle off
To some safe bench behind, not letting go
The palm of her, the little lily thing
That spoke the good word for me in the nick,
Like the Prior's niece . . . Saint Lucy, I would say.
And so all's saved for me, and for the church
A pretty picture gained. Go, six months hence!
Your hand, sir, and good-bye: no lights, no lights!
The street's hushed, and I know my own way back,
Don't fear me! There's the grey beginning. Zooks!
NOTES



Form:
unrhyming

1.
First published in Men and Women, 1855.In this poem, Browning makes use of the account of
Lippi in Vasari's Lives of the Painters, from
which the following is an extract: "The Carmelite monk,
Fra Filippo di Tommaso Lippi (1412-1469), was born
at Florence in a bye-street called Ardiglione, under the
Canto alla Cuculia, and behind the convent of the
Carmelites. By the death of his father he was left a
friendless orphan at the age of two years, his mother
having also died shortly after his birth. The child was
for some time under the care of a certain Mona Lapaccia,
his aunt, the sister of his father, who brought him up
with very great difficulty till he had attained his eighth
year, when, being no longer able to support the burden
of his maintenance, she placed him in the above-named
convent of the Carmelites. Here, in proportion as he
showed himself dexterous and ingenious in all works
performed by hand, did he manifest the utmost dullness
and incapacity in letters, to which he would never apply
himself, nor would he take any pleasure in learning of
any kind. The boy continued to be called by his worldly
name of Filippo, and being placed with others, who like
himself were in the house of the novices, under the care
of the master, to the end that the latter might see what
could be done with him\; in place of studying, he never
did anything but daub his own books, and those of the
other boys, with caricatures, whereupon the prior determined
to give him all means and every opportunity for learning
to draw. The chapel of the Carmine had then been newly
painted by Masaccio, and this being exceedingly beautiful,
pleased Fra Filippo greatly, wherefore he frequented it daily
for his recreation, and, continually practising there, in
company with many other youths, who were constantly
drawing in that place, he surpassed all the others by very
much in dexterity and knowledge .... Proceeding thus, and
improving from day to day, he has so closely followed the
manner of Masaccio, and his works displayed so much
similarity to those of the latter, that many affirmed the spirit
of Masaccio to have entered the body of Fra Filippo .... "It is
said that Fra Filippo was much addicted to the pleasures of
sense, insomuch that he would give all he possessed to secure
the gratification of whatever inclination might at the moment
be predominant .... It was known that, while occupied in the
pursuit of his pleasures, the works undertaken by him received
little or none of his attention\; for which reason Cosimo de'
Medici, wishing him to execute a work in his own palace, shut
him up, that he might not waste his time in running about\; but
having endured this confinement for two days, he then made
ropes with sheets of his bed, which he cut to pieces for that
purpose, and so having let himself down from a window, escaped,
and for several days gave himself up to his amusements. When
Cosimo found that the painter had disappeared, he caused him
to be sought, and Fra Filippo at last returned to his work, but
from that time forward Cosimo gave him liberty to go in and
out at his pleasure, repenting greatly of having previously shut
him up, when he considered the danger that Fra Filippo had
incurred by his folly in descending from the window\; and ever
afterwards labouring to keep him to his work by kindness only,
he was by this means much more promptly and effectually
served by the painter, and was wont to say that the excellencies
of rare genius were as forms of light and not beasts of burden."

17.
Cosimo of the Medici (1389-1464): the real ruler of Florence,
and a patron of art and literature.

53.
The snatches of song represent a species of Italian folk-song
called Stornelli\; each consisting of three lines of a set form,
and containing the name of a flower in the first line.

67.
Saint Laurence: the Church at San Lorenzo, now famous for
the tombs of the Medici, the work of Michael Angelo.

73.
Jerome: one of the Christian Fathers, translated the Bible
into Latin\; he led a life of extreme asceticism.

117-18.
A reference to the procession carrying the consecrated wafer.

121.
the Eight: a body of magistrates who kept order.

130.
antiphonary: the service-book.

140.
Preaching Friars: the Dominicans.

172.
funked: turned to smoke.

176 ff.
Lippi belonged to the naturalistic school which developed
among the Florentines. These showed a greater attention to
natural form and beauty, as opposed to the conventional school,
who were men under the influence of earlier artists and inherited
an ascetic timidity in the representation of material things.

189.
Giotto (1267-1337): the earliest of the greater Florentine
painters.

196.
Herodias: sister-in-law of Herod, and mother of Salome.
See Matthew, 14 for the story of Salome's dance and the beheading
of John the Baptist.

227.
See line 18 above.

235.
Brother Angelico: Fra Angelico (1387-1455), "By purity of
life, habitual elevation of thought, and natural sweetness of
disposition, he was enabled to express the sacred affections
upon the human countenance, as no one ever did before or since" (Ruskin).

236.
Lorenzo: Lorenzo Monaco (1370-1425), a Camaldolese
friar who painted in Florence.

273 ff.
Tommaso Guidi (1401-28) better known as Masaccio (which means
"hulking") "because," says Vasari, "of his excessive negligence and
disregard of himself." He was the teacher--not, as here represented,
the pupil--of Filippo Lippi (see first note above).

324.
Prato: a town some dozen miles from Florence\; in the Cathedral
are frescoes by Filippo, but they represent St. Stephen, and the
Baptist, not St. Laurence.

328.
According to tradition, St. Laurence was roasted on a gridiron.

339.
Chianti wine: the common red wine of Tuscany.

346.
Browning proceeds to put into Fra Filippo's mouth a description
of what is considered his masterpiece --a Coronation of the Virgin--which
he painted for the nuns of Sant' Ambrogio. Browning, following Vasari,
believes that the painter put a self-portrait in the lower corner of the
picture. Recent research has shown that the figure is a portrait, not of
Fra Filippo, but of the benefactor who ordered the picture for the
church. In this case, perfecit opus means "caused the work to
be made," not, as Browning takes it, "completed the work himself."

354.
St. John the Baptist is the patron saint of the Florentines.


~ Robert Browning, Fra Lippo Lippi
,
413:Avon's Harvest
Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.
So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.
So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
29
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;
And that would be for me as long a time
As I remembered Avon—who is yet
Not quite forgotten. On the other hand,
For saying nothing I might have with me always
An injured and recriminating ghost
Of a dead friend. The more I pondered it
The more I knew there was not much to lose,
Albeit for one whose delving hitherto
Had been a forage of his own affairs,
The quest, however golden the reward,
Was irksome—and as Avon suddenly
And soon was driven to let me see, was needless.
It seemed an age ago that we were there
One evening in the room that in the days
When they could laugh he called the Library.
“He calls it that, you understand,” she said,
“Because the dictionary always lives here.
He’s not a man of books, yet he can read,
And write. He learned it all at school.”—He smiled,
And answered with a fervor that rang then
Superfluous: “Had I learned a little more
At school, it might have been as well for me.”
And I remember now that he paused then,
Leaving a silence that one had to break.
But this was long ago, and there was now
No laughing in that house. We were alone
This time, and it was Avon’s time to talk.
I waited, and anon became aware
That I was looking less at Avon’s eyes
Than at the dictionary, like one asking
30
Already why we make so much of words
That have so little weight in the true balance.
“Your name is Resignation for an hour,”
He said; “and I’m a little sorry for you.
So be resigned. I shall not praise your work,
Or strive in any way to make you happy.
My purpose only is to make you know
How clearly I have known that you have known
There was a reason waited on your coming,
And, if it’s in me to see clear enough,
To fish the reason out of a black well
Where you see only a dim sort of glimmer
That has for you no light.”
“I see the well,”
I said, “but there’s a doubt about the glimmer—
Say nothing of the light. I’m at your service;
And though you say that I shall not be happy,
I shall be if in some way I may serve.
To tell you fairly now that I know nothing
Is nothing more than fair.”—“You know as much
As any man alive—save only one man,
If he’s alive. Whether he lives or not
Is rather for time to answer than for me;
And that’s a reason, or a part of one,
For your appearance here. You do not know him,
And even if you should pass him in the street
He might go by without your feeling him
Between you and the world. I cannot say
Whether he would, but I suppose he might.”
“And I suppose you might, if urged,” I said,
“Say in what water it is that we are fishing.
You that have reasons hidden in a well,
Not mentioning all your nameless friends that walk
The streets and are not either dead or living
For company, are surely, one would say
To be forgiven if you may seem distraught—
I mean distrait. I don’t know what I mean.
I only know that I am at your service,
Always, yet with a special reservation
That you may deem eccentric. All the same
31
Unless your living dead man comes to life,
Or is less indiscriminately dead,
I shall go home.”
“No, you will not go home,”
Said Avon; “or I beg that you will not.”
So saying, he went slowly to the door
And turned the key. “Forgive me and my manners,
But I would be alone with you this evening.
The key, as you observe, is in the lock;
And you may sit between me and the door,
Or where you will. You have my word of honor
That I would spare you the least injury
That might attend your presence here this evening.”
“I thank you for your soothing introduction,
Avon,” I said. “Go on. The Lord giveth,
The Lord taketh away. I trust myself
Always to you and to your courtesy.
Only remember that I cling somewhat
Affectionately to the old tradition.”—
“I understand you and your part,” said Avon;
“And I dare say it’s well enough, tonight,
We play around the circumstance a little.
I’ve read of men that half way to the stake
Would have their little joke. It’s well enough;
Rather a waste of time, but well enough.”
I listened as I waited, and heard steps
Outside of one who paused and then went on;
And, having heard, I might as well have seen
The fear in his wife’s eyes. He gazed away,
As I could see, in helpless thought of her,
And said to me: “Well, then, it was like this.
Some tales will have a deal of going back .
In them before they are begun. But this one
Begins in the beginning—when he came.
I was a boy at school, sixteen years old,
And on my way, in all appearances,
To mark an even-tempered average
Among the major mediocrities
Who serve and earn with no especial noise
32
Or vast reward. I saw myself, even then,
A light for no high shining; and I feared
No boy or man—having, in truth, no cause.
I was enough a leader to be free,
And not enough a hero to be jealous.
Having eyes and ears, I knew that I was envied,
And as a proper sort of compensation
Had envy of my own for two or three—
But never felt, and surely never gave,
The wound of any more malevolence
Than decent youth, defeated for a day,
May take to bed with him and kill with sleep.
So, and so far, my days were going well,
And would have gone so, but for the black tiger
That many of us fancy is in waiting,
But waits for most of us in fancy only.
For me there was no fancy in his coming,
Though God knows I had never summoned him,
Or thought of him. To this day I’m adrift
And in the dark, out of all reckoning,
To find a reason why he ever was,
Or what was ailing Fate when he was born
On this alleged God-ordered earth of ours.
Now and again there comes one of his kind—
By chance, we say. I leave all that to you.
Whether it was an evil chance alone,
Or some invidious juggling of the stars,
Or some accrued arrears of ancestors
Who throve on debts that I was here to pay,
Or sins within me that I knew not of,
Or just a foretaste of what waits in hell
For those of us who cannot love a worm,—
Whatever it was, or whence or why it was,
One day there came a stranger to the school.
And having had one mordacious glimpse of him
That filled my eyes and was to fill my life,
I have known Peace only as one more word
Among the many others we say over
That have an airy credit of no meaning.
One of these days, if I were seeing many
To live, I might erect a cenotaph
To Job’s wife. I assume that you remember;
33
If you forget, she’s extant in your Bible.”
Now this was not the language of a man
Whom I had known as Avon, and I winced
Hearing it—though I knew that in my heart
There was no visitation of surprise.
Unwelcome as it was, and off the key
Calamitously, it overlived a silence
That was itself a story and affirmed
A savage emphasis of honesty
That I would only gladly have attuned
If possible, to vinous innovation.
But his indifferent wassailing was always
Too far within the measure of excess
For that; and then there were those eyes of his.
Avon indeed had kept his word with me,
And there was not much yet to make me happy.
“So there we were,” he said, “we two together,
Breathing one air. And how shall I go on
To say by what machinery the slow net
Of my fantastic and increasing hate
Was ever woven as it was around us?
I cannot answer; and you need not ask
What undulating reptile he was like,
For such a worm as I discerned in him
Was never yet on earth or in the ocean,
Or anywhere else than in my sense of him.
Had all I made of him been tangible,
The Lord must have invented long ago
Some private and unspeakable new monster
Equipped for such a thing’s extermination;
Whereon the monster, seeing no other monster
Worth biting, would have died with his work done.
There’s a humiliation in it now,
As there was then, and worse than there was then;
For then there was the boy to shoulder it
Without the sickening weight of added years
Galling him to the grave. Beware of hate
That has no other boundary than the grave
Made for it, or for ourselves. Beware, I say;
And I’m a sorry one, I fear, to say it,
34
Though for the moment we may let that go
And while I’m interrupting my own story
I’ll ask of you the favor of a look
Into the street. I like it when it’s empty.
There’s only one man walking? Let him walk.
I wish to God that all men might walk always,
And so, being busy, love one another more.”
“Avon,” I said, now in my chair again,
“Although I may not be here to be happy,
If you are careless, I may have to laugh.
I have disliked a few men in my life,
But never to the scope of wishing them
To this particular pedestrian hell
Of your affection. I should not like that.
Forgive me, for this time it was your fault.”
He drummed with all his fingers on his chair,
And, after a made smile of acquiescence,
Took up again the theme of his aversion,
Which now had flown along with him alone
For twenty years, like Io’s evil insect,
To sting him when it would. The decencies
Forbade that I should look at him for ever,
Yet many a time I found myself ashamed
Of a long staring at him, and as often
Essayed the dictionary on the table,
Wondering if in its interior
There was an uncompanionable word
To say just what was creeping in my hair,
At which my scalp would shrink,—at which, again,
I would arouse myself with a vain scorn,
Remembering that all this was in New York—
As if that were somehow the banishing
For ever of all unseemly presences—
And listen to the story of my friend,
Who, as I feared, was not for me to save,
And, as I knew, knew also that I feared it.
“Humiliation,” he began again,
“May be or not the best of all bad names
I might employ; and if you scent remorse,
35
There may be growing such a flower as that
In the unsightly garden where I planted,
Not knowing the seed or what was coming of it.
I’ve done much wondering if I planted it;
But our poor wonder, when it comes too late,
Fights with a lath, and one that solid fact
Breaks while it yawns and looks another way
For a less negligible adversary.
Away with wonder, then; though I’m at odds
With conscience, even tonight, for good assurance
That it was I, or chance and I together,
Did all that sowing. If I seem to you
To be a little bitten by the question,
Without a miracle it might be true;
The miracle is to me that I’m not eaten
Long since to death of it, and that you sit
With nothing more agreeable than a ghost.
If you had thought a while of that, you might,
Unhappily, not have come; and your not coming
Would have been desolation—not for you,
God save the mark!—for I would have you here.
I shall not be alone with you to listen;
And I should be far less alone tonight
With you away, make what you will of that.
“I said that we were going back to school,
And we may say that we are there—with him.
This fellow had no friend, and, as for that,
No sign of an apparent need of one,
Save always and alone—myself. He fixed
His heart and eyes on me, insufferably,—
And in a sort of Nemesis-like way,
Invincibly. Others who might have given
A welcome even to him, or I’ll suppose so—
Adorning an unfortified assumption
With gold that might come off with afterthought—
Got never, if anything, more out of him
Than a word flung like refuse in their faces,
And rarely that. For God knows what good reason,
He lavished his whole altered arrogance
On me; and with an overweening skill,
Which had sometimes almost a cringing in it,
36
Found a few flaws in my tight mail of hate
And slowly pricked a poison into me
In which at first I failed at recognizing
An unfamiliar subtle sort of pity.
But so it was, and I believe he knew it;
Though even to dream it would have been absurd—
Until I knew it, and there was no need
Of dreaming. For the fellow’s indolence,
And his malignant oily swarthiness
Housing a reptile blood that I could see
Beneath it, like hereditary venom
Out of old human swamps, hardly revealed
Itself the proper spawning-ground of pity.
But so it was. Pity, or something like it,
Was in the poison of his proximity;
For nothing else that I have any name for
Could have invaded and so mastered me
With a slow tolerance that eventually
Assumed a blind ascendency of custom
That saw not even itself. When I came in,
Often I’d find him strewn along my couch
Like an amorphous lizard with its clothes on,
Reading a book and waiting for its dinner.
His clothes were always odiously in order,
Yet I should not have thought of him as clean—
Not even if he had washed himself to death
Proving it. There was nothing right about him.
Then he would search, never quite satisfied,
Though always in a measure confident,
My eyes to find a welcome waiting in them,
Unwilling, as I see him now, to know
That it would never be there. Looking back,
I am not sure that he would not have died
For me, if I were drowning or on fire,
Or that I would not rather have let myself
Die twice than owe the debt of my survival
To him, though he had lost not even his clothes.
No, there was nothing right about that fellow;
And after twenty years to think of him
I should be quite as helpless now to serve him
As I was then. I mean—without my story.
Be patient, and you’ll see just what I mean—
37
Which is to say, you won’t. But you can listen,
And that’s itself a large accomplishment
Uncrowned; and may be, at a time like this,
A mighty charity. It was in January
This evil genius came into our school,
And it was June when he went out of it—
If I may say that he was wholly out
Of any place that I was in thereafter.
But he was not yet gone. When we are told
By Fate to bear what we may never bear,
Fate waits a little while to see what happens;
And this time it was only for the season
Between the swift midwinter holidays
And the long progress into weeks and months
Of all the days that followed—with him there
To make them longer. I would have given an eye,
Before the summer came, to know for certain
That I should never be condemned again
To see him with the other; and all the while
There was a battle going on within me
Of hate that fought remorse—if you must have it—
Never to win,… never to win but once,
And having won, to lose disastrously,
And as it was to prove, interminably—
Or till an end of living may annul,
If so it be, the nameless obligation
That I have not the Christian revenue
In me to pay. A man who has no gold,
Or an equivalent, shall pay no gold
Until by chance or labor or contrivance
He makes it his to pay; and he that has
No kindlier commodity than hate,
Glossed with a pity that belies itself
In its negation and lacks alchemy
To fuse itself to—love, would you have me say?
I don’t believe it. No, there is no such word.
If I say tolerance, there’s no more to say.
And he who sickens even in saying that—
What coin of God has he to pay the toll
To peace on earth? Good will to men—oh, yes!
That’s easy; and it means no more than sap,
Until we boil the water out of it
38
Over the fire of sacrifice. I’ll do it;
And in a measurable way I’ve done it—
But not for him. What are you smiling at?
Well, so it went until a day in June.
We were together under an old elm,
Which now, I hope, is gone—though it’s a crime
In me that I should have to wish the death
Of such a tree as that. There were no trees
Like those that grew at school—until he came.
We stood together under it that day,
When he, by some ungovernable chance,
All foreign to the former crafty care
That he had used never to cross my favor,
Told of a lie that stained a friend of mine
With a false blot that a few days washed off.
A trifle now, but a boy’s honor then—
Which then was everything. There were some words
Between us, but I don’t remember them.
All I remember is a bursting flood
Of half a year’s accumulated hate,
And his incredulous eyes before I struck him.
He had gone once too far; and when he knew it,
He knew it was all over; and I struck him.
Pound for pound, he was the better brute;
But bulking in the way then of my fist
And all there was alive in me to drive it,
Three of him misbegotten into one
Would have gone down like him—and being larger,
Might have bled more, if that were necessary.
He came up soon; and if I live for ever,
The vengeance in his eyes, and a weird gleam
Of desolation—it I make you see it—
Will be before me as it is tonight.
I shall not ever know how long it was
I waited his attack that never came;
It might have been an instant or an hour
That I stood ready there, watching his eyes,
And the tears running out of them. They made
Me sick, those tears; for I knew, miserably,
They were not there for any pain he felt.
I do not think he felt the pain at all.
He felt the blow.… Oh, the whole thing was bad—
39
So bad that even the bleaching suns and rains
Of years that wash away to faded lines,
Or blot out wholly, the sharp wrongs and ills
Of youth, have had no cleansing agent in them
To dim the picture. I still see him going
Away from where I stood; and I shall see him
Longer, sometime, than I shall see the face
Of whosoever watches by the bed
On which I die—given I die that way.
I doubt if he could reason his advantage
In living any longer after that
Among the rest of us. The lad he slandered,
Or gave a negative immunity
No better than a stone he might have thrown
Behind him at his head, was of the few
I might have envied; and for that being known,
My fury became sudden history,
And I a sudden hero. But the crown
I wore was hot; and I would happily
Have hurled it, if I could, so far away
That over my last hissing glimpse of it
There might have closed an ocean. He went home
The next day, and the same unhappy chance
That first had fettered me and my aversion
To his unprofitable need of me
Brought us abruptly face to face again
Beside the carriage that had come for him.
We met, and for a moment we were still—
Together. But I was reading in his eyes
More than I read at college or at law
In years that followed. There was blankly nothing
For me to say, if not that I was sorry;
And that was more than hate would let me say—
Whatever the truth might be. At last he spoke,
And I could see the vengeance in his eyes,
And a cold sorrow—which, if I had seen
Much more of it, might yet have mastered me.
But I would see no more of it. ‘Well, then,’
He said, ‘have you thought yet of anything
Worth saying? If so, there’s time. If you are silent,
I shall know where you are until you die.’
I can still hear him saying those words to me
40
Again, without a loss or an addition;
I know, for I have heard them ever since.
And there was in me not an answer for them
Save a new roiling silence. Once again
I met his look, and on his face I saw
There was a twisting in the swarthiness
That I had often sworn to be the cast
Of his ophidian mind. He had no soul.
There was to be no more of him—not then.
The carriage rolled away with him inside,
Leaving the two of us alive together
In the same hemisphere to hate each other.
I don’t know now whether he’s here alive,
Or whether he’s here dead. But that, of course,
As you would say, is only a tired man’s fancy.
You know that I have driven the wheels too fast
Of late, and all for gold I do not need.
When are we mortals to be sensible,
Paying no more for life than life is worth?
Better for us, no doubt, we do not know
How much we pay or what it is we buy.”
He waited, gazing at me as if asking
The worth of what the universe had for sale
For one confessed remorse. Avon, I knew,
Had driven the wheels too fast, and not for gold.
“If you had given him then your hand,” I said,
“And spoken, though it strangled you, the truth,
I should not have the melancholy honor
Of sitting here alone with you this evening.
If only you had shaken hands with him,
And said the truth, he would have gone his way.
And you your way. He might have wished you dead,
But he would not have made you miserable.
At least,” I added, indefensibly,
“That’s what I hope is true.”
He pitied me,
But had the magnanimity not to say so.
“If only we had shaken hands,” he said,
“And I had said the truth, we might have been
In half a moment rolling on the gravel.
41
If I had said the truth, I should have said
That never at any moment on the clock
Above us in the tower since his arrival
Had I been in a more proficient mood
To throttle him. If you had seen his eyes
As I did, and if you had seen his face
At work as I did, you might understand.
I was ashamed of it, as I am now,
But that’s the prelude to another theme;
For now I’m saying only what had happened
If I had taken his hand and said the truth.
The wise have cautioned us that where there’s hate
There’s also fear. The wise are right sometimes.
There may be now, but there was no fear then.
There was just hatred, hauled up out of hell
For me to writhe in; and I writhed in it.”
I saw that he was writhing in it still;
But having a magnanimity myself,
I waited. There was nothing else to do
But wait, and to remember that his tale,
Though well along, as I divined it was,
Yet hovered among shadows and regrets
Of twenty years ago. When he began
Again to speak, I felt them coming nearer.
“Whenever your poet or your philosopher
Has nothing richer for us,” he resumed,
“He burrows among remnants, like a mouse
In a waste-basket, and with much dry noise
Comes up again, having found Time at the bottom
And filled himself with its futility.
‘Time is at once,’ he says, to startle us,
‘A poison for us, if we make it so,
And, if we make it so, an antidote
For the same poison that afflicted us.’
I’m witness to the poison, but the cure
Of my complaint is not, for me, in Time.
There may be doctors in eternity
To deal with it, but they are not here now.
There’s no specific for my three diseases
That I could swallow, even if I should find it,
42
And I shall never find it here on earth.”
“Mightn’t it be as well, my friend,” I said,
“For you to contemplate the uncompleted
With not such an infernal certainty?”
“And mightn’t it be as well for you, my friend,”
Said Avon, “to be quiet while I go on?
When I am done, then you may talk all night—
Like a physician who can do no good,
But knows how soon another would have his fee
Were he to tell the truth. Your fee for this
Is in my gratitude and my affection;
And I’m not eager to be calling in
Another to take yours away from you,
Whatever it’s worth. I like to think I know.
Well then, again. The carriage rolled away
With him inside; and so it might have gone
For ten years rolling on, with him still in it,
For all it was I saw of him. Sometimes
I heard of him, but only as one hears
Of leprosy in Boston or New York
And wishes it were somewhere else. He faded
Out of my scene—yet never quite out of it:
‘I shall know where you are until you die,’
Were his last words; and they are the same words
That I received thereafter once a year,
Infallibly on my birthday, with no name;
Only a card, and the words printed on it.
No, I was never rid of him—not quite;
Although on shipboard, on my way from here
To Hamburg, I believe that I forgot him.
But once ashore, I should have been half ready
To meet him there, risen up out of the ground,
With hoofs and horns and tail and everything.
Believe me, there was nothing right about him,
Though it was not in Hamburg that I found him.
Later, in Rome, it was we found each other,
For the first time since we had been at school.
There was the same slow vengeance in his eyes
When he saw mine, and there was a vicious twist
On his amphibious face that might have been
43
On anything else a smile—rather like one
We look for on the stage than in the street.
I must have been a yard away from him
Yet as we passed I felt the touch of him
Like that of something soft in a dark room.
There’s hardly need of saying that we said nothing,
Or that we gave each other an occasion
For more than our eyes uttered. He was gone
Before I knew it, like a solid phantom;
And his reality was for me some time
In its achievement—given that one’s to be
Convinced that such an incubus at large
Was ever quite real. The season was upon us
When there are fitter regions in the world—
Though God knows he would have been safe enough—
Than Rome for strayed Americans to live in,
And when the whips of their itineraries
Hurry them north again. I took my time,
Since I was paying for it, and leisurely
Went where I would—though never again to move
Without him at my elbow or behind me.
My shadow of him, wherever I found myself,
Might horribly as well have been the man—
Although I should have been afraid of him
No more than of a large worm in a salad.
I should omit the salad, certainly,
And wish the worm elsewhere. And so he was,
In fact; yet as I go on to grow older,
I question if there’s anywhere a fact
That isn’t the malevolent existence
Of one man who is dead, or is not dead,
Or what the devil it is that he may be.
There must be, I suppose, a fact somewhere,
But I don’t know it. I can only tell you
That later, when to all appearances
I stood outside a music-hall in London,
I felt him and then saw that he was there.
Yes, he was there, and had with him a woman
Who looked as if she didn’t know. I’m sorry
To this day for that woman—who, no doubt,
Is doing well. Yes, there he was again;
There were his eyes and the same vengeance in them
44
That I had seen in Rome and twice before—
Not mentioning all the time, or most of it,
Between the day I struck him and that evening.
That was the worst show that I ever saw,
But you had better see it for yourself
Before you say so too. I went away,
Though not for any fear that I could feel
Of him or of his worst manipulations,
But only to be out of the same air
That made him stay alive in the same world
With all the gentlemen that were in irons
For uncommendable extravagances
That I should reckon slight compared with his
Offence of being. Distance would have made him
A moving fly-speck on the map of life,—
But he would not be distant, though his flesh
And bone might have been climbing Fujiyama
Or Chimborazo—with me there in London,
Or sitting here. My doom it was to see him,
Be where I might. That was ten years ago;
And having waited season after season
His always imminent evil recrudescence,
And all for nothing, I was waiting still,
When the Titanic touched a piece of ice
And we were for a moment where we are,
With nature laughing at us. When the noise
Had spent itself to names, his was among them;
And I will not insult you or myself
With a vain perjury. I was far from cold.
It seemed as for the first time in my life
I knew the blessedness of being warm;
And I remember that I had a drink,
Having assuredly no need of it.
Pity a fool for his credulity,
If so you must. But when I found his name
Among the dead, I trusted once the news;
And after that there were no messages
In ambush waiting for me on my birthday.
There was no vestige yet of any fear,
You understand—if that’s why you are smiling.”
I said that I had not so much as whispered
45
The name aloud of any fear soever,
And that I smiled at his unwonted plunge
Into the perilous pool of Dionysus.
“Well, if you are so easily diverted
As that,” he said, drumming his chair again,
“You will be pleased, I think, with what is coming;
And though there be divisions and departures,
Imminent from now on, for your diversion
I’ll do the best I can. More to the point,
I know a man who if his friends were like him
Would live in the woods all summer and all winter,
Leaving the town and its iniquities
To die of their own dust. But having his wits,
Henceforth he may conceivably avoid
The adventure unattended. Last October
He took me with him into the Maine woods,
Where, by the shore of a primeval lake,
With woods all round it, and a voyage away
From anything wearing clothes, he had reared somehow
A lodge, or camp, with a stone chimney in it,
And a wide fireplace to make men forget
Their sins who sat before it in the evening,
Hearing the wind outside among the trees
And the black water washing on the shore.
I never knew the meaning of October
Until I went with Asher to that place,
Which I shall not investigate again
Till I be taken there by other forces
Than are innate in my economy.
‘You may not like it,’ Asher said, ‘but Asher
Knows what is good. So put your faith in Asher,
And come along with him. He’s an odd bird,
Yet I could wish for the world’s decency
There might be more of him. And so it was
I found myself, at first incredulous,
Down there with Asher in the wilderness,
Alive at last with a new liberty
And with no sore to fester. He perceived
In me an altered favor of God’s works,
And promptly took upon himself the credit,
Which, in a fashion, was as accurate
As one’s interpretation of another
46
Is like to be. So for a frosty fortnight
We had the sunlight with us on the lake,
And the moon with us when the sun was down.
‘God gave his adjutants a holiday,’
Asher assured me, ‘when He made this place’;
And I agreed with him that it was heaven,—
Till it was hell for me for then and after.
“There was a village miles away from us
Where now and then we paddled for the mail
And incidental small commodities
That perfect exile might require, and stayed
The night after the voyage with an antique
Survival of a broader world than ours
Whom Asher called The Admiral. This time,
A little out of sorts and out of tune
With paddling, I let Asher go alone,
Sure that his heart was happy. Then it was
That hell came. I sat gazing over there
Across the water, watching the sun’s last fire
Above those gloomy and indifferent trees
That might have been a wall around the world,
When suddenly, like faces over the lake,
Out of the silence of that other shore
I was aware of hidden presences
That soon, no matter how many of them there were,
Would all be one. I could not look behind me,
Where I could hear that one of them was breathing,
For, if I did, those others over there
Might all see that at last I was afraid;
And I might hear them without seeing them,
Seeing that other one. You were not there;
And it is well for you that you don’t know
What they are like when they should not be there.
And there were chilly doubts of whether or not
I should be seeing the rest that I should see
With eyes, or otherwise. I could not be sure;
And as for going over to find out,
All I may tell you now is that my fear
Was not the fear of dying, though I knew soon
That all the gold in all the sunken ships
That have gone down since Tyre would not have paid
47
For me the ferriage of myself alone
To that infernal shore. I was in hell,
Remember; and if you have never been there
You may as well not say how easy it is
To find the best way out. There may not be one.
Well, I was there; and I was there alone—
Alone for the first time since I was born;
And I was not alone. That’s what it is
To be in hell. I hope you will not go there.
All through that slow, long, desolating twilight
Of incoherent certainties, I waited;
Never alone—never to be alone;
And while the night grew down upon me there,
I thought of old Prometheus in the story
That I had read at school, and saw mankind
All huddled into clusters in the dark,
Calling to God for light. There was a light
Coming for them, but there was none for me
Until a shapeless remnant of a moon
Rose after midnight over the black trees
Behind me. I should hardly have confessed
The heritage then of my identity
To my own shadow; for I was powerless there,
As I am here. Say what you like to say
To silence, but say none of it to me
Tonight. To say it now would do no good,
And you are here to listen. Beware of hate,
And listen. Beware of hate, remorse, and fear,
And listen. You are staring at the damned,
But yet you are no more the one than he
To say that it was he alone who planted
The flower of death now growing in his garden.
Was it enough, I wonder, that I struck him?
I shall say nothing. I shall have to wait
Until I see what’s coming, if it comes,
When I’m a delver in another garden—
If such an one there be. If there be none,
All’s well—and over. Rather a vain expense,
One might affirm—yet there is nothing lost.
Science be praised that there is nothing lost.”
I’m glad the venom that was on his tongue
48
May not go down on paper; and I’m glad
No friend of mine alive, far as I know,
Has a tale waiting for me with an end
Like Avon’s. There was here an interruption,
Though not a long one—only while we heard,
As we had heard before, the ghost of steps
Faintly outside. We knew that she was there
Again; and though it was a kindly folly,
I wished that Avon’s wife would go to sleep.
“I was afraid, this time, but not of man—
Or man as you may figure him,” he said.
“It was not anything my eyes had seen
That I could feel around me in the night,
There by that lake. If I had been alone,
There would have been the joy of being free,
Which in imagination I had won
With unimaginable expiation—
But I was not alone. If you had seen me,
Waiting there for the dark and looking off
Over the gloom of that relentless water,
Which had the stillness of the end of things
That evening on it, I might well have made
For you the picture of the last man left
Where God, in his extinction of the rest,
Had overlooked him and forgotten him.
Yet I was not alone. Interminably
The minutes crawled along and over me,
Slow, cold, intangible, and invisible,
As if they had come up out of that water.
How long I sat there I shall never know,
For time was hidden out there in the black lake,
Which now I could see only as a glimpse
Of black light by the shore. There were no stars
To mention, and the moon was hours away
Behind me. There was nothing but myself,
And what was coming. On my breast I felt
The touch of death, and I should have died then.
I ruined good Asher’s autumn as it was,
For he will never again go there alone,
If ever he goes at all. Nature did ill
To darken such a faith in her as his,
49
Though he will have it that I had the worst
Of her defection, and will hear no more
Apologies. If it had to be for someone,
I think it well for me it was for Asher.
I dwell on him, meaning that you may know him
Before your last horn blows. He has a name
That’s like a tree, and therefore like himself—
By which I mean you find him where you leave him.
I saw him and The Admiral together
While I was in the dark, but they were far—
Far as around the world from where I was;
And they knew nothing of what I saw not
While I knew only I was not alone.
I made a fire to make the place alive,
And locked the door. But even the fire was dead,
And all the life there was was in the shadow
It made of me. My shadow was all of me;
The rest had had its day, and there was night
Remaining—only night, that’s made for shadows,
Shadows and sleep and dreams, or dreams without it.
The fire went slowly down, and now the moon,
Or that late wreck of it, was coming up;
And though it was a martyr’s work to move,
I must obey my shadow, and I did.
There were two beds built low against the wall,
And down on one of them, with all my clothes on,
Like a man getting into his own grave,
I lay—and waited. As the firelight sank,
The moonlight, which had partly been consumed
By the black trees, framed on the other wall
A glimmering window not far from the ground.
The coals were going, and only a few sparks
Were there to tell of them; and as they died
The window lightened, and I saw the trees.
They moved a little, but I could not move,
More than to turn my face the other way;
And then, if you must have it so, I slept.
We’ll call it so—if sleep is your best name
For a sort of conscious, frozen catalepsy
Wherein a man sees all there is around him
As if it were not real, and he were not
Alive. You may call it anything you please
50
That made me powerless to move hand or foot,
Or to make any other living motion
Than after a long horror, without hope,
To turn my face again the other way.
Some force that was not mine opened my eyes,
And, as I knew it must be,—it was there.”
Avon covered his eyes—whether to shut
The memory and the sight of it away,
Or to be sure that mine were for the moment
Not searching his with pity, is now no matter.
My glance at him was brief, turning itself
To the familiar pattern of his rug,
Wherein I may have sought a consolation—
As one may gaze in sorrow on a shell,
Or a small apple. So it had come, I thought;
And heard, no longer with a wonderment,
The faint recurring footsteps of his wife,
Who, knowing less than I knew, yet knew more.
Now I could read, I fancied, through the fear
That latterly was living in her eyes,
To the sure source of its authority.
But he went on, and I was there to listen:
“And though I saw it only as a blot
Between me and my life, it was enough
To make me know that he was watching there—
Waiting for me to move, or not to move,
Before he moved. Sick as I was with hate
Reborn, and chained with fear that was more than fear,
I would have gambled all there was to gain
Or lose in rising there from where I lay
And going out after it. ‘Before the dawn,’
I reasoned, ‘there will be a difference here.
Therefore it may as well be done outside.’
And then I found I was immovable,
As I had been before; and a dead sweat
Rolled out of me as I remembered him
When I had seen him leaving me at school.
‘I shall know where you are until you die,’
Were the last words that I had heard him say;
And there he was. Now I could see his face,
51
And all the sad, malignant desperation
That was drawn on it after I had struck him,
And on my memory since that afternoon.
But all there was left now for me to do
Was to lie there and see him while he squeezed
His unclean outlines into the dim room,
And half erect inside, like a still beast
With a face partly man’s, came slowly on
Along the floor to the bed where I lay,
And waited. There had been so much of waiting,
Through all those evil years before my respite—
Which now I knew and recognized at last
As only his more venomous preparation
For the vile end of a deceiving peace—
That I began to fancy there was on me
The stupor that explorers have alleged
As evidence of nature’s final mercy
When tigers have them down upon the earth
And wild hot breath is heavy on their faces.
I could not feel his breath, but I could hear it;
Though fear had made an anvil of my heart
Where demons, for the joy of doing it,
Were sledging death down on it. And I saw
His eyes now, as they were, for the first time—
Aflame as they had never been before
With all their gathered vengeance gleaming in them,
And always that unconscionable sorrow
That would not die behind it. Then I caught
The shadowy glimpse of an uplifted arm,
And a moon-flash of metal. That was all.…
“When I believed I was alive again
I was with Asher and The Admiral,
Whom Asher had brought with him for a day
With nature. They had found me when they came;
And there was not much left of me to find.
I had not moved or known that I was there
Since I had seen his eyes and felt his breath;
And it was not for some uncertain hours
After they came that either would say how long
That might have been. It should have been much longer.
All you may add will be your own invention,
52
For I have told you all there is to tell.
Tomorrow I shall have another birthday,
And with it there may come another message—
Although I cannot see the need of it,
Or much more need of drowning, if that’s all
Men drown for—when they drown. You know as much
As I know about that, though I’ve a right,
If not a reason, to be on my guard;
And only God knows what good that will do.
Now you may get some air. Good night!—and thank you.”
He smiled, but I would rather he had not.
I wished that Avon’s wife would go to sleep,
But whether she found sleep that night or not
I do not know. I was awake for hours,
Toiling in vain to let myself believe
That Avon’s apparition was a dream,
And that he might have added, for romance,
The part that I had taken home with me
For reasons not in Avon’s dictionary.
But each recurrent memory of his eyes,
And of the man himself that I had known
So long and well, made soon of all my toil
An evanescent and a vain evasion;
And it was half as in expectancy
That I obeyed the summons of his wife
A little before dawn, and was again
With Avon in the room where I had left him,
But not with the same Avon I had left.
The doctor, an august authority,
With eminence abroad as well as here,
Looked hard at me as if I were the doctor
And he the friend. “I have had eyes on Avon
For more than half a year,” he said to me,
“And I have wondered often what it was
That I could see that I was not to see.
Though he was in the chair where you are looking,
I told his wife—I had to tell her something—
It was a nightmare and an aneurism;
And so, or partly so, I’ll say it was.
The last without the first will be enough
For the newspapers and the undertaker;
53
Yet if we doctors were not all immune
From death, disease, and curiosity,
My diagnosis would be sorry for me.
He died, you know, because he was afraid—
And he had been afraid for a long time;
And we who knew him well would all agree
To fancy there was rather more than fear.
The door was locked inside—they broke it in
To find him—but she heard him when it came.
There are no signs of any visitors,
Or need of them. If I were not a child
Of science, I should say it was the devil.
I don’t believe it was another woman,
And surely it was not another man.”
~ Edwin Arlington Robinson,

IN CHAPTERS [22/22]



   6 Yoga
   5 Poetry
   4 Integral Yoga
   3 Philosophy
   3 Mysticism
   2 Fiction


   7 Sri Ramakrishna
   4 The Mother
   3 Satprem
   2 Rabindranath Tagore
   2 H P Lovecraft


   6 The Gospel of Sri Ramakrishna
   2 Tagore - Poems
   2 Lovecraft - Poems
   2 Agenda Vol 07


0 1966-01-31, #Agenda Vol 07, #The Mother, #Integral Yoga
   If You Must do it, its better to do it, and to do it with this idea, with this aspiration for a whole state of consciousness to be expressed in order to go away into the past, not to keep clinging to your present consciousness.
   Cant it be also a means to make a truth descend, a truth-force, as the book on Sri Aurobindo was, but in another way?

0 1966-07-30, #Agenda Vol 07, #The Mother, #Integral Yoga
   No, no, the conviction becomes absolute that you can die only If You Must die. One never dies by accident.
   Never?

0 1972-04-05, #Agenda Vol 13, #The Mother, #Integral Yoga
   (Satprem:) I dont think anything will happen. If You Must remain for a given number of days in a state of apparent samadhi, well, you will be protected and everything will be all right, thats all.
   (Mother nods approvingly)

1.05 - ON ENJOYING AND SUFFERING THE PASSIONS, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  names: and If You Must speak of her, then do not be
  ashamed to stammer of her. Then speak and stammer,

1.06 - THE MASTER WITH THE BRAHMO DEVOTEES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  MASTER (to the Marwari devotees): "You see, the feeling of 'I' and 'mine' is the result of ignorance. But to say, 'O God, Thou art the Doer; all these belong to Thee' is the sign of Knowledge. How can you say such a thing as 'mine'? The superintendent of the garden says, 'This is my garden.' But if he is dismissed because of some misconduct, then he does not have the courage to take away even such a worthless thing as his mango-wood box. Anger and lust cannot be destroyed. Turn them toward God. If You Must feel desire and temptation, then desire to realize God, feel tempted by Him. Discriminate and turn the passions away from worldly objects. When the elephant is about to devour a plaintain-tree in someone's garden, the mahut strikes it with his iron-tipped goad.
  "You are merchants. You know how to improve your business gradually. Some of you start with a castor-oil factory. After making some money at that, you open a cloth shop. In the same way, one makes progress toward God. It may be that you go into solitude, now and then, and devote more time to prayer.

1.10 - THE MASTER WITH THE BRAHMO DEVOTEES (II), #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  MASTER: "Direct the six passions to God. The impulse of lust should be turned into the desire to have intercourse with tman. Feel angry at those who stand in your way to God. Feel greedy for Him. If You Must have the feeling of I and Mine, then associate it with God. Say, for instance, 'My Rama, my Krishna.' If You Must have pride, then feel like Bibhishana, who said, 'I have touched the feet of Rama with my head; I will not bow this head before anyone else.'"
  Responsibility for sins

1.22 - ADVICE TO AN ACTOR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Therefore one should direct them to God. If You Must have desire and greed, then you should desire love of God and be greedy to attain Him. If You Must be conceited and egotistic, then feel conceited and egotistic thinking that you are the servant of God, the child of God.
  "A man cannot see God unless he gives his whole mind to Him. The mind is wasted on 'woman and gold'. Take your own case. You have children and are occupied with the theatre. The mind cannot be united with God on account of these different activities.

1.23 - FESTIVAL AT SURENDRAS HOUSE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  This is what it means to be intoxicated with ecstatic love of God. The sum and substance of the whole matter is that a man must love God, must be restless for Him. It doesn't matter whether you believe in God with form or in God without form. You may or may not believe that God incarnates Himself as man. But you will realize Him if you have that yearning. Then He Himself will let you know what He is like. If You Must be mad, why should you be mad for the things of the world? If You Must be mad, be mad for God alone."
  Presently Sri Ramakrishna returned to the main hall of the house. A big pillow was placed near him for his use. Before touching it he said, "Om Tat Sat" Perhaps the pillow had been used by many worldly people, and that was why he purified it in this way.

1.24 - PUNDIT SHASHADHAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Nowadays the decoctions of roots and herbs of the orthodox Hindu physicians cannot be given to a fever patient. By the time that kind of medicine begins its slow process of curing, the patient is done for. Therefore only a drastic medicine like the allopathic 'fever mixture' is effective now. You may ask people to practise scriptural rites and rituals; but, when prescribing the rituals, remove the 'head and tail'. I tell people not to bother about the elaborate rituals of the sandhya as enjoined in the scriptures. I say that it will be enough for them to repeat the Gayatri alone. If You Must give instruction about scriptural ceremonies, do so only to a very few, like Ishan.
  Futility of lecturing

1955-06-08 - Working for the Divine - ideal attitude - Divine manifesting - reversal of consciousness, knowing oneself - Integral progress, outer, inner, facing difficulties - People in Ashram - doing Yoga - Children given freedom, choosing yoga, #Questions And Answers 1955, #The Mother, #Integral Yoga
  But even If You Must be the one and only being in the whole creation who gives himself integrally in all purity to the Divine, and being the only one, being naturally absolutely misunderstood by everybody, scoffed at, ridiculed, hated, even if you were that, there is no reason for not doing it. One must be either a tinsel actor or else a fool. Because others don't do it? But what does it matter whether they do it or not? "Why, the whole world may go the wrong way, it does not concern me. There is only one thing with which I am concerned, to go straight. What others do, how is it my concern? It is their business, not mine."
  This is the worst of all slaveries!

1f.lovecraft - Pickmans Model, #Lovecraft - Poems, #unset, #Zen
   Well, If You Must hear it, I dont know why you shouldnt. Maybe you
   ought to, anyhow, for you kept writing me like a grieved parent when

1f.lovecraft - The Statement of Randolph Carter, #Lovecraft - Poems, #unset, #Zen
   me here forever if you will; confine or execute me If You Must have a
   victim to propitiate the illusion you call justice; but I can say no

1.rb - Fra Lippo Lippi, #Browning - Poems, #Robert Browning, #Poetry
   Do,harry out, If You Must show your zeal,
   Whatever rat, there, haps on his wrong hole,

1.rt - Lovers Gifts XVIII - Your Days, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  Your days will be full of cares, If You Must give me your heart.
  My house by the cross-roads has its doors open and my mind is
  --
    I shall never be made to answer for it, If You Must give me
  your heart. If I pledge my word to you in tunes now, and am too
  --
    Do not always keep remembering it, If You Must give me your
  heart. When your eyes sing with love, and your voice ripples with

1.rt - The Gardener XLIV - Reverend Sir, Forgive, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  you are disturbing us. If You Must
  have this noisy game, go and clatter

1.wby - Fergus And The Druid, #Yeats - Poems, #William Butler Yeats, #Poetry
  Druid . Take, If You Must, this little bag of dreams;
  Unloose the cord, and they will wrap you round.

2.02 - The Ishavasyopanishad with a commentary in English, #Isha Upanishad, #unset, #Zen
  any rate, If You Must have an ideal, of the far-off event to which
  humanity moves, cherish this. Distrust all Utopias that seek to

2.15 - CAR FESTIVAL AT BALARMS HOUSE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  MASTER: "My child, this is all we have. Please sing if it suits you. You must know how Balarm arranges things. "Balarm says to me, 'Please come to Calcutta by boat; take a carriage only If You Must.' (All laugh.) You see, he has given us a feast today; so this afternoon he will make us all dance! (All laugh.) One day he hired a carriage for me from here to Dakshineswar. He said that the carriage hire was twelve nns. I said to him, 'Will the coachman take me to Dakshineswar for twelve nns?' 'Oh, that will be plenty', he replied. One side of the carriage broke down before we reached Dakshineswar. (All laugh.) Besides, the horse stopped every now and then; it simply would not go. Once in a while the coachman whipped the horse, and then it ran a short distance. (All laugh.) The program for the evening is that Ram will play on the drum and we shall all dance.
  Ram has no sense of rhythm. (All laugh.) Anyhow, that is Balarm's attitudesing yourselves, dance yourselves, and make yourselves happy!" (All laugh.) Other devotees were arriving. Mahendra Mukherji saluted the Master from a distance.

3.03 - The Four Foundational Practices, #The Tibetan Yogas of Dream and Sleep, #Tenzin Wangyal Rinpoche, #Buddhism
  If you do not have immediate results, even If You Must practice for a long time before achieving lucidity in dream, there is no need to be discouraged. Do not think that it is useless and that you cannot accomplish the practice. Think about the differences in how you thought and acted when you were ten years old, relative to now-there is constant change. Do not allow yourself to get stuck, believing that whatever limits you have in your practice today will continue in the future. Knowing that nothing remains the same, you need not believe that the way things manifest now are the way they must continue.
  Experiencing the vivid, luminous, dream-like qualities of life allows your experience to grow more spacious, lighter, and clearer. When lucidity is developed in dream and in waking, there is much greater freedom to shape life positively, and to finally give up preferences and dualisms altogether and remain in non-dual presence.

For a Breath I Tarry, #unset, #Arthur C Clarke, #Fiction
     "No. You have done no harm. If You Must go now, go. But come back."
     "I shall indeed, mighty Frost."

Sayings of Sri Ramakrishna (text), #Sayings of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  615. If You Must be mad, be it not for the things of the world. Be mad with the love of God.
  616. Some men shed streams of tears because sons are not born to them, others eat away their hearts

The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
  'Well, If You Must know, it's my little Jimmy.'
  'What's wrong with him, then?'

WORDNET














IN WEBGEN [10000/5]

Wikipedia - Elope If You Must -- 1922 film
Wikipedia - If You Must (Del the Funky Homosapien song) -- 2000 single by Del the Funky Homosapien
https://www.goodreads.com/book/show/1505984.Die_If_You_Must
https://www.goodreads.com/book/show/266380.How_to_Talk_to_a_Liberal_If_You_Must_
If You Must



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