1.043 - Decorations

* WISDOM TROVE *

1:Orders and decorations are necessary in order to dazzle the people. ~ napoleon-bonaparte, @wisdomtrove

* NEWFULLDB 2.4M *

1:Books are like plants. They're decorations that are alive. ~ Katy Lee,

2:Hell, the old man’ll have our balls for Christmas decorations. ~ Dean Koontz,

3:Something about Christmas decorations inspired delinquency. ~ Rafael Yglesias,

4:Our thoughts are the decorations inside the sanctuary where we live. ~ A W Tozer,

5:in the general throng, many a fool receives decorations and titles. ~ Stefan Zweig,

6:Christmas decorations were her crack. She loved everything about them. ~ Yvonne Lindsay,

7:Orders and decorations are necessary in order to dazzle the people. ~ Napoleon Bonaparte,

8:Orders and decorations are necessary in order to dazzle the people. ~ Napol on Bonaparte,

9:Whores hung out the windows like shreds of leftover Christmas decorations. ~ Harlan Coben,

10:Feelings are wonderful decorations, but they are not a foundation to build on. ~ Peter Kreeft,

11:... it has always seemed to me that books are the supreme decorations of a room ~ Patrick O Brian,

12:It is only when you put your house in order that your furniture and decorations come to life. ~ Marie Kond,

13:his damn eyes are sparkling like he inhaled Christmas decorations and they all lit up inside his head. ~ Jo Raven,

14:A Christian should resemble a fruit tree with real fruit, not a Christmas tree with decorations tied on ~ John Stott,

15:I wonder what kind of decorations Hobby Lobby sells to ornament the pages dedicated to serial killers in a scrapbook. Lanny ~ Rachel Caine,

16:The same is true for the practice of feng shui. It is only when you put your house in order that your furniture and decorations come to life. ~ Marie Kond,

17:The old guard in any society resents new methods, for old guards wear the decorations and medals won by waging battle in the accepted manner. ~ Martin Luther King Jr,

18:All New Years is to me is for taking down your dumb Christmas decorations. People who put up Christmas decorations, all they're saying is, 'Hey, we're not Jews.' ~ Rich Vos,

19:There is no real need for decorations when throwing a barbecue party - let the summer garden, in all its vibrant and luscious splendour, speak for itself. ~ Pippa Middleton,

20:Every house on the street had some sort of decorations, including one house with a life-sized Santa on the roof being led by blow-up dragons instead of reindeer. ~ Katie Reus,

21:Never in all her life had she imagined that this idolized millinery could look, to those who paid for it, like the decorations of an insane monkey. ~ Charlotte Perkins Gilman,

22:Have you found your Christmas spirit yet? he asked as they drove by Broslin Square.
The decorations were out of control. "This place would make Liberace feel underdressed. ~ Dana Marton,

23:I love everything about the holidays: the decorations, the parties, and spending time with friends and family. What I love most is that feeling of giving back. Every bit counts. ~ Brad Goreski,

24:(Trunk-or-treating, for those who don’t know, is just like trick-or-treating, except with cars instead of houses, lame decorations instead of awesome ones, and no fun instead of fun.) ~ Ken Jennings,

25:What my wife desires--and what you should have guessed, had you paid attention--is bookcases. And books, of course, to fill them. Not more decorations or useless items. She wants books. ~ Cynthia Hand,

26:They take the greats from the past and compare us. I wonder if they'd ever survive in this era. In a time where it's recreation, to pull all your skeletons out the closet like Halloween decorations. ~ Drake,

27:Hunter, you can’t seriously be the Goblin King. You’re not even sixteen yet! I had to give you a ride to the store after school in September when we were getting supplies for Homecoming decorations! ~ K M Shea,

28:Middle East has been in turmoil for thousands of years. For us to think that we're going to in there and fix that with a couple of little bombs and a few little decorations is relatively foolish. ~ Benjamin Carson,

29:You know, we love to categorise or label everything in our lives: people, movies. But I think that those are just the decorations. They, of course, work. They're great, but that's not the thrust of the film. ~ Hrithik Roshan,

30:You can form other organizations and expect someone else. With that I am not concerned, nor with creating new cages, new decorations for those cages. My only concern is to set men absolutely, unconditionally free. ~ Jiddu Krishnamurti,

31:It's the first time I'm going to be on my own this Christmas and I'm really looking forward to not having any cards or decorations up. So I'll be in London, sit on my couch, arms folded, curtains drawn, having a drink. ~ Noel Gallagher,

32:Ellie began to arrive home laden with Halloween decorations she had made at school and entertained Gage with the story of the Headless Horseman. Gage spent that evening babbling happily about somebody named Itchybod Brain. ~ Stephen King,

33:She's going to see how bare the house is. How bleak. They don't own much, just useful furniture and filing cabinets of music. No decorations. His family collects bruises and German insults instead of crockery and photo frames. ~ C G Drews,

34:Like a contractor building a house, this book is constructed from the ground up: first comes the big slabs of foundation, then the necessary load-bearing walls, the elegant but impermeable roof, and the lovely interior decorations. ~ Chris Voss,

35:People like to come up to me and tell me that I’ve got nice ink. Except these tattoos aren’t just decorations. They are declarations. Every tattoo I have tells its own story about who I am. Drug-free. Honor. And a war against the system. ~ CM Punk,

36:For hardly any man dances when sober, unless he is insane. Nor does he dance while alone, nor at a respectable and moderate party. Dancing is the final phase of a wild party with fancy decorations and a multitude of delights. ~ Marcus Tullius Cicero,

37:This year's [2016] White House holiday theme is "The Gift of the Holidays," and our decorations reflect some of our greatest gifts as a nation: from our incredible military families, to the life-changing impact of a great education. ~ Michelle Obama,

38:The fields all around were smooth plains, and the trees against the morning skyline looked like Christmas decorations. Snow, though. Soft and fluffy on the outside, but ruthless as a shark. It was the fucking Disney Corp by other means. ~ Mick Herron,

39:This is war: Boys flung into a breach Like shoveled earth; And old men, Broken, Driving rapidly before crowds of people In a glitter of silly decorations. Behind the boys And the old men, Life weeps, And shreds her garments To the blowing winds. ~ Amy Lowell,

40:It's February, and the walls are halfheartedly hung with Valentine's Day decorations that are supposed to add a sense of festivity, but just seem sadistic, because in an all-boys' detention center, only a select few are finding romance this year. ~ Neal Shusterman,

41:I feel like a lot of time my writing is like having about twenty boxes of Christmas decorations. But no tree. You're going, Where do I put this? Then they go, Okay, you can have a tree, but we'll blindfold you and you gotta cut it down with a spoon. ~ Carolyn Chute,

42:I love Halloween. It reminds me of my happy childhood days as a student at Wampus Elementary School in Armonk, N.Y., when we youngsters used to celebrate Halloween by making decorations out of construction paper and that white paste that you could eat. ~ Dave Barry,

43:English life is nothing but a huge masquerade ball in which the participants contrive to conceal their feelings, their addresses, their hobbies, their incomes, their decorations, their sorrows, their talents, their achievements, and even their names. ~ Pierre Daninos,

44:Normally Halloween was like Christmas for me. I would anticipate it for weeks, decorating myself and the house, as well as strolling around the neighborhood, admiring everyone else's decorations. Nothing lifts my spirit like a scarecrow in the front yard. ~ Damien Echols,

45:windows crowded with useless crap. Beeswax candles, leftover Christmas decorations at fifty percent off, a notice for a book signing by Trippton’s favorite author, which had happened three days earlier, and a sun-browned sign that said, “Explore Your Home Scent ~ John Sandford,

46:I’m sure the gentlemen have had quite enough of decorations and flower arrangements and whose feelings will be hurt by what.”
“Gladly, Stepmama,” said Lady Charlotte. “Mr. Carsington, perhaps you would help me choose something to soothe the gentlemen’s delicate nerves. ~ Loretta Chase,

47:Religions in general have to rediscover their roots. In Hinduism and the Koran, animals are described as equals. If you walk into a cathedral and look at the decorations of early Christianity, there are vines, animals, creatures and birds thriving all over the stonework. ~ Margaret Atwood,

48:I turned my bedroom into a bat-cave of band posters, dark curtains, and the occasional skull. I think by now my distraught parents were seeking advice from their pastor. Andy, meanwhile, calmly remarked, “I like how you’ve found a way to use Halloween decorations year-round. ~ Molly Ringle,

49:I am happy because I want nothing from anyone. I do not care for money. Decorations, titles or distinctions mean nothing to me. I do not crave praise. The only thing that gives me pleasure, apart from my work, my violin and my sailboat, is the appreciation of my fellow workers. ~ Albert Einstein,

50:I asked her if she was happy with it, and she said yes. I thought she’d cope fine. I didn’t have a crystal ball, boss.” “You’re not going to have any fucking balls if you carry on like this. I’ll chop them off personally and use them as Christmas decorations for the girls’ lavvy. ~ Gilly Macmillan,

51:I asked her if she was happy with it, she said yes. I thought she'd cope fine. I didn't have a crystal ball, boss'.
'You're not going to have any fucking balls if you carry on like this. I'll chop them off personally and use them as Christmas decorations for the girls' lavvy. ~ Gilly Macmillan,

52:I'd never thought of aqua as a particular offensive color before, but looking at those bedspreads, I knew that next school year I was totally banning anything even approaching that shade from any school dance decorations. I'd never be able to look at it again without wanting to slit my own throat. ~ Rachel Hawkins,

53:In the laboratory there are no fustian ranks, no brummagem aristocracies; the domain of Science is a republic, and all its citizens are brothers and equals, its princes of Monaco and its stonemasons of Cromarty meeting, barren of man-made gauds and meretricious decorations, upon the one majestic level! ~ Mark Twain,

54:My Christmas tree glimmered with lights, ornaments, and tinsel. Though such holiday trimmings weren't in vogue any longer, I loved them. I pulled every box of family decorations from the attic and glamored the tree until it looked like a "fancy woman in a cheap brothel" as my aunt Loulane would say. ~ Carolyn Haines,

55:Thursday started badly. Two of the ladies of my parish elected to quarrel about the church decorations. I was called in to adjudicate between two middle-aged ladies, each of whom was literally trembling with rage. If it had not been so painful, it would have been quite an interesting physical phenomenon. ~ Agatha Christie,

56:People so staunch and true, they're fixated,
Shining with self-regard like polished stones.
And their whole life spent admiring themselves
For their own long-suffering.
Licking their wounds
And flashing them around like decorations.
I hate it, I always hated it, and I am
A part of it myself. ~ Seamus Heaney,

57:The moon got loose last night, and slid
down and fell out of the scheme–a very great loss; it breaks my heart
to think of it. There isn’t another thing among the ornaments and
decorations that is comparable to it for beauty and finish. It should
have been fastened better. If we can only get it back again- ~ Mark Twain,

58:Then know that I’ll be laughing at your ineptitude every time your enemies strike you, and if you fail to return with my daughter, I’ll have your heart and your head for decorations. (Zephyra)
Your words are noted, my most prickly rose. And I shall endeavor to keep your amusement at a bare minimum. (Stryker) ~ Sherrilyn Kenyon,

59:The complaint, therefore, that all topicks are preoccupied, is nothing more than the murmur of ignorance or idleness, by which some discourage others, and some themselves; the mutability of mankind will always furnish writers with new images, and the luxuriance of fancy may always embellish them with new decorations. ~ Samuel Johnson,

60:Homes should mean something to us humans. They are a basic instinct. A home, with a life that centers only on food and sleep, is not really a home, it's a house. Beauty and graciousness, joy of living, being used in every part, these are the things that make a house a home. (chapter header quote from Popular Home Decorations, 1940) ~ Ellen Baker,

61:Let the realist not mind appearances. Let him delegate to others the costly courtesies and decorations of social life. The virtuesare economists, but some of the vices are also. Thus, next to humility, I have noticed that pride is a pretty good husband. A good pride is, as I reckon it, worth from five hundred to fifteen hundred a year. ~ Ralph Waldo Emerson,

62:The man who occupies the first place in an undemocratic state can give himself any award that takes his fancy, but it does not increase his authority - rather, the contrary. This was something Brezhnev and Chernenko did not understand. In all, Stalin had about as many decorations as, say, Mekhlis, and four or five times fewer than Brezhnev ~ Dmitri Volkogonov,

63:People live and work in uninspiring environments, but look inside those rooms. Look at the painted walls and the decorations. People rebel even in the most controlled office environment in which they're not allowed to do anything. You see the little bulletin board in front of a person's desk with their photos, clippings, cartoons and whatever else. ~ Frank Gehry,

64:Christine and declared Christine was becoming ragged around the edges. Not only that, she was losing touch with her growing son. Christine denied it at first, but she could see it was true. A single tear slid down her cheek as she took in the Christmas decorations around them. Perhaps getting away would be good for her and Tyler, both. “Mommy?” Tyler said. ~ Ginny Baird,

65:The so-called Christian virtues of humility, love, charity, personal freedom, the strong prohibitions against violence, murder, stealing, lying, cruelty-all these are washed away by war. The greatest hero is the one who kills the most people. Glamorous exploits in successful lying and mass stealing and heroic vengeance are rewarded with decorations and public acclaim. ~ John T Flynn,

66:If Kumar had his way they would leave for Fiji every year just before Thanksgiving and not return until the New Year rang in and the decorations came down. They would swim with the fishes and lie on the beach eating papaya. On the years they were tired of Fiji they would go to Bali or Sydney or any sunny, sandy place whose name contained an equal number of consonants and vowels. ~ Ann Patchett,

67:No self-respecting wolf would eat a rodent - though we might've been able to use your teeth as decorations," Andrew said with a straight face.
Teijan hissed out a very unratlike snarl. "Why the hell do I bother to talk to you?"
"Hawke thinks I give you cheese." He pulled a small, foil-wrapped wedge out of his pocket. "Here you go"

"*** you" But the Rat alpha was laughing. ~ Nalini Singh,

68:We should all develop the mind to rejoice in, praise and share in the gift of those who have artistic talents and a richness of heart, whether they achieve wide recognition or not. Cultivating such a beautiful mind is a very worthy effort. Culture and art are not just decorations. They are not just accessories. What matters is whether culture enriches the essential substance of our lives. ~ Daisaku Ikeda,

69:I see him moving between the arches of purple and silver balloons and among the lavish decorations that fill the ground floor of my family's home. He speaks to no one, his gaze rarely leaving me. I flit from room to room, watching him from my peripheral vision. He doesn't approach but watches me from afar. A small, enigmatic little smile touching the corners of his lips whenever our eyes meet. ~ R R Banks,

70:As Desdemona continued on about the administrative details of the business, her eyelids lazing at half-mast all the while, Elsie’s attention was drawn to the decorations on the office’s walls. She had always assumed that dust could only collect on a horizontal surface, but the Unthank Home’s drab green walls proved otherwise—a thin sheen of gray dust seemed to nearly act as a second coat of paint. ~ Colin Meloy,

71:They say that Pyotr Ilyich Tchaikovsky was a homosexual. Truth be told, we don't love him because of that, but he was a great musician, and we all love his music. So what? I assure you that I work with these people. I sometimes award them with state prizes or decorations for their achievements in various fields. We have absolutely normal relations, and I don't see anything out of the ordinary here. ~ Vladimir Putin,

72:While he was working in Rome, archaeologists were excavating the Domus Aurea, Nero’s golden house, near the Colosseum. In order to study firsthand the vividly colored decorations painted on its walls, Raphael had himself lowered into the cave, or grotta. The designs that he reproduced in his works came to be known in Italian as grottesca; their ornate, stylized forms gave rise to the English “grotesque. ~ Anonymous,

73:Use tooltips. • Pay attention to the file icons and decorations in the left pane. The decorations and icons display a great deal of information about the type and status of a file. • Start reading the Log pane. • Learn drag and drop shortcuts to simplify operations on large sets of files. • Use P4V views and filtering features to enable you to selectively display information. To get the whole picture, read ~ Anonymous,

74:Every culture has beauty and decorations of body. This is not of itself superficial, this is very human. Decorating when it becomes out of balance, when it becomes about the materialism, about how many shoes, how many handbags, how expensive they are, and the status, then it's no longer just about an expression or looking beautiful, that's more about 'I HAVE MONEY, I AM RICH'. It felt out of balance. ~ David LaChapelle,

75:Candlesticks and incense not being portable into the maintop, the sailor perceives these decorations to be, on the whole, inessential to a maintop mass. Sails must be set and cables bent, be it never so strict a saint's day; and it is found that no harm comes of it. Absolution on a lee-shore must be had of the breakers, it appears, if at all; and they give plenary and brief without listening to confession. ~ John Ruskin,

76:We might laugh at the notion of plastic tea sets in the jungle, but it is a time-honored ritual for Western travelers to collect preindustrial artifacts to use as home decorations...Possession of primitive artifacts suggests worldly knowledge, just as in the highland communities of Borneo an electronic wristwatch that plays "Happy Birthday" is the mark of a great traveler. Funny thing how travel can narrow the mind. ~ Eric Hansen,

77:Homes, Gamache knew, were a self portrait. A person's choice of color, furnishing, pictures, every touch revealed the individual. God, or the devil, was in the details. And so was the human. Was it dirty, messy, obsessively clean? Were the decorations chosen to impress, or were they a hodgepodge of personal history? Was the space cluttered or clear? He felt a thrill every time he entered a home during an investigation. ~ Louise Penny,

78:The Dharma spring of the Sixth Patriarch has never run dry it is flowing even now a single drop has fallen and spread far and deep Don't be caught by the decorations at the edge and the wall around it In the dead of night the moonlight strikes the middle of the pond [2206.jpg] -- from Sun at Midnight: Muso Soseki - Poems and Sermons, Translated by W. S. Merwin / Translated by Soiku Shigematsu

~ Muso Soseki, Hui-nengs Pond
,

79:In America my mother has eyes as strong as boulders, never once skittering off a face, but she has not learned to place decorations and phonograph needles, nor has she stopped seeing land on the other side of the oceans. Now her eyes include the relatives in China, as they once included my father smiling and smiling in his many western outfits, a different one for each photograph that he sent from America. (1983: 59) ~ Maxine Hong Kingston,

80:There were some crucial things Vera’s parents were forgetting about crosses, was what Peter said. One was that Jesus was nailed to His by enemies, not by Mary and Joseph. And another, he said, was that it killed Him. Christ’s cross killed Him. We’ve got to remember what crosses are, Peter said. They’re not just decorations on steeples. They’re murder weapons, he said, the same as guns, or gas chambers, or electric chairs. ~ David James Duncan,

81:Right up until the end, Victor’s mind had been as methodical as an efficient library, whereas Amelia felt that hers was more like the cupboard under the stair where ancient hockey sticks were shoved in beside broken Hoovers and boxes of old Christmas decorations, and the one thing you knew was in there—a five-amp fuse, a tin of tan shoe polish, a Phillips screwdriver—would almost certainly be the one thing you couldn’t lay your hands on. ~ Kate Atkinson,

82:They had sat here, in this very room, their knees almost touching, and there had been a sense of almost breathless discovery, and while they had not become lovers everything was laid out, like a feast, and they were merely arranging the table decorations and putting out the place names, the final little touches, so that when the feast began it would have been a splendid thing, not only satisfying to the baser appetites but to the higher senses. ~ Peter Carey,

83:There is something about Christmas that requires a rug rat. Little kids make Christmas fun. I wonder if could rent one for the holidays. When I was tiny we would by a real tree and stay up late drinking hot chocolate and finding just the right place for the special decorations. It seems like my parents gave up the magic when I figured out the Santa lie. Maybe I shouldn't have told them I knew where the presents really came from. It broke their hearts. ~ Laurie Halse Anderson,

84:When a scientist considers all high-tech mental machinery needed to arrange words into ordinary sentences, prescriptive rules are, at best, inconsequential little decorations. The very fact that they have to be drilled shows that they are alien to the natural workings of the language system. One can choose to obsess over prescriptive rules, but they have no more to do with language than the criteria for judging cats at a cat show have to do with mammalian biology. ~ Steven Pinker,

85:I’m baking a cake. I’m making a Taste Food Cake just for taste, one with white crust with flecks of butter, a smallish one, the dimensions of a roller rink, single level with chewy sponge and jelly gleaming in its own red carpet inside… We like sucking at the sides of cakes, siphoning off the reserves of cream and spitting it out on the pavement. We lap at the trimmings. Suck on the sugar-slicked decorations and swallow the jelly from between layers of chewy cream… ~ Grace Krilanovich,

86:Indians only needed so many implements and decorations. If a tribe drove three hundred buffalo over a cliff, they wouldn’t feel obligated to make twenty-four hundred buffalo-hoof spoons and six hundred buffalo-horn charcoal carriers. Rather, they might just take the meat and hides from the best-looking female buffalo, those that weren’t too smashed up or buried under other buffalo. That might be all they touched. After all, their time and energy had value, just as ours does. ~ Steven Rinella,

87:his next words. “Ralph, I’ve had this coming a long time. Sins catch up with you in the end.” He sighed, and looked up at a spiderweb in the corner of his cell, where a few flies hung like forlorn Christmas decorations. “I should have been dead years ago. God knows I should have copped a bullet or a bayonet a hundred times over. I’ve been on borrowed time a long while.” He swallowed hard. “It’s tough enough on Izz being without Lucy. She’d never survive time in— Ralph, this is one ~ M L Stedman,

88:Stories of regimental ladies long dead and forgotten (“I told her: ‘Dear child, I decide what tact is’ ”); stories of children long ago in possession of their own children (“And then the sweet little angel said to me”); stories of relatives long alienated; tales of promotion and dismissals; of orders and decorations; of wounds; of marriage tangles and divorces—the rag, tag, and bobtail of a life spent entirely in gossip and tittle-tattle about intimate, the most intimate, things. ~ Hans Fallada,

89:To reflect for one moment, to examine himself for a while and ask what share he has in the world’s confusion and wickedness—look you, nobody wants to do that. And so there’s no stopping it, and the next war is being pushed on with enthusiasm by thousands upon thousands day by day. It has paralysed me since I knew it, and brought me to despair. I have no country and no ideals left. All that comes to nothing but decorations for the gentlemen by whom the next slaughter is ushered in. ~ Hermann Hesse,

90:For I have a single definition of success: you look in the mirror every evening, and wonder if you disappoint the person you were at 18, right before the age when people start getting corrupted by life. Let him or her be the only judge; not your reputation, not your wealth, not your standing in the community, not the decorations on your lapel. If you do not feel ashamed, you are successful. All other definitions of success are modern constructions; fragile modern constructions. ~ Nassim Nicholas Taleb,

91:In 1867, George Campbell, Duke of Argyll, had published The Reign of Law, a book that Darwin found deeply annoying. A supporter of Richard Owen, Campbell argued that while evolution (or Development) might be observable in the fossil record, it was merely evidence of God's purpose. God, for example, would cause horses and oxen to evolve in time to meet human needs. The brightly colored plumage of birds, Campbell went on, were simply God's decorations of nature for humanity's enjoyment. ~ Jonathan Clements,

92:In 1867, George Campbell, Duke of Argyll, had published The Reign of Law, a book that Darwin found deeply annoying. A supporter of Richard Owen, Campbell argued that while evolution (or "Development") might be observable in the fossil record, it was merely evidence of God's purpose. God, for example, would cause horses and oxen to evolve in time to meet human needs. The brightly colored plumage of birds, Campbell went on, were simply God's decorations of nature for humanity's enjoyment. ~ Jonathan Clements,

93:Clothes, when abstracted from the flow of present time and their transmogrifying function on the human body, and seen as forms in themselves, are strange tubes and excrescences worthy of being classed with such facial decorations as the ring through the nose or the lip-stretching disk. But how enchanting they become when seen togetherwith the qualities they bestow on their wearer! What happens then is no less than the infusion, into some tangled lines on a piece of paper, of the meaning of a great word. ~ Robert Musil,

94:Clothes, when abstracted from the flow of present time and their transmogrifying function on the human body, and seen as forms in themselves, are strange tubes and excrescences worthy of being classed with such facial decorations as the ring through the nose or the lip-stretching disk. But how enchanting they become when seen together
with the qualities they bestow on their wearer! What happens then is no less than the infusion, into some tangled lines on a piece of paper, of the meaning of a great word. ~ Robert Musil,

95:The Army of Eisenhower’s day valued understatement. With rare exceptions generals did not decorate themselves like Christmas trees. Action spoke for itself. Nothing did that more eloquently than the simple soldier’s funeral of the nation’s thirty-fourth president. On April 2, 1969, in Abilene, Kansas, Eisenhower was laid to rest in the presence of his family. He was buried in a government-issue, eighty-dollar pine coffin, wearing his famous Ike jacket with no medals or decorations other than his insignia of rank. ~ Jean Edward Smith,

96:When we see that almost everything men devote their lives to attain, sparing no effort and encountering a thousand toils and dangers in the process, has, in the end, no further object than to raise themselves in the estimation of others; when we see that not only offices, titles, decorations, but also wealth, nay, even knowledge[1] and art, are striven for only to obtain, as the ultimate goal of all effort, greater respect from one's fellowmen,—is not this a lamentable proof of the extent to which human folly can go? ~ Arthur Schopenhauer,

97:I have often thought that there has rarely passed a life of which a judicious and faithful narrative would not be useful; for not only every man has, in the mighty mass of the world, great numbers in the same condition with himself, to whom his mistakes and miscarriages, escapes and expedients, would be of immediate and apparent use; but there is such a uniformity in the state of man, considered apart from adventitious and separable decorations and disguises, that there is scarce any possibility of good or ill but is common to human kind. ~ Samuel Johnson,

98:After, John helps me take down all the decorations and pack everything up. He goes out to the parking lot with the two big boxes, and I stay behind to say good-bye to everyone and make sure we have everything. I still feel sort of a high from the night. The party went so well, and Janette was so pleased. She came up and squeezed my shoulders and said, “I’m proud of you, Lara Jean.” And then the dance with John…Thirteen-year-old me would have died. Sixteen-year-old me is floating down the nursing-home hallway, and it’s like I’m in a dream. ~ Jenny Han,

99:Thou shalt lie down
With patriarchs of the infant world,—with kings,
The powerful of the earth,—the wise, the good, 35
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun; the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move 40
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean's gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man! ~ William Cullen Bryant,

100:Love wasn’t a great, burning brushfire that swept across your soul and charred you beyond recognition. It was being there, simply that. It was a few people, standing together in a living room, trimming a Christmas tree with the decorations that represented the sum total of who they were, where they’d been, what they believed in. It was simple, everyday moments that laid like bricks, one atop another, until they formed a foundation so solid that nothing could make them fall. Not wind, not rain … not even the faded, watercolor memories of a once-brushfire passion. Nothing. ~ Kristin Hannah,

101:The man is larger than life and all muscle, and when he cracks his knuckles, his biceps flex and strain under his tight v-neck t-shirt. He’s wearing all black from head to toe, but what sets him apart are the black studded leather belts he wears wrapped around his forearms. I know this man. Those belts aren’t decorations. They’re weapons. Weapons I’ve seen him wrap around a neck or two during the few occasions Belly had brought me with him up to Logan’s Beach for reasons that always started with killing and ended with one fuck of a good party. “King,” I greet, with a tip of my chin. ~ T M Frazier,

102:Eystein had also resorted to a weird form of trickery: among his decorations of wood or wool, gold or velvet, he would insert one which was really made of the material elsewhere imitated by paint. This device which was apparently meant to enhance the effect of his tactile and tonal values had, however, something ignoble about it and disclosed not only an essential flaw in Eystein's talent, but the basic fact that "reality" is neither the subject nor the object of true art which creates its own special reality having nothing to do with the average "reality" perceived by the communal eye. ~ Vladimir Nabokov,

103:Eager watch was
kept for the first appearance of the legendary creature in the village, and it may be said that as far as
appearances went Basil Blake was all that could be asked for. Little by little, however, the real facts
leaked out. Basil Blake was not a film star, not even a film actor. He was a very junior person, rejoicing
in the position of about fifteenth in the list of those responsible for set decorations at Lenville Studios,
headquarters of British New Era Films. The village maidens lost interest and the ruling class of censorious
spinsters took exception to Basil Blake's way of life. ~ Agatha Christie,

104:continually amazed at just how many skills and crafts could go into making “a lovely home”—the patchwork quilts you could sew, the curtains you could ruffle, the cucumbers you could pickle, the rhubarb you could make into jam, the icing-sugar decorations you could create for your Christmas cake—which you were supposed to make in September at the latest (for heaven’s sake)—and at the same time remember to plant your indoor bulbs so they would also be ready for “the festive season,” and it just went on and on, every month a list of tasks that would have defeated Hercules and that was without the everyday preparation of meals, ~ Kate Atkinson,

105:La Maréchalerie means “blacksmith shop” in French, and the building was decorated with horseshoes and the head of a horse emerging from a shield. Genevieve had been confused by these as a teenager: What did horses have to do with bread? She remembered rushing back to the house and looking up the name in her travel dictionary but was still just as confused until Catharine told her it was merely an old building made into a boulangerie. “They don’t take things down here, or change things,” said Catharine, clearly disdainful of her cousin’s interest. “They just leave the name, and the horse decorations, and make their bread. ~ Juliet Blackwell,

106:WORD SMUGGLERS Yang Huanyi, whose feet were crippled in infancy, stumbled through life until the autumn of the year 2004, when she died just shy of her hundredth birthday. She was the last to know Nushu, the secret language of Chinese women. This female code dated from ancient times. Barred from male language, which they could not write, women founded a clandestine one, out of men’s reach. Fated to be illiterate, they invented an alphabet of symbols that masqueraded as decorations and was indecipherable to the eyes of their masters. Women sketched their words on garments and fans. The hands that embroidered were not free. The symbols were. ~ Eduardo Galeano,

107:The women of the Plains tribes made their clothing of soft, tanned elk skin. Their principal garment was a simple, sleeveless dress made from two hides. The style of the garment followed the natural shape of the skins with little change from tribe to tribe. These dresses usually hung loose from the shoulders. Belts were sometimes worn to draw them in at the waist.
Cowrie and other shells were used for decorations by the Crow, Sioux, and Blackfoot tribes. The shells were obtained by barter. Elk and buffalo teeth, leather thongs, bead and quill work, and tin cones were also used.
Originally, Indian women wore their hair straight or in braids. ~ W Ben Hunt,

108:Gamache loved to see inside the homes of people involved in a case. To look at the choices they made for their most intimate space. The colors, the decorations. The aromas. Were there books? What sort?

How did it feel?

He'd been in shacks in the middle of nowhere, carpets worn, upholstery torn, wallpaper peeling off. But stepping in he'd also noticed the smell of fresh coffee and bread. Walls were taken up with immense smiling graduation photos and on rusty pocked TV trays stood modest chipped vases with cheery daffodils or pussy willows or some tiny wild flower picked by worn hands for eyes that would adore it.

And he'd been in mansions that felt like mausoleums. ~ Louise Penny,

109:Gen. George S. Patton Jr. fears no one. But now he sleeps flat on his back in a hospital bed. His upper body is encased in plaster, the result of a car accident twelve days ago. Room 110 is a former utility closet, just fourteen feet by sixteen feet. There are no decorations, pictures on the walls, or elaborate furnishings—just the narrow bed, white walls, and a single high window. A chair has been brought in for Patton’s wife, Beatrice, who endured a long, white-knuckle flight over the North Atlantic from the family home in Boston to be at his bedside. She sits there now, crochet hook moving silently back and forth, raising her eyes every few moments to see if her husband has awakened. ~ Bill O Reilly,

110:It is an unimaginatively standardized background, a sluggishness, of speech and manners, a rigid ruling of the spirit by the desire to appear respectable. It is contentment...the contentment of the quiet dead, who are scornful of the living for their restless walking. It is negation canonized as the one positive virtue. It is the prohibition of happiness. It is slavery self-sought and self-defended. It is dullness made God. A savorless people, gulping tasteless food, and sitting afterward, coatless and thoughtless, in rocking chairs prickly with inane decorations, listening to mechanical music, saying mechanical things about the excellence of Ford automobiles, and viewing themselves as the greatest race in the world. ~ Sinclair Lewis,

111:One Multicolored strands of lights twinkled from every surface around the dining room of the Big Texan Steak Ranch, even from the antlers of mounted deer heads and the ears of one embarrassed-looking coyote. Only the buffalo head maintained its dignity. Well, he and the giant fiberglass Santa guarding the exit door. I’d wanted to come here ever since my rodeo-cowboy father ran off before my promised seventeenth-birthday dinner, but, in light of the news I’d just received, all of the decorations were suddenly a little too much. I cradled my iPhone between my ear and shoulder, one hand clutching the neck of my poncho and the other slinging my purse straps over my other shoulder. “Come on,” I whispered to Jack, my boss—a man ~ Pamela Fagan Hutchins,

112:Positive. In other news, Marcie's throwing a Halloween party here at the farmhouse."

Patch smiled. "Grey - Millar family drama?"

"The theme is famous couples from history. Could she be any less original? Worse, she's roped my mom into this. They went shopping for decorations today. For three whole hours. It's like they're suddenly best friends." I picked up another apple slice and made a face at it. "Marcie is ruining everything. I wanted Scott to go with Vee, but Marcie already convinced him to go with her." Patch's smile widened.

I aimed my best sulky look at him. "This isn't funny. Marcie is destroying my life. Whose side are you on anyway?"

Patch raised his hands in surrender. "I'm staying out of this. ~ Becca Fitzpatrick,

113:She reshelved the sixpack and wrenched herself away to less compelling parts of the store, but it was hard to plan dinner when you felt like throwing up. She returned to the beer shelves like a bird repeating its song. The various beer cans had different decorations but all contained the identical weak low-end brew. It occurred to her to drive to Grand Rapids and buy some actual wine. It occurred to her to drive back to the house without buying anything at all. But then where would she be? A weariness set in as she stood and vacillated: a premonition that none of the possible impending outcomes would bring enough relief or pleasure to justify her current heart-racing wretchedness. She saw, in other words, what it meant to have become a deeply unhappy person. ~ Jonathan Franzen,

114:The crowds had been unbearable. First at Northgate, where she did most of her shopping and then at the airport. Sea-Tac had been filled with activity and noise, everyone in a hurry to get someplace else. There seemed to be little peace or good cheer and a whole lot of selfish concern and rudeness. Then, in the tranquility of church on Christmas Eve, everything had come into perspective for Cait. There had been crowds and rudeness that first Christmas, too, she reasoned. Yet in the midst of that confusion had come joy and peace and love. For most people, it was still the same. Christmas gifts and decorations and dinners were, after all, expressions of the love you felt for your family and friends. And if the preparations sometimes got a bit chaotic, well, that no longer bothered Cait. ~ Debbie Macomber,

115:Although harmony with nature is of considerable importance in planning a garden, it must never be allowed to obscure what lies at the heart of the design;the salvation of the human spirit. In creating a garden, we acquire, by force, a patch of land from the jungle; we mould it so that it becomes an oasis amid the wilderness. It is an endless struggle. Turn our backs for a moment and the darkness of the forest begins its insidious invasion of our tiny haven. The plants that we insert -- artificially, it must be noted, for no garden is a work of Mother Nature -- must not only provide shelter for the soul, they must be able to absorb and then disperse the creeping darkness of the jungle around us. The decorations do not merely adorn, they protect. They create a place where, at the end of our lives, we may find peace. ~ Tash Aw,

116:What Has Happened?
The industrialist is having his aeroplane serviced.
The priest is wondering what he said in his sermon eight weeks ago
about tithes.
The generals are putting on civvies and looking like bank clerks.
Public officials are getting friendly.
The policeman points out the way to the man in the cloth cap.
The landlord comes to see whether the water supply is working.
The journalists write the word People with capital letters.
The singers sing at the opera for nothing.
Ships' captains check the food in the crew's galley,
Car owners get in beside their chauffeurs.
Doctors sue the insurance companies.
Scholars show their discoveries and hide their decorations.
Farmers deliver potatoes to the barracks.
The revolution has won its first battle:
That's what has happened.
~ Bertolt Brecht,

117:There is something about Christmas that requires a rug rat. Little kids make Christmas fun. I wonder if could rent one for the holidays. When I was tiny we would by a real tree and stay up late drinking hot chocolate and finding just the right place for the special decorations. It seems like my parents gave up the magic when I figured out the Santa lie. Maybe I shouldn't have told them I knew where the presents really came from. It broke their hearts.

I bet they'd be divorced by now if I hadn't been born. I'm sure I was a huge disappointment. I'm not pretty or smart or athletic. I'm just like them- an ordinary drone dressed in secrets and lies. I can't believe we have to keep playacting till I graduate. It's a shame we just can't admit that we have failed at family living, sell the house, split up the money, and get on with our lives. Merry Christmas. ~ Laurie Halse Anderson,

118:How was it that the profound simplicity of those words had the power to rock her world? Never again would she lose sight of what mattered, not for a day or an hour or even a minute. She would treasure every instant of her life from now on, for she knew something now, a deep truth that had eluded her all of her life. Love wasn’t a great, burning brushfire that swept across your soul and charred you beyond recognition. It was being there, simply that. It was a few people, standing together in a living room, trimming a Christmas tree with the decorations that represented the sum total of who they were, where they’d been, what they believed in. It was simple, everyday moments that laid like bricks, one atop another, until they formed a foundation so solid that nothing could make them fall. Not wind, not rain … not even the faded, watercolor memories of a once-brushfire passion. ~ Kristin Hannah,

119:Practically all of the Indian tribes wore some form of shirt. This garment is usually mistakenly called a “war shirt.” In reality it was a ceremonial shirt usually worn by the older men or chiefs of authority on solemn occasions.
The Dakotas and Cheyennes trimmed their shirts with small hanks of horsehair. Sometimes human hair was used. These shirts were called “scalp shirts” by the white man who believed that all of the hair decorations were from scalp locks. The Blackfoot and some of the other tribes decorated their shirts with strips of white weasel skin.
Indians on the warpath did not wear shirts. They wore only a breechclout, leggings, and moccasins. War shirts were not worn for active dancing, either, because they were too hot.
Indians made their shirts out of soft buckskin. It usually took two hides for one shirt. Sometimes an additional hide was required for the sleeves. ~ W Ben Hunt,

120:More than anything, I'd like to go to a park today. I want to sit in a swing, drink chocolate milk, and not think about anything in the world except the pleasure of that moment. I want to know what a normal life feels like because I can't remember anymore. I want to drag my feet on the ground as I swing back and forth. I want to feel the fresh, spring chi on my skin. I'm very tempted to get out my Halloween decorations today because looking at them always gives me a little burst of excitement. I can't, though, because I have a rule: No Halloween decorations before June 21. That's the summer solstice, so after that we're officially in the second half of the year.

Another rule I abide by is no peppermint until November 1. I only eat peppermint between November 1 and January 6, because that keeps it special. If you don't do things like that in here, then there's nothing to look forward to. ~ Damien Echols,

121:Threes
I was a boy when I heard three red words
a thousand Frenchmen died in the streets
for: Liberty, Equality, Fraternity--I asked
why men die for words.
I was older; men with mustaches, sideburns,
lilacs, told me the high golden words are:
Mother, Home, and Heaven--other older men with
face decorations said: God, Duty, Immortality
--they sang these threes slow from deep lungs.
Years ticked off their say-so on the great clocks
of doom and damnation, soup, and nuts: meteors flashed
their say-so: and out of great Russia came three
dusky syllables workmen took guns and went out to die
for: Bread, Peace, Land.
And I met a marine of the U.S.A., a leatherneck with a girl on his knee
for a memory in ports circling the earth and he said: Tell me how to say
three things and I always get by--gimme a plate of ham and eggs--how
much--and--do you love me, kid?
~ Carl Sandburg,

122:All the men of this party were fishing for rubles, decorations, and promotions, and in this pursuit watched only the weathercock of imperial favor, and directly they noticed it turning in any direction, this whole drone population of the army began blowing hard that way, so that it was all the harder for the Emperor to turn it elsewhere. Amid the uncertainties of the position, with the menace of serious danger giving a peculiarly threatening character to everything, amid this vortex of intrigue, egotism, conflict of views and feelings, and the diversity of race among these people—this eighth and largest party of those preoccupied with personal interests imparted great confusion and obscurity to the common task. Whatever question arose, a swarm of these drones, without having finished their buzzing on a previous theme, flew over to the new one and by their hum drowned and obscured the voices of those who were disputing honestly. ~ Leo Tolstoy,

123:Cinder hurried to join her, eager to see what the boys had done. But when she stepped into the sitting room, it was not the decorations that caught her attention first, but Wolf, standing in front of the fireplace altar in his formal black-and-red tuxedo. Thought it had been made especially for him, the jacket still stretched across his broad chest and shoulders, and the red bow tie was almost humorous against his fierce features and lupine bone structure.
Almost.
Despite everything Levana had tried to do to him, Cinder had to admit that he was still handsome, with his olive skin and vivid green eyes and unkempt hair. Most of all, though, it was the look he was giving Scarlet, which would have taken away the breath of any girl.
Kai and Thorne were there, too, each of them standing with their hands in their pockets, rocking back on their heels with supremely smug looks on their faces, like they were daring anyone to suggest it wasn't the most beautiful impromptu wedding ever created. ~ Marissa Meyer,

124:I read a wonderful passage in an interview with Carolyn Chute, the author of The Beans of Egypt, Maine, who was discussing rewriting: “I feel like a lot of time my writing is like having about twenty boxes of Christmas decorations. But no tree. You’re going, Where do I put this? Then they go, Okay, you can have a tree, but we’ll blindfold you and you gotta cut it down with a spoon.” This is how I’ve arrived at my plots a number of times. I would have all these wonderful shiny bulbs, each self-contained with nothing to hang them on. But I would stay with the characters, caring for them, getting to know them better and better, suiting up each morning and working as hard as I could, and somehow, mysteriously, I would come to know what their story was. Over and over I feel as if my characters know who they are, and what happens to them, and where they have been and where they will go, and what they are capable of doing, but they need me to write it down for them because their handwriting is so bad. Some ~ Anne Lamott,

125:— Gwen has a lot of friends. They are there in the halls and in her classes. They are there on her Facebook page. And they are all there at her house for the party that night. Everyone in the family and many of my friends have chipped in with decorations, so it’s like every age I’ve already been is represented—construction paper cutouts and crayon drawings alongside a supercut of the past year playing in a loop on the TV screen. Friends laughing. Friends in costumes. Friends singing. Gwen at the center of it all. I work hard to keep track of who’s who, but I can barely keep up. April (age four) hangs by my side and provides a good diversion, especially because a lot of my friends have to introduce themselves to her and explain who they are. Then the moment comes when the lights are turned off and a cake is carried in, its eighteen candles (“One for good luck!”) flickering to show me all the friendly faces who’ve gathered to celebrate with me. “Make a wish!” Gwen’s mother calls out, and I want to wish for word from Rhiannon and I know I should wish for Moses’s ~ David Levithan,

126:I remembered all the Christmases we’d celebrated, always with a huge tree, situated next to the staircase where I now sat. As a child, I’d sat upon that same step, huddled up against the balus- ters, studying the tree, its shape and decorations; enthralled by the magical light and shadows upon the walls around me. Dancing. Over Christmas the only light in the hallway had come from the silver candelabra burning on the hallway table. But on Christmas Eve and Christmas Day night small candles were attached to the branches of the tree, their soft light reflected in the vast chande- lier suspended high above and thrown back across the walls like stars across the universe. I remembered the smell, that mingling of pine and wax and burning logs: the smell of home, the smell of happiness. I’d sat there in my nightgown, listening to the chime of crystal; the laughter, music and voices emanating from another room, an adult world I could only imagine. And always hoping for a glimpse of Mama, as she whooshed across the marble floor, beautiful, resplendent . . . invincible. ~ Judith Kinghorn,

127:I feel even more incapable of returning to Russia the same as when I left it. It's just one more of those legends in Russia, confirmed by Passek, Sleptsov and others, that one only has to come to the Caucasus to be showered with decorations. Everyone expects it of us, demands it of us. But I've been here two years, taken part in two expeditions and received nothing. For all that, I've so much pride that I won't leave this place until I'm a major, with an Anna or a Vladimir round my neck. I've reached the point where it really rankles when some Gnilokishkin is decorated and I'm not. What's more, how could I look my elder in the face again, or merchant Kotel'nikov to whom I sell grain, or my aunt in Moscow and all those fine gentlemen in Russia, if I return after two years in the Caucasus with nothing to show for it? No, I don't want to know those gentlemen and I'm sure that they couldn't care less about me. But such is man's nature that though I couldn't give a damn about them they're the reason why I'm ruining the best years of my life, my happiness and whole future. ~ Leo Tolstoy,

128:The Easter Decorations
O take away your dried and painted garlands!
The snow-cloth's fallen from each quicken'd brow,
The stone's rolled off the sepulchre of winter,
And risen leaves and flowers are wanted now.
Send out the little ones, that they may gather
With their pure hands the firstlings of the birth,—
Green-golden tufts and delicate half-blown blossoms,
Sweet with the fragrance of the Easter earth;
Great primrose bunches, with soft, damp moss clinging
To their brown fibres, nursed in hazel roots;
And violets from the shady banks and copses,
And wood-anemones, and white hawthorn shoots;
And tender curling fronds of fern, and grasses
And crumpled leaves from brink of babbling rills,
With cottage-garden treasures—pale narcissi
And lilac plumes and yellow daffodils.
Open the doors, and let the Easter sunshine
Flow warmly in and out, in amber waves,
And let the perfume floating round our altar
Meet the new perfume from the outer graves.
And let the Easter “Alleluia!” mingle
With the sweet silver rain-notes of the lark;
Let us all sing together!—Lent is over,
Captivity and winter, death and dark
~ Ada Cambridge,

129:Vigils
I.
It is a repose in the light,
neither fever nor languor,
on a bed or on a meadow.
It is the friend neither violent nor weak.
The friend.
It is the beloved neither
tormenting nor tormented.
The beloved.
Air and the world not sought.
Life. --Was it really this?
--And the dream grew cold.
II.
The lighting comes round
to the crown post again.
From the two extremities of the room
-- decorations negligible
-- harmonic elevations join.
The wall opposite the watcher
is a psychological succession
of atmospheric sections of friezes,
bands, and geological accidents.
Intense quick dream
of sentimental groups
with people of all possible characters
amidst all possible appearances.
III.
The lamps and the rugs
of the vigil make the noise
of waves in the night,
along the hull and around the steerage.
The sea of the vigil, like Emily's breasts.
The hangings, halfway up,
undergrowth of emerald tinted lace,
228
where dart the vigil doves. . . . . . . . . . . . . . . . . . . .
The plaque of the black hearth,
real suns of seashores! ah! magic wells;
only sight of dawn, this time.
~ Arthur Rimbaud,

130:The use of the peace pipe was held sacred by the Indians. Usually it was used in ceremonies of religious, political, or social nature. The decorations on the pipe’s bowl and stem, and even the method of holding or passing the pipe on to the next person, held great ceremonial significance. The pipe was never laid on the ground. To smoke it was a signal that the smoker gave his pledge of honor. It was also believed that the smoke made one think clearly and endowed him with great wisdom. In a treaty ceremony, the pipe usually was passed around to everyone, even before the speeches were made and the problems discussed.
Some pipes were made out of wood, clay, or bone. But the most popular and the most treasured were those made of the soft catlinite mined in the pipestone quarries of Minnesota. These red stone quarries were considered sacred by the Dakotas (Sioux), and were traditionally neutral ground for all tribes. Indians traveled many miles to get this pipestone, and it was a medium of barter between various tribes. The stone was so soft that it could be cut and worked into designs with a knife when freshly quarried. Some pipes were inlaid with lead. It is said that some of the Indian raids on small western town newspapers were made by the Indians to get type lead with which to inlay their pipes. ~ W Ben Hunt,

131:I was born in a village in the northeast, and it wasn’t until I was quite big that I saw my first train. I climbed up and down the station bridge, quite unaware that its function was to permit people to cross from one track to another. I was convinced that the bridge had been provided to lend an exotic touch and to make the station premises a place of pleasant diversity, like some foreign playground. I remained under this delusion for quite a long time, and it was for me a very refined amusement indeed to climb up and down the bridge. I thought that it was one of the most elegant services provided by the railways. When later I discovered that the bridge was nothing more than a utilitarian device, I lost all interest in it.
Again, when as a child I saw photographs of subway trains in picture books, it never occurred to me that they had been invented out of practical necessity; I could only suppose that riding underground instead of on the surface must be a novel and delightful pastime.
I have been sickly ever since I was a child and have frequently been confined to bed. How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me. ~ Osamu Dazai,

132:Beyond these the flowers were more frequent, but paler, less glossy, more thickly seeded, more tightly folded, and disposed, by accident, in festoons so graceful that I would fancy I saw floating upon the stream, as though after the dreary stripping of the decorations used in some Watteau festival, moss-roses in loosened garlands. Elsewhere a corner seemed to be reserved for the commoner kinds of lily; of a neat pink or white like rocket-flowers, washed clean like porcelain, with housewifely care; while, a little farther again, were others, pressed close together in a floating garden-bed, as though pansies had flown out of a garden like butterflies and were hovering with blue and burnished wings over the transparent shadowiness of this watery border; this skiey border also, for it set beneath the flowers a soil of a colour more precious, more moving than their own; and both in the afternoon, when it sparkled beneath the lilies in the kaleidoscope of a happiness silent, restless, and alert, and towards evening, when it was filled like a distant heaven with the roseate dreams of the setting sun, incessantly changing and ever remaining in harmony, about the more permanent colour of the flowers themselves, with the utmost profundity, evanescence, and mystery — with a quiet suggestion of infinity; afternoon or evening, it seemed to have set them flowering in the heart of the sky. ~ Marcel Proust,

133:It didn’t take peering at the brass plates at the bottom of the paintings to guess who they must have been: my very own Lord and Lady Uppington, presiding over Uppington Hall in paint as they once had in the flesh. One could almost picture them stepping out of their frames to play host, sweeping aside the tourists and signaling the silent harp into song. The re-enactors were all wrong; from their costumes, they were late Regency, 1820 or so, rather than the pre-Regency period in which I was interested. There was a wide gap between the two, in style and in outlook. But the servants would probably have looked very much the same, in their livery in the Uppington colors, and so would the pre-Victorian Christmas decorations. If I ignored the “party guests” and the other tourists, it was just possible to picture what it might have been like two hundred years ago, when Lord and Lady Uppington had held Christmas at the family seat. I paused, struck by the symmetry of it. It would have been almost exactly two hundred years ago, wouldn’t it? December 1803 to December 2003. It would have been Colin’s ancestors’ first Christmas together after the mad upheaval of their marriage the previous spring. There would have been candles, just as there were now, and the smell of oranges and cloves. There would have been gaily gowned ladies and excited children and tables laden with ratafia biscuits and dried fruit and the inevitable sticky sweet slices of mince pie…. ~ Lauren Willig,

134:Speaking of chocolate, what kind of cake are we having for the shower?”
“I don’t know.”
Sincerely shocked, Peabody jerked around in her seat. “You didn’t get cake?”
“I don’t know. Probably.” Because the idea of the shower, what she had to do, hadn’t done, should do, made her stomach jitter, Eve squirmed. “Look, I called the caterer, okay? I did it myself. I didn’t dump it on Roarke, I didn’t ask—God forbid—Summerset to handle it.”
“Well, what did you ask for? What’s the theme?”
The jitters escalated into a roiling. “What do you mean, theme?”
“You don’t have a theme? How can you have a baby shower without a theme?”
“Jesus Christ, I need a theme? I don’t even know what that means. I called the caterer. I did my job. I told her it was a baby shower. I told her how many people, more or less. I told her when and where. She started asking me all kinds of questions, which gives me a fucking headache, and I told her not to ask me all kinds of questions or she was fired. Just to do whatever needed doing. Why isn’t that enough?”
Peabody’s sigh was long and heartfelt. “Give me the caterer’s info, and I’ll check in with her. Does she do the decorations, too?”
“Oh, my God. I need decorations?”
“I’m going to help you, Dallas. I’m going to run interference with the caterer. I’m going to come over early on the day and help get it set up.”
Eve narrowed her eyes and tried to ignore the joy and relief bubbling in her breast. “And what’s this going to cost me?”
“Nothing. I like baby showers.”
“You’re a sick, sick woman. ~ J D Robb,

135:Poem For Molly's Fortieth Birthday
'Why do you
have stripes
in your forehead,
Mama?
Are you
old?'
Not old.
But not so
young
that I cannot
see
the world contracting
upon itself
& the circle
closing
at the end.
As the furrows
in my brow
deepen,
I can see
myself
sinking back
into that childhood
street
I walked along
with my grandfather,
thinking he was old
at sixty-three
since I was four,
as you are four
to my forty.
Forty years
to take
the road out . . .
Will another forty
take me
162
back?
Back to the street
I grew up on,
back to
my mother's breast.
back to the second
world war
of a second
child,
back
to the cradle
endlessly
rocking?
I am young
as you are
Mollyyet with stripes
in my brow;
I earn my youth
as you must earn
your age.
These stripes
are decorations
for my valorforty years
of marching
to a war
I could not declare,
nor locate,
yet have somehow
won.
Now,
I begin
to unwin,
unravelling
the sleeves
of care
that have
163
stitched up
this brow,
unravelling
the threads
that have kept
me scared,
as I pranced
over the world,
seemingly fearless,
working
without a net,
knowing
if I fell
it would
only be
into that same
childhood street,
where I dreaded
to tread
on the linesnot knowing
the lines
would someday
tread
on me.
Molly,
when you are forty,
read this poem
& tell me:
have we won
or lost
the war?
~ Erica Jong,

136:life. For the Indians living inside the Rocky Mountain Range in the far North of Canada, the successful nutrition for nine months of the year was largely limited to wild game, chiefly moose and caribou. During the summer months the Indians were able to use growing plants. During the winter some use was made of bark and buds of trees. I found the Indians putting great emphasis upon the eating of the organs of the animals, including the wall of parts of the digestive tract. Much of the muscle meat of the animals was fed to the dogs. It is important that skeletons are rarely found where large game animals have been slaughtered by the Indians of the North. The skeletal remains are found as piles of finely broken bone chips or splinters that have been cracked up to obtain as much as possible of the marrow and nutritive qualities of the bones. These Indians obtain their fat-soluble vitamins and also most of their minerals from the organs of the animals. An important part of the nutrition of the children consisted in various preparations of bone marrow, both as a substitute for milk and as a special dietary ration. In the various archipelagos of the South Pacific and in the islands north of Australia, the natives depended greatly on shell fish and various scale fish from adjacent seas. These were eaten with an assortment of plant roots and fruits, raw and cooked. Taro was an important factor in the nutrition of most of these groups. It is the root of a species of lily similar to "elephant ears" used for garden decorations in America because of its large leaves. In several of the islands the tender young leaves of this plant were eaten with coconut cream baked in the leaf of the tia plant. In the Hawaiian group of islands the taro plant is cooked and dried and pounded into powder and then mixed with water and allowed to ferment for twenty-four hours, more or less, in accordance with the stiffness of the product desired. This is called poi ~ Anonymous,

137:First, A ship of the finest make and model available shall be furnished to carry the constructors home.
2nd, The said ship shall be laden with various cargo as here specified: diamonds—four bushels, gold coin—forty bushels, platinum, palladium, and whatever other ready valuables they happen to think of—eight bushels of each, also whatever mementos and tokens from the Royal Apartments the signatories of this instrument may deem appropriate.
3rd, Until such time as the said ship shall be in readiness for takeoff, every nut and bolt in place, fully loaded and delivered up to the constructors complete with red carpet, an eighty-piece send-off band and children's chorus, an abundance of honors, decorations and awards, and a wildly cheering crowd—until then, no King.
4th, That a formal expression of undying gratitude shall be stamped upon a gold medallion and addressed to Their Most Sublime and Radiant Constructors Trurl and Klapaucius, Delight and Terror of the Universe, and moreover it shall contain a full account of their victory and be duly signed and notarized by every high and low official in the land, then set in the richly embellished barrel of the King's favorite cannon, which Lord Protozor, Master of the Royal Hunt, shall himself and wholly unaided carry on board—no other Protozor but the one who lured Their Most Sublime and Radiant Constructors to this planet thinking to work their painful and ignominious death thereby.
5th, That the aforesaid Protozor shall accompany them on their return journey as insurance against any sort of double-dealing, pursuit, and the like. On board he shall occupy a cage three by three by four feet and shall receive a a daily allowance of humble pie with a filling made of that very same sawdust which Their Most Sublime and Radiant Constructors saw fit to order in the process of indulging the King's foolishness and which was subsequently taken to police headquarters by unmarked balloon.
6th and lastly, The King need not crave forgiveness of Their Most Sublime and Radiant Constructors on bended knee, since he is much too beneath them to deserve notice. ~ Stanis aw Lem,

138:Savona didn’t dance with anyone else,” Nee said.
We were curled up in my sitting room. Outside the window, the garden was a silhouette in the faint blue light of dawn.
“We only danced that once. But then he asked me that question about my favorite color,” I said. “Ought I to wear it tonight?”
She pursed her lips. “I’ll wager my best necklace all the decorations in that ballroom tonight will be lavender, even if he has to empty the entire city today to find them. Did he say anything else?”
“He asked me to call him Russav.”
Her eyes widened. “I don’t think anyone calls him that--except for Vidanric, and sometimes Tamara. I think I told you that he inherited when his parents died under mysterious circumstances, when he was very small. We all grew up calling him Savona.”
“Well, I can’t think of him as anything but Savona.” Again that sense of rushing down a rock-strewn river engulfed me. “What does it all mean?”
“It means you are going to be very, very popular,” Nee predicted.
“Is that it?” I said, frowning.
“You mean, what does it signify in personal terms?” she asked, her brows rising. “That question, my dear, you are the one to answer, not I.”
“But I can’t answer it,” I wailed. “I feel like I’m in a whirlwind, and the wrong move will dash me on the rocks.”
“You’ll learn how to maneuver as you steer your own course,” she said. “Everyone began with no experience.”
I shook my head. “I think that Savona was born with experience.”
She set her cup down. “He was always popular with the wilder children, the ones who liked dares and risks. He and Vidanric both. Only, Vidanric was so small and lightboned he had to work hard at it, while everything came easy to Savona, who was always bigger and faster and more coordinated than anyone else. I think it was the same when they discovered flirting--” She hesitated, then shrugged and closed her lips.
And since the subject had come to include Shevraeth, I didn’t want to pursue it. Ever since our conversation on our arrival at Athanarel, Nee had stopped talking about him. I told myself I didn’t want to hear any more anyway. ~ Sherwood Smith,

139:Blaney's Last Directions
It is usual
for people in this country
(out of pretended respect
but rather from an impertinent curiosity)
to desire to see
persons
after they are
dead.
It is my earnest request that no person
on any pretence whatever
may be permitted to see my
corpse
but those who
unavoidably must.
I desire to be buried
in the north side of the churchyard
of Tregynon
somewhere about the centre
my coffin to be made in the most
plain and simple manner
without the usual fantastical decorations
and the more
perishable the material
the better.
I desire that no undertaker
or professed performer of funerals
may be employed:
but that I may be conveyed
to the churchyard
in some country hears
which may be hired for the occasion
and my corpse
to be carried
from hearse to the grave
immediately
without going into the church
32
by six of the chief Tregynon tenants
to whom I give two guineas each
for their trouble.
It is my earnes request and desire
to have no upper bearers
or any persons whatever
invited to my funeral
which I desire may be at so
early an hour as will best prevent
a concourse of people
from collecting together:
the better sort
I presume will not intrude
as there is no
invitation.
I have been present at the funerals
of three of my uncles at Morville.
I was pleased with the privacy and decency
with which all things were conducted:
no strangers attended
all was done
by the servants of the family.
It is my earnest desire to follow these examples
however unpopular
and that
no coach
no escutcheon
and no pomp of any kind may appear.
I trust that my executor will be well justified
against the clamor and obloquy
of mercenary people
when he acts in performance of the last request
of a dying friend
who solemnly adjures him in the name of God
punctually to observe these directions.
codicil
I likewise give to all my servants
five guineas each
33
in lieu of all mourning
which it is my desire
no person may use on my account.
~ Ben Jonson,

140:In a section titled “Performance Factors,” Clint had been asked to indicate areas in which I’d exhibited significant strengths, as well as any areas needing development. There were only two areas in which he felt I needed development—organization (probably because he’d ridden in my car) and working more closely with third parties—but he had indicated six major strengths. The first three were creativity, achievement of objectives, and quality of work. No surprises there. The next three strengths—adaptability, communication, and autonomy—seemed a bit ironic. I scrolled down and saw my overall score: Very Good. By definition, this score meant that I had “exceeded objectives in several areas and required only occasional supervision.” I didn’t appreciate the real irony of Clint’s assessment until I looked at my stakeholder map and considered how I might have scored had Kristen conducted a similar evaluation at home. What score would I have received for adaptability? The review form defined this as “being open to change with new circumstances.” Going with the flow. We had just begun to work on my openness to change at home, and I was still learning how to adjust to this new mind-set. Meanwhile, at work, I presented myself as nothing if not adaptable. “Sure, I’ll take a new position on the marketing team.” “Of course I can stay until midnight tonight. Whatever it takes.” “Certainly, Clint, I’ll travel to customers every week. Anything else?” At home, Kristen asked me to help fold laundry and my head almost exploded. I guessed that I would receive Needs Development for that one. How about autonomy and initiative? Clint seemed to think that I was bursting with it, but Kristen would have offered a different opinion. “Initiative? Please. How is me having to remind you to turn off the television and play with the kids initiative? I’ll put you down for a Needs Development,” I imagined her saying. Achievement of objectives would have gotten me a high mark with Kristen, until I scrolled down farther and read the definition, which included the phrase “gets things done efficiently and in a timely manner.” I thought of the Christmas decorations drooping from our eaves. I thought of the countless times Kristen and I had been late for an engagement and she’d found me standing in my boxers in front of the mirror making faces. ~ David Finch,

141:She paused on the pavement, and remembered that Diva had not yet expressed regret about the worsted, and that she still "popped" as much as ever. Thus Diva deserved a punishment of some sort, and happily, at that very moment she thought of a subject on which she might be able to make her uncomfortable. The street was full, and it would be pretty to call up to her, instead of ringing her bell, in order to save trouble to poor overworked Janet. (Diva only kept two servants, though of course poverty was no crime.)
"Diva darling!" she cooed.
Diva's head looked out like a cuckoo in a clock preparing to chime the hour.
"Hullo!" she said. "Want me?"
"May I pop up for a moment, dear?" said Miss Mapp. "That's to say if you're not very busy."
"Pop away," said Diva. She was quite aware that Miss Mapp said "pop" in crude inverted commas, so to speak, for purposes of mockery, and so she said it herself more than ever. "I'll tell my maid to pop down and open the door."

While this was being done, Diva bundled her chintz curtains together and stored them and the roses she had cut out into her work-cupboard, for secrecy was an essential to the construction of these decorations. But in order to appear naturally employed, she pulled out the woollen scarf she was knitting for the autumn and winter, forgetting for the moment that the rose-madder stripe at the end on which she was now engaged was made of that fatal worsted which Miss Mapp considered to have been feloniously appropriated. That was the sort of thing Miss Mapp never forgot. Even among her sweet flowers. Her eye fell on it the moment she entered the room, and she tucked the two chintz roses more securely into her glove.

"I thought I would just pop across from the grocer's," she said. "What a pretty scarf, dear! That's a lovely shade of rose-madder. Where can I have seen something like it before?"

This was clearly ironical, and had best be answered by irony. Diva was no coward.

"Couldn't say, I'm sure," she said.

Miss Mapp appeared to recollect, and smiled as far back as her wisdom-teeth. (Diva couldn't do that.)

"I have it," she said. "It was the wool I ordered at Heynes's, and then he sold it you, and I couldn't get any more."

"So it was," said Diva. "Upset you a bit. There was the wool in the shop. I bought it."
"Yes, dear; I see you did. But that wasn't what I popped in about. This coal-strike, you know... ~ E F Benson,

142:I Want To Paint
I want to paint
2000 dead birds crucified on a background of night
Thoughts that lie too deep for tears
Thoughts that lie too deep for queers
Thoughts that move at 186,000 miles/second
The Entry of Christ into Liverpool in 1966
The installation of Roger McGough in the Chair of Poetry at Oxford
Francis Bacon making the President's Speech at the Royal Academy dinner
I want to paint
50 life-sized nudes of Marianne Faithfull
(all of them painted from life)
Welsh Maids by Welsh Waterfalls
Heather Holden as Our Lady of Haslingden
A painting as big as Piccadilly full of neon signs and buses
Christmas decorations and beautiful girls with dark blonde hair shading their
faces
I want to paint
The assassination of the entire Royal Family
Enormous pictures of every pavingstone in Canning Street
The Beatles composing a new national anthem
Brian Patten writing poems with a flamethrower on disused ferry boats
A new cathedral 50 miles high made entirely of pram wheels
An empty Woodbine packet covered in kisses
I want to paint
A picture made from the tears of dirty-faced children in Chatham Street
I want to paint
I LOVE YOU across the steps of St. George's hall
I want to paint
Pictures
II
I want to paint
The Simultaneous and Historical Faces of Death
15
10,000 shocking pink hearts with your name on
The phantom negro postmen who bring me money in my dreams
The first plastic daffodil of spring pushing its way
Through the OMO packets in the supermarket
The portrait of every sixth-form schoolgirl in the country
A full-scale map of the world with YOU at the centre
An enormous lily-of-the-valley with every flower on a separate canvas
Life-sized jelly babies shaped like Hayley Mills
A black-and-red flag flying over Parliament
I want to paint
Every car crash on all the motorways of England
Pere Ubu at 11 o'clock at night in Lime Street
A SYSTEMATIC DERANGEMENT OF ALL THE SENSES
in black running letters 50 miles high over Liverpool
I want to paint
Pictures that children play hopscotch on
Pictures that can be used as evidence at murder trials
Pictures that can be used to advertise cornflakes
Pictures that can be used to frighten naughty children
Pictures worth their weight in money
Pictures that tramps can live in
Pictures that children would find in their stockings on Christmas morning
Pictures that teenage lovers can send each other
I want to paint
pictures
~ Adrian Henri,

143:The Monument
Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless. A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor,
or in Mongolia?"
An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it...
115
"But that queer sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted. It looks old."
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking."
It is an artifact
of wood. Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood. Watch it closely.
116
~ Elizabeth Bishop,

144:She won’t rat out on us. Let me talk to her, and she’ll see reason.”
“I’d give her some time before you attempt it,” came the wry answer.
“She usually doesn’t stay mad long,” Bran said carelessly.
Again habit urged me to move. I knew to stay made me a spy-ears, which no one over the age of four is excused in being, yet I didn’t move. I couldn’t move. So I stood there and listened--and thus proved the old proverb about eavesdroppers getting what they deserve.
Shevraeth said, “I’m very much afraid it’s my fault. We met under the worst of circumstances, and we seem to have misunderstood one another to a lethal degree.”
Bran said, “No, if it’s anyone’s fault, it’s ours--my parents’ and mine. You have to realize our mother saw Tlanth as a haven from her Court life. All she had to do was potter around her garden and play her harp. I don’t think Mel even knows Mother spent a few years at Erev-li-Erval, learning Kheras in the Court of the Empress. Mel scarcely talked before she started hearing stories on the immoral, rotten, lying Court decorations. Mama liked seeing her running wild with Oria and the village brats. Then Mama was killed, and Papa mostly lived shut in his tower, brooding over the past. He didn’t seem to know what to do with Mel. She couldn’t read or write, wouldn’t even sit still indoors--all summer she would disappear for a week at a time, roaming in the hills. I think she knows more about the ways of the Hill Folk than she does about what actually happens at Court. Anyhow, I taught her her letters just a year or so ago, mostly as an excuse to get away from my books. She liked it well enough, except there isn’t much to read up there anymore, beyond what Papa thought I ought to know for preparing a war.”
“I see. Yet you’ve told me she shared in the command of your rebels.”
Bran laughed again. “That’s because after she learned to read, Mel learned figuring, on her own, and took it over.”
“You mean, she took charge of your business affairs?”
“Such as they were, yes. Taxes, all that. It’s why I told her she had half the title. Life! She could’ve had the title, and the leadership, for all of me, except we promised Papa when he died that we’d go it together. And working toward the war--it was easier when we did it together. She turned it into a game, though I think she saw it as real before I did.” He sighed. “Well, I know she did. Curst traps prove it.”
“Your family was reputed to have a good library.”
“Until Papa burned it, after Mama died. Everything gone, and neither of us knowing what we’d lost. Or, I knew and didn’t care, but Mel didn’t even know. Curse it, her maid is sister to the blacksmith. Julen’s never been paid, but sees to Mel because she’s sorry for her.”
“There has been, I take it, little contact with family, then?”
“Papa had no family left in this part of the world. As for Mama’s royal cousins, when they moved north to Cheras al Kherval, my parents lost touch, and I never did see any reason to try…”
I slipped away then, raging against my brother and the Marquis, against Julen for pitying me when I’d thought she was my friend, against nosy listeners such as myself…against Papa, and Galdran, and war, and Galdran again, against the Empress and every courtier ever born.
I sat in the room they’d given me and glared into the roaring fire, angry with the entire universe. ~ Sherwood Smith,

145:To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings, while from all around—
Earth and her waters, and the depths of air—
Comes a still voice—
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean’s gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life’s green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man—
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams. ~ William Cullen Bryant,

146:The Transparent Man
I'm mighty glad to see you, Mrs. Curtis,
And thank you very kindly for this visit-Especially now when all the others here
Are having holiday visitors, and I feel
A little conspicuous and in the way.
It's mainly because of Thanksgiving. All these mothers
And wives and husbands gaze at me soulfully
And feel they should break up their box of chocolates
For a donation, or hand me a chunk of fruitcake.
What they don't understand and never guess
Is that it's better for me without a family;
It's a great blessing. Though I mean no harm.
And as for visitors, why, I have you,
All cheerful, brisk and punctual every Sunday,
Like church, even if the aisles smell of phenol.
And you always bring even better gifts than any
On your book-trolley. Though they mean only good,
Families can become a sort of burden.
I've only got my father, and he won't come,
Poor man, because it would be too much for him.
And for me, too, so it's best the way it is.
He knows, you see, that I will predecease him,
Which is hard enough. It would take a callous man
To come and stand around and watch me failing.
(Now don't you fuss; we both know the plain facts.)
But for him it's even harder. He loved my mother.
They say she looked like me; I suppose she may have.
Or rather, as I grew older I came to look
More and more like she must one time have looked,
And so the prospect for my father now
Of losing me is like having to lose her twice.
I know he frets about me. Dr. Frazer
Tells me he phones in every single day,
Hoping that things will take a turn for the better.
But with leukemia things don't improve.
It's like a sort of blizzard in the bloodstream,
A deep, severe, unseasonable winter,
Burying everything. The white blood cells
Multiply crazily and storm around,
47
Out of control. The chemotherapy
Hasn't helped much, and it makes my hair fall out.
I know I look a sight, but I don't care.
I care about fewer things; I'm more selective.
It's got so I can't even bring myself
To read through any of your books these days.
It's partly weariness, and partly the fact
That I seem not to care much about the endings,
How things work out, or whether they even do.
What I do instead is sit here by this window
And look out at the trees across the way.
You wouldn't think that was much, but let me tell you,
It keeps me quite intent and occupied.
Now all the leaves are down, you can see the spare,
Delicate structures of the sycamores,
The fine articulation of the beeches.
I have sat here for days studying them,
And I have only just begun to see
What it is that they resemble. One by one,
They stand there like magnificent enlargements
Of the vascular system of the human brain.
I see them there like huge discarnate minds,
Lost in their meditative silences.
The trunks, branches and twigs compose the vessels
That feed and nourish vast immortal thoughts.
So I've assigned them names. There, near the path,
Is the great brain of Beethoven, and Kepler
Haunts the wide spaces of that mountain ash.
This view, you see, has become my Hall of Fame,
It came to me one day when I remembered
Mary Beth Finley who used to play with me
When we were girls. One year her parents gave her
A birthday toy called "The Transparent Man."
It was made of plastic, with different colored organs,
And the circulatory system all mapped out
In rivers of red and blue. She'd ask me over
And the two of us would sit and study him
Together, and do a powerful lot of giggling.
I figure he's most likely the only man
Either of us would ever get to know
Intimately, because Mary Beth became
A Sister of Mercy when she was old enough.
48
She must be thirty-one; she was a year
Older than I, and about four inches taller.
I used to envy both those advantages
Back in those days. Anyway, I was struck
Right from the start by the sea-weed intricacy,
The fine-haired, silken-threaded filiations
That wove, like Belgian lace, throughout the head.
But this last week it seems I have found myself
Looking beyond, or through, individual trees
At the dense, clustered woodland just behind them,
Where those great, nameless crowds patiently stand.
It's become a sort of complex, ultimate puzzle
And keeps me fascinated. My eyes are twenty-twenty,
Or used to be, but of course I can't unravel
The tousled snarl of intersecting limbs,
That mackled, cinder grayness. It's a riddle
Beyond the eye's solution. Impenetrable.
If there is order in all that anarchy
Of granite mezzotint, that wilderness,
It takes a better eye than mine to see it.
It set me on to wondering how to deal
With such a thickness of particulars,
Deal with it faithfully, you understand,
Without blurring the issue. Of course I know
That within a month the sleeving snows will come
With cold, selective emphases, with massings
And arbitrary contrasts, rendering things
Deceptively simple, thickening the twigs
To frosty veins, bestowing epaulets
And decorations on every birch and aspen.
And the eye, self-satisfied, will be misled,
Thinking the puzzle solved, supposing at last
It can look forth and comprehend the world.
That's when you have to really watch yourself.
So I hope that you won't think me plain ungrateful
For not selecting one of your fine books,
And I take it very kindly that you came
And sat here and let me rattle on this way.
~ Anthony Evan Hecht,

147:class:Classics

BOOK THE TWELFTH

The Trojan War

Priam, to whom the story was unknown,
As dead, deplor'd his metamorphos'd son:
A cenotaph his name, and title kept,
And Hector round the tomb, with all his brothers, wept.
This pious office Paris did not share;
Absent alone; and author of the war,
Which, for the Spartan queen, the Grecians drew
T' avenge the rape; and Asia to subdue.
A thousand ships were mann'd, to sail the sea:
Nor had their just resentments found delay,
Had not the winds, and waves oppos'd their way.
At Aulis, with united pow'rs they meet,
But there, cross-winds or calms detain'd the fleet.
Now, while they raise an altar on the shore,
And Jove with solemn sacrifice adore;
A boding sign the priests and people see:
A snake of size immense ascends a tree,
And, in the leafie summit, spy'd a nest,
Which o'er her callow young, a sparrow press'd.
Eight were the birds unfledg'd; their mother flew,
And hover'd round her care; but still in view:
'Till the fierce reptile first devour'd the brood,
Then seiz'd the flutt'ring dam, and drunk her blood.
This dire ostent, the fearful people view;
Calchas alone, by Phoebus taught, foreknew
What Heav'n decreed; and with a smiling glance,
Thus gratulates to Greece her happy chance:
O Argives, we shall conquer: Troy is ours,
But long delays shall first afflict our pow'rs:
Nine years of labour, the nine birds portend;
The tenth shall in the town's destruction end.

The serpent, who his maw obscene had fill'd,
The branches in his curl'd embraces held:
But, as in spires he stood, he turn'd to stone:
The stony snake retain'd the figure still his own.

Yet, not for this, the wind-bound navy weigh'd;
Slack were their sails; and Neptune disobey'd.
Some thought him loth the town should be destroy'd,
Whose building had his hands divine employ'd:
Not so the seer; who knew, and known foreshow'd,
The virgin Phoebe, with a virgin's blood
Must first be reconcil'd: the common cause
Prevail'd; and pity yielding to the laws,
Fair Iphigenia the devoted maid
Was, by the weeping priests, in linnen-robes array'd;
All mourn her fate; but no relief appear'd;
The royal victim bound, the knife already rear'd:
When that offended Pow'r, who caus'd their woe,
Relenting ceas'd her wrath; and stop'd the coming blow.
A mist before the ministers she cast,
And, in the virgin's room, a hind she plac'd.
Th' oblation slain, and Phoebe, reconcil'd,
The storm was hush'd, and dimpled ocean smil'd:
A favourable gale arose from shore,
Which to the port desir'd, the Graecian gallies bore.

The House of Fame

Full in the midst of this created space,
Betwixt Heav'n, Earth, and skies, there stands a place,
Confining on all three, with triple bound;
Whence all things, tho' remote, are view'd around;
And thither bring their undulating sound.
The palace of loud Fame, her seat of pow'r,
Plac'd on the summet of a lofty tow'r;
A thousand winding entries long and wide,
Receive of fresh reports a flowing tide.
A thousand crannies in the walls are made;
Nor gate, nor bars exclude the busie trade.
'Tis built of brass, the better to diffuse
The spreading sounds, and multiply the news:
Where eccho's in repeated eccho's play:
A mart for ever full, and open night and day.
Nor silence is within, nor voice express,
But a deaf noise of sounds, that never cease.
Confus'd and chiding, like the hollow roar
Of tides, receding from th' insulted shore,
Or like the broken thunder heard from far,
When Jove at distance drives the rouling war.
The courts are fill'd with a tumultuous din
Of crouds, or issuing forth, or entring in:
A thorough-fare of news: where some devise
Things never heard, some mingle truth with lies;
The troubled air with empty sounds they beat,
Intent to hear, and eager to repeat.
Error sits brooding there, with added train
Of vain credulity, and joys as vain:
Suspicion, with sedition join'd, are near,
And rumours rais'd, and murmurs mix'd, and panique fear.

Fame sits aloft, and sees the subject ground,
And seas about, and skies above; enquiring all around.

The Goddess gives th' alarm; and soon is known
The Grecian fleet descending on the town.
Fix'd on defence, the Trojans are not slow
To guard their shore, from an expected foe.
They meet in fight: by Hector's fatal hand
Protesilaus falls, and bites the strand:
Which with expence of blood the Grecians won;
And prov'd the strength unknown of Priam's son.
And to their cost the Trojan leaders felt
The Grecian heroes; and what deaths they dealt.

The Story of Cygnus

From these first onsets, the Sigaean shore
Was strew'd with carcasses, and stain'd with gore:
Neptunian Cygnus troops of Greeks had slain;
Achilles in his carr had scour'd the plain,
And clear'd the Trojan ranks: where-e'er he fought,
Cygnus, or Hector, through the fields he sought:
Cygnus he found; on him his force essay'd:
For Hector was to the tenth year delay'd.
His white-main'd steeds, that bow'd beneath the yoke,
He chear'd to courage, with a gentle stroke;
Then urg'd his fiery chariot on the foe;
And rising shook his lance; in act to throw.
But first he cry'd, O youth, be proud to bear
Thy death, ennobled by Pelides' spear.
The lance pursu'd the voice without delay,
Nor did the whizzing weapon miss the way;
But pierc'd his cuirass, with such fury sent,
And sign'd his bosom with a purple dint.
At this the seed of Neptune: Goddess-born,
For ornament, not use, these arms are worn;
This helm, and heavy buckler, I can spare;
As only decorations of the war:
So Mars is arm'd for glory, not for need.
'Tis somewhat more from Neptune to proceed,
Than from a daughter of the sea to spring:
Thy sire is mortal; mine is ocean's king.
Secure of death, I shou'd contemn thy dart,
Tho' naked; and impassible depart:
He said, and threw: the trembling weapon pass'd
Through nine bull-hides, each under other plac'd,
On his broad shield; and stuck within the last.
Achilles wrench'd it out; and sent again
The hostile gift: the hostile gift was vain.
He try'd a third, a tough well-chosen spear;
Th' inviolable body stood sincere,
Though Cygnus then did no defence provide,
But scornful offer'd his unshielded side.

Not otherwise th' impatient hero far'd,
Than as a bull incompass'd with a guard,
Amid the Circus roars, provok'd from far
By sight of scarlet, and a sanguine war:
They quit their ground, his bended horns elude;
In vain pursuing, and in vain pursu'd:

Before to farther fight he wou'd advance,
He stood considering, and survey'd his lance.
Doubts if he wielded not a wooden spear
Without a point: he look'd, the point was there.
This is my hand, and this my lance, he said;
By which so many thousand foes are dead,
O whither is their usual virtue fled!
I had it once; and the Lyrnessian wall,
And Tenedos, confess'd it in their fall.
Thy streams, Caicus, rowl'd a crimson-flood;
And Thebes ran red with her own natives' blood.
Twice Telephus employ'd their piercing steel,
To wound him first, and afterward to heal.
The vigour of this arm was never vain:
And that my wonted prowess I retain,
Witness these heaps of slaughter on the plain.
He said; and, doubtful of his former deeds,
To some new tryal of his force proceeds.
He chose Menoetes from among the rest;
At him he launch'd his spear, and pierc'd his breast:
On the hard earth the Lycian knock'd his head,
And lay supine; and forth the spirit fled.

Then thus the hero: Neither can I blame
The hand, or jav'lin; both are still the same.
The same I will employ against this foe,
And wish but with the same success to throw.
So spoke the chief; and while he spoke he threw;
The weapon with unerring fury flew,
At his left shoulder aim'd: nor entrance found;
But back, as from a rock, with swift rebound
Harmless return'd: a bloody mark appear'd,
Which with false joy the flatter'd hero chear'd.
Wound there was none; the blood that was in view,
The lance before from slain Menoetes drew.

Headlong he leaps from off his lofty car,
And in close fight on foot renews the war.
Raging with high disdain, repeats his blows;
Nor shield, nor armour can their force oppose;
Huge cantlets of his buckler strew the ground,
And no defence in his bor'd arms is found,
But on his flesh, no wound or blood is seen;
The sword it self is blunted on the skin.

This vain attempt the chief no longer bears;
But round his hollow temples and his ears
His buckler beats: the son of Neptune, stunn'd
With these repeated buffets, quits his ground;
A sickly sweat succeeds, and shades of night;
Inverted Nature swims before his sight:
Th' insulting victor presses on the more,
And treads the steps the vanquish'd trod before,
Nor rest, nor respite gives. A stone there lay
Behind his trembling foe, and stopp'd his way:
Achilles took th' advantage which he found,
O'er-turn'd, and push'd him backward on the ground,
His buckler held him under, while he press'd,
With both his knees, above his panting breast.
Unlac'd his helm: about his chin the twist
He ty'd; and soon the strangled soul dismiss'd.

With eager haste he went to strip the dead:
The vanish'd body from his arms was fled.
His sea-God sire, t' immortalize his frame,
Had turn'd it to a bird that bears his name.

A truce succeeds the labours of this day,
And arms suspended with a long delay.
While Trojan walls are kept with watch and ward;
The Greeks before their trenches mount the guard;
The feast approach'd; when to the blue-ey'd maid
His vows for Cygnus slain the victor paid,
And a white heyfer on her altar laid.
The reeking entrails on the fire they threw,
And to the Gods the grateful odour flew.
Heav'n had its part in sacrifice: the rest
Was broil'd, and roasted for the future feast.
The chief-invited guests were set around!
And hunger first asswag'd, the bowls were crown'd,
Which in deep draughts their cares, and labours drown'd.

The mellow harp did not their ears employ:
And mute was all the warlike symphony:
Discourse, the food of souls, was their delight,
And pleasing chat prolong'd the summer's night.
The subject, deeds of arms; and valour shown,
Or on the Trojan side, or on their own.
Of dangers undertaken, fame atchiev'd,
They talk'd by turns; the talk by turns reliev'd.
What things but these could fierce Achilles tell,
Or what cou'd fierce Achilles hear so well?
The last great act perform'd, of Cygnus slain,
Did most the martial audience entertain:
Wondring to find a body free by Fate
From steel; and which cou'd ev'n that steel rebate:
Amaz'd, their admiration they renew;
And scarce Pelides cou'd believe it true.

The Story of Caeneus

Then Nestor thus: what once this age has known,
In fated Cygnus, and in him alone,
These eyes have seen in Caeneus long before;
Whose body not a thousand swords cou'd bore.
Caeneus, in courage, and in strength, excell'd;
And still his Othrys with his fame is fill'd:
But what did most his martial deeds adorn
(Though since he chang'd his sex) a woman born.

A novelty so strange, and full of Fate,
His list'ning audience ask'd him to relate.
Achilles thus commends their common sute:
O father, first for prudence in repute,
Tell, with that eloquence, so much thy own,
What thou hast heard, or what of Caeneus known:
What was he, whence his change of sex begun,
What trophies, join'd in wars with thee, he won?
Who conquer'd him, and in what fatal strife
The youth, without a wound, cou'd lose his life?

Neleides then: Though tardy age, and time,
Have shrunk my sinews, and decay'd my prime;
Though much I have forgotten of my store,
Yet not exhausted, I remember more.
Of all that arms atchiev'd, or peace design'd,
That action still is fresher in my mind,
Than ought beside. If reverend age can give
To faith a sanction, in my third I live.

'Twas in my second cent'ry, I survey'd
Young Caenis, then a fair Thessalian maid:
Caenis the bright, was born to high command;
A princess, and a native of thy land,
Divine Achilles; every tongue proclaim'd
Her beauty, and her eyes all hearts inflam'd.
Peleus, thy sire, perhaps had sought her bed,
Among the rest; but he had either led
Thy mother then; or was by promise ty'd;
But she to him, and all, alike her love deny'd.

It was her fortune once to take her way
Along the sandy margin of the sea:
The Pow'r of ocean view'd her as she pass'd,
And, lov'd as soon as seen, by force embrac'd.
So Fame reports. Her virgin-treasure seiz'd,
And his new joys, the ravisher so pleas'd,
That thus, transported, to the nymph he cry'd;
Ask what thou wilt, no pray'r shall be deny'd.
This also Fame relates: the haughty fair,
Who not the rape ev'n of a God cou'd bear,
This answer, proud, return'd: To mighty wrongs
A mighty recompence, of right, belongs.
Give me no more to suffer such a shame;
But change the woman, for a better name;
One gift for all: she said; and while she spoke,
A stern, majestick, manly tone she took.
A man she was: and as the Godhead swore,
To Caeneus turn'd, who Caenis was before.

To this the lover adds, without request,
No force of steel shou'd violate his breast.
Glad of the gift, the new-made warrior goes;
And arms among the Greeks, and longs for equal foes.

The Skirmish between the Centaurs and Lapithites

Now brave Perithous, bold Ixion's son,
The love of fair Hippodame had won.
The cloud-begotten race, half men, half beast,
Invited, came to grace the nuptial feast:
In a cool cave's recess the treat was made,
Whose entrance, trees with spreading boughs o'er-shade
They sate: and summon'd by the bridegroom, came,
To mix with those, the Lapythaean name:
Nor wanted I: the roofs with joy resound:
And Hymen, Io Hymen, rung around.
Rais'd altars shone with holy fires; the bride,
Lovely her self (and lovely by her side
A bevy of bright nymphs, with sober grace),
Came glitt'ring like a star, and took her place.
Her heav'nly form beheld, all wish'd her joy;
And little wanted; but in vain, their wishes all employ.

For one, most brutal, of the brutal brood,
Or whether wine, or beauty fir'd his blood,
Or both at once, beheld with lustful eyes
The bride; at once resolv'd to make his prize.
Down went the board; and fastning on her hair,
He seiz'd with sudden force the frighted fair.
'Twas Eurytus began: his bestial kind
His crime pursu'd; and each as pleas'd his mind,
Or her, whom chance presented, took: the feast
An image of a taken town express'd.

The cave resounds with female shrieks; we rise,
Mad with revenge to make a swift reprise:
And Theseus first, What phrenzy has possess'd,
O Eurytus, he cry'd, thy brutal breast,
To wrong Perithous, and not him alone,
But while I live, two friends conjoyn'd in one?

To justifie his threat, he thrusts aside
The crowd of centaurs; and redeems the bride:
The monster nought reply'd: for words were vain,
And deeds cou'd only deeds unjust maintain;
But answers with his hand, and forward press'd,
With blows redoubled, on his face, and breast.
An ample goblet stood, of antick mold,
And rough with figures of the rising gold;
The hero snatch'd it up, and toss'd in air
Full at the front of the foul ravisher.
He falls; and falling vomits forth a flood
Of wine, and foam, and brains, and mingled blood.
Half roaring, and half neighing through the hall,
Arms, arms, the double-form'd with fury call;
To wreak their brother's death: a medley-flight
Of bowls, and jars, at first supply the fight,
Once instruments of feasts; but now of Fate;
Wine animates their rage, and arms their hate.

Bold Amycus, from the robb'd vestry brings
The chalices of Heav'n; and holy things
Of precious weight: a sconce that hung on high,
With tapers fill'd, to light the sacristy,
Torn from the cord, with his unhallow'd hand
He threw amid the Lapythaean band.
On Celadon the ruin fell; and left
His face of feature, and of form bereft:
So, when some brawny sacrificer knocks,
Before an altar led, an offer'd ox,
His eyes-balls rooted out, are thrown to ground;
His nose, dismantled, in his mouth is found;
His jaws, cheeks, front, one undistinguish'd wound.

This, Belates, th' avenger, cou'd not brook;
But, by the foot, a maple board he took;
And hurl'd at Amycus; his chin it bent
Against his chest, and down the centaur sent:
Whom sputtring bloody teeth, the second blow
Of his drawn sword, dispatch'd to shades below.

Grineus was near; and cast a furious look
On the side-altar, cens'd with sacred smoke,
And bright with flaming fires; The Gods, he cry'd,
Have with their holy trade our hands supply'd:
Why use we not their gifts? Then from the floor
An altar stone he heav'd, with all the load it bore:
Altar, and altar's freight together slew,
Where thickest throng'd the Lapythaean crew:
And, at once, Broteas and Oryus flew.
Oryus' mother, Mycale, was known
Down from her sphere to draw the lab'ring moon.

Exadius cry'd, Unpunish'd shall not go
This fact, if arms are found against the foe.
He look'd about, where on a pine were spread
The votive horns of a stag's branching head:
At Grineus these he throws; so just they fly,
That the sharp antlers stuck in either eye:
Breathless, and blind he fell; with blood besmear'd;
His eye-balls beaten out, hung dangling on his beard.
Fierce Rhoetus, from the hearth a burning brand
Selects, and whirling waves; 'till, from his hand
The fire took flame; then dash'd it from the right,
On fair Charaxus' temples, near the sight:
The whistling pest came on, and pierc'd the bone,
And caught the yellow hair, that shrivel'd while it shone.

Caught, like dry stubble fir'd; or like seerwood;
Yet from the wound ensu'd no purple flood;
But look'd a bubbling mass of frying blood.
His blazing locks sent forth a crackling sound;
And hiss'd, like red hot ir'n within the smithy drown'd.

The wounded warrior shook his flaming hair,
Then (what a team of horse could hardly rear)
He heaves the threshold stone, but could not throw;
The weight itself forbad the threaten'd blow;
Which dropping from his lifted arms, came down
Full on Cometes' head; and crush'd his crown.
Nor Rhoetus then retain'd his joy; but said,
So by their fellows may our foes be sped;
Then, with redoubled strokes he plies his head:
The burning lever not deludes his pains:
But drives the batter'd skull within the brains.

Thus flush'd, the conqueror, with force renew'd,
Evagrus, Dryas, Corythus, pursu'd:
First, Corythus, with downy cheeks, he slew;
Whose fall, when fierce Evagrus had in view,
He cry'd, What palm is from a beardless prey?
Rhoetus prevents what more he had to say;
And drove within his mouth the fi'ry death,
Which enter'd hissing in, and choak'd his breath.
At Dryas next he flew: but weary chance,
No longer wou'd the same success advance.
For while he whirl'd in fiery circles round
The brand, a sharpen'd stake strong Dryas found;
And in the shoulder's joint inflicts the wound.
The weapon stuck; which, roaring out with pain,
He drew; nor longer durst the fight maintain,
But turn'd his back, for fear; and fled amain.
With him fled Orneus, with like dread possess'd,
Thaumas, and Medon wounded in the breast;
And Mermeros, in the late race renown'd,
Now limping ran, and tardy with his wound.
Pholus, and Melaneus from fight withdrew,
And Abas maim'd, who boars encountring slew:
And Augur Asbolos, whose art in vain,
From fight dissuaded the four-footed train,
Now beat the hoof with Nessus on the plain;
But to his fellow cry'd, Be safely slow,
Thy death deferr'd is due to great Alcides' bow.

Mean-time strong Dryas urg'd his chance so well,
That Lycidas, Areos, Imbreus fell;
All, one by one, and fighting face to face:
Crenaeus fled, to fall with more disgrace:
For, fearful, while he look'd behind, he bore,
Betwixt his nose, and front, the blow before.
Amid the noise, and tumult of the fray,
Snoring, and drunk with wine, Aphidas lay.
Ev'n then the bowl within his hand he kept,
And on a bear's rough hide securely slept.
Him Phorbas with his flying dart transfix'd;
Take thy next draught, with Stygian waters mix'd,
And sleep thy fill, th' insulting victor cry'd;
Surpriz'd with death unfelt, the centaur dy'd;
The ruddy vomit, as he breath'd his soul
Repass'd his throat, and fill'd his empty bowl.

I saw Petraeus' arms employ'd around
A well-grown oak, to root it from the ground.
This way, and that, he wrench'd the fibrous bands;
The trunk was like a sappling, in his hands,
And still obey'd the bent: while thus he stood,
Perithous' dart drove on; and nail'd him to the wood;
Lycus, and Chromis fell, by him oppress'd:
Helops, and Dictis added to the rest
A nobler palm: Helops, through either ear
Transfix'd, receiv'd the penetrating spear.
This Dictis saw; and, seiz'd with sudden fright,
Leapt headlong from the hill of steepy height;
And crush'd an ash beneath, that cou'd not bear his weight.

The shatter'd tree receives his fall; and strikes,
Within his full-blown paunch, the sharpen'd spikes.
Strong Aphareus had heav'd a mighty stone,
The fragment of a rock; and wou'd have thrown;
But Theseus, with a club of harden'd oak,
The cubit-bone of the bold centaur broke;
And left him maim'd; nor seconded the stroke.
Then leapt on tall Bianor's back (who bore
No mortal burden but his own, before);
Press'd with his knees his sides; the double man,
His speed with spurs increas'd, unwilling ran.
One hand the hero fastn'd on his locks;
His other ply'd him with repeated strokes.
The club rung round his ears, and batter'd brows;
He falls; and lashing up his heels, his rider throws.

The same Herculean arms, Nedymnus wound;
And lay by him Lycotas on the ground,
And Hippasus, whose beard his breast invades;
And Ripheus, haunter of the woodl and shades:
And Thereus, us'd with mountain-bears to strive,
And from their dens to draw th' indignant beasts alive.

Demoleon cou'd not bear this hateful sight,
Or the long fortune of th' Athenian knight:
But pull'd with all his force, to disengage
From Earth a pine, the product of an age:
The root stuck fast: the broken trunk he sent
At Theseus; Theseus frustrates his intent,
And leaps aside; by Pallas warn'd, the blow
To shun (for so he said; and we believ'd it so).
Yet not in vain th' enormous weight was cast;
Which Crantor's body sunder'd at the waist:
Thy father's 'squire, Achilles, and his care;
Whom conquer'd in the Polopeian war,
Their king, his present ruin to prevent,
A pledge of peace implor'd, to Peleus sent.

Thy sire, with grieving eyes, beheld his Fate;
And cry'd, Not long, lov'd Crantor, shalt thou wait
Thy vow'd revenge. At once he said, and threw
His ashen-spear; which quiver'd, as it flew;
With all his force, and all his soul apply'd;
The sharp point enter'd in the centaur's side:
Both hands, to wrench it out, the monster join'd;
And wrench'd it out; but left the steel behind;
Stuck in his lungs it stood: inrag'd he rears
His hoofs, and down to ground thy father bears.
Thus trampled under foot, his shield defends
His head; his other hand the lance portends.
Ev'n while he lay extended on the dust,
He sped the centaur, with one single thrust.
Two more his lance before transfix'd from far;
And two, his sword had slain, in closer war.
To these was added Dorylas, who spread
A bull's two goring horns around his head.
With these he push'd; in blood already dy'd,
Him fearless, I approach'd; and thus defy'd:
Now, monster, now, by proof it shall appear,
Whether thy horns are sharper, or my spear.
At this, I threw: for want of other ward,
He lifted up his hand, his front to guard.
His hand it pass'd; and fix'd it to his brow:
Loud shouts of ours attend the lucky blow.
Him Peleus finish'd, with a second wound,
Which thro' the navel pierc'd: he reel'd around;
And dragg'd his dangling bowels on the ground.
Trod what he drag'd; and what he trod, he crush'd:
And to his mother-Earth, with empty belly, rush'd.

The Story of Cyllarus and Hylonome

Nor cou'd thy form, o Cyllarus, foreflow
Thy Fate (if form to monsters men allow):
Just bloom'd thy beard: thy beard of golden hue:
Thy locks, in golden waves, about thy shoulders flew.
Sprightly thy look: thy shapes in ev'ry part
So clean, as might instruct the sculptor's art;
As far as man extended: where began
The beast, the beast was equal to the man.
Add but a horse's head and neck; and he,
O Castor, was a courser worthy thee.
So was his back proportion'd for the seat:
So rose his brawny chest; so swiftly mov'd his feet.
Coal-black his colour, but like jett it shone;
His legs, and flowing tail were white alone.
Belov'd by many maidens of his kind;
But fair Hylonome possess'd his mind;
Hylonome, for features, and for face,
Excelling all the nymphs of double race:
Nor less her blandishments, than beauty, move;
At once both loving, and confessing love.
For him she dress'd: for him, with female care
She comb'd, and set in curls, her auburn hair.
Of roses, violets, and lillies mix'd,
And sprigs of flowing rosemary betwixt,
She form'd the chaplet, that adorn'd her front:
In waters of the Pegasaean fount,
And in the streams that from the fountain play,
She wash'd her face; and bath'd her twice a-day.
The scarf of furs, that hung below her side,
Was ermin, or the panther's spotted pride;
Spoils of no common beast: with equal flame
They lov'd: their silvan pleasures were the same:
All day they hunted: and when day expir'd,
Together to some shady cave retir'd:
Invited to the nuptials, both repair:
And, side by side, they both engage in war.

Uncertain from what hand, a flying dart
At Cyllarus was sent; which pierc'd his heart.
The jav'lin drawn from out the mortal wound,
He faints with stagg'ring steps; and seeks the ground:
The fair within her arms receiv'd his fall,
And strove his wand'ring spirits to recall:
And while her hand the streaming blood oppos'd,
Join'd face to face, his lips with hers she clos'd.
Stifled with kisses, a sweet death he dies;
She fills the fields with undistinguish'd cries;
At least her words were in her clamour drown'd;
For my stunn'd ears receiv'd no vocal sound.
In madness of her grief, she seiz'd the dart
New-drawn, and reeking from her lover's heart;
To her bare bosom the sharp point apply'd;
And wounded fell; and falling by his side,
Embrac'd him in her arms; and thus embracing dy'd.

Ev'n still methinks, I see Phaeocomes;
Strange was his habit, and as odd his dress.
Six lions' hides, with thongs together fast,
His upper part defended to his waist:
And where man ended, the continued vest,
Spread on his back, the houss and trappings of a beast.
A stump too heavy for a team to draw
(It seems a fable, tho' the fact I saw);
He threw at Pholon; the descending blow
Divides the skull, and cleaves his head in two.
The brains, from nose, and mouth, and either ear,
Came issuing out, as through a colendar
The curdled milk; or from the press the whey,
Driv'n down by weight above, is drain'd away.

But him, while stooping down to spoil the slain,
Pierc'd through the paunch, I tumbled on the plain.
Then Chthonyus, and Teleboas I slew:
A fork the former arm'd; a dart his fellow threw.
The jav'lin wounded me (behold the scar,
Then was my time to seek the Trojan war;
Then I was Hector's match in open field;
But he was then unborn; at least a child:
Now, I am nothing). I forbear to tell
By Periphantas how Pyretus fell;
The centaur by the knight: nor will I stay
On Amphix, or what deaths he dealt that day:
What honour, with a pointless lance, he won,
Stuck in the front of a four-footed man.
What fame young Macareus obtain'd in fight:
Or dwell on Nessus, now return'd from flight.
How prophet Mopsus not alone divin'd,
Whose valour equal'd his foreseeing mind.

Caeneus transform'd to an Eagle

Already Caeneus, with his conquering hand,
Had slaughter'd five the boldest of their band.
Pyrachmus, Helymus, Antimachus,
Bromus the brave, and stronger Stiphelus,
Their names I number'd, and remember well,
No trace remaining, by what wounds they fell.

Laitreus, the bulki'st of the double race,
Whom the spoil'd arms of slain Halesus grace,
In years retaining still his youthful might,
Though his black hairs were interspers'd with white,
Betwixt th' imbattled ranks began to prance,
Proud of his helm, and Macedonian lance;
And rode the ring around; that either hoast
Might hear him, while he made this empty boast:
And from a strumpet shall we suffer shame?
For Caenis still, not Caeneus, is thy name:
And still the native softness of thy kind
Prevails; and leaves the woman in thy mind;
Remember what thou wert; what price was paid
To change thy sex; to make thee not a maid:
And but a man in shew; go, card and spin;
And leave the business of the war to men.

While thus the boaster exercis'd his pride,
The fatal spear of Caeneus reach'd his side:
Just in the mixture of the kinds it ran;
Betwixt the neather beast, and upper man:
The monster mad with rage, and stung with smart,
His lance directed at the hero's heart:
It struck; but bounded from his harden'd breast,
Like hail from tiles, which the safe house invest.
Nor seem'd the stroke with more effect to come,
Than a small pebble falling on a drum.
He next his fauchion try'd, in closer fight;
But the keen fauchion had no pow'r to bite.
He thrust; the blunted point return'd again:
Since downright blows, he cry'd, and thrusts are vain,
I'll prove his side; in strong embraces held
He prov'd his side; his side the sword repell'd:
His hollow belly eccho'd to the stroke,
Untouch'd his body, as a solid rock;
Aim'd at his neck at last, the blade in shivers broke.

Th' impassive knight stood idle, to deride
His rage, and offer'd oft his naked side;
At length, Now monster, in thy turn, he cry'd,
Try thou the strength of Caeneus: at the word
He thrust; and in his shoulder plung'd the sword.
Then writh'd his hand; and as he drove it down,
Deep in his breast, made many wounds in one.

The centaurs saw, inrag'd, th' unhop'd success;
And rushing on in crowds, together press;
At him, and him alone, their darts they threw:
Repuls'd they from his fated body flew.
Amaz'd they stood; 'till Monichus began,
O shame, a nation conquer'd by a man!
A woman-man! yet more a man is he,
Than all our race; and what he was, are we.
Now, what avail our nerves? th' united force,
Of two the strongest creatures, man and horse;
Nor Goddess-born; nor of Ixion's seed
We seem (a lover built for Juno's bed);
Master'd by this half man. Whole mountains throw
With woods at once, and bury him below.
This only way remains. Nor need we doubt
To choak the soul within; though not to force it out:
Heap weights, instead of wounds. He chanc'd to see
Where southern storms had rooted up a tree;
This, rais'd from Earth, against the foe he threw;
Th' example shewn, his fellow-brutes pursue.
With forest-loads the warrior they invade;
Othrys, and Pelion soon were void of shade;
And spreading groves were naked mountains made.
Press'd with the burden, Caeneus pants for breath;
And on his shoulders bears the wooden death.
To heave th' intolerable weight he tries;
At length it rose above his mouth and eyes:
Yet still he heaves; and, strugling with despair,
Shakes all aside, and gains a gulp of air:
A short relief, which but prolongs his pain;
He faints by fits; and then respires again:
At last, the burden only nods above,
As when an earthquake stirs th' Idaean grove.
Doubtful his death: he suffocated seem'd,
To most; but otherwise our Mopsus deem'd,
Who said he saw a yellow bird arise
From out the piles, and cleave the liquid skies:
I saw it too, with golden feathers bright;
Nor e'er before beheld so strange a sight.
Whom Mopsus viewing, as it soar'd around
Our troop, and heard the pinions' rattling sound,
All hail, he cry'd, thy country's grace and love!
Once first of men below, now first of birds above.
Its author to the story gave belief:
For us, our courage was increas'd by grief:
Asham'd to see a single man, pursu'd
With odds, to sink beneath a multitude,
We push'd the foe: and forc'd to shameful flight,
Part fell, and part escap'd by favour of the night.

The Fate of Periclymenos

This tale, by Nestor told, did much displease
Tlepolemus, the seed of Hercules:
For, often he had heard his father say,
That he himself was present at the fray;
And more than shar'd the glories of the day.

Old Chronicle, he said, among the rest,
You might have nam'd Alcides at the least:
Is he not worth your praise? The Pylian prince
Sigh'd ere he spoke; then made this proud defence.
My former woes in long oblivion drown'd,
I wou'd have lost; but you renew the wound:
Better to pass him o'er, than to relate
The cause I have your mighty sire to hate.
His fame has fill'd the world, and reach'd the sky
(Which, oh, I wish, with truth, I cou'd deny!);
We praise not Hector; though his name, we know,
Is great in arms; 'tis hard to praise a foe.

He, your great father, levell'd to the ground
Messenia's tow'rs: nor better fortune found
Elis, and Pylos; that a neighb'ring state,
And this my own: both guiltless of their fate.

To pass the rest, twelve, wanting one, he slew;
My brethren, who their birth from Neleus drew,
All youths of early promise, had they liv'd;
By him they perish'd: I alone surviv'd.
The rest were easie conquest: but the fate
Of Periclymenos, is wondrous to relate.
To him, our common grandsire of the main
Had giv'n to change his form, and chang'd, resume again.

Vary'd at pleasure, every shape he try'd;
And in all beasts, Alcides still defy'd:
Vanquish'd on Earth, at length he soar'd above;
Chang'd to the bird, that bears the bolt of Jove:
The new-dissembled eagle, now endu'd
With beak, and pounces, Hercules pursu'd,
And cuff'd his manly cheeks, and tore his face;
Then, safe retir'd, and tour'd in empty space.
Alcides bore not long his flying foe;
But bending his inevitable bow,
Reach'd him in air, suspended as he stood;
And in his pinion fix'd the feather'd wood.
Light was the wound; but in the sinew hung
The point, and his disabled wing unstrung.
He wheel'd in air, and stretch'd his vans in vain;
His vans no longer cou'd his flight sustain:
For while one gather'd wind, one unsupply'd
Hung drooping down, nor pois'd his other side.
He fell: the shaft that slightly was impress'd,
Now from his heavy fall with weight increas'd,
Drove through his neck, aslant, he spurns the ground,
And the soul issues through the weazon's wound.

Now, brave commander of the Rhodian seas,
What praise is due from me, to Hercules?
Silence is all the vengeance I decree
For my slain brothers; but 'tis peace with thee.

Thus with a flowing tongue old Nestor spoke:
Then, to full bowls each other they provoke:
At length, with weariness, and wine oppress'd,
They rise from table; and withdraw to rest.

The Death of Achilles

The sire of Cygnus, monarch of the main,
Mean-time, laments his son, in battel slain,
And vows the victor's death; nor vows in vain.
For nine long years the smother'd pain he bore
(Achilles was not ripe for Fate before):
Then when he saw the promis'd hour was near,
He thus bespoke the God, that guides the year:
Immortal offspring of my brother Jove;
My brightest nephew, and whom best I love,
Whose hands were join'd with mine, to raise the wall
Of tott'ring Troy, now nodding to her fall,
Dost thou not mourn our pow'r employ'd in vain;
And the defenders of our city slain?
To pass the rest, could noble Hector lie
Unpity'd, drag'd around his native Troy?
And yet the murd'rer lives: himself by far
A greater plague, than all the wasteful war:
He lives; the proud Pelides lives, to boast
Our town destroy'd, our common labour lost.
O, could I meet him! But I wish too late:
To prove my trident is not in his Fate!
But let him try (for that's allow'd) thy dart,
And pierce his only penetrable part.

Apollo bows to the superior throne;
And to his uncle's anger, adds his own.
Then in a cloud involv'd, he takes his flight,
Where Greeks, and Trojans mix'd in mortal fight;
And found out Paris, lurking where he stood,
And stain'd his arrows with plebeian blood:
Phoebus to him alone the God confess'd,
Then to the recreant knight, he thus address'd.
Dost thou not blush, to spend thy shafts in vain
On a degenerate, and ignoble train?
If fame, or better vengeance be thy care,
There aim: and, with one arrow, end the war.

He said; and shew'd from far the blazing shield
And sword, which, but Achilles, none cou'd wield;
And how he mov'd a God, and mow'd the standing field.
The deity himself directs aright
Th' invenom'd shaft; and wings the fatal flight.

Thus fell the foremost of the Grecian name;
And he, the base adult'rer, boasts the fame.
A spectacle to glad the Trojan train;
And please old Priam, after Hector slain.
If by a female hand he had foreseen
He was to die, his wish had rather been
The lance, and double ax of the fair warriour queen.
And now the terror of the Trojan field,
The Grecian honour, ornament, and shield,
High on a pile, th' unconquer'd chief is plac'd,
The God that arm'd him first, consum'd at last.
Of all the mighty man, the small remains
A little urn, and scarcely fill'd, contains.
Yet great in Homer, still Achilles lives;
And equal to himself, himself survives.

His buckler owns its former lord; and brings
New cause of strife, betwixt contending kings;
Who worthi'st after him, his sword to wield,
Or wear his armour, or sustain his shield.
Ev'n Diomede sat mute, with down-cast eyes;
Conscious of wanted worth to win the prize:
Nor Menelaus presum'd these arms to claim,
Nor he the king of men, a greater name.
Two rivals only rose: Laertes' son,
And the vast bulk of Ajax Telamon:
The king, who cherish'd each with equal love,
And from himself all envy wou'd remove,
Left both to be determin'd by the laws;
And to the Graecian chiefs transferr'd the cause.

----------------------------------------------------------------------
~ Ovid, BOOK THE TWELFTH
,

148:1.

Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life.

This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new.

At the immortal touch of thy hands my little heart loses its limits in joy and gives birth to utterance ineffable.

Thy infinite gifts come to me only on these very small hands of mine. Ages pass, and still thou pourest, and still there is room to fill.
2.

When thou commandest me to sing it seems that my heart would break with pride; and I look to thy face, and tears come to my eyes.

All that is harsh and dissonant in my life melts into one sweet harmony - and my adoration spreads wings like a glad bird on its flight across the sea.

I know thou takest pleasure in my singing. I know that only as a singer I come before thy presence.

I touch by the edge of the far-spreading wing of my song thy feet which I could never aspire to reach.

Drunk with the joy of singing I forget myself and call thee friend who art my lord.
3.

I know not how thou singest, my master! I ever listen in silent amazement.

The light of thy music illumines the world. The life breath of thy music runs from sky to sky. The holy stream of thy music breaks through all stony obstacles and rushes on.

My heart longs to join in thy song, but vainly struggles for a voice. I would speak, but speech breaks not into song, and I cry out baffled. Ah, thou hast made my heart captive in the endless meshes of thy music, my master!
4.

Life of my life, I shall ever try to keep my body pure, knowing that thy living touch is upon all my limbs.

I shall ever try to keep all untruths out from my thoughts, knowing that thou art that truth which has kindled the light of reason in my mind.

I shall ever try to drive all evils away from my heart and keep my love in flower, knowing that thou hast thy seat in the inmost shrine of my heart.

And it shall be my endeavour to reveal thee in my actions, knowing it is thy power gives me strength to act.
5.

I ask for a moment's indulgence to sit by thy side. The works that I have in hand I will finish afterwards.

Away from the sight of thy face my heart knows no rest nor respite, and my work becomes an endless toil in a shoreless sea of toil.

Today the summer has come at my window with its sighs and murmurs; and the bees are plying their minstrelsy at the court of the flowering grove.

Now it is time to sit quite, face to face with thee, and to sing dedication of life in this silent and overflowing leisure.
6.

Pluck this little flower and take it, delay not! I fear lest it droop and drop into the dust.

I may not find a place in thy garland, but honour it with a touch of pain from thy hand and pluck it. I fear lest the day end before I am aware, and the time of offering go by.

Though its colour be not deep and its smell be faint, use this flower in thy service and pluck it while there is time.

7.

My song has put off her adornments. She has no pride of dress and decoration. Ornaments would mar our union; they would come between thee and me; their jingling would drown thy whispers.

My poet's vanity dies in shame before thy sight. O master poet, I have sat down at thy feet. Only let me make my life simple and straight, like a flute of reed for thee to fill with music.
8.

The child who is decked with prince's robes and who has jewelled chains round his neck loses all pleasure in his play; his dress hampers him at every step.

In fear that it may be frayed, or stained with dust he keeps himself from the world, and is afraid even to move.

Mother, it is no gain, thy bondage of finery, if it keeps one shut off from the healthful dust of the earth, if it rob one of the right of entrance to the great fair of common human life.
9.

O Fool, try to carry thyself upon thy own shoulders! O beggar, to come beg at thy own door!

Leave all thy burdens on his hands who can bear all, and never look behind in regret.

Thy desire at once puts out the light from the lamp it touches with its breath. It is unholy - take not thy gifts through its unclean hands. Accept only what is offered by sacred love.
10.

Here is thy footstool and there rest thy feet where live the poorest, and lowliest, and lost.

When I try to bow to thee, my obeisance cannot reach down to the depth where thy feet rest among the poorest, and lowliest, and lost.

Pride can never approach to where thou walkest in the clothes of the humble among the poorest, and lowliest, and lost.

My heart can never find its way to where thou keepest company with the companionless among the poorest, the lowliest, and the lost.
11.

Leave this chanting and singing and telling of beads! Whom dost thou worship in this lonely dark corner of a temple with doors all shut? Open thine eyes and see thy God is not before thee!

He is there where the tiller is tilling the hard ground and where the pathmaker is breaking stones. He is with them in sun and in shower, and his garment is covered with dust. Put of thy holy mantle and even like him come down on the dusty soil!

Deliverance? Where is this deliverance to be found? Our master himself has joyfully taken upon him the bonds of creation; he is bound with us all for ever.

Come out of thy meditations and leave aside thy flowers and incense! What harm is there if thy clothes become tattered and stained? Meet him and stand by him in toil and in sweat of thy brow.
12.

The time that my journey takes is long and the way of it long.

I came out on the chariot of the first gleam of light, and pursued my voyage through the wildernesses of worlds leaving my track on many a star and planet.

It is the most distant course that comes nearest to thyself, and that training is the most intricate which leads to the utter simplicity of a tune.

The traveller has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end.

My eyes strayed far and wide before I shut them and said 'Here art thou!'

The question and the cry 'Oh, where?' melt into tears of a thousand streams and deluge the world with the flood of the assurance 'I am!'
13.

The song that I came to sing remains unsung to this day. I have spent my days in stringing and in unstringing my instrument.

The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart.

The blossom has not opened; only the wind is sighing by. I have not seen his face, nor have I listened to his voice; only I have heard his gentle footsteps from the road before my house.

The livelong day has passed in spreading his seat on the floor; but the lamp has not been lit and I cannot ask him into my house.

I live in the hope of meeting with him; but this meeting is not yet.
14.

My desires are many and my cry is pitiful, but ever didst thou save me by hard refusals; and this strong mercy has been wrought into my life through and through.

Day by day thou art making me worthy of the simple, great gifts that thou gavest to me unasked - this sky and the light, this body and the life and the mind - saving me from perils of overmuch desire.

There are times when I languidly linger and times when I awaken and hurry in search of my goal; but cruelly thou hidest thyself from before me.

Day by day thou art making me worthy of thy full acceptance by refusing me ever and anon, saving me from perils of weak, uncertain desire.
15.

I am here to sing thee songs. In this hall of thine I have a corner seat.

In thy world I have no work to do; my useless life can only break out in tunes without a purpose.

When the hour strikes for thy silent worship at the dark temple of midnight, command me, my master, to stand before thee to sing.

When in the morning air the golden harp is tuned, honour me, commanding my presence.
16.

I have had my invitation to this world's festival, and thus my life has been blessed. My eyes have seen and my ears have heard.

It was my part at this feast to play upon my instrument, and I have done all I could.

Now, I ask, has the time come at last when I may go in and see thy face and offer thee my silent salutation?
17.

I am only waiting for love to give myself up at last into his hands. That is why it is so late and why I have been guilty of such omissions.

They come with their laws and their codes to bind me fast; but I evade them ever, for I am only waiting for love to give myself up at last into his hands.

People blame me and call me heedless; I doubt not they are right in their blame.

The market day is over and work is all done for the busy. Those who came to call me in vain have gone back in anger. I am only waiting for love to give myself up at last into his hands.
18.

Clouds heap upon clouds and it darkens. Ah, love, why dost thou let me wait outside at the door all alone?

In the busy moments of the noontide work I am with the crowd, but on this dark lonely day it is only for thee that I hope.

If thou showest me not thy face, if thou leavest me wholly aside, I know not how I am to pass these long, rainy hours.

I keep gazing on the far-away gloom of the sky, and my heart wanders wailing with the restless wind.
19.

If thou speakest not I will fill my heart with thy silence and endure it. I will keep still and wait like the night with starry vigil and its head bent low with patience.

The morning will surely come, the darkness will vanish, and thy voice pour down in golden streams breaking through the sky.

Then thy words will take wing in songs from every one of my birds' nests, and thy melodies will break forth in flowers in all my forest groves.
20.

On the day when the lotus bloomed, alas, my mind was straying, and I knew it not. My basket was empty and the flower remained unheeded.

Only now and again a sadness fell upon me, and I started up from my dream and felt a sweet trace of a strange fragrance in the south wind.

That vague sweetness made my heart ache with longing and it seemed to me that is was the eager breath of the summer seeking for its completion.

I knew not then that it was so near, that it was mine, and that this perfect sweetness had blossomed in the depth of my own heart.
21.

I must launch out my boat. The languid hours pass by on the shore - Alas for me!

The spring has done its flowering and taken leave. And now with the burden of faded futile flowers I wait and linger.

The waves have become clamorous, and upon the bank in the shady lane the yellow leaves flutter and fall.

What emptiness do you gaze upon! Do you not feel a thrill passing through the air with the notes of the far-away song floating from the other shore?
22.

In the deep shadows of the rainy July, with secret steps, thou walkest, silent as night, eluding all watchers.

Today the morning has closed its eyes, heedless of the insistent calls of the loud east wind, and a thick veil has been drawn over the ever-wakeful blue sky.

The woodlands have hushed their songs, and doors are all shut at every house. Thou art the solitary wayfarer in this deserted street. Oh my only friend, my best beloved, the gates are open in my house - do not pass by like a dream.
23.

Art thou abroad on this stormy night on thy journey of love, my friend? The sky groans like one in despair.

I have no sleep tonight. Ever and again I open my door and look out on the darkness, my friend!

I can see nothing before me. I wonder where lies thy path!

By what dim shore of the ink-black river, by what far edge of the frowning forest, through what mazy depth of gloom art thou threading thy course to come to me, my friend?
24.

If the day is done, if birds sing no more, if the wind has flagged tired, then draw the veil of darkness thick upon me, even as thou hast wrapt the earth with the coverlet of sleep and tenderly closed the petals of the drooping lotus at dusk.

From the traveller, whose sack of provisions is empty before the voyage is ended, whose garment is torn and dustladen, whose strength is exhausted, remove shame and poverty, and renew his life like a flower under the cover of thy kindly night.
25.

In the night of weariness let me give myself up to sleep without struggle, resting my trust upon thee.

Let me not force my flagging spirit into a poor preparation for thy worship.

It is thou who drawest the veil of night upon the tired eyes of the day to renew its sight in a fresher gladness of awakening.

26.

He came and sat by my side but I woke not. What a cursed sleep it was, O miserable me!

He came when the night was still; he had his harp in his hands, and my dreams became resonant with its melodies.

Alas, why are my nights all thus lost? Ah, why do I ever miss his sight whose breath touches my sleep?
27.

Light, oh where is the light? Kindle it with the burning fire of desire!

There is the lamp but never a flicker of a flame - is such thy fate, my heart? Ah, death were better by far for thee!

Misery knocks at thy door, and her message is that thy lord is wakeful, and he calls thee to the love-tryst through the darkness of night.

The sky is overcast with clouds and the rain is ceaseless. I know not what this is that stirs in me - I know not its meaning.

A moment's flash of lightning drags down a deeper gloom on my sight, and my heart gropes for the path to where the music of the night calls me.

Light, oh where is the light! Kindle it with the burning fire of desire! It thunders and the wind rushes screaming through the void. The night is black as a black stone. Let not the hours pass by in the dark. Kindle the lamp of love with thy life.
28.

Obstinate are the trammels, but my heart aches when I try to break them.

Freedom is all I want, but to hope for it I feel ashamed.

I am certain that priceless wealth is in thee, and that thou art my best friend, but I have not the heart to sweep away the tinsel that fills my room.

The shroud that covers me is a shroud of dust and death; I hate it, yet hug it in love.

My debts are large, my failures great, my shame secret and heavy; yet when I come to ask for my good, I quake in fear lest my prayer be granted.
29.

He whom I enclose with my name is weeping in this dungeon. I am ever busy building this wall all around; and as this wall goes up into the sky day by day I lose sight of my true being in its dark shadow.

I take pride in this great wall, and I plaster it with dust and sand lest a least hole should be left in this name; and for all the care I take I lose sight of my true being.
30.

I came out alone on my way to my tryst. But who is this that follows me in the silent dark?

I move aside to avoid his presence but I escape him not.

He makes the dust rise from the earth with his swagger; he adds his loud voice to every word that I utter.

He is my own little self, my lord, he knows no shame; but I am ashamed to come to thy door in his company.
31.

'Prisoner, tell me, who was it that bound you?'

'It was my master,' said the prisoner. 'I thought I could outdo everybody in the world in wealth and power, and I amassed in my own treasure-house the money due to my king. When sleep overcame me I lay upon the bad that was for my lord, and on waking up I found I was a prisoner in my own treasure-house.'

'Prisoner, tell me, who was it that wrought this unbreakable chain?'

'It was I,' said the prisoner, 'who forged this chain very carefully. I thought my invincible power would hold the world captive leaving me in a freedom undisturbed. Thus night and day I worked at the chain with huge fires and cruel hard strokes. When at last the work was done and the links were complete and unbreakable, I found that it held me in its grip.'
32.

By all means they try to hold me secure who love me in this world. But it is otherwise with thy love which is greater than theirs, and thou keepest me free.

Lest I forget them they never venture to leave me alone. But day passes by after day and thou art not seen.

If I call not thee in my prayers, if I keep not thee in my heart, thy love for me still waits for my love.
33.

When it was day they came into my house and said, 'We shall only take the smallest room here.'

They said, 'We shall help you in the worship of your God and humbly accept only our own share in his grace'; and then they took their seat in a corner and they sat quiet and meek.

But in the darkness of night I find they break into my sacred shrine, strong and turbulent, and snatch with unholy greed the offerings from God's altar.
34.

Let only that little be left of me whereby I may name thee my all.

Let only that little be left of my will whereby I may feel thee on every side, and come to thee in everything, and offer to thee my love every moment.

Let only that little be left of me whereby I may never hide thee.

Let only that little of my fetters be left whereby I am bound with thy will, and thy purpose is carried out in my life - and that is the fetter of thy love.
35.

Where the mind is without fear and the head is held high; Where knowledge is free; Where the world has not been broken up into fragments by narrow domestic walls; Where words come out from the depth of truth; Where tireless striving stretches its arms towards perfection; Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit; Where the mind is led forward by thee into ever-widening thought and action- Into that heaven of freedom, my Father, let my country awake.
36.

This is my prayer to thee, my lord - strike, strike at the root of penury in my heart. Give me the strength lightly to bear my joys and sorrows. Give me the strength to make my love fruitful in service. Give me the strength never to disown the poor or bend my knees before insolent might. Give me the strength to raise my mind high above daily trifles. And give me the strength to surrender my strength to thy will with love.
37.

I thought that my voyage had come to its end at the last limit of my power, - that the path before me was closed, that provisions were exhausted and the time come to take shelter in a silent obscurity.

But I find that thy will knows no end in me. And when old words die out on the tongue, new melodies break forth from the heart; and where the old tracks are lost, new country is revealed with its wonders.
38.

That I want thee, only thee - let my heart repeat without end. All desires that distract me, day and night, are false and empty to the core.

As the night keeps hidden in its gloom the petition for light, even thus in the depth of my unconsciousness rings the cry - 'I want thee, only thee'.

As the storm still seeks its end in peace when it strikes against peace with all its might, even thus my rebellion strikes against thy love and still its cry is - 'I want thee, only thee'.
39.

When the heart is hard and parched up, come upon me with a shower of mercy.

When grace is lost from life, come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner, break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one, thou wakeful, come with thy light and thy thunder.
40.

The rain has held back for days and days, my God, in my arid heart. The horizon is fiercely naked - not the thinnest cover of a soft cloud, not the vaguest hint of a distant cool shower.

Send thy angry storm, dark with death, if it is thy wish, and with lashes of lightning startle the sky from end to end.

But call back, my lord, call back this pervading silent heat, still and keen and cruel, burning the heart with dire despair.

Let the cloud of grace bend low from above like the tearful look of the mother on the day of the father's wrath.
41.

Where dost thou stand behind them all, my lover, hiding thyself in the shadows? They push thee and pass thee by on the dusty road, taking thee for naught. I wait here weary hours spreading my offerings for thee, while passers-by come and take my flowers, one by one, and my basket is nearly empty.

The morning time is past, and the noon. In the shade of evening my eyes are drowsy with sleep. Men going home glance at me and smile and fill me with shame. I sit like a beggar maid, drawing my skirt over my face, and when they ask me, what it is I want, I drop my eyes and answer them not.

Oh, how, indeed, could I tell them that for thee I wait, and that thou hast promised to come. How could I utter for shame that I keep for my dowry this poverty. Ah, I hug this pride in the secret of my heart.

I sit on the grass and gaze upon the sky and dream of the sudden splendour of thy coming - all the lights ablaze, golden pennons flying over thy car, and they at the roadside standing agape, when they see thee come down from thy seat to raise me from the dust, and set at thy side this ragged beggar girl a-tremble with shame and pride, like a creeper in a summer breeze.

But time glides on and still no sound of the wheels of thy chariot. Many a procession passes by with noise and shouts and glamour of glory. Is it only thou who wouldst stand in the shadow silent and behind them all? And only I who would wait and weep and wear out my heart in vain longing?
42.

Early in the day it was whispered that we should sail in a boat, only thou and I, and never a soul in the world would know of this our pilgrimage to no country and to no end.

In that shoreless ocean, at thy silently listening smile my songs would swell in melodies, free as waves, free from all bondage of words.

Is the time not come yet? Are there works still to do? Lo, the evening has come down upon the shore and in the fading light the seabirds come flying to their nests.

Who knows when the chains will be off, and the boat, like the last glimmer of sunset, vanish into the night?
43.

The day was when I did not keep myself in readiness for thee; and entering my heart unbidden even as one of the common crowd, unknown to me, my king, thou didst press the signet of eternity upon many a fleeting moment of my life.

And today when by chance I light upon them and see thy signature, I find they have lain scattered in the dust mixed with the memory of joys and sorrows of my trivial days forgotten.

Thou didst not turn in contempt from my childish play among dust, and the steps that I heard in my playroom are the same that are echoing from star to star.
44.

This is my delight, thus to wait and watch at the wayside where shadow chases light and the rain comes in the wake of the summer.

Messengers, with tidings from unknown skies, greet me and speed along the road. My heart is glad within, and the breath of the passing breeze is sweet.

From dawn till dusk I sit here before my door, and I know that of a sudden the happy moment will arrive when I shall see.

In the meanwhile I smile and I sing all alone. In the meanwhile the air is filling with the perfume of promise.
45.

Have you not heard his silent steps? He comes, comes, ever comes.

Every moment and every age, every day and every night he comes, comes, ever comes.

Many a song have I sung in many a mood of mind, but all their notes have always proclaimed, 'He comes, comes, ever comes.'

In the fragrant days of sunny April through the forest path he comes, comes, ever comes.

In the rainy gloom of July nights on the thundering chariot of clouds he comes, comes, ever comes.

In sorrow after sorrow it is his steps that press upon my heart, and it is the golden touch of his feet that makes my joy to shine.

-

46.

I know not from what distant time thou art ever coming nearer to meet me. Thy sun and stars can never keep thee hidden from me for aye.

In many a morning and eve thy footsteps have been heard and thy messenger has come within my heart and called me in secret.

I know not only why today my life is all astir, and a feeling of tremulous joy is passing through my heart.

It is as if the time were come to wind up my work, and I feel in the air a faint smell of thy sweet presence.
47.

The night is nearly spent waiting for him in vain. I fear lest in the morning he suddenly come to my door when I have fallen asleep wearied out. Oh friends, leave the way open to him - forbid him not.

If the sounds of his steps does not wake me, do not try to rouse me, I pray. I wish not to be called from my sleep by the clamorous choir of birds, by the riot of wind at the festival of morning light. Let me sleep undisturbed even if my lord comes of a sudden to my door.

Ah, my sleep, precious sleep, which only waits for his touch to vanish. Ah, my closed eyes that would open their lids only to the light of his smile when he stands before me like a dream emerging from darkness of sleep.

Let him appear before my sight as the first of all lights and all forms. The first thrill of joy to my awakened soul let it come from his glance. And let my return to myself be immediate return to him.
48.

The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed.

We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pave more and more as the time sped by.

The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass.

My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation - in the shadow of a dim delight.

The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs.

At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!
49.

You came down from your throne and stood at my cottage door.

I was singing all alone in a corner, and the melody caught your ear. You came down and stood at my cottage door.

Masters are many in your hall, and songs are sung there at all hours. But the simple carol of this novice struck at your love. One plaintive little strain mingled with the great music of the world, and with a flower for a prize you came down and stopped at my cottage door.

50.

I had gone a-begging from door to door in the village path, when thy golden chariot appeared in the distance like a gorgeous dream and I wondered who was this King of all kings!

My hopes rose high and methought my evil days were at an end, and I stood waiting for alms to be given unasked and for wealth scattered on all sides in the dust.

The chariot stopped where I stood. Thy glance fell on me and thou camest down with a smile. I felt that the luck of my life had come at last. Then of a sudden thou didst hold out thy right hand and say 'What hast thou to give to me?'

Ah, what a kingly jest was it to open thy palm to a beggar to beg! I was confused and stood undecided, and then from my wallet I slowly took out the least little grain of corn and gave it to thee.

But how great my surprise when at the day's end I emptied my bag on the floor to find a least little gram of gold among the poor heap. I bitterly wept and wished that I had had the heart to give thee my all.
51.

The night darkened. Our day's works had been done. We thought that the last guest had arrived for the night and the doors in the village were all shut. Only some said the king was to come. We laughed and said 'No, it cannot be!'

It seemed there were knocks at the door and we said it was nothing but the wind. We put out the lamps and lay down to sleep. Only some said, 'It is the messenger!' We laughed and said 'No, it must be the wind!'

There came a sound in the dead of the night. We sleepily thought it was the distant thunder. The earth shook, the walls rocked, and it troubled us in our sleep. Only some said it was the sound of wheels. We said in a drowsy murmur, 'No, it must be the rumbling of clouds!'

The night was still dark when the drum sounded. The voice came 'Wake up! delay not!' We pressed our hands on our hearts and shuddered with fear. Some said, 'Lo, there is the king's flag!' We stood up on our feet and cried 'There is no time for delay!'

The king has come - but where are lights, where are wreaths? Where is the throne to seat him? Oh, shame! Oh utter shame! Where is the hall, the decorations? Someone has said, 'Vain is this cry! Greet him with empty hands, lead him into thy rooms all bare!'

Open the doors, let the conch-shells be sounded! in the depth of the night has come the king of our dark, dreary house. The thunder roars in the sky. The darkness shudders with lightning. Bring out thy tattered piece of mat and spread it in the courtyard. With the storm has come of a sudden our king of the fearful night.
52.

I thought I should ask of thee - but I dared not - the rose wreath thou hadst on thy neck. Thus I waited for the morning, when thou didst depart, to find a few fragments on the bed. And like a beggar I searched in the dawn only for a stray petal or two.

Ah me, what is it I find? What token left of thy love? It is no flower, no spices, no vase of perfumed water. It is thy mighty sword, flashing as a flame, heavy as a bolt of thunder. The young light of morning comes through the window and spread itself upon thy bed. The morning bird twitters and asks, 'Woman, what hast thou got?' No, it is no flower, nor spices, nor vase of perfumed water - it is thy dreadful sword.

I sit and muse in wonder, what gift is this of thine. I can find no place to hide it. I am ashamed to wear it, frail as I am, and it hurts me when press it to my bosom. Yet shall I bear in my heart this honour of the burden of pain, this gift of thine.

From now there shall be no fear left for me in this world, and thou shalt be victorious in all my strife. Thou hast left death for my companion and I shall crown him with my life. Thy sword is with me to cut asunder my bonds, and there shall be no fear left for me in the world.

From now I leave off all petty decorations. Lord of my heart, no more shall there be for me waiting and weeping in corners, no more coyness and sweetness of demeanour. Thou hast given me thy sword for adornment. No more doll's decorations for me!
53.

Beautiful is thy wristlet, decked with stars and cunningly wrought in myriad-coloured jewels. But more beautiful to me thy sword with its curve of lightning like the outspread wings of the divine bird of Vishnu, perfectly poised in the angry red light of the sunset.

It quivers like the one last response of life in ecstasy of pain at the final stroke of death; it shines like the pure flame of being burning up earty sense with one fierce flash.

Beautiful is thy wristlet, decked with starry gems; but thy sword, O lord of thunder, is wrought with uttermost beauty, terrible to behold or think of.
54.

I asked nothing from thee; I uttered not my name to thine ear. When thou took'st thy leave I stood silent. I was alone by the well where the shadow of the tree fell aslant, and the women had gone home with their brown earthen pitchers full to the brim. They called me and shouted, 'Come with us, the morning is wearing on to noon.' But I languidly lingered awhile lost in the midst of vague musings.

I heard not thy steps as thou camest. Thine eyes were sad when they fell on me; thy voice was tired as thou spokest low - 'Ah, I am a thirsty traveller.' I started up from my day-dreams and poured water from my jar on thy joined palms. The leaves rustled overhead; the cuckoo sang from the unseen dark, and perfume of babla flowers came from the bend of the road.

I stood speecess with shame when my name thou didst ask. Indeed, what had I done for thee to keep me in remembrance? But the memory that I could give water to thee to allay thy thirst will cling to my heart and enfold it in sweetness. The morning hour is late, the bird sings in weary notes, neem leaves rustle overhead and I sit and think and think.

55.

Languor is upon your heart and the slumber is still on your eyes.

Has not the word come to you that the flower is reigning in splendour among thorns? Wake, oh awaken! let not the time pass in vain!

At the end of the stony path, in the country of virgin solitude, my friend is sitting all alone. Deceive him not. Wake, oh awaken!

What if the sky pants and trembles with the heat of the midday sun - what if the burning sand spreads its mantle of thirst -

Is there no joy in the deep of your heart? At every footfall of yours, will not the harp of the road break out in sweet music of pain?
56.

Thus it is that thy joy in me is so full. Thus it is that thou hast come down to me. O thou lord of all heavens, where would be thy love if I were not?

Thou hast taken me as thy partner of all this wealth. In my heart is the endless play of thy delight. In my life thy will is ever taking shape.

And for this, thou who art the King of kings hast decked thyself in beauty to captivate my heart. And for this thy love loses itself in the love of thy lover, and there art thou seen in the perfect union of two.
57.

Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light!

Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth.

The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light.

The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion.

Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.
58.

Let all the strains of joy mingle in my last song - the joy that makes the earth flow over in the riotous excess of the grass, the joy that sets the twin brothers, life and death, dancing over the wide world, the joy that sweeps in with the tempest, shaking and waking all life with laughter, the joy that sits still with its tears on the open red lotus of pain, and the joy that throws everything it has upon the dust, and knows not a word.
59.

Yes, I know, this is nothing but thy love, O beloved of my heart - this golden light that dances upon the leaves, these idle clouds sailing across the sky, this passing breeze leaving its coolness upon my forehead.

The morning light has flooded my eyes - this is thy message to my heart. Thy face is bent from above, thy eyes look down on my eyes, and my heart has touched thy feet.
60.

On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances.

They build their houses with sand and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds.

They know not how to swim, they know not how to cast nets. Pearl fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. they seek not for hidden treasures, they know not how to cast nets.

The sea surges up with laughter and pale gleams the smile of the sea beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby's cradle. The sea plays with children, and pale gleams the smile of the sea beach.

On the seashore of endless worlds children meet. Tempest roams in the patess sky, ships get wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.
61.

The sleep that flits on baby's eyes - does anybody know from where it comes? Yes, there is a rumour that it has its dwelling where, in the fairy village among shadows of the forest dimly lit with glow-worms, there hang two timid buds of enchantment. From there it comes to kiss baby's eyes.

The smile that flickers on baby's lips when he sleeps - does anybody know where it was born? Yes, there is a rumour that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning - the smile that flickers on baby's lips when he sleeps.

The sweet, soft freshness that blooms on baby's limbs - does anybody know where it was hidden so long? Yes, when the mother was a young girl it lay pervading her heart in tender and silent mystery of love - the sweet, soft freshness that has bloomed on baby's limbs.
62.

When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints - when I give coloured toys to you, my child.

When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth - when I sing to make you dance.

When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice - when I bring sweet things to your greedy hands.

When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is that is which the summer breeze brings to my body - when I kiss you to make you smile.
63.

Thou hast made me known to friends whom I knew not. Thou hast given me seats in homes not my own. Thou hast brought the distant near and made a brother of the stranger.

I am uneasy at heart when I have to leave my accustomed shelter; I forget that there abides the old in the new, and that there also thou abidest.

Through birth and death, in this world or in others, wherever thou leadest me it is thou, the same, the one companion of my endless life who ever linkest my heart with bonds of joy to the unfamiliar.

When one knows thee, then alien there is none, then no door is shut. Oh, grant me my prayer that I may never lose the bliss of the touch of the one in the play of many.
64.

On the slope of the desolate river among tall grasses I asked her, 'Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome - lend me your light!' she raised her dark eyes for a moment and looked at my face through the dusk. 'I have come to the river,' she said, 'to float my lamp on the stream when the daylight wanes in the west.' I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide.

In the silence of gathering night I asked her, 'Maiden, your lights are all lit - then where do you go with your lamp? My house is all dark and lonesome - lend me your light.' She raised her dark eyes on my face and stood for a moment doubtful. 'I have come,' she said at last, 'to dedicate my lamp to the sky.' I stood and watched her light uselessly burning in the void.

In the moonless gloom of midnight I ask her, 'Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome- - lend me your light.' She stopped for a minute and thought and gazed at my face in the dark. 'I have brought my light,' she said, 'to join the carnival of lamps.' I stood and watched her little lamp uselessly lost among lights.
65.

What divine drink wouldst thou have, my God, from this overflowing cup of my life?

My poet, is it thy delight to see thy creation through my eyes and to stand at the portals of my ears silently to listen to thine own eternal harmony?

Thy world is weaving words in my mind and thy joy is adding music to them. Thou givest thyself to me in love and then feelest thine own entire sweetness in me.
66.

She who ever had remained in the depth of my being, in the twilight of gleams and of glimpses; she who never opened her veils in the morning light, will be my last gift to thee, my God, folded in my final song.

Words have wooed yet failed to win her; persuasion has stretched to her its eager arms in vain.

I have roamed from country to country keeping her in the core of my heart, and around her have risen and fallen the growth and decay of my life.

Over my thoughts and actions, my slumbers and dreams, she reigned yet dwelled alone and apart.

many a man knocked at my door and asked for her and turned away in despair.

There was none in the world who ever saw her face to face, and she remained in her loneliness waiting for thy recognition.
67.

Thou art the sky and thou art the nest as well.

O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.

There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.

And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.

But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word.
68.

Thy sunbeam comes upon this earth of mine with arms outstretched and stands at my door the livelong day to carry back to thy feet clouds made of my tears and sighs and songs.

With fond delight thou wrappest about thy starry breast that mantle of misty cloud, turning it into numberless shapes and folds and colouring it with hues everchanging.

It is so light and so fleeting, tender and tearful and dark, that is why thou lovest it, O thou spotless and serene. And that is why it may cover thy awful white light with its pathetic shadows.
69.

The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures.

It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.

It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow.

I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment.
70.

Is it beyond thee to be glad with the gladness of this rhythm? to be tossed and lost and broken in the whirl of this fearful joy?

All things rush on, they stop not, they look not behind, no power can hold them back, they rush on.

Keeping steps with that restless, rapid music, seasons come dancing and pass away - colours, tunes, and perfumes pour in endless cascades in the abounding joy that scatters and gives up and dies every moment.
71.

That I should make much of myself and turn it on all sides, thus casting coloured shadows on thy radiance - such is thy maya.

Thou settest a barrier in thine own being and then callest thy severed self in myriad notes. This thy self-separation has taken body in me.

The poignant song is echoed through all the sky in many-coloured tears and smiles, alarms and hopes; waves rise up and sink again, dreams break and form. In me is thy own defeat of self.

This screen that thou hast raised is painted with innumerable figures with the brush of the night and the day. Behind it thy seat is woven in wondrous mysteries of curves, casting away all barren lines of straightness.

The great pageant of thee and me has overspread the sky. With the tune of thee and me all the air is vibrant, and all ages pass with the hiding and seeking of thee and me.
72.

He it is, the innermost one, who awakens my being with his deep hidden touches.

He it is who puts his enchantment upon these eyes and joyfully plays on the chords of my heart in varied cadence of pleasure and pain.

He it is who weaves the web of this maya in evanescent hues of gold and silver, blue and green, and lets peep out through the folds his feet, at whose touch I forget myself.

Days come and ages pass, and it is ever he who moves my heart in many a name, in many a guise, in many a rapture of joy and of sorrow.
73.

Deliverance is not for me in renunciation. I feel the embrace of freedom in a thousand bonds of delight.

Thou ever pourest for me the fresh draught of thy wine of various colours and fragrance, filling this earthen vessel to the brim.

My world will light its hundred different lamps with thy flame and place them before the altar of thy temple.

No, I will never shut the doors of my senses. The delights of sight and hearing and touch will bear thy delight.

Yes, all my illusions will burn into illumination of joy, and all my desires ripen into fruits of love.
74.

The day is no more, the shadow is upon the earth. It is time that I go to the stream to fill my pitcher.

The evening air is eager with the sad music of the water. Ah, it calls me out into the dusk. In the lonely lane there is no passer-by, the wind is up, the ripples are rampant in the river.

I know not if I shall come back home. I know not whom I shall chance to meet. There at the fording in the little boat the unknown man plays upon his lute.
75.

Thy gifts to us mortals fulfil all our needs and yet run back to thee undiminished.

The river has its everyday work to do and hastens through fields and hamlets; yet its incessant stream winds towards the washing of thy feet.

The flower sweetens the air with its perfume; yet its last service is to offer itself to thee.

Thy worship does not impoverish the world.

From the words of the poet men take what meanings please them; yet their last meaning points to thee.
76.

Day after day, O lord of my life, shall I stand before thee face to face. With folded hands, O lord of all worlds, shall I stand before thee face to face.

Under thy great sky in solitude and silence, with humble heart shall I stand before thee face to face.

In this laborious world of thine, tumultuous with toil and with struggle, among hurrying crowds shall I stand before thee face to face.

And when my work shall be done in this world, O King of kings, alone and speecess shall I stand before thee face to face.
77.

I know thee as my God and stand apart - I do not know thee as my own and come closer. I know thee as my father and bow before thy feet- I do not grasp thy hand as my friend's.

I stand not where thou comest down and ownest thyself as mine, there to clasp thee to my heart and take thee as my comrade.

Thou art the Brother amongst my brothers, but I heed them not, I divide not my earnings with them, thus sharing my all with thee.

In pleasure and in pain I stand not by the side of men, and thus stand by thee. I shrink to give up my life, and thus do not plunge into the great waters of life.
78.

When the creation was new and all the stars shone in their first splendour, the gods held their assembly in the sky and sang 'Oh, the picture of perfection! the joy unalloyed!'

But one cried of a sudden - 'It seems that somewhere there is a break in the chain of light and one of the stars has been lost.'

The golden string of their harp snapped, their song stopped, and they cried in dismay - 'Yes, that lost star was the best, she was the glory of all heavens!'

From that day the search is unceasing for her, and the cry goes on from one to the other that in her the world has lost its one joy!

Only in the deepest silence of night the stars smile and whisper among themselves - 'Vain is this seeking! unbroken perfection is over all!'
79.

If it is not my portion to meet thee in this life then let me ever feel that I have missed thy sight - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.

As my days pass in the crowded market of this world and my hands grow full with the daily profits, let me ever feel that I have gained nothing - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.

When I sit by the roadside, tired and panting, when I spread my bed low in the dust, let me ever feel that the long journey is still before me - let me not forget a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.

When my rooms have been decked out and the flutes sound and the laughter there is loud, let me ever feel that I have not invited thee to my house - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
80.

I am like a remnant of a cloud of autumn uselessly roaming in the sky, O my sun ever-glorious! Thy touch has not yet melted my vapour, making me one with thy light, and thus I count months and years separated from thee.

If this be thy wish and if this be thy play, then take this fleeting emptiness of mine, paint it with colours, gild it with gold, float it on the wanton wind and spread it in varied wonders.

And again when it shall be thy wish to end this play at night, I shall melt and vanish away in the dark, or it may be in a smile of the white morning, in a coolness of purity transparent.
81.

On many an idle day have I grieved over lost time. But it is never lost, my lord. Thou hast taken every moment of my life in thine own hands.

Hidden in the heart of things thou art nourishing seeds into sprouts, buds into blossoms, and ripening flowers into fruitfulness.

I was tired and sleeping on my idle bed and imagined all work had ceased. In the morning I woke up and found my garden full with wonders of flowers.
82.

Time is endless in thy hands, my lord. There is none to count thy minutes.

Days and nights pass and ages bloom and fade like flowers. Thou knowest how to wait.

Thy centuries follow each other perfecting a small wild flower.

We have no time to lose, and having no time we must scramble for a chances. We are too poor to be late.

And thus it is that time goes by while I give it to every querulous man who claims it, and thine altar is empty of all offerings to the last.

At the end of the day I hasten in fear lest thy gate to be shut; but I find that yet there is time.
83.

Mother, I shall weave a chain of pearls for thy neck with my tears of sorrow.

The stars have wrought their anklets of light to deck thy feet, but mine will hang upon thy breast.

Wealth and fame come from thee and it is for thee to give or to withhold them. But this my sorrow is absolutely mine own, and when I bring it to thee as my offering thou rewardest me with thy grace.
84.

It is the pang of separation that spreads throughout the world and gives birth to shapes innumerable in the infinite sky.

It is this sorrow of separation that gazes in silence all nights from star to star and becomes lyric among rustling leaves in rainy darkness of July.

It is this overspreading pain that deepens into loves and desires, into sufferings and joy in human homes; and this it is that ever melts and flows in songs through my poet's heart.
85.

When the warriors came out first from their master's hall, where had they hid their power? Where were their armour and their arms?

They looked poor and helpless, and the arrows were showered upon them on the day they came out from their master's hall.

When the warriors marched back again to their master's hall where did they hide their power?

They had dropped the sword and dropped the bow and the arrow; peace was on their foreheads, and they had left the fruits of their life behind them on the day they marched back again to their master's hall.
86.

Death, thy servant, is at my door. He has crossed the unknown sea and brought thy call to my home.

The night is dark and my heart is fearful - yet I will take up the lamp, open my gates and bow to him my welcome. It is thy messenger who stands at my door.

I will worship him placing at his feet the treasure of my heart.

He will go back with his errand done, leaving a dark shadow on my morning; and in my desolate home only my forlorn self will remain as my last offering to thee.

87.

In desperate hope I go and search for her in all the corners of my room; I find her not.

My house is small and what once has gone from it can never be regained.

But infinite is thy mansion, my lord, and seeking her I have to come to thy door.

I stand under the golden canopy of thine evening sky and I lift my eager eyes to thy face.

I have come to the brink of eternity from which nothing can vanish - no hope, no happiness, no vision of a face seen through tears.

Oh, dip my emptied life into that ocean, plunge it into the deepest fullness. Let me for once feel that lost sweet touch in the allness of the universe.
88.

Deity of the ruined temple! The broken strings of Vina sing no more your praise. The bells in the evening proclaim not your time of worship. The air is still and silent about you.

In your desolate dwelling comes the vagrant spring breeze. It brings the tidings of flowers - the flowers that for your worship are offered no more.

Your worshipper of old wanders ever longing for favour still refused. In the eventide, when fires and shadows mingle with the gloom of dust, he wearily comes back to the ruined temple with hunger in his heart.

Many a festival day comes to you in silence, deity of the ruined temple. Many a night of worship goes away with lamp unlit.

Many new images are built by masters of cunning art and carried to the holy stream of oblivion when their time is come.

Only the deity of the ruined temple remains unworshipped in deatess neglect.

89.

No more noisy, loud words from me - such is my master's will. Henceforth I deal in whispers. The speech of my heart will be carried on in murmurings of a song.

Men hasten to the King's market. All the buyers and sellers are there. But I have my untimely leave in the middle of the day, in the thick of work.

Let then the flowers come out in my garden, though it is not their time; and let the midday bees strike up their lazy hum.

Full many an hour have I spent in the strife of the good and the evil, but now it is the pleasure of my playmate of the empty days to draw my heart on to him; and I know not why is this sudden call to what useless inconsequence!
90.

On the day when death will knock at thy door what wilt thou offer to him?

Oh, I will set before my guest the full vessel of my life - I will never let him go with empty hands.

All the sweet vintage of all my autumn days and summer nights, all the earnings and gleanings of my busy life will I place before him at the close of my days when death will knock at my door.
91.

O thou the last fulfilment of life, Death, my death, come and whisper to me!

Day after day I have kept watch for thee; for thee have I borne the joys and pangs of life.

All that I am, that I have, that I hope and all my love have ever flowed towards thee in depth of secrecy. One final glance from thine eyes and my life will be ever thine own.

The flowers have been woven and the garland is ready for the bridegroom. After the wedding the bride shall leave her home and meet her lord alone in the solitude of night.
92.

I know that the day will come when my sight of this earth shall be lost, and life will take its leave in silence, drawing the last curtain over my eyes.

Yet stars will watch at night, and morning rise as before, and hours heave like sea waves casting up pleasures and pains.

When I think of this end of my moments, the barrier of the moments breaks and I see by the light of death thy world with its careless treasures. Rare is its lowliest seat, rare is its meanest of lives.

Things that I longed for in vain and things that I got - let them pass. Let me but truly possess the things that I ever spurned and overlooked.
93.

I have got my leave. Bid me farewell, my brothers! I bow to you all and take my departure.

Here I give back the keys of my door - and I give up all claims to my house. I only ask for last kind words from you.

We were neighbours for long, but I received more than I could give. Now the day has dawned and the lamp that lit my dark corner is out. A summons has come and I am ready for my journey.
94.

At this time of my parting, wish me good luck, my friends! The sky is flushed with the dawn and my path lies beautiful.

Ask not what I have with me to take there. I start on my journey with empty hands and expectant heart.

I shall put on my wedding garland. Mine is not the red-brown dress of the traveller, and though there are dangers on the way I have no fear in mind.

The evening star will come out when my voyage is done and the plaintive notes of the twilight melodies be struck up from the King's gateway.

95.

I was not aware of the moment when I first crossed the threshold of this life.

What was the power that made me open out into this vast mystery like a bud in the forest at midnight!

When in the morning I looked upon the light I felt in a moment that I was no stranger in this world, that the inscrutable without name and form had taken me in its arms in the form of my own mother.

Even so, in death the same unknown will appear as ever known to me. And because I love this life, I know I shall love death as well.

The child cries out when from the right breast the mother takes it away, in the very next moment to find in the left one its consolation.
96.

When I go from hence let this be my parting word, that what I have seen is unsurpassable.

I have tasted of the hidden honey of this lotus that expands on the ocean of light, and thus am I blessed - let this be my parting word.

In this playhouse of infinite forms I have had my play and here have I caught sight of him that is formless.

My whole body and my limbs have thrilled with his touch who is beyond touch; and if the end comes here, let it come - let this be my parting word.
97.

When my play was with thee I never questioned who thou wert. I knew nor shyness nor fear, my life was boisterous.

In the early morning thou wouldst call me from my sleep like my own comrade and lead me running from glade to glade.

On those days I never cared to know the meaning of songs thou sangest to me. Only my voice took up the tunes, and my heart danced in their cadence.

Now, when the playtime is over, what is this sudden sight that is come upon me? The world with eyes bent upon thy feet stands in awe with all its silent stars.
98.

I will deck thee with trophies, garlands of my defeat. It is never in my power to escape unconquered.

I surely know my pride will go to the wall, my life will burst its bonds in exceeding pain, and my empty heart will sob out in music like a hollow reed, and the stone will melt in tears.

I surely know the hundred petals of a lotus will not remain closed for ever and the secret recess of its honey will be bared.

From the blue sky an eye shall gaze upon me and summon me in silence. Nothing will be left for me, nothing whatever, and utter death shall I receive at thy feet.
99.

When I give up the helm I know that the time has come for thee to take it. What there is to do will be instantly done. Vain is this struggle.

Then take away your hands and silently put up with your defeat, my heart, and think it your good fortune to sit perfectly still where you are placed.

These my lamps are blown out at every little puff of wind, and trying to light them I forget all else again and again.

But I shall be wise this time and wait in the dark, spreading my mat on the floor; and whenever it is thy pleasure, my lord, come silently and take thy seat here.
100.

I dive down into the depth of the ocean of forms, hoping to gain the perfect pearl of the formless.

No more sailing from harbour to harbour with this my weather-beaten boat. The days are long passed when my sport was to be tossed on waves.

And now I am eager to die into the deatess.

Into the audience hall by the fathomless abyss where swells up the music of toneless strings I shall take this harp of my life.

I shall tune it to the notes of forever, and when it has sobbed out its last utterance, lay down my silent harp at the feet of the silent.
101.

Ever in my life have I sought thee with my songs. It was they who led me from door to door, and with them have I felt about me, searching and touching my world.

It was my songs that taught me all the lessons I ever learnt; they showed me secret paths, they brought before my sight many a star on the horizon of my heart.

They guided me all the day long to the mysteries of the country of pleasure and pain, and, at last, to what palace gate have the brought me in the evening at the end of my journey?
102.

I boasted among men that I had known you. They see your pictures in all works of mine. They come and ask me, 'Who is he?' I know not how to answer them. I say, 'Indeed, I cannot tell.' They blame me and they go away in scorn. And you sit there smiling.

I put my tales of you into lasting songs. The secret gushes out from my heart. They come and ask me, 'Tell me all your meanings.' I know not how to answer them. I say, 'Ah, who knows what they mean!' They smile and go away in utter scorn. And you sit there smiling.
103.

In one salutation to thee, my God, let all my senses spread out and touch this world at thy feet.

Like a rain-cloud of July hung low with its burden of unshed showers let all my mind bend down at thy door in one salutation to thee.

Let all my songs gather together their diverse strains into a single current and flow to a sea of silence in one salutation to thee.

Like a flock of homesick cranes flying night and day back to their mountain nests let all my life take its voyage to its eternal home in one salutation to thee.
In the introduction to Gitanjali, W.B Yeats says of Tagores poetry.

At every moment the heart of this poet flows outward to these without derogation or condescension, for it has known that they will understand; and it has filled itself with the circumstance of their lives.

An innocence, a simplicity that one does not find elsewhere in literature makes the birds and the leaves seem as near to him as they are near to children, and the changes of the seasons great events as before our thoughts had arisen between them and us.
~ Rabindranath Tagore, Gitanjali
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