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   2 Audre Lorde

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1:A room of one's own isn't nearly enough. A house, or, best, an island of one's own. ~ Lillian Hellman

2:The beauty of the world…has two edges, one of laughter, one of anguish, cutting the heart asunder. —Virginia Woolf, A Room of One's Own (part 3, Pretties) ~ Scott Westerfeld

3:To Woolf, in other words, solitude is not a pleasant diversion, but instead a form of liberation from the cognitive oppression that results in its absence. [referencing Virginia Woolf's A Room of One's Own] ~ Cal Newport

4:women have always been poor, not for two hundred years merely, but from the beginning of time. ... Women, then, have not had a dog's chance of writing poetry. That is why I have laid so much stress on money and a room of one's own. ~ Virginia Woolf

5:It is harder for women, perhaps to be 'one-pointed,' much harder for them to clear space around whatever it is they want to do beyond household chores and family life. Their lives are fragmented... the cry not so much for a 'a room of one's own' as time of one's own. Conflict become acute, whatever it may be about, when there is no margin left on any day in which to try at least to resolve it. ~ May Sarton

6:Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. ... poetry has been the major voice of poor, working class, and Colored women. A room of one's own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time. ~ Audre Lorde

7:Obviously, everything has always been defined by the dominant ideology. But the dominant ideology has been able to accept women's literature as well as men's literature. I would say that women have been hindered from creating for a variety of reasons, as Virginia Woolf so admirably explained in A Room of One's Own. When they have created, on the whole they have been recognized. In literature it hasn't been nearly as oppressive as in, say, painting, where even the existence of so many women painters has always been denied. ~ Simone de Beauvoir

8:Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. Over the last few years, writing a novel on tight finances, I came to appreciate the enormous differences in the material demands between poetry and prose. As we reclaim our literature, poetry has been the major voice of poor, working class, and Colored women. A room of one's own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time. ~ Audre Lorde

9:The artist knows he must be alone to create; the writer, to work out his thoughts; the musician, to compose; the saint, to pray. But women need solitude in order to find again the true essence of themselves: that firm strand which will be the indispensable center of a whole web of human relationships. She must find that inner stillness which Charles Morgan describes as 'the stilling of the soul within the activities of the mind and body so that it might be still as the axis of a revolving wheel is still.' This beautiful image is to my mind the one that women could hold before their eyes. This is an end toward which we could strive--to be the still axis within the revolving wheel of relationships, obligations, and activities. Solitude alone is not the answer to this; it is only a step toward it, a mechanical aid, like the 'room of one's own' demanded for women, before they could make their place in the world. The problem is not entirely in finding a room of one's own, the time alone, difficult and necessary as that is. The problem is more how to still the soul in the midst of its activities. In fact, the problem is how to feed the soul. ~ Anne Morrow Lindbergh

10:A woman's ability to achieve depends on childlessness or childcare. In America, where we don't believe in an underclass to do 'women's work', women themselves become the underclass. For love. Nobody doubts the love is real. It's for our children. But we are supposed to do it invisibly and never mention it. Alfred North Whitehead, who wasn't a woman after all, said that the truth of a society is what cannot be said. And women's work still cannot be said. It's called whining -- even by other women. It's called self-indulgence -- even by other women. Perhaps women writer are hated because abstraction makes oppression possible and we refuse to be abstract. How can we be? Our struggles are concrete: food, fire, babies, a room of one's own. These basics are rare -- even for the privileged. It is nothing short of a miracle every time a woman with a child finishes a book. Our lives -- from the baby to the writing desk -- are the lives of the majority of humanity: never enough time to think, eternal exhaustion. The cared-for male elite, with female slaves to tend their bodily needs, can hardly credit our difficulties as 'real'. 'Real' is the deficit, oil wars in the Middle East, or how much of our children's milk the Pentagon shall get. This is the true division in the world today: between those who carelessly say 'Third World' believing themselves part of the '¨First', and those who know they are the Third World -- wherever they live. Women everywhere are the 'Third World', In my country, where most women do not feel part of what matters, they are thirdly third, trapped in the myth of being 'first'. ~ Erica Jong

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