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object:1.rb - Fra Lippo Lippi
author class:Robert Browning
subject class:Poetry
book class:Browning - Poems
class:chapter

I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do,harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets offhe's a certain . . . how d'ye call?
MasteraCosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's-gripe!  
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair price what comes into their net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hang-dogs go
Drink out this quarter-florin to the health
Of the munificent House that harbours me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face
His, elbowing on his comrade in the door
With the pike and lantern,for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night
Ouf! I leaned out of window for fresh air.
There came a hurry of feet and little feet,
A sweep of lute strings, laughs, and whifts of song,
Flower o' the broom,
Take away love, and our earth is a tomb!
Flower o' the quince,
I let Lisa go, and what good in life since?
Flower o' the thymeand so on. Round they went.
Scarce had they turned the corner when a titter
Like the skipping of rabbits by moonlight,three slim shapes,
And a face that looked up . . . zooks, sir, flesh and blood,
That's all I'm made of! Into shreds it went,
Curtain and counterpane and coverlet,
All the bed-furniturea dozen knots,
There was a ladder! Down I let myself,
Hands and feet, scrambling somehow, and so dropped,
And after them. I came up with the fun
Hard by Saint Laurence, hail fellow, well met,
Flower o' the rose,
If I've been merry, what matter who knows?
And so as I was stealing back again
To get to bed and have a bit of sleep
Ere I rise up to-morrow and go work
On Jerome knocking at his poor old breast
With his great round stone to subdue the flesh,
You snap me of the sudden. Ah, I see!
Though your eye twinkles still, you shake your head
Mine's shaveda monk, you saythe sting 's in that!
If Master Cosimo announced himself,
Mum's the word naturally; but a monk!
Come, what am I a beast for? tell us, now!
I was a baby when my mother died
And father died and left me in the street.
I starved there, God knows how, a year or two
On fig-skins, melon-parings, rinds and shucks,
Refuse and rubbish. One fine frosty day,
My stomach being empty as your hat,
The wind doubled me up and down I went.
Old Aunt Lapaccia trussed me with one hand,
(Its fellow was a stinger as I knew)
And so along the wall, over the bridge,
By the straight cut to the convent. Six words there,
While I stood munching my first bread that month:
"So, boy, you're minded," quoth the good fat father
Wiping his own mouth, 'twas refection-time,--
"To quit this very miserable world?
Will you renounce" . . . "the mouthful of bread?" thought I;
By no means! Brief, they made a monk of me;
I did renounce the world, its pride and greed,
Palace, farm, villa, shop, and banking-house,
Trash, such as these poor devils of Medici
Have given their hearts toall at eight years old.
Well, sir, I found in time, you may be sure,
'T#was not for nothingthe good bellyful,
The warm serge and the rope that goes all round,
And day-long blessed idleness beside!
"Let's see what the urchin's fit for"that came next.
Not overmuch their way, I must confess.
Such a to-do! They tried me with their books:
Lord, they'd have taught me Latin in pure waste!
Flower o' the clove.
All the Latin I construe is, "amo" I love!
But, mind you, when a boy starves in the streets
Eight years together, as my fortune was,
Watching folk's faces to know who will fling
The bit of half-stripped grape-bunch he desires,
And who will curse or kick him for his pains,
Which gentleman processional and fine,
Holding a candle to the Sacrament,
Will wink and let him lift a plate and catch
The droppings of the wax to sell again,
Or holla for the Eight and have him whipped,
How say I?nay, which dog bites, which lets drop
His bone from the heap of offal in the street,
Why, soul and sense of him grow sharp alike,
He learns the look of things, and none the less
For admonition from the hunger-pinch.
I had a store of such remarks, be sure,
Which, after I found leisure, turned to use.
I drew men's faces on my copy-books,
Scrawled them within the antiphonary's marge,
Joined legs and arms to the long music-notes,
Found eyes and nose and chin for A's and B's,
And made a string of pictures of the world
Betwixt the ins and outs of verb and noun,
On the wall, the bench, the door. The monks looked black.
"Nay," quoth the Prior, "turn him out, d'ye say?
In no wise. Lose a crow and catch a lark.
What if at last we get our man of parts,
We Carmelites, like those Camaldolese
And Preaching Friars, to do our church up fine
And put the front on it that ought to be!"
And hereupon he bade me daub away.
Thank you! my head being crammed, the walls a blank,
Never was such prompt disemburdening.
First, every sort of monk, the black and white,
I drew them, fat and lean: then, folk at church,
From good old gossips waiting to confess
Their cribs of barrel-droppings, candle-ends,
To the breathless fellow at the altar-foot,
Fresh from his murder, safe and sitting there
With the little children round him in a row
Of admiration, half for his beard and half
For that white anger of his victim's son
Shaking a fist at him with one fierce arm,
Signing himself with the other because of Christ
(Whose sad face on the cross sees only this
After the passion of a thousand years)
Till some poor girl, her apron o'er her head,
(Which the intense eyes looked through) came at eve
On tiptoe, said a word, dropped in a loaf,
Her pair of earrings and a bunch of flowers
(The brute took growling), prayed, and so was gone.
I painted all, then cried " `T#is ask and have;
Choose, for more's ready!"laid the ladder flat,
And showed my covered bit of cloister-wall.
The monks closed in a circle and praised loud
Till checked, taught what to see and not to see,
Being simple bodies,"That's the very man!
Look at the boy who stoops to pat the dog!
That woman's like the Prior's niece who comes
To care about his asthma: it's the life!''
But there my triumph's straw-fire flared and funked;
Their betters took their turn to see and say:
The Prior and the learned pulled a face
And stopped all that in no time. "How? what's here?
Quite from the mark of painting, bless us all!
Faces, arms, legs, and bodies like the true
As much as pea and pea! it's devil's-game!
Your business is not to catch men with show,
With homage to the perishable clay,
But lift them over it, ignore it all,
Make them forget there's such a thing as flesh.
Your business is to paint the souls of men
Man's soul, and it's a fire, smoke . . . no, it's not . . .
It's vapour done up like a new-born babe
(In that shape when you die it leaves your mouth)
It's . . . well, what matters talking, it's the soul!
Give us no more of body than shows soul!
Here's Giotto, with his Saint a-praising God,
That sets us praisingwhy not stop with him?
Why put all thoughts of praise out of our head
With wonder at lines, colours, and what not?
Paint the soul, never mind the legs and arms!
Rub all out, try at it a second time.
Oh, that white smallish female with the breasts,
She's just my niece . . . Herodias, I would say,
Who went and danced and got men's heads cut off!
Have it all out!" Now, is this sense, I ask?
A fine way to paint soul, by painting body
So ill, the eye can't stop there, must go further
And can't fare worse! Thus, yellow does for white
When what you put for yellow's simply black,
And any sort of meaning looks intense
When all beside itself means and looks nought.
Why can't a painter lift each foot in turn,
Left foot and right foot, go a double step,
Make his flesh liker and his soul more like,
Both in their order? Take the prettiest face,
The Prior's niece . . . patron-saintis it so pretty
You can't discover if it means hope, fear,
Sorrow or joy? won't beauty go with these?
Suppose I've made her eyes all right and blue,
Can't I take breath and try to add life's flash,
And then add soul and heighten them three-fold?
Or say there's beauty with no soul at all
(I never saw itput the case the same)
If you get simple beauty and nought else,
You get about the best thing God invents:
That's somewhat: and you'll find the soul you have missed,
Within yourself, when you return him thanks.
"Rub all out!" Well, well, there's my life, in short,
And so the thing has gone on ever since.
I'm grown a man no doubt, I've broken bounds:
You should not take a fellow eight years old
And make him swear to never kiss the girls.
I'm my own master, paint now as I please
Having a friend, you see, in the Corner-house!
Lord, it's fast holding by the rings in front
Those great rings serve more purposes than just
To plant a flag in, or tie up a horse!
And yet the old schooling sticks, the old grave eyes
Are peeping o'er my shoulder as I work,
The heads shake still"It's art's decline, my son!
You're not of the true painters, great and old;
Brother Angelico's the man, you'll find;
Brother Lorenzo stands his single peer:
Fag on at flesh, you'll never make the third!"
Flower o' the pine,
You keep your mistr manners, and I'll stick to mine!
I'm not the third, then: bless us, they must know!
Don't you think they're the likeliest to know,
They with their Latin? So, I swallow my rage,
Clench my teeth, suck my lips in tight, and paint
To please themsometimes do and sometimes don't;
For, doing most, there's pretty sure to come
A turn, some warm eve finds me at my saints
A laugh, a cry, the business of the world
(Flower o' the peach
Death for us all, and his own life for each!)
And my whole soul revolves, the cup runs over,
The world and life's too big to pass for a dream,
And I do these wild things in sheer despite,
And play the fooleries you catch me at,
In pure rage! The old mill-horse, out at grass
After hard years, throws up his stiff heels so,
Although the miller does not preach to him
The only good of grass is to make chaff.
What would men have? Do they like grass or no
May they or mayn't they? all I want's the thing
Settled for ever one way. As it is,
You tell too many lies and hurt yourself:
You don't like what you only like too much,
You do like what, if given you at your word,
You find abundantly detestable.
For me, I think I speak as I was taught;
I always see the garden and God there
A-making man's wife: and, my lesson learned,
The value and significance of flesh,
I can't unlearn ten minutes afterwards.
You understand me: I'm a beast, I know.
But see, nowwhy, I see as certainly
As that the morning-star's about to shine,
What will hap some day. We've a youngster here
Comes to our convent, studies what I do,
Slouches and stares and lets no atom drop:
His name is Guidihe'll not mind the monks
They call him Hulking Tom, he lets them talk
He picks my practice uphe'll paint apace.
I hope sothough I never live so long,
I know what's sure to follow. You be judge!
You speak no Latin more than I, belike;
However, you're my man, you've seen the world
The beauty and the wonder and the power,
The shapes of things, their colours, lights and shades,
Changes, surprises,and God made it all!
For what? Do you feel thankful, ay or no,
For this fair town's face, yonder river's line,
The mountain round it and the sky above,
Much more the figures of man, woman, child,
These are the frame to? What's it all about?
To be passed over, despised? or dwelt upon,
Wondered at? oh, this last of course!you say.
But why not do as well as say,paint these
Just as they are, careless what comes of it?
God's workspaint any one, and count it crime
To let a truth slip. Don't object, "His works
Are here already; nature is complete:
Suppose you reproduce her(which you can't)
There's no advantage! you must beat her, then."
For, don't you mark? we're made so that we love
First when we see them painted, things we have passed
Perhaps a hundred times nor cared to see;
And so they are better, paintedbetter to us,
Which is the same thing. Art was given for that;
God uses us to help each other so,
Lending our minds out. Have you noticed, now,
Your cullion's hanging face? A bit of chalk,
And trust me but you should, though! How much more,
If I drew higher things with the same truth!
That were to take the Prior's pulpit-place,
Interpret God to all of you! Oh, oh,
It makes me mad to see what men shall do
And we in our graves! This world's no blot for us,
Nor blank; it means intensely, and means good:
To find its meaning is my meat and drink.
"Ay, but you don't so instigate to prayer!"
Strikes in the Prior: "when your meaning's plain
It does not say to folkremember matins,
Or, mind you fast next Friday!" Why, for this
What need of art at all? A skull and bones,
Two bits of stick nailed crosswise, or, what's best,
A bell to chime the hour with, does as well.
I painted a Saint Laurence six months since
At Prato, splashed the fresco in fine style:
"How looks my painting, now the scaffold's down?"
I ask a brother: "Hugely," he returns
"Already not one phiz of your three slaves
Who turn the Deacon off his toasted side,
But's scratched and prodded to our heart's content,
The pious people have so eased their own
With coming to say prayers there in a rage:
We get on fast to see the bricks beneath.
Expect another job this time next year,
For pity and religion grow i' the crowd
Your painting serves its purpose!" Hang the fools!
That isyou'll not mistake an idle word
Spoke in a huff by a poor monk, God wot,
Tasting the air this spicy night which turns
The unaccustomed head like Chianti wine!
Oh, the church knows! don't misreport me, now!
It's natural a poor monk out of bounds
Should have his apt word to excuse himself:
And hearken how I plot to make amends.
I have bethought me: I shall paint a piece
There's for you! Give me six months, then go, see
Something in Sant' Ambrogio's! Bless the nuns!
They want a cast o' my office. I shall paint
God in the midst, Madonna and her babe,
Ringed by a bowery, flowery angel-brood,
Lilies and vestments and white faces, sweet
As puff on puff of grated orris-root
When ladies crowd to Church at midsummer.
And then i' the front, of course a saint or two
Saint John' because he saves the Florentines,
Saint Ambrose, who puts down in black and white
The convent's friends and gives them a long day,
And Job, I must have him there past mistake,
The man of Uz (and Us without the z,
Painters who need his patience). Well, all these
Secured at their devotion, up shall come
Out of a corner when you least expect,
As one by a dark stair into a great light,
Music and talking, who but Lippo! I!
Mazed, motionless, and moonstruckI'm the man!
Back I shrinkwhat is this I see and hear?
I, caught up with my monk's-things by mistake,
My old serge gown and rope that goes all round,
I, in this presence, this pure company!
Where's a hole, where's a corner for escape?
Then steps a sweet angelic slip of a thing
Forward, puts out a soft palm"Not so fast!"
Addresses the celestial presence, "nay
He made you and devised you, after all,
Though he's none of you! Could Saint John there draw
His camel-hair make up a painting brush?
We come to brother Lippo for all that,
Iste perfecit opus! So, all smile
I shuffle sideways with my blushing face
Under the cover of a hundred wings
Thrown like a spread of kirtles when you're gay
And play hot cockles, all the doors being shut,
Till, wholly unexpected, in there pops
The hothead husband! Thus I scuttle off
To some safe bench behind, not letting go
The palm of her, the little lily thing
That spoke the good word for me in the nick,
Like the Prior's niece . . . Saint Lucy, I would say.
And so all's saved for me, and for the church
A pretty picture gained. Go, six months hence!
Your hand, sir, and good-bye: no lights, no lights!
The street's hushed, and I know my own way back,
Don't fear me! There's the grey beginning. Zooks!
NOTES



Form:
unrhyming

1.
First published in Men and Women, 1855.In this poem, Browning makes use of the account of
Lippi in Vasari's Lives of the Painters, from
which the following is an extract: "The Carmelite monk,
Fra Filippo di Tommaso Lippi (1412-1469), was born
at Florence in a bye-street called Ardiglione, under the
Canto alla Cuculia, and behind the convent of the
Carmelites. By the death of his father he was left a
friendless orphan at the age of two years, his mother
having also died shortly after his birth. The child was
for some time under the care of a certain Mona Lapaccia,
his aunt, the sister of his father, who brought him up
with very great difficulty till he had attained his eighth
year, when, being no longer able to support the burden
of his maintenance, she placed him in the above-named
convent of the Carmelites. Here, in proportion as he
showed himself dexterous and ingenious in all works
performed by hand, did he manifest the utmost dullness
and incapacity in letters, to which he would never apply
himself, nor would he take any pleasure in learning of
any kind. The boy continued to be called by his worldly
name of Filippo, and being placed with others, who like
himself were in the house of the novices, under the care
of the master, to the end that the latter might see what
could be done with him\; in place of studying, he never
did anything but daub his own books, and those of the
other boys, with caricatures, whereupon the prior determined
to give him all means and every opportunity for learning
to draw. The chapel of the Carmine had then been newly
painted by Masaccio, and this being exceedingly beautiful,
pleased Fra Filippo greatly, wherefore he frequented it daily
for his recreation, and, continually practising there, in
company with many other youths, who were constantly
drawing in that place, he surpassed all the others by very
much in dexterity and knowledge .... Proceeding thus, and
improving from day to day, he has so closely followed the
manner of Masaccio, and his works displayed so much
similarity to those of the latter, that many affirmed the spirit
of Masaccio to have entered the body of Fra Filippo .... "It is
said that Fra Filippo was much addicted to the pleasures of
sense, insomuch that he would give all he possessed to secure
the gratification of whatever inclination might at the moment
be predominant .... It was known that, while occupied in the
pursuit of his pleasures, the works undertaken by him received
little or none of his attention\; for which reason Cosimo de'
Medici, wishing him to execute a work in his own palace, shut
him up, that he might not waste his time in running about\; but
having endured this confinement for two days, he then made
ropes with sheets of his bed, which he cut to pieces for that
purpose, and so having let himself down from a window, escaped,
and for several days gave himself up to his amusements. When
Cosimo found that the painter had disappeared, he caused him
to be sought, and Fra Filippo at last returned to his work, but
from that time forward Cosimo gave him liberty to go in and
out at his pleasure, repenting greatly of having previously shut
him up, when he considered the danger that Fra Filippo had
incurred by his folly in descending from the window\; and ever
afterwards labouring to keep him to his work by kindness only,
he was by this means much more promptly and effectually
served by the painter, and was wont to say that the excellencies
of rare genius were as forms of light and not beasts of burden."

17.
Cosimo of the Medici (1389-1464): the real ruler of Florence,
and a patron of art and literature.

53.
The snatches of song represent a species of Italian folk-song
called Stornelli\; each consisting of three lines of a set form,
and containing the name of a flower in the first line.

67.
Saint Laurence: the Church at San Lorenzo, now famous for
the tombs of the Medici, the work of Michael Angelo.

73.
Jerome: one of the Christian Fathers, translated the Bible
into Latin\; he led a life of extreme asceticism.

117-18.
A reference to the procession carrying the consecrated wafer.

121.
the Eight: a body of magistrates who kept order.

130.
antiphonary: the service-book.

140.
Preaching Friars: the Dominicans.

172.
funked: turned to smoke.

176 ff.
Lippi belonged to the naturalistic school which developed
among the Florentines. These showed a greater attention to
natural form and beauty, as opposed to the conventional school,
who were men under the influence of earlier artists and inherited
an ascetic timidity in the representation of material things.

189.
Giotto (1267-1337): the earliest of the greater Florentine
painters.

196.
Herodias: sister-in-law of Herod, and mother of Salome.
See Matthew, 14 for the story of Salome's dance and the beheading
of John the Baptist.

227.
See line 18 above.

235.
Brother Angelico: Fra Angelico (1387-1455), "By purity of
life, habitual elevation of thought, and natural sweetness of
disposition, he was enabled to express the sacred affections
upon the human countenance, as no one ever did before or since" (Ruskin).

236.
Lorenzo: Lorenzo Monaco (1370-1425), a Camaldolese
friar who painted in Florence.

273 ff.
Tommaso Guidi (1401-28) better known as Masaccio (which means
"hulking") "because," says Vasari, "of his excessive negligence and
disregard of himself." He was the teacher--not, as here represented,
the pupil--of Filippo Lippi (see first note above).

324.
Prato: a town some dozen miles from Florence\; in the Cathedral
are frescoes by Filippo, but they represent St. Stephen, and the
Baptist, not St. Laurence.

328.
According to tradition, St. Laurence was roasted on a gridiron.

339.
Chianti wine: the common red wine of Tuscany.

346.
Browning proceeds to put into Fra Filippo's mouth a description
of what is considered his masterpiece --a Coronation of the Virgin--which
he painted for the nuns of Sant' Ambrogio. Browning, following Vasari,
believes that the painter put a self-portrait in the lower corner of the
picture. Recent research has shown that the figure is a portrait, not of
Fra Filippo, but of the benefactor who ordered the picture for the
church. In this case, perfecit opus means "caused the work to
be made," not, as Browning takes it, "completed the work himself."

354.
St. John the Baptist is the patron saint of the Florentines.




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Kheper - definitions -- 32
Kheper - definitions -- 50
Kheper - definitions -- 60
Kheper - tikkun-definition -- 18
Kheper - My_definition_Gnosis -- 59
Kheper - definition -- 23
Integral World - Towards a Larger Definition of the Integral, Part One, Alan Kazlev
Integral World - Towards a Larger Definition of the Integral, Part Two, Alan Kazlev
Integral World - Towards a Larger Definition of the Integral, Part Three, Alan Kazlev
Integral World - Towards a Larger Definition of the Integral, Part Four, Alan Kazlev
Integral World - The Integral/Holistic Paradigm - a larger definition (Integral Esotericisn - Part Three), Alan Kazlev
Integral World - Questioning Kazlev's Redefinitions, Joe Perez
http://integraltransformation.blogspot.com/2006/08/suggested-definition-for-complete.html
selforum - definition of personality
selforum - sri aurobindo gave profound definition
dedroidify.blogspot - sony-says-high-definition-is-in-your
dedroidify.blogspot - the-definition-of-hell
Dharmapedia - Historical_definitions_of_races_in_India
Psychology Wiki - Enlightenment_(concept)#Adorno.27s_and_Horkheimer.27s_definition_of_enlightenment
Psychology Wiki - Enlightenment_(concept)#Definition
Psychology Wiki - Enlightenment_(concept)#Kant.27s_definition_of_enlightenment
Psychology Wiki - Fallacies_of_definition
Psychology Wiki - Hinduism#Definitions
Psychology Wiki - Integral_psychotherapy#Aurobindonian_and_Wilberian_definitions
Psychology Wiki - Integral_thought#Problem_of_definition
Psychology Wiki - Migratory_behavior_(animal)#Definition
Psychology Wiki - Operational_definition
Stanford Encyclopedia of Philosophy - art-definition
Stanford Encyclopedia of Philosophy - death-definition
Stanford Encyclopedia of Philosophy - definitions
Stanford Encyclopedia of Philosophy - lying-definition
Stanford Encyclopedia of Philosophy - morality-definition
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ECW on TNN (1999 - 2000) - ECW is the definition of HARDCORE. ECW on TNN has no rules in their wrestling matches! Announced by Joey Styles & Joel Gertner, and bossed by Cyrus The Virus.
Kirarin Revolution (2006 - 2009) - Kirarin Reboryshon, lit. "Sparkling Revolution")The anime adaptation is a Japan and South Korea coproduction, and it premiered on 7 April 2006 in Japan on TV Tokyo and ran for 153 episodes until March 27, 2009.[4] Starting from episode 103, this show aired in High-Definition 16:9 with 3D animation....
Soundstage (1974 - Current) - Soundstage is an American live concert television series produced by WTTW Chicago and HD Ready. The original series aired for 13 seasons between 1974 and 1985. A new series of seasons began in 2003, with the latest (Season 11) starting in April 2018, each presented in high definition with surround s...
WTTG-TV Newscasts (1950 - Current) - WTTG-TV in Washington, D.C. presently broadcasts 72 hours of locally produced newscasts each week. On January 30, 2009, WTTG became the third station in the Washington, D.C. market to broadcast local news in high definition.
Tennis on USA (1984 - 2008) - Tennis on USA is a television program produced by the USA Network that broadcasts the main professional tennis tournaments in the United States. The network was the longtime cable home of the US Open, which moved to ESPN2 and the Tennis Channel as of 2009. Universal HD provided the high definition s...
Lost Highway(1997) - Director David Lynch gives us a psycho thriller beyond definition that has audiences tangled in the provocations of nightmares, violence, sex sequences, reality, the subconscious, and madness as they must create their own interpretations of the film.
Even Cowgirls Get the Blues(1993) - Sissy Hankshaw is born with thumbs that are larger than those of the average person. Missy sees her thumbs, as it says under the definition of thumbs, as greater freedom of movement. She uses them to hitchhike all over the country because she believes that is what she was born to do. A gay man named...
Idiocracy (2006) ::: 6.6/10 -- R | 1h 24min | Adventure, Comedy, Sci-Fi | 25 January 2007 (Germany) -- Private Joe Bauers, the definition of "average American", is selected by the Pentagon to be the guinea pig for a top-secret hibernation program. Forgotten, he awakes five centuries in the future. He discovers a society so incredibly dumbed down that he's easily the most intelligent person alive. Director: Mike Judge
Planet Earth ::: TV-PG | 8h 58min | Documentary | TV Mini-Series (2006) Episode Guide 11 episodes Planet Earth Poster -- Emmy Award-winning, 11 episodes, five years in the making, the most expensive nature documentary series ever commissioned by the BBC, and the first to be filmed in high definition. Stars:
Sanctuary ::: TV-14 | 44min | Action, Drama, Fantasy | TV Series (2008-2011) Episode Guide 59 episodes Sanctuary Poster -- Stem cells, gene therapy, transplants, and cloning have changed the definition of "humanity" in the modern world, but the darker side contains monsters that only few are brave enough to face, because the future lies in their hands. Creator:
Sanctuary ::: TV-14 | 44min | Action, Drama, Fantasy | TV Series (20082011) -- Stem cells, gene therapy, transplants, and cloning have changed the definition of "humanity" in the modern world, but the darker side contains monsters that only few are brave enough to face, because the future lies in their hands. Creator:
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Cyberpunk: Edgerunners -- -- Trigger -- 10 eps -- Game -- Sci-Fi -- Cyberpunk: Edgerunners Cyberpunk: Edgerunners -- Cyberpunk: Edgerunners tells a standalone story about a street kid trying to survive in a technology and body modification-obsessed city of the future. Having everything to lose, he chooses to stay alive by becoming an edgerunner—a mercenary outlaw also known as a cyberpunk. -- -- (Source: Official Site) -- ONA - ??? ??, 2022 -- 14,850 N/A -- -- Dr. Slump -- -- Toei Animation -- 74 eps -- Manga -- Slice of Life Comedy Sci-Fi Shounen -- Dr. Slump Dr. Slump -- In Penguin Village, humans live alongside talking animals and objects. Senbei Norimaki is one of these humans, and he's an inventor with the lofty dream of creating the world's best robot girl. -- -- The product of his efforts is Arale, but depending on your definition of perfect, she's anything but! Not only is Arale severely nearsighted, but she also has no common sense! At least she has super-strength, though that often proves to be a setback as well. -- -- Although she means well, Arale only causes trouble for her neighbors in the whimsical Penguin Village! -- 14,849 7.00
Dr. Slump -- -- Toei Animation -- 74 eps -- Manga -- Slice of Life Comedy Sci-Fi Shounen -- Dr. Slump Dr. Slump -- In Penguin Village, humans live alongside talking animals and objects. Senbei Norimaki is one of these humans, and he's an inventor with the lofty dream of creating the world's best robot girl. -- -- The product of his efforts is Arale, but depending on your definition of perfect, she's anything but! Not only is Arale severely nearsighted, but she also has no common sense! At least she has super-strength, though that often proves to be a setback as well. -- -- Although she means well, Arale only causes trouble for her neighbors in the whimsical Penguin Village! -- 14,849 7.00
Mushishi -- -- Artland -- 26 eps -- Manga -- Adventure Slice of Life Mystery Historical Supernatural Fantasy Seinen -- Mushishi Mushishi -- "Mushi": the most basic forms of life in the world. They exist without any goals or purposes aside from simply "being." They are beyond the shackles of the words "good" and "evil." Mushi can exist in countless forms and are capable of mimicking things from the natural world such as plants, diseases, and even phenomena like rainbows. -- -- This is, however, just a vague definition of these entities that inhabit the vibrant world of Mushishi, as to even call them a form of life would be an oversimplification. Detailed information on Mushi is scarce because the majority of humans are unaware of their existence. -- -- So what are Mushi and why do they exist? This is the question that a "Mushishi," Ginko, ponders constantly. Mushishi are those who research Mushi in hopes of understanding their place in the world's hierarchy of life. -- -- Ginko chases rumors of occurrences that could be tied to Mushi, all for the sake of finding an answer. -- -- It could, after all, lead to the meaning of life itself. -- -- -- Licensor: -- Funimation -- 641,581 8.69
One Piece -- -- Toei Animation -- ? eps -- Manga -- Action Adventure Comedy Super Power Drama Fantasy Shounen -- One Piece One Piece -- Gol D. Roger was known as the "Pirate King," the strongest and most infamous being to have sailed the Grand Line. The capture and execution of Roger by the World Government brought a change throughout the world. His last words before his death revealed the existence of the greatest treasure in the world, One Piece. It was this revelation that brought about the Grand Age of Pirates, men who dreamed of finding One Piece—which promises an unlimited amount of riches and fame—and quite possibly the pinnacle of glory and the title of the Pirate King. -- -- Enter Monkey D. Luffy, a 17-year-old boy who defies your standard definition of a pirate. Rather than the popular persona of a wicked, hardened, toothless pirate ransacking villages for fun, Luffy's reason for being a pirate is one of pure wonder: the thought of an exciting adventure that leads him to intriguing people and ultimately, the promised treasure. Following in the footsteps of his childhood hero, Luffy and his crew travel across the Grand Line, experiencing crazy adventures, unveiling dark mysteries and battling strong enemies, all in order to reach the most coveted of all fortunes—One Piece. -- -- -- Licensor: -- 4Kids Entertainment, Funimation -- 1,439,903 8.53
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1985 World Health Organization AIDS surveillance case definition
20052019 definitions of the SI base units
2019 redefinition of the SI base units
Abstract-Type and Scheme-Definition Language
Agent Open Service Interface Definition
Algebraic definition
Analog high-definition television system
Assessment Open Service Interface Definition
Asynchronous module definition
Authentication Open Service Interface Definition
Authorization Open Service Interface Definition
Business Process Definition Metamodel
Chalcedonian Definition
Channel Definition Format
China Blue High-definition Disc
Circular definition
Classical definition of probability
Clinical case definition
Comparison of high-definition optical disc formats
Comparison of high-definition smartphone displays
Concept image and concept definition
CourseManagement Open Service Interface Definition
Data definition language
Definition
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Dynamical system (definition)
Elementary definition
Enchiridion symbolorum, definitionum et declarationum de rebus fidei et morum
Enhanced-definition television
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Filing Open Service Interface Definition
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Geophysical definition of 'planet'
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High definition
High-Definition Audio-Video Network Alliance
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High Definition Compatible Digital
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High-Definition Versatile Disc
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Historical definitions of races in India
IAU definition of planet
IEA-EBC Annex 66: Definition and Simulation of Occupant Behavior in Buildings
Intel High Definition Audio
Java Interface Definition Language
Job Definition Format
Lexical definition
Logging Open Service Interface Definition
Low-definition television
Lower Definition
Marriage Amendment (Definition and Religious Freedoms) Act 2017
Marriage (Definition of Marriage) Amendment Act 2013
MediaWiki:Gadgets-definition
Messaging Open Service Interface Definition
Microsoft Interface Definition Language
Military Scenario Definition Language
Mobile High-Definition Link
Model-based definition
One Definition Rule
Open service interface definitions
Operational definition
Ostensive definition
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Planning Domain Definition Language
Poi definitions
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Redefinition (song)
Repository Open Service Interface Definition
Scheduling Open Service Interface Definition
Security Descriptor Definition Language
Set-theoretic definition of natural numbers
Standard-definition television
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Talk:High Definition Compatible Digital
Technical definition
Tensor (intrinsic definition)
Terrestrial high-definition television
The DEFinition
The Definition
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The Definition of X: The Pick of the Litter
The Free Software Definition
The Open Definition
The Open Source Definition
Theoretical definition
Ultra-high-definition television
User talk:WHEELER/Principles of Definition
Welfare definition of economics
Wikipedia talk:WikiProject Video games/Archive definition dispute
Workflow Open Service Interface Definition
Working Definition of Antisemitism
(, )-definition of limit


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