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object:2.2.1.01 - The World's Greatest Poets
book class:Letters On Poetry And Art
author class:Sri Aurobindo
subject class:Integral Yoga
media class:chapter

Goe the certainly goes much deeper than Shakespeare; he had an incomparably greater intellect than the English poet and sounded problems of life and thought Shakespeare had no means of approaching even. But he was certainly not a greater poet; I do not find myself very ready to admit either that he was Shakespeares equal. He wrote out of a high poetic intelligence, but his style and movement nowhere come near the poetic power, the magic, the sovereign expression and profound or subtle rhythms of Shakespeare. Shakespeare was a supreme poet and, one might almost say, nothing else; Goe the was by far the greater man and the greater brain, but he was a poet by choice, his minds choice among its many high and effulgent possibilities, rather than by the very necessity of his being. He wrote his poetry, as he did everything else, with a great skill and effective genius and an inspired subtlety of language, but it was only part of his genius and not the whole. There is too a touch mostly wanting in spite of his strength and excellence,the touch of an absolute, an intensely inspired or revealing inevitability; few quite supreme poets have that in abundance, in others it comes only by occasional jets or flashes.

When I said there were no greater poets than Homer and Shakespeare, I was thinking of their essential poetic force and beautynot of the scope of their work as a whole, for there are poets greater in their range. The Mahabharata is from that point of view a far greater creation than the Iliad, the Ramayana than the Odyssey, and either spreads its strength and its achievement over a larger field than the whole dramatic world of Shakespeare; both are built on an almost cosmic vastness of plan and take all human life (the Mahabharata all human thought as well) in their scope and touch too on things which the Greek and Elizabethan poets could not even glimpse. But as poetsas masters of rhythm and language and the expression of poetic beautyVyasa and Valmiki are not inferior, but also not greater than the English or the Greek poet. We can leave aside for the moment the question whether the Mahabharata was not the creation of the mind of a people rather than of a single poet, for that doubt has been raised also with regard to Homer.
***
31 Mar 1932

You once spoke of Goe the as not being one of the worlds absolutely supreme singers. Who are these, then? Homer, Dante, Shakespeare, Valmiki, Kalidasa? And what about Aeschylus, Virgil and Milton?

I suppose all the names you mention except Goe the can be included; or if you like you can put them all including Goe the in three rowse.g.:

1st row Homer, Shakespeare, Valmiki
2nd row Dante, Kalidasa, Aeschylus, Virgil, Milton
3rd row Goethe

and there you are! To speak less flippantly, the first three have at once supreme imaginative originality, supreme poetic gift, widest scope and supreme creative genius. Each is a sort of poetic Demiurge who has created a world of his own. Dantes triple world beyond is more constructed by the poetic seeing mind than by this kind of elemental demiurgic powero therwise he would rank by their side; the same with Kalidasa. Aeschylus is a seer and creator but on a much smaller scale. Virgil and Milton have a less spontaneous breath of creative genius; one or two typal figures excepted, they live rather by what they have said than by what they have made.

31 March 1932
***
2 Apr 1932

Is the omission of Vyasa deliberate?

It was you who omitted Vyasa, Sophocles and othersnot I.
***

Yes, I plead guilty. But that, I hope, will be no reason why Vyasa and Sophocles should remain unclassified by you. And the others they intrigue me even more. Who are these others? Saintsbury as good as declares that poetry is Shelley and Shelley poetrySpenser alone, to his mind, can contest the right to that equation. (Shakespeare, of course, is admittedly hors concours.) Aldous Huxley abominates Spenser: the fellow has got nothing to say and says it with a consummately cloying melodiousness! Swinburne, as is well known, could never think of Victor Hugo without bursting into half a dozen alliterative superlatives, while Matthew Arnold it was, I believe, who pitied Hugo for imagining that poetry consisted in using divinit, infinit ternit, as lavishly as possible. And then there is Keats, whose Hyperion compelled even the sneering Byron to forget his usual condescending attitude to wards Johnny and confess that nothing grander had been seen since Aeschylus. Racine, too, cannot be left outcan he? Voltaire adored him, Voltaire who called Shakespeare a drunken barbarian. Finally, what of Wordsworth, whose Immortality Ode was hailed by Mark Pattison as the ne plus ultra of English poetry since the days of Lycidas? Kindly shed the light of infallible viveka on this chaos of jostling opinions.

I am not prepared to classify all the poets in the universeit was the front bench or benches you asked for. By others I meant poets like Lucretius, Euripides, Calderon, Corneille, Hugo. Euripides (Medea, Bacchae and other plays) is a greater poet than Racine whom you want to put in the first ranks. If you want only the very greatest, none of these can enteronly Vyasa and Sophocles. Vyasa could very well claim a place beside Valmiki, Sophocles beside Aeschylus. The rest, if you like, you can send into the third row with Goethe, but it is something of a promotion about which one can feel some qualms. Spenser too, if you like; it is difficult to draw a line.

Shelley, Keats and Wordsworth have not been brought into consideration although their best work is as fine poetry as any written, but they have written nothing on a larger scale which would place them among the greatest creators. If Keats had finished Hyperion (without spoiling it), if Shelley had lived, or if Wordsworth had not petered out like a motor car with insufficient petrol, it might be different, but we have to take things as they are. As it is, all began magnificently, but none of them finished, and what work they did, except a few lyrics, sonnets, short pieces and narratives, is often flawed and unequal. If they had to be admitted, what about at least fifty others in Europe and Asia?

The critical opinions you quote are, many of them, flagrantly prejudiced and personal. The only thing that results from Aldous Huxleys opinion, shared by many but with less courage, is that Spensers melodiousness cloyed upon Aldous Huxley and that perhaps points to a serious defect somewhere in Spensers art or in his genius but this does not cancel the poetic value of Spenser. Swinburne and Arnold are equally unbalanced on either side of their see-saw about Hugo. He might be described as a great but imperfect genius who just missed the very first rank because his word sometimes exceeded his weight, because his height was at the best considerable, even magnificent, but his depth insufficient and especially because he was often too oratorical to be quite sincere. The remarks of Voltaire and Mark Pattison go into the same basket.

2 April 1932
***



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Aladdin(1992) - Aladdin is a street-urchin who lives in Agrabah, a large and busy town with his faithful monkey friend Abu. When Princess Jasmine gets tired of being forced to remain in the palace that overlooks the city, she sneaks out to the marketplace, where she accidentally meets Aladdin. Under the orders of t...
Princess of the Nile(1954) - Debra Paget is Princess Shalimar who is also known outside the palace as the popular dancer Taura. She struggles to help her people against the forces of Rama Khan and his army. Only with the help of Prince Haidi (Jeffery Hunter) and some allies can the war be ended.
Rags(2012) - Charlie Prince is an orphan living in his late mother's old karaoke bar, The Palace, which she willed to his acerbic and unloving stepfather Arthur. Arthur makes Charlie do most of the work cleaning the bar; the other employees, couple Diego and Martha, love Charlie like their own son while his step...
The Emperor's Club (2002) ::: 6.9/10 -- PG-13 | 1h 49min | Drama | 22 November 2002 (USA) -- An idealistic prep school teacher attempts to redeem an incorrigible student. Director: Michael Hoffman Writers: Ethan Canin (short story "The Palace Thief"), Neil Tolkin (screenplay)
https://allods.fandom.com/wiki/Quest:Escaping_the_Palace
https://devo.fandom.com/wiki/Now_It_Can_Be_Told:_DEVO_at_the_Palace
https://devo.fandom.com/wiki/Now_It_Can_Be_Told:_DEVO_at_the_Palace_12/9/88
https://diablo.fandom.com/wiki/The_Palace_Cellar
https://diablo.fandom.com/wiki/The_Palace_(Lut_Gholein)
https://dreamfiction.fandom.com/wiki/The_Palace_(Sakarian_Drama)
https://elderscrolls.fandom.com/wiki/Attack_on_the_Palace
https://eq2.fandom.com/wiki/The_Palace_of_Ferzhul
https://eq2.fandom.com/wiki/The_Palace_of_Roehn_Theer
https://fanfiction.fandom.com/wiki/Life_in_the_Palace
https://fireemblem.fandom.com/wiki/Fall_of_the_Palace
https://fireemblem.fandom.com/wiki/The_Palace_of_Evil
https://indyfanfiction.fandom.com/wiki/Mutt_Jones_and_the_Palace_of_Kings
https://logos.fandom.com/wiki/The_Palace_Network
https://narcos.fandom.com/wiki/The_Palace_in_Flames
https://starwars.fandom.com/wiki/A_Free_Quarren_in_the_Palace:_Tessek's_Tale
Guin Saga -- -- Satelight -- 26 eps -- Light novel -- Adventure Fantasy -- Guin Saga Guin Saga -- The ancient kingdom of Parros has been invaded by the armies of Mongaul, and its king and queen have been slain. But the "twin pearls of Parros," the princess Rinda and the prince Remus, escape using a strange device hidden in the palace. Lost in Roodwood, they are rescued from Mongaul soldiers by a strange leopard-headed man, who has no memories except for the words "Aurra" and "Guin," which he believes to be his name. -- -- (Source: ANN) -- -- Licensor: -- Sentai Filmworks -- 38,640 7.19
Saiunkoku Monogatari -- -- Madhouse -- 39 eps -- Light novel -- Adventure Comedy Drama Fantasy Historical Romance -- Saiunkoku Monogatari Saiunkoku Monogatari -- Shuurei Kou, the daughter of a noble yet impoverished family, is a clever young lady who dreams of becoming a government official and contributing toward her country. However, her dream is out of her reach as such a position is forbidden to women. While her father works a low wage job as an archivist at the palace, Shuurei has to juggle odd jobs to make ends meet. Then, one day, an unexpected visit changes her life. -- -- Shuurei is called to assist Ryuuki Shi, the new emperor who is known for slacking on his duties and preferring the company of men. Tempted by the generous compensation, she readily accepts the chance to become the young emperor's consort for six months. Luckily, she is not alone as Seiran Shi, her trusty friend, joins her as Ryuuki's bodyguard. While tasked with transforming the new emperor into a responsible ruler, court life and politics prove troublesome as Shuurei faces the challenges of her new life. -- -- Set in a fictional country, Saiunkoku Monogatari centers on the idea of meaningful leadership, its adversities and the rewards that come alongside a prospering nation. -- -- -- Licensor: -- Funimation, Geneon Entertainment USA -- TV - Apr 8, 2006 -- 81,169 7.93
Saiunkoku Monogatari -- -- Madhouse -- 39 eps -- Light novel -- Adventure Comedy Drama Fantasy Historical Romance -- Saiunkoku Monogatari Saiunkoku Monogatari -- Shuurei Kou, the daughter of a noble yet impoverished family, is a clever young lady who dreams of becoming a government official and contributing toward her country. However, her dream is out of her reach as such a position is forbidden to women. While her father works a low wage job as an archivist at the palace, Shuurei has to juggle odd jobs to make ends meet. Then, one day, an unexpected visit changes her life. -- -- Shuurei is called to assist Ryuuki Shi, the new emperor who is known for slacking on his duties and preferring the company of men. Tempted by the generous compensation, she readily accepts the chance to become the young emperor's consort for six months. Luckily, she is not alone as Seiran Shi, her trusty friend, joins her as Ryuuki's bodyguard. While tasked with transforming the new emperor into a responsible ruler, court life and politics prove troublesome as Shuurei faces the challenges of her new life. -- -- Set in a fictional country, Saiunkoku Monogatari centers on the idea of meaningful leadership, its adversities and the rewards that come alongside a prospering nation. -- -- TV - Apr 8, 2006 -- 81,169 7.93
https://commons.wikimedia.org/wiki/Category:Tapestries_in_the_Palace_of_Tau
https://commons.wikimedia.org/wiki/File:Black_Tortoise_statue_in_the_Palace_Museum.JPG
Aega (mayor of the palace)
As the Palaces Burn
Battle of the Palaces
Carloman (mayor of the palace)
Children's Party at the Palace
Drogo (mayor of the palace)
Empresses in the Palace
Escher in the Palace
Gogo (mayor of the palace)
Grand marshal of the palace
High Constables and Guard of Honour of the Palace of Holyroodhouse
History of the Palace of Versailles
Lady of the Palace (film)
Lee San, Wind of the Palace
Le Louvre: The Palace & Its Paintings
List of films shot at the Palace of Versailles
Live at the Palace
Live at the Palace 2008
Live at the Palace Theatre
Live in San Francisco at the Palace of Fine Arts
Liza's at The Palace....
Mayor of the Palace
Otto (mayor of the palace)
Party at the Palace
Privy Garden of the Palace of Whitehall
Subsidiary structures of the Palace of Versailles
Tales from the Palaces
The Maid at the Palace
The Palace
The Palace (2011 film)
The Palace (2013 film)
The Palace and the Fortress
The Palace at 4 a.m.
The Palace at Nako
The Palace, Chichester
The Palace (computer program)
The Palace of Angels
The Palace of Auburn Hills
The Palace of Deceit
The Palace of Eternal Life
The Palace of Illusions
The Palace of Laughter
The Palace of Love
The Palace of the Arabian Nights
The Palace of the King of the Birds
The Palace of Truth
The Palace Pier
The Palace Restaurant and Saloon
The Silences of the Palace


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last updated: 2022-02-04 13:58:43
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