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object:1.04 - Descent into Future Hell
book class:The Red Book Liber Novus
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Descent into Future Hell
Cap. v.

[HI iii(v)]
81 In the following night, the air was filled with many voices. A loud voice called, I am falling. Others cried out confused and excited during this: Where to? What do you want? Should I entrust myself to this confusion? I shuddered. It is a dreadful deep. Do you want me to leave myself to chance, to the madness of my own darkness? Wither? Wither? You fall and, I want to fall with you, whoever you are.

The spirit of the depths opened my eyes and I caught a glimpse of the inner things, the world of my soul, the many-formed and changing.

I see a gray rock face along which I sink into great depths. 82 I stand in black dirt up to my ankles in a dark cave. Shadows sweep over me. I am seized by fear, but I know I must go in. I crawl through a narrow crack in the rock and reach an inner cave whose bottom is covered with black water.

[Image iii (v) r]
But beyond this I catch a glimpse of a luminous red stone which I must reach. I wade


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through muddy water. The cave is full of the frightful noise of shrieking voices. 83 I take the stone, it covers a dark opening in the rock. I hold the stone in my hand, peering around inquiringly. I do not want to listen to the voices, they keep me away. 84 But I want to know. Here something wants to be uttered. I place my ear to the opening. I hear the flow of underground waters. I see the bloody head of the dark stream. Someone wounded, someone slain floats there. I take in this image for a long time, shuddering. I see a large black scarab floating past on the dark steam.

In the deepest reach of the stream shines a red sun, radiating through the dark water. There I see-and a terror seizes me-small serpents on the dark rock walls, striving toward the depths, where the sun shines. A thousand serpents crowd around, veiling the sun.

Deep night falls. A red stream of blood, thick red blood springs up, surging for a long time, then ebbing. I am seized by fear. What did
I see?85

[Image iii(v) 2]
Heal the wounds that doubt inflicts on me, my soul. That too is to be overcome, so that I can recognize your supreme meaning. How far away everything is, and how I have turned back! My spirit is a spirit of torment, it tears asunder my contemplation, it would dismantle everything and rip it apart. I am still a victim of my thinking. When can I order my thinking to be quiet, so that my thoughts, those unruly hounds, will crawl to my feet? How can I ever hope to hear your voice louder, to see your face clearer, when all my thoughts howl?


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I am stunned, but I want to be stunned, since I have sworn to you, my soul, to trust you even if you lead me through madness.

How shall I ever walk under your sun if I do not drink the bitter draught of slumber to the lees? Help me so that I do not choke on my own knowledge. The fullness of my knowledge threatens to fall in on me. My knowledge has a thousand voices, an army roaring like lions; the air trembles when they speak, and I am their defenseless sacrifice. Keep it far from me, science that clever knower, 86 that bad prison master who binds the soul and imprisons it in a lightless cell.

But above all protect me from the serpent of judgment, which only appears to be a healing serpent, yet in your depths is infernal poison and agonizing death. I want to go down cleansed into your depths with white garments and not rush in like some thief seizing whatever
I can and fleeing breathlessly. Let me persist in divine 87 astonishment, so that I am ready to behold your wonders. Let me lay my head on a stone before your door, so that I am prepared to receive your light.

[2] When the desert begins to bloom, it brings forth strange plants. You will consider yourself mad, and in a certain sense you will in fact be mad. 88 To the extent that the Christianity of this time lacks madness, it lacks divine life. Take note of what the ancients taught us in images: madness is divine. 89 But because the ancients lived this image concretely in events, it became a deception for us, since we became masters of the reality of the world. It is unquestionable: if you enter into the world of the soul, you are like a madman, and a doctor would consider you to be sick. What I say here can be seen as sickness, but no one can see it as sickness more than I do.

This is how I overcame madness. If you do not know what divine madness is, suspend judgment and wait for the fruits. 90 But know that there is a divine madness which is nothing other than the overpowering of the spirit of this time through the spirit of the depths. Speak then of sick delusion when the spirit of the depths can no longer stay down and forces a man to speak in tongues instead of in human speech, and makes him believe that he himself is the spirit


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of the depths. But also speak of sick delusion when the spirit of this time does not leave a man and forces him to see only the surface, to deny the spirit of the depths and to take himself for the spirit of the times. The spirit of this time is ungodly, the spirit of the depths is ungodly, balance is godly.

Because I was caught up in the spirit of this time, precisely what happened to me on this night had to happen to me, namely that the spirit of the depths erupted with force, and swept away the spirit of this time with a powerful wave. But the spirit of the depths had gained this power, because I had spoken to my soul during 25 nights in the desert and I had given her all my love and submission.

But during the 25 days, I gave all my love and submission to things, to men, and to the thoughts of this time. I went into the desert only at night. Thus can you differentiate sick and divine delusion.

Whoever does the one and does without the other you may call sick since he is out of balance.

But who can withstand fear when the divine intoxication and madness comes to him? Love, soul, and God are beautiful and terrible. The ancients brought over some of the beauty of God into this world, and this world became so beautiful that it appeared to the spirit of the time to be fulfillment, and better than the bosom of the Godhead. The frightfulness and cruelty of the world lay under wraps and in the depths of our hearts. If the spirit of the depths seizes you, you will feel the cruelty and cry out in torment. The spirit of the depths is pregnant with ice, fire, and death. You are right to fear the spirit of the depths, as he is full of horror.

You see in these days what the spirit of the depths bore. You did not believe it, but you would have known it if you had taken counsel with your fear. 91
Blood shone at me from the red light of the crystal, and when I picked it up to discover its mystery; there lay the horror uncovered before me: in the depths of what is to come lay murder. The blond hero lay slain. The black beetle is the death that is necessary for renewal; and so thereafter, a new sun glowed, the sun of the depths, full of riddles, a sun of the night. And as the rising sun of spring


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quickens the dead earth, so the sun of the depths quickened the dead, and thus began the terrible struggle between light and darkness. Out of that burst the powerful and ever unvanquished source of blood. This was what was to come, which you now experience in your life, and it is even more than that. (I had this vision on the night of 12 December 1913.)
Depths and surface should mix so that new life can develop. Yet the new life does not develop outside of us, but within us. What happens outside us in these days is the image that the peoples live in events, to bequeath this image immemorially to far-off times so that they might learn from it for their own way; just as we learned from the images that the ancients had lived before us in events.

Life does not come from events, but from us. Everything that happens outside has already been.

Therefore whoever considers the event from outside always sees only that it already was, and that it is always the same. But whoever looks from inside, knows that everything is new. The events that happen are always the same. But the creative depths of man are not always the same. Events signify nothing, they signify only in us. We create the meaning of events. The meaning is and always was artificial. We make it.

Because of this we seek in ourselves the meaning of events, so that the way of fol. iii(v)/iv(r) what is to come becomes apparent and our life can flow again.

That which you need comes from yourself, namely the meaning of the event. The meaning of events is not their particular meaning.

This meaning exists in learned books. Events have no meaning.

The meaning of events is the way of salvation that you create.

The meaning of events comes from the possibility of life in this world that you create. It is the mastery of this world and the assertion of your soul in this world.

This meaning of events is the supreme meaning, that is not in events, and not in the soul, but is the God standing between events and the soul, the mediator of life, the way, the bridge and the going across. 92
I would not have been able to see what was to come if I could


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not have seen it in myself.

Therefore I take part in that murder; the sun of the depths also shines in me after the murder has been accomplished; the thousand serpents that want to devour the sun are also in me. I myself am a murderer and murdered, sacrificer and sacrificed. 93 The upwelling blood streams out of me.

You all have a share in the murder. 94 In you the reborn one will come to be, and the sun of the depths will rise, and a thousand serpents will develop from your dead matter and fall on the sun to choke it. Your blood will stream forth. The peoples demonstrate this at the present time in unforgettable acts, that will be written with blood in unforgettable books for eternal memory. 95
But I ask you, when do men fall on their brothers with mighty weapons and bloody acts? They do such if they do not know that their brother is themselves. They themselves are sacrificers, but they mutually do the service of sacrifice. They must all sacrifice each other, since the time has not yet come when man puts the bloody knife into himself in order to sacrifice the one he kills in his brother.

But whom do people kill? They kill the noble, the brave, the heroes.

They take aim at these and do not know that with these they mean themselves. They should sacrifice the hero in themselves, and because they do not know this, they kill their courageous brother.

The time is still not ripe. But through this blood sacrifice, it should ripen. So long as it is possible to murder the brother instead of oneself the time is not ripe. Frightful things must happen until men grow ripe. But anything else will not ripen humanity. Hence all this that takes place in these days must also be, so that the renewal can come. Since the source of blood that follows the shrouding of the sun is also the source of the new life. 96
As the fate of the peoples is represented to you in events, so will it happen in your heart. If the hero in you is slain, then the sun of the depths rises in you, glowing from afar, and from a dreadful place. But all the same, everything that up till now seemed to be dead in you will come to life, and will change into poisonous serpents that will cover the sun, and you will fall into night and


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confusion. Your blood also will stream from many wounds in this frightful struggle. Your shock and doubt will be great, but from such torment the new life will be born. Birth is blood and torment. Your darkness, which you did not suspect since it was dead, will come to life and you will feel the crush of total evil and the conflicts of life that still now lie buried in the matter of your body. But the serpents are dreadful evil thoughts and feelings.

You thought you knew that abyss? Oh you clever people! It is another thing to experience it. Everything will happen to you. Think of all the frightful and devilish things that men have inflicted on their brothers. That should happen to you in your heart. Suffer it yourself through your own hand, and know that it is your own heinous and devilish hand that inflicts the suffering on you, but not your brother, who wrestles with his own devils. 97
I would like you to see what the murdered hero means. Those nameless men who in our day have murdered a prince are blind prophets who demonstrate in events what then is valid only for the soul. 98 Through the murder of princes we will learn that the prince in us, the hero, is threatened. 99 Whether this should be seen as a good or a bad sign need not concern us. What is awful today is good in a hundred years, and in two hundred years is bad again. But we must recognize what is happening; there are nameless ones in you who threaten your prince, the hereditary ruler.

But our ruler is the spirit of this time, which rules and leads in us all. It is the general spirit in which we think and act today. He is of frightful power, since he has brought immeasurable good to this world and fascinated men with unbelievable pleasure. He is bejeweled with the most beautiful heroic virtue, and wants to drive men up to the brightest solar heights, in everlasting ascent. 100 The hero wants to open up everything that he can. But the nameless spirit of the depths evokes everything that man cannot. Incapacity prevents further ascent. Greater height requires greater virtue. We do not possess it.

We must first create it by learning to live with our incapacity. We must give it life. For how else shall it develop into ability?
We cannot slay our incapacity and rise above it. But that is precisely what we wanted. Incapacity will overcome us and demand


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its share of life. Our ability will desert us, and we will believe, in the sense of the spirit of this time, that it is a loss. Yet it is no loss but a gain, not for outer trappings, however, but for inner capability.

The one who learns to live with his incapacity has learned a great deal. This will lead us to the valuation of the smallest things, and to wise limitation, which the greater height demands. If all heroism is erased, we fall back into the misery of humanity and into even worse. Our foundations will be caught up in excitement since our highest tension, which concerns what lies outside us, will stir them up. We 'will fall into the cesspool of our underworld, among the rubble of all the centuries in us. 101
The heroic in you is the fact that you are ruled by the thought that this or that is good, that this or that performance is indispensable, this or that cause is objectionable, this or that goal must be attained in headlong striving work, this or that pleasure should be ruthlessly repressed at all costs. Consequently you sin against incapacity. But incapacity exists. No one should deny it, find fault with it, or shout it down. 102


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81. December 12 1913. The Corrected Draft has: IV The Mystery Play. First Night(p. 34). Black
Book 2 continues: "The battle of late was the battle with scorn. A vision that caused me three sleepless nights and three days of torment has likened me to G. Keller's druggist of Chamounix
(from start to finish). I know and acknowledge this style. I have learned that one must give one's heart to men, but one's intellect to the spirit of humanity, God. Then His work can be beyond vanity; since there is no more hypocritical whore than the intellect when it replaces the heart
(p. 4I). Gottfried Keller (I8I9-I890) was a Swiss writer. See "Der Apotheker von Chamounix: Ein
Buch Romanzen," in Gottfried Keller, Gesammelte Gedichte: Erzahlungen aus dem Nachlass
(Zrich: Artemis Verlag, I984), pp. 35I-4I7.

82. The Draft continues: ''A dwarf clad entirely in leather stood before it, minding the entrance"
(P.48).

83. The Corrected Draft continues: "The stone must be conquered, it is the stone of the torment, of the red light" (p. 35). The Corrected Draft has: "It is a six-sided crystal that gives off a cold, reddish light" (p. 35). Albrecht Dieterich refers to the representation of the underworld in
Aristophanes' The Frogs (which he understood to be of Orphic origin) as having a large place and a place with serpents (Nekyia: Beitrage zttr Erklarttng der nettemdeckten Petrttsapokalypse
[Leipzig: Teubner, 1893], p. 7I). Jung underlined these motifs in his copy. Dieterich referred to his description again on page 83, which Jung marked by the margin, and underlined "Darkness and Mud." Dieterich also referred to an Orphic representation of a stream of mud in the underworld (p. 8I). In his list of references in the back of his copy; Jung noted, "81 Mud
84. Black Book 2 continues: "This dark hole- I want to know where it leads and what it says? An oracle? Is it the place of Pythia?" (P.43).

85. Jung narrated this episode in his 1925 seminar, stressing different details. He commented: "When
I came out of the fantasy; I realized that my mechanism had worked wonderfully well, but I was in great confusion as to the meaning of all those things I had seen. The light in the cave from the crystal was, I thought, like the stone of wisdom. The secret murder of the hero I could not understand at all. The beetle of course I knew to be an ancient sun symbol, and the setting sun, the luminous red disk, was archetypal. The serpents I thought might have been connected with
Egyptian material. I could not then realize that it was all so archetypal, I need not seek connections. I was able to link the picture up with the sea of blood I had previously fantasized about. / Though I could not then grasp the significance of the hero killed, soon after I had a dream in which Siegfried was killed by myself It was a case of destroying the hero ideal of my efficiency. This has to be sacrificed in order that a new adaptation can be made; in short, it is connected with the sacrifice of the superior function in order to get at the libido necessary to activate the inferior functions" (Analytical Psychology, p. 48). (The killing of Siegfried occurs below in ch. 7.) Jung also anonymously cited and discussed this fantasy in his ETH lecture on
June 14, 1935 (Modern Psychology, vols. 1. and 2, p. 223).

86. The Corrected Draft continues: "Science" is deleted (p. 37).

87. The Corrected Draft continues: "more blessed" is substituted (p. 38).

88. The Corrected Draft continues: this sentence is substituted by: "Madness grows" (p. 38).

89. The theme of divine madness has a long history. Its 10c1. .\s Classicus was Socrates's discussion of it in the Phaedrus: madness, provided it comes as a gift of heaven, is the channel by which we receive the greatest blessings (Plato, Phaedrus and Letters VII and VIII, tr. W Hamilton
[London: Penguin, 1986], p. 46, line 244). Socrates distinguished four types of divine madness: (I) inspired divination, such as by the prophetess at Delphi; (2) instances in which individuals, when ancient sins have given rise to troubles, have prophesied and incited to prayer and worship; (3) possession by the Muses, since the technically skilled untouched by the madness of the Muses will never be a good poet; and (4) the lover. In the Renaissance, the theme of divine madness was talcen up by the Neoplatonists such as Ecino and by humanists such as Erasmus. Erasmus's discussion is particularly important, as it fuses the classical Platonic conception with Christianity.

For Erasmus, Christianity was the highest type of inspired madness. Like Plato, Erasmus


Descent into Future Hell

90.


91.


92.


93.


58
differentiated between two types of madness: Thus as long as the soul uses its bodily organs aright, a man is called sane; but truly, when it bursts its chains and tries to be free, practising running away from its prison, then one calls it insanity. If this happens through disease or a defect of the organs, then by common consent it is, plainly, insanity. And yet men of this kind, too, we find foretelling things to come, knowing tongues and writings which they had never studied beforehand-altogether showing forth something divine (In Praise of Folly, tr. M. A.

Screech [London: Penguin, 1988], pp. 128-29). He adds that if insanity "happens through divine fervor, it may not be the same kind of insanity, but it is so like it that most people make no distinction." For lay people, the two forms of insanity appeared the same. The happiness that
Christians sought was nothing other than a certain kind of madness. Those who experience this
experience something which is very like madness. They speak incoherently and unnaturally, utter sound without sense, and their faces suddenly change expression...in fact they are truly beside themselves (ibid., pp. 129-33). In 1815, the philosopher F.WJ. Schelling discussed divine madness in a manner that has a certain proximity to Jung's discussion, noting that The ancients did not speak in vain of a divine and holy madness. Schelling related this to the inner selflaceration of nature. He held that nothing great can be accomplished without a constant solicitation of madness, which should always be overcome, but should never be entirely lacking.
On the one hand, there were sober spirits in whom there was no trace of madness, together with men of understanding who produced cold intellectual works. On the other, there is one kind of person that governs madness and precisely in this overwhelming shows the highest force of the intellect. The other kind of person is governed by madness and is someone who is really mad
(The Ages of the World, tr. J. Wirth [Albany: SUNY Press, 2000], pp. 102-4)
An application of William James's notion of the pragmatic rule. Jung read James's Pragmatism in
1912, and it had a strong impact on his thinking. In his foreword to his Fordham University lectures, Jung stated that he had taken James's pragmatic rule as his guiding principle (CW 4, p.

86). See my Jung and the Making of Modern Psychology: The Dream of a Science, pp. 57-61.

The Draft continues: The spirit of the depths was so alien to me that it took me twenty-five nights to comprehend him. And even then he was still so alien that I could neither see nor ask.

He had to come to me as a stranger from far away and from an unheard-of side. He had to call me. I could not address him, knowing him and his nature. He announced himself with a loud voice, as in a warlike turmoil with the manifold clamoring of the voices of this time. The spirit of this time arose in me against this stranger, and uttered a battle cry together with his many serfs. I heard the noise of this battle in the air. Then the spirit of the depths burst forth and led me to the site of the innermost. But he had reduced the spirit of this time to a dwarf who was clever and bustling, yet was a dwarf And the vision showed me the spirit of this time as made of leather, that is, pressed together, sere and lifeless. He could not prevent me from entering the dark underworld of the spirit of the depths. To my astonishment I realized that my feet sank into the black muddy water of the river of death. [The Corrected Draft adds: "for that is where death is", p. 41] The mystery of the shining red crystal was my next destination" (pp. 54-55).

The Draft continues: My soul is my supreme meaning, my image of God, neither God himself nor the supreme meaning. God becomes apparent in the supreme meaning of the human community (p. 58).

In Transformation symbolism in the mass, (1942), Jung commented on the motif of the identity of the sacrificer and the sacrificed, with particular reference to the visions of Zosimos of
Panapolis, a natural philosopher and alchemist of the third century. Jung noted: "What I sacrifice is my egotistical claim, and by doing this I give up myself Every sacrifice is therefore, to a greater or lesser degree, a self-sacrifice" (CW II, 397). Cf also the Katha Upanishad, ch. 2, verse
19. Jung cited the next two verses of the Katha Upanishad on the nature of the self in 1921 (CW
6, 329). There is a line in the margin of Jung's copy by these verses in the Sacred Books of the


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East, vol. Xv, pt. 2, p. II. In Dreams, Jung noted in connection with a dream My intensive unconscious relation to India in the Red Book (p. 9).

94. Jung elaborated the theme of collective guilt in After the catastrophe (1945, CW 10).

95. The reference is to the events of World War 1. The autumn of 1914 (when Jung wrote this section of "layer two") saw the battle of the Marne and the first battle of Ypres.

96. In his lecture at the ETH on June 14, 1935, Jung commented (partially in reference to this fantasy, which he referred to anonymously): "The sun motif appears in many places and times and the meaning is always the same-that a new consciousness has been born. It is the light of illumination which is projected into space. This is a psychological event; the medical term
"hallucination" makes no sense in psychology: / The Katabasis plays a very important role in the
Middle Ages and the old masters conceived of the rising sun in this Katabasis as of a new light, the lux moderna, the jewel, the lapis" (Modern Psychology, p. 231).

97. The Draft continues: My friends, I know that I speak in riddles. But the spirit of the depths has granted me a view of many things in order to help my weak comprehension. I want to tell you more about my visions so that you better understand which things the spirit of the depths would like you to see. May those be well who can see these things! Those who cannot must live them as blind fate, in images (p. 61).

98. In The Relations between the I and the Unconscious (1927), Jung refers to the destructive and anarchic aspects that are constellated in societies being enacted by prophetically inclined individuals though spectacular crimes such as regicide (CW 7, 240).

99. Political assassinations were frequent at the beginning of the twentieth century: The particular event referred to here is the assassination of Archduke Franz Ferdinand. Martin Gilbert describes this event, which played a critical role in the events that led to the outbreak of the First World
War, as "a turning point in the history of the twentieth century" ( A History of the Twentieth
Century: Volume One: 1900-1933 [London: William Morrow, 1977], p. 308).

100. The Draft continues: When I was aspiring to my highest worldly power, the spirit of the depths sent me nameless thoughts and visions, that wiped out the heroic aspiration in me as our time understands it (p. 62).

101. The Draft continues: Everything that we have forgotten will be revived, each human and divine passion, the black serpents and the reddish sun of the depths (p. 64).

102. On June 9, 1917, there was a discussion on the psychology of the world war in the Association for Analytical Psychology following a presentation by Jules Vodoz on the Song of Roland. Jung argued that "Hypothetically, the World War can be raised to the subjective level. In detail, the authoritarian principle (tiling action on the basis of principles) clashes with the emotional principle. The collective unconscious enters into allegiance with the emotional." Concerning the hero, he said: The hero-the beloved figure of the people, should fall. All heroes bring themselves down by carrying the heroic attitude beyond a certain limit, and hence lose their footing (MAP,vol. 2, p. 10). The psychological interpretation of the First World War on the subjective level describes what is developed in this chapter. The connection between individual and collective psychology which he articulates here forms one of the leitmotifs of his later work
(Of Present and Future [1957], CW 10).




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https://religion.wikia.org/wiki/Ascetical_theology#Application_of_the_neans_in_the_three_degrees_of_Christian_perfection
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism#Coptic_Orthodox_monastic_degrees
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism#External_links
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism#Great_Schema
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism#Novice
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism#Orthodox_monasticism
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism#Rassophore
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism#References
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism#See_also
https://religion.wikia.org/wiki/Degrees_of_Eastern_Orthodox_monasticism#Stavrophore
https://religion.wikia.org/wiki/Mithraic_mysteries#Degrees_of_initiation
https://religion.wikia.org/wiki/Talk:Degrees_of_Eastern_Orthodox_monasticism
Six Degrees of Separation(1993) - Two socialites find their view of the world changed when a young man takes advantage of their preconceptions in this thoughtful comedy-drama. Flan and Ouisa Kittredge (Donald Sutherland and Stockard Channing) are a married couple who have built highly successful careers as art dealers catering to Ma...
Six Degrees of Separation (1993) ::: 6.8/10 -- R | 1h 52min | Comedy, Drama, Mystery | 8 December 1993 (USA) -- An affluent New York City couple finds their lives touched, intruded upon, and compelled by a mysterious young black man who is never quite who he says he is. Director: Fred Schepisi Writers:
https://dreamtheater.fandom.com/wiki/Six_Degrees_of_Inner_Turbulence_(album)
Carnival Phantasm EX Season -- -- Lerche -- 1 ep -- Manga -- Comedy Supernatural -- Carnival Phantasm EX Season Carnival Phantasm EX Season -- A DVD-only episode bundled with the special edition Take Moon volume. -- -- Caren Ortensia attempts to control the world using money with varying degrees of success, Phantas-Moon receives a movie adaption of her T.V. show, and Shiki is involved in a love plot that spans years.  -- -- (Source: Wikipedia) -- OVA - Nov 26, 2011 -- 40,295 7.48
https://commons.wikimedia.org/wiki/File:Axial_Degrees_of_freedom_of_a_Standard_Horizontal_Truss_Element.png
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