--- DICTIONARIES (in Dictionaries, in Quotes, in Chapters)

--- QUOTES [0 / 0 - 97 / 97] (in Dictionaries, in Quotes, in Chapters)

KEYS (10k)


NEW FULL DB (2.4M)

   8 Margaret Mitchell

   4 Ree Drummond

   3 Ta Nehisi Coates

   2 Pat Conroy

   2 Kathryn Stockett

   2 Karin Slaughter

   2 Ernest Dowson

   2 Ernest Christopher Dowson

   2 Ben Stein

*** NEWFULLDB 2.4M ***

1:A small part of the South not yet gone with the wind. ~ Leila Meacham

2:Even Gone With the Wind had a shocking, cold-blooded murder. ~ Karin Slaughter

3:I was just a mini-star when we did 'Gone With the Wind.' ~ Olivia de Havilland

4:tomorrow. There’s a Gone With the Wind museum here in the house. ~ Carolyn Brown

5:This is what you’ve been reading? World War One–era Gone With the Wind? ~ A G Riddle

6:If Clark Gable had a Facebook page, there would have been a Gone with the Wind 2. ~ Vin Diesel

7:The America that we knew as the smartest place on the planet is gone with the wind. ~ Ben Stein

8:I had a dresser who literally squeezed me in like Scarlett O'Hara in Gone With The Wind. ~ Glenn Close

9:The poor black people in it make the black people in Gone With the Wind look like Malcolm X. ~ Ben Stein

10:When I was a teenager, the number one book I was most obsessed with was 'Gone with the Wind. ~ Rachel Cohn

11:Like every Southern writer, I thought that I needed to write the next Gone With the Wind. ~ Karin Slaughter

12:The house looked like some gay architect had gotten drunk and watched Gone with the Wind.  ~ Victor Gischler

13:This town is like Gone with the Wind on mescaline!" From Midnight in the Garden of Good and Evil. ~ John Berendt

14:Was Tara still standing? Or was Tara also gone with the wind which had swept through Georgia? ~ Margaret Mitchell

15:You look at Gone With the Wind, how right Vivian Leigh was for that. Don't know if that would happen today. ~ Kelly Lynch

16:I've got a library copy of Gone with the Wind, a quart of milk and all these cookies. Wow! What an orgy! ~ Jacqueline Susann

17:I did not read Gone with the Wind, although I've seen the movie, and I read every book on Margaret Mitchell. ~ Shannen Doherty

18:Death, taxes and childbirth! There's never any convenient time for any of them. ― Margaret Mitchell, Gone with the Wind ~ Margaret Mitchell

19:When I was 8, I was reading 'Gone with the Wind' and 'Pride and Prejudice' and all that, not knowing it wasn't my reading level. ~ Stephenie Meyer

20:When I was 5 years old, my mother read me 'Gone With The Wind' at night, before I went to bed. I remember her reading almost all year. ~ Pat Conroy

21:Anchorman' is my favorite movie of all time and Ron Burgundy is one of my favorite characters of all time. It's my 'Gone With the Wind. ~ Eva Mendes

22:That's a powerful lucky rabbit's foot. I got the part in Gone With the Wind because of it. I got my Warner contract, thanks to it. ~ Hattie McDaniel

23:And of course I'm in the press all the time. So many books have been written about me; Into thin air, up in the air,Gone with the wind- ~ Rick Riordan

24:For the entire state of Georgia, having the premiere of Gone With the Wind on home ground was like winning the Battle of Atlanta 75 years late. ~ Anne Edwards

25:I feel like if you're a girl in the South, you know 'Gone with the Wind' better than anything. Scarlett O'Hara is such a quintessential Southern woman. ~ Leslie Bibb

26:It's like Gone with the Wind or something. Strictly the 1939 brand of slapping. It only works because the slapper loves the slapee, and the slappee knows it. ~ A S King

27:My favorite movie is The Wizard of Oz. I love the fairy tale of it. And Gone With the Wind was always one of my favorites because it's so dramatic and stunning. ~ Meredith Brooks

28:My favorite movies of all times is 'Doctor Zhivago,' and I love 'Gone With the Wind.' I'd love to play some Southern belle or something where I owned a plantation. ~ Dolly Parton

29:One of the greatest compliments my husband ever said to me was that I had the spirit and strength of a Scarlett O'Hara (from Gone with the Wind). - Strong by Kailin Gow ~ Kailin Gow

30:Stick with me," CyFi had said, putting his fist in the air, "and as God is my witness, you will never go hungry again." Then he added, "That's from Gone with the Wind. ~ Neal Shusterman

31:'Gone With The Wind' is one of the all-time greats. Read Margaret Mitchell's book and watch the film again; it's a soap opera in all its glory. It is superb and memorable. ~ Timothy Dalton

32:I don't believe that Citizen Kane or Gone With the Wind, or any damn picture that you can name, would be better off in 3D. I think it's a gimmick. I find 3D distracting. ~ William Friedkin

33:My mother saw in 'Gone With the Wind' the text of liberating herself, ... She took 'Gone With the Wind' as the central book in her life, and made it the central book in her family. ~ Pat Conroy

34:The land is the only thing in the world worth working for, worth fighting for, worth dying for, because it's the only thing that lasts".....Gerald O'Hara, Gone With The Wind. ~ Margaret Mitchell

35:You might point to Gone With the Wind and ask me to remind you which of its colorful cast was a canine, and I could say only that Scarlett O’Hara, while not a dog, was something of a bitch. ~ Dean Koontz

36:There is a mythic view of the South that's symbolized by the film "Gone With The Wind" that looks back fondly at slavery as a time when everything was happily in place - in place for whites. ~ William R Ferris

37:If you want to know about Africa, read our literature - and not just 'Things Fall Apart,' because that would be like saying, 'I've read 'Gone with the Wind' and so I know everything about America.' ~ Chris Abani

38:Mitchell rose to the task of playing the avenging angel for the Confederate States. There have been hundreds of novels about the Civil War, but Gone With the Wind stands like an obelisk in the ~ Margaret Mitchell

39:You'll be in good hands with the colonel, you'll see." The colonel? Okay, I was obviously stuck in a Gone With the Wind theme park. Or maybe a Kentucky Fried Chicken farm. Or I was simply hallucinating... ~ J R Rain

40:Do you really mean they like it? You wouldn’t fox an old friend, would you?' – in response to Lois Cole’s telegram announcing that Macmillan liked the book that would become known as Gone With the Wind. ~ Margaret Mitchell

41:When we reach the intersection with Homochitto Street, I turn right, into town, and soon we’re passing Dunleith, the antebellum mansion that I always say makes Tara from Gone with the Wind look like a woodshed. ~ Greg Iles

42:Personally, we could call her ‘Garbage O’Hara’ for all I care. – in response to editor & friend Lois Cole’s criticism of the name Scarlett O’Hara while Gone with the Wind was in its final stages before publication. ~ Margaret Mitchell

43:For I am fighting for the old days, the old ways which I love so much, but which, I fear, are now gone forever, no matter how the die may fall. For, win or lose, we lose just the same. - Ashley Wilkes, Gone with the Wind ~ Margaret Mitchell

44:I'm absolutely positive it's in our human nature to want to know about the past. The two most popular movies of all time, while not historically accurate, are about core historic events: 'Gone With the Wind' and 'Titanic.' ~ David McCullough

45:I think Skeeter even says that when she calls up Miss Stein. "No one asked Mammy how she feels in Gone With The Wind." Mammy wasn't really much of a fleshed-out character. She was just kind of there to take care of Miss Scarlett. ~ Emma Stone

46:I remember one thing that marred this time for me; the movie "Gone with the Wind." When it played in Mason [MI], I was the only Negro in the theater, and when Butterfly McQueen went into her act, I felt like crawling under the rug. ~ Malcolm X

47:The first time I read Gone with the Wind and Rhett walked out on Scarlett, I was fifteen and thought all that unrequited love was wildly romantic. The second time I read it, last summer, I thought she was silly and he was a selfish pig. ~ Jodi Picoult

48:Ah, dear, sweet Eden. To quote the great Rhett Butler, you need to be fucked and by someone who knows how.” “What version of Gone with the Wind did you grow up watching?” “There are a lot of liberties taken with Spanish subtitles. ~ Karina Halle

49:I have forgot much, Cynara! gone with the wind, Flung roses, roses riotously with the throng, Dancing, to put thy pale, lost lilies out of mind; But I was desolate and sick of an old passion, Yea, all the time, because the dance was long: ~ Ernest Dowson

50:He stepped closer to her bookshelves to scan the titles there. Lots of art history books, and several museum catalogs. A few movies: Gone With the Wind, Casablanca, and An Affair to Remember. He grinned. Pussy-Kat was a bit sappy, it seemed. ~ Stephanie Bond

51:My mother gave me an Oscar de la Renta Gone with the Wind ballgown dress. I've never had a place to wear it out to because it's so old-fashioned fancy and beautiful, so I need to find a place to wear it but if I don't, I'll still keep it forever. ~ Elizabeth Jagger

52:When? In Gone with the Wind, my mother’s favorite book, Scarlett O’Hara, when confronted with a difficulty, says, “I’ll think about it tomorrow … After all, tomorrow is another day.” If we are to evolve instead of revolve, it’s time to take action now. ~ Edith Eger

53:(worthy of state funding), and not a period or comma had changed in the twenty-five years hence. It was as soapy as Gone With the Wind, full of belles and balls and star-crossed lovers, noble Confederates and happy darkies and more dirty Yankees than you could count. ~ Attica Locke

54:Cheng Xin said, “Anyone from the Earth has a kind of nostalgia for soil. Remember what Scarlett’s father told her in Gone With the Wind? ‘Why, land is the only thing in the world worth workin’ for, worth fightin’ for, worth dyin’ for, because it’s the only thing that lasts.’” Yifan ~ Liu Cixin

55:There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind. ~ Ben Hecht

56:There are certain stereotypes that are offensive. Some of them don't worry me, though. For instance, I have always thought that Mammy character in Gone with the Wind was mighty funny. And I just loved "Amos 'n' Andy" on the radio. So you see, I have enough confidence in myself that those things did not bother me. I could laugh. ~ Annie Elizabeth Delany

57:Razieh had an amazing capacity for beauty. She said, You know, all my life I have lived in poverty. I had to steal books and sneak into movie houses-but, God, I loved those books! I don't think any rich kid has ever cherished Rebecca or Gone with the Wind the way I did when I borrowed the translations from houses where my mother worked. ~ Azar Nafisi

58:It's a movie, OK? I went to see GONE WITH THE WIND, but did I really believe there was a guy named Rhett Butler who said, "Frankly, my dear, I don't give a damn"? No. Movies need heroes and villains, and real life doesn't usually have heroes and villains. Real life has a lot of shades of gray, and moves have black and white even when they're in color. ~ Don Hewitt

59:I once read a very funny piece called “The Essential Gone with the Wind” that went something like this: “ ‘A war?’ laughed Scarlett. ‘Oh, fiddle-de-dee!’ “Boom! Ashley went to war! Atlanta burned! Rhett walked in and then walked out! “ ‘Fiddle-de-dee,’ said Scarlett through her tears, ‘I will think about it tomorrow, for tomorrow is another day.’ ” I ~ Stephen King

60:She’s got so many azalea bushes, her yard’s going to look like Gone With the Wind come spring. I don’t like azaleas and I sure didn’t like that movie, the way they made slavery look like a big happy tea party. If I’d played Mammy, I’d of told Scarlett to stick those green draperies up her white little pooper. Make her own damn man-catching dress. ~ Kathryn Stockett

61:She's got so many azalea bushes, her yard's going to look like Gone With the Wind come spring. I don't like azaleas and I sure didn't like that movie, the way they made slavery look like a big happy tea party. If I'd played Mammy, I'd of told Scarlett to stick those green draperies up her white little pooper. Maker her own damn man-catching dress. ~ Kathryn Stockett

62:He told me and Rafe to stay put in case you came home, burn the note and get hot water and disinfectant and bandages ready—' 'Which would have come in useful, Rafe said, lighting another cigarette, 'if we'd been delivering a baby in Gone with the Wind. What on earth was he picturing? Home surgery on the kitchen table with Abby's embroidery needle? ~ Tana French

63:avant-garde, adj. This was after Alisa' show, the reverse-blackface rendition of Gone With the Wind, including songs from the Empire Records soundtrack and an interval of nineteenth-century German poetry, recited with a lisp. "What does avant-garde mean, anyway?" I asked. "I believe it translates as favor to your friends," you replied. ~ David Levithan

64:Out of this incredible brutality, we get the myth of the happy darky and Gone With the Wind. And the North Americans appear to believe these legends, which they have created and which absolutely nothing in reality corroborates, until today. And when these legends are attacked, as is happening now—all over a globe which has never been and never will be White—my countrymen become childishly vindictive and unutterably dangerous. The ~ James Baldwin

65:If Gone With the Wind has a theme it is that of survival. What makes some people come through catastrophes and others, apparently just as able, strong, and brave, go under? It happens in every upheaval. Some people survive; others don't. What qualities are in those who fight their way through triumphantly that are lacking in those that go under? I only know that survivors used to call that quality 'gumption.' So I wrote about people who had gumption and people who didn't. ~ Margaret Mitchell

66:Now, through an act as simple as walking across a stage and collecting an empty plastic folder representing a degree, our stock had plummeted to nothing, the wretched leavings of some cosmic Ponzi scheme. A lifetime's worth of planning and training and delusion gone with the wind. Some of us were moving home to live free of charge in our parents' guest rooms, or if we were thin enough, heading west to try our luck in L.A.; others, to our collective horror, were being forced to work at actual jobs. ~ Rachel Shukert

67:Tears Of A Teenage Mother these tears that you see are those of mine why do i cry because i laid down with you not because you said you love me, because i knew that was a lie not because i wanted to but because you wanted to and and i loved you now i am pregnant and you gone with the wind my heart crushed and nowhere to go so listing to me crying see my destruction thanks a lot because what you see at night when you cant sleep are the very tears of a teenage mother ~ david bailey

68:He was able to prove that the South had surrendered ninety-seven million acres to erosion (an area larger than the two Carolinas and Georgia); it had squandered the chances of millions of people by tolerating poverty and illiteracy; and it had ignored human potential by refusing to provide technological training, or even basic services, to its people. The overwhelming power of Odum’s data undercut (what Odum himself called) Gone with the Wind nostalgia—the collective self-image elite southerners had cultivated. ~ Nancy Isenberg

69:At Waterloo Pierre Cambronne commanded Napoleon's Imperial Guard. When all was lost, a British officer asked him to lay down his arms. Generations of schoolboys have been taught that he replied: “The Guard dies, but never surrenders.” Actually he said: “Merde!” (“Shit!”) The French know this; a euphemism for merde is called “the word of Cambronne.” Yet children are still told that he said what they know he did not say. So it was with me. I read Kipling, not Hemingway; Rupert Brooke, not Wilfred Owen; Gone with the Wind, not Ambrose Bierce and Stephen Crane. The ~ William Manchester

70:The survivors of a nuclear war will be able, if they can make their way to Hutchinson, Kansas, and get 200 metres (650 feet) down into the salt-shafts, to retrieve an assortment of objects which have been chosen partly with them in mind. There are seeds of hybrid plants, the files of various commercial enterprises, secret formulae for making brand-name products, food for the treasure-finders, and even folding cots, just in case they bring their babies with them. There is a film library which includes Gone with the Wind, Polly of the Circus, and lots of Buster Keaton. ~ Margaret Visser

71:I have forgot much, Cynara! gone with the wind, Flung roses, roses riotously with the throng, Dancing, to put thy pale, lost lilies out of mind; But I was desolate and sick of an old passion, Yea, all the time, because the dance was long; I have been faithful to thee, Cynara! in my fashion. I cried for madder music and for stronger wine, But when the feast is finished and the lamps expire, Then falls thy shadow, Cynara! the night is thine; And I am desolate and sick of an old passion, Yea, hungry for the lips of my desire: I have been faithful to thee, Cynara! in my fashion. ~ Ernest Dowson

72:If you've ever read one of those articles that asks notable people to list their favorite books, you may have been impressed or daunted to see them pick Proust or Thomas Mann or James Joyce. You might even feel sheepish about the fact that you reread Pride and Prejudice or The Lord of the Rings, or The Catcher in the Rye or Gone With the Wind every couple of years with some much pleasure. Perhaps, like me, you're even a little suspicious of their claims, because we all know that the books we've loved best are seldom the ones we esteem the most highly - or the ones we'd most like other people to think we read over and over again. ~ Laura Miller

73:—¿Saben cual es mi historia de amor favorita? —Interrumpió la Señora Bobot. —Gone with the wind. Ahora es si que es una historia de amor. —Pero esa tampoco tiene un final feliz, —dije. —Rhett Bulter deja a Scarlett O’Hara. —Ella estaba mejor sin él, —dijo Realm. —Era un idiota. —No, no lo era, —dijo la Señora Bobot. —Scarlett estaba demasiado ciega para ver que Rhett era perfecto para ella. —Bella y Edward tuvieron un final feliz, —dije. El Reverendo frunció el ceño. —No me es familiar esa historia. —Bella acaba siendo una mama adolescente no muerta. Si eso te parece un final feliz tienes problemas, —dijo Realm. ~ Suzanne Selfors

74:A memory came to me. One time, in middle school, a famous author came to talk to our class and give a writing workshop. One of the things she told us about writing a novel was that the story should be about what the main character wants. Dorothy wants to go home to Kansas. George Milton wants a farm of his own. Amelia Sedley wants to marry her darling George and live happily ever after. The end of the story, according to the famous author, is when the character either gests what he wants or realizes he’s never going to get it. Or sometimes, she said, like Scarlett O’Hara in Gone With the Wind, realizes she doesn’t actually want what she thought she wanted all along. pg. 324 of Bewitching ~ Alex Flinn

75:My cousin Helen, who is in her 90s now, was in the Warsaw ghetto during World War II. She and a bunch of the girls in the ghetto had to do sewing each day. And if you were found with a book, it was an automatic death penalty. She had gotten hold of a copy of ‘Gone With the Wind’, and she would take three or four hours out of her sleeping time each night to read. And then, during the hour or so when they were sewing the next day, she would tell them all the story. These girls were risking certain death for a story. And when she told me that story herself, it actually made what I do feel more important. Because giving people stories is not a luxury. It’s actually one of the things that you live and die for. ~ Neil Gaiman

76:How do we imagine a great love? Perhaps something along the lines of Gone with the Wind or Titanic is what comes to mind. But those aren’t really about love itself, but about a situation. Everything becomes more grand when it takes place in the context of a civil war, a shipwreck, or natural catastrophe. But that is like judging the painting by the frame. That the Mona Lisa should be judged a masterpiece largely because of the carvings that surround it. Love is love. In the dramatic stories, the people involved are physically willing to give up their lives for each other, but that is exactly what happens in the great but everyday love also. You give your lives to each other the whole way and every day, until death. ~ John Ajvide Lindqvist

77:I mean, I don't know much about the Civil War, but whenever I think of that time—I mean, ever since Gone With the Wind I've had these fantasies about those generals, those gorgeous young Southern generals with their tawny mustaches and beards, and hair in ringlets, on horseback. And those beautiful girls in crinoline and pantalettes. You would never know that they ever fucked, from all you're able to read." She paused and squeezed my hand. "I mean, doesn't it just do something to you to think of one of those ravishing girls with that crinoline all in a fabulous tangle, and one of those gorgeous young officers—I mean, both of them fucking like crazy?" "Oh yes," I said with a shiver, "oh yes, it does. It enlarges one's sense of history. ~ William Styron

78:I was simultaneously exhausted and scared. Maybe I was wrong about my country. Maybe a life lived in the bubble had made me believe things that were not so, or not enough so to carry the day. What did anything mean if the worst happened, if brightness fell from the air, if the lies, the slanders, the ugliness, the ugliness, became the face of America. What would my story mean, my life, my work, the stories of Americans old and new, Mayflower families and Americans proudly sworn in just in time to share in the unmasking—the unmaking—of America. Why even try to understand the human condition if humanity revealed itself as grotesque, dark, not worth it. What was the point of poetry, cinema, art. Let goodness wither on the vine. Let Paradise be lost. The America I loved, gone with the wind. ~ Salman Rushdie

79:BERLIN, October 29 I’ve been looking into what Germans are reading these dark days. Among novels the three best-sellers are: (1) Gone with the Wind, translated as Vom Winde Verweht—literally “From the Wind Blown About”; (2) Cronin’s Citadel; (3) Beyond Sing the Woods, by Trygve Gulbranssen, a young Norwegian author. Note that all three novels are by foreign authors, one by an Englishman. Most sought-after non-fiction books are: (1) The Coloured Front, an anonymous study of the white-versus-Negro problem; (2) Look Up the Subject of England, a propaganda book about England; (3) Der totale Krieg, Ludendorff’s famous book about the Total War—very timely now; (4) Fifty Years of Germany, by Sven Hedin, the Swedish explorer and friend of Hitler; (5) So This is Poland, by von Oertzen, data on Poland, first published in 1928. Three ~ William L Shirer

80:[Northerners] took over the Southern myth and themselves began to revel in it. This acceptance was to culminate in Gone With the Wind, the enormous success of which novel makes a curious counterbalance to that of Uncle Tom's Cabin. But it began in the Century of the eighties with the stories of Thomas Nelson Page. Though Page had been only twelve at the end of the Civil War, so had had little experience of the old regime, he really invented for the popular mind Old Massa and Mistis and Meh Lady, with their dusky-skinned adoring retainers. The Northerners, after the shedding of so much blood, illogically found it soothing to be told that slavery had not been so bad, that the Negroes were a lovable but simple race, whose business was to work for whites. And Page also struck in his stories a note of reconciliation that everybody wanted to hear: he cooked up romances between young Northern officers, as gentlemanly as any Southerner, and spirited plantation beauties who might turn out to be the young men's cousins and who in any case would marry them after the war. ~ Edmund Wilson

81:It is not a mistake that Gone with the Wind is one of the most read works of American literature or that The Birth of a Nation is the most revered touchstone of all American film. Both emerge from a need for palliatives and painkillers, an escape from the truth of those five short years in which 750,000 American soldiers were killed, more than all American soldiers killed in all other American wars combined, in a war declared for the cause of expanding “African slavery.” That war was inaugurated not reluctantly, but lustily, by men who believed property in humans to be the cornerstone of civilization, to be an edict of God, and so delivered their own children to his maw. And when that war was done, the now-defeated God lived on, honored through the human sacrifice of lynching and racist pogroms. The history breaks the myth. And so the history is ignored, and fictions are weaved into our art and politics that dress villainy in martyrdom and transform banditry into chivalry, and so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day. ~ Ta Nehisi Coates

82:Cynara Last night, ah, yesternight, betwixt her lips and mine There fell thy shadow, Cynara! thy breath was shed Upon my soul between the kisses and the wine; And I was desolate and sick of an old passion, Yea, I was desolate and bowed my head: I have been faithful to thee, Cynara! in my fashion. All night upon mine heart I felt her warm heart beat, Night-long within mine arms in love and sleep she lay; Surely the kisses of her bought red mouth were sweet; But I was desolate and sick of an old passion, When I awoke and found the dawn was gray: I have been faithful to thee, Cynara! in my fashion. I have forgot much, Cynara! gone with the wind, Flung roses, roses riotously with the throng, Dancing, to put thy pale, lost lilies out of mind; But I was desolate and sick of an old passion, Yea, all the time, because the dance was long: I have been faithful to thee, Cynara! in my fashion. I cried for madder music and for stronger wine, But when the feast is finished and the lamps expire, Then falls thy shadow, Cynara! the night is thine; And I am desolate and sick of an old passion, Yea, hungry for the lips of my desire: I have been faithful to thee, Cynara! in my fashion. ~ Ernest Christopher Dowson

83:I decided to begin with romantic films specifically mentioned by Rosie. There were four: Casablanca, The Bridges of Madison County, When Harry Met Sally, and An Affair to Remember. I added To Kill a Mockingbird and The Big Country for Gregory Peck, whom Rosie had cited as the sexiest man ever. It took a full week to watch all six, including time for pausing the DVD player and taking notes. The films were incredibly useful but also highly challenging. The emotional dynamics were so complex! I persevered, drawing on movies recommended by Claudia about male-female relationships with both happy and unhappy outcomes. I watched Hitch, Gone with the Wind, Bridget Jones’s Diary, Annie Hall, Notting Hill, Love Actually, and Fatal Attraction. Claudia also suggested I watch As Good as It Gets, “just for fun.” Although her advice was to use it as an example of what not to do, I was impressed that the Jack Nicholson character handled a jacket problem with more finesse than I had. It was also encouraging that, despite serious social incompetence, a significant difference in age between him and the Helen Hunt character, probable multiple psychiatric disorders, and a level of intolerance far more severe than mine, he succeeded in winning the love of the woman in the end. An excellent choice by Claudia. ~ Graeme Simsion

84:Non Sum Qualis Eram Bonae Sub Regno Cynarae Last night, ah, yesternight, betwixt her lips and mine There fell thy shadow, Cynara! thy breath was shed Upon my soul between the kisses and the wine; And I was desolate and sick of an old passion, Yea, I was desolate and bowed my head: I have been faithful to thee, Cynara! in my fashion. All night upon mine heart I felt her warm heart beat, Night-long within mine arms in love and sleep she lay; Surely the kisses of her bought red mouth were sweet; But I was desolate and sick of an old passion, When I awoke and found the dawn was gray: I have been faithful to thee, Cynara! in my fashion. I have forgot much, Cynara! gone with the wind, Flung roses, roses riotously with the throng, Dancing, to put thy pale, lost lilies out of mind; But I was desolate and sick of an old passion, Yea, all the time, because the dance was long: I have been faithful to thee, Cynara! in my fashion. I cried for madder music and for stronger wine, But when the feast is finished and the lamps expire, Then falls thy shadow, Cynara! the night is thine; And I am desolate and sick of an old passion, Yea, hungry for the lips of my desire: I have been faithful to thee, Cynara! in my fashion. ~ Ernest Christopher Dowson

85:When it comes to the Civil War, all of our popular understanding, our popular history and culture, our great films, the subtext of our arguments are in defiance of its painful truths. It is not a mistake that Gone with the Wind is one of the most read works of American literature or that The Birth of a Nation is the most revered touchstone of all American film. Both emerge from a need for palliatives and painkillers, an escape from the truth of those five short years in which 750,000 American soldiers were killed, more than all American soldiers killed in all other American wars combined, in a war declared for the cause of expanding "African slavery." That war was inaugurated not reluctantly, but lustily, by men who believed property in humans to be the cornerstone of civilization, to be an edict of God, and so delivered their own children to his maw. And when that war was done, the now-defeated God lived on, honored through the human sacrifice of lynching and racist pogroms. The history breaks the myth. And so the history is ignored, and fictions are weaved into our art and politics that dress villainy in martyrdom and transform banditry into chivalry, and so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day. ~ Ta Nehisi Coates

86:Margaret Mitchell won the Pulitzer Prize for Fiction for Gone With the Wind in 1937. She was 37 years old at the time. Margaret Chase Smith was elected to the Senate for the first time in 1948 at the age of 49. Ruth Gordon picked up her first Oscar in 1968 for Rosemary’s Baby. She was 72 years old. Billie Jean King took the battle of women’s worth to a tennis court in Houston’s Astrodome to outplay Bobby Riggs. She was 31 years of age. Grandma Moses began a painting career at the age of 76. Anne Morrow Lindbergh followed in the shadow of her husband until she began to question the meaning of existence for individual women. She published her thoughts in Gift from the Sea in 1955, at 49. Shirley Temple Black was Ambassador to Ghana at the age of 47. Golda Meir in 1969 was elected prime minister of Israel. She had just turned 71. This summer Barbara Jordan was given official duties as a speaker at the Democratic National Convention. She is 40 years old. You can tell yourself these people started out as exceptional. You can tell yourself they had influence before they started. You can tell yourself the conditions under which they achieved were different from yours. Or you can be like a woman I knew who sat at her kitchen window year after year and watched everyone else do it and then said to herself, “It’s my turn.” I was 37 years old at the time. ~ Erma Bombeck

87:The Bradford Exchange—a knockoff of [Joseph] Segel’s [Franklin Mint] business—created a murky secondary market for its collector plates, complete with advertisements featuring its “brokers” hovering over computers, tracking plate prices. To underscore the idea of these mass-produced tchotchkes as upmarket, sophisticated investments, the company deployed some of its most aggressive ads (which later led to lawsuits) in magazines like Kiplinger’s Personal Finance and Architectural Digest. A 1986 sales pitch offered “The Sound of Music,” the first plate in a new series from the Edwin M. Knowles China Company, at a price of $19.50. Yet the ad copy didn’t emphasize the plate itself. Rather, bold type introduced two so-called facts: “Fact: ‘Scarlett,’ the 1976 first issue in Edwin M. Knowles’ landmark series of collector’s plates inspired by the classic film Gone With the Wind, cost $21.60 when it was issued. It recently traded at $245.00—an increase of 1,040% in just seven years.” And “Fact: ‘The Sound of Music,’ the first issue in Knowles’ The Sound of Music series, inspired by the classic film of the same name, is now available for $19.50.” Later the ad advised that “it’s likely to increase in value.” Currently, those plates can be had on eBay for less than $5 each. In 1993 U.S. direct mail sales of collectibles totaled $1.7 billion ~ Zac Bissonnette

88:The Shag "What is that great bird, sister, tell me, Perched high on the top of the crag?" "'T is the cormorant, dear little brother; The fishermen call it the shag." "But what does it there, sister, tell me, Sitting lonely against the black sky?" "It has settled to rest, little brother; It hears the wild gale wailing high." "But I am afraid of it, sister, For over the sea and the land It gazes, so black and so silent!" "Little brother, hold fast to my hand." "Oh, what was that, sister? The thunder? Did the shag bring the storm and the cloud, The wind and the rain and the lightning?" "Little brother, the thunder roars loud. "Run fast, for the rain sweeps the ocean; Look! over the light-house it streams; And the lightning leaps red, and above us The gulls fill the air with their screams." O'er the beach, o'er the rocks, running swiftly, The little white cottage they gain; And safely they watch from the window The dance and the rush of the rain. But the shag kept his place on the headland, And when the brief storm had gone by, He shook his loose plumes, and they saw him Rise splendid and strong in the sky. Clinging fast to the gown of his sister, The little boy laughed as he flew; "He is gone with the wind and the lightning! And -- I am not frightened, -- are you?" 33 ~ Celia Thaxter

89:Spring flew by and summer quickly arrived; my belly grew right alongside the daylilies, zinnias, and tomatoes Marlboro Man’s mom had helped me plant in a small garden outside the house. For Marlboro Man, the coming of the baby proved to be an effective diversion from the aftermath of the previous fall’s market woes. More and more, it looked like Marlboro Man might have to sell some of his land in order to keep the rest of the ranch afloat. As someone who didn’t grow up on a ranch, I failed to feel the gravity of the situation. You have a problem, you have an asset, you sell the asset, you solve the problem. But for Marlboro Man, it could never be that simple or sterile. For a ranching family, putting together a ranch takes time--sometimes years, even generations of patiently waiting for this pasture or that to become available. For a rancher, the words of Pa in Gone With the Wind ring beautifully and painfully true: Land is the only thing worth working for…worth fighting for, worth dying for. Because it’s the only thing that lasts…The thought of parting with a part of the family’s ranch was a painful prospect; Marlboro Man felt the sting daily. To me it seemed like an easy fix; to Marlboro Man, it was a personal failure. There was nothing I could do to make it better except to be there to catch him in my arms every night, which I willingly and eagerly did. I was a soft, lumpy pillow. With heartburn and swollen ankles. ~ Ree Drummond

90:I wasn't an Irishman, but I knew how it felt to have someone standing over you, controlling your life and wanting to call it something else. From the people at Christian Fellowship to First Academy to my parents to Confucius to thousands of years of ass-backwards Chinese thinking, I knew how it felt. Everything my parents did to me and their parents did to them was justified under the banner of Tradition, Family, and Culture. And when it wasn't them it was someone impressing Christianity on me and when it wasn't Christianity it was whiteness. Those other kids had more vocabs than me and more knowledge of the American canon. At that age, I didn't know what Citizen Kane, Gone with the Wind, or even A Christmas Story was. There were so many gaps in my American cultural understanding because we just didn't get it at home. It always hurt me writing or debating because I didn't share their references, but that summer I was determined that it wouldn't stop me. I wouldn't try to talk about things they knew anymore. I would use the references that made sense to me and make them catch up. Before I ever read a marketing book in college, I understood what "pull marketing" was. Unlike the other kids, I wasn't memorizing words or events. I was speaking from experience. For the first time, I wasn't arguing just to argue. I wasn't wildin' out' couse Iw as bored. I finally found another mind I fucked with and it was just my luck he was dead-ass Irishman. (123-124) ~ Eddie Huang

91:Why are you making that face, Fern?” Bailey asked. “What face?” “That face that looks like you can't figure something out. Your eyebrows are pushed down and your forehead is wrinkled. And you're frowning.” Fern smoothed out her face, realizing she was doing exactly what Bailey said she was doing. “I was thinking about a story I've been writing. I can't figure out how to end it. What do you think this face means?” Fern gave herself an underbite and crossed her eyes. “You look like a brain-dead cartoon character,” Bailey answered, snickering. “What about this one?” Fern pursed her lips and raised her eyebrows while wincing. “You're eating something super sour!” Bailey cried. “Let me try one.” Bailey thought for a minute and then he made his mouth go slack and opened his eyes as wide as they could go. His tongue lolled out the side of his mouth like a big dog. “You're looking at something delicious,” Fern guessed. “Be more specific,” Bailey said and made the face once more. “Hmm. You're looking at a huge ice cream sundae,” Fern tried again. Bailey pulled his tongue back into his mouth and grinned cheekily. “Nope. That's the face you make every time you see Ambrose Young.” Fern swatted Bailey with the cheap stuffed bear she'd won at the school carnival in fourth grade. The arm flew off and ratty stuffing flew in all directions. Fern tossed it aside. “Oh yeah? What about you? This is the face you make whenever Rita comes over.” Fern lowered one eyebrow and smirked, trying to replicate Rhett Butler's smolder in Gone with the Wind. “I look constipated whenever I see Rita?” Bailey asked, dumbfounded. ~ Amy Harmon

92:I understood slavery as bad and I had a vague sense that it had once been integral to the country and that the dispute over it had somehow contributed to the civil war. But even that partial sense ran contrary to the way the civil war was presented in the popular culture, as a violent misunderstanding, an honorable dual between wayward brothers instead of what it was. A spectacular chapter in a long war that was declared when the first Africans were brought chained to American shores. When it comes to the civil war, all of our popular understanding, our popular history and culture, our great films, the subtext of our arguments, are in defiance of its painful truths. It is not a mistake that Gone with the Wind is one of the most read works of American literature, or that The Birth of a Nation is the most revered touchstone of all American film. Both emerged from a need for palliatives and painkillers, an escape from the truth of those five short years in which seven hundred fifty thousand American soldiers were killed, more than all American soldiers kill in all other American wars combined, in a war declared for the cause of expanding African slavery. That war was inaugurated, not reluctantly, but lustily by men who believe property in humans to be the cornerstone of civilization, to be an edict of god, and so delivered their own children to his maw. And when that war was done the now defeated god lived on honored through the human sacrifice of lynching and racist programs. The history breaks the myth. And so, the history is ignored and fictions are weaved in to our art and politics that dress villainy in martyrdom, and transform banditry into chivalry. And so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day. ~ Ta Nehisi Coates

93:Marlboro Man and I walked together to our vehicles--symbolically parked side by side in the hotel lot under a cluster of redbud trees. Sleepiness had definitely set in; my head fell on his shoulder as we walked. His ample arms gripped my waist reassuringly. And the second we reached my silver Camry, the temperature began to rise. “I can’t wait till tomorrow,” he said, backing me against the door of my car, his lips moving toward my neck. Every nerve receptor in my body simultaneously fired as his strong hands gripped the small of my back; my hands pulled him closer and closer. We kissed and kissed some more in the hotel parking lot, flirting dangerously with taking it a step--or five--further. Out-of-control prairie fires were breaking out inside my body; even my knees felt hot. I couldn’t believe this man, this Adonis who held me so completely and passionately in his arms, was actually mine. That in a mere twenty-four hours, I’d have him all to myself. It’s too good to be true, I thought as my right leg wrapped around his left and my fingers squeezed his chiseled bicep. It was as if I’d been locked inside a chocolate shop that also sold delicious chardonnay and french fries…and played Gone With the Wind and Joan Crawford movies all day long--and had been told “Have fun.” He was going to be my own private playground for the rest of my life. I almost felt guilty, like I was taking something away from the world. It was so dark outside, I forgot where I was. I had no sense of geography or time or space, not even when he took my face in his hands and touched his forehead to mine, closing his eyes, as if to savor the powerful moment. “I love you,” he whispered as I died right there on the spot. It wasn’t convenient, my dying the night before my wedding. I didn’t know how my mom was going to explain it to the florist. But she’d have to; I was totally done for. I’d had half a glass of wine all evening but felt completely inebriated. When I finally arrived home, I had no idea how I’d gotten there. I was intoxicated--drunk on a cowboy. A cowboy who, in less than twenty-four hours, would become my husband. ~ Ree Drummond

94:We look back on history, and what do we see? Empires rising and falling; revolutions and counter-revolutions succeeding one another; wealth accumulating and wealth dispersed; one nation dominant and then another. As Shakespeare’s King Lear puts it, “the rise and fall of great ones that ebb and flow with the moon.” In one lifetime I’ve seen my fellow countrymen ruling over a quarter of the world, and the great majority of them convinced – in the words of what is still a favorite song – that God has made them mighty and will make them mightier yet. I’ve heard a crazed Austrian announce the establishment of a German Reich that was to last for a thousand years; an Italian clown report that the calendar will begin again with his assumption of power; a murderous Georgian brigand in the Kremlin acclaimed by the intellectual elite as wiser than Solomon, more enlightened than Ashoka, more humane than Marcus Aurelius. I’ve seen America wealthier than all the rest of the world put together; and with the superiority of weaponry that would have enabled Americans, had they so wished, to outdo an Alexander or a Julius Caesar in the range and scale of conquest. All in one little lifetime – gone with the wind: England now part of an island off the coast of Europe, threatened with further dismemberment; Hitler and Mussolini seen as buffoons; Stalin a sinister name in the regime he helped to found and dominated totally for three decades; Americans haunted by fears of running out of the precious fluid that keeps their motorways roaring and the smog settling, by memories of a disastrous military campaign in Vietnam, and the windmills of Watergate. Can this really be what life is about – this worldwide soap opera going on from century to century, from era to era, as old discarded sets and props litter the earth? Surely not. Was it to provide a location for so repetitive and ribald a production as this that the universe was created and man, or homo sapiens as he likes to call himself – heaven knows why – came into existence? I can’t believe it. If this were all, then the cynics, the hedonists, and the suicides are right: the most we can hope for from life is amusement, gratification of our senses, and death. But it is not all. ~ Malcolm Muggeridge

95:We continued our drive, not making any permanent decisions that day about where we’d live. We’d been engaged less than twenty-four hours, after all; there was no huge rush. When we finally returned to his house, we curled up on his couch and watched a movie. Gone With the Wind, of all things. He was a fan. And as I lay there that afternoon and watched the South crumble around Scarlett O’Hara’s knees for what had to have been the 304th time in my life, I touched the arms that held me so sweetly and securely…and I sighed contentedly, wondering how on earth I’d ever found this person. When he walked me to my car late that afternoon, minutes after Scarlett had declared that tomorrow is another day, Marlboro Man rested his hands lightly on my waist. He caressed my rib cage up and down, touching his forehead to mine and closing his eyes--as if he were recording the moment in his memory. And it tickled like crazy, his fingertips on my ribs, but I didn’t care; I was engaged to this man, I told myself, and there’ll likely be much rib caressing in the future. I needed to toughen up, to be able to withstand such displays of romance without my knees buckling beneath me and without my forgetting my mother’s maiden name and who my first grade teacher had been. Otherwise I had lots of years of trouble--and decreased productivity--ahead. So I stood there and took it, closing my eyes as well and trying with all my might to will away the ticklish sensations. They had no place here. Begone, Satan! Ree, hold strong. My mind won, and we stood there and continued to thumb our nose at the reality that we were two separate bodies…and the western sun behind us changed from yellow to orange to pink to a brilliant, impossible red--the same color as the ever-burning fire between us. On the drive home, my whole torso felt warm. Like when you’ve awakened from the most glorious dream you’ve ever had, and you’re still half-in, half-out, and you still feel the dream and it’s still real. I forced myself to think, to look around me, to take it all in. One day, I told myself as I drove down that rural country road, I’m going to be driving down a road like this to run to the grocery store in town…or pick up the mail on the highway…or take my kids to cell lessons. ~ Ree Drummond

96:Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job. ~ Ree Drummond

97:It’s my turn next, and I realize then that I never turned in the name of my escort--because I hadn’t planned on being here. I glance around wildly for Ryder, but he’s nowhere to be seen, swallowed up by the sea of people in cocktail dresses and suits. Crap. I thought he realized that escorting me on court was part of the deal, once I’d agreed to go. I guess he’d figured it’d be easier on me, what with the whole Patrick thing, if I was alone onstage. But I don’t want to be alone. I want Ryder with me. By my side, supporting me. Always. I finally spot him in the crowd--it’s not too hard, since he’s a head taller than pretty much everyone else--and our eyes meet. My stomach drops to my feet--you know, that feeling you get on a roller coaster right after you crest that first hill and start plummeting toward the ground. Oh my God, this can’t be happening. I’ve fallen in love with Ryder Marsden, the boy I’m supposed to hate. And it has nothing to do with his confession, his declaration that he loves me. Sure, it might have forced me to examine my feelings faster than I would have on my own, but it was there all along, taking root, growing, blossoming. Heck, it’s a full-blown garden at this point. “Our senior maid is Miss Jemma Cafferty!” comes the principal’s voice. “Jemma is a varsity cheerleader, a member of the Wheelettes social sorority, the French Honor Club, the National Honor Society, and the Peer Mentors. She’s escorted tonight by…ahem, sorry. I’m afraid there’s no escort, so we’ll just--” “Ryder Marsden,” I call out as I make my way across the stage. “I’m escorted by Ryder Marsden.” The collective gasp that follows my announcement is like something out of the movies. I swear, it’s just like that scene in Gone with the Wind where Rhett offers one hundred and fifty dollars in gold to dance with Scarlett, and she walks through the scandalized bystanders to take her place beside Rhett for the Virginia reel. Only it’s the reverse. I’m standing here doing the scandalizing, and Ryder’s doing the walking. “Apparently, Jemma’s escort is Ryder Marsden,” the principal ad-libs into the microphone, looking a little frazzled. “Ryder is…um…the starting quarterback for the varsity football team, and, um…in the National Honor Society and…” She trails off helplessly. “A Peer Mentor,” he adds helpfully as he steps up beside me and takes my hand. The smile he flashes in my direction as Mrs. Crawford places the tiara on my head is dazzling--way more so than the tiara itself. My knees go a little weak, and I clutch him tightly as I wobble on my four-inch heels. But here’s the thing: If the crowd is whispering about me, I don’t hear it. I’m aware only of Ryder beside me, my hand resting in the crook of his arm as he leads me to our spot on the stage beside the junior maid and her escort, where we wait for Morgan to be crowned queen. Oh, there’ll be hell to pay tomorrow. I have no idea what we’re going to tell our parents. Right now I don’t even care. Just like Scarlett O’Hara, I’m going to enjoy myself tonight and worry about the rest later. After all, tomorrow is another…Well, you know how the saying goes. ~ Kristi Cook

--- IN CHAPTERS (in Dictionaries, in Quotes, in Chapters)

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