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object:1.02.3.1 - The Lord
book class:Isha Upanishad
author class:Sri Aurobindo
class:chapter
--- IV - THIRD MOVEMENT [1]
--- The Lord
Verse 8*

"HE"
In its third movement the Upanishad takes up the justification
of works already stated in general terms in its second verse and
founds it more precisely upon the conception of Brahman or
the Self as the Lord, - Ish, Ishwara, Para Purusha, Sa (He) -
who is the cause of personality and governs by His law of works
the rhythm of the Movement and the process of the worlds that
He conceives and realises throughout eternal Time in His own
self-existence.
It is an error to conceive that the Upanishads teach the true
existence only of an impersonal and actionless Brahman, an
impersonal God without power or qualities. They declare rather
an Unknowable that manifests itself to us in a double aspect
of Personality and Impersonality. When they wish to speak of
this Unknowable in the most comprehensive and general way,
they use the neuter and call It Tat, That; but this neuter does
not exclude the aspect of universal and transcendent Personality
acting and governing the world (cf. Kena Upanishad III). Still,
when they intend to make prominent the latter idea they more
often prefer to use the masculine Sa, He, or else they employ the
* 8. It is He that has gone abroad - That which is bright, bodiless, without scar of
imperfection, without sinews, pure, unpierced by evil. The Seer, the Thinker, the One
who becomes everywhere, the Self-existent has ordered objects perfectly according to
their nature from years sempiternal.

term Deva, God or the Divine, or Purusha, the conscious Soul,
of whom Prakriti or Maya is the executive Puissance, the Shakti.
The Isha Upanishad, having declared the Brahman as the
sole reality manifesting itself in many aspects and forms, having
presented this Brahman subjectively as the Self, the one Being of
whom all existences are Becomings, and as that which we have to
realise in ourselves and in all things and beyond all things, now
proceeds to assert the same Brahman more objectively as the
Lord, the Purusha who both contains and inhabits the universe.
It is He that went abroad. This Brahman, this Self is identical
with the Lord, the Ish, with whose name the Upanishad opens,
the Inhabitant of all forms: and, as we shall find, identical with
the universal Purusha of the 16th verse, - "The Purusha there
and there, He am I." It is He who has become all things and
beings, - a conscious Being, the sole Existent and Self-existent,
who is Master and Enjoyer of all He becomes. And the Upanishad proceeds to formulate the nature and manner, the general
law of that becoming of God which we call the world. For on
this conception depends the Vedic idea of the two poles of death
and immortality, the reason for the existence of Avidya, the
Ignorance, and the justification of works in the world.

TRANSITIONAL THOUGHT
THE DIVINE PERSONALITY

The Vedantic idea of God, "He", Deva or Ishwara, must not be
confused with the ordinary notions attached to the conception of
a Personal God. Personality is generally conceived as identical
with individuality and the vulgar idea of a Personal God is a
magnified individual like man in His nature but yet different,
greater, more vast and all-overpowering. Vedanta admits the
human manifestation of Brahman in man and to man, but does
not admit that this is the real nature of the Ishwara.
God is Sachchidananda. He manifests Himself as infinite
existence of which the essentiality is consciousness, of which
again the essentiality is bliss, is self-delight. Delight cognizing
variety of itself, seeking its own variety, as it were, becomes the
universe. But these are abstract terms; abstract ideas in themselves cannot produce concrete realities. They are impersonal
states; impersonal states cannot in themselves produce personal
activities.
This becomes still clearer if we consider the manifestation of
Sachchidananda. In that manifestation Delight translates itself
into Love; Consciousness translates itself into double terms, conceptive Knowledge, executive Force; Existence translates itself
into Being, that is to say, into Person and Substance. But Love is
incomplete without a Lover and an object of Love, Knowledge
without a Knower and an object of Knowledge, Force without a
Worker and a Work, Substance without a Person cognizing and
constituting it.
This is because the original terms also are not really impersonal abstractions. In delight of Brahman there is an Enjoyer of
delight, in consciousness of Brahman a Conscient, in existence
of Brahman an Existent; but the object of Brahman's delight and
consciousness and the term and stuff of Its existence are Itself. In
the divine Being Knowledge, the Knower and the Known and,
therefore, necessarily also Delight, the Enjoyer and the Enjoyed
are one.
This Self-Awareness and Self-Delight of Brahman has two
modes of its Force of consciousness, its Prakriti or Maya, -
intensive in self-absorption, diffusive in self-extension. The intensive mode is proper to the pure and silent Brahman; the
diffusive to the active Brahman. It is the diffusion of the Selfexistent in the term and stuff of His own existence that we call
the world, the becoming or the perpetual movement (bhuvanam,
jagat). It is Brahman that becomes; what He becomes is also the
Brahman. The object of Love is the self of the Lover; the work
is the self-figuration of the Worker; Universe is body and action
of the Lord.
When, therefore, we consider the abstract and impersonal
aspect of the infinite existence, we say, "That"; when we consider
the Existent self-aware and self-blissful, we say, "He". Neither

conception is entirely complete. Brahman itself is the Unknowable beyond all conceptions of Personality and Impersonality.
We may call it "That" to show that we exile from our affirmation
all term and definition. We may equally call it "He", provided
we speak with the same intention of rigorous exclusion. "Tat"
and "Sa" are always the same, One that escapes definition.
In the universe there is a constant relation of Oneness and
Multiplicity. This expresses itself as the universal Personality and
the many Persons, and both between the One and the Many and
among the Many themselves there is the possibility of an infinite
variety of relations. These relations are determined by the play
of the divine existence, the Lord, entering into His manifested
habitations. They exist at first as conscious relations between
individual souls; they are then taken up by them and used as
a means of entering into conscious relation with the One. It is
this entering into various relations with the One which is the
object and function of Religion. All religions are justified by this
essential necessity; all express one Truth in various ways and
move by various paths to one goal.
The Divine Personality reveals Himself in various forms and
names to the individual soul. These forms and names are in a
sense created in the human consciousness; in another they are
eternal symbols revealed by the Divine who thus concretises
Himself in mind-form to the multiple consciousness and aids it
in its return to its own Unity.1
HE THAT WENT ABROAD
It is He that has extended Himself in the relative consciousness
whose totality of finite and changeable circumstances dependent
on an equal, immutable and eternal Infinity is what we call the
Universe. Sa paryagat.
In this extension we have, therefore, two aspects, one of pure
infinite relationless immutability, another of a totality of objects
1 It would be an error to suppose that these conceptions are in their essence later
developments of philosophical Hinduism. The conception of the many forms and names
of the One is as old as the Rig Veda.

in Time and Space working out their relations through causality.
Both are different and mutually complementary expressions of
the same unknowable "He".
To express the infinite Immutability the Upanishad uses
a series of neuter adjectives, "Bright, bodiless, without scar,
without sinews, pure, unpierced by evil." To express the same
Absolute as cause, continent and governing Inhabitant of the
totality of objects and of each object in the totality (jagatyam
jagat) it uses four masculine epithets, "The Seer, the Thinker,
the One who becomes everywhere, the Self-existent" or "the
Self-Becoming".
The Immutable is the still and secret foundation of the play
and the movement, extended equally, impartially in all things,
samam brahma,2 lending its support to all without choice or
active participation. Secure and free in His eternal immutability the Lord projects Himself into the play and the movement,
becoming there in His self-existence all that the Seer in Him visualises and the Thinker in Him conceives. Kavir mans. paribhuh.
svayambhuh..

THE PURE IMMUTABLE
The pure immutability of the Lord is "bright". It is a luminosity
of pure concentrated Self-awareness, not broken by refractions,
not breaking out into colour and form. It is the pure selfknowledge of the Purusha, the conscious Soul, with his Power,
his executive Force contained and inactive.
It is "bodiless", - without form, indivisible and without
appearance of division. It is one equal Purusha in all things,
not divided by the divisions of Space and Time, - a pure selfconscious Absolute.
It is without scar, that is, without defect, break or imperfection. It is untouched and unaffected by the mutabilities. It
supports their clash of relations, their play of more and less,
of increase and diminution, of irruption and interpenetration.
2 "The equal Brahman." - Gita.

Isha Upanishad: Analysis

45

For Itself is without action, acalah. sanatanah.,3 "motionless,
sempiternal".
It is without sinews. The reason for Its being without scar is
that It does not put out Power, does not dispense Force in multiple channels, does not lose it here, increase it there, replenish
its loss or seek by love or by violence its complementary or its
food. It is without nerves of force; It does not pour itself out in
the energies of the Pranic dynamism, of Life, of Matarishwan.
It is pure, unpierced by evil. What we call sin or evil, is
merely excess and defect, wrong placement, inharmonious action and reaction. By its equality, by its inaction even while it
supports all action, the conscious Soul retains its eternal freedom
and eternal purity. For it is unmodified; It watches as the Sakshi,
the witness, the modifications effected by Prakriti, but does not
partake of them, does not get clogged with them, receives not
their impression. Na lipyate.

THE SOUL INALIENABLY FREE
What is the relation of the active Brahman and of the human
soul to this pure Inactive? They too are That. Action does not
change the nature of the Self, but only the nature of the diverse
forms. The Self is always pure, blissful, perfect, whether inactive
or participating in action.
The Self is all things and exceeds them. It exceeds always
that in which the mind is engrossed, that which it takes in a particular time and space as a figure of itself. The boundless whole
is always perfect. The totality of things is a complete harmony
without wound or flaw. The view-point of the part taken for
a whole, in other words the Ignorance, is the broken reflection
which creates the consciousness of limitation, incompleteness
and discord. We shall see that this Ignorance has a use in the
play of the Brahman; but in itself it appears at first to be only a
parent of evil.
Ignorance is a veil that separates the mind, body and life
3 Gita II. 24.

46

Isha Upanishad: Part One

from their source and reality, Sachchidananda. Thus obscured
the mind feels itself pierced by the evil that Ignorance creates. But
the Active Brahman is always Sachchidananda using for its selfbecoming the forms of mind, body and life. All their experiences
are therefore seen by It in the terms of Sachchidananda. It is not
pierced by the evil. For It also is the One and sees everywhere
Oneness. It is not mastered by the Ignorance that It uses as a
minor term of its conception.
The human soul is one with the Lord; it also is in its completeness Sachchidananda using Ignorance as the minor term of
its being. But it has projected its conceptions into this minor
term and established there in limited mind its centre of vision,
its view-point. It assumes to itself the incompleteness and the
resultant sense of want, discord, desire, suffering. The Real Man
behind is not affected by all this confusion; but the apparent or
exterior Man is affected. To recover its freedom it must recover
its completeness; it must identify itself with the divine Inhabitant within, its true and complete self. It can then, like the
Lord, conduct the action of Prakriti without undergoing the
false impression of identification with the results of its action. It
is this idea on which the Upanishad bases the assertion, "Action
cleaveth not to a man."
To this end it must recover the silent Brahman within. The
Lord possesses always His double term and conducts the action
of the universe, extended in it, but not attached to or limited by
His works. The human soul, entangled in mind, is obscured in
vision by the rushing stream of Prakriti's works and fancies itself
to be a part of that stream and swept in its currents and in its
eddies. It has to go back in its self-existence to the silent Purusha
even while participating in its self-becoming in the movement of
Prakriti. It becomes, then, not only like the silent Purusha, the
witness and upholder, but also the Lord and the free enjoyer
of Prakriti and her works. An absolute calm and passivity, purity and equality within, a sovereign and inexhaustible activity
without is the nature of Brahman as we see it manifested in the
universe.
There is therefore no farther objection to works. On
the contrary, works are justified by the participation or selfidentification of the soul with the Lord in His double aspect of
passivity and activity. Tranquillity for the Soul, activity for the
energy, is the balance of the divine rhythm in man.

THE LAW OF THINGS
The totality of objects (arthan) is the becoming of the Lord in
the extension of His own being. Its principle is double. There
is consciousness; there is Being. Consciousness dwells in energy
(tapas) upon its self-being to produce Idea of itself (vijnana) and
form and action inevitably corresponding to the Idea. This is the
original Indian conception of creation, self-production or projection into form (sr.s.t.i, prasava). Being uses its self-awareness to
evolve infinite forms of itself governed by the expansion of the
innate Idea in the form. This is the original Indian conception of
evolution, prominent in certain philosophies such as the Sankhya
(parin.ama, vikara, vivarta). It is the same phenomenon diversely
stated.
In the idea of some thinkers the world is a purely subjective
evolution (vivarta), not real as objective fact; in the idea of others
it is an objective fact, a real modification (parin.ama), but one
which makes no difference to the essence of Being. Both notions
claim to derive from the Upanishads as their authority, and their
opposition comes in fact by the separation of what in the ancient
Vedanta was viewed as one, - as we see in this passage.
Brahman is His own subject and His own object, whether
in His pure self-existence or in His varied self-becoming. He is
the object of His own self-awareness; He is the Knower of His
own self-being. The two aspects are inseparable, even though
they seem to disappear into each other and emerge again from
each other. All appearance of pure subjectivity holds itself as
an object implicit in its very subjectivity; all appearance of pure
objectivity holds itself as subject implicit in its very objectivity.
All objective existence is the Self-existent, the Self-becoming,
"Swayambhu", becoming by the force of the Idea within it. The
Idea is, self-contained, the Fact that it becomes. For Swayambhu

sees or comprehends Himself in the essence of the Fact as
"Kavi", thinks Himself out in the evolution of its possibilities
as "Manishi", becomes form of Himself in the movement in
Space and Time as "Paribhu". These three are one operation
appearing as successive in the relative, temporal and spatial
Consciousness.
It follows that every object holds in itself the law of its own
being eternally, sasvatbhyah. samabhyah., from years sempiternal, in perpetual Time. All relations in the totality of objects are
thus determined by their Inhabitant, the Self-existent, the Selfbecoming, and stand contained in the nature of things by the
omnipresence of the One, the Lord, by His self-vision which
is their inherent subjective Truth, by His self-becoming which,
against a background of boundless possibilities, is the Law of
their inevitable evolution in the objective Fact.
Therefore all things are arranged by Him perfectly, ya thatathyatah., as they should be in their nature. There is an imperative harmony in the All, which governs the apparent discords
of individualisation. That discord would be real and operate in
eternal chaos, if there were only a mass of individual forms and
forces, if each form and force did not contain in itself and were
not in its reality the self-existent All, the Lord.

THE PROCESS OF THINGS
The Lord appears to us in the relative notion of the process of
things first as Kavi, the Wise, the Seer. The Kavi sees the Truth
in itself, the truth in its becoming, in its essence, possibilities,
actuality. He contains all that in the Idea, the Vijnana, called
the Truth and Law, Satyam Ritam. He contains it comprehensively, not piecemeal; the Truth and Law of things is the Brihat,
the Large. Viewed by itself, the realm of Vijnana would seem
a realm of predetermination, of concentration, of compelling
seed-state. But it is a determination not in previous Time, but in
perpetual Time; a Fate compelled by the Soul, not compelling it,
compelling rather the action and result, present in the expansion
of the movement as well as in the concentration of the Idea.

Therefore the truth of the Soul is freedom and mastery, not
subjection and bondage. Purusha commands Prakriti, Prakriti
does not compel Purusha. Na karma lipyate nare.
The Manishi takes his stand in the possibilities. He has
behind him the freedom of the Infinite and brings it in as a
background for the determination of the finite. Therefore every
action in the world seems to emerge from a balancing and clashing of various possibilities. None of these, however, are effective
in the determination except by their secret consonance with the
Law of that which has to become. The Kavi is in the Manishi
and upholds him in his working. But viewed by itself the realm
of the Manishi would seem to be a state of plasticity, of freewill, of the interaction of forces, but of a free-will in thought
which is met by a fate in things.
For the action of the Manishi is meant to eventuate in the
becoming of the Paribhu. The Paribhu, called also Virat, extends
Himself in the realm of eventualities. He fulfils what is contained
in the Truth, what works out in the possibilities reflected by the
mind, what appears to us as the fact objectively realised. The
realm of Virat would seem, if taken separately, to be that of a
Law and Predetermination which compels all things that evolve
in that realm, - the iron chain of Karma, the rule of mechanical
necessity, the despotism of an inexplicable Law.
But the becoming of Virat is always the becoming of the selfexistent Lord, - paribhuh. svayambhuh.. Therefore to realise the
truth of that becoming we have to go back and re-embrace all
that stands behind; - we have to return to the full truth of the
free and infinite Sachchidananda.
This is the truth of things as seen from above and from the
Unity. It is the divine standpoint; but we have to take account of
the human standpoint which starts from below, proceeds from
the Ignorance, and perceives these principles successively, not
comprehensively, as separate states of consciousness. Humanity
is that which returns in experience to Sachchidananda, and it
must begin from below, in Avidya, with the mind embodied in
Matter, the Thinker imprisoned and emerging from the objective
Fact. This imprisoned Thinker is Man, the "Manu".

He has to start from death and division and arrive at unity
and immortality. He has to realise the universal in the individual and the Absolute in the relative. He is Brahman growing
self-conscious in the objective multiplicity. He is the ego in the
cosmos vindicating himself as the All and the Transcendent.



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3x3 Eyes -- -- Toei Animation -- 4 eps -- Manga -- Action Demons Fantasy Horror Romance -- 3x3 Eyes 3x3 Eyes -- 3X3 Eyes is the story of a young man named Yakumo Fuuji, who through a strange series of events becomes the immortal slave of the last of a race of 3 Eyed demons. The demon absorbs his soul to save his life, making him immortal in the process. Now, he begins a journey with the female demon in an attempt to find a way of becoming human. Of course, there are many complications along the way, not the least of which being that the demon is a female with a split personality, one achingly cute and the other being no-nonsense destructive power, and the romances that develop between. -- -- Licensor: -- Geneon Entertainment USA -- OVA - Jul 25, 1991 -- 23,239 6.76
Danball Senki -- -- OLM -- 44 eps -- Game -- Action Kids Mecha -- Danball Senki Danball Senki -- In 2046, a revolutionary 80% shock-absorbing reinforced cardboard has been developed, rapidly transforming the world's exports. The reinforced cardboard would soon become the battleground for a popular children's hobby called "LBX" (Little Battler eXperience). -- -- Four years later, a boy named Yamano Ban who loves to play with LBX (although without a mecha himself) is given a case containing the model AX-00 by a mysterious woman. He is told that he now holds the hopes and despairs of mankind in his hands. -- -- Licensor: -- Dentsu Entertainment USA -- TV - Mar 2, 2011 -- 7,541 6.99
Demon Busters: Ecchi na Ecchi na Demon Taiji The Animation -- -- - -- 1 ep -- Visual novel -- Harem Hentai Demons Supernatural School -- Demon Busters: Ecchi na Ecchi na Demon Taiji The Animation Demon Busters: Ecchi na Ecchi na Demon Taiji The Animation -- Kou is a member of the public morals committee at Moriyaji Gakuen, along with his childhood friend Ai and kouhai Karen. One day while he was making the rounds after school, he was attacked by a weird being. He was frozen in fear and could not evade its attack, but he was saved by two girls, Konoka and Lizera. They were ‘daemon busters’ who fight against daemons borne from the lust and cravings of humans. They told him that he was a kyuumashi who could absorb the desires that create daemons, and they asked for his help since his special ability makes their battles much easier. When he uses his ability, it causes him to be able to see girls naked and also makes them horny. If the daemons aren’t defeated, then their lust will cause the whole school to become an orgy. As part of the public morals committee, he can’t let that happen! -- -- (Source: Hau~ Omochikaeri!) -- OVA - Sep 25, 2015 -- 6,780 6.81
Dragon Ball Z Movie 03: Chikyuu Marugoto Choukessen -- -- Toei Animation -- 1 ep -- Manga -- Action Sci-Fi Adventure Comedy Fantasy Shounen -- Dragon Ball Z Movie 03: Chikyuu Marugoto Choukessen Dragon Ball Z Movie 03: Chikyuu Marugoto Choukessen -- A mysterious device crashes on planet Earth, causing a wildfire near where Gohan Son, Kuririn, Bulma, and Oolong are camping. Unable to fully save the forest, they decide to use the Dragon Balls to restore it to its previous condition. A few days later, a group of unknown warriors plant a seed where the mysterious device had crashed, sprouting a colossal tree that destroys the forest and neighboring cities in the process. -- -- North Kaio contacts Gokuu Son and tells him that this tree is the "Shinseiju"—a tree that absorbs all the nutrients in the planet and leaves it a barren wasteland, all the while growing a mighty fruit capable of providing incredible power to anyone who eats it. After learning of this, Gokuu and his friends try destroying the tree before it is too late, but that may prove to be more difficult than they had previously imagined. -- -- -- Licensor: -- Funimation -- Movie - Jul 7, 1990 -- 106,422 6.72
Dragon Ball Z Movie 03: Chikyuu Marugoto Choukessen -- -- Toei Animation -- 1 ep -- Manga -- Action Sci-Fi Adventure Comedy Fantasy Shounen -- Dragon Ball Z Movie 03: Chikyuu Marugoto Choukessen Dragon Ball Z Movie 03: Chikyuu Marugoto Choukessen -- A mysterious device crashes on planet Earth, causing a wildfire near where Gohan Son, Kuririn, Bulma, and Oolong are camping. Unable to fully save the forest, they decide to use the Dragon Balls to restore it to its previous condition. A few days later, a group of unknown warriors plant a seed where the mysterious device had crashed, sprouting a colossal tree that destroys the forest and neighboring cities in the process. -- -- North Kaio contacts Gokuu Son and tells him that this tree is the "Shinseiju"—a tree that absorbs all the nutrients in the planet and leaves it a barren wasteland, all the while growing a mighty fruit capable of providing incredible power to anyone who eats it. After learning of this, Gokuu and his friends try destroying the tree before it is too late, but that may prove to be more difficult than they had previously imagined. -- -- Movie - Jul 7, 1990 -- 106,422 6.72
Dragon Ball Z Movie 06: Gekitotsu!! 100-oku Power no Senshi-tachi -- -- Toei Animation -- 1 ep -- Manga -- Action Sci-Fi Adventure Comedy Fantasy Shounen -- Dragon Ball Z Movie 06: Gekitotsu!! 100-oku Power no Senshi-tachi Dragon Ball Z Movie 06: Gekitotsu!! 100-oku Power no Senshi-tachi -- A mysterious entity known as the "Big Gete Star" clings onto planet New Namek to absorb its energy, putting all Namekians in grave danger. Dende, Earth's new guardian, learns about the prevailing situation in his homeland and quickly requests Gokuu Son and his friends for help. -- -- Upon arrival in New Namek, they discover that the Namekians are held captive by powerful robots, whose leader turns out to be Cooler. He explains that the advanced technology of the Big Gete Star saved him from what otherwise would have been certain death. Alongside his mechanical army, Cooler proceeds to attack Gokuu and his friends to get rid of them once and for all. -- -- -- Licensor: -- Funimation -- Movie - Mar 7, 1992 -- 100,803 6.82
Dragon Ball Z Movie 06: Gekitotsu!! 100-oku Power no Senshi-tachi -- -- Toei Animation -- 1 ep -- Manga -- Action Sci-Fi Adventure Comedy Fantasy Shounen -- Dragon Ball Z Movie 06: Gekitotsu!! 100-oku Power no Senshi-tachi Dragon Ball Z Movie 06: Gekitotsu!! 100-oku Power no Senshi-tachi -- A mysterious entity known as the "Big Gete Star" clings onto planet New Namek to absorb its energy, putting all Namekians in grave danger. Dende, Earth's new guardian, learns about the prevailing situation in his homeland and quickly requests Gokuu Son and his friends for help. -- -- Upon arrival in New Namek, they discover that the Namekians are held captive by powerful robots, whose leader turns out to be Cooler. He explains that the advanced technology of the Big Gete Star saved him from what otherwise would have been certain death. Alongside his mechanical army, Cooler proceeds to attack Gokuu and his friends to get rid of them once and for all. -- -- Movie - Mar 7, 1992 -- 100,803 6.82
Dragon Ball Z Movie 07: Kyokugen Battle!! Sandai Super Saiyajin -- -- Toei Animation -- 1 ep -- Manga -- Action Adventure Comedy Fantasy Sci-Fi Shounen -- Dragon Ball Z Movie 07: Kyokugen Battle!! Sandai Super Saiyajin Dragon Ball Z Movie 07: Kyokugen Battle!! Sandai Super Saiyajin -- Dr. Gero's Androids #13, #14, and #15 are awakened by the laboratory computers and immediately head to the mall where Goku is shopping. After Goku, Trunks, and Vegeta defeat #14 and #15, #13 absorbs their inner computers and becomes a super being greater than the original three separately were. Now it is up to Goku to stop him. -- -- (Source: ANN) -- -- Licensor: -- Funimation -- Movie - Jul 11, 1992 -- 96,252 6.87
Dragon Ball Z Movie 07: Kyokugen Battle!! Sandai Super Saiyajin -- -- Toei Animation -- 1 ep -- Manga -- Action Adventure Comedy Fantasy Sci-Fi Shounen -- Dragon Ball Z Movie 07: Kyokugen Battle!! Sandai Super Saiyajin Dragon Ball Z Movie 07: Kyokugen Battle!! Sandai Super Saiyajin -- Dr. Gero's Androids #13, #14, and #15 are awakened by the laboratory computers and immediately head to the mall where Goku is shopping. After Goku, Trunks, and Vegeta defeat #14 and #15, #13 absorbs their inner computers and becomes a super being greater than the original three separately were. Now it is up to Goku to stop him. -- -- (Source: ANN) -- Movie - Jul 11, 1992 -- 96,252 6.87
Godzilla 3: Hoshi wo Kuu Mono -- -- Polygon Pictures -- 1 ep -- Original -- Action Adventure Sci-Fi -- Godzilla 3: Hoshi wo Kuu Mono Godzilla 3: Hoshi wo Kuu Mono -- A door opens, and a golden seal shatters a star. -- -- It is the early 21st century. Mankind has lost the battle for planet Earth to Godzilla, and has taken to the stars in search of a new home. But the search ends in vain, forcing them and their alien allies back to Earth. But 20,000 years have passed in their absence, and the Earth is a wholly different place. -- -- The planet's flora and fauna now embody and serve Godzilla. Earth is a monster's planet, ruled by the largest Godzilla ever at 300 meters in height. Godzilla Earth. -- -- Human protagonist, Captain Haruo, yearns to defeat Godzilla and retake the planet for mankind. There, he meets aboriginal descendants of the human race, the Houtua tribe. The Houtua twin sisters, Maina and Miana, lead him to the skeletal remains of Mecha-Godzilla, an old anti-Godzilla weapon, which to everyone's surprise is still alive in the form of self-generating nanometal. Taken from the Mecha-Godzilla carcass, the nanometals have gradually been rebuilding a "Mecha-Godzilla City," a potential weapon capable of destroying Godzilla Earth. -- -- As the strategy develops, a rift forms between the humans and the Bilusaludo, one of several alien races that had joined the humans on their exodus from Earth. Their leader, Galu-gu, believes that the secret to defeating Godzilla lies in the use of superhuman powers – namely, the nanometal integration – but Haruo resists, fearing that in defeating monsters, they must not become monsters themselves. Haruo ultimately uses his means for defeating Godzilla Earth to destroy the Mecha-Godzilla city so as to prevent nanometal assimilation, killing Galu-gu. However, his childhood friend, Yuuko, has been absorbed by the nanometal integration and has fallen into a brain dead coma. -- -- The human race, once again, is lost. Metphies, commander of the priestly alien race, Exif, marvels at the miraculous survival of Haruo, he begins to attract a following. The Exif has secretly harbored this outcome as their "ultimate goal." Miana and Maina issue warnings against Metphies, while Haruo begins to question mankind's next move. -- -- With no means for defeating Godzilla Earth, mankind watches as King Ghidorah, clad in a golden light, descends on the planet. The earth shakes once again with as war moves to a higher dimension. -- -- What is Godzilla exactly? Does mankind stand a chance? Is there a future vision in Haruo's eyes? Find out in the finale. -- -- (Source: Official site) -- Movie - Nov 9, 2018 -- 23,950 6.26
Kannagi -- -- A-1 Pictures, Ordet -- 13 eps -- Manga -- Comedy School Shounen Supernatural -- Kannagi Kannagi -- Based on a shounen manga by Takenashi Eri, serialised in Comic REX. -- -- Our unlucky protagonist, Jin, uses the trunk of a sacred tree to carve a statue for a school project. When he takes it outside, to his surprise it begins absorbing the surrounding earth and transforms into, hold your breath on this one, a girl! So like all similar setups this guardian deity is pretty pissed that her tree was cut down and lives with Jin while she takes out her anger on squashing bugs....er, cleaning the "Impurities." -- 140,179 7.32
Kannagi -- -- A-1 Pictures, Ordet -- 13 eps -- Manga -- Comedy School Shounen Supernatural -- Kannagi Kannagi -- Based on a shounen manga by Takenashi Eri, serialised in Comic REX. -- -- Our unlucky protagonist, Jin, uses the trunk of a sacred tree to carve a statue for a school project. When he takes it outside, to his surprise it begins absorbing the surrounding earth and transforms into, hold your breath on this one, a girl! So like all similar setups this guardian deity is pretty pissed that her tree was cut down and lives with Jin while she takes out her anger on squashing bugs....er, cleaning the "Impurities." -- -- Licensor: -- Bandai Entertainment -- 140,179 7.32
Kore wa Zombie Desu ka? -- -- Studio Deen -- 12 eps -- Light novel -- Action Comedy Ecchi Harem Magic Supernatural -- Kore wa Zombie Desu ka? Kore wa Zombie Desu ka? -- Ayumu Aikawa is a 16-year-old high school student who is tragically murdered while investigating a suspicious house. However, he soon awakens next to a strange armored girl called Eucliwood Hellscythe. She reveals herself to be a necromancer who has revived Ayumu, consequently turning him into a zombie! -- -- Now immortal, Ayumu sets out to hunt down his killer. One day, while searching in a cemetery, he encounters a boisterous young girl named Haruna, who is fighting a bear with a chainsaw while dressed as a magical girl. After she kills the beast, Haruna attempts to erase Ayumu's memories of her, but he instead absorbs her magic for himself. Stripped of her powers, Haruna now orders Ayumu to take up her role of hunting strange creatures known as "Megalo," monsters that roam the human world and terrorize the population. -- -- Kore wa Zombie Desu ka? follows the daily antics of the human-turned-zombie Ayumu as he begins his new, ludicrous life where the supernatural becomes the norm. -- -- -- Licensor: -- Funimation -- TV - Jan 11, 2011 -- 538,162 7.41
Naruto: Shippuuden Movie 3 - Hi no Ishi wo Tsugu Mono -- -- Studio Pierrot -- 1 ep -- Manga -- Action Comedy Martial Arts Shounen Super Power -- Naruto: Shippuuden Movie 3 - Hi no Ishi wo Tsugu Mono Naruto: Shippuuden Movie 3 - Hi no Ishi wo Tsugu Mono -- After being sent to investigate the alarming disappearance of four bloodline limit-wielding ninjas from different countries, Kakashi Hatake, Naruto Uzumaki, Sakura Haruno, and Sai successfully discover their whereabouts and inform the Hokage. Unexpectedly, Tsunade's further arrangements fall apart when Hiruko—the mastermind behind the incident and also a former Konohagakure ninja obsessed with power—appears to announce that he has absorbed the missing ninjas' unique abilities. On the verge of becoming invincible, he seeks one more bloodline limit before starting an all-out war to take over the world. -- -- As Konohagakure's past connections with Hiruko raise suspicions among the nations about its involvement in the affair, Tsunade receives an ultimatum to solve the crisis. Left with no other choice, she decides to follow Kakashi's lead after he presents a daring yet salutary scheme—a proposal that could send him to certain death. However, Naruto opposes such a plan! Despite the Hokage's decision, he is determined to save his teacher's life, even if it means fighting friend and foe alike. -- -- -- Licensor: -- VIZ Media -- Movie - Aug 1, 2009 -- 154,081 7.34
Naruto: Shippuuden Movie 3 - Hi no Ishi wo Tsugu Mono -- -- Studio Pierrot -- 1 ep -- Manga -- Action Comedy Martial Arts Shounen Super Power -- Naruto: Shippuuden Movie 3 - Hi no Ishi wo Tsugu Mono Naruto: Shippuuden Movie 3 - Hi no Ishi wo Tsugu Mono -- After being sent to investigate the alarming disappearance of four bloodline limit-wielding ninjas from different countries, Kakashi Hatake, Naruto Uzumaki, Sakura Haruno, and Sai successfully discover their whereabouts and inform the Hokage. Unexpectedly, Tsunade's further arrangements fall apart when Hiruko—the mastermind behind the incident and also a former Konohagakure ninja obsessed with power—appears to announce that he has absorbed the missing ninjas' unique abilities. On the verge of becoming invincible, he seeks one more bloodline limit before starting an all-out war to take over the world. -- -- As Konohagakure's past connections with Hiruko raise suspicions among the nations about its involvement in the affair, Tsunade receives an ultimatum to solve the crisis. Left with no other choice, she decides to follow Kakashi's lead after he presents a daring yet salutary scheme—a proposal that could send him to certain death. However, Naruto opposes such a plan! Despite the Hokage's decision, he is determined to save his teacher's life, even if it means fighting friend and foe alike. -- -- Movie - Aug 1, 2009 -- 154,081 7.34
Rockman.EXE Movie: Hikari to Yami no Program -- -- Xebec -- 1 ep -- - -- Action Adventure Game Kids -- Rockman.EXE Movie: Hikari to Yami no Program Rockman.EXE Movie: Hikari to Yami no Program -- Deep in the dark recesses of the UnderNet, Forte sleeps as he drifts aimlessly. In this cybernetic graveyard, a pulsating power re-awakens Forte, alerting him to a dangerous being shortly ahead. A haunting face appears amidst a massive bright purple blob, laughing directly at Forte. Cursing him, Forte finds himself powerless as the blob takes form, and captures him within its grasp! -- Nearing the time of sunset, a peaceful city and its people go about their everyday business. Curious bystanders on a sidewalk glimpse a shimmering purple light, which suddenly expands into tall pillar that reaches up to the sky. Screams erupt from the people as the pillar of light takes flight, absorbing everything in its destructive path. A tower clock dings the hour of 4 o'clock as the pillar desintigrates, leaving behind a trail of cybernetic residue and utter emptyness. -- 'The Program of Light and Dark' -- -- (Source: Official Site) -- Movie - Mar 12, 2005 -- 3,827 7.21
Slayers: The Motion Picture -- -- J.C.Staff -- 1 ep -- Light novel -- Adventure Comedy Magic Fantasy Shounen -- Slayers: The Motion Picture Slayers: The Motion Picture -- In this prequel movie to the Slayers televison series, Lina Inverse travels to Mipross Island with her rival/traveling companion Naga the Serpent. While they originally came for the hot springs, they soon find them selves mixed up in a conspiracy involving a mazoku named Joyrock. Years ago, he killed all of the elves that inhabited the island and absorbed their power. They are soon joined by an old mage named Rowdy Gabriev, who was in love with one of the elves slaughtered and also wants to defeat Joyrock. -- -- (Source: ANN) -- -- Licensor: -- ADV Films -- Movie - Jul 29, 1995 -- 21,315 7.29
Slayers: The Motion Picture -- -- J.C.Staff -- 1 ep -- Light novel -- Adventure Comedy Magic Fantasy Shounen -- Slayers: The Motion Picture Slayers: The Motion Picture -- In this prequel movie to the Slayers televison series, Lina Inverse travels to Mipross Island with her rival/traveling companion Naga the Serpent. While they originally came for the hot springs, they soon find them selves mixed up in a conspiracy involving a mazoku named Joyrock. Years ago, he killed all of the elves that inhabited the island and absorbed their power. They are soon joined by an old mage named Rowdy Gabriev, who was in love with one of the elves slaughtered and also wants to defeat Joyrock. -- -- (Source: ANN) -- Movie - Jul 29, 1995 -- 21,315 7.29
Urasekai Picnic -- -- Felix Film, LIDENFILMS -- 12 eps -- Novel -- Sci-Fi Adventure Mystery Fantasy Shoujo Ai -- Urasekai Picnic Urasekai Picnic -- The "Otherworld" is a vast and dangerous realm hidden from the knowledge of the common folk. It is also home to many creatures that threaten any human who dare visit it. To witness its desolate yet oddly absorbing environment, one must search for portals that could reside anywhere, from secret elevators to shrine entrances. -- -- After a fateful encounter with a horrendous Otherworld denizen, Sorao Kamikoshi ponders whether to keep going or give up in life. Meanwhile, Toriko Nishina scours the Otherworld in hopes of finding her friend Satsuki, who she believes is lost somewhere within the realm. -- -- When the two cross paths, friendship blossoms. In order to acquire as much information about this obscure dimension, the two travel back and forth from the real world to the other. Sorao and Toriko's bodies are soon influenced by the Otherworld, preparing them for the many horrors to come as both of them try to fulfill their goals. -- -- -- Licensor: -- Funimation -- 76,567 6.54
Yama no Susume -- -- 8bit -- 12 eps -- Manga -- Adventure Slice of Life Comedy -- Yama no Susume Yama no Susume -- As a child, Aoi Yukimura adored mountains and was passionate about climbing. However, a playground accident has since left her afraid of heights, turning her toward indoor hobbies. Unfortunately, now a shy and timid first-year high school student, Aoi has become so absorbed in these pastimes that she can barely socialise with others, leaving her practically friendless. It’s only when she runs into the lively Hinata Kuraue, an old friend from her climbing days, that things start to change. -- -- Impulsive and high-spirited, Hinata insists on having Aoi join her in all sorts of climbing activities. Though reluctant at first, Aoi quickly finds that her time with Hinata brings back fond memories of their childhood and soon decides to start climbing again. As the return to her past hobby starts to bring her out of her shell, Aoi finds herself gaining close friends, taking on new challenges, and continuing to find her own encouragement to climb. -- -- 62,796 6.82
Zero no Tsukaima -- -- J.C.Staff -- 13 eps -- Light novel -- Action Adventure Harem Comedy Magic Romance Ecchi Fantasy School -- Zero no Tsukaima Zero no Tsukaima -- Louise Françoise Le Blanc de La Vallière is a self-absorbed mage in a world of wands, cloaks, and royalty. Although she studies at Tristain Academy, a prestigious school for magicians, she has a major problem: Louise is unable to cast magic properly, earning her the nickname of "Louise the Zero" from her classmates. -- -- When the first year students are required to perform a summoning ritual, Louise's summoning results in a catastrophic explosion! Everyone deems this to be yet another failure, but when the smoke clears, a boy named Saito Hiraga appears. Now Louise's familiar, Saito is treated as a slave, forced to clean her clothes and eat off the ground. But when an unfamiliar brand is found etched on Saito's hand from the summoning ritual, it is believed to be the mark of a powerful familiar named Gandalfr. -- -- Wild, adventurous, and explosive, Zero no Tsukaima follows Saito as he comes to terms with his new life and as Louise proves that there is more to her than her nickname suggests. -- -- -- Licensor: -- Funimation, Geneon Entertainment USA, Sentai Filmworks -- 668,146 7.31
Zoku Owarimonogatari -- -- Shaft -- 6 eps -- Light novel -- Mystery Comedy Supernatural Vampire -- Zoku Owarimonogatari Zoku Owarimonogatari -- Graduation day is finally here, marking the end of Koyomi Araragi's eccentric high school life full of peculiar relationships with otherworldly beings. -- -- However, Araragi is unexpectedly absorbed into his own bathroom mirror and trapped inside a bizarre world where everything he knows is completely reversed—the haughty Karen Araragi is shorter than usual, poker-faced Yotsugi Ononoki is brimming with emotion, and cute ghost girl Mayoi Hachikuji is a grown woman! But not everything is as it seems. -- -- Zoku Owarimonogatari details the story of Araragi's endeavors in this new world as he struggles to return to his home and understand the nature of this bizarre dimension. -- -- Movie - Nov 10, 2018 -- 156,952 8.49
Absorbable gelatin sponge
Absorbance
Absorbed dose
Absorbing element
Absorbing Man
Absorbing Markov chain
Absorbing set
Absorbing the Disarray
Bioabsorbable metallic glass
Centrifugal pendulum absorber
Coherent perfect absorber
Energy absorber
Friction disk shock absorber
Lever arm shock absorber
Maximum Absorbency Garment
Oxygen radical absorbance capacity
Radiation-absorbent material
Regenerative shock absorber
Semiconductor saturable-absorber mirror
Shock absorber
Specific ultraviolet absorbance
Superabsorbent polymer
WheelerFeynman absorber theory


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